Speaker 1: Hello, Yes, this is the Falcon speaking.
Speaker 2: Oh run, I'd love.
Speaker 3: To see it in Night Angel, but somebody took a
shot at one of my clients and he's afraid.
Speaker 1: It may happen again. And you know, a thing like
that has.
Speaker 2: Become pretty monotonous, so much so that my client could
get bored to death.
Speaker 3: The Adventures of the Falcon starring Wes Stamen. You met
the Falcon first and his best selling novels. Then you
saw him in his thrilling motion picture series. Now join
him on the air.
Speaker 2: When the Falcon sls.
Speaker 3: The Case of the Friendly Target, and now the Case
of the Friendly Target. It's late evening in New York
when it's a Dan pulls up to the head of
an alley and two men get out. Alright, Mitch, well Claire,
let's go here. Connie's dark in this alley. Never mind, Mitch,
don't use the flashlight yet. We'll fight it.
Speaker 2: It's a fight.
Speaker 3: The uh here we are?
Speaker 2: Where are you?
Speaker 4: Connie?
Speaker 2: I can't see right over here? Wait?
Speaker 3: Oh yeah, Allison said, it's.
Speaker 2: A simple lot.
Speaker 1: Won't take a minute out hold of light.
Speaker 3: Work fast so we won't have to have it on long. Okay,
can you see here Connie.
Speaker 1: Now, I hey, who'd the other light comes from?
Speaker 3: A spot on? I s it's a trap?
Speaker 5: What O?
Speaker 4: Their hands don't make any other move?
Speaker 2: We had to cover we do.
Speaker 3: It's a trash barrel, drop behind it.
Speaker 2: Okay they get you, Mitch, No, I made it now what? Oh? Yes, Connie,
you got punch to the.
Speaker 1: Out of covered Connie, they know your name.
Speaker 3: It's a trip right, they were waiting for us. Where'll
I get that?
Speaker 2: I gotta get out of here.
Speaker 4: First with your hands done coming that.
Speaker 3: Yes, we'll have to make a run for it, crazy Connie.
They're roll around us with guns and with the spot
on us. They see us and we can't see them,
and not letting them take me. Come on, cor I
tell you run for the car.
Speaker 2: They go right through their fire.
Speaker 3: They're already chance. I'll never make it. Okay, take your choice,
their guns or mine? What that's my gun in your back?
When I count three, you start running? Or I pull
a trigger and Connie, no cone.
Speaker 4: Is Gunn's come out? Reaching always done.
Speaker 1: Players, it'll be all we need you going.
Speaker 3: Mitch. No, no, Connie, I can't one you go, Connie,
leave me here? Sure I hit one of us alone
on only chances to run at the same time. Give
us spot target. I can't Connie, please three shoot Connie,
I'm going.
Speaker 6: They don't communicate from Korea and now for the local news.
A desperate gunman and bushed by the police to night
escape by forcing his partner to run into a hail
of police bullets. Police cornered ted Connie and Mitchell Harper.
The two were breaking into a Midtown jewelry store. Ordered
to surrender, Connie put the gun in Harper's back and
forced Harper to run from their.
Speaker 2: Hiding place, thus diverting the police search light.
Speaker 6: And gunfire for a few seconds necessary to give Connie
his chance to make his get away. Harper gave police
this version of Connie's escape just before he died from injuries,
the saying to the joy.
Speaker 3: Who's there? Just me Allison? Sorry to wait here, Connie. Yeah,
you got to sleep with your windows open, Alison. The
fresh air is good for you. What do you want?
Speaker 2: Why don't you come to the door?
Speaker 3: Windows offer less resistance. I want it in with no arguments,
So get it. It's something going wrong. It's something go
you Stooly. What happened?
Speaker 2: Did they get the alarm?
Speaker 7: Fix.
Speaker 3: We never had time to find out that were waiting
for us.
Speaker 2: Stay a law.
Speaker 3: If you didn't know I did not, don't don't. You're
gonna pay for this, Arniston. You're gonna pay fast because
your pounds of cops are gonna figure me to come here.
But I couldn't run off without saying good bye here.
Speaker 2: You got it wrong, Connie, believe me.
Speaker 3: It's no you, Sallison. You willn't want who steered me
into the tray with the trap on it?
Speaker 4: Not much?
Speaker 5: I shouldn't.
Speaker 3: I I'm not trying to let me explain, explained. I
got the dough from you, and I got.
Speaker 6: It from somebody else.
