WEBVTT

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<v Speaker 1>You were trapped in the dank darkness of a ruined

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<v Speaker 1>plantation house, and somewhere in the pitch black room is

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<v Speaker 1>a homicidal maniac armed with a knife, groping for you,

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<v Speaker 1>trying to prevent your escape.

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<v Speaker 2>Escape produced by William N. Robson, directed tonight by Richard Sandville,

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<v Speaker 2>and carefully plotted to free you from the four walls

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<v Speaker 2>of today for a half hour of high adventure.

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<v Speaker 1>Tonight, we escaped to a deserted sand pit off the

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<v Speaker 1>coast of Georgia, where terror.

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<v Speaker 3>Stalks under the Spanish moss.

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<v Speaker 1>As Joseph Hergesheimer tells it, in wild Oranges.

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<v Speaker 3>What could have appeared more innocent of danger than that barren,

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<v Speaker 3>low lying shore of southern Georgia. What could have seemed

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<v Speaker 3>less laden with terror than that lovely little cove, so

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<v Speaker 3>tranquil and well sheltered, so warmly bathed in late afternoon sun.

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<v Speaker 3>As we dropped the anchor of our catch and prepared

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<v Speaker 3>our mooring. And yet there was something. First it was

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<v Speaker 3>an odor of a grove of wild orange trees in

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<v Speaker 3>late bloom, growing defiantly amid the tangled undergrowth of the shore.

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<v Speaker 3>The scent was strong and exotic, and heady, and as

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<v Speaker 3>I smelled it, I felt a vague uneasiness. Then as

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<v Speaker 3>I watched the shore and halverd Sole, member of my crew,

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<v Speaker 3>furled the sails. The mirror of the cob was shattered

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<v Speaker 3>by a movement. First I thought it was a fish

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<v Speaker 3>leaping and playing in the water. Came round a spit

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<v Speaker 3>of land from an in her bay, and then Helbert

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<v Speaker 3>was beside me. That's queer, sir. Huh. I would have

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<v Speaker 3>bet of it was nobody, but than miles of here.

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<v Speaker 3>But there's someone swimming. Yes, it's a girl. Ay, she'll

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<v Speaker 3>be surprised when she discovers us, no doubt, huh, and embarrassed.

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<v Speaker 3>Oh she swims, well, doesn't she if she's been born

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<v Speaker 3>in the water. Ah, yeah, she's seen us. Yes, Now

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<v Speaker 3>she's running away. That sprint would win an Olympic race.

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<v Speaker 3>What she's doing here? Where she comes from? Perhaps there

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<v Speaker 3>where two the three? There's a house. You can hardly

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<v Speaker 3>see it, he spotted at a moment ago. Oh, yes,

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<v Speaker 3>so there is. Oh, but it's a ruin. It's rotting away.

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<v Speaker 3>No one could have lived in that since the Civil War.

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<v Speaker 3>Or there may be others back there. Yes, but this

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<v Speaker 3>coast is deserted, marked a swamp on the chart. Hey

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<v Speaker 3>don't know, sir. It's strange, very strange. Yes, it was

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<v Speaker 3>strange and strangers. Still was this vague uneasiness. It fell

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<v Speaker 3>as twilight fell. The of the wild oranges was overpowering. Suddenly,

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<v Speaker 3>without knowing why, I slipped on a jacket, went to

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<v Speaker 3>the side and dropped into the tender. Halvard stood by

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<v Speaker 3>to cast off. He asked no questions, and I said nothing.

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<v Speaker 3>What could I say? I didn't know myself why I

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<v Speaker 3>was going. I pulled the tender up on the soft

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<v Speaker 3>sand of the beach and walked up a dim path

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<v Speaker 3>through the orange grove. The scent of the blossoms was

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<v Speaker 3>full of such wild sweetness that I picked an orange

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<v Speaker 3>and tasted it. It was bitterb of a pungence that

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<v Speaker 3>was new and rare and strangely delicious. The dim moonlight

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<v Speaker 3>only accentuated the ruin of the house. There were others, smaller,

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<v Speaker 3>ramshackled buildings scattered about, overgrown with weeds and creeping vines.

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<v Speaker 3>This had once been a great plantation. Now it lay

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<v Speaker 3>still and lifeless. Then I saw the light round the side,

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<v Speaker 3>where a smaller portico held off the weeds. A single

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<v Speaker 3>old doorway was framed and in the pale light of

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<v Speaker 3>an inner lamp. As I approached, I saw a shadow

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<v Speaker 3>move across it, so swiftly, so furtively, that it was

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<v Speaker 3>gone before I realized it had been a man. Then

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<v Speaker 3>I saw her sitting on the portico, rocking softly in

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<v Speaker 3>her chair.

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<v Speaker 4>What do you want? Er?

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<v Speaker 3>Nothing? When I came ashore, I thought no one was

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<v Speaker 3>living here.

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<v Speaker 4>You're from the white boat that sailed in at sunset.

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<v Speaker 3>Yes, and I'm returning immediately.

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<v Speaker 4>It was like magic. Suddenly, without a sound, you were

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<v Speaker 4>anchored in the bay.

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<v Speaker 3>I I've robbed you too. Some of your oranges are

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<v Speaker 3>in my pocket.

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<v Speaker 4>You won't like them. They've run wild. We can't sell them.

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<v Speaker 3>They have a distinct flavor of their own. I should

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<v Speaker 3>be glad to have some on my boat. All you want,

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<v Speaker 3>my man will get them and pay you.

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<v Speaker 4>Please, don't, oh, Nicholas attends to death. Won't you sit down?

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<v Speaker 4>My father was here when you came up, but he

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<v Speaker 4>went in. Strangers troubled him.

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<v Speaker 3>I should be getting bad. I'm sorry to have disturbed

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<v Speaker 3>you and your father.

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<v Speaker 4>No, no, it was nothing. Goodness, good night, then, good night,

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<v Speaker 4>That was.

