Speaker 1: W M n H ripped the novels.
Speaker 2: We're back from the brain manson.
Speaker 3: So I'm watching the ghost my other way crime. We
used to go flat stress, choked my names. We coped
in our usual.
Speaker 4: Ways, left three fun so.
Speaker 5: Oh for know I have to.
Speaker 2: This plain so ways.
Speaker 3: Getty day and man to saw some Stockholm six drive.
Speaker 2: So you talked about.
Speaker 4: No saw you So.
Speaker 2: Why seven o' eleven where we satitude came on to
escape the over the man and.
Speaker 6: With the whole of the dolphin the shadow glass over
the floor.
Speaker 1: We must be listening, son better.
Speaker 6: We did not that dawns would unfer all from bout
the truth.
Speaker 2: Of this place. A is guanty us has sun and
start comes that all your tough about.
Speaker 4: You know it s all?
Speaker 7: And so.
Speaker 3: You had to pull me outside because I wouldn't leave
so stuck in my head.
Speaker 1: He'd worried up, be dead if I didn't catch song.
Speaker 3: Breathe two years later, it's a lot less way he
forget all the time. Put A piece to me is
trapped there, you pull the trigger. I'd pay the fine.
Speaker 1: A piece to me is trapped there, you pull the trigger.
Speaker 8: A pay the.
Speaker 2: Fine.
Speaker 4: I be fine.
Speaker 9: I'm what a great song. That is Stockholm Syndrome. That's
the song. The artist is Lyle Hutchins and we're going
to talk to Lyle in just a moment. Welcome everybody.
We have entered our number two New Marrow dose of
Matt Connorton Unleashed. If you are listening live on Saturday
July twenty six, twenty twenty five, we are broadcasting, of course,
from the studios of wm n H ninety five point
three FM and Glorious Manchester, New Hampshire. Jenny is here
as well at the news table and joining us via
Microsoft teams. He's been waiting patiently Lyle Hutchins is here.
Speaker 5: Hello, Lyle, hey, thanks for having me.
Speaker 10: Guys.
Speaker 9: Happy to be here, absolutely no, thanks for your patient.
We are running a little bit behind this morning, but
it's great to talk with you. Don't worry that we
have plenty of time. I love that song. That is great.
I love your voice. Thank you absolutely. Now is that
relatively new? That's your newest single? Correct?
Speaker 5: So yeah? I just on June twenty seventh, I just
released my debut album and it's fourteen songs and that
one we just released a music video for on YouTube.
Speaker 9: So oh excellent.
Speaker 5: But yeah, so I've been I just graduated from college
in New Orleans, studying music and this is sort of
my my big project is putting everything into so super
happy for it to be out on the airwaves and everything.
Speaker 9: So, oh, congratulations, Are you in New Orleans now?
Speaker 5: No, I just moved back to New Hampshire.
Speaker 11: Actually, funny enough, I was in Manchester the other week,
so oh no kidding, yeah, yeah, what what's what's the
bigger culture shock moving to New Orleans for time or
or coming coming back after uh after going to school there.
Speaker 5: It's you know, I I don't know, probably moving in
New Orleans for the first time. It's it's mostly the
heat and getting used to how nice everyone is. People
are nice here, but the I think the kind of
trademark New England bluntness, which personally I kind of like, like,
you know, if you break down on the side of
the road, somebody will help you, but they'll call you
an idiot the whole time. But yeah, I think I
think it's it's probably a bit of bolt maybe I
don't know.
Speaker 9: Yeah, no, I get it, I get it. Yeah, the
heat that I mean, it's it's humid there too, right,
it's not a dry heat in Orleans. Yeah yeah, never
actually never actually been, I've never actually been.
Speaker 5: But it's a great city.
Speaker 9: Yeah yeah, yeah, no doubt. Now that you're back in
New Hampshire, I mean, do you do you plan to
say ground up here or what's your what's kind of
your next move.
Speaker 5: I'm not totally sure at this point, but I'm probably
going to stick around to Hampshire for a while, especially
since I've been playing these shows and music stuff's been
going pretty well. So yeah, I'm kind of seeing seeing
where things will go, but I'm enjoying being back up
here right now for sure.
Speaker 12: Yeah.
Speaker 9: Excellent, excellent. So tell me about your name, because I
was reading something about you online that your name is
actually uh well, tell us about the name Lyle Hutchins
and where it comes from, because it has a specific derivation.
