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Speaker 1: Welcome to the Great Detectives of Old Time Radio from Boise, Idaho.

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This is your host, Adam Graham. In a moment, we're

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going to bring you this week's episode of Dragging It.

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But first, I do want to encourage you, if you're

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enjoying the podcast, to please follow us using your favorite

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podcast software. And today's program is brought you in part

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by financial support of our listeners. You can support the

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show on a one time basis app to box thirteen

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at Great Detectives dot net, and I want to like

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Christopher for sending along a donation. That way, you can

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also become one of our ongoing Patreon supporters for as

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little as two dollars per month. Just go to Patreon

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dot Great Detectives dot net. Now from February twenty first,

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nineteen fifty two, here is the big producer.

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Speaker 2: The story you were about to hear is true. The

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names have been changed to protect the innocent. You're a

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detective sergeant. You're assigned a juvenile division. A steady supply

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of obscene literature is finding its way into a half

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a dozen high schools in your city. You get a

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lead on one of the sources of supply, A seventeen

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year old high school senior. Your job pick him up.

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Speaker 3: Dragnet the documented drama of an actual crime. For the

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next thirty minutes, in cooperation with the Los Angeles Police Department,

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you will travel step by step on the side of

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the law through an actual case transcribed from official police violence,

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from beginning to end, from crime to punishment. Dragnet is

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the story of your police force in action.

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Speaker 4: Was Wednesday, November eight was windy in Los Angeles. We're

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working the day watch out of Juvenile Division. My partner's aid,

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Jacob's the boss's captain Stein.

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Speaker 5: My name is Friday. Was eleven oh five am when

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we got to.

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Speaker 4: The basement floor of Gorman High School, the locker room.

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Speaker 6: Which way, Steve, I want to show us which locker's yours.

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Speaker 7: You still haven't told me what this is all about.

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Routine checks on Yeah, but why do you have to

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pick on me? Why do you have to see my locker?

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Speaker 5: We're not picking on you, Steve. Now, how about it?

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Which locker is yours?

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Speaker 7: Right here?

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Speaker 8: This is mine?

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Speaker 7: Three eighteen. Here's the key, No you open it, Steve.

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Just a couple of personal things of mine. That's all

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all right. I'll open it. Well, there you are see

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for yourself. Want to take your things out of the locker?

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Cent you can see what's in there? Cancher, my gym stuff.

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A couple of textbooks.

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Speaker 6: How about digging back in the corner left hand side

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there where where? I mean? Come on, Steve, dig them

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out back here?

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Speaker 7: You mean he's joke books?

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Speaker 5: That's right. Let's have a look.

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Speaker 7: Huh why just a couple of joke books? Kid gave

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him to me?

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Speaker 5: Bring them out, Steve.

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Speaker 7: Okay, just a couple of them. Kid came to me there.

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Speaker 6: Looks like more than a couple.

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Speaker 5: That's what you call a joke book, Steve.

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Speaker 7: That's what the kids call him. Yeah, some of them

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are a little dirty. That's so bad though.

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Speaker 5: They're filthy Steve. And you know I know what you

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get them.

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Speaker 7: I told you kid gave him to him.

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Speaker 6: Oh what's his name?

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Speaker 7: Some kid around school I don't remember right.

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Speaker 6: Now, gave you these books for nothing.

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Speaker 7: Sure, I had a couple he wanted. We traded off

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a lot of the kids, haven't they trade him around?

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Speaker 4: That stack you got there? They looked pretty new. Couldn't

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have been passed around much?

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Speaker 7: Maybe not, I don't know, matter of.

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Speaker 4: Fact, they look brand new, don't think, don't even look

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like they've been open yet.

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Speaker 7: How come you're rousing me on this thing? What about

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the other kids?

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Speaker 5: They got them too, they're buying them, Steve, They're not

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selling them.

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Speaker 7: I'm not selling them. Anybody says that's a liar.

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Speaker 6: No good.

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Speaker 9: So we talked to the fellows here at the high school.

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Some kids are over the junior high school too. They

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all say you're the one who's selling them.

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Speaker 4: They're liars, both the fellas in high school and the

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kids down the street in junior high. They say, you've

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been selling this stuff for months, now about it.

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Speaker 7: They're lying, that's all. They don't know what they're talking about.

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Speaker 9: You've been selling these thirty five cents a piece, three

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for a dollar last couple of weeks. You've been peddling

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pictures to a dollar piece. You got any of them

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in your locker?

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Speaker 6: Steve?

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Speaker 7: A couple I got them off another kid?

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Speaker 8: What other kid?

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Speaker 5: What's his name? What's his name?

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Speaker 7: Some kid? I don't remember.

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Speaker 5: It's not much of an answer.

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Speaker 7: What do you want from me?

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Speaker 5: Anyway?

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Speaker 7: I told you I'm not selling the books. I don't

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care what those other groops say. It's my work against theirs.

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Speaker 6: And maybe you ought to get this straight. Son.

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Speaker 9: We're not out to get you your way down the line.

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We want the people at the top, the men who

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print this junk, the wholesalers, the big distributors.

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Speaker 7: So why ask me? I don't know anything about it. Nothing.

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Speaker 6: You don't want to cooperate is anything?

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Speaker 7: What am I supposed to cooperate about. I'm not mixed

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up in anything.

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Speaker 5: We think you are a son, We know you are.

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Who you selling this for? What do you get your supply?

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Speaker 10: Oh?

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Speaker 7: Yeah, see, that's what's in my locker. I ain't selling

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I don't have any supply. You got to go far

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to prove I have.

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Speaker 5: Not very far? Steve what from about here to your home?

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Speaker 4: Eleven thirty eight am, after picking up his supply of

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obscene books and photographs to be booked later as evidence

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ed and I drove the subject Stephen Banner to his home,

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approximately a mile from the high school. His apprehension and

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our theory that he probably kept the bulk of his

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supply of books and pictures that are near his home

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was no accident. For weeks, we'd known that a steady

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stream of pornography was being fed into a half a

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dozen in high schools and junior high schools throughout the city. Books, photographs, pictures,

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and pamphlets of the worst kind. Because of embarrassment on

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the part of the curious teenage kids who bought this stuff,

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it wasn't easy to pick up.

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Speaker 5: A solid lead.

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Speaker 4: After weeks of observation and questioning, we finally narrowed down

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the principal source of supply to a single teenage boy,

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Stephen Banner. Even then, we knew he must be only

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one of one hundred small time distributors working for the

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persons directly responsible for manufacturing this sort of thing. Our

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only hope was that he'd be willing and able to

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supply us with the names of the persons responsible. When

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we got to Stephen Banner's home, where he lived with

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his sister and brother in law, we searched it thoroughly,

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but we found nothing. Both his sister and brother in

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law were at work. We went back and started checking

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through the garage at the rear of the house.

