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<v Speaker 1>Before we dive in, here's another show you can enjoy

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<v Speaker 1>in the True Story FM Family of Entertainment podcast. Oh

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<v Speaker 1>there you are.

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<v Speaker 2>I was hoping i'd cross paths with you today. I'd

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<v Speaker 2>like to invite you to visit the story Well. It's

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<v Speaker 2>a place where storytellers of all stripes gather, from improp

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<v Speaker 2>performers to authors, screenwriters to playwrights. We all tell stories,

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<v Speaker 2>but we're not here to talk about craft. We're here

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<v Speaker 2>to make something out of nothing. Each episode of the podcast,

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<v Speaker 2>your host that's me sits down with a creative person

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<v Speaker 2>and based on a series of random prompts, we get

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<v Speaker 2>elements that we make into a story. Will it be

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<v Speaker 2>a noir novel about King Kong or a Broadway musical

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<v Speaker 2>about JFK? Even We don't know. That's the fun part.

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<v Speaker 2>But what do you get out of this besides a

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<v Speaker 2>good time with fun people? Simple? The idea is then yours.

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<v Speaker 2>That's right. Whatever we come up with, we give it

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<v Speaker 2>away for anyone to use, however they'd like no strings attached.

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<v Speaker 2>It's like each episode come with a free prize. Inside

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<v Speaker 2>Well with Kyle Olson, we'll say, if you a seat

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<v Speaker 2>at the table.

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<v Speaker 3>Ever wondered what happens when a Zoomer who grew up

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<v Speaker 3>on the Clone.

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<v Speaker 4>Wars, millennial Anakin Defender.

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<v Speaker 1>And a grumpy old gen Xer walking to a canteen

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<v Speaker 1>and at talk Star Wars.

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<v Speaker 3>Then we've got the podcast for you.

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<v Speaker 1>Star Wars Generations is a place for fans of all

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<v Speaker 1>backgrounds to come together talk about what we love the

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<v Speaker 1>franchise and what we can learn from each other. With

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<v Speaker 1>so much new Star Wars content coming out, we take

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<v Speaker 1>a deep dive into all of it. We talk stories

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<v Speaker 1>and characters, what we learn about the Force and the Empire,

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<v Speaker 1>Republics old and new, and how each story adds to

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<v Speaker 1>the larger picture.

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<v Speaker 2>Besides episode by episode coverage of the new shows, we've

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<v Speaker 2>been going.

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<v Speaker 3>Back to watch the movies and release order.

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<v Speaker 4>We talk about Star.

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<v Speaker 2>Wars novels and video games, along with fam content and cosplay.

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<v Speaker 3>And with each episode we're just starting the conversation and

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<v Speaker 3>we hope you jump in.

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<v Speaker 4>We'll read your feedback, answer your questions.

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<v Speaker 3>We've had full episodes dedicated to questions and raised by.

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<v Speaker 1>Listeners like you. You can find us ender Star Wars

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<v Speaker 1>Generations on your favorite podcast app or by going to

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<v Speaker 1>the Ethical Pana dot com May the Force be with

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<v Speaker 1>you now. This is podcasting. Hello, and welcome to this

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<v Speaker 1>episode of Superhero Ethics. Today, myself and my co hosts

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<v Speaker 1>Riggi are talking about the new Netflix movie Rebel. For

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<v Speaker 1>a couple of months now, but if you're calling quite

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<v Speaker 1>a stir, it is a very good movie with a

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<v Speaker 1>lot of interesting issues that it raises, and Rieky and

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<v Speaker 1>I are going to talk about it, and this, like

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<v Speaker 1>a lot of things recently, has been one that Riky suggested.

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<v Speaker 1>So Riky, let me just kind of start by get

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<v Speaker 1>your chance to introduce yourself and then talking about why

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<v Speaker 1>you want to talk about this movie.

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<v Speaker 3>Hey, good morning, afternoon evening wherever you are. H Yeah,

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<v Speaker 3>I just came across this on Netflix and wasn't really

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<v Speaker 3>sure what it was. Read the description, I thought, okay,

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<v Speaker 3>I'll give this a shot and really enjoyed it.

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<v Speaker 4>And then started to do more.

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<v Speaker 3>Research into some of the stuff going on in this

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<v Speaker 3>movie and the people behind it, and I thought it

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<v Speaker 3>would be good. It brings up a couple of issues

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<v Speaker 3>that I think are very good in relation to what

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<v Speaker 3>we talk about on the show and just very relevant

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<v Speaker 3>to our society in general. For an action movie, I

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<v Speaker 3>think that's perfect, right. Most action movies we think of

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<v Speaker 3>as mindless, but this one just really makes you think.

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<v Speaker 4>And I enjoyed that a lot about it.

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<v Speaker 1>Yeah, it really does on a couple of levels. Because,

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<v Speaker 1>first of all, I will say, as someone who's on

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<v Speaker 1>record is not being a huge fan of fight scenes,

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<v Speaker 1>the fight scenes in this are incredibly beautifully shot. I

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<v Speaker 1>think I don't have the problem I often do of

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<v Speaker 1>not being sure what's going on. I always know what's

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<v Speaker 1>going on, but also there are times where the action

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<v Speaker 1>scenes don't give you what you think you're gonna get.

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<v Speaker 1>And there's a lot to do with how the like

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<v Speaker 1>that visual storytelling is explaining that our our protagonist's perspective

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<v Speaker 1>on violence, which is what we're gonna a part of

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<v Speaker 1>what we're gonna be talking about. For those who haven't

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<v Speaker 1>seen it, I would recommend hitting pause and then going

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<v Speaker 1>to watch it, because we are gonna have to spoil

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<v Speaker 1>a bunch of things. I'm trying to spoil the very end,

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<v Speaker 1>but probably will eventually, but let me kind of give

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<v Speaker 1>a plot rundown for those who aren't going to see it,

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<v Speaker 1>or those who sat a little while ago and forgotten it.

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<v Speaker 1>And again i'd recommend going to see it. But either way,

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<v Speaker 1>here it is. So our protagonist is a guy named

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<v Speaker 1>Terry Richmond, and he is his cousin. Mike is in

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<v Speaker 1>jail and is about to get transferred to state prison

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<v Speaker 1>while he is awaiting trial. The problem with all this

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<v Speaker 1>is that Mike has you know, it is a legit bust.

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<v Speaker 1>He was caught with drugs planning to distribute, but he

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<v Speaker 1>had earlier been a witness to another crime. He's supposed

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<v Speaker 1>to be getting some kind of witness protection or something.

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<v Speaker 1>He's not, and he sent to state prison. He's going

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<v Speaker 1>to be killed. So Terry, our protagonist, is riding his

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<v Speaker 1>bike trying to bring the bail money to the courthouse

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<v Speaker 1>in this small town of Silver Springs. I think it's called.

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<v Speaker 1>It's never said that it's in Louisiana, but it's the

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<v Speaker 1>accents are of that area, and they constantly are talking

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<v Speaker 1>about parishes start of county, so I think this is Louisiana.

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<v Speaker 1>But either way, it's definitely the Deep South. And Terry

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<v Speaker 1>gets Terry has an altercation with the police while he's

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<v Speaker 1>on his bike. They search him, they find the cash,

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<v Speaker 1>and because he is connected to Mike, who is arrested

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<v Speaker 1>for drug charges. They assume that well, they make the

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<v Speaker 1>claim that the money is something that the police should

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<v Speaker 1>be able to take under what is called civil forfeiture

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<v Speaker 1>civil asset forfeiture. Some I think we're definitely gonna talk

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<v Speaker 1>about it a lot and basically take the money. And

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<v Speaker 1>then a lot of the rest of the movie is

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<v Speaker 1>about Terry first trying legal avenue and then extra legal

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<v Speaker 1>avenues to get that money back in order to protect

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<v Speaker 1>his cousin Mike by bailing him out of jail. Eventually

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<v Speaker 1>he fails in that Mike is taken to jail, and

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<v Speaker 1>Mike dies in jail as was expected, and now the

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<v Speaker 1>fight is about getting justice and about trying to bring

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<v Speaker 1>light to the terrible corruption that's happening because they find

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<v Speaker 1>out that there's actually been this, because they find out

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<v Speaker 1>that this has been a pattern for some time that

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<v Speaker 1>the sheriff, who is clearly racist, clearly corrupt, but they

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<v Speaker 1>can't be, you know, as clearly upfront about that kind

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<v Speaker 1>of stuff as they might have been twenty years ago,

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<v Speaker 1>thirty years ago, and so now it has to be

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<v Speaker 1>a lot more under the radar through these bureaucracies, through

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<v Speaker 1>the civil asset forfeiture, and so Terry tries to deal

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<v Speaker 1>with this. He gets into a couple of altercations where

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<v Speaker 1>one thing we learn is that he is a former

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<v Speaker 1>marine and he taught de escalation. He taught people how

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<v Speaker 1>to not let fights escalate, but both verbally and also

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<v Speaker 1>physical actions that are focused on ending a fight, not

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<v Speaker 1>necessarily winning it in terms of knocking the guard eye

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<v Speaker 1>out or shooting them. But it's a lot of like

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<v Speaker 1>disarming people or knocking them down or incapacitating them without

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<v Speaker 1>aiming to kill them. Although importantly the phrase that's used

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<v Speaker 1>is less lethal violence. They don't talk about non lethal

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<v Speaker 1>violence and will definitely get to that, and so a

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<v Speaker 1>number of things happen through the course of the movie.

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<v Speaker 1>He gets help from a couple of folks, including a

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<v Speaker 1>court assistant named Summer and another police officer who turns

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<v Speaker 1>out has kind of been a mole trying to feed

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<v Speaker 1>information to people about what's happening in the police department.

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<v Speaker 1>And then in the climactic scene, yep, I was wrong,

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<v Speaker 1>watching can spoil the ending. Already he's in a chase.

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<v Speaker 1>They're trying to get to the hospital, so because he

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<v Speaker 1>needs a hospital, they're trying to get to a hospital

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<v Speaker 1>because the cop will help them needs a hospital, but

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<v Speaker 1>also because he needs to, you know, get the information

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<v Speaker 1>that he's got on the secret drive to the right authorities.

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<v Speaker 1>And one of the cops winds up helping them in

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<v Speaker 1>large part because he's able to kind of make the

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<v Speaker 1>case of look, you guys are all going to go

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<v Speaker 1>to jail. This is all super corrupt, and so in

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<v Speaker 1>the end, the cops all wind up helping him to

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<v Speaker 1>take down their boss. But it's left pretty murky as

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<v Speaker 1>to whether the cops had this, Oh he's in the

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<v Speaker 1>moral right, we're in the moral wrong moment, or just

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<v Speaker 1>oh wait, our boss is going down. We want to

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<v Speaker 1>cover our own asses. In kind of one of my

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<v Speaker 1>favorite parts of the movie that that's left intentionally vague,

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<v Speaker 1>and the writer, director and editor has said they left

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<v Speaker 1>that intentionally vague. So that's kind of our quick summary

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<v Speaker 1>of the movie. Ricky, what did I leave out?

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<v Speaker 3>Well, let's talk about the creator. It's Jeremy Salnier. I'm

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<v Speaker 3>giving it a little French twist. Who is I believe

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<v Speaker 3>most famous for the movie Green Room, which was a

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<v Speaker 3>twenty fifteen movie about a punk band who plays a

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<v Speaker 3>show at a Nazi bar and then gets into an

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<v Speaker 3>altercation and then they have to fight their way out

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<v Speaker 3>of the titular green room against a bunch of Nazis,

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<v Speaker 3>including Patrick Stewart.

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<v Speaker 4>So it's pretty pretty.

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<v Speaker 3>Well known for that, for that kind of cameo or

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<v Speaker 3>stunt casting, and is well regarded as like another movie

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<v Speaker 3>in this department of an action movie with some interesting

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<v Speaker 3>things to say about society. And this was twenty fifteen,

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<v Speaker 3>when you know, the idea of a Nazi bar was

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<v Speaker 3>like an underground place and not just that place down

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<v Speaker 3>the streets, right. So I really like his work, Jeremy Solnier,

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<v Speaker 3>and I'm curious to explore more after this and learning

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<v Speaker 3>that he did Green Room.

