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Speaker 1: Now exclusively on w m n H ninety five point

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three FM. Matt Connorton Unleashed presents the American radio premiere

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of Gold, the brand new single from the Worry People.

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Speaker 2: Would you recognize me if you m me them?

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Speaker 3: Cut my head just spat jump this like am hoio Now.

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Speaker 2: Weave a bed strangers And I thought that.

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Speaker 4: It said it's.

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Speaker 2: Time to come around, But the.

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Speaker 3: Season has coming gone calling opinion gold and wrapped me

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around jumping. Give something to me, even something like forever whir.

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Speaker 2: W house building houses on foundation, steady of sin.

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Speaker 5: So why why I was as surprised when it all

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came crashing down. Don't want to call him Lord knows me,

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he cares so close.

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Speaker 2: But the ruble just reminds me I was a tourist.

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Speaker 4: I'm young, cross.

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Speaker 6: Clevering me live being your golden backed me around your finger,

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Give me something too.

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Speaker 3: Goodly been something luck forever who.

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Speaker 7: Who oh you growing up on to one one one

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one one way.

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Speaker 8: The way?

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Speaker 6: Cut the man, no thing, go go and rap name

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round jumping, Uh game something.

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Speaker 9: Toping leaving something.

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Speaker 7: Like forever love cud the men, no thing, Go go

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and rap name round jumping.

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Speaker 3: Uh give something something leaving something like forever b.

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Speaker 1: You are listening to double Um and Ah No Far

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World premiere Warhaw Stewards of a broken World.

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Speaker 4: How'll you, sir?

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Speaker 10: Is the broken promise? Good morning finds her all around us.

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Speaker 1: We show us those survive that there.

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Speaker 11: With chime You change, sid, you say, but we would

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rather leave in madness the light of Roger's stone, black ness.

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Speaker 10: And finds who wanted takes to pull.

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Speaker 8: Us from the from the.

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Speaker 12: Well mother Russ got tut chat. Will we remember.

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Speaker 8: Pass or will we need a stand and tuo.

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Speaker 12: Cat the hardest.

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Speaker 4: Dom Chime time.

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Speaker 12: Come found the fish God. Just get the world and

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fire and watch him them.

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Speaker 10: They're killing over ancient foreigners. We're soaking chaos, sands his order,

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unable to find strengthen enough to pray.

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Speaker 8: They pray.

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Speaker 12: So here, why do think I'll come up? The rage

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shots promoting constant cod frid Hay shots than any chance

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we might have had two.

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Speaker 8: The way pay so way some other? Is this that

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type of quest shock?

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Speaker 1: But we're from coming.

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Speaker 8: And here we are the chain.

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Speaker 5: Of the.

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Speaker 12: Cat and in this time of head a shack inspite

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a brother chats. There's something we can do but watch

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it burn s, but we were going leading madness the

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light of Welcome song.

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Speaker 10: I like mare and tryd You wanted checks to pull.

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Speaker 6: Off her.

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Speaker 8: For some other reason.

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Speaker 12: That shot shot, but we've forgot.

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Speaker 8: And you We got the j s.

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Speaker 12: Ca PM in it kind of ras by Lace shot,

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this by Dama Ba shots. There's something we can do

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but watch him.

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Speaker 1: That is so good, that is epic. That is Sewards

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of a Broken World, the world radio premiere brand new

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single from the band Warhog, some great rockers from Texas.

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Love those guys, and we open the show with the

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brand new single from Let's See the band called The

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Worry People are actually not a band, They are a

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duo from the UK. Their new track Gold that was

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the American radio premier of that the first time ever

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played on any American radio station. And we're going to

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have the Worry People on the show soon. We've got

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a couple of great guests in studio with us. We're

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going to introduce in just a moment. Really looking forward

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to talking with these guys. But this is Matt Connorton

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Unleashed and we are live from the studios of WMNH

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ninety five point three FM in glorious Manchester, New Hampshire

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on this Memorial Day weekend, and of course today is

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Saturday May twenty four, twenty twenty five, and I am

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not alone. Jenny, Jenny is here at the news table.

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Speaker 13: Good morning, sunshine.

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Speaker 1: Good morning. It's actually been a couple of weeks since

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you've been here. Yes, now that I'm thinking about.

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Speaker 13: It, I was very ill.

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Speaker 1: Yes, yes, so welcome back, welcome back, and uh welcome

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everyone who's tuning in this morning and winning again. Yes

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we are. We're both. We both have our Warhog shorts on.

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Speaker 13: We love Warhog.

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Speaker 1: Shorts shirts shorts.

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Speaker 13: You said shorts.

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Speaker 1: I did. I was singing about how it's supposed to

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warm up this weekend. We both have our Warhogs shirts on.

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We don't have u we didn't plan. We don't have

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Warhog shorts. But uh well, yeah, we always know they

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might happen. They might, they might. You know, they are

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in Texas. It gets very warm there, so hopefully they.

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Speaker 13: Be an awesome song. I love them for both of

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the world premiers today. We're awesome.

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Speaker 1: Oh, we love we love Warhog absolutely so right now

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we've got so first of all, this gentleman, no stranger

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to w M and H. Let me get those mics up.

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King Polo is here. Welcome, Yeah, thank you for having me. Man,

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you've been here. You've been here before, of course I did.

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You've been on the morning show White Yep, that's where

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I first heard you, and then because you're on a

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few years ago, and then you were on again recently,

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I think at the beginning of this year.

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Speaker 13: Yeah, beginning of this year again.

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Speaker 1: Yeah, yeah, so really cool to have you on. We're

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going to talk about play some music and you have

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an associate with you.

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Speaker 4: Yeah.

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Speaker 14: I got my boy, MVP Mayo here with me, about

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to introduce y'all to him.

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Speaker 1: MVP Mayor. Welcome to the show, to the show.

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Speaker 13: Thank you.

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Speaker 15: What does that?

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Speaker 1: What does MBP stand for? H?

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Speaker 13: It's kind of a long story.

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Speaker 4: You want to hear it.

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Speaker 16: I do.

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Speaker 1: I'm always very curious about this kind of thing.

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Speaker 15: So my first kind of foray into music was when

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I was twelve years old and I was watching an

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episode of SpongeBob and it's bang Geeks. So Patrick has

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a line in there that says, is mayonnaise an instrument?

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So my first beat that I made, I got started

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making beats, and my first beat that I made. I

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sampled sounds that were made using mayonnaise, and I posted

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in online. Yes, and I was looking for a YouTube

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channel name, and my mom suggested Mayo Beats.

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Speaker 13: Then I started.

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Speaker 15: Wrapping, kind of evolved, and then then like the I

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was releasing my music, there was a label line on

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my distributor. I always put Mayo Beats Productions. Yeah, MVP

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Mayo Beats Productions.

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Speaker 1: Okay, oh, very cool. All right, cool cool, that's not

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so as a long story, I'm glad you told it.

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I shortened it a little bit, a lot of steps.

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Speaker 13: That wasn't always MVP mao.

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Speaker 1: And how are you guys associated together? Do you work

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together on music?

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Speaker 13: Yeah?

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Speaker 14: We Actually I met him through an event I did

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last year at Charlie's Hill out in Love and in

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the venue told him to reach out to me because

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I was doing a holiday party. Yeah, and it was

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actually his first ever show that he did, and I

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was still to this day think that he's lined to

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me because he came.

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Speaker 13: And destroyed that.

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Speaker 14: Everybody loved it and the whole crowd went crazy, and

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ever since then, just took him under my wing. Nice

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trying to do what I wish I had someone for me,

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not only as an artist, but this is like a

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mentor type thing, you feel.

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Speaker 1: Me, So yeah, yeah, mentorship is important, there really is,

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you know, because it's you know, if you're if you're

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trying to do anything creative and you don't have someone

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to kind of sometimes people get discouraged and they give

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up very early because if they don't have anyone who

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can give them advice and guide them, while also you know,

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not taking advantage of them because they want a lot

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of sharks.

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Speaker 13: And the music.

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Speaker 1: Absolutely absolutely so. So if you can find someone who

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can kind of mentor you and help you and and

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collaborate with you, that's that's fantastic. What I think we

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should do is let's play a track and then we'll

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come back and we'll talk for a bit, and uh

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should we do uh see you fly?

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Speaker 13: Yeah, let's do that. It's probably good best want to

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start with honestly.

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Speaker 1: Yeah, because we were talking off air when you guys

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got here. This is my personal favorite of the ones

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you sent. I love this track. What what what should

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we know about this?

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Speaker 14: So this song actually talks a lot about drug addiction,

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getting clean, about a lot of the stuff that happens

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and within the drug culture and the lifestyle of that,

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a lot of the mental illnesses and then demons that

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we face, and the coping mechanisms, and then the trials

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and tripulations of hitting rock bottom. Pretty much just restarting

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yourself and reinventing.

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Speaker 1: Yep, yep, absolutely, all right, excellent, let's give this a

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spin and then we're going to come back and talk

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to these guys. This is called it.

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Speaker 17: So you fly, Dad, However, I cannot come right anymore

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because sometimes, buddy, when you're doing bad things, people do

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bad things too, and that's all they want to do.

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Speaker 18: And when you start to realize that you don't want

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to do that anymore anybody in your life. People don't

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want to see good for you, so they can't be

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around to see you do that. I want to shoot

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you down when they see you fly fly everyone your friend.

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When you get now that ain't around, and you wonder

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why they just want to party.

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Speaker 4: It ain't done a ride. No, d want to shoot

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you down when they see you fly every whe your friend.

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Speaker 18: When you get now that ain't around down, then you

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wonder why they just want to party.

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Speaker 13: It ain't done a ride. They talk bad when you win.

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Speaker 4: And got a better life being focused on my kids

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and my chester right.

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Speaker 18: Thank God, every time I took them in the night

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got starts from the war. But I want to life

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for my babies, even once without my DNA right to die.

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It don't matter about the time of day, all the

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money y'all have million miles fall away, say the word,

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and I'm coming up the bottom away.

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Speaker 4: If you know me, then you know that's a fact.

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Speaker 18: Though when I'm not, when my kids I'm stack though,

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they laid up when I walk through the dough. Life

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break me down, but they got my hot fall Snakes

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in the grassdrowd cut your wings of of everything hard

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even when I wrap soft. Got to keep the hunger,

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even when you want time. Soon as you stop, that's

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when you start to fly acts. I want to shoot

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you down when they see you fly, fly everyone your

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friend when you get high. Now they ain't around, and

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you wonder why they just sworn a party. It ain't

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done a ride and the ride. I want to shoot

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you down when they see you fly. You fly everyone

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your friend when you get hut. Now it ain't around,

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and you wonder why they just sworn a party.

