1 00:00:28,519 --> 00:00:35,320 Speaker 1: Welcome to the Great Detectives of Old Time Radio from Boise, Idaho. 2 00:00:35,560 --> 00:00:39,439 This is your host, Adam Graham. In a moment, we're 3 00:00:39,439 --> 00:00:43,280 going to bring you this week's episode of Broadways My Beat. 4 00:00:43,399 --> 00:00:47,000 But first I want to encourage you, if you're enjoying 5 00:00:47,039 --> 00:00:52,280 the podcast, to please follow us using your favorite podcast software. 6 00:00:52,920 --> 00:00:56,039 Today's program is brought you in part by the financial 7 00:00:56,079 --> 00:01:00,159 support of our listeners. You can support the show on 8 00:01:00,159 --> 00:01:05,920 a one time basis using the Zell app to Box 9 00:01:06,040 --> 00:01:12,319 thirteen a Great Detectives Dot but now from October twenty seventh, 10 00:01:12,560 --> 00:01:16,719 nineteen fifty one, here is the Ricardo Miguel murder case. 11 00:01:30,680 --> 00:01:34,959 Speaker 2: Broadways My Beat from Times Square to Columbus Circle, the gaudiest, 12 00:01:35,120 --> 00:01:38,640 the most violent, the lonesomest mile in the world. 13 00:01:43,200 --> 00:01:49,760 Speaker 3: Broadway is My Beat with Larry Thor as Detective Danny Glover. 14 00:01:55,959 --> 00:01:59,400 Speaker 2: When October dies and the river wind takes over, Broadway 15 00:01:59,439 --> 00:02:02,480 is arranged in clots of crowd and coldness. There's a 16 00:02:02,519 --> 00:02:05,959 new quality on Broadway, shrill, having to do with top 17 00:02:06,000 --> 00:02:10,400 coats and early darkness and frosty sounds. And twilight is brief, 18 00:02:10,800 --> 00:02:13,120 a darting ebb of light in the sudden autumn chill 19 00:02:13,159 --> 00:02:16,159 and hurry, hurry, hurry to this place or that home, 20 00:02:16,479 --> 00:02:18,439 or to a hot dog stand, or to the neon 21 00:02:18,479 --> 00:02:21,639 that winks a promise. Hurry, kid, make a phone call, 22 00:02:21,759 --> 00:02:30,560 find somebody. It's night already, and it seems the night 23 00:02:30,639 --> 00:02:33,240 comes sooner in the tenement district, or somehow it never 24 00:02:33,319 --> 00:02:37,879 quite leaves in the barrio in Spanish Harlem. That's why 25 00:02:37,879 --> 00:02:41,000 the people gather together sooner and start their music earlier. 26 00:02:41,599 --> 00:02:44,800 In a small nightclub like Lacantina, where I was and 27 00:02:44,840 --> 00:02:47,240 Detective Gomez was and the man who led us across 28 00:02:47,280 --> 00:02:47,639 the floor. 29 00:02:48,840 --> 00:02:54,039 Speaker 4: But here, Signoris Dandy steps, he's in the cell. 30 00:02:56,039 --> 00:02:57,759 Speaker 2: You were the one who found him, see, and he 31 00:02:57,840 --> 00:02:59,879 went down here to my stove, being to reprint the 32 00:03:00,199 --> 00:03:06,159 for my customers. Well, you see any other entrance to 33 00:03:06,199 --> 00:03:08,039 the cellar than all the steps we just came. 34 00:03:07,919 --> 00:03:09,719 Speaker 4: Down, you will see, Senor. 35 00:03:10,159 --> 00:03:12,039 Speaker 2: Don't make a drama out of it. Low, it's just. 36 00:03:14,479 --> 00:03:18,919 Speaker 4: There and the big cases stretched out with dead. 37 00:03:19,080 --> 00:03:22,080 Speaker 2: I'll tell us, Luis, how did you get in here? 38 00:03:22,120 --> 00:03:24,479 Speaker 4: You see a window through which deliveries are made from 39 00:03:24,520 --> 00:03:26,719 the alley. Mirror of the window is broken through. 40 00:03:26,639 --> 00:03:30,599 Speaker 2: So take a look in the alley. Coms Okay, you 41 00:03:30,680 --> 00:03:31,319 know who he is. 42 00:03:31,400 --> 00:03:34,840 Speaker 4: Lewis see his recodomy Guad and the boy who lives 43 00:03:34,879 --> 00:03:37,439 near the boy who works at the pastel or segnor 44 00:03:37,479 --> 00:03:41,159 LoQ the bakery shop also not far. 45 00:03:43,319 --> 00:03:47,639 Speaker 2: Yeah, stamped four places than actors. 46 00:03:48,599 --> 00:03:50,719 Speaker 4: It's the floor show. Senor be gone. 47 00:03:50,919 --> 00:03:51,280 Speaker 2: Yeah. 48 00:03:51,520 --> 00:03:54,159 Speaker 4: Decide who cannot take the time to see Senor? It 49 00:03:54,319 --> 00:03:56,960 is exciting. Decide you have not the time? 50 00:04:02,520 --> 00:04:05,439 Speaker 2: And beating against the cellar tomb containing a boy's death, 51 00:04:05,479 --> 00:04:08,439 the ribbon plaque of a woman's high heel dancing in 52 00:04:08,560 --> 00:04:12,000 measured frenzy, to a nimble passion plucked from a guitar, 53 00:04:12,199 --> 00:04:15,560 to the percussion of men's applause, to the olets hoarsely 54 00:04:15,599 --> 00:04:18,920 whispered deep in the throat. The light bulb sways to it, 55 00:04:19,079 --> 00:04:22,920 the shadows dance, and the huddled boy shrieks his stillness 56 00:04:28,360 --> 00:04:31,279 and into it. After a while, Gomez with information there 57 00:04:31,279 --> 00:04:33,959 were blood stains in the alley outside. The boy had 58 00:04:34,000 --> 00:04:36,800 been knife there, had fallen or was pushed through the 59 00:04:36,839 --> 00:04:41,240 cellar window. Leave Gomez to the official gathering of the dead. 60 00:04:41,240 --> 00:04:43,839 Walk a barrio street to the bakery of Signor Lorca, 61 00:04:44,000 --> 00:04:48,360 try it, find it closed, then walk some more scavenge 62 00:04:48,399 --> 00:04:51,000 the burial night for scraps, about the murdered boy, About 63 00:04:51,079 --> 00:04:55,160 Ricardo Miguel from an alley wall moist with Autumn's night. 64 00:04:55,240 --> 00:04:58,399 Mist a form detaches itself, whispers into your ear that 65 00:04:58,519 --> 00:05:02,800 Ricardo loved a girl. Rena Martinez lives alone in a 66 00:05:02,879 --> 00:05:08,399 room one hundred and tenth alone. Try hers inor go 67 00:05:08,439 --> 00:05:10,480 there into a numbered room in a tenement hall. 68 00:05:10,800 --> 00:05:21,279 Speaker 5: Try good to me. 69 00:05:22,519 --> 00:05:23,720 Speaker 6: The night is good to me. 70 00:05:24,040 --> 00:05:25,199 Speaker 2: I'm from the police. 71 00:05:25,800 --> 00:05:28,000 Speaker 7: You bring yourself to the wrong girls in your police 72 00:05:28,439 --> 00:05:31,279 go skin your knuckles in another place. Raina Martinez, the 73 00:05:31,399 --> 00:05:33,519 barrio woman speed my name at you because her man 74 00:05:33,519 --> 00:05:33,959 looked at me. 75 00:05:34,040 --> 00:05:36,600 Speaker 2: Boy was stabbed. Ricardo macgul murdered. 