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Speaker 1: Damsel and distress.

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Speaker 2: It's what I do best.

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Speaker 3: Because I know where all the knives are. Because I

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know where all the knives are, unfinished business has already laughed,

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it scars because I know where all the knives are.

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Speaker 4: Because I know where all the knives are.

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Speaker 5: That's turned into lyrics like like someone spirits, O whoa?

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Speaker 6: Tim thoughts in the lyrics, sim thoughts in the lyrics.

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Speaker 7: Don't let them.

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Speaker 6: Be you break the only new yor anomies life.

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Speaker 8: You been, you.

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Speaker 1: Witnessed your weakness.

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Speaker 5: Say held them close and kept them my secret.

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Speaker 6: Now I know where all the knives are. Now I

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know where all the knives are.

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Speaker 2: Adrenaline tasted.

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Speaker 4: It's my territory. I'll stake it.

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Speaker 2: Oh whoa, Now.

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Speaker 6: I know where all the knives are. H Now I

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know where are the knives are.

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Speaker 9: They don't let them hall you.

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Speaker 6: Be, you brat They only New Yorse lineing you.

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Speaker 2: Now I know where are the knives are?

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Speaker 6: Now I know where are the knives are?

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Speaker 9: World, Jimmy, that's an a lyrics world.

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Speaker 2: Jimmy thoughts an elelyrics.

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Speaker 8: The world.

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Speaker 10: Now we know where are the NYE.

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Speaker 6: World?

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Speaker 8: Never know ye?

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Speaker 7: Now we know it's nice never nice.

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Speaker 11: I do love that song and I get stuck in

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my head ever since the last time. We had Kate

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Shimkey from Darling Hill here with us in studio. So

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Tyler all Good is here also, Kate Shimkey is here.

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Welcome back, good morning, and why don't you go ahead

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and introduce you brought some associates with you. Oh, yes,

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like that, we'll get into We have a lot to

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talk about today, lot lots of lots of good stuff

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my associates. Yes, yes, I will.

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Speaker 1: To my right is my partner in life, Aaron Durman.

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He's also my musical partner. He performs with me in

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Darling Hill.

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Speaker 11: Hello, Aeron, welcome to the show. Hello.

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Speaker 1: And then I have on my left Nicholas de Chico.

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He's been like my I call my rider die right

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left hand man. I guess okay for the past ten years.

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He's kind of helped me grow our music community, has

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done a lot of sound support, oh, very cool, and

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lighting support and probably a lot of unbuild therapy. Yeah.

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And so they both also work in audio. So Aaron

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works for Earthworks Audio. It's really, you know, pretty popular

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high definition of microphone company. And Nick if you don't

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mind me saying works for Upstream Sound, which provides a

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lot of light and sound support for venues and festivals

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up and down the East Coast.

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Speaker 11: Oh, very cool, Very cool. And so now why have

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you brought Let's get right to the really exciting part.

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Why have you brought everyone? Why why have you brought

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all these people here with you today?

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Speaker 1: Well, I kind of want to shed a light on

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the people behind the scenes of music. I think that

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you know. I'm a musician and we started our own

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music community in our backyard. Aaron and I live on

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a land trust. It's about one hundred acres of nature

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that we live on, and we built a small stage

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about ten years ago. And I would literally go into

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every bar and meet local musicians and kind of ride

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on the coattails of my husband's job and just say,

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you know, my husband works for Earthworks. You have some

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great gear to play with at home. Would you like

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to come play with us and we'll put you on

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our stage and host you at house concerts, your recording sessions.

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Speaker 11: Yeah.

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Speaker 1: So we've been doing that for about eight years. But

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you know, a lot of things have changed over the years,

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and here we are now in twenty twenty five and

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I've got an art studio on Welton and it's fairly small,

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but I kind of want to work with a room

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that's small and intimate and really give musicians an opportunity

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to share their original music in a setting that's not

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bombarded with like a bar scene or too much alcohol

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or a house party that's too loud, like like a

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nice back and forth between the audience and the musician

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to share, you know, their music in a way that's

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more conducive to like a grassroots vibe. You know, you

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can support the artists directly, you can buy their merch

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you know, we don't really take a cut. So in

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order to do that, I need a lot of support.

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I need sound support, I need you know. I do

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a lot of the managing of it and the networking,

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but when it comes down to the day of Nick's

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very good at implementing the gear. Aaron understands it given

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his background. So, yeah, this is our first time being indoors.

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We've been doing it outdoors, oh okay, out of our

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backyard for like I said, eight years. We've had as

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little as like twenty people show up, and we've had

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as much as like one hundred and fifty to two

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hundred in one day. I think the most we ever

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hosted was eighteen bands in one day.

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Speaker 11: No kidding, Yeah, that's that's a that's a long yeah,

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long event.

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Speaker 1: We did it though, and some of the bands I

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see here on your show. So yeah, I'm excited to

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announce our spring lineup in our listening room. It's only

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twenty seats, so I only have to manage oh wow, yeah,

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I only have to manage twenty people. Where before it

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was like I just had like this huge landscape of

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you know, rando people just showing up right now, this

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is a little more condensed.

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Speaker 12: You know.

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Speaker 11: So it sounds like a perfect scenario for if say

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someone is releasing an album and they just want to

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do you know, they want to do something where you know,

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I mean you can do people have these release parties.

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People have been doing that for ever these you know.

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But if you have like a CD release party at

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a bar or something, you know, then you run into

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that thing where a lot of the people who are

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there they aren't there for the release party. They're there

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to drink, and you know, you're kind of the background music.

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But but but this sounds like it's perfect for people

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who really very intently want to listen to They're there

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specifically for that, for that purpose. It reminds me of

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years ago. You know, I worked for for a long time,

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I worked for well, it became f Ye, but it

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used to be Do you all remember Strawberries? Yeah, and

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uh I worked for them, and we would do these,

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you know, sometimes they would, like the store managers would

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go to Boston for a release party for an up

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and coming artists who we were going to be carrying

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their music in our stores and so and it was

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very much you know, there would be alcohol there and whatnot,

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but but it was very much you know, you're not

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you're not there to drink. You're there specifically and of

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course you know, people were watching us too because it

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was a company thing, but we were there specifically to

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pay attention to the music and this artist and learn

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about them and the album that was coming out that

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we were going to be selling, and it was very

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focused on that. But was this always kind of the goal,

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like when you started doing these, you know, because I

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think the first time that you were on the show,

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you had talked about that how these were outdoor events. Yes,

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was it always the goal? To do something inside.

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Speaker 1: It was always I'd get frustrated with the New England weather. Yes,

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and I don't pay a guarantee, so I'm very transparent

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about that. I don't do all this because we love

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to do it, but we also don't have a lot

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of money to pay people. So there's this reciprocity, this

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understanding that if they want as bad as I do,

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we got to promote together and all that. But the

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second the weather messes things up, it's like having it

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start that all over again is really frustrating. And I

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stopped doing it on my home for personal reasons. I

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was getting tired of opening my sanctuary so to speak

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to so many people doing it for so long, and

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I was like, man, I really want a smaller space

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or a space that has roof on it. So I

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looked at my studio one day. I mean, we've had

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this art studio probably as long as we've been doing it.

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Was called Hippie Hollow That's what it was called. Is

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Hippie Hollow House concerts Okay. And he'd whip out his

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microphones and we'd record people live. And I just started

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noticing instead of like being a recording studio, I should

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just be hosting house concerts, right, just more nurturing, more

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opportunity there, and let's work for.

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Speaker 11: Me, right.

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Speaker 1: So yeah, doing it in the studio, I just had

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this epiphany. I'm like, screw it. I don't care if

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it's not big enough. It's got a roof on it.

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So I rearranged the entire storefront to accommodate twenty chairs.

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I said, if I can get twenty chairs in, I

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mean we can have a donation of ten dollars or

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a donation of forty dollars, depending on the artists.

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Speaker 11: Yeah, oh okay, very cool. Yeah now is this now?

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What's what's Tyler's involvements?

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Speaker 2: Tyler?

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Speaker 1: Well, so winter was coming and it was really jonesing

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for doing a show. I was like, I know, I

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can only do this at my home because you got

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to walk down a trail just to get to my house.

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Speaker 11: Yeah.

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Speaker 1: So I was shooting the crap with Tyler and I

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was like, yo, I need somebody that can trust that

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I'm going to put in enough work to make this happen.

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And he's been a great collaborator with me in the past, excellent.

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So you know, I loved the band he was in

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the White Mountain Rounders. That's a great uplifting vibe in

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the middle of the winter.

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Speaker 11: Yeah.

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Speaker 1: So yeah, him and his boys got together and gave

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me a chance. And even though the weather worked against us,

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I still think it was a great turnout.

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Speaker 11: Excellent.

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Speaker 1: So he's coming back next week to do his solo.

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Speaker 11: Oh excellent? When is that? Next week?

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Speaker 1: Was February sixteenth.

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Speaker 11: February sixteenth? Very good? Very good? Actually, is that how

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we met? Is that how we connected with you? Tyler

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was through Kate originally?

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Speaker 10: I think so?

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Speaker 11: I think so.

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Speaker 1: Yeah, I sent a couple of people here, so you did.

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Speaker 10: Yeah.

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Speaker 1: I sent my cousin Tommy here, I sent Paula.

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Speaker 11: Oh right, tom Russo.

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Speaker 10: Yeah.

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Speaker 11: Yeah, he's been on a few times now.

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Speaker 10: Yeah.

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Speaker 11: Yeah, he's amazing.

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Speaker 1: Yeah, you can't get rid of us.

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Speaker 11: No, that's great, that's great. And Tyler I love that song.

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As you know, All Night Dreams the new single. For

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those of you watching the video feed, you might see

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Tyler or is holding a guitar. I'm dying to hear

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you play. Do you want to play something? And then

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we'll talk a little bit more about everything. That's everything

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that's going on.