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Speaker 4: It ain't done a ride.

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Speaker 19: Aside from Polo, though none of y'all wherever there we

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always able to get a way by your surf everywhere

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at your bone crushing pressure, and still we never skip

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hear it. And why a couple of times you mess

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legends then we're talking. You're on the spind I put

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together better. He is to buy the Gemini, but the

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chemistry forever there. I love the world that's waking up,

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but we've been well aware that down. Can my balls

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shut now while you're living there? I got so be

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gooted kids homing, you know what it is. But if

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I roller with the click, I ain't talking about just

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speak loud of the worst, all my emotions, all that shit.

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It's also mind over matter. I think boet my wits.

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I got live real good poems. He let it soak

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it just to blit spin up bonus.

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Speaker 13: Since I know that spin.

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Speaker 19: No one know that I'm the issue. It's just something

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you know when you know where you commit. It's the

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one that me and Paula always know how to do

250
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with this little bit.

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Speaker 18: They want to shoot you down when they see you flat.

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Everyone your friend when you get now that ain't around,

253
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And you wonder why I wonder why they just want

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to party It ain't down the ride and want to

255
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shoot you down when they see you flat every when

256
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your friend when you get yeah, now that ain't around,

257
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and you wonder why the why they just want to

258
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party It ain't.

259
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Speaker 1: Oh that is so good that I'll see you fly

260
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King Polo and m b K, MVP MVP. Why do

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I why do I say m b K MVP, I'll

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get it before well before the end of the show.

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I got these guys in studio with us and out.

264
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Speaker 4: Yeah.

265
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Speaker 1: I do love that track, and I think that's probably

266
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pretty relatable for a lot of people, you know, like

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you were saying, you know, if you're dealing with addiction

268
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and whatnot, then you make the you decide to make

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the changes to get clean, and then exactly, you know,

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people for their own reasons, they don't want you to

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do that. They want you to stay with.

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Speaker 14: Them exactly because they can't. They just they can't do

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it themselves, so they don't want to see anybody else do.

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Is really what it comes down to a lot of

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internal things too.

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Speaker 4: Yeah.

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Speaker 1: Yeah, I think what makes that relatable too is it's

278
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not just you know, you can apply that to not just.

279
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Speaker 13: Addictions exactly to say everything, all kinds.

280
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Speaker 1: Of absolutely absolutely. How long have you been at this

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skin pull up?

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Speaker 14: So I've been doing music since I was about like

283
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twelve or thirteen. I started taking it more serious probably

284
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like eighteen nineteen, when I could actually get into venues

285
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and stuff. Because of the ages, took a few years off.

286
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You know, I kind of made some life choices that

287
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caught up to me, et cetera. But music always was there.

288
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So I used that as my coping mechanism and my

289
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way to like like communicate stuff and not be stuck

290
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into my own box, into my own thoughts and feelings.

291
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Speaker 13: Yeah, realized I had a craft for it.

292
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Speaker 14: And then being in out of the studios, I've actually

293
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kind of learned how to produce an engineer myself.

294
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Speaker 13: So I've been doing that for some time now.

295
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Speaker 14: And then all the time I like took off, I'm

296
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kind of really doing anything and having to sit there

297
00:20:56,920 --> 00:20:59,960
and do with my own my own actions. I learned,

298
00:21:00,039 --> 00:21:02,359
and a lot of the business aspect of stuff, yeah,

299
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because I realized a lot of this business stuff is

300
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pretty much that it's it's the smaller things that make

301
00:21:07,160 --> 00:21:09,559
the bigger picture, and that's where everybody is trying to

302
00:21:10,240 --> 00:21:12,480
make the money off of you, and it's like, oh, realistic.

303
00:21:12,519 --> 00:21:13,759
I got to do is just know how to present

304
00:21:13,839 --> 00:21:16,920
yourself and and communicate and do all these things. And

305
00:21:17,079 --> 00:21:19,079
so I just learned all those small things. And that's

306
00:21:19,200 --> 00:21:21,640
kind of what I've been doing with the platform, the

307
00:21:21,720 --> 00:21:24,480
wave that I created, and just kind of teaching everybody

308
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and putting everybody onto stuff that I know, but also

309
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learning stuff while doing it too.

310
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Speaker 1: Yeah, we were talking about that. Off are a little

311
00:21:30,960 --> 00:21:33,920
bit too, about your your commitment to sharing knowledge and

312
00:21:34,079 --> 00:21:36,960
to and to you know, helping helping people and and

313
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and helping people to not only be able to learn

314
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things about the business, but take the business seriously. You know,

315
00:21:43,359 --> 00:21:45,880
it's it's the music business. It's not the music. I mean,

316
00:21:46,200 --> 00:21:47,680
not that there's anything wrong with doing it for a

317
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hobby or whatever, but if you're but if you want

318
00:21:49,240 --> 00:21:51,759
to have a career, like a real career and and

319
00:21:52,640 --> 00:21:54,079
you know, and have it last, then you got to

320
00:21:54,119 --> 00:21:55,400
take it seriously and you got to do it like

321
00:21:55,440 --> 00:22:00,640
a business. Yeah, one hundred when did now the tracks

322
00:22:00,680 --> 00:22:02,480
that you sent us, these are are these all singles,

323
00:22:02,519 --> 00:22:03,480
are these part of an album?

324
00:22:03,880 --> 00:22:08,279
Speaker 14: So all of them are off of projects. See Flies

325
00:22:08,359 --> 00:22:11,480
Off a project from a couple of years ago, Outside

326
00:22:11,599 --> 00:22:14,279
is Off a project from last year, and a few

327
00:22:14,359 --> 00:22:17,160
of them are just single singles right now that I've

328
00:22:17,200 --> 00:22:20,240
been releasing to promote the couple of projects I'm dropping

329
00:22:20,279 --> 00:22:23,799
this year. I'm dropping a collaborative album with the whole collective,

330
00:22:24,000 --> 00:22:27,640
and then I have a single, like a single album

331
00:22:27,680 --> 00:22:31,319
I'm dropping, and then another collaborative album with my buddy

332
00:22:31,359 --> 00:22:32,160
Domination Jay.

333
00:22:33,720 --> 00:22:36,240
Speaker 1: I've heard of Domination Jay. Yeah, that's a cool name too.

334
00:22:38,279 --> 00:22:41,279
Where do you you know? Because you talked about recording

335
00:22:41,359 --> 00:22:41,880
and producing?

336
00:22:41,920 --> 00:22:42,079
Speaker 13: Do you?

337
00:22:42,519 --> 00:22:42,559
Speaker 10: Is?

338
00:22:42,640 --> 00:22:43,640
Speaker 1: Everything self produced?

339
00:22:44,279 --> 00:22:46,640
Speaker 14: So I do pretty much all the production, the beats.

340
00:22:46,759 --> 00:22:48,440
Some of the beats I usually just buy or get

341
00:22:48,480 --> 00:22:51,519
from other producers. There is I have some beats that

342
00:22:51,559 --> 00:22:54,720
I've done myself. I do make beats as well, but

343
00:22:55,160 --> 00:22:56,799
a lot of stuff right now, I'm kind of just

344
00:22:57,319 --> 00:23:00,279
getting more on the production side, and I kind of

345
00:23:00,359 --> 00:23:02,039
doing more features where I'm like, all right, let me

346
00:23:02,079 --> 00:23:04,359
branchat with people that I've grown up with and done

347
00:23:04,480 --> 00:23:06,960
music with, or other artists and kind of like do

348
00:23:07,200 --> 00:23:09,720
my little thing, but like let them really kind of

349
00:23:09,759 --> 00:23:11,759
take control of the song and then put that onto

350
00:23:11,799 --> 00:23:14,279
my stuff and kind of let them use my network,

351
00:23:14,319 --> 00:23:16,440
you know what I'm saying, like their as their platform

352
00:23:16,480 --> 00:23:16,960
in a sense.

353
00:23:17,279 --> 00:23:20,920
Speaker 1: Right, right, do you do you have like a studio,

354
00:23:21,400 --> 00:23:22,200
like a home studio.

355
00:23:22,359 --> 00:23:24,039
Speaker 13: I got a home studio with all that stuff.

356
00:23:24,119 --> 00:23:26,160
Speaker 14: Actually, right now, I hat in the car because we're

357
00:23:26,160 --> 00:23:28,039
about to go up and do this DJing event for

358
00:23:28,119 --> 00:23:30,119
this boxing event on on Laconia right after this.

359
00:23:30,359 --> 00:23:30,599
Speaker 13: Nice.

360
00:23:30,640 --> 00:23:32,400
Speaker 14: So pretty much I got a home studio and I

361
00:23:32,440 --> 00:23:34,960
got stuff to run indoor and outdoor venues.

362
00:23:35,319 --> 00:23:37,759
Speaker 13: Yeah. About to host my first festival this summer.

363
00:23:37,960 --> 00:23:40,799
Speaker 1: Really yeah, Oh congratulations, Yeah that's a big deal.

364
00:23:40,920 --> 00:23:41,079
Speaker 13: Yeah.

365
00:23:41,160 --> 00:23:43,279
Speaker 14: Yo, So I do all this, Like I said, I've

366
00:23:43,279 --> 00:23:45,160
been doing it for years, and all these studios I've

367
00:23:45,240 --> 00:23:47,720
gone to, I've kind of learned just watching a lot

368
00:23:47,759 --> 00:23:49,279
of this stuff is kind of the same stuff, you

369
00:23:49,319 --> 00:23:51,279
know what I'm saying. Yeah, and then it's really just

370
00:23:51,400 --> 00:23:54,440
adding your own, your own floats to it because everybody

371
00:23:54,480 --> 00:23:56,319
you can go to thirty different studios, but if they

372
00:23:56,359 --> 00:23:58,799
don't hear what you're trying to do, all they're going

373
00:23:58,880 --> 00:24:00,920
to really do is like, Okay, do it this way.

374
00:24:00,960 --> 00:24:02,880
It may sound better, but that's probably because that's what

375
00:24:02,920 --> 00:24:05,440
they're used to for production. Oh, Yeah, let's take that

376
00:24:05,480 --> 00:24:08,920
constructive criticism and add it to stuff. But I'm very

377
00:24:09,039 --> 00:24:11,279
kind of locked down on what sound I'm going for

378
00:24:11,480 --> 00:24:12,960
and trying to push off as well.

379
00:24:14,039 --> 00:24:16,759
Speaker 1: We've got some getting some love in the chat room here.