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Speaker 6: Joe back in a conic. Yeah, have a look, Steve,

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want to tell us about this?

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Speaker 9: Yeah, these books here, these pictures, case foot of them.

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Speaker 5: Yeah, well about it? Son, Your sister and brother in

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law know about.

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Speaker 7: This, No, they don't know anything. I didn't think you'd

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find him.

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Speaker 5: Are you ready to tell us about it?

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Speaker 7: My sister going to have to find out.

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Speaker 5: I don't know. This team's going to be pretty hard

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to keep it from her.

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Speaker 7: Yeah, I guess.

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Speaker 6: So who's a contact? Son? Where'd they come from?

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Speaker 7: Charlie, Charlie Freiberg Only the books, though pictures came from

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another guy. It's a long story.

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Speaker 6: We got the time son, who is this fird?

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Speaker 7: Met him downtown one Sunday Penny Archide on Broadway. Me

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and this other kid were in there. Bud Spencer Friburg

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came up, started to talk to us, all right, go on.

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He finally took a couple of these books out of

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his pocket, came him to us. He wanted to know

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what we thought of him. Old us he had plenty

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of them, if we knew any of the other kids

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who wanted him.

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Speaker 6: He knew you and your friend Bud were in high school.

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Speaker 7: Yeah, that's right.

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Speaker 5: What else, Steve?

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Speaker 7: That's about it? Yes, me and but if we wanted

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to sell for them around school.

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Speaker 6: His friend here is Bud Spencer. He's selling them too.

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Speaker 7: Yeah, he goes to a different school. Though we both

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of us did pretty good with the books sold real fast.

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The pictures were even better.

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Speaker 4: So you say you didn't get the pictures from Friburg,

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there was somebody.

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Speaker 7: Else, man by the name of Jack, you don't know

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his last name. Friberg put us onto him, gave us

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an introduction, set up the deal. We got the pictures

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for seventy five cents. Most of the time they got

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us a dollar, dollar and a half apiece button. I

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did pretty good.

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Speaker 4: You know, any other fellows working for this Freiburg Steve

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and the other kids in school and.

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Speaker 7: No just butting me, that's all I know. It wouldn't

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be so bad if it was just the books. Lousy Charlie,

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you had to go and promote the party routine. Get

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everybody mixed up in that.

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Speaker 6: What do you mean, what's it all about, Charlie.

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Speaker 7: He stays at this place out on Sepalvita. It's a motel.

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That's where we always contacted him. Yeah, after a couple

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of weeks when we got to know him, he asked

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me and but out to this place, said he was

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going to throw a party, told us to bring our

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girlfriends along. Turned out we were the only ones at

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the party, Me and Bud and the girls and Charlie Freiberg.

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Party lasted pretty late. I should have smart enough to

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figure it out. I wasn't.

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Speaker 5: What do you mean, Steve, figure out?

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Speaker 11: What?

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Speaker 7: Why Charlie be throwing parties just for us? The first

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two times there wasn't anything wrong. We just talk danced

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with the girls, drank some beer. Charlie told us to

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have a good time. He threw a party every Friday night.

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Never broke up till after three o'clock.

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Speaker 6: Old your girl friend Jr's.

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Speaker 7: And Buds seventeen. They were both seventeen. They've been around though.

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No use kidding you. They weren't very smart. I can

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tell you that none of us were. I guess. Next

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couple of parties, Charlie had whiskey there. Them girls drank

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right along with him.

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Speaker 5: So did we cribe break served the whiskey?

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Speaker 12: Did he?

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Speaker 7: Yeah, that's right. He noted the drinks, kept handing the

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girls a lot of stuff about how I used to

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be a director in pictures. He had a lot of

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connections in Hollywood. The last party I was at, he

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said he was going to get the girl's screen test

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a lot of malarchy like that?

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Speaker 5: What else Steve?

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Speaker 7: I don't know. I had a beef with Charlie about

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it and I walked out. I haven't been back since.

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Speaker 6: He still throw these Friday night parties, do you know?

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Speaker 7: Maybe I don't know, remember three or four after the

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last one I walked out on. Think Charlie's just great? God,

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So I can't stand the guy.

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Speaker 5: How about the party? She didn't show up for Steve

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and get a run down him.

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Speaker 7: I heard a couple of things. Yeah, sure, glad, I

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wasn't there.

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Speaker 5: What do you mean?

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Speaker 7: Dumb girls never fails, the oldest line in the world.

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They still go for it.

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Speaker 5: What's that?

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Speaker 7: Tell him? You're going to get him in the movies?

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Speaker 4: We continued questioning the subjects seventeen year old Stephen Banner.

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He gave us a full description of the man who

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had been selling him the books, Charles Freiberg, and also

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a description of the man known as Jack, the one

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who had been supplying him with pictures and photographs. In addition,

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he gave us the addresses of the two men, a

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fair description of Freiburg's car no license number, and the

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names and addresses of the two girls. He and his

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friend had taken to Freiburg's parties.

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Speaker 5: One PM.

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Speaker 4: ED and I took the case of obscene books from

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the garage loaded in the backseat of our car, and

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Stephen Banner directed us to the high school attended by

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his friend Bud Spencer. We picked up the Spencer boy

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and drove him and bannered down on Town to Georgia

250
00:11:00,799 --> 00:11:03,039
Street Juvenile, where we booked them in on seven hundred

251
00:11:03,039 --> 00:11:08,440
B Welfare and Institution Code lack of supervision. We drove

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to the motel out on Supulvita, but the suspect, Charles Freiberg,

253
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had moved out five days before, no forwarding address.

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Speaker 5: It wasn't a dead end though. From his motel.

255
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Speaker 4: Registration card we got the description and license number of

256
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his car. On the way into the office, we checked

257
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out the address of his confederate, the man known as Jack.

258
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He'd moved the same day as Freiburg. No forwarding address.

259
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Back at the office, DMV got a make on the

260
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license number for us the car registered in Freiburg's name

261
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two thirty nine West ninety second Street. We went down

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to R and I and pulled the package on the

263
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suspect three forty pm.

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Speaker 6: Last address on was three years old. How's his record read?

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Speaker 5: Well, he's been in the business before.

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Speaker 4: A couple of bag charges, three to eleven charges to

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possession obscene literature, served.

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Speaker 6: Eight months in Kylie jail. Mug shot there, Yeah, here

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00:12:00,799 --> 00:12:01,279
close enough.

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Speaker 4: The way the boy described him, I'd say, so, there's

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m two Huh, same pitch. The last time they got

272
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him working in the high school trade passed himself off

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as a studio man, movie director.

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Speaker 6: How about the other man, Jack? You had anything there

275
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that chat?

