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<v Speaker 1>I'm now for Edmund O'Brien.

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<v Speaker 2>As yours truly, Johnny Dollar.

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<v Speaker 1>Edmund O'Briens towering in another adventure of America's fabulous freelance

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<v Speaker 1>insurance investigator Johnny Dollar. At insurance Investigation, Johnny Dollar.

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<v Speaker 3>Is only an expert at making out his expense account,

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<v Speaker 3>He's an absolute genius.

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<v Speaker 2>Expense account submitted by special Investigator Johnny Dollar to the

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<v Speaker 2>Great Collidian Life Insurance Company, The following is an accounting

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<v Speaker 2>of my expenditures during the investigation of the circumstances surrounding

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<v Speaker 2>the murder of your policyholder, Loyal B. Martin. Or how

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<v Speaker 2>to take a vacation in Fairfield County expense account adam

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<v Speaker 2>one three dollars and twenty cents smileage from up Connecticut

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<v Speaker 2>to the country, a state of the deceased. I drove

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<v Speaker 2>up a long cement driveway towards a mausoleum tight manor house.

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<v Speaker 2>There were rolling green lawns liberally sprinkled with statuary, and

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<v Speaker 2>the thought occurred to me that if he had spent

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<v Speaker 2>much of his life here, the late mister Martin was

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<v Speaker 2>most fortunate. He feels right at home in a cemetery. Yes,

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<v Speaker 2>my name is Dollar. I'm here to see missus Martin.

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<v Speaker 4>Oh, yeah, missus Martin.

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<v Speaker 5>I'm afraid I'll have to disappoint you. The widow has

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<v Speaker 5>gone shopping the day after the death of her husband.

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<v Speaker 5>Something attractive in mourning clothes.

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<v Speaker 2>I'm sure. Well, what time is she expected back?

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<v Speaker 5>I have no idea.

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<v Speaker 2>It shouldn't be long. Do you mind if I come

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<v Speaker 2>in and wait?

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<v Speaker 4>You'll forgive my asking, young man, But just what is

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<v Speaker 4>your business here at Loyal Haven?

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<v Speaker 2>I was sent here by an insurance company.

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<v Speaker 6>Oh, why then you come in.

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<v Speaker 2>Here?

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<v Speaker 5>Right in here, I'm missus Tompkins keeping mister Dollar.

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<v Speaker 4>I was with mister Martin for over thirty years.

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<v Speaker 2>He was a wonderful man. The furniture also looks like

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<v Speaker 2>it might have been with mister Martin for over thirty years. Victorian,

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<v Speaker 2>isn't it?

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<v Speaker 1>Yeah?

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<v Speaker 4>Pure loyal mister Martin, that is was an expert on

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<v Speaker 4>the Victorian period.

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<v Speaker 2>Please thank you, mister Dollar.

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<v Speaker 5>I suppose you'll think it's him delicate in me at

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<v Speaker 5>this time?

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<v Speaker 4>That about Loyals Insurance, his policies.

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<v Speaker 2>Did they Yes, miss Tompkins, they did. One of his

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<v Speaker 2>policies leaves you a nice sizeable amount but before you

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<v Speaker 2>start counting it, maybe you and I had better have

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<v Speaker 2>a little understanding. Yeah, well, I'm not here to represent

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<v Speaker 2>the payoff department. I'm here to investigate the murder. Oh well,

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<v Speaker 2>I see, Yes, Before the company pays off, they want

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<v Speaker 2>to make sure that among the beneficiaries, they don't pay

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<v Speaker 2>off the murder, because they really don't have to do that.

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<v Speaker 2>I didn't realize, and either do a lot of people.

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<v Speaker 2>You know, it's the way quite a few good murders

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<v Speaker 2>are wasted.

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<v Speaker 6>Yeah, I suppose you're right.

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<v Speaker 5>Well, that's what you're here for.

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<v Speaker 4>I suppose you want to talk to the police. The

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<v Speaker 4>tenant Marquet is in the library.

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<v Speaker 2>That's where it happened. Oh, library, Well that might help.

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<v Speaker 2>If I can't find any other answers, I can always

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<v Speaker 2>try looking some up in a book. Which way do

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<v Speaker 2>I go? Oh? The door just across the hall, thank you?

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<v Speaker 2>And waterhole. The only thing missing was old Queen Victoria herself,

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<v Speaker 2>even the musty odor clinging to the green bell that

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<v Speaker 2>seem to have been passed down through the centuries. There

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<v Speaker 2>was a brace of more eaten pheasants on the wall,

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<v Speaker 2>and a bouquet of more eaten flowers on the glass

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<v Speaker 2>on a marble top side table. The library was the same,

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<v Speaker 2>but there were three things that looked out of place.

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<v Speaker 2>He an old suit of armor, b a glass case

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<v Speaker 2>filled with new, well polished sporting rifles and shotguns. And

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<v Speaker 2>see a very gruff looking lieutenant of the police who

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<v Speaker 2>wired me as I came in. And who are you? Oh?

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<v Speaker 7>Here, here's my little breath saverer. Yeah, Johnny Dollar. They

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<v Speaker 7>told me you'd be here. Well, I've told everybody else.

