WEBVTT

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<v Speaker 1>Oftentimes it's not until we experience lost firsthand that we

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<v Speaker 1>truly understand the value of life. Sometimes to understand the

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<v Speaker 1>value of life, it means taking more risks, like traveling

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<v Speaker 1>to a place we've always wanted to go but we're

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<v Speaker 1>afraid to without the one we lost. But maybe having

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<v Speaker 1>the courage to try could lead us to someone new,

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<v Speaker 1>but not without some hijinks along the way. It's You,

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<v Speaker 1>Me and Tuscany. I'm Ronald Young Junior, and I'm leaving

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<v Speaker 1>the theater. All right. This is Ronald and I am

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<v Speaker 1>leaving the theater after seeing You, Me and Tuscany. You

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<v Speaker 1>Me and Tuscany Written by Ryan Ingele, directed by Kat Quo,

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<v Speaker 1>starring Holly Bailey, Reggae, Jon Page, Marco Calvanni, Lorenzio des More,

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<v Speaker 1>Aziza Scott, and Isabella Ferrari and per usual. For complete

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<v Speaker 1>listing of the cast and you could go to the

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<v Speaker 1>link in our show notes, I'd like to start this

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<v Speaker 1>with a trigger warning before I reveal whether or not

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<v Speaker 1>I have a guest. This is a movie about Italy,

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<v Speaker 1>and at some point I am going to do an

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<v Speaker 1>Italian accent. It's gonna happen if that is something that

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<v Speaker 1>bothers you or triggers you. I want to apologize in advance.

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<v Speaker 1>It's gonna happen. I almost did it in the theater

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<v Speaker 1>while I was watching the movie, and I thought about

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<v Speaker 1>it the whole time, but I didn't. But it's I

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<v Speaker 1>feel it bubbling up. For that reason. I'm not here alone.

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<v Speaker 1>Actually not for that reason, but I'm not here alone.

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<v Speaker 1>I am here with.

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<v Speaker 2>John glood Hill. I'm glad you gave me the trigger.

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<v Speaker 2>The trigger warning is actually for me because I did

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<v Speaker 2>not know there was an Italian accent comeing y'all, we're

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<v Speaker 2>in this together.

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<v Speaker 1>I can't. I as soon as they started talking and

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<v Speaker 1>they got to Italy and it kind of became a

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<v Speaker 1>caricature of Italians. I was almost in the film. I was,

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<v Speaker 1>and there it is.

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<v Speaker 2>And there's literally a man named Luigi in this film.

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<v Speaker 1>There's a Giuseppe. There's a Luigi. It's it's it's it's

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<v Speaker 1>all right there, Okay. So you, Me and Tuscany is

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<v Speaker 1>a film about a woman played by Holly Bailey, and

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<v Speaker 1>I'm definitely gonna slip on the call her Holly Berry

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<v Speaker 1>at some point during this, so please don't email me.

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<v Speaker 1>So it's about Holly Bailey, who is playing a woman

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<v Speaker 1>named Anna who is grieving the loss of her mother,

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<v Speaker 1>and she decided she wanted to be a chef, and

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<v Speaker 1>she had done a lot of cooking with her mother.

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<v Speaker 1>She was inspired by her mother. Her mother died before

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<v Speaker 1>they were able to go to Tuscany, Italy, and Anna's

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<v Speaker 1>going through a rough patch. She's struggling to pay rent,

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<v Speaker 1>but she already had the ticket to Tuscany. So through

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<v Speaker 1>some happenstance, she ends up in Italy in this villa

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<v Speaker 1>with a fake engagement, and she becomes entangled with this

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<v Speaker 1>family and lies in high jinks ensue as a result.

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<v Speaker 1>It's a true romantic comedy. I'll stop right there. Jacqueline Hill,

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<v Speaker 1>what did you think of this film?

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<v Speaker 2>I really enjoyed this, Like I was saying, if you

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<v Speaker 2>like two thousands, ram calm, like hijinks that style, if

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<v Speaker 2>you like dirty macking talking about filthy macking, disgusting macking.

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<v Speaker 1>Can you describe what filthy macking is? So?

