1 00:00:00,800 --> 00:00:03,720 Speaker 1: W M N H rips the domos. 2 00:00:09,679 --> 00:00:10,720 Speaker 2: Ramdella ringdy. 3 00:00:10,960 --> 00:00:14,359 Speaker 3: You don't even last of mine? 4 00:00:15,119 --> 00:00:27,679 Speaker 2: Run Don Brudo, Randol made a bar by run Don Rudolf, Santa, 5 00:00:27,719 --> 00:00:29,280 do make it to town. 6 00:00:31,359 --> 00:00:32,679 Speaker 1: Santa Maga her in town. 7 00:00:32,799 --> 00:00:34,640 Speaker 2: Na can take the freeway down. 8 00:00:36,960 --> 00:00:42,280 Speaker 4: Run Don Rudolf, being an Americal Right, okay, yeah, saying 9 00:00:42,320 --> 00:00:45,000 Santa to bo a child, what have you been longing for? 10 00:00:47,799 --> 00:00:50,600 Speaker 2: None of my for Christmas is a rocking ball lectric guitar. 11 00:00:52,920 --> 00:00:59,000 Not away when brudoh, w isn't I gonna shoot the star? Run, 12 00:00:59,079 --> 00:01:00,520 Don Rudolf said, do. 13 00:01:00,840 --> 00:01:04,480 Speaker 1: I get to child sat up? 14 00:01:04,840 --> 00:01:05,480 Speaker 5: All right down on? 15 00:01:05,599 --> 00:01:11,280 Speaker 4: He can take the freeway hour run, Don Brudo being 16 00:01:11,560 --> 00:01:17,480 America round okay, run run Rudof said, don't I get 17 00:01:17,519 --> 00:01:18,359 to child. 18 00:01:20,480 --> 00:01:21,480 Speaker 1: Sat Nick ahead? 19 00:01:21,959 --> 00:01:27,040 Speaker 4: He can take a freeway no hour run Don Brudo, 20 00:01:27,359 --> 00:01:29,120 being like America. 21 00:01:28,680 --> 00:01:49,200 Speaker 3: Ronda saying saying that to you, my girl child, what 22 00:01:49,319 --> 00:01:50,719 would please you want to get. 23 00:01:53,040 --> 00:01:54,200 Speaker 1: A little baby doing? 24 00:01:54,319 --> 00:01:56,200 Speaker 6: They can grass see drink and whit. 25 00:01:58,359 --> 00:02:01,519 Speaker 2: Not a way, he went. Rudolph whiz like a Saba. 26 00:02:01,319 --> 00:02:06,159 Speaker 1: Jets run un Ruddle, Santa. 27 00:02:05,920 --> 00:02:07,400 Speaker 7: Go may get to town. 28 00:02:09,560 --> 00:02:11,039 Speaker 1: Sat I make Amory turn im. 29 00:02:11,039 --> 00:02:16,759 Speaker 4: He can take the freeway down, Run, don bodle feeling 30 00:02:16,840 --> 00:02:40,240 like American Right, Okay, run non go go n n 31 00:02:42,400 --> 00:02:50,280 run on budd run don run good feel America. 32 00:02:52,599 --> 00:02:54,199 Speaker 1: Nothing around. 33 00:03:06,520 --> 00:03:10,479 Speaker 6: That is run Roudolph Run. And that is a brand 34 00:03:10,520 --> 00:03:13,039 new from Neon Gypsy, their rendition of that track, which 35 00:03:13,199 --> 00:03:15,479 we had Neon Gypsy here with us in the first 36 00:03:15,560 --> 00:03:18,039 hour today on the program, and then we had the 37 00:03:18,080 --> 00:03:21,199 Healer Mike McDowell for the second hour, and we've got 38 00:03:21,319 --> 00:03:23,520 Cody Pope and Byron g coming up for the third 39 00:03:23,680 --> 00:03:26,680 hour and they're going to perform live again. So always 40 00:03:26,759 --> 00:03:29,719 love that. By the way, I want to remind everybody, 41 00:03:29,719 --> 00:03:31,719 of course, because today is if you are listening live, 42 00:03:31,800 --> 00:03:35,080 December twenty first, twenty twenty four, this afternoon, we have 43 00:03:35,159 --> 00:03:38,800 the holiday market and psychic event that is being put 44 00:03:38,840 --> 00:03:41,400 on by our wonderful friends at the Sister Witch Company. 45 00:03:41,919 --> 00:03:44,560 Jenny is there right now, which is why she's not here. 46 00:03:44,680 --> 00:03:47,039 She is there getting set up and she's going to 47 00:03:47,080 --> 00:03:50,759 be selling her wonderful Macroma creations and there's going to 48 00:03:50,759 --> 00:03:54,360 be a lot of local artisans there, local small businesses participating. 49 00:03:54,719 --> 00:03:56,919 So if you've got some holiday shopping to do, please 50 00:03:56,960 --> 00:03:59,719 come down. It's at the Masonic Temple at fifteen oh 51 00:03:59,759 --> 00:04:03,080 five Elm Street. And as I like to say, Walmart 52 00:04:03,199 --> 00:04:05,319 and Target do not need any more of your money. 53 00:04:05,560 --> 00:04:08,639 Please support your local businesses and it really does mean 54 00:04:08,759 --> 00:04:10,560 so much. And if you want more information you can 55 00:04:10,639 --> 00:04:13,919 go to Sisterwitch Company dot com. But that starts at noon. 56 00:04:14,759 --> 00:04:16,560 That is where I will be headed after the show 57 00:04:16,600 --> 00:04:19,600 today noon to five pm the Holiday market and a 58 00:04:19,680 --> 00:04:24,240 psychic event at the Manchester Masonic Temple fifteen oh five 59 00:04:24,360 --> 00:04:27,399 Elm Street. And let me bring these mics up and 60 00:04:27,519 --> 00:04:29,720 we've got Cody Pope and Byron g here with us 61 00:04:29,720 --> 00:04:30,199 in the studio. 62 00:04:30,319 --> 00:04:32,399 Speaker 7: Hey guys, Hey, good morning man, thanks so much for 63 00:04:32,519 --> 00:04:32,920 having us. 64 00:04:33,040 --> 00:04:36,279 Speaker 6: Yeah, welcome back, welcome back, And hope you weren't waiting 65 00:04:36,319 --> 00:04:38,879 outside too long. It's a little chilly today. 66 00:04:39,600 --> 00:04:41,319 Speaker 7: No, no, no, it was perfect timing. 67 00:04:41,360 --> 00:04:42,399 Speaker 5: Hey, hat a justice. 68 00:04:42,279 --> 00:04:45,000 Speaker 6: Camera here, Get you guys in the shot. Of course 69 00:04:45,240 --> 00:04:50,160 we are on Facebook and YouTube and all that stuff. 70 00:04:50,240 --> 00:04:52,600 There we go, there we go. How have you guys 71 00:04:52,680 --> 00:04:55,839 been what's going on? Have you been releasing new music 72 00:04:55,959 --> 00:04:56,959 or what have you been up to? 73 00:04:57,240 --> 00:05:00,839 Speaker 7: Yeah, so in October we just released our our sophomore 74 00:05:00,920 --> 00:05:04,800 full length album, Giant Steps in Gates City, excellent. Yeah, 75 00:05:04,959 --> 00:05:07,240 so that spent We did a big release show for that, 76 00:05:07,560 --> 00:05:10,120 and it's been a pretty wild ride since then. 77 00:05:10,720 --> 00:05:12,560 Speaker 6: Where did you Where'd you do the release show? 78 00:05:12,680 --> 00:05:15,040 Speaker 7: So we did it in our hometown in Nashaua. We 79 00:05:15,279 --> 00:05:18,000 like rented a hall and put together this whole experience. 80 00:05:18,120 --> 00:05:20,439 We had a caterer come in and like cater the event, 81 00:05:20,600 --> 00:05:23,319 and had a photo booth and had a bunch of 82 00:05:23,399 --> 00:05:25,639 the artists from hell Hound open up the night. It 83 00:05:25,759 --> 00:05:26,439 was really cool. 84 00:05:26,759 --> 00:05:29,560 Speaker 6: Nice, nice. Yeah, you guys must know. Do you know 85 00:05:29,680 --> 00:05:32,240 Mike McDowell the Healer? Did you run into him on. 86 00:05:32,279 --> 00:05:36,120 Speaker 7: This We literally just shook hands and met as we 87 00:05:36,199 --> 00:05:39,360 were heading out as we were coming in. Yeah, looking 88 00:05:39,439 --> 00:05:40,959 forward to chopping it up with him more. 89 00:05:41,160 --> 00:05:41,360 Speaker 8: Yeah. 90 00:05:41,480 --> 00:05:43,720 Speaker 6: Yeah, he's doing some he's doing some great stuff. And 91 00:05:44,480 --> 00:05:46,920 you must know Eleanor and Andre from So. 92 00:05:47,079 --> 00:05:50,519 Speaker 7: I actually just met them super recently as well. Yeah, 93 00:05:51,160 --> 00:05:53,439 like maybe a week ago or so. I just got 94 00:05:53,480 --> 00:05:56,079 to go to New Hampshire Underground and hang out with 95 00:05:56,160 --> 00:05:57,639 them for a bit. They're awesome people. 96 00:05:57,879 --> 00:06:00,279 Speaker 6: Oh, excellent, excellent. I don't think they've done like a 97 00:06:00,360 --> 00:06:03,560 full hip hop show. I mean, obviously six Minds combined, Yeah, 98 00:06:03,639 --> 00:06:06,399 performs there but yeah, they should do uh, you should 99 00:06:06,439 --> 00:06:08,600 do something with them, like do a big hip hop show. 100 00:06:08,920 --> 00:06:11,000 Speaker 7: Yeah, that's what we're hoping to do something. We're hoping 101 00:06:11,040 --> 00:06:13,720 the dates will align in that we can make something 102 00:06:13,759 --> 00:06:14,319 happen soon. 103 00:06:14,560 --> 00:06:14,800 Speaker 5: Yeah. 104 00:06:14,800 --> 00:06:17,519 Speaker 7: I really like their space. I think that it's really 105 00:06:17,639 --> 00:06:23,639 conducive to fostering a positive like live music and arts scene, 106 00:06:23,720 --> 00:06:26,879 and they offer resources and spaces for people that I 107 00:06:26,959 --> 00:06:30,279 think are really valuable. So I'm looking forward to seeing 108 00:06:30,319 --> 00:06:32,279 what they're capable of doing with that. I think that's 109 00:06:32,319 --> 00:06:33,040 gonna be awesome. 110 00:06:33,319 --> 00:06:37,519 Speaker 6: Yeah. Absolutely, Well I'm dying to hear you guys. You 111 00:06:37,600 --> 00:06:39,920 always perform when you come on the show, which is wonderful. 112 00:06:40,399 --> 00:06:43,480 And now the real test, of course is always making 113 00:06:43,560 --> 00:06:45,680 sure that what have you got? What do you what 114 00:06:45,759 --> 00:06:46,839 do you call that? Byron? 115 00:06:47,360 --> 00:06:51,279 Speaker 5: This is the Roland SP four O four m K two. 116 00:06:51,399 --> 00:06:55,319 Speaker 6: Okay, and what does that do for the For the uninitiated. 117 00:06:55,680 --> 00:06:57,600 Speaker 9: It does a little bit of everything. It's a sampler, 118 00:06:58,879 --> 00:07:00,800 so you could create like full songs on here. 119 00:07:01,160 --> 00:07:01,360 Speaker 6: Yeah. 120 00:07:01,399 --> 00:07:03,839 Speaker 9: I use it mainly for our live shows and stuff 121 00:07:03,879 --> 00:07:05,480 like that, so I can load up pads and I 122 00:07:05,519 --> 00:07:06,639 can manipulate the sound. 123 00:07:06,839 --> 00:07:09,480 Speaker 6: Yeah, kind of live as we're going so okay, you. 124 00:07:09,560 --> 00:07:12,680 Speaker 9: Never really get the same experience twice with these types 125 00:07:12,759 --> 00:07:14,680 of machines. 126 00:07:14,439 --> 00:07:14,920 Speaker 6: Right right. 127 00:07:15,120 --> 00:07:15,319 Speaker 5: Yeah. 128 00:07:15,360 --> 00:07:18,120 Speaker 6: For those listening live, if you're wondering how these guys 129 00:07:18,160 --> 00:07:21,040 are going to perform live, that's what let's see if 130 00:07:22,360 --> 00:07:24,639 let's see if we can hear that. And I'm not 131 00:07:24,720 --> 00:07:27,360 hearing anything yet, but I think I know why. Oh 132 00:07:27,439 --> 00:07:35,000 there we go fucking easy. Yeah. This is always the 133 00:07:35,199 --> 00:07:37,360 that's always the moment, right when when you guys come on, 134 00:07:37,480 --> 00:07:39,279 it's like, let's let's hope this last. 135 00:07:39,800 --> 00:07:40,759 Speaker 1: This works well. 136 00:07:40,800 --> 00:07:42,600 Speaker 6: The first time you came on, we did the Yeah, 137 00:07:42,600 --> 00:07:44,720 we did the flash drive option the very first time 138 00:07:45,399 --> 00:07:46,360 in the old station, and. 139 00:07:46,680 --> 00:07:48,360 Speaker 7: That was our first album together too. 140 00:07:48,560 --> 00:07:51,160 Speaker 6: Oh that's right, yeah, yeah. How many times have you 141 00:07:51,199 --> 00:07:51,519 guys been? 142 00:07:51,560 --> 00:07:53,000 Speaker 7: Is this this is our third time? 143 00:07:53,120 --> 00:07:53,279 Speaker 8: Now? 144 00:07:54,120 --> 00:07:56,399 Speaker 7: No, it's not your fourth. 