Speaker 1: Ladies and gentlemen of Americas. Tonight There's Roebuck and Company
Speaker 1: continues the celebration of its fiftieth anniversary by presenting the
Speaker 1: third of a new series of programs dedicated to you,
Speaker 1: the people of Americas.
Speaker 2: Cheers Then and Now.
Speaker 3: A Panorama of American Destiny, a review of the past
Speaker 3: fifty years through which Sears, Roebuck and Company has proudly
Speaker 3: grown up with America.
Speaker 2: Each week, Sears.
Speaker 3: Then and Now recreinates for you in music, in drama,
Speaker 3: in song, the unforgettable events of the past half century.
Speaker 3: Each week, motion picture stars, composers, singers, writers, the world's
Speaker 3: greatest talent will be brought to you by Sears.
Speaker 2: The Star where all America's shot.
Speaker 3: Seers Roebuck and Company is proud to present on Tonight's broadcast.
Speaker 1: David Wark, Griffith veteran director of Motion Picture effic, Walter Houston,
Speaker 1: International Stage and Screen Stars, and Al Jolson, America's greatest
Speaker 1: menstrel Our fiftieth Anniversary Sale ends Saturday. Only two days
Speaker 1: remain Tomorrow and Saturday, in which to take advantage of
Speaker 1: the unusual values on display in all Seers stores, we
Speaker 1: invite also our millions of mail order customers to shop
Speaker 1: from the pages of the Golden Jubilee editions of the
Speaker 1: Sears Robuckan Company Fall catalog. You can always shop at
Speaker 1: Sears and says.
Speaker 3: The story of America in the past fifty years is
Speaker 3: the story rich in glamor, courage, progress. America fifty years ago,
Speaker 3: a republic just one hundred years old, poised on a
Speaker 3: threshold of greatness. What influenced that vibrant young nation? What
Speaker 3: affected its thoughts, its manners, its morrows. There were no
Speaker 3: moving pictures, then, no radio, few magazines. The leaders of
Speaker 3: today learned much of the precepts of the good life
Speaker 3: from the mcguffie readers, which were the principal textbooks in.
Speaker 2: Every little red schoolhouse in the.
Speaker 3: Lands, and very often hidden behind the cover of mcguffi's
Speaker 3: Little Johnny would be sneaking a look at a dime novel.
Speaker 3: You remember those paperback drillers of the eighties and nineties.
Speaker 2: They went something like this.
Speaker 4: The old sawmill was deserted. Suddenly the door flew open.
Speaker 4: The man in black, half supported, half dragged our.
Speaker 2: Heroin into the room.
Speaker 4: It was a matter of a few minutes before he
Speaker 4: had left her bound and gag body on a great
Speaker 4: log lying in.
Speaker 2: The middle track.
Speaker 4: With an eloquent gesture, he leaned over and untied the
Speaker 4: gag from her ruby lips.
Speaker 2: Well, be proud, beauty, Will you relent no horace bagsby,
Speaker 2: So a host of heavenly angel will to be teached me.
Speaker 2: I will not.
Speaker 5: I offer you my good name in marriage, I offer
Speaker 5: you wealth and position.
Speaker 6: I cannot I love another, and.
Speaker 5: That other will never see you again. One more chance,
Speaker 5: my lovely Matilda.
Speaker 7: Rather death and dis honor.
Speaker 5: This grieves me indeed yonder saw sharp the machinery is infallable.
Speaker 5: I tear my Matilda, your minute our number.
Speaker 2: I defy you.
Speaker 5: Saw has but a scun twelve inches to go before
Speaker 5: it corects your lovely blonde Locke.
Speaker 2: You will answer to dig.
Speaker 5: Deare well for that ha that insul and puppy.
Speaker 2: He is miles away.
Speaker 5: In the hands of Mike and federicks.
Speaker 8: Ah.