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<v Speaker 7>I better tell you. Don't touch anything. They want to

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<v Speaker 7>re fingerprint the whole room. Okay, okay, what'd your find,

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<v Speaker 7>Lieutenant Nathan? But the cadaver with two bullet holes in

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<v Speaker 7>his back? Haven't got a caliber report from ballistics yet?

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<v Speaker 2>Have you an estimated time of departure?

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<v Speaker 7>And the corner, says Martin Dianed after dinner last night.

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<v Speaker 2>Uh huh, anything to go on?

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<v Speaker 7>Yes, the usual faith, hope and suspicion. Wife too young

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<v Speaker 7>and too pretty for an ugly old buck like Martin

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<v Speaker 7>mister married him for his money. Then there's that housekeeper,

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<v Speaker 7>Sarah Tompkins. Yeah, I met her on the way in,

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<v Speaker 7>and she used to be the old man's intended From

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<v Speaker 7>what I can find, out, probably jealous of the young wife.

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<v Speaker 2>Then there's the brother Mary.

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<v Speaker 7>He showed up a few weeks ago, broken brooding, probably

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<v Speaker 7>in love with the young wife. And then there's Nick Bladdie,

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<v Speaker 7>a private detective wired himself out as Martin's bodyguard.

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<v Speaker 2>Bodyguard eh, no doubt, also in love with the young wife.

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<v Speaker 2>Let be who's your choice?

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<v Speaker 7>Except for the fact that there are only two bullets,

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<v Speaker 7>I think they all did it.

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<v Speaker 2>The nodes through which Lieutenant Mark would talk was a

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<v Speaker 2>long one, and in more ways than one, a horn

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<v Speaker 2>of plenty. For out of that had pought enough motives

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<v Speaker 2>and suspects to furnish a dozen murders. I started through

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<v Speaker 2>this cast of characters and found that all of them

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<v Speaker 2>had been very little to say and didn't want to

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<v Speaker 2>say it. The first I dug up was the bodyguard,

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<v Speaker 2>my brother, investigator Nick Bollatti, as he returned from a

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<v Speaker 2>horseback ride.

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<v Speaker 7>I had to have you on the case, Dolla. The

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<v Speaker 7>police have tied my hands. They told me to stay

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<v Speaker 7>out of it, but to stick around.

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<v Speaker 2>You got any ideas.

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<v Speaker 7>Everybody seems to think it was an inside job, that

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<v Speaker 7>somebody in the household did it.

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<v Speaker 2>I'm not so sure the reason I was around.

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<v Speaker 7>Was because old man Martin made too many dollars and

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<v Speaker 7>too many enemies doing it. But that's only my opinion.

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<v Speaker 7>Why don't you talk to the old boy's younger brother, Marty.

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<v Speaker 2>I found Marty living the life of Riley. He was

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<v Speaker 2>upstairs in his room, cuddled up to a twenty year

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<v Speaker 2>old bottle of brandy, which was still under age to

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<v Speaker 2>be around. The kind of book he was reading.

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<v Speaker 8>Yeah, I'll tell you something, Doller. My brother and I

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<v Speaker 8>I never did get along. You'd find that out anyway.

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<v Speaker 8>Why'd you come back here, Marty? Because Loyal's little bride,

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<v Speaker 8>Joanne sent for me. She was afraid of him and

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<v Speaker 8>she didn't know if he was on to her. Was

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<v Speaker 8>he about that? You'll have to talk to joy Anne.

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<v Speaker 2>Joyanne didn't get home until three o'clock in the afternoon.

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<v Speaker 2>I caught up with her twenty minutes later as she

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<v Speaker 2>came dripping out of the swimming pool. The suit she

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<v Speaker 2>was wearing would have gotten her pinched on the river.

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<v Speaker 6>Er. Oh, that was refreshing.

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<v Speaker 2>It certainly is talked me that tall? Eh? Surely here

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<v Speaker 2>missus Martin joy Anne? I hate for malady. Who are you?

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<v Speaker 2>I'm from the insurance company here to find out whether

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<v Speaker 2>you killed your husband or not. Oh good for you,

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<v Speaker 2>mister Dolla.

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<v Speaker 6>That's what I like.

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<v Speaker 2>Men who get right down to the point. I was

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<v Speaker 2>told you were here. Oh nobody told me about you.

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<v Speaker 2>Come on over and learn.

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<v Speaker 3>I want to stretch out here in the sun.

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<v Speaker 2>Here you man, the flieswater?

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<v Speaker 6>Okay, close here beside me, it gets too warm. Slip

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<v Speaker 6>off his shirt.

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<v Speaker 2>Thank you. Well, I suppose we start talking business. Marty

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<v Speaker 2>tells me you sent for him to come here because

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<v Speaker 2>you were afraid of your husband. I'll come well.

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<v Speaker 6>I knew Marty before I knew Loyal. As a matter

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<v Speaker 6>of fact, he's the one who introduced me to what

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<v Speaker 6>do you call a dead husband?

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<v Speaker 2>You call him unlucky? I guess anyway, for the purposes

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<v Speaker 2>of this conversation, I'll know who you mean if you

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<v Speaker 2>just say husband. But you didn't answer my question. I meant,

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<v Speaker 2>were you afraid of your spouse? And if so, why, Yes,

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<v Speaker 2>I was afraid of him.