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Speaker 10: That sounds good?

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Speaker 11: Sure, do you want to play? Do you want to

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play All Night Dreams live?

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Speaker 13: Or I guess I'll do an acoustic version of All

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night Dreams?

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Speaker 11: Very cool.

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Speaker 10: It's here now.

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Speaker 13: It comes out on Valentine's Day, So at midnight Friday

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night there Valentine's Day it will be available for everybody,

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and you guys got.

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Speaker 10: To hear it.

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Speaker 13: It's got the slide the harmonica. But we'll give you

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an acoustic version.

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Speaker 11: Oh, very cool. If you're just joining us here, he

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is Tyler Allgood, an acoustic live rendition of All Night

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Dreams here in studio.

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Speaker 9: Can't get you out of my mind. It hurts and

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I'm still trying. Oh, my dreams, I can't get you.

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Speaker 2: Out of my mind. I screwed up and lie. Now

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you waln a run and hide, night Dreams. Won't you

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come into my reality? Night Dreams?

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Speaker 9: Please help come make this man out of me. I

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can't get you out of my mind. My thoughts are.

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Speaker 2: Twisted in time. I wish I had made the best

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of heart. Time.

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Speaker 9: This pool has done a thought of her, This pool

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has done a thought of tur.

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Speaker 14: And now this foolishes take your pain away, night Dreams.

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Speaker 2: Won't you come save my personality.

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Speaker 9: Oh night dreams, please help come make this man out

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of me.

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Speaker 2: I can't get you out of my mind. Maybe it's

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because you're.

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Speaker 9: So kind, a beautiful girl, smart and nice. It's because

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I wasn't ready and I fled the scene. But I

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want you to know.

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Speaker 2: The shape sat nighteen.

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Speaker 7: Won't you come in to my reality? Night dreams?

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Speaker 2: Please help come make this man out of me.

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Speaker 8: Own dreams, dreams, bright dream a night truth.

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Speaker 2: I can't get you out of my mind, night Dreams.

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I can't get you out of my my night dreams.

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Speaker 11: M I do love that song so much. That is

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so cool. That is so cool if you are just

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joining us. That was Tyler Allgood playing his new single

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All Night Dreams, which we premiered earlier in the show,

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the studio version. But that's that's Tyler doing it live

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and that sounds great. And of course we have Kate

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Shimkey and Aaron and Nick talking about the listening room

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and of course Tyler involved in that as well. And

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this is oh, you're getting some love in the chat room.

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You all are, actually so Meghan d is in the

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chat she says so excited for the listening room in

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Wilton and She also said, Tyler, allgood is awesome. Check

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it out, and she gave you some applause there, Tyler,

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I love Megan so much. Thanks Meghan absolutely. And also

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Miriam vanished in the chat and says good morning hello Miriam. Yeah,

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so the listening room. So now when is the what

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is the first You probably told us this already, but uh,

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when is the first official event?

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Speaker 1: So we actually had it already on January thirty. First,

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the White Mountain Rounders came, which was a band that

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Tyler's in. And okay, we also had the pleasure of

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Josh Blair from Modern Fools opening for them.

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Speaker 11: Oh yeah, we just had Modern Fools on. They were amazing.

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Speaker 2: Yeah.

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Speaker 1: Yeah, so that was a great, a great set, both

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both bands to a great Uh. We got to finally

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see the lighting and see that here's.

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Speaker 11: You got the hat, he got the nixt wearing the hat.

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Speaker 1: Yeah, it was a funny thing. Josh showed up with

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his suitcase of merch. Yeah, and he's I guess had

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this suitcase since like the nineties and he's always used

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it to carry his merch And when he showed up,

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it was locked and he didn't know the code. Oh no,

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So Aaron got the drill and that's why I keep

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him around. He was able to break into the Modern

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Fools merch suitcase and we were able to sell the merch.

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Speaker 11: Oh that's that's great.

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Speaker 1: Fun little kink in the event there. But our next

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event is with Tyler All good. Obviously he's going to

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come back and share his his solo work. And then

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I'll just say it now, because I told people I

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would do the spring lineups.

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Speaker 11: Yeah, oh please. Yeah.

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Speaker 1: In March we got Quincy Lord coming.

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Speaker 11: Oh yeah, we sat him on. He's amazing.

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Speaker 1: Yeah, I'm really excited.

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Speaker 11: Is it him by himself or with sun Settle, Like

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we were literally.

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Speaker 1: Just talking about that before we got on air. We're

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trying to figure out if we could see our space

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is small, so yes, I want the whole band, but

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can I fit the whole band? We're going to find out.

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So if Quincy is listening, I'm going to call you

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after the show. I'm going to tell you, let's try it.

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Let's try to cram the band in there. Yeah you know,

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I was like, why not try it with Quincy? Like

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I don't know a whole drum kit. Let's find out.

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Speaker 11: Yeah.

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Speaker 1: And then in April. I have Temple Mountain coming. I

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know he's been here.

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Speaker 11: Awesome.

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Speaker 1: Yeah, he's collaborating with kat Ivy, who is a new name.

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Speaker 11: Oh yeah, I think kat Ivy. We have know we

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have cat Ivy coming up, Jenny, I think we have

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kat Ivy. Eric's been on the show a bunch of

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course to double check. I think so, or it's in

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the works.

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Speaker 1: Yeah, he's got her coming with him in April. Yeah,

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and then Rebecca Tormel.

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Speaker 11: Oh yeah in May.

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Speaker 1: Excellent, and Eyes of Age in June. And I don't

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know if you know who David.

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Speaker 11: Young is, No, and I don't know Eyes of Age.

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Speaker 1: So they David Young does a lot of organizing for

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the Hancock Depot, which is in Hancock, Okay. And he

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00:20:17,359 --> 00:20:19,599
does similar things that I'd like to do, which is

338
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host like listening room type events become it's donation based

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and he does it out of a historic railroad station Okay.

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And they have a band. He has a band called

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Eyes of Age, and so he came to the show

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00:20:33,119 --> 00:20:35,119
and really liked what he saw. So he wants to

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be a part of what we're doing. Oh, put his

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band in the listening room.

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Speaker 11: Nice? Nice, Yeah, very good.

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Speaker 1: So I'm excited about that. I got the summer. I'm

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working on the summer, fall, winter. I was absolutely shocked.

348
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Every day I wake up to messages in my email

349
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asking me about availability. Yeah, since I've announced this not

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even a month ago.

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Speaker 11: So Megan knows Eyes of Age, Yes, she said in

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the chat room, Love Love Love eyes of Age. I'll

353
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have to check them out. Yeah, yep, so coming in okay.

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Speaker 7: Yeah.

355
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Speaker 11: And by the way, Miriam said, I continued humming that

356
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last song after it ended. I think that's a good thing.

357
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So there you go, right, it gets into your brain.

358
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It's a great yeah. Yeah. And actually Kat will.

359
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Speaker 2: Be with us next week.

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Speaker 11: Next week, okay, I thought, So, yeah.

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Speaker 1: She'll be she'll be coming to me. And what I say, April,

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I can't remember is in the spring.

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Speaker 11: Yeah, in the spring.

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Speaker 1: That's a good problem though, I'm making it. I'm in

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the middle of making the flyer. So I did want

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to give a shout out to one more person, my

367
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girl Victoria from I Have Ethereal. She own's a tattoo

368
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shop in Nashua, but she's taken the time to do

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some pro bonographic design for our listening room. So, oh,

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you're gonna see more of our little skeleton walking around

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in musical landscapes as we continue our social media campaign.

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Oh very cool.

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Speaker 13: Victoria did my logo and cover art as well.

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Speaker 1: So she's kind of branching out from the ink and

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skin and doing things with musicians.

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Speaker 11: Yeah, no, that's cool.

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Speaker 1: I have Ethereal. I have Ethereal in Nashua.

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Speaker 11: Okay, now I'm curious about the I was curious about

379
00:22:00,839 --> 00:22:04,319
that too, the logo, Like why the skeleton because I

380
00:22:04,400 --> 00:22:07,720
see the skeleton, like I think like death metal or something.

381
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Speaker 1: Yeah, I think we will.

382
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Speaker 11: I didn't really think that. I'm kidding, but I am curious.

383
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Speaker 1: I think I did with the nature concept like this,

384
00:22:13,960 --> 00:22:16,079
and we're both creepy girls, like creep like I got

385
00:22:16,160 --> 00:22:18,200
a skull on my arm right Like, So she's like,

386
00:22:18,240 --> 00:22:19,680
how about you know, we just came up with all

387
00:22:19,720 --> 00:22:22,119
these ideas and for some reason, we call them Scully

388
00:22:22,359 --> 00:22:24,440
and and now we have all these different ideas as

389
00:22:24,440 --> 00:22:26,559
to how we're gonna promote each musician with this little

390
00:22:26,640 --> 00:22:29,200
skull characters. Yeah, he's always going to be a nature

391
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as well.

392
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Speaker 11: Oh okay, Okay, that makes sense.

393
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Speaker 1: Because it's my studio is called Prayers of Nature Okay,

394
00:22:34,440 --> 00:22:36,880
listening room at Prayers of Nature is like really long winded,

395
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so we just called it the listening.

396
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Speaker 11: Room, okay, but the official name is the Listening Room

397
00:22:40,680 --> 00:22:43,200
at Prayers of Nature. Now, why Prayers of Nature? What's

398
00:22:43,240 --> 00:22:43,880
the origin of that?

399
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Speaker 1: Aaron's mother was an artist. You made flower Mindala's beautiful

400
00:22:47,559 --> 00:22:50,000
flower mindalas, and so our studio when you walk in

401
00:22:50,160 --> 00:22:53,839
it is unlike anything else you've probably seen. It's got chandeliers,

402
00:22:53,880 --> 00:22:56,160
we got hanging from like a big mill building, okay,

403
00:22:56,519 --> 00:23:00,359
and then we got like plants and flower mindalas everywhere.

