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<v Speaker 1>Meaning a man like this man letting butterfly flapping his wing.

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<v Speaker 2>They've down in a force.

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<v Speaker 1>Man, it gonna cause a tree fall, letting five thousand

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<v Speaker 1>miles away.

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<v Speaker 2>Man, nobody see nobody else. You mightn't see that. You

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<v Speaker 2>don't need to know it. Man, you don't like you

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<v Speaker 2>followed another story and you got back to feel like

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<v Speaker 2>that's the win. Man. Don't like to nag on the panel. Man,

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<v Speaker 2>Now you don't get no better man, no kind of anyway.

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<v Speaker 1>Let's take it for granted that there is an attempt

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<v Speaker 1>to control us. There are institutions, both cultural and political,

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<v Speaker 1>that exists to shape the way you think, the shape

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<v Speaker 1>the landscape of the cognitive war. The info war is

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<v Speaker 1>one man once said, and it is an interesting thing

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<v Speaker 1>that there's both a science and an art to it.

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<v Speaker 1>Some of it is applying large numbers, while other parts

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<v Speaker 1>of it seem almost like sorcery. The ability to spend narrative,

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<v Speaker 1>the ability to give someone a reason that they think

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<v Speaker 1>is completely legitimate for why they do what they do.

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<v Speaker 1>And that's really what power is. The ability to convey legitimacy. Certainly,

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<v Speaker 1>certainly some part of it its force. It is the

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<v Speaker 1>ultimate form of power. I can make you do something,

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<v Speaker 1>but once you're in you need that legitimacy. You need

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<v Speaker 1>people to see you as the guy who ought to

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<v Speaker 1>be in charge, or at very least the guy who

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<v Speaker 1>is completely and totally in charge. And there are two

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<v Speaker 1>broad types of leaders, as Machiavelli tells us, the lions

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<v Speaker 1>who lean towards that force of arms men like Charlemagne,

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<v Speaker 1>and the Foxes, those who rule through manipulation and narrative control,

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<v Speaker 1>much more like our current elite. And because we are

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<v Speaker 1>in a system of foxes, we are in a system

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<v Speaker 1>of total narrative control. The whole thing is designed to

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<v Speaker 1>change what you think, obviously about political events, but also

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<v Speaker 1>well who you are, what you do, what a good

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<v Speaker 1>person does, and so without ever having a commisar in

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<v Speaker 1>the room, people will fall in line. There certainly is

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<v Speaker 1>a threat, but so much of it is done through

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<v Speaker 1>social signals. That's why I think this episode is interesting

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<v Speaker 1>because when we're primarily talking about public relations, exactly that wizardry,

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<v Speaker 1>the blending of statistical modeling and what we actually understand,

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<v Speaker 1>and it's very easy to pick out, especially if you

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<v Speaker 1>look further back in time, because it was less sophisticated

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<v Speaker 1>at least from some perspective. You look at political radio,

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<v Speaker 1>whether ours the German or the Russians from the nineteen thirties,

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<v Speaker 1>and it's almost comically sincere. It's the sort of big

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<v Speaker 1>brother stuff, big head on the screen, jingoistic music, and

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<v Speaker 1>constant radio propaganda. But it's never gone away. Far from it.

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<v Speaker 1>The form has changed, even if the underlying science of

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<v Speaker 1>control is all the same. It's why I think that

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<v Speaker 1>so much of the right wing dissonance sphere got its

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<v Speaker 1>start in media analysis. That is one element of this,

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<v Speaker 1>using Hollywood, using literature as a way to sort of

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<v Speaker 1>like a spike protein, inject ideological material into your brain

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<v Speaker 1>at a level that you might not even be conscious

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<v Speaker 1>of it. It's one of those things that it's easy

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<v Speaker 1>to dismiss as sort of tinfoil hat nonsense. You've seen,

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<v Speaker 1>I'm sure the people who take this way too far,

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<v Speaker 1>the idea that everyone on your television screen is an

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<v Speaker 1>AI demon or a secret troon, you know, the overlay

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<v Speaker 1>of course of the male and female skull over any

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<v Speaker 1>person of any relevance whatsoever. It can drive you crazy.

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<v Speaker 1>And there's a certain degree to which it seems designed

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<v Speaker 1>to do exactly that. Designed to channel people into these

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<v Speaker 1>sort of limited hangouts where their legitimate concerns can be

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<v Speaker 1>safely contained, sort of like a pearl, almost rounded off

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<v Speaker 1>within the organism and reduced to something ultimately harmless, at

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<v Speaker 1>least the regime, but for conscious dissonance, right, for people

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<v Speaker 1>who understand that they must sort of find their way

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<v Speaker 1>through this cognitive landscape. An understanding of these tools right,

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<v Speaker 1>how your mind is changed is important. Something I've been

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<v Speaker 1>talking about is the algorithmic level, how social media can

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<v Speaker 1>change what you think based off of what you're seen,

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<v Speaker 1>but you're being shown. Obviously, you add a financial incentive

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<v Speaker 1>to that. You know, people creating content will receive more money,

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<v Speaker 1>less money, more viewership, less viewership for talking about certain topics,

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<v Speaker 1>And it's not hard to look at it and see

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<v Speaker 1>this sort of rainbow colored panopticon, you know, being built

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<v Speaker 1>around you. But I think it's important to understand how

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<v Speaker 1>we got here, right, the basis of this dark art

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<v Speaker 1>figures like Edward Brenees, certainly, but there are many others

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<v Speaker 1>we will reference. It's important to know how we got

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<v Speaker 1>here because once you've picked up on the trend, once

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<v Speaker 1>you've looked at an older version of propaganda something that's

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<v Speaker 1>easier to identify. We've honed your skill, you're more perceptive.

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<v Speaker 1>You can sort of see the lines running through it.

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<v Speaker 1>And look, it's sort of the perfect time to talk

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<v Speaker 1>about this after the Iran War, which seemingly is wrapping up,

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<v Speaker 1>which I think is a good thing. But I don't

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<v Speaker 1>think it was a good idea. I think it was

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<v Speaker 1>started for stupid reasons, waged poorly, and now we're sort

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<v Speaker 1>of scrambling for less than we had before. But it's

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<v Speaker 1>a conversation for another day. One of the things that

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<v Speaker 1>marked it, and you heard this in my coverage as

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<v Speaker 1>well as my friends, you know, Darryl Cooper, Veris, Scott Horton,

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<v Speaker 1>all saying that it's very difficult to understand what's happening.

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<v Speaker 1>There's so much narrative, so much propaganda. It's very difficult

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<v Speaker 1>to divine what's actually happening. Because one of the additional

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<v Speaker 1>features of this propaganda system is it's completely and totally shattered.

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<v Speaker 1>There are multiple different parties warring for your brain at

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<v Speaker 1>all times. Sure, the lefties are wrong when they say

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<v Speaker 1>that the Russians won the twenty sixteen election for Trump,

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<v Speaker 1>but there's very clearly a Russian information opp there are

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<v Speaker 1>Chinese information ops, certainly Israeli, an American, but many others

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<v Speaker 1>as well. It isn't simply just one unified them. Although

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<v Speaker 1>let's be honest, some figures appear more often than others.

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<v Speaker 1>But this pr landscape is everywhere. You need to understand

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<v Speaker 1>it or else you can't parse anything that's happening. I mean,

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<v Speaker 1>even look at someone like Erica Kirk, who's someone amazingly

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<v Speaker 1>fumbled her position into being widely reviled despite having you know,

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<v Speaker 1>one of the most sympathetic stories imaginable, an example of

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<v Speaker 1>course of how that can turn wrong. But there are

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<v Speaker 1>many other figures, Bill Gates who successfully redeemed his reputation

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<v Speaker 1>at least for some portion of the public, Politicians, Bills positions, whatever.

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<v Speaker 1>This is how politics is waged. I think you'll enjoy

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<v Speaker 1>this episode. It's a little more lighthearted. We get into

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<v Speaker 1>serious stuff, but you know, a lot of it is

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<v Speaker 1>kind of joking back and forth. And before I start

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<v Speaker 1>it off, just like to thank you guys. As I've said,

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<v Speaker 1>obviously we just hit five hundred episodes, but also this

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<v Speaker 1>is the one year anniversary at least when I'm recording

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<v Speaker 1>this on the eighteenth of me becoming a professional, full

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<v Speaker 1>timer going for it, and the growth has been significant.

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<v Speaker 1>I appreciate you guys for that. It's going well. Not

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<v Speaker 1>a wealthy man by any means, but I can support

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<v Speaker 1>myself largely due to you guys, and I can't thank

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<v Speaker 1>you enough. If you're interested in supporting me well, for

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<v Speaker 1>a few bucks a month, go to Patreon, Substack, or

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<v Speaker 1>gum road get the episodes early and ad free. Can

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<v Speaker 1>I start check out our sponsor, Axios, remote fitness and

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<v Speaker 1>coaching service I use constantly. I've been using for years.

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<v Speaker 1>It's a part of my routine and i'n't done the math,

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<v Speaker 1>but I think a large percentage of the guys in

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<v Speaker 1>Axios are there because I told him to and they

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<v Speaker 1>stick around. It's a good service. It's worth your time.

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<v Speaker 1>So head over there, and without further ado, here's the episode.

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<v Speaker 1>All right, Aaron Clowntown Chronicle, How you doing man?

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<v Speaker 2>I'm good man. It's a little rainy here. I don't

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<v Speaker 2>know what it's like all the way out there, but

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<v Speaker 2>it's hot.

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<v Speaker 1>The answer is hot. I live in the South. The

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<v Speaker 1>answer is always hot. It's just is it hot and

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<v Speaker 1>raining or hot? And you wish it were raining. There's

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<v Speaker 1>really nothing in between.

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<v Speaker 2>I spent a lot of time in Texas, and I

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<v Speaker 2>don't think I understood heat until I live there, because

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<v Speaker 2>I spent most of my life and am currently in

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<v Speaker 2>the Midwest, where it's not that bad. I mean, it

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<v Speaker 2>does get hot. It also gets very cold, but not

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<v Speaker 2>Canada cold, you know what I mean.

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<v Speaker 1>Yeah, I think I've just determined that wherever you pick

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<v Speaker 1>to live on the North American continent, you will be

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<v Speaker 1>miserable for at least six months of the year. And

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<v Speaker 1>really the only thing you get to pick is which

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<v Speaker 1>six months or all of them.

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<v Speaker 2>Right, and which what kind of misery you want to

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<v Speaker 2>live in for those six months? You know? Yeah?

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<v Speaker 1>Yeah, Like you can pick fire right where there's the

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<v Speaker 1>whole state burns, you can have enter or you can

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<v Speaker 1>just live on the Gulf coast and get flooded by

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<v Speaker 1>hurricanes and then shot to death. Uh and I guess

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<v Speaker 1>that's the local weather.

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<v Speaker 2>Yeah, well, I mean this is this is like a

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<v Speaker 2>very very Newsy show, now, isn't it. Since we're talking

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<v Speaker 2>about the weather to started off, do you want to

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<v Speaker 2>go into sports next?

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<v Speaker 1>See Aaron I am on a month's long crusade to

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<v Speaker 1>purge relevance for my podcast. So you know what I

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<v Speaker 1>think if we started doing a weather segment, uh, it

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<v Speaker 1>would It would accomplish two goals, which is one, keep

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<v Speaker 1>me from talking about anything real and two drive my

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<v Speaker 1>audience crazy. Oh and so uh yeah, I mean it

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<v Speaker 1>seems like there's a big stormfront coming in from Boise today.

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<v Speaker 2>Oh lord, here we go. You know, it's funny speaking

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<v Speaker 2>of weather. I was just doing a stream with my

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<v Speaker 2>buddy Newsfist. We do a stream called clown based life

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<v Speaker 2>Forms once a week. It's all.

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<v Speaker 1>I just saw a Newsfist not that long ago. He

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<v Speaker 1>was at the same conference I was in Tennessee.

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<v Speaker 2>Yeah. He uh, he's in the States and he's very

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<v Speaker 2>very happy to be here. But our last stream, I

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<v Speaker 2>almost got blown away by a tornado and I didn't

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<v Speaker 2>even know it.

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<v Speaker 1>That would be a great way to sign off, just

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<v Speaker 1>just like loud rushing noises and the mic goes dead.

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<v Speaker 1>Just just make sure you don't respond to a DM

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<v Speaker 1>for like two three weeks to really freak people out.

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<v Speaker 2>Well, what's funny is, so the power went out and

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<v Speaker 2>I was like, ah, man, I didn't think that this

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<v Speaker 2>storm was that bad. And so, you know, I'm bitching

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<v Speaker 2>and complaining on my show on the stream. Like when

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<v Speaker 2>I finally get back in through my phone, I'm like, oh, yeah,

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<v Speaker 2>you know, it's just a bad storm. I guess that's

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<v Speaker 2>the Midwest. It wasn't until the next day that I

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<v Speaker 2>went out that I realized there were two tornadoes, one

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<v Speaker 2>to the south of me and one to the north

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<v Speaker 2>of me, and they just skirted right around my little

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<v Speaker 2>bug hovel up here in the apartment center of somewhere Wisconsin.

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<v Speaker 2>You know.

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<v Speaker 1>But well, here's the I think, is someone with the

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<v Speaker 1>podcast Aaron, Yeah, you have to figure out, you know,

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<v Speaker 1>how you're gonna do it, Like, what's your dB Cooper

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<v Speaker 1>style solution to exit the game after you've embarrassed yourself,

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<v Speaker 1>you know, ruined your life. And I've long said what

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<v Speaker 1>I'm gonna do is, uh it just you know, start

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<v Speaker 1>a live stream, can carry on like normal, and then

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<v Speaker 1>just fire a gun out the window and never record

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<v Speaker 1>another episode again, which I realized I may have now

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<v Speaker 1>spoilt the secret. So if I am killed by agents

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<v Speaker 1>of Masad mid live stream, no one will care because

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<v Speaker 1>they'll assume it's just part of a practical joke. Have

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<v Speaker 1>you put thought into.

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<v Speaker 2>This have I Uh, well, see, I had one podcast

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<v Speaker 2>before called We talked About Dead People, which was a

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<v Speaker 2>history podcast combined with like a comedy sketch podcast, which

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<v Speaker 2>was probably the craziest thing I ever did that one

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<v Speaker 2>about seven years and the way we ended it was

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<v Speaker 2>my co host had children.