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<v Speaker 6>I might as well tell him, mister dollar, I want

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<v Speaker 6>to be frank with you. The only thing Loyal didn't

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<v Speaker 6>have to offer me was love. I seem to be

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<v Speaker 6>a girl who needs just that. Frankly, I tried to

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<v Speaker 6>make up the deficit. Missus Tompkins, the housekeeper, saw to

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<v Speaker 6>it that my husband found out about it. From then

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<v Speaker 6>on it would like living with a madman. So end

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<v Speaker 6>my confession, So beginne with my suspicions. What about this

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<v Speaker 6>housekeeper till I came along, she always thought that Loyal

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<v Speaker 6>would wind up marrying her.

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<v Speaker 2>No, don't get me wrong.

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<v Speaker 6>I realized that I'm still the best jury data round.

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<v Speaker 2>If you kill him, you might make some headway with

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<v Speaker 2>a self defense plea thanks. I remember that.

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<v Speaker 6>In the meantime, just in case this thing gets messy

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<v Speaker 6>for me and it shows signs. I'm going to spend

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<v Speaker 6>what's left of my free time enjoying myself.

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<v Speaker 2>Well, that won't sound good to a jury, but it

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<v Speaker 2>sounds good to me. I haven't spend too much time

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<v Speaker 2>around here. I might wind up having to plead self

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<v Speaker 2>defense myself. Ah from me, No, I'm not bathing s.

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<v Speaker 2>I spent the rest of the afternoon trying to keep

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<v Speaker 2>two eyes on four people reading from left to right.

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<v Speaker 2>Brother Marty stayed in his room, finishing his book, and

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<v Speaker 2>his brandy Nick Bollati, the bodyguard with nobody the god

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<v Speaker 2>got back on his horse and canned it off into

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<v Speaker 2>the sunset. The joyous widow joy Anne locked herself in

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<v Speaker 2>her room, and all I could get through the keyhole

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<v Speaker 2>was the sound of a light and lovely snort. I

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<v Speaker 2>couldn't tell whether it was the genuine article or not.

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<v Speaker 2>Having no way of checking, I picked up the trail

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<v Speaker 2>of Sarah Tompkins, the housekeeper. She at least was apparently

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<v Speaker 2>up to no good. I found her in the library

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<v Speaker 2>doing just what Lieutenant Mark would have told her not

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<v Speaker 2>to do, smearing the surfaces of mister Martin's desk with

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<v Speaker 2>a dust rag. And as anybody knows, you can't fingerprint

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<v Speaker 2>a dust rag. Hey, cut it.

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<v Speaker 5>Out, mister Martin's private study.

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<v Speaker 2>Those are the police private fingerprints. You're messing up.

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<v Speaker 4>I was doing nothing of the sort from ducking his desk.

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<v Speaker 4>I always do it at this time of day. Get

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<v Speaker 4>out of here, you don't belong in here.

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<v Speaker 2>Keep your wig on, miss Hampkins.

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<v Speaker 5>I'll not be.

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<v Speaker 4>Told what to do by outsiders. Everything was all right

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<v Speaker 4>until outsiders started coming in. If it wasn't for outsider's

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<v Speaker 4>loyal it's still be alive. First tet Girl, then his brother,

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<v Speaker 4>and that detective not the police.

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<v Speaker 2>And you Why did any of you have to come here?

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<v Speaker 5>Why couldn't you leave us alone?

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<v Speaker 2>I'll calm down, missus Tompkins. Trying to calm down, And

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<v Speaker 2>now what's going on in here? One? Oh? And what

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<v Speaker 2>do you too, love birds up to? It's all right, lieutenant.

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<v Speaker 2>I'll tell you about it.

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<v Speaker 7>Later, all right, But get her out of here. I've

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<v Speaker 7>got him looking to do privately. Take it down to

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<v Speaker 7>her room and ain't come back.

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<v Speaker 2>You mean you got something hot? It ain't cold, okay,

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<v Speaker 2>Missus Tompkins. Come on, but I.

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<v Speaker 4>Haven't finished in there.

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<v Speaker 2>Come on, you can get it later. It's just time

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<v Speaker 2>for you to take a little rest before dinner.

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<v Speaker 5>But I never rested time of day.

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<v Speaker 4>He didn't like me too.

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<v Speaker 2>Missus Tompkins. Come on, tell me really, why were you

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<v Speaker 2>wiping off that desk? Those police this morning?

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<v Speaker 4>Scattered white powder all over his desk. He would have

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<v Speaker 4>been furious with me. He hated any coming.

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<v Speaker 2>The shots had come from the library, and that's where

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<v Speaker 2>I went, but not fast enough. By the time I

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<v Speaker 2>got there, Lieutenant Mackwood was dead, and whoever had done

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<v Speaker 2>the shooting was gone, apparently through an open window. Mockwood

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<v Speaker 2>still clutched the shotgun he'd grabbed out of the gun

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<v Speaker 2>case but hadn't had a chance to use. Two things

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<v Speaker 2>had just died in that room, the Lieutenant and a

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<v Speaker 2>hot piece of evidence he'd never had the chance to

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<v Speaker 2>pass on to me.