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<v Speaker 4>As for the story, I think you covered it well.

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<v Speaker 3>My biggest thing about this was that it's obvious that

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<v Speaker 3>Terry is the protagonist, the hero of this action movie,

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<v Speaker 3>and the cops and especially the sheriff played by Don Johnson,

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<v Speaker 3>the delightful casting. It's clear that they are bad, like

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<v Speaker 3>they're doing bad things, but it is never done in

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<v Speaker 3>a way that is, you know, like we would say

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<v Speaker 3>mustache twirling like comic book villain. They're definitely bad they're

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<v Speaker 3>doing and sometimes even evil, like I might say, but

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<v Speaker 3>you can always kind of see the humanity, yeah, and

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<v Speaker 3>go like I understand what they're doing, and it's not

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<v Speaker 3>out of the realm of reality, Like I know, like

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<v Speaker 3>I read that this is not based on a true story,

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<v Speaker 3>but it is based on facts and situations that have

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<v Speaker 3>happened to people, not to the action movie degree, but

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<v Speaker 3>the civil asset forfeiture, which we'll talk about more later.

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<v Speaker 3>It's like definitely something that happens.

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<v Speaker 1>I think that's so true. And I think the fact

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<v Speaker 1>that fairly early on Terry admits Mike did commit the

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<v Speaker 1>crime for which he was arrested is really important in

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<v Speaker 1>that because, like to be clear, there are people in jail,

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<v Speaker 1>especially people of color, men of color, black men, who

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<v Speaker 1>did nothing, who were completely framed. But a lot of

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<v Speaker 1>these things happen because someone makes a dumb mistake and

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<v Speaker 1>then things escalate and get much worse because of this,

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<v Speaker 1>or because their family members are trying to navigate the

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<v Speaker 1>system of Okay, my family members going to jail, I

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<v Speaker 1>get it, But how do I help them? How do

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<v Speaker 1>I get money to them in the commissary? How do

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<v Speaker 1>I help keep them in you know, witness protection or

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<v Speaker 1>something like that, and yeah, I totally agree, it becomes

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<v Speaker 1>it keeps it very human. You understand the pressure that's

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<v Speaker 1>under the cops are under that party issue is that

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<v Speaker 1>there's a consent decree in place because of former aspect.

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<v Speaker 1>Like basically, this is a police department that did commit

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<v Speaker 1>acts of race violence or something like that in the past,

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<v Speaker 1>and I think there's a wrongful death suit against them,

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<v Speaker 1>and so they're out of money, and so they need

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<v Speaker 1>more money to do this. And again it's not like

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<v Speaker 1>making them heroes by any means. It's because of their own,

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<v Speaker 1>you know, awful practices. This has happened. But that makes

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<v Speaker 1>the Don Johnson character feel a lot more, you know,

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<v Speaker 1>like a person, like a real character who I could

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<v Speaker 1>see in real life, rather than like, moahaha, I just

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<v Speaker 1>want to have you know, diamond plated you know everything

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<v Speaker 1>in my cop mansion kind of a thing.

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<v Speaker 4>Yeah.

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<v Speaker 3>The comical thing that he corruptly spent money on was

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<v Speaker 3>a Margarito machine.

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<v Speaker 1>Yeah.

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<v Speaker 3>And they are also stockpiling weapons, which I would argue,

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<v Speaker 3>like the amount of weapons that they have are not

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<v Speaker 3>necessary for this size police force, like for this jurisdiction.

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<v Speaker 3>But I can understand, like the mentality of the police

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<v Speaker 3>force saying like we want more stuff.

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<v Speaker 1>Right, well, and the fact of the fact is that

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<v Speaker 1>most police departments now have far more. I mean you

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<v Speaker 1>could argue, like do any police departments need tanks or

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<v Speaker 1>you know which level, but like, yeah, just like the

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<v Speaker 1>level of weaponry that this police armer has is way

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<v Speaker 1>out of proportion what you think they'd need, but it's

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<v Speaker 1>also not unrealistic to what's happening in our own world.

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<v Speaker 3>Yeah, Like when they first show the armory and pan

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<v Speaker 3>to it, I was like, that's a lot for like

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<v Speaker 3>I don't like a dozen people, but I do like,

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<v Speaker 3>like there's a theme. You know, you mentioned less lethal,

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<v Speaker 3>and I think it was actually Don Johnson's character who's

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<v Speaker 3>commenting on the weapons they have and said, well, we've

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<v Speaker 3>had to like shift to buying non lethal weapons or

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<v Speaker 3>as they want us to call it less lethal because

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<v Speaker 3>of like legal issues.

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<v Speaker 4>So I think that's that was a really.

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<v Speaker 3>Good line for a like developing the plot and showing

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<v Speaker 3>what's happening and why later on Terry uses a bunch.

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<v Speaker 4>Of these weapons and you know, does not kill people.

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<v Speaker 3>But also like the idea of rubber bullets or they

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<v Speaker 3>have a shotgun that shoots sandbags, right right, And there

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<v Speaker 3>have been deaths that have occurred in situations where people

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<v Speaker 3>have used these you know, police forces have used these

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<v Speaker 3>weapons on civilians tasers as well, Like there have been

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<v Speaker 3>deaths from tasers. So I think the acknowledgment that they

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<v Speaker 3>are not universally non lethal, but they are less lethal

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<v Speaker 3>is good.

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<v Speaker 1>Yeah, honestly, this is this is the language that I've

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<v Speaker 1>been wanting every time we talk about Daredevil or Batman

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<v Speaker 1>or any kind of hero who you know makes a

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<v Speaker 1>claim of I won't kill and I'll save a lot

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<v Speaker 1>of that for We're gonna do a whole episode on

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<v Speaker 1>non violence and non lethal violence and things like that.

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<v Speaker 1>But part of it is because I you know, there's

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<v Speaker 1>a you can kick a person in the head and

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<v Speaker 1>kill them. You can punch a person in the stomach,

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<v Speaker 1>and just because of a freak thing, you can kill them.

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<v Speaker 1>Like the idea that there is a clear line of

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<v Speaker 1>this violence is lethal and this violence absolutely is not

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<v Speaker 1>is nonsense. And I just love that they both they

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<v Speaker 1>show him doing everything he can to avoid lethal violence,

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<v Speaker 1>but I think he's going into it knowing that. Yeah,

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<v Speaker 1>Like there's a couple of times where he knocks people

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<v Speaker 1>down and they hit their heads.

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<v Speaker 3>Some of the action sequences, especially from Terry's actions, are

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<v Speaker 3>very brutal. Yeah, and so like I would caution people,

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<v Speaker 3>like if you're gonna watch it, be aware of that.

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<v Speaker 3>You know, we're talking about less lethal. But at one

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<v Speaker 3>point he breaks a man's arm and another man he

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<v Speaker 3>like punches, He's got him on the ground and he

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<v Speaker 3>punches him in the face multiple times. Yeah, and it's clear,

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<v Speaker 3>like from the narrative, like his training, like he knows

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<v Speaker 3>how to apply force in a way to incapacitate people

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<v Speaker 3>and that's what he's trying to do. But I agree,

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<v Speaker 3>like it's very possible, like from those face punches that

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<v Speaker 3>like person could have could die in that situation.

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<v Speaker 1>Yeah, for sure, And I really appreciate that. Let's talk

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<v Speaker 1>about this less lethal violence. That's a hard thing to

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00:16:10.240 --> 00:16:14.320
<v Speaker 1>say kind of philosophy he has because clear that he

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00:16:14.440 --> 00:16:18.360
<v Speaker 1>is not only in how he fights, but just everything

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00:16:18.399 --> 00:16:21.679
<v Speaker 1>he does his goals de escalation. How did that strike

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<v Speaker 1>you because it's not what you normally see from heroes. Yeah.

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<v Speaker 3>I enjoyed watching, Like when the action sequences start, he

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00:16:33.200 --> 00:16:37.919
<v Speaker 3>is always doing things like very deliberately in the very

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00:16:38.000 --> 00:16:45.279
<v Speaker 3>first like physical confrontation, he takes the sheriff's pistol, like

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<v Speaker 3>the sheriff like unholsters his pistol and is getting ready

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<v Speaker 3>to use it or at least threatened Terry with it,

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<v Speaker 3>and Terry, you know, disarms him and then very quickly

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<v Speaker 3>empties the magazine. Yeah, and then turns the sheriff because

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<v Speaker 3>like his deputies are coming out with their weapons, and

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<v Speaker 3>he turns the saraff around, uses him as a shield

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<v Speaker 3>and walks him forward and is talking to the deputy

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<v Speaker 3>saying like, hey, you don't want to do this, Like

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<v Speaker 3>you don't want to do this, Let's talk about this.

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<v Speaker 3>Like the language he uses, right, is part of the

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00:17:14.359 --> 00:17:18.640
<v Speaker 3>de escalation. He's disarmed the sheriff. He's eliminated that as

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<v Speaker 3>a lethal weapon in this situation, and throughout the action

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<v Speaker 3>sequences he's constantly doing that. Like in a later action sequence,

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<v Speaker 3>he picks up a shotgun and empties all the shells,

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<v Speaker 3>and one of the police officers later picks up that

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<v Speaker 3>shotgun in the conflict in the confusion and tries to

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<v Speaker 3>shoot Terry and it's empty because he had taken care

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<v Speaker 3>of that issue.

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<v Speaker 1>Yeah, No, it's so well done. And I was reading

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<v Speaker 1>an article about the movie about how some folks had

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<v Speaker 1>said that they were kind of disappointed that he doesn't

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<v Speaker 1>kill the cops, the corrupt cops at the end of

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<v Speaker 1>the movie, and the director talked about this, and the writer,

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<v Speaker 1>Jeremy was first name, right, Yeah, son Sonier talked about

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00:18:06.519 --> 00:18:09.039
<v Speaker 1>this and said that he wanted this movie to feel

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<v Speaker 1>realistic and that the chance of him killing a cop,

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<v Speaker 1>no matter how corrupt that cop might have been, and

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<v Speaker 1>getting away with it in this world is just not

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00:18:17.720 --> 00:18:21.759
<v Speaker 1>a believable thing right now. And he also wanted to

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00:18:21.799 --> 00:18:25.160
<v Speaker 1>focus on how a large part of this guy's goal

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<v Speaker 1>wasn't just like getting justice in this pure sense, it

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00:18:28.799 --> 00:18:31.599
<v Speaker 1>was survival. It was getting to a place that he

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00:18:31.640 --> 00:18:34.680
<v Speaker 1>could walk away and get back to some semblance of

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<v Speaker 1>his life. First, could he survive and save his cousin,

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<v Speaker 1>and then could he just survive? And I really like that,

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<v Speaker 1>and it felt like it fit this idea of the

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<v Speaker 1>non lethality, because you know, and this is kind of

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<v Speaker 1>the unspoken part, but an essential part of understanding the

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<v Speaker 1>interactions between police and men of color, but especially black men,

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<v Speaker 1>is this assumption of lethality. And it feels like to me,

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<v Speaker 1>part of what's happening with his character is that he

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<v Speaker 1>is going he is especially eager to show the cops

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<v Speaker 1>he is not going to try and use lethal violence,

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<v Speaker 1>because the fact is that like black men, doing almost

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<v Speaker 1>anything can be assumed to be a source of lethal

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<v Speaker 1>violence by the cops, which is then turned into violence

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<v Speaker 1>against them in racist way. It's like, I'm not saying

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<v Speaker 1>anything that's justified and saying that's what happens. And even

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<v Speaker 1>from the very start when he's on his bicycle, he's

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<v Speaker 1>just trying to explain the situation, but very quickly the

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00:19:35.119 --> 00:19:37.359
<v Speaker 1>cops go into a you know, we're going to treat

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<v Speaker 1>you as an adversary, We're gonna treat you as a

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00:19:39.960 --> 00:19:43.559
<v Speaker 1>possible threat. And I think that's the that's the motivation,

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<v Speaker 1>that that's the world in which he is living this

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<v Speaker 1>whole movie, and why he's non violent. His less lethal

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<v Speaker 1>violence than his de escalation becomes so vitable to who

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<v Speaker 1>he is.