404
00:23:00,359 --> 00:23:02,240
Speaker 11: And what is I don't know what a mandala.

405
00:23:02,960 --> 00:23:05,240
Speaker 1: It's like a Buddhist image. You've probably seen it, you

406
00:23:05,319 --> 00:23:08,279
just didn't know. You've seen the circular image. And it's

407
00:23:08,319 --> 00:23:10,640
usually made with like sand and seeds and things like that.

408
00:23:10,759 --> 00:23:12,960
But his mother made him with flowers, okay, and she

409
00:23:13,039 --> 00:23:14,680
made over one hundred and twenty five of them.

410
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Speaker 11: Oh so cool.

411
00:23:16,160 --> 00:23:17,880
Speaker 1: We have a lot of them in our studio. Yeah,

412
00:23:18,240 --> 00:23:20,240
we've had them in some galleries and stuff. So Aaron

413
00:23:20,279 --> 00:23:22,839
also is a jeweler. When he's not making microphones for Earthworks,

414
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he's making jewelry. It's all inspired by nature. They have

415
00:23:25,240 --> 00:23:27,960
a lot of nature themes in our shop, Crystals, all

416
00:23:28,079 --> 00:23:34,519
sorts of things like that flowers, flowers are the parts. Yes,

417
00:23:34,599 --> 00:23:38,039
And I actually think our musical experience are similar to mandala.

418
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So when you create a mindala, it's about the experience

419
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of making it, necessarily about what the outcome looks like.

420
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And then when you're done with the mendali, you're supposed

421
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to destroy it to release yourself from attachments. Oh so,

422
00:23:48,440 --> 00:23:50,559
whenever we set up for a show, whenever Nick sitting

423
00:23:50,599 --> 00:23:52,839
up the lighting gear, the sound gear and like we're

424
00:23:52,839 --> 00:23:55,079
getting the chairs all said, I know that this isn't

425
00:23:55,079 --> 00:23:57,039
going to stay this way. People are gonna show up

426
00:23:57,039 --> 00:23:58,680
and they're going to experience the music, and then they're

427
00:23:58,680 --> 00:24:00,279
gonna leave and we're gonna break it all down again.

428
00:24:00,400 --> 00:24:00,599
Speaker 11: Yeah.

429
00:24:00,640 --> 00:24:03,079
Speaker 1: So I actually found a cohesive way to like tie

430
00:24:03,119 --> 00:24:05,839
it all in. So we're kind of happy. We're sharing

431
00:24:05,880 --> 00:24:08,119
an experience in every event that's not going to last song,

432
00:24:08,240 --> 00:24:09,079
kind of like a mandala.

433
00:24:09,200 --> 00:24:12,400
Speaker 11: Oh okay, I get it, there it is. Yeah, that's

434
00:24:12,599 --> 00:24:13,119
that's cool.

435
00:24:13,319 --> 00:24:14,559
Speaker 13: That's one cool thing too.

436
00:24:14,640 --> 00:24:15,880
Speaker 1: I just want to point out, and I don't know

437
00:24:15,880 --> 00:24:17,400
if Aaron's going to talk about it, but we do

438
00:24:17,599 --> 00:24:21,160
use all Earthworks microphones. So between him and Nick, they

439
00:24:21,200 --> 00:24:24,200
have they know how to there. Can you explain the

440
00:24:24,319 --> 00:24:28,160
difference between like a standard microphone and like what Earthworks does?

441
00:24:28,440 --> 00:24:28,640
Speaker 11: Yeah?

442
00:24:28,720 --> 00:24:32,240
Speaker 12: Please, Well, the beauty is in the sound. Of course,

443
00:24:32,759 --> 00:24:36,480
you have to hear it to understand it. Yeah, I'm

444
00:24:36,519 --> 00:24:38,519
not currently talking to an Earthworks microphone.

445
00:24:38,640 --> 00:24:43,720
Speaker 1: No, no, you're not there.

446
00:24:44,000 --> 00:24:45,039
Speaker 11: Their time coherent.

447
00:24:45,160 --> 00:24:49,599
Speaker 12: They preserves the transient responses that sounds in a way

448
00:24:49,640 --> 00:24:54,480
that what the microphone does. Okay, and they have excellent

449
00:24:54,599 --> 00:24:57,039
polar responses okay, off access.

450
00:24:58,119 --> 00:25:01,839
Speaker 11: Okay, you put a lot of love into my microphone. Okay, excellent, excellent?

451
00:25:02,160 --> 00:25:06,720
Uh based? Where is Earthworks based? Based in Wilton? Wilton?

452
00:25:06,839 --> 00:25:09,400
Speaker 1: Okay, it's like literally three minutes down the road from

453
00:25:09,400 --> 00:25:11,880
our art studio. Oh okay, it's pretty great.

454
00:25:11,880 --> 00:25:15,559
Speaker 11: Okay, okay. Yeah, and then, uh so do you work

455
00:25:15,599 --> 00:25:16,319
there too, Necker?

456
00:25:16,680 --> 00:25:18,400
Speaker 10: I do not work at Earthworks, you do not.

457
00:25:19,079 --> 00:25:22,279
Speaker 15: I I'm more of a freelance audio engineer. I work

458
00:25:22,359 --> 00:25:24,440
for a couple of different companies. But yeah, so you know,

459
00:25:24,680 --> 00:25:28,799
work with Kate here used Earthwork microphones? I can you

460
00:25:28,880 --> 00:25:31,640
know I would concur with what Aaron is saying about there.

461
00:25:32,279 --> 00:25:34,119
I've never put them in front of something and it

462
00:25:34,240 --> 00:25:36,559
not work. Yeah, you know, and that and that that's

463
00:25:36,599 --> 00:25:38,880
a that's a that's a that's a great thing when

464
00:25:39,319 --> 00:25:41,720
you know when when a musician or a band brings

465
00:25:41,759 --> 00:25:46,319
you their their image, their their art, and you want

466
00:25:46,359 --> 00:25:49,799
to faithfully recreate that for them, you know, putting, you know,

467
00:25:49,880 --> 00:25:52,920
the microphones are your first tool. Like as a framer,

468
00:25:53,119 --> 00:25:55,480
the first thing is the nail in the hammer, you know,

469
00:25:55,599 --> 00:25:57,519
in the wood that goes together. So it's like when

470
00:25:57,519 --> 00:25:59,279
you when you know that your tool is going to

471
00:25:59,319 --> 00:26:01,759
be good and true and straight, that makes a huge difference.

472
00:26:02,000 --> 00:26:05,680
Speaker 11: Yeah, yeah, absolutely, So that's obviously what you use at Uh.

473
00:26:06,240 --> 00:26:08,839
Speaker 1: There's different models for different applications.

474
00:26:08,920 --> 00:26:12,119
Speaker 15: Use the one, the one seventeens, the vocal microphones, yeah,

475
00:26:12,200 --> 00:26:14,559
all right, and then there's a couple other things floating

476
00:26:14,599 --> 00:26:18,279
around in there, like some omnies and some instrument microphones.

477
00:26:18,400 --> 00:26:20,839
And every band's a little different too. You know, some

478
00:26:21,000 --> 00:26:23,720
d I sitting on the floor. Yeah, I don't think earthwork.

479
00:26:23,799 --> 00:26:26,359
Does Earthworks make d I s or micro pre amps.

480
00:26:26,400 --> 00:26:27,319
I don't think that's something.

481
00:26:27,240 --> 00:26:28,480
Speaker 11: We used to make pre apps.

482
00:26:28,519 --> 00:26:29,640
Speaker 10: We don't do that anymore.

483
00:26:29,799 --> 00:26:30,240
Speaker 11: Oh okay.

484
00:26:30,559 --> 00:26:32,480
Speaker 12: We had a saying like wire with game. We had

485
00:26:32,519 --> 00:26:36,079
these amazing uh one O two one, one O two two,

486
00:26:36,200 --> 00:26:40,039
one O two four series pre apps. Yeah, and but

487
00:26:40,160 --> 00:26:44,279
they are very expensive to manufacture. Oh okay, gotcha, gotcha.

488
00:26:44,519 --> 00:26:46,200
Speaker 1: You have brought the price down and a lot of

489
00:26:46,240 --> 00:26:48,039
their products, so people are really used to seeing a

490
00:26:48,079 --> 00:26:50,880
high price tag associated with Earthworks, but they've started to

491
00:26:50,920 --> 00:26:55,440
make them more consumer friendly. More musicians can independently buy

492
00:26:55,519 --> 00:26:57,319
them now, okay. You know, was before it was like

493
00:26:57,400 --> 00:27:00,160
quite an investment. So they recognize that. And so their

494
00:27:00,200 --> 00:27:01,920
vocal mic, which I've used a lot, I'm a big

495
00:27:02,000 --> 00:27:03,440
fan of, and I think it's only like two to

496
00:27:03,480 --> 00:27:04,200
three hundred bucks.

497
00:27:04,440 --> 00:27:09,200
Speaker 15: Yeah yeah, oh wow, yeah, okay, that's definitely the last

498
00:27:09,240 --> 00:27:11,720
couple of years, I've seen them on festival stages more often.

499
00:27:11,920 --> 00:27:13,319
Speaker 10: Really, yeah, you.

500
00:27:13,359 --> 00:27:21,759
Speaker 11: Might want to replace these, right right, I recommend.

501
00:27:21,319 --> 00:27:24,039
Speaker 1: These little salesman the moment going on, Oh yeah yeah, no,

502
00:27:24,319 --> 00:27:24,920
I respect it.