76 00:05:36,600 --> 00:05:37,720 Speaker 6: Because he loved Rena. 77 00:05:37,920 --> 00:05:39,959 Speaker 2: Let's talk about it inside, miss Martinez. 78 00:05:40,199 --> 00:05:42,839 Speaker 7: In a little while, a boy comes for me to 79 00:05:42,879 --> 00:05:46,800 buy me wine, to take me dancing. Have not comb 80 00:05:46,839 --> 00:05:50,839 my hair, I'm not painted my mouth. Another time we 81 00:05:50,879 --> 00:05:51,879 will talk inside. 82 00:05:51,920 --> 00:05:57,000 Speaker 2: Now, Miss Martinez, tell me about Ricardo. 83 00:05:57,240 --> 00:05:58,560 Speaker 6: I told what there is He loved me. 84 00:05:58,680 --> 00:06:00,279 Speaker 2: He was knife in an alley we found not even 85 00:06:00,319 --> 00:06:02,480 a cellar. Maybe you can tell me why something like 86 00:06:02,519 --> 00:06:03,439 that had happened to him. 87 00:06:03,759 --> 00:06:05,639 Speaker 7: You will not mind if I make myself ready for 88 00:06:05,680 --> 00:06:08,839 the boy who comes for me. Eh, I thick my 89 00:06:08,959 --> 00:06:11,040 hair for the flower he always brings for it. 90 00:06:11,199 --> 00:06:13,120 Speaker 2: Ricardo Miguel. Let's get back to him. 91 00:06:13,800 --> 00:06:17,959 Speaker 7: Recito, poor boy, poor dead boy. 92 00:06:18,519 --> 00:06:24,879 Speaker 2: You like my hair, though it won't matter at headquarters. 93 00:06:22,879 --> 00:06:27,199 Speaker 7: So impatience and your police, all right, I tell you then, 94 00:06:27,240 --> 00:06:27,759 I will tell you. 95 00:06:27,839 --> 00:06:28,800 Speaker 2: Ricardo tell me. 96 00:06:29,399 --> 00:06:31,920 Speaker 6: He worked with me at lorcas pastelaria. 97 00:06:32,480 --> 00:06:36,160 Speaker 7: He begged liutle, cake, sleep, pastries, and in between he 98 00:06:36,279 --> 00:06:38,040 spoke love, talking my ears. 99 00:06:38,920 --> 00:06:39,959 Speaker 5: Some times I listened. 100 00:06:40,399 --> 00:06:43,360 Speaker 7: Often when he bought for me little things, I listen. 101 00:06:44,199 --> 00:06:48,240 No jewelry, silk blouse is that I wear now? 102 00:06:48,279 --> 00:06:51,120 Speaker 6: He gave to me. I made a promise when he 103 00:06:51,199 --> 00:06:51,800 brought it to me. 104 00:06:52,839 --> 00:06:57,800 Speaker 7: No, I cannot keep it, poor boy. 105 00:06:58,079 --> 00:07:01,360 Speaker 2: That's all there is about Riccardo. You loved you enough. 106 00:07:01,480 --> 00:07:01,959 Speaker 6: He's dead. 107 00:07:02,639 --> 00:07:05,199 Speaker 7: Sometimes it's the pattern in em barrios, in your police. 108 00:07:05,519 --> 00:07:14,759 Why should Ricardo donald Hmona, a little monkey? Oh the police, Mona. 109 00:07:15,199 --> 00:07:18,839 I have finished with him. You like Reina as she 110 00:07:18,920 --> 00:07:19,600 looks for you. 111 00:07:20,920 --> 00:07:21,800 Speaker 2: What does he want to hear? 112 00:07:22,439 --> 00:07:26,600 Speaker 7: A boy was murdered with a knife, A boy who 113 00:07:26,639 --> 00:07:29,120 loved me, Ricardo, the pastries. 114 00:07:29,600 --> 00:07:32,120 Speaker 2: What do you want with her. Mister, what's Raina got 115 00:07:32,120 --> 00:07:34,480 to do with it? She just told you? When was 116 00:07:34,519 --> 00:07:38,000 he killed? Maybe three hours ago? More or less? Who 117 00:07:38,079 --> 00:07:38,279 are you? 118 00:07:39,120 --> 00:07:44,240 Speaker 8: Donald Jordan? College boy with an alibi for Rena three 119 00:07:44,279 --> 00:07:46,319 hours ago? In a sack full of hours before that, 120 00:07:46,439 --> 00:07:49,199 Rena was with me. It took that long ashore of 121 00:07:49,240 --> 00:07:50,920 the ducks in Central Park Lake. 122 00:07:51,079 --> 00:07:52,639 Speaker 2: That's where you were, miss Martinez. 123 00:07:52,720 --> 00:07:54,759 Speaker 6: Donald told you my mono too. 124 00:07:54,920 --> 00:07:57,160 Speaker 2: In other words, you're each other, is alibi? 125 00:07:58,000 --> 00:07:58,399 Speaker 9: Mm hmm? 126 00:08:00,959 --> 00:08:05,800 Speaker 6: Come to Rena, Donna, come a little monkey then minute 127 00:08:05,879 --> 00:08:06,759 you come on. 128 00:08:14,959 --> 00:08:18,079 Speaker 2: Then watch him move toward her, stop, and the girl 129 00:08:18,199 --> 00:08:21,319 considering him in the gesture, her hands sleeking her black 130 00:08:21,360 --> 00:08:25,759 hair before she went into his arms and see a thing, 131 00:08:25,879 --> 00:08:28,800 her eyes open, looking over his shoulder and out into 132 00:08:28,839 --> 00:08:32,360 the night, and turning to the boy, smiling to him, 133 00:08:32,480 --> 00:08:35,759 kissing him, her hands smoothing her hair again, and her 134 00:08:35,759 --> 00:08:47,720 eyes watching me as I left the next morning, back 135 00:08:47,759 --> 00:08:50,519 to the barrio, back to the front footage devoted to 136 00:08:50,559 --> 00:08:53,919 tenements and window watchers and the people of the doorsteps 137 00:08:53,960 --> 00:08:56,600 and the chalk talk. Back to the place that had 138 00:08:56,639 --> 00:08:59,759 been closed the night before, the pastry shop of Signor Lorca. 139 00:09:05,679 --> 00:09:09,320 Speaker 10: When I say good morning. I am sorry. Say I'm 140 00:09:09,519 --> 00:09:13,879 sorry about what this morning? My stock it is scarce, however, 141 00:09:13,919 --> 00:09:17,200 because Ricardo didn't show up for my bigger Ricardo is 142 00:09:17,600 --> 00:09:19,279 they did so for the next few days. 143 00:09:19,320 --> 00:09:22,840 Speaker 2: I know. I'm from the police. See you know that 144 00:09:22,919 --> 00:09:24,639 Ricardo was murdered, don't. 145 00:09:24,480 --> 00:09:27,120 Speaker 11: You, SIAMENTI of course he's dying. 146 00:09:27,159 --> 00:09:30,320 Speaker 10: I know all about Oh see, he has been told 147 00:09:30,320 --> 00:09:31,120 all around the barrio. 148 00:09:31,240 --> 00:09:34,480 Speaker 2: I see I need some information. I want you to help. 149 00:09:35,519 --> 00:09:35,919 Speaker 11: Why not? 150 00:09:36,039 --> 00:09:37,759 Speaker 2: I want you to tell me all you can about 151 00:09:37,840 --> 00:09:39,279 Ricardo and about Rainer. 