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<v Speaker 1>Callaroga Shock Media. Hi there, I'm Johnny Mack with your

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<v Speaker 1>daily Comedy News, a daily briefing on stand up comedy,

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<v Speaker 1>comedians and the comedy industry. This one from a while back.

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<v Speaker 1>I pre taped today to accommodate my schedule how to

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<v Speaker 1>do some stuff. Yesterday, Jerry Seinfeld and Nate Bergatzi had

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<v Speaker 1>spoken to poll Star, but let's pick away at this

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<v Speaker 1>Nate talked about how he's been finding comedians. He said,

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<v Speaker 1>I've done every show you could possibly do. I've done

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<v Speaker 1>Bowling Alleys to Arenas. We have a YouTube page where

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<v Speaker 1>we have the showcase and they're doing ten minutes, and

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<v Speaker 1>we try to shoot some half hours with comics doing

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<v Speaker 1>an hour and try to give them a path. As

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<v Speaker 1>someone pops, they pop. I've been going after a lot

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<v Speaker 1>of older comedians. They could be my age or whatever,

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<v Speaker 1>but they have the chops and the experience to be

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<v Speaker 1>able to create this material. One in particular is Greg Warren,

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<v Speaker 1>very funny comedian. He's been doing comedy for thirty years.

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<v Speaker 1>I brought him in. He's come with me. We were

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<v Speaker 1>in Kansas City and he got a date at the

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<v Speaker 1>Comedy Club of Kansas City. Two months later, we do

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<v Speaker 1>two shows in the arena there. Out of doing ten

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<v Speaker 1>minutes on two of the arena shows, they added fourteen shows.

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<v Speaker 1>That's just from him doing ten minutes. But he murdered

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<v Speaker 1>so hard we had another one. Derek Stroop did nine.

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<v Speaker 1>Derek Stroop recently out on Netflix is fantastic. Jerry Seinfeld said,

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<v Speaker 1>what's changed in the past twenty years for comedians. It's

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<v Speaker 1>like a destination. We're gonna go see this comedian. This

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<v Speaker 1>is an important thing for us to do. What changed,

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<v Speaker 1>Nate said, A good beginning was your Comedian documentary. I

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<v Speaker 1>come from that. We watched you build a new set.

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<v Speaker 1>I'd never seen an inside look like that, especially for

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<v Speaker 1>someone like me who's not from New York. I was

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<v Speaker 1>already trying to do comedy and seeing it, but I

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<v Speaker 1>wasn't seeing someone that was you go and not get

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<v Speaker 1>laughs at Gotham or wherever, and you run around to

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<v Speaker 1>the clubs and you work on this thing. You started it. Essentially,

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<v Speaker 1>it was a large group of people around my age

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<v Speaker 1>that kind of made it, and like, all right, we

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<v Speaker 1>want to go do this. I want to be a

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<v Speaker 1>stand up comedian. After that, comics weren't getting sitcoms anymore.

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<v Speaker 1>That route was shut down. Now you're just gonna do

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<v Speaker 1>stand up. Then he had all rooms open up and

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<v Speaker 1>it started to expand. Another one was Dane Cook when

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<v Speaker 1>he did tour Gasm and was doing arenas on HBO.

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<v Speaker 1>He was the biggest comic on the planet, Like that's

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<v Speaker 1>dude's a rockstar from just being a comedian. Then you

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<v Speaker 1>had your Jim Gaffigan Sebastian. You had comics having full

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<v Speaker 1>careers and doing big arenas, big things and stand up.

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<v Speaker 1>Brian Reagan's another never did stuff in the Hollywood world

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<v Speaker 1>was a comedian that got big and Netflix was a

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<v Speaker 1>part of that. Comedy Central was a giant part of

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<v Speaker 1>that as well. You Jerry said something about what hurt sitcoms?

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<v Speaker 1>What was going to be funnier than the standup comedian?

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<v Speaker 1>You can't make a movie I have as much laughs

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<v Speaker 1>as stand up. To that, Jerry said, it seemed like

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<v Speaker 1>those forums deteriorated. The reason was that someone has to

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<v Speaker 1>prove each thing in the movie or TV show, Where

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<v Speaker 1>a stand up we just go right to them and

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<v Speaker 1>say what do you think of this? Having a third

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<v Speaker 1>party make a decision was an obstruction of being funny.