276
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Speaker 4: I gave the information on him to the stats. I

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was they're going to make a run for us. Well,

278
00:12:19,000 --> 00:12:21,000
I guess we better check on the kid's girlfriends. Huh,

279
00:12:21,200 --> 00:12:21,919
get their stories?

280
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Speaker 6: Yeah, I suppose so.

281
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Speaker 9: It sure gets me, Joe, what's that very young girls

282
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like that out at motel parties with three am drinking?

283
00:12:29,240 --> 00:12:31,600
Speaker 6: Yeah, seventeen year old. No reason for it, no reason

284
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at all.

285
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Speaker 5: I think a one that might do their parents.

286
00:12:38,799 --> 00:12:41,639
Speaker 4: We checked out the suspect's address, furnished this by DMV

287
00:12:41,759 --> 00:12:43,240
and also the information from the.

288
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Speaker 5: R and I package They went nowhere.

289
00:12:45,919 --> 00:12:48,120
Speaker 4: We had a second interview with Steven Banner and his

290
00:12:48,120 --> 00:12:51,639
friend Bud Spencer. We showed them Freiburg's mugshot and both

291
00:12:51,639 --> 00:12:54,039
of them identified it. We got out a broadcast and

292
00:12:54,080 --> 00:12:57,279
an apb on him. Four to twelve am. Together with

293
00:12:57,360 --> 00:12:59,960
policewoman Doreen statesl Ed and I drove out to the interne.

294
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The two teenage girls involved a Dorothy Ryan and a

295
00:13:03,000 --> 00:13:06,039
Laura Osburn. We stopped at the home of the Osbourne

296
00:13:06,039 --> 00:13:08,519
girl first, but she wasn't there, and neither were her parents.

297
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An older sister told us that both the mother and

298
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father were working and that Laura was at a neighborhood

299
00:13:13,399 --> 00:13:16,639
school for models, taking her weekly lesson. We checked at

300
00:13:16,639 --> 00:13:19,440
the modeling school, a converted second floor social hall, where

301
00:13:19,440 --> 00:13:22,639
we finally located the girl, a tall brunette, dark eyes,

302
00:13:22,759 --> 00:13:26,120
fair complexion. The heavy makeup didn't do much to hide

303
00:13:26,159 --> 00:13:29,519
her age. While a modeling lesson went on, Policewoman statesill

304
00:13:29,679 --> 00:13:31,480
ed and I talked to the girl off in one

305
00:13:31,480 --> 00:13:32,320
corner of the hall.

306
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Speaker 13: Your friend Steve Banner, he took you to those parties

307
00:13:36,279 --> 00:13:39,440
at mister Friburg's placed. U. Huh, that's right, very nice man.

308
00:13:39,440 --> 00:13:41,879
It was always nice to Dorothy and me. Dorothy Ryan,

309
00:13:42,320 --> 00:13:44,399
she came to the parties with Bud. He's a friend

310
00:13:44,399 --> 00:13:45,200
of Steve Banner's.

311
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Speaker 4: You have no complaint to make about this, mister Friberg.

312
00:13:47,919 --> 00:13:49,320
He never caused you trouble of any kind.

313
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Speaker 13: Charlie will know. So I told you before that business

314
00:13:52,200 --> 00:13:54,600
about Steve getting magic, because Charlie told us you'd get

315
00:13:54,639 --> 00:13:57,039
us in the movies. What was silly, That's all, plain

316
00:13:57,039 --> 00:14:00,200
and silly. Charlie was just helping us. How do you mean, Laura, Well,

317
00:14:00,240 --> 00:14:02,879
he's in Hollywood, you know, Charlie Freiberg. He has lots

318
00:14:02,879 --> 00:14:05,440
of connections. He just wanted to help us get some

319
00:14:05,480 --> 00:14:08,120
good modeling job. That's why he took our pictures. There

320
00:14:08,120 --> 00:14:10,399
was nothing wrong. You continued going to these Friday night

321
00:14:10,399 --> 00:14:12,799
parties without the two boys, is that right? Yes, Dorothy

322
00:14:12,799 --> 00:14:15,320
and me, there wasn't anything wrong with it. We know

323
00:14:15,480 --> 00:14:17,759
Charlie as well as they did by that time. Few

324
00:14:17,799 --> 00:14:20,080
bathings the pictures, that's all. There was nothing wrong in that.

325
00:14:20,320 --> 00:14:22,120
Do you ever see Prince of any of those pictures?

326
00:14:22,159 --> 00:14:24,440
Either you or Dorothy rad No, But Charlie's going to

327
00:14:24,480 --> 00:14:25,679
get us some he promised he would.

328
00:14:25,960 --> 00:14:26,919
Speaker 5: You know where he is now?

329
00:14:27,159 --> 00:14:29,320
Speaker 13: No, he moved having any idea where he is.

330
00:14:29,440 --> 00:14:32,440
Speaker 9: When's the last time you saw Freiburg, Miss, about ten

331
00:14:32,519 --> 00:14:33,480
days two weeks ago.

332
00:14:34,600 --> 00:14:36,840
Speaker 13: What's this all about? Offs are you looking for Charlie?

333
00:14:37,000 --> 00:14:39,320
Speaker 5: How does he usually contact you, Laura? By phone?

334
00:14:39,919 --> 00:14:42,399
Speaker 13: Yeah, usually calls.

335
00:14:42,840 --> 00:14:43,799
Speaker 5: Has he called you lately?

336
00:14:44,679 --> 00:14:44,840
Speaker 2: Well?

337
00:14:44,879 --> 00:14:47,759
Speaker 13: I don't know why are you looking for him?

338
00:14:48,000 --> 00:14:49,879
Speaker 6: Can't you tell me routine investigation?

339
00:14:49,960 --> 00:14:50,879
Speaker 5: Miss?

340
00:14:50,519 --> 00:14:50,639
Speaker 7: Oh?

341
00:14:51,639 --> 00:14:54,360
Speaker 13: I'm sorry, I don't know where Charlie is. Why can't you.

342
00:14:54,320 --> 00:14:55,320
Speaker 6: Tell me why you want him?

343
00:14:55,559 --> 00:14:56,159
Speaker 5: We want him?

344
00:14:56,879 --> 00:14:58,360
Speaker 13: Why can't you give me a reason?

345
00:14:58,519 --> 00:14:59,720
Speaker 6: This is one of the reasons, Laura.

346
00:15:00,000 --> 00:15:00,759
Speaker 7: Look at this picture.

347
00:15:02,679 --> 00:15:03,399
Speaker 13: Charlie took this.

348
00:15:03,679 --> 00:15:06,120
Speaker 5: It's his business, Laura. That's the way his police record reads.

349
00:15:06,399 --> 00:15:07,279
Speaker 13: I can't believe it.