152 00:09:40,559 --> 00:09:44,440 Speaker 10: Oh Ricardo a boy who baks pasterills we let alone 153 00:09:44,480 --> 00:09:47,600 and bag between the hours of nine and five excellently. 154 00:09:48,080 --> 00:09:50,799 Speaker 2: Why will miss how come Raina isn't here this morning? 155 00:09:51,440 --> 00:09:53,879 Speaker 11: I will ask her the identical question when she will 156 00:09:53,919 --> 00:09:54,200 come in? 157 00:09:54,360 --> 00:09:56,519 Speaker 2: Was she here yesterday for a time? 158 00:09:57,320 --> 00:09:59,240 Speaker 10: Then a young man took her to look at the ducks, 159 00:09:59,759 --> 00:10:02,000 So check her like she to look at dogs. Local 160 00:10:03,399 --> 00:10:06,879 If you would see her, you have seen her, didn't 161 00:10:06,879 --> 00:10:10,000 you understand? Is there another such one? 162 00:10:10,000 --> 00:10:10,720 Speaker 11: As she said your? 163 00:10:11,440 --> 00:10:13,480 Speaker 10: I ask you this because in your profession you must 164 00:10:13,559 --> 00:10:17,039 go about the city and see women sometimes have exquisiteness. 165 00:10:17,720 --> 00:10:19,559 Yet I do not believe you have seen such a 166 00:10:19,559 --> 00:10:24,519 one as a in the face of her before you're married, 167 00:10:24,600 --> 00:10:29,240 Lorca in truth, Senor, and because you are of the 168 00:10:29,240 --> 00:10:32,120 police who enjoy to listen to truth, I. 169 00:10:32,080 --> 00:10:35,080 Speaker 11: Wait for Rena to grow up to enjoy me. Then 170 00:10:35,120 --> 00:10:35,879 I will be married. 171 00:10:36,120 --> 00:10:36,240 Speaker 12: Right. 172 00:10:36,279 --> 00:10:38,000 Speaker 2: A few men seem to be in love with the 173 00:10:38,120 --> 00:10:42,159 local Ricardo for instance. For instance, Ricardo, why should anyone 174 00:10:42,159 --> 00:10:46,360 want to kill him? Lorca In say, I shrug shrug 175 00:10:46,399 --> 00:10:48,519 to you not, I do not know, I do not 176 00:10:48,679 --> 00:10:54,519 know why. Indeed, another question, sen your police. No, no, 177 00:10:54,639 --> 00:10:59,799 that's all now Las yes, senor less, yes, I do. 178 00:11:14,919 --> 00:11:18,039 Speaker 13: Al fellow and well met top of the morning, Danny. 179 00:11:18,480 --> 00:11:20,080 Speaker 2: We said good morning to each other a couple of 180 00:11:20,080 --> 00:11:22,360 hours ago. Gino, off the dime? What of your got? 181 00:11:22,559 --> 00:11:24,720 Speaker 13: What I've got is what you're going to get to 182 00:11:24,840 --> 00:11:27,759 wit a report on the college youth, Donald Jordan. Even 183 00:11:27,799 --> 00:11:30,799 as you requested, okay, okay, Detective Gomes told me that 184 00:11:30,840 --> 00:11:33,480 this Jordan youth is a student that McKay College. That 185 00:11:33,600 --> 00:11:35,639 the dean of men whom he questioned, told the good 186 00:11:35,679 --> 00:11:38,600 detective that this Jordan youth is indeed bright, a gold 187 00:11:38,639 --> 00:11:41,759 star student. And found out that this Jordan youth was 188 00:11:41,799 --> 00:11:45,399 indeed free to watch ducs yesterday afternoon because he had 189 00:11:45,440 --> 00:11:46,440 only morning classes. 190 00:11:46,519 --> 00:11:49,320 Speaker 2: I see what have we got on Raina Martinez? 191 00:11:49,879 --> 00:11:53,159 Speaker 13: Raina Martinez to wit. According to our files, it seems 192 00:11:53,200 --> 00:11:55,759 this Raina Martinez has been a caller at our pokey 193 00:11:55,840 --> 00:11:59,519 on various occasions, once on the occasion of clawing the 194 00:11:59,559 --> 00:12:02,720 eyes of a fellow female, once for waving a knife 195 00:12:02,799 --> 00:12:05,559 under the nose of a brush salesman, and another time 196 00:12:05,639 --> 00:12:08,279 for carving her initials with a like knife into the 197 00:12:08,320 --> 00:12:12,159 epidermis of a friendly bar fla knife from what you 198 00:12:12,240 --> 00:12:14,600 told me of her, Danny. From this reign of Martinez, 199 00:12:14,639 --> 00:12:17,200 nobody would mind. What's a knife prick from a girl 200 00:12:17,240 --> 00:12:17,360 like you? 201 00:12:18,200 --> 00:12:38,279 Speaker 2: You know, I'll go ask her? What did this girl 202 00:12:38,320 --> 00:12:41,679 look like? Danny? You'll see come on to this house. 203 00:12:43,840 --> 00:12:46,519 One side, friend, take it easy, busty. 204 00:12:47,200 --> 00:12:48,679 Speaker 4: It's a hurry, I said, one side. 205 00:12:48,759 --> 00:12:51,960 Speaker 2: He's a big one. Danny, Okay, friend, you ask you, 206 00:12:51,960 --> 00:12:55,679 come on, come on, settle down. It's a lot better. Yet, 207 00:12:57,440 --> 00:12:58,679 ask you something. What's the hurry? 208 00:12:58,759 --> 00:12:59,360 Speaker 14: You guys crazy? 209 00:12:59,399 --> 00:13:03,519 Speaker 2: Take your running in a hurry? I run police, huh, 210 00:13:03,840 --> 00:13:04,799 police officers. 211 00:13:05,320 --> 00:13:07,000 Speaker 15: Look, I didn't have anything to do with it. 212 00:13:07,080 --> 00:13:09,480 Speaker 2: We'll do with what look, bring them along go miss 213 00:13:09,519 --> 00:13:21,159 Come on kid, did you come out of this room? 214 00:13:21,200 --> 00:13:30,360 All right? We'll see inside you already. Men, Danny, Yeah. 215 00:13:30,240 --> 00:13:31,279 Speaker 4: I didn't do it. 216 00:13:32,080 --> 00:13:33,480 Speaker 15: I swear, I swear I didn't do it. 217 00:13:33,519 --> 00:13:34,240 Speaker 11: I didn't kill it. 218 00:13:35,080 --> 00:13:36,039 Speaker 12: I didn't kill it. 219 00:13:36,919 --> 00:13:37,679 Speaker 4: I didn't. 220 00:13:47,039 --> 00:13:49,919 Speaker 3: You were listening to Broadway is My Beat, written by 221 00:13:50,000 --> 00:13:53,399 Morton Fine and David Freakin and starring Larry Thor as 222 00:13:53,480 --> 00:13:57,440 Detective Danny Clover. Say that was some night the Gang 223 00:13:57,480 --> 00:14:00,679 gave Jack Benny last week when the spendthrift squire surprised 224 00:14:00,679 --> 00:14:02,600 them all by inviting him not to a night club 225 00:14:02,639 --> 00:14:05,320 on him and the surprise finish. The gang will be 226 00:14:05,360 --> 00:14:08,919 waiting for Jack for sure. Tomorrow night, Yes, Jack Benny, 227 00:14:09,039 --> 00:14:13,320 Mary Livingston, Dennis, Phil Rochester Don and tomorrow night, mister 228 00:14:13,360 --> 00:14:17,320 and missus Ronald Coleman. Listen for them all on CBS Radio. 