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<v Speaker 4>Yeah, there's a scene where he's driving.

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<v Speaker 3>A truck and they pull him over and the officer

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00:20:03.160 --> 00:20:07.039
<v Speaker 3>you know, comes to the window and I think Terry

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<v Speaker 3>says something like, are my hands okay?

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<v Speaker 1>Right?

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<v Speaker 3>Do you remember that scene? And the officer says, yep,

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<v Speaker 3>like ten and two, and that that spoke volumes to me, right,

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<v Speaker 3>Like that is the understanding between those two characters of

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<v Speaker 3>like a negotiation. Yeah, because in those situations and of course,

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<v Speaker 3>like they know who this guy is already, but in

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<v Speaker 3>a situation where a police officer pulls over a black man,

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<v Speaker 3>like so often we hear these terrible tragedies of a

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<v Speaker 3>shooting in that situation because like of these assumptions and

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<v Speaker 3>like the feeling of threat. Yeah, it's like, all right,

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<v Speaker 3>I got my hands on the wheel and ten and

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<v Speaker 3>two you can see them, I'm not going for a weapon,

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<v Speaker 3>you know, don't shoot me, because in so many tragic

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<v Speaker 3>situations that happens.

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<v Speaker 4>Yeah, even like.

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<v Speaker 3>Someone reaching for you know, their ID and insurance and

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<v Speaker 3>registration in the glove compartment. It's like the officers like

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00:21:07.480 --> 00:21:09.400
<v Speaker 3>I thought he was going for a gun, right, But

387
00:21:09.480 --> 00:21:13.559
<v Speaker 3>that's a normal thing, and like I don't think about

388
00:21:13.680 --> 00:21:16.720
<v Speaker 3>like I think about it now, but when I've been

389
00:21:16.759 --> 00:21:20.200
<v Speaker 3>pulled over, I haven't worried. I haven't ever worried about that.

390
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<v Speaker 3>And that's like the tragedy of society today, yeah, of

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<v Speaker 3>racism in society and just the way that they showed

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<v Speaker 3>that so subtly in that situation without ever I think,

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<v Speaker 3>like saying anything specifically about it, but like, once you

394
00:21:36.720 --> 00:21:39.160
<v Speaker 3>know about it, it's like, oh yeah, Like I can

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<v Speaker 3>feel this tension for.

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<v Speaker 1>Sure, and I'm the same way. It was. One thing

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<v Speaker 1>watching this movie, it occurred to me that about a

398
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<v Speaker 1>month ago I had gotten pulled over my cop. My

399
00:21:48.839 --> 00:21:50.799
<v Speaker 1>car's in really bad shape. I've talked about this, and

400
00:21:50.839 --> 00:21:53.000
<v Speaker 1>cop wanted I think I had a headlight out or something,

401
00:21:53.599 --> 00:21:56.519
<v Speaker 1>and literally, as he's walking up to the window, I,

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00:21:57.119 --> 00:21:59.240
<v Speaker 1>you know, reach over to my coat on the other

403
00:21:59.279 --> 00:22:02.000
<v Speaker 1>side of the of the in the passenger seat to

404
00:22:02.039 --> 00:22:05.359
<v Speaker 1>grab my wallet to show him my ID. And then later,

405
00:22:05.440 --> 00:22:07.640
<v Speaker 1>like watching this movie, I was thinking about that again

406
00:22:07.640 --> 00:22:10.880
<v Speaker 1>and thinking, huh, I probably looked like I was darting

407
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<v Speaker 1>into the passenger seat right in the moment that a

408
00:22:12.720 --> 00:22:15.759
<v Speaker 1>cop came up to my window. Yeah, maybe this cop

409
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<v Speaker 1>was just not worried the way a lot of others are.

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<v Speaker 1>But probably if I had not been a clearly white person,

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<v Speaker 1>I don't know if that situation would have gone the

412
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<v Speaker 1>way it did. So yeah, So just there's so many

413
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<v Speaker 1>things about this movie that make you kind of just

414
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<v Speaker 1>think about what, what are the things you don't have

415
00:22:32.119 --> 00:22:37.240
<v Speaker 1>to deal with on a daily basis or do or sure.

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<v Speaker 3>And I thought like, as a as an Asian man,

417
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<v Speaker 3>like Japanese person, I was really intrigued by the Asian

418
00:22:48.519 --> 00:22:54.119
<v Speaker 3>characters in this movie. So Terry gets part of his

419
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<v Speaker 3>money from like he had an investment in a Chinese

420
00:22:57.519 --> 00:23:02.799
<v Speaker 3>restaurant in his hometown run by mister Liu, and he

421
00:23:02.920 --> 00:23:06.759
<v Speaker 3>got like bought out of his investment and got the

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00:23:06.799 --> 00:23:10.160
<v Speaker 3>cash from mister Leu. As you know, he also sold

423
00:23:10.160 --> 00:23:13.279
<v Speaker 3>his car to go bail out his cousin, right, And

424
00:23:14.279 --> 00:23:16.640
<v Speaker 3>mister Leu is kind of like a background character. He

425
00:23:16.720 --> 00:23:18.480
<v Speaker 3>calls him a couple of times. The first time he

426
00:23:18.559 --> 00:23:21.240
<v Speaker 3>calls him and it's like I got I need, I

427
00:23:21.279 --> 00:23:24.960
<v Speaker 3>need more money unfortunately, and it's like, yeah, sure, whatever

428
00:23:24.960 --> 00:23:27.400
<v Speaker 3>you need, like I'll send it. So like that relationship

429
00:23:28.079 --> 00:23:31.119
<v Speaker 3>like right there, you immediately get like how close.

430
00:23:30.839 --> 00:23:33.599
<v Speaker 4>They are, right, because it's not like what do you like?

431
00:23:33.640 --> 00:23:36.400
<v Speaker 3>He he does sound a little surprised, but it's like, yeah,

432
00:23:36.400 --> 00:23:39.359
<v Speaker 3>whatever you need, Terry, right, like ten thousand dollars sure.

433
00:23:41.079 --> 00:23:43.079
<v Speaker 3>But I also found it funny that the first time

434
00:23:43.119 --> 00:23:48.160
<v Speaker 3>he calls, mister Leu puts on like a more like

435
00:23:48.240 --> 00:23:52.880
<v Speaker 3>a stronger Asian accent, and then the second time Terry calls,

436
00:23:53.119 --> 00:23:55.799
<v Speaker 3>he's speaking like still has a bit of an accent,

437
00:23:56.200 --> 00:23:59.720
<v Speaker 3>as you know you you do, but it's speaking more normally,

438
00:24:00.000 --> 00:24:04.240
<v Speaker 3>I would say, without the exaggerated accent, and Terry comments

439
00:24:04.279 --> 00:24:06.079
<v Speaker 3>on it and he's like, oh, like, you're dropping the

440
00:24:06.119 --> 00:24:12.960
<v Speaker 3>accent now. But then later on he when Terry is injured,

441
00:24:13.319 --> 00:24:17.799
<v Speaker 3>he goes to get his wound fixed up because mister Liu,

442
00:24:18.119 --> 00:24:21.319
<v Speaker 3>it turns out, was like a field medic in the

443
00:24:21.440 --> 00:24:25.480
<v Speaker 3>Korean War. Yeah, and the character of Summer when she

444
00:24:25.640 --> 00:24:30.240
<v Speaker 3>hears that, says thank you for your service, and they,

445
00:24:30.480 --> 00:24:33.279
<v Speaker 3>like all of them look at each other. Terry says,

446
00:24:34.559 --> 00:24:38.880
<v Speaker 3>mister Liu is Chinese. He was fighting for the other side.

447
00:24:39.119 --> 00:24:43.240
<v Speaker 1>Yeah. It's such a beautiful moment, and everything about that

448
00:24:43.319 --> 00:24:47.839
<v Speaker 1>relationship I love because Summer is part of the Summer's

449
00:24:47.920 --> 00:24:49.920
<v Speaker 1>character is that she is very much kind of like

450
00:24:50.039 --> 00:24:54.480
<v Speaker 1>the she's younger, she's white, and I think there's supposed

451
00:24:54.519 --> 00:24:56.359
<v Speaker 1>to be kind of an She both knows a lot

452
00:24:56.400 --> 00:24:59.359
<v Speaker 1>more about the legal system than Terry does, but she's

453
00:24:59.359 --> 00:25:01.400
<v Speaker 1>also pretty nic eve about the world in a lot

454
00:25:01.400 --> 00:25:03.839
<v Speaker 1>of ways. And I think that moment is a big

455
00:25:03.880 --> 00:25:07.119
<v Speaker 1>part of illustrating it. And there's another part of the

456
00:25:07.240 --> 00:25:08.440
<v Speaker 1>mister the U story.

457
00:25:08.200 --> 00:25:11.279
<v Speaker 4>That if I can finish the finish this thought.

458
00:25:11.319 --> 00:25:14.920
<v Speaker 3>On that scene, her reaction is also, I thought, very good,

459
00:25:15.359 --> 00:25:17.880
<v Speaker 3>says well, I guess it's good that we can like

460
00:25:18.319 --> 00:25:20.440
<v Speaker 3>meet in the middle or some something along those lines,

461
00:25:20.480 --> 00:25:22.079
<v Speaker 3>like we're all on the same page now.

462
00:25:22.559 --> 00:25:26.079
<v Speaker 1>Yeah, yeah, very much so, because yeah, he he whatever,

463
00:25:26.119 --> 00:25:29.119
<v Speaker 1>he was doing it, you know, he you know, conscript

464
00:25:29.160 --> 00:25:33.079
<v Speaker 1>in that, you know, he fought for his country in

465
00:25:33.119 --> 00:25:35.400
<v Speaker 1>that war and then eventually he came to this country

466
00:25:35.440 --> 00:25:40.480
<v Speaker 1>and it's working here. And it's not like this movie

467
00:25:40.559 --> 00:25:44.079
<v Speaker 1>is primarily about you know, anti black racism. But if

468
00:25:44.079 --> 00:25:47.920
<v Speaker 1>you want to get reminded that, uh, anti Sino and

469
00:25:47.960 --> 00:25:51.480
<v Speaker 1>anti Asian racism in general, but specifically anti Sino racism,

470
00:25:51.519 --> 00:25:54.400
<v Speaker 1>anti Chinese racism is such a big thing. Just listen

471
00:25:54.440 --> 00:25:57.160
<v Speaker 1>to the conversations about TikTok and all of you like,

472
00:25:57.240 --> 00:26:00.240
<v Speaker 1>oh my god, the big bad evil Chinese or coming

473
00:26:00.279 --> 00:26:03.640
<v Speaker 1>to get TikTok. Like, there's an awful lot of racism

474
00:26:03.720 --> 00:26:07.000
<v Speaker 1>tied into a lot of how that's discussed, and I

475
00:26:07.079 --> 00:26:09.880
<v Speaker 1>just love the way that it's so subtly pointed at.