380
00:24:17,000 --> 00:24:21,240
Joshua Hernandez Domination Domination j oh cool. Yeah, we gotta

381
00:24:21,240 --> 00:24:23,799
get him on the show. He says, uh, oh, where

382
00:24:23,839 --> 00:24:27,960
did comment go? I'm trying to forgive me, trying to

383
00:24:28,000 --> 00:24:29,920
back up. I didn't want to miss his comment. Oh,

384
00:24:30,039 --> 00:24:34,599
King Polo and MVP Mayo in the building. Yes, you

385
00:24:34,720 --> 00:24:37,960
said something too about the wave NonStop grind or something.

386
00:24:38,480 --> 00:24:42,200
I lost his comment now disappeared, but welcome. Domination Jay

387
00:24:42,640 --> 00:24:47,799
also a Zachary Broder Beast Mode. Yes, my guys, zach

388
00:24:48,839 --> 00:24:53,480
Nathan hill Y, Yeah, he was on the show recently.

389
00:24:53,519 --> 00:24:54,039
Speaker 13: He's awesome.

390
00:24:54,319 --> 00:24:58,440
Speaker 1: Yeah, he said, Melissa and I are watching and listening excellent, excellent.

391
00:24:58,559 --> 00:25:00,759
Speaker 13: Appreciate 'all. Hope you'll have an a great weekend.

392
00:25:01,119 --> 00:25:07,559
Speaker 1: Domination Jay said bangers Only, Yes, absolutely, absolutely, Yeah, It's

393
00:25:07,559 --> 00:25:09,599
cool that we live in a time too where you know,

394
00:25:09,680 --> 00:25:11,640
you have a lot of different options as far as

395
00:25:11,720 --> 00:25:13,920
how you record and where you record, and different approaches,

396
00:25:14,000 --> 00:25:17,440
and you know, I'm older. So when I was growing up,

397
00:25:17,480 --> 00:25:19,359
it was like you either you either went to a

398
00:25:19,400 --> 00:25:22,000
studio and spent a ton of money or you you know,

399
00:25:22,119 --> 00:25:23,720
or if you had a one of those old task

400
00:25:23,799 --> 00:25:25,480
him four track recorders.

401
00:25:25,039 --> 00:25:26,160
Speaker 4: You know, you can do stuff at home.

402
00:25:26,240 --> 00:25:28,279
Speaker 1: And of course today you've got all kinds of options.

403
00:25:28,319 --> 00:25:29,799
And I mean, you can still go to a studio

404
00:25:29,839 --> 00:25:32,079
and spend that money. And there's some great studios around here,

405
00:25:32,960 --> 00:25:36,039
like we have Eric Sotter from Blackhart Sound His name

406
00:25:36,119 --> 00:25:38,960
comes up all the time on the show. But but

407
00:25:39,400 --> 00:25:41,039
the advantage of being able to do it yourself too

408
00:25:41,119 --> 00:25:43,480
is you know, you've got maximum control over what you're doing,

409
00:25:43,680 --> 00:25:47,279
you know, and and so that's really cool. I'm curious

410
00:25:47,319 --> 00:25:49,160
to know more about that. You mentioned a festival you're

411
00:25:49,200 --> 00:25:49,759
doing the summer.

412
00:25:49,880 --> 00:25:50,079
Speaker 13: Yeah.

413
00:25:50,240 --> 00:25:52,920
Speaker 14: So it's going to be out of Charlie's Hill in Lemonon, Maine.

414
00:25:52,960 --> 00:25:56,359
It's a two day festival. There's an indoor and outdoor stage.

415
00:25:56,640 --> 00:26:00,039
We're going to do camping, bonfire. We got so so

416
00:26:00,119 --> 00:26:03,240
the thirteenth is June thirteenth is the first day. It's

417
00:26:03,319 --> 00:26:05,759
my actually my birthday. So we're gonna do all like

418
00:26:05,839 --> 00:26:08,079
the rap performances and kind of like the big like

419
00:26:08,480 --> 00:26:11,440
hype like parties, so to speak, and then the next

420
00:26:11,519 --> 00:26:13,519
day we're gonna kind of do like low key vibes.

421
00:26:13,519 --> 00:26:16,079
We'll have some rap performances still too, but there's gonna

422
00:26:16,119 --> 00:26:18,480
be more kind of like acoustic and singers and kind

423
00:26:18,519 --> 00:26:21,160
of like the next day kind of everyone gets situated,

424
00:26:21,240 --> 00:26:23,160
clean up and kind of vibe and then go home

425
00:26:23,240 --> 00:26:26,279
type deal. Nice, but it's it's pretty cool. Charlie's Hill

426
00:26:26,359 --> 00:26:28,920
is definitely shout out to them out lemon and Maine.

427
00:26:28,960 --> 00:26:32,160
That's one of the venues that is always doing everything

428
00:26:32,319 --> 00:26:35,920
for local artists and his artists in general. So if anybody,

429
00:26:35,960 --> 00:26:38,319
any artist listening ever get a chance to go check

430
00:26:38,359 --> 00:26:40,799
out with Charlie's Hill in Elemonon, Maine, definitely go out there.

431
00:26:41,279 --> 00:26:43,519
Terry and Mike and Lloyd are always doing the best

432
00:26:43,519 --> 00:26:46,799
that they can to provide a great platform with love

433
00:26:46,880 --> 00:26:49,160
and respect for us. So if you guys ever looking

434
00:26:49,200 --> 00:26:51,240
for somewhere cool to go tap and go tap in there.

435
00:26:52,119 --> 00:26:54,400
Speaker 1: That yeah, Charlie Soil that comes up on the show

436
00:26:54,400 --> 00:26:56,079
all the time too. I've yet to be there, but

437
00:26:56,240 --> 00:26:57,839
I've got to go there. But for the past, for

438
00:26:57,920 --> 00:27:01,079
the past however long two or three years I hear

439
00:27:01,119 --> 00:27:02,160
about Charlie Silton.

440
00:27:02,480 --> 00:27:04,400
Speaker 13: Love it over there. I love it over there always.

441
00:27:04,720 --> 00:27:06,599
Speaker 14: That's one of those places like if I ever do,

442
00:27:06,839 --> 00:27:08,920
when I ever do get like big and doing all

443
00:27:08,960 --> 00:27:11,279
this stuff, that's one place I'm always gonna go all

444
00:27:11,319 --> 00:27:13,440
the time. Yeah, just to show love, because they that's

445
00:27:13,480 --> 00:27:15,200
what they do for everybody, So why not give them

446
00:27:15,240 --> 00:27:15,799
you know what I'm saying.

447
00:27:16,039 --> 00:27:20,359
Speaker 1: Yeah, yeah, absolutely, you've been at this. You know you're

448
00:27:20,359 --> 00:27:22,000
a young man, but you've been at this a little while.

449
00:27:22,359 --> 00:27:24,359
And actually, well, this question really for both of you guys,

450
00:27:24,480 --> 00:27:27,119
like what's changed from your because I feel like the

451
00:27:27,200 --> 00:27:30,559
music industry is constantly changing and evolving so much, and

452
00:27:30,920 --> 00:27:33,920
and you know, you're you're someone who really pays attention

453
00:27:34,000 --> 00:27:36,160
to what's going on, Like, like, what is what has

454
00:27:36,279 --> 00:27:38,680
changed about or maybe maybe even not so much changed

455
00:27:38,680 --> 00:27:40,599
about the business, but about your approach to the business.

456
00:27:41,039 --> 00:27:43,160
Speaker 14: So my approach to the business has definitely changed a

457
00:27:43,240 --> 00:27:46,000
lot from when I first started, because when I first started,

458
00:27:46,039 --> 00:27:48,640
obviously coming to something young, new and like all this

459
00:27:48,920 --> 00:27:51,640
energy and kind of like cockiness and not confidence in

460
00:27:51,720 --> 00:27:54,640
a sense. Yeah, so and then being the young guy,

461
00:27:54,920 --> 00:27:57,880
like there's a lot of times where you've been misleaded,

462
00:27:57,960 --> 00:27:59,759
Like that's where I was. I was misled with a

463
00:27:59,799 --> 00:28:02,000
lot of the teams or groups that I got with

464
00:28:02,200 --> 00:28:04,519
growing up. So they'll use me as like stepping stones

465
00:28:04,559 --> 00:28:06,759
in a sense of like, oh yeah, sure, come to

466
00:28:06,880 --> 00:28:08,799
this venue or come to this event, and we'll definitely

467
00:28:08,839 --> 00:28:10,759
get you on stage. But realistically they just wanted to

468
00:28:10,799 --> 00:28:12,920
get more people in the door to make more money. Yep,

469
00:28:13,160 --> 00:28:16,279
things of that nature. I started to realize that, and

470
00:28:16,359 --> 00:28:19,319
then as technology and social media and all those grows,

471
00:28:19,680 --> 00:28:21,960
not too many people do as much door to door

472
00:28:22,160 --> 00:28:24,559
face to face promotion anymore. So I've been trying to

473
00:28:26,000 --> 00:28:27,799
come and do it on both ends with just like

474
00:28:27,880 --> 00:28:30,319
the social stuff, but also getting face to face. Like

475
00:28:30,640 --> 00:28:32,799
we did a show in Rochester at the Performance Art

476
00:28:32,960 --> 00:28:35,599
Center back in April. I printed off flyers and went

477
00:28:35,599 --> 00:28:38,440
to pretty much every business downtown Rochester and put flyers

478
00:28:38,519 --> 00:28:40,920
up talk to the owners of the businesses. You know

479
00:28:40,960 --> 00:28:43,039
what I'm saying, Like the face to face built the

480
00:28:43,160 --> 00:28:46,559
actual interaction with the customers, not customers, but with the

481
00:28:46,720 --> 00:28:48,559
with the city. You know what I'm saying for people

482
00:28:48,599 --> 00:28:51,200
around because too many people don't do that anymore. And

483
00:28:51,279 --> 00:28:53,759
like I've even felt like i've even I can even

484
00:28:53,799 --> 00:28:55,680
call myself on doing that in the past, with like

485
00:28:55,839 --> 00:28:58,279
spam sending messages and like, oh here's a new song.

486
00:28:58,359 --> 00:29:00,599
Speaker 13: You guys should go watch this video. It's like, who

487
00:29:00,640 --> 00:29:01,119
the hell am I.

488
00:29:01,279 --> 00:29:03,559
Speaker 14: You've never had a conversation before in the past, and

489
00:29:03,599 --> 00:29:05,119
I'm expecting you to do something.

490
00:29:04,920 --> 00:29:06,119
Speaker 13: For me, right right?