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<v Speaker 3>All fragment of commonplace conversation, but it was enough. Now.

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<v Speaker 3>The uneasiness I felt, the strangeness of this place took

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<v Speaker 3>shape for me. I saw it in her lovely, fragile face.

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<v Speaker 3>I heard it in her voice. There'd been a hidden terror,

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<v Speaker 3>a terrible, controlled fright that approached hysteria. There'd been a

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<v Speaker 3>warning in it, and something else, a plea. By the

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<v Speaker 3>time I got back to the boat, I was completely unnerved,

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<v Speaker 3>and Alvet made matters worse.

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<v Speaker 1>You find anything, sir, there are people living there. Well,

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<v Speaker 1>there'll be watered and maybe we could stay here a

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<v Speaker 1>couple of days.

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<v Speaker 3>Uh, what do you mean? Oh, this is good anchorage.

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<v Speaker 1>Here, I'd like to unship the propeller and the top

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<v Speaker 1>side could do with a coat of varnish.

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<v Speaker 3>No, we're going on south er ay, sir, No, no, wait, Alvert,

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<v Speaker 3>of course you're right. We need a couple of days

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<v Speaker 3>work before we head into blue water. We'll do it here,

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<v Speaker 3>and so we stayed. In the light of morning. The

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<v Speaker 3>strange dread I felt seemed foolish, and especially when I

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<v Speaker 3>went ashore and found the girl, looking young and fresh

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<v Speaker 3>and fragile, fishing off the little pier. In the inner bay.

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<v Speaker 3>She had a pathetic little roden line. So I got

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<v Speaker 3>our tackle from the boat and landed a big rockfish

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<v Speaker 3>for her, enough for several dinners. We were carrying the

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<v Speaker 3>fish to the house when we came on a pale,

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<v Speaker 3>thin ghost of a man sitting on the portico. He

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<v Speaker 3>started a swift retreat, but too late for the wait.

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<v Speaker 4>This is my father, litch Fields, stoopd.

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<v Speaker 3>How do you do rely?

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<v Speaker 4>Really you are no, I can't strangers they mother. You

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<v Speaker 4>must manage yourself better.

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<v Speaker 3>You know.

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<v Speaker 4>I wouldn't bring any one to the house who had

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<v Speaker 4>heard us. And see we're fetching you a splendid rockfish.

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<v Speaker 3>Oh yes, so you are? We all lone here, sir.

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<v Speaker 2>The man is away, my daughter and I The fish exceptable.

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<v Speaker 4>If you will carry it in for me. Nicholas would

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<v Speaker 4>do it, but he's the way, and father isn't strong.

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<v Speaker 4>This way we have no eye time and put it

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<v Speaker 4>in water in here right there. Thank you. You've been

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<v Speaker 4>very nice. Now I suppose you'll go on across the world.

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<v Speaker 3>Not tonight. We're staying here making repairs.

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<v Speaker 4>Where do you come from? And where are you going from?

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<v Speaker 3>Cape Cod? I'm going to the Guianas.

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<v Speaker 4>Isn't that South America. I've traveled far on maps. I

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<v Speaker 4>was born here in this house, and I've never been

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<v Speaker 4>fifty miles away.

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<v Speaker 3>Oh well, that's incredible. But you seem like a girl

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<v Speaker 3>who's been everywhere in the world and had the best

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<v Speaker 3>education everything.

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<v Speaker 4>My father has many books in there, that's all you.

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<v Speaker 3>Your eyes are remarkable, gray, green like olive leaves, and magnetic.

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<v Speaker 3>I I I came ashore to I ask you if

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<v Speaker 3>you had a large water supply, and I might fill

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<v Speaker 3>my casks.

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<v Speaker 4>Of course, rain water the sisters.

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<v Speaker 3>I'll send my man Helbert. Then, yes, there's something else

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<v Speaker 3>in your eyes, in your voice?

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<v Speaker 4>What is it?

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<v Speaker 3>Fear?

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<v Speaker 4>Fear? Why? No, of course not. What should I be

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<v Speaker 4>afraid of?

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<v Speaker 3>I don't know, but I saw it in your father's

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<v Speaker 3>face too.

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<v Speaker 4>It's only your imagination, Eh, yes, no doubt.

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<v Speaker 3>Goodbye. Then thank you for the fishing. Woo strange how

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<v Speaker 3>this girl should upset me? So I tried to resist,

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<v Speaker 3>but that evening I found myself going back to her,

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<v Speaker 3>tying the tender to the little pier. I watched as

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<v Speaker 3>she came to meet me.

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<v Speaker 4>I'm glad you came the fish.

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<v Speaker 3>Woh, don't tell me. I'd rather not know. I might

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<v Speaker 3>be tempted to mention it in the future, and I'm

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<v Speaker 3>sure it would sound like a fish story.

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<v Speaker 4>But it was important. Nicholas waited. He's our man, he's back.

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<v Speaker 4>Let's stay here by the sea. It's so lovely in

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<v Speaker 4>the moonlight.

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<v Speaker 3>All right, Oh, it is nice here.

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<v Speaker 4>I lied to you today about fear. I suppose I

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<v Speaker 4>am afraid. I suppose my father has passed some of

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<v Speaker 4>his fear on to me.

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<v Speaker 3>Why is he afraid?

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<v Speaker 4>Well, that's a long story, going back to the First War.

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<v Speaker 3>Please tell me.

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<v Speaker 4>Well, he was a young man then, and he didn't

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<v Speaker 4>go to war. It wasn't that he was a coward exactly.

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<v Speaker 4>He just couldn't adjust to it mentally. People mocked him,

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<v Speaker 4>laughed at him, and threatened him. That's when a sort

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<v Speaker 4>of perpetual fear started. He ran away. He met my

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<v Speaker 4>mother and married her. They came here. None of us

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<v Speaker 4>has ever left this lonely place, never will. Perhaps your

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<v Speaker 4>mother she's dead. Loneliness killed her. Perhaps there's no wonder

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<v Speaker 4>that I sound timid or afraid. Perhaps I am.

