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Speaker 1: W M n H ripped the novels.

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Speaker 2: We're back from the brain manson.

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Speaker 3: So I'm watching the ghost my other way crime. We

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used to go flat stress, choked my names. We coped

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in our usual.

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Speaker 4: Ways, left three fun so.

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Speaker 5: Oh for know I have to.

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Speaker 2: This plain so ways.

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Speaker 3: Getty day and man to saw some Stockholm six drive.

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Speaker 2: So you talked about.

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Speaker 4: No saw you So.

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Speaker 2: Why seven o' eleven where we satitude came on to

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escape the over the man and.

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Speaker 6: With the whole of the dolphin the shadow glass over

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the floor.

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Speaker 1: We must be listening, son better.

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Speaker 6: We did not that dawns would unfer all from bout

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the truth.

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Speaker 2: Of this place. A is guanty us has sun and

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start comes that all your tough about.

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Speaker 4: You know it s all?

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Speaker 7: And so.

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Speaker 3: You had to pull me outside because I wouldn't leave

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so stuck in my head.

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Speaker 1: He'd worried up, be dead if I didn't catch song.

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Speaker 3: Breathe two years later, it's a lot less way he

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forget all the time. Put A piece to me is

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trapped there, you pull the trigger. I'd pay the fine.

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Speaker 1: A piece to me is trapped there, you pull the trigger.

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Speaker 8: A pay the.

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Speaker 2: Fine.

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Speaker 4: I be fine.

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Speaker 9: I'm what a great song. That is Stockholm Syndrome. That's

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the song. The artist is Lyle Hutchins and we're going

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to talk to Lyle in just a moment. Welcome everybody.

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We have entered our number two New Marrow dose of

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Matt Connorton Unleashed. If you are listening live on Saturday

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July twenty six, twenty twenty five, we are broadcasting, of course,

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from the studios of wm n H ninety five point

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three FM and Glorious Manchester, New Hampshire. Jenny is here

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as well at the news table and joining us via

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Microsoft teams. He's been waiting patiently Lyle Hutchins is here.

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Speaker 5: Hello, Lyle, hey, thanks for having me.

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Speaker 10: Guys.

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Speaker 9: Happy to be here, absolutely no, thanks for your patient.

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We are running a little bit behind this morning, but

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it's great to talk with you. Don't worry that we

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have plenty of time. I love that song. That is great.

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I love your voice. Thank you absolutely. Now is that

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relatively new? That's your newest single? Correct?

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Speaker 5: So yeah? I just on June twenty seventh, I just

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released my debut album and it's fourteen songs and that

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one we just released a music video for on YouTube.

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Speaker 9: So oh excellent.

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Speaker 5: But yeah, so I've been I just graduated from college

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in New Orleans, studying music and this is sort of

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my my big project is putting everything into so super

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happy for it to be out on the airwaves and everything.

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Speaker 9: So, oh, congratulations, Are you in New Orleans now?

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Speaker 5: No, I just moved back to New Hampshire.

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Speaker 11: Actually, funny enough, I was in Manchester the other week,

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so oh no kidding, yeah, yeah, what what's what's the

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bigger culture shock moving to New Orleans for time or

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or coming coming back after uh after going to school there.

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Speaker 5: It's you know, I I don't know, probably moving in

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New Orleans for the first time. It's it's mostly the

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heat and getting used to how nice everyone is. People

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are nice here, but the I think the kind of

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trademark New England bluntness, which personally I kind of like, like,

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you know, if you break down on the side of

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the road, somebody will help you, but they'll call you

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an idiot the whole time. But yeah, I think I

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think it's it's probably a bit of bolt maybe I

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don't know.

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Speaker 9: Yeah, no, I get it, I get it. Yeah, the

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heat that I mean, it's it's humid there too, right,

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it's not a dry heat in Orleans. Yeah yeah, never

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actually never actually been, I've never actually been.

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Speaker 5: But it's a great city.

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Speaker 9: Yeah yeah, yeah, no doubt. Now that you're back in

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New Hampshire, I mean, do you do you plan to

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say ground up here or what's your what's kind of

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your next move.

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Speaker 5: I'm not totally sure at this point, but I'm probably

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going to stick around to Hampshire for a while, especially

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since I've been playing these shows and music stuff's been

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going pretty well. So yeah, I'm kind of seeing seeing

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where things will go, but I'm enjoying being back up

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here right now for sure.

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Speaker 12: Yeah.

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Speaker 9: Excellent, excellent. So tell me about your name, because I

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was reading something about you online that your name is

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actually uh well, tell us about the name Lyle Hutchins

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and where it comes from, because it has a specific derivation.

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Speaker 5: Yes. So my folks met in a like nineties alt

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country band and they were really inspired by people like

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Lyle love It. So that's where Lyle comes from. And

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actually got to meet Lyle love It my junior year

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of college. I got picked my college with a couple

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of other friends to go to Americana Fest in Nashville. Yeah,

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and I got to meet him there and actually said, oh, yeah,

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like I'm named after you, and he was I'm so sorry.

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So it was really funny. But it turned out to

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be a super nice guy and it was a very

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cool opportunity. But yeah, it was kind of a cool

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full circle moment for me personally. But yeah, that's where

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the name comes from.

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Speaker 9: Okay, Okay, So your parents so they were in a

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band together in the nineties.

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Speaker 5: M M yeah, like a local It was called Selling Buicks.

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Speaker 13: Okay, yeah, but I think it was.

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Speaker 5: I don't know how long it lasted exactly, but yeah,

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that's uh. I get a lot of my musical influence

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from them and kind of the artists that they raised

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me listening to do.

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Speaker 9: Did they teach you how to play or and and

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to sing or or did you kind of learn that

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on your own?

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Speaker 5: So I yeah, I definitely my dad helped me with

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some very like basic guitar stuff when I was younger

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and getting kind of like accompanied me while I sort

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of sang my way through a couple songs that I liked,

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but I didn't stick with it.

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Speaker 10: Fun.

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Speaker 5: When I was I was in like a school choir

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pretty young, so I did a lot of that, and

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I did some musical theater stuff, so I got a

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lot of singing kind of the technique of it from that.

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But guitar wise, I wanted to learn guitar when I

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was younger, but my dad had watched an interview with

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Prince where Prince was talking about how artists should have,

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you know, creative control and should be able to understand

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things like music theory, and so he was kind of

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pointing out that you should learn the piano first. So

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I actually learned piano before I learned guitar, which I

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do actually credit with a lot of my music theory knowledge.

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And I only picked up guitar at the end of

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sophomore year in high school. Okay, so I've been playing

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for six years. Like seriously, I think I pooled around

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on it before. But yeah, but yeah, that.

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Speaker 9: Makes sense of what you were saying about learning piano first,

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because this is a subject that comes up on the

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show every once in a while. I've heard a lot

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of a lot of you know, music instructors and various

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people say over the years that that is a really

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good way to go because even if you have no interest,

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you know, even just learning some very basic keyboarding skills.

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Even if you have no interest in playing a keyboard,

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it really kind of trains your brain to, you know,

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in terms of how to think of chord structures and

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learning music theory. Sadly, I did not start that way.

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I wish that I had. I can't play keyboard at all.

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I'm a bass player and I can play a little

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bit of guitar. But but I've heard so many people

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say that it really the ideal thing is to start

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on keyboard and then go from there because once you

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have that, everything else is going to be easier to learn.

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And it makes sense. I didn't know that Prince said that,

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but it completely makes sense because and obviously he must

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have been onto something because Prince was one of those

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people who could play anything.

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Speaker 5: You know, Yeah, yeah, sure, you know he had.

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Speaker 9: I did hear him though. I heard him say in

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an interview once. So I think this was an interview

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that I read might have been in Rolling Stone, that

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people had a misperception of him that you know, he

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could just pick up any instrument and just know how

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to play it, that he was that much of a genius,

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and that it wasn't that it was that he just

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was able to learn to play anything, but there was

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still a learning process and he could learn. He could

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learn very quickly, probably because he had those skills of

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learning on piano first. He could learn very quickly, but

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he still had to learn how to learn to play everything.

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Speaker 14: Yeah.

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Speaker 9: I also read something about you that you like when

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you did a project in grade school, and that was

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kind of like the beginning of your sort of almost

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an awakening of realizing that this is what you wanted

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to do. Is that correct?