Speaker 2: There's a stool.
Speaker 3: It's it's him, not me.
Speaker 2: He holl his truth to help me. I thought he
was on the level. I didn't know about.
Speaker 3: Right, you got it for somebody else? Who else?
Speaker 2: What are you gonna do to one? If I tell you?
We lay off me?
Speaker 3: You pants? Now? Who is it? Before? I right?
Speaker 2: I'll talk? I'm listening.
Speaker 3: It's it's White Frank Whiteman. Yeah, why didn't you tell
me about this when you're lad out that? Yeah, like
has been going straight.
Speaker 2: They didn't want nobody to know.
Speaker 3: He was selling information.
Speaker 4: At least that's what he told me.
Speaker 3: If this is just a store a life, No it isn't.
Speaker 2: It isn't.
Speaker 3: Get hold of wagon, make him talk. You'll find up
sure Rallis and I intend to.
Speaker 5: Hello hello operators. Just thank Wager. I wanted to ambulance
right away. And the police. Who Yeah, Wager w A
g n E R in the heart and hurry please
my husband.
Speaker 2: Jump and shot?
Speaker 3: Yes, hello missus Wagner and Mike Wearing, Oh yes, miss Wearing?
Speaker 1: Can you thanks?
Speaker 5: My husband asked me to send for you. He wants
to see you. He was injured in the shooting about
a month ago. You may have read about it.
Speaker 2: Yeah, I remember where is he?
Speaker 5: Right down this hall. He's still in.
Speaker 2: Bed calling to the paper. He had a close call.
Speaker 5: He certainly did. The bullet just missed his heart for
a while. The doctors didn't hold out much hope. Here
we are, Frank, here's Mike Wearing.
Speaker 1: Oh yes, come in Wearing, Come in hello Wagner. So
you o the folk?
Speaker 2: And uh does the show? Tell me? Quite? The detective?
Speaker 3: And if I did not get a new publicity agent,
I want you to find out who shot me.
Speaker 2: I don't you know. No, don't you have any enemies?
Can't think of any. I'm a very likable character. How
does it happen the middle of the night. I'm in bed?
See doorbell rings?
Speaker 3: I opened the door, bang like that. I'm in the
hospital with a hole in my chest.
Speaker 1: Then you were face to face with the person who
fired the shot.
Speaker 2: You had a.
Speaker 3: Flashlight shined it to my face. I couldn't see a
thing nothing. Yes, right, we's miss Willis?
Speaker 5: Or what do you want?
Speaker 2: A gust? Wh's Miss Willis?
Speaker 5: I let her go? You were worried about the extent.
Speaker 1: Yes, but I'm going to need a lot of nursing.
Speaker 7: I don't know I can handle.
Speaker 3: No, what do you want?
Speaker 2: There's the water? All right, I'll be right there. Good
kid that wedding.
Speaker 3: Hate to do this to her, but still so Doug
one week, I can't move out of this bed.
Speaker 7: Now. Uh?
Speaker 1: What what are we talking about?
Speaker 2: The shooting? Oh? Yes, I didn't see who did it.
You're not giving much to go on.
Speaker 3: All right, I'll give you something. What's a fellow named
Bardy Allison?
Speaker 2: I think he knows he did the shooting.
Speaker 3: What makes you think that he called me in the hospital.
We talked that got the idea, knows something but wants
cash to spill it.
Speaker 1: All right, I'll get to Allison.
Speaker 2: See what he knows.
Speaker 3: Only one trouble price too high. No, we didn't get
around talking to terms.
Speaker 2: Well. I sent a wife around to see Allison disappeared.
Speaker 1: Oh great, would.
Speaker 2: You find Allison? It's ten to one. You'll get to
the boy we're looking for.
Speaker 1: Okay, I'll go to work on it.
Speaker 2: Do that wedding and hurry, will you?
Speaker 3: Last time he missed me by a fraction of an
inch would be next time He'll hit the center. And
now back to the Adventure of a Falcon. It's half
a day since Mike Wearing went to work for Frank Wagner.
Now on a small restaurant near General Square in Jersey City.
Mike slips into a booth and smiles as a nervous
little man sitting across the table from him.
Speaker 1: Hello, Allison, Who are you?
Speaker 2: Mike Wearing?
Speaker 1: Ah?
Speaker 2: How do you know my name?
Speaker 1: I have your picture?
Speaker 2: I've been looking for you. How'd you find me?
Speaker 3: Very simple, Alison, You're not as lost as you think
you are.