503
00:27:25,960 --> 00:27:29,640
Speaker 11: I respect it. Now is the goal is the goal

504
00:27:29,680 --> 00:27:31,599
to have an event every weekend at the.

505
00:27:31,599 --> 00:27:33,440
Speaker 1: Home right now, I'm just shooting for once a month,

506
00:27:33,599 --> 00:27:35,480
once a month, yeah, because I when it's not a

507
00:27:35,599 --> 00:27:40,200
music room, I use it for workshops and other events

508
00:27:40,319 --> 00:27:42,960
within the art community. Okay, so I am using it,

509
00:27:43,519 --> 00:27:46,079
you know, to its full capacity at this point. So yeah,

510
00:27:46,119 --> 00:27:48,119
people can go to prayers at nature dot com and

511
00:27:48,200 --> 00:27:49,720
it will show them a lot of our art. But

512
00:27:49,839 --> 00:27:52,640
there is a page for the listening room, okay, and

513
00:27:52,839 --> 00:27:55,319
they just go to there, and eventually, after today, I'm

514
00:27:55,359 --> 00:27:57,920
going to have all the most of the events listed

515
00:27:58,000 --> 00:28:00,200
and they range from a ten dollars donation to a

516
00:28:00,279 --> 00:28:02,759
forty dollars donation. Like I said, yeah, that's up to

517
00:28:02,799 --> 00:28:04,799
the artists. I let the artist. I try to empower

518
00:28:04,839 --> 00:28:07,000
the artists more, you know. I'm like, this is your space,

519
00:28:07,079 --> 00:28:09,960
you can use it. These are the options. Yeah, and

520
00:28:10,039 --> 00:28:13,480
I let them curate their own experience, okay, so I

521
00:28:13,559 --> 00:28:15,319
let them pick their opener. I'll let them pick who

522
00:28:15,359 --> 00:28:17,799
they want unless they they were enough ideas, you know,

523
00:28:18,079 --> 00:28:21,079
so I'll make suggestions. But typically it's like that's the deal,

524
00:28:21,160 --> 00:28:23,000
you know. And we don't take a cut unless the

525
00:28:23,119 --> 00:28:25,680
room sells out. Okay, so you know, and it's only

526
00:28:25,720 --> 00:28:28,319
twenty chairs, so right, and we don't take much of

527
00:28:28,359 --> 00:28:29,000
a cut anyway.

528
00:28:29,079 --> 00:28:30,680
Speaker 11: Well, I was gonna say, most likely the room is

529
00:28:30,720 --> 00:28:31,559
going to sell out.

530
00:28:31,880 --> 00:28:34,319
Speaker 1: I hope, So yeah, let's see, and I hope after

531
00:28:34,400 --> 00:28:36,480
a year we get you know, a built in audience,

532
00:28:36,519 --> 00:28:38,559
because now it's half the battle as the venue needs

533
00:28:38,599 --> 00:28:41,839
to bring an audience. Yeah, so I got my art

534
00:28:41,960 --> 00:28:44,799
enthusiasts already. You know, some of them are music enthusiasts,

535
00:28:44,799 --> 00:28:48,359
and Wilton actually is a very enthusiastic town for music.

536
00:28:48,640 --> 00:28:50,519
You know, it's a small town, but they have Oh.

537
00:28:50,920 --> 00:28:53,079
Speaker 11: I was scurious about that actually because you know, as

538
00:28:53,200 --> 00:28:54,960
it occurred to me as we're sitting here, I don't

539
00:28:54,960 --> 00:28:55,920
know much about Wilton.

540
00:28:56,119 --> 00:28:57,839
Speaker 1: It's like I call it between a mix of an

541
00:28:57,839 --> 00:28:59,559
Adam Sailor and Stephen kimfilm.

542
00:28:59,720 --> 00:29:01,160
Speaker 11: Yeah, like the same.

543
00:29:01,240 --> 00:29:03,000
Speaker 1: It's like kind of creepy but kind of cute, you know,

544
00:29:03,039 --> 00:29:04,920
and it's got that New England crunch. It still has

545
00:29:05,000 --> 00:29:08,920
like that that that downtown village vibe to it.

546
00:29:09,160 --> 00:29:09,400
Speaker 11: Yeah.

547
00:29:09,920 --> 00:29:12,079
Speaker 1: And yeah, there's several little nooks and crannies there where

548
00:29:12,079 --> 00:29:13,920
you can hear live music, and I'm hoping to become

549
00:29:13,960 --> 00:29:16,119
one that's fairly popular for people to go to.

550
00:29:16,400 --> 00:29:19,720
Speaker 11: Yeah. Yeah, awesome. You mentioned the shop too, So tell

551
00:29:19,799 --> 00:29:22,119
us tell us about that our shop, Yeah, like.

552
00:29:22,160 --> 00:29:25,599
Speaker 1: Our art studio. Yeah, yeah, it's well, it's you know,

553
00:29:25,759 --> 00:29:28,680
it's it's for the hippies. It's for the metaphysical weirdos.

554
00:29:28,839 --> 00:29:31,000
It's for the people that like voodoo dolls, you know.

555
00:29:31,119 --> 00:29:34,400
And it's part of an entire art mill. Believe it

556
00:29:34,480 --> 00:29:37,279
or not. There's about thirty studios in the mill. So

557
00:29:37,480 --> 00:29:39,759
oh okay, I'm one of the few that's actually open

558
00:29:39,839 --> 00:29:42,319
to the public. Oh and when you can get yes,

559
00:29:42,400 --> 00:29:45,759
you can stock up on crystals, sage Paulo Santo, handmade

560
00:29:45,799 --> 00:29:49,680
jewelry by Aaron. I got voodoo dolls that I give

561
00:29:49,839 --> 00:29:52,279
to gen you know, and all host workshops as well,

562
00:29:52,359 --> 00:29:54,519
like craft workshops. I'll get other crafters in there and

563
00:29:54,559 --> 00:29:57,039
they can host like a wire wrap class or oh

564
00:29:57,559 --> 00:29:59,799
like I think I'm doing a needle felting class after today,

565
00:30:00,000 --> 00:30:02,839
Like oh ok yeah. So it's a good creative space,

566
00:30:02,880 --> 00:30:04,400
which I'm like, why aren't we putting music in here?

567
00:30:04,400 --> 00:30:06,640
Why don't we share this with musicians, give them a

568
00:30:06,680 --> 00:30:07,720
studio for the evening?

569
00:30:07,960 --> 00:30:08,079
Speaker 12: Right?

570
00:30:08,240 --> 00:30:10,559
Speaker 1: So to me is it's just falling right in line

571
00:30:10,599 --> 00:30:13,599
with creativity and art and we're essentially just sharing the studio.

572
00:30:14,000 --> 00:30:15,359
Speaker 11: Yeah you know. Yeah.

573
00:30:15,599 --> 00:30:17,440
Speaker 1: So and then and the artists on that floor are

574
00:30:17,440 --> 00:30:19,720
all very excited about it. So they're they're thinking of

575
00:30:19,839 --> 00:30:22,680
opening their studios on the nights. We have these events, yeah,

576
00:30:22,759 --> 00:30:24,759
which I'm not like twisting their arm about, you.

577
00:30:24,839 --> 00:30:26,480
Speaker 11: Know, like it's it's a great, great idea.

578
00:30:26,559 --> 00:30:28,599
Speaker 1: Yeah, there's actually a guy that moved in right next door.

579
00:30:28,960 --> 00:30:32,519
He owns he does comic books, scale models, action figures.

580
00:30:32,720 --> 00:30:33,519
Speaker 11: So I love that.

581
00:30:33,640 --> 00:30:35,480
Speaker 1: I love the nerd and we got real excited. So

582
00:30:36,119 --> 00:30:38,200
hopefully some of these events we can get the artists

583
00:30:38,799 --> 00:30:41,079
around me to also open up their studio spaces.

584
00:30:41,240 --> 00:30:42,000
Speaker 11: That's a great idea.

585
00:30:42,079 --> 00:30:44,759
Speaker 1: I have the whole hallway open up for like people

586
00:30:44,839 --> 00:30:47,119
can byob I don't mind if people bring a six

587
00:30:47,240 --> 00:30:49,319
pack or a bottle of wine and sure themselves. And

588
00:30:49,400 --> 00:30:52,359
then we put like puzzles and let people do puzzles

589
00:30:52,359 --> 00:30:55,240
and there's a merch table. Yeah yeah, we'll see how

590
00:30:55,279 --> 00:30:56,640
it goes, you know, he just started.

591
00:30:56,880 --> 00:30:59,079
Speaker 11: Yeah, no, it's a great idea. You said, those like

592
00:30:59,240 --> 00:31:02,079
thirty different art studios in the building.

593
00:31:02,160 --> 00:31:02,359
Speaker 1: Yeah.

594
00:31:03,200 --> 00:31:03,400
Speaker 11: Yeah.

595
00:31:04,279 --> 00:31:07,160
Speaker 1: There's a lot of painters, a lot of photographers. There's

596
00:31:07,200 --> 00:31:09,920
a miniature artist she does everything in miniature.

597
00:31:10,079 --> 00:31:13,640
Speaker 11: Oh really, class.

598
00:31:13,720 --> 00:31:15,000
Speaker 1: There's silversmith in class.

599
00:31:15,079 --> 00:31:19,319
Speaker 11: Oh wow, yeah, that's right. Is it in downtown Wilton.

600
00:31:19,079 --> 00:31:21,359
Speaker 1: Kind of it's like it's off the main street and

601
00:31:21,480 --> 00:31:24,720
it's it's down by the river, so it's called Riverview Mill.

602
00:31:24,920 --> 00:31:29,279
Speaker 11: Okay, okay uh. Megan says Kate's passion for art, music

603
00:31:29,400 --> 00:31:30,960
and the community is incredible.