229 00:14:17,639 --> 00:14:29,279 There's fun every minute. 230 00:14:29,759 --> 00:14:33,679 Speaker 2: The winds of October begin their departure from Broadway, and departing, 231 00:14:33,799 --> 00:14:36,799 leaving their wake the gutters choked with regret, the Carter's 232 00:14:36,879 --> 00:14:40,879 echoing lament, and Broadway picks through the leaving searches for 233 00:14:40,960 --> 00:14:45,120 lost treasures, for images misplaced left behind in that movie 234 00:14:45,200 --> 00:14:48,120 palace forgotten in the sudden realization that this was you. 235 00:14:48,320 --> 00:14:51,360 A subway stop, there was the girl with the soft 236 00:14:51,399 --> 00:14:54,000 fur held close to her throat, covering her face right 237 00:14:54,080 --> 00:14:56,679 up to her eyes, the way she looked at you. 238 00:14:57,440 --> 00:15:00,320 There was one you'll remember, kid, right through the false season. 239 00:15:01,200 --> 00:15:03,639 There was that late time on Broadway when the bar 240 00:15:03,799 --> 00:15:07,639 was closing. The guys with convention buttons under lapels bought 241 00:15:07,679 --> 00:15:10,120 you a drink, said whenever you're out of my way, 242 00:15:10,159 --> 00:15:14,360 look me up. That was October, the image and the farewell. 243 00:15:15,240 --> 00:15:18,360 So why look for anything else, Kid, That's all there 244 00:15:18,440 --> 00:15:26,159 is except a girl dead in a room you've been 245 00:15:26,200 --> 00:15:30,840 in before, except a sopping rotest, except the scream of 246 00:15:30,919 --> 00:15:38,600 a radio. Jut that thing off Tho, Yeah, I think 247 00:15:38,639 --> 00:15:41,480 I can do about that. Danny's down the street somewhere. 248 00:15:40,919 --> 00:15:43,159 Speaker 15: Look, I told you I had nothing to do with it. 249 00:15:43,240 --> 00:15:45,480 Speaker 2: Yeah, you told us. What's your name? Kid? 250 00:15:45,720 --> 00:15:48,879 Speaker 15: Garfield? Bobby Garfield? Rain and were to do? 251 00:15:48,919 --> 00:15:49,240 Speaker 2: Bobby? 252 00:15:49,399 --> 00:15:52,279 Speaker 15: I played football. Let me tell you how Rain and 253 00:15:52,320 --> 00:15:52,799 me we're. 254 00:15:52,679 --> 00:15:55,919 Speaker 2: Just you're a football player, I'm Bobby. I like football. 255 00:15:56,080 --> 00:15:59,039 Speaker 15: I played for McKay College and Sophomore Kay College. 256 00:15:59,120 --> 00:16:01,360 Speaker 2: Huh. You know I named Donald Jordan. 257 00:16:01,440 --> 00:16:05,279 Speaker 16: Bobby, Yeah, I know, same fraternity. Look, what is it 258 00:16:05,320 --> 00:16:07,200 with you guys? You're gonna let me tell you how 259 00:16:07,240 --> 00:16:07,519 it was? 260 00:16:07,639 --> 00:16:09,919 Speaker 2: Sure, Bobby, go ahead tell us how it was. 261 00:16:10,039 --> 00:16:11,399 Speaker 15: Rain and me just kind of good friends, you know 262 00:16:11,440 --> 00:16:11,799 what I mean? 263 00:16:11,879 --> 00:16:12,000 Speaker 5: Uh? 264 00:16:12,039 --> 00:16:12,200 Speaker 7: Huh? 265 00:16:12,399 --> 00:16:14,919 Speaker 15: Tell us, you guys twisting it into me for I 266 00:16:14,919 --> 00:16:15,440 didn't kill her. 267 00:16:15,440 --> 00:16:17,000 Speaker 2: You act like you do with a gun, Bobby, throw 268 00:16:17,000 --> 00:16:17,279 it away. 269 00:16:17,399 --> 00:16:18,120 Speaker 17: Let me tell you. 270 00:16:20,879 --> 00:16:21,399 Speaker 15: Ran and me. 271 00:16:22,360 --> 00:16:23,960 Speaker 16: I met her right after I came to New York 272 00:16:24,440 --> 00:16:27,919 to play football. She saw me play once, came up 273 00:16:27,960 --> 00:16:28,759 to me after the game. 274 00:16:29,799 --> 00:16:30,639 Speaker 15: So they played so good. 275 00:16:30,639 --> 00:16:32,519 Speaker 2: One not celebrate. You were telling us how you didn't 276 00:16:32,559 --> 00:16:34,240 kill her. That's why you tried to run away. Huh, 277 00:16:34,320 --> 00:16:34,919 because you didn't. 278 00:16:34,960 --> 00:16:37,720 Speaker 16: We were dancing, see, kind of dancing to that music 279 00:16:37,759 --> 00:16:38,360 it turned off. 280 00:16:38,559 --> 00:16:41,360 Speaker 15: She can still hear it. We were dancing to that. 281 00:16:42,279 --> 00:16:43,519 All of a sudden it was a shot. 282 00:16:44,440 --> 00:16:47,559 Speaker 16: I guess where that windows open to the alley. All 283 00:16:47,600 --> 00:16:50,720 of a sudden, Rain had just dropped down in my arms, 284 00:16:50,759 --> 00:16:52,480 and there was blood on my shirt from where she. 285 00:16:54,000 --> 00:16:54,399 Speaker 11: See it. 286 00:16:56,279 --> 00:16:59,559 Speaker 15: Look, I gotta call somebody. I gotta call somebody on 287 00:16:59,600 --> 00:17:00,000 the telephone. 288 00:17:00,200 --> 00:17:02,279 Speaker 2: Sorre you do. We've got a phone at headquarters. You 289 00:17:02,279 --> 00:17:04,880 can make your call from there, but the cuffs awake 290 00:17:04,920 --> 00:17:17,359 on as we won't need them. 291 00:17:17,599 --> 00:17:20,640 Speaker 13: You've got a gentleman, call her Danny. Huh who a 292 00:17:20,720 --> 00:17:23,680 gentleman who comes and answer to Bobby's see his phone call? 293 00:17:24,119 --> 00:17:28,359 Speaker 2: Shure man, General, just wait to see Danny Clover. Oh, 294 00:17:28,400 --> 00:17:33,000 that'll be all general. How do you do? Sir? Very well? 295 00:17:33,000 --> 00:17:37,920 Thank you. Let's sit on. My name's Clover Douglas, Sir 296 00:17:38,000 --> 00:17:41,279 John Douglas. Bobby Garfield called you. Bobby's in a lot 297 00:17:41,319 --> 00:17:41,759 of trouble. 298 00:17:42,000 --> 00:17:45,119 Speaker 4: Trouble, mister Clover is a thing youth is prone to 299 00:17:45,160 --> 00:17:47,839 generate for itself. You will I understand it. 300 00:17:47,920 --> 00:17:52,400 Speaker 2: The trouble is murder. May I asked, mister Douglas, why 301 00:17:52,640 --> 00:17:53,440 Bobby called you? 302 00:17:53,640 --> 00:17:55,920 Speaker 4: Of course you made didn't you know I'm a football coach? 303 00:17:56,160 --> 00:17:56,880 Speaker 2: No, I didn't know. 304 00:17:57,039 --> 00:18:00,440 Speaker 4: Bobby comes under my tutelage. Is an end, an excellent one, Kay, 305 00:18:00,559 --> 00:18:02,480 College's pride offensive end of course? 