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<v Speaker 2>Dirty macking is like if you know someone has a

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<v Speaker 2>guy or girl and you're like, I don't care, I'm

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<v Speaker 2>about to spit my game anyway. That is, and the

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<v Speaker 2>dirty macking gets downright disgusting. At one point where it's

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<v Speaker 2>like Ronald turned to me and he was like, this

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<v Speaker 2>fanc has come back.

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<v Speaker 1>Really I did, I really did, because at that moment

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<v Speaker 1>I was just like, yo, dog, she is engaged as

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<v Speaker 1>far as you know, and you're just like that dog.

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<v Speaker 1>I'm getting a like he was. It wasn't just dirty

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<v Speaker 1>macking he was.

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<v Speaker 2>It was like wild. It's actually wild for that. It

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<v Speaker 2>was so wild for that. If you like those things

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<v Speaker 2>and along with women who lie I personally love all

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<v Speaker 2>three of those things, you're gonna have a good time

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<v Speaker 2>at this movie.

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<v Speaker 1>Yes, I feel the same. I really you said early

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<v Speaker 1>two thousands, I thought nineties as well. It was zany, yeah, zaye. Hijinks,

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<v Speaker 1>there's hijinks. It just feels like early in the film,

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<v Speaker 1>almost as a wink and a nod to the audience.

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<v Speaker 1>Neil Verdalos is listed in the in the cast. She's

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<v Speaker 1>in this movie not very long. It's very much a cameo.

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<v Speaker 1>But Neil Ardalos is my big fat Greek wedding and

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<v Speaker 1>and it's almost like a signal to what this film

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<v Speaker 1>is about to be because she shows up and it's

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<v Speaker 1>almost like she's passing the Torch to Holly Bailey in

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<v Speaker 1>a way, and so I kind of after that, I'm like, Okay,

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<v Speaker 1>I kind of know what I'm I'm what I'm gonna

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<v Speaker 1>be expect. I know what to expect.

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<v Speaker 2>Now, and I hope i'm what I'm interested to know.

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<v Speaker 2>What I like about this is seeing it before the

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<v Speaker 2>hashtag discourse, and I think, like more and more we

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<v Speaker 2>should all see movies opening weekend so that we can

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<v Speaker 2>form opinions before the conversation starts.

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<v Speaker 1>I'm a strong proponent of that. I told everyone every

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<v Speaker 1>time I'm yelling at people, I come out of the

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<v Speaker 1>film early, and I'm always like, this is one you

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<v Speaker 1>need to see early. Don't wait, you'll be behind the discourse.

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<v Speaker 2>And it's very much a thing of like rom coms

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<v Speaker 2>require a sense of earnestness, and I am curious how

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<v Speaker 2>people are going to respond to the earnestness. But if

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<v Speaker 2>you love earnestness, if you love hijinks, if you love zany,

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<v Speaker 2>if you love wacky, if you love people two people

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<v Speaker 2>who are we talked about this before the movie a

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<v Speaker 2>little too hot?

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<v Speaker 1>Okay, and so I was wrong because so he did exactly.

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<v Speaker 2>Okay, we're gonna get into the Reggae Jean page of

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<v Speaker 2>it all. But he did exact I was like, what's

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<v Speaker 2>the COMMISSI you're gonna like, is it gonna be able

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<v Speaker 2>to do this? But he was exact exactly. He did

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<v Speaker 2>exactly this. I think he's been trying to get off

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<v Speaker 2>type sir, do more of this. I loved Bridgerton, Do

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<v Speaker 2>more of this, do more of this.

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<v Speaker 1>If you are a woman and you are listening to

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<v Speaker 1>this podcast, and I have a lot of women that

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<v Speaker 1>listen to leaving the theater, this is when you go

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<v Speaker 1>see if you were into Bridgerton, if you were into

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<v Speaker 1>if you like reggae Jean, he is he's playing the

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<v Speaker 1>hits in this one. We're talking, takes his shirt off

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<v Speaker 1>at one point, smoldering, looks long like lustful gazes weird.