604
00:31:31,160 --> 00:31:33,119
Speaker 1: So I used to book Megan or I didn't book her.

605
00:31:33,240 --> 00:31:36,680
I booked a couple of craft fairs that I worked

606
00:31:36,759 --> 00:31:38,559
with her. Oh I got to I had the pleasure

607
00:31:38,599 --> 00:31:40,599
of watching her work with her own community of people.

608
00:31:40,680 --> 00:31:43,599
She has this she has quite a fan base herself

609
00:31:43,920 --> 00:31:46,440
for her tie die, which I noticed right away. At

610
00:31:46,480 --> 00:31:48,799
these shows we would we would be vending at the

611
00:31:48,880 --> 00:31:52,279
Range in Mason, which is a great venue, great outdoor venue,

612
00:31:52,359 --> 00:31:53,799
and Nick Nick does sound for them.

613
00:31:53,839 --> 00:31:55,559
Speaker 11: Actually, oh okay, okay cool.

614
00:31:55,759 --> 00:31:57,279
Speaker 1: And I think Tyler, maybe you've played there.

615
00:31:57,279 --> 00:31:57,839
Speaker 10: I know I've played.

616
00:31:57,960 --> 00:32:01,000
Speaker 1: Yeah, it's a great bunch. It's a great coal, uh

617
00:32:01,480 --> 00:32:03,960
you know, place to play. And so I remember Megan,

618
00:32:04,039 --> 00:32:06,279
you know, because there's like when you do craft fairies,

619
00:32:06,279 --> 00:32:08,440
there's always a tied eye person, there's always a soap maker,

620
00:32:08,519 --> 00:32:11,119
there's always like a crystal dealer. And she was probably

621
00:32:11,160 --> 00:32:13,960
the most popular tied I craft you've ever seen. Yeah,

622
00:32:14,279 --> 00:32:15,920
Like people lined up to come to her booth.

623
00:32:16,160 --> 00:32:17,400
Speaker 11: Yeah, yeah, Oh that's awesome.

624
00:32:17,799 --> 00:32:18,400
Speaker 1: Energy is great.

625
00:32:18,720 --> 00:32:22,640
Speaker 11: Absolutely, Miriam says, I like Wilton. The Wilton town Hall

626
00:32:22,720 --> 00:32:26,240
Movie Theater is super cool. Yes, yes, yes, is it ethic,

627
00:32:26,519 --> 00:32:26,960
Yeah yeah.

628
00:32:27,079 --> 00:32:29,000
Speaker 1: They play all sorts of like classic film and it's

629
00:32:29,039 --> 00:32:29,559
usually free.

630
00:32:29,759 --> 00:32:30,759
Speaker 11: Oh really yeah, it's.

631
00:32:30,640 --> 00:32:32,920
Speaker 10: An old school theater. Yeah, it's nice.

632
00:32:33,000 --> 00:32:35,079
Speaker 11: Oh wow, Oh that's very cool. That's very cool.

633
00:32:35,160 --> 00:32:37,720
Speaker 1: They'll do like a UFO day where they play all

634
00:32:37,799 --> 00:32:40,920
sci fi like vintage. Oh really, and all the UFO

635
00:32:41,000 --> 00:32:43,880
people come and, you know, get weird and Wilton.

636
00:32:44,079 --> 00:32:47,720
Speaker 11: Oh very cool. Yeah yeah, if you're just joining us here,

637
00:32:48,200 --> 00:32:50,279
So we have Kate Shimkey and of course we have

638
00:32:50,400 --> 00:32:54,039
Aaron and Nick uh talking about the listening room at

639
00:32:54,160 --> 00:32:55,799
Prayers of Nature. Did I get it right? You got it?

640
00:32:56,000 --> 00:32:59,160
I got it right? And Tyler all Tyler all Good

641
00:32:59,240 --> 00:33:02,000
is here with us. Well, he's connected with it and

642
00:33:02,160 --> 00:33:04,319
he played Tyler. I don't mean to put you on

643
00:33:04,480 --> 00:33:06,279
the spot, but I'm selfish. Do you want to play

644
00:33:06,319 --> 00:33:06,720
another one?

645
00:33:07,960 --> 00:33:08,200
Speaker 10: Yeah?

646
00:33:08,400 --> 00:33:08,640
Speaker 9: Sure?

647
00:33:08,759 --> 00:33:12,079
Speaker 11: I just you sounds so good man. I know we

648
00:33:12,400 --> 00:33:14,839
had only talked about playing one, but I just I

649
00:33:14,920 --> 00:33:17,440
can't help myself. Tyler Algot is here as well, so

650
00:33:17,519 --> 00:33:19,480
if you missed it earlier, he played as he played

651
00:33:19,559 --> 00:33:23,799
live for us in studio his new single All Night Dreams.

652
00:33:23,880 --> 00:33:25,880
But what are you gonna play for us? Now? Tyler?

653
00:33:26,359 --> 00:33:30,319
Speaker 13: So, I am going to play the title track off

654
00:33:30,640 --> 00:33:34,519
of my latest album, of Love, which is what we're

655
00:33:34,599 --> 00:33:40,000
celebrating next Sunday on February sixteenth. Okay, we're celebrating this album.

656
00:33:40,160 --> 00:33:43,279
We're celebrating my single All Night Dreams that comes out

657
00:33:43,319 --> 00:33:47,039
on Valentine's Day, and then we're also celebrating merch.

658
00:33:47,200 --> 00:33:47,640
Speaker 10: I got my.

659
00:33:47,839 --> 00:33:53,759
Speaker 13: First batch of T shirts, stickers, posters, and another CD.

660
00:33:53,920 --> 00:33:57,039
I've done the CDs before, but having my very first shirt.

661
00:33:57,480 --> 00:34:00,079
Oh cool, my new logo and.

662
00:34:01,799 --> 00:34:03,400
Speaker 10: Yeah, it's really exciting.

663
00:34:03,599 --> 00:34:05,480
Speaker 11: So and the album, I assume it'll be on all

664
00:34:05,519 --> 00:34:06,920
the streaming platforms and everything.

665
00:34:07,559 --> 00:34:08,920
Speaker 10: I released the album in April.

666
00:34:09,039 --> 00:34:09,920
Speaker 11: Oh, the album is out.

667
00:34:10,239 --> 00:34:11,719
Speaker 10: I haven't celebrated it yet.

668
00:34:11,800 --> 00:34:14,239
Speaker 11: Oh I get oh interesting, Okay, I got you, I

669
00:34:14,320 --> 00:34:14,599
got you.

670
00:34:14,880 --> 00:34:17,840
Speaker 13: But we have the single All Night Dreams on Valentine's Day.

671
00:34:17,920 --> 00:34:21,079
The merch is finally here, and I have a song

672
00:34:21,199 --> 00:34:23,679
coming out after All Night Dreams as well.

673
00:34:23,920 --> 00:34:24,159
Speaker 11: Cool.

674
00:34:24,199 --> 00:34:26,760
Speaker 13: I'm pretty soon here, so okay, but this will be

675
00:34:27,159 --> 00:34:31,880
of Love, The title track to the album released in April.

676
00:34:32,079 --> 00:34:34,480
The album is called of Love. This is the song

677
00:34:34,760 --> 00:34:35,760
of love all right?

678
00:34:48,639 --> 00:34:50,440
Speaker 2: My heart jobb beat her?

679
00:34:52,119 --> 00:34:53,679
Speaker 12: You know that.

680
00:34:55,440 --> 00:35:03,519
Speaker 2: Dangle to backs he Even.

681
00:35:03,480 --> 00:35:09,400
Speaker 9: Though we call the truth from the start, it does

682
00:35:09,840 --> 00:35:16,199
in mean my heart is your target to pounch.

683
00:35:17,639 --> 00:35:21,880
Speaker 2: Of love you pull.

684
00:35:24,280 --> 00:35:24,920
Speaker 8: In love.

685
00:35:28,159 --> 00:35:33,800
Speaker 2: September. Horne never spoke so loud.

686
00:35:34,480 --> 00:35:40,079
Speaker 9: With the screening stars and wall around.

687
00:35:41,400 --> 00:35:48,719
Speaker 2: But you come in when you need in love. Then

688
00:35:49,360 --> 00:35:50,719
you're gone.

689
00:35:50,639 --> 00:35:58,960
Speaker 9: When Bush comes to shove in love, you palln'n.

690
00:36:00,719 --> 00:36:01,599
Speaker 1: The food.

691
00:36:04,000 --> 00:36:11,760
Speaker 4: You pulled now have.

692
00:36:13,320 --> 00:36:24,480
Speaker 2: Nothing. Now would you call me king like I would?

693
00:36:24,760 --> 00:36:27,440
Forget those words?

694
00:36:29,639 --> 00:36:31,119
Speaker 10: Those words.

695
00:36:32,239 --> 00:36:33,719
Speaker 11: You can tap them back.

696
00:36:35,280 --> 00:36:36,679
Speaker 2: And take them all the way.

697
00:36:38,559 --> 00:36:40,320
Speaker 10: You bury them down.

698
00:36:41,840 --> 00:36:48,320
Speaker 9: In my lord and grave where my heart resides with

699
00:36:48,599 --> 00:36:49,840
the shattered brain.

700
00:36:51,440 --> 00:36:56,079
Speaker 2: I leave right down, Lord, can I leave this?

701
00:36:57,519 --> 00:36:57,880
Speaker 9: Please?

702
00:37:12,880 --> 00:37:14,639
Speaker 2: My heart's all beat her?

703
00:37:16,360 --> 00:37:17,840
Speaker 3: You know that?

704
00:37:19,639 --> 00:37:28,559
Speaker 2: Tingle him all through your backs? Even though he.

705
00:37:28,800 --> 00:37:34,960
Speaker 9: Called the juice from the start, does in mean my

706
00:37:36,000 --> 00:37:38,320
heart is your target?