491
00:29:06,440 --> 00:29:06,680
Speaker 4: Yeah?

492
00:29:08,480 --> 00:29:11,720
Speaker 1: Now what about you, MVP? I say, right, MVP? Okay, good?

493
00:29:14,400 --> 00:29:16,880
Like how is how's things changed for you over the

494
00:29:17,000 --> 00:29:19,039
years too? I mean maybe it's maybe it's similar to

495
00:29:19,119 --> 00:29:20,559
King Polo, I don't know, but I mean, what's been

496
00:29:20,599 --> 00:29:21,200
your experience?

497
00:29:21,480 --> 00:29:26,680
Speaker 15: So when I when I first started rappings, probably about

498
00:29:27,240 --> 00:29:30,200
seven years ago. I'm only nineteen by the way, I know,

499
00:29:30,400 --> 00:29:31,880
I know I look look a little older.

500
00:29:32,000 --> 00:29:32,759
Speaker 13: But so.

501
00:29:34,720 --> 00:29:36,759
Speaker 15: It's it hasn't changed as much for me because I

502
00:29:36,799 --> 00:29:39,400
grew up with this social media, with this everybody stuck

503
00:29:39,440 --> 00:29:41,240
in their phone yep, you know, so.

504
00:29:43,000 --> 00:29:44,759
Speaker 13: Not a lot has changed.

505
00:29:44,839 --> 00:29:48,279
Speaker 15: I mean when I first started, you know, I was

506
00:29:48,359 --> 00:29:50,960
in the wave of like people like Little Pump like

507
00:29:51,039 --> 00:29:54,640
Smoke Part, you know, that whole SoundCloud wave, and those

508
00:29:54,640 --> 00:29:55,400
were all the people that.

509
00:29:55,400 --> 00:29:56,400
Speaker 13: Were blowing up online.

510
00:29:56,440 --> 00:29:57,920
Speaker 15: So that was my mo is I got to try

511
00:29:57,960 --> 00:30:01,160
and blow up online yep. But now now that I've

512
00:30:01,160 --> 00:30:02,720
seen some of the face to face stuff, I like

513
00:30:02,799 --> 00:30:07,039
the I like being personal, you know, you know through

514
00:30:07,119 --> 00:30:09,000
a screen. You know, it's like texting somebody ain't the

515
00:30:09,000 --> 00:30:10,680
same as talking to somebody face to face. You know,

516
00:30:10,759 --> 00:30:13,680
you ain't seeing their facial expressions, their body language, you

517
00:30:13,680 --> 00:30:15,079
ain't hear in the tone of their voice in a text.

518
00:30:15,160 --> 00:30:18,519
Speaker 13: Context can change so much. Oh yeah, yeah, yeah, yeah, yep.

519
00:30:19,000 --> 00:30:21,200
Speaker 15: And uh, you know people try and put tone into

520
00:30:21,240 --> 00:30:23,519
text now, but it's you know whatever, it's hard.

521
00:30:23,640 --> 00:30:23,839
Speaker 13: Yeah.

522
00:30:24,160 --> 00:30:28,799
Speaker 15: But a personal change for me is as I've gotten older,

523
00:30:29,359 --> 00:30:31,880
is I've realized I got to stop trying to be

524
00:30:32,160 --> 00:30:33,880
a persona because, like I said, I grew up with

525
00:30:33,960 --> 00:30:36,440
those you know, SoundCloud rap. Yeah, I didn't grow up

526
00:30:36,440 --> 00:30:38,279
with them, but that's that's when I got into hip hop.

527
00:30:38,400 --> 00:30:41,279
Yeah yeah, so that that was kind of like my

528
00:30:41,920 --> 00:30:44,119
the big thing was like flexing at the time. So

529
00:30:44,200 --> 00:30:45,960
I was just trying to be that. I realized it's

530
00:30:46,000 --> 00:30:46,240
not me.

531
00:30:46,640 --> 00:30:46,839
Speaker 1: Yeah.

532
00:30:47,519 --> 00:30:49,880
Speaker 15: Now I'm just I'm doing what I think is the

533
00:30:49,920 --> 00:30:53,440
best representation of myself as a human, and uh, I'm

534
00:30:53,519 --> 00:30:54,519
having a lot more fun with it.

535
00:30:56,039 --> 00:30:58,480
Speaker 1: That's good. Yeah, that's very positive. I like that. Yeah,

536
00:30:58,559 --> 00:30:59,359
you're only nineteen.

537
00:30:59,559 --> 00:31:00,720
Speaker 13: Yep, only nineteen.

538
00:31:00,920 --> 00:31:01,920
Speaker 1: It's the facial hair.

539
00:31:03,079 --> 00:31:04,759
Speaker 13: This man's work ethic too, though.

540
00:31:05,039 --> 00:31:05,240
Speaker 16: Yeah.

541
00:31:05,519 --> 00:31:07,720
Speaker 13: He make me proud every damn day. That's a fact,

542
00:31:07,880 --> 00:31:09,680
that right, because.

543
00:31:09,480 --> 00:31:12,039
Speaker 1: You'll meet a lot of nineteen year old like that.

544
00:31:12,160 --> 00:31:12,640
That's awesome.

545
00:31:12,720 --> 00:31:13,119
Speaker 13: Good for you.

546
00:31:13,240 --> 00:31:15,119
Speaker 15: I think I think part of it, part of the

547
00:31:15,200 --> 00:31:17,200
work ethic, part of the you know a lot of

548
00:31:17,240 --> 00:31:20,519
people say I'm more mature than other people my age. Yeah,

549
00:31:20,519 --> 00:31:23,160
I think part of it. It was like the pandemic, right,

550
00:31:23,279 --> 00:31:25,319
I was in ninth grade when that happened. That was

551
00:31:25,759 --> 00:31:30,680
probably peak sociality for me, right, and then suddenly gone

552
00:31:31,400 --> 00:31:32,480
like that, So I had to grow up. I had

553
00:31:32,480 --> 00:31:34,799
to learn a lot of lessons quickly. Yeah, and uh,

554
00:31:35,119 --> 00:31:37,039
you know, here we are today. I'm the man I

555
00:31:37,119 --> 00:31:38,559
am today from the experiences I have.

556
00:31:38,839 --> 00:31:40,519
Speaker 1: Yeah, that's awesome, that's awesome.

557
00:31:41,039 --> 00:31:41,400
Speaker 13: Good for you.

558
00:31:42,119 --> 00:31:43,519
Speaker 1: We should play another track, what do you guys?

559
00:31:43,640 --> 00:31:46,599
Speaker 14: Uh, yeah, I'm with it. Home improvement if you can.

560
00:31:46,759 --> 00:31:50,519
That's got me, MVP Mayo, Domination Jay and then my

561
00:31:50,559 --> 00:31:52,079
boys though to rap. That was the one that was

562
00:31:52,119 --> 00:31:53,559
just on that Cu fly a song with me.

563
00:31:53,799 --> 00:31:54,200
Speaker 1: Oh nice.

564
00:31:54,440 --> 00:31:56,279
Speaker 13: These they are all really really close people to me

565
00:31:56,400 --> 00:31:57,920
right here, man, we killed this track.

566
00:31:58,160 --> 00:32:00,599
Speaker 1: Excellent, excellent, all right, we'll give this a spend. This

567
00:32:00,720 --> 00:32:01,559
is home improvement.

568
00:32:04,599 --> 00:32:09,440
Speaker 4: Hey what let's go?

569
00:32:12,440 --> 00:32:16,279
Speaker 20: Hey hey hey, we ain't in Detroit, but we're still

570
00:32:16,359 --> 00:32:17,480
doing home improvement.

571
00:32:17,720 --> 00:32:20,599
Speaker 4: If you ain't have foundation, how you gonna make some movement?

572
00:32:20,839 --> 00:32:23,759
My dad was sitting at the crib. He was steady boozing.

573
00:32:24,000 --> 00:32:26,000
And now the both of us is winning. We is

574
00:32:26,119 --> 00:32:28,160
never losing out. Me and Polo though.

575
00:32:28,240 --> 00:32:31,119
Speaker 15: We in for the amusement and were gonna head down

576
00:32:31,160 --> 00:32:33,480
to the student work and make some music, y'all, because

577
00:32:33,559 --> 00:32:34,119
never get.

578
00:32:34,079 --> 00:32:36,200
Speaker 4: Me wrong, we know we're gonna move with or lose it.

579
00:32:36,440 --> 00:32:39,279
Speaker 15: And what we look like sitting home when everything transmitts

580
00:32:39,319 --> 00:32:43,920
to the clutch, it go first redline, switch off, ain'tamo lallana.

581
00:32:44,200 --> 00:32:47,519
Speaker 21: Then on the beach, on that on hop out the wagon.

582
00:32:47,319 --> 00:32:50,079
Speaker 4: We pull up and switch off the function. Me in it.

583
00:32:50,400 --> 00:32:51,720
If they hate, they get.

584
00:32:51,640 --> 00:32:56,240
Speaker 18: Gone, diamonds on my body, flashing and addicted to the fashion,

585
00:32:56,519 --> 00:33:00,799
on live purpose with passion, whatever late give reaction.

586
00:33:01,480 --> 00:33:04,880
Speaker 4: I never answer what they ask in their face.

587
00:33:04,680 --> 00:33:08,920
Speaker 18: Stained basket n then lit the stack, gag asks Christmas

588
00:33:09,000 --> 00:33:12,799
hunt winnagg I need it now now winging on the

589
00:33:12,920 --> 00:33:14,720
back gag there that forbidding.

590
00:33:14,839 --> 00:33:17,920
Speaker 4: So you know they said they no right in this place.

591
00:33:18,039 --> 00:33:20,079
Speaker 22: They know when that they ain't safe steps the boy

592
00:33:20,200 --> 00:33:22,160
go by the fight your place any more they can

593
00:33:22,240 --> 00:33:24,960
break they do myself into these cakes. How many times

594
00:33:25,000 --> 00:33:27,400
when you hate how behind my back and flake? You

595
00:33:27,480 --> 00:33:29,759
can never trust a snake when they pop off that

596
00:33:29,880 --> 00:33:32,519
tall grass. Mom, I'm down than a scape poking in

597
00:33:32,640 --> 00:33:35,480
and now every day, but it's been them away. That's

598
00:33:35,519 --> 00:33:37,759
why I'm stuck in my ways and stay puffing this

599
00:33:37,920 --> 00:33:40,720
hate crime. Seeing at my age that's thirty four on

600
00:33:40,839 --> 00:33:44,440
the game creeping slow because I'm high that high break

601
00:33:44,799 --> 00:33:46,119
quality over quantity.