145 00:07:56,800 --> 00:07:59,399 Speaker 5: No, I think you've been up here before. 146 00:07:59,680 --> 00:08:03,000 Speaker 7: We had done stuff up in Laconia. Oh okay, maybe 147 00:08:03,040 --> 00:08:05,040 that's we did local outbreak up in Laconi. 148 00:08:05,319 --> 00:08:07,680 Speaker 6: That's why I'm thinking that, yeah, both of us. 149 00:08:09,879 --> 00:08:12,720 Speaker 7: Okay, yeah, because we did our first album was Meet 150 00:08:12,759 --> 00:08:14,680 Me and Gates City, so we played some of those 151 00:08:14,800 --> 00:08:18,000 songs and then the next time was we released an 152 00:08:18,040 --> 00:08:23,439 ep called Pound of Wait No Renaissance Park. I think 153 00:08:23,480 --> 00:08:24,959 it was the Renaissance Park. Yeah. 154 00:08:25,040 --> 00:08:26,439 Speaker 6: Yeah, you guys have released a lot of music. 155 00:08:26,519 --> 00:08:28,199 Speaker 7: It's hard to Yeah, yeah, it's been a while. 156 00:08:29,879 --> 00:08:31,120 Speaker 6: Well, do you want to perform something? 157 00:08:31,279 --> 00:08:34,360 Speaker 7: Or yeah? All right we have you have No Sugar 158 00:08:34,399 --> 00:08:37,279 Added A good way to warm up. This is the 159 00:08:37,559 --> 00:08:40,080 h This was the first single that we released from 160 00:08:40,120 --> 00:08:43,720 the new album. Okay, it's the second track. It's called 161 00:08:43,799 --> 00:08:44,720 No Sugar Added. 162 00:08:45,039 --> 00:08:52,320 Speaker 6: Okay, check check. 163 00:08:59,559 --> 00:09:03,279 Speaker 7: I've been in a days. Mine's amazing a blaze. I've 164 00:09:03,320 --> 00:09:06,080 been catching fighter since before the twelfth grade. I had 165 00:09:06,120 --> 00:09:08,399 this design you for couldn't getting out my way. Now 166 00:09:08,440 --> 00:09:11,399 I'm double the age, still rewinded the days. Can't believe 167 00:09:11,440 --> 00:09:14,240 what all I's done. I'm still looking back, been cleaning 168 00:09:14,360 --> 00:09:16,919 up because still remember the cooking crap. The strength that 169 00:09:17,000 --> 00:09:19,200 had for the needle, never quite took it back. Some 170 00:09:19,360 --> 00:09:21,799 days I still find that I'm quite shook. In fact, 171 00:09:22,279 --> 00:09:24,720 the light keeps going out. Maybe that's a sign for me. 172 00:09:25,120 --> 00:09:27,320 I have accepted that one day will be time for 173 00:09:27,440 --> 00:09:30,200 me someone's revenge. I suppose that it's fine with me. 174 00:09:30,559 --> 00:09:32,720 Nothing in life off didn't happen with the time and 175 00:09:32,799 --> 00:09:35,200 sweet all I can do. Work to build a good now, 176 00:09:35,279 --> 00:09:37,480 and then stay in the sun to makeup of days 177 00:09:37,519 --> 00:09:40,080 the shrouded in dens, I am the howling man standing 178 00:09:40,159 --> 00:09:42,720 upon the howland winds, night of the hunt of the preacher, 179 00:09:42,840 --> 00:09:45,960 upon the prowl. Again not perfect, not even close to 180 00:09:46,080 --> 00:09:48,840 all right. I can't remember the last time I slept 181 00:09:48,879 --> 00:09:51,759 all night, eyes wide open. But I need another hour. 182 00:09:52,120 --> 00:09:55,519 I just fell asleep already. Time for the shower. No sugar, 183 00:09:56,200 --> 00:09:59,360 no sugar. I just need water, meant the lea I 184 00:09:59,440 --> 00:10:00,080 can pad. 185 00:10:00,360 --> 00:10:02,720 Speaker 5: No sugar added, no sugar added. 186 00:10:03,000 --> 00:10:09,039 Speaker 7: Somewhere between apocalypse now anxiety and alarms again, hope my 187 00:10:09,159 --> 00:10:12,200 horrible ways could never harm a friend. Some men crossed 188 00:10:12,240 --> 00:10:14,879 me again, never saw him again, even the he the 189 00:10:14,960 --> 00:10:17,919 Nord demon can fall from a sin who called it again? 190 00:10:18,120 --> 00:10:21,080 I'm not sorry to them. Drowning in my own flood, 191 00:10:21,120 --> 00:10:23,799 I hardly can swim. Then I stopped too late. How 192 00:10:23,840 --> 00:10:26,480 could I be so selfish do the stupidest things, but 193 00:10:26,639 --> 00:10:29,399 know that I'm not helpless? Bad patterns, habits I need 194 00:10:29,519 --> 00:10:31,879 to learn to break. I'm mad scattered this matter. If 195 00:10:31,879 --> 00:10:34,559 I need to learn to shake, we'll extinguish over light 196 00:10:34,639 --> 00:10:37,159 the match to burn the lake, every roll of the dice, 197 00:10:37,279 --> 00:10:40,360 the one determined faith, slipping into the void for just 198 00:10:40,440 --> 00:10:42,720 a few hours to win my best to not flip. 199 00:10:42,799 --> 00:10:45,440 I got no new flower. My dreamscape is the place 200 00:10:45,639 --> 00:10:47,960 that I do scout in search of advances, like how 201 00:10:48,080 --> 00:10:51,039 I could bet the US power? Not perfect, not even 202 00:10:51,080 --> 00:10:53,919 close to all right, can't remember the last time I 203 00:10:54,000 --> 00:10:56,360 slept all night. I was wide open. But I need 204 00:10:56,440 --> 00:10:59,960 another hour. I just fell asleep already. Time for the shaft. 205 00:11:00,480 --> 00:11:04,039 No sugar added, no sugar added. I just need water, 206 00:11:04,279 --> 00:11:07,240 meant to leave, I get padded, no sugar added, no 207 00:11:07,440 --> 00:11:11,080 sugar added. Somewhere between being happy and mad and. 208 00:11:22,039 --> 00:11:25,120 Speaker 6: I love it. I love it. Thank you Cody Pope 209 00:11:25,120 --> 00:11:27,519 and Ryron g Here whatever live in studio on this 210 00:11:27,559 --> 00:11:28,320 Saturday morning. 211 00:11:29,279 --> 00:11:31,679 Speaker 7: Yeah, I couldn't hear everybody. At first. I was like, 212 00:11:31,720 --> 00:11:32,799 oh crap, what's going on? 213 00:11:34,679 --> 00:11:35,840 Speaker 6: You made it work, You made it work. 214 00:11:35,879 --> 00:11:37,000 Speaker 7: Volumes a magical thing. 215 00:11:37,399 --> 00:11:40,399 Speaker 6: Yes, yes, Now tell us about you know. For people 216 00:11:40,399 --> 00:11:42,159 who are not familiar, so because you refer to it 217 00:11:42,279 --> 00:11:46,200 Hellhound Publishing, Yeah, what is that exactly? For people who 218 00:11:46,240 --> 00:11:46,559 don't know. 219 00:11:46,840 --> 00:11:49,919 Speaker 7: So, Hellhound Publishing is a record label that I founded 220 00:11:50,080 --> 00:11:53,200 in twenty eighteen and that Byron now co owns with me, 221 00:11:53,799 --> 00:11:57,039 and so that is essentially our creative house where we 222 00:11:57,720 --> 00:12:01,159 not only do we distribute in all of our music, 223 00:12:01,279 --> 00:12:04,399 but we've been fortunate to sign and release music for 224 00:12:04,559 --> 00:12:07,159 some artists that we're really close with as well. Okay, 225 00:12:07,279 --> 00:12:10,639 we do music, we do some books, and we do podcasts. 226 00:12:10,679 --> 00:12:12,679 Those are really like our big things right now. 227 00:12:12,960 --> 00:12:17,480 Speaker 6: Okay, okay, and yeah, you've talked about that on the 228 00:12:17,519 --> 00:12:19,399 show before. Has that kind of has that kind of 229 00:12:19,440 --> 00:12:21,360 grown in terms of who you're working with, Like you 230 00:12:21,440 --> 00:12:23,639 have more artists that you're that you're working with or 231 00:12:23,720 --> 00:12:26,240 I don't. I don't remember who we because I think 232 00:12:26,279 --> 00:12:28,360 the I think the first time you talked about it 233 00:12:28,440 --> 00:12:30,039 on the show, you had just kind of started that 234 00:12:30,840 --> 00:12:32,399 or you had started working together on that. 235 00:12:32,519 --> 00:12:34,559 Speaker 7: I think, Yeah, I think what when we came on 236 00:12:34,879 --> 00:12:37,240 and put out Meet Me in gate City, we had 237 00:12:37,360 --> 00:12:40,639 only released a few records at that point, and now 238 00:12:41,000 --> 00:12:44,120 with Giant Steps in gate City, it's our fifteenth release 239 00:12:44,279 --> 00:12:45,200 on the record label. 240 00:12:45,360 --> 00:12:48,559 Speaker 6: Oh wow, Yeah, okay, okay, Yeah. 241 00:12:48,639 --> 00:12:51,559 Speaker 7: I feel very fortunate to say that after all this time. 242 00:12:51,639 --> 00:12:53,559 But yeah, it's been quite the wild ride. 243 00:12:53,799 --> 00:12:56,879 Speaker 6: Yeah, no kidding, know, Wow, so who now, who else 244 00:12:56,919 --> 00:12:59,919 are you working with currently were you releasing music? 245 00:13:00,440 --> 00:13:05,200 Speaker 7: So our roster that's active right now consists of mostly producers, 246 00:13:06,159 --> 00:13:07,840 but so they go out and perform a lot of 247 00:13:07,919 --> 00:13:11,159 instrumental shows and we have instrumental albums out for them 248 00:13:11,200 --> 00:13:16,120 as well. So we represent even Though, who is originally 249 00:13:16,159 --> 00:13:18,639 from Nashua but is now based out of the Worcester area. 250 00:13:19,440 --> 00:13:22,480 He has like this very like ethereal lo fi kind 251 00:13:22,519 --> 00:13:24,919 of sound, but then because he comes from like a 252 00:13:25,000 --> 00:13:28,480 boom back background, there's like a really cool blend of 253 00:13:28,639 --> 00:13:32,440 like an almost ambient boombap kind of sound. We represent 254 00:13:32,480 --> 00:13:36,600 an artist named Tripsey who's based out of Boston, Massachusetts area. 255 00:13:37,320 --> 00:13:40,039 He has a very electronic heavy sound. I like to 256 00:13:40,200 --> 00:13:42,480 compare him to like an Aphex Twin or a fat 257 00:13:42,559 --> 00:13:46,360 Boy Slim something along like very like high energy like 258 00:13:46,639 --> 00:13:51,000 party music. We also represent eight Biza as well. I 259 00:13:51,080 --> 00:13:54,720 know you know Biza. He has obviously been a long 260 00:13:54,840 --> 00:13:58,159 time contributor to the label and to my music as well, 261 00:13:58,279 --> 00:14:02,039 and so he's always yeah, yeah, he's always been a 262 00:14:02,120 --> 00:14:05,480 big part of the equation as well. And that is 263 00:14:05,759 --> 00:14:08,879 that's really the core of like artists that we have 264 00:14:09,080 --> 00:14:12,879 releases coming out for okay, but for twenty five where 265 00:14:13,120 --> 00:14:17,720 we're hoping to kind of expand the palette a little more. Yeah, 266 00:14:18,120 --> 00:14:20,120 we've kind of changed the way that we operate as 267 00:14:20,159 --> 00:14:22,879 a label a bit, and we've also like we've moved 268 00:14:23,200 --> 00:14:25,559 our headquarters. We had been in the same place for 269 00:14:25,639 --> 00:14:28,279 over ten years. Wow, So now we just moved into 270 00:14:28,360 --> 00:14:31,240 a new place and that's really evolved how we can 271 00:14:31,320 --> 00:14:33,840 operate as a label and a lot of capacities. So 272 00:14:34,600 --> 00:14:37,960 we may not have as many releases coming out in 273 00:14:38,039 --> 00:14:41,840 twenty five, but we fortunately have like really big plans 274 00:14:41,879 --> 00:14:44,159 and a lot more resources to apply to them now, 275 00:14:44,200 --> 00:14:45,000 which is exciting. 276 00:14:45,200 --> 00:14:49,919 Speaker 6: Oh okay, yeah, very good. Now, why why the when 277 00:14:50,000 --> 00:14:51,840 you when you talk about the changes in terms of 278 00:14:51,879 --> 00:14:53,919 how you do things, is that is that something that 279 00:14:54,759 --> 00:14:57,240 does that come from kind of learning as you go 280 00:14:58,039 --> 00:15:00,600 or or does some of it I'm curious if some 281 00:15:00,720 --> 00:15:02,559 of it has to do too with you know, the 282 00:15:02,679 --> 00:15:07,159 music business is constantly changing and you know now and 283 00:15:07,240 --> 00:15:09,399 I don't think we've ever really talked about this aspect before, 284 00:15:09,480 --> 00:15:13,879 but now AI is kind of really changing things. I mean, 285 00:15:14,320 --> 00:15:15,360 does does that play a role? 286 00:15:16,080 --> 00:15:19,559 Speaker 7: I would say, and you might have a different experience 287 00:15:19,679 --> 00:15:23,440 to speak to it for me as like a label owner. 