Speaker 1: Welcome to the Great Detectives of Old Time Radio from Boise, Idaho.
This is your host, Adam Graham. In a moment, we're
going to bring you this week's episode of Broadways My Beat.
But first I want to encourage you, if you're enjoying
the podcast, to please follow us using your favorite podcast software.
Today's program is brought you in part by the financial
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a one time basis using the Zell app to Box
thirteen a Great Detectives Dot but now from October twenty seventh,
nineteen fifty one, here is the Ricardo Miguel murder case.
Speaker 2: Broadways My Beat from Times Square to Columbus Circle, the gaudiest,
the most violent, the lonesomest mile in the world.
Speaker 3: Broadway is My Beat with Larry Thor as Detective Danny Glover.
Speaker 2: When October dies and the river wind takes over, Broadway
is arranged in clots of crowd and coldness. There's a
new quality on Broadway, shrill, having to do with top
coats and early darkness and frosty sounds. And twilight is brief,
a darting ebb of light in the sudden autumn chill
and hurry, hurry, hurry to this place or that home,
or to a hot dog stand, or to the neon
that winks a promise. Hurry, kid, make a phone call,
find somebody. It's night already, and it seems the night
comes sooner in the tenement district, or somehow it never
quite leaves in the barrio in Spanish Harlem. That's why
the people gather together sooner and start their music earlier.
In a small nightclub like Lacantina, where I was and
Detective Gomez was and the man who led us across
the floor.
Speaker 4: But here, Signoris Dandy steps, he's in the cell.
Speaker 2: You were the one who found him, see, and he
went down here to my stove, being to reprint the
for my customers. Well, you see any other entrance to
the cellar than all the steps we just came.
Speaker 4: Down, you will see, Senor.
Speaker 2: Don't make a drama out of it. Low, it's just.
Speaker 4: There and the big cases stretched out with dead.
Speaker 2: I'll tell us, Luis, how did you get in here?
Speaker 4: You see a window through which deliveries are made from
the alley. Mirror of the window is broken through.
Speaker 2: So take a look in the alley. Coms Okay, you
know who he is.
Speaker 4: Lewis see his recodomy Guad and the boy who lives
near the boy who works at the pastel or segnor
LoQ the bakery shop also not far.
Speaker 2: Yeah, stamped four places than actors.
Speaker 4: It's the floor show. Senor be gone.
Speaker 2: Yeah.
Speaker 4: Decide who cannot take the time to see Senor? It
is exciting. Decide you have not the time?
Speaker 2: And beating against the cellar tomb containing a boy's death,
the ribbon plaque of a woman's high heel dancing in
measured frenzy, to a nimble passion plucked from a guitar,
to the percussion of men's applause, to the olets hoarsely
whispered deep in the throat. The light bulb sways to it,
the shadows dance, and the huddled boy shrieks his stillness
and into it. After a while, Gomez with information there
were blood stains in the alley outside. The boy had
been knife there, had fallen or was pushed through the
cellar window. Leave Gomez to the official gathering of the dead.
Walk a barrio street to the bakery of Signor Lorca,
try it, find it closed, then walk some more scavenge
the burial night for scraps, about the murdered boy, About
Ricardo Miguel from an alley wall moist with Autumn's night.
Mist a form detaches itself, whispers into your ear that
Ricardo loved a girl. Rena Martinez lives alone in a
room one hundred and tenth alone. Try hers inor go
there into a numbered room in a tenement hall.
Speaker 5: Try good to me.
Speaker 6: The night is good to me.
Speaker 2: I'm from the police.
Speaker 7: You bring yourself to the wrong girls in your police
go skin your knuckles in another place. Raina Martinez, the
barrio woman speed my name at you because her man
looked at me.
Speaker 2: Boy was stabbed. Ricardo macgul murdered.
Speaker 6: Because he loved Rena.
Speaker 2: Let's talk about it inside, miss Martinez.
Speaker 7: In a little while, a boy comes for me to
buy me wine, to take me dancing. Have not comb
my hair, I'm not painted my mouth. Another time we
will talk inside.
Speaker 2: Now, Miss Martinez, tell me about Ricardo.
Speaker 6: I told what there is He loved me.