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<v Speaker 1>That was one of the reasons my show did well

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<v Speaker 1>in the nineties. It was Larry David and I and

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<v Speaker 1>nobody said anything to us. We just did what we

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<v Speaker 1>wanted and there was no network involvement really at all.

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<v Speaker 1>Mark Maren caught up with Consequence of Sound and they

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<v Speaker 1>discussed how Maren works politics in and Maarn said, I

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<v Speaker 1>didn't make a statement. I made a joke, That's what

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<v Speaker 1>I do. An example of that was his comments about

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<v Speaker 1>the Riod Comedy Festival, in which Maren said, how do

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<v Speaker 1>you promote that for the people that brought you nine

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<v Speaker 1>to eleven? Maren said, I made a joke about it,

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<v Speaker 1>and I guess the joke had some residents and kind

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<v Speaker 1>of sparked a more culturally active look at the participants

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<v Speaker 1>in that festival. Consequence writes on this subject, his voice

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<v Speaker 1>dips with contempt. Maren said, it's about money, dude. It's

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<v Speaker 1>really about can you rationalize taking that money? And most

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<v Speaker 1>people can because that's the world we live in. And

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<v Speaker 1>I'm not even on any kind of high horse. I

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<v Speaker 1>get it. Hey, all money's crappy. Maren clarifies there is

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<v Speaker 1>no dollar amount that would have enticed him to Riodd.

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<v Speaker 1>He also does not buy the argument that those comedians

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<v Speaker 1>were spreading Western values. Maren said, autocratic countries that become

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<v Speaker 1>culturally westernized. I don't think it ever changes the politics

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<v Speaker 1>of those countries. It just does what it does here,

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<v Speaker 1>creates more distraction the sense of freedom of choice because

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<v Speaker 1>when you have a few different restaurants and a few

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<v Speaker 1>different places you can go online adopting Western culture. It's

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<v Speaker 1>not helping us right now. Maren continued. If you can

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<v Speaker 1>rationalize taking the money and live with that, that's how

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<v Speaker 1>this world works. You know, our president, who's supposed to

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<v Speaker 1>be an example of something American, might be the most

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<v Speaker 1>American president we've had in years, who knows. Get away

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<v Speaker 1>with what you can get away with. Get all the money,

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<v Speaker 1>you can double down on anything. Don't take responsibility or

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<v Speaker 1>apologize for anything. Jessica Kerson was one of the comedians

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<v Speaker 1>who played the Riant Comedy Festival. She caught up with

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<v Speaker 1>Pride Source. They did not talk about said festival. They

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<v Speaker 1>talked about touring, and Jessica Curson said, you can't make

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<v Speaker 1>a living from the internet. It helps, but it's more

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<v Speaker 1>that a lot of us put up videos to build

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<v Speaker 1>an audience. We can perform four on the road because

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<v Speaker 1>people follow you. They look at your schedule, they look

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<v Speaker 1>at way you're performing. Plus I've been doing live stand up.

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<v Speaker 1>I just started my twenty seventh year, and online is

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<v Speaker 1>not the same, you know, because you don't have the

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<v Speaker 1>audience reaction. Now that I'm performing for a thousand people

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<v Speaker 1>each time, it's very different from the years and years

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<v Speaker 1>of just doing it and hoping that an audience shows up.

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<v Speaker 1>The demand is there now. The traveling is very hard,

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<v Speaker 1>the planes and the hotels and all that stuff, but

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<v Speaker 1>the shows are amazing, so when you get there it's

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<v Speaker 1>all right, But on the way it's a lot. They

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<v Speaker 1>were curious how the bit where Jessica turns away from

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<v Speaker 1>the audience to share her internal monologue evolved. Jessica said,

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<v Speaker 1>I just did it on stage one night. I don't

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<v Speaker 1>even remember where it was or when. For a long

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<v Speaker 1>time it didn't work. People were like, this woman has

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<v Speaker 1>a metal disorder. Until I realized it was a save line.

