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<v Speaker 1>Hudson River Radio dot com.

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<v Speaker 2>It beats listening