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Speaker 1: Hello and good afternoon.

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Speaker 2: Man.

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Speaker 3: Hey ero, this is Eric Macurtus.

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Speaker 1: How you doing doing very well, sir man. God we

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got we got to jump onto this song right away

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because I want listeners to know perfectly how well this

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song has been put together. You got to tell me

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how you guys were able to get that authentic sound.

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Speaker 2: The authentic sound, well, you know, it was recorded in

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a certainly an authentic way with very loud, martially typed

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amplifiers and almost playing in a room together, you know,

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certainly is like a key to that as well.

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Speaker 3: But I'm glad you liked the song.

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Speaker 1: Well, it's got a vibe about it. And maybe that's

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the key thing, is that everybody was in the room together.

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And that's the reason why I keep going back to

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that song. It's not like, you know, you go back

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in there and drop a track here, put the drum

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beat in there and things like that, where everybody was

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there as one.

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Speaker 3: Yeah.

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Speaker 2: The other thing I'd like to point it there too,

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is that even though we're all there, you know, recording together,

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laying down the drums and the bass, guitars and all that,

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as soon as that part of the process was done,

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our singer went back and sat with that basic instrument

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track for a few days, and then he came back

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with an entirely different vocal melody.

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Speaker 3: Than we were scratch tracking with.

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Speaker 2: So what you hear is like the result of him basically,

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you know, having an epiphany, and that's how the song

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turned out the way it did.

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Speaker 1: Isn't that What makes music fun though, is that you

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can keep going back. It has to go through different

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forms of evolution.

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Speaker 3: Exactly.

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Speaker 2: Yeah, I mean, and sometimes you'll you'll work an idea,

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you know, to death, and unfortunately, like it doesn't make

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its way to being either like a finished idea worthy

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of being on an album. But for this one, it

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really just it was the melody that Ryan Jones came

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up with for the chorus that was kind of led

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the way for the rest of the song.

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Speaker 1: Wow, those guitar riffs, it's been a long time since

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we've had great guitar riffs kicking things up, and then

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here come the vocals. I mean, it's the exact words

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that I put in my notes here is is that

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I hear every corner of this song. In other words,

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it's not it's not over compressed at all. Everything is present.

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Speaker 2: Yeah, And I mean talk about that opening riff. So

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you know, I grew up in like the nineteen seventies

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nineteen eighties guitar got rock era, and that riff is

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for guitar players.

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Speaker 3: It's a drop D with a flanger on it.

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Speaker 2: So unchained is like an example of something that would

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have like a similar type.

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Speaker 3: Of effect of what we're doing there.

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Speaker 2: But yeah, man, it's it's attention grabbing and it definitely

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like carries the momentum throughout the rest of the song.

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Speaker 1: How are fans reacting to it so far?

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Speaker 3: Great?

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Speaker 2: I mean, so we have the video came out at

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the same time as the song release, and we've had

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some really great feedback on just in general, like how

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our videos are well put together or carry a message.

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And you know, as we've been talking with other folks

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like you know, what do you think of the song

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or do the lyrics mean anything to you? And some

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folks have came back with it it sounds like a

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song of hope, which is definitely what our lyricist Ryan

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was going for.

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Speaker 1: So when when the song gains in popularity, does it

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change in the position at a live performance? Does it

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suddenly become a song that's no longer hidden in the

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back by the other ones, or where's the standout part

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of this song?

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Speaker 2: Well, so the first time we'll be playing it live

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actually will be in about two weeks, and so it's

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definitely in the set list.

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Speaker 3: It's definitely something we're going to call out. But I

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would agree with you Ero that there's.

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Speaker 2: An inherent pressure on the band to want to perform

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something new to the best ability that you can, so

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that not only does it feel like it's a part

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of all the other songs that you've done before, but

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it also has kind of that stand out moment. So yeah,

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we have a hyper focus on performing that song to

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the best.

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Speaker 3: Of our abilities.

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Speaker 1: How did you layer the song? Because I mean, the

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thing is that there's so much going on inside this

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song that it's like okay, and right away I'm going,

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how are they going to do this live? Is this

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going to be a difficult short? Does something you have

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to be removed.

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Speaker 3: From a layered standpoint?

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Speaker 2: I mean, the guitars are are pretty stripped down, like yeah,

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pretty much it's like me on the left or Ryan

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on the right, so that that is highly achievable, But

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there's not really like a whole lot of production outside

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of Tim and Ar due to our producer, I think

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just did an excellent job on the drum mix, and

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for me, that is like the most apparent.

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Speaker 3: Thing in the mix is that the vocals are you know,

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in my face, and the.