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Speaker 5: Yes, definitely. So I went to this very small.

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Speaker 9: Yeah, I was.

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Speaker 5: I think I joined the school in sixth grade, and.

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Speaker 15: Yeah, it was.

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Speaker 5: We had this thing called Olympics Studies. The school's Mountain

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Shadows and it's near Dublin, Haamshire anyways, Okay, but they

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they basically it was like I can't remember how long exactly.

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It probably felt longer than it actually was as a kid,

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but it was like two to four weeks out of

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the year. You would focus on one subject, like really intensely,

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and you could pick kind of what you wanted to

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focus on. And so in my eighth grade I was

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really interested in songwriting, and so I picked that and

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one of the people that worked at the school at

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the time was Duncan Pellettier, and he's a great musician

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and it's a really nice guy. And he kind of

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took to his apartment where he had like a little setup,

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and we recorded some songs that I was writing, I

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think on the ukulele actually because I didn't know how

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to play, oh guitar at that time, but and recorded

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like a little EP that I still have stored away

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somewhere on my computer. But yeah, any and in short,

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that moment kind of I realized like, oh, I really

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loved doing this. I love the recording process, I love

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writing the songs, and I love performing them. So it

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kind of just it all kind of came together and

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I realized like, oh, this is really what I want

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to do.

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Speaker 16: Yeah.

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Speaker 5: So yeah, that was that moment for me for sure.

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Speaker 9: Did you say that you were playing the ukulele?

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Speaker 7: I was, yeah.

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Speaker 5: I mean I still have the same one lying around somewhere.

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Speaker 9: Well, so you learned that before you learned guitar.

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Speaker 5: Yeah, because I think it was the it was the

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era of a lot of cringy white people on the

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internet playing like I looked back on and out it

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crudge a little bit, but I think it was what

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was that song riptied by vance Joy? It was like

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a big thing in my when I was in eighth grade, Okay,

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and I think I had gotten euclid, and I think

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I just learned some like very because some of the

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like chords are just you just put one finger down

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or something, and so I didn't know exactly what I

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was doing, but I learned enough to be like, Okay,

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I like this and that kind of thing. But I

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think I had a song on the EP that we

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made that was on piano as well. But yeah, that's

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where I started doing the more string instruments thing.

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Speaker 9: Yeah. Yeah, And I assume, I mean, your parents must

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have been pretty supportive through all this, right as you're

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doing this as musicians themselves. I always say that's really

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important if you have supportive parents, you know, who are

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gonna really help you kind of foster that and you know,

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and and encourage you to keep going. I think that

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makes a big difference.

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Speaker 5: Right definitely. I'm I'm so grateful for them. They've been

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really supportive, like every step of the way, sometimes more

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supportive than I've been myself. But yeah, I'm really lucky

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to have them. And just I think getting Yeah, like

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the older perspective of someone who's actually been a musician

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and been in a band is great. Yeah, And just

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growing up with that like musical influence and a lot

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of the people they were listening to was pretty awesome too.

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Speaker 9: So oh yeah, that's interesting what you said about sometimes

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they may have pushed you more than you you know,

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or encouraged you more than you were able to yourself.

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Were there were there times when when you were getting discouraged,

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but they you know, they they obviously, you know, obviously

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they believe in you. There your parents, right, but were

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they were they kind of sort of helping to push

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you along at times where maybe you, I don't know,

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maybe you were discouraged or maybe you were losing interest.

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You know, sometimes as we're growing up, sometimes our priorities changed.

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I mean, what what do you mean, like expand on

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that a little bit.

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Speaker 5: I think, you know, it's funny because they I definitely

258
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always had like a musical I wouldn't necessarily say natural talent,

259
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but I had an inclination. I just knew I liked it.

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But I think they never really wanted to They didn't

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want to be those parents that were like, you know,

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trying to make a prod prodigy out of their.

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Speaker 17: Kid, and.

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Speaker 5: And so I think they were they they would kind

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of like gently nudge me in a direction. But you know,

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it's funny, I think I definitely there were a lot

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of moments like that where I kind of felt discouraged

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or because I didn't. I'm still quite bad at reading.

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I mean, I can read a churt Yard pretty well,

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but when it comes to standard notation, reading a melody

271
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and everything, especially guitar wise, I'm so slow. Part of

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it is just because it's not really what I've wanted

273
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to prioritize career wise, I put less time into it.

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But but I you know, going to music school, especially

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where one of one of my favorite artists, Saint Vincent,

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she read a quote from her where she said she

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went to Berkeley, and she was talking about kind of

278
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musical athleticism, like the sort of competition that I can

279
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play this scale the fastest I can, like tech, technical

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proficiency and instrument which I think is a great thing

281
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to learn. And I was very grateful that I got

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to learn from so many great mentors in music school,

283
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but sometimes being surrounded by people whose only focus is

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technical proficiency versus like artistic, you know, creation can be

285
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a bit demoralizing, and so I definitely started to feel

286
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that during kind of like midway through college, like I

287
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might not be technically proficient enough or you know, kind

288
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of just the I think you can lose perspective when

289
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you're when you're in a place where everyone is so good.

290
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So I think I think there was some of that.

291
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Speaker 9: But yeah, that's interesting. That's interesting, And and tell me

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a little bit about about your influences, because I you know,

293
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obviously I listened to the single Stockholm Syndrome, but I

294
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also went back and was listening to on band camp

295
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some of your your earlier work too. And in fact,

296
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another another song that I really love is uh. Although

297
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I don't think this one's very this one might even

298
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be on the album mis Staying in Line on the

299
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album Yes, Okay, Yeah, that song I'm going to play

300
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at the end of our our segment because I really

301
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like I really like that one too. But I'm curious

302
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about your influences because I can hear a lot of

303
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different things in there. It sounds like, uh, you know,

304
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and it makes sense that you know, your parents being musicians,

305
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it makes sense that you would be probably exposed to

306
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a lot of different kinds of music from a very

307
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young age. But but but I'm curious about who who

308
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influences your songwriting.

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Speaker 5: Yeah, I mean, I think it's changed a lot. When

310
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I was growing up, I had a huge radio head phase,

311
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so there's that well though, yeah, I don't know that

312
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I'm as I still appreciate them, but and you know,

313
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there was I think stuff. I think there was things

314
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that trickled in from my folks like Wilco Son Vault,

315
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like all that kind of nineties alternative country stuff. But

316
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I think the I really started coming into my own

317
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with some artists that I admired in high school. A

318
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huge one for me is Rustin Kelly. He's like a

319
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sort of Americana alternative country as well artist. Yeah, and

320
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I just really connected with his songwriting. And he also

321
00:19:34,880 --> 00:19:40,680
fuses elements of things like pop punk and and some

322
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electronic things into his songwriting, and that really inspired me.

323
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I'm also a huge Bony Bear fan, so I've listened

324
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to I'm Yeah, I've enjoyed every album from the beginning,

325
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and that was a when I was in middle school.

326
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My dad played me for Emma Forever Ago and that

327
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really kind of sparked something within me songwriting wise. I'm

328
00:20:04,279 --> 00:20:09,240
also a huge snail Mail fan, especially from her first

329
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album Lush. I think she was a huge reason why

330
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I started playing guitar. Was just really inspired by her

331
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electric guitar style because she'd play electric, but she'd played

332
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fingerstyle a lot, so that was something that I was

333
00:20:23,960 --> 00:20:28,400
always kind of drawn to. And so it's changed a lot.

334
00:20:28,599 --> 00:20:32,839
Those are those are three big ones. Recently, I've just

335
00:20:33,079 --> 00:20:35,759
I've been on a huge Tyler Childers kick, so I've

336
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been really enjoying his stuff. But yeah, it's been It's

337
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been a little bit of a little bit of everybody.

338
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I'm sure there's some more. I think I'll tack on

339
00:20:46,160 --> 00:20:52,039
two other quick ones. Porches is a is a project

340
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that I'm a huge fan of. Just the kind of

341
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d I Y do yourself thing has always appealed to me,

342
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especially with like the home recording aspects, and that's something

343
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that that band does really well. And also for similar reason,

344
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Josie and the Vonnaville's is a big influence for me too.