Speaker 5: Yes. So my folks met in a like nineties alt
country band and they were really inspired by people like
Lyle love It. So that's where Lyle comes from. And
actually got to meet Lyle love It my junior year
of college. I got picked my college with a couple
of other friends to go to Americana Fest in Nashville. Yeah,
and I got to meet him there and actually said, oh, yeah,
like I'm named after you, and he was I'm so sorry.
So it was really funny. But it turned out to
be a super nice guy and it was a very
cool opportunity. But yeah, it was kind of a cool
full circle moment for me personally. But yeah, that's where
the name comes from.
Speaker 9: Okay, Okay, So your parents so they were in a
band together in the nineties.
Speaker 5: M M yeah, like a local It was called Selling Buicks.
Speaker 13: Okay, yeah, but I think it was.
Speaker 5: I don't know how long it lasted exactly, but yeah,
that's uh. I get a lot of my musical influence
from them and kind of the artists that they raised
me listening to do.
Speaker 9: Did they teach you how to play or and and
to sing or or did you kind of learn that
on your own?
Speaker 5: So I yeah, I definitely my dad helped me with
some very like basic guitar stuff when I was younger
and getting kind of like accompanied me while I sort
of sang my way through a couple songs that I liked,
but I didn't stick with it.
Speaker 10: Fun.
Speaker 5: When I was I was in like a school choir
pretty young, so I did a lot of that, and
I did some musical theater stuff, so I got a
lot of singing kind of the technique of it from that.
But guitar wise, I wanted to learn guitar when I
was younger, but my dad had watched an interview with
Prince where Prince was talking about how artists should have,
you know, creative control and should be able to understand
things like music theory, and so he was kind of
pointing out that you should learn the piano first. So
I actually learned piano before I learned guitar, which I
do actually credit with a lot of my music theory knowledge.
And I only picked up guitar at the end of
sophomore year in high school. Okay, so I've been playing
for six years. Like seriously, I think I pooled around
on it before. But yeah, but yeah, that.
Speaker 9: Makes sense of what you were saying about learning piano first,
because this is a subject that comes up on the
show every once in a while. I've heard a lot
of a lot of you know, music instructors and various
people say over the years that that is a really
good way to go because even if you have no interest,
you know, even just learning some very basic keyboarding skills.
Even if you have no interest in playing a keyboard,
it really kind of trains your brain to, you know,
in terms of how to think of chord structures and
learning music theory. Sadly, I did not start that way.
I wish that I had. I can't play keyboard at all.
I'm a bass player and I can play a little
bit of guitar. But but I've heard so many people
say that it really the ideal thing is to start
on keyboard and then go from there because once you
have that, everything else is going to be easier to learn.
And it makes sense. I didn't know that Prince said that,
but it completely makes sense because and obviously he must
have been onto something because Prince was one of those
people who could play anything.
Speaker 5: You know, Yeah, yeah, sure, you know he had.
Speaker 9: I did hear him though. I heard him say in
an interview once. So I think this was an interview
that I read might have been in Rolling Stone, that
people had a misperception of him that you know, he
could just pick up any instrument and just know how
to play it, that he was that much of a genius,
and that it wasn't that it was that he just
was able to learn to play anything, but there was
still a learning process and he could learn. He could
learn very quickly, probably because he had those skills of
learning on piano first. He could learn very quickly, but
he still had to learn how to learn to play everything.
Speaker 14: Yeah.
Speaker 9: I also read something about you that you like when
you did a project in grade school, and that was
kind of like the beginning of your sort of almost
an awakening of realizing that this is what you wanted
to do. Is that correct?
Speaker 5: Yes, definitely. So I went to this very small.
Speaker 9: Yeah, I was.
Speaker 5: I think I joined the school in sixth grade, and.
Speaker 15: Yeah, it was.
Speaker 5: We had this thing called Olympics Studies. The school's Mountain
Shadows and it's near Dublin, Haamshire anyways, Okay, but they
they basically it was like I can't remember how long exactly.
It probably felt longer than it actually was as a kid,
but it was like two to four weeks out of
the year. You would focus on one subject, like really intensely,
and you could pick kind of what you wanted to
focus on. And so in my eighth grade I was
really interested in songwriting, and so I picked that and
one of the people that worked at the school at
the time was Duncan Pellettier, and he's a great musician
and it's a really nice guy. And he kind of
took to his apartment where he had like a little setup,
and we recorded some songs that I was writing, I
think on the ukulele actually because I didn't know how
to play, oh guitar at that time, but and recorded
like a little EP that I still have stored away
somewhere on my computer. But yeah, any and in short,
that moment kind of I realized like, oh, I really
loved doing this. I love the recording process, I love
writing the songs, and I love performing them. So it
kind of just it all kind of came together and
I realized like, oh, this is really what I want
to do.