350
00:15:07,360 --> 00:15:09,600
Speaker 4: That's one reason we want Friburg. There's lots of others.

351
00:15:09,679 --> 00:15:10,840
You're willing to help us, Laura.

352
00:15:11,080 --> 00:15:12,720
Speaker 13: He said they'd be beautiful glamours.

353
00:15:12,759 --> 00:15:13,080
Speaker 12: They're not.

354
00:15:13,399 --> 00:15:14,360
Speaker 6: You know where he stays now?

355
00:15:15,200 --> 00:15:16,399
Speaker 13: No, I'll find out though.

356
00:15:16,480 --> 00:15:17,000
Speaker 5: What do you mean?

357
00:15:17,399 --> 00:15:19,039
Speaker 13: I've got a date with him, supposed to meet him

358
00:15:19,080 --> 00:15:21,639
out on Wilster, Wilsher and Librea. When's at eight o'clock

359
00:15:21,679 --> 00:15:28,240
tomorrow night?

360
00:15:32,960 --> 00:15:36,840
Speaker 3: You are listening to dragnet authentic stories of your police

361
00:15:36,840 --> 00:15:37,519
force and action.

362
00:15:45,519 --> 00:15:49,440
Speaker 4: November eighth, Wednesday, five point thirty pm After our interview

363
00:15:49,519 --> 00:15:52,840
with seventeen year old Laura Osborne, policewoman Doreen States, Aled

364
00:15:52,879 --> 00:15:55,720
and I drove to the home of Laura's girlfriend, Dorothy Ryan,

365
00:15:55,919 --> 00:15:58,360
who was also present at the motel parties given by

366
00:15:58,399 --> 00:15:59,840
the suspect, Charles Freiberg.

367
00:16:00,759 --> 00:16:01,720
Speaker 5: Her story of what.

368
00:16:01,639 --> 00:16:03,480
Speaker 4: Had happened was essentially the same as the one we

369
00:16:03,519 --> 00:16:06,559
got from the Osbourne girl. That night, we met with

370
00:16:06,600 --> 00:16:09,759
the parents of both girls. They were well meaning and cooperative.

371
00:16:10,000 --> 00:16:12,559
They admitted their mistake was the same old story of

372
00:16:12,639 --> 00:16:14,279
lack of supervision.

373
00:16:13,679 --> 00:16:15,600
Speaker 5: And very little home life.

374
00:16:15,679 --> 00:16:17,679
Speaker 4: The parents told us that they had no idea of

375
00:16:17,720 --> 00:16:20,320
what had been going on or the late hours that

376
00:16:20,360 --> 00:16:24,559
their teenage girls had been keeping. Besides promising closer supervision

377
00:16:24,600 --> 00:16:26,360
of the girls, they told us they would notify us

378
00:16:26,360 --> 00:16:29,559
immediately if the suspect Freiburg made any attempt to contact

379
00:16:29,600 --> 00:16:33,039
their daughters. Six twenty five p m. We got back

380
00:16:33,080 --> 00:16:35,039
to the office, put in a call to Stephen Banner's

381
00:16:35,080 --> 00:16:37,039
home and notified his sister and brother in law that

382
00:16:37,080 --> 00:16:39,120
the boy was being held for further interrogation.

383
00:16:40,320 --> 00:16:42,399
Speaker 5: We also notified the parents of Bud Spencer.

384
00:16:43,480 --> 00:16:45,480
Speaker 4: The following morning, Ed and I went across the Street

385
00:16:45,519 --> 00:16:47,759
to the District Attorney's office, presented our case and a

386
00:16:47,799 --> 00:16:50,279
warrant was issued on Charles Freiburg for seven o two

387
00:16:50,440 --> 00:16:54,480
wic contributing to the delinquency of a miner. At seven

388
00:16:54,519 --> 00:16:56,720
o'clock that night, Ed and I staked out on a

389
00:16:56,720 --> 00:16:59,799
cocktail lounge near the intersection of Wilshire and Lobrea, the

390
00:17:00,000 --> 00:17:02,159
place where a suspect that told Laura Osborn to meet

391
00:17:02,200 --> 00:17:05,440
him seven thirty seven forty five.

392
00:17:06,119 --> 00:17:06,640
Speaker 5: We waited.

393
00:17:08,640 --> 00:17:11,599
Speaker 9: I think maybe we're in business. Joe down the corner

394
00:17:11,640 --> 00:17:14,160
there waiting with the signal to change dog suit.

395
00:17:13,960 --> 00:17:17,759
Speaker 6: Dog hat. Yeah, could be across and over now heading

396
00:17:17,759 --> 00:17:18,119
for the bar.

397
00:17:18,279 --> 00:17:19,000
Speaker 5: All right, let's go.

398
00:17:24,519 --> 00:17:27,839
Speaker 6: M No mistaken, Hey, fellow, pull it up on the

399
00:17:27,920 --> 00:17:28,960
William how's.

400
00:17:28,720 --> 00:17:31,240
Speaker 5: That police officer? Is your name Friburg?

401
00:17:32,359 --> 00:17:34,400
Speaker 8: No, that's not my name, it's your identification.

402
00:17:34,480 --> 00:17:34,759
Speaker 6: Please.

403
00:17:35,039 --> 00:17:37,799
Speaker 8: Yes, I've got my identification. Why can we see it?

404
00:17:37,839 --> 00:17:38,079
Speaker 5: Please?

405
00:17:38,759 --> 00:17:41,599
Speaker 8: Why what do you want your identification? Before? I haven't

406
00:17:41,640 --> 00:17:42,160
done anything.

407
00:17:42,559 --> 00:17:45,000
Speaker 6: Let's call mister talk about a downtown.

408
00:17:44,599 --> 00:17:47,559
Speaker 8: Wait a minute, just a minute. I don't want any trouble.

409
00:17:47,799 --> 00:17:54,880
I'll show you. Yeah, driver's license. Rest of my stuff,

410
00:17:55,480 --> 00:17:58,759
Charles Friburg. It's an old addressident. Yeah, I haven't had

411
00:17:58,839 --> 00:18:01,799
time to change it. Just got back town. Which the matter? Anyway?

412
00:18:01,799 --> 00:18:02,920
Speaker 6: Where you stay in Freiburg?

413
00:18:03,200 --> 00:18:05,319
Speaker 8: No place. I just got back in town. I told

414
00:18:05,359 --> 00:18:08,240
you that. Not staying any place yet, no connections at all.

415
00:18:08,359 --> 00:18:10,799
Where's your car? I don't have one. I've had one

416
00:18:10,839 --> 00:18:13,559
for a year. I sold it. Look how about filling

417
00:18:13,559 --> 00:18:14,559
me in? What do you want with me?