345
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Speaker 9: Okay, okay, and what and and tell me about your

346
00:21:15,440 --> 00:21:18,400
your lyrics a bit because it feels like again I

347
00:21:18,680 --> 00:21:22,559
listened to it to quite a few songs, and you

348
00:21:22,640 --> 00:21:28,559
know they're not They're not simple. Uh yeah, I feel

349
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like I feel like you're almost like you as as

350
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the protagonist in the songs. You're you're working through some things.

351
00:21:35,039 --> 00:21:38,240
Maybe I don't know. I mean, I mean it's deep stuff.

352
00:21:39,079 --> 00:21:40,440
Tell me about kind of your point of view in

353
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terms of your lyrics. Obviously different songs, different different backstories.

354
00:21:44,920 --> 00:21:46,680
But but I'm very curious about that.

355
00:21:48,000 --> 00:21:50,440
Speaker 5: I mean, I think this whole album. So the album

356
00:21:50,519 --> 00:21:54,920
is called flat Lander, and I took it from sort of,

357
00:21:55,000 --> 00:21:58,799
you know, the regional New England thing of just referring

358
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to people from I guess flatter parts in the country. Yeah,

359
00:22:03,160 --> 00:22:05,440
but I thought it was kind of funny. But I

360
00:22:05,519 --> 00:22:08,200
also sort of after living in New Orleans for four years,

361
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I kind of realized, like I've become a Flatlander. And

362
00:22:13,279 --> 00:22:17,279
I just think that the process of moving down there,

363
00:22:18,200 --> 00:22:21,880
and just like, honestly, these last four to five years of.

364
00:22:21,920 --> 00:22:22,640
Speaker 10: My life.

365
00:22:24,279 --> 00:22:26,599
Speaker 5: Changed me a lot in a lot of really positive ways.

366
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But the road there was often quite difficult, and I

367
00:22:30,160 --> 00:22:34,359
struggled as a lot of kind of tendencies towards like

368
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self isolation and just low mood and a lot of

369
00:22:39,599 --> 00:22:44,279
issues like that, nothing too crazy, but just generally feeling

370
00:22:44,319 --> 00:22:49,160
pretty like discontented with my life despite things being overall

371
00:22:49,240 --> 00:22:52,200
pretty all right. And so I think that's a lot

372
00:22:52,279 --> 00:22:56,720
of what these songs are about. The one you just heard,

373
00:22:56,759 --> 00:23:02,720
Stockholm Syndrome is specifically about just feeling stuck. So I'm

374
00:23:02,720 --> 00:23:06,039
from Chesterfield, New Hampshire, which is I think it has

375
00:23:06,279 --> 00:23:07,960
three thousand residents.

376
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Speaker 9: Oh wow, the town.

377
00:23:10,920 --> 00:23:13,720
Speaker 5: Yeah, it's not even like classified as a town. I

378
00:23:13,799 --> 00:23:16,599
think it's classified as a village. It's a great place

379
00:23:16,640 --> 00:23:20,319
and the people who live here are wonderful, but you know,

380
00:23:20,400 --> 00:23:23,640
it's mostly an older generation, and when you're young, it

381
00:23:23,680 --> 00:23:25,599
can feel very much like, oh, there's nothing to do.

382
00:23:26,799 --> 00:23:30,759
And I also a lot of my schooling and education

383
00:23:31,000 --> 00:23:36,799
kind of felt pretty restrictive at times, especially throughout high school.

384
00:23:37,519 --> 00:23:40,000
And I also just I think I was one of

385
00:23:40,039 --> 00:23:45,200
those people that because I had parents who pushed me

386
00:23:45,240 --> 00:23:48,680
in good ways, but I was like pretty academically decent,

387
00:23:48,839 --> 00:23:52,000
not to toot my own horn too much. But during

388
00:23:52,079 --> 00:23:55,240
high school and so I think the pressure of always

389
00:23:55,319 --> 00:23:58,640
trying to exceed myself and that eventually started getting to me,

390
00:23:58,680 --> 00:24:04,000
and I started getting migraines and and this thing where

391
00:24:04,039 --> 00:24:06,160
I break out in hives. I think some of it

392
00:24:06,319 --> 00:24:09,759
might have been like the hormonal you know stage where

393
00:24:09,799 --> 00:24:12,000
I was I was growing up. But long story short,

394
00:24:12,039 --> 00:24:13,279
I was I was dealing with all of that, and

395
00:24:13,359 --> 00:24:15,920
I was dealing with a lot of anxiety and these feelings.

396
00:24:15,960 --> 00:24:19,039
And I think going to college, especially in the Deep South,

397
00:24:19,279 --> 00:24:22,279
where well especially New Orleans. I can really only speak

398
00:24:22,319 --> 00:24:25,519
to New Orleans, but where there's just there's like a

399
00:24:26,680 --> 00:24:30,200
there's a different pace of life, partially because the heat

400
00:24:30,440 --> 00:24:33,519
slows everyone down, like you just can't you can't go

401
00:24:33,680 --> 00:24:36,319
do a million things. And I also think they've been

402
00:24:36,400 --> 00:24:39,799
through so much tragedy and upheaval that there's there is

403
00:24:39,839 --> 00:24:42,200
a sense of like people trying to lift each other up.

404
00:24:43,200 --> 00:24:45,839
And so I think going down there, I kind of

405
00:24:46,000 --> 00:24:51,039
like took a took a breather, and it gave me

406
00:24:51,119 --> 00:24:53,119
some perspective to look at a lot of these things.

407
00:24:53,160 --> 00:24:55,519
So I think that's what, in a nutshell a lot

408
00:24:55,559 --> 00:24:56,480
of the songs are about.

409
00:24:58,319 --> 00:25:01,440
Speaker 9: But yeah, yeah, I mean I can relate to the

410
00:25:01,480 --> 00:25:03,920
part about too. You were saying, I'm I'm someone who

411
00:25:04,000 --> 00:25:06,559
you know, I deal with depression and and this this

412
00:25:06,720 --> 00:25:09,559
is no no secret to people who were longtime listeners

413
00:25:09,640 --> 00:25:11,319
of the show. I'm pretty open about it. But but

414
00:25:11,440 --> 00:25:13,880
I know something you said that resonated with me is,

415
00:25:14,039 --> 00:25:16,039
you know, when it seems like life is going pretty

416
00:25:16,119 --> 00:25:20,240
much okay, but you just don't feel right, you know.

417
00:25:20,440 --> 00:25:22,119
And I can relate to that, and I think a

418
00:25:22,119 --> 00:25:23,799
lot of people can relate to that and connect with it,

419
00:25:23,920 --> 00:25:25,960
you know, and you're you're not even sure why you're feeling,

420
00:25:27,319 --> 00:25:29,359
why you're feeling the way you are, You just are

421
00:25:30,200 --> 00:25:32,240
and yeah, and it's hard to and it's hard to identify.

422
00:25:32,720 --> 00:25:35,000
And and people who don't experience anything like that, they

423
00:25:35,039 --> 00:25:37,480
can't relate to it. So it's hard to explain to

424
00:25:37,519 --> 00:25:39,880
people sometimes too why you feel that way if they're

425
00:25:40,160 --> 00:25:42,200
if they're looking from the outside and saying, well, you know,

426
00:25:42,240 --> 00:25:44,799
it looks looks to me like everything's pretty good and

427
00:25:45,039 --> 00:25:47,119
and you're kind of feeling like, yeah, everything is pretty good,

428
00:25:47,119 --> 00:25:48,640
and yet I don't feel.

429
00:25:48,440 --> 00:25:53,359
Speaker 5: Good right totally? Yeah, Yeah, definitely.

430
00:25:53,119 --> 00:25:55,319
Speaker 9: That's a that's a common thing. How So, so how

431
00:25:55,400 --> 00:25:57,799
are you? How are you today? I mean you sound

432
00:25:58,559 --> 00:26:01,000
upbeat and positive. I mean, are are things better or

433
00:26:01,279 --> 00:26:03,880
are things I mean you just go yeah, in college,

434
00:26:03,920 --> 00:26:06,680
so you're still adjusting in some ways. But that must

435
00:26:06,720 --> 00:26:08,480
be a relief though, too, I would guess.

436
00:26:08,799 --> 00:26:11,720
Speaker 5: Oh for sure. I mean yeah, and honestly, I had

437
00:26:11,759 --> 00:26:15,279
a great college experience, but it was it's definitely a

438
00:26:15,319 --> 00:26:17,680
relief to be to be done. I was like, yeah,

439
00:26:17,759 --> 00:26:20,200
You're never gonna have to write a ten page paper again.