Speaker 2: He was knife in an alley we found not even
a cellar. Maybe you can tell me why something like
that had happened to him.
Speaker 7: You will not mind if I make myself ready for
the boy who comes for me. Eh, I thick my
hair for the flower he always brings for it.
Speaker 2: Ricardo Miguel. Let's get back to him.
Speaker 7: Recito, poor boy, poor dead boy.
Speaker 2: You like my hair, though it won't matter at headquarters.
Speaker 7: So impatience and your police, all right, I tell you then,
I will tell you.
Speaker 2: Ricardo tell me.
Speaker 6: He worked with me at lorcas pastelaria.
Speaker 7: He begged liutle, cake, sleep, pastries, and in between he
spoke love, talking my ears.
Speaker 5: Some times I listened.
Speaker 7: Often when he bought for me little things, I listen.
No jewelry, silk blouse is that I wear now?
Speaker 6: He gave to me. I made a promise when he
brought it to me.
Speaker 7: No, I cannot keep it, poor boy.
Speaker 2: That's all there is about Riccardo. You loved you enough.
Speaker 6: He's dead.
Speaker 7: Sometimes it's the pattern in em barrios, in your police.
Why should Ricardo donald Hmona, a little monkey? Oh the police, Mona.
I have finished with him. You like Reina as she
looks for you.
Speaker 2: What does he want to hear?
Speaker 7: A boy was murdered with a knife, A boy who
loved me, Ricardo, the pastries.
Speaker 2: What do you want with her. Mister, what's Raina got
to do with it? She just told you? When was
he killed? Maybe three hours ago? More or less? Who
are you?
Speaker 8: Donald Jordan? College boy with an alibi for Rena three
hours ago? In a sack full of hours before that,
Rena was with me. It took that long ashore of
the ducks in Central Park Lake.
Speaker 2: That's where you were, miss Martinez.
Speaker 6: Donald told you my mono too.
Speaker 2: In other words, you're each other, is alibi?
Speaker 9: Mm hmm?
Speaker 6: Come to Rena, Donna, come a little monkey then minute
you come on.
Speaker 2: Then watch him move toward her, stop, and the girl
considering him in the gesture, her hands sleeking her black
hair before she went into his arms and see a thing,
her eyes open, looking over his shoulder and out into
the night, and turning to the boy, smiling to him,
kissing him, her hands smoothing her hair again, and her
eyes watching me as I left the next morning, back
to the barrio, back to the front footage devoted to
tenements and window watchers and the people of the doorsteps
and the chalk talk. Back to the place that had
been closed the night before, the pastry shop of Signor Lorca.
Speaker 10: When I say good morning. I am sorry. Say I'm
sorry about what this morning? My stock it is scarce, however,
because Ricardo didn't show up for my bigger Ricardo is
they did so for the next few days.
Speaker 2: I know. I'm from the police. See you know that
Ricardo was murdered, don't.
Speaker 11: You, SIAMENTI of course he's dying.
Speaker 10: I know all about Oh see, he has been told
all around the barrio.
Speaker 2: I see I need some information. I want you to help.
Speaker 11: Why not?
Speaker 2: I want you to tell me all you can about
Ricardo and about Rainer.
Speaker 10: Oh Ricardo a boy who baks pasterills we let alone
and bag between the hours of nine and five excellently.
Speaker 2: Why will miss how come Raina isn't here this morning?
Speaker 11: I will ask her the identical question when she will
come in?
Speaker 2: Was she here yesterday for a time?
Speaker 10: Then a young man took her to look at the ducks,
So check her like she to look at dogs. Local
If you would see her, you have seen her, didn't
you understand? Is there another such one?
Speaker 11: As she said your?
Speaker 10: I ask you this because in your profession you must
go about the city and see women sometimes have exquisiteness.
Yet I do not believe you have seen such a
one as a in the face of her before you're married,
Lorca in truth, Senor, and because you are of the
police who enjoy to listen to truth, I.
Speaker 11: Wait for Rena to grow up to enjoy me. Then
I will be married.
Speaker 12: Right.