Speaker 5: Just you and I hear, my lovely Matilda, You and
Speaker 5: I am loved by upon you a love You have
Speaker 5: but five seconds to two.
Speaker 3: Joos, and where you are horror thangby or you're a
Speaker 3: dead man?
Speaker 2: Oil me not a second too soon, Flash found Rob
Speaker 2: I know, Matilda, but that is all forgotten.
Speaker 3: Now Dick Carewell is by your side, never again to
Speaker 3: leave it.
Speaker 2: And as for Horace Begsby, I hold.
Speaker 3: In my pocket a warrant for his arrest for forgery,
Speaker 3: which will face.
Speaker 2: Him where he will no longer meddle in the lives
Speaker 2: of decent people.
Speaker 3: On February sixteenth, eighteen ninety eight, a new war cry
Speaker 3: was born.
Speaker 2: First, it was a whisper, Remember.
Speaker 3: And a murmur and a mighty rumble that rolled across
Speaker 3: the land in Prarrian notes of summer thunder.
Speaker 8: Remember the name, remember land.
Speaker 3: From rising Sun Maryland to sunset Arizona, America. Remember the
Speaker 3: main rattle, the saber demanded war. Finally, on April twenty thirt,
Speaker 3: eighteen ninety eight, President McKinley was forced to issue his
Speaker 3: famous declaration.
Speaker 4: Of a State of War which now exists between these
Speaker 4: United States and Spain.
Speaker 3: And into the chambers of the President of the United States.
Speaker 3: On May sixth strodea square George Fearless American dynamic Assistant
Speaker 3: Secretary of the Navy Theodore Roosevelt.
Speaker 1: Mister Walter Houston plays the role of Theodore Roosevelt. Afternoon's
Speaker 1: President Good afternoon, mister Roosevelt. I got your message. You
Speaker 1: said it was rather urgent that you see me in.
Speaker 8: Is urgent, sir. I am simining to you. My resignation
Speaker 8: is assistant secretary of the Navy. You resignation, sir, But
Speaker 8: why it's the President. I have seen this war coming
Speaker 8: for months lack of cooperation, in spite of dismissal for insubordination,
Speaker 8: I have built the Navy up to fighting strength. My
Speaker 8: duty in your sub cabinet has been accomplashed. Now my
Speaker 8: country needs me Elsewhere.
Speaker 4: Where could you be more valuable than in the post you.
Speaker 8: Now occupy In Cuba? Sir, I am going to the
Speaker 8: war what way you're not? Seriously? I am. Cuba shall
Speaker 8: be free, but.
Speaker 4: A man with your talents will be infinitely more valuable
Speaker 4: here in Washington.
Speaker 8: Suppose a Spanish bullet or fever, or at Warser. A
Speaker 8: man who teaches the duty of fighting should be prepared
Speaker 8: to pay with his life when the time comes for
Speaker 8: the more. Mister President, my children are growing up. I
Speaker 8: want them to be fine Americans. I must set them
Speaker 8: an example. But mister Roosevelt, I still feel I'm sorry, sir,
Speaker 8: but nothing you could say would this wade me. You
Speaker 8: must accept my resignation. I planned it all made. Colonel
Speaker 8: Lennard Wood has offered me the post of lieutenant colonel
Speaker 8: and his regiment. Today I am issuing a call for
Speaker 8: volunteers for the rough Riders.
Speaker 3: Eddy Roosevelt Rough Riders caught the imagination of America from
Speaker 3: the furthest reaches of the land. They came to join
Speaker 3: this most unique of organizations. From the West came car punchers, ranchers,
Speaker 3: hunters and trappers. From the great Eastern cities came polo players, socialites,
Speaker 3: posit the athlete.
Speaker 2: And While the.
Speaker 3: Eager young regiment of volunteers were in training at Temple, Florida,
Speaker 3: Teddy Roosevelt slipped away to his home on Sagamore Hill
Speaker 3: in Oyster Bay, New York for a final farewell to
Speaker 3: his wife, Edith.