Speaker 16: Yeah.
Speaker 5: So yeah, that was that moment for me for sure.
Speaker 9: Did you say that you were playing the ukulele?
Speaker 7: I was, yeah.
Speaker 5: I mean I still have the same one lying around somewhere.
Speaker 9: Well, so you learned that before you learned guitar.
Speaker 5: Yeah, because I think it was the it was the
era of a lot of cringy white people on the
internet playing like I looked back on and out it
crudge a little bit, but I think it was what
was that song riptied by vance Joy? It was like
a big thing in my when I was in eighth grade, Okay,
and I think I had gotten euclid, and I think
I just learned some like very because some of the
like chords are just you just put one finger down
or something, and so I didn't know exactly what I
was doing, but I learned enough to be like, Okay,
I like this and that kind of thing. But I
think I had a song on the EP that we
made that was on piano as well. But yeah, that's
where I started doing the more string instruments thing.
Speaker 9: Yeah. Yeah, And I assume, I mean, your parents must
have been pretty supportive through all this, right as you're
doing this as musicians themselves. I always say that's really
important if you have supportive parents, you know, who are
gonna really help you kind of foster that and you know,
and and encourage you to keep going. I think that
makes a big difference.
Speaker 5: Right definitely. I'm I'm so grateful for them. They've been
really supportive, like every step of the way, sometimes more
supportive than I've been myself. But yeah, I'm really lucky
to have them. And just I think getting Yeah, like
the older perspective of someone who's actually been a musician
and been in a band is great. Yeah, And just
growing up with that like musical influence and a lot
of the people they were listening to was pretty awesome too.
Speaker 9: So oh yeah, that's interesting what you said about sometimes
they may have pushed you more than you you know,
or encouraged you more than you were able to yourself.
Were there were there times when when you were getting discouraged,
but they you know, they they obviously, you know, obviously
they believe in you. There your parents, right, but were
they were they kind of sort of helping to push
you along at times where maybe you, I don't know,
maybe you were discouraged or maybe you were losing interest.
You know, sometimes as we're growing up, sometimes our priorities changed.
I mean, what what do you mean, like expand on
that a little bit.
Speaker 5: I think, you know, it's funny because they I definitely
always had like a musical I wouldn't necessarily say natural talent,
but I had an inclination. I just knew I liked it.
But I think they never really wanted to They didn't
want to be those parents that were like, you know,
trying to make a prod prodigy out of their.
Speaker 17: Kid, and.
Speaker 5: And so I think they were they they would kind
of like gently nudge me in a direction. But you know,
it's funny, I think I definitely there were a lot
of moments like that where I kind of felt discouraged
or because I didn't. I'm still quite bad at reading.
I mean, I can read a churt Yard pretty well,
but when it comes to standard notation, reading a melody
and everything, especially guitar wise, I'm so slow. Part of
it is just because it's not really what I've wanted
to prioritize career wise, I put less time into it.
But but I you know, going to music school, especially
where one of one of my favorite artists, Saint Vincent,
she read a quote from her where she said she
went to Berkeley, and she was talking about kind of
musical athleticism, like the sort of competition that I can
play this scale the fastest I can, like tech, technical
proficiency and instrument which I think is a great thing
to learn. And I was very grateful that I got
to learn from so many great mentors in music school,
but sometimes being surrounded by people whose only focus is
technical proficiency versus like artistic, you know, creation can be
a bit demoralizing, and so I definitely started to feel
that during kind of like midway through college, like I
might not be technically proficient enough or you know, kind
of just the I think you can lose perspective when
you're when you're in a place where everyone is so good.
So I think I think there was some of that.
Speaker 9: But yeah, that's interesting. That's interesting, And and tell me
a little bit about about your influences, because I you know,
obviously I listened to the single Stockholm Syndrome, but I
also went back and was listening to on band camp
some of your your earlier work too. And in fact,
another another song that I really love is uh. Although
I don't think this one's very this one might even
be on the album mis Staying in Line on the
album Yes, Okay, Yeah, that song I'm going to play
at the end of our our segment because I really
like I really like that one too. But I'm curious
about your influences because I can hear a lot of
different things in there. It sounds like, uh, you know,
and it makes sense that you know, your parents being musicians,
it makes sense that you would be probably exposed to
a lot of different kinds of music from a very
young age. But but but I'm curious about who who
influences your songwriting.