440
00:26:22,319 --> 00:26:23,039
Speaker 7: But no.

441
00:26:23,279 --> 00:26:28,799
Speaker 5: But in all seriousness, uh, I think I'm you know,

442
00:26:28,839 --> 00:26:31,640
I'm readjusting being back up here and and just you know,

443
00:26:31,759 --> 00:26:34,799
a big change my life. But aside from that, I'm

444
00:26:34,839 --> 00:26:38,839
doing pretty well actually, which is which is good. And yeah,

445
00:26:39,079 --> 00:26:41,440
I've I've kind of stayed in touch with a lot

446
00:26:41,480 --> 00:26:43,599
of my friends up here, so it's been nice to

447
00:26:43,680 --> 00:26:48,200
kind of reconnect to the community and kinda yeah, just

448
00:26:49,359 --> 00:26:51,400
be doing all this music stuff feels pretty great too.

449
00:26:51,559 --> 00:26:54,279
So I'm yeah, no, I'm in a pretty good place now.

450
00:26:54,319 --> 00:26:56,279
And I think for me, that's when I play these

451
00:26:56,319 --> 00:27:00,720
songs live, especially, it feels very I don't know, it

452
00:27:00,799 --> 00:27:03,880
feels kind of cathartic and triumphant at the same time,

453
00:27:04,039 --> 00:27:07,039
like not like all my problems are gone, but I've

454
00:27:07,119 --> 00:27:10,559
kind of I've moved beyond that period of my life

455
00:27:10,880 --> 00:27:13,839
and I kind of feel like I can look back

456
00:27:13,920 --> 00:27:15,880
at those moments from with a different perspective.

457
00:27:16,319 --> 00:27:19,359
Speaker 9: Yeah, yeah, so yeah, well something that comes up on

458
00:27:19,440 --> 00:27:22,000
the show. This comes up constantly on the show. In fact,

459
00:27:22,839 --> 00:27:26,000
it would seem is, you know, the the idea of

460
00:27:26,200 --> 00:27:28,519
creating art and using that as a way to work

461
00:27:28,599 --> 00:27:33,359
through whatever it is it's bothering you. And because you

462
00:27:33,440 --> 00:27:35,759
know it's it's a great form of therapy in a sense, right,

463
00:27:35,799 --> 00:27:39,319
because you're creating something. You're taking something negative, you know,

464
00:27:39,400 --> 00:27:42,519
whether it's anxiety or whatever it is, and a trauma

465
00:27:42,599 --> 00:27:46,200
that you're dealing with and creating art from that. You know,

466
00:27:46,880 --> 00:27:48,920
I mean what could be better than that? Right, taking

467
00:27:48,960 --> 00:27:52,119
that that negativity and darkness and creating something that not

468
00:27:52,279 --> 00:27:55,279
only is cathartic for you, but other people can relate

469
00:27:55,359 --> 00:27:57,319
to and get something from it too. So you're also

470
00:27:58,119 --> 00:28:00,480
sort of passively helping others at the same time while

471
00:28:00,480 --> 00:28:03,759
you're actively helping yourself by creating this art. And uh

472
00:28:03,920 --> 00:28:07,200
so I think that's great and I'm glad you're feeling better.

473
00:28:07,519 --> 00:28:11,720
What what's kind of your do you have? Do you

474
00:28:11,799 --> 00:28:14,079
have kind of mapped out in your idea a trajectory

475
00:28:14,279 --> 00:28:17,119
for where you want to take things? Uh, going into

476
00:28:17,119 --> 00:28:18,880
the future in terms of your career, I mean, obviously

477
00:28:19,000 --> 00:28:21,400
the album, the album flat Lander is pretty new, so

478
00:28:21,440 --> 00:28:24,839
I assume you're largely focused on promoting that. But do

479
00:28:24,880 --> 00:28:26,680
you have some kind of long term goals or are

480
00:28:26,680 --> 00:28:28,839
you just kind of figuring things out or.

481
00:28:30,039 --> 00:28:35,079
Speaker 5: I mean, yeah, I think I definitely wanna, yeah, keep

482
00:28:35,119 --> 00:28:38,359
promoting this album, and really my goals is to get

483
00:28:38,400 --> 00:28:42,119
in front of as many people as I can. I

484
00:28:42,240 --> 00:28:46,240
think that, you know, long term, I'd love for this

485
00:28:46,440 --> 00:28:50,160
to be, you know, my full time career, and I'm

486
00:28:50,240 --> 00:28:52,880
kind of willing to put in the grind to do that.

487
00:28:53,720 --> 00:28:56,440
So for me right now, it's just a lot of

488
00:28:56,519 --> 00:28:59,599
it is just playing wherever will have me, you know,

489
00:28:59,680 --> 00:29:02,680
playing as many shows I can, and kind of keep

490
00:29:02,720 --> 00:29:07,640
promoting things on social media. And uh, really, I i'd

491
00:29:07,799 --> 00:29:09,880
you know, I'd like to get to a point where

492
00:29:09,880 --> 00:29:12,319
I can start, you know, kind of opening for for

493
00:29:12,400 --> 00:29:15,240
other people and and and I want to personally, I mean,

494
00:29:15,319 --> 00:29:17,799
for immediate future next steps, I'd love to just get

495
00:29:17,880 --> 00:29:21,599
more connected to the musical community around here and you know,

496
00:29:21,839 --> 00:29:25,880
link up with some other bands and artists you know,

497
00:29:25,960 --> 00:29:30,359
outside my sort of immediate bubble. But yeah, I mean, ultimately,

498
00:29:30,440 --> 00:29:33,559
long term, I'd really love to make this my full

499
00:29:33,599 --> 00:29:37,680
time career. So a lot of that is just uh yeah,

500
00:29:37,759 --> 00:29:40,079
I guess just grinding it out for lack of a

501
00:29:40,200 --> 00:29:40,839
better term.

502
00:29:41,240 --> 00:29:44,160
Speaker 9: Is that is that challenging at all? Because geographically you're

503
00:29:44,240 --> 00:29:47,440
in uh you know, you're not exactly in a booming metropolis,

504
00:29:47,599 --> 00:29:50,799
right No, And and.

505
00:29:50,880 --> 00:29:53,319
Speaker 5: It may you know, necessitate at some point in the

506
00:29:53,400 --> 00:29:59,279
future a move move to somewhere like that. But I think, uh,

507
00:30:00,559 --> 00:30:04,759
you know, I actually feel like the southern New Hampshire

508
00:30:04,839 --> 00:30:09,119
sort of western mass like this general area music scene.

509
00:30:09,319 --> 00:30:11,720
I don't know, there's, at least for me, a lot

510
00:30:11,799 --> 00:30:14,559
of my one of my favorite artists have swung by

511
00:30:14,680 --> 00:30:18,440
here sometimes even fifteen minutes. Next week I'm gonna go

512
00:30:18,519 --> 00:30:22,240
see John Morland and Braderborough. And I just was at

513
00:30:22,720 --> 00:30:27,519
the Green River Music Festival and saw Wax Hatchie and

514
00:30:27,599 --> 00:30:30,319
m J. Lenderman there, which is great. So I don't know,

515
00:30:30,440 --> 00:30:34,240
I think that there's a cool kind of music scene.

516
00:30:34,599 --> 00:30:37,000
But obviously I think if I really want to make

517
00:30:37,039 --> 00:30:38,880
this at some point in the future full time thing,

518
00:30:38,920 --> 00:30:43,319
I'm gonna have to tour extensively, So that'll that'll definitely

519
00:30:43,359 --> 00:30:45,519
be part and that's a big part of like next steps.

520
00:30:45,519 --> 00:30:49,319
I have a friend my friends is she's also a

521
00:30:49,359 --> 00:30:53,079
singer songwriter and she lives in Atlanta. So we're gonna,

522
00:30:53,680 --> 00:30:55,400
I think, at some point in the future we want

523
00:30:55,440 --> 00:30:58,119
to do kind of like a up the East Coast

524
00:30:58,400 --> 00:31:02,000
sort of tour and get that under our legs and

525
00:31:02,039 --> 00:31:05,279
then see see how things go. So but yeah, I'm

526
00:31:06,400 --> 00:31:09,000
kind of still figuring it out from being honest, but sure,

527
00:31:09,559 --> 00:31:11,960
but yeah, that's sort of the trajectory thus far.