707
00:37:39,280 --> 00:37:48,840
Speaker 2: Poch A blow you poch in love.

708
00:37:53,920 --> 00:37:57,639
Speaker 11: Oh my god, I love it. I love it. That

709
00:37:57,800 --> 00:38:01,639
was Tyler all good performing what's that called again? Tyler

710
00:38:01,920 --> 00:38:06,480
of Love of Love? Very very cool performing live for us.

711
00:38:06,719 --> 00:38:09,440
And of course we have Khimkey with us of Darling Hill.

712
00:38:09,800 --> 00:38:13,320
We should talk about that too. What's new there are

713
00:38:13,400 --> 00:38:15,840
you are? Have you been recording anything new or.

714
00:38:16,079 --> 00:38:17,960
Speaker 1: I've been doing a lot of practicing. I've had a

715
00:38:18,000 --> 00:38:20,559
lot of dental surgeries. Oh you have, yeah, yeah, They've

716
00:38:20,599 --> 00:38:22,920
been very unpredictable, so I have been hesitant to book.

717
00:38:22,960 --> 00:38:24,719
But I am happy to say we did get asked

718
00:38:24,800 --> 00:38:28,559
to play at Nova Arts and Keene on February twenty seventh.

719
00:38:28,679 --> 00:38:31,880
So I'm opening of I forget the woman's name. I

720
00:38:31,880 --> 00:38:33,800
feel a little such a jerk, but I was just

721
00:38:33,880 --> 00:38:36,079
so enamored that I finally got to play there. I'll

722
00:38:36,159 --> 00:38:37,920
just be honest, because it's such a great venue. If

723
00:38:37,920 --> 00:38:39,119
you go all the way up to Keen, it's called

724
00:38:39,199 --> 00:38:40,559
Nova Arts on Emerald Street.

725
00:38:40,719 --> 00:38:41,880
Speaker 11: Yes, yeah, I've been hearing about.

726
00:38:41,960 --> 00:38:44,599
Speaker 1: Oh it's a great venue. Yeah, so I was I immediately,

727
00:38:44,599 --> 00:38:46,599
I didn't even know who I was opening. I said yes.

728
00:38:46,679 --> 00:38:47,519
I was like, yes, I'll do it.

729
00:38:47,679 --> 00:38:48,239
Speaker 11: Yeah. Yeah.

730
00:38:48,280 --> 00:38:50,679
Speaker 1: So I'm excited about that. We've been aaron, I've been

731
00:38:50,719 --> 00:38:53,760
practicing a lot at home, and I kind of, I'll

732
00:38:53,800 --> 00:38:55,679
be honest with you, when I started the listening room,

733
00:38:55,679 --> 00:38:57,440
I kind of wanted to have a place for Darling

734
00:38:57,519 --> 00:39:00,280
Hill to play. Yeah, if I got too scared to play,

735
00:39:00,320 --> 00:39:03,159
I get stage fright so bad. So yeah, I don't

736
00:39:03,199 --> 00:39:05,159
I don't mind talking. But the second I start like

737
00:39:06,000 --> 00:39:08,760
performing and like sharing my emotions openly, I get all

738
00:39:08,800 --> 00:39:10,760
begotarded about it. But so I was like, if I

739
00:39:10,840 --> 00:39:12,639
do it in my own space, I'm more inclined to

740
00:39:12,800 --> 00:39:15,679
feel comfortable and like have these little training wheels, you know.

741
00:39:15,880 --> 00:39:20,119
So I booked myself. Yeah, but not till October.

742
00:39:20,920 --> 00:39:22,559
Speaker 11: Oh okay, okay, but.

743
00:39:22,880 --> 00:39:24,960
Speaker 1: I am playing no of arts and Keen and Handcock.

744
00:39:25,039 --> 00:39:27,719
Depot actually asked me to play a feature in August.

745
00:39:27,960 --> 00:39:30,039
So I'm kind of sporadic because I go through a

746
00:39:30,079 --> 00:39:32,880
lot of surgeries at the moment. Oh yeah, so I

747
00:39:33,119 --> 00:39:35,400
have to like be tactful about who I say yes to.

748
00:39:35,719 --> 00:39:38,960
But you can find our music on all streaming platforms,

749
00:39:39,039 --> 00:39:42,559
and I do. I am online, you know, Instagram and Facebook.

750
00:39:42,599 --> 00:39:45,400
I'll share a couple pictures of me playing the piano

751
00:39:45,480 --> 00:39:47,039
with the cats fighting in the background.

752
00:39:48,079 --> 00:39:48,239
Speaker 10: You know.

753
00:39:48,440 --> 00:39:50,079
Speaker 1: Every once in a while I bang something out and

754
00:39:50,119 --> 00:39:51,840
share it. So I'm not completely gone.

755
00:39:51,920 --> 00:39:55,719
Speaker 11: I just yeah, yeah, yeah. When we when we conclude

756
00:39:55,719 --> 00:39:58,679
the segment, we'll play another. You send me another song

757
00:39:58,760 --> 00:40:00,679
that we hadn't played before. I I don't think right.

758
00:40:01,679 --> 00:40:03,320
Bus number two, which is really interesting.

759
00:40:03,480 --> 00:40:06,039
Speaker 1: I recorded that in Nashville, but before I recorded it

760
00:40:06,079 --> 00:40:09,039
in Nashville, actually recorded it at home. And Nick actually

761
00:40:09,119 --> 00:40:11,880
during the lockdowns, got a hold of some nice cameras

762
00:40:13,039 --> 00:40:15,559
you did, and he's like, let's you know, there's nothing

763
00:40:15,599 --> 00:40:17,880
going on. Everything was shut down. So we do have

764
00:40:17,960 --> 00:40:19,920
a music video for bus number two. Oh, there is

765
00:40:20,599 --> 00:40:22,880
on if you just Google or go to YouTube bus

766
00:40:23,000 --> 00:40:24,079
number two Darling Hill.

767
00:40:24,320 --> 00:40:24,480
Speaker 2: Oh.

768
00:40:24,639 --> 00:40:27,119
Speaker 1: And the song was a homage to a friend of

769
00:40:27,159 --> 00:40:30,039
mine in high school who passed away from a gun accident.

770
00:40:30,719 --> 00:40:32,880
So it was a song about going on the bus

771
00:40:33,000 --> 00:40:36,679
and sitting next to my crush and then one day

772
00:40:36,719 --> 00:40:38,800
I got on the bus and my crush wasn't there. Yeah,

773
00:40:39,000 --> 00:40:40,719
so that's what that song is. Kind of sad, but

774
00:40:40,840 --> 00:40:42,679
it sounds happy, but it's actually sad.

775
00:40:42,960 --> 00:40:47,800
Speaker 11: Yeah. Yeah, it ends upsad. It starts out happy, but

776
00:40:48,239 --> 00:40:48,639
I was I.

777
00:40:48,679 --> 00:40:50,199
Speaker 1: Was happy to do it. It felt good. It was

778
00:40:50,239 --> 00:40:51,800
one of those songs that just came out. I didn't

779
00:40:51,920 --> 00:40:53,679
I was actually trying to write a love song about

780
00:40:53,679 --> 00:40:55,280
I wanted to write a love song about Aaron. To

781
00:40:55,519 --> 00:40:57,719
day I have not written one, and it's driving me nuts.

782
00:40:58,199 --> 00:41:00,280
Oh and I could compare my love for him to

783
00:41:00,400 --> 00:41:02,599
like the purity of my first crush and happening was

784
00:41:02,599 --> 00:41:04,000
I ended up writing about my first crush.

785
00:41:04,360 --> 00:41:06,480
Speaker 11: Now, how do you feel about that? Aaron? I'm okay

786
00:41:06,559 --> 00:41:08,320
with it. You're okay with it the most?

787
00:41:10,119 --> 00:41:13,679
Speaker 1: Okay, all right, we'll get there. We'll write a song

788
00:41:13,719 --> 00:41:15,400
about each other. I guess we have to break up

789
00:41:15,400 --> 00:41:18,000
in order for that to happen. Oh no, so it's

790
00:41:18,039 --> 00:41:19,400
okay if we haven't made one yet.

791
00:41:20,480 --> 00:41:22,400
Speaker 11: There you go, there you go.

792
00:41:22,880 --> 00:41:22,960
Speaker 12: Uh.

793
00:41:23,199 --> 00:41:25,559
Speaker 11: So we should remind people too, We should circle back

794
00:41:25,599 --> 00:41:27,800
to the listening room at Prayers of Nature.

795
00:41:28,079 --> 00:41:30,639
Speaker 1: Yeap, go to prayers dot com. Good to Prayers in

796
00:41:30,719 --> 00:41:32,800
Nature dot com and you'll find the page there. Okay,

797
00:41:32,880 --> 00:41:35,760
And we are on Instagram and Facebook. Yeah, we just

798
00:41:35,800 --> 00:41:38,480
created a YouTube channel. I haven't put anything on it yet,

799
00:41:38,480 --> 00:41:41,000
but it's created. So we're hoping to take content and

800
00:41:41,199 --> 00:41:42,400
put that on YouTube as well.

801
00:41:42,480 --> 00:41:42,599
Speaker 12: Well.

802
00:41:42,639 --> 00:41:44,400
Speaker 11: I was curious about that too, because the events that

803
00:41:44,440 --> 00:41:46,760
you're having there are so are so unique and special.

804
00:41:46,920 --> 00:41:48,920
Are you going to is the plan to record all

805
00:41:49,000 --> 00:41:50,159
of them and then put them online?

806
00:41:50,280 --> 00:41:50,400
Speaker 12: Is that?

807
00:41:51,039 --> 00:41:51,119
Speaker 7: Uh?