476
00:26:09.920 --> 00:26:12.599
<v Speaker 1>But is a part of this movie as well as

477
00:26:12.680 --> 00:26:15.440
<v Speaker 1>because there's one other interaction they have where I think

478
00:26:15.559 --> 00:26:17.440
<v Speaker 1>the second time or maybe the third time, that he

479
00:26:17.559 --> 00:26:20.880
<v Speaker 1>calls mister Leu, and mister Leu's upset at him, but

480
00:26:20.960 --> 00:26:24.240
<v Speaker 1>quickly he realizes he's just upset and Terry's kind of

481
00:26:24.279 --> 00:26:29.880
<v Speaker 1>there because again, because these cops are just anybody who

482
00:26:29.920 --> 00:26:32.599
<v Speaker 1>is connected to somebody, Like if you get one person

483
00:26:32.680 --> 00:26:36.160
<v Speaker 1>who they can arrest as being suspicious of drugs, now

484
00:26:36.160 --> 00:26:38.960
<v Speaker 1>they can draw this network and that anyone who is

485
00:26:38.960 --> 00:26:41.599
<v Speaker 1>in any way passing money back and forth will that

486
00:26:41.640 --> 00:26:44.640
<v Speaker 1>money might be drug money because they find out that

487
00:26:44.680 --> 00:26:48.079
<v Speaker 1>mister Leu had wired money to Terry, and so now

488
00:26:48.119 --> 00:26:51.000
<v Speaker 1>there's a police rate on mister Leu's restaurant and some

489
00:26:51.039 --> 00:26:52.759
<v Speaker 1>of his assets may get seized. And I think that

490
00:26:52.759 --> 00:26:55.079
<v Speaker 1>gets cleared up eventually. But I just thought it was

491
00:26:55.079 --> 00:26:57.880
<v Speaker 1>such another brilliant way of saying, oh, yeah, the cops

492
00:26:57.920 --> 00:27:03.039
<v Speaker 1>recognize here's another vulnerable person. Here's an immigrant, a Chinese person,

493
00:27:03.079 --> 00:27:05.960
<v Speaker 1>an Asian person who doesn't really understand these things. So

494
00:27:06.000 --> 00:27:07.920
<v Speaker 1>maybe we can seize their assets too, or at least

495
00:27:07.920 --> 00:27:09.839
<v Speaker 1>throw the fear of God into them so they stop helping.

496
00:27:12.680 --> 00:27:18.079
<v Speaker 3>Yeah, it, Liu is an ally to Terry, like in

497
00:27:18.079 --> 00:27:21.359
<v Speaker 3>the most literal sense in this movie, and he is

498
00:27:21.400 --> 00:27:23.920
<v Speaker 3>punished for it, right, And then that's what you're saying,

499
00:27:24.519 --> 00:27:29.599
<v Speaker 3>is that the racism here isn't just white cops going

500
00:27:29.640 --> 00:27:33.440
<v Speaker 3>after a black man, but to break down this network

501
00:27:33.480 --> 00:27:37.279
<v Speaker 3>of allyship, to break down people who want to help

502
00:27:37.319 --> 00:27:41.119
<v Speaker 3>each other even though they're not the same, and say no,

503
00:27:41.200 --> 00:27:43.039
<v Speaker 3>like don't help him. Like if you help him, you're

504
00:27:43.039 --> 00:27:45.119
<v Speaker 3>gonna get in trouble too, and you don't want that.

505
00:27:45.200 --> 00:27:47.680
<v Speaker 4>And this is kind of it plays.

506
00:27:47.279 --> 00:27:54.440
<v Speaker 3>Into the the idea of gosh, I'm blanking on the

507
00:27:54.559 --> 00:27:57.039
<v Speaker 3>term like the good immigrant.

508
00:27:57.759 --> 00:27:59.400
<v Speaker 1>Oh, the model minority, yes.

509
00:27:59.480 --> 00:28:05.319
<v Speaker 3>Thank you, the model minority, like Asians in America. There's

510
00:28:05.400 --> 00:28:08.799
<v Speaker 3>this myth of the model minority, that Asians are the

511
00:28:08.880 --> 00:28:12.240
<v Speaker 3>good ones and that if only everyone were more like Asians,

512
00:28:12.279 --> 00:28:14.160
<v Speaker 3>like look at how well they do in school and

513
00:28:14.240 --> 00:28:15.319
<v Speaker 3>businesses and such.

514
00:28:16.079 --> 00:28:17.799
<v Speaker 4>And that is part of.

515
00:28:17.640 --> 00:28:23.200
<v Speaker 3>This trap, I guess, to stop Asians from identifying as

516
00:28:23.240 --> 00:28:28.079
<v Speaker 3>minorities and helping black people or you know, Muslims, you

517
00:28:28.079 --> 00:28:29.039
<v Speaker 3>know in this country.

518
00:28:30.519 --> 00:28:32.880
<v Speaker 1>Yeah, so much of the attempts to get rid of

519
00:28:32.960 --> 00:28:36.319
<v Speaker 1>DEI and any kind of affirmative action or anything like

520
00:28:36.319 --> 00:28:39.920
<v Speaker 1>that in universities in high school specifically, they often aim

521
00:28:39.960 --> 00:28:42.519
<v Speaker 1>a lot of it at, like at Asian parents, trying

522
00:28:42.559 --> 00:28:44.400
<v Speaker 1>to frame it as like, oh, but your kids are

523
00:28:44.400 --> 00:28:46.160
<v Speaker 1>getting punished the same way white kids are.

524
00:28:46.559 --> 00:28:50.799
<v Speaker 3>Yeah, that's a whole action case with Harvard. Yeah, the

525
00:28:50.920 --> 00:28:54.559
<v Speaker 3>case was brought forth by Asian families, but it was

526
00:28:54.799 --> 00:28:59.279
<v Speaker 3>it was like white lawyers and white like interest groups

527
00:28:59.400 --> 00:29:00.240
<v Speaker 3>that funded.

528
00:29:00.079 --> 00:29:04.720
<v Speaker 1>Close exactly exactly. Yeah, And I think we're left to

529
00:29:04.720 --> 00:29:07.400
<v Speaker 1>wonder like if Terry had worked for a white businessman

530
00:29:07.799 --> 00:29:10.000
<v Speaker 1>and it like co owned a diner or something like

531
00:29:10.000 --> 00:29:13.000
<v Speaker 1>that with a white businessman, and then that businessman had

532
00:29:13.039 --> 00:29:15.160
<v Speaker 1>helped support him and sent him money. I don't think

533
00:29:15.200 --> 00:29:16.519
<v Speaker 1>the cops go after him in the same way they

534
00:29:16.519 --> 00:29:19.000
<v Speaker 1>do mister with you. You know, they might depending on

535
00:29:19.039 --> 00:29:19.519
<v Speaker 1>who he was.

536
00:29:19.599 --> 00:29:23.000
<v Speaker 3>But but I think like it's it's the I believe

537
00:29:23.000 --> 00:29:25.920
<v Speaker 3>it's a deliberate part of the storytelling very much that

538
00:29:26.000 --> 00:29:27.000
<v Speaker 3>it's a Chinese.

539
00:29:26.720 --> 00:29:30.799
<v Speaker 1>Restaurant very much. So yeah, yeah, I think so well.

540
00:29:30.839 --> 00:29:33.279
<v Speaker 1>And so let's talk more about this idea of civil

541
00:29:33.319 --> 00:29:37.640
<v Speaker 1>asset forfeiture because you know, if you watched movies about

542
00:29:37.720 --> 00:29:44.000
<v Speaker 1>racist cops in you know, especially the eighties, nineties, two thousands,

543
00:29:44.039 --> 00:29:46.960
<v Speaker 1>but even pretty recently, Like often the cops would just

544
00:29:46.960 --> 00:29:48.440
<v Speaker 1>be like, oh, you got a lot of money, I'm

545
00:29:48.440 --> 00:29:49.759
<v Speaker 1>just gonna put it in the back in my back

546
00:29:49.799 --> 00:29:51.720
<v Speaker 1>pocket and just write up that you didn't have any

547
00:29:51.720 --> 00:29:54.559
<v Speaker 1>money and call you a liar. Here, though, they're using

548
00:29:54.599 --> 00:29:58.279
<v Speaker 1>this bureaucracy of civil asset forfeiture. Tell us more about that.

549
00:30:00.720 --> 00:30:03.839
<v Speaker 3>So there's a couple of things going on here. There's

550
00:30:03.880 --> 00:30:08.079
<v Speaker 3>the concept of criminal asset forfeiture, which is that if

551
00:30:08.119 --> 00:30:11.480
<v Speaker 3>you are convicted of a crime, the police or the

552
00:30:11.519 --> 00:30:15.920
<v Speaker 3>Department of Justice or whoever can seize your assets, right,

553
00:30:16.279 --> 00:30:19.880
<v Speaker 3>and I especially if they are related to the crime. Right,

554
00:30:20.119 --> 00:30:22.920
<v Speaker 3>And I think that makes sense. I'm sure there are

555
00:30:22.960 --> 00:30:27.319
<v Speaker 3>ways that that can be fudged and misused, but I

556
00:30:27.359 --> 00:30:29.799
<v Speaker 3>think we all understand the concept like, Okay, like you

557
00:30:29.880 --> 00:30:32.799
<v Speaker 3>committed a crime, and like these things were used for

558
00:30:32.839 --> 00:30:36.119
<v Speaker 3>the crime where we're gained from crime, then we're going

559
00:30:36.200 --> 00:30:41.839
<v Speaker 3>to take them from you. That makes sense civil asset forfiture,

560
00:30:41.839 --> 00:30:45.839
<v Speaker 3>which is what happens in this movie. Right, Terry is

561
00:30:45.920 --> 00:30:51.119
<v Speaker 3>not convicted of a crime. They let him go. He's

562
00:30:51.160 --> 00:30:56.519
<v Speaker 3>not even really accused of a crime. They just say like, oh, well,

563
00:30:57.039 --> 00:31:00.000
<v Speaker 3>like you mentioned drugs, like you mentioned your cousins geting drugs,

564
00:31:00.519 --> 00:31:02.039
<v Speaker 3>so this could be drug money.

565
00:31:02.759 --> 00:31:05.400
<v Speaker 4>So we're gonna take it, and that's it.

566
00:31:06.119 --> 00:31:07.000
<v Speaker 1>Yeah, that's all I need.

567
00:31:07.880 --> 00:31:09.759
<v Speaker 3>And like, yeah, we can say, like part of it

568
00:31:09.839 --> 00:31:12.440
<v Speaker 3>is that he's black, right, that he's a black man,

569
00:31:12.519 --> 00:31:15.599
<v Speaker 3>so like that's that's part of the big picture.

570
00:31:15.720 --> 00:31:18.480
<v Speaker 4>But it's it's just like this can happen to anyone.

571
00:31:19.160 --> 00:31:22.160
<v Speaker 3>And when Terry is talking to Summer, the legal clerk,

572
00:31:22.319 --> 00:31:26.359
<v Speaker 3>he says, is this legal? And she says, well, it's

573
00:31:26.400 --> 00:31:32.000
<v Speaker 3>the law, which is a clever phrasing. And when I

574
00:31:32.039 --> 00:31:34.839
<v Speaker 3>was looking it up, a lot of states have eliminated

575
00:31:34.920 --> 00:31:37.720
<v Speaker 3>civil asset forfiture as a law, and.

576
00:31:37.680 --> 00:31:39.200
<v Speaker 4>I think more and more are doing so.

577
00:31:39.880 --> 00:31:43.440
<v Speaker 3>And this movie, bringing this issue to light in this

578
00:31:43.480 --> 00:31:46.759
<v Speaker 3>way in a popular Netflix movie I think is going

579
00:31:46.960 --> 00:31:49.880
<v Speaker 3>hopefully will help, right, you know, bring it to light

580
00:31:50.240 --> 00:31:53.000
<v Speaker 3>have discussions like this one where people go, what the

581
00:31:53.039 --> 00:31:55.079
<v Speaker 3>heck they can just do this?

582
00:31:56.160 --> 00:32:01.279
<v Speaker 1>And understanding is it was originally designed, as you know,

583
00:32:01.400 --> 00:32:03.559
<v Speaker 1>because if you've ever seen a mob movie or something

584
00:32:03.640 --> 00:32:06.400
<v Speaker 1>like that, where there's the like, oh, well, we have

585
00:32:06.480 --> 00:32:09.160
<v Speaker 1>to get married now, because then I can sign over

586
00:32:09.200 --> 00:32:11.680
<v Speaker 1>my assets to you as my wife, and then they

587
00:32:11.759 --> 00:32:15.039
<v Speaker 1>can't go after them, and there were folks who were

588
00:32:15.119 --> 00:32:18.720
<v Speaker 1>using methods like that to get around criminal asset forfeiture.

589
00:32:19.200 --> 00:32:21.240
<v Speaker 1>And I'm my understanding is there may have been some

590
00:32:21.400 --> 00:32:25.720
<v Speaker 1>like good intentions behind creating civil asset forfeiture, but it

591
00:32:25.799 --> 00:32:29.519
<v Speaker 1>is just so easily abused and so easily because there

592
00:32:29.559 --> 00:32:31.799
<v Speaker 1>is no you don't have to go through any trial process.