288 00:15:24,120 --> 00:15:27,360 I always sought to be the person that I thought 289 00:15:27,720 --> 00:15:31,200 I would have wanted to have around as an artist, 290 00:15:31,879 --> 00:15:34,759 But I learned that I wasn't being the person that 291 00:15:34,879 --> 00:15:38,000 the artist needed, and that those are two separate things 292 00:15:38,120 --> 00:15:41,360 where you could want more than you actually need, and 293 00:15:41,559 --> 00:15:44,480 so not everybody's wants parallel, and so I had to 294 00:15:44,600 --> 00:15:50,759 learn how to manage the artists better on the release 295 00:15:50,840 --> 00:15:54,000 side of things, because with some of the early releases 296 00:15:54,080 --> 00:15:57,879 we put out on the label, we were very We 297 00:15:58,000 --> 00:16:01,600 were very involved in the record terms of like being 298 00:16:01,720 --> 00:16:05,600 in weekly meetings, trying to make plans, and some of 299 00:16:05,679 --> 00:16:08,320 the artists we were literally tracking all their music in 300 00:16:08,440 --> 00:16:11,799 our free time and doing the artwork for I've done 301 00:16:11,879 --> 00:16:14,240 the artwork for most of the releases on the label 302 00:16:15,440 --> 00:16:18,320 a lot of so we were like super involved, which 303 00:16:18,399 --> 00:16:22,000 feels good. But I think what we learned is that 304 00:16:22,840 --> 00:16:25,879 artists need to kind of finish the idea on their 305 00:16:25,960 --> 00:16:29,159 own and then kind of like be like, you know, 306 00:16:29,279 --> 00:16:31,279 we were trying to build things out of scratch with 307 00:16:31,440 --> 00:16:34,519 an artist, and really the artist has to kind of 308 00:16:34,639 --> 00:16:37,720 have that idea and figure out what they would do 309 00:16:37,919 --> 00:16:40,440 even if we weren't in the picture and if they 310 00:16:40,480 --> 00:16:43,000 were going to do that anyways, that's where we can 311 00:16:43,039 --> 00:16:47,080 be of the most service to them. But as artists, 312 00:16:47,200 --> 00:16:50,759 we have certain expectations for ourselves, and so it's not 313 00:16:50,960 --> 00:16:56,279 fair to apply those expectations to everybody unilaterally. Every artist 314 00:16:56,399 --> 00:17:01,759 requires a specific kind of like catered two means of 315 00:17:02,200 --> 00:17:04,799 getting their thing done, and if we love the art enough, 316 00:17:04,839 --> 00:17:06,920 we're going to work on on how to be that 317 00:17:07,119 --> 00:17:10,359 to each artist and still maintain the integrity of what 318 00:17:10,440 --> 00:17:11,960 we're trying to do personally. 319 00:17:12,759 --> 00:17:15,119 Speaker 6: That makes sense because everyone's process is different. 320 00:17:15,319 --> 00:17:15,559 Speaker 7: Yeah. 321 00:17:16,160 --> 00:17:20,880 Speaker 6: Yeah, Now, now what about AI in terms of like, uh, 322 00:17:21,240 --> 00:17:25,279 like releasing music? Do you have to? Does it get 323 00:17:25,359 --> 00:17:26,160 complicated now? 324 00:17:26,279 --> 00:17:26,759 Speaker 8: With UH? 325 00:17:28,440 --> 00:17:30,519 Speaker 6: I mean it's it's incredible what's going on, Like I 326 00:17:30,680 --> 00:17:33,400 I see uh, you know, like major labels are suing 327 00:17:33,559 --> 00:17:36,319 AI companies and there's all this there's all this mess, 328 00:17:36,519 --> 00:17:41,160 like do you have to does it become a consideration 329 00:17:41,759 --> 00:17:44,480 when releasing music? Like is there an AI sample or 330 00:17:44,559 --> 00:17:46,559 something in here? Is there something that is going to 331 00:17:46,680 --> 00:17:49,240 cause us a problem down the road? And are there 332 00:17:49,319 --> 00:17:50,279 headaches that come with that? 333 00:17:50,720 --> 00:17:53,799 Speaker 9: So it's I think personally, there's there's good and there's 334 00:17:53,880 --> 00:17:58,400 bad for for the sample based producers that like to 335 00:17:58,480 --> 00:18:01,880 dig in you know, old records of like old crates 336 00:18:01,920 --> 00:18:03,720 of records and things like that, which I am one 337 00:18:03,799 --> 00:18:06,119 of them. It makes it a little bit harder to 338 00:18:07,240 --> 00:18:10,680 kind of chop and and when it comes to release time, 339 00:18:10,759 --> 00:18:14,160 if you have samples on your beats, you kind of 340 00:18:14,240 --> 00:18:17,799 it's it's different now. It's definitely AI is picking up 341 00:18:17,839 --> 00:18:21,480 on a lot of that stuff. Doesn't mean that there's 342 00:18:21,519 --> 00:18:23,519 a place for it, because there definitely still is and 343 00:18:23,759 --> 00:18:27,079 a lot of you know, Snoop and dre are releasing. 344 00:18:27,160 --> 00:18:29,000 I mean, it's probably a little bit different because they 345 00:18:29,039 --> 00:18:30,799 have the actual stems from the artists, but. 346 00:18:33,000 --> 00:18:36,880 Speaker 5: There's different avenues where you could go for that type 347 00:18:36,880 --> 00:18:37,480 of stuff now. 348 00:18:39,160 --> 00:18:42,359 Speaker 9: But on the other side of things, I've been using 349 00:18:42,400 --> 00:18:48,039 AI to generate uh hord progressions and and different sounds 350 00:18:48,079 --> 00:18:50,480 and stuff like that, and i've you know. 351 00:18:50,559 --> 00:18:52,400 Speaker 6: You cant firing. Can you pull that, Michael a little bit? 352 00:18:52,720 --> 00:18:55,160 Just yeah, just I noticed it was just dropping out. 353 00:18:55,240 --> 00:18:57,680 Yeah it is, that's better. Yeah, thank you, it's just 354 00:18:57,799 --> 00:19:01,240 it it starts to sorry about that, want to make 355 00:19:01,240 --> 00:19:04,039 sure we can hear you. I'm sorry, good, Yeah, go ahead. Yeah. 356 00:19:04,119 --> 00:19:05,720 Speaker 5: On the other other side of things. 357 00:19:05,839 --> 00:19:09,279 Speaker 9: I've been using AI to generate melodies and chords and 358 00:19:09,559 --> 00:19:13,039 picking my keys and blending and mashing a bunch of 359 00:19:13,160 --> 00:19:16,759 like AI generated stuff and basically using them as my 360 00:19:16,920 --> 00:19:17,839 samples as of late. 361 00:19:18,480 --> 00:19:21,440 Speaker 5: Chopping it up that way, okay, and doing it that way. 362 00:19:22,000 --> 00:19:25,720 Speaker 9: It's all like you're you're the creator, so there's no 363 00:19:26,440 --> 00:19:32,440 royalties or there's no copyright infringement cases that you run 364 00:19:32,480 --> 00:19:36,640 into doing it that way, and it's different. There's a 365 00:19:36,759 --> 00:19:39,160 million different possibilities. And I'm the type of guy it's like, 366 00:19:39,680 --> 00:19:45,279 as we evolve, as you know, producers and just musicians, 367 00:19:45,720 --> 00:19:49,119 if you're not using all of the elements that are 368 00:19:49,279 --> 00:19:52,200 at your hands these days, you're gonna fall behind. So 369 00:19:52,960 --> 00:19:55,119 there's good and there's bad. It's just all about how. 370 00:19:55,039 --> 00:19:56,000 Speaker 5: You look at it. I think. 371 00:19:56,279 --> 00:20:01,279 Speaker 6: Yeah, adaptability is so important absolutely, and yeah, adapting technologies. Yeah, 372 00:20:01,559 --> 00:20:05,599 I was talking to somebody about that in terms of 373 00:20:05,680 --> 00:20:08,240 doing a like a radio show. You know, like there 374 00:20:08,319 --> 00:20:09,680 was a time when a radio show would just be 375 00:20:09,799 --> 00:20:12,440 on the radio, but we've had to adapt to you 376 00:20:12,519 --> 00:20:14,920 know now you know, podcasting and streaming and all of that, 377 00:20:15,200 --> 00:20:17,400 and and if you don't if you don't do that, yeah, 378 00:20:17,400 --> 00:20:18,960 if you don't adapt, you fall behind. 379 00:20:19,599 --> 00:20:23,039 Speaker 9: Yeah, Like I would never like take someone's voice right 380 00:20:23,119 --> 00:20:26,359 and have them say specifically rics like I wouldn't use 381 00:20:26,480 --> 00:20:30,119 AI or anything like that. Yeah, But in terms of 382 00:20:30,279 --> 00:20:33,920 like creating, I'm definitely messing around with AI. 383 00:20:34,119 --> 00:20:36,880 Speaker 5: Yeah, it comes to creating melodies and stuff like that. Sure. 384 00:20:37,039 --> 00:20:40,039 Speaker 7: Sure, So I think the thing that's important with AI, 385 00:20:40,160 --> 00:20:41,920 and that's why I'm glad you spoke on it because 386 00:20:41,920 --> 00:20:44,359 you have more experience with it. I don't. But I 387 00:20:44,519 --> 00:20:47,920 just from like a outside looking in perspective kind of thing, 388 00:20:48,079 --> 00:20:51,480 I feel like there's a lot of fear around AI 389 00:20:52,039 --> 00:20:55,759 taking on creative tasks and things of that nature. And 390 00:20:55,880 --> 00:20:59,640 I think the the ultimate responsibility or obligation is that like, 391 00:20:59,759 --> 00:21:03,200 if we don't determine how AI is going to be used, 392 00:21:04,039 --> 00:21:07,559 other things are going to determine that for us. And 393 00:21:07,720 --> 00:21:10,680 so it's like, rather than being afraid of AI and 394 00:21:10,799 --> 00:21:14,400 being so against it, figure out how to implement it 395 00:21:14,519 --> 00:21:17,200 into your life in the ways it that you want. 396 00:21:17,279 --> 00:21:20,599 You know, It's like, Yeah, my conversations with most people 397 00:21:20,720 --> 00:21:22,920 is that it's like you want AI to take care 398 00:21:22,960 --> 00:21:26,079 of menial tasks and things that are time consuming and 399 00:21:26,160 --> 00:21:29,079 take away from you, like living your most life. So 400 00:21:29,279 --> 00:21:32,160 it's like if we sit back and wait for AI 401 00:21:32,319 --> 00:21:34,880 to become what it is, it's going to take the 402 00:21:34,960 --> 00:21:37,799 things we love instead, because nobody like stepped in and 403 00:21:37,839 --> 00:21:40,039 said like no, I want to do this part, like 404 00:21:40,279 --> 00:21:44,079 do this task for me instead. And I don't have 405 00:21:44,200 --> 00:21:46,519 any experience using it, So that's why it's like hard 406 00:21:46,559 --> 00:21:48,720 for me to really like put my foot down one 407 00:21:48,759 --> 00:21:50,559 way or another. But I just feel like we have 408 00:21:50,680 --> 00:21:52,880 to kind of like we are the users of AI, 409 00:21:53,079 --> 00:21:56,200 so we have to dictate what purpose it's going to 410 00:21:56,240 --> 00:21:59,359 serve to us before it becomes consequential. 411 00:22:00,079 --> 00:22:01,160 Speaker 6: Got to be proactive with it. 412 00:22:01,240 --> 00:22:05,039 Speaker 9: Yeah, yeah, yeah, sure, I think like for independent artists, 413 00:22:05,200 --> 00:22:09,480 it definitely can be like an attribute to you because 414 00:22:10,079 --> 00:22:12,640 as an independent artist, you have to you have to 415 00:22:12,720 --> 00:22:16,079 wear so many hats, right, whether it's creating artwork or 416 00:22:16,200 --> 00:22:18,640 whether it's you know, coming up with videos or whatever, 417 00:22:18,839 --> 00:22:22,319 and AI can be a huge help for that stuff 418 00:22:22,400 --> 00:22:26,599 if you're not specifically like a drawing artist to make 419 00:22:26,680 --> 00:22:29,279 up your own artwork whatever it is, right, Yeah, definitely 420 00:22:29,400 --> 00:22:31,680 use AI to help you out on that side of 421 00:22:31,759 --> 00:22:32,359 things too. 422 00:22:32,440 --> 00:22:35,279 Speaker 7: And even just like like task stuff, I would think 423 00:22:35,359 --> 00:22:37,759 more so you know, like as somebody who makes artwork, 424 00:22:37,839 --> 00:22:39,920 it's like, I like, I like that side of things. 