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Speaker 2: Drums some detailed and they have a lot of impact

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to them without sounding overly compressed.

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Speaker 1: I mean the guitars themselves. I was having flashbacks of

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Vivian Campbell from def Leppard because now, just sitting there

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listening to them, it's like, oh my god, yeah.

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Speaker 2: That's kind of cool, man. I don't I wouldn't have gravitated.

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I'm glad you said that. Yeah, you know, it really is.

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Speaker 3: I think when I look at the song, it's like

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it's it's.

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Speaker 2: A cool mix of something that's rooted in a classic

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rock field but has like a modern twist to it.

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Speaker 1: Yeah. Yeah, Now that kind of storytelling and that kind

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of performance inside that song. Did you grow up listening

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to sticks?

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Speaker 3: Oh most certainly. Yeah, definitely, even like back to the

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older stuff. Yeah. Yeah.

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Speaker 2: And from a from a lyrical standpoint that the song

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was the lyrics were written about our singer Ryan Jones,

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his father passing last winter, and so a lot of

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the drops he makes in there about Bluebird, which was

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a nickname for his dad, and Winter takes my hand.

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That kind of around the the idea of his dad

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passing and leading on to like another chapter in life.

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Speaker 3: And so she really, I think, writes.

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Speaker 2: Lyrics in a beautiful way where it's kind of telling

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you something, but it's not giving you the story verbatim.

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Speaker 1: Dolly Parton would tell you that storytelling. That's that's that's

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sharing your your village's news. And it gets over to

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the next village.

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Speaker 3: That was Dolly Parton.

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Speaker 1: Yeah, please do not move. There's more with Eric Fraser

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from Corvus Lare coming up next. Hey, thanks for coming

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back to my conversation with Eric Fraser from Corvus Lare.

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The album cover itself, how did you come up with this?

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Because I could totally see the cover of feather Me

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through as being a tattoo dude.

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Speaker 3: Hm hm.

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Speaker 2: The artist for the title work for the video is

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somebody that we worked with before and her name.

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Speaker 3: Is Avery Hawthorne.

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Speaker 2: It's actually she starred in our video Blind and Broke

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and she is the actress throughout the video. But she's

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super talented artist, graphic artist, and I think with Ryan's direction,

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I'm guessing that you know, obviously there's a feather in

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the image, but it really is kind of I think, illustrating,

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you know, life from beyond you know, down to the

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present to you. When I saw that, it just reminded

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me kind of like a da Vinci painting.

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Speaker 1: Yes, Yeah, feathers are so powerful. That's powerful medicine for me, man.

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And when I see feathers and stuff, because I just

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there's such a journey that a feather has to take

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in order to reach our imaginations.

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Speaker 2: Well, you know, in the video itself, like even there

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was an interesting thing that happened as they were filming

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those portions out in like Tahoe and the snow where

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they were looking for, you know, feathers that they could

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use in some of the shots, but one of them

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just ended up landing near our singer and he kind

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of took that as a sign from like, oh, this

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was meant to be, and and it.

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Speaker 3: Worked out really well.

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Speaker 1: Wow that you just had to give me a flashback

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to a story. I was up in Victoria, British Columbia,

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and and we we go walking downtown and somebody was

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sitting there and they were actually selling feathers from a

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from a bald eagle and I'm going, ah, I'm not

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going to getting trapped in that one, but but you

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have to watch out for those things.

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Speaker 4: Man, Oh yeah, certainly, Yeah, you're right, there's but I'm

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glad that you're kind of picking up on the spiritual

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nature and you know the other you know, kind of

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connotations you can draw from from a from like a

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feather reference.

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Speaker 1: Well there, Well the other songs will they also include

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that that kind of a journey spiritual touch?

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Speaker 3: Interesting?

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Speaker 2: Uh thought there, Like, we have ninety percent of the

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album done and with all of uh, you know, Ryan's

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lyrics and like kind of the subject matter he ticks on,

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the all tend to be coming from a very personal place,

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whether it's from you know, people in his life or

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experiences that he's had.

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Speaker 3: And I can only think of a handful of songs.

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Speaker 2: That just might be something completely not related to Like,

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for example, our song startist Man was written as an

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homage to.

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Speaker 3: David Bowie on his passing.

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Speaker 2: But yeah, definitely personal lyrics and the songs are coming

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from a deep and authentic place in Ryan's life.

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Speaker 1: So now, when you do a project like this, first

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of all, you know, growing up in the seventies, like

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you said, and I did too, we had to wait

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for the full album to even get a single. I

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love the way that you guys are promoting this one

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song at a time and the album is building as

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you go along.

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Speaker 3: Yeah.