418
00:18:14,680 --> 00:18:16,160
Speaker 5: You want to step over here Freiburg by.

419
00:18:16,119 --> 00:18:19,319
Speaker 8: The way, all right, just like to know what's going on,

420
00:18:19,400 --> 00:18:20,079
and so I'd.

421
00:18:20,000 --> 00:18:21,720
Speaker 9: Like to see what you're carrying in your pockets. Take

422
00:18:21,759 --> 00:18:23,440
ere with theing out, please, one pocket at a time.

423
00:18:23,599 --> 00:18:25,480
Speaker 8: What is this a shakedown? You can start with your

424
00:18:25,519 --> 00:18:30,319
coat pockets, all right.

425
00:18:30,599 --> 00:18:30,799
Speaker 6: There?

426
00:18:31,279 --> 00:18:32,400
Speaker 8: Okay, all right now.

427
00:18:32,400 --> 00:18:34,079
Speaker 6: The other one.

428
00:18:37,599 --> 00:18:40,759
Speaker 8: Okay. We said you don't have a car Freburgh, of

429
00:18:40,759 --> 00:18:41,960
course not I told you that.

430
00:18:42,319 --> 00:18:43,839
Speaker 5: But what are you doing with that parking ticket?

431
00:18:47,960 --> 00:18:50,680
Speaker 4: We walked the suspect Freiburg two blocks to the parking

432
00:18:50,720 --> 00:18:52,519
lot listed on the clean check that he had in

433
00:18:52,559 --> 00:18:55,680
his coat pocket. He had black hair streaked with gray.

434
00:18:55,759 --> 00:18:58,480
Looked to be in his mid fifties. We questioned him

435
00:18:58,519 --> 00:19:01,200
on the way, but he'd admit nothing. We located his

436
00:19:01,279 --> 00:19:03,359
car in the parking lot and searched it. In the

437
00:19:03,359 --> 00:19:06,599
glove compartment, Besides a half a dozen photographs and small books,

438
00:19:06,599 --> 00:19:08,759
we found a key with a metal disk attached to it.

439
00:19:09,319 --> 00:19:11,759
Stamped on the disc were the words west Side Studios

440
00:19:11,839 --> 00:19:13,319
number twenty three.

441
00:19:13,480 --> 00:19:16,599
Speaker 5: Freiberg refused to identify the key. He refused to admit

442
00:19:16,640 --> 00:19:19,279
a thing. We walked him back to our car, and.

443
00:19:19,240 --> 00:19:21,039
Speaker 4: Together the three of us headed out for the old

444
00:19:21,039 --> 00:19:24,799
west Side Studios, just off Jefferson Boulevard. On the way,

445
00:19:24,839 --> 00:19:27,559
we tried again to question the suspect, but we got nowhere.

446
00:19:28,160 --> 00:19:31,839
He refused to answer even the simplest questions. One look

447
00:19:31,880 --> 00:19:34,000
at the west Side Studios, kne knew right away the

448
00:19:34,000 --> 00:19:37,119
place had seen better days. It had been fairly prominent

449
00:19:37,200 --> 00:19:39,119
in the early days of motion picture making, but all

450
00:19:39,119 --> 00:19:41,400
that was left now was two square blocks of broken

451
00:19:41,440 --> 00:19:44,759
down scenery, one dilapidated sound stage, and a row of

452
00:19:44,759 --> 00:19:47,799
weather beaten cottages, the tar paper peeling off the roofs.

453
00:19:48,240 --> 00:19:50,119
We got out of the car and started up the walk.

454
00:19:50,720 --> 00:19:53,079
The faded sign over the main gate read west Side

455
00:19:53,079 --> 00:19:57,359
Studios founded nineteen twenty and down in one corner admissioned

456
00:19:57,359 --> 00:20:00,000
by pass only the guard shack at the gate was

457
00:20:00,119 --> 00:20:02,200
boarded up, no sign of a night watchman.

458
00:20:03,000 --> 00:20:03,759
Speaker 5: We kept walking.

459
00:20:07,119 --> 00:20:08,640
Speaker 6: How come I don't keep a watchman at the gate

460
00:20:08,640 --> 00:20:10,680
for Iberg. Don't they make pictures here anymore? You bet

461
00:20:10,720 --> 00:20:10,960
they do.

462
00:20:11,559 --> 00:20:13,880
Speaker 8: Place has been going downhill for a long time, coming

463
00:20:13,920 --> 00:20:14,440
back though?

464
00:20:15,799 --> 00:20:15,920
Speaker 6: Then?

465
00:20:16,000 --> 00:20:16,799
Speaker 5: You do know the place?

466
00:20:16,839 --> 00:20:17,319
Speaker 6: Is that right?

467
00:20:17,480 --> 00:20:19,240
Speaker 8: Yeah? I know it? I should know it.

468
00:20:19,480 --> 00:20:20,319
Speaker 6: What do you mean by that?

469
00:20:20,839 --> 00:20:21,200
Speaker 8: Nothing?

470
00:20:21,559 --> 00:20:22,440
Speaker 5: You rent an office here?

471
00:20:22,480 --> 00:20:25,200
Speaker 6: Is that it? Friburg?

472
00:20:25,359 --> 00:20:28,640
Speaker 8: Yeah? That's right straight down the way there, Collage twenty three.

473
00:20:29,079 --> 00:20:30,920
Speaker 5: What's your job doing some kind of movie work?

474
00:20:31,079 --> 00:20:33,519
Speaker 8: Yeah? I've been for thirty years, more than thirty years.

475
00:20:33,759 --> 00:20:34,720
Speaker 6: That's so you an actor?

476
00:20:35,160 --> 00:20:38,359
Speaker 8: Friburg. Haven't you ever heard the name? I'm a producer?

477
00:20:38,559 --> 00:20:38,720
Speaker 11: Oh?

478
00:20:38,759 --> 00:20:41,359
Speaker 5: I see, why don't you tell us that? To start with?

479
00:20:41,559 --> 00:20:44,240
Speaker 8: I want to know different reasons. I don't like to

480
00:20:44,240 --> 00:20:46,519
throw my weight around. I have a lot of connections

481
00:20:46,559 --> 00:20:50,160
in Hollywood, you know that's so in the trade thirty years, Albert,

482
00:20:50,200 --> 00:20:51,960
one of the first. You can make a lot of

483
00:20:51,960 --> 00:20:52,920
friends for thirty years.

484
00:20:53,079 --> 00:20:55,000
Speaker 6: Yeah, I guess so. How about those books we've found

485
00:20:55,039 --> 00:20:56,960
in your car? Those pictures? How explain them?

486
00:20:57,200 --> 00:20:59,119
Speaker 8: This studio will be back on the speak of the year.