425 00:22:40,400 --> 00:22:43,480 But I'm sure even as like maybe an engineer or 426 00:22:43,599 --> 00:22:47,039 like a radio show producer, there's certain like engineering things 427 00:22:47,079 --> 00:22:49,680 where it's like I wish this, I wish my mixer 428 00:22:49,839 --> 00:22:52,440 just always set to these levels, or I wish my 429 00:22:52,799 --> 00:22:55,160 fader just always went to this thing, or I wish 430 00:22:55,240 --> 00:22:57,599 my preset always went you know, these are kind of 431 00:22:57,680 --> 00:23:00,599 the initial These are things that like a I could 432 00:23:00,640 --> 00:23:03,400 probably do for us is like set these kind of 433 00:23:03,480 --> 00:23:06,480 prerequisite things so that when we go to use our 434 00:23:06,599 --> 00:23:10,200 creative tools, they're like in the right settings or whatever. 435 00:23:10,480 --> 00:23:13,359 Speaker 9: Yeah, everything else as long as you put the time 436 00:23:13,440 --> 00:23:16,880 behind to learn the things you know, and you can 437 00:23:16,960 --> 00:23:19,839 manipulate anything in your favor. Yeah, you know, as long 438 00:23:19,880 --> 00:23:21,839 as you put the time in and effort to figure 439 00:23:21,839 --> 00:23:22,119 it out. 440 00:23:22,319 --> 00:23:25,720 Speaker 6: Yeah, absolutely, yeah, No, I agree. Well said you guys 441 00:23:25,759 --> 00:23:26,519 want to play another one? 442 00:23:27,039 --> 00:23:37,640 Speaker 7: Yeah, what do you think? Maybe gratitude? 443 00:23:38,279 --> 00:23:40,960 Speaker 6: Sure, if you're just joining us. We have Cody Pope 444 00:23:40,960 --> 00:23:43,039 and Byron g here with us live in studio. Let 445 00:23:43,079 --> 00:23:44,400 me get that. Uh, there we go. 446 00:23:47,119 --> 00:23:48,240 Speaker 5: I gotta find this joint. 447 00:24:03,359 --> 00:24:07,640 Speaker 1: Some days I wake up and I wish I had it. 448 00:24:09,720 --> 00:24:12,279 Speaker 7: I hate that I'm sad, but my love monks feel 449 00:24:12,319 --> 00:24:17,480 so glad that he's a lead tripping Don't know, Vie, 450 00:24:17,519 --> 00:24:22,279 I'm so mad man, got a lot to be gratefulfore, 451 00:24:22,480 --> 00:24:24,400 You've awn I'm down, bad man. 452 00:24:25,680 --> 00:24:29,880 Speaker 1: Some days I wake up and I wish I had it. 453 00:24:32,039 --> 00:24:34,559 I hate that I'm sad, but my love monks feel 454 00:24:34,640 --> 00:24:39,680 so glad that he's a lead tripping Don't know why. 455 00:24:39,839 --> 00:24:44,480 Speaker 7: I'm so mad man, got a lot to be grateful for. 456 00:24:44,799 --> 00:24:46,759 Speaker 1: You've awen. I'm damn bad man. 457 00:24:48,559 --> 00:24:53,240 Speaker 7: Wake up in my brain already feeling dark. Get the couch, already, 458 00:24:53,440 --> 00:24:57,559 chase a spot, contemplating in my sick or unhealthy. It's 459 00:24:57,640 --> 00:25:01,559 this depression of calma for unwealthy enough Cleverty to know 460 00:25:01,720 --> 00:25:04,039 that I'm the end of me, the one destroying me, 461 00:25:04,160 --> 00:25:07,039 the one should be defending me. Gotta take time enough 462 00:25:07,119 --> 00:25:09,640 to know you can't make time, So make mind feel 463 00:25:09,720 --> 00:25:12,200 with the things that shape live. What you heard on 464 00:25:12,319 --> 00:25:14,759 the great vine might not taste right, so you don't 465 00:25:14,799 --> 00:25:17,920 gotta make wine. You'll still make life. Plant that seed 466 00:25:18,000 --> 00:25:20,839 that gone well in your family with the real money tree, 467 00:25:20,920 --> 00:25:24,880 life's optical standing fees. Still days I'm fighting to guest trooper. 468 00:25:25,319 --> 00:25:28,440 But I survived when not for me, my trooper, when 469 00:25:28,480 --> 00:25:30,400 the fight come at the door, you can't be true. 470 00:25:30,640 --> 00:25:32,359 You missed that chance. Might well. 471 00:25:32,599 --> 00:25:36,880 Speaker 1: Some days I wake up and I wish I had it. 472 00:25:39,000 --> 00:25:41,559 Speaker 7: I hate that I'm sad, but my loved ones feel 473 00:25:41,640 --> 00:25:42,640 so glad man. 474 00:25:44,720 --> 00:25:48,160 Speaker 1: He's the lead tripping. Don't know why, I'm so mad man. 475 00:25:49,960 --> 00:25:52,880 Speaker 7: Got a lot to be grateful for even when I'm down, 476 00:25:53,039 --> 00:25:53,720 bad man. 477 00:25:54,960 --> 00:25:59,200 Speaker 1: Some days I wake up and I wish I had it, 478 00:26:00,000 --> 00:26:03,319 And I hate that I'm sad, but on the loved 479 00:26:03,359 --> 00:26:04,880 ones feel so bad man. 480 00:26:07,079 --> 00:26:10,519 Speaker 7: He's the lead tripping Don't no, Bob, I'm so mad man. 481 00:26:12,000 --> 00:26:14,599 You got a lot to be grateful for, even when 482 00:26:14,759 --> 00:26:18,599 I'm down bad man. Some days I wake up. 483 00:26:19,319 --> 00:26:19,799 Speaker 4: Wake up. 484 00:26:28,440 --> 00:26:30,920 Speaker 6: Mmm, good stuff, guys, good stuff. 485 00:26:31,079 --> 00:26:31,359 Speaker 7: Thank you. 486 00:26:31,599 --> 00:26:33,359 Speaker 6: If you're just joining us, we have Cody Pope and 487 00:26:33,440 --> 00:26:37,119 Byron g here with us live in studio and uh yeah, 488 00:26:37,279 --> 00:26:39,400 I love that track and it's it's very relatable. 489 00:26:39,640 --> 00:26:43,599 Speaker 7: I Uh I have those days, right, That's the thing, 490 00:26:43,640 --> 00:26:45,640 you know, I feel like most of us do. And yeah, 491 00:26:45,799 --> 00:26:47,920 when we're in those moments, you kind of feel like 492 00:26:48,000 --> 00:26:50,599 you're the only person and it's like, man, how is 493 00:26:50,759 --> 00:26:53,079 like the world really like crashing down on me. But 494 00:26:53,119 --> 00:26:55,039 when you realize how many people in your life have 495 00:26:55,640 --> 00:26:57,359 made it to that next day, it's like, all right, 496 00:26:57,519 --> 00:27:01,160 let me let me just try and like for a minute, yeah, 497 00:27:01,519 --> 00:27:04,079 and stop thinking about what's weighing on me and like 498 00:27:04,200 --> 00:27:06,240 figure out what's like lifting me instead. 499 00:27:06,640 --> 00:27:08,880 Speaker 6: Yeah. Yeah, no, I like that a lot. You know, 500 00:27:09,000 --> 00:27:12,240 I'm pretty public about it. I struggle with depression, and 501 00:27:12,319 --> 00:27:14,519 so I can I can relate to that, you know. 502 00:27:15,039 --> 00:27:17,160 I hear those lyrics and it's like, yeah, yeah, I 503 00:27:17,279 --> 00:27:19,920 get it. I get it. 504 00:27:21,200 --> 00:27:21,359 Speaker 8: Now? 505 00:27:21,440 --> 00:27:24,279 Speaker 6: Are you so the new album it just came out. 506 00:27:24,519 --> 00:27:25,440 Speaker 7: It came out in October. 507 00:27:25,519 --> 00:27:26,920 Speaker 6: Came out in October, so pretty recent. 508 00:27:27,079 --> 00:27:27,519 Speaker 5: Yeah are you? 509 00:27:27,599 --> 00:27:29,279 Speaker 6: Are you already working on the next one? It seems 510 00:27:29,319 --> 00:27:31,079 like you guys are pretty prolific. You put out a 511 00:27:31,119 --> 00:27:31,640 lot of music. 512 00:27:32,000 --> 00:27:33,839 Speaker 7: Yeah. So we have a lot of stuff in the 513 00:27:33,920 --> 00:27:37,279 vault right now, and we definitely have some releases planned 514 00:27:37,279 --> 00:27:40,079 for next year. But we're gonna, honestly spend a lot 515 00:27:40,160 --> 00:27:43,519 of time with this record. We've been working on visuals 516 00:27:43,599 --> 00:27:47,720 for it. So we do these seminars called inside the Music. 517 00:27:47,759 --> 00:27:50,680 We do them at Nashville Public Library, and oh yeah, 518 00:27:50,960 --> 00:27:53,440 we take songs from our records and kind of break 519 00:27:53,519 --> 00:27:56,720 down the lyrics and the stories and the Ryan patterns, 520 00:27:56,759 --> 00:27:59,400 the references, and he'll break down the stems of how 521 00:27:59,480 --> 00:28:03,960 the song composed. And we put one together for Giant Steps, 522 00:28:04,119 --> 00:28:07,079 and we didn't get to do it in time for 523 00:28:07,200 --> 00:28:09,279 the release. So that's gonna be one of the things 524 00:28:09,319 --> 00:28:13,880 that we do this spring is Return of the Library seminar, 525 00:28:14,480 --> 00:28:17,759 and so we really just want to give people time 526 00:28:17,880 --> 00:28:21,279 to take this record in. It's eighteen songs, and we 527 00:28:21,400 --> 00:28:24,039 have a documentary coming out for it on Monday, which 528 00:28:24,160 --> 00:28:26,960 really covers like from when we did meet Me in 529 00:28:27,039 --> 00:28:30,160 Gates City to where we're at now. And so there 530 00:28:30,279 --> 00:28:33,279 was like a lot of like obstacles along the way 531 00:28:33,319 --> 00:28:36,240 of getting the album out, and so because it took 532 00:28:36,359 --> 00:28:39,519 us so long to get here, we're really hoping that 533 00:28:39,640 --> 00:28:42,519 we can afford to take time with this record over 534 00:28:42,720 --> 00:28:45,160 next year because there's a lot to take in. You know, 535 00:28:45,240 --> 00:28:49,279 it's eighteen songs. It's a very like in depth personal record. 536 00:28:49,759 --> 00:28:53,839 It's the essentially like the follow up to you know, 537 00:28:53,960 --> 00:28:55,880 the first record that we did Meet Me in Gate 538 00:28:56,000 --> 00:29:00,720 City was shortly after we met as Peple, you know, 539 00:29:01,079 --> 00:29:04,559 and like we met and within a year and some change, 540 00:29:04,640 --> 00:29:06,519 we had a full length album out and had been 541 00:29:06,759 --> 00:29:10,319 playing all over the region and running this label together, 542 00:29:10,839 --> 00:29:14,039 and so so much has happened in that time, and 543 00:29:14,200 --> 00:29:17,480 we've learned a lot. We've both gone through so much 544 00:29:17,599 --> 00:29:21,200 in our personal lives, and so the album is really 545 00:29:22,319 --> 00:29:25,720 a document of so much of that that it's hard 546 00:29:25,839 --> 00:29:29,720 to like move on to the next thing already. Where 547 00:29:29,759 --> 00:29:31,880 like we have, like we have an EP that we 548 00:29:31,960 --> 00:29:34,680 had already recorded. I have a actually I have a 549 00:29:34,759 --> 00:29:37,160 project with Biza that we're hoping to put out next year. 550 00:29:37,519 --> 00:29:40,519 Cool I have a live band record that him that 551 00:29:40,640 --> 00:29:43,440 he's helped me engineer that we've been working on for 552 00:29:43,519 --> 00:29:46,119 a couple of years. We worked some great artists from Maine. 