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<v Speaker 3>Aren't you lonely too?

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<v Speaker 4>I don't know anything else, But what about you? Who

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<v Speaker 4>are you that you go sailing about the world with

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<v Speaker 4>only a sailor for company.

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<v Speaker 3>Oh, I'm nobody. My name is John.

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<v Speaker 4>Wolfolk and you do nothing but sail about the world nothing.

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<v Speaker 3>Why well, let's say I don't like modern society. Let's

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<v Speaker 3>say I I don't like entanglement. I see, Oh, I

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<v Speaker 3>didn't mean.

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<v Speaker 4>You needn't apologize. I envy you your freedom. I sit

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<v Speaker 4>here a great deal and watch the ships far out

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<v Speaker 4>there on their water roads. You are enviable, sailing where

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<v Speaker 4>you like, safe and free. Safe, I'm free.

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<v Speaker 3>There is something more than you've told me, more behind

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<v Speaker 3>the sphere in your voice. No, but perhaps I can help.

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<v Speaker 4>No, no, please, it's growing on the car. I've got

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<v Speaker 4>to go in.

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<v Speaker 3>I'll come with you.

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<v Speaker 4>No, no, please, no, don't come. You'll be going soon

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<v Speaker 4>tomorrow perhaps then good bye, good bye.

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<v Speaker 3>Now I knew the terror I had only sensed was real.

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<v Speaker 3>This girl was possessed by fear. This house held some

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<v Speaker 3>terrible secret. What could it be? Next morning, Halberd suggested

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<v Speaker 3>we repaint the engines, and I agreed. We'd stay another

202
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<v Speaker 3>day or two. Later, Halford went in to fill a

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<v Speaker 3>cask of water. He came back without the cask and

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<v Speaker 3>livid with rage. There us an idiot in that house.

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<v Speaker 3>Next time, I'll take the pistol. What do you mean?

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<v Speaker 3>Was the cask? It was broken?

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<v Speaker 5>How he us feeling it at the cistern? And distidiot,

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<v Speaker 5>huge walking bruke came out of the house. He told

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<v Speaker 5>me to get away, but I tried to explain that

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<v Speaker 5>we had permission. But he came at me for the

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<v Speaker 5>knife deeper but I hit him, but it was like

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<v Speaker 5>hitting an ox.

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<v Speaker 3>He put his foot on the cask and crushed it.

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<v Speaker 3>I'll see about this. You be careful, sir. The man's

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<v Speaker 3>not right. He's dangerous, plenty dangerous. Oh. I went ashore

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<v Speaker 3>and around to the back door of the house. Millie

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<v Speaker 3>wasn't insight, and when I knocked, a lumbering giant with

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<v Speaker 3>pig like eyes came to the door.

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<v Speaker 2>What do you want?

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<v Speaker 3>I take it? You on, Nicholas, the man who broke

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<v Speaker 3>my water cask was full of all water. I'm not

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<v Speaker 3>going to argue with you. I came ashore to instruct

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<v Speaker 3>you to keep your hands off my property. In my saying,

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<v Speaker 3>let the water be, I told you I wouldn't discuss

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<v Speaker 3>the matter. I don't have to justify myself to you.

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<v Speaker 3>Just remember, keep your hands and me starting when it

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<v Speaker 3>means starting here. Don't get me started mine, I want you.

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<v Speaker 3>Don't put down the knife, goway, No, don't get me

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<v Speaker 3>started way, don't get me shoting.

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<v Speaker 4>I'm telling you, Nicholas, stop, what is this? What's the

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<v Speaker 4>mat her?

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<v Speaker 3>Nothing? Nicholas and I've had a little misunderstanding, that's all.

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<v Speaker 3>It's nothing to worry about, Nothing to worry about, I said.

234
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<v Speaker 3>But when I got back to the boat, I couldn't

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<v Speaker 3>help asking myself why I'd left her with that brute.

236
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<v Speaker 3>I just about made up my mind to go ashore

237
00:13:16.200 --> 00:13:18.039
<v Speaker 3>again to check up. When I saw her waving on

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00:13:18.080 --> 00:13:21.159
<v Speaker 3>the beach. She wanted to visit the boat. I went

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00:13:21.200 --> 00:13:23.799
<v Speaker 3>and got her. There was no hint of terror in

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00:13:23.840 --> 00:13:27.759
<v Speaker 3>her face, now, just shining girlish wonderment at the polished

241
00:13:27.840 --> 00:13:31.200
<v Speaker 3>metal and the gleaming wood of the catch. I offered

242
00:13:31.200 --> 00:13:33.159
<v Speaker 3>to take her for a sail, and her face lighted

243
00:13:33.200 --> 00:13:36.200
<v Speaker 3>up like a child's. But when we reached the heavy

244
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<v Speaker 3>swells outside the reef, her face got quite and she froze.

245
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<v Speaker 4>It's so big?

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00:13:43.159 --> 00:13:44.960
<v Speaker 3>Are you frightened? I'll turn back.

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<v Speaker 4>I'd rather you didn't I must learn. I'm not a child.

248
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<v Speaker 3>No, we're going back. Before we got to the anchorage,

249
00:13:58.279 --> 00:14:01.519
<v Speaker 3>her panic was almost out of control, But safely moored

250
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<v Speaker 3>once more, she calmed slowly and.

251
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<v Speaker 4>Said, how strange to be forced back to this place

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<v Speaker 4>I loathed by my own cowardice.

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<v Speaker 3>It's not cowardice. The sea is frightening for those unused

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<v Speaker 3>to it. Come, you must forget it now. How about

255
00:14:14.320 --> 00:14:17.080
<v Speaker 3>we'll have tea for us in a moment. Uh, how

256
00:14:17.080 --> 00:14:17.879
<v Speaker 3>do you like our boat?