487
00:20:59,279 --> 00:21:02,039
I'll bet a thousand dollars on it, this whole block

488
00:21:02,079 --> 00:21:04,359
here sound stages. I got the plans for him in

489
00:21:04,400 --> 00:21:04,759
my desk.

490
00:21:05,119 --> 00:21:06,680
Speaker 5: So do you have an interest in this lot?

491
00:21:06,960 --> 00:21:10,559
Speaker 8: Not exactly, not right now anyway, I did have an interest, though,

492
00:21:11,039 --> 00:21:13,640
I will again I was one of the original owners.

493
00:21:13,640 --> 00:21:13,839
You know.

494
00:21:14,200 --> 00:21:15,359
Speaker 5: Still haven't got an explanation.

495
00:21:15,359 --> 00:21:17,119
Speaker 4: How about the books and pictures we found in your car?

496
00:21:17,359 --> 00:21:20,319
Speaker 8: Oh? That nothing to explain? Is there just a few

497
00:21:20,359 --> 00:21:21,240
gimmes I picked up?

498
00:21:22,359 --> 00:21:24,240
Speaker 5: You know a boy the name of Stephen Banner.

499
00:21:24,400 --> 00:21:26,400
Speaker 8: Banner, No, I don't think so.

500
00:21:26,680 --> 00:21:28,599
Speaker 6: Why how about Bud Spencer? You know him?

501
00:21:28,799 --> 00:21:28,920
Speaker 11: No?

502
00:21:29,640 --> 00:21:32,519
Speaker 8: I knew what George Spencer wants. Actor. I was back

503
00:21:32,519 --> 00:21:33,119
in the old days.

504
00:21:33,119 --> 00:21:36,160
Speaker 4: So how about Laura Osborn, Dorothy Ryan?

505
00:21:36,359 --> 00:21:36,880
Speaker 5: You know them?

506
00:21:37,119 --> 00:21:40,119
Speaker 8: No, it's pretty hard to say, you know, sergeant. Over

507
00:21:40,160 --> 00:21:42,079
the years, in this business especially, you meet an awful

508
00:21:42,119 --> 00:21:42,599
lot of people.

509
00:21:43,839 --> 00:21:45,680
Speaker 5: Well these are fairly recent. You ought to remember them.

510
00:21:45,680 --> 00:21:47,200
They're just kids, seventeen.

511
00:21:46,880 --> 00:21:51,279
Speaker 8: Year olds, No afraid, I don't recall the names. Town

512
00:21:51,359 --> 00:21:53,839
stage Bell. They got a company over there doing some

513
00:21:53,839 --> 00:21:58,839
shooting tonight television films. They make them too fast. Trade's

514
00:21:58,880 --> 00:22:01,079
not like it used to be. Quality. That's what we

515
00:22:01,240 --> 00:22:05,200
went after gone. Now it's all gone. West Side will

516
00:22:05,200 --> 00:22:06,839
do it again, though. You can bet on that we're

517
00:22:06,839 --> 00:22:07,359
coming back.

518
00:22:07,559 --> 00:22:10,359
Speaker 6: Look, how about leveling Friedburg. You know why we picked

519
00:22:10,400 --> 00:22:11,640
you up? You know why we're out here.

520
00:22:11,680 --> 00:22:13,039
Speaker 8: I just did. I don't know why.

521
00:22:13,880 --> 00:22:14,160
Speaker 12: Oose.

522
00:22:14,359 --> 00:22:16,640
Speaker 8: Look across the road that's set over there, the old

523
00:22:16,640 --> 00:22:20,359
greenhouse there, colonial mansion, Weather's Fate of the Colors, a

524
00:22:20,359 --> 00:22:23,920
little typical old Southern mistake. Now you know, we shot

525
00:22:23,960 --> 00:22:26,880
some beautiful footage there. Pictures are classic in its own right.

526
00:22:27,319 --> 00:22:31,319
Maybe you remember it Moonlight Magnolia's but changed the title later,

527
00:22:31,880 --> 00:22:33,880
Loved and the Moonlight beautiful thing?

528
00:22:34,319 --> 00:22:35,839
Speaker 5: You ever see it? No, I don't think so.

529
00:22:36,240 --> 00:22:38,240
Speaker 8: I couldn't tell you how many beauties we turned out

530
00:22:38,240 --> 00:22:41,880
that year. I was a young fellow. Then Song and Stripe,

531
00:22:42,160 --> 00:22:46,480
Moonlight Magnolia's Little Orphan Girl, Sweetheart at the campus at your.

532
00:22:46,319 --> 00:22:50,000
Speaker 6: Cutt examinter Friberg. What's that just down away there? Number

533
00:22:50,000 --> 00:22:50,519
twenty three?

534
00:22:50,599 --> 00:22:56,039
Speaker 8: Oh yeah, completely forgot about it. I hope you'll excuse

535
00:22:56,079 --> 00:22:58,000
the way it looks. I have been able to find

536
00:22:58,039 --> 00:22:59,799
a good accommodations in town. I've been saying it.

537
00:22:59,839 --> 00:23:00,319
Speaker 5: The office.

538
00:23:00,880 --> 00:23:02,759
Speaker 8: We have a little couch there I sleep on that.

539
00:23:03,319 --> 00:23:05,920
We have a hot plate too good enough to boil

540
00:23:05,920 --> 00:23:06,720
the coffee in the morning.

541
00:23:07,359 --> 00:23:09,440
Speaker 4: How come you couldn't find space in town? The hotel's

542
00:23:09,480 --> 00:23:10,279
a pet USh are they?

543
00:23:10,640 --> 00:23:12,359
Speaker 8: I'm the one time used to be staying at Guas.

544
00:23:12,960 --> 00:23:14,839
I just soon camp here at the studio and stay

545
00:23:14,880 --> 00:23:18,440
at one of those places downtown. Jay, would you like

546
00:23:18,480 --> 00:23:20,799
to see the rest of the lot. Pretty interesting if

547
00:23:20,839 --> 00:23:22,599
you've never seen a real movie lot, I mean a

548
00:23:22,640 --> 00:23:23,279
high class one.

549
00:23:23,319 --> 00:23:25,480
Speaker 5: We've seen him, mister Friber. We'd like to check your office.

550
00:23:25,759 --> 00:23:29,839
Speaker 8: Oh all right, this is it, cotty. You need a

551
00:23:29,839 --> 00:23:32,240
good coat of paint. Of course, it'll all be done

552
00:23:32,279 --> 00:23:34,119
pretty soon. West Side is going to come back strong.

553
00:23:34,200 --> 00:23:39,000
You can bet on that, guess so, oh watch it

554
00:23:39,079 --> 00:23:41,359
on that first step there, it's loose. Have to call

555
00:23:41,480 --> 00:23:47,920
maintenance and get that fixed. Yeah, it's all right, man.