528
00:31:12,279 --> 00:31:14,480
Speaker 9: Excellent, excellent, Well, I think you're off to a great start.

529
00:31:14,599 --> 00:31:18,039
And congratulations on the release of Flatlander. I assume it's

530
00:31:18,079 --> 00:31:19,680
on all the streaming platforms and everything.

531
00:31:20,160 --> 00:31:26,079
Speaker 5: Yes, out everywhere. And I've got two music videos and

532
00:31:26,200 --> 00:31:29,160
a lyric video on my YouTube channel for that. So

533
00:31:29,519 --> 00:31:33,160
one of my songs, am I A, got fifty five

534
00:31:33,799 --> 00:31:36,799
views and five k likes, so that was pretty awesome,

535
00:31:37,000 --> 00:31:40,079
that is yeah, and it also got my so my

536
00:31:40,240 --> 00:31:44,200
friend Peam we went to high school together and Peem's

537
00:31:44,200 --> 00:31:47,599
an incredible filmmaker and so he helped me with both

538
00:31:47,640 --> 00:31:50,400
these music videos we did, and we submitted M I

539
00:31:50,480 --> 00:31:52,839
A to a bunch of film festivals and we got

540
00:31:53,279 --> 00:31:57,720
we just got screened in one in Pennsylvania. The and

541
00:31:57,799 --> 00:32:00,559
then then film fests. So that was really cool. Oh

542
00:32:00,720 --> 00:32:03,720
so I'm just really stoked at the response that I've

543
00:32:03,759 --> 00:32:07,039
gotten thus far. I've got some press pieces out as well,

544
00:32:07,119 --> 00:32:11,799
and yeah, so that's that's been pretty great.

545
00:32:11,960 --> 00:32:12,160
Speaker 9: Yeah.

546
00:32:12,200 --> 00:32:14,200
Speaker 5: Yeah, you can check it out, check it out wherever

547
00:32:14,519 --> 00:32:16,039
on all the all the platforms.

548
00:32:16,279 --> 00:32:19,319
Speaker 9: Yeah, excellent, by the way, and I congratulations, it sounds

549
00:32:19,359 --> 00:32:21,440
like M I A Is doing really well. That's fantastic.

550
00:32:22,559 --> 00:32:25,480
I will tell you something kind of funny. I wanted

551
00:32:25,519 --> 00:32:28,440
to play that one because I really like that song. Yeah,

552
00:32:28,880 --> 00:32:31,519
but the only really there's right at the end, there's

553
00:32:31,559 --> 00:32:33,880
a there's a word that I would have to Now.

554
00:32:33,960 --> 00:32:36,640
I do make radio edits sometimes if I really want

555
00:32:36,640 --> 00:32:38,519
to play something, if the artist doesn't have a radio

556
00:32:38,640 --> 00:32:40,960
edit available, I'll just make one. And I wanted to

557
00:32:41,039 --> 00:32:42,640
do it for that song, and I almost did, but

558
00:32:42,680 --> 00:32:44,720
then I was like, geez, you know what I feel like,

559
00:32:44,799 --> 00:32:48,039
in this particular instance, if I do that, it kind

560
00:32:48,119 --> 00:32:51,240
of recks the song in a way, even though the

561
00:32:51,319 --> 00:32:54,599
word appears at the very end of the song, but

562
00:32:54,759 --> 00:32:57,319
it's kind of it kind of puts a stamp on

563
00:32:57,400 --> 00:33:01,599
the song lyrically, and it's like, if I take it,

564
00:33:01,680 --> 00:33:03,440
because you know what I do is. I call it

565
00:33:03,519 --> 00:33:06,240
the poor Man's radio edit. I just reverse it wherever

566
00:33:06,319 --> 00:33:08,920
the swear is just so. But I was like, but

567
00:33:09,000 --> 00:33:11,400
I was like, if I do that to that song,

568
00:33:11,839 --> 00:33:13,599
I don't know, I think it kind of I don't

569
00:33:13,599 --> 00:33:16,720
want to. I don't want to inadvertently tamper with your

570
00:33:16,839 --> 00:33:19,039
art and wreck the song, you know what I mean.

571
00:33:20,160 --> 00:33:22,160
Speaker 5: I know, I appreciate that. I mean, I think I'd

572
00:33:22,200 --> 00:33:24,759
thought about submitting that one, and then I remember the

573
00:33:24,880 --> 00:33:27,319
radio edit and I had a similar feeling of like,

574
00:33:27,599 --> 00:33:29,279
I think it would take out a little bit of

575
00:33:29,359 --> 00:33:31,759
the punch and the story of the song.

576
00:33:32,160 --> 00:33:33,240
Speaker 9: Yeah, exactly.

577
00:33:34,039 --> 00:33:36,599
Speaker 5: But but people can you know, check that out on

578
00:33:36,680 --> 00:33:37,799
their own if they're interested.

579
00:33:38,400 --> 00:33:42,039
Speaker 9: Yeah, yeah, that one. Yeah, I encourage people to do that.

580
00:33:42,119 --> 00:33:44,160
But I also I do really like this track Shaine

581
00:33:44,200 --> 00:33:46,160
in Line that we're gonna play in a moment. Can

582
00:33:46,240 --> 00:33:47,920
you tell us anything about the lyrics to this? I

583
00:33:47,960 --> 00:33:49,200
feel like there's a message here.

584
00:33:49,400 --> 00:33:53,359
Speaker 5: Yeah, well, there's a there's a very concrete story as well,

585
00:33:53,519 --> 00:33:57,799
because so I was I can't remember which year of college,

586
00:33:57,839 --> 00:34:01,319
but I was back in the area and my friend

587
00:34:02,000 --> 00:34:04,759
I will name names because they wish to be an autos.

588
00:34:05,359 --> 00:34:08,840
Even though the names get named in the song but whatever. Yeah,

589
00:34:10,800 --> 00:34:16,159
but they they were throwing this New Year's party and

590
00:34:16,159 --> 00:34:18,119
I'm not a huge I've never been a huge like

591
00:34:18,280 --> 00:34:23,079
partyer or drinker personally, but yeah, I've just never really

592
00:34:23,079 --> 00:34:25,079
appealed to me. And I think I have a bit

593
00:34:25,119 --> 00:34:27,920
of There's some alcoholism on both sides of my family,

594
00:34:28,000 --> 00:34:30,480
so I should be a little aware of that. Not

595
00:34:30,719 --> 00:34:33,480
not my folks, but just extended family. So sometimes I

596
00:34:33,599 --> 00:34:37,960
wonder about anyways, that's a bit of a there is there.

597
00:34:38,159 --> 00:34:40,480
Speaker 9: Is research for the shows as a genetic component to that,

598
00:34:40,599 --> 00:34:42,559
and that is good to be aware of.

599
00:34:42,679 --> 00:34:45,719
Speaker 5: Yeah, absolutely, Yeah, So I you know, I think for

600
00:34:45,840 --> 00:34:48,199
that reason, I've I've I'm a little bit more moderate

601
00:34:48,280 --> 00:34:50,599
with it. But I ended up going to my friend's

602
00:34:50,639 --> 00:34:53,679
party and we were we all sort of were hanging

603
00:34:53,760 --> 00:34:58,360
out and his older brother there. They had made this

604
00:34:58,480 --> 00:35:03,079
big bonfire. Alter brother was like in a forklift and

605
00:35:03,280 --> 00:35:05,760
just like shoving loads of hay onto the fire. It

606
00:35:05,880 --> 00:35:09,559
was just like this very chaotic kind of goofy ridiculous,

607
00:35:09,559 --> 00:35:11,440
Like we there was a bottle in the fire and

608
00:35:11,519 --> 00:35:13,400
we were just watching it melt and we were like

609
00:35:13,559 --> 00:35:15,679
joking that that's what you do in New Hampshire is like,

610
00:35:15,760 --> 00:35:18,119
this is the only fun thing to do. So it was,

611
00:35:18,360 --> 00:35:19,960
it was, it was, you know, it was just a

612
00:35:20,000 --> 00:35:22,960
goofy time. But on a deeper level, I think that