Speaker 2: A few men seem to be in love with the
local Ricardo for instance. For instance, Ricardo, why should anyone
want to kill him? Lorca In say, I shrug shrug
to you not, I do not know, I do not
know why. Indeed, another question, sen your police. No, no,
that's all now Las yes, senor less, yes, I do.
Speaker 13: Al fellow and well met top of the morning, Danny.
Speaker 2: We said good morning to each other a couple of
hours ago. Gino, off the dime? What of your got?
Speaker 13: What I've got is what you're going to get to
wit a report on the college youth, Donald Jordan. Even
as you requested, okay, okay, Detective Gomes told me that
this Jordan youth is a student that McKay College. That
the dean of men whom he questioned, told the good
detective that this Jordan youth is indeed bright, a gold
star student. And found out that this Jordan youth was
indeed free to watch ducs yesterday afternoon because he had
only morning classes.
Speaker 2: I see what have we got on Raina Martinez?
Speaker 13: Raina Martinez to wit. According to our files, it seems
this Raina Martinez has been a caller at our pokey
on various occasions, once on the occasion of clawing the
eyes of a fellow female, once for waving a knife
under the nose of a brush salesman, and another time
for carving her initials with a like knife into the
epidermis of a friendly bar fla knife from what you
told me of her, Danny. From this reign of Martinez,
nobody would mind. What's a knife prick from a girl
like you?
Speaker 2: You know, I'll go ask her? What did this girl
look like? Danny? You'll see come on to this house.
One side, friend, take it easy, busty.
Speaker 4: It's a hurry, I said, one side.
Speaker 2: He's a big one. Danny, Okay, friend, you ask you,
come on, come on, settle down. It's a lot better. Yet,
ask you something. What's the hurry?
Speaker 14: You guys crazy?
Speaker 2: Take your running in a hurry? I run police, huh,
police officers.
Speaker 15: Look, I didn't have anything to do with it.
Speaker 2: We'll do with what look, bring them along go miss
Come on kid, did you come out of this room?
All right? We'll see inside you already. Men, Danny, Yeah.
Speaker 4: I didn't do it.
Speaker 15: I swear, I swear I didn't do it.
Speaker 11: I didn't kill it.
Speaker 12: I didn't kill it.
Speaker 4: I didn't.
Speaker 3: You were listening to Broadway is My Beat, written by
Morton Fine and David Freakin and starring Larry Thor as
Detective Danny Clover. Say that was some night the Gang
gave Jack Benny last week when the spendthrift squire surprised
them all by inviting him not to a night club
on him and the surprise finish. The gang will be
waiting for Jack for sure. Tomorrow night, Yes, Jack Benny,
Mary Livingston, Dennis, Phil Rochester Don and tomorrow night, mister
and missus Ronald Coleman. Listen for them all on CBS Radio.
There's fun every minute.
Speaker 2: The winds of October begin their departure from Broadway, and departing,
leaving their wake the gutters choked with regret, the Carter's
echoing lament, and Broadway picks through the leaving searches for
lost treasures, for images misplaced left behind in that movie
palace forgotten in the sudden realization that this was you.
A subway stop, there was the girl with the soft
fur held close to her throat, covering her face right
up to her eyes, the way she looked at you.
There was one you'll remember, kid, right through the false season.
There was that late time on Broadway when the bar
was closing. The guys with convention buttons under lapels bought
you a drink, said whenever you're out of my way,
look me up. That was October, the image and the farewell.
So why look for anything else, Kid, That's all there
is except a girl dead in a room you've been
in before, except a sopping rotest, except the scream of
a radio. Jut that thing off Tho, Yeah, I think
I can do about that. Danny's down the street somewhere.
Speaker 15: Look, I told you I had nothing to do with it.
Speaker 2: Yeah, you told us. What's your name? Kid?
Speaker 15: Garfield? Bobby Garfield? Rain and were to do?
Speaker 2: Bobby?
Speaker 15: I played football. Let me tell you how Rain and
me we're.
Speaker 2: Just you're a football player, I'm Bobby. I like football.
Speaker 15: I played for McKay College and Sophomore Kay College.
Speaker 2: Huh. You know I named Donald Jordan.
Speaker 16: Bobby, Yeah, I know, same fraternity. Look, what is it
with you guys? You're gonna let me tell you how
it was?