Speaker 6: It is goodbye, then, Theodore for a little while.
Speaker 8: He did, until we've won.
Speaker 2: But what if?
Speaker 9: What if?
Speaker 2: You?
Speaker 8: Edith, My dear, You must realize what every one of
Speaker 8: my boys have to face. I told them when they
Speaker 8: joined that this would be no picnic. I told him
Speaker 8: the place of honor is the post of danger, that
Speaker 8: each man must be prepared to die. Every one of
Speaker 8: those boys got what I meant. It was beautiful looking
Speaker 8: down on the anxious faces. Not a man faced. Suddenly
Speaker 8: we're cheering well with your Teddy. We're ready for anything
Speaker 8: you are. That's the way you must feel it. You've
Speaker 8: got to be ready for anything.
Speaker 6: I'm with you, fared off, I'm ready for anything you are. Bully,
Speaker 6: Bully before you go, dear, before you go, will you yes?
Speaker 6: Come with me, walk down the perfect me our pat
Speaker 6: through the woods, the way we used to when you
Speaker 6: ask me.
Speaker 7: To marry you.
Speaker 3: The rest is off, told history rough rider Teddy Roosevelt
Speaker 3: blue poka dot handkerchief nodded Abody's neck, broad brimmed hat
Speaker 3: pushed up at the front, storming San Juan Hill at
Speaker 3: the head of his blue shirt had volunt while a
Speaker 3: ben far below spurred them on to the tune of
Speaker 3: the national anthem. Roosevelt, the governor, the Vice President, the President,
Speaker 3: all in rapid succession, Roosevelt wielding the big stake, changing
Speaker 3: our spellings, Theodore Roosevelt the Great American. After two terms
Speaker 3: in the White House, he went on to New Laurels,
Speaker 3: hunting big game in Africa, exploring in South America, fated
Speaker 3: by the crowned heads of Europe. When the inevitable Parade
Speaker 3: of Destiny crowded America into the World War, Theodore Roosevelt,
Speaker 3: ex president, ex soldier, was too old to service country
Speaker 3: at the front. He did the nobler thing. He sent
Speaker 3: his four sons to France. Late afternoon of July seventeenth,
Speaker 3: nineteen eighteen, Theodore Roosevelt sits alone in the living room
Speaker 3: of his home at Oyster Bay.
Speaker 2: A servant dancers.
Speaker 8: Did you did you range her?
Speaker 2: Yes?
Speaker 8: John? Where is Missus Rosevelt?
Speaker 2: Or she is upstairs? Uh, she'd be down shortly.
Speaker 8: I'm going out tonight. Got to make a speech, you know.
Speaker 8: He yeah, say hey, I got your clothes already to
Speaker 8: thank you John. And he let us come from the
Speaker 8: boys today. Who, yes, sir, Missus Roosevelt, she got them?
Speaker 2: What do they say? Oh? They do and find her?
Speaker 8: They still fighting bravely, sir, and and all of them
Speaker 8: feeling in the base.
Speaker 2: Sit here.
Speaker 8: I'm fine. I must write them before I leave tonight. Yes,
Speaker 8: who excuse me, sir?
Speaker 2: H the door, Michael Meist Roosevelt.
Speaker 8: Thank you, it's uh, it's for you, sir, Thank you.
Speaker 10: John.
Speaker 8: Oh God, he bad news sir, Lieutenant Quinton Roosevelt's play. Well,
Speaker 8: just today inside the enemy mines he was.
Speaker 6: What do you think he had all all prepared for
Speaker 6: your speech to know why? What's the matter?
Speaker 8: Eaedith ay, I just got a message from France.
Speaker 6: Which one.
Speaker 8: Quentin Quentin, my son.
Speaker 9: Quentin see.
Speaker 8: On the field of battle for us, eaith for all
Speaker 8: of us, for his country.
Speaker 6: Crimpton, my youngest.