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<v Speaker 1>In just a moment, we returned to the second act

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<v Speaker 1>of Johnny Dollar. But first, the cream of the wit

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<v Speaker 1>and the best of the music which Arthur Godfrey brings

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<v Speaker 1>you in the daytime on CBS, can now be heard

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<v Speaker 1>on Godfrey's Digest, a new Saturday evening show heard on

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<v Speaker 1>most of these same CBS stations. Listen tomorrow night and

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<v Speaker 1>here the weeks fastest flashes of the Godfrey Humor, the

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<v Speaker 1>top song sung by Jeanette Davis and Bill Lawrence, the

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<v Speaker 1>finest singing of the Mariners. Arthur Godfrey's Digest and the

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<v Speaker 1>Goldbergs are the latest addition to CBS's great Saturday Nights.

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<v Speaker 1>Now with our star Edmund O'Brien, we returned to the

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<v Speaker 1>second act of Yours truly Johnny Dollar.

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<v Speaker 2>Hey, oh Mark, what, Yeah, he's dead? Oh what are

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<v Speaker 2>you doing? Sala? I'm looking for what there seems to

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<v Speaker 2>be a shortage of around here. Blatti clues you don't

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<v Speaker 2>mind where you look? Do you?

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<v Speaker 7>Rule number one? Don't get caught frisking dem cops.

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<v Speaker 2>Forget about it, Billotti, will you maybe I can suffer

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<v Speaker 2>from laps of memory for you. Sometimes that's a deal.

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<v Speaker 2>Got any idea what you're looking for? No, but whatever

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<v Speaker 2>it was, it was important enough to get him killed.

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<v Speaker 2>I'd hope maybe there'd be something in his notebook, for instance,

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<v Speaker 2>I mean lot, oh, very little. It's a brand new book,

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<v Speaker 2>only one notation in it. Check totooing diameter, recheck penetration.

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<v Speaker 7>What do you make of that? It's too scientific for me.

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<v Speaker 7>I'm a skip case and divorce type detected myself. All

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<v Speaker 7>I know is you'd better put that book back in

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<v Speaker 7>his pocket and leave it then.

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<v Speaker 2>Yeah, I guess you're right. Nice timing, BELDI, and remember,

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<v Speaker 2>thanks for the loss of memory.

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<v Speaker 7>Get it.

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<v Speaker 2>What happened? What's going on?

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<v Speaker 6>Lieutenant?

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<v Speaker 2>Who did it? Dealer's choice? So far? The dealer is

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<v Speaker 2>the only one who knows.

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<v Speaker 7>First My brother, Now, Lieutenant Markwood, there'll be real trouble.

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<v Speaker 2>About this, Johnny.

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<v Speaker 6>Shall I call it? Police?

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<v Speaker 2>Drop the innocent access to them? I'll call it. No.

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<v Speaker 2>Maybe I better do it, Maddy. If everybody will stop

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<v Speaker 2>pleading not guilty by wanting to call the police. I'd

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<v Speaker 2>like to get a word in the police have already

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<v Speaker 2>been called. If you'll get out of here, I'd like

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<v Speaker 2>to try earning my salary. If I had had longer

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<v Speaker 2>ears and more soulful eyes, I would have been all bloodhound,

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<v Speaker 2>because I could sniff out the first of the trail,

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<v Speaker 2>the smell of court. I told me that Lieutenant Mark

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<v Speaker 2>woulds killer and either ben inside the room when he

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<v Speaker 2>fired or just outside with the weapon pointed through the

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<v Speaker 2>still open window. Outside, the grass formed a deep wet

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<v Speaker 2>rug right up to the house and smothered any immediate

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<v Speaker 2>hopes i'd had of finding footsteps. But ten feet away

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<v Speaker 2>I had better luck. A ray of light from inside

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<v Speaker 2>spotlighted something that up like it might be a star witness.

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<v Speaker 2>It was a thirty two caliber avowve. I scooped it

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<v Speaker 2>up with my handkerchief and went back through the open

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<v Speaker 2>window to look it over under the light. I checked

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<v Speaker 2>six empty chambers and a crimson smear on the walnut grip.

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<v Speaker 2>And somebody was feeding me a herring. At shoe was red,

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<v Speaker 2>but it was in blood. It was lipstick. I'd like

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<v Speaker 2>to introduce myself. Dollar, I'm Sergeant Norn McDougall. Oh your sergeant.

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<v Speaker 7>Ah, poor Markwood, Thank the Lord. He didn't have any

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<v Speaker 7>wife and kids.

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<v Speaker 2>I'm glad to hear that cops usually do. This's one

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<v Speaker 2>good thing about it.

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<v Speaker 7>When the police officer goes, there's plenty of 'em that

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<v Speaker 7>lives on the fight back.

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<v Speaker 2>All the police in the world. You can throw in

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<v Speaker 2>the private ones too, Sergeant, Thanks Dollar, ma'am. Maybe a

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<v Speaker 2>better take your statement. Well, it won't take long. I

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<v Speaker 2>heard the shots from the hallway and I came back.