Speaker 5: Yeah, I mean, I think it's changed a lot. When
I was growing up, I had a huge radio head phase,
so there's that well though, yeah, I don't know that
I'm as I still appreciate them, but and you know,
there was I think stuff. I think there was things
that trickled in from my folks like Wilco Son Vault,
like all that kind of nineties alternative country stuff. But
I think the I really started coming into my own
with some artists that I admired in high school. A
huge one for me is Rustin Kelly. He's like a
sort of Americana alternative country as well artist. Yeah, and
I just really connected with his songwriting. And he also
fuses elements of things like pop punk and and some
electronic things into his songwriting, and that really inspired me.
I'm also a huge Bony Bear fan, so I've listened
to I'm Yeah, I've enjoyed every album from the beginning,
and that was a when I was in middle school.
My dad played me for Emma Forever Ago and that
really kind of sparked something within me songwriting wise. I'm
also a huge snail Mail fan, especially from her first
album Lush. I think she was a huge reason why
I started playing guitar. Was just really inspired by her
electric guitar style because she'd play electric, but she'd played
fingerstyle a lot, so that was something that I was
always kind of drawn to. And so it's changed a lot.
Those are those are three big ones. Recently, I've just
I've been on a huge Tyler Childers kick, so I've
been really enjoying his stuff. But yeah, it's been It's
been a little bit of a little bit of everybody.
I'm sure there's some more. I think I'll tack on
two other quick ones. Porches is a is a project
that I'm a huge fan of. Just the kind of
d I Y do yourself thing has always appealed to me,
especially with like the home recording aspects, and that's something
that that band does really well. And also for similar reason,
Josie and the Vonnaville's is a big influence for me too.
Speaker 9: Okay, okay, and what and and tell me about your
your lyrics a bit because it feels like again I
listened to it to quite a few songs, and you
know they're not They're not simple. Uh yeah, I feel
like I feel like you're almost like you as as
the protagonist in the songs. You're you're working through some things.
Maybe I don't know. I mean, I mean it's deep stuff.
Tell me about kind of your point of view in
terms of your lyrics. Obviously different songs, different different backstories.
But but I'm very curious about that.
Speaker 5: I mean, I think this whole album. So the album
is called flat Lander, and I took it from sort of,
you know, the regional New England thing of just referring
to people from I guess flatter parts in the country. Yeah,
but I thought it was kind of funny. But I
also sort of after living in New Orleans for four years,
I kind of realized, like I've become a Flatlander. And
I just think that the process of moving down there,
and just like, honestly, these last four to five years of.
Speaker 10: My life.
Speaker 5: Changed me a lot in a lot of really positive ways.
But the road there was often quite difficult, and I
struggled as a lot of kind of tendencies towards like
self isolation and just low mood and a lot of
issues like that, nothing too crazy, but just generally feeling
pretty like discontented with my life despite things being overall
pretty all right. And so I think that's a lot
of what these songs are about. The one you just heard,
Stockholm Syndrome is specifically about just feeling stuck. So I'm
from Chesterfield, New Hampshire, which is I think it has
three thousand residents.
Speaker 9: Oh wow, the town.
Speaker 5: Yeah, it's not even like classified as a town. I
think it's classified as a village. It's a great place
and the people who live here are wonderful, but you know,
it's mostly an older generation, and when you're young, it
can feel very much like, oh, there's nothing to do.
And I also a lot of my schooling and education
kind of felt pretty restrictive at times, especially throughout high school.
And I also just I think I was one of
those people that because I had parents who pushed me
in good ways, but I was like pretty academically decent,
not to toot my own horn too much. But during
high school and so I think the pressure of always
trying to exceed myself and that eventually started getting to me,
and I started getting migraines and and this thing where
I break out in hives. I think some of it
might have been like the hormonal you know stage where
I was I was growing up. But long story short,
I was I was dealing with all of that, and
I was dealing with a lot of anxiety and these feelings.
And I think going to college, especially in the Deep South,
where well especially New Orleans. I can really only speak
to New Orleans, but where there's just there's like a
there's a different pace of life, partially because the heat
slows everyone down, like you just can't you can't go
do a million things. And I also think they've been
through so much tragedy and upheaval that there's there is
a sense of like people trying to lift each other up.
And so I think going down there, I kind of
like took a took a breather, and it gave me
some perspective to look at a lot of these things.