Speaker 2: Sure, Bobby, go ahead tell us how it was.
Speaker 15: Rain and me just kind of good friends, you know
what I mean?
Speaker 5: Uh?
Speaker 7: Huh?
Speaker 15: Tell us, you guys twisting it into me for I
didn't kill her.
Speaker 2: You act like you do with a gun, Bobby, throw
it away.
Speaker 17: Let me tell you.
Speaker 15: Ran and me.
Speaker 16: I met her right after I came to New York
to play football. She saw me play once, came up
to me after the game.
Speaker 15: So they played so good.
Speaker 2: One not celebrate. You were telling us how you didn't
kill her. That's why you tried to run away. Huh,
because you didn't.
Speaker 16: We were dancing, see, kind of dancing to that music
it turned off.
Speaker 15: She can still hear it. We were dancing to that.
All of a sudden it was a shot.
Speaker 16: I guess where that windows open to the alley. All
of a sudden, Rain had just dropped down in my arms,
and there was blood on my shirt from where she.
Speaker 11: See it.
Speaker 15: Look, I gotta call somebody. I gotta call somebody on
the telephone.
Speaker 2: Sorre you do. We've got a phone at headquarters. You
can make your call from there, but the cuffs awake
on as we won't need them.
Speaker 13: You've got a gentleman, call her Danny. Huh who a
gentleman who comes and answer to Bobby's see his phone call?
Speaker 2: Shure man, General, just wait to see Danny Clover. Oh,
that'll be all general. How do you do? Sir? Very well?
Thank you. Let's sit on. My name's Clover Douglas, Sir
John Douglas. Bobby Garfield called you. Bobby's in a lot
of trouble.
Speaker 4: Trouble, mister Clover is a thing youth is prone to
generate for itself. You will I understand it.
Speaker 2: The trouble is murder. May I asked, mister Douglas, why
Bobby called you?
Speaker 4: Of course you made didn't you know I'm a football coach?
Speaker 2: No, I didn't know.
Speaker 4: Bobby comes under my tutelage. Is an end, an excellent one, Kay,
College's pride offensive end of course?
Speaker 2: Of course? What else about Bobby? What else about him?
Speaker 4: I found him in New Mexico, prevailed upon the McKay
regents to make his way to New York easy. They
certainly agreed with me. He's very fast as Bobby at
a speed racing the super Cheap across the New Mexico deserts.
I tell sports reporters for Color.
Speaker 2: He was found running out of a room where a
girl was shot to death.
Speaker 4: This series confounding, I told my squad. I keep telling
them no dates until after the season, so surely they
must be a mistake. Bobby listens to me.
Speaker 2: There's no mistake, mister Douglas.
Speaker 4: Who is the girl those flirts from Greenberry School across.
Speaker 2: The river Raynham Martinez? A barrio girl?
Speaker 4: Of course? If gen well, what am I expected to do?
Speaker 2: Answer another question? Do you know a McKay student named
Donald Jordan?
Speaker 4: No, he's not football.
Speaker 2: I wouldn't know him.
Speaker 4: I still don't know what I'm expected to do about this,
this altercation that Bobby has gotten himself into.
Speaker 2: Just talk to him, mister Douglas. He's under suspicion of murder.
He asked for you, of course, your pardon me, sir.
Speaker 12: I go.
Speaker 2: And watch the leader of men go talk to one
of his boys, not knowing what to say, not knowing
how to pep talk a boy out of a grief.
The coach had never played against before, and imagine it
the pat on the shoulder, the voice modulated to the
acoustics of a cell, then the curiosity taking over. Finally,
gentle insinuating, tell me about his son, Tell me about
the girl. Tell me what there was about her that
made you. Then wipe the smirk off your mouth. Because
you've asked these questions too, we'll go on asking them.
And because you're a policeman, ask them with the official
stamp of approval of anyone of an employer of the girl. Now, Dad,
senor Laca, for instance.
Speaker 10: I told you, say, I told you of the exquisiteness
of Reyna. That she is dead does not change my
philosophy about her. Well, there is such as Raina. There
is such as.
Speaker 2: Did you kill her? Laca?
Speaker 10: Listen to me saying or listened very closely. How could
I lift my hand to Reina acceded to ow.