808
00:41:51,559 --> 00:41:53,719
Speaker 15: And to a certain to a certain extent, because there's

809
00:41:53,800 --> 00:41:57,079
like you when musician comes in, it's like, I mean,

810
00:41:57,199 --> 00:41:59,519
what for a decade, every band that I've ever mixed,

811
00:41:59,519 --> 00:42:01,119
I've just taken and a left right off the board

812
00:42:01,239 --> 00:42:04,480
is like an archive, like this is my portfolio. It's

813
00:42:04,519 --> 00:42:06,800
the closest thing I get to it in a certain way.

814
00:42:06,840 --> 00:42:09,039
But at the same time, it's like there's no reason

815
00:42:09,159 --> 00:42:11,679
I can't pass that off to an artist, right. But

816
00:42:11,800 --> 00:42:13,360
also at the same time or in the world of

817
00:42:13,440 --> 00:42:16,760
digital mixing and everywhere you go in major venues and

818
00:42:16,920 --> 00:42:19,960
festivals and even myself, I run around with digital console,

819
00:42:20,400 --> 00:42:22,800
took a laptop up. You've got it, You've You've got

820
00:42:22,840 --> 00:42:26,239
a record. Even right now, you know, I'm working in

821
00:42:26,320 --> 00:42:29,239
the background for Modern Fools on they played at the

822
00:42:29,280 --> 00:42:33,039
Bank in New Hampshire Conquered Center of the Art stage.

823
00:42:33,199 --> 00:42:37,079
That's such as such a long hit n or what anyway,

824
00:42:37,639 --> 00:42:40,360
but I've been working on their multi track. And so

825
00:42:40,480 --> 00:42:41,960
the same thing when it comes to someone coming in

826
00:42:42,039 --> 00:42:45,960
the listening room, like Kate saying, it's always a unique experience.

827
00:42:46,199 --> 00:42:49,639
Every artist is different, and so when they come in,

828
00:42:50,119 --> 00:42:53,519
it's like give them that give be able to give

829
00:42:53,559 --> 00:42:55,239
them something in return, not being able.

830
00:42:55,159 --> 00:42:56,960
Speaker 1: To give them a guarantee, but we can create some

831
00:42:57,119 --> 00:42:58,079
decent content for that.

832
00:42:58,239 --> 00:43:01,480
Speaker 15: Right, whether it be some pictures or video, or you know,

833
00:43:02,000 --> 00:43:03,960
a band that gets to have a recording of themselves

834
00:43:04,000 --> 00:43:06,400
that may not have had that before or or you know,

835
00:43:06,519 --> 00:43:10,199
or something. And just if those kinds of things becoming

836
00:43:10,800 --> 00:43:14,760
just the next layer of accessible. Yeah, yeah, that's that's

837
00:43:15,519 --> 00:43:17,719
I think, at least my goal or when it comes

838
00:43:17,760 --> 00:43:20,320
to it's like I'm just doing the thing, but at

839
00:43:20,360 --> 00:43:23,320
the same time, it's like I'm you know, it's I

840
00:43:23,400 --> 00:43:25,880
can I have the ability to pass that off? Yeah,

841
00:43:25,880 --> 00:43:27,519
you know, and and and that's what I want to

842
00:43:27,559 --> 00:43:29,480
be able to do with an artist that comes in.

843
00:43:29,559 --> 00:43:32,760
It's like talking about like Tuency Lord and Sunset Electric,

844
00:43:32,960 --> 00:43:35,079
you know, in a situation like that, it's like it

845
00:43:35,239 --> 00:43:38,400
is relatively as easy as me hitting space bar and

846
00:43:38,559 --> 00:43:41,280
report and had and now here's a multi track recording

847
00:43:41,360 --> 00:43:43,639
of your live show, right that, you know, if put

848
00:43:43,840 --> 00:43:47,119
some work into it, maybe becomes a live album release,

849
00:43:47,280 --> 00:43:50,719
you know, or something like that. Of a listening room,

850
00:43:50,880 --> 00:43:53,079
a quiet, intimate thing where people are going to be

851
00:43:53,119 --> 00:43:56,159
engaged with your music, you know, And it's like Anteoni,

852
00:43:56,280 --> 00:43:59,960
how many crowd mics I've listened to while a band's playing,

853
00:44:00,039 --> 00:44:02,559
you can just hear everybody talking and having their own conversation,

854
00:44:02,719 --> 00:44:05,199
not listening to the band, you know, and that's no fun.

855
00:44:05,440 --> 00:44:09,199
But it's so but but so there's yeah, I stop

856
00:44:09,280 --> 00:44:11,360
talking in circles. I think I convade myself.

857
00:44:12,679 --> 00:44:13,519
Speaker 11: I answered your question.

858
00:44:14,000 --> 00:44:19,519
Speaker 15: Yeah yeah, yeah, yeah yeah yeah, YouTube coming, streaming and stuff.

859
00:44:19,559 --> 00:44:21,639
So that's something we've definitely talked about, is like what

860
00:44:21,800 --> 00:44:25,480
are what what is this the aspect of like streaming

861
00:44:25,599 --> 00:44:28,880
at cameras, audio, all the things right, you know, making

862
00:44:28,920 --> 00:44:31,159
sure that it's like is that something I can manage

863
00:44:31,639 --> 00:44:33,360
or is it we need someone else to come in

864
00:44:33,440 --> 00:44:35,559
and help me do other things? When then then you

865
00:44:35,639 --> 00:44:37,920
start breaking into a different conversation.

866
00:44:38,000 --> 00:44:40,559
Speaker 1: I have anticipate things will evolve over time. Will for

867
00:44:40,559 --> 00:44:42,599
you what it doesn't work? What's worth our time?

868
00:44:43,280 --> 00:44:45,280
Speaker 11: No doubt? Yeah, No. I think it's cool though to

869
00:44:45,360 --> 00:44:47,400
do that, because it's, like I said, it's such a

870
00:44:47,480 --> 00:44:49,559
cool and unique thing. You know, it would be a

871
00:44:49,599 --> 00:44:51,199
shame not to have a record of it, you know,

872
00:44:51,320 --> 00:44:53,840
And it helps everybody, you know, it helps the it

873
00:44:53,920 --> 00:44:56,079
helps the artist, it helps the listening room, but it

874
00:44:56,800 --> 00:44:59,039
helps you. Nick with your like you said, with your portfolio.

875
00:44:59,079 --> 00:45:01,679
You know, every many benefits from that, So I think

876
00:45:01,719 --> 00:45:03,320
that's cool. I don't know if any of you remember

877
00:45:03,400 --> 00:45:06,039
the Sad Cafe. It was a place in Plastow. It

878
00:45:06,159 --> 00:45:09,440
was an all ages room and they.

879
00:45:09,400 --> 00:45:11,639
Speaker 15: Had like jazz, open mics and stuff they did.

880
00:45:11,679 --> 00:45:13,840
Speaker 11: They did all kinds of stuff there, but they would

881
00:45:13,840 --> 00:45:15,400
actually give you a seat, they would record you, and

882
00:45:15,440 --> 00:45:16,960
they'd give you a CD at the end of the night.

883
00:45:17,320 --> 00:45:19,760
And I played there a lot. You know, this was

884
00:45:19,920 --> 00:45:23,159
like twenty years ago, but a couple of different bands

885
00:45:23,199 --> 00:45:25,199
I was in we played there a lot. But it

886
00:45:25,280 --> 00:45:26,599
was always and it was cool that they give you

887
00:45:26,639 --> 00:45:27,639
a CD at the end of the night. But it

888
00:45:27,760 --> 00:45:32,559
was very very mixed results depending on you know, who

889
00:45:32,800 --> 00:45:34,360
was who was working the board.

890
00:45:35,360 --> 00:45:38,719
Speaker 1: Your pants too, the studio, yeah, to wing it.

891
00:45:39,239 --> 00:45:41,599
Speaker 11: Yeah, yeah, So there was some really there was some

892
00:45:41,679 --> 00:45:43,239
really good recordings that came out of there, and some

893
00:45:43,360 --> 00:45:45,719
really and somewhere it's like I might as well take

894
00:45:45,760 --> 00:45:49,000
the CD and throw it in the you know, but

895
00:45:50,599 --> 00:45:52,159
but uh, but no, But I think it's I think

896
00:45:52,199 --> 00:45:53,480
it's cool that you're going to do that at the

897
00:45:54,039 --> 00:45:57,199
listening room. Yeah, it only makes sense. It only makes sense. Now,

898
00:45:57,239 --> 00:46:00,320
when is the next one? When's the February sixteenth, February extent?

899
00:46:01,280 --> 00:46:05,079
Speaker 1: Have Tyler come? That's so that's gonna be to Sunday

900
00:46:05,119 --> 00:46:05,679
six o'clock.

901
00:46:06,159 --> 00:46:07,920
Speaker 11: Yeah, that's coming coming right up.

902
00:46:07,960 --> 00:46:08,760
Speaker 10: Yeah, yeah, yes.

903
00:46:09,320 --> 00:46:11,280
Speaker 13: So I have a friend of mine. I have a

904
00:46:11,360 --> 00:46:15,079
friend of mine named Jaden Arpin who is opening the show.

905
00:46:15,719 --> 00:46:17,960
And I met her a couple of times in Milford,

906
00:46:19,199 --> 00:46:22,000
watched her play in some open mics or something, and

907
00:46:22,199 --> 00:46:26,159
she has just an amazing voice, an incredible writer. So

908
00:46:26,360 --> 00:46:28,760
she popped into my head last minute I saw if

909
00:46:28,800 --> 00:46:30,920
she was available, she's going to be opening the show.

910
00:46:31,400 --> 00:46:31,840
Speaker 11: Excellent.