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<v Speaker 1>People are getting wet and people talk about getting wet

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<v Speaker 1>like it's.

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<v Speaker 2>It's the amount of why, Like just him pouring wine

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<v Speaker 2>and then looking at you like what is this? Ah?

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<v Speaker 2>Like I was literally, Ronald. I don't know if you

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<v Speaker 2>saw it, but there were times I was giggling and

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<v Speaker 2>kicking my feet.

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<v Speaker 1>At one point, you were sitting there looking at the

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<v Speaker 1>film and you had you had your hands in like

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<v Speaker 1>a tepee, like just like all figures together, and it

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<v Speaker 1>was like you had Martin Scorsese had, like cinema.

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<v Speaker 2>Cinema, this is Cinna mu.

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<v Speaker 1>Holly Bailey what. She has the perfect look for a

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<v Speaker 1>romantic lead. She has it. I believed her. What did

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<v Speaker 1>you think?

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<v Speaker 2>I think so too. Also at first I thought she

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<v Speaker 2>was gonna be doing a lot of singing. That was

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<v Speaker 2>not the case. That was not the case, but one

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<v Speaker 2>from her what and also the outfits like if you

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<v Speaker 2>need Milkmaide dress inspiration, I'm like, I don't know how

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<v Speaker 2>she got all them little milk made dresses in that

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<v Speaker 2>little carry on, but she did what she needed to do.

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<v Speaker 2>Like you're gonna people are gonna, people are gonna this

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<v Speaker 2>is what's gonna happen. People are gonna watch this movie.

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<v Speaker 2>And then the tourism board in Tuscany is going to

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<v Speaker 2>do tours where it's like we're gonna do a You,

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<v Speaker 2>Me and Tuscany trip tour and they're gonna gather all

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<v Speaker 2>of their buff black men and they are gonna be

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<v Speaker 2>oh my god, they are gonna be dominating these wineries.

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<v Speaker 2>It's about the girl trips are about to be sick.

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<v Speaker 2>The girls trips are about to be sick.

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<v Speaker 1>It's funny. I'm glad you said that because I immediately

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<v Speaker 1>thought that. I was like, there's gonna be a lot

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<v Speaker 1>of black women in Italy after seeing this, or at

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<v Speaker 1>least it's gonna come up in the group chat because

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<v Speaker 1>one I mean the setting. The setting was beautiful and

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<v Speaker 1>I sat there and I said, Oh, they're in Italy.

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<v Speaker 1>They shot this in Italy.

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<v Speaker 2>That was the thing. If you look at the credits,

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<v Speaker 2>all those names are Italian. They're like, thank you to

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<v Speaker 2>the tourism board in Rome, like they shot this on

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<v Speaker 2>location the country of Italy. I feel like they're all

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<v Speaker 2>in on this. They are about to be welcoming these

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<v Speaker 2>girls trips with open arms.

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<v Speaker 1>Yeah, it's definitely gonna spark the tourism. The score in

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<v Speaker 1>this film is doing a lot of work. It's almost

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<v Speaker 1>another character because it's very reminiscent. When you said early

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<v Speaker 1>two thousands, I remember thinking, oh, yeah, this movie is

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<v Speaker 1>doing what Hitch was doing in terms of like just

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<v Speaker 1>playing the piano at the right time, picking the strings,

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<v Speaker 1>plucking the strings at the right time, versus playing the strings.

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<v Speaker 1>Then a needle dropped just so many ways in which

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<v Speaker 1>they were using the score to signal that this is

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<v Speaker 1>your classic rom com. Do not expect anything else than

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<v Speaker 1>a classic rom com here. As a matter of fact,

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<v Speaker 1>it makes me wonder how it's going to be received. Well,

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<v Speaker 1>we'll get in the ratings in a second, but it

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<v Speaker 1>makes me I'm sitting there watching it. Even the part

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<v Speaker 1>of me that's like this should be a streaming film,

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<v Speaker 1>I had to push that down because I thought, no,

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<v Speaker 1>I really want these movies back in theaters.