306 00:18:02,559 --> 00:18:06,680 Speaker 2: Of course? What else about Bobby? What else about him? 307 00:18:07,200 --> 00:18:09,599 Speaker 4: I found him in New Mexico, prevailed upon the McKay 308 00:18:09,599 --> 00:18:11,480 regents to make his way to New York easy. They 309 00:18:11,559 --> 00:18:15,640 certainly agreed with me. He's very fast as Bobby at 310 00:18:15,680 --> 00:18:18,680 a speed racing the super Cheap across the New Mexico deserts. 311 00:18:18,720 --> 00:18:21,079 I tell sports reporters for Color. 312 00:18:20,880 --> 00:18:22,400 Speaker 2: He was found running out of a room where a 313 00:18:22,440 --> 00:18:23,559 girl was shot to death. 314 00:18:25,319 --> 00:18:29,559 Speaker 4: This series confounding, I told my squad. I keep telling 315 00:18:29,599 --> 00:18:32,880 them no dates until after the season, so surely they 316 00:18:32,920 --> 00:18:34,720 must be a mistake. Bobby listens to me. 317 00:18:34,640 --> 00:18:36,839 Speaker 2: There's no mistake, mister Douglas. 318 00:18:37,240 --> 00:18:41,319 Speaker 4: Who is the girl those flirts from Greenberry School across. 319 00:18:41,039 --> 00:18:43,960 Speaker 2: The river Raynham Martinez? A barrio girl? 320 00:18:45,599 --> 00:18:51,759 Speaker 4: Of course? If gen well, what am I expected to do? 321 00:18:52,000 --> 00:18:55,440 Speaker 2: Answer another question? Do you know a McKay student named 322 00:18:55,480 --> 00:18:56,240 Donald Jordan? 323 00:18:56,319 --> 00:18:57,279 Speaker 4: No, he's not football. 324 00:18:57,279 --> 00:18:59,480 Speaker 2: I wouldn't know him. 325 00:18:59,599 --> 00:19:04,200 Speaker 4: I still don't know what I'm expected to do about this, 326 00:19:04,200 --> 00:19:07,359 this altercation that Bobby has gotten himself into. 327 00:19:07,599 --> 00:19:10,759 Speaker 2: Just talk to him, mister Douglas. He's under suspicion of murder. 328 00:19:11,119 --> 00:19:14,640 He asked for you, of course, your pardon me, sir. 329 00:19:15,359 --> 00:19:15,680 Speaker 12: I go. 330 00:19:20,759 --> 00:19:22,920 Speaker 2: And watch the leader of men go talk to one 331 00:19:22,960 --> 00:19:25,640 of his boys, not knowing what to say, not knowing 332 00:19:25,640 --> 00:19:27,599 how to pep talk a boy out of a grief. 333 00:19:27,640 --> 00:19:31,319 The coach had never played against before, and imagine it 334 00:19:32,039 --> 00:19:34,240 the pat on the shoulder, the voice modulated to the 335 00:19:34,240 --> 00:19:38,240 acoustics of a cell, then the curiosity taking over. Finally, 336 00:19:38,559 --> 00:19:42,119 gentle insinuating, tell me about his son, Tell me about 337 00:19:42,119 --> 00:19:45,400 the girl. Tell me what there was about her that 338 00:19:45,440 --> 00:19:49,680 made you. Then wipe the smirk off your mouth. Because 339 00:19:49,720 --> 00:19:53,039 you've asked these questions too, we'll go on asking them. 340 00:19:53,440 --> 00:19:55,960 And because you're a policeman, ask them with the official 341 00:19:56,039 --> 00:20:00,680 stamp of approval of anyone of an employer of the girl. Now, Dad, 342 00:20:01,000 --> 00:20:02,680 senor Laca, for instance. 343 00:20:02,359 --> 00:20:05,880 Speaker 10: I told you, say, I told you of the exquisiteness 344 00:20:05,920 --> 00:20:09,319 of Reyna. That she is dead does not change my 345 00:20:09,359 --> 00:20:13,480 philosophy about her. Well, there is such as Raina. There 346 00:20:13,559 --> 00:20:14,319 is such as. 347 00:20:14,200 --> 00:20:15,759 Speaker 2: Did you kill her? Laca? 348 00:20:17,720 --> 00:20:22,160 Speaker 10: Listen to me saying or listened very closely. How could 349 00:20:22,200 --> 00:20:27,240 I lift my hand to Reina acceded to ow. 350 00:20:27,000 --> 00:20:29,039 Speaker 2: That's why with a gun in it? Then shoot her 351 00:20:29,079 --> 00:20:31,319 through a window while she was dancing with Bobby Garfield. 352 00:20:31,400 --> 00:20:36,400 Speaker 10: That's how explain me, Explain me something. Why should I 353 00:20:36,440 --> 00:20:37,799 do this when I don't even know this? 354 00:20:37,960 --> 00:20:38,960 Speaker 11: This Garfield? 355 00:20:39,119 --> 00:20:42,359 Speaker 2: Bobby Garfield, he knew Raina, loved her like Riccardo Migual, 356 00:20:42,400 --> 00:20:45,720 did someone found an alley where Ricardo was stabbed him 357 00:20:45,759 --> 00:20:48,880 to death, then saw Raina in the arms of Bobby Garfield, 358 00:20:49,279 --> 00:20:52,759 shot Raina, killed her, watched Garfield being taken to prison. 359 00:20:53,319 --> 00:20:55,880 It all worked out real good for a man like you, 360 00:20:56,039 --> 00:20:58,000 a man who says he loved Reina, a man who 361 00:20:58,039 --> 00:20:58,920 Reina didn't love. 362 00:20:59,279 --> 00:21:03,000 Speaker 10: I tell you some things, saying all this that you said. 363 00:21:03,160 --> 00:21:07,680 I could wish it, wish it deep inside here, but 364 00:21:07,839 --> 00:21:11,039 I could not do it. I'm only a seller of pastries. 365 00:21:11,599 --> 00:21:15,079 I have not the what it needs. And you didn't 366 00:21:15,119 --> 00:21:18,799 know about Garfield, about Ded Ricardo, my pastry boy. I 367 00:21:18,839 --> 00:21:21,279 knew about the college boy who took Rana for me 368 00:21:21,319 --> 00:21:24,759 to show her dogs quack quack on Needley's rivals. 369 00:21:24,799 --> 00:21:28,880 Speaker 11: I knew till now. I regret you told. 370 00:21:28,680 --> 00:21:31,000 Speaker 2: Me about this Garfield one more playing. 371 00:21:31,519 --> 00:21:33,640 Speaker 11: That told me I may speak to the phone. 372 00:21:33,799 --> 00:21:41,920 Speaker 10: Go ahead, Lord has pastelaria eh a detective. 373 00:21:42,799 --> 00:21:44,079 Speaker 11: See there is a detective here. 374 00:21:44,839 --> 00:21:45,680 Speaker 10: This is what you want. 375 00:21:45,680 --> 00:21:46,279 Speaker 12: A Lord. 376 00:21:47,640 --> 00:21:50,480 Speaker 11: Momento for you, saying your thanks. 377 00:21:52,119 --> 00:21:54,640 Speaker 2: Danny Clover speaking Danny, I just striped. 