593
00:32:32.119 --> 00:32:34.079
<v Speaker 1>All you have to do is say I suspect this,

594
00:32:34.839 --> 00:32:37.960
<v Speaker 1>and particularly when it comes to drugs, anything that is

595
00:32:38.079 --> 00:32:42.000
<v Speaker 1>touched by that in any way. You know, there have

596
00:32:42.079 --> 00:32:45.240
<v Speaker 1>been so many cases for example of you know, people

597
00:32:45.319 --> 00:32:48.640
<v Speaker 1>who live with their parents or often their grandparents, and

598
00:32:49.880 --> 00:32:53.480
<v Speaker 1>you know, your grandchild is caught with a very low

599
00:32:53.559 --> 00:32:57.200
<v Speaker 1>level drug offense, not anything violent, not anything like, you know,

600
00:32:57.279 --> 00:32:59.119
<v Speaker 1>beyond just like a little bit of like dealing at

601
00:32:59.119 --> 00:33:01.359
<v Speaker 1>their school or something like that, you know, as a

602
00:33:01.359 --> 00:33:04.680
<v Speaker 1>fellow student, or you know, dealing on the street, and

603
00:33:04.880 --> 00:33:07.720
<v Speaker 1>grandma can lose your house, like and that happens all

604
00:33:07.799 --> 00:33:12.240
<v Speaker 1>the time. And yeah, I just if I told you

605
00:33:12.279 --> 00:33:14.839
<v Speaker 1>this is a movie about civil ascid forfeiture and fighting

606
00:33:14.880 --> 00:33:18.519
<v Speaker 1>that process, you sounds like the boring bureaucratic thing in

607
00:33:18.519 --> 00:33:21.960
<v Speaker 1>the world. But he manages to make this really exciting

608
00:33:22.079 --> 00:33:26.720
<v Speaker 1>movie that also highlights how, you know, instead of it

609
00:33:26.759 --> 00:33:29.359
<v Speaker 1>being just purely illegal, but where the cops doesn't care.

610
00:33:29.440 --> 00:33:31.440
<v Speaker 1>It's like, okay, well the cops are now looking at us,

611
00:33:31.839 --> 00:33:35.279
<v Speaker 1>we are under some degree of scrutiny, so we have

612
00:33:35.359 --> 00:33:38.920
<v Speaker 1>to use these legal loopholes and bureaucracy. And I just

613
00:33:38.960 --> 00:33:41.319
<v Speaker 1>I thought that was such a powerful part of the movie.

614
00:33:42.839 --> 00:33:46.799
<v Speaker 3>And then negotiations that happen kind of in the early

615
00:33:47.079 --> 00:33:50.079
<v Speaker 3>the first half of the movie between Terry and the

616
00:33:50.119 --> 00:33:54.359
<v Speaker 3>sheriff about the assets and like, well, can I get

617
00:33:54.559 --> 00:33:58.880
<v Speaker 3>you know this much back? Those are real things that

618
00:33:58.960 --> 00:34:04.240
<v Speaker 3>happen that the police forces will negotiate and be like

619
00:34:04.359 --> 00:34:06.359
<v Speaker 3>you can have some of it back, like half of it,

620
00:34:06.440 --> 00:34:10.679
<v Speaker 3>let's say, for example, and basically like you feel lucky

621
00:34:11.199 --> 00:34:15.199
<v Speaker 3>to get that back, right, because in order the problem

622
00:34:15.239 --> 00:34:17.320
<v Speaker 3>here is like once they have it, in order for

623
00:34:17.360 --> 00:34:20.159
<v Speaker 3>you to get it back through legal means, you have

624
00:34:20.199 --> 00:34:23.599
<v Speaker 3>to go through the entire process of the court process,

625
00:34:23.679 --> 00:34:26.639
<v Speaker 3>like hire a lawyer. And meanwhile, like you don't have

626
00:34:26.679 --> 00:34:30.199
<v Speaker 3>those assets for like if you're a business owner or something, right,

627
00:34:30.480 --> 00:34:33.559
<v Speaker 3>So that's how they get you is they say, well,

628
00:34:33.599 --> 00:34:36.440
<v Speaker 3>like it could take you know, twelve months and x

629
00:34:36.519 --> 00:34:38.519
<v Speaker 3>legal fees for you to get it back fully, which

630
00:34:38.639 --> 00:34:41.039
<v Speaker 3>you know, we fully believe that you you would win

631
00:34:42.119 --> 00:34:45.000
<v Speaker 3>in a court case. But how about instead like we

632
00:34:45.159 --> 00:34:46.440
<v Speaker 3>just fifty to fifty right?

633
00:34:46.920 --> 00:34:47.159
<v Speaker 1>Right?

634
00:34:47.360 --> 00:34:49.960
<v Speaker 3>And again a lot of people don't have the means

635
00:34:50.039 --> 00:34:52.440
<v Speaker 3>or the time and they're just like, okay, yeah, I'll

636
00:34:52.440 --> 00:34:53.079
<v Speaker 3>take that deal.

637
00:34:54.199 --> 00:34:57.920
<v Speaker 1>And part of where that also gets confusing is like

638
00:34:57.960 --> 00:35:00.400
<v Speaker 1>I think there is some legal justification in for a

639
00:35:00.440 --> 00:35:05.119
<v Speaker 1>deal like that, but if you think about it, like

640
00:35:05.239 --> 00:35:08.320
<v Speaker 1>I watched that first negotiation scene and they were planning

641
00:35:08.400 --> 00:35:10.480
<v Speaker 1>it and the cop winds up double crossing him anyway,

642
00:35:11.119 --> 00:35:13.119
<v Speaker 1>But I thought that the minute the guy said okay,

643
00:35:13.159 --> 00:35:15.119
<v Speaker 1>how about if you get to keep this amount and

644
00:35:15.199 --> 00:35:17.719
<v Speaker 1>I get to keep this amount, that the cop was

645
00:35:17.719 --> 00:35:19.679
<v Speaker 1>then going to stand, well, then going to turn around

646
00:35:19.679 --> 00:35:22.000
<v Speaker 1>and say, oh, well you just tried to bribe an

647
00:35:22.039 --> 00:35:24.400
<v Speaker 1>officer of the law. Son. Now I have to rescue you.

648
00:35:24.440 --> 00:35:27.320
<v Speaker 1>And I say son, because the officer uses that exact

649
00:35:27.400 --> 00:35:31.280
<v Speaker 1>language many times, you know, because that's again a thing

650
00:35:31.280 --> 00:35:33.159
<v Speaker 1>of like are you saying are you not saying that

651
00:35:33.199 --> 00:35:34.960
<v Speaker 1>you'll let the cops keep this amount of money? Is

652
00:35:34.960 --> 00:35:37.760
<v Speaker 1>that a bribe to a police officer? Like there's just

653
00:35:37.800 --> 00:35:40.519
<v Speaker 1>so many legal hurdles that you have to go through

654
00:35:41.000 --> 00:35:42.800
<v Speaker 1>that of course people have no understanding of and so

655
00:35:42.840 --> 00:35:51.079
<v Speaker 1>they get tripped up on so easily. And I also

656
00:35:51.159 --> 00:35:55.039
<v Speaker 1>want to talk about this idea of negotiation because one

657
00:35:55.039 --> 00:35:57.559
<v Speaker 1>thing that I really love is he's really trying. Terry

658
00:35:57.639 --> 00:36:01.159
<v Speaker 1>is really trying to again and again use the system

659
00:36:01.360 --> 00:36:04.280
<v Speaker 1>in his favor if he can. He wants to exhaust

660
00:36:04.320 --> 00:36:07.400
<v Speaker 1>every legal option, and so one of my favorite parts

661
00:36:07.440 --> 00:36:11.679
<v Speaker 1>of the movie is like he goes back into the

662
00:36:11.679 --> 00:36:14.559
<v Speaker 1>police office and they're all like, what's going on? And

663
00:36:14.639 --> 00:36:17.960
<v Speaker 1>he sits down to report a crime. I don't know,

664
00:36:18.079 --> 00:36:19.920
<v Speaker 1>they're all kind of playing along. I'm like, okay, let's

665
00:36:19.920 --> 00:36:22.559
<v Speaker 1>see what happens here. And he says, I want to

666
00:36:22.559 --> 00:36:26.079
<v Speaker 1>report that, you know, this much money, forty thousand dollars

667
00:36:26.159 --> 00:36:30.400
<v Speaker 1>was stolen from me, And eventually the cops realize he's

668
00:36:30.480 --> 00:36:32.719
<v Speaker 1>accusing the cops who took the money through this process

669
00:36:33.039 --> 00:36:35.719
<v Speaker 1>of robbing him, which I think he's got a legitimate

670
00:36:35.719 --> 00:36:37.960
<v Speaker 1>thing to do. But of course the cops realize this,

671
00:36:38.159 --> 00:36:40.760
<v Speaker 1>and then the chief is like, no, if you continue this,

672
00:36:40.800 --> 00:36:43.639
<v Speaker 1>I'm going to rest you for harassing an officer, which

673
00:36:43.679 --> 00:36:46.199
<v Speaker 1>is just one more way of like he is filing

674
00:36:46.199 --> 00:36:49.880
<v Speaker 1>a completely legitimate complaint, and he has a claim that

675
00:36:49.920 --> 00:36:52.000
<v Speaker 1>he was robbed, and maybe a court would say, no,

676
00:36:52.039 --> 00:36:54.599
<v Speaker 1>you weren't robbed, it was civil asset forfeiture. But he

677
00:36:54.599 --> 00:36:56.559
<v Speaker 1>should be able to have that day in court. And

678
00:36:56.559 --> 00:36:58.039
<v Speaker 1>again they're they're saying, no, we're not going to even

679
00:36:58.079 --> 00:36:59.719
<v Speaker 1>allow you to go forward to this. You can't report

680
00:36:59.760 --> 00:37:01.440
<v Speaker 1>this is a crime. You've got to get out.

681
00:37:02.880 --> 00:37:05.239
<v Speaker 3>Yeah, I think he says, they're gonna charge him with

682
00:37:05.480 --> 00:37:11.159
<v Speaker 3>filing a false police report. Yeah, which it's a true

683
00:37:11.239 --> 00:37:14.840
<v Speaker 3>thing like that, it's a true incident, but they can

684
00:37:14.880 --> 00:37:17.039
<v Speaker 3>claim it's false. And then again, like you have to

685
00:37:17.039 --> 00:37:21.320
<v Speaker 3>go through all the legal hurdles, and I want to.

686
00:37:21.280 --> 00:37:25.360
<v Speaker 1>Say one more thing about I want to say one

687
00:37:25.360 --> 00:37:27.280
<v Speaker 1>more thing about these legal hurdles and the way that

688
00:37:27.400 --> 00:37:31.199
<v Speaker 1>this movie the cops are using any connection to drugs

689
00:37:31.480 --> 00:37:34.239
<v Speaker 1>and the fact that they might have like something over

690
00:37:34.320 --> 00:37:37.840
<v Speaker 1>you to shut down your protest, which because they also

691
00:37:37.920 --> 00:37:41.000
<v Speaker 1>give Summer a plotline involving this Summer, as they said,

692
00:37:41.079 --> 00:37:43.400
<v Speaker 1>is the young woman who's a court clerk who's kind

693
00:37:43.400 --> 00:37:46.559
<v Speaker 1>of helping Terry. And one thing that we get revealed,

694
00:37:48.039 --> 00:37:49.800
<v Speaker 1>one thing we learned during the movie is that she

695
00:37:49.920 --> 00:37:54.000
<v Speaker 1>has a child. I think it's a son, and she

696
00:37:54.039 --> 00:37:57.360
<v Speaker 1>doesn't get to see that child, in part because and

697
00:37:57.400 --> 00:37:59.599
<v Speaker 1>again it's never spelled out, it's just kind of hinted at.