Speaker 1: Besides, I have my sources of information. What do you
want with me just to find.
Speaker 3: Out if you're as good at answering questions as you
aren't asking them.
Speaker 2: What questions?
Speaker 7: Now?
Speaker 2: Number one? Well, do you know about the Wagner's shooting?
Speaker 3: Who says I know anything?
Speaker 2: Wagner?
Speaker 7: Ah?
Speaker 3: What does he say about me?
Speaker 2: He said, you have information about the shooting? For sale?
Speaker 3: He's lying?
Speaker 2: Why should he?
Speaker 7: All right, it's true.
Speaker 2: Werry, I do have information.
Speaker 1: What do I do?
Speaker 2: Sit here?
Speaker 3: While you argued out with yourself?
Speaker 2: I know who tried to kill wagon? Good? What did
it cost me?
Speaker 3: Are you working for Wagner?
Speaker 1: Uh?
Speaker 2: Huh?
Speaker 3: I don't get it. But just what Wagoner's after to
keep on living? He says, I can tell you who
shot at him? Is that it?
Speaker 1: Uh huh?
Speaker 2: You said the same thing. So I'm waiting.
Speaker 3: Are you sure you're working.
Speaker 2: For Wagner wearing? Why not? How can I be sure?
Speaker 1: There's a phone called Wagner? All right, all right, you're
working for wagon but more as your daughter Allison.
Speaker 2: Nothing.
Speaker 3: I'll tell you who shout him?
Speaker 2: For free? For free? I want to get out of this. Okay,
here's a chance to start getting him. Who did the shooting?
Speaker 3: Ted?
Speaker 2: Connie? Honeye? Why oh?
Speaker 3: Connie got the idea Wagoner put the law on him.
Speaker 1: Where do you get that idea?
Speaker 2: I don't know.
Speaker 3: You accuse me? When I convinced them it wasn't me,
he said, then I must be Wagner.
Speaker 1: That's all I know about him.
Speaker 2: I see.
Speaker 3: That's why I ran out when I heard Wagner was
shut up.
Speaker 2: With Sure Connie did it?
Speaker 3: Connie knew I was sure, so he might try to
shut me up.
Speaker 2: All right, Allison, let's go go where home? But if
Connie I found do you hear? What makes you think
Connie want?
Speaker 3: Hey, that's a fuss, and I don't think you have
to worry about him anyway, Allison, So you can go home.
Speaker 2: Connie's in enough trouble. Wasn't me very smart of him
to go looking for more? It's right, Wearring.
Speaker 3: But what do I do if it turns out Connie
isn't very smart?
Speaker 2: Oh? Well, you follow Allison? It was quick, Warring.
Speaker 3: Oh, not much to it.
Speaker 2: Wagner and I check with missing persons. They referred me
to the robbery division. You mean the police knew where
he were. Yeah, seems he's been a stooley for them.
They used him on Connie. So when Connie escaped. They
figured he might go gunning for Allison. They sent a
man to cover Allison. He followed them to Jersey City
and Allison never knew. But I didn't see any reason
to tell him.
Speaker 3: But they knew where to find him if they wanted him.
Speaker 2: And uh now now he's home again. Suppose he skips
out again.
Speaker 3: Now I got a man watching his place this time.
We may need him to clinch things against Connie.
Speaker 2: If we find Connie.
Speaker 7: Wonder where he got the idea.
Speaker 3: I pipped them to the police? MM from Alison? That
would you say, Alison, Allison's a liar. I'm willing to
bet he steered Connie to you when turn came gunning
for me.
Speaker 2: Could be so. Now all we need is to find Connie.
Speaker 3: That's what I like about working for you, Wagoner and
just one goose chase after another for wearing what's better
for chasing geese and a falcon?
Speaker 2: Oh, missus Wagner, come in, thank you?
Speaker 1: Uh so you left your patients alone.
Speaker 5: You'll be all right till I get back. If he
needs anything, it's a phone right by the bed.
Speaker 2: Well, what can I do for you?
Speaker 5: I wanted to talk to you without.
Speaker 1: Paint knowing what about Well, now that the.
Speaker 5: Nurse is going, there's no one at our place except
Frank and me, and he's completely helpless. He tried to
walk to day, but he only took two steps and fell.
Speaker 3: M M.
Speaker 5: Well, suppose Connie comes back and tries to shoot Frank again?
What could I do? I I think that we ought
to have a man around the place, don't you, at
least at night?