553 00:29:46,640 --> 00:29:48,720 So we have stuff that we're hoping to put out 554 00:29:48,759 --> 00:29:52,599 next year. But it just is, ah, everything's kind of 555 00:29:52,640 --> 00:29:55,920 happening on a feeling now where we did so much 556 00:29:55,960 --> 00:29:59,599 stuff on setting deadlines that we thought fit within our 557 00:29:59,680 --> 00:30:03,799 market place, and our audience has really shown us that 558 00:30:03,960 --> 00:30:07,720 we can dictate our own marketplace, and the best way 559 00:30:07,799 --> 00:30:10,160 to do that is to not compromise the integrity of 560 00:30:10,200 --> 00:30:14,519 these records. And so we're really hoping and frankly you know, 561 00:30:14,759 --> 00:30:17,720 just to be like honest about it. The record is 562 00:30:17,799 --> 00:30:22,000 doing very well in regards to reception. People that hear 563 00:30:22,079 --> 00:30:25,119 it loved the record. People have been buying the CDs, 564 00:30:25,200 --> 00:30:28,640 which is great. The show was fantastic, But in terms 565 00:30:28,839 --> 00:30:31,960 of like the typical benchmarks that you're trying to reach 566 00:30:32,240 --> 00:30:34,519 in audience growth and stuff like that, we're just not 567 00:30:34,640 --> 00:30:39,759 there yet. Yeah, We're a long ways away from being 568 00:30:39,880 --> 00:30:44,079 where we're at comfortably in growing our audience, and so 569 00:30:45,319 --> 00:30:47,920 it seems like it would be detrimental of us to 570 00:30:48,039 --> 00:30:50,200 move on from this record too fast when there's so 571 00:30:50,359 --> 00:30:51,640 much substance there. 572 00:30:52,000 --> 00:30:53,279 Speaker 6: Yeah, no, that makes sense. 573 00:30:54,440 --> 00:30:58,519 Speaker 9: We also went to a legit studio this time around 574 00:30:58,599 --> 00:31:02,359 two oh before we were it was all in house 575 00:31:02,559 --> 00:31:05,200 like doing all the engineering, mixing, mastering. 576 00:31:04,839 --> 00:31:05,480 Speaker 5: All that stuff. 577 00:31:05,839 --> 00:31:10,039 Speaker 9: This time, due to you know, time and our mental 578 00:31:10,119 --> 00:31:13,119 capacities with work and stuff like that, it just wasn't 579 00:31:13,319 --> 00:31:16,440 gonna come out the way we wanted it to. So 580 00:31:17,119 --> 00:31:20,160 we made the decision to bring in Mertz, who Cody 581 00:31:20,200 --> 00:31:23,240 had previously worked with who's uh engineered down at the 582 00:31:23,279 --> 00:31:26,559 Bridge in Cambridge, Massachusetts, and he was kind of like 583 00:31:26,640 --> 00:31:28,559 the third member of the team to help us put 584 00:31:28,599 --> 00:31:29,240 this one together. 585 00:31:29,480 --> 00:31:33,000 Speaker 5: Yeah, and he absolutely crushed it, blew it out the 586 00:31:33,359 --> 00:31:34,599 like hit it right out the park. 587 00:31:35,240 --> 00:31:35,279 Speaker 4: Like. 588 00:31:35,400 --> 00:31:38,160 Speaker 5: The synergy between the three of us was fantastic. 589 00:31:38,240 --> 00:31:40,920 Speaker 9: Every time we were down in his studio, we recorded 590 00:31:40,960 --> 00:31:43,880 the whole thing down there, and he was like a 591 00:31:44,079 --> 00:31:45,799 huge part of this record. 592 00:31:45,880 --> 00:31:50,559 Speaker 5: So sonically it's definitely like our best sounding record. 593 00:31:50,319 --> 00:31:54,319 Speaker 7: Too, Okay, it really it allowed us to be like 594 00:31:55,359 --> 00:31:58,200 it allowed us to operate as a duo as artists 595 00:31:58,480 --> 00:32:01,440 where doing meet being gate City. Even though we were 596 00:32:01,480 --> 00:32:04,960 a duo, he had to be the Rick Rubin and 597 00:32:05,240 --> 00:32:07,400 like run the boards and make sure that I was 598 00:32:07,480 --> 00:32:09,680 doing what I needed to do. And and so this 599 00:32:09,839 --> 00:32:11,480 time was like we both just got to be the 600 00:32:11,640 --> 00:32:14,680 artists and have our vision be brought to life. And 601 00:32:14,839 --> 00:32:17,200 so I'm glad that you brought that up because I 602 00:32:17,279 --> 00:32:19,720 do think that that also like played a big part 603 00:32:19,799 --> 00:32:20,400 in making. 604 00:32:20,200 --> 00:32:23,920 Speaker 5: This step what it was. Yeah, the upbraid for sure. 605 00:32:24,160 --> 00:32:26,599 Speaker 7: Yeah, it's a huge and that's and it's supposed to 606 00:32:26,680 --> 00:32:29,200 you know, it's like this is part of a greater story. 607 00:32:29,440 --> 00:32:31,920 And so you know, from Meet Me and Gate City, 608 00:32:32,000 --> 00:32:34,200 it was a lot of getting to know us, getting 609 00:32:34,279 --> 00:32:36,519 to know how to operate with each other, and us 610 00:32:37,079 --> 00:32:39,559 getting to know who our audience was now because this 611 00:32:39,759 --> 00:32:42,640 music was quite a bit different than my solo music 612 00:32:43,039 --> 00:32:47,400 and now with Giant Steps, it's exactly that. Like we 613 00:32:47,759 --> 00:32:50,480 were willing to challenge ourselves, we were willing to challenge 614 00:32:50,559 --> 00:32:53,319 the listeners, We were willing to challenge the status quo. 615 00:32:54,079 --> 00:32:56,480 We were willing to step outside of all of our 616 00:32:56,519 --> 00:32:58,839 comfort zones and just make a record that we felt 617 00:32:59,000 --> 00:33:02,000 was like a strong body of work. And I'm happy 618 00:33:02,079 --> 00:33:03,920 to like stand on that for a long time. 619 00:33:04,279 --> 00:33:08,160 Speaker 6: Yea, was that a difficult decision to to because you 620 00:33:08,279 --> 00:33:10,480 had done the previous tracks? 621 00:33:10,599 --> 00:33:10,759 Speaker 5: Yes? 622 00:33:10,839 --> 00:33:14,920 Speaker 7: And yeah, yeah we tried. Frankly, like we we we 623 00:33:15,039 --> 00:33:17,880 took a couple of different attempts at doing so. We 624 00:33:18,000 --> 00:33:21,480 were gonna do EP three before the new album we 625 00:33:21,599 --> 00:33:23,640 had so that we did Pound of Flesh. Then we 626 00:33:23,680 --> 00:33:26,680 did Renaissance Park, and we have one more that we 627 00:33:27,079 --> 00:33:29,640 already have written, and so we went to record that 628 00:33:30,119 --> 00:33:33,000 and we just we just weren't feeling it. There was 629 00:33:33,079 --> 00:33:35,000 just something, And that's when I think he started to 630 00:33:35,079 --> 00:33:39,039 realize he was getting burnt from the engineering, the mixing, 631 00:33:39,160 --> 00:33:41,720 the mastering, all that stuff, and it. 632 00:33:41,799 --> 00:33:46,480 Speaker 9: Was juggling family with work and at the studio till 633 00:33:46,519 --> 00:33:49,279 two am and then waking up and going to work 634 00:33:49,359 --> 00:33:50,519 and doing the same thing, and. 635 00:33:50,559 --> 00:33:51,039 Speaker 6: It's a lot. 636 00:33:51,160 --> 00:33:52,759 Speaker 5: Yeah, there was a lot. And we have been doing 637 00:33:52,839 --> 00:33:54,559 that for like three years straight. 638 00:33:54,400 --> 00:34:00,680 Speaker 7: So yeah, you don't get that same off filming, right right, Yeah, 639 00:34:00,720 --> 00:34:03,039 you don't get that same fulfillment when it feels like 640 00:34:03,559 --> 00:34:04,400 work all the time. 641 00:34:04,680 --> 00:34:06,799 Speaker 5: Yeah, And that's what it was definitely becoming the field. 642 00:34:06,880 --> 00:34:10,079 Speaker 9: It was starting to feel like work and that's the 643 00:34:10,360 --> 00:34:13,920 complete opposite artist, right right. 644 00:34:14,159 --> 00:34:16,719 Speaker 7: But it was also like a blessing in disguise because 645 00:34:16,960 --> 00:34:20,199 the songs for EP three, while we love them, by 646 00:34:20,280 --> 00:34:22,440 the time we kind of figured out that we wanted 647 00:34:22,519 --> 00:34:26,679 to like go back into the studio setting, those songs 648 00:34:26,719 --> 00:34:29,280 wouldn't have worked for the time period that they would 649 00:34:29,280 --> 00:34:31,000 have been done. You know, there was just a sonic 650 00:34:31,079 --> 00:34:34,199 appeal to having them in like the springtime. They just 651 00:34:34,320 --> 00:34:37,840 have that kind of energy. And we didn't start recording 652 00:34:37,960 --> 00:34:40,119 until the beginning of summer, so by the time we 653 00:34:40,199 --> 00:34:42,039 were done, it was going to be late summer fall, 654 00:34:42,679 --> 00:34:44,639 and we would have just been putting out songs just 655 00:34:44,760 --> 00:34:46,719 to put something out and just to keep up with 656 00:34:46,840 --> 00:34:50,639 the joneses, And instead we have this body of work 657 00:34:50,719 --> 00:34:53,079 that just like everything made sense and it was like 658 00:34:53,599 --> 00:34:56,559 it just really reminded us of like we can't always 659 00:34:56,800 --> 00:34:59,400 dictate the timelines. We just have to make the art 660 00:34:59,480 --> 00:35:01,360 in the art going to tell us not to be 661 00:35:01,480 --> 00:35:04,079 like you know, but like the art is really going 662 00:35:04,159 --> 00:35:06,039 to set the terms of like what we can do. 663 00:35:06,360 --> 00:35:09,360 Like nothing we say matters until we have a body 664 00:35:09,440 --> 00:35:12,079 of work in our hands and then we can you know, 665 00:35:12,360 --> 00:35:13,480 get to the starting line. 666 00:35:13,760 --> 00:35:17,159 Speaker 6: Yeah, that makes sense. That makes sense. By the way, 667 00:35:17,199 --> 00:35:19,320 you mentioned so you do you've done most of the 668 00:35:19,440 --> 00:35:23,000 artwork for the artist who released through All Lound. Yeah, 669 00:35:23,519 --> 00:35:26,920 is there is there any kind of a like, do 670 00:35:26,960 --> 00:35:29,800 you have a specific style that you apply to The 671 00:35:29,880 --> 00:35:34,400 reason I'm curious is in the past, it probably isn't 672 00:35:34,400 --> 00:35:36,559 really a thing anymore, but I just remember like back 673 00:35:36,639 --> 00:35:38,679 in the nineties or in the two thousands, like No 674 00:35:38,840 --> 00:35:41,840 Limit Records, you know, there was a very. 675 00:35:41,800 --> 00:35:44,400 Speaker 7: Specific style pixel. 676 00:35:44,679 --> 00:35:44,840 Speaker 8: Yeah. 677 00:35:44,920 --> 00:35:47,400 Speaker 6: Yeah, I'm curious if if, like, do you have a 678 00:35:47,440 --> 00:35:49,119 specific style that you try to use. 679 00:35:49,119 --> 00:35:51,440 Speaker 7: Or I don't. The only thing I guess I would 680 00:35:51,519 --> 00:35:55,440 really say about my style is that I am in 681 00:35:55,639 --> 00:35:59,400 I'm not like a traditionally trained graphic designer. I don't 682 00:35:59,440 --> 00:36:03,039 have any sort of like art background or anything. I 683 00:36:03,360 --> 00:36:06,239 learned how to use photoshop purely because I wanted to 684 00:36:06,280 --> 00:36:09,519 be a guy starting a record label, and so the 685 00:36:09,800 --> 00:36:13,760 root of my like artistic style is very photo heavy. 686 00:36:14,199 --> 00:36:16,880 So I love when somebody can either give me a 687 00:36:17,000 --> 00:36:20,000 photo or give me a reference or something, and that 688 00:36:20,280 --> 00:36:23,559 is typically like my canvas, and I can like creatively 689 00:36:23,639 --> 00:36:26,719 build from there, and like I'm I'm learning how to 690 00:36:26,840 --> 00:36:29,519 do other stuff. But I would say that through the 691 00:36:29,639 --> 00:36:33,599 fifteen releases that we've put out that I've done covers for, 692 00:36:34,239 --> 00:36:38,159 they're very like photo centric, where it's about a certain 693 00:36:38,519 --> 00:36:41,920 like character or a certain idea and then I'll just 694 00:36:42,039 --> 00:36:44,199 kind of design around that idea. 695 00:36:44,440 --> 00:36:44,639 Speaker 6: Yeah. 696 00:36:44,719 --> 00:36:49,679 Speaker 9: Yeah, Robert, Yeah, he's the one who basically took all 697 00:36:49,760 --> 00:36:53,639 the pictures of us, yeah for the for the last 698 00:36:53,760 --> 00:36:54,920 ep in this album. 