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<v Speaker 2>He was killed either from inside the room or just

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<v Speaker 2>outside the window. I didn't get a look at the killer,

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<v Speaker 2>but I found what might be the murder gun. Here

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<v Speaker 2>it is. I've watched that handkerchief M thirty two caliber.

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<v Speaker 2>How does that match up with a gun that killed

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<v Speaker 2>old man MARKM? Do you know same caliber? H? I

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<v Speaker 2>wonder what he was doing with his shotgun?

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<v Speaker 7>Ain't load and Mark would knew better than the wave

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<v Speaker 7>a unloaded gun in the face of a full one.

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<v Speaker 2>Did you get anything else out of ballistic, Sergeant headache?

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<v Speaker 7>Dollar, what we got from ballistics, don't add it with

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<v Speaker 7>what we got from autopsy.

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<v Speaker 2>Well, how's that those two slugs.

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<v Speaker 7>Entered Martin's body a ninch and a half apart, but

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<v Speaker 7>according to the shallow penetration, they were fired from a

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<v Speaker 7>distance of three hundred yards. Do you know anybody could

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<v Speaker 7>do that kind of shooting with a thirty two?

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<v Speaker 2>That's pretty fancy shooting. Could it have been done with

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<v Speaker 2>a stationary mount a matter chance?

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<v Speaker 7>The body would have started falling after the first shot,

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<v Speaker 7>and you can't reaim a stationary mount that fast.

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<v Speaker 2>Yeah, yeah, you're right. You know, I didn't have a

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<v Speaker 2>chance to spend much time with Mark would before he

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<v Speaker 2>got it, so I don't have much to work on it.

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<v Speaker 2>You got anything to spare, Just a lot of routine

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<v Speaker 2>confusion so far. You know yourself.

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<v Speaker 7>Dollar, you take four witnesses, you're bound to get at

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<v Speaker 7>least two different stories. Two of the people that heard

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<v Speaker 7>the shooting when Martin got killed last night, so they

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<v Speaker 7>heard two shots. The other two say they heard one,

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<v Speaker 7>the only thing. The whole four agree honestly they didn't

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<v Speaker 7>see anything.

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<v Speaker 2>Oh that sounds familiar, Thanks anyway, sergeant.

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<v Speaker 7>Sure anytime, Hey, Sam, take this gun into town. Tell

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<v Speaker 7>ballistics to run it through for fingerprints and check it

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<v Speaker 7>against those slugs.

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<v Speaker 2>The Martin case. I want to report right away. I

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<v Speaker 2>hitched the ride with that gun into the ballistics department

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00:18:22.160 --> 00:18:24.079
<v Speaker 2>while waiting for the test to be made, I asked

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<v Speaker 2>some questions, and I came up with a real brain buster.

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<v Speaker 2>Despite the fact that the penetration report said that Martin

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<v Speaker 2>had been shot from a distance of three hundred yards,

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00:18:33.160 --> 00:18:36.599
<v Speaker 2>his skin and clothing had been tattooed with powder, indicating

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<v Speaker 2>the shots had been fired at close range. The tree

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<v Speaker 2>that little puzzler put me up would have made the

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<v Speaker 2>giant redwood forest look like a hedge. Then they gave

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<v Speaker 2>me the ballistic report. The lands and grooves scored into

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<v Speaker 2>the slugs by the revolver barrow proved that both Loyal

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<v Speaker 2>Martin and Lieutenant Markwood had been killed by the thirty

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<v Speaker 2>two caliber gun i'd picked up in the eye. No

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<v Speaker 2>prints on it. Registered owner, a young lady who looked

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<v Speaker 2>much better in a bathing suit than she'd ever look

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<v Speaker 2>in the electric chair. The widow Joy Anne Martin. Who

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<v Speaker 2>is it the heart for the Horseshow dollar? I want

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<v Speaker 2>to talk to you.

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<v Speaker 6>Oh, I'll be with you in a second.

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<v Speaker 2>I'm okay. First she was in the pool. Now it's

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<v Speaker 2>the shower. He's also in plenty of hot water.

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<v Speaker 6>Hi, don't pay any attention to my hair.

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<v Speaker 2>H don't worry, I won't.

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<v Speaker 6>I suppose you think it's a silly time of night

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<v Speaker 6>for me to be taking a shower. I thought it

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<v Speaker 6>might help me to get to sleep.

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<v Speaker 2>Well, I'm afraid I won't.

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<v Speaker 6>Hi, Johnny, you were.

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<v Speaker 2>You were pretty careless with that gun, weren't you. Hot gun?

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<v Speaker 2>Oh that handy little thirty two caliber gun with a

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<v Speaker 2>handy little registration number engraved on it, that told the

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<v Speaker 2>nasty old police that you bought it six weeks ago.

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<v Speaker 6>Huh, My gun's right here in the drawer. I bought

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<v Speaker 6>it to protect myself from my husband.

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<v Speaker 2>Here, Johnny, Johnny, it's gone. It's real gone. It's done

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<v Speaker 2>gone and killed two men so far. And if you

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<v Speaker 2>can't do some fast talking and some fast proving, it

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00:20:32.759 --> 00:20:35.640
<v Speaker 2>stands a good chance of shortening your pretty little life expectancy.

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<v Speaker 6>Somebody must have stored it.