698
00:37:59.599 --> 00:38:02.280
<v Speaker 1>But we we understand that she had a drug problem

699
00:38:02.320 --> 00:38:04.719
<v Speaker 1>at some point in time, and there's this kind of

700
00:38:04.800 --> 00:38:08.800
<v Speaker 1>recurring fear of if she gets caught with anything relating

701
00:38:08.800 --> 00:38:11.840
<v Speaker 1>to drugs. In the same way, they're able to say, Terry,

702
00:38:12.480 --> 00:38:15.119
<v Speaker 1>you're kind of like gently you're kind of like loosely

703
00:38:15.119 --> 00:38:18.079
<v Speaker 1>affiliated with drugs. Therefore we're gonna take your money. In

704
00:38:18.119 --> 00:38:20.840
<v Speaker 1>her case, they could say you're loosely affiliated with drugs. Again,

705
00:38:21.199 --> 00:38:26.239
<v Speaker 1>that's gonna be justification for permanently losing custody and fight

706
00:38:26.679 --> 00:38:30.480
<v Speaker 1>terminating your ability to get back custody now that you're

707
00:38:30.840 --> 00:38:32.760
<v Speaker 1>off drugs for a while, now that she's been sober

708
00:38:32.800 --> 00:38:35.119
<v Speaker 1>for a while, and at one point that ops go

709
00:38:35.239 --> 00:38:38.280
<v Speaker 1>so far as to like physically like hold her down

710
00:38:38.360 --> 00:38:41.400
<v Speaker 1>and inject heroin into her as a way because now

711
00:38:41.480 --> 00:38:44.719
<v Speaker 1>she can't pass a drug test, and you know, and

712
00:38:44.800 --> 00:38:47.320
<v Speaker 1>social and ands again that's used as the threat to

713
00:38:47.320 --> 00:38:51.039
<v Speaker 1>hold over her is you're caught in this drug system

714
00:38:51.119 --> 00:38:52.800
<v Speaker 1>and no one will listen when you say it. Wasn't

715
00:38:52.840 --> 00:38:55.880
<v Speaker 1>your fault. All they have to say is summer and

716
00:38:55.960 --> 00:39:01.360
<v Speaker 1>heroin and congratulations, you've lost custody.

717
00:39:00.280 --> 00:39:02.000
<v Speaker 4>And her job and her job.

718
00:39:02.079 --> 00:39:07.679
<v Speaker 3>Yeah, her boss, the judge, I think, played by James Cromwell.

719
00:39:08.559 --> 00:39:10.960
<v Speaker 3>Some delightful casting in this movie.

720
00:39:12.320 --> 00:39:12.599
<v Speaker 1>Yeah.

721
00:39:12.719 --> 00:39:17.320
<v Speaker 3>The summer heroin thing was kind of my least favorite

722
00:39:17.920 --> 00:39:22.840
<v Speaker 3>part or storyline in this because it felt a little

723
00:39:23.119 --> 00:39:28.119
<v Speaker 3>damsel in distress when she calls Terry up, I'm in

724
00:39:28.159 --> 00:39:32.559
<v Speaker 3>trouble because he was. He was gonna leave, right, he

725
00:39:32.719 --> 00:39:35.159
<v Speaker 3>was done with this. And this is like pretty much

726
00:39:35.159 --> 00:39:40.400
<v Speaker 3>the halfway point of the movie. His cousin unfortunately dies

727
00:39:41.159 --> 00:39:44.559
<v Speaker 3>from like a beating he receives in prison from the

728
00:39:45.000 --> 00:39:49.719
<v Speaker 3>drugs people. They fly him in a chopper to the hospital.

729
00:39:49.760 --> 00:39:52.679
<v Speaker 3>He dies in the hospital or on the way, and

730
00:39:52.719 --> 00:39:56.440
<v Speaker 3>the sheriff actually I don't know if he says I'm sorry,

731
00:39:56.559 --> 00:40:02.039
<v Speaker 3>probably does, but gives Terry his money back. It's like

732
00:40:02.119 --> 00:40:05.880
<v Speaker 3>a you know, I hope this makes us square, like

733
00:40:05.920 --> 00:40:08.960
<v Speaker 3>I'm sorry, your cousin died, right, we should have listened

734
00:40:08.960 --> 00:40:09.159
<v Speaker 3>to you.

735
00:40:11.079 --> 00:40:11.920
<v Speaker 4>Here's your money.

736
00:40:12.719 --> 00:40:16.400
<v Speaker 3>Let's just call it even, which is terrible, right, Like

737
00:40:16.480 --> 00:40:19.480
<v Speaker 3>that's not the human life is not worth forty thousand dollars.

738
00:40:20.559 --> 00:40:24.760
<v Speaker 3>But I found that to be a very compelling scene

739
00:40:24.800 --> 00:40:28.519
<v Speaker 3>for the sheriff character, for Don Johnson, and the acting

740
00:40:28.679 --> 00:40:31.599
<v Speaker 3>in that scene is superb because I really felt like

741
00:40:31.760 --> 00:40:34.000
<v Speaker 3>he this is not what he wanted, right, Like he's

742
00:40:34.039 --> 00:40:37.000
<v Speaker 3>he's just looking to make a buck. He didn't he

743
00:40:37.000 --> 00:40:39.320
<v Speaker 3>didn't want anyone to die.

744
00:40:39.519 --> 00:40:42.159
<v Speaker 1>And I think what makes the scene so compelling is

745
00:40:42.159 --> 00:40:46.760
<v Speaker 1>that he has two conflicting motivations, but he feels them both,

746
00:40:46.840 --> 00:40:49.079
<v Speaker 1>and that's it's a reminder that people can do this,

747
00:40:49.119 --> 00:40:51.239
<v Speaker 1>which is that I agree with you. I think he

748
00:40:51.360 --> 00:40:54.639
<v Speaker 1>is genuinely sorry that this guy got killed and genuinely

749
00:40:54.679 --> 00:40:57.639
<v Speaker 1>sorry that he didn't pay attention when the guy said

750
00:40:57.639 --> 00:41:00.639
<v Speaker 1>that his cousin was in danger. But I also think

751
00:41:00.679 --> 00:41:04.519
<v Speaker 1>that another instance of someone who was in the custody

752
00:41:04.559 --> 00:41:10.400
<v Speaker 1>of this police department dying through neglect on their part,

753
00:41:10.800 --> 00:41:13.360
<v Speaker 1>Like that's the whole reason that he's under the supervision

754
00:41:13.360 --> 00:41:16.280
<v Speaker 1>to begin with. And he does say to Terry, we're square,

755
00:41:16.320 --> 00:41:18.000
<v Speaker 1>which means you're never going to bring this up again.

756
00:41:18.480 --> 00:41:22.119
<v Speaker 3>Yes, And he's dodging accountability for sure.

757
00:41:22.280 --> 00:41:25.159
<v Speaker 1>He's dodging accountability. He's trying to buy Terry's silence. But

758
00:41:25.239 --> 00:41:28.760
<v Speaker 1>he also does genuinely feel bad. Yeah, in a way

759
00:41:28.800 --> 00:41:30.559
<v Speaker 1>that doesn't justify him, but again, like you said, it

760
00:41:30.559 --> 00:41:31.280
<v Speaker 1>makes them a lot more.

761
00:41:31.239 --> 00:41:32.639
<v Speaker 4>Human, Yeah, And I.

762
00:41:34.559 --> 00:41:38.880
<v Speaker 3>Found that really compelling because I think a lot of

763
00:41:38.880 --> 00:41:45.840
<v Speaker 3>people of our political affiliation spectrum have certain feelings about police,

764
00:41:46.000 --> 00:41:48.480
<v Speaker 3>right and the way that they use the system and

765
00:41:48.519 --> 00:41:52.519
<v Speaker 3>the violence in it, and we often there are statements

766
00:41:52.519 --> 00:41:56.039
<v Speaker 3>that get made that generalize police in a very negative light,

767
00:41:56.679 --> 00:42:00.119
<v Speaker 3>and this, like, this character is definitely a negative, but

768
00:42:00.159 --> 00:42:02.719
<v Speaker 3>I think they did a good job of balancing his

769
00:42:02.840 --> 00:42:06.320
<v Speaker 3>humanity in a way that you know, he's still the

770
00:42:06.440 --> 00:42:09.719
<v Speaker 3>villain and we still hate him in this movie, but

771
00:42:09.760 --> 00:42:12.960
<v Speaker 3>it's like, yeah, like you're still a human being. And

772
00:42:13.000 --> 00:42:15.239
<v Speaker 3>I think that is that that was an important piece

773
00:42:15.239 --> 00:42:18.920
<v Speaker 3>of this puzzle in making this a complete picture.

774
00:42:19.920 --> 00:42:22.760
<v Speaker 1>I wanted to add to that. There are two other

775
00:42:22.840 --> 00:42:25.800
<v Speaker 1>cops who kind of get to play kind of important roles,

776
00:42:26.519 --> 00:42:28.880
<v Speaker 1>one of whom, as I said, is the one of

777
00:42:28.920 --> 00:42:31.760
<v Speaker 1>whom is a cop who Terry thinks is going to

778
00:42:31.760 --> 00:42:35.400
<v Speaker 1>be on his side, a black woman and who is

779
00:42:35.440 --> 00:42:37.239
<v Speaker 1>said a kind of like they've had a couple of

780
00:42:37.320 --> 00:42:40.000
<v Speaker 1>exchanges that indicate that she kind of is not happy

781
00:42:40.039 --> 00:42:43.320
<v Speaker 1>with the chiefs racism either. But when he thinks that

782
00:42:43.320 --> 00:42:46.320
<v Speaker 1>that cop is on his side, she shows that no,

783
00:42:46.440 --> 00:42:48.719
<v Speaker 1>she is still a cop. And while at the very

784
00:42:48.840 --> 00:42:51.880
<v Speaker 1>end of the movie she does turn on her boss, uh,

785
00:42:52.039 --> 00:42:54.639
<v Speaker 1>for a lot of the movies, she's not the sympathetic

786
00:42:54.719 --> 00:42:57.119
<v Speaker 1>character to Terry that we thought she would be. Mm hm.

787
00:42:57.360 --> 00:42:59.679
<v Speaker 1>And the cop who is the cop who turns out

788
00:42:59.719 --> 00:43:03.239
<v Speaker 1>has been kind of the mole, feeding summer information about

789
00:43:03.280 --> 00:43:05.960
<v Speaker 1>what's happening and helping them and getting shot in the

790
00:43:06.000 --> 00:43:10.199
<v Speaker 1>process is a white guy. And again, I just thought

791
00:43:10.199 --> 00:43:11.800
<v Speaker 1>that was a nice way of.

792
00:43:12.360 --> 00:43:15.440
<v Speaker 3>Not just that, but one of the two officers that

793
00:43:16.239 --> 00:43:20.519
<v Speaker 3>confronted him initially Oh yeah, that's right, that's right, and

794
00:43:20.599 --> 00:43:22.400
<v Speaker 3>took his money, right.

795
00:43:23.360 --> 00:43:25.400
<v Speaker 4>And it's just like a completely like.

796
00:43:27.000 --> 00:43:32.760
<v Speaker 3>Fascinating complex situation, yeah to think about, and the fact

797
00:43:32.800 --> 00:43:34.719
<v Speaker 3>that he was already kind of.

798
00:43:36.719 --> 00:43:38.639
<v Speaker 1>Yeah, it's it's like, I feel like we could do

799
00:43:38.760 --> 00:43:42.440
<v Speaker 1>a whole episode just on that one cop, because I don't.

800
00:43:42.199 --> 00:43:45.639
<v Speaker 3>Know, he did a bad thing at the beginning, right, right,

801
00:43:45.679 --> 00:43:49.119
<v Speaker 3>Like he stole Terry's money. Be a civil ascid for

802
00:43:49.239 --> 00:43:53.079
<v Speaker 3>for sure, it's the law, but he stole his money.