602
00:33:46,119 --> 00:33:47,880
Speaker 4: Do you better getting gangs.

603
00:33:47,640 --> 00:33:50,960
Speaker 22: That attracts a documentary just whipping through my story, don't

604
00:33:50,960 --> 00:33:53,759
miss the page, the repressing counsel and looking at my

605
00:33:53,920 --> 00:33:55,880
rage from the thought of my mind, I.

606
00:33:56,039 --> 00:33:57,160
Speaker 1: Was battering the play.

607
00:33:57,440 --> 00:33:58,559
Speaker 22: I don't stick in my head.

608
00:33:58,759 --> 00:34:00,480
Speaker 4: That's why I always got a blaze.

609
00:34:00,759 --> 00:34:03,039
Speaker 22: I ain't myself for the way I was raised, did

610
00:34:03,079 --> 00:34:04,599
a lot of the dirty. You'll have to throw that

611
00:34:04,759 --> 00:34:05,720
right on by the graves.

612
00:34:13,239 --> 00:34:16,639
Speaker 18: Diamonds on my body. Flash shit ain't addictous to the

613
00:34:16,760 --> 00:34:20,639
fast ship. A live purpose with the passion. That was

614
00:34:20,639 --> 00:34:24,199
a light skin reaction. I'll never answered what they asked

615
00:34:24,280 --> 00:34:29,519
in bad face. They basket like the little stacks. That's

616
00:34:29,559 --> 00:34:32,639
because we shouldn't wear bag and I need it now.

617
00:34:32,880 --> 00:34:36,280
Not weighing on the bad gat there bad for bidness.

618
00:34:35,920 --> 00:34:37,719
Speaker 4: So you know they be your bad friend.

619
00:34:38,039 --> 00:34:41,239
Speaker 19: I'm more reclined to say forty five forty five staying

620
00:34:41,239 --> 00:34:44,800
away from five over on my po shows. Five got fine,

621
00:34:44,920 --> 00:34:47,159
just some time, wrest some bugs, throw some rocks, not

622
00:34:47,280 --> 00:34:48,639
even trying to get my license back.

623
00:34:48,840 --> 00:34:50,239
Speaker 13: I'm just trying to show that you're hid.

624
00:34:50,599 --> 00:34:53,360
Speaker 19: I see the try relations, can't even know the size.

625
00:34:53,599 --> 00:34:57,920
It's me, myself and eye. I'm wrecking, mortified, progressing, and fortified.

626
00:34:57,960 --> 00:35:00,639
You move the way your toiter slide, girl, Let me

627
00:35:00,719 --> 00:35:02,519
slap with the shows. The new code word of my

628
00:35:02,920 --> 00:35:05,880
just see my circles as say the state of already blind.

629
00:35:05,960 --> 00:35:08,400
Speaker 23: I was running show, Simon said, I wrote this song

630
00:35:08,440 --> 00:35:13,920
from my hit every underbri stept from herd and note

631
00:35:13,960 --> 00:35:17,480
that the streaming egos subs now this show to drive

632
00:35:17,639 --> 00:35:21,199
you can you can't ignore these rams, can't bess and

633
00:35:21,280 --> 00:35:24,880
google priest kissing me my vibe. You could find treasures

634
00:35:25,039 --> 00:35:27,199
in my bloways if they washed up on the shows

635
00:35:27,239 --> 00:35:38,480
at the time, I love it.

636
00:35:38,880 --> 00:35:41,719
Speaker 1: That is really good home improvement. That is King Polo,

637
00:35:42,079 --> 00:35:46,639
m B P Mayo, Domination J and who else Wrap

638
00:35:48,000 --> 00:35:50,199
Very cool, very cool. I love that. I love that. Excellent.

639
00:35:50,440 --> 00:35:53,000
Are these all? These are all available on the streaming platforms.

640
00:35:53,559 --> 00:35:55,519
Speaker 13: Everything on all streaming platforms.

641
00:35:55,639 --> 00:35:58,400
Speaker 1: Yeah, outstanding, outstanding. Uh so if you are just joining

642
00:35:58,480 --> 00:36:01,239
us out, we have a King Polo and m BP man.

643
00:36:01,960 --> 00:36:04,559
I get it, Okay, Sometimes I think I'm suffering from

644
00:36:04,559 --> 00:36:05,760
adult onset dyslexia.

645
00:36:06,599 --> 00:36:07,000
Speaker 4: I'll listen.

646
00:36:07,360 --> 00:36:09,320
Speaker 1: It happens all the time, Like I'll listen because sometimes

647
00:36:09,360 --> 00:36:10,840
I don't catch it, Like I'll listen back to the

648
00:36:10,920 --> 00:36:14,920
show later and uh and I'll use like completely the

649
00:36:15,000 --> 00:36:18,159
wrong word. I don't catch it in the moment, you know,

650
00:36:18,239 --> 00:36:20,480
And then I'm like, oh no, I can't believe I

651
00:36:20,519 --> 00:36:23,519
said that wrong. I there was a band on recently

652
00:36:23,679 --> 00:36:26,679
I I totally batched the as I'm introducing the song,

653
00:36:26,760 --> 00:36:29,559
I watched the the title oh no, It's coming back

654
00:36:29,599 --> 00:36:32,480
out of the song. I I said the right band name,

655
00:36:32,519 --> 00:36:34,960
but I said the wrong song title. They were too

656
00:36:35,000 --> 00:36:37,159
polite to correct me. But then I but I didn't realized,

657
00:36:37,159 --> 00:36:38,599
and I listen back to it later, I'm like, where

658
00:36:38,679 --> 00:36:41,199
did I get that from? The name that I said

659
00:36:41,360 --> 00:36:44,760
was totally different than the actual title of the song. Yeah,

660
00:36:45,400 --> 00:36:49,159
oh yeah, yeah, get a little brain foggy. But uh,

661
00:36:49,440 --> 00:36:52,920
we've got King Polo and uh MVP Mao here with

662
00:36:53,000 --> 00:36:56,000
us A live in studio and uh having a great

663
00:36:56,039 --> 00:36:58,800
time love these tracks. Yeah, that's a really good one too,

664
00:36:58,840 --> 00:36:59,559
really really catchy.

665
00:36:59,599 --> 00:36:59,800
Speaker 13: I can.

666
00:37:00,360 --> 00:37:01,800
Speaker 1: I mean, that's I think you got a hit there,

667
00:37:01,880 --> 00:37:06,239
I really do. That's thank you, outstanding, outstanding. So what

668
00:37:06,320 --> 00:37:08,599
have you got for those listening live on Saturday?

669
00:37:08,639 --> 00:37:09,039
Speaker 13: What is it that?

670
00:37:09,679 --> 00:37:10,679
Speaker 1: Where are you guys going after this?

671
00:37:10,840 --> 00:37:12,079
Speaker 13: You got up so after this?

672
00:37:12,840 --> 00:37:16,840
Speaker 14: So my buddy Jared Marshall, owner of the battle Zone

673
00:37:16,920 --> 00:37:20,320
boxing out in Laconia. They just opened up there last year.

674
00:37:21,679 --> 00:37:26,719
Today they are having a what is it called, No,

675
00:37:26,880 --> 00:37:28,920
it's like a moral day event pretty much, but they're

676
00:37:28,960 --> 00:37:32,039
doing a bunch of matches today, hosted by us A

677
00:37:32,159 --> 00:37:34,960
Boxing as well. So you up there djaying the event

678
00:37:35,039 --> 00:37:38,920
for him. This is there's gonna be at Laconia Community Center. Okay,

679
00:37:39,199 --> 00:37:42,559
it starts at two pm. It's gonna I think it's

680
00:37:42,559 --> 00:37:44,880
like thirty five or forty dollars for general admission. I

681
00:37:44,880 --> 00:37:47,679
think there's a few tickets left. Yeah, it's just pretty

682
00:37:47,719 --> 00:37:51,119
much bringing boxing to the community, which is pretty cool.

683
00:37:51,119 --> 00:37:53,480
I did the grand opening for him back in November,

684
00:37:54,039 --> 00:37:56,800
which was a really good, good party, and then this

685
00:37:56,960 --> 00:37:59,480
time we're doing this event, so I'm kind of locking

686
00:37:59,519 --> 00:38:01,079
it into him. He's kind of doing the same thing

687
00:38:01,119 --> 00:38:03,519
that I'm doing this music stuff, but with boxing, trying

688
00:38:03,599 --> 00:38:06,679
to give people an outlet and give the youth something

689
00:38:06,760 --> 00:38:08,800
to look forward to and get them out the streets

690
00:38:08,840 --> 00:38:11,639
and stuff. So I'm really really honored and like proud

691
00:38:11,679 --> 00:38:12,880
to be a part of this because that's kind of

692
00:38:12,880 --> 00:38:15,239
all I'm trying to do myself too. So you know

693
00:38:15,280 --> 00:38:16,840
how it goes, man, when you link up with stuff

694
00:38:16,880 --> 00:38:19,039
like this, it's just only supposed to multiply and get better.

695
00:38:19,159 --> 00:38:23,519
Speaker 1: So yeah, yeah, absolutely absolutely. If you guys, either of

696
00:38:23,559 --> 00:38:25,440
you or both of you had an opportunity to open

697
00:38:25,519 --> 00:38:27,800
for any national acts coming through the area or anything

698
00:38:27,880 --> 00:38:28,360
like that or.

699
00:38:28,920 --> 00:38:32,400
Speaker 14: So, I'll be opening up for Chanel West Coast again

700
00:38:32,440 --> 00:38:34,320
this year. She's coming back out to Laconia for the

701
00:38:34,360 --> 00:38:37,079
third time this year excellent, well, the third time over

702
00:38:37,119 --> 00:38:39,360
the past couple of years. But there's really good friends

703
00:38:39,360 --> 00:38:41,159
with there, so pretty much anytime she comes out here,

704
00:38:41,239 --> 00:38:43,000
she's always going there, So she hits me up and

705
00:38:43,079 --> 00:38:43,840
I go hang out with her.

706
00:38:44,079 --> 00:38:44,559
Speaker 13: That's great.

707
00:38:45,039 --> 00:38:47,920
Speaker 14: The last like big national act or anything like that

708
00:38:48,000 --> 00:38:50,239
that I did besides that, though, was back in December

709
00:38:50,320 --> 00:38:52,920
with Domination Jay. We opened up for the Locks Out

710
00:38:52,960 --> 00:38:55,519
in Portland Theater. Okay Theater in Portland. Yeah, that was

711
00:38:55,559 --> 00:38:58,800
a dope event. Very shout the Domination Jay plug that

712
00:38:58,960 --> 00:38:59,199
right in.