380
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<v Speaker 2>Oh no, that's not even a down payment on the store.

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<v Speaker 6>But Johnny, there's a whole house full of people who

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<v Speaker 6>could have done it. Not only that, they'd they'd be

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<v Speaker 6>glad to get me out of the way if they

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<v Speaker 6>could Why well, missus Thompskin because she hates me Royle's

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<v Speaker 6>brother Marty, because I stand to inherit everything.

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<v Speaker 2>What about Nick Bollotti? Doesn't he have an extra grind?

387
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<v Speaker 2>I don't know what he could? Okay, skip it. Tell

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<v Speaker 2>me you remember hearing two shots being fired around here

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<v Speaker 2>anytime before your husband was killed, probably away from the house,

390
00:21:10.640 --> 00:21:15.039
<v Speaker 2>because I wanna know? Did you? Hm? You amaze me?

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<v Speaker 6>Yes, I did hear two shots the day before Lawyer

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<v Speaker 6>was killed. I was horseback riding down by the Walnut Grove.

393
00:21:25.640 --> 00:21:27.359
<v Speaker 6>I remember because my horse shoed.

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<v Speaker 2>Well, this is coming a bit too readily to be

395
00:21:29.319 --> 00:21:31.880
<v Speaker 2>readily believed. But how big is that Walnut Grove?

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00:21:32.160 --> 00:21:32.839
<v Speaker 6>Not very big?

397
00:21:33.359 --> 00:21:35.519
<v Speaker 2>Yeah? Can you spot those shots?

398
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<v Speaker 7>Ah?

399
00:21:35.880 --> 00:21:36.680
<v Speaker 2>A little closer?

400
00:21:37.000 --> 00:21:39.839
<v Speaker 6>They sounded as if they came from about the middle.

401
00:21:40.680 --> 00:21:44.680
<v Speaker 6>Why I didn't stay to find out it? I guess

402
00:21:44.720 --> 00:21:45.759
<v Speaker 6>I frightened easily.

403
00:21:46.039 --> 00:21:48.720
<v Speaker 2>Yeah, yeah, you frightened me easily.

404
00:21:49.680 --> 00:21:51.279
<v Speaker 6>Why Johnny?

405
00:21:53.279 --> 00:21:58.839
<v Speaker 2>Why? I'll tell you why? Because whether you shot anybody

406
00:21:58.920 --> 00:22:04.559
<v Speaker 2>or not, your murdered baby, I didn't kill.

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00:22:06.079 --> 00:22:07.519
<v Speaker 6>Got to believe in Johnny.

408
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<v Speaker 2>Mm hmm, I don't have to, But just for a minute,

409
00:22:12.920 --> 00:22:20.359
<v Speaker 2>will What is there about police drivers? Even out in

410
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<v Speaker 2>the country. They got to lay on those sirens. Come on,

411
00:22:23.519 --> 00:22:25.720
<v Speaker 2>you better get dress, sweetheart. I told them, I keep

412
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<v Speaker 2>you occupied till I got here. The police of Joyanne

413
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<v Speaker 2>and hurt feelings off of poking. I took myself and

414
00:22:36.240 --> 00:22:38.640
<v Speaker 2>my hurt cheek off the bed. The next thing I

415
00:22:38.680 --> 00:22:40.839
<v Speaker 2>had to do had to be done by daylight. So

416
00:22:40.960 --> 00:22:45.480
<v Speaker 2>I took all the Joyanne's painfully empty and prettily perfumed sack,

417
00:22:45.960 --> 00:22:54.759
<v Speaker 2>set the alarm for dawn, snorte up a storm. I

418
00:22:54.839 --> 00:22:57.440
<v Speaker 2>never knew before how much went on in the country

419
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<v Speaker 2>so early in the morning, on the way to the

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<v Speaker 2>Warmut grove, the damp are washed the cobwebs out of

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<v Speaker 2>my head, and I started thinking now. First, loyal Martin

422
00:23:07.599 --> 00:23:09.759
<v Speaker 2>had been found dead with two bullet holes in him,

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<v Speaker 2>yet two of the witnesses, Joyanne and the housekeeper, Missus Tompkins,

424
00:23:13.200 --> 00:23:17.200
<v Speaker 2>had heard only one shot. Second, that powder burnt tattooing

425
00:23:17.279 --> 00:23:19.880
<v Speaker 2>on the body denoting a close range killing was in

426
00:23:20.039 --> 00:23:23.720
<v Speaker 2>violent argument with a bullet penetration report which screamed long

427
00:23:23.799 --> 00:23:27.519
<v Speaker 2>range killing. Those facts, added to what was in Lieutenant

428
00:23:27.519 --> 00:23:31.400
<v Speaker 2>Markwood's notebook, plus that shotgun clutched in his dead hand

429
00:23:32.559 --> 00:23:35.640
<v Speaker 2>came close to telling up the total that had cost

430
00:23:35.759 --> 00:23:43.880
<v Speaker 2>him his life. Inside the grove, I found four walnut

431
00:23:43.920 --> 00:23:48.160
<v Speaker 2>trees with hollows in their trunks. The first one gave

432
00:23:48.200 --> 00:23:51.200
<v Speaker 2>me a handful of nuts and the fancy sassing by