257
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<v Speaker 4>It's quite wonderful. Have you nothing else to care for?

258
00:14:23.840 --> 00:14:26.759
<v Speaker 4>No place or people on land?

259
00:14:27.120 --> 00:14:28.039
<v Speaker 3>None?

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<v Speaker 4>And you are satisfied hardly.

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<v Speaker 3>All the things most men value were taken from me

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<v Speaker 3>in an instant.

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<v Speaker 4>Can you talk about it?

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<v Speaker 3>Why? I haven't for twelve years? Not anybody, but no, yes,

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<v Speaker 3>I think I can. You see we were just married

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<v Speaker 3>only a few days. We were very, very happy. Then

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00:14:54.360 --> 00:14:58.360
<v Speaker 3>in one instant she was dead. It was a silly,

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00:14:58.600 --> 00:15:02.399
<v Speaker 3>stupid accident, thrown from horse without rhyme or reason.

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<v Speaker 4>So you left everything, taking your revenge on the world.

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<v Speaker 3>You could put it that way. I suppose. I simply

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<v Speaker 3>don't want to take a second chance to become involved

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<v Speaker 3>and be hurt.

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<v Speaker 4>But that's living to be hurt. Do you think you

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<v Speaker 4>can escape so easily?

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<v Speaker 3>I don't know.

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<v Speaker 4>Oh, I must go. Father will be waiting.

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00:15:25.279 --> 00:15:29.159
<v Speaker 3>Why so suddenly there's Whyes, I see that's Nicholas on

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<v Speaker 3>the beach looking out here, isn't it?

279
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<v Speaker 4>Yes, dinner will be ready.

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<v Speaker 3>Why do you have a servant like that? That man's dangerous.

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00:15:34.039 --> 00:15:38.960
<v Speaker 4>You mustn't say that. Please don't just take me in. Please.

282
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<v Speaker 3>Now I knew that she too was afraid of Nicholas.

283
00:15:48.639 --> 00:15:51.200
<v Speaker 3>I could see it in her eyes. Why then did

284
00:15:51.240 --> 00:15:54.759
<v Speaker 3>I let her go to him? I don't know. I

285
00:15:54.799 --> 00:16:05.200
<v Speaker 3>was confused. I guess That night a storm broke, a

286
00:16:05.320 --> 00:16:08.759
<v Speaker 3>raging wind and rain, and to match my tortured mood,

287
00:16:09.519 --> 00:16:12.200
<v Speaker 3>I hardly slept. Her face was always before my eyes,

288
00:16:12.240 --> 00:16:14.480
<v Speaker 3>and by morning I knew that I must do something.

289
00:16:15.159 --> 00:16:17.759
<v Speaker 3>I rode the tender Inn through a drizzling rain. I

290
00:16:17.799 --> 00:16:19.639
<v Speaker 3>went up through the orange grove and stopped in the

291
00:16:19.639 --> 00:16:22.600
<v Speaker 3>bushes by the house. Someone was coming out of the house,

292
00:16:22.639 --> 00:16:25.399
<v Speaker 3>and I crouched down. Out of sight was Milly. I

293
00:16:25.519 --> 00:16:28.360
<v Speaker 3>rose and called, were Milly, Oh, it's you.

294
00:16:29.320 --> 00:16:31.799
<v Speaker 4>I was just coming out to look. I was afraid

295
00:16:31.840 --> 00:16:34.639
<v Speaker 4>you're gone out. The sea is like a pack of wolves.

296
00:16:34.679 --> 00:16:36.080
<v Speaker 3>I won't go alone, not without you.

297
00:16:36.360 --> 00:16:37.120
<v Speaker 4>What are you saying?

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<v Speaker 3>That's mountains snoy. I've got to talk to you, Milly.

299
00:16:40.720 --> 00:16:42.960
<v Speaker 3>There's a lot that needs explaining, things that I have

300
00:16:42.960 --> 00:16:43.480
<v Speaker 3>a right to know.

301
00:16:44.159 --> 00:16:45.840
<v Speaker 4>No, not here come.

302
00:16:49.080 --> 00:16:51.399
<v Speaker 3>She led me into one of the smaller ruined buildings,

303
00:16:51.679 --> 00:16:53.279
<v Speaker 3>but must have been a store in the days of

304
00:16:53.320 --> 00:16:56.480
<v Speaker 3>the Great plantation. We crouched far back in the dripping

305
00:16:56.519 --> 00:17:00.799
<v Speaker 3>shadows of a corner. No, Milly, Milly, I love you

306
00:17:01.240 --> 00:17:03.360
<v Speaker 3>for the first time in twelve years. I'm living again,

307
00:17:03.399 --> 00:17:04.559
<v Speaker 3>and I love you.

308
00:17:05.400 --> 00:17:06.759
<v Speaker 4>I know nothing of love.

309
00:17:07.039 --> 00:17:08.000
<v Speaker 3>It's easily learned.

310
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<v Speaker 4>Well, perhaps if things were different, someplace else, I might

311
00:17:14.920 --> 00:17:15.839
<v Speaker 4>care very much.

312
00:17:15.920 --> 00:17:18.039
<v Speaker 3>Then I'm going to take you away someplace else, make

313
00:17:18.079 --> 00:17:19.799
<v Speaker 3>things different, give you the chance.

314
00:17:19.880 --> 00:17:24.359
<v Speaker 4>No, it's too late. You came too late.

315
00:17:24.680 --> 00:17:27.519
<v Speaker 3>Why, Milly, Why what is it? What is it you feared?

316
00:17:28.119 --> 00:17:29.000
<v Speaker 4>Nicholas?

317
00:17:29.400 --> 00:17:34.279
<v Speaker 3>Oh, he's nothing, nothing to be afraid of. Has he

318
00:17:34.319 --> 00:17:35.000
<v Speaker 3>been bothering you?

319
00:17:35.319 --> 00:17:39.000
<v Speaker 4>He says he's crazy about me. He says I must

320
00:17:39.000 --> 00:17:39.279
<v Speaker 4>marry you.