713
00:38:59,480 --> 00:39:03,280
Speaker 1: Yeah, yeah, excellent, excellent. What about influences, like, who do

714
00:39:03,320 --> 00:39:06,400
you guys? Who are some some influences that you I'm

715
00:39:06,440 --> 00:39:07,000
really curious.

716
00:39:08,000 --> 00:39:09,960
Speaker 13: Music wise, I don't really have.

717
00:39:10,280 --> 00:39:12,480
Speaker 14: I mean I listened to all types of music, so

718
00:39:12,840 --> 00:39:14,960
it could go from anything. But my biggest thing is

719
00:39:15,039 --> 00:39:17,719
anybody who is honestly is trying to overcome and become

720
00:39:17,840 --> 00:39:21,400
better than what they were yesterday, and just anybody who's

721
00:39:21,440 --> 00:39:24,519
trying to push a positive message and you know what

722
00:39:24,599 --> 00:39:27,519
I mean, longevity and change the facades and narratives that

723
00:39:27,639 --> 00:39:31,000
the world's created nowadays. Yeah, yeah, yeah, that's who My

724
00:39:31,079 --> 00:39:32,599
influences are, what you mean?

725
00:39:33,280 --> 00:39:35,719
Speaker 15: So as far as far as music goes, it's funny.

726
00:39:35,719 --> 00:39:39,119
I actually did not grow up on hip hop kind of.

727
00:39:40,840 --> 00:39:41,840
Speaker 13: Like I try and.

728
00:39:44,000 --> 00:39:46,239
Speaker 15: I don't even know, because I also listen to everything too,

729
00:39:46,360 --> 00:39:48,559
Like I'll even bump some mariachi if I'm feeling right,

730
00:39:48,639 --> 00:39:48,760
you know.

731
00:39:50,400 --> 00:39:53,880
Speaker 13: But but yeah, I just I take notes when I

732
00:39:53,920 --> 00:39:56,400
listen to music. I listen to music very analytically. Yeah,

733
00:39:56,400 --> 00:39:59,239
and I see things that I like. I try. That's

734
00:39:59,360 --> 00:40:00,639
that's all it is, trial and error.

735
00:40:00,679 --> 00:40:02,679
Speaker 1: Yeah, yeah, yeah, exactly. Absolutely.

736
00:40:04,000 --> 00:40:04,639
Speaker 13: Do you guys want to?

737
00:40:04,760 --> 00:40:05,880
Speaker 1: I want to make sure we get at least a

738
00:40:05,880 --> 00:40:07,000
couple more and you want to you want to pick

739
00:40:07,000 --> 00:40:08,119
another track? We'll play another?

740
00:40:08,239 --> 00:40:10,800
Speaker 13: Uh yeah, what else we got left up on there?

741
00:40:10,880 --> 00:40:17,159
Speaker 1: I think we have sent me Celebrate Outside featuring good Bars.

742
00:40:17,239 --> 00:40:20,840
Oh good Bars. Yeah, yeah, we love mister good Bars.

743
00:40:21,199 --> 00:40:21,719
Speaker 13: That's my guy.

744
00:40:22,199 --> 00:40:25,239
Speaker 1: He's such an interesting guy too. His background is interesting

745
00:40:25,320 --> 00:40:26,920
and you know, and of course he works with all

746
00:40:27,039 --> 00:40:30,199
different genres of music and so talented.

747
00:40:30,320 --> 00:40:31,880
Speaker 14: Yeah, it's my guy. I've been locked in with like

748
00:40:32,000 --> 00:40:33,599
ten plus years just about at this point.

749
00:40:33,679 --> 00:40:35,880
Speaker 1: Oh no kidding, Yeah, yeah, he might be way back, man,

750
00:40:36,280 --> 00:40:38,199
he might be listening. Yeah, all right, let's give this

751
00:40:38,280 --> 00:40:41,599
a spin. So this is uh, let's see who else.

752
00:40:41,480 --> 00:40:43,360
Speaker 13: Is on this? Anybody or just you and me and

753
00:40:43,440 --> 00:40:44,360
good bars on this one.

754
00:40:44,559 --> 00:40:46,760
Speaker 1: Okay, very cool and this is called outside. We'll give

755
00:40:46,800 --> 00:40:47,480
this a spin.

756
00:40:47,639 --> 00:40:48,079
Speaker 13: Check it out.

757
00:41:08,800 --> 00:41:10,599
Speaker 4: Catch me outside with my bull thing.

758
00:41:11,360 --> 00:41:14,400
Speaker 18: Lock them for life, no new flame even at the

759
00:41:14,480 --> 00:41:17,440
balance of a moose swing veteran to the game, like

760
00:41:17,559 --> 00:41:20,920
two chains, Wavy Baby, come Alive in the summer, drop

761
00:41:21,039 --> 00:41:23,079
top cruise, big rims on the arm up.

762
00:41:23,519 --> 00:41:24,079
Speaker 4: They just mad.

763
00:41:24,159 --> 00:41:26,320
Speaker 18: I just hit him with another put the hair the

764
00:41:26,400 --> 00:41:29,280
rest with the pillow in the cover, going hall back

765
00:41:29,360 --> 00:41:31,800
to back with the team connected to the wool because

766
00:41:31,840 --> 00:41:34,360
I'm really about to create it. Gonna killer when I

767
00:41:34,400 --> 00:41:37,840
spit at sixteen thirty two, win the chamber away before sixteen,

768
00:41:38,400 --> 00:41:41,000
I really do the sight, drop the producer, see me

769
00:41:41,079 --> 00:41:43,000
in the face station stole a producer?

770
00:41:43,559 --> 00:41:45,960
Speaker 4: Any Betty that don't make you and should well? Most

771
00:41:46,000 --> 00:41:49,159
of these those us is really some moos. Our feelings

772
00:41:49,199 --> 00:41:51,280
when I rap because I call him out and when

773
00:41:51,360 --> 00:41:51,920
God caught it?

774
00:41:52,000 --> 00:41:52,119
Speaker 1: Yo?

775
00:41:52,280 --> 00:41:54,360
Speaker 4: How you falling out? How to say you want to

776
00:41:54,440 --> 00:41:57,480
grind what you're calling out? If everything super tight? While

777
00:41:57,559 --> 00:42:00,199
falling out, I spit flaming the booth and they so.

778
00:42:00,400 --> 00:42:04,159
Speaker 18: Fan play heavy weight flow wing, Baker said, did easy

779
00:42:04,239 --> 00:42:06,840
to hate when you've been pretending trying.

780
00:42:06,599 --> 00:42:09,800
Speaker 4: To teach game, but they entertain Catch me outside with

781
00:42:09,920 --> 00:42:10,599
my bull thing.

782
00:42:11,360 --> 00:42:14,400
Speaker 18: Lock them for life, no new flame, even if the

783
00:42:14,480 --> 00:42:15,639
balance of a mood swing.

784
00:42:16,039 --> 00:42:17,480
Speaker 4: Veteran to a game like.

785
00:42:17,559 --> 00:42:20,920
Speaker 18: Two Chains, Wavy Baby, come alive in the summer, drop

786
00:42:21,039 --> 00:42:23,079
top cruise, big rims on the arm up.

787
00:42:23,480 --> 00:42:25,840
Speaker 4: They just man that has hit him with another put

788
00:42:25,920 --> 00:42:26,760
the head to rest with.

789
00:42:28,039 --> 00:42:30,679
Speaker 24: Just bounce with it, Just bounce with it. Fi yo

790
00:42:30,800 --> 00:42:33,119
up a body moving, Just bounce with it. It's the

791
00:42:33,239 --> 00:42:36,159
music video. Gonna bounce with it. Put the money from

792
00:42:36,199 --> 00:42:39,079
the ven. You gotta bounce with it. Make the music

793
00:42:39,159 --> 00:42:41,920
so the people wouldn't enjoy it. I'll be flessing, looking

794
00:42:42,000 --> 00:42:44,760
good and white forces. Never push me to the edge,

795
00:42:44,800 --> 00:42:47,199
never forced it. If you want to quit the game,

796
00:42:47,280 --> 00:42:50,000
better for five effected the craft and it's money about

797
00:42:50,039 --> 00:42:51,920
to take a bath, and it's got its on my

798
00:42:52,039 --> 00:42:53,039
next you're gonna get.

799
00:42:52,960 --> 00:42:53,960
Speaker 13: Half the process.

800
00:42:54,199 --> 00:42:56,639
Speaker 4: I clean the buds up and progress money for tapping

801
00:42:56,679 --> 00:42:58,960
in the desk. I wrap the conquests. People always say

802
00:42:59,000 --> 00:43:01,199
I'm prapper kicking me. Don't shout float.

803
00:43:01,000 --> 00:43:03,519
Speaker 24: Superscriptions and it's the perks study comes with you up up,

804
00:43:03,519 --> 00:43:05,719
bumping in the book, lying around like Clifford somewhere.

805
00:43:06,000 --> 00:43:06,559
Speaker 4: It's the funny.

806
00:43:06,599 --> 00:43:10,079
Speaker 24: I'm be smoking with your stiffing for real, issuing raps speak,

807
00:43:10,159 --> 00:43:11,920
crack down things that rock bottom today.

808
00:43:11,960 --> 00:43:14,280
Speaker 4: Thanks they later smack down nothing that you want your man.

809
00:43:14,360 --> 00:43:15,480
It's funny how you act that.

810
00:43:15,800 --> 00:43:17,920
Speaker 24: I with aggression, but all I hear is the caps

811
00:43:17,960 --> 00:43:22,559
down dig gin Tell him bounce with it, bounce with it.

812
00:43:22,840 --> 00:43:26,280
Speaker 13: You pollo it so fire bro, tell him bounce with it,

813
00:43:26,360 --> 00:43:27,119
bounce tell them.

814
00:43:28,000 --> 00:43:30,599
Speaker 4: Yeah, catch me outside with my bull thing.

815
00:43:31,360 --> 00:43:34,400
Speaker 18: Locked them for life, no new flame, even at the

816
00:43:34,480 --> 00:43:37,440
ballance of a moose swing veteran to a game like

817
00:43:37,559 --> 00:43:40,960
two Chains Wavy Baby, Come Alive in the summer, drop

818
00:43:41,039 --> 00:43:44,079
top cruise, big rims on the humor, they just mad.

819
00:43:44,159 --> 00:43:46,320
Speaker 4: I just hit him with another put the hat to

820
00:43:46,400 --> 00:43:47,920
rest with the pillar in the cover.