433
00:23:51.240 --> 00:23:55.519
<v Speaker 2>an irate squirrel. The second one came up with a

434
00:23:55.559 --> 00:23:59.119
<v Speaker 2>handful of spunk water on a wet cuff, and the

435
00:23:59.200 --> 00:24:04.759
<v Speaker 2>third I found what I was looking for. I found

436
00:24:04.839 --> 00:24:09.079
<v Speaker 2>about two pecks of clean cotton waste, that is clean

437
00:24:09.839 --> 00:24:15.039
<v Speaker 2>except for some pouder burns. Everything was falling into place,

438
00:24:15.119 --> 00:24:17.519
<v Speaker 2>including a blunt instrument which hit me on the head

439
00:24:17.519 --> 00:24:19.920
<v Speaker 2>from behind. But before I hit the ground, I saw

440
00:24:19.960 --> 00:24:22.319
<v Speaker 2>a brother, Mardy Martin, legging it back towards the house.

441
00:24:28.880 --> 00:24:31.000
<v Speaker 2>I made it up the house and into up the

442
00:24:31.039 --> 00:24:33.359
<v Speaker 2>hill and mounted the trail, and it was just darting

443
00:24:33.440 --> 00:24:35.559
<v Speaker 2>up the stairs when I heard another out of season

444
00:24:35.599 --> 00:24:46.880
<v Speaker 2>fourth of July. Yeah, yeah, so I see it was

445
00:24:47.000 --> 00:24:48.160
<v Speaker 2>up defense. I had to do it.

446
00:24:48.400 --> 00:24:50.519
<v Speaker 7>I hated to butt in on your case, but all

447
00:24:50.559 --> 00:24:52.359
<v Speaker 7>of a sudden everything stacked up and I knew he

448
00:24:52.440 --> 00:24:54.720
<v Speaker 7>was your man. When I throw it in his teeth,

449
00:24:54.759 --> 00:24:56.720
<v Speaker 7>he made a driver his guns, so I dropped him.

450
00:24:56.759 --> 00:25:00.640
<v Speaker 2>He sure did Beladi. Well, I owe you a lot thanks,

451
00:25:01.160 --> 00:25:04.200
<v Speaker 2>but if you don't mind, I'll take over from here. Sure,

452
00:25:04.400 --> 00:25:08.319
<v Speaker 2>help yourself good, And I think the first thing you'd

453
00:25:08.319 --> 00:25:10.759
<v Speaker 2>better do is hi tailor into town, get your story

454
00:25:10.839 --> 00:25:12.599
<v Speaker 2>filed with the police. I guess you're right.

455
00:25:13.240 --> 00:25:15.240
<v Speaker 7>You're a straight now, so you can back me up

456
00:25:15.240 --> 00:25:15.839
<v Speaker 7>one hundred.

457
00:25:15.599 --> 00:25:18.279
<v Speaker 2>Percent, Nick, All the way I'll get going. Come on, okay,

458
00:25:18.359 --> 00:25:37.160
<v Speaker 2>don see you let it? Can you? Sgian Norm McDougall, Yes, sir,

459
00:25:40.440 --> 00:25:46.519
<v Speaker 2>side to mcdogo, Johnny Dollars, Sergeant, Well, just another corpse

460
00:25:47.079 --> 00:25:49.279
<v Speaker 2>and in just about fifteen minutes, the guy who made

461
00:25:49.319 --> 00:25:52.720
<v Speaker 2>it one and conspired on the other two killings is

462
00:25:52.759 --> 00:25:55.119
<v Speaker 2>going to walk right into your arms through the station

463
00:25:55.200 --> 00:25:58.519
<v Speaker 2>house door. What who is it? Nick Bollatti, New York

464
00:25:58.559 --> 00:26:01.559
<v Speaker 2>private license. He just shot his partner in this thing,

465
00:26:01.640 --> 00:26:04.319
<v Speaker 2>Marty Martin, We are crazy. What about this girl? What's

466
00:26:04.359 --> 00:26:07.519
<v Speaker 2>her gun? That was their fondest hope, Sergeant depended on her.

467
00:26:08.160 --> 00:26:10.519
<v Speaker 2>They borrowed her gun, fired two slugs from it into

468
00:26:10.519 --> 00:26:13.240
<v Speaker 2>some cotton waste, then took the slugs and sucked them

469
00:26:13.279 --> 00:26:16.839
<v Speaker 2>in a shotgun shell. One shot, just like both ladies

470
00:26:16.839 --> 00:26:20.000
<v Speaker 2>said they heard the shotgun. Lieutenant Markwood was looking at

471
00:26:20.039 --> 00:26:22.319
<v Speaker 2>when he died. Was really the Mottin murder weapon.

472
00:26:22.480 --> 00:26:25.480
<v Speaker 7>Oh that takes care of the powder burns and the

473
00:26:25.480 --> 00:26:29.119
<v Speaker 7>shellow penetration. Yeah, well, thanks a lot dollar. I'll be

474
00:26:29.160 --> 00:26:33.000
<v Speaker 7>waiting for him. Wait a minute, what's he walking in

475
00:26:33.039 --> 00:26:34.359
<v Speaker 7>here for? Under his own flower?