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<v Speaker 1>Ah, yeah, that's the classic. That's the classic end to it.

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<v Speaker 2>Yeah. So then I just disappeared into the wilderness until

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<v Speaker 2>I started Clowntown Chronicle, which is somehow a more serious podcast.

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<v Speaker 2>Sometimes it's crazy, history can be weird.

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<v Speaker 1>Well, we're not entirely here to talk about faking our

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<v Speaker 1>own deaths on the internet and the weather, although I

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<v Speaker 1>assume we'll get back to it. But uh, you're a

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<v Speaker 1>mass communications guy, and I'm going to put you on

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<v Speaker 1>the spot because I've given you exactly one bill O'Reilly

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<v Speaker 1>giff of context for what we're going to talk about.

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<v Speaker 1>And look, I'm I'm I have no idea about communications,

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<v Speaker 1>public relations, or anything, but I can tell when it

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<v Speaker 1>breaks down. I can tell when it breaks down pretty

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<v Speaker 1>obviously it's clear. And again, this may not be your expertise,

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<v Speaker 1>so I may just be asking you, as as a

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<v Speaker 1>fellow podcast american, what in the world is going on

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<v Speaker 1>with Erica Kirk.

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<v Speaker 2>Well, first off, she's a I'm informed by an AI

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<v Speaker 2>video I saw of Elden Ring that she's a boss

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<v Speaker 2>called the Kabbalistic Witch. Okay, I don't know if you

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<v Speaker 2>saw that.

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<v Speaker 1>So that was I mean, that's where I source all

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<v Speaker 1>of my news anyway, So I mean we're going straight

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<v Speaker 1>to the horse's mouth.

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<v Speaker 2>Erica Kirk is a victim of bad PR, which is

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<v Speaker 2>to say, I think she's also a client of what

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<v Speaker 2>was it Stormy was talking about the Adelman or at

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<v Speaker 2>least is it the Adelman Firm? I forget what they

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<v Speaker 2>call themselves. I discovered that like three years ago, and

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<v Speaker 2>I remember looking into it being like, wow, look at

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<v Speaker 2>this list of clients.

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<v Speaker 1>I can't believe the craziest guy on poll was entirely correct.

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<v Speaker 2>Yeah, exactly exactly. So when I see a thing like

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<v Speaker 2>Erica Kirk and like the destruction of her PR campaign,

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<v Speaker 2>I look for a few things that, you know, see,

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<v Speaker 2>I'm not like Encyclopedia brown guy, where I can like

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<v Speaker 2>pull up references right out of my brain. I'm not

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<v Speaker 2>that kind of smart, right, But what I am good

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<v Speaker 2>at doing is detecting patterns of cringe.

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<v Speaker 1>So what you're saying is, Aaron, you're a wizard.

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<v Speaker 2>I think we talked about it before the air. I'm

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<v Speaker 2>a wiz tard.

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<v Speaker 1>No, no, no, Aaron, that's the best. What you do

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<v Speaker 1>is you make a joke that's funny to you and me,

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<v Speaker 1>but the audience is left confused and angry, and that

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<v Speaker 1>prolonged experience of just simmering rage, that's what you want

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<v Speaker 1>to cultivate with an audience. I found.

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<v Speaker 2>Yes, that's true, so let me ruin it for you.

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<v Speaker 2>I was telling Jay before the show that when you

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<v Speaker 2>study mass communications, you get ninety five percent retards who

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<v Speaker 2>kind of like movies and television, and then you get

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<v Speaker 2>five percent who are basically wizards. They understand a realm

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<v Speaker 2>of communication and mask mind control that is indecipherable from

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<v Speaker 2>black magic. Does that clear that up, everybody? I just

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<v Speaker 2>ruined the show, Jay, Oh you did.

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<v Speaker 1>Look, I'm going to have to redirect the masad hit

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<v Speaker 1>team who's going to ruin my fake death to your

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<v Speaker 1>apartment in Wisconsin, and either them or the weather engineers

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<v Speaker 1>are going to send this time three tornadoes. Because clearly

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<v Speaker 1>was not enough to punish you for ruining this show.

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<v Speaker 1>But honestly, man, I know exactly what you're talking about. Like,

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<v Speaker 1>I don't have a ton of experience, but I have

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<v Speaker 1>read my Burns, and you read enough Edward Burnees and

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<v Speaker 1>you come to the conclusion that, Wow, this guy is

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<v Speaker 1>a genius. And also he's a psychopath. Yes, right, yes,

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<v Speaker 1>And then you read into the history of him basically

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<v Speaker 1>getting every woman in America to smoke because he was

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<v Speaker 1>getting paid by Philip Morris. Oh yeah, and you're like, okay, well,

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<v Speaker 1>clearly he can do it. Thankfully he never used those

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<v Speaker 1>tools again.

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<v Speaker 2>Yeah. Well, see, that's the thing is Edward Burnees was

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<v Speaker 2>a was a bit of a thief, right, so a

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<v Speaker 2>lot of his techniques he actually stole from people who

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<v Speaker 2>preceded him on most of his research, and just sort

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<v Speaker 2>of like film, there's a category of people who see

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<v Speaker 2>a tool and try to think to themselves, how can

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<v Speaker 2>I use this for the worst things possible? And then

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<v Speaker 2>there's autistic people who first discover the tool and become

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<v Speaker 2>interested in it, and they write all the good stuff

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<v Speaker 2>that those other guys just steal thirty years later. So

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<v Speaker 2>Brene's got a lot of his crap from a guy

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<v Speaker 2>named Gustave Lebon who wrote a book in eighteen ninety

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<v Speaker 2>something I think called The Crowd, which was a study

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<v Speaker 2>of crowd psychology, and I ended up just reading the

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<v Speaker 2>entire friggin thing for my Patreon because I'd never read

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<v Speaker 2>it before. And you have to understand that this book

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<v Speaker 2>was basically a disintegration or breakdown of how's psychology worked

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<v Speaker 2>before the advent of mass media control. Right, So the

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<v Speaker 2>closest thing we had at the time was basically the

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<v Speaker 2>early days of telegraphy and the newspaper, and before that

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<v Speaker 2>we had like smoke signals and town criers. But this

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<v Speaker 2>is an interesting dovetail, actually, because my interest in history

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<v Speaker 2>revealed a lot of things about our past. Number One,

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<v Speaker 2>it's actually more interesting than everyone gives it credit for.

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<v Speaker 2>Just because they didn't make a movie about it doesn't

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<v Speaker 2>mean it's not movie like or interesting. And that was

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<v Speaker 2>a lot of my work, and we talk about dead people.

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<v Speaker 2>But the other thing is how much history actually changed

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<v Speaker 2>when mass communications came on the scene. Because because we

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<v Speaker 2>live in a world where all of that stuff is

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<v Speaker 2>ubiquitous and everybody carries a camera in their pocket, they

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<v Speaker 2>don't understand that there was a before time, right where

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<v Speaker 2>you couldn't just record everything or stream everything or write

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<v Speaker 2>anything down when you wanted to. There was a before

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<v Speaker 2>time when the only form of communication that you had

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<v Speaker 2>was basically letters and talking to people. So you think about,

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<v Speaker 2>for example, the one of the one of those moments.

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<v Speaker 2>I don't know if you've ever done this, but have

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<v Speaker 2>you ever been reading something and then it's just like

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<v Speaker 2>you lean back in your chair and it's like that

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<v Speaker 2>meme where the lights start shooting out of the guy's brain.

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<v Speaker 2>Have you ever ever seen one of those? Yeah? Have

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<v Speaker 2>you had one of those moments yourself when you're reading? Oh?

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<v Speaker 1>Yeah, I mean I can think of a couple where

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<v Speaker 1>you can just like feel your brain exploding. Yeah, Like

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<v Speaker 1>it's a novel, but Flannery O'Connor's Wise Blood, which is

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<v Speaker 1>like truly and totally indescribable, Like I think I was

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<v Speaker 1>nineteen when I read it, and I could physically feel

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<v Speaker 1>my brain getting bigger and like splitting apart. So yeah,

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<v Speaker 1>I know exactly what you're talking about.

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<v Speaker 2>Yeah. So the biggest, the biggest moment I ever had

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<v Speaker 2>where I literally saw into the ether was when I

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<v Speaker 2>read the transcript. I think of the first telegraph that

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<v Speaker 2>was ever sent from coast to coast in the UK.

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<v Speaker 2>Have you heard this story?

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<v Speaker 1>No, no, I haven't.

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<v Speaker 2>So the first the first telegram that was sent. I'm

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<v Speaker 2>going to mess this up some autists in the comments.

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<v Speaker 2>It's gonna be like that was actually the one that

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<v Speaker 2>was sent from Scotland to English. I don't care man

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<v Speaker 2>long distance telegraph. The first thing ever sent was what

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<v Speaker 2>half God wrought? Yeah? Is that a bit fretty ominous? Yeah,

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<v Speaker 2>So you think about that, it's like, okay, So the

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<v Speaker 2>realization when that kind of thing starts coming out is

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<v Speaker 2>that we can now instantaneously communicate lies across entire countries.

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<v Speaker 2>Now we can do it instantaneously across the entire world

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<v Speaker 2>with video, AI generated video and that sort of thing.

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<v Speaker 2>We can say anything that we want. And so our

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<v Speaker 2>understanding of information gathering and narrative construction is rapidly changing

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<v Speaker 2>in the modern day just because of the amount of

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<v Speaker 2>technology that we have.

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<v Speaker 1>Oh, I mean one hundred percent. And you see this

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<v Speaker 1>interacting with older people, right, people who grew up in

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<v Speaker 1>kind of the before times that they are. It's almost

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<v Speaker 1>like the Dodos, you know, where they're not evolved for predation,

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<v Speaker 1>and so they're just getting absolutely brain blasted by this

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<v Speaker 1>sort of like desert of the real. Yeah, you know,

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<v Speaker 1>I think about this. I was over at an older

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<v Speaker 1>family member's house and we were just talking and he

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<v Speaker 1>had the TV on, and I realized he was watching

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<v Speaker 1>an AI generated documentary about World War two. Oh and

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<v Speaker 1>sure it was about like a logistics team or whatever,

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<v Speaker 1>but it was so clearly all made up. It was

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<v Speaker 1>just like AI hallucination. And the guys just sitting there

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<v Speaker 1>watching it like nothing. You know, I thought's on the TV,

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<v Speaker 1>it's got to be even if it's not true, it's

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<v Speaker 1>got to at least be, you know, in some way

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<v Speaker 1>related to the facts. And it was kind of ominous.

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<v Speaker 1>You're like, no, you were just listening to machine hallucinations

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<v Speaker 1>over like six figured images of like a diverse group

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<v Speaker 1>of American gis in France, you know.

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<v Speaker 2>Yeah, And so yeah, that's exactly right. And actually I

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<v Speaker 2>did a stream recently with news Fist about this, talking

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<v Speaker 2>about boomers getting one shot at about AI with AI

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<v Speaker 2>videos about secret books of the Bible, with the yeah, yeah,

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<v Speaker 2>have you seen this yourself.

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<v Speaker 1>I haven't seen this, but I'm in no way surprised.

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<v Speaker 2>Yeah, so boom boomers catch a lot of shit, and

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<v Speaker 2>I understand it, but you have to understand, this was

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<v Speaker 2>the first generation that actually grew up with a mass

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<v Speaker 2>communications system already in place, and they grew up with

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<v Speaker 2>people like Carson on the TV, people who looked like

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<v Speaker 2>you and me and who sounded like your friends and

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<v Speaker 2>interviewed famous people and that sort of thing. How on

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<v Speaker 2>earth were they supposed to know that that was a weapon, right, So, like,

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<v Speaker 2>I have to give Boomers a little bit of a

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<v Speaker 2>pass there because gen z is really funny. They think

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<v Speaker 2>that because they sort of inherently figured it all out,

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<v Speaker 2>and they know that this stuff is already fake, like

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<v Speaker 2>from cradle from the cradle, they figured this out. That

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<v Speaker 2>they have a hard time conceptualizing the idea that perhaps

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<v Speaker 2>there was a time and it's it's not because they're stupid,

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<v Speaker 2>it's because there's there's a difference between knowing things and

401
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<v Speaker 2>realizing them. They have a hard time conceptualizing of a

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<v Speaker 2>time in history, which was all of known history where

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<v Speaker 2>people didn't have an insane, electronic crazy uncle who overstayed

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<v Speaker 2>his welcome in your living room and has gone from saying, uh,

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<v Speaker 2>you know, the world might freeze or it might burn up,

406
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<v Speaker 2>but definitely you need to be worried about nukes and

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<v Speaker 2>hide under your desk is the best strategy. Like they you,

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<v Speaker 2>younger people really have a hard time conceptualizing I talk

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<v Speaker 2>like I'm old, but younger people have a hard hard

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<v Speaker 2>time conceptualizing that. There didn't use to be a giant

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<v Speaker 2>voice box that squatted in your living room all day

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<v Speaker 2>long barking orders at you. And now we all notice

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<v Speaker 2>it because it's so offensive. It's just all day long.

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<v Speaker 2>It's like a super negative, narcissistic person just saying all

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<v Speaker 2>of the meanest things that can think of, all the time.

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<v Speaker 2>And so naturally, young people just never watch TV obviously

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00:23:37.880 --> 00:23:40.960
<v Speaker 2>it's stupid, but older people still watch it. And the

418
00:23:41.039 --> 00:23:45.279
<v Speaker 2>reason they fall for AI generated documentaries is because they're

419
00:23:45.319 --> 00:23:48.039
<v Speaker 2>not listening for the information so much as they're listening

420
00:23:48.079 --> 00:23:50.480
<v Speaker 2>for the sounds that it makes. You ever see the

421
00:23:50.799 --> 00:23:54.880
<v Speaker 2>I think it's the logo for RCA? Was it RCA?

422
00:23:55.559 --> 00:23:57.200
<v Speaker 1>I think I know what you're talking about?

423
00:23:57.319 --> 00:23:57.880
<v Speaker 2>With a dog?

424
00:23:59.440 --> 00:24:03.319
<v Speaker 1>Oh yeah, yeah, yeah Nipper the dog, so like, I

425
00:24:03.319 --> 00:24:04.319
<v Speaker 1>don't think you could say that.

426
00:24:04.839 --> 00:24:07.839
<v Speaker 2>Oh whoops, yeah, sorry, that was his name though, Nipper.