613
00:35:23,280 --> 00:35:27,599
song is about kind of you know, when you travel

614
00:35:27,679 --> 00:35:30,559
and when when you know you grow up, you become

615
00:35:30,599 --> 00:35:33,239
a different person. And I think for me going to

616
00:35:33,280 --> 00:35:35,480
New Orleans and and kind of I gained a lot

617
00:35:35,559 --> 00:35:38,039
more confidence and I thought about things differently and kind

618
00:35:38,079 --> 00:35:41,480
of got out of my bubble. And I think coming

619
00:35:41,599 --> 00:35:45,440
back and being with friends, you kind of can have

620
00:35:45,599 --> 00:35:48,920
a different relationship with them than you did previously. Yeah,

621
00:35:49,519 --> 00:35:52,679
And I think for me in the long term that's

622
00:35:52,679 --> 00:35:55,360
been awesome. And we've actually had a lot of these

623
00:35:55,400 --> 00:35:57,519
friends that I've stuck with, like have We've had a

624
00:35:57,639 --> 00:36:01,360
deeper connection than we had previous. But I think that

625
00:36:02,239 --> 00:36:04,519
initially it can be a little one jarring, you know,

626
00:36:05,079 --> 00:36:07,320
or like feeling like everyone else's lives are moving on

627
00:36:07,480 --> 00:36:12,159
without you. And so that's kind of the kind of

628
00:36:12,239 --> 00:36:14,920
duality that I was trying to put into words for

629
00:36:15,000 --> 00:36:15,320
that one.

630
00:36:16,159 --> 00:36:18,800
Speaker 9: Yeah, that that makes that makes a lot of sense

631
00:36:18,840 --> 00:36:21,519
to me. I think, uh, yeah, because I really connected

632
00:36:21,599 --> 00:36:23,000
to this one when I looked and you know, and

633
00:36:23,239 --> 00:36:25,679
I read the lyrics to on band camp and really, yeah,

634
00:36:25,719 --> 00:36:27,840
this one, this one really connects with me in that way.

635
00:36:27,880 --> 00:36:29,320
So I totally get what you're saying.

636
00:36:30,599 --> 00:36:31,159
Speaker 13: So we will.

637
00:36:31,320 --> 00:36:33,199
Speaker 9: Yeah, we're gonna play that in a moment to finish up.

638
00:36:33,199 --> 00:36:36,320
But Lyle, where's the best place to go online for

639
00:36:36,440 --> 00:36:39,559
people who want to keep up with everything that you're doing? Uh,

640
00:36:40,119 --> 00:36:42,599
you know, follow your your career as you as you

641
00:36:42,679 --> 00:36:44,599
go forward. Maybe you've got shows coming up?

642
00:36:44,920 --> 00:36:45,480
Speaker 4: Do you have anything?

643
00:36:45,559 --> 00:36:47,280
Speaker 9: Are you playing anywhere this weekend? By the way, that

644
00:36:47,320 --> 00:36:48,159
you want to plug too?

645
00:36:48,360 --> 00:36:51,920
Speaker 5: Yes, I thank you for that. I I yes, I'm

646
00:36:51,920 --> 00:36:56,800
gonna be playing in Nashua at Terminus Underground, which is

647
00:36:56,840 --> 00:36:59,880
one thirty four Hayin Street and there's a fifteen dollars.

648
00:37:00,480 --> 00:37:06,239
It's gonna be myself, Jesse Rudstein, conceptcor and Joshua Nobody,

649
00:37:06,320 --> 00:37:09,239
as well as a bunch of art vendors excellent, and

650
00:37:10,280 --> 00:37:12,760
I believe depending on whether if it rains, it's still

651
00:37:12,760 --> 00:37:15,440
gonna happen. It's just gonna be inside the venue. But

652
00:37:15,880 --> 00:37:17,280
if it's a nice day out, we're gonna have it

653
00:37:17,400 --> 00:37:20,239
out in the lot and it will be a cool

654
00:37:20,280 --> 00:37:24,119
little art fair. I'm gonna be performing from two to three,

655
00:37:24,199 --> 00:37:26,639
but you should show up for the whole event which

656
00:37:26,760 --> 00:37:30,960
is from one to six tomorrow. So very good. Yeah,

657
00:37:31,039 --> 00:37:35,440
that's my most recent show and super stoked. And the

658
00:37:35,519 --> 00:37:40,280
folks over there connected me with y'allso oh yeah, super

659
00:37:40,360 --> 00:37:42,639
happy about that. And there they seem like a really

660
00:37:42,719 --> 00:37:44,800
great venue and just awesome people.

661
00:37:44,920 --> 00:37:47,519
Speaker 9: So oh absolutely, no, we love that'll be a great one.

662
00:37:47,599 --> 00:37:51,079
We love Terminus. Eleanor and Andre are amazing. And have

663
00:37:51,199 --> 00:37:52,719
you actually physically been there yet?

664
00:37:53,760 --> 00:37:56,159
Speaker 5: No, I'm really excited to check it out. I have not.

665
00:37:56,519 --> 00:37:58,559
Speaker 9: I tell everyone the same thing. When the first time

666
00:37:58,599 --> 00:38:01,239
you walk into that room, it's like happened into another world.

667
00:38:02,039 --> 00:38:02,719
Speaker 6: It's so cool.

668
00:38:02,920 --> 00:38:05,159
Speaker 5: When you've seen the pictures, it looks really cool.

669
00:38:05,320 --> 00:38:07,639
Speaker 9: Yeah, it is, it is, it's it's it's awesome. So

670
00:38:08,000 --> 00:38:10,199
you'll you'll have a great time there. And uh, where

671
00:38:10,239 --> 00:38:12,440
where should people? Where should people go online to keep

672
00:38:12,480 --> 00:38:13,039
up with everything?

673
00:38:13,960 --> 00:38:16,199
Speaker 5: Yeah? So the best place is my website, which is

674
00:38:16,320 --> 00:38:19,079
just lyle Hutchins dot com. That's L Y L E

675
00:38:19,480 --> 00:38:21,639
h U T C h I N S dot com.

676
00:38:22,400 --> 00:38:26,119
And then you can also check out my social media.

677
00:38:26,480 --> 00:38:30,880
I'm on all, I'm on TikTok, Facebook, YouTube, Instagram, all

678
00:38:30,920 --> 00:38:37,159
that stuff, and that's all Lyle Hutchins music. Okay, okay, yeah,

679
00:38:37,239 --> 00:38:40,000
those those are the best, so anywhere you like. I

680
00:38:40,000 --> 00:38:42,039
also have a mailing list on my website, so if

681
00:38:42,079 --> 00:38:45,559
anybody wants more regular updates for me, that's where you

682
00:38:45,679 --> 00:38:50,079
can find that. And I think that's about it for

683
00:38:50,239 --> 00:38:51,159
where people can find me.

684
00:38:51,360 --> 00:38:54,679
Speaker 9: Sure sure outstanding, outstanding. So we're gonna hit this track.

685
00:38:54,719 --> 00:38:56,840
We're gonna play this station stand in line. This is

686
00:38:56,880 --> 00:39:00,840
from the new album from Lyle Hutchins. And this is

687
00:39:01,079 --> 00:39:04,400
your debut album, correct, yes, the first full length ya,

688
00:39:05,199 --> 00:39:07,400
so this is this is really good. So the new

689
00:39:07,440 --> 00:39:10,599
album flat Lander from Lyle Hutchins. And we're gonna play

690
00:39:10,639 --> 00:39:12,519
this and we'll let you go. Lyle, thank you so

691
00:39:12,679 --> 00:39:15,079
much for joining us today. We'll definitely do this again

692
00:39:15,119 --> 00:39:17,360
in the future as you're releasing new music and we

693
00:39:17,440 --> 00:39:19,440
want to keep up with everything that you're doing. So

694
00:39:20,239 --> 00:39:22,840
we really appreciate this and have a great show at Terminus.

695
00:39:23,760 --> 00:39:26,119
Speaker 5: Yeah, thank you so much. Really great to be on

696
00:39:26,239 --> 00:39:29,760
here and really appreciate you guys having me, so thanks again.

697
00:39:29,960 --> 00:39:32,760
Speaker 9: You got it all right, Thanks Lyle, take care good

698
00:39:32,800 --> 00:39:35,679
one by all right, that is the great Lyle Hutchins,

699
00:39:35,800 --> 00:39:38,079
and we're going to close out the segment with this track.