699 00:36:55,079 --> 00:36:57,559 Speaker 6: Oh okay, Yeah, he was. 700 00:36:59,079 --> 00:37:02,199 Speaker 9: Just the the artist in him, Like he was literally 701 00:37:02,400 --> 00:37:05,880 laying down almost like head in traffic to get that 702 00:37:06,039 --> 00:37:06,760 perfect angle. 703 00:37:07,719 --> 00:37:10,360 Speaker 5: Yeah. He's one of a kind, awesome. 704 00:37:10,440 --> 00:37:13,519 Speaker 7: Yeah, he's actually based here in Manchester. His name is 705 00:37:13,800 --> 00:37:16,920 Robert Bates okay, and you can so you can find 706 00:37:16,960 --> 00:37:20,159 his Robert Bates Photography and on Instagram. He goes by 707 00:37:20,239 --> 00:37:23,559 Domino Sonata. But he's also like a very he's a 708 00:37:23,639 --> 00:37:27,000 very into cinema, like local cinema and film and film 709 00:37:27,119 --> 00:37:29,119 history and stuff like that too, So you. 710 00:37:29,119 --> 00:37:31,559 Speaker 9: Could totally feel it when you're like when you see 711 00:37:31,599 --> 00:37:35,079 his photos. Really, he's incredible, man, And I think what 712 00:37:36,199 --> 00:37:39,840 Nick did? Beat me in Gay City? So okay, Nix 713 00:37:40,079 --> 00:37:40,840 is girlfriend? 714 00:37:41,039 --> 00:37:42,920 Speaker 7: Yeah, okay, So we have a lot of like close 715 00:37:43,000 --> 00:37:45,360 people in our network that shoot photos and then I 716 00:37:45,920 --> 00:37:48,800 just like, am fortunate enough to take those to manipulate them. 717 00:37:49,039 --> 00:37:51,960 Speaker 6: Oh that's cool? Yeah, yeah, very cool. Uh you guys 718 00:37:52,000 --> 00:37:52,800 want to play another one? 719 00:37:53,199 --> 00:37:54,159 Speaker 5: Sure? Yeah? What do we go? 720 00:37:54,360 --> 00:37:55,000 Speaker 6: Dying to hear more? 721 00:37:56,320 --> 00:37:56,480 Speaker 8: Here? 722 00:37:56,599 --> 00:37:58,119 Speaker 6: If you're just showing us, we have Cody Pope and 723 00:37:58,199 --> 00:38:00,159 Byron g here with us a live and suit. 724 00:38:02,719 --> 00:38:09,719 Speaker 7: And leant do exit more. Yeah, it's a funny one, 725 00:38:10,639 --> 00:38:19,480 all right, you're watching at home. You can snap with 726 00:38:19,599 --> 00:38:37,559 us elevated to the gallows like a miles in France, 727 00:38:37,920 --> 00:38:40,599 life be hitting differently do miles of dance might have 728 00:38:40,679 --> 00:38:43,199 a thousand yards stare of of a mile and trance 729 00:38:43,440 --> 00:38:46,079 life can be so short you're running miles and pants 730 00:38:46,679 --> 00:38:49,000 don't care for people but a smile because why not 731 00:38:49,480 --> 00:38:51,719 this life the only one that I know that I got. 732 00:38:51,800 --> 00:38:54,760 All this third eye jazz got me feeling like Cyclops 733 00:38:54,760 --> 00:38:56,840 every year for a little closer to the feeling like 734 00:38:56,960 --> 00:39:00,719 my pops, frustrated with my nation, probably for different reasons 735 00:39:00,840 --> 00:39:04,360 of posing opinions on opposition, committing treason. I'm from where 736 00:39:04,360 --> 00:39:07,320 you got to embrace multiple seasons. One day it's spring, 737 00:39:07,440 --> 00:39:10,239 one day you've taken the leaves and still jump hurdles. 738 00:39:10,280 --> 00:39:12,599 But I got these long legs for ramp up my 739 00:39:12,719 --> 00:39:15,119 pro team. What I eat all these eggs for. I 740 00:39:15,239 --> 00:39:18,280 grew up between exit one and exit for, But even 741 00:39:18,400 --> 00:39:20,800 as a youth, I knew I had to exit more. 742 00:39:22,400 --> 00:39:23,239 Speaker 5: A little short one. 743 00:39:24,039 --> 00:39:24,840 Speaker 6: That is a short one. 744 00:39:24,880 --> 00:39:27,480 Speaker 9: Well yeah, there's a lot of those little kind of 745 00:39:27,519 --> 00:39:30,239 like interlowers between each, a lot of the tracks on 746 00:39:30,280 --> 00:39:30,599 this one. 747 00:39:30,719 --> 00:39:33,199 Speaker 6: Yeah, yeah, No, I like it though. One day it's spring, 748 00:39:33,280 --> 00:39:36,280 next day or taking the leaves, then that is true, 749 00:39:36,800 --> 00:39:40,199 That is our weather tends to go up. Yes, yes, 750 00:39:40,519 --> 00:39:42,599 we have Cody Pope and Byron's here with us alive 751 00:39:42,719 --> 00:39:47,159 in studio and uh sounding great, are you guys playing 752 00:39:47,199 --> 00:39:49,039 out Lutrey? Are you doing a lot of live shows? 753 00:39:49,079 --> 00:39:52,239 Speaker 7: They so it was I would say, this was probably 754 00:39:52,360 --> 00:39:55,280 our slowest year we did. We did a run in 755 00:39:55,920 --> 00:39:58,880 March when we put out Renaissance Park. We were real lucky. 756 00:39:59,039 --> 00:40:00,679 We got to go out with a already the rugged 757 00:40:00,719 --> 00:40:02,880 Man for a night. We did some nights in Vermont, 758 00:40:04,119 --> 00:40:08,480 came here you're with the first stop. That was the well, 759 00:40:08,519 --> 00:40:11,599 that's the show. That's okay, going back to before we 760 00:40:11,679 --> 00:40:14,679 were on air, that's we were here for Renaissance Park, 761 00:40:15,119 --> 00:40:17,880 and that was the show that the computer crashed. Yes, 762 00:40:18,360 --> 00:40:20,880 because we played let It Grow for the first time. 763 00:40:21,400 --> 00:40:24,800 Speaker 5: Yeah, yeah, that's that's part of that that same night. 764 00:40:26,960 --> 00:40:28,519 Speaker 6: Okay, okay, wow. 765 00:40:28,760 --> 00:40:32,440 Speaker 7: But after that run of shows, it was pretty quiet. 766 00:40:32,519 --> 00:40:34,519 For the most part. We did something, you know, something 767 00:40:34,559 --> 00:40:35,079 here or there. 768 00:40:35,280 --> 00:40:37,320 Speaker 5: A lot of life stuff was going on. 769 00:40:37,559 --> 00:40:42,440 Speaker 7: Yeah, yeah, we we started working on well, so we 770 00:40:42,559 --> 00:40:47,480 started EP three basically in like so, Renaissance Park came 771 00:40:47,519 --> 00:40:50,599 out in March, and by like the end of April 772 00:40:50,679 --> 00:40:54,519 we were already jumping into EP three, and then by 773 00:40:54,719 --> 00:40:57,880 like the end of May we realized everything just like 774 00:40:58,079 --> 00:41:00,719 wasn't working. And by the end of June we were 775 00:41:00,800 --> 00:41:04,000 already down at the Bridge working on the new album. Okay, 776 00:41:05,320 --> 00:41:07,039 So it was just one of those things that like, 777 00:41:07,159 --> 00:41:10,119 and then we spent so much time doing the album 778 00:41:10,360 --> 00:41:13,519 and we didn't want to. We knew what we wanted 779 00:41:13,559 --> 00:41:15,880 to do for the release show, and we knew if 780 00:41:15,920 --> 00:41:18,639 we did too many shows beforehand that that would kind 781 00:41:18,639 --> 00:41:22,079 of like spoil or saturate it. So once we started 782 00:41:22,119 --> 00:41:24,480 working on the album, we made like a very like 783 00:41:25,119 --> 00:41:27,920 conscious effort to be like, look, we're gonna not perform 784 00:41:28,119 --> 00:41:31,199 until this show. We want people to really like, this 785 00:41:31,400 --> 00:41:33,480 is the next time they experience us is going to 786 00:41:33,519 --> 00:41:36,000 be hearing these songs in a room that we booked 787 00:41:36,079 --> 00:41:40,079 with our sound ore lighting, our caterers that we brought 788 00:41:40,239 --> 00:41:42,679 like just like a show the way that we think 789 00:41:42,719 --> 00:41:46,000 it makes the most sense, and like, I think it 790 00:41:46,119 --> 00:41:49,440 was one of the best decisions we made because the 791 00:41:49,679 --> 00:41:52,639 event turned out like really memorable. 792 00:41:52,480 --> 00:41:55,079 Speaker 6: Excellent, excellent. By the way, what was our a the 793 00:41:55,159 --> 00:41:57,719 rugged man like he seems like an intense dude, Like. 794 00:41:58,760 --> 00:42:03,079 Speaker 7: Yeah, he's very tense. Yeah, we we didn't get to 795 00:42:03,159 --> 00:42:06,039 meet him. I I've opened I think I've opened for 796 00:42:06,159 --> 00:42:08,760 him like three or four times and I've literally never 797 00:42:08,840 --> 00:42:12,400 met him. So oh really that's just how rappers. 798 00:42:12,039 --> 00:42:16,119 Speaker 6: Are, though, Yeah, he I I I heard I heard 799 00:42:16,159 --> 00:42:19,960 an interesting story about him. Do you guys know daver So? 800 00:42:20,239 --> 00:42:22,719 Speaker 7: I don't know him personally, but I feel like we 801 00:42:23,280 --> 00:42:25,960 The name sounds familiar and I'm pretty sure we played 802 00:42:26,000 --> 00:42:28,639 a show like years and years ago in the past, 803 00:42:28,719 --> 00:42:29,760 if I'm not mistaken. 804 00:42:29,920 --> 00:42:32,320 Speaker 6: Okay, yeah he he opened for Uh. 805 00:42:33,480 --> 00:42:35,000 Speaker 7: I bet you that was probably I bet you I 806 00:42:35,079 --> 00:42:37,760 might have been on that show too, okaybe maybe that's 807 00:42:37,800 --> 00:42:38,679 where I know him from. 808 00:42:39,039 --> 00:42:41,480 Speaker 6: Yeah he he. He told me an interesting story which 809 00:42:41,480 --> 00:42:42,679 I won't I won't repeat. 810 00:42:43,559 --> 00:42:46,440 Speaker 5: But I never want to be as loud as a 811 00:42:46,679 --> 00:42:51,639 live sound engineer. Man. I felt bad for that night. 812 00:42:51,760 --> 00:42:54,519 Speaker 6: Really why I did the engineer take some verbal and 813 00:42:55,039 --> 00:42:56,079 yeah he did? 814 00:42:56,360 --> 00:42:59,000 Speaker 9: And uh you know, I mean if you're an art 815 00:42:59,199 --> 00:43:02,559 like as around for you know, over two decades. 816 00:43:02,719 --> 00:43:05,159 Speaker 7: Yeah, yeah, it's like there's a there's a level of expectation. 817 00:43:05,280 --> 00:43:08,559 Speaker 9: Yeah, you gotta if you're gonna you know, oh yeah, yeah, 818 00:43:08,679 --> 00:43:10,719 do anything with them, which is you know, he earned that. 819 00:43:10,880 --> 00:43:12,880 Speaker 6: So if you guys ever seen the mouthdown he had 820 00:43:12,960 --> 00:43:15,599 with Tim Poole on his podcast. 821 00:43:16,000 --> 00:43:16,840 Speaker 7: That sounds wild. 822 00:43:17,000 --> 00:43:18,880 Speaker 6: Oh it's great. Yeah yeah, if you go on YouTube 823 00:43:18,880 --> 00:43:20,519 and just hide in Tim pool all right, the recommend 824 00:43:20,519 --> 00:43:21,360 I'm sure it comes right out. 825 00:43:22,920 --> 00:43:23,679 Speaker 5: I got to check that out. 826 00:43:23,719 --> 00:43:25,840 Speaker 6: Yeah, you gotta get a little angry with Tim Poole. 827 00:43:26,119 --> 00:43:28,159 It was just like, I'm not that guy. You don't 828 00:43:28,159 --> 00:43:30,719 want to go there with me. I can't even do 829 00:43:30,840 --> 00:43:33,559 an impression of it. It's it's really really good, but 830 00:43:33,920 --> 00:43:39,880 I'm really angry with it. Was awesome, It's fantastic. 831 00:43:39,960 --> 00:43:41,559 Speaker 7: I can just like picture that in my head. 832 00:43:41,800 --> 00:43:47,159 Speaker 6: Yes, it's really good. Now who else? 833 00:43:47,599 --> 00:43:47,719 Speaker 8: Now? 834 00:43:47,880 --> 00:43:50,039 Speaker 6: Is there any is there anyone else coming up in 835 00:43:50,079 --> 00:43:51,960 the short term who you're releasing through? 