321
00:17:39.359 --> 00:17:40.000
<v Speaker 3>Where is he now?

322
00:17:40.759 --> 00:17:44.079
<v Speaker 4>No, you mustn't, John, something frightful would happen.

323
00:17:44.160 --> 00:17:46.480
<v Speaker 3>Not frightful, just unfortunate for Nicholas.

324
00:17:46.160 --> 00:17:51.480
<v Speaker 4>Who don't understand he's not not human. There's something about him.

325
00:17:51.480 --> 00:17:52.079
<v Speaker 3>What about him?

326
00:17:52.559 --> 00:17:55.160
<v Speaker 4>He came here in April. We were glad to get

327
00:17:55.200 --> 00:17:58.359
<v Speaker 4>him servant. Are impossible to get back here in the wilderness.

328
00:17:58.839 --> 00:18:01.880
<v Speaker 4>He would work for the small must wages. Only a

329
00:18:01.880 --> 00:18:04.279
<v Speaker 4>few days ago I found out why he was glad

330
00:18:04.279 --> 00:18:07.720
<v Speaker 4>to be here. I was cleaning his room and I

331
00:18:07.839 --> 00:18:08.160
<v Speaker 4>found this.

332
00:18:08.640 --> 00:18:14.960
<v Speaker 3>Let's see, wanted for murder is Coon Nicholas homicidal mania.

333
00:18:15.000 --> 00:18:17.920
<v Speaker 4>He knows I found it. He knows, and he's been furious.

334
00:18:18.079 --> 00:18:20.720
<v Speaker 4>Then you came and he ran and hid in the pines.

335
00:18:21.559 --> 00:18:24.400
<v Speaker 4>But he told me if I spoke about it, then

336
00:18:24.440 --> 00:18:26.920
<v Speaker 4>it would happen to me, and if I left with you,

337
00:18:27.000 --> 00:18:29.880
<v Speaker 4>it would happen to father. You see, he thinks I'm

338
00:18:29.880 --> 00:18:32.519
<v Speaker 4>in love with you. He told me to send you away.

339
00:18:32.559 --> 00:18:33.599
<v Speaker 4>He said you must leave to.

340
00:18:33.599 --> 00:18:35.359
<v Speaker 3>Day, Milly. I should have realized.

341
00:18:35.799 --> 00:18:37.480
<v Speaker 4>He says, I must not be away for longer than

342
00:18:37.480 --> 00:18:38.880
<v Speaker 4>an hour. I must go.

343
00:18:39.079 --> 00:18:41.400
<v Speaker 3>Look, Milly, He'll take us a couple of hours to

344
00:18:41.400 --> 00:18:43.160
<v Speaker 3>get the book ready. I'll come for you to night

345
00:18:43.240 --> 00:18:45.680
<v Speaker 3>at eight. Now tell him you saw me and I

346
00:18:45.720 --> 00:18:49.519
<v Speaker 3>promised to go and act quietly. Say you well, say

347
00:18:49.519 --> 00:18:51.720
<v Speaker 3>you've been upset you'll give him his answer to morrow.

348
00:18:52.359 --> 00:18:54.400
<v Speaker 3>Then at eight, bring your father and walk out to

349
00:18:54.440 --> 00:18:57.920
<v Speaker 3>the wharf. That's all, but do it without hesitation or preparation.

350
00:18:58.079 --> 00:19:01.960
<v Speaker 4>We don't let him murder. Oh please, don't.

351
00:19:01.559 --> 00:19:04.480
<v Speaker 3>Not now he's finished, Milly. But do as I say.

352
00:19:05.039 --> 00:19:15.319
<v Speaker 3>It won't be long, hardly three hours and then freedom.

353
00:19:15.480 --> 00:19:17.680
<v Speaker 3>Now that I knew now that there was to be action,

354
00:19:17.759 --> 00:19:20.559
<v Speaker 3>I felt better. Halvan and I got the catch ready

355
00:19:20.559 --> 00:19:22.680
<v Speaker 3>for sailing, and eight o'clock we tied it up to

356
00:19:22.720 --> 00:19:25.519
<v Speaker 3>the little pier. The storm had abated slightly, but it

357
00:19:25.559 --> 00:19:28.240
<v Speaker 3>was still raining. I got up on the dock and

358
00:19:28.279 --> 00:19:33.880
<v Speaker 3>waited for Milly. Ten minutes passed, then twenty. Something was wrong.

359
00:19:34.680 --> 00:19:36.880
<v Speaker 3>I told Halbert to wait there with the tender. Then

360
00:19:36.880 --> 00:19:39.319
<v Speaker 3>I walked slowly up to the house. It was dark.

361
00:19:39.759 --> 00:19:41.920
<v Speaker 3>I went up to the side portico to the heavy door.

362
00:19:42.480 --> 00:19:45.319
<v Speaker 3>Tiny crack of light showed under it. I pushed it open.

363
00:19:46.400 --> 00:19:49.079
<v Speaker 3>The light came from a parlor to the right. I

364
00:19:49.119 --> 00:19:54.319
<v Speaker 3>looked in. On the floor lay a body old Litchfield Stope.

365
00:19:54.319 --> 00:19:58.240
<v Speaker 3>He was dead, crushed, his arm twisted grotesquely under him.

366
00:19:58.559 --> 00:20:01.400
<v Speaker 3>It was not a sound in the house. Slowly I

367
00:20:01.400 --> 00:20:04.960
<v Speaker 3>walked through the downstairs rooms nothing, and back in the

368
00:20:05.000 --> 00:20:08.880
<v Speaker 3>hall I heard a slight creak up stairs. Someone had moved.

369
00:20:09.480 --> 00:20:13.799
<v Speaker 3>Was it Milly alive? On Nicholas lying in wait? I

370
00:20:13.839 --> 00:20:17.200
<v Speaker 3>groped slowly up the stairs. I dared not use my flashlight.