556
00:23:48,599 --> 00:23:58,960
Here we are well. Didn't you see the opposite? And

557
00:23:59,160 --> 00:23:59,559
very much?

558
00:24:00,039 --> 00:24:02,000
Speaker 4: What if you want a gentlemen, you want to check

559
00:24:02,039 --> 00:24:03,799
that cabinet there? Ed, I don't take a look through

560
00:24:03,799 --> 00:24:12,480
these cases over now. Okay, this picture here on the wall.

561
00:24:13,400 --> 00:24:16,480
That's the cast and the production staff on my first film.

562
00:24:17,000 --> 00:24:21,599
Here's the other one. Me and Harsey Bernard he autographed

563
00:24:21,640 --> 00:24:25,680
the picture for me, Bernard himself. Those were the days,

564
00:24:25,720 --> 00:24:30,400
all right. Quality, that's what we went after. And the pictures,

565
00:24:30,480 --> 00:24:36,440
real quality, not like to day gone, the good days,

566
00:24:36,920 --> 00:24:45,920
fine pictures. It's gone, oh gone. How about at Freiburg,

567
00:24:46,119 --> 00:24:48,279
these chases of books here in these photographs.

568
00:24:48,319 --> 00:24:51,079
Speaker 8: Not my fault, Believe me. I had to make a living.

569
00:24:51,319 --> 00:24:53,720
I had to make money. How do you think it

570
00:24:53,720 --> 00:24:56,920
feels to get cheap like that? I used to be young,

571
00:24:57,519 --> 00:25:01,839
I was big, I was talent, big pictures. How do

572
00:25:01,880 --> 00:25:03,720
you think it feels to get cheap all of a sudden,

573
00:25:04,160 --> 00:25:05,559
cheap enough to do this kind of thing.

574
00:25:05,759 --> 00:25:07,559
Speaker 5: Nobody forced It was your choice, mister.

575
00:25:07,880 --> 00:25:11,519
Speaker 8: It wasn't my choice. You're wrong. All I want to

576
00:25:11,559 --> 00:25:14,440
do is make pictures. There isn't a chance anymore, not

577
00:25:14,640 --> 00:25:19,240
like the old days. You eat hundreds of thousands, millions,

578
00:25:19,480 --> 00:25:24,480
it's gone, it's all gone. I had to eat. I

579
00:25:24,519 --> 00:25:25,839
had to put clothes on my back.

580
00:25:26,160 --> 00:25:28,880
Speaker 6: You admit you're responsible for this books pictures. You're working

581
00:25:28,920 --> 00:25:31,799
in the high school trade kids like Steve Banner Bud Spencer.

582
00:25:32,119 --> 00:25:35,160
Speaker 8: After nineteen thirty five, I couldn't get a job. I

583
00:25:35,200 --> 00:25:39,960
didn't want this. I had to do it. I'm ashamed.

584
00:25:41,119 --> 00:25:44,440
Who wouldn't be. I had to eat. It was the

585
00:25:44,480 --> 00:25:45,880
only way, and I had to live.

586
00:25:46,079 --> 00:25:48,000
Speaker 5: There's honest jobs to be had. How about this man

587
00:25:48,079 --> 00:25:49,000
named Jack, He was.

588
00:25:48,960 --> 00:25:51,079
Speaker 8: In with me. He was my cameraman back in the

589
00:25:51,079 --> 00:25:53,720
old days. You can't blame him either. He had to

590
00:25:53,759 --> 00:25:54,200
live too.

591
00:25:54,440 --> 00:25:56,000
Speaker 6: He wanted to come downtown with us. He give us

592
00:25:56,039 --> 00:25:59,000
a statement, yes, all, all right?

593
00:25:59,200 --> 00:25:59,640
Speaker 8: Anything?

594
00:26:00,000 --> 00:26:02,920
Speaker 5: How about the parties, the two girls, Laura Osborne, Dorothy Ryan.

595
00:26:03,240 --> 00:26:05,799
Speaker 8: I took some pictures at you all. I didn't harm

596
00:26:05,839 --> 00:26:08,400
them nothing anyway, he added, Ron Freiburg.

597
00:26:08,480 --> 00:26:08,839
Speaker 5: You know that.

598
00:26:09,279 --> 00:26:12,000
Speaker 8: Yeah, I know. But just to have the kids there,

599
00:26:12,599 --> 00:26:15,319
it made you remember the days in your life, best

600
00:26:15,400 --> 00:26:18,880
days in anybody's life. That's so when he used to

601
00:26:18,880 --> 00:26:22,119
have money, when he used to be young.

602
00:26:30,799 --> 00:26:34,000
Speaker 2: The story you have just heard was true. The names

603
00:26:34,000 --> 00:26:35,680
were changed to protect the innocent.

604
00:26:35,880 --> 00:26:38,839
Speaker 12: On January twenty ninth, trial was held in Superior Court,

605
00:26:38,880 --> 00:26:41,640
Department eighty seven, City and County of Los Angeles, State

606
00:26:41,680 --> 00:26:44,240
of California. In a moment the results of that trial,

607
00:26:53,160 --> 00:26:56,640
the suspects, Charles Zieman Freiberg and his accompliced Jack L.

608
00:26:56,720 --> 00:26:59,880
Lavery were tried and convicted on four counts of contributing

609
00:27:00,039 --> 00:27:03,119
to the delinquency of miners. Both of them served full

610
00:27:03,200 --> 00:27:06,480
terms in the county jail. Contributing to the delinquency of

611
00:27:06,519 --> 00:27:09,079
miners is punishable by a fine if not more than

612
00:27:09,119 --> 00:27:12,440
one thousand dollars, or by imprisonment in the county jail

613
00:27:12,519 --> 00:27:25,759
for one year, or by both fine and imprisonment. You

614
00:27:25,839 --> 00:27:29,000
have just heard Dragnet, a series of authentic cases from

615
00:27:29,000 --> 00:27:32,559
official files. Technical advice comes from the Office of Chief

616
00:27:32,559 --> 00:27:36,160
of Police W. H. Parker, Los Angeles Police Department. Heard

617
00:27:36,200 --> 00:27:40,200
tonight were Barney Phillips, Virginia Gregg, and Ralph Moody. Script

618
00:27:40,240 --> 00:27:44,920
by Jim Moser, music by Walter Schumann, Hell Gibney speaking.

619
00:27:50,759 --> 00:27:53,119
Speaker 5: Now It's Counterspy on NBC.