427
00:24:08.839 --> 00:24:12.359
<v Speaker 2>He's on the logo because after his master died, there

428
00:24:12.400 --> 00:24:14.559
<v Speaker 2>was a record player that played his voice and the

429
00:24:14.559 --> 00:24:17.480
<v Speaker 2>dog would sit by it for comfort, and so that

430
00:24:17.559 --> 00:24:19.519
<v Speaker 2>was put on the That was basically put on the

431
00:24:19.559 --> 00:24:21.680
<v Speaker 2>logo because it was like, Oh, isn't that sweet. It's

432
00:24:21.680 --> 00:24:24.359
<v Speaker 2>his master's voice. I am going on a tear here,

433
00:24:24.400 --> 00:24:25.400
<v Speaker 2>so I apologize to.

434
00:24:25.759 --> 00:24:26.559
<v Speaker 1>Keep going, keep going.

435
00:24:26.839 --> 00:24:31.079
<v Speaker 2>Okay. So, so boomers are listening to things that make

436
00:24:31.119 --> 00:24:34.039
<v Speaker 2>them feel comfortable. They're used to the sound of the

437
00:24:34.119 --> 00:24:37.039
<v Speaker 2>official man, as we call him on Cowtown Chronicle. We

438
00:24:37.079 --> 00:24:41.880
<v Speaker 2>lifted that from somebody doing a very in depth stream

439
00:24:41.920 --> 00:24:45.039
<v Speaker 2>about this walking through some foreign country. He said, people

440
00:24:45.119 --> 00:24:49.240
<v Speaker 2>just wait to hear the official man. They don't They

441
00:24:49.240 --> 00:24:52.960
<v Speaker 2>don't really listen for the content. They listened for the

442
00:24:53.000 --> 00:24:55.240
<v Speaker 2>soothing sound of the official man, which is where that

443
00:24:55.359 --> 00:24:59.680
<v Speaker 2>sort of news caster. You know. Nipper was a dog

444
00:24:59.720 --> 00:25:02.359
<v Speaker 2>from England. He is best known as the subject of

445
00:25:02.400 --> 00:25:04.519
<v Speaker 2>his Master's voice painted pust You.

446
00:25:04.359 --> 00:25:07.599
<v Speaker 1>But you know that kind of stuff, Yeah exactly, what

447
00:25:07.640 --> 00:25:11.440
<v Speaker 1>you mean, the kind of like attitude of assumed authority.

448
00:25:11.359 --> 00:25:17.000
<v Speaker 2>Yeah exactly. I yes, So I can go on really

449
00:25:17.039 --> 00:25:19.079
<v Speaker 2>crazy tears about this sort of thing. But I think

450
00:25:19.119 --> 00:25:21.079
<v Speaker 2>you see what I'm driving at, which is that the

451
00:25:21.119 --> 00:25:24.480
<v Speaker 2>world has changed with how people consume information. Gen Z

452
00:25:24.680 --> 00:25:27.559
<v Speaker 2>is mostly interested in true things that are grounded in reality,

453
00:25:28.799 --> 00:25:31.880
<v Speaker 2>and the older generations like Gen X and boomers, they

454
00:25:32.039 --> 00:25:34.519
<v Speaker 2>barely know any different because they've been living in a

455
00:25:34.599 --> 00:25:38.039
<v Speaker 2>mass media simulation for most of their lives.

456
00:25:38.839 --> 00:25:42.039
<v Speaker 1>Well, and to be honest, right, there's kind of, you know,

457
00:25:42.119 --> 00:25:47.279
<v Speaker 1>multiple elements to this where look, they lived in a

458
00:25:47.400 --> 00:25:51.359
<v Speaker 1>much more unified media atmosphere than we do, yes, where

459
00:25:51.559 --> 00:25:53.920
<v Speaker 1>if you've only got three sources, right, like the big

460
00:25:53.920 --> 00:25:56.880
<v Speaker 1>three networks and okay, you've got radio as well, but

461
00:25:56.960 --> 00:25:59.960
<v Speaker 1>they all say roughly the same things, and you see

462
00:26:00.119 --> 00:26:04.960
<v Speaker 1>people acting calmly rationally in what debate there was was

463
00:26:05.000 --> 00:26:09.440
<v Speaker 1>sort of tightly constrained. Well, okay, you're not really hearing

464
00:26:09.559 --> 00:26:12.720
<v Speaker 1>anything else. Like, sure, I realized there was counterculture, there

465
00:26:12.720 --> 00:26:17.400
<v Speaker 1>always was, but like, that's a unified media atmosphere. And

466
00:26:17.440 --> 00:26:20.039
<v Speaker 1>then you know, you turn on the Internet, where it

467
00:26:20.079 --> 00:26:24.160
<v Speaker 1>is every extremist position on any issue blasted into your

468
00:26:24.200 --> 00:26:27.920
<v Speaker 1>eyeballs at all moments, and you simply could not come

469
00:26:27.960 --> 00:26:31.279
<v Speaker 1>to that conclusion. There would be no way to. And

470
00:26:31.319 --> 00:26:33.440
<v Speaker 1>so you know what, I get that, I certainly share

471
00:26:33.480 --> 00:26:38.079
<v Speaker 1>that sympathy, and I think it's also a popular misconception

472
00:26:38.960 --> 00:26:43.880
<v Speaker 1>that people view a lot of the things that people

473
00:26:43.920 --> 00:26:46.680
<v Speaker 1>attribute to boomers are actually the fault of either the

474
00:26:46.720 --> 00:26:50.799
<v Speaker 1>silent generation or the greatest generation right too, before them

475
00:26:51.680 --> 00:26:57.359
<v Speaker 1>and the boomers did not invent advertising. They were merely

476
00:26:57.400 --> 00:27:01.079
<v Speaker 1>the first generation that was born into it, at least

477
00:27:01.079 --> 00:27:03.720
<v Speaker 1>in that way, because you can you can look at

478
00:27:03.720 --> 00:27:07.400
<v Speaker 1>how advertising changed before and after. Burne's like, it's almost

479
00:27:07.440 --> 00:27:09.400
<v Speaker 1>kind of charming to look at like turn of the

480
00:27:09.480 --> 00:27:14.119
<v Speaker 1>century advertisements. It's like, by our soap, it's the best soap.

481
00:27:14.359 --> 00:27:16.880
<v Speaker 1>Here are all the things about the soap, you know,

482
00:27:17.079 --> 00:27:21.200
<v Speaker 1>it's like incredibly informational. Whereas Brene's ushered in this new

483
00:27:21.559 --> 00:27:25.839
<v Speaker 1>sort of identity and emotion based system of that basically

484
00:27:25.880 --> 00:27:28.880
<v Speaker 1>thought control. So I mentioned, of course the was it

485
00:27:28.920 --> 00:27:32.440
<v Speaker 1>the freedom Torches campaign with Brenees? Is that correct? That's

486
00:27:32.519 --> 00:27:37.319
<v Speaker 1>right where he basically tied smoking into women's liberation, right,

487
00:27:37.400 --> 00:27:41.440
<v Speaker 1>the Suffragette movement, that young hot women were at protests

488
00:27:41.480 --> 00:27:46.319
<v Speaker 1>smoking cigarettes, you know, tying that to both an identity

489
00:27:46.960 --> 00:27:50.240
<v Speaker 1>right and in that of being a liberated woman, and

490
00:27:50.319 --> 00:27:53.960
<v Speaker 1>also attaching attaching social cachet to it. Right, This is

491
00:27:54.039 --> 00:27:57.960
<v Speaker 1>what the you know, the upper echelons are doing.

492
00:27:58.279 --> 00:27:58.440
<v Speaker 2>Right.

493
00:27:58.480 --> 00:28:01.880
<v Speaker 1>You want to be like them, don't you? And Okay,

494
00:28:01.920 --> 00:28:04.359
<v Speaker 1>sure it took a while to kind of become ubiquitous.

495
00:28:04.839 --> 00:28:07.039
<v Speaker 1>But you know, when you when you also consider the

496
00:28:07.079 --> 00:28:10.359
<v Speaker 1>explosion of wealth in the country when the Boomers were born,

497
00:28:10.839 --> 00:28:13.799
<v Speaker 1>and also the time that you know, advertising was able

498
00:28:13.799 --> 00:28:17.400
<v Speaker 1>to be entrenched, and also the boom of public media.

499
00:28:17.599 --> 00:28:19.799
<v Speaker 1>But I mean, you could even go back to FDR's

500
00:28:19.839 --> 00:28:22.279
<v Speaker 1>fireside chats to see the way in which, like mass

501
00:28:22.319 --> 00:28:27.200
<v Speaker 1>media became a tool of political propaganda. It's like, yeah,

502
00:28:27.240 --> 00:28:29.559
<v Speaker 1>it's no shock, they came out a little weird, like

503
00:28:29.799 --> 00:28:30.799
<v Speaker 1>it's almost a miracle.

504
00:28:30.839 --> 00:28:34.559
<v Speaker 2>They're not worse right, right, you know, And actually that's

505
00:28:34.920 --> 00:28:37.880
<v Speaker 2>a really good point. Burnet's in all of his studies

506
00:28:37.920 --> 00:28:41.079
<v Speaker 2>and even Gustave Lebon, who I mentioned earlier, they were

507
00:28:41.119 --> 00:28:44.079
<v Speaker 2>studying a people who were unaffected by mass media culture.

508
00:28:45.000 --> 00:28:48.279
<v Speaker 2>So all of their techniques seem primitive and primordial in

509
00:28:48.319 --> 00:28:51.559
<v Speaker 2>a way because they're working on people who are completely

510
00:28:51.680 --> 00:28:56.319
<v Speaker 2>unprepared for what's coming. Right. So, like you said, boomers

511
00:28:56.400 --> 00:28:59.119
<v Speaker 2>and older generations were born into a world that suddenly

512
00:28:59.160 --> 00:29:04.160
<v Speaker 2>had advertising, and then they adjusted to it. And do

513
00:29:04.240 --> 00:29:06.000
<v Speaker 2>you watch any ads? I mean, I don't browse the

514
00:29:06.000 --> 00:29:08.079
<v Speaker 2>Internet without an ad blocker. I was disturbed to find

515
00:29:08.079 --> 00:29:10.519
<v Speaker 2>out two out of three people still browse the Internet

516
00:29:10.559 --> 00:29:12.119
<v Speaker 2>without ad blockers.

517
00:29:12.640 --> 00:29:15.920
<v Speaker 1>Yeah, I mean I will see advertisements, but you know,

518
00:29:16.079 --> 00:29:19.559
<v Speaker 1>I use many ad blockers. I haven't like watched other

519
00:29:19.640 --> 00:29:21.720
<v Speaker 1>than sports. I don't think I've seen an ad on

520
00:29:21.759 --> 00:29:23.599
<v Speaker 1>a screen in forever.

521
00:29:24.519 --> 00:29:28.720
<v Speaker 2>Yeah. So the ad structure and the way they used

522
00:29:28.759 --> 00:29:31.079
<v Speaker 2>to be were like, here's the soap, here's the qualities

523
00:29:31.119 --> 00:29:32.720
<v Speaker 2>of the soap, here's the size of the soap, and

524
00:29:32.759 --> 00:29:36.880
<v Speaker 2>here's why it's better than our competitors. All very fact based,

525
00:29:38.799 --> 00:29:42.720
<v Speaker 2>very and not really connected so much to status until

526
00:29:42.759 --> 00:29:46.039
<v Speaker 2>they figured that one out, and then everything became about status.

527
00:29:46.759 --> 00:29:48.759
<v Speaker 2>And as we sort of worked our way through that,

528
00:29:49.559 --> 00:29:52.359
<v Speaker 2>through that trust that was built from, you know, a

529
00:29:52.440 --> 00:29:56.160
<v Speaker 2>society that was homogeneous, where everyone walking down the street

530
00:29:56.160 --> 00:29:58.359
<v Speaker 2>wore a hat and read the newspaper on the train

531
00:29:58.400 --> 00:30:02.920
<v Speaker 2>and they're the bus on their way to work. That

532
00:30:03.039 --> 00:30:05.319
<v Speaker 2>sort of capital that they had to work with has

533
00:30:05.359 --> 00:30:07.880
<v Speaker 2>now been spent. So now we live in a world

534
00:30:07.920 --> 00:30:11.359
<v Speaker 2>where everybody is sort of atomized and already suspicious of

535
00:30:11.440 --> 00:30:16.759
<v Speaker 2>external messaging that's sort of overt And what's interesting is

536
00:30:16.759 --> 00:30:19.960
<v Speaker 2>you hear people, you know, yearning for the times when

537
00:30:20.079 --> 00:30:22.680
<v Speaker 2>movies weren't obviously trying to manipulate you. Oh so you

538
00:30:22.720 --> 00:30:28.160
<v Speaker 2>mean like the nineteen tens, maybe maybe nineteen twenty. You know,

539
00:30:28.240 --> 00:30:29.640
<v Speaker 2>you look at you so like you look at how

540
00:30:29.640 --> 00:30:32.599
<v Speaker 2>people use photography. Way back in the early days. What

541
00:30:32.640 --> 00:30:34.960
<v Speaker 2>did they take pictures of. They took pictures of people

542
00:30:35.000 --> 00:30:39.079
<v Speaker 2>that just looked ordinary. They didn't have a facial expression,

543
00:30:39.160 --> 00:30:41.799
<v Speaker 2>they were just sort of blank faced. They would take

544
00:30:41.799 --> 00:30:45.440
<v Speaker 2>pictures of the lake. Sometimes they take pictures of their cats,

545
00:30:45.480 --> 00:30:47.920
<v Speaker 2>like normal people things. And you can go through any

546
00:30:47.920 --> 00:30:51.319
<v Speaker 2>antique store in Wisconsin and you'll find just a treasure

547
00:30:51.400 --> 00:30:54.839
<v Speaker 2>trove of old timey photographs that all look the same.