700
00:39:38,199 --> 00:39:41,159
And by the way, if you are listening live on Saturday,

701
00:39:41,320 --> 00:39:44,039
is our our next guest in the building bags Balance

702
00:39:44,119 --> 00:39:47,119
in the building coming up in the third hour. But

703
00:39:47,360 --> 00:39:49,639
right now this is staying in Line. This is by

704
00:39:49,719 --> 00:39:52,400
the great Lyle Hutchins from the new album flat Lander.

705
00:39:58,440 --> 00:39:59,079
Speaker 2: That's a bottle.

706
00:40:01,639 --> 00:40:04,960
Speaker 3: You were occupied with the orange Bacon, Dark blue Sky.

707
00:40:06,039 --> 00:40:10,559
We are called staring at the new Modifire. Your brother

708
00:40:10,719 --> 00:40:15,440
was acting Domson in the Ford s in the Loads

709
00:40:15,480 --> 00:40:15,880
of Pain.

710
00:40:16,039 --> 00:40:17,599
Speaker 1: We watched a sale's.

711
00:40:17,159 --> 00:40:19,559
Speaker 6: Blue let up be m.

712
00:40:27,199 --> 00:40:36,239
Speaker 3: Stand in line, stand in line, stay in line, stand

713
00:40:36,480 --> 00:40:37,360
in line.

714
00:40:38,320 --> 00:40:39,599
Speaker 2: Staying in line.

715
00:40:53,679 --> 00:40:58,239
Speaker 3: He gave me his glance, talked abow leaving taxis I'm

716
00:40:58,280 --> 00:40:58,519
not a.

717
00:40:58,679 --> 00:41:00,599
Speaker 1: Yes and a remness stibout.

718
00:41:00,679 --> 00:41:01,119
Speaker 2: I stayed.

719
00:41:01,159 --> 00:41:04,679
Speaker 3: I don't remember done in Louisiana anyway.

720
00:41:04,800 --> 00:41:06,400
Speaker 1: He has said it passive time.

721
00:41:07,000 --> 00:41:09,639
Speaker 3: Maybe it was some music, or maybe I gutired of

722
00:41:09,719 --> 00:41:11,920
staying in line, stay.

723
00:41:11,679 --> 00:41:15,920
Speaker 4: Inlive, staying alive, staying.

724
00:41:15,760 --> 00:41:28,679
Speaker 3: In live, stay in line, staying in live, Oh, staying

725
00:41:28,840 --> 00:41:40,320
in line. Ethan's working fixing cars and ands a nurse.

726
00:41:40,519 --> 00:41:44,880
Now I guess I'm making art. He isn't it funny

727
00:41:44,960 --> 00:41:49,039
how the time pass ausol and then first you don't

728
00:41:49,119 --> 00:41:53,920
even know how? And good child of friends, as we

729
00:41:54,119 --> 00:41:57,880
prayed old beer. He used to hate that stuff when

730
00:41:57,920 --> 00:42:01,239
he wanted to get out of here. That's part to

731
00:42:01,360 --> 00:42:06,360
fly loudly. It's new Vivie, it's god damn. Instead of staying.

732
00:42:06,039 --> 00:42:17,679
Speaker 8: In line, I'd like to stay, stay in line.

733
00:42:18,280 --> 00:42:18,920
Speaker 14: Stay.

734
00:42:20,760 --> 00:42:34,400
Speaker 2: Stay staying in line, staying in line. Ah, stay.

735
00:42:59,079 --> 00:43:01,679
Speaker 12: Sorry baby, and your mama doesn't care.

736
00:43:01,719 --> 00:43:02,719
Speaker 3: Her way.

737
00:43:05,639 --> 00:43:11,960
Speaker 12: If your daddy has to pay, just jealous of selling

738
00:43:12,039 --> 00:43:17,159
this morn admit she pushed herself out of this while

739
00:43:17,239 --> 00:43:23,000
she lies to herself and everybody else to keep apod tail.

740
00:43:37,880 --> 00:43:41,480
You know he's sorry that he missed your last birthday.

741
00:43:43,920 --> 00:43:47,199
You know your mama told you he wanted it that way,

742
00:43:49,400 --> 00:43:52,119
telling you and a friends there. And he's the bad

743
00:43:52,280 --> 00:43:57,159
man because he broke her off. But it's you would

744
00:43:57,199 --> 00:43:59,840
can put the shoe and nan and gave a bread

745
00:44:00,239 --> 00:44:09,320
news stuff. Damn baby, Jean, hold this letter fine well

746
00:44:14,280 --> 00:44:17,800
because if you ol mama is right.

747
00:44:17,840 --> 00:44:24,199
Speaker 9: My god, well she's going straight.

748
00:44:27,199 --> 00:44:28,400
Speaker 4: Dam baby.

749
00:44:28,599 --> 00:44:48,800
Speaker 12: Gee, sorry mama, for things don't always go away, and

750
00:44:49,079 --> 00:44:54,760
that's when you lose your fucking mind, So make up

751
00:44:54,880 --> 00:44:57,719
your stories to your little tantrum.

752
00:44:57,800 --> 00:44:59,360
Speaker 1: It's all the same.

753
00:45:01,719 --> 00:45:08,079
Speaker 12: Your baby's don't find out a good time, tall baby jeep.

754
00:45:09,679 --> 00:45:22,039
Speaker 14: Cold this letter five to weel, did you MoMA is

755
00:45:22,280 --> 00:45:23,679
right above God?

756
00:45:25,840 --> 00:45:33,960
Speaker 2: Well she's going straight to til baby jee.

757
00:45:38,880 --> 00:45:49,440
Speaker 12: Tare baby gee. I hope your ride above come.

758
00:45:53,840 --> 00:45:55,559
Speaker 4: Hope your rother bvec.

759
00:46:00,280 --> 00:46:08,800
Speaker 12: Hope you're about above. I hope you'll run about.

760
00:46:08,559 --> 00:46:12,840
Speaker 2: That stout going strike and ris.

761
00:46:54,840 --> 00:46:56,320
Speaker 4: Tail baby Ja.

762
00:47:11,400 --> 00:47:15,239
Speaker 18: It's only started now. We're not at the end like

763
00:47:15,360 --> 00:47:17,280
you think you're gonna.

764
00:47:17,079 --> 00:47:18,440
Speaker 2: Do it all again.

765
00:47:20,960 --> 00:47:21,719
Speaker 5: We're good and.

766
00:47:21,880 --> 00:47:25,920
Speaker 18: Older, but our mind it starts to shrink. He can

767
00:47:25,960 --> 00:47:31,039
s get his paper and a knife, his pen. Someone

768
00:47:31,199 --> 00:47:36,000
finds out, so we stop to reassure them that we

769
00:47:36,360 --> 00:47:43,000
haven't lost our minds. But they don't even know the half.

770
00:47:42,920 --> 00:47:49,199
Speaker 19: Of what she'll do when they forget about the because

771
00:47:49,280 --> 00:47:51,119
it's all a little secret.

772
00:47:51,280 --> 00:47:54,159
Speaker 2: Ticky, it's not it's.

773
00:47:54,079 --> 00:48:03,559
Speaker 4: All and I don't know. Don't read jes nine. It's

774
00:48:03,639 --> 00:48:11,320
all scarce the all hands again, So just get high.

775
00:48:23,360 --> 00:48:25,360
Speaker 18: We need to stop and think.

776
00:48:25,800 --> 00:48:29,800
Speaker 8: We can't get caught this way. They'll say we're dumping

777
00:48:29,960 --> 00:48:30,559
the head.

778
00:48:31,760 --> 00:48:33,800
Speaker 4: Don't go to your.

779
00:48:33,880 --> 00:48:38,400
Speaker 18: Room, up to your doors and hide away, changing your

780
00:48:38,440 --> 00:48:44,679
skin from white to red. You got too far this time,

781
00:48:45,000 --> 00:48:45,719
no point.

782
00:48:45,599 --> 00:48:46,960
Speaker 14: Did you give it up.

783
00:48:47,360 --> 00:48:49,960
Speaker 8: You can't just leave it all be high.

784
00:48:52,199 --> 00:48:55,280
Speaker 18: And if you try to move on from the.