803
00:43:53.119 --> 00:43:56.639
<v Speaker 3>But then like you look back on it and say, okay,

804
00:43:57.639 --> 00:44:01.599
<v Speaker 3>but he was not he wasn't the other guy, Like

805
00:44:01.639 --> 00:44:04.519
<v Speaker 3>there's another cop who is with him who is like

806
00:44:04.719 --> 00:44:07.639
<v Speaker 3>a big asshole, right, And like you can once you know,

807
00:44:07.760 --> 00:44:11.480
<v Speaker 3>you can see how he's like trying to control this

808
00:44:11.760 --> 00:44:16.320
<v Speaker 3>situation and maybe in his own way de escalating right

809
00:44:16.400 --> 00:44:19.400
<v Speaker 3>to just quote unquote just steal his money.

810
00:44:19.679 --> 00:44:24.519
<v Speaker 1>Right, And the phrase I was just following orders, I

811
00:44:24.519 --> 00:44:30.320
<v Speaker 1>think very correctly gets laughed out all the time because like, no,

812
00:44:30.440 --> 00:44:33.159
<v Speaker 1>you're supposed to know the difference between right and wrong.

813
00:44:33.239 --> 00:44:36.159
<v Speaker 1>You're supposed to know, like you don't go along with

814
00:44:36.199 --> 00:44:40.559
<v Speaker 1>the Nazi orders. But if I'm a cop whose only

815
00:44:41.000 --> 00:44:44.880
<v Speaker 1>information about the law has come from whatever cop school

816
00:44:44.920 --> 00:44:47.920
<v Speaker 1>I went to, and my sheriff and my sheriff and

817
00:44:47.960 --> 00:44:50.519
<v Speaker 1>my partner are telling me this thing is this thing

818
00:44:50.559 --> 00:44:54.760
<v Speaker 1>called civil asset forfeiture is fully legal, I'm not sure.

819
00:44:54.800 --> 00:44:56.400
<v Speaker 1>In my head, I think about the fact that I'm

820
00:44:56.480 --> 00:44:59.159
<v Speaker 1>robbing Terry in this moment, and again, it's not to

821
00:44:59.280 --> 00:45:01.760
<v Speaker 1>justify him, it's to make him an angel by any means,

822
00:45:02.119 --> 00:45:06.199
<v Speaker 1>but it just it further complicates complicates his character in.

823
00:45:06.159 --> 00:45:10.519
<v Speaker 3>A good way, yeah, in an enjoyable way, Like it

824
00:45:10.559 --> 00:45:14.039
<v Speaker 3>would be so it would have been so easy for

825
00:45:14.079 --> 00:45:18.119
<v Speaker 3>this movie to just be like comically simple and it's not,

826
00:45:18.440 --> 00:45:20.960
<v Speaker 3>and that that's one of the reasons I love this movie.

827
00:45:21.159 --> 00:45:24.480
<v Speaker 1>Agreed, And I'll just say on the Summer plot line,

828
00:45:24.599 --> 00:45:26.480
<v Speaker 1>I agree with you that I don't like the damsel

829
00:45:26.559 --> 00:45:30.760
<v Speaker 1>in distress place that it goes to, though I am

830
00:45:30.800 --> 00:45:33.280
<v Speaker 1>relieved that there's never a hint of romance between these

831
00:45:33.320 --> 00:45:36.079
<v Speaker 1>two characters. And again, there's nothing wrong with romance.

832
00:45:35.880 --> 00:45:38.400
<v Speaker 3>Is that that was certainly something that could.

833
00:45:38.199 --> 00:45:41.719
<v Speaker 1>Have happened, definitely, and it's just but it's just refreshing

834
00:45:41.760 --> 00:45:46.159
<v Speaker 1>that that it didn't happen, in part because Summer, to me,

835
00:45:46.199 --> 00:45:48.719
<v Speaker 1>feels kind of queer coded. Although she has she has

836
00:45:48.719 --> 00:45:51.840
<v Speaker 1>an ex husband. Those two things don't negat each other

837
00:45:51.880 --> 00:45:56.679
<v Speaker 1>by any means. But more importantly, just yeah, I don't

838
00:45:56.719 --> 00:45:59.079
<v Speaker 1>like the damsel and distressed plot line, but I it's

839
00:45:59.119 --> 00:46:00.119
<v Speaker 1>just for me, it was just it was just it's

840
00:46:00.199 --> 00:46:03.840
<v Speaker 1>nice seeing here's one more person who because they have

841
00:46:04.000 --> 00:46:07.639
<v Speaker 1>been touched by this thing, you know, called drugs, that

842
00:46:07.760 --> 00:46:10.599
<v Speaker 1>is just like this big flashing light that she is

843
00:46:10.599 --> 00:46:13.360
<v Speaker 1>therefore also implicated and therefore the police feel like they

844
00:46:13.360 --> 00:46:19.599
<v Speaker 1>have this control over her, Like there's definitely an extent

845
00:46:19.639 --> 00:46:22.360
<v Speaker 1>to which this happens with all crime, but I do

846
00:46:22.360 --> 00:46:24.320
<v Speaker 1>think in that regard, you know, the movie is also

847
00:46:24.360 --> 00:46:28.239
<v Speaker 1>commenting on, you know how drugs specifically with like mandatory

848
00:46:28.320 --> 00:46:31.199
<v Speaker 1>minimums and all this kind of stuff, you know, their

849
00:46:31.199 --> 00:46:34.639
<v Speaker 1>extent to which if if you're a young person of

850
00:46:34.679 --> 00:46:38.360
<v Speaker 1>color who gets caught having done something with drugs, the

851
00:46:38.400 --> 00:46:40.000
<v Speaker 1>penalty is in many ways and the way you get

852
00:46:40.079 --> 00:46:42.880
<v Speaker 1>stuck in the system can be a lot worse than

853
00:46:42.920 --> 00:46:45.239
<v Speaker 1>if you steal a car or something like that. Not

854
00:46:45.280 --> 00:46:48.039
<v Speaker 1>always by any means, but but just that there is

855
00:46:48.079 --> 00:46:51.400
<v Speaker 1>that drugs adds an additional layer of horror to everything

856
00:46:51.440 --> 00:46:52.000
<v Speaker 1>that can happen.

857
00:46:56.840 --> 00:47:00.559
<v Speaker 3>So, Matthew, you touched on this earlier, and I wanted

858
00:47:00.599 --> 00:47:04.480
<v Speaker 3>to come back to it because you on this podcast

859
00:47:04.599 --> 00:47:08.639
<v Speaker 3>have often said, you know that you don't like action sequences,

860
00:47:09.360 --> 00:47:11.800
<v Speaker 3>whether it's live action or animated, when they, you know,

861
00:47:11.840 --> 00:47:14.559
<v Speaker 3>when when the action is confusing, and you said that

862
00:47:15.079 --> 00:47:17.639
<v Speaker 3>this movie did a really good job of.

863
00:47:18.960 --> 00:47:22.920
<v Speaker 4>Making it clear what was going on. So I kind

864
00:47:22.920 --> 00:47:23.480
<v Speaker 4>of wanted to.

865
00:47:23.440 --> 00:47:26.280
<v Speaker 3>Talk about that because it it also kind of ties

866
00:47:26.320 --> 00:47:31.719
<v Speaker 3>into the less lethal violence from this character. And in

867
00:47:31.800 --> 00:47:36.840
<v Speaker 3>that final confrontation, Terry goes up against I think like

868
00:47:37.039 --> 00:47:40.079
<v Speaker 3>maybe half a dozen officers in front of the police station.

869
00:47:40.199 --> 00:47:44.320
<v Speaker 3>There's a bunch of parked cars, and he uses the

870
00:47:44.400 --> 00:47:49.000
<v Speaker 3>cars as like obstacles and shields and has like shot

871
00:47:49.039 --> 00:47:51.480
<v Speaker 3>a couple of smoke grenades to obscure vision.

872
00:47:54.119 --> 00:47:57.199
<v Speaker 4>What what like? How did you feel in that mode?

873
00:47:57.239 --> 00:47:59.800
<v Speaker 4>Like you enjoyed it right?

874
00:47:59.840 --> 00:48:02.840
<v Speaker 3>Like as an action sequence, because I, like, I love

875
00:48:02.920 --> 00:48:05.519
<v Speaker 3>that scene and it's one of the one of the

876
00:48:05.559 --> 00:48:09.800
<v Speaker 3>best action sequences I've seen in recent memory. And I

877
00:48:09.840 --> 00:48:11.400
<v Speaker 3>just wanted to talk about that real quick.

878
00:48:11.840 --> 00:48:16.079
<v Speaker 1>Yeah I did, because like, yeah, in that scene, I

879
00:48:16.119 --> 00:48:20.280
<v Speaker 1>didn't know exactly what was happening, but it felt like

880
00:48:20.320 --> 00:48:22.840
<v Speaker 1>that was the point. You know, there's one thing to

881
00:48:22.920 --> 00:48:26.239
<v Speaker 1>have two people fighting and the director make it not

882
00:48:26.360 --> 00:48:29.559
<v Speaker 1>clear what's happening, because that's the artistry they're going for,

883
00:48:30.519 --> 00:48:35.679
<v Speaker 1>versus in this scene where Terry is very intentionally not

884
00:48:35.840 --> 00:48:39.239
<v Speaker 1>letting the cops know what is happening, and so the

885
00:48:39.320 --> 00:48:42.880
<v Speaker 1>scene winds up giving the viewer that same experience. M Okay,

886
00:48:42.880 --> 00:48:45.119
<v Speaker 1>So it felt like that that there was a cause

887
00:48:45.239 --> 00:48:48.159
<v Speaker 1>for my not understanding in a way that really fit

888
00:48:48.280 --> 00:48:50.519
<v Speaker 1>the narrative instead of it just looking cool.

889
00:48:52.159 --> 00:48:56.000
<v Speaker 3>So you yeah, okay, So your confusion is mirroring the

890
00:48:56.559 --> 00:48:59.960
<v Speaker 3>confusion of the cops right exactly where are where are

891
00:49:00.039 --> 00:49:00.400
<v Speaker 3>are we?

892
00:49:00.679 --> 00:49:02.199
<v Speaker 4>Like? Where where's Terry?

893
00:49:02.880 --> 00:49:04.960
<v Speaker 3>But I do think like it was shot well in

894
00:49:05.000 --> 00:49:07.639
<v Speaker 3>a way, like at one point he takes one guy

895
00:49:07.679 --> 00:49:10.519
<v Speaker 3>out and then like rolls under a car and the

896
00:49:10.519 --> 00:49:13.280
<v Speaker 3>camera like pans and follows him under the car to

897
00:49:13.320 --> 00:49:15.800
<v Speaker 3>the other side, or he like takes another guy out,

898
00:49:15.840 --> 00:49:19.079
<v Speaker 3>like stuff like that I thought was shot so well.

899
00:49:19.480 --> 00:49:23.320
<v Speaker 3>I think what you're you're talking about like when action

900
00:49:23.519 --> 00:49:30.159
<v Speaker 3>sequences do quick cuts and shaky cam.

901
00:49:28.840 --> 00:49:31.239
<v Speaker 1>Yeah, you don't even know energy, Yeah.

902
00:49:31.079 --> 00:49:33.239
<v Speaker 4>When you don't even know like who's throwing the punch.

903
00:49:33.840 --> 00:49:39.000
<v Speaker 3>Yeah, I think that is often deliver it because they

904
00:49:39.000 --> 00:49:44.519
<v Speaker 3>are trying to hide the fact that their actors are not,

905
00:49:45.360 --> 00:49:48.840
<v Speaker 3>you know, stunt people. Yeah, because like they are, they

906
00:49:48.840 --> 00:49:52.639
<v Speaker 3>are trying to keep the faces in shot. But then

907
00:49:52.760 --> 00:49:56.480
<v Speaker 3>like maybe the actor is not as adept as the

908
00:49:56.480 --> 00:49:59.000
<v Speaker 3>stunt person, like they're stunt double, so they can't do

909
00:49:59.079 --> 00:50:01.599
<v Speaker 3>like the complicated sequences, so they kind of have to

910
00:50:01.599 --> 00:50:04.800
<v Speaker 3>cut away to like a backshot, so now it's the

911
00:50:04.840 --> 00:50:07.360
<v Speaker 3>stunt person and they do the fancy stuff and then

912
00:50:07.360 --> 00:50:09.599
<v Speaker 3>they cut back to the face, et cetera.