Speaker 2: That's why with a gun in it? Then shoot her
through a window while she was dancing with Bobby Garfield.
Speaker 10: That's how explain me, Explain me something. Why should I
do this when I don't even know this?
Speaker 11: This Garfield?
Speaker 2: Bobby Garfield, he knew Raina, loved her like Riccardo Migual,
did someone found an alley where Ricardo was stabbed him
to death, then saw Raina in the arms of Bobby Garfield,
shot Raina, killed her, watched Garfield being taken to prison.
It all worked out real good for a man like you,
a man who says he loved Reina, a man who
Reina didn't love.
Speaker 10: I tell you some things, saying all this that you said.
I could wish it, wish it deep inside here, but
I could not do it. I'm only a seller of pastries.
I have not the what it needs. And you didn't
know about Garfield, about Ded Ricardo, my pastry boy. I
knew about the college boy who took Rana for me
to show her dogs quack quack on Needley's rivals.
Speaker 11: I knew till now. I regret you told.
Speaker 2: Me about this Garfield one more playing.
Speaker 11: That told me I may speak to the phone.
Speaker 10: Go ahead, Lord has pastelaria eh a detective.
Speaker 11: See there is a detective here.
Speaker 10: This is what you want.
Speaker 12: A Lord.
Speaker 11: Momento for you, saying your thanks.
Speaker 2: Danny Clover speaking Danny, I just striped.
Speaker 13: You only because Dean Crawford McKay College found didn't want
you to come to his office right away.
Speaker 2: I tell you. Why shaka for you?
Speaker 13: What an immediate charka goose?
Speaker 2: What is very thanks to you?
Speaker 5: Know?
Speaker 2: Maybe I'll have to get back to you, larker, So
don't go away. Did I say something funny, Dean Crawper.
Speaker 18: No, not you, mister Clover. I said something funny. I
made the remark to myself. Oh this week, mister Clover,
just this week, I sent in my resignation to the
Board of Regents, a thing unheard of. No dean ever
quits at McKay. We get fired. I quit effective the
new year. And that's funny, scandalous to use a McKay
term that's hardly ever used. And then think about it,
mister Clover, one of the students is involved in a
murder all in the same week. This is a black
week for McKay. I wonder about something about what statistics
how many McKay boys have gone out into the world
and committed murder? As still Dean of McKay, I'll match
my boys against anybody.
Speaker 2: Loo Dane Crawford, you called me setter. Was urgent? Suppose
you tell me something urgent.
Speaker 18: I got a letter a while ago from a daddy,
A daddy who is sending his son through McKay. He's
a worried man. What are you talking about? The daddy
of Donald Jordan worried about the bills? His son has
run up. No wonder Maajorie jewelry baubles.
Speaker 11: For a sex.
Speaker 18: We only mention in psychology too female, So that I
came after your detective gumz it left.
Speaker 2: How close was Donald Jordan to Bobby Garfield?
Speaker 18: I'll tell you how close we have an arrangement here
a sign of football player to a scholar arrangement. Garfield
was coached in his studies by Donald Jordan. This is
known as intellectual freedom. Donald writes Bobby's themes, does his assignments,
which leaves Bobby free to think about nothing admirable.
Speaker 2: What else can you tell me about them?
Speaker 18: Which one of those rascals do you think killed that girl?
Speaker 2: I asked you a question.
Speaker 18: I've told you everything I can, mister Clover, Well, McKay,
semper fidelio, as we always say, don't you always say no?
Speaker 2: I don't blame you, Bye, mister Clover. Bobby, come on,
Bobby on your feed?
Speaker 15: What what do you want?
Speaker 2: Let's go, Bobby, We're going for a visit.
Speaker 5: Visit.
Speaker 2: Yeah, we're going back to school.
Speaker 14: There's rooms on this floors to clear, right across the
hall from mine.
Speaker 2: He never goes to the bonfire rallies. It's probably in.
Speaker 14: Listen, the most studious room in the fraternity house. Where
is it you, Bobby, It's me, Bobby Garfield. Bobby, I thought, oh,
let's go inside.
Speaker 2: Donald. I'm sure, gee. I'm glad to see you're out, Bobby.