476
00:26:34.599 --> 00:26:37.440
<v Speaker 2>To tell you an early morning bedtime story just before

477
00:26:37.440 --> 00:26:39.920
<v Speaker 2>you go off duty. He'll give you a pitch about

478
00:26:39.960 --> 00:26:43.759
<v Speaker 2>a self defense killing. It's a lie. The victim wasn't

479
00:26:43.759 --> 00:26:46.599
<v Speaker 2>carrying a gun. If he had been, he would have

480
00:26:46.720 --> 00:26:49.720
<v Speaker 2>used him me, But he didn't. He used the SAP.

481
00:26:50.400 --> 00:27:06.119
<v Speaker 2>The SAP expense account items two, two, four, five, six, seven, eight,

482
00:27:06.240 --> 00:27:11.599
<v Speaker 2>and nine six hundred and twenty four dollars entertainment appeasing

483
00:27:11.680 --> 00:27:15.359
<v Speaker 2>a rich widow with a rich taste Expense account Items

484
00:27:15.400 --> 00:27:19.440
<v Speaker 2>one through thirteen inclusive one hundred and sixty dollars entertainment

485
00:27:19.480 --> 00:27:25.000
<v Speaker 2>of poor insurance investigators with extravagant taste. Expense account Item

486
00:27:25.079 --> 00:27:29.279
<v Speaker 2>fourteen seven dollars and eighty cents Smileage, New York to Hartford.

487
00:27:30.279 --> 00:27:33.440
<v Speaker 2>You may disagree with that item, claiming that I finished

488
00:27:33.440 --> 00:27:37.799
<v Speaker 2>the case in Fairfield County, but I didn't finish the

489
00:27:37.880 --> 00:27:43.319
<v Speaker 2>case until I left him and New York City is

490
00:27:43.359 --> 00:27:48.480
<v Speaker 2>where I left her expense account total eight hundred and

491
00:27:48.480 --> 00:27:56.759
<v Speaker 2>twenty three dollars signed. Yours Truly Johnny Dallas.

492
00:28:10.000 --> 00:28:13.799
<v Speaker 1>Yours Truly Johnny Dollars stars Edmund O'Brien in the title

493
00:28:13.920 --> 00:28:17.039
<v Speaker 1>role and it's written by Paul Dudley and gildowd with

494
00:28:17.200 --> 00:28:22.079
<v Speaker 1>music composed and conducted by Leith Stephen. Edmund O'Brien can

495
00:28:22.160 --> 00:28:25.720
<v Speaker 1>currently be seen starring the Harry M. Popkin United Artist

496
00:28:25.759 --> 00:28:30.480
<v Speaker 1>Production d o A. Featured in our cast were Irene

497
00:28:30.519 --> 00:28:34.480
<v Speaker 1>ted Row, Walter Burke, Ted Decrcia, John Dayner, Gene Bates,

498
00:28:34.519 --> 00:28:38.359
<v Speaker 1>and Ed Begley. Yours Truly Johnny Dollar is produced and

499
00:28:38.400 --> 00:28:39.920
<v Speaker 1>directed by Jimi del Bai.

500
00:28:46.759 --> 00:28:48.160
<v Speaker 2>Join us again next.

501
00:28:47.880 --> 00:28:52.160
<v Speaker 1>Week when Edmund O'Brien returns in another adventure of Yours

502
00:28:52.200 --> 00:28:55.119
<v Speaker 1>Truly Johnny Dalla.

503
00:29:05.759 --> 00:29:08.839
<v Speaker 9>Ladies and Gentlemen, CBS invites you to hear Senator Brian

504
00:29:08.960 --> 00:29:11.359
<v Speaker 9>McMahon on the Capitol Cloak Room over most of these

505
00:29:11.359 --> 00:29:15.599
<v Speaker 9>same Columbia stations tomorrow night. Senator McMahon as chairman of

506
00:29:15.640 --> 00:29:18.920
<v Speaker 9>the Joint Congressional Committee on Atomic Energy and when he's

507
00:29:18.960 --> 00:29:23.640
<v Speaker 9>interviewed by CBS newsman Eric Severid, Bill Schadell, and Griffing Bancroft.

508
00:29:24.319 --> 00:29:27.039
<v Speaker 9>This will be the first detailed discussion of the hydrogen

509
00:29:27.079 --> 00:29:30.960
<v Speaker 9>bomb and its implications. Remember the first discussion by a

510
00:29:31.039 --> 00:29:35.640
<v Speaker 9>high government official since President Truman's historic announcement earlier this week.

511
00:29:36.359 --> 00:29:40.519
<v Speaker 9>Remember that CBS is Capitol Cloakroom tomorrow night at ten

512
00:29:40.720 --> 00:29:43.920
<v Speaker 9>thirty pm over most of the same CBS station.

513
00:29:44.640 --> 00:29:45.880
<v Speaker 2>Be sure and be listening.

514
00:29:48.200 --> 00:29:52.920
<v Speaker 9>This is CBS where, incidentally, Arthur Godfrey's Digestive with Humor

515
00:29:53.200 --> 00:29:58.519
<v Speaker 9>is also heard every Saturday night. The Columbia Broadcasting System