620
00:28:00,119 --> 00:28:04,359
Speaker 1: Welcome back. You know, there are some people who imagine

621
00:28:04,559 --> 00:28:09,079
that in the past we were tougher on crime as

622
00:28:09,119 --> 00:28:13,319
a general rule, and we've gotten softer. The truth is

623
00:28:13,599 --> 00:28:18,200
usually quite a bit more complicated, as you will see

624
00:28:18,240 --> 00:28:21,359
that there are some crimes we have gotten more strict

625
00:28:21,519 --> 00:28:25,119
on enforcing and others we've let up on. And this

626
00:28:25,359 --> 00:28:29,000
is a good example. A year in the county jail

627
00:28:29,160 --> 00:28:34,240
and a thousand dollars fine if you did what mister

628
00:28:34,319 --> 00:28:39,759
Freiberg did and you're caught. Today you are looking at

629
00:28:39,880 --> 00:28:46,160
multiple felon accounts, sensual federal prosecution, and a law more

630
00:28:46,839 --> 00:28:51,920
and just listening to the accounts of what he did,

631
00:28:52,160 --> 00:28:55,920
and in particular the one girl they talked to to me,

632
00:28:56,119 --> 00:28:59,319
I'm like, this is not this should not be a

633
00:28:59,400 --> 00:29:05,039
mistaket And the TV version of this has even more

634
00:29:05,119 --> 00:29:09,799
issues in that regards. But that was the state of

635
00:29:09,839 --> 00:29:13,920
affairs back then. Well, now we turn to listener comments

636
00:29:13,920 --> 00:29:16,759
and feedback, and we go to our listener survey and

637
00:29:16,880 --> 00:29:21,559
Peter in Franklin, Massachusetts comments I've been listening more or

638
00:29:21,640 --> 00:29:25,079
less daily since I discovered this podcast in twenty twenty.

639
00:29:25,160 --> 00:29:28,440
Few things have captured my attention as long as Old

640
00:29:28,440 --> 00:29:30,960
time radio has. I guess you could say that I'm

641
00:29:31,039 --> 00:29:35,799
hooked and Joe and Dixon Missouri Wright's great show. And

642
00:29:35,880 --> 00:29:39,440
now it's time to thank our Patreon supporter of the day,

643
00:29:39,839 --> 00:29:43,519
and I want to thank Jeffrey, Patreon supporter since July

644
00:29:43,880 --> 00:29:47,920
of twenty twenty three, currently supporting the podcast at the

645
00:29:48,039 --> 00:29:50,720
shawmus level of four dollars or more per month. Thanks

646
00:29:50,759 --> 00:29:53,160
so much for your support, Jeffrey, and that will do

647
00:29:53,200 --> 00:29:56,440
it for today. If you're enjoying the podcast, please follow

648
00:29:56,519 --> 00:30:00,559
us using your favorite podcast software, and sure to rate

649
00:30:00,599 --> 00:30:04,200
and review the podcast wherever you download it from. We

650
00:30:04,240 --> 00:30:08,880
will be back next Thursday with another episode of Dragnet.

651
00:30:08,920 --> 00:30:12,880
But join us back here tomorrow for yours truly, Johnny,

652
00:30:12,880 --> 00:30:15,119
it all or where George here?

653
00:30:15,319 --> 00:30:15,400
Speaker 11: So?

654
00:30:15,519 --> 00:30:17,720
Speaker 10: What happened? George? The cops haul him off and throw

655
00:30:17,759 --> 00:30:20,240
him into the clink, Durrango? Who else, Johnny?

656
00:30:20,359 --> 00:30:22,720
Speaker 11: This man is unbelievable. It's fantastic.

657
00:30:22,839 --> 00:30:23,119
Speaker 6: Huh.

658
00:30:23,359 --> 00:30:24,880
Speaker 11: I don't know how he worked at how much it

659
00:30:25,000 --> 00:30:27,319
cost him? And of course, as always, he game here

660
00:30:27,400 --> 00:30:29,400
loaded with money thousands Johnny.

661
00:30:29,440 --> 00:30:30,440
Speaker 14: Yeah, well, but the.

662
00:30:30,359 --> 00:30:33,039
Speaker 11: Police didn't even take those six guns away from him.

663
00:30:33,559 --> 00:30:35,519
Speaker 10: Brother, All the more reason why I'm getting out of here.

664
00:30:35,640 --> 00:30:38,119
Speaker 11: Yes, Durrengo still thinks he's living in the old days

665
00:30:38,119 --> 00:30:39,400
of the wild and wooly West.

666
00:30:40,559 --> 00:30:43,079
Speaker 10: What oh, you bet your life?

667
00:30:43,119 --> 00:30:45,240
Speaker 14: I am, and I'm putting all the costs of transportation

668
00:30:45,319 --> 00:30:48,079
on expense account. Alla, was you who got me into

669
00:30:48,119 --> 00:30:48,599
this whole thing?

670
00:30:48,799 --> 00:30:49,240
Speaker 11: Listen to me?

671
00:30:49,240 --> 00:30:49,960
Speaker 7: Where are you going?

672
00:30:50,160 --> 00:30:51,720
Speaker 10: What do you think? I tell you?

673
00:30:51,720 --> 00:30:53,920
Speaker 14: You're in co hoats with his wild old man this

674
00:30:54,200 --> 00:30:56,160
trying to get me to marry his niece. So, Johnny,

675
00:30:56,160 --> 00:30:58,160
if you and Carol love each other, so, what do

676
00:30:58,200 --> 00:30:59,839
you think we want him to force us into it?

677
00:31:00,799 --> 00:31:01,319
Speaker 11: Suppose we?

678
00:31:02,759 --> 00:31:07,480
Speaker 10: Yeah? Oh, come on, George, I'm in a hurry. George.

679
00:31:07,799 --> 00:31:09,319
Speaker 11: Are you in your apartment? Johnny?

680
00:31:09,400 --> 00:31:13,000
Speaker 14: That's right, but not for any longer than Why do

681
00:31:13,079 --> 00:31:15,720
you ask that you stay right there?

682
00:31:15,799 --> 00:31:16,200
Speaker 1: Johnny?

683
00:31:16,960 --> 00:31:18,799
Speaker 10: Dranggell you just stay right there.

684
00:31:18,839 --> 00:31:20,960
Speaker 11: I'm coming right over. I gotta talk to you, young

685
00:31:21,039 --> 00:31:22,200
color and that ain't all.

686
00:31:22,400 --> 00:31:26,440
Speaker 1: Give me, Gunny hope you'll be with us then in

687
00:31:26,519 --> 00:31:30,640
the meantime. Send your comments to Box thirteen at Great

688
00:31:30,759 --> 00:31:35,759
Detectives dot net, follow us on Twitter at Radio Detectives,

689
00:31:35,799 --> 00:31:40,680
and check us out on Instagram, Instagram, dot com, slash

690
00:31:40,759 --> 00:31:45,400
Great Detectives From Boise, Idaho. This is your host, Adam

691
00:31:45,519 --> 00:31:46,880
Graham signing off.