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<v Speaker 2>I think that's it. Like part of me I was

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<v Speaker 2>also just like, oh, I could have streamed that. This

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<v Speaker 2>would have been a good streaming but it's like, no,

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<v Speaker 2>we want rom coms. We want them in the theater,

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<v Speaker 2>like this is what you do. There was also another

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<v Speaker 2>two thousand's trope that was very like, oh, we're so back,

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<v Speaker 2>and it's very much a skirt. You're probably wondering how

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<v Speaker 2>I got here, and I was like, oh, I was

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<v Speaker 2>wondering how you got here. Thank you for explaining that

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<v Speaker 2>to me.

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<v Speaker 1>Yeah, I saw that. I remember thinking as that was happening.

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<v Speaker 1>I remember watching it being like, this is a different

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<v Speaker 1>movie than I imagine based on what she's doing right now.

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<v Speaker 1>But that also builds the remarkable heart of the film,

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<v Speaker 1>in which they stick with the idea that she is

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<v Speaker 1>trying to escape from her own life by living other

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<v Speaker 1>people's and this this zany thing comes comes to be

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<v Speaker 1>Missus Doubtfire a movie that is zany but still has

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<v Speaker 1>a heart. It's still at its root about a man

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<v Speaker 1>who just wants to spend time with his children, you know,

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<v Speaker 1>but they couch it in this this zany hijinks. This

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<v Speaker 1>is a movie about a woman who doesn't have family.

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<v Speaker 1>She lost her mom, and like, and it's funny because

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<v Speaker 1>I'm watching this and I'm thinking, I think the losing

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<v Speaker 1>your mom trope. As someone who's lost her mom, I feel.

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<v Speaker 2>Like I's thinking of you. When that happened, I was like, Ooh,

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<v Speaker 2>is the movie like not it for you now?

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<v Speaker 1>No, because it felt like it. I understand why they

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<v Speaker 1>do that. I think it's hard to really quantify the

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<v Speaker 1>pain of losing your mond until you go through it.

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<v Speaker 1>And then all of a sudden, a lot of Kanye

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<v Speaker 1>West made sense to me after this. And I know

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<v Speaker 1>that's crazy. I know it's hot button. I don't forgive

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<v Speaker 1>anything he said that's wild, but I'll just say there

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<v Speaker 1>was a moment where I said.

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<v Speaker 2>Oh, a heartbreak made sense.

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<v Speaker 1>One hundred percent. There's just a stretch of time in

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<v Speaker 1>there where you could go down a very dark path,

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<v Speaker 1>and I think this movie displays it through zany hijinks,

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<v Speaker 1>saying that she misses her mom, and when you have

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<v Speaker 1>a relationship with your mom and you miss her, yeah,

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<v Speaker 1>maybe you'll go to Tuscany and lie about an engagement

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<v Speaker 1>and get ingratiated with.

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<v Speaker 2>A fast time she was when I think about it,

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<v Speaker 2>like she she committed crimes, but like, you can do

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<v Speaker 2>that when you're pretty. No, you can't. Don't take that

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<v Speaker 2>as legal advice.

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<v Speaker 1>You absolutely can't. I mean you can do it if

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<v Speaker 1>you're pretty. Because like to say, all right, we're getting

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<v Speaker 1>off top of I was gonna say, but the same

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<v Speaker 1>thing that attractive people do, If less attractive people do,

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<v Speaker 1>it's considered to be creepy.

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<v Speaker 2>Yeah, like, no, get her out of my home. But

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<v Speaker 2>it's like, oh it's Holly Bailey.

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<v Speaker 1>Yeah you could stay. Yeah you'd be like, oh, it's

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<v Speaker 1>weird that Holly Bailey is here, But I'm definitely not

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<v Speaker 1>kicking her out. Are you serious?

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<v Speaker 2>Yeah?

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<v Speaker 1>Yeah. So anyway, so let's talk about the rating. We've

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<v Speaker 1>talked a lot about the film. We liked it. Was

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<v Speaker 1>there anything else you want to talk about? Movie wise?

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<v Speaker 2>I enjoyed that all the men were jerks. That's gonna

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<v Speaker 2>sound until you see it, that won't make sense. But

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<v Speaker 2>all the men kind of suck and that's a little

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<v Speaker 2>well maybe not all of them, but there's the men

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<v Speaker 2>are a little dubious, but in a way that makes sense.