548
00:30:56.079 --> 00:30:59.480
<v Speaker 2>And then people got bored of the medium. It used

549
00:30:59.480 --> 00:31:01.319
<v Speaker 2>to be a fast thing to see a camera. You

550
00:31:01.359 --> 00:31:03.440
<v Speaker 2>can see these video they're not videos, but you can

551
00:31:03.440 --> 00:31:06.880
<v Speaker 2>see these film strips of people stopping and just staring

552
00:31:06.920 --> 00:31:10.400
<v Speaker 2>at cameras in the early days. And then it became

553
00:31:10.440 --> 00:31:14.400
<v Speaker 2>well known, and so the people who were basically working

554
00:31:14.480 --> 00:31:18.200
<v Speaker 2>in film started to wonder if that there was if

555
00:31:18.240 --> 00:31:26.440
<v Speaker 2>there was more that they could do. And it's just

556
00:31:26.519 --> 00:31:28.960
<v Speaker 2>it's just one of those weird things where almost immediately

557
00:31:29.400 --> 00:31:32.400
<v Speaker 2>when people realized that they could do trickery and film

558
00:31:32.720 --> 00:31:35.519
<v Speaker 2>and they could create illusions in film. They went as

559
00:31:35.599 --> 00:31:37.599
<v Speaker 2>far out as they could possibly go with what was

560
00:31:37.599 --> 00:31:40.920
<v Speaker 2>available to them at the time. Now, you have to remember,

561
00:31:40.960 --> 00:31:44.920
<v Speaker 2>there's a there's a popular story about uh an early film.

562
00:31:44.920 --> 00:31:46.680
<v Speaker 2>I don't remember what it was called, but it was

563
00:31:46.720 --> 00:31:48.400
<v Speaker 2>a It was a camera that was sitting on a

564
00:31:48.440 --> 00:31:52.960
<v Speaker 2>train track and the train was coming toward the camera,

565
00:31:53.000 --> 00:31:55.480
<v Speaker 2>and they played it in a dark, little, you know,

566
00:31:55.599 --> 00:31:58.400
<v Speaker 2>theater back in the day. And there's all these people

567
00:31:58.440 --> 00:32:00.200
<v Speaker 2>who hear this story, and again, I don't know if

568
00:32:00.240 --> 00:32:02.880
<v Speaker 2>it's true, but there's something about it that rings true.

569
00:32:04.440 --> 00:32:06.839
<v Speaker 2>When the train got close enough to the camera that

570
00:32:06.880 --> 00:32:09.440
<v Speaker 2>it looked life size, the people in the theater started

571
00:32:09.440 --> 00:32:10.920
<v Speaker 2>to get up from their seats and try to get

572
00:32:10.960 --> 00:32:13.519
<v Speaker 2>out of the way. Now you laugh at that, and

573
00:32:13.559 --> 00:32:15.920
<v Speaker 2>you go a haha, those stupid people, don't they realize

574
00:32:15.920 --> 00:32:17.759
<v Speaker 2>it's a film strip. And it's like, don't you realize

575
00:32:17.759 --> 00:32:20.039
<v Speaker 2>that they're making a calculation based on what they know,

576
00:32:20.759 --> 00:32:24.880
<v Speaker 2>which is I can get up and just avoid getting

577
00:32:24.920 --> 00:32:27.000
<v Speaker 2>run over by this train if it's real, or I

578
00:32:27.039 --> 00:32:30.160
<v Speaker 2>can sit here and have something to prove by not

579
00:32:30.359 --> 00:32:34.279
<v Speaker 2>moving and get squished by a train. Does that make sense?

580
00:32:36.160 --> 00:32:38.240
<v Speaker 1>Oh, one hundred percent, Because what you're doing is you're

581
00:32:38.279 --> 00:32:42.839
<v Speaker 1>basically it's a novel circumstance, you know, and you have

582
00:32:43.079 --> 00:32:45.920
<v Speaker 1>whatever the thirty years of your life plus however much

583
00:32:46.000 --> 00:32:50.200
<v Speaker 1>kind of like real infused genetic memory you have, you know,

584
00:32:50.279 --> 00:32:53.359
<v Speaker 1>all pushing you one direction, you know, and okay, they'll

585
00:32:53.400 --> 00:32:56.000
<v Speaker 1>like the small rational part of your brain. It's like, yeah,

586
00:32:56.000 --> 00:32:58.279
<v Speaker 1>well like five minutes ago, I bought a ticket. Is

587
00:32:58.359 --> 00:33:01.839
<v Speaker 1>fighting up against the weighted experience, both personal and genetic,

588
00:33:02.039 --> 00:33:04.000
<v Speaker 1>that tells you to get out of the way. And

589
00:33:04.000 --> 00:33:05.960
<v Speaker 1>that's what kind of makes this so interesting is that

590
00:33:06.000 --> 00:33:10.039
<v Speaker 1>all of these circuits abused by mass media mass control

591
00:33:10.079 --> 00:33:12.599
<v Speaker 1>are very old. They made a lot of sense in

592
00:33:12.680 --> 00:33:15.119
<v Speaker 1>a previous era, and now they are taken out of

593
00:33:15.160 --> 00:33:18.279
<v Speaker 1>their ideal context and sort of distorted to new ends,

594
00:33:18.279 --> 00:33:19.920
<v Speaker 1>if you see what I'm getting at, Aaron.

595
00:33:20.279 --> 00:33:24.279
<v Speaker 2>Oh yeah, I did some studies in virtual reality and

596
00:33:24.319 --> 00:33:28.279
<v Speaker 2>simulation in the early days of Oculus Rift when the

597
00:33:28.319 --> 00:33:34.039
<v Speaker 2>thing still weighed thirty pounds, you know, the FOV was

598
00:33:34.119 --> 00:33:36.599
<v Speaker 2>like two, you know, you couldn't see anything and it

599
00:33:36.640 --> 00:33:39.200
<v Speaker 2>was blurry and people were somehow playing Minecraft in this

600
00:33:39.240 --> 00:33:42.119
<v Speaker 2>sort of thing. And the studies we did prove that

601
00:33:42.200 --> 00:33:44.519
<v Speaker 2>the brain was using the same pathways when it was

602
00:33:44.640 --> 00:33:47.839
<v Speaker 2>in the Oculus rift that it used for real life experience,

603
00:33:48.480 --> 00:33:50.720
<v Speaker 2>and there was something that I experienced when I took

604
00:33:50.759 --> 00:33:54.119
<v Speaker 2>time off from this stuff, because it was quite frankly,

605
00:33:54.160 --> 00:33:56.920
<v Speaker 2>I had a bad feeling about it. I came back

606
00:33:56.960 --> 00:34:00.880
<v Speaker 2>in probably six seven years down the line and tried

607
00:34:00.960 --> 00:34:03.720
<v Speaker 2>on a new VR headset, and it was the fidelity

608
00:34:03.799 --> 00:34:06.200
<v Speaker 2>was much higher. And one of the reasons I didn't

609
00:34:06.240 --> 00:34:08.480
<v Speaker 2>put one on again for as long as I possibly

610
00:34:08.480 --> 00:34:11.239
<v Speaker 2>could was because when I was thinking about my time

611
00:34:11.360 --> 00:34:14.519
<v Speaker 2>in the game, I was remembering it as if I

612
00:34:14.599 --> 00:34:18.239
<v Speaker 2>was there, which is a big difference between remembering like

613
00:34:18.360 --> 00:34:20.880
<v Speaker 2>watching a movie or playing a game on a flat

614
00:34:20.880 --> 00:34:23.960
<v Speaker 2>screen or something. Oh, I was playing video games. When

615
00:34:24.039 --> 00:34:28.119
<v Speaker 2>your mind starts forming memories with that kind of locational

616
00:34:28.760 --> 00:34:32.360
<v Speaker 2>or local information, that sort of thing, it feels very

617
00:34:32.440 --> 00:34:35.639
<v Speaker 2>very different. Now people become acclimated to this and they

618
00:34:35.679 --> 00:34:39.079
<v Speaker 2>start registering those memories is within the simulation, but at

619
00:34:39.119 --> 00:34:42.920
<v Speaker 2>first they their brain can't tell, which is a little

620
00:34:42.960 --> 00:34:44.280
<v Speaker 2>scary when you think about it.

621
00:34:47.639 --> 00:34:50.039
<v Speaker 1>Not to be well, and that's something Yeah, sorry, I

622
00:34:50.119 --> 00:34:53.840
<v Speaker 1>just forgot to unmute my microphone. But it's one of

623
00:34:53.880 --> 00:34:57.440
<v Speaker 1>those things where when we were talking about you know,

624
00:34:57.559 --> 00:35:01.440
<v Speaker 1>violence in video games twenty years ago. What was the

625
00:35:01.440 --> 00:35:02.639
<v Speaker 1>guy's name that we were all supposed to.

626
00:35:02.639 --> 00:35:05.360
<v Speaker 2>Hate, Jack something I don't remember.

627
00:35:06.119 --> 00:35:10.679
<v Speaker 1>But people sort of inoculated themselves to this argument of, hey, look,

628
00:35:10.960 --> 00:35:14.559
<v Speaker 1>you know the pearl crutching. You know, members of society

629
00:35:14.559 --> 00:35:18.119
<v Speaker 1>that are really worried about me playing Mortal Kombat. They're

630
00:35:18.199 --> 00:35:21.840
<v Speaker 1>they're idiots. They don't have anything to their argument. And okay,

631
00:35:21.880 --> 00:35:24.960
<v Speaker 1>fair enough. Maybe there's no direct correlation between enjoying, you know,

632
00:35:24.960 --> 00:35:27.679
<v Speaker 1>a fighting game at the arcade and you know, sawing

633
00:35:27.760 --> 00:35:30.760
<v Speaker 1>someone's head off, And I'm willing to accept that, But

634
00:35:31.199 --> 00:35:33.519
<v Speaker 1>that core argument that your brain has a tough time

635
00:35:33.599 --> 00:35:38.880
<v Speaker 1>differentiating between virtual and actual reality, that's simply a fact, right,

636
00:35:39.519 --> 00:35:43.039
<v Speaker 1>And you see this all the time if you've ever

637
00:35:43.079 --> 00:35:47.079
<v Speaker 1>interacted with someone who is chronically online, where you see

638
00:35:47.119 --> 00:35:50.599
<v Speaker 1>that the online world has fully displaced their sense of reality.

639
00:35:50.800 --> 00:35:53.360
<v Speaker 1>And yeah, sure it's fun to laugh at those people

640
00:35:53.440 --> 00:35:57.199
<v Speaker 1>they ought to be really just mercilessly bullied and mocked.

641
00:35:57.760 --> 00:36:01.559
<v Speaker 1>But like it's still happening to you, it just hasn't

642
00:36:01.599 --> 00:36:04.079
<v Speaker 1>reached the level of mania. If you see what I'm

643
00:36:04.079 --> 00:36:05.039
<v Speaker 1>getting at Airic.

644
00:36:07.039 --> 00:36:11.039
<v Speaker 2>Yeah, there's a lot there. I mean, first off, the

645
00:36:11.039 --> 00:36:12.719
<v Speaker 2>thing I think of his study we did with people

646
00:36:12.760 --> 00:36:14.840
<v Speaker 2>who had never seen a television show in their life.

647
00:36:14.840 --> 00:36:19.039
<v Speaker 2>So like like ten year old kids who grew up

648
00:36:19.079 --> 00:36:22.440
<v Speaker 2>in the in the sticks way way out there, never

649
00:36:22.480 --> 00:36:24.480
<v Speaker 2>saw a television, weren't allowed to watch it, and we

650
00:36:24.480 --> 00:36:26.480
<v Speaker 2>were like, hey, we'd like to pay you to come

651
00:36:26.480 --> 00:36:29.159
<v Speaker 2>in here and watch a movie for the first time.

652
00:36:29.239 --> 00:36:31.400
<v Speaker 2>And the same thing happened every single time. And I

653
00:36:31.440 --> 00:36:33.880
<v Speaker 2>saw this happen a couple of times even personally, with

654
00:36:33.920 --> 00:36:37.239
<v Speaker 2>people who just weren't exposed to expose to movies or

655
00:36:37.280 --> 00:36:40.000
<v Speaker 2>media because they weren't allowed growing up. I was in

656
00:36:40.039 --> 00:36:43.840
<v Speaker 2>the homeschool community. Growing up, there were a lot of

657
00:36:43.920 --> 00:36:46.480
<v Speaker 2>kids you'd never seen movies. But when you put a

658
00:36:46.480 --> 00:36:49.239
<v Speaker 2>person in front of a movie, or generally speaking, a

659
00:36:49.320 --> 00:36:50.960
<v Speaker 2>ten to twelve year old in front of a movie

660
00:36:50.960 --> 00:36:53.320
<v Speaker 2>who's never seen one, they have the same reaction. They

661
00:36:53.519 --> 00:36:58.119
<v Speaker 2>just stop, they click off, and they just stare at

662
00:36:58.119 --> 00:37:01.400
<v Speaker 2>this thing and actually pready common feature is their mouth

663
00:37:01.440 --> 00:37:05.039
<v Speaker 2>drops open and you can see like stars dancing in

664
00:37:05.079 --> 00:37:07.719
<v Speaker 2>their eyes, like WHOA, what is going on here? Because

665
00:37:07.719 --> 00:37:11.840
<v Speaker 2>they're swept up into a story that's more vivid than

666
00:37:12.159 --> 00:37:18.840
<v Speaker 2>anything they've ever seen. In their lives. That was sort

667
00:37:18.880 --> 00:37:20.360
<v Speaker 2>of one of those zones. When I was in the

668
00:37:20.480 --> 00:37:23.719
<v Speaker 2>you know, the retard section of before I was a

669
00:37:23.760 --> 00:37:26.320
<v Speaker 2>full whiz tard, I was still.

670
00:37:26.320 --> 00:37:28.920
<v Speaker 1>You hadn't started your journey, they haven't given you your wand.

671
00:37:28.719 --> 00:37:30.840
<v Speaker 2>Yet Yeah, where I was, I was in the dumb

672
00:37:30.880 --> 00:37:34.320
<v Speaker 2>ass section, going huh, how interesting. Let me write that down.

673
00:37:34.599 --> 00:37:36.519
<v Speaker 2>And then you know, as I would think about it,

674
00:37:36.559 --> 00:37:38.280
<v Speaker 2>I would be like, now, why did they all do that?

675
00:37:40.400 --> 00:37:42.559
<v Speaker 2>Why did they all like respond to that flickering light

676
00:37:42.639 --> 00:37:45.119
<v Speaker 2>the same way like a bug or a moth. You know.