Speaker 8: Lead, Please eat it, my dear, come with me down
Speaker 8: the path once more, our past, the way we used
Speaker 8: to when I asked you to marry me a lot
Speaker 8: long time ago.
Speaker 3: So it was then, nearly twenty years ago. Now today,
Speaker 3: laughing children pausing in their play quenched their thirst at
Speaker 3: a drinking fountain in the French village of Terran Tardenois.
Speaker 3: Nearby is the grave of Quentin Roosevelt, American aviator, And
Speaker 3: across the base of the fountain, in the language the
Speaker 3: children cannot read, is an inscription written by that aviator's father.
Speaker 8: Only those are fit to live who do not fear
Speaker 8: to die, and none is fit to die who has
Speaker 8: shrunk from the joy of life. Both life and death
Speaker 8: are parts of a great adventure. My son was a toy.
Speaker 2: Who dared that great adventure.
Speaker 3: In nineteen three, a curious America was crowding to Nickelodeon
Speaker 3: to gauk at the first moving picture that told the
Speaker 3: story the Great Train Robbery, complete in a rail and
Speaker 3: a half. No one in those dubious days took this
Speaker 3: new fad seriously. No one thought it was here to
Speaker 3: stay until a young man became possessed with his possibilities,
Speaker 3: a man whom, more than any other individual, is responsible
Speaker 3: for the modern motion picture. Today, American movies influenced the mammers,
Speaker 3: the thoughts, and the customs of the entire world. Much
Speaker 3: of this influence is due to the vision and industry
Speaker 3: of this picture pioneer then and now is proud to
Speaker 3: present David Art Griffeths Motion Pictures First great Director.
Speaker 11: Good evening, everybody. Let's go back now, way back to
Speaker 11: nineteen ten. I was directing one wheelers for the old
Speaker 11: Biograph Company in fourteenth Street, New York when I engaged
Speaker 11: a little Irish girl, Mary Pickford by name, at twenty
Speaker 11: five bucks a week, a star salary in those days,
Speaker 11: where a few years later she wouldn't have winked an
Speaker 11: eyelash when millions were mentioned.
Speaker 2: Oh that movies.
Speaker 11: But from my memory book comes names in legions Charlie Chaplin,
Speaker 11: Max Sennett, Glorious Swanson, right down to the gracious start
Speaker 11: of the day Lovely Nor I'm a shadder while she
Speaker 11: began as an extra girl in my production way down East.
Speaker 11: Production costs in the old days only ran from sixty
Speaker 11: five per picture all the way up to a colossal
Speaker 11: figure of five hundred dollars for one picture.
Speaker 8: But I had a dream, a dream of a.
Speaker 11: Long picture that might run all of an hour. I
Speaker 11: dreamt of getting parallel action. Motion picture action is stead
Speaker 11: of imitating the stage. In nineteen fourteen, I sold the idea.
Speaker 11: It was real pioneering and it was real fun. I
Speaker 11: used hundreds of extras, I experimented with a camera. I
Speaker 11: brought the actress close into the lands for one are
Speaker 11: now called close ups. We introduced fade Out's dissolved inventions,
Speaker 11: if you want to call them, without which the modern
Speaker 11: picture couldn't be made. A young fellow named Wallace Reed
Speaker 11: and a young girl Praise Delicate Lillian Geese were in the cast,
Speaker 11: and Mae Marsh.
Speaker 2: And Henry B.
Speaker 1: Walthall.
Speaker 2: That picture was the birth of the Nations.
Speaker 11: It cost one hundred and ten thousand dollars to make
Speaker 11: talk about colossals stupendous, terrific. Why it was all of
Speaker 11: them at least in costs. I didn't dare to face
Speaker 11: our backers. But the show went out on the road
Speaker 11: and played in the best theories in America at two
Speaker 11: dollars ahead when Nichols for the price of our other
Speaker 11: pictures of the day. I tell you, even my own
Speaker 11: enthusiasm for the idea never caed me to those heights
Speaker 11: which the public, God bless them, placed on the twelfth
Speaker 11: reel three hour picture. So who can blame me when
Speaker 11: I say I am really most deeply grateful to the
Speaker 11: motion picture business which gave me the opportunity to make
Speaker 11: this production, and to you, the people who accepted it.