Speaker 2: Might be a good idea.
Speaker 5: I didn't say anything to Frank. I didn't wanna worry him.
Speaker 3: Well, I'll see if I can get you someone someone.
Speaker 1: But I more's the matter?
Speaker 5: H nothing, It's just that, well, you're already in the case,
and they do have a guest.
Speaker 2: Room, and I see tell me something, missus Wagner.
Speaker 5: Why don't you call me Patty? Now that we know
each other, do we, well, don't we? I feel as
if I'd known you all my life.
Speaker 2: I feel as though I've known you all the twenty minutes.
Speaker 5: Well, if you come to our place, you'll get a
chance to know me better.
Speaker 2: That's I believe you don't like me.
Speaker 5: Did I say that you think I'm a healed because
Franks laid up.
Speaker 1: He told me a good girl don't take him too seriously.
Speaker 2: Might he talks protect too? Will you come to protect Frank?
Speaker 5: Connie might come back.
Speaker 2: To Sure it's Connie.
Speaker 5: I thought that was said?
Speaker 1: And no, not quiet.
Speaker 2: There are a couple of things. What can you tell
me about the shooting? Can you add anything to what
your husband told me?
Speaker 5: I'm afraid No, it wasn't home that night. Oh you're
trying to jest something.
Speaker 2: No, no, no, excuse me, Patty?
Speaker 1: Hello right, Spike, Wagner, Oh, yes, Wagner. What is it?
Speaker 7: Rank?
Speaker 6: What does he want?
Speaker 2: Allison's his phone?
Speaker 4: Rag?
Speaker 2: He wanted a jew cause he's contacting Connie.
Speaker 3: That was where you can find him?
Speaker 2: Where? He wouldn't say over the phone. I think he
wants cash. Mm starting that routine again. All right, Wagner,
I'll be ride over. How on what is it we're
going to visit Allison?
Speaker 5: We I have to get back to Frank. He's alone.
Speaker 2: Maybe he's spatter.
Speaker 7: Off that way?
Speaker 5: Why do you say that?
Speaker 2: Mine?
Speaker 3: But if we're going to get to know each other,
we might as well start by sticking together.
Speaker 5: Now you walk so fast?
Speaker 2: Something's going on that I don't like.
Speaker 3: Here we are I had a man stacking across the
street to see that Alison didn't leave, But he wasn't
there when we came in. Could mean that Allison has
left in my man's tailing him. But then why would
Allison send for us?
Speaker 2: I hear somebody maybe repining on it.
Speaker 1: Oh, you wearing so you're.
Speaker 2: Not tailing him? I thought I asked you to stay
across the street. But unless Alison went out, he's uh
the what are you doing here? Why an't you tailing him?
Speaker 1: This is where he's out?
Speaker 2: But keeps what?
Speaker 3: I heard?
Speaker 2: A shot? I came up to investigate. Somebody must have
come in the back way. Allison's dead. You want to
look for yourself.
Speaker 5: After dark already? I didn't intend to be gone this long.
I hope thanks all right? Do you believe it or not?
Speaker 3: Mike?
Speaker 5: I don't want anything to happen to him. Then I'd
really feel guilty and stop smiling.
Speaker 2: Was I smiling?
Speaker 5: Well? After all, I'm the one who called the ambulance
and Frank was shot. I saved his life.
Speaker 2: Don't forget that you called thelance? Yes, thought you weren't
home that night.
Speaker 5: I got home a little after the shooting and found
Frank on the floor.
Speaker 2: I see.
Speaker 5: Besides, I meant any harm to Frank. Now, would I
ask you to come along to protect him?
Speaker 2: Is that why you asked me one of the reasons?
Speaker 1: Of course, I do have others.
Speaker 2: Yes, So I've noticed.
Speaker 5: I think we'd get along, Mike, once you get over
your silly.
Speaker 3: Suspicion, and once you get the idea that all I'm going.
Speaker 2: Along for is to protect Frank. Alright, only one thing
bothers me, Angel what's that?
Speaker 7: Who's going to protect me?
Speaker 3: You'll have to forgive me, Wagner. I make a habit
of coming through windows accent christening your mind.
Speaker 2: Connie.
Speaker 3: Yeah, Connie, I've been hauled up long enough. Figure it's
time for me to blow. So I've heard I better
settle with you and Allison first. Too bad, you hear
Royll Along, I.
Speaker 2: Thought you'd be crazy enough to come here, Connie.