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<v Speaker 1>There's nothing remarkable about any of them.

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<v Speaker 2>I would say, no, no, we're going John Page is

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<v Speaker 2>just hot.

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<v Speaker 1>Yeah, that's literally it. Yeah, he's not bringing anything other

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<v Speaker 1>than hot to the table. Uh. And I think the

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<v Speaker 1>other thing is, oh, there's I cannot remember the actress's name,

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<v Speaker 1>but the sister. The sister is hilarious and he steals

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<v Speaker 1>a lot of scenes.

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<v Speaker 2>Yeah, she's a wild girl. I will also say there

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<v Speaker 2>is a Mario needle drop, and the moment that happened,

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<v Speaker 2>I was like, oh, I know what movie I'm in.

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<v Speaker 2>It's been a while, but I know what I'm doing here,

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<v Speaker 2>and it allowed me. That was a moment where I

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<v Speaker 2>was like, I am along for this ride.

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<v Speaker 1>It reminds me of again in Hitch, Don't You Worry

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<v Speaker 1>About a Thing? That part of the movie when they're

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<v Speaker 1>on those jet skis and they're out in the water

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<v Speaker 1>with the wide shots. That's kind of like there's always

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<v Speaker 1>a moment where the movie is trying to tell you

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<v Speaker 1>these two people are about to fall in love, and

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<v Speaker 1>it's starting with this needle drop and this adventure that

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<v Speaker 1>they're about to get into.

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<v Speaker 2>Yeah. Yeah. Also, that family was just so wild because

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<v Speaker 2>there were so many times where like if things were

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<v Speaker 2>what they appeared and be like, get away from that girl,

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<v Speaker 2>why do you get away from that girl?

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<v Speaker 1>You have no business talking to her whatsoever. Let's talk

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<v Speaker 1>rating So me and you were kind of like teasing

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<v Speaker 1>it a little bit, But with a film like this,

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<v Speaker 1>it's it does what it does very well and let

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<v Speaker 1>me just make you hip to this. The other day

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<v Speaker 1>I saw Mario and the Mario Super Mario Galaxy movie,

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<v Speaker 1>and at one point I'm watching it, I remember thinking,

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<v Speaker 1>this movie can't be higher than the three point five

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<v Speaker 1>because it can't do anything that it can't do anything

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<v Speaker 1>that I would consider a three point seventy five or

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<v Speaker 1>four or four point five movie could do in those cases.

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<v Speaker 1>But it's very good at what it is doing. In

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<v Speaker 1>front of me. It kind of like I sometimes I

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<v Speaker 1>try to think of movie scores like gymnastics scores, where

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<v Speaker 1>it's just if this is what you're doing. This is

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<v Speaker 1>why Simone Biles was beating so many people because her

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<v Speaker 1>starting score was so high that as long as she

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<v Speaker 1>didn't die doing the vault, she was going to win,

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<v Speaker 1>which is like it was amazing because even like, even

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<v Speaker 1>if she stepped off the mat, all that her starting

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<v Speaker 1>score was so high that it didn't matter. So a

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<v Speaker 1>stumble is different watching a film like this, I remember

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<v Speaker 1>just thinking in my head, I know what the max

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<v Speaker 1>score that this could be, because in my heart, this

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<v Speaker 1>is a this is an insane movie. There's just there's

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<v Speaker 1>problems with it, but I like it so much that

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<v Speaker 1>I'm willing to ignore them. Yeah.

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<v Speaker 2>It's like, so when I think of ratings, I also

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<v Speaker 2>like I take genre into account. So for instance, I

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<v Speaker 2>can't remember what the score I gave it, but I

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<v Speaker 2>think I gave the most recent Bad Boys that came out.

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<v Speaker 2>It probably have the same score as Oppenheimer. And those

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<v Speaker 2>are like totally different films, completely different films, like what

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<v Speaker 2>like not. They are both not gonna be at the Oscars.