Speaker 11: I am grateful to the same source for the opportunity
Speaker 11: to make my first talking picture, Abraham Lincoln, which starred
Speaker 11: that great actor Walter Houston, whom you heard just a
Speaker 11: few minutes ago, doubly grateful because it presented me, the
Speaker 11: son of a Confederate general, the opportunity to pay honor
Speaker 11: to that really great American Abraham Lincoln. Pardon me to you,
Speaker 11: my friend, Thanks, Thanks, for these few minutes of reminiscence.
Speaker 11: I'll value them always.
Speaker 2: Thank you, mister Griffith American.
Speaker 3: Through the magic of your direction, you revolutionized motion pictures,
Speaker 3: and you've carved a niche for yourself.
Speaker 2: In History's Hall of Fame. In the city of Washington.
Speaker 3: Before the turn of the century occurred an unheralded, unpublicized
Speaker 3: event to a family named Joson.
Speaker 2: The son was born. They called him Asa, but to you.
Speaker 3: And the world, he's known as Al Al Jolson, America's
Speaker 3: greatest minstrel. Tonight, Al Jolson himself reviews the past twenty
Speaker 3: five American years and the songs he introduced to the land.
Speaker 3: Let's go back to then, back to nineteen eleven, when
Speaker 3: young Al Jolson appeared in Honeymoon Express singing.
Speaker 12: Blesten to me while I tell you of the Spaniard
Speaker 12: who enlighted me life, bless to me, while I tell
Speaker 12: you of the man who stole my future wife.
Speaker 2: And two years later, in nineteen thirteen, it was.
Speaker 13: You, mar me, love you.
Speaker 2: I didn't want to do it.
Speaker 7: I didn't want to do it.
Speaker 3: In nineteen fifteen, Tin Pannelle's affection for the old Southern
Speaker 3: home was growing and Joson was singing.
Speaker 10: Ah, am I my baby, where that Gigsie Well?
Speaker 3: Then came the war and Hello Santro Jimmy Norman's. In
Speaker 3: nineteen nineteen, a young fellow named George Gershman wrote his
Speaker 3: first hit, and al Joson sang it in the musical
Speaker 3: shows in Bed.
Speaker 7: Juannie, How I Love you?
Speaker 12: How I love you?
Speaker 7: My dear old Sannie, I give a whirl, I'm bun
Speaker 7: up here.
Speaker 3: The following year, Joson himself wrote a song about a
Speaker 3: lovely bay off the California coast.
Speaker 7: I'm fine, Am I law?
Speaker 10: And am a law?
Speaker 14: Ah long?
Speaker 2: And in nineteen twenty one came man just turn kind,
Speaker 2: see just and kind? Where what I know?
Speaker 13: For half that turn kind bes.
Speaker 3: Al Joson was once built as a singer from the
Speaker 3: Golden West. He always believed in Horace Greeley's advice, and
Speaker 3: finally he took it. The result was the song of
Speaker 3: his own composition.
Speaker 12: Hella far Yeah You're right right back where right start?
Speaker 2: Brown to California he went.
Speaker 3: In nineteen twenty eight, when Hollywood was finding his voice,
Speaker 3: the Warner Brothers brought him on to sing in their
Speaker 3: first full length sound picture, of the jazz singer. That
Speaker 3: show made history, and al Joson was signed for another picture,
Speaker 3: the first musical film. It was called The Singing Pool,
Speaker 3: but the world remembers it more often by the title
Speaker 3: of the hit song Sonny Boy, I'll Jolson recalls for
Speaker 3: you now that unforgettable scene from The Singing Pool. You
Speaker 3: remember the story howel Stone, owner and MC of a
Speaker 3: Broadway night spot, is giving all he's got to the
Speaker 3: New Year's Eve crowd in his club while he keeps an.