911
00:46:32,599 --> 00:46:37,800
Speaker 13: I will have my bluegrass band playing probably four or

912
00:46:37,880 --> 00:46:41,119
five songs, and that's White Mountain Rounders. We just released

913
00:46:41,119 --> 00:46:44,920
our four song eph Wow. We're gonna have CDs next week.

914
00:46:46,519 --> 00:46:49,320
So we're out and about and they're gonna come play

915
00:46:49,360 --> 00:46:50,840
a few songs for that show.

916
00:46:51,480 --> 00:46:51,639
Speaker 10: Then.

917
00:46:51,760 --> 00:46:54,000
Speaker 13: I haven't run it by my sound crew, but I

918
00:46:54,119 --> 00:46:57,440
might have a little soft jazz drummer with me. Oh

919
00:46:57,519 --> 00:47:01,760
okay for a big portion of the set, because I

920
00:47:01,840 --> 00:47:05,480
am playing with him tonight at rut Awakening Kava Bar

921
00:47:05,599 --> 00:47:07,199
in Nashua from eight to eleven.

922
00:47:07,440 --> 00:47:09,360
Speaker 10: Okay, we've jammed.

923
00:47:09,119 --> 00:47:12,199
Speaker 13: Once before it went so well, so we're throwing the

924
00:47:12,280 --> 00:47:14,280
show together tonight.

925
00:47:14,679 --> 00:47:17,320
Speaker 10: Should should go. Well, he's a great drummer, so okay.

926
00:47:17,960 --> 00:47:20,320
Speaker 11: Yeah, So if you're listening live on Saturday, so that

927
00:47:20,559 --> 00:47:23,559
is tonight A to eleven yep at Rut Awakening.

928
00:47:23,320 --> 00:47:25,880
Speaker 10: Rude Awakening, Kava Bar and Nash Root Awakening Kava Bar.

929
00:47:26,000 --> 00:47:28,840
Speaker 11: Okay, very cool. Yeah, yeah, that's awesome. That's awesome. And

930
00:47:28,920 --> 00:47:31,000
then so the sixteenth will be at the listening.

931
00:47:30,719 --> 00:47:34,159
Speaker 13: Room next Sunday, February sixteenth. That'd be very six o'clock.

932
00:47:34,280 --> 00:47:36,800
Please order your tickets at Prayersanature dot com.

933
00:47:36,800 --> 00:47:38,599
Speaker 1: And you can get a fan bundle option. If you

934
00:47:38,639 --> 00:47:42,280
would like to upgrade your ticket, you can purchase a

935
00:47:42,360 --> 00:47:45,039
fan bundle which will include all the merch. Okay, seat

936
00:47:45,119 --> 00:47:47,920
and we don't turn people away. If all the seats sell,

937
00:47:48,079 --> 00:47:50,480
it's okay. You still show up and we'll we'll take

938
00:47:50,480 --> 00:47:52,079
you in at the door at like half the price.

939
00:47:52,199 --> 00:47:54,840
Is kind of the deal. Oh okay, crystill working those kinks,

940
00:47:54,880 --> 00:47:56,400
trying to figure out what works. You know, if I

941
00:47:56,599 --> 00:47:58,679
just do standing room only yours, I'm an old person.

942
00:47:58,760 --> 00:48:01,960
I like a good chair. I'll sit down at a

943
00:48:02,000 --> 00:48:04,119
punk show, like I have no I don't care.

944
00:48:04,239 --> 00:48:05,320
Speaker 11: I'll do it right right.

945
00:48:07,199 --> 00:48:09,079
Speaker 1: So we're just trying to see what makes the most

946
00:48:09,119 --> 00:48:10,360
sense for accommodating people.

947
00:48:10,400 --> 00:48:10,719
Speaker 13: And I I.

948
00:48:12,440 --> 00:48:14,320
Speaker 1: Like that he offered this, you know, Tyler's like, hey,

949
00:48:14,360 --> 00:48:16,440
we should do this deal where if you buy you know,

950
00:48:16,519 --> 00:48:19,400
the fan bundle, you get all the merch plus a seat.

951
00:48:19,559 --> 00:48:20,679
So that's an option too.

952
00:48:20,960 --> 00:48:21,760
Speaker 11: Yeah, very cool.

953
00:48:21,840 --> 00:48:23,280
Speaker 1: So prayers to nature dot com.

954
00:48:23,400 --> 00:48:26,199
Speaker 11: Prayers of Nature dot com. That's the place to go.

955
00:48:27,039 --> 00:48:29,360
Very very good. We'll be the time goes so fast.

956
00:48:29,400 --> 00:48:30,920
We're approaching at the top of the hour, so we'll

957
00:48:30,960 --> 00:48:33,199
begin to wrap up. O Kate, always wonderful to thank

958
00:48:33,239 --> 00:48:35,239
you so much for Oh and you brought presents, and.

959
00:48:35,480 --> 00:48:36,599
Speaker 1: I brought a voodoo doll for you.

960
00:48:36,760 --> 00:48:37,480
Speaker 11: A voodoo dolls.

961
00:48:37,559 --> 00:48:40,960
Speaker 2: Also shout out Who's mom, somebody's.

962
00:48:40,559 --> 00:48:43,840
Speaker 10: Mom, his mom my mom with the banana ca.

963
00:48:46,480 --> 00:48:48,519
Speaker 1: Y smells so good in the hallway.

964
00:48:48,800 --> 00:48:51,679
Speaker 11: Yeah yeah, yeah, we we have to. We can't have

965
00:48:51,679 --> 00:48:53,320
any food eater, so we left it in the hallway.

966
00:48:53,360 --> 00:48:58,599
But yeah, everything is a tease. I can even smell it,

967
00:48:58,639 --> 00:49:00,920
and I can't smell anything most of the time, but yeah, yeah,

968
00:49:01,000 --> 00:49:04,599
so we look forward to that. So thank you, thank you, Tyler,

969
00:49:04,679 --> 00:49:08,840
thanks absolutely, thank you, so Mum, thank you so much.

970
00:49:08,880 --> 00:49:11,360
We love it. But yeah, so thank you and Aaron

971
00:49:11,440 --> 00:49:14,880
and Nick. Wonderful to meet both of you and Tyler.

972
00:49:14,960 --> 00:49:17,519
Congratulations on everything that you're doing. I love the new single,

973
00:49:18,119 --> 00:49:20,639
absolutely amazing and thanks for playing for us today.

974
00:49:21,079 --> 00:49:21,320
Speaker 10: Thank you.

975
00:49:21,559 --> 00:49:23,599
Speaker 11: And we're going to close out the segment with another

976
00:49:23,719 --> 00:49:25,360
Darling Hill track that we were talking about a few

977
00:49:25,360 --> 00:49:26,960
minutes ago. Thank you all so much, and we will

978
00:49:27,000 --> 00:49:29,480
close out this segment with this. This is best number

979
00:49:29,519 --> 00:49:30,599
two Darlene Hill.

980
00:49:58,920 --> 00:50:03,760
Speaker 5: One su boy shot the blonde hair, freckles on his

981
00:50:03,960 --> 00:50:11,760
nose and baby blue eye staves, baby blue white stay.

982
00:50:14,440 --> 00:50:18,880
I watched his fingertips play with the rain, one hand

983
00:50:19,159 --> 00:50:22,800
on his back, back one on the school bus pain.

984
00:50:30,199 --> 00:50:33,519
Speaker 1: We both felt thin, felt pain.

985
00:50:34,119 --> 00:50:42,400
Speaker 4: We both felt vain, rodes wee boats fell sweet, both

986
00:50:42,679 --> 00:50:43,800
felt things.

987
00:50:45,079 --> 00:50:50,639
Speaker 2: School ride was sunshine. School ride was sunshine.

988
00:50:52,920 --> 00:50:58,280
Speaker 16: School ride was sunshine, school ride by.

989
00:51:01,840 --> 00:51:06,239
Speaker 7: Sun shine.

990
00:51:13,679 --> 00:51:16,719
Speaker 3: But enough for day all be and told what to do.

991
00:51:17,320 --> 00:51:24,360
Speaker 2: Just wanna get on and sit with you. I wanna

992
00:51:24,719 --> 00:51:30,519
play with you where the skies are blue.

993
00:51:37,079 --> 00:51:44,039
Speaker 4: We both fell bame, We both felt lame as we

994
00:51:45,000 --> 00:51:49,800
both fells. We both fell.

995
00:51:51,960 --> 00:52:00,559
Speaker 5: School ride with sunshine, My school ride with sunshine, ride

996
00:52:00,679 --> 00:52:01,679
the sunshine.

997
00:52:03,599 --> 00:52:34,159
Speaker 2: My schoolride was shune shine. One of these days was

998
00:52:34,360 --> 00:52:40,519
not like the rest. Seed is empty. No fail best

999
00:52:42,679 --> 00:52:44,519
he was led to minutes.

1000
00:52:47,920 --> 00:52:55,000
Speaker 4: We all felt thin, al feling, we all felt thay, we.

1001
00:52:55,880 --> 00:52:57,400
Speaker 2: All felt they.

1002
00:52:58,920 --> 00:53:07,880
Speaker 16: Were belled. Leans school ride was gray. School ride was great.

1003
00:53:10,679 --> 00:53:12,880
School ride was great great.

1004
00:53:13,679 --> 00:53:14,000
Speaker 6: Gray.

1005
00:53:14,599 --> 00:53:16,039
Speaker 2: School ride was.

1006
00:53:19,639 --> 00:53:19,960
Speaker 6: Gray.

1007
00:53:31,400 --> 00:53:36,000
Speaker 5: Once snoon, avoid shock of blond hair freck goes on

1008
00:53:36,159 --> 00:53:43,039
his nose and baby blue eyes strain. Baby blue eyes

1009
00:53:43,920 --> 00:53:44,280
stain

1010
00:54:02,000 --> 00:54:02,280
Speaker 14: Three