677
00:37:46.760 --> 00:37:49.480
<v Speaker 1>Well, and if you've ever gone down the deep dive

678
00:37:50.239 --> 00:37:54.639
<v Speaker 1>on gone down the deep dive on video games, they

679
00:37:54.719 --> 00:37:56.960
<v Speaker 1>understand this as well. I remember reading a paper when

680
00:37:56.960 --> 00:37:59.840
<v Speaker 1>I was in college like ten years ago that was

681
00:38:00.000 --> 00:38:04.079
<v Speaker 1>basically explaining that the developers called Duty had figured this out,

682
00:38:04.599 --> 00:38:07.800
<v Speaker 1>that they were using the matchmaking in the game to

683
00:38:07.920 --> 00:38:11.239
<v Speaker 1>engineer money out of you. So what they would do

684
00:38:11.840 --> 00:38:14.320
<v Speaker 1>is they'd figured out, well, you know, we can predict

685
00:38:14.320 --> 00:38:16.760
<v Speaker 1>player behavior, you know, on how good of a game

686
00:38:16.800 --> 00:38:21.159
<v Speaker 1>they have. Right, they're matchmaking, and if we show someone

687
00:38:21.559 --> 00:38:23.159
<v Speaker 1>you know, a new gun or a skin or a

688
00:38:23.199 --> 00:38:26.679
<v Speaker 1>cosmetic or whatever that keeps beating them over and over again.

689
00:38:26.840 --> 00:38:30.360
<v Speaker 1>This can be engineered, Well, they are x percent more

690
00:38:30.480 --> 00:38:33.119
<v Speaker 1>likely to buy it, and after they buy it, well,

691
00:38:33.119 --> 00:38:37.800
<v Speaker 1>what do we do? We reward them. It's Pavlovian conditioning, right.

692
00:38:37.840 --> 00:38:42.679
<v Speaker 1>You can you associate buying the new thing with better games,

693
00:38:43.159 --> 00:38:46.599
<v Speaker 1>so they are distorting, right, the actual game itself, which

694
00:38:46.639 --> 00:38:51.000
<v Speaker 1>isn't really the product per se. You are the product, right,

695
00:38:51.199 --> 00:38:54.280
<v Speaker 1>and the game is basically the game is poor choice

696
00:38:54.280 --> 00:38:57.639
<v Speaker 1>of words, but that the con is basically how much

697
00:38:57.679 --> 00:39:00.480
<v Speaker 1>they can socially engineer you to giving them your money.

698
00:39:00.719 --> 00:39:03.119
<v Speaker 1>It's not just the sixty dollars on the box.

699
00:39:03.360 --> 00:39:05.280
<v Speaker 2>Right, And when that kind of stuff was first being

700
00:39:05.320 --> 00:39:08.599
<v Speaker 2>talked about, it sounded like a conspiracy theory. But now

701
00:39:08.599 --> 00:39:10.719
<v Speaker 2>that we have you know, AI bots scraping all your

702
00:39:10.800 --> 00:39:13.039
<v Speaker 2>data all the time and trying to create, you know,

703
00:39:13.119 --> 00:39:17.639
<v Speaker 2>a holographic you that it can just advertise to consistently

704
00:39:18.000 --> 00:39:21.760
<v Speaker 2>and changes based on your preferences and your stage in

705
00:39:21.840 --> 00:39:25.239
<v Speaker 2>life and things that it predicts, and can even examine

706
00:39:25.239 --> 00:39:28.039
<v Speaker 2>the content that you're watching pixel by pixel to make

707
00:39:28.079 --> 00:39:30.840
<v Speaker 2>sure that you get more of that. Now it doesn't

708
00:39:30.840 --> 00:39:34.119
<v Speaker 2>sound so conspiratorial anymore. And you know, we go back.

709
00:39:34.199 --> 00:39:37.039
<v Speaker 2>I know you do streams and or maybe not streams

710
00:39:37.039 --> 00:39:40.719
<v Speaker 2>of podcasts with people about movies and movies. When you

711
00:39:40.760 --> 00:39:42.679
<v Speaker 2>go back and you look for the programming, and it's

712
00:39:42.840 --> 00:39:48.760
<v Speaker 2>so obvious now, isn't it?

713
00:39:48.840 --> 00:39:50.639
<v Speaker 1>Oh one hundred percent? And that's what I think is

714
00:39:50.639 --> 00:39:55.480
<v Speaker 1>so interesting about media analysis, you know, is absent time,

715
00:39:56.159 --> 00:39:58.679
<v Speaker 1>it's much easier to see it because you know, the

716
00:39:58.760 --> 00:40:01.760
<v Speaker 1>correct dosage required to work on you or ey is

717
00:40:01.800 --> 00:40:05.000
<v Speaker 1>so much higher in some ways, so much lower in others. Right,

718
00:40:05.039 --> 00:40:08.719
<v Speaker 1>we're kind of we're good at picking out certain aspects

719
00:40:08.719 --> 00:40:11.159
<v Speaker 1>of this that you can go back, You can jump

720
00:40:11.199 --> 00:40:14.360
<v Speaker 1>back fifty years and it screams at you. You can

721
00:40:14.360 --> 00:40:16.880
<v Speaker 1>see exactly you know what's happening, Like a great example

722
00:40:16.920 --> 00:40:18.800
<v Speaker 1>of something like a dead Poet's side.

723
00:40:19.079 --> 00:40:19.280
<v Speaker 2>Yeah.

724
00:40:19.360 --> 00:40:21.599
<v Speaker 1>Right, you go into that and you're like, wait a minute,

725
00:40:21.760 --> 00:40:25.039
<v Speaker 1>this movie is a giant It's a political op. I

726
00:40:25.039 --> 00:40:27.039
<v Speaker 1>mean maybe literally. You know, I'm not going to say

727
00:40:27.039 --> 00:40:29.960
<v Speaker 1>like they engineered Robin Williams at Area fifty one, although

728
00:40:29.960 --> 00:40:34.199
<v Speaker 1>I could be convinced they definitely yet seen vertical format

729
00:40:34.280 --> 00:40:37.119
<v Speaker 1>video over Elden Ring gameplay. But if someone makes it,

730
00:40:37.199 --> 00:40:40.440
<v Speaker 1>I will believe it. I will quote Candice Owen's stake

731
00:40:40.519 --> 00:40:46.320
<v Speaker 1>my entire online career on it. But right, it is

732
00:40:46.400 --> 00:40:52.320
<v Speaker 1>so like saturated with political and ideological propaganda. Right, it

733
00:40:52.400 --> 00:40:54.920
<v Speaker 1>is trying to change how you think and how you act.

734
00:40:55.400 --> 00:40:57.679
<v Speaker 1>And the point of you know, bringing up the gaming

735
00:40:57.719 --> 00:41:01.199
<v Speaker 1>stuff is like this isn't this is so much more

736
00:41:01.199 --> 00:41:04.480
<v Speaker 1>advanced than you think. Right, it is so much more capable,

737
00:41:04.920 --> 00:41:07.440
<v Speaker 1>not even down to like what symbols are used, or

738
00:41:07.480 --> 00:41:09.519
<v Speaker 1>who's the good guys versus the bad guys in the

739
00:41:09.599 --> 00:41:11.920
<v Speaker 1>video game something that you know is much easier to

740
00:41:11.920 --> 00:41:15.000
<v Speaker 1>pick up on, but also even down to your experience

741
00:41:15.159 --> 00:41:18.440
<v Speaker 1>in like interacting with the product is designed to shape you.

742
00:41:19.039 --> 00:41:22.400
<v Speaker 2>Yes, yes, actually, if you think about it. The reason

743
00:41:22.440 --> 00:41:26.960
<v Speaker 2>they do, the reason this this mass media control through

744
00:41:27.000 --> 00:41:29.719
<v Speaker 2>movies and television shows, et cetera, et cetera, seems so

745
00:41:29.800 --> 00:41:32.360
<v Speaker 2>antiquated to us is because they didn't have the technology

746
00:41:32.639 --> 00:41:34.760
<v Speaker 2>to literally get in your brain and cut it into

747
00:41:34.800 --> 00:41:37.400
<v Speaker 2>the shape that they want. Right that you have to

748
00:41:37.480 --> 00:41:41.079
<v Speaker 2>understand Hollywood doing this for one hundred years to several

749
00:41:41.119 --> 00:41:45.440
<v Speaker 2>generations of Americans and basically everybody in the world that's

750
00:41:45.440 --> 00:41:48.960
<v Speaker 2>them playing nice. They if they could just turn you

751
00:41:49.039 --> 00:41:52.320
<v Speaker 2>into a perfect little slave where you just sat around

752
00:41:52.360 --> 00:41:55.159
<v Speaker 2>and consume their bullshit all the time and never ask questions.

753
00:41:55.199 --> 00:41:59.199
<v Speaker 2>They would do it. They with our current technological limitations,

754
00:41:59.440 --> 00:42:02.440
<v Speaker 2>they can't it. So they do everything that they can

755
00:42:02.920 --> 00:42:05.840
<v Speaker 2>to do that without direct manipulation of the brain. You

756
00:42:05.840 --> 00:42:08.360
<v Speaker 2>know a book that I frequently reference, and it's actually

757
00:42:08.400 --> 00:42:10.280
<v Speaker 2>kind of a meme on my show at this point

758
00:42:10.320 --> 00:42:13.039
<v Speaker 2>is that Hideous Strength. Have you ever read that one?

759
00:42:13.239 --> 00:42:13.320
<v Speaker 1>Oh?

760
00:42:13.400 --> 00:42:16.440
<v Speaker 2>Yeah, it's a huge favorite of mine. Yeah, Frickin' great book.

761
00:42:17.280 --> 00:42:19.000
<v Speaker 2>I read that the first time when I was when

762
00:42:19.039 --> 00:42:21.400
<v Speaker 2>I was going through all this stuff in the first place,

763
00:42:21.480 --> 00:42:23.760
<v Speaker 2>like training in this reading about it all the time,

764
00:42:24.199 --> 00:42:26.239
<v Speaker 2>and one of the things that one of the nice

765
00:42:26.360 --> 00:42:28.519
<v Speaker 2>members said it says in it when he's talking to

766
00:42:28.519 --> 00:42:30.960
<v Speaker 2>Mark I think at the beginning of the book, he says,

767
00:42:31.000 --> 00:42:33.239
<v Speaker 2>you know, we're going to start with like propaganda and

768
00:42:33.320 --> 00:42:36.960
<v Speaker 2>all of that stuff, and then you know, if everything

769
00:42:37.000 --> 00:42:39.639
<v Speaker 2>goes right, we'll move right into direct manipulation of the

770
00:42:39.679 --> 00:42:44.320
<v Speaker 2>brain prior to birth. Okay, that's the that's sort of

771
00:42:44.320 --> 00:42:46.760
<v Speaker 2>the practical way of looking at what it is that

772
00:42:46.800 --> 00:42:50.119
<v Speaker 2>they want to do. There's an interesting thing that's that's

773
00:42:50.760 --> 00:42:55.960
<v Speaker 2>happened with propaganda and propaganda. So currently I have my

774
00:42:56.039 --> 00:42:58.119
<v Speaker 2>co host Adam he talks about this all the time.

775
00:42:58.159 --> 00:43:01.679
<v Speaker 2>He calls it turning over every rock. So the media

776
00:43:01.840 --> 00:43:06.000
<v Speaker 2>simulation or maybe not simulation is probably the wrong word

777
00:43:06.039 --> 00:43:10.679
<v Speaker 2>to use to to explain exactly what the media environment

778
00:43:10.719 --> 00:43:13.480
<v Speaker 2>that we've grown up in had a lot of areas

779
00:43:13.480 --> 00:43:16.719
<v Speaker 2>that you were not supposed to look at. And you

780
00:43:16.760 --> 00:43:18.360
<v Speaker 2>know what these are, because they're the types of things

781
00:43:18.400 --> 00:43:21.079
<v Speaker 2>that can get you banned or arrested in other countries

782
00:43:21.119 --> 00:43:22.840
<v Speaker 2>and that sort of thing. You're not allowed to investigate

783
00:43:22.880 --> 00:43:27.440
<v Speaker 2>these things. But because everybody has traversed and navigated an

784
00:43:27.559 --> 00:43:30.280
<v Speaker 2>entire century is worth of media, found all of the

785
00:43:30.440 --> 00:43:35.199
<v Speaker 2>important bits and sort of drank from the fire host,

786
00:43:35.239 --> 00:43:38.519
<v Speaker 2>so to speak. They're out of interesting content from that century.

787
00:43:39.599 --> 00:43:42.679
<v Speaker 2>So what do they do. They start turning over other rocks,

788
00:43:42.800 --> 00:43:46.079
<v Speaker 2>the rocks that the adults told you never to turn over.

789
00:43:46.199 --> 00:43:48.960
<v Speaker 2>They start you know, what's in that cookie jar? After all?

790
00:43:51.719 --> 00:43:56.079
<v Speaker 2>And so propaganda as we understand it, really, you know,

791
00:43:56.119 --> 00:43:57.920
<v Speaker 2>as most people understand it, where it's like, oh, they hit,

792
00:43:59.760 --> 00:44:02.800
<v Speaker 2>they hit a subliminal message in the movie or in

793
00:44:02.840 --> 00:44:05.159
<v Speaker 2>the music. You know, this conspiracy theory is about like,

794
00:44:05.239 --> 00:44:07.960
<v Speaker 2>you know, worship Satan in a Led Zeppelin song or

795
00:44:07.960 --> 00:44:11.440
<v Speaker 2>something like that. Like that's all experimentation. They just they

796
00:44:11.440 --> 00:44:13.559
<v Speaker 2>were trying to figure out what would work in the

797
00:44:13.599 --> 00:44:17.599
<v Speaker 2>shadowy black box of human psychology. So there's this interaction

798
00:44:17.679 --> 00:44:21.119
<v Speaker 2>that occurs between an audience and a speaker that they've

799
00:44:21.159 --> 00:44:25.599
<v Speaker 2>been trying to dissect for about one hundred years, and

800
00:44:25.719 --> 00:44:27.880
<v Speaker 2>the techniques that they end up using are the ones

801
00:44:27.920 --> 00:44:32.159
<v Speaker 2>that are sort of timeless, which is why you see

802
00:44:32.559 --> 00:44:35.679
<v Speaker 2>what's his name? Who's that guy? Just appeared on Joe Rogan?

803
00:44:35.800 --> 00:44:39.679
<v Speaker 2>Dean Rayden. Have you heard of Dean Raiden? I haven't no.