So I think that's what, in a nutshell a lot
of the songs are about.
Speaker 9: But yeah, yeah, I mean I can relate to the
part about too. You were saying, I'm I'm someone who
you know, I deal with depression and and this this
is no no secret to people who were longtime listeners
of the show. I'm pretty open about it. But but
I know something you said that resonated with me is,
you know, when it seems like life is going pretty
much okay, but you just don't feel right, you know.
And I can relate to that, and I think a
lot of people can relate to that and connect with it,
you know, and you're you're not even sure why you're feeling,
why you're feeling the way you are, You just are
and yeah, and it's hard to and it's hard to identify.
And and people who don't experience anything like that, they
can't relate to it. So it's hard to explain to
people sometimes too why you feel that way if they're
if they're looking from the outside and saying, well, you know,
it looks looks to me like everything's pretty good and
and you're kind of feeling like, yeah, everything is pretty good,
and yet I don't feel.
Speaker 5: Good right totally? Yeah, Yeah, definitely.
Speaker 9: That's a that's a common thing. How So, so how
are you? How are you today? I mean you sound
upbeat and positive. I mean, are are things better or
are things I mean you just go yeah, in college,
so you're still adjusting in some ways. But that must
be a relief though, too, I would guess.
Speaker 5: Oh for sure. I mean yeah, and honestly, I had
a great college experience, but it was it's definitely a
relief to be to be done. I was like, yeah,
You're never gonna have to write a ten page paper again.
Speaker 7: But no.
Speaker 5: But in all seriousness, uh, I think I'm you know,
I'm readjusting being back up here and and just you know,
a big change my life. But aside from that, I'm
doing pretty well actually, which is which is good. And yeah,
I've I've kind of stayed in touch with a lot
of my friends up here, so it's been nice to
kind of reconnect to the community and kinda yeah, just
be doing all this music stuff feels pretty great too.
So I'm yeah, no, I'm in a pretty good place now.
And I think for me, that's when I play these
songs live, especially, it feels very I don't know, it
feels kind of cathartic and triumphant at the same time,
like not like all my problems are gone, but I've
kind of I've moved beyond that period of my life
and I kind of feel like I can look back
at those moments from with a different perspective.
Speaker 9: Yeah, yeah, so yeah, well something that comes up on
the show. This comes up constantly on the show. In fact,
it would seem is, you know, the the idea of
creating art and using that as a way to work
through whatever it is it's bothering you. And because you
know it's it's a great form of therapy in a sense, right,
because you're creating something. You're taking something negative, you know,
whether it's anxiety or whatever it is, and a trauma
that you're dealing with and creating art from that. You know,
I mean what could be better than that? Right, taking
that that negativity and darkness and creating something that not
only is cathartic for you, but other people can relate
to and get something from it too. So you're also
sort of passively helping others at the same time while
you're actively helping yourself by creating this art. And uh
so I think that's great and I'm glad you're feeling better.
What what's kind of your do you have? Do you
have kind of mapped out in your idea a trajectory
for where you want to take things? Uh, going into
the future in terms of your career, I mean, obviously
the album, the album flat Lander is pretty new, so
I assume you're largely focused on promoting that. But do
you have some kind of long term goals or are
you just kind of figuring things out or.
Speaker 5: I mean, yeah, I think I definitely wanna, yeah, keep
promoting this album, and really my goals is to get
in front of as many people as I can. I
think that, you know, long term, I'd love for this
to be, you know, my full time career, and I'm
kind of willing to put in the grind to do that.
So for me right now, it's just a lot of
it is just playing wherever will have me, you know,
playing as many shows I can, and kind of keep
promoting things on social media. And uh, really, I i'd
you know, I'd like to get to a point where
I can start, you know, kind of opening for for
other people and and and I want to personally, I mean,
for immediate future next steps, I'd love to just get
more connected to the musical community around here and you know,
link up with some other bands and artists you know,
outside my sort of immediate bubble. But yeah, I mean, ultimately,
long term, I'd really love to make this my full
time career. So a lot of that is just uh yeah,
I guess just grinding it out for lack of a
better term.
Speaker 9: Is that is that challenging at all? Because geographically you're
in uh you know, you're not exactly in a booming metropolis,
right No, And and.
Speaker 5: It may you know, necessitate at some point in the
future a move move to somewhere like that. But I think, uh,
you know, I actually feel like the southern New Hampshire
sort of western mass like this general area music scene.