785
00:48:55,559 --> 00:49:03,639
Speaker 19: Past, you'll still have to please. It's it's a little secret, tikey.

786
00:49:05,760 --> 00:49:09,679
Speaker 4: It's a sin and I don't know the region.

787
00:49:11,239 --> 00:49:18,679
Speaker 20: Just give exact it's all. It's almost skin. He only answer,

788
00:49:21,280 --> 00:49:22,159
so it just.

789
00:49:22,159 --> 00:49:22,960
Speaker 4: Gave gut.

790
00:49:35,079 --> 00:49:35,599
Speaker 2: Control.

791
00:49:35,760 --> 00:49:38,920
Speaker 18: I'm so stopped the water to come and cry all

792
00:49:38,960 --> 00:49:41,400
about the problem wasn't perfect for worth it.

793
00:49:41,519 --> 00:49:42,559
Speaker 17: It might have been.

794
00:49:45,760 --> 00:49:48,360
Speaker 4: Like I want to get him and it's just a.

795
00:49:50,360 --> 00:49:54,360
Speaker 19: It's okay, noble guessing the secret between you and me.

796
00:49:56,440 --> 00:49:59,280
Speaker 8: This a little secret taking.

797
00:50:00,599 --> 00:50:04,119
Speaker 4: So it's off the skin, and I don't know how

798
00:50:04,239 --> 00:50:09,039
to read it. Don't just get that exact. It's a

799
00:50:09,239 --> 00:50:17,280
whole skin only it's I can't it's ever, so just

800
00:50:17,400 --> 00:50:35,440
get it's a dope. It's all gone wrong. Think that

801
00:50:35,679 --> 00:50:38,239
you are helping, but you just help me right.

802
00:50:38,360 --> 00:50:40,239
Speaker 8: This song itself done.

803
00:50:41,400 --> 00:50:42,960
Speaker 6: It's all gone wrong.

804
00:50:44,079 --> 00:50:47,599
Speaker 18: I should probably face my issues, but I better turn

805
00:50:47,719 --> 00:50:48,079
back and.

806
00:50:48,280 --> 00:50:49,800
Speaker 2: Welcome it's done.

807
00:50:51,000 --> 00:50:55,920
Speaker 4: It's all gone wrong. You think that you are helping,

808
00:50:56,079 --> 00:50:58,760
but you're just helping me right. This is the biggest

809
00:50:58,920 --> 00:51:06,800
problem is severe, so well luck.

810
00:51:07,440 --> 00:51:08,960
Speaker 2: My skin insact.

811
00:51:11,440 --> 00:51:19,920
Speaker 21: Just Luigi's Pizza Bar and Grill.

812
00:51:19,880 --> 00:51:21,119
Speaker 4: Un for ever one.

813
00:51:21,840 --> 00:51:26,280
Speaker 10: Let's raise a slyes On hide with toppings all the ground.

814
00:51:26,840 --> 00:51:28,840
Speaker 2: It's a pizza bar your mind.

815
00:51:29,400 --> 00:51:33,719
Speaker 16: Luigi's Pizza Bar and Grill, seven twelve Valley Street, Manchester.

816
00:51:34,000 --> 00:51:36,880
Come on in or call six two two one zero

817
00:51:37,119 --> 00:51:42,159
two one. Luigi keeping the tradition alive since nineteen seventy five.

818
00:51:44,039 --> 00:51:49,400
Speaker 10: Pizza for every one. Come join a beast tonight. With

819
00:51:49,599 --> 00:51:53,360
each slice sense of it, everything feels so right.

820
00:51:56,480 --> 00:51:58,679
Speaker 17: In times of crisis, you need a law firm that

821
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stands by your side. With over forty years of experience,

822
00:52:01,960 --> 00:52:05,639
Craigan getsulus is dedicated to fighting for your rights. As

823
00:52:05,719 --> 00:52:08,840
former state prosecutors, our attorneys have the knowledge and trial

824
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experience to provide an aggressive defense against any charge, from

825
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826
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will assess your case and fight for the compensation you deserve.

827
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Serving all of New Hampshire, Craigan Getzulis is here when

828
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you need us most. Visit craigatzulis dot com for a

829
00:52:26,639 --> 00:52:31,280
free consultation. Craigan Getsulus, your advocates, your allies.

830
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Speaker 21: Bring your kitchen to life with Queen City Cabinetry, located

831
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at eighty seven Elm Street in the historic Sunbeam Wall

832
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in Manchester. Open Monday through Friday nine am to five

833
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thirty pm, in Saturdays ten am to two pm. They

834
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can be reached at six h three two two two

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836
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citycabinatry nh dot com. Come see the possibilities Queen City

837
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838
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Speaker 22: Hey everyone, there's Rob Azevedo host a Granite State of Mind,

839
00:53:06,880 --> 00:53:08,679
and I want to tell you about Pembrooke City Limits

840
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and the Historic sun Cook Village.

841
00:53:10,480 --> 00:53:12,159
Speaker 9: PCL is an award winning bar.

842
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Speaker 22: Restaurant and music venue where there's live music five days

843
00:53:15,199 --> 00:53:19,000
a week and twice on Saturdays, everything from blues, country, folk, funk,

844
00:53:19,079 --> 00:53:21,360
and a whole lot of jazz. We have twelve craft

845
00:53:21,400 --> 00:53:23,679
beers on tap dedicated to the local brewers in the

846
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area and some of the friendliest bartenders around.

847
00:53:26,639 --> 00:53:27,599
Speaker 9: Please come visit.

848
00:53:27,440 --> 00:53:29,880
Speaker 22: Pembrook City Limits at one thirty four Main Street, the

849
00:53:30,039 --> 00:53:33,559
historic sunk Cook Village, only six miles outside of Manchester.

850
00:53:34,000 --> 00:53:37,920
Open Tuesdays to Wednesdays four to ten, Thursday's Sunday eleven

851
00:53:38,000 --> 00:53:39,760
to ten Pembrook City Limits.

852
00:53:39,920 --> 00:53:41,119
Speaker 5: Where it's all about the music.

853
00:53:41,360 --> 00:53:44,000
Speaker 16: Disneys Cafe is the place to put a smile on

854
00:53:44,119 --> 00:53:44,519
your face.

855
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Speaker 21: Judy and the crew will take care of you, bring

856
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your appetite and treat your taste.

857
00:53:49,239 --> 00:53:52,719
Speaker 16: Bus Fry Disney's Cafe is always a winning choice.

858
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Speaker 21: Breakfast, lunch or supper.

859
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Speaker 16: Disney's Cafe at eight sixty Elm Street in downtown Manchester.

860
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Take out or make a reservation call six oh three,

861
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six oh six two five three two, Eat, drink and

862
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be happy.

863
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Speaker 21: Dizziness Cafe.

864
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Speaker 7: When it comes to keeping WMNH on the air and

865
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Speaker 3: Seven times out of ten we listened to our music

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at Nice's on titled book Business Program.

875
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Speaker 21: To Light with DJ Mitas right here on w MNH Manchester.

876
00:55:04,840 --> 00:55:09,599
Speaker 1: Because Saturdays and Sunday nights midnight to four am.

877
00:55:10,920 --> 00:55:16,360
Speaker 13: This hour on wm NH is sponsored by CGI Business Solutions,

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located at five Dartmouth Drive in Auburn. They serve all

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business Solutions dot com.

884
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Speaker 15: Behold the harmony of airwaves as you immerse yourself in

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the captivating frequencies of w m NHLP. Their sunic card

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Beats of Manchester is the transcending through the ether right

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ninety five point three megahertz frequency modulation. Our transmissions M

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and E from the z F one thousand elmst's insure

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into the hearts of our creative realm at one nineteen

890
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Canal Stree, where innovation and sound colode. They're the impro

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moder of Manchester Public Television Service in the venerable city

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of Manchester, New Hampshire, USA. Enrich your auditory journey with

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the depth of our license to wesn'dspt your missives. Did

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w m n H ninety five three at gmail dot

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com or traverse the virtual corridors of w mnhradio dot org.

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Engage with our sonic vibrations by communing with us through

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the digital channel or radio beconds eager to enthrall you

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Speaker 2: Won dude, w MNH rip the novels.

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Speaker 5: You're listening to.

902
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Speaker 15: Mattconnorton Unleashed on wm and H ninety five point three

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Speaker 5: S