804
00:44:40.239 --> 00:44:45.079
<v Speaker 2>So he wrote this book that I'm currently listening to. Uh,

805
00:44:45.159 --> 00:44:46.760
<v Speaker 2>let me pull this up here so I don't get

806
00:44:46.760 --> 00:44:51.039
<v Speaker 2>it wrong, The Science of Magic, which is about how

807
00:44:52.199 --> 00:44:56.559
<v Speaker 2>which is about how viewers and mass consciousness actually changes reality.

808
00:44:57.559 --> 00:45:01.679
<v Speaker 2>Now these are topics that you know, CIA spokes have

809
00:45:01.760 --> 00:45:04.199
<v Speaker 2>been looking into since like the days of MKL trend

810
00:45:04.199 --> 00:45:07.199
<v Speaker 2>stuff like that. And this guy's connected to Project Stargate

811
00:45:07.280 --> 00:45:09.800
<v Speaker 2>and all that crazy conspiracy sound and stuff.

812
00:45:10.440 --> 00:45:13.280
<v Speaker 1>Oh you're you're speaking my language.

813
00:45:13.639 --> 00:45:15.039
<v Speaker 2>Yeah, have you heard of Stargates?

814
00:45:15.800 --> 00:45:18.000
<v Speaker 1>Oh yeah, I'm way down that rattle.

815
00:45:18.639 --> 00:45:19.519
<v Speaker 2>Yeah.

816
00:45:19.960 --> 00:45:23.920
<v Speaker 1>I'll put it this way. If one of your friends

817
00:45:24.760 --> 00:45:28.000
<v Speaker 1>is bringing over a girl for the first time to meet.

818
00:45:28.039 --> 00:45:32.119
<v Speaker 1>You do not bring up Project Stargate. It scares the hose.

819
00:45:33.519 --> 00:45:35.000
<v Speaker 2>Sensing there's a story there.

820
00:45:35.039 --> 00:45:38.119
<v Speaker 1>But you pretty much got it. It would about as

821
00:45:38.119 --> 00:45:39.159
<v Speaker 1>well as you'd expect.

822
00:45:40.079 --> 00:45:42.159
<v Speaker 2>What was it about men in leadership have a lot

823
00:45:42.199 --> 00:45:44.239
<v Speaker 2>of hoe scaring beliefs or something like that.

824
00:45:44.719 --> 00:45:47.000
<v Speaker 1>Yeah, it's the same thing. You know, women want a

825
00:45:47.039 --> 00:45:49.960
<v Speaker 1>man who reads, until they find out that any man

826
00:45:50.039 --> 00:45:54.199
<v Speaker 1>who reads as some of the most violet and extreme

827
00:45:54.280 --> 00:45:55.400
<v Speaker 1>beliefs possible.

828
00:45:55.920 --> 00:46:00.920
<v Speaker 2>Yeah, man, did I run into that? But anyway, so

829
00:46:00.960 --> 00:46:04.920
<v Speaker 2>this guy's hitting the popular scene and his whole thing,

830
00:46:04.960 --> 00:46:07.480
<v Speaker 2>the science of magic. You think about how funny that is, right,

831
00:46:08.159 --> 00:46:11.719
<v Speaker 2>Like science was supposed to eliminate this airy fairy stuff

832
00:46:11.760 --> 00:46:14.880
<v Speaker 2>about magic and manifestation and that sort of thing. And

833
00:46:14.920 --> 00:46:17.639
<v Speaker 2>now what are they doing. They're turning over that rock.

834
00:46:18.199 --> 00:46:22.559
<v Speaker 2>Because perception is something that does have an effect on reality.

835
00:46:22.639 --> 00:46:24.039
<v Speaker 2>And if you really want to put it into a

836
00:46:24.079 --> 00:46:27.079
<v Speaker 2>sort of a materialistic zone, just imagine you're in a

837
00:46:27.119 --> 00:46:31.400
<v Speaker 2>room of one hundred people and all of a sudden,

838
00:46:31.679 --> 00:46:34.159
<v Speaker 2>a screen pops up on the wall and says to

839
00:46:34.199 --> 00:46:37.639
<v Speaker 2>those hundred people, Jay Burden in the corner is a

840
00:46:37.679 --> 00:46:40.599
<v Speaker 2>spy and he's here to kill you, and if you

841
00:46:40.639 --> 00:46:45.199
<v Speaker 2>don't tackle him right now, the bomb's going to go

842
00:46:45.239 --> 00:46:47.880
<v Speaker 2>off and you're all gonna get poisoned or something. Now

843
00:46:47.920 --> 00:46:50.239
<v Speaker 2>those people make the same calculation that the people in

844
00:46:50.280 --> 00:46:53.400
<v Speaker 2>the theater made about the train. They go, well, better

845
00:46:53.559 --> 00:46:57.920
<v Speaker 2>safe than sorry, and so they tackle you and they

846
00:46:58.000 --> 00:47:01.159
<v Speaker 2>demand to know your donation information so they can send

847
00:47:01.199 --> 00:47:01.920
<v Speaker 2>money to your show.

848
00:47:03.920 --> 00:47:06.199
<v Speaker 1>See, I'm so glad that's where it ended. That's where

849
00:47:06.239 --> 00:47:09.079
<v Speaker 1>all stories should end. Actually, And for less than six

850
00:47:09.159 --> 00:47:12.360
<v Speaker 1>dollars a month, you can subscribe to j Martin, which,

851
00:47:12.360 --> 00:47:12.599
<v Speaker 1>by the.

852
00:47:12.559 --> 00:47:16.679
<v Speaker 2>Way, listen as a as a fellow podcaster, I respect

853
00:47:16.679 --> 00:47:19.119
<v Speaker 2>the game. I understand that you need these kinds of

854
00:47:19.119 --> 00:47:21.360
<v Speaker 2>things to help. So people, it's five bucks. It's like

855
00:47:21.400 --> 00:47:24.440
<v Speaker 2>buying the Man of Coffee a quick trip like thank

856
00:47:24.480 --> 00:47:27.840
<v Speaker 2>you Aaron one some month. Yeah, and I want you

857
00:47:27.880 --> 00:47:30.639
<v Speaker 2>to know you'll be coming back on You've passed the test,

858
00:47:30.960 --> 00:47:34.079
<v Speaker 2>which is killing for me. And if you get someone

859
00:47:34.119 --> 00:47:37.360
<v Speaker 2>to shill for you and they find two friends, eventually

860
00:47:37.400 --> 00:47:40.320
<v Speaker 2>everyone can have a podcast and we will achieved Utopia

861
00:47:40.440 --> 00:47:43.280
<v Speaker 2>podcast America. They're never gonna let me back on the

862
00:47:43.280 --> 00:47:45.159
<v Speaker 2>way this show's gonna end is there's gonna be just

863
00:47:45.199 --> 00:47:47.920
<v Speaker 2>a gun shot in the background, and then sirens a

864
00:47:47.920 --> 00:47:48.559
<v Speaker 2>few minutes.

865
00:47:48.400 --> 00:47:50.800
<v Speaker 1>Later, and then the sound of three tornadoes approaching.

866
00:47:51.079 --> 00:47:55.679
<v Speaker 2>Uh yeah, I'd be like that that video of the

867
00:47:55.719 --> 00:47:57.679
<v Speaker 2>Florida man going out with a shotgun and be like,

868
00:47:57.719 --> 00:48:00.519
<v Speaker 2>I ain't taken down. No tornado is gonna take me.

869
00:48:00.880 --> 00:48:05.519
<v Speaker 1>The shotguns pointed the other way. The tornados will never

870
00:48:05.559 --> 00:48:05.880
<v Speaker 1>take me.

871
00:48:05.920 --> 00:48:06.239
<v Speaker 2>A lot.

872
00:48:09.519 --> 00:48:12.519
<v Speaker 1>Maybe that's how that that guy that the Clinton got

873
00:48:12.559 --> 00:48:14.360
<v Speaker 1>mad at shot himself two times in the back of

874
00:48:14.400 --> 00:48:14.719
<v Speaker 1>the head.

875
00:48:15.039 --> 00:48:16.400
<v Speaker 2>It was a tornado accident.

876
00:48:17.320 --> 00:48:19.440
<v Speaker 1>He just threw his sig P three twenty into a

877
00:48:19.440 --> 00:48:22.119
<v Speaker 1>tornado and it spun around so much it shot him twice.

878
00:48:22.519 --> 00:48:30.119
<v Speaker 2>Yeah. Death by age of mythology God power. Yeah, that needs.

879
00:48:29.960 --> 00:48:32.880
<v Speaker 1>To be the new euphemism. Right, Oh have you heard

880
00:48:32.880 --> 00:48:35.119
<v Speaker 1>about the Clinton body count? Don't you mean the age

881
00:48:35.119 --> 00:48:39.880
<v Speaker 1>of mythology to God powered death? Sokka, it doesn't quite

882
00:48:39.960 --> 00:48:41.480
<v Speaker 1>roll off the tongue, will workshop it?

883
00:48:42.000 --> 00:48:44.960
<v Speaker 2>Yeah? Uh oh man, that's funny.

884
00:48:45.400 --> 00:48:48.239
<v Speaker 1>I got, I got really, I really torpedoed this. So

885
00:48:48.280 --> 00:48:50.880
<v Speaker 1>you were talking about this hypothetical situation where you know,

886
00:48:50.920 --> 00:48:53.320
<v Speaker 1>I was in a room, a screen popped up and said,

887
00:48:53.360 --> 00:48:54.960
<v Speaker 1>you know, he's got a bomb in his coat, tackle

888
00:48:55.000 --> 00:48:55.440
<v Speaker 1>him now.

889
00:48:55.800 --> 00:48:59.000
<v Speaker 2>Yeah. Yeah, so mass manipulation sort of works that way

890
00:48:59.000 --> 00:49:02.320
<v Speaker 2>as it forces people into uncomfortable situations where they have

891
00:49:02.360 --> 00:49:06.199
<v Speaker 2>to make those kinds of calculations. So, you know, when

892
00:49:06.199 --> 00:49:08.880
<v Speaker 2>I was first going to college, like, there was this

893
00:49:08.880 --> 00:49:12.280
<v Speaker 2>thing going around called social experiments. Did you ever have

894
00:49:12.280 --> 00:49:14.880
<v Speaker 2>some douchebag in your circle who like engaged in these

895
00:49:14.880 --> 00:49:15.920
<v Speaker 2>social experiments?

896
00:49:16.920 --> 00:49:19.000
<v Speaker 1>I was a little young for this, but yeah, I'm

897
00:49:19.000 --> 00:49:20.239
<v Speaker 1>familiar with what you're talking about.

898
00:49:20.599 --> 00:49:22.800
<v Speaker 2>Yeah. So, like these fools would go out and like

899
00:49:23.920 --> 00:49:27.440
<v Speaker 2>stand next to a building and just stare at the wall,

900
00:49:27.480 --> 00:49:30.679
<v Speaker 2>and they would they would basically keep count of how

901
00:49:30.719 --> 00:49:32.960
<v Speaker 2>many people came to look at what they were looking at.

902
00:49:33.440 --> 00:49:34.840
<v Speaker 2>There was this other thing where they'd look up at

903
00:49:34.840 --> 00:49:37.760
<v Speaker 2>the sky and they'd point and they'd write down how

904
00:49:37.760 --> 00:49:39.519
<v Speaker 2>many people looked up in the sky to see what

905
00:49:39.559 --> 00:49:40.280
<v Speaker 2>they were looking at.

906
00:49:41.519 --> 00:49:43.920
<v Speaker 1>Example not too long ago of the guy taping the

907
00:49:43.960 --> 00:49:45.760
<v Speaker 1>banana to the wall at the moment.

908
00:49:46.199 --> 00:49:48.880
<v Speaker 2>Yeah. Yeah, So that's that's how a lot of this

909
00:49:49.119 --> 00:49:51.880
<v Speaker 2>stuff works, is it's all influenced. They can't make you

910
00:49:51.960 --> 00:49:55.599
<v Speaker 2>do it, so they just they just measure. You know,

911
00:49:55.639 --> 00:49:59.400
<v Speaker 2>they're not hurting anything, just taking measurements. Nothing to see here,

912
00:49:59.599 --> 00:50:02.960
<v Speaker 2>you know, perfectly harmless, and you know, it's it's hilarious

913
00:50:03.000 --> 00:50:05.360
<v Speaker 2>on the internet and everybody watches these, you know, these

914
00:50:05.440 --> 00:50:08.880
<v Speaker 2>TikTok shorts about people doing things like this, but social

915
00:50:08.920 --> 00:50:13.960
<v Speaker 2>pressure and manipulating the mind of a of a sort

916
00:50:13.960 --> 00:50:19.119
<v Speaker 2>of mass audience eventually turns into a situation where you

917
00:50:19.159 --> 00:50:22.039
<v Speaker 2>start asking the questions that Edward Burnet's was asking, and

918
00:50:22.639 --> 00:50:25.079
<v Speaker 2>Edward Burne's you know, like I said, he was sort

919
00:50:25.119 --> 00:50:29.239
<v Speaker 2>of the guy who you know, saw fireworks and turned

920
00:50:29.239 --> 00:50:31.440
<v Speaker 2>it into a gun, Like he was like, how can

921
00:50:31.480 --> 00:50:34.159
<v Speaker 2>I use this to hurt people or make money or

922
00:50:34.199 --> 00:50:36.199
<v Speaker 2>manipulate people and that sort of thing. And you know,

923
00:50:36.199 --> 00:50:38.400
<v Speaker 2>there's no there's no need to go into the whole

924
00:50:38.400 --> 00:50:42.760
<v Speaker 2>connection with Freud and all that stuff, but the psychoanalysis

925
00:50:42.800 --> 00:50:48.159
<v Speaker 2>culture of the early twentieth century sort of ended up there,

926
00:50:48.960 --> 00:50:51.079
<v Speaker 2>sort of like everything else. Like when we develop a

927
00:50:51.119 --> 00:50:54.800
<v Speaker 2>new technology, it eventually gets turned into a weapon somehow.