I don't know, there's, at least for me, a lot
of my one of my favorite artists have swung by
here sometimes even fifteen minutes. Next week I'm gonna go
see John Morland and Braderborough. And I just was at
the Green River Music Festival and saw Wax Hatchie and
m J. Lenderman there, which is great. So I don't know,
I think that there's a cool kind of music scene.
But obviously I think if I really want to make
this at some point in the future full time thing,
I'm gonna have to tour extensively, So that'll that'll definitely
be part and that's a big part of like next steps.
I have a friend my friends is she's also a
singer songwriter and she lives in Atlanta. So we're gonna,
I think, at some point in the future we want
to do kind of like a up the East Coast
sort of tour and get that under our legs and
then see see how things go. So but yeah, I'm
kind of still figuring it out from being honest, but sure,
but yeah, that's sort of the trajectory thus far.
Speaker 9: Excellent, excellent, Well, I think you're off to a great start.
And congratulations on the release of Flatlander. I assume it's
on all the streaming platforms and everything.
Speaker 5: Yes, out everywhere. And I've got two music videos and
a lyric video on my YouTube channel for that. So
one of my songs, am I A, got fifty five
views and five k likes, so that was pretty awesome,
that is yeah, and it also got my so my
friend Peam we went to high school together and Peem's
an incredible filmmaker and so he helped me with both
these music videos we did, and we submitted M I
A to a bunch of film festivals and we got
we just got screened in one in Pennsylvania. The and
then then film fests. So that was really cool. Oh
so I'm just really stoked at the response that I've
gotten thus far. I've got some press pieces out as well,
and yeah, so that's that's been pretty great.
Speaker 9: Yeah.
Speaker 5: Yeah, you can check it out, check it out wherever
on all the all the platforms.
Speaker 9: Yeah, excellent, by the way, and I congratulations, it sounds
like M I A Is doing really well. That's fantastic.
I will tell you something kind of funny. I wanted
to play that one because I really like that song. Yeah,
but the only really there's right at the end, there's
a there's a word that I would have to Now.
I do make radio edits sometimes if I really want
to play something, if the artist doesn't have a radio
edit available, I'll just make one. And I wanted to
do it for that song, and I almost did, but
then I was like, geez, you know what I feel like,
in this particular instance, if I do that, it kind
of recks the song in a way, even though the
word appears at the very end of the song, but
it's kind of it kind of puts a stamp on
the song lyrically, and it's like, if I take it,
because you know what I do is. I call it
the poor Man's radio edit. I just reverse it wherever
the swear is just so. But I was like, but
I was like, if I do that to that song,
I don't know, I think it kind of I don't
want to. I don't want to inadvertently tamper with your
art and wreck the song, you know what I mean.
Speaker 5: I know, I appreciate that. I mean, I think I'd
thought about submitting that one, and then I remember the
radio edit and I had a similar feeling of like,
I think it would take out a little bit of
the punch and the story of the song.
Speaker 9: Yeah, exactly.
Speaker 5: But but people can you know, check that out on
their own if they're interested.
Speaker 9: Yeah, yeah, that one. Yeah, I encourage people to do that.
But I also I do really like this track Shaine
in Line that we're gonna play in a moment. Can
you tell us anything about the lyrics to this? I
feel like there's a message here.
Speaker 5: Yeah, well, there's a there's a very concrete story as well,
because so I was I can't remember which year of college,
but I was back in the area and my friend
I will name names because they wish to be an autos.
Even though the names get named in the song but whatever. Yeah,
but they they were throwing this New Year's party and
I'm not a huge I've never been a huge like
partyer or drinker personally, but yeah, I've just never really
appealed to me. And I think I have a bit
of There's some alcoholism on both sides of my family,
so I should be a little aware of that. Not
not my folks, but just extended family. So sometimes I
wonder about anyways, that's a bit of a there is there.
Speaker 9: Is research for the shows as a genetic component to that,
and that is good to be aware of.