821
00:44:00,480 --> 00:44:03,119
Speaker 1: Hey hey, welcome back everybody. We were so into the

822
00:44:03,199 --> 00:44:05,400
track there. That's really good.

823
00:44:06,039 --> 00:44:07,880
Speaker 13: That was really good. One of my favorites for sure.

824
00:44:07,960 --> 00:44:11,239
Speaker 1: Yeah, absolutely, I love that King Polo featuring mister goodbars

825
00:44:11,280 --> 00:44:16,440
On that one Outside Man really really good. So where

826
00:44:16,599 --> 00:44:18,599
where's the best place for people to go online to

827
00:44:18,679 --> 00:44:20,519
keep up with everything that that you're doing? That both

828
00:44:20,559 --> 00:44:21,840
of you guys are doing so.

829
00:44:22,079 --> 00:44:24,719
Speaker 14: The easiest way. I mean, King Polo six o three

830
00:44:25,039 --> 00:44:28,519
from my Instagram and stuff like that. But if you

831
00:44:28,559 --> 00:44:31,280
want to type in King Polo to your internet browser,

832
00:44:31,360 --> 00:44:34,199
whether it be Google or whatever, my I'll pop right up,

833
00:44:34,519 --> 00:44:38,280
which you'll come with all my socials, all my streaming platforms, videos,

834
00:44:38,400 --> 00:44:42,639
merch shows, things of that nature. Yeah, and then yeah,

835
00:44:42,840 --> 00:44:44,599
I just to make it easy King Polo or King

836
00:44:44,639 --> 00:44:46,719
Polo six o three and whatever, and I'll pop up.

837
00:44:46,960 --> 00:44:49,440
Speaker 1: Yeah. Yeah, you guys. You guys are very googleable.

838
00:44:50,519 --> 00:44:51,320
Speaker 13: How about you, MVP.

839
00:44:51,599 --> 00:44:54,679
Speaker 15: You can find me uh everywhere pretty much under the

840
00:44:55,639 --> 00:44:59,960
same username. It's MBP underscore mayo, okay.

841
00:45:00,440 --> 00:45:00,719
Speaker 13: Find me.

842
00:45:01,320 --> 00:45:02,719
Speaker 15: Instagram is the best way to keep up with my

843
00:45:02,840 --> 00:45:06,840
daily happenings. Yeah, and Facebook two cool. I also have Snapchat.

844
00:45:07,000 --> 00:45:08,880
You're gonna have me on Snapchat. You see my see

845
00:45:08,920 --> 00:45:10,239
my public story there?

846
00:45:10,320 --> 00:45:12,760
Speaker 1: Okay, okay, very good. Oh by the way, where where's

847
00:45:12,800 --> 00:45:14,280
the name King Polo come from?

848
00:45:14,360 --> 00:45:15,960
Speaker 13: I never so so.

849
00:45:16,159 --> 00:45:19,719
Speaker 14: Originally it started a while ago as hy B Polo

850
00:45:19,880 --> 00:45:22,239
young Boy, young Blood because I was young, the young

851
00:45:22,360 --> 00:45:24,360
kid hanging out with all the older kids in Dorchester

852
00:45:24,519 --> 00:45:27,280
forever ago. Yeah, and Polo, which was I used to

853
00:45:27,360 --> 00:45:28,920
wear a lot of polo back in the day. Oh,

854
00:45:29,199 --> 00:45:32,239
so I was like when wearing polo and like snapbacks

855
00:45:32,360 --> 00:45:33,639
is cool back? And then you know, I was saying

856
00:45:33,679 --> 00:45:36,159
forever agoes. So ye, I kind of got it from there.

857
00:45:36,320 --> 00:45:38,000
And then as I grew up, you know what I mean,

858
00:45:38,000 --> 00:45:39,400
I was like, I'm not gonna always want to be

859
00:45:39,519 --> 00:45:41,599
referred to as young boy because I'm not a young

860
00:45:41,679 --> 00:45:44,400
boy anymore, a grown man eventually. Yeah, so I kind

861
00:45:44,440 --> 00:45:45,960
of got in my own bag and got a little

862
00:45:45,960 --> 00:45:48,440
conceited in like cocky with this one. I was like, oh,

863
00:45:48,480 --> 00:45:51,480
I'm gonna call myself king. But then as over time

864
00:45:51,559 --> 00:45:54,039
opportunity like I still kept the name, but the meaning

865
00:45:54,119 --> 00:45:56,039
of like the acronym behind it is now it's keep

866
00:45:56,079 --> 00:46:00,880
improving the next generation, proudly overcoming limited opportunity. That so

867
00:46:01,119 --> 00:46:03,239
trying to you know, trying to change the facade that

868
00:46:03,360 --> 00:46:05,639
hip hop has been given, the narrative that people are

869
00:46:05,679 --> 00:46:09,079
trying to create with it. Yeah, and just also being

870
00:46:09,199 --> 00:46:11,440
biracial and growing up in New Hampshire and New England,

871
00:46:11,440 --> 00:46:14,119
I've had a lot of diversity and obstacles to overcome

872
00:46:14,199 --> 00:46:15,920
as this, so I'm pretty much just trying to be

873
00:46:16,039 --> 00:46:19,679
like they like, obstacles are everywhere, but it shouldn't be

874
00:46:19,719 --> 00:46:21,199
because of what I like to listen to or how

875
00:46:21,239 --> 00:46:21,559
I look.

876
00:46:21,679 --> 00:46:25,280
Speaker 1: Yeah exactly exactly, Yeah, yeah, well said, well said. And

877
00:46:25,400 --> 00:46:27,119
I love that. Tell us that one more time what

878
00:46:27,360 --> 00:46:29,079
King Paula stands for the acronym.

879
00:46:28,960 --> 00:46:33,280
Speaker 13: Keep improving the next generation, proudly overcoming limited opportunities. I

880
00:46:33,440 --> 00:46:33,679
love that.

881
00:46:34,000 --> 00:46:37,519
Speaker 1: I love that. That is that is fantastic. Well we will, Yeah,

882
00:46:37,559 --> 00:46:39,800
the time does go so quickly. We'll we'll close out

883
00:46:39,840 --> 00:46:41,559
with the track in a moment. We probably shouldn't play

884
00:46:41,559 --> 00:46:43,599
the one because apparently I missed something on the h

885
00:46:43,719 --> 00:46:47,960
Y show Me Love, So what uh what should we?

886
00:46:48,480 --> 00:46:49,000
Speaker 13: I think that?

887
00:46:49,519 --> 00:46:51,480
Speaker 14: And then the other one I think was a performance

888
00:46:51,559 --> 00:46:54,639
track that celebrate one, so it doesn't even have my

889
00:46:54,760 --> 00:46:55,320
verse on there.

890
00:46:55,519 --> 00:46:57,840
Speaker 1: Oh your versusn't in there? Oh yeah, oh okay, I

891
00:46:57,880 --> 00:46:59,320
was gonna say I made a radio edit of that one.

892
00:46:59,360 --> 00:47:01,159
But what about E two?

893
00:47:01,320 --> 00:47:03,480
Speaker 14: W Oh yeah, let's play that one. That'll be a

894
00:47:03,519 --> 00:47:06,239
perfect one to end the song with. That's feature in

895
00:47:06,320 --> 00:47:10,519
Arabian Queen and brother Blue Summer bang right here. Y'all

896
00:47:10,559 --> 00:47:11,280
gonna love this one.

897
00:47:11,480 --> 00:47:12,760
Speaker 1: I didn't edit anything on that one.

898
00:47:13,239 --> 00:47:13,800
Speaker 13: That one's fine.

899
00:47:15,159 --> 00:47:16,920
Speaker 1: Yeah, yeah, this this is a this is a really

900
00:47:16,960 --> 00:47:19,320
great track. Hey, thank you guys both so much. The

901
00:47:19,400 --> 00:47:23,960
second man absolutely having us, absolutely and we will. We'll

902
00:47:24,000 --> 00:47:25,519
wrap up with this track. And by the way, if

903
00:47:25,559 --> 00:47:27,559
you are listening live on Saturday, stick around. We've got

904
00:47:27,599 --> 00:47:30,159
Eli Lev coming up in the second hour. But uh,

905
00:47:30,639 --> 00:47:32,880
here it is. This is E two W and this is.

906
00:47:33,559 --> 00:47:35,920
Speaker 14: It's Coast to Coast. My bad, it's just said, oh okay,

907
00:47:35,960 --> 00:47:38,320
songs called Coast to Coast. I should have corrected everything

908
00:47:38,360 --> 00:47:41,119
on the sendover. That was my bag got that's all right,

909
00:47:41,119 --> 00:47:42,840
that's all right, all right. Coast to Coast was E

910
00:47:42,920 --> 00:47:45,960
two W the working title. Yep, yeah, I gotcha. So

911
00:47:46,119 --> 00:47:48,360
this is Coast to Coast and this is King Polo

912
00:47:49,159 --> 00:47:52,760
featuring MVP. Oh no, he's not on this one.

913
00:47:52,760 --> 00:47:53,199
Speaker 1: I'm sorry.

914
00:47:53,480 --> 00:47:56,320
Speaker 13: It's Brother Blue and a q Arabian queen.

915
00:47:56,480 --> 00:47:58,119
Speaker 1: I finally figured out how to say his name, and

916
00:47:59,440 --> 00:48:03,639
I'm just looking all right, very good, We'll wrap up

917
00:48:03,760 --> 00:48:05,760
with us. This is another great track. This is Coast

918
00:48:05,800 --> 00:48:06,440
to Coast.

919
00:48:22,159 --> 00:48:23,920
Speaker 4: And Jeezy run that bad.

920
00:48:27,280 --> 00:48:36,920
Speaker 13: What's side? What's side? What's side? Stack up? What's side?

921
00:48:36,960 --> 00:48:37,480
What's side?

922
00:48:37,519 --> 00:48:38,159
Speaker 4: What's side?

923
00:48:39,760 --> 00:48:40,239
Speaker 13: Stuck up?

924
00:48:43,800 --> 00:48:46,840
Speaker 4: From the East to the west side. Yeah, this is

925
00:48:46,880 --> 00:48:47,599
the best vibe.

926
00:48:48,599 --> 00:48:52,079
Speaker 18: We're just stacking money up up, never with the funny stuff.

927
00:48:52,920 --> 00:48:54,519
From the East to the West side.

928
00:48:56,480 --> 00:48:59,119
Speaker 4: Yo. Yeah, it's the best vibe.