928
00:50:56.159 --> 00:50:58.800
<v Speaker 2>It's never you know, they say, if it's if it's free,

929
00:50:58.840 --> 00:51:02.239
<v Speaker 2>you're the product, right, But if it's free, you're really

930
00:51:02.320 --> 00:51:06.519
<v Speaker 2>the experiment. Most of the time they're tracking something that

931
00:51:06.559 --> 00:51:08.800
<v Speaker 2>doesn't have anything apparently to do with what it is

932
00:51:08.840 --> 00:51:14.159
<v Speaker 2>that they're testing, so there was this there was this

933
00:51:14.199 --> 00:51:16.159
<v Speaker 2>attitude in the early days of like, how do we

934
00:51:16.199 --> 00:51:18.760
<v Speaker 2>talk people into doing things that they that are against

935
00:51:18.760 --> 00:51:20.960
<v Speaker 2>their best interest? Right? So the way they would do

936
00:51:21.000 --> 00:51:22.760
<v Speaker 2>this is they'd have the official man come on the

937
00:51:22.800 --> 00:51:25.440
<v Speaker 2>television and say, what you really want to do is

938
00:51:25.480 --> 00:51:27.679
<v Speaker 2>you want to go to war with those horrible people

939
00:51:27.719 --> 00:51:30.079
<v Speaker 2>over the sea and destroy them forever, because you know

940
00:51:30.679 --> 00:51:34.480
<v Speaker 2>such and such and so, because they still had had

941
00:51:34.639 --> 00:51:38.199
<v Speaker 2>they still felt like they had to convince you. Well,

942
00:51:38.320 --> 00:51:41.880
<v Speaker 2>the way it developed around the same time that they

943
00:51:41.880 --> 00:51:45.079
<v Speaker 2>were turning this stuff into a full blown weapon was

944
00:51:45.159 --> 00:51:48.000
<v Speaker 2>instead of convincing individuals to come together and do this,

945
00:51:48.039 --> 00:51:51.320
<v Speaker 2>how about we just changed the entire sea. What if

946
00:51:51.360 --> 00:51:54.400
<v Speaker 2>we just changed everybody into, like I said earlier, the

947
00:51:54.480 --> 00:51:57.599
<v Speaker 2>perfect slave who just listens to everything that we say.

948
00:51:58.280 --> 00:52:00.199
<v Speaker 2>And so it went from how do we convince this

949
00:52:00.280 --> 00:52:03.480
<v Speaker 2>individual out here to how do we change that individual

950
00:52:04.280 --> 00:52:06.760
<v Speaker 2>into being what it is that we want? And I

951
00:52:06.800 --> 00:52:09.800
<v Speaker 2>believe that's part of where the NPC phenomenon and meme

952
00:52:09.920 --> 00:52:15.719
<v Speaker 2>comes from, is that through a combination of fear programming, repetition,

953
00:52:16.199 --> 00:52:19.159
<v Speaker 2>and all that other spooky stuff that all the you know,

954
00:52:19.159 --> 00:52:25.639
<v Speaker 2>those horrible COVID deniers accuse the government of doing. I

955
00:52:25.719 --> 00:52:27.760
<v Speaker 2>sort of see that as sort of their approach to everything.

956
00:52:29.440 --> 00:52:34.119
<v Speaker 2>The people in charge of these things are basically trying

957
00:52:34.159 --> 00:52:41.000
<v Speaker 2>to terraform the human terraform Western consciousness altogether into being

958
00:52:41.039 --> 00:52:45.400
<v Speaker 2>a subject people. And that sounds really big. So maybe

959
00:52:45.400 --> 00:52:47.800
<v Speaker 2>I should pause. There might be a tornado head in

960
00:52:47.800 --> 00:52:49.119
<v Speaker 2>my way for that moment.

961
00:52:49.639 --> 00:52:53.039
<v Speaker 1>Well, I mean, I think that you know that ability

962
00:52:53.119 --> 00:52:57.039
<v Speaker 1>to set the null hypothesis right, the common received wisdom.

963
00:52:57.079 --> 00:52:59.880
<v Speaker 1>I mean, that's really what power is, the ability to

964
00:53:00.039 --> 00:53:04.079
<v Speaker 1>dictate the terms on which the argument happens. You saw

965
00:53:04.159 --> 00:53:10.320
<v Speaker 1>this very successfully on the issue of immigration. I am

966
00:53:10.360 --> 00:53:16.920
<v Speaker 1>not arch plan Truster, but I will say Trump broke that. Yeah,

967
00:53:16.960 --> 00:53:18.880
<v Speaker 1>whatever good or ill we could say of the man,

968
00:53:19.199 --> 00:53:21.519
<v Speaker 1>but you saw this where there was one side, which is,

969
00:53:22.039 --> 00:53:25.679
<v Speaker 1>you know, libtard central, which is basically, immigrants are awesome,

970
00:53:25.800 --> 00:53:29.559
<v Speaker 1>we love them. And then the other side was, well,

971
00:53:29.599 --> 00:53:31.960
<v Speaker 1>as long as they're legal, who cares. And that was

972
00:53:32.039 --> 00:53:35.000
<v Speaker 1>the acceptable bounds of the debate. But if your goal

973
00:53:35.119 --> 00:53:38.760
<v Speaker 1>is to transform the population of America, you're more or

974
00:53:38.840 --> 00:53:41.760
<v Speaker 1>less fine with both halves of that. Right, you were

975
00:53:41.800 --> 00:53:45.320
<v Speaker 1>still getting what you want done. Both sides of the argument.

976
00:53:45.440 --> 00:53:46.679
<v Speaker 1>Ultimately serve your.

977
00:53:46.639 --> 00:53:51.119
<v Speaker 2>End, right, That's exactly right. So the way to control

978
00:53:51.159 --> 00:53:54.599
<v Speaker 2>the tree is to control the route. So if you

979
00:53:54.639 --> 00:53:57.679
<v Speaker 2>can lay the ground for the preconceptions that an entire

980
00:53:57.800 --> 00:54:01.559
<v Speaker 2>society has about who they are, what they believe, and

981
00:54:01.599 --> 00:54:05.360
<v Speaker 2>what they will fight for, you control everything about them.

982
00:54:05.760 --> 00:54:07.880
<v Speaker 2>I mean, there's probably a few other factors in there,

983
00:54:07.920 --> 00:54:09.559
<v Speaker 2>like don't get me wrong, Like I said, I'm not

984
00:54:09.639 --> 00:54:13.480
<v Speaker 2>encyclopedia Brown. I mostly just vibe cast I don't really

985
00:54:13.800 --> 00:54:15.800
<v Speaker 2>do data anymore. I did all my research for we

986
00:54:15.840 --> 00:54:20.880
<v Speaker 2>talk about dead people. But that is definitely what it

987
00:54:20.920 --> 00:54:23.639
<v Speaker 2>feels like it does. It feels like what they're trying

988
00:54:23.639 --> 00:54:25.599
<v Speaker 2>to do is get to the very root of society.

989
00:54:25.639 --> 00:54:28.880
<v Speaker 2>And I think that's definitely why they go after religion,

990
00:54:29.079 --> 00:54:33.840
<v Speaker 2>and they're trying to replace any form of structured spirituality

991
00:54:33.880 --> 00:54:38.000
<v Speaker 2>with this sort of like hallucinogenic like hippie culture. Does

992
00:54:38.039 --> 00:54:38.880
<v Speaker 2>any of that ring true?

993
00:54:40.159 --> 00:54:43.360
<v Speaker 1>Oh yeah, yeah, I mean, and I think that you

994
00:54:43.400 --> 00:54:49.400
<v Speaker 1>see that with like the transcendent, where there's a once

995
00:54:49.440 --> 00:54:54.119
<v Speaker 1>that once that stone is turned right, once we have

996
00:54:54.280 --> 00:54:57.840
<v Speaker 1>entered that framework, the idea is to channel it into

997
00:54:57.920 --> 00:55:01.239
<v Speaker 1>something the regime is completely and totally okay with, which

998
00:55:01.280 --> 00:55:04.840
<v Speaker 1>is either you doing psilocybin in Ecuador, you know, and

999
00:55:04.880 --> 00:55:07.280
<v Speaker 1>it's simply kind of a hallucination of your brain. You

1000
00:55:07.360 --> 00:55:11.679
<v Speaker 1>experience ego death whatever or alternately, right, the kind of

1001
00:55:11.719 --> 00:55:15.280
<v Speaker 1>like UFO stuff. And I think it's been really interesting

1002
00:55:15.320 --> 00:55:20.519
<v Speaker 1>to me how apparently comfortable our government is with UFOs

1003
00:55:20.800 --> 00:55:25.760
<v Speaker 1>and having that be an explanation, I'm gonna be honest,

1004
00:55:25.880 --> 00:55:27.519
<v Speaker 1>this is kind of a low IQ reading on it.

1005
00:55:27.960 --> 00:55:30.360
<v Speaker 1>But my thought is if there were anything to it,

1006
00:55:30.639 --> 00:55:34.119
<v Speaker 1>they wouldn't want us talking about it. And then, you know,

1007
00:55:34.199 --> 00:55:38.039
<v Speaker 1>you compare that to you know, the way that our

1008
00:55:38.079 --> 00:55:43.199
<v Speaker 1>government treats other expressions of spiritual belief. And I will

1009
00:55:43.239 --> 00:55:45.199
<v Speaker 1>leave it at that, right, the idea is to channel

1010
00:55:45.239 --> 00:55:50.519
<v Speaker 1>that inclination into something that is harmless and or beneficial.

1011
00:55:51.159 --> 00:55:54.760
<v Speaker 1>I mean, you know, look at the relationship between you know,

1012
00:55:54.880 --> 00:55:59.000
<v Speaker 1>certain religious figures and prominent world allies, and understand that

1013
00:55:59.119 --> 00:56:01.599
<v Speaker 1>like that, in the same way that the inclination to

1014
00:56:02.119 --> 00:56:05.800
<v Speaker 1>heed the wisdom of the crowd is baked into the

1015
00:56:05.880 --> 00:56:10.280
<v Speaker 1>human I mean, just like can baseline human matter, that

1016
00:56:10.400 --> 00:56:14.000
<v Speaker 1>same instinct, the spiritual instinct, whatever you say about it,

1017
00:56:14.079 --> 00:56:17.039
<v Speaker 1>that is another vector of control. And I think the

1018
00:56:17.119 --> 00:56:20.079
<v Speaker 1>mistake is and you see this from a lot of

1019
00:56:20.159 --> 00:56:24.960
<v Speaker 1>kind of low rent analysis like look, I'm going through

1020
00:56:25.559 --> 00:56:29.000
<v Speaker 1>the moon is a harsh mistress behindlight, which is actually

1021
00:56:29.039 --> 00:56:32.079
<v Speaker 1>it's pretty good. It's fun to read recording an episode

1022
00:56:32.079 --> 00:56:35.400
<v Speaker 1>on it tomorrow, and okay, look, you know there's the

1023
00:56:35.480 --> 00:56:40.199
<v Speaker 1>kind of obligatory aside where the libertarians can't stop talking

1024
00:56:40.239 --> 00:56:43.480
<v Speaker 1>about age of consent. But also there is this idea

1025
00:56:43.559 --> 00:56:48.880
<v Speaker 1>that things that these things, the system of control are,

1026
00:56:50.119 --> 00:56:53.960
<v Speaker 1>anything they use as a weapon is inherently illegitimate because

1027
00:56:53.960 --> 00:56:55.960
<v Speaker 1>it is used as a system of control. And it's

1028
00:56:55.960 --> 00:56:57.960
<v Speaker 1>like no, no, no, no, you don't understand. That is a

1029
00:56:58.000 --> 00:56:59.960
<v Speaker 1>part of what it is to be human. That's how

1030
00:57:00.119 --> 00:57:04.440
<v Speaker 1>it works. Yes, Now to what end it is directed? Well,

1031
00:57:05.360 --> 00:57:08.320
<v Speaker 1>that's the battlefield, right, that's what actually matters functionally.

1032
00:57:10.199 --> 00:57:15.360
<v Speaker 2>Yeah, it's interesting you bring up Hinhlan specifically that book.

1033
00:57:15.440 --> 00:57:18.719
<v Speaker 2>I actually started that sometime last year. I took a

1034
00:57:18.719 --> 00:57:22.440
<v Speaker 2>long journey into science fiction because in a lot of ways,

1035
00:57:22.440 --> 00:57:26.159
<v Speaker 2>science fiction sort of set up and or supported the

1036
00:57:26.199 --> 00:57:29.280
<v Speaker 2>precepts for the twenty first century in a lot of ways,

1037
00:57:29.760 --> 00:57:31.800
<v Speaker 2>like you know, nineteen eighty four people talk about it

1038
00:57:31.800 --> 00:57:33.639
<v Speaker 2>all the time, is like, oh, you know, it's not

1039
00:57:33.679 --> 00:57:36.199
<v Speaker 2>supposed to be an instruction manual, and yet it was

1040
00:57:36.480 --> 00:57:38.199
<v Speaker 2>what are you going to do about it? It did

1041
00:57:38.239 --> 00:57:40.639
<v Speaker 2>a great you know, it did a great job. Everyone's

1042
00:57:40.760 --> 00:57:43.599
<v Speaker 2>on nineteen eighty four is this super serious, important book,

1043
00:57:43.639 --> 00:57:46.039
<v Speaker 2>and it's like, well, we'll look at it. What does

1044
00:57:46.079 --> 00:57:48.960
<v Speaker 2>it depend on? It depends on sort of a universal

1045
00:57:49.000 --> 00:57:52.880
<v Speaker 2>technology called the screen that sits in everyone's apartment all

1046
00:57:52.920 --> 00:57:55.320
<v Speaker 2>the time. And one of the privileges of the elite

1047
00:57:55.440 --> 00:57:58.360
<v Speaker 2>is turning that off. Are they forcing you to keep

1048
00:57:58.400 --> 00:58:01.559
<v Speaker 2>your television show on, you know, or are you an

1049
00:58:01.559 --> 00:58:05.880
<v Speaker 2>elite and turn that friggin the thing off? Anyway, That's

1050
00:58:06.119 --> 00:58:08.000
<v Speaker 2>probably all I had to say about that. I probably

1051
00:58:08.039 --> 00:58:10.400
<v Speaker 2>lost your point, But.