371
00:20:17.200 --> 00:20:19.119
<v Speaker 3>It would have made me a target for his knife.

372
00:20:19.839 --> 00:20:22.720
<v Speaker 3>The upstairs hall was pitch black, and still there was

373
00:20:22.759 --> 00:20:27.200
<v Speaker 3>no sard. I inched my way along the wall slowly.

374
00:20:28.079 --> 00:20:30.839
<v Speaker 3>Then I stumbled on a loose board. The pistol flew

375
00:20:30.880 --> 00:20:32.640
<v Speaker 3>out of my hand, but the stumble saved my life.

376
00:20:32.799 --> 00:20:35.599
<v Speaker 3>The same instant I felt Nicholas lunch, heard the knife sing,

377
00:20:35.640 --> 00:20:37.200
<v Speaker 3>blow of my eron thud into the wall, fell his

378
00:20:37.279 --> 00:20:41.440
<v Speaker 3>great bulk, smashing on my shoulders head. My gun was

379
00:20:41.480 --> 00:20:44.079
<v Speaker 3>somewhere on the dark floories knife was embedded in the wall.

380
00:20:44.519 --> 00:20:48.799
<v Speaker 3>Now we were grappling hand to hand, rolling on the floor, kicking, tearing, guarting,

381
00:20:48.960 --> 00:20:52.240
<v Speaker 3>crushing my strength and wind against the massy bulk of

382
00:20:52.279 --> 00:20:57.680
<v Speaker 3>a maniacal killer. I can't head. How many minutes did

383
00:20:57.680 --> 00:21:00.799
<v Speaker 3>that unequal struggle last night? I don't know. It seemed

384
00:21:00.799 --> 00:21:05.000
<v Speaker 3>an hour several times, as if by common consent, we

385
00:21:05.119 --> 00:21:08.079
<v Speaker 3>rested for minutes at a time, locked in tight embrace.

386
00:21:08.680 --> 00:21:11.519
<v Speaker 3>Once We rolled apart and lay panting, the breath aching

387
00:21:11.559 --> 00:21:14.680
<v Speaker 3>in my throat. Then I heard him groping along the wall,

388
00:21:14.799 --> 00:21:18.079
<v Speaker 3>searching for the knife, for the gun. I threw myself

389
00:21:18.079 --> 00:21:20.559
<v Speaker 3>on him again, but he was too big, too furious.

390
00:21:21.200 --> 00:21:24.559
<v Speaker 3>I felt my strength ebbing away. His fingers were closing

391
00:21:24.599 --> 00:21:27.119
<v Speaker 3>over my throat, but won my step and I tried

392
00:21:27.119 --> 00:21:38.000
<v Speaker 3>to throw him off them, roll him off. I staggered

393
00:21:38.039 --> 00:21:40.680
<v Speaker 3>daisily to my feet and looked up. He had fallen

394
00:21:40.720 --> 00:21:43.880
<v Speaker 3>through the banister, down the stairwell. Nicholas had landed on

395
00:21:43.920 --> 00:21:47.079
<v Speaker 3>the bottom. He lay there on the stairs, sprawled his

396
00:21:47.720 --> 00:21:50.680
<v Speaker 3>head at a grotesque angle. But it was not dead,

397
00:21:50.680 --> 00:21:54.480
<v Speaker 3>only stunned. Hurlinged against the wall. Looked at him stupidly.

398
00:21:56.000 --> 00:21:59.200
<v Speaker 3>There was something, There was something. I was trying to remember.

399
00:21:59.279 --> 00:22:02.240
<v Speaker 3>What was it. Then she came down the steps, and

400
00:22:02.279 --> 00:22:03.759
<v Speaker 3>I remembered, Milly.

401
00:22:04.119 --> 00:22:06.559
<v Speaker 4>I had to walk right past him. There was no

402
00:22:06.680 --> 00:22:11.599
<v Speaker 4>other way. Right. Patted head and my skirt. I think

403
00:22:11.599 --> 00:22:14.359
<v Speaker 4>we better go away. It's quite impossible here with him

404
00:22:14.359 --> 00:22:16.240
<v Speaker 4>in the hall. You have to pass it though close.

405
00:22:16.319 --> 00:22:17.480
<v Speaker 3>Milly. Yes, we'll leave it once.

406
00:22:17.920 --> 00:22:20.440
<v Speaker 4>I must tell you about my father, you know. In Virginia,

407
00:22:20.480 --> 00:22:22.319
<v Speaker 4>the woman tied an apron on the door because he

408
00:22:22.359 --> 00:22:24.839
<v Speaker 4>would not go to war, and that preyed on his mind,

409
00:22:25.039 --> 00:22:26.680
<v Speaker 4>and he was afraid of the slightest pair.

410
00:22:26.720 --> 00:22:28.079
<v Speaker 3>Yes, yes, I know, but we must go.

411
00:22:28.279 --> 00:22:31.200
<v Speaker 4>Things upset him, so he had no strength.

412
00:22:30.799 --> 00:22:32.920
<v Speaker 3>To hear talk like this, like a said, the child

413
00:22:32.960 --> 00:22:35.160
<v Speaker 3>was almost more than I coult there. But now I

414
00:22:35.200 --> 00:22:38.480
<v Speaker 3>heard something. Nicholas had gotten up. He stood there and

415
00:22:38.519 --> 00:22:41.160
<v Speaker 3>stared for a moment at us. Then he started slowly

416
00:22:41.240 --> 00:22:43.240
<v Speaker 3>up the stairs. He was going for the nice little thing.

417
00:22:43.279 --> 00:22:45.119
<v Speaker 3>Upset to him, Millie, we've got to go.

418
00:22:45.680 --> 00:22:48.400
<v Speaker 4>I was to meet a man. We were going away

419
00:22:48.440 --> 00:22:53.319
<v Speaker 4>someplace where it'd be peaceful, he said, at eight o'clock.