836 00:43:52,199 --> 00:43:52,320 Speaker 8: Uh? 837 00:43:55,000 --> 00:44:03,119 Speaker 7: In sometime this spring, we are hoping to release so Biza. Yeah, yeah, 838 00:44:03,360 --> 00:44:06,400 really yeah. Business just dropped a Merry Christmas beat tape 839 00:44:06,519 --> 00:44:09,719 which is on all streaming platforms, so everybody should go 840 00:44:09,840 --> 00:44:14,679 listen to that. But when we initially obviously Bizza has 841 00:44:14,719 --> 00:44:17,920 always been a part of our movement, but when we 842 00:44:18,320 --> 00:44:20,960 like made a formal offer to be like, hey, we 843 00:44:21,039 --> 00:44:23,320 want to have a record of yours come out on 844 00:44:23,440 --> 00:44:26,440 the label, he put out what what I kind of 845 00:44:26,519 --> 00:44:29,199 consider like his magnum opus is an album he did 846 00:44:29,320 --> 00:44:32,519 a few years ago. It's called Bobby's boombapp recitle. Okay, 847 00:44:32,840 --> 00:44:38,840 it's like his producer composition album, and he basically hired 848 00:44:38,920 --> 00:44:43,320 and picked and curated all of the like vocal features 849 00:44:43,400 --> 00:44:46,159 on the record and produced it and put them all 850 00:44:46,239 --> 00:44:50,480 together and it's it's a phenomenal album. It just has 851 00:44:50,760 --> 00:44:56,320 acrobatic mister Lyft, Crime Apple, my favorite rapper Cody Pope 852 00:44:56,440 --> 00:44:59,760 is on there. Tons of people are on There's There's 853 00:44:59,840 --> 00:45:03,079 just Time and lep who don't even really perform anymore. 854 00:45:03,119 --> 00:45:05,840 So it's probably one of the last recordings that they did. Yeah, 855 00:45:05,880 --> 00:45:09,280 there's just these phenomenal verses on there. But much like 856 00:45:09,320 --> 00:45:11,480 a lot of us as artists, because they didn't have 857 00:45:11,679 --> 00:45:15,199 a budget behind him to do some grand release. He 858 00:45:15,239 --> 00:45:18,400 didn't have money to do a physical release, you know, 859 00:45:18,519 --> 00:45:20,920 there wasn't He was doing it all himself, you know, 860 00:45:20,960 --> 00:45:23,679 and he puts so much into making it that it 861 00:45:23,760 --> 00:45:27,639 didn't even get like a huge digital distribution. Okay, So 862 00:45:28,000 --> 00:45:29,840 one of the things that we wanted to do first 863 00:45:30,159 --> 00:45:34,800 was give that record like a really grand release. And 864 00:45:36,079 --> 00:45:38,199 over the years we've been trying to like put a 865 00:45:38,519 --> 00:45:42,639 CD package together that really like is special and put 866 00:45:42,679 --> 00:45:46,039 some video content around it. So this Spring really is 867 00:45:46,079 --> 00:45:48,679 hopefully going to be the Bobby's Boom back recital Spring, 868 00:45:49,280 --> 00:45:51,199 as well as some more stuff from us. 869 00:45:51,679 --> 00:45:55,239 Speaker 6: Yeah, yeah, business incredible. Yeah, I haven't interviewed him and 870 00:45:55,280 --> 00:45:56,599 a really I gotta get him on the show. 871 00:45:56,679 --> 00:45:58,480 Speaker 7: Yeah, he's always got stuff going on. 872 00:45:59,239 --> 00:46:01,519 Speaker 9: I went into the studio it was like two weeks 873 00:46:01,559 --> 00:46:05,360 ago to and and ran into Biza there and what 874 00:46:05,519 --> 00:46:07,079 he was doing that night, I actually got it. 875 00:46:07,079 --> 00:46:08,840 Speaker 5: I had was like taking videos and stuff. 876 00:46:09,000 --> 00:46:12,840 Speaker 9: Just the way he manipulates samples and audio is like 877 00:46:13,079 --> 00:46:17,159 no one's doing it like him. He could literally you 878 00:46:17,239 --> 00:46:19,719 can smack this wall and he'll make a full beat 879 00:46:19,800 --> 00:46:20,039 out of it. 880 00:46:20,199 --> 00:46:22,199 Speaker 5: Like, yes, he's on another level. 881 00:46:22,239 --> 00:46:25,320 Speaker 9: And I hope I think he'll get his flowers soon 882 00:46:25,400 --> 00:46:27,400 where everybody really Yeah. 883 00:46:28,159 --> 00:46:30,280 Speaker 5: You know, I can see that he can just he's 884 00:46:30,599 --> 00:46:33,159 he's the mad scientist for that's what I call it. 885 00:46:33,320 --> 00:46:36,400 He just can anything any sound. 886 00:46:36,519 --> 00:46:40,679 Speaker 9: He's manipulating it in his way, and it's really incredible 887 00:46:40,760 --> 00:46:43,639 to see when he's in his zone at the studio. 888 00:46:43,400 --> 00:46:43,559 Speaker 7: You know. 889 00:46:43,800 --> 00:46:43,960 Speaker 8: Yeah. 890 00:46:44,039 --> 00:46:46,679 Speaker 7: Yeah, I hate to be biased because I'm obviously like 891 00:46:46,760 --> 00:46:50,119 his friend, but I can't tell you enough, like as 892 00:46:50,239 --> 00:46:55,159 a record label owner and obviously like Bizza is an artist, 893 00:46:55,320 --> 00:46:57,840 so I'm not saying that he's not challenging in his 894 00:46:57,960 --> 00:47:01,440 own right. But but Bizza is he's the type of 895 00:47:01,559 --> 00:47:03,960 artist you want to work with as a label owner 896 00:47:04,360 --> 00:47:07,840 because he's doing things that he was going to do, 897 00:47:08,159 --> 00:47:11,880 even if you were sorry that he's doing things that 898 00:47:12,800 --> 00:47:14,840 he was gonna do, even if you weren't in the picture. 899 00:47:15,480 --> 00:47:17,079 And that's what you want, is you want an art 900 00:47:17,119 --> 00:47:19,440 of You want an artist that's motivated enough to do 901 00:47:19,519 --> 00:47:22,480 it themselves, so that when you come in and partner 902 00:47:22,559 --> 00:47:25,840 with them, you're just adding fuel to something that was 903 00:47:25,880 --> 00:47:29,119 already there. If you just know a great artist but 904 00:47:29,159 --> 00:47:32,320 they're not driven to do it on their own, you're 905 00:47:32,400 --> 00:47:35,880 like pulling teeth sometimes because it's like they clearly didn't 906 00:47:35,960 --> 00:47:38,679 want it if if you if they weren't already doing it, 907 00:47:38,800 --> 00:47:41,159 you know. And so with Bizy, you almost have to 908 00:47:41,280 --> 00:47:45,039 chase him sometimes because he's so motivated that's he's dropping 909 00:47:45,079 --> 00:47:47,960 stuff constantly, and you got to kind and so that's 910 00:47:48,000 --> 00:47:51,360 why it's like we have a unique friendship and relationship 911 00:47:51,440 --> 00:47:54,159 with him because it's like he was doing this before 912 00:47:54,239 --> 00:47:56,440 either of us anyways. So it's like you got to 913 00:47:56,480 --> 00:47:59,000 give him room to do his thing and let him 914 00:47:59,719 --> 00:48:03,760 breathe creatively. But we just feel fortunate that like he 915 00:48:04,239 --> 00:48:06,679 still like wants to partner with us and do stuff 916 00:48:06,719 --> 00:48:09,280 with us as well, because we like to find those 917 00:48:09,320 --> 00:48:11,400 little gems every now and then and be like, here's 918 00:48:11,440 --> 00:48:13,920 how we can help bring that into the world. 919 00:48:14,000 --> 00:48:16,400 Speaker 6: Right, right, Have you ever I mean obviously I don't 920 00:48:16,400 --> 00:48:18,000 expect you to mention any names, but have you guys 921 00:48:18,000 --> 00:48:19,840 ever run into a situation where you work with somebody 922 00:48:19,840 --> 00:48:20,760 who maybe. 923 00:48:20,760 --> 00:48:28,960 Speaker 7: Just doesn't absolutely yea, yep, yeah, I guess for you know, 924 00:48:29,519 --> 00:48:31,880 not too many, fortunately, but I would say we've had 925 00:48:32,920 --> 00:48:36,440 we've had one release that didn't work out, and in total, 926 00:48:36,519 --> 00:48:40,639 we've maybe worked with three artists that it just wasn't 927 00:48:40,960 --> 00:48:45,199 the right kind of relationship yea. But fortunately, we only 928 00:48:45,440 --> 00:48:50,079 ever really were in one situation where an artists record 929 00:48:50,159 --> 00:48:52,599 came out and it just didn't really work out. And 930 00:48:52,880 --> 00:48:56,239 uh yeah, you know, like those things are tough in 931 00:48:56,360 --> 00:49:00,719 the moment, and for us being so early in the label, 932 00:49:00,960 --> 00:49:04,159 I think it definitely felt like, ah, like what did 933 00:49:04,239 --> 00:49:07,159 we do wrong? Like what you know? But as time 934 00:49:07,199 --> 00:49:09,880 went on, like we realized like we did the best 935 00:49:09,960 --> 00:49:13,400 we could yea, and it just like everything's not going 936 00:49:13,480 --> 00:49:16,599 to always work out. And I like to say that 937 00:49:17,599 --> 00:49:22,079 hell Hound is for anyone, but Hellhound isn't for everyone, right, 938 00:49:22,239 --> 00:49:26,239 you know, Like we are so open to what kind 939 00:49:26,280 --> 00:49:28,880 of music, what kind of art, the kind of people 940 00:49:28,960 --> 00:49:31,280 we work with, Like we really just we have a 941 00:49:31,360 --> 00:49:35,079 wide scope and a love of art, but we also 942 00:49:35,199 --> 00:49:38,239 have a certain framework within which we like to do things, 943 00:49:38,280 --> 00:49:40,880 and we have a certain aesthetic and a certain rawness 944 00:49:40,960 --> 00:49:44,880 and vulnerability and honesty and work ethic and that's not 945 00:49:45,000 --> 00:49:47,639 for everybody, and so it's not you know, goes back 946 00:49:47,679 --> 00:49:49,519 to like what I was saying earlier, is like we 947 00:49:49,679 --> 00:49:53,320 can't hold other artists to the way that we do things. 948 00:49:53,880 --> 00:49:56,039 We do what works best for us. And if there's 949 00:49:56,079 --> 00:49:58,400 other people that we love their art, we just have 950 00:49:58,559 --> 00:50:00,960 to kind of act to meet to what's going to 951 00:50:01,000 --> 00:50:03,760 work for them to be the most genuine. 952 00:50:03,440 --> 00:50:07,199 Speaker 5: Yeah, yeah, exactly not. And you could tell, you could 953 00:50:07,239 --> 00:50:08,000 tell when. 954 00:50:09,440 --> 00:50:12,920 Speaker 9: You know, the passions not fully there right as well, 955 00:50:13,159 --> 00:50:14,920 you know, and it kind of sucks the air out 956 00:50:14,920 --> 00:50:18,079 of the room. So yeah, you kind of learn real 957 00:50:18,199 --> 00:50:21,360 quick when you get into a couple of sessions with somebody, 958 00:50:23,079 --> 00:50:26,159 you know, kind of the first or second day, we're like, 959 00:50:27,000 --> 00:50:29,280 it's either going to be way too much work in 960 00:50:30,000 --> 00:50:34,880 us pushing, right, and if they're not in that creative 961 00:50:34,920 --> 00:50:38,280 space or if they're you know, not fully committed, then 962 00:50:38,559 --> 00:50:42,519 it's I'm we're not going to push you to like 963 00:50:42,679 --> 00:50:44,920 get there, like you got to have that, like it's 964 00:50:45,000 --> 00:50:48,400 just an artist in general or musician or whatever, like, yeah, 965 00:50:48,440 --> 00:50:50,199 you got to have the passion or else it's not 966 00:50:50,280 --> 00:50:50,760 gonna work. 967 00:50:50,880 --> 00:50:54,480 Speaker 6: Yeah, exactly, exactly. We have time. You guys want to 968 00:50:54,480 --> 00:50:56,840 play one more or star right. 969 00:50:59,440 --> 00:50:59,960 Speaker 5: The last one? 970 00:51:00,199 --> 00:51:01,039 Speaker 7: Yeah, I guess we should. 971 00:51:01,119 --> 00:51:01,159 Speaker 4: So. 972 00:51:01,320 --> 00:51:04,519 Speaker 7: This is the title track from Giant Steps in Gates City, 973 00:51:04,559 --> 00:51:06,840 which is affectionately called Giant Steps. 974 00:51:07,079 --> 00:51:09,039 Speaker 6: Okay, Cody Pope and Byron g. 975 00:51:21,480 --> 00:51:24,239 Speaker 7: My lace is tight enough for all my giant steps. 