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<v Speaker 1>I had to do it when a joke didn't go

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<v Speaker 1>over well or when there was awkward silence. Then the

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<v Speaker 1>response was so positive. I kept doing it. From the

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<v Speaker 1>La Times in Los Angeles, Miracle Mile neighborhood flanked by

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<v Speaker 1>the Libreat tarpits, The La County Museum of Art and

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<v Speaker 1>a Diner is a dense concentration of charming Art Deco

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<v Speaker 1>and Spanish Mediterranean style apartment buildings. And on the corner

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<v Speaker 1>of Fourth and Cochrane you'll find a plaque. Strapped to

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<v Speaker 1>a street sign. You'll find a golden plaque commemorating Conan

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<v Speaker 1>O'Brien's time living on Cochrane. The plaque features Conan's face

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<v Speaker 1>as a bronze bust, with a short description of his

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<v Speaker 1>life there before he became an Oscar's host. It is

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<v Speaker 1>not official. It was created by the Cochrane Committee of

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<v Speaker 1>Conan Connoisseurs. I guess they're the CZ which we're told

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<v Speaker 1>is actually just one guy who lives on Cochran Avenue,

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<v Speaker 1>occasionally listens to Conan's podcast, has a free time, and

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<v Speaker 1>no real authority to put up a monument. But did

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<v Speaker 1>it Anyway. We know all this because it says that

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<v Speaker 1>on the inscription I love everything about this story. So

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<v Speaker 1>who is the Cochrane Committee of Conan Connoisseurs. Well, it's

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<v Speaker 1>Tim Hammill. He's the entire committee. He wanted people to

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<v Speaker 1>know that Conan O'Brien used to live on that block

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<v Speaker 1>in the nineteen eighties. The plaque riffs on the Baseball

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<v Speaker 1>Hall of Fame plaques and the cream colored California historical signs.

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<v Speaker 1>The CCCC explains, I wanted something that would look like

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<v Speaker 1>a plaque from far away that would catch people's attention,

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<v Speaker 1>make them want to come over and read it. He

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<v Speaker 1>then had it to Staples, printed out a large, sturdy

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<v Speaker 1>poster and fastened it to the stop sign on his block.

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<v Speaker 1>In describing Conan O'Brien's time on Cochrane, the plaque reads,

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<v Speaker 1>it was a time of struggle, ingenuity, and questionable mayonnaise

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<v Speaker 1>based decisions. From these humble beginnings, the street witness the

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<v Speaker 1>rise of a comedy icon. May the monument quote a

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<v Speaker 1>poster affixed with zipsies inspire Cochrane Avenue residents to chase

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<v Speaker 1>their dreams, embrace the originality in one day upgrade to

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<v Speaker 1>a home with more than one bathroom. Maria Bamford was

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<v Speaker 1>on the Last Laugh podcast. They pointed out that Netflix

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<v Speaker 1>CEO Ted Sorrando said her show Lady Dynamite is the

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<v Speaker 1>best original series the streamer has ever released. Bamford said

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<v Speaker 1>that clearly isn't true. There is no best, there is

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<v Speaker 1>no worse. There's just a bunch of people out there

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<v Speaker 1>doing a craft and doing it beautifully in all sorts

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<v Speaker 1>of ways. We are reminded that last year bill Board

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<v Speaker 1>ranked Maria Bamford the ninth best comedian of the twenty

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<v Speaker 1>first century, which is of course crazy talk. There's an

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<v Speaker 1>episode somewhere in the December feet if you want to

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<v Speaker 1>hear me comment about that. Nothing against Maria Bamford, but

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<v Speaker 1>seems a little high. Can we talk about that list.

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<v Speaker 1>Let's talk about that list. Where's that list? Let me

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<v Speaker 1>pull that up for us. I won't spend a lot

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<v Speaker 1>of time on this, but looking at their list. One

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<v Speaker 1>Dave Chappelle, of course. Two Chris Rock fine, pick three

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<v Speaker 1>c K even though he's canceled. Fine, pick for Mulaney,

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<v Speaker 1>sure fine. Five Bill Burr. Bill Burr had a good

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<v Speaker 1>twenty four years before losing it last year. Jerry Seinfeld.