420
00:22:54.200 --> 00:22:57.119
<v Speaker 4>But Nicholas suspected you see, he asked why father had

421
00:22:57.119 --> 00:22:59.599
<v Speaker 4>put on his heavy window clothes. Then when I tried

422
00:22:59.640 --> 00:23:02.000
<v Speaker 4>to go out, he pushed me lily. And you know

423
00:23:02.039 --> 00:23:05.759
<v Speaker 4>what father did him. He came up and he said,

424
00:23:06.400 --> 00:23:10.640
<v Speaker 4>don't do that. Take your hand off my daughter. His

425
00:23:10.799 --> 00:23:15.160
<v Speaker 4>lips shook a little, but he said it that's the

426
00:23:15.240 --> 00:23:16.039
<v Speaker 4>important thing.

427
00:23:16.279 --> 00:23:18.279
<v Speaker 3>Yes, yes, of course your father was a brave man

428
00:23:18.319 --> 00:23:21.039
<v Speaker 3>after all. Now come, that man is waiting for you.

429
00:23:21.079 --> 00:23:22.119
<v Speaker 3>There's no time to lose.

430
00:23:22.200 --> 00:23:27.359
<v Speaker 4>Father said, take your hands off my daughter. Nicholas killed him,

431
00:23:27.400 --> 00:23:31.440
<v Speaker 4>of course, crushed him like a little mosquito. But it

432
00:23:31.599 --> 00:23:33.279
<v Speaker 4>was a brave thing to do.

433
00:23:33.599 --> 00:23:36.039
<v Speaker 3>I couldn't wait any longer. I had to risk whatever

434
00:23:36.119 --> 00:23:38.200
<v Speaker 3>injury it might do to her mind. I could hear

435
00:23:38.279 --> 00:23:40.759
<v Speaker 3>Nicholas coming back. I swept her up in my arms

436
00:23:40.759 --> 00:23:42.839
<v Speaker 3>and carried her out into the night, down the path

437
00:23:42.880 --> 00:23:45.680
<v Speaker 3>to the little pier. Behind me, I could hear Nicholas

438
00:23:45.680 --> 00:23:48.359
<v Speaker 3>crashing through the brush like a giant animal in pursuit.

439
00:23:48.759 --> 00:23:51.240
<v Speaker 3>Are you all right, sir? Here's not done in, but

440
00:23:51.279 --> 00:23:54.279
<v Speaker 3>all right here, help me get her in the book. Ya, sir,

441
00:23:56.079 --> 00:24:01.119
<v Speaker 3>there eh, somebody's coming. It's Nicholas. He's got a knife. Good.

442
00:24:01.759 --> 00:24:03.119
<v Speaker 3>He wanted to get back at him.

443
00:24:03.599 --> 00:24:10.599
<v Speaker 1>You get into her, He'll take care of him.

444
00:24:11.160 --> 00:24:13.559
<v Speaker 3>Halvid went to intercept Nicholas on the path. I heard

445
00:24:13.599 --> 00:24:16.200
<v Speaker 3>the meat and struggle for a moment. Then a stoop

446
00:24:16.319 --> 00:24:19.519
<v Speaker 3>figure came walking slowly onto the pier. I prepared to

447
00:24:19.519 --> 00:24:22.720
<v Speaker 3>shove the boat out into the water, and then all right, sir,

448
00:24:23.720 --> 00:24:28.680
<v Speaker 3>it's me, Oh Halvert, where's Nicholas? He stopped him. Heave

449
00:24:28.720 --> 00:24:30.599
<v Speaker 3>us all pumpt Are you hurt?

450
00:24:30.799 --> 00:24:33.920
<v Speaker 1>I used to scratch he missed his knife at first

451
00:24:33.960 --> 00:24:34.559
<v Speaker 1>in the dark.

452
00:24:35.640 --> 00:24:39.039
<v Speaker 3>It's nothing good. Let's get away from here. Then I

453
00:24:39.079 --> 00:24:41.160
<v Speaker 3>held Milly in my arms as halved rode to the

454
00:24:41.240 --> 00:24:44.519
<v Speaker 3>catch erratically. I suppose because of the storm. We were

455
00:24:44.519 --> 00:24:47.400
<v Speaker 3>ready to cast off in two minutes. The last obstacle

456
00:24:47.440 --> 00:24:49.920
<v Speaker 3>would be the narrow passing out of the cob. In

457
00:24:50.000 --> 00:24:53.319
<v Speaker 3>this storm, it would be dangerous, very dangerous. I started

458
00:24:53.319 --> 00:24:54.559
<v Speaker 3>to take Milly into the cabin.

459
00:24:55.960 --> 00:24:57.960
<v Speaker 4>Where's Nicholas in the doodle?

460
00:24:58.359 --> 00:25:04.279
<v Speaker 3>Nonsense? Nicholas is dead. You're on my boat, Milly. You're safe, Milly, say.

461
00:25:05.599 --> 00:25:08.039
<v Speaker 4>Whip John Woolfolk.

462
00:25:08.599 --> 00:25:09.759
<v Speaker 3>I am John Wolfolk.

463
00:25:10.960 --> 00:25:14.279
<v Speaker 4>But he you didn't come.

464
00:25:14.720 --> 00:25:17.839
<v Speaker 3>Yes, I did, Milly, and you're safe. Come.

465
00:25:18.720 --> 00:25:21.119
<v Speaker 4>I want to stay here, all right.

466
00:25:21.640 --> 00:25:24.200
<v Speaker 3>You sit here beside Halvard. I'm going up front to

467
00:25:24.240 --> 00:25:26.880
<v Speaker 3>take soundings. In this venue. Won't be able to hear

468
00:25:26.960 --> 00:25:28.920
<v Speaker 3>me if I call no, but you can hear me.