378 00:21:54,359 --> 00:21:57,200 Speaker 13: You only because Dean Crawford McKay College found didn't want 379 00:21:57,200 --> 00:21:58,480 you to come to his office right away. 380 00:21:58,480 --> 00:22:00,960 Speaker 2: I tell you. Why shaka for you? 381 00:22:01,000 --> 00:22:02,640 Speaker 13: What an immediate charka goose? 382 00:22:02,720 --> 00:22:03,759 Speaker 2: What is very thanks to you? 383 00:22:03,799 --> 00:22:03,880 Speaker 5: Know? 384 00:22:04,839 --> 00:22:07,160 Speaker 2: Maybe I'll have to get back to you, larker, So 385 00:22:07,240 --> 00:22:21,720 don't go away. Did I say something funny, Dean Crawper. 386 00:22:21,839 --> 00:22:25,519 Speaker 18: No, not you, mister Clover. I said something funny. I 387 00:22:25,599 --> 00:22:29,440 made the remark to myself. Oh this week, mister Clover, 388 00:22:29,920 --> 00:22:33,000 just this week, I sent in my resignation to the 389 00:22:33,000 --> 00:22:36,799 Board of Regents, a thing unheard of. No dean ever 390 00:22:36,880 --> 00:22:41,559 quits at McKay. We get fired. I quit effective the 391 00:22:41,599 --> 00:22:45,279 new year. And that's funny, scandalous to use a McKay 392 00:22:45,400 --> 00:22:48,240 term that's hardly ever used. And then think about it, 393 00:22:48,279 --> 00:22:51,200 mister Clover, one of the students is involved in a 394 00:22:51,279 --> 00:22:54,440 murder all in the same week. This is a black 395 00:22:54,480 --> 00:23:00,799 week for McKay. I wonder about something about what statistics 396 00:23:01,599 --> 00:23:04,680 how many McKay boys have gone out into the world 397 00:23:04,920 --> 00:23:09,480 and committed murder? As still Dean of McKay, I'll match 398 00:23:09,519 --> 00:23:10,880 my boys against anybody. 399 00:23:10,880 --> 00:23:13,920 Speaker 2: Loo Dane Crawford, you called me setter. Was urgent? Suppose 400 00:23:13,960 --> 00:23:15,200 you tell me something urgent. 401 00:23:15,319 --> 00:23:18,440 Speaker 18: I got a letter a while ago from a daddy, 402 00:23:18,960 --> 00:23:22,279 A daddy who is sending his son through McKay. He's 403 00:23:22,319 --> 00:23:25,079 a worried man. What are you talking about? The daddy 404 00:23:25,279 --> 00:23:28,519 of Donald Jordan worried about the bills? His son has 405 00:23:28,559 --> 00:23:32,480 run up. No wonder Maajorie jewelry baubles. 406 00:23:32,400 --> 00:23:33,119 Speaker 11: For a sex. 407 00:23:33,319 --> 00:23:38,519 Speaker 18: We only mention in psychology too female, So that I 408 00:23:38,599 --> 00:23:40,480 came after your detective gumz it left. 409 00:23:40,799 --> 00:23:43,519 Speaker 2: How close was Donald Jordan to Bobby Garfield? 410 00:23:43,519 --> 00:23:46,680 Speaker 18: I'll tell you how close we have an arrangement here 411 00:23:47,119 --> 00:23:51,440 a sign of football player to a scholar arrangement. Garfield 412 00:23:51,640 --> 00:23:55,599 was coached in his studies by Donald Jordan. This is 413 00:23:55,680 --> 00:24:01,200 known as intellectual freedom. Donald writes Bobby's themes, does his assignments, 414 00:24:01,599 --> 00:24:05,640 which leaves Bobby free to think about nothing admirable. 415 00:24:06,000 --> 00:24:07,599 Speaker 2: What else can you tell me about them? 416 00:24:08,079 --> 00:24:10,599 Speaker 18: Which one of those rascals do you think killed that girl? 417 00:24:10,680 --> 00:24:11,640 Speaker 2: I asked you a question. 418 00:24:11,799 --> 00:24:16,240 Speaker 18: I've told you everything I can, mister Clover, Well, McKay, 419 00:24:16,440 --> 00:24:20,640 semper fidelio, as we always say, don't you always say no? 420 00:24:21,440 --> 00:24:39,480 Speaker 2: I don't blame you, Bye, mister Clover. Bobby, come on, 421 00:24:39,519 --> 00:24:40,279 Bobby on your feed? 422 00:24:41,440 --> 00:24:43,039 Speaker 15: What what do you want? 423 00:24:43,359 --> 00:24:44,960 Speaker 2: Let's go, Bobby, We're going for a visit. 424 00:24:45,519 --> 00:24:45,799 Speaker 5: Visit. 425 00:24:46,119 --> 00:24:47,480 Speaker 2: Yeah, we're going back to school. 426 00:25:01,279 --> 00:25:03,640 Speaker 14: There's rooms on this floors to clear, right across the 427 00:25:03,680 --> 00:25:04,920 hall from mine. 428 00:25:05,400 --> 00:25:07,839 Speaker 2: He never goes to the bonfire rallies. It's probably in. 429 00:25:09,359 --> 00:25:15,400 Speaker 14: Listen, the most studious room in the fraternity house. Where 430 00:25:15,480 --> 00:25:26,400 is it you, Bobby, It's me, Bobby Garfield. Bobby, I thought, oh, 431 00:25:26,480 --> 00:25:27,240 let's go inside. 432 00:25:27,279 --> 00:25:33,079 Speaker 2: Donald. I'm sure, gee. I'm glad to see you're out, Bobby. 433 00:25:33,160 --> 00:25:34,640 Speaker 14: Yeah, I knew you would be. 434 00:25:34,799 --> 00:25:36,759 Speaker 15: That's why I came right to you so you could 435 00:25:36,799 --> 00:25:37,240 be glad. 436 00:25:37,359 --> 00:25:39,720 Speaker 2: That's right, Donald. Bobby told me a lot about you 437 00:25:39,839 --> 00:25:42,359 on the way over here. I don't understand what you're 438 00:25:42,359 --> 00:25:43,640 doing here. We'll get around to it. 439 00:25:44,039 --> 00:25:48,680 Speaker 14: I get bad news for your kid, bad news. You 440 00:25:48,759 --> 00:25:52,319 remember something the day we were inducted into this fraternity. 441 00:25:53,039 --> 00:25:53,960 Speaker 4: What are you talking about? 442 00:25:54,319 --> 00:25:56,119 Speaker 14: The day we put four fingers up in the air 443 00:25:56,160 --> 00:26:00,519 and gave the secret handclasp and said the words the 444 00:26:00,559 --> 00:26:01,960 second finger meant loyalty. 445 00:26:03,319 --> 00:26:04,599 Speaker 4: You haven't been too blue? 446 00:26:05,559 --> 00:26:07,440 Speaker 2: What did they do to you in jail? Bobby? 447 00:26:07,480 --> 00:26:13,359 Speaker 4: You talk crazy? Crazy, Frank Blake crazy. 448 00:26:13,400 --> 00:26:13,920 Speaker 2: Cut it out. 449 00:26:14,519 --> 00:26:18,400 Speaker 14: Yeah, I'll cut it out. Pardon I didn't have a paddle, 450 00:26:18,440 --> 00:26:20,480 fraternity brother? Is this how you police act? 451 00:26:20,839 --> 00:26:22,839 Speaker 2: Bring a crazy man into my room and having beat 452 00:26:22,880 --> 00:26:24,519 me up. I'm sorry, Donald, I told him a few 453 00:26:24,519 --> 00:26:26,440 things on our way here. I didn't know what upset 454 00:26:26,480 --> 00:26:28,759 him this way. Look, I don't know what this is 455 00:26:28,799 --> 00:26:32,039 all about. Why don't we all go down to the bonfire? 