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<v Speaker 1>You know, you might think of him as more of

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<v Speaker 1>a twentieth century comedian, but if you've seen him in

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<v Speaker 1>the twenty first century, can't argue with that. Kevin Art

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<v Speaker 1>at seven, Norm McDonald at eight. I don't want to debate.

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<v Speaker 1>Norm MacDonald today, that's fine. Bamford is the nine. Robin

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<v Speaker 1>Williams at ten is he a twentieth century comedian or

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<v Speaker 1>twenty first? See I don't like that pick either. Sebastian

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<v Speaker 1>at eleven is just insane. Nay to twelve is way

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<v Speaker 1>too high. Sandler at thirtie we've discussed this. Attel at

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<v Speaker 1>fourteen is criminally underrated. Hepburg at fifteen love Hebburg. But

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<v Speaker 1>it's two albums or three if you want to count

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<v Speaker 1>the posthumous one and out. But okay, love Hebburg. If

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<v Speaker 1>you listen to the show, you know I love Hebburg.

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<v Speaker 1>Gervais at sixteen, Wanda Sykes at seventeen is a little

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<v Speaker 1>crazy to me eighteen Patrese O'Neil. You've heard me speak.

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<v Speaker 1>I did not like the man, so I'm biased. Ali

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<v Speaker 1>Wong at nineteen, Sarah Silverman at twenty seems high, Gabe

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<v Speaker 1>Iglesias at twenty one, gaff Again at twenty two. He

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<v Speaker 1>might not call you back, but it seems really really underrated.

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<v Speaker 1>Trevor Noah twenty three, Billy Connolly at twenty four, and

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<v Speaker 1>John Stewart at twenty five. And I respect John Stewart

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<v Speaker 1>a lot, but I'm not sure he's in the same

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<v Speaker 1>category in terms of stand up. I know he tours whatever. Alright,

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<v Speaker 1>so back to Bamford, who's number nine on that list,

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<v Speaker 1>She said of the list, it's just a trend and

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<v Speaker 1>clearly not true. She suggested other women like Nicki Glazer

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<v Speaker 1>and Kathy Griffin should be on the list as well,

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<v Speaker 1>but she did repost it. She said, Oh no, I

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<v Speaker 1>retweeted it just to be clear if the propaganda has

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<v Speaker 1>been reposted. Shang Wang, one of my favorite current comedians,

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<v Speaker 1>finds the most ordinary of things to be funny. He said,

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<v Speaker 1>it's about taking a step back and look at the

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<v Speaker 1>world as if you're an alien, meaning you're not taking

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<v Speaker 1>any of it for granted, you're just an aw of

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<v Speaker 1>what this thing is. But I'm also taking a step

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<v Speaker 1>in and looking closely at what it appears to be.

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<v Speaker 1>Some of his inspirations photographers William Eggleston and Elliott Erwitz

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<v Speaker 1>stay with me. Shehangwan explains. Eggleston would take pictures of

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<v Speaker 1>a tricycle but from a very low angle, and Elliott

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<v Speaker 1>Erwit was catching interesting and funny little moments when things

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<v Speaker 1>in life just lined up like melon's on a stand

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<v Speaker 1>that looks like a lady's boobs. Wang tries to work clean,

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<v Speaker 1>explaining the reason that I don't really use profanity is

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<v Speaker 1>because I want to find the most unique and specific

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<v Speaker 1>way to say what I'm trying to say. I think

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<v Speaker 1>part of my comedy is to remind people that were

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<v Speaker 1>human and were not separate from nature. I think it's

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<v Speaker 1>important for us to pay attention to and appreciate the

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<v Speaker 1>flora and fauna and how the ecosystems work. In the past,

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<v Speaker 1>I've done a kind of comedy show with pictures of

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<v Speaker 1>plants that I've taken. I might go back to doing

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<v Speaker 1>some ver Know that and that is your comedy news

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<v Speaker 1>for today. Catch it tomorrow.