Speaker 14: Yeah, I knew you would be.
Speaker 15: That's why I came right to you so you could
be glad.
Speaker 2: That's right, Donald. Bobby told me a lot about you
on the way over here. I don't understand what you're
doing here. We'll get around to it.
Speaker 14: I get bad news for your kid, bad news. You
remember something the day we were inducted into this fraternity.
Speaker 4: What are you talking about?
Speaker 14: The day we put four fingers up in the air
and gave the secret handclasp and said the words the
second finger meant loyalty.
Speaker 4: You haven't been too blue?
Speaker 2: What did they do to you in jail? Bobby?
Speaker 4: You talk crazy? Crazy, Frank Blake crazy.
Speaker 2: Cut it out.
Speaker 14: Yeah, I'll cut it out. Pardon I didn't have a paddle,
fraternity brother? Is this how you police act?
Speaker 2: Bring a crazy man into my room and having beat
me up. I'm sorry, Donald, I told him a few
things on our way here. I didn't know what upset
him this way. Look, I don't know what this is
all about. Why don't we all go down to the bonfire?
Speaker 4: Sure, sure, let's do that.
Speaker 8: It'll make a big impression, Bobby, you being out of jail,
gonna play tomorrow?
Speaker 2: Come on, guys, we're going all right, but not to
a football rally. You're under arrest. Donald, what too?
Speaker 15: Crazy?
Speaker 4: Me the policeman and me?
Speaker 17: What do you mean?
Speaker 2: I'm under arrest for what? What reason? Murder? Ricardo Miguel,
Rayna Martinez?
Speaker 14: You're kidding, especially Rayna Martinez. Now there was a Dane.
Speaker 2: Take my word for it.
Speaker 14: Fraternity brother, there really was a Dane.
Speaker 2: You talked about me, didn't you?
Speaker 14: You and Reina we had a few chuckles whenever your
name came up.
Speaker 2: You ready to go? Donald? What did you say about me?
Speaker 14: You know what we said? Let you say to yourself.
I'm alone, Bobby, I.
Speaker 2: Didn't kill anybody. Mister Clover who killed one of Raina's boyfriends,
Ricardo Miguel, to prove something to her that she couldn't
have anyone but you, that you wouldn't let her have
anyone but you. You don't know what you're talking about.
Believe me, he knows.
Speaker 14: Four fingers in the air.
Speaker 2: Riccardo mcguel was killed. You had an alibite for that.
You were with Raina.
Speaker 4: That's great.
Speaker 2: She told you I was with her. She lied for you,
She alibied for you, because for an instant she admired you.
Speaker 4: She did.
Speaker 2: What are you laughing at? Nothing at all?
Speaker 17: What are you laughing at?
Speaker 14: I laugh because I remember something a couple of saturdays ago,
right after a football game, when Reina waited until I
came out of the stadium, came up and told me.
Speaker 15: Who she was.
Speaker 14: We celebrated the occasion. You took her to that game,
didn't you.
Speaker 2: Donald. I'm only sorry I didn't kill you two.
Speaker 14: You almost did at that at Donald, Raina or me,
while you were peeking at us from the alley, while
you were.
Speaker 2: Who we aiming at Raina?
Speaker 14: I wanted to kill and I did what she did
to me, the things you.
Speaker 17: Made me do, for the things I got for If
you laughed, she laughed.
Speaker 2: The Neon spins and Broadway blares out an eight beet rhythm,
the tempo of hunger in dance time. Grab yourself a
dream and get with it. Close your eyes and prot
and you're holding something special. Keep them closed. Dreams last
longer that way. It's Broadway, the gaudiest, the most violent,
the lonesomest mile in the world. Broadway My Beat, Broadway
Is My Beat stars Larry Thor as Detective Danny Clover,
with Charles Calvert as Tartaglia and Jack Krushian as Mugavin.
The program was produced and directed by Elliot Lewis, with
musical score composed and conducted by Alexander Courage. In tonight's story,
Dick Krenna was heard as Bobby Garfio and Sam Edwards
as Donald Jordan. Featured in the cast were Harry Bartel,
Marvin Miller, Lillian Bayeff, Herb Butterfield, and Edgar Barr. Looking
for a lively date for Tomorrow Night.