1052
00:58:10.679 --> 00:58:12.719
<v Speaker 1>No, no, not at all. But I think that there's

1053
00:58:12.760 --> 00:58:15.840
<v Speaker 1>a mistake in pointing out these systems of control, to say,

1054
00:58:16.000 --> 00:58:19.360
<v Speaker 1>the underlying thing and of itself, whether that's you know,

1055
00:58:19.440 --> 00:58:22.639
<v Speaker 1>having a social constant conscience, wanting to get along with

1056
00:58:22.679 --> 00:58:26.480
<v Speaker 1>your neighbors, right, religion, whatever, as the problem in and

1057
00:58:26.519 --> 00:58:29.280
<v Speaker 1>of itself, and one if you set that up as

1058
00:58:29.320 --> 00:58:31.559
<v Speaker 1>your enemy, woo boy, you're gonna have a tough time

1059
00:58:31.559 --> 00:58:36.679
<v Speaker 1>fighting that. But also right, just because a system a

1060
00:58:36.679 --> 00:58:39.079
<v Speaker 1>circuit is being used to control you, does not mean

1061
00:58:39.119 --> 00:58:42.679
<v Speaker 1>that system or circuit is illegitimate. Like I mean, look

1062
00:58:42.760 --> 00:58:45.920
<v Speaker 1>like the human drive to reproduce is a phenomenal way

1063
00:58:45.960 --> 00:58:49.280
<v Speaker 1>to socially control people. But if we stop using that circuit,

1064
00:58:49.840 --> 00:58:51.239
<v Speaker 1>you know, we end up like the Shakers.

1065
00:58:51.760 --> 00:58:55.000
<v Speaker 2>Yes, that's that's a great point. There's one thing that

1066
00:58:56.159 --> 00:58:58.159
<v Speaker 2>I kind of want to point out about that because

1067
00:58:58.159 --> 00:59:00.119
<v Speaker 2>you're exactly right. People see this and they go, oh,

1068
00:59:00.159 --> 00:59:03.559
<v Speaker 2>they're controlling us. All control is bad. It's like, if

1069
00:59:03.599 --> 00:59:06.559
<v Speaker 2>you did enough studies on mass psychology and how people work,

1070
00:59:06.599 --> 00:59:08.199
<v Speaker 2>and a great book to start with is The Crowd

1071
00:59:08.239 --> 00:59:12.840
<v Speaker 2>by Gustav Lebon, you realize that the normies are going

1072
00:59:12.880 --> 00:59:15.960
<v Speaker 2>to be controlled by something. It's what they expect, and

1073
00:59:16.000 --> 00:59:18.400
<v Speaker 2>they should have somebody in charge of them who doesn't

1074
00:59:18.440 --> 00:59:21.760
<v Speaker 2>want to bilk them for everything they're worth, who doesn't

1075
00:59:21.800 --> 00:59:24.280
<v Speaker 2>want to trick them into going into unpayable debt to

1076
00:59:24.280 --> 00:59:28.760
<v Speaker 2>get a bigger car. Like the normies have incredible power

1077
00:59:29.119 --> 00:59:32.039
<v Speaker 2>as sort of a mass consciousness, hive mind kind of thing.

1078
00:59:32.679 --> 00:59:35.199
<v Speaker 2>The fact that it's been sort of left to these

1079
00:59:35.519 --> 00:59:39.199
<v Speaker 2>pirates in Hollywood to abuse them and train them to

1080
00:59:39.239 --> 00:59:42.400
<v Speaker 2>hate themselves and cheer for their own death. That's not

1081
00:59:42.480 --> 00:59:47.079
<v Speaker 2>the fault of the normy that because that's what they do.

1082
00:59:47.920 --> 00:59:49.920
<v Speaker 2>You know, there's no reason to get angry at them.

1083
00:59:49.920 --> 00:59:53.039
<v Speaker 2>And you know, red pilling normies is you know, I've

1084
00:59:53.039 --> 00:59:56.159
<v Speaker 2>heard some derision for that on some of your interviews

1085
00:59:56.199 --> 00:59:59.199
<v Speaker 2>as well, and I tend to agree. Normies are supposed

1086
00:59:59.239 --> 01:00:02.599
<v Speaker 2>to be able to clock in, clock out, enjoy their

1087
01:00:02.639 --> 01:00:05.440
<v Speaker 2>life and not think about losing everything because they said

1088
01:00:05.480 --> 01:00:09.039
<v Speaker 2>a naughty word on the internet. That's not for them, right.

1089
01:00:10.440 --> 01:00:14.159
<v Speaker 2>But the way that we've seated this ground of of

1090
01:00:15.039 --> 01:00:18.880
<v Speaker 2>you know, gently goating the normis or say the mass,

1091
01:00:19.239 --> 01:00:23.960
<v Speaker 2>the major mass of the United States, basically to swindlers

1092
01:00:24.000 --> 01:00:27.719
<v Speaker 2>and circus freaks. That's a major failure. But now that

1093
01:00:27.760 --> 01:00:30.480
<v Speaker 2>we have the technology, you know, Jay Burden, you're saving

1094
01:00:30.519 --> 01:00:33.440
<v Speaker 2>the world and people should totally donate to your show

1095
01:00:33.559 --> 01:00:36.000
<v Speaker 2>so you can keep doing all right, So I.

1096
01:00:36.280 --> 01:00:42.559
<v Speaker 1>Am specifically saving the world me personally. I know this. Yes,

1097
01:00:43.840 --> 01:00:45.920
<v Speaker 1>the men in my walls are talking to me. I

1098
01:00:45.960 --> 01:00:48.519
<v Speaker 1>have bugs under my skin and if you don't give

1099
01:00:48.559 --> 01:00:54.119
<v Speaker 1>me five dollars, three Israeli controlled cyclones are headed to

1100
01:00:54.239 --> 01:00:57.840
<v Speaker 1>the location right now. This is an actionable threat. I've

1101
01:00:57.880 --> 01:01:01.199
<v Speaker 1>contacted my friends at the Weather Department, the real one,

1102
01:01:01.519 --> 01:01:06.000
<v Speaker 1>not that not that one and you listener are in

1103
01:01:06.119 --> 01:01:09.920
<v Speaker 1>the target zone. This is a threat. I am threatening.

1104
01:01:09.960 --> 01:01:17.760
<v Speaker 2>You all are so actually hilarious. One thing that Newsfest

1105
01:01:17.800 --> 01:01:21.719
<v Speaker 2>says frequently is how shocked he is that they just

1106
01:01:21.800 --> 01:01:27.360
<v Speaker 2>let the podcasting world go like they just Isn't that crazy? Yeah?

1107
01:01:27.400 --> 01:01:31.440
<v Speaker 1>I mean you you really, especially on like the audio platforms,

1108
01:01:31.760 --> 01:01:34.480
<v Speaker 1>you have to cause a stink to get them mad

1109
01:01:34.480 --> 01:01:36.960
<v Speaker 1>at you. Like I could think of, Okay, you've got

1110
01:01:36.960 --> 01:01:41.239
<v Speaker 1>Alex Jones, right, and then my friends at Blood Satellite,

1111
01:01:41.239 --> 01:01:43.360
<v Speaker 1>who I think are only banned on Spotify, and I

1112
01:01:43.360 --> 01:01:45.199
<v Speaker 1>have no idea why. I do know what they could

1113
01:01:45.199 --> 01:01:48.119
<v Speaker 1>have said many many things, but it's weird to get

1114
01:01:48.119 --> 01:01:51.159
<v Speaker 1>a band only on Spotify, right, Like you really have

1115
01:01:51.239 --> 01:01:52.039
<v Speaker 1>to create a stink?

1116
01:01:52.960 --> 01:01:55.239
<v Speaker 2>Yeah, yeah. Actually, the only two episodes I ever had

1117
01:01:55.280 --> 01:01:58.119
<v Speaker 2>banned from my history podcast we talk about dead people.

1118
01:01:58.960 --> 01:02:02.360
<v Speaker 2>Two of them they there was Donald Ewen Cameron, who

1119
01:02:02.400 --> 01:02:06.159
<v Speaker 2>was the Canadian psychologist who was basically one of the

1120
01:02:06.159 --> 01:02:09.719
<v Speaker 2>heads of mk Ultra, which I put out very angrily

1121
01:02:09.960 --> 01:02:13.079
<v Speaker 2>once the uh, once the beer bug had hit the

1122
01:02:13.239 --> 01:02:16.880
<v Speaker 2>entire planet. That one got banned, and the other the

1123
01:02:16.960 --> 01:02:20.400
<v Speaker 2>other one that got banned was the one on Nikolai Chauchescu.

1124
01:02:21.360 --> 01:02:24.000
<v Speaker 1>Oh really, that's surprising. That's kind of a deep cut

1125
01:02:24.000 --> 01:02:24.519
<v Speaker 1>for them.

1126
01:02:24.599 --> 01:02:28.400
<v Speaker 2>Isn't that interesting? So, Nikolaie Chauchescu. The reason I don't

1127
01:02:28.400 --> 01:02:30.199
<v Speaker 2>want to I don't want to pretend like there's some

1128
01:02:30.320 --> 01:02:33.679
<v Speaker 2>glorious story to this. They probably just banned it because

1129
01:02:33.679 --> 01:02:39.000
<v Speaker 2>I used the Hook soundtrack for a sketch. But I

1130
01:02:39.039 --> 01:02:41.639
<v Speaker 2>think they banned that one because the story ultimately is

1131
01:02:41.679 --> 01:02:47.199
<v Speaker 2>how a podcaster destroyed a dictator. Nikolai Chaoucheski. There were

1132
01:02:47.239 --> 01:02:49.800
<v Speaker 2>a lot of like shaky things that were happening around then,

1133
01:02:49.840 --> 01:02:51.719
<v Speaker 2>but the straw that broke the camel's back was a

1134
01:02:51.800 --> 01:02:56.320
<v Speaker 2>videotape made by a pastor in his basement, like a

1135
01:02:56.360 --> 01:03:00.000
<v Speaker 2>literal podcaster was one of the major things that broke

1136
01:03:00.079 --> 01:03:00.800
<v Speaker 2>that whole thing down.

1137
01:03:01.800 --> 01:03:05.679
<v Speaker 1>See, this is what I've been saying for a long time, Aaron,

1138
01:03:06.519 --> 01:03:09.960
<v Speaker 1>is that that podcasters are the heartbeat of America. We

1139
01:03:10.039 --> 01:03:14.480
<v Speaker 1>are a mass untapped natural resource, and we deserve at

1140
01:03:14.519 --> 01:03:18.320
<v Speaker 1>the very least six dollars a month for episodes early

1141
01:03:18.360 --> 01:03:20.840
<v Speaker 1>in ad free on Patreon, substack or coming.

1142
01:03:20.920 --> 01:03:23.320
<v Speaker 2>I knew you were going to do that.

1143
01:03:23.320 --> 01:03:26.519
<v Speaker 1>That was a layup man. Yeah, Like the funny thing

1144
01:03:26.559 --> 01:03:30.800
<v Speaker 1>is legitimately, I'm sponsored, and my sponsors are always getting

1145
01:03:30.800 --> 01:03:34.360
<v Speaker 1>on me for forgetting to shill for them or for me,

1146
01:03:34.800 --> 01:03:38.239
<v Speaker 1>and so I have corrected that by shilling ten times

1147
01:03:38.360 --> 01:03:40.920
<v Speaker 1>more than I ever will at one episode. But dude,

1148
01:03:40.960 --> 01:03:43.000
<v Speaker 1>this was a ton of fun. I have to have

1149
01:03:43.039 --> 01:03:45.880
<v Speaker 1>you on again. But uh, where can people find you?

1150
01:03:45.920 --> 01:03:49.000
<v Speaker 2>Man? So you can listen to my media analysis and

1151
01:03:49.039 --> 01:03:53.079
<v Speaker 2>slap analysis podcast, The Clowntown Chronicle on YouTube, Spotify and

1152
01:03:53.119 --> 01:03:55.639
<v Speaker 2>everywhere else the podcasts live if you want to access.

1153
01:03:56.000 --> 01:03:58.039
<v Speaker 2>We talk about dead people, be prepared. It is a

1154
01:03:58.079 --> 01:04:01.920
<v Speaker 2>history show designed for dum mass millennials who don't understand anything,

1155
01:04:01.960 --> 01:04:03.599
<v Speaker 2>so there's a lot of swearing on it. I know

1156
01:04:04.000 --> 01:04:07.159
<v Speaker 2>many people's christianiers have complained to me about it, which

1157
01:04:07.199 --> 01:04:10.760
<v Speaker 2>is fine. And you can also find me on x

1158
01:04:10.960 --> 01:04:15.559
<v Speaker 2>My handle is at CTC meme Cast. That's it. That's

1159
01:04:15.599 --> 01:04:17.960
<v Speaker 2>all I have to show. Also, Axios Fitness, you forgot

1160
01:04:18.000 --> 01:04:18.880
<v Speaker 2>to you forgot to do.

1161
01:04:18.840 --> 01:04:22.880
<v Speaker 1>Your Oh see look at that. I've streamlined this so much.

1162
01:04:23.119 --> 01:04:25.159
<v Speaker 1>Then I have guests come on to do my shilling

1163
01:04:25.199 --> 01:04:27.440
<v Speaker 1>for me. I mean, at this point, Aaron I should

1164
01:04:27.480 --> 01:04:30.840
<v Speaker 1>just train like a Claude bought to just like every

1165
01:04:30.880 --> 01:04:33.679
<v Speaker 1>five to ten minutes, say like, yes, that's interesting, carry on,

1166
01:04:34.840 --> 01:04:37.400
<v Speaker 1>and then just optimize this whole thing, like what am

1167
01:04:37.400 --> 01:04:40.840
<v Speaker 1>I doing? Actually working? This is one of the look

1168
01:04:40.960 --> 01:04:45.239
<v Speaker 1>you maybe out there in an oil field in a

1169
01:04:45.280 --> 01:04:48.719
<v Speaker 1>coal mine and you think you've got it tough. Try

1170
01:04:48.760 --> 01:04:54.360
<v Speaker 1>talking into a microphone for forty five minutes you ingrate? Yeah,

1171
01:04:54.679 --> 01:04:58.880
<v Speaker 1>we give you too much. Working men of America. You

1172
01:04:58.920 --> 01:05:02.119
<v Speaker 1>are you think think you make things? I talk for

1173
01:05:02.199 --> 01:05:07.000
<v Speaker 1>a living, Aaron Man, This was a ton of fun,

1174
01:05:07.400 --> 01:05:09.480
<v Speaker 1>and everyone at home, keep your head up like it

1175
01:05:09.599 --> 01:05:10.119
<v Speaker 1>last forever.

1176
01:05:10.159 --> 01:05:10.559
<v Speaker 2>Good Night,