Speaker 3: Nobody did. That's how come I'm here.
Speaker 2: Barking up the wrong tree. Power. I had nothing to
do with your brush.
Speaker 3: With the law, Allison says. Difference is Alison your idea
of the soul of honesty now, Wagner, but neither a year.
You've got no call to suspect me except Allison says,
you're gonna prove he was lying?
Speaker 1: Am I going to do that?
Speaker 3: That's your problem?
Speaker 2: Get Allison, bring him here, face the thing.
Speaker 3: I've had enough of that kind of starting Wagner.
Speaker 2: I don't know what to say.
Speaker 3: I don't say anything. I'll settle with you, just like
I was sure. I'll draw. What can I lose? But
you're life? Oh, Connie, wait, I've waited, Lyne may. Somebody's
coming must be Petty wiscon says, you don't make a
sound way right, it's tell her it is go ahead, Yes, Patty,
everything's all right. She's got somebody with it.
Speaker 2: Sounds like.
Speaker 1: I don't have to cover both.
Speaker 2: I remember you. Not a sound like wearing.
Speaker 5: Thank I thought it'd be a good eye.
Speaker 2: Life's just full of little surprise.
Speaker 3: Get over next to Wagoner's bet you don't do it wearing.
You can't watchers both where he is shut up white
not it's wearing. Now's your chance here, all right, Patty,
goot went into the wall.
Speaker 2: He's going down the final escape.
Speaker 3: I can't follow because he's got a clear shot at
me in the window. Patty, only the door, turn off
the line alight, that's better you see.
Speaker 2: Him and now the odds are my way. All right, Mester,
that's far enough.
Speaker 1: I got a gun.
Speaker 3: Yes, I don't take another step.
Speaker 2: That's the show.
Speaker 3: I'm not pulling a stand still.
Speaker 2: The next won't be a warning.
Speaker 3: All right, don't shoot again and drop your gun. Go ahead, okay,
drop it dropped something.
Speaker 1: I heard it.
Speaker 2: I don't know if it was a gun. It's too
dark down there, but I'll go see and I'll call
it to me. No, he wasn't fluffing. Don't see you later, Patty.
Speaker 4: I hope.
Speaker 3: Ah. Back to the Adventures of a fuk. It's half
a minute since Mike Wearing ordered Ted Connie to surrender,
and Connie.
Speaker 2: Went through the motions of obeying.
Speaker 3: Now Mike approaches Connie on the fire escape, hoping that
Connie can neither.
Speaker 2: Fire nor escape. I said, fella, just stay that way
until I pick this up.
Speaker 3: I'm gonna callt you weary. You must be the fog.
Speaker 2: Yeah, you must be Ted. Connie. I've been looking for you,
Lena stay.
Speaker 3: You're a smart Cookie Wearing, so maybe you'd be interested
in the proposition.
Speaker 2: I don't sell out, Connie, say you're not smart. It
depends on the point of view.
Speaker 3: I can make it what you while.
Speaker 2: Yeh, no, dice, I don't need that kind of money.
There's nothing I can say. I can't think of a thing.
You'll be sorry about this? Worry heavy, Conye not half
a sorry as you. Let's go.
Speaker 1: I talk and I'll hold him till you get here.
Speaker 2: Ride so long, oh Connie. The police are on their way.
Speaker 3: I heard you ask the sergeant Carver with a homicide.
I didn't kill anybody.
Speaker 2: You tried to kill me?
Speaker 5: Did you kill out?
Speaker 3: I didn't, I listened as Wagner he has, well, I
didn't do it.
Speaker 2: Tell me something, connye and why why did you come here?
Speaker 3: I don't have to answer to you?
Speaker 2: All right, Wagner? Will and how about it, Wagner.
Speaker 1: Just as you guessed?
Speaker 3: Well, he said, Allison told him that I was the
one who put the law.
Speaker 2: So we came to finish up. But he started before.
Speaker 3: I didn't shoot you, Papa, but you were going to
shoot him this time. I was gonna make him talk.
Speaker 2: What did you do from the moment you entered this room?
Speaker 3: Nothing? It was only here a minute when you came.
All right, in that minute, nothing, he threatened me. All right, Now,
let's have it from the beginning, from when he entered.
But I'm lying here reading and I hear it crash.
I look around. He's coming through the window. He has
a gun, he tells me. He's been hold up long enough.
He's getting out now. The first he's hting with Alison
and me.
Speaker 2: Oh, with Allison in you. That's what he said.