976 00:51:24,320 --> 00:51:27,360 Now easy get every day to wait say I'm the best. 977 00:51:27,519 --> 00:51:31,400 Now life be like some big beautiful breasts now over 978 00:51:31,440 --> 00:51:34,880 a windy day when all the sun dresses out. Even 979 00:51:34,960 --> 00:51:38,360 when stressed out, stop and taking nothing ahead of this 980 00:51:38,559 --> 00:51:41,519 life and understand why you love it it. No one 981 00:51:41,639 --> 00:51:44,199 can do what you do. That's why the gluff won't fit. 982 00:51:44,480 --> 00:51:46,960 Keep working hard towards your dreams. You'll make so much 983 00:51:47,039 --> 00:51:50,800 of it. These maverick thns take training more than saying words. 984 00:51:51,119 --> 00:51:54,079 Sometimes you're on the path alone that's evading herds. 985 00:51:54,360 --> 00:51:54,880 Speaker 8: You lucky. 986 00:51:55,000 --> 00:51:58,519 Speaker 7: If your lifeline it's exchanging verbs. There was a time 987 00:51:58,639 --> 00:52:01,440 in my life I was exchange and hurt. Went from 988 00:52:01,519 --> 00:52:04,320 thinking not be dead before the age of thirty to 989 00:52:04,440 --> 00:52:06,880 making it with words and trying not to be too 990 00:52:07,000 --> 00:52:10,360 worthy for every step back something to look forward to. 991 00:52:10,960 --> 00:52:14,280 You've been working. Soon enough you'll be soreing too. These 992 00:52:14,360 --> 00:52:17,800 giant steps come by learning how to box first LIFs 993 00:52:17,800 --> 00:52:20,440 to fight. You might want to learn how to box first. 994 00:52:20,880 --> 00:52:24,960 Progress means getting up when you beat down, dedicated to 995 00:52:25,119 --> 00:52:28,639 the baby's born beating down. These giant steps come by 996 00:52:28,760 --> 00:52:31,719 learning how to walk first LIFs to fight, You might 997 00:52:31,800 --> 00:52:35,440 want to learn how to box first. Progress means getting 998 00:52:35,599 --> 00:52:39,280 up when you beat down, dedicated to the baby's born. 999 00:52:40,440 --> 00:52:43,239 I meat clowns all the time. Most of them fade away. 1000 00:52:43,679 --> 00:52:47,119 Not enough battery for all the games they play. Learn 1001 00:52:47,199 --> 00:52:50,400 how to center stop, step on your own side. Don't 1002 00:52:50,440 --> 00:52:53,159 let these cat with this people lead up your own time. 1003 00:52:53,559 --> 00:52:56,119 You know you best, so find a pass of the rest. 1004 00:52:57,039 --> 00:53:00,280 Understand it takes time. Try your by Riskin test, had 1005 00:53:00,360 --> 00:53:03,400 many people tell me I was two heads strong. But 1006 00:53:03,559 --> 00:53:05,960 when I do this, all those people will be dead. 1007 00:53:06,079 --> 00:53:09,559 Wrong people not wrong for offering ways to make the day, 1008 00:53:10,000 --> 00:53:13,360 but everyone God preferences how to make the stake. There 1009 00:53:13,400 --> 00:53:16,239 will be times when you know you got to walk alone. 1010 00:53:16,719 --> 00:53:19,559 Let the power of your actions be the message shown. 1011 00:53:19,920 --> 00:53:22,719 Plenty of your thrones. Don't worry about what the kings say. 1012 00:53:23,159 --> 00:53:26,760 You play lifelike shredding guitar like in way. How much 1013 00:53:26,840 --> 00:53:30,519 can you do before the end credits play? All depends 1014 00:53:30,559 --> 00:53:33,119 on how much you let get in the way. These 1015 00:53:33,199 --> 00:53:36,639 giant steps come by learning how to walk first life 1016 00:53:36,719 --> 00:53:39,360 to fight, you might want to learn how to box first. 1017 00:53:39,800 --> 00:53:43,880 Progress means getting up when you beat damn. Dedicated to 1018 00:53:44,039 --> 00:53:47,559 the babies born feet Dawn. These giant steps come by 1019 00:53:47,679 --> 00:53:50,599 learning how to walk first life to fight, you might 1020 00:53:50,679 --> 00:53:54,400 want to learn how to box first progress means getting 1021 00:53:54,519 --> 00:53:55,679 up when you beat damn. 1022 00:53:56,199 --> 00:53:59,000 Speaker 1: Dedicated to the babies born feet damn. 1023 00:53:59,400 --> 00:54:09,360 Speaker 6: Pre Well done, guys, Thank you man, well done. 1024 00:54:09,440 --> 00:54:10,719 Speaker 7: Well, Thank you for having us. 1025 00:54:10,719 --> 00:54:13,000 Speaker 6: Cody Pope and Byron g here with us live in studio. 1026 00:54:13,880 --> 00:54:15,679 What should our listeners know about? Where to find you 1027 00:54:15,719 --> 00:54:17,679 guys online to keep up with everything that you're doing. 1028 00:54:18,480 --> 00:54:21,039 Speaker 7: So everything in our universe can always be found at 1029 00:54:21,119 --> 00:54:26,360 Hellhound Publishing dot com. We're really active on YouTube right now. 1030 00:54:26,599 --> 00:54:29,400 So we have a Hellhound Publishing YouTube channel. We would 1031 00:54:29,440 --> 00:54:31,800 love for people to go over there and hit the 1032 00:54:31,840 --> 00:54:35,199 all subscribe button. We're putting out music, we're putting out 1033 00:54:35,199 --> 00:54:38,000 behind the scenes videos. We had our documentary. It's going 1034 00:54:38,039 --> 00:54:38,719 to be out Monday. 1035 00:54:38,840 --> 00:54:41,320 Speaker 6: Oh yeah, I'm very very curious to see that, thank you. 1036 00:54:41,440 --> 00:54:44,400 Speaker 7: Yeah. So it's my first like big video editing project. 1037 00:54:44,519 --> 00:54:48,440 It's like a forty minute documentary just about our whole journey. 1038 00:54:48,559 --> 00:54:48,760 Speaker 5: Cool. 1039 00:54:49,119 --> 00:54:51,239 Speaker 9: I saw it yesterday for the first time. Really yeah, 1040 00:54:51,400 --> 00:54:52,960 blown away? Yeah, oh very cool. 1041 00:54:53,239 --> 00:54:53,440 Speaker 6: Yeah. 1042 00:54:53,599 --> 00:54:58,280 Speaker 7: So yeah, everything Hellhound Publishing dot com, Hellhound Publishing on YouTube. 1043 00:54:58,400 --> 00:55:01,880 If you're on social media, I'm at Cody Pope hc 1044 00:55:02,119 --> 00:55:06,239 across everything. He's at BG six ZH three across everything, 1045 00:55:06,920 --> 00:55:10,840 and at hell Hound Publishing of course too. But hell 1046 00:55:10,880 --> 00:55:12,719 Hound till we're underground, all right. 1047 00:55:12,800 --> 00:55:13,199 Speaker 6: I love it. 1048 00:55:13,440 --> 00:55:13,840 Speaker 5: I love it. 1049 00:55:14,559 --> 00:55:16,119 Speaker 6: Anything we didn't talk about that, you want to make 1050 00:55:16,119 --> 00:55:18,480 sure our listeners know about anything we didn't mention you 1051 00:55:18,559 --> 00:55:21,360 guys always got a going on. I make sure we 1052 00:55:21,400 --> 00:55:22,239 didn't leave anything out. 1053 00:55:22,400 --> 00:55:24,800 Speaker 7: No, So we're, like we mentioned earlier, we're in. This 1054 00:55:25,000 --> 00:55:27,039 is our kind of weekend wrap up for us. This 1055 00:55:27,239 --> 00:55:29,079 was the first thing we have going on, so thank 1056 00:55:29,119 --> 00:55:32,039 you so much for having us. Yeah, tomorrow night, Sunday, 1057 00:55:32,079 --> 00:55:34,360 we're going to be at the shaf Skiine for Rap Night. 1058 00:55:34,400 --> 00:55:36,119 It's gonna be our last show of the year, kind 1059 00:55:36,119 --> 00:55:38,880 of a holiday wrap up show. And then Monday is 1060 00:55:38,920 --> 00:55:42,000 the premiere of the documentary. And other than that, I 1061 00:55:42,000 --> 00:55:44,480 would just say that our new album, Giant Steps in 1062 00:55:44,519 --> 00:55:47,639 Gate City is available anywhere that you listen to music, 1063 00:55:48,239 --> 00:55:51,840 please take an opportunity to listen to it. That's all 1064 00:55:51,880 --> 00:55:53,679 we could ask is for people to just take the 1065 00:55:53,719 --> 00:55:56,719 time to listen to it. It's eighteen songs and if 1066 00:55:56,760 --> 00:56:00,559 you don't like it, hopefully you'll have a better day after. 1067 00:56:02,239 --> 00:56:02,960 I think you will. 1068 00:56:05,000 --> 00:56:07,679 Speaker 6: Very good, Very good guys, Thank you so much, and 1069 00:56:08,119 --> 00:56:09,719 thank you everyone who joined us today. Of course we 1070 00:56:09,800 --> 00:56:11,719 had Neon Gipsy in the first hour, second hour, we 1071 00:56:11,760 --> 00:56:14,760 had the healer Mike McDowell. After the show, I'm going 1072 00:56:14,800 --> 00:56:18,480 to be headed over to the Manchester Masonic Temple for 1073 00:56:18,639 --> 00:56:21,239 the holiday market and psychic event being put on by 1074 00:56:21,320 --> 00:56:24,599 our wonderful friends at the Sister Witch Company, and that 1075 00:56:24,719 --> 00:56:28,119 goes to five pm. Jenny is already there getting set up, 1076 00:56:28,239 --> 00:56:31,280 or she's probably all set up by now and please 1077 00:56:31,559 --> 00:56:35,400 come see us shop local. It is so very important 1078 00:56:35,800 --> 00:56:37,480 And if you missed any part of today's show, it'll 1079 00:56:37,480 --> 00:56:39,679 be up in just a little bit at wmnhradio dot 1080 00:56:39,840 --> 00:56:43,320 org and my website Matt Connorton dot com and Cody 1081 00:56:43,360 --> 00:56:45,599 Pope and Byron g Thank you guys again so much. 1082 00:56:45,679 --> 00:56:46,519 Speaker 5: Thanks for having us. 1083 00:56:46,760 --> 00:56:49,840 Speaker 6: Thank you so much, absolutely, and Merry Christmas everybody. If 1084 00:56:49,840 --> 00:56:53,360 anyone's wondering, yes, we will be here next week, we are. 1085 00:56:53,559 --> 00:56:55,760 We're just gonna keep going right through the holidays, so 1086 00:56:55,880 --> 00:56:58,400 we will see you next Saturday, and we'll close out 1087 00:56:58,519 --> 00:57:01,320 with We'll end today the way we started with the 1088 00:57:01,719 --> 00:57:05,559 new from Kendra Erica, her rendition of it's beginning to 1089 00:57:05,599 --> 00:57:07,880 look a lot like Christmas, which I suppose is appropriate 1090 00:57:08,239 --> 00:57:10,280 locally here in Manchester because we have some snow that 1091 00:57:10,360 --> 00:57:16,239 actually stuck more like ice. But whatever, but a couple 1092 00:57:16,280 --> 00:57:19,719 of times today, yeah, yeah, it's it's it's not not 1093 00:57:19,920 --> 00:57:22,000 great like it was, just it was just enough snow 1094 00:57:22,039 --> 00:57:24,960 to be a nuisance. But uh yeah, we'll wrap up 1095 00:57:25,000 --> 00:57:26,599 with this and uh that's it for me for now. 1096 00:57:26,679 --> 00:57:28,320 We'll talk to you a little bit later, everybody. 1097 00:57:56,800 --> 00:58:00,800 Speaker 8: It's beginning to look like Chris smile. 1098 00:58:02,880 --> 00:58:08,840 Speaker 1: Everywhere you go. Take a look at the five and ten. 1099 00:58:09,679 --> 00:58:14,599 Speaker 8: It's glistening once again with candy hans and silver lanes. 1100 00:58:14,719 --> 00:58:20,760 Speaker 1: They're globe It's beginning to look alive like Christmas. 1101 00:58:23,119 --> 00:58:29,239 Speaker 8: Tis on every store, But the prettiest sign to see 1102 00:58:30,079 --> 00:58:34,599 is the holly than the move on your own road. 1103 00:58:58,000 --> 00:59:01,639 Speaker 1: It's beginning to look a lot like Christmas. 1104 00:59:04,119 --> 00:59:05,920 Speaker 3: Everywhere you go. 1105 00:59:08,159 --> 00:59:11,679 Speaker 8: There's a tree in the Grand Hotel, one in the 1106 00:59:11,800 --> 00:59:12,599 park as well. 1107 00:59:13,320 --> 00:59:18,639 Speaker 1: It's a curdy kind that doesn't mind the snow. It's 1108 00:59:18,719 --> 00:59:22,039 beginning to look alive like Christmas. 1109 00:59:24,360 --> 00:59:29,920 Speaker 8: So the bells will start, and the thing that'll make 1110 00:59:30,000 --> 00:59:30,679 them ring. 1111 00:59:31,360 --> 00:59:36,800 Speaker 1: Is the Carol Bet your son right, the thing your home. 1112 00:59:38,880 --> 00:59:46,960 It's beginning to look alive like Christmas. Ties A Lorystal