Speaker 2: Eye on the table.
Speaker 3: He is reserved for his beloved wife, Molly, Molly, who
Speaker 3: has given him a son, but who has given him
Speaker 3: little love.
Speaker 8: A little sister, Craine.
Speaker 12: I hate fay away from you. No where can sellout
Speaker 12: carry make me hello, bo, call up rite me well
Speaker 12: len here Hello, what the day my lover?
Speaker 15: Give you young girl letter?
Speaker 12: And you know I'm in Gail cap here here hat
Speaker 12: very stare he.
Speaker 6: By that happy?
Speaker 2: How big your party?
Speaker 8: Mister Shorn, My dear, is your lady on your wire?
Speaker 2: She said? It is very important?
Speaker 7: Thanks, Henry, I know where it is.
Speaker 2: It's Molly, my wife.
Speaker 7: I've been waiting for Carl on evening.
Speaker 12: He is, Yeah, Hey, which phone Henry's in the Who say, Dolly,
Speaker 12: I be loved by all evening?
Speaker 2: It's almost mother, almost.
Speaker 8: Midnight, almost New Years.
Speaker 12: You're coming down, aren't sir? I can't hear your dolly.
Speaker 12: There's so much annoy here, Molly donny. Can't we start
Speaker 12: all over again? Why does the government cabin come on
Speaker 12: down here?
Speaker 7: Honey?
Speaker 12: Listen, I'll make what I'll make you resolution is, and
Speaker 12: if you want it, you're gonna make her somebody yourself.
Speaker 12: Wait a minute, honey, Wait, I see I can get
Speaker 12: your dark clothes if I can't hear a word yesterday now,
Speaker 12: but listen, can you hear this? I love your dolly,
Speaker 12: I love you a hurt.
Speaker 7: There, I got the dark clothes, honey.
Speaker 2: Now I can hear your sweet voice.
Speaker 7: This is Mary married, come mad, and I've.
Speaker 2: Been saying all those lovely things to you. What do
Speaker 2: you want? Married?
Speaker 15: Jo left?
Speaker 12: Sure, she's left, probably got in the cab to come
Speaker 12: here at this.
Speaker 9: She packed your bags and we's away with.
Speaker 13: She went away with. It is a swelling New Year's
Speaker 13: Eve for me.
Speaker 8: See he come home with one, come home, come home.
Speaker 8: That's a laugh.
Speaker 2: What's there for me to come home for? He's running
Speaker 2: a high fever.
Speaker 8: He he's calling for me, sunny boys calling for me.
Speaker 12: All right, Mary, look, get the doctor, get any doctor,
Speaker 12: the beg you can get.
Speaker 2: I'll be home as quick as a cat can get me.
Speaker 7: There have been new year out?
Speaker 3: Yeah?
Speaker 8: Thanks home about another bug out?
Speaker 12: How about you know that you can't grace I I'm
Speaker 12: I'm in an alco hurry, yeah, yeah, I have been
Speaker 12: you here?
Speaker 2: How is he now, Mary?
Speaker 16: Not much change of the tune.
Speaker 6: The doctor's in there with him now.
Speaker 2: Good evening, mister Stone, Well if he can just get
Speaker 2: through the night.
Speaker 13: Stabties about a sunny boy.
Speaker 16: I missed you, Daddy, something awful.
Speaker 2: He's been so fretful.
Speaker 8: If he could only get a good night's rest, what's
Speaker 8: n't matter, sunny boy?
Speaker 2: Can't you go to sleep?
Speaker 16: There's a Brady in this big room all alone.
Speaker 2: Mama went away.