Speaker 3: I didn't get around Allison. I came here first.
Speaker 1: That you said you were settling with Alison.
Speaker 3: Look wherey you got me. They're going to throw the
book at me. But I didn't shoot Allison. They're not
getting me for that.
Speaker 2: I will see Connie Wagner. Get up?
Speaker 4: What?
Speaker 2: Get up? Walk across the room? I can't just from
the bed to the door and back. What's the idea?
I want to see how strong you are. I can't
walk at all without help. I'm too weak. Can you crawl?
I don't know. Maybe what are you trying to prove?
Maybe you're stronger than you pretend.
Speaker 3: Why should he pretend?
Speaker 2: Makes a good alibi?
Speaker 3: Hey, that's an idea. Maybe he killed Alison and a
kind of Alison's sick me on him?
Speaker 2: No crazy?
Speaker 5: Do you think he crawled all the way to Alison?
Speaker 2: This is ridiculous.
Speaker 3: I haven't said put out of this bed alone, and
we call him on a weary make him get up,
make them walk?
Speaker 2: Maybe I will, Connie, provided you explain one thing.
Speaker 3: What's that?
Speaker 2: How come you and you? Allison was shot?
Speaker 3: Uh? Well? You so I said he was killed. I
didn't say how well that's right?
Speaker 2: Where well?
Speaker 3: I uh, I just figured it was part of the
same deal. Wagner was shot, So I figured if it
was the same person both times, as Allison be shot too,
except you accused me.
Speaker 2: I didn't shoot myself.
Speaker 3: I didn't think about you.
Speaker 2: Joy.
Speaker 3: You to to what Waring said about maybe you could walk.
Speaker 2: That's pretty flimsy, Connie.
Speaker 3: Oh, I wouldn't say that, Wagner, and I'll accept that explanation.
Speaker 2: What worry has. It's plausible enough so that leaves you wagoner.
Speaker 3: I promised Connie if he could explain, I'd ask you
to walk.
Speaker 2: I'd go ahead, walk.
Speaker 3: I can't, all right, I won't argue about it as
long as you can walk into the court room.
Speaker 5: You're serious about this night. You don't really think it
prank killed Allison?
Speaker 1: Sure you know Wagner you told me you're a friendly guy.
Speaker 3: If I have an idea you're going to lose your
popularity off of a suddenly. After all, you can't shoot
your friends and have them too.
Speaker 5: I still can hardly believe it, Mike.
Speaker 2: Why you were already fed up with Frank, but I
never thought he'd kill him the one as war.
Speaker 3: Alison kne him better than you, didn't he is in
order to get off the spot with Connie, and Alison
blamed Frank for tipping the police to Cannie. But Alison
knew as soon as Frank heard about it he'd tried
to get even, so Allison tried to kill him to protect.
Speaker 5: Yourself, but he only wounded him instead.
Speaker 3: MM and Frank wanted revenge, so he hired me to
find Alison farm. He knew Alison did the shooting, but
he pretended not to know because he wanted to.
Speaker 1: Blame Connie, so he did't flame him for the murder.
Speaker 5: Well, what put you on the right track?
Speaker 3: I was a sprecious when Frank said Allison called him
wanting to talk to me.
Speaker 2: He could have called me direct.
Speaker 5: Maybe Allison thought you were at optly.
Speaker 2: Yes, but when I wasn't, Why didn't Allison call me direct?
All Right?
Speaker 5: That made you suspicions. But you certainly must have had
something more than that to make you accuse me.
Speaker 1: Oh I did.
Speaker 2: He's lying about not being able to walk. Finished. How
did you know he was lying?
Speaker 1: Well, I said he couldn't walk at.
Speaker 2: All, not even from his bed to the door.
Speaker 3: Well, well, it was light when you left him. When
you returned, it was dark, but Frank had been reading.
The light was on in the room and the light
switches by the door, I remembered.
Speaker 2: Because you turned the lights out of the door when
I was chasing Carne.
Speaker 5: Right, so Frank could walk.
Speaker 7: Uh huh.
Speaker 2: And that's all there is to it. I mean, huh huh.
Speaker 5: And now that Frank's and Jail's a murdering me, But
you won't be so stand offish.
Speaker 1: As far as I'm concerned. After all, I'm sure he
was like me.
Speaker 2: Once you got to know me better. Yeah, it could be,
but I've always heard that what you don't know won't
hurt you. So Angel, I'm afraid part of my education
will have to remain sadly neglected. We hope