469
00:25:29.799 --> 00:25:32.519
<v Speaker 3>Remember we've only three feet clearance. You'll have to hold

470
00:25:32.519 --> 00:25:36.240
<v Speaker 3>it steady through the passage. I'll manage it, Harvard. This

471
00:25:36.440 --> 00:25:39.599
<v Speaker 3>is no time for pretense. How do you feel, all right?

472
00:25:40.480 --> 00:25:44.039
<v Speaker 3>If taken knives before used to scratch? All right, we'll

473
00:25:44.039 --> 00:25:46.480
<v Speaker 3>fix it as soon as we get outside. Now, let's

474
00:25:46.480 --> 00:25:54.160
<v Speaker 3>go turn over the engines, pull up anchor. The boat

475
00:25:54.200 --> 00:25:57.200
<v Speaker 3>headed into the tearing wind of the storm, sped swiftly

476
00:25:57.200 --> 00:26:00.319
<v Speaker 3>toward the narrow Windlet a foot too far on either side,

477
00:26:00.359 --> 00:26:02.720
<v Speaker 3>and we would hit in the sea. That would mean

478
00:26:02.759 --> 00:26:05.559
<v Speaker 3>death for us. All I stood far up on the bow,

479
00:26:05.720 --> 00:26:11.000
<v Speaker 3>taking soundings, feeling out the passage or the howling wind

480
00:26:11.039 --> 00:26:14.119
<v Speaker 3>carried my call back to Halvard. The boat veered. I

481
00:26:14.200 --> 00:26:17.039
<v Speaker 3>realized he must have lost a lot of blood. Albert

482
00:26:17.640 --> 00:26:23.160
<v Speaker 3>al about steadier, slowly, haltingly. It came around rain a

483
00:26:23.200 --> 00:26:28.000
<v Speaker 3>half steady. Now it was anything but steady. The boat

484
00:26:28.000 --> 00:26:30.720
<v Speaker 3>waving swung as if an amateur hand were on the wheel.

485
00:26:31.160 --> 00:26:33.920
<v Speaker 3>In a moment we might hit three in a quarter

486
00:26:35.160 --> 00:26:40.119
<v Speaker 3>r in the passage. Old steady, Harvard, steady, But just

487
00:26:40.200 --> 00:26:46.920
<v Speaker 3>another moment, just one moment, rain a half. We're through.

488
00:26:47.680 --> 00:26:58.319
<v Speaker 3>Good boy, Harvard, Good boy Halbard. I called. But when

489
00:26:58.319 --> 00:27:01.759
<v Speaker 3>I went back it was not Helvin at the wheel.

490
00:27:02.680 --> 00:27:06.480
<v Speaker 3>It was Milly. Milly, her hands steady, her eyes washed

491
00:27:06.519 --> 00:27:09.759
<v Speaker 3>clear of any madness, Milly with a tight little smile

492
00:27:09.799 --> 00:27:13.640
<v Speaker 3>on her face, but no fear. And halverd lay rolling

493
00:27:13.680 --> 00:27:15.839
<v Speaker 3>with the swells in the bottom of the cockpit.

494
00:27:16.799 --> 00:27:21.799
<v Speaker 4>I'm afraid he's dead, John. He was wounded, worse than.

495
00:27:21.720 --> 00:27:23.400
<v Speaker 3>You thought, Helvid dead.

496
00:27:24.599 --> 00:27:27.359
<v Speaker 4>He told me to take the wheel, that it was

497
00:27:27.440 --> 00:27:31.440
<v Speaker 4>life or death. Then he slid down like that.

498
00:27:31.839 --> 00:27:33.240
<v Speaker 3>When when was this.

499
00:27:34.119 --> 00:27:37.599
<v Speaker 4>Back there on the passage, just when you said three

500
00:27:37.640 --> 00:27:42.000
<v Speaker 4>and a half. I'm afraid. I wasn't very good, but

501
00:27:42.119 --> 00:27:42.799
<v Speaker 4>I held on.

502
00:27:43.599 --> 00:27:46.119
<v Speaker 3>Oh, Milly, you were wonderful.

503
00:27:47.400 --> 00:28:12.359
<v Speaker 4>No, not yet, but I'll learn, John, I'll learn.

504
00:28:12.559 --> 00:28:15.640
<v Speaker 2>Escape is produced by William N. Robson and was directed

505
00:28:15.680 --> 00:28:19.119
<v Speaker 2>tonight by Richard Sandville. You've just heard Wild Oranges by

506
00:28:19.160 --> 00:28:23.079
<v Speaker 2>Joseph Hergersheimer, adapted for radio by John Duncle, with Paul

507
00:28:23.160 --> 00:28:26.799
<v Speaker 2>Freese as John Wolfolk, Jeanette Nolan as Millie Stops, Bill

508
00:28:26.880 --> 00:28:30.319
<v Speaker 2>Conrad as Halvard, Jack Crushan as Nicholas, and Sherry Hall

509
00:28:30.359 --> 00:28:33.799
<v Speaker 2>as Litchfield Stops. The special musical score was conceived and

510
00:28:33.839 --> 00:28:35.119
<v Speaker 2>conducted by Cyfure.

511
00:28:37.960 --> 00:28:43.559
<v Speaker 1>Next week, You've planned it very well. She's dead, and

512
00:28:43.680 --> 00:28:47.240
<v Speaker 1>you feel no remorse. Your escape has worked out perfectly.

513
00:28:47.279 --> 00:28:53.160
<v Speaker 1>There's nothing to worry about except perhaps an unexpected Christmas present.

514
00:29:03.799 --> 00:29:07.119
<v Speaker 2>Next week we escape with John Collier's grim story back

515
00:29:07.160 --> 00:29:07.920
<v Speaker 2>for Christmas.

516
00:29:08.400 --> 00:29:08.759
<v Speaker 3>Good Night.

517
00:29:08.839 --> 00:29:11.319
<v Speaker 2>Then until this same time next week, when once again,

518
00:29:11.359 --> 00:29:30.079
<v Speaker 2>we offer you escape. This is CBS, the Columbia Broadcasting System,