929
00:49:00,119 --> 00:49:02,199
Speaker 18: Never with the funny stuff in the front door. Because

930
00:49:02,199 --> 00:49:04,119
I done came up the black street. I want to

931
00:49:04,199 --> 00:49:06,920
go for disguise as the black sheet. I'm still keeping

932
00:49:07,000 --> 00:49:08,079
solid on the bad week.

933
00:49:08,119 --> 00:49:09,840
Speaker 4: You know that. Can hear it from the world. Don't

934
00:49:09,920 --> 00:49:12,679
ask me. Ain't a raptist because I got a rap sheet.

935
00:49:13,000 --> 00:49:15,280
The game you will never win the past me. I've

936
00:49:15,280 --> 00:49:17,199
been a coach that some ghosts for the past three

937
00:49:17,559 --> 00:49:20,199
years running, and I hope it sir past me. Y'all know,

938
00:49:20,239 --> 00:49:21,519
I really missed it from my city.

939
00:49:21,639 --> 00:49:21,800
Speaker 8: Y'all.

940
00:49:22,400 --> 00:49:24,559
Speaker 18: Even when I'm gonna let you live alone. We all

941
00:49:24,639 --> 00:49:27,239
feels and sometimes we don't get along. We do always

942
00:49:27,280 --> 00:49:29,559
work it out because the love strong will put something

943
00:49:29,599 --> 00:49:31,760
in the air, proper bottle to it, so the world

944
00:49:31,840 --> 00:49:34,079
good vice being mind to it and I'll bet ain't easy,

945
00:49:34,159 --> 00:49:35,519
but you know somebody got to do it.

946
00:49:35,840 --> 00:49:37,880
Speaker 4: So I'm making all this pain and the good music.

947
00:49:56,960 --> 00:50:00,119
From the East to the West Side. Yeah, it's the

948
00:50:00,159 --> 00:50:00,760
best vie.

949
00:50:01,760 --> 00:50:04,960
Speaker 18: We just stack the money yup. Never with the funny

950
00:50:04,960 --> 00:50:07,639
stuff from the East to the West side.

951
00:50:08,840 --> 00:50:13,599
Speaker 4: Just money yo. Yeah, it's the best vibe. Never with

952
00:50:13,719 --> 00:50:14,400
the funny stuff.

953
00:50:17,639 --> 00:50:21,000
Speaker 25: It's costs cause vibes, so you focus on your dreams.

954
00:50:21,039 --> 00:50:22,239
Don't waste no time.

955
00:50:23,039 --> 00:50:23,239
Speaker 4: Time.

956
00:50:24,400 --> 00:50:29,639
Speaker 25: It's because jewelry were looking right. Yes, aspectig energy, sunshine

957
00:50:29,679 --> 00:50:33,679
and living right, loving ourselves, get on mental right. No

958
00:50:33,880 --> 00:50:38,639
time for hate and chealousy and the life. Life's too

959
00:50:38,719 --> 00:50:42,960
short to be wasting time. Waste the time, live be

960
00:50:43,079 --> 00:50:50,719
love as you know it goes. Everyone's motivated. Percussion shows, yeah,

961
00:50:51,840 --> 00:50:53,239
shoes piece over everything.

962
00:50:55,599 --> 00:50:57,400
Speaker 13: Yeah, that's how you'll know.

963
00:51:01,000 --> 00:51:06,440
Speaker 25: Even when they had an a name, you had up

964
00:51:06,800 --> 00:51:09,039
and get movies.

965
00:51:11,360 --> 00:51:11,639
Speaker 4: Side.

966
00:51:12,719 --> 00:51:16,079
Speaker 18: Yeah, it's the best vibe. We just stack the money yog.

967
00:51:17,280 --> 00:51:20,039
Never with the funny stuff from the East to the

968
00:51:20,159 --> 00:51:24,639
West side. We stack the money yog. Yeah, it's the

969
00:51:24,719 --> 00:51:27,559
best vibe. Never with the funny stuff.

970
00:51:32,760 --> 00:51:37,880
Speaker 1: Now exclusively on w M n H ninety five point

971
00:51:37,960 --> 00:51:42,880
three f M, Matt Connorton Unleashed presents the American radio

972
00:51:43,079 --> 00:51:47,960
premiere of Gold, the brand new single from the Worry People.

973
00:52:00,599 --> 00:52:04,440
Speaker 2: Would you recognize me if you saw me?

974
00:52:04,679 --> 00:52:04,840
Speaker 6: Now?

975
00:52:06,199 --> 00:52:09,159
Speaker 2: I cut my head to spot your fist like him.

976
00:52:09,199 --> 00:52:14,400
Holy don't now we will bed the strangers.

977
00:52:14,639 --> 00:52:16,679
Speaker 6: And I thought that Jo was gone.

978
00:52:17,920 --> 00:52:22,280
Speaker 2: It's certain time to come around, but the season's coming gone.

979
00:52:24,039 --> 00:52:27,719
Speaker 6: Calling me lip in your gold and wrapped me around

980
00:52:27,840 --> 00:52:28,599
your finger.

981
00:52:29,840 --> 00:52:34,280
Speaker 3: Give something to be believe in, something like forever?

982
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Speaker 8: Wh whoa.

983
00:52:53,320 --> 00:52:57,119
Speaker 2: House? Building houses on foundations that you know?

984
00:52:57,159 --> 00:53:00,519
Speaker 5: I'm saying, so why are you are? It was a

985
00:53:00,760 --> 00:53:03,199
surprised when it all came crashing down.

986
00:53:05,000 --> 00:53:08,159
Speaker 8: Don't want to call it love not me.

987
00:53:08,199 --> 00:53:12,480
Speaker 2: He came so close, but Rob, it just reminds me

988
00:53:13,039 --> 00:53:14,119
I was a tourist.

989
00:53:14,320 --> 00:53:15,480
Speaker 4: I'm young, cross.

990
00:53:16,760 --> 00:53:21,280
Speaker 6: Cover me, lip in your golden, backed me around your finger.

991
00:53:22,559 --> 00:53:24,960
Speaker 7: Gave something to believe in?

992
00:53:25,239 --> 00:53:26,960
Speaker 2: Something black forever?

993
00:53:27,639 --> 00:54:48,760
Speaker 6: Who don't many real thing? Don't go about being around something?

994
00:54:49,079 --> 00:54:50,559
Speaker 8: Uh? Yay?

995
00:54:50,880 --> 00:54:54,760
Speaker 3: Something something me and something like going around?

996
00:54:55,440 --> 00:55:02,639
Speaker 8: Well? Well come.

997
00:55:05,159 --> 00:55:06,760
Speaker 5: Name jumping.

998
00:55:11,719 --> 00:55:12,320
Speaker 2: Forever.

999
00:55:23,519 --> 00:55:25,719
Speaker 21: In times of crisis, you need a law firm that

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stands by your side. With over forty years of experience,

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former state prosecutors, our attorneys have the knowledge and trial

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experience to provide an aggressive defense against any charge, from

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Speaker 13: If you've been injured.

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Speaker 21: Our compassionate team will assess your case and fight for

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atzulis dot com for a free consultation. Craigan getsulus, your advocates,

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your allies.

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Speaker 26: Bring your kitchen to life with Queen City Cabinetry, located

1012
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at eighty seven Elm Street in the historic Sunbeam Mall

1013
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in Manchester, open Monday through Friday nine am to five

1014
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thirty pm, in Saturdays ten am to two pm. They

1015
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can be reached at six oh three two two two

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to zero zero seven or on the web at Queen

1017
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Citycabinatree NH dot com. Come see the possibilities Queen City

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Cabinet Tree. Another crowd sponsor of w.

1019
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Speaker 27: MNH, Disney's Cafe is the place to put a smile

1020
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on your face.

1021
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Speaker 4: Judy and the crew will take care.

1022
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Speaker 27: Of you, bring your appetite and treat your taste.

1023
00:56:39,000 --> 00:56:39,559
Speaker 13: Buzzsfry.

1024
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Speaker 27: Disney's Cafe is always a winning choice breakfast, lunch or supper.

1025
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Dine's Cafe at eight sixty Elm Street in downtown Manchester.

1026
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Dine in takeout or make a reservation call six oh

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three six oh six two five three two, Eat, drink

1028
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and be happy Dizzney's Cafe.

1029
00:57:00,119 --> 00:57:02,840
Speaker 16: When it comes to keeping WMNH on the air and

1030
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your own personal or business computer needs, trust growl In Computers,

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located on Elm Street in Manchester, Grolin handles computer repair,

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at six zero three six four five zero one zero one.

1037
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Speaker 9: Your tech, your way.

1038
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Speaker 16: Trust growl In Computers.

1039
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Speaker 1: Seven times out of ten.

1040
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Speaker 21: We listened to our music at night.

1041
00:57:46,400 --> 00:57:49,519
Speaker 16: That's the title business program.

1042
00:57:49,440 --> 00:57:53,480
Speaker 10: Late Night to Light with DJ Bidas right here on WMNH, Manchester.

1043
00:57:53,679 --> 00:57:57,920
Speaker 4: Do you want to know why Because Saturdays and Sunday

1044
00:57:58,000 --> 00:57:59,320
nights midnight to four am.

1045
00:58:00,679 --> 00:58:06,119
Speaker 9: This hour on WMNH is sponsored by CGI Business Solutions,

1046
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located at five Dartmouth Drive in Auburn. They serve all

1047
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your business needs including employee benefits, planning, corporate design and

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business administration, investments and wealth management and customized business insurance solutions.

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Their phone number is eight sixty six eight four one

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forty six hundred, or on the web at CGI Business

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Solutions dot com.

1052
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Speaker 20: Behold the harmony of airwaves as you immerse yourself in

1053
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the captivating frequencies of w m NHLP, the sonic carteats

1054
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of Manchester, transcending through the ether at ninety five point

1055
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three megahertz frequency modulation. Our transmissions em andate from the

1056
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z F one thousand elm streets for insuranto the hearts

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of our creative realm at one to nineteen Canal Street,

1058
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where innovation and sound colobe. They're the impromoter of Manchester

1059
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Public Television Service in venerable City of.

1060
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Speaker 4: Manchester, New Hampshire, USA. Enrich your auditory journey with the

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depth of our.

1062
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Speaker 20: License to wes ands spent your missives. Do WMNH ninety

1063
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five three at gmail dot com or traverse the virtual

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corridors of wmnhradio dot org. Engage with our sonic vibrations

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by communing with us through the digital channels or radio

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beckons eager to enthrall you with its mesmerizing cadence and

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develop you with a symphony of foundless auditories won dude