456 00:26:32,799 --> 00:26:34,200 Speaker 4: Sure, sure, let's do that. 457 00:26:34,720 --> 00:26:37,279 Speaker 8: It'll make a big impression, Bobby, you being out of jail, 458 00:26:37,319 --> 00:26:38,119 gonna play tomorrow? 459 00:26:38,359 --> 00:26:40,119 Speaker 2: Come on, guys, we're going all right, but not to 460 00:26:40,200 --> 00:26:44,279 a football rally. You're under arrest. Donald, what too? 461 00:26:44,319 --> 00:26:44,720 Speaker 15: Crazy? 462 00:26:44,799 --> 00:26:46,599 Speaker 4: Me the policeman and me? 463 00:26:46,759 --> 00:26:47,319 Speaker 17: What do you mean? 464 00:26:47,359 --> 00:26:50,599 Speaker 2: I'm under arrest for what? What reason? Murder? Ricardo Miguel, 465 00:26:50,680 --> 00:26:51,480 Rayna Martinez? 466 00:26:52,000 --> 00:26:56,880 Speaker 14: You're kidding, especially Rayna Martinez. Now there was a Dane. 467 00:26:57,720 --> 00:26:58,759 Speaker 2: Take my word for it. 468 00:26:58,839 --> 00:27:01,079 Speaker 14: Fraternity brother, there really was a Dane. 469 00:27:02,400 --> 00:27:04,519 Speaker 2: You talked about me, didn't you? 470 00:27:04,519 --> 00:27:07,640 Speaker 14: You and Reina we had a few chuckles whenever your 471 00:27:07,720 --> 00:27:08,319 name came up. 472 00:27:08,440 --> 00:27:10,279 Speaker 2: You ready to go? Donald? What did you say about me? 473 00:27:10,400 --> 00:27:13,359 Speaker 14: You know what we said? Let you say to yourself. 474 00:27:13,359 --> 00:27:14,640 I'm alone, Bobby, I. 475 00:27:14,559 --> 00:27:18,200 Speaker 2: Didn't kill anybody. Mister Clover who killed one of Raina's boyfriends, 476 00:27:18,240 --> 00:27:21,119 Ricardo Miguel, to prove something to her that she couldn't 477 00:27:21,160 --> 00:27:22,920 have anyone but you, that you wouldn't let her have 478 00:27:22,960 --> 00:27:24,839 anyone but you. You don't know what you're talking about. 479 00:27:25,000 --> 00:27:26,039 Believe me, he knows. 480 00:27:26,759 --> 00:27:27,759 Speaker 14: Four fingers in the air. 481 00:27:27,839 --> 00:27:30,400 Speaker 2: Riccardo mcguel was killed. You had an alibite for that. 482 00:27:30,480 --> 00:27:31,319 You were with Raina. 483 00:27:31,640 --> 00:27:32,039 Speaker 4: That's great. 484 00:27:32,240 --> 00:27:34,039 Speaker 2: She told you I was with her. She lied for you, 485 00:27:34,119 --> 00:27:37,119 She alibied for you, because for an instant she admired you. 486 00:27:37,359 --> 00:27:38,240 Speaker 4: She did. 487 00:27:39,480 --> 00:27:42,599 Speaker 2: What are you laughing at? Nothing at all? 488 00:27:42,759 --> 00:27:43,640 Speaker 17: What are you laughing at? 489 00:27:44,319 --> 00:27:47,000 Speaker 14: I laugh because I remember something a couple of saturdays ago, 490 00:27:47,079 --> 00:27:51,039 right after a football game, when Reina waited until I 491 00:27:51,119 --> 00:27:53,319 came out of the stadium, came up and told me. 492 00:27:53,319 --> 00:27:53,839 Speaker 15: Who she was. 493 00:27:53,880 --> 00:27:58,359 Speaker 14: We celebrated the occasion. You took her to that game, 494 00:27:58,400 --> 00:27:58,759 didn't you. 495 00:27:58,880 --> 00:28:02,519 Speaker 2: Donald. I'm only sorry I didn't kill you two. 496 00:28:02,759 --> 00:28:06,200 Speaker 14: You almost did at that at Donald, Raina or me, 497 00:28:06,799 --> 00:28:09,359 while you were peeking at us from the alley, while 498 00:28:09,400 --> 00:28:09,799 you were. 499 00:28:11,920 --> 00:28:13,880 Speaker 2: Who we aiming at Raina? 500 00:28:14,799 --> 00:28:17,279 Speaker 14: I wanted to kill and I did what she did 501 00:28:17,279 --> 00:28:18,319 to me, the things you. 502 00:28:18,319 --> 00:28:20,519 Speaker 17: Made me do, for the things I got for If 503 00:28:20,599 --> 00:28:31,720 you laughed, she laughed. 504 00:28:49,720 --> 00:28:53,559 Speaker 2: The Neon spins and Broadway blares out an eight beet rhythm, 505 00:28:53,720 --> 00:28:57,359 the tempo of hunger in dance time. Grab yourself a 506 00:28:57,440 --> 00:28:59,920 dream and get with it. Close your eyes and prot 507 00:29:00,039 --> 00:29:05,480 and you're holding something special. Keep them closed. Dreams last 508 00:29:05,559 --> 00:29:11,839 longer that way. It's Broadway, the gaudiest, the most violent, 509 00:29:13,240 --> 00:29:34,880 the lonesomest mile in the world. Broadway My Beat, Broadway 510 00:29:34,960 --> 00:29:38,279 Is My Beat stars Larry Thor as Detective Danny Clover, 511 00:29:38,599 --> 00:29:42,160 with Charles Calvert as Tartaglia and Jack Krushian as Mugavin. 512 00:29:42,720 --> 00:29:45,680 The program was produced and directed by Elliot Lewis, with 513 00:29:45,839 --> 00:29:50,319 musical score composed and conducted by Alexander Courage. In tonight's story, 514 00:29:50,359 --> 00:29:53,119 Dick Krenna was heard as Bobby Garfio and Sam Edwards 515 00:29:53,160 --> 00:29:56,319 as Donald Jordan. Featured in the cast were Harry Bartel, 516 00:29:56,480 --> 00:30:03,039 Marvin Miller, Lillian Bayeff, Herb Butterfield, and Edgar Barr. Looking 517 00:30:03,079 --> 00:30:04,599 for a lively date for Tomorrow Night. 518 00:30:04,839 --> 00:30:07,119 Speaker 3: She's on the younger side, but her appeal is to 519 00:30:07,200 --> 00:30:11,359 all interested than meet Corlis Archer CBS Radio is atomic 520 00:30:11,400 --> 00:30:13,640 teenager with her fun making gang on most of these 521 00:30:13,680 --> 00:30:17,599 same stations. Tomorrow Night, Bill Anders speaking and remember the 522 00:30:17,640 --> 00:30:20,559 Frankie Lane Show is your date with six syncopation every 523 00:30:20,599 --> 00:30:23,759 Sunday afternoon on the CBS Radio network. 