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<v Speaker 2>They are both not gonna be But it's like, I

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<v Speaker 2>know what I came for and I had a ball,

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<v Speaker 2>and you gave me what I was looking for. And

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<v Speaker 2>I think that's something people I don't know. I think

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<v Speaker 2>that's something that gets lost with a lot of like criticism,

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<v Speaker 2>especially if like lay criticism, because it's a thing of like, well,

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<v Speaker 2>why wasn't this Citizen Kane? Therefore it was bad? And

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<v Speaker 2>it's like, no, the movie did what it came to do. Like,

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<v Speaker 2>not every movie is gonna be like I don't know,

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<v Speaker 2>not every movie. Not every movie is gonna be sinners.

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<v Speaker 2>But that doesn't mean the movie's not good.

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<v Speaker 1>I agree, And I also think that there are there's

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<v Speaker 1>still a range of romantic comedies in terms of stuff

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<v Speaker 1>that is probably better than you Me and Tuscany. But

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<v Speaker 1>I mean you.

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<v Speaker 2>Still thought, listen, it's not when Harry met Sally.

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<v Speaker 1>That's that's what I was gonna say, Like, look at

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<v Speaker 1>the classics. It's not gonna be one of those. It's

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<v Speaker 1>not gonna be like a Sleepless in Seattle, which actually

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<v Speaker 1>I don't think.

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<v Speaker 2>People like it's not even a brown sugar.

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<v Speaker 1>It's not a brown sugar. It's not even what's the

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<v Speaker 1>other one with them? Oh, it's not a loving basketball.

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<v Speaker 1>But that's not really a comedy, right.

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<v Speaker 2>Horror movie?

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<v Speaker 1>Yeah, that is a horror movie.

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<v Speaker 2>I would say, is it a twenty seven dresses?

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<v Speaker 1>It could be a twenty seven dresses? Is it a

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<v Speaker 1>runaway bride?

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<v Speaker 2>Is it a runaway? That is it? Is it a runaway?

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<v Speaker 1>Is it a pretty woman?

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<v Speaker 2>Yeah? Ooh m.

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<v Speaker 1>I think Holly Bailey should go on all right. With

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<v Speaker 1>all of that being said, let me finish. I thought,

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<v Speaker 1>I think that Holly Bailey should go on a run

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<v Speaker 1>of romantic comedies right now. I think she should be

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<v Speaker 1>trying to get these at least try to get another couple. Whatever.

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<v Speaker 1>But with all of that being said, what do you

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<v Speaker 1>rate this movie out of five stars?

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<v Speaker 2>I am going to give it a four point twenty

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<v Speaker 2>five because I think it does the rom com thing

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<v Speaker 2>it needs to do. Like three is like very average,

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<v Speaker 2>Like you know, three's like a C. This is definitely

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<v Speaker 2>a B plus. Like go see it with your girls,

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<v Speaker 2>have a good time, have a giggle afterwards, be like, girl,

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<v Speaker 2>we should go to a winery in Tuscany. Reggae John Page,

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<v Speaker 2>do more of this. I'm trying to. I'm trying to.

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<v Speaker 2>I'm trying to watch you, like I don't know like,

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<v Speaker 2>take your shirt off in more things?

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<v Speaker 1>Do that?

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<v Speaker 2>Do that? We like it, do more of it. You're

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<v Speaker 2>good at it.

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<v Speaker 1>I give it a three point seventy five of five stars. Uh,

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<v Speaker 1>I think that in my opinion, I don't think it

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<v Speaker 1>could get higher than that, but I think it maxes out.

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<v Speaker 1>I know why, based on what you explained, I think

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<v Speaker 1>are essentially our scores are the same, which I know

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<v Speaker 1>sounds insane, but based on you, our scoring get to say.

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<v Speaker 1>In terms of genre, I'm still rating it according to

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<v Speaker 1>the original scale, and I am holding the scale fast

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<v Speaker 1>and saying that I think that a movie like I

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<v Speaker 1>think that there are romantic comedies that do rise to

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<v Speaker 1>the range of four point twenty five. Uh. And I

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<v Speaker 1>just think if we're giving if I gave you me

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<v Speaker 1>a Tuscany a four point twenty five, then what am

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<v Speaker 1>I giving pretty will be a six? You know what

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<v Speaker 1>I mean? Like at this point, so I feel like

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<v Speaker 1>at that point, so I'm like, I always like to

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<v Speaker 1>hold it down, but I don't. I recognize your score.