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Speaker 2: I mean, if you think about people dropping music digitally

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these days, I have so many friends that are, you know,

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release music and you know, whether there is video support

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or there isn't video support.

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Speaker 3: If an album just comes out and it's in its.

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Speaker 2: Completion, the likelihood that people are going to like dig

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through all eight or ten tracks is pretty slim unless they're,

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you know, a diehard fan. But the idea behind doing

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the singles is that you're you're giving them a taste

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and you're building a momentum and hopefully getting that interest

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to want to dive deeper once the full release is ready.

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Speaker 1: It's right down the middle when it comes to asking

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singer songwriters about how they feel about a Spotify list,

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because I always want listeners to put your songs on

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that Spotify list so that others can tap into it.

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And then musicians have told me, don't do that. Man,

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They're not paying what they should be oh.

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Speaker 2: Man, that that is the music creator's dilemma in terms of,

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you know, the like is the streaming model, you know,

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morally good for people who create the music, And you're

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right er, I mean, unless you're pulling in numbers of

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you know that in the millions of streams, it just

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financially doesn't really make sense to independent artists, you know,

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people that may not be working with a record label

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or a larger record label. And I don't think even

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our band doesn't necessarily crack the code when it comes

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to like the right way to promote music on things

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like artists playlists on Spotify.

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Speaker 1: I just wish listeners could see you guys and the

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askicking you guys are doing when it comes to promoting

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your music. See a lot of people do they just

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assume I wrote the song. Okay, I'm gonna go sing

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the song we live happily ever after, they don't get

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to see your grunt work. Dude.

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Speaker 2: Yeah, And really the only way that you know you're

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you're able to get the word out is if you

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if you do the grunt work and you have a

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social presence or hopefully you're getting to play out live

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more and getting out of kind of the areas where

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you normally play. So the focus for the band right

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now is to finish these last few songs, get another,

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perhaps another video done, and then in the meantime, you know,

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trying to get a shows booked, hopefully in California and

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outside of California.

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Speaker 1: I'd love to see you here in the Carolina is

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because we're starting to have a lot more festivals down here.

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And man, it's this kind of rock that really would

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ignite the Seveners.

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Speaker 3: Oh yeah, have you seen any good shows this year

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so far?

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Speaker 1: You know, I'll tell you that. The one thing that

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I saw Stevie Nicks and that and it's just I'm

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so mesmerized by her. And you know, the seventies guy

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had a different version of Stevie Nicks, But now to

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see her still performing and you still hear the passion,

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it's just it's mind blowing to me.

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Speaker 2: Oh man, I saw a video of Stevie definitely during

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her Bella Donna solo days. Yeah, where she was performing

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wild herd like with her backup singers while she's getting

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her makeup done. And when you watch her singing like

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you know, a cappella pretty much, you just realize what

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a talent.

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Speaker 3: You know she is and was and and I'm.

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Speaker 2: Glad you you and Irison Potico on the TV next.

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Speaker 1: Well, it's the several different layers of the performer. We

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all think one way, but if we just open up.

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That's why I always on iHeartRadio. I'll sit there and

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I'll say, I know you love your old songs, but

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find some new memories to go with those old songs.

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Don't hang out in your past.

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Speaker 3: Oh you know, I'm speaking of that.

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Speaker 2: Like, one thing I'm excited to see and then listen

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to is the new project from Dean Delio, the One

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More Satellite Project. Have you heard their latest single called

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Paper over the Cracks?

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Speaker 1: No, but I'm going to since you suggested it.

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Speaker 3: Check it out. It really is interesting. He's working with

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a Bridgish singer and it's kind of on a Stone

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Temple Pilot's five, but it's its own thing.

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Speaker 1: Yeah, yeah, yeah. See that's what's great about where music

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is right now, because everybody likes all the music it's

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in other words, we're not stuck in a genre right now.

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It's wide open for everything to take place.

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Speaker 2: Right yeah, And man, I'll just be happy if people

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stay have a continued interesting guitar based.

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Speaker 1: Rock yep yep yep. Where can people go to find

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out more about you? And I know you've got some

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schwag because people like to buy that stuff up.

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Speaker 2: Well, you can go to our website corpuslore dot com

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and that has the links to all of our streaming

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locations and certainly all all of our social channels and

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would love for your listeners to engage with us online.

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Speaker 1: Excellent. Well, please come back to the show anytime in

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the future. The door is always going to be open

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for you.

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Speaker 3: Eric, Eric. Awesome, man. I really enjoyed my time. But

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if you thanks for taking time out of your day.

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Speaker 1: To talk to me, you'd be brilliant today.

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Speaker 3: Okay, okay, buddy, talk to you soon.