524 00:31:10,640 --> 00:31:15,680 Speaker 1: Welcome Back. This episode featured not only Richard Krenna, who 525 00:31:15,799 --> 00:31:20,799 we talked about earlier, but also Sam Edwards well. Krena 526 00:31:20,880 --> 00:31:25,480 at this point was mainly known for being the voice 527 00:31:25,519 --> 00:31:31,200 of Walter Dentton on Armis Brooks. Sam Edwards' most famous 528 00:31:31,559 --> 00:31:37,039 radio role at this point was as Corliss Archer's boyfriend 529 00:31:37,119 --> 00:31:42,799 Dexter on the series Meet Corliss Archer. He also voiced 530 00:31:43,119 --> 00:31:47,920 the adult Thumper in the Bambi films. For the rest 531 00:31:47,960 --> 00:31:51,200 of his career, he really settled into the role of 532 00:31:51,640 --> 00:31:54,920 character actor with a lot of appearances on a lot 533 00:31:54,960 --> 00:31:58,680 of programs up until the nineteen eighties. What I found 534 00:31:58,799 --> 00:32:02,799 cited as his most famous role was Bill Anderson on 535 00:32:02,960 --> 00:32:06,400 Little House on the Prairie. Now, if you're not familiar 536 00:32:06,440 --> 00:32:10,200 with that character, you could be forgiven, as he was 537 00:32:10,240 --> 00:32:15,279 in a total of six episodes in season six, eight 538 00:32:15,400 --> 00:32:19,799 and nine. All Right, Listener Comments and feedback now over 539 00:32:19,920 --> 00:32:26,000 on Spotify. Elwood writes regarding the ed cost A murder case, 540 00:32:26,039 --> 00:32:29,039 So Herbert Butterfield got to play the killer and the 541 00:32:29,119 --> 00:32:34,680 victim without doubling that man was talented. Indeed, he was 542 00:32:35,799 --> 00:32:38,839 been standing out for me over the last few years. 543 00:32:38,920 --> 00:32:43,039 He really was in a law of demand. Then a 544 00:32:43,240 --> 00:32:47,279 comment from our listener survey, I listened daily in the morning. 545 00:32:47,759 --> 00:32:51,319 Thank you so much, appreciate your con comments. Well, now 546 00:32:51,440 --> 00:32:55,240 it is time to thank our Patreon supporter of the day. 547 00:32:55,559 --> 00:32:59,920 Thank you to Lisa, Patreon supporter since April twenty sixteen. 548 00:33:00,000 --> 00:33:04,079 He currently supporting the podcast at the Shamus level of 549 00:33:04,119 --> 00:33:05,119 four dollars. 550 00:33:04,839 --> 00:33:05,720 Speaker 2: Or more per month. 551 00:33:05,839 --> 00:33:08,519 Speaker 1: Thanks so much for your support, Lisa, and that will 552 00:33:08,559 --> 00:33:11,880 do it for today. If you're enjoying the podcast, please 553 00:33:11,920 --> 00:33:16,680 follow us using your favorite podcast software and be sure 554 00:33:16,759 --> 00:33:20,079 to rate and review the podcast wherever you download it from. 555 00:33:20,440 --> 00:33:23,920 We'll be back next Wednesday with another episode of Broadways 556 00:33:24,000 --> 00:33:28,960 My Beat, But join us back here tomorrow for rightnantwere. 557 00:33:28,759 --> 00:33:30,640 Speaker 12: Yeah, you got some hs to unload? 558 00:33:30,680 --> 00:33:30,720 Speaker 5: It? 559 00:33:31,440 --> 00:33:35,079 Speaker 2: Hm, all what you're talking about? What is this? Jackie? 560 00:33:35,119 --> 00:33:37,440 Speaker 12: Give me a bump steer here, Relax and it's all right. 561 00:33:37,759 --> 00:33:38,359 He's solid. 562 00:33:38,400 --> 00:33:39,079 Speaker 11: Red didn't talk. 563 00:33:39,359 --> 00:33:41,119 Speaker 2: He talks too fast and too much. 564 00:33:41,680 --> 00:33:43,440 Speaker 12: I'm here to do business. If you're ready, I am. 565 00:33:43,480 --> 00:33:45,000 If you're not, say so, I haven't got the time 566 00:33:45,000 --> 00:33:45,839 to play cozy with you. 567 00:33:45,960 --> 00:33:48,000 Speaker 2: I take it easy with you, get along a lot better. 568 00:33:48,079 --> 00:33:48,680 Speaker 12: But what do you want? 569 00:33:48,759 --> 00:33:49,559 Speaker 2: Jack votched for me? 570 00:33:49,640 --> 00:33:50,279 Speaker 12: Is not enough for you? 571 00:33:50,359 --> 00:33:52,599 Speaker 2: The guy who votched for Jackson to county jail. We 572 00:33:52,640 --> 00:33:55,480 haven't been able to talk to him. Well have you 573 00:33:55,519 --> 00:33:56,440 done business before? 574 00:33:56,799 --> 00:33:58,599 Speaker 9: I could ask you the same thing. Now, look, mister, 575 00:33:58,680 --> 00:34:00,559 we got one thing in common here. You got something 576 00:34:00,559 --> 00:34:02,039 to sell. Maybe I want to buy it. If we 577 00:34:02,079 --> 00:34:04,079 can't get together, let's forget the whole thing right now. 578 00:34:04,240 --> 00:34:05,599 You're not the only pusher in town. 579 00:34:06,440 --> 00:34:08,320 Speaker 2: Let's chair over there. Why don't you sit on. I'll 580 00:34:08,320 --> 00:34:09,599 fix a couple of drinks. 581 00:34:09,400 --> 00:34:11,440 Speaker 12: Jack and fix them. Let's find out if you and 582 00:34:11,440 --> 00:34:12,400 I can get together. 583 00:34:13,079 --> 00:34:15,639 Speaker 2: All right, Saint Paul bourbon ware? 584 00:34:16,119 --> 00:34:22,400 Speaker 12: Yeah, well, how about it? How much you got to sell? 585 00:34:22,679 --> 00:34:25,159 Speaker 2: Take it easy, there's no rush to talk better over 586 00:34:25,199 --> 00:34:25,920 a couple of drinks. 587 00:34:25,920 --> 00:34:28,199 Speaker 12: Well maybe you've got the time, mister, I haven't. How 588 00:34:28,280 --> 00:34:29,320 much can you furnish. 589 00:34:29,079 --> 00:34:31,840 Speaker 2: Me with en you can buy? From the looks of it, 590 00:34:32,239 --> 00:34:35,280 ed Red, you got any lemons? Oh no, no, lemon 591 00:34:35,320 --> 00:34:36,440 twisted it? Paul? That all right? 592 00:34:36,519 --> 00:34:38,639 Speaker 12: Yeah, it's sorry, and make a light with it. Now 593 00:34:38,679 --> 00:34:40,320 this junk you got, what's a test. 594 00:34:40,119 --> 00:34:42,079 Speaker 2: It's the best it's time seen in a long time. 595 00:34:42,119 --> 00:34:43,400 It's fifty percent or better. 596 00:34:43,920 --> 00:34:45,840 Speaker 9: Who you're trying to con my test to use your 597 00:34:45,880 --> 00:34:48,079 sample this afternoon, he says, it won't go forty percent. 598 00:34:49,360 --> 00:34:51,960 Speaker 2: Okay, you know where you can get better. 599 00:34:52,199 --> 00:34:54,960 Speaker 1: If you'll be with us then in the meantime, send 600 00:34:55,039 --> 00:34:59,480 your comments to Box thirteen at Great Detectives doting it, 601 00:35:00,320 --> 00:35:04,280 follow us on Twitter at Radio Detectives, and check us 602 00:35:04,280 --> 00:35:11,280 out on Instagram, Instagram, dot com slash Great Detectives from Boise, Idaho. 603 00:35:11,639 --> 00:35:15,000 This is your host, Adam Graham signing off.