Speaker 5: Yeah, absolutely, Yeah, So I you know, I think for
that reason, I've I've I'm a little bit more moderate
with it. But I ended up going to my friend's
party and we were we all sort of were hanging
out and his older brother there. They had made this
big bonfire. Alter brother was like in a forklift and
just like shoving loads of hay onto the fire. It
was just like this very chaotic kind of goofy ridiculous,
Like we there was a bottle in the fire and
we were just watching it melt and we were like
joking that that's what you do in New Hampshire is like,
this is the only fun thing to do. So it was,
it was, it was, you know, it was just a
goofy time. But on a deeper level, I think that
song is about kind of you know, when you travel
and when when you know you grow up, you become
a different person. And I think for me going to
New Orleans and and kind of I gained a lot
more confidence and I thought about things differently and kind
of got out of my bubble. And I think coming
back and being with friends, you kind of can have
a different relationship with them than you did previously. Yeah,
And I think for me in the long term that's
been awesome. And we've actually had a lot of these
friends that I've stuck with, like have We've had a
deeper connection than we had previous. But I think that
initially it can be a little one jarring, you know,
or like feeling like everyone else's lives are moving on
without you. And so that's kind of the kind of
duality that I was trying to put into words for
that one.
Speaker 9: Yeah, that that makes that makes a lot of sense
to me. I think, uh, yeah, because I really connected
to this one when I looked and you know, and
I read the lyrics to on band camp and really, yeah,
this one, this one really connects with me in that way.
So I totally get what you're saying.
Speaker 13: So we will.
Speaker 9: Yeah, we're gonna play that in a moment to finish up.
But Lyle, where's the best place to go online for
people who want to keep up with everything that you're doing? Uh,
you know, follow your your career as you as you
go forward. Maybe you've got shows coming up?
Speaker 4: Do you have anything?
Speaker 9: Are you playing anywhere this weekend? By the way, that
you want to plug too?
Speaker 5: Yes, I thank you for that. I I yes, I'm
gonna be playing in Nashua at Terminus Underground, which is
one thirty four Hayin Street and there's a fifteen dollars.
It's gonna be myself, Jesse Rudstein, conceptcor and Joshua Nobody,
as well as a bunch of art vendors excellent, and
I believe depending on whether if it rains, it's still
gonna happen. It's just gonna be inside the venue. But
if it's a nice day out, we're gonna have it
out in the lot and it will be a cool
little art fair. I'm gonna be performing from two to three,
but you should show up for the whole event which
is from one to six tomorrow. So very good. Yeah,
that's my most recent show and super stoked. And the
folks over there connected me with y'allso oh yeah, super
happy about that. And there they seem like a really
great venue and just awesome people.
Speaker 9: So oh absolutely, no, we love that'll be a great one.
We love Terminus. Eleanor and Andre are amazing. And have
you actually physically been there yet?
Speaker 5: No, I'm really excited to check it out. I have not.
Speaker 9: I tell everyone the same thing. When the first time
you walk into that room, it's like happened into another world.
Speaker 6: It's so cool.
Speaker 5: When you've seen the pictures, it looks really cool.
Speaker 9: Yeah, it is, it is, it's it's it's awesome. So
you'll you'll have a great time there. And uh, where
where should people? Where should people go online to keep
up with everything?
Speaker 5: Yeah? So the best place is my website, which is
just lyle Hutchins dot com. That's L Y L E
h U T C h I N S dot com.
And then you can also check out my social media.
I'm on all, I'm on TikTok, Facebook, YouTube, Instagram, all
that stuff, and that's all Lyle Hutchins music. Okay, okay, yeah,
those those are the best, so anywhere you like. I
also have a mailing list on my website, so if
anybody wants more regular updates for me, that's where you
can find that. And I think that's about it for
where people can find me.
Speaker 9: Sure sure outstanding, outstanding. So we're gonna hit this track.
We're gonna play this station stand in line. This is
from the new album from Lyle Hutchins. And this is
your debut album, correct, yes, the first full length ya,
so this is this is really good. So the new
album flat Lander from Lyle Hutchins. And we're gonna play
this and we'll let you go. Lyle, thank you so
much for joining us today. We'll definitely do this again
in the future as you're releasing new music and we
want to keep up with everything that you're doing. So
we really appreciate this and have a great show at Terminus.
Speaker 5: Yeah, thank you so much. Really great to be on
here and really appreciate you guys having me, so thanks again.
Speaker 9: You got it all right, Thanks Lyle, take care good
one by all right, that is the great Lyle Hutchins,
and we're going to close out the segment with this track.
And by the way, if you are listening live on Saturday,
is our our next guest in the building bags Balance
in the building coming up in the third hour. But
right now this is staying in Line. This is by
the great Lyle Hutchins from the new album flat Lander.
Speaker 2: That's a bottle.
Speaker 3: You were occupied with the orange Bacon, Dark blue Sky.
We are called staring at the new Modifire. Your brother
was acting Domson in the Ford s in the Loads
of Pain.
Speaker 1: We watched a sale's.