Speaker 13: I know, I know, but don't worry now, darling, you
Speaker 13: won't get alone anymore.
Speaker 9: Why, yeah, Daddy'll be right here beside then, and I'll
Speaker 9: I'll tell your stories until you fall asleep. How how
Speaker 9: about the one about Peter Rabbit and the little red
Speaker 9: Fox when you'd like to hear that one?
Speaker 16: Yeah, Daddy, that's a good one. But the first well
Speaker 16: you sing me that song you no, the one about
Speaker 16: a little boy like me.
Speaker 8: Alright, Sonny, I'll try to s.
Speaker 2: You.
Speaker 13: Gonna sleep once outside when there are grace skies.
Speaker 9: I don't mind.
Speaker 2: Grace gies.
Speaker 14: You make 'em boo, honeyball, friends, friends may forstake.
Speaker 13: Me, let 'em, let 'em all first take me. I
Speaker 13: still have you, Honeyball, your stent from heaven.
Speaker 2: And I know your work and why you've made our
Speaker 2: heaven for me. And when I'm all e gray, dear,
Speaker 2: promise you won't grazy for I love you.
Speaker 3: And now al Johnson brings you for the first time
Speaker 3: on the air a special arrangement of Save Me Sister,
Speaker 3: the hit number from his latest Warner Brother's picture, The
Speaker 3: Singing Kid.
Speaker 2: Martin Freed conducts the orchestra. Right, I mean a sing
Speaker 2: in more.
Speaker 15: I'm in a preer, got out heavily, all over, feeling breathing, rborn.
Speaker 12: There's a lighter head and if someone smiles, get behind me.
Speaker 10: Long is the last last mile.
Speaker 15: Rida, strike me a heavenly aw.
Speaker 14: PETERA, throw me a halo.
Speaker 2: There's a lighter hit And if someone's.
Speaker 10: Nice and my heart right off the gory hall, say
Speaker 10: me siscom sister, save me, save me for all compassion.
Speaker 7: I'm on the lips of mother eyes. A'mother smile some
Speaker 7: on the tides. Come on about the other time. Run
Speaker 7: the devil, revelry, run my life.
Speaker 2: I fancy.
Speaker 13: Save me, sister ship, save me my honey celebration.
Speaker 2: I'm gonna miss.
Speaker 7: I'm gonna stray, but lady, from this very day, I'll
Speaker 7: go a straight narrow way. Mister, if you leave me
Speaker 7: here and the green and eyes a blue, make me
Speaker 7: see you.
Speaker 10: Like I'm fatherless time, a testless time and God done?
Speaker 2: What other a bos.
Speaker 3: Say this.
Speaker 13: Film?
Speaker 2: Save me?
Speaker 13: What's my dear nature?
Speaker 7: I'm gonna rise, I'm gonna tine, I'm gonna fine. I'm
Speaker 7: not a mine. I'm want to take the heavens mine.
Speaker 13: You're a winger if you save a little spin off.
Speaker 2: SHOs in.
Speaker 1: Powering pillars of stone and steel do not make our cities,
Speaker 1: nor the ribbon highways our countryside. It takes people life
Speaker 1: and blood.
Speaker 2: People like you and you and you, So it is
Speaker 2: we like to feel at sears.
Speaker 1: Our stores, our catalogs are endless stocks of merchandise, after all,
Speaker 1: are not.
Speaker 2: The real Sirs, Rubus.
Speaker 1: The real Sirs are the men and women who year
Speaker 1: after year serve you our customers. So to night, greetings
Speaker 1: to your friends and our friends, the fifty thousand Seers
Speaker 1: employees throughout all Americas. Good night and thanks Theirs family.
Speaker 3: Don't miss tenn and now next Thursday at the same
Speaker 3: time when Sirs Roebuck and Company will present us their
Speaker 3: guest stars, Marion Claire and John Bowles.
Speaker 1: SANAAW is written by Charles Martin and produced by William M. Robson.