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<v Speaker 1>You just explained why, So it makes sense. Regardless, go

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<v Speaker 1>see this movie. It's good. It's good, and uh, it's

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<v Speaker 1>it's black love and it's it's it.

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<v Speaker 2>Really is it really but like it's black love but

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<v Speaker 2>like very excess accessible to non black audiences, even though

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<v Speaker 2>it has two black leads.

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<v Speaker 1>They made they made a black movie for white people.

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<v Speaker 2>And it's also like race comes up, but it's like

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<v Speaker 2>very I don't know, very like there's an acknowledgement where

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<v Speaker 2>it's like, oh, it was just you and me here,

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<v Speaker 2>and it does come up in a discussion some characters

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<v Speaker 2>have at the climax. There there is some tension, but

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<v Speaker 2>I don't know it was done.

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<v Speaker 1>You mean when he calls them a no not.

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<v Speaker 2>Having that did not But there is a little thing

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<v Speaker 2>of like, mm are you like and so I don't

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<v Speaker 2>know it did a good job. Shout out to Will

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<v Speaker 2>Packard for this one.

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<v Speaker 1>Uh yeah, well go see it. Wine is gonna be

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<v Speaker 1>on a premium this summer, so just get ready for

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<v Speaker 1>that and with that. Leaving the Theater is a production

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<v Speaker 1>of Oh It's Big Ron Studios. I mixed this episode

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<v Speaker 1>per usual. I'm working hard putting out episode of this show.

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<v Speaker 1>There's a lot of coordination that's going on about Leaving

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<v Speaker 1>the Theater, specifically working on doing more social videos, trying

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<v Speaker 1>to get ahead of that. Also revamping Heartbreaker. I'm still

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<v Speaker 1>telling stories on stage, so I'm working on that. I

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<v Speaker 1>have a new top secret project that I can't even

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<v Speaker 1>tell you all about because if I start saying it

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<v Speaker 1>out loud, I feel like I will it will grow

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<v Speaker 1>to a place where I might start to get afraid

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<v Speaker 1>of it. So I'm just starting to do it, and

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<v Speaker 1>I'm just gonna leave it at that. All of the

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<v Speaker 1>contributions that come in from odes Big Ron help me

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<v Speaker 1>with all of these projects, not just leaving the theater,

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<v Speaker 1>but you're helping with multiple projects. You help with wait

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<v Speaker 1>for It, you help with Heartbreaker, you help with leaving

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<v Speaker 1>the theater, you help with this top secret project. You

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<v Speaker 1>are helping me, and all of this is a labor

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<v Speaker 1>of love. This is what I do for a living.

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<v Speaker 1>It's a labor of love, but it's still labor. If

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<v Speaker 1>that means something to you, go to patrion slash Oh

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<v Speaker 1>It's Big Ron and become a patron, or go to

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<v Speaker 1>the link in our show notes. Show art from Heather Wilder,

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<v Speaker 1>theme music by the mysterious break Master Cylinder. For more

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<v Speaker 1>information about you, Me and Tuscany or Jacqueline Hill, check

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<v Speaker 1>on our show notes. You can follow me on Instagram,

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<v Speaker 1>Blue Sky, TikTok, threads or letterboxed at Owitz pig Ron.

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<v Speaker 1>That's at O h I T S b I g

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<v Speaker 1>R O N. You can find out more about this

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<v Speaker 1>show and other OIZ Big Ron Studio shows by following

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<v Speaker 1>us on Instagram. At owits Big Ron Studios leaving the theater.

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<v Speaker 1>Will be back soon. Thanks for listening and thanks for

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<v Speaker 1>being on the show.

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<v Speaker 2>Thanks for having me.

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<v Speaker 1>I'm Ronald Young Junior and i'd bah Ba