Speaker 3: She's on the younger side, but her appeal is to
all interested than meet Corlis Archer CBS Radio is atomic
teenager with her fun making gang on most of these
same stations. Tomorrow Night, Bill Anders speaking and remember the
Frankie Lane Show is your date with six syncopation every
Sunday afternoon on the CBS Radio network.
Speaker 1: Welcome Back. This episode featured not only Richard Krenna, who
we talked about earlier, but also Sam Edwards well. Krena
at this point was mainly known for being the voice
of Walter Dentton on Armis Brooks. Sam Edwards' most famous
radio role at this point was as Corliss Archer's boyfriend
Dexter on the series Meet Corliss Archer. He also voiced
the adult Thumper in the Bambi films. For the rest
of his career, he really settled into the role of
character actor with a lot of appearances on a lot
of programs up until the nineteen eighties. What I found
cited as his most famous role was Bill Anderson on
Little House on the Prairie. Now, if you're not familiar
with that character, you could be forgiven, as he was
in a total of six episodes in season six, eight
and nine. All Right, Listener Comments and feedback now over
on Spotify. Elwood writes regarding the ed cost A murder case,
So Herbert Butterfield got to play the killer and the
victim without doubling that man was talented. Indeed, he was
been standing out for me over the last few years.
He really was in a law of demand. Then a
comment from our listener survey, I listened daily in the morning.
Thank you so much, appreciate your con comments. Well, now
it is time to thank our Patreon supporter of the day.
Thank you to Lisa, Patreon supporter since April twenty sixteen.
He currently supporting the podcast at the Shamus level of
four dollars.
Speaker 2: Or more per month.
Speaker 1: Thanks so much for your support, Lisa, and that will
do it for today. If you're enjoying the podcast, please
follow us using your favorite podcast software and be sure
to rate and review the podcast wherever you download it from.
We'll be back next Wednesday with another episode of Broadways
My Beat, But join us back here tomorrow for rightnantwere.
Speaker 12: Yeah, you got some hs to unload?
Speaker 5: It?
Speaker 2: Hm, all what you're talking about? What is this? Jackie?
Speaker 12: Give me a bump steer here, Relax and it's all right.
He's solid.
Speaker 11: Red didn't talk.
Speaker 2: He talks too fast and too much.
Speaker 12: I'm here to do business. If you're ready, I am.
If you're not, say so, I haven't got the time
to play cozy with you.
Speaker 2: I take it easy with you, get along a lot better.
Speaker 12: But what do you want?
Speaker 2: Jack votched for me?
Speaker 12: Is not enough for you?
Speaker 2: The guy who votched for Jackson to county jail. We
haven't been able to talk to him. Well have you
done business before?
Speaker 9: I could ask you the same thing. Now, look, mister,
we got one thing in common here. You got something
to sell. Maybe I want to buy it. If we
can't get together, let's forget the whole thing right now.
You're not the only pusher in town.
Speaker 2: Let's chair over there. Why don't you sit on. I'll
fix a couple of drinks.
Speaker 12: Jack and fix them. Let's find out if you and
I can get together.
Speaker 2: All right, Saint Paul bourbon ware?
Speaker 12: Yeah, well, how about it? How much you got to sell?
Speaker 2: Take it easy, there's no rush to talk better over
a couple of drinks.
Speaker 12: Well maybe you've got the time, mister, I haven't. How
much can you furnish.
Speaker 2: Me with en you can buy? From the looks of it,
ed Red, you got any lemons? Oh no, no, lemon
twisted it? Paul? That all right?
Speaker 12: Yeah, it's sorry, and make a light with it. Now
this junk you got, what's a test.
Speaker 2: It's the best it's time seen in a long time.
It's fifty percent or better.
Speaker 9: Who you're trying to con my test to use your
sample this afternoon, he says, it won't go forty percent.
Speaker 2: Okay, you know where you can get better.
Speaker 1: If you'll be with us then in the meantime, send
your comments to Box thirteen at Great Detectives doting it,
follow us on Twitter at Radio Detectives, and check us
out on Instagram, Instagram, dot com slash Great Detectives from Boise, Idaho.
This is your host, Adam Graham signing off.