913
00:50:09.880 --> 00:50:11.639
<v Speaker 1>So I think that's part of it. But I also

914
00:50:11.880 --> 00:50:14.199
<v Speaker 1>I do think because I hear that style praised a lot,

915
00:50:14.239 --> 00:50:15.079
<v Speaker 1>and I think it.

916
00:50:15.079 --> 00:50:16.800
<v Speaker 3>Becomes stylist, who's doing that?

917
00:50:17.199 --> 00:50:17.840
<v Speaker 4>Get out of here?

918
00:50:18.800 --> 00:50:21.079
<v Speaker 1>Yeah, I mean, I think it is like not to

919
00:50:21.119 --> 00:50:23.000
<v Speaker 1>open this can of worms. But I think Zack Snyder

920
00:50:23.039 --> 00:50:25.719
<v Speaker 1>is someone who does it all the time. And I'm

921
00:50:25.719 --> 00:50:28.480
<v Speaker 1>currently getting inundated with a whole bunch of Zack Snyder

922
00:50:28.519 --> 00:50:31.639
<v Speaker 1>fans because of the stuff we said about the Superman movie.

923
00:50:31.840 --> 00:50:36.039
<v Speaker 1>And you know, so that is often praised, but also

924
00:50:36.039 --> 00:50:38.199
<v Speaker 1>it happens in anime. So I agree with you that

925
00:50:38.239 --> 00:50:42.000
<v Speaker 1>it is probably a stylistic choice that happens to cover

926
00:50:42.119 --> 00:50:44.800
<v Speaker 1>up what you're doing with actors and stunt doubles. But

927
00:50:44.800 --> 00:50:47.440
<v Speaker 1>I do also think it happened, like my confusion, does

928
00:50:47.440 --> 00:50:49.639
<v Speaker 1>happen in anime a lot, or even things like martial

929
00:50:49.719 --> 00:50:52.239
<v Speaker 1>arts movies where clearly that people don't need some people,

930
00:50:52.239 --> 00:50:53.440
<v Speaker 1>they're doing it mostly themselves.

931
00:50:55.159 --> 00:51:01.079
<v Speaker 3>But like this, this sequence I felt was similar to

932
00:51:02.400 --> 00:51:06.360
<v Speaker 3>like John Wick movies where it's like long shots, like

933
00:51:06.480 --> 00:51:09.639
<v Speaker 3>wide shots, and this is like Keanu Reeves has been

934
00:51:09.719 --> 00:51:13.480
<v Speaker 3>praised for doing a lot of his own stunts and

935
00:51:13.599 --> 00:51:16.440
<v Speaker 3>for the way that he carries himself and like carries

936
00:51:16.480 --> 00:51:20.239
<v Speaker 3>a weapon like I've seen a lot of people who

937
00:51:20.280 --> 00:51:23.480
<v Speaker 3>are gun experts say like, yes, like this is actually

938
00:51:23.480 --> 00:51:26.800
<v Speaker 3>how you're supposed to hold and shoot a firearm, not

939
00:51:26.840 --> 00:51:29.920
<v Speaker 3>like these ridiculous like one handed you know shots where

940
00:51:29.920 --> 00:51:32.719
<v Speaker 3>you don't have any control of the weapon, right, And

941
00:51:32.800 --> 00:51:38.840
<v Speaker 3>I felt the same thing out of Terry Richmond. Aaron

942
00:51:38.880 --> 00:51:41.719
<v Speaker 3>Pierre is the actor who we're going to talk about

943
00:51:41.719 --> 00:51:44.119
<v Speaker 3>a little more in the bonus section, but I felt

944
00:51:44.119 --> 00:51:47.840
<v Speaker 3>like he was carrying a lot of this load. Yeah,

945
00:51:47.880 --> 00:51:50.159
<v Speaker 3>in the action sequences, probably doing a lot of his

946
00:51:50.239 --> 00:51:54.559
<v Speaker 3>own stunts and stuff like that pays off, I think

947
00:51:54.639 --> 00:51:57.079
<v Speaker 3>in a very realistic.

948
00:51:56.880 --> 00:51:57.679
<v Speaker 4>Way for this.

949
00:51:57.960 --> 00:51:59.360
<v Speaker 1>Yeah, I agree with that.

950
00:51:59.559 --> 00:52:00.840
<v Speaker 4>Do more of that please?

951
00:52:01.320 --> 00:52:03.360
<v Speaker 1>Yeah? No, I just thought the action stuff was great.

952
00:52:05.639 --> 00:52:07.199
<v Speaker 1>Any have the last thoughts you WoT have on this

953
00:52:07.239 --> 00:52:12.400
<v Speaker 1>movie before we go into that member section. I loved it.

954
00:52:12.920 --> 00:52:19.760
<v Speaker 3>I'll just say again, I personally am not too big

955
00:52:19.800 --> 00:52:23.000
<v Speaker 3>of a fan of action movies these days, especially the

956
00:52:23.039 --> 00:52:25.920
<v Speaker 3>ones that are like gun heavy and go over the

957
00:52:25.960 --> 00:52:30.719
<v Speaker 3>top with explosions and all that. So from that perspective,

958
00:52:30.960 --> 00:52:33.800
<v Speaker 3>I enjoyed this a lot. If you're similar to me,

959
00:52:34.719 --> 00:52:37.360
<v Speaker 3>give this movie a try, because I think it is

960
00:52:37.400 --> 00:52:38.920
<v Speaker 3>an enjoyable action movie.

961
00:52:39.400 --> 00:52:42.519
<v Speaker 4>That restrains itself in the best ways.

962
00:52:43.519 --> 00:52:45.760
<v Speaker 1>I mean, in some ways, I would say that this

963
00:52:45.840 --> 00:52:49.440
<v Speaker 1>movie is to action movies, as I saw the TV

964
00:52:49.519 --> 00:52:52.159
<v Speaker 1>Glow is to horror, and I think both of them

965
00:52:52.239 --> 00:52:56.360
<v Speaker 1>fit technically into that slot, but do so many things

966
00:52:56.360 --> 00:52:59.159
<v Speaker 1>that you don't really expect in those genres, or maybe

967
00:52:59.159 --> 00:53:01.159
<v Speaker 1>for me as a non hohole person with that one,

968
00:53:01.159 --> 00:53:03.199
<v Speaker 1>because to me, I kind of was thrown a bit

969
00:53:03.199 --> 00:53:04.960
<v Speaker 1>when you first called this movie an action movie, because

970
00:53:05.000 --> 00:53:06.320
<v Speaker 1>I don't think about it that way. I think of

971
00:53:06.360 --> 00:53:08.760
<v Speaker 1>it as a cop corruption movie where there are a

972
00:53:08.760 --> 00:53:11.400
<v Speaker 1>couple of fight scenes. Yeah, but you're right, there is

973
00:53:11.480 --> 00:53:13.119
<v Speaker 1>a lot of a lot more action than you might

974
00:53:13.159 --> 00:53:15.840
<v Speaker 1>expect in that kind of genre. So yeah, it's just

975
00:53:16.280 --> 00:53:18.280
<v Speaker 1>it just it's a nice thing to check out, and

976
00:53:18.280 --> 00:53:19.599
<v Speaker 1>I definitely would suggest it.

977
00:53:20.400 --> 00:53:23.280
<v Speaker 3>If I were going to give it like two genres,

978
00:53:23.280 --> 00:53:24.679
<v Speaker 3>I'd say, like action thriller.

979
00:53:25.559 --> 00:53:28.199
<v Speaker 1>Yeah, yeah, thriller. I think is action thriller and make

980
00:53:28.199 --> 00:53:30.960
<v Speaker 1>a lot of sense. A couple of other quick housekeeping

981
00:53:31.000 --> 00:53:33.440
<v Speaker 1>things before we move on to the bonus section. First

982
00:53:33.480 --> 00:53:38.559
<v Speaker 1>of all, First of all, as you probably have heard

983
00:53:38.599 --> 00:53:42.239
<v Speaker 1>by now, we did our first episode of the new

984
00:53:42.280 --> 00:53:45.519
<v Speaker 1>Bonus Member section. That's gonna be happening where we're talking

985
00:53:45.559 --> 00:53:48.920
<v Speaker 1>about core questions of superhero ethics. That first one was

986
00:53:48.960 --> 00:53:52.039
<v Speaker 1>available for everyone. Going forward, they are only available for members,

987
00:53:52.079 --> 00:53:54.079
<v Speaker 1>but it's easy to become a member, only five dollars

988
00:53:54.119 --> 00:53:56.440
<v Speaker 1>a month, fifty five dollars a year. All the informations

989
00:53:56.440 --> 00:53:59.159
<v Speaker 1>in the show notes, but one thing we also want

990
00:53:59.159 --> 00:54:01.119
<v Speaker 1>to let people know is if you're trying to record

991
00:54:01.199 --> 00:54:04.679
<v Speaker 1>at the same time every week, which is noon Central

992
00:54:04.679 --> 00:54:08.679
<v Speaker 1>Time on Thursdays and then five thirty pm Central Time

993
00:54:08.760 --> 00:54:12.119
<v Speaker 1>on Wednesdays for the Star Wars podcast, and whether we're

994
00:54:12.119 --> 00:54:15.760
<v Speaker 1>doing regular episodes or bonus member episodes, those recording sessions

995
00:54:15.800 --> 00:54:18.960
<v Speaker 1>are always live streamed on YouTube. Again, it's just live

996
00:54:19.039 --> 00:54:23.039
<v Speaker 1>stream YouTube and slash or backslash whatever it is. The

997
00:54:23.079 --> 00:54:26.519
<v Speaker 1>Ethical Panda Podcasts, you'll find it link is also on

998
00:54:26.559 --> 00:54:30.760
<v Speaker 1>our show notes. Check that out, and next week we'll

999
00:54:30.760 --> 00:54:33.639
<v Speaker 1>be recording what will be our members only episode, but

1000
00:54:33.639 --> 00:54:36.159
<v Speaker 1>it is live stream for everyone. We're talking about a

1001
00:54:36.159 --> 00:54:38.840
<v Speaker 1>simple issue that I've never brought up before, the question

1002
00:54:39.039 --> 00:54:42.480
<v Speaker 1>of who are superheroes accountable to? And we will of

1003
00:54:42.480 --> 00:54:44.679
<v Speaker 1>course be using Marvel's Civil War as somewhat of a

1004
00:54:44.760 --> 00:54:46.840
<v Speaker 1>jumping off point. We're talking about a lot of other

1005
00:54:46.880 --> 00:54:50.039
<v Speaker 1>stories which this question comes up of who watches the

1006
00:54:50.039 --> 00:54:51.599
<v Speaker 1>watchers if you want to think about it that way,

1007
00:54:51.719 --> 00:54:55.920
<v Speaker 1>or you know our superheroes cops and do they should

1008
00:54:55.920 --> 00:54:58.840
<v Speaker 1>they need the oversight that cops have or are they individual?

1009
00:54:58.920 --> 00:55:01.320
<v Speaker 1>You know, whatever it is, we're gonna be talking about that.

1010
00:55:01.599 --> 00:55:03.199
<v Speaker 1>If you want to be in the live stream, come

1011
00:55:03.280 --> 00:55:04.760
<v Speaker 1>join us. If you want to just send us in

1012
00:55:04.920 --> 00:55:08.079
<v Speaker 1>questions or thoughts so we're gonna be talking about Send

1013
00:55:08.119 --> 00:55:12.239
<v Speaker 1>those in Matthew at Thethethical, Pana dot com or any

1014
00:55:12.280 --> 00:55:15.000
<v Speaker 1>of our social media networks. Send that in. We'll talk

1015
00:55:15.039 --> 00:55:17.079
<v Speaker 1>about it on air and be happy to answer your

1016
00:55:17.119 --> 00:55:19.960
<v Speaker 1>questions and discuss your thoughts. So please become a member.

1017
00:55:20.039 --> 00:55:23.480
<v Speaker 1>Please think about getting an audible membership or buying a

1018
00:55:23.559 --> 00:55:27.199
<v Speaker 1>lightsaber through our sponsors. Most importantly, though we have spoken