Speaker 6: Blue let up be m.
Speaker 3: Stand in line, stand in line, stay in line, stand
in line.
Speaker 2: Staying in line.
Speaker 3: He gave me his glance, talked abow leaving taxis I'm
not a.
Speaker 1: Yes and a remness stibout.
Speaker 2: I stayed.
Speaker 3: I don't remember done in Louisiana anyway.
Speaker 1: He has said it passive time.
Speaker 3: Maybe it was some music, or maybe I gutired of
staying in line, stay.
Speaker 4: Inlive, staying alive, staying.
Speaker 3: In live, stay in line, staying in live, Oh, staying
in line. Ethan's working fixing cars and ands a nurse.
Now I guess I'm making art. He isn't it funny
how the time pass ausol and then first you don't
even know how? And good child of friends, as we
prayed old beer. He used to hate that stuff when
he wanted to get out of here. That's part to
fly loudly. It's new Vivie, it's god damn. Instead of staying.
Speaker 8: In line, I'd like to stay, stay in line.
Speaker 14: Stay.
Speaker 2: Stay staying in line, staying in line. Ah, stay.
Speaker 12: Sorry baby, and your mama doesn't care.
Speaker 3: Her way.
Speaker 12: If your daddy has to pay, just jealous of selling
this morn admit she pushed herself out of this while
she lies to herself and everybody else to keep apod tail.
You know he's sorry that he missed your last birthday.
You know your mama told you he wanted it that way,
telling you and a friends there. And he's the bad
man because he broke her off. But it's you would
can put the shoe and nan and gave a bread
news stuff. Damn baby, Jean, hold this letter fine well
because if you ol mama is right.
Speaker 9: My god, well she's going straight.
Speaker 4: Dam baby.
Speaker 12: Gee, sorry mama, for things don't always go away, and
that's when you lose your fucking mind, So make up
your stories to your little tantrum.
Speaker 1: It's all the same.
Speaker 12: Your baby's don't find out a good time, tall baby jeep.
Speaker 14: Cold this letter five to weel, did you MoMA is
right above God?
Speaker 2: Well she's going straight to til baby jee.
Speaker 12: Tare baby gee. I hope your ride above come.
Speaker 4: Hope your rother bvec.
Speaker 12: Hope you're about above. I hope you'll run about.
Speaker 2: That stout going strike and ris.
Speaker 4: Tail baby Ja.
Speaker 18: It's only started now. We're not at the end like
you think you're gonna.
Speaker 2: Do it all again.
Speaker 5: We're good and.
Speaker 18: Older, but our mind it starts to shrink. He can
s get his paper and a knife, his pen. Someone
finds out, so we stop to reassure them that we
haven't lost our minds. But they don't even know the half.
Speaker 19: Of what she'll do when they forget about the because
it's all a little secret.
Speaker 2: Ticky, it's not it's.
Speaker 4: All and I don't know. Don't read jes nine. It's
all scarce the all hands again, So just get high.
Speaker 18: We need to stop and think.
Speaker 8: We can't get caught this way. They'll say we're dumping
the head.
Speaker 4: Don't go to your.
Speaker 18: Room, up to your doors and hide away, changing your
skin from white to red. You got too far this time,
no point.
Speaker 14: Did you give it up.
Speaker 8: You can't just leave it all be high.
Speaker 18: And if you try to move on from the.
Speaker 19: Past, you'll still have to please. It's it's a little secret, tikey.
Speaker 4: It's a sin and I don't know the region.
Speaker 20: Just give exact it's all. It's almost skin. He only answer,
so it just.
Speaker 4: Gave gut.
Speaker 2: Control.
Speaker 18: I'm so stopped the water to come and cry all
about the problem wasn't perfect for worth it.
Speaker 17: It might have been.
Speaker 4: Like I want to get him and it's just a.
Speaker 19: It's okay, noble guessing the secret between you and me.
Speaker 8: This a little secret taking.
Speaker 4: So it's off the skin, and I don't know how
to read it. Don't just get that exact. It's a
whole skin only it's I can't it's ever, so just
get it's a dope. It's all gone wrong. Think that
you are helping, but you just help me right.
Speaker 8: This song itself done.
Speaker 6: It's all gone wrong.
Speaker 18: I should probably face my issues, but I better turn
back and.
Speaker 2: Welcome it's done.
Speaker 4: It's all gone wrong. You think that you are helping,
but you're just helping me right. This is the biggest
problem is severe, so well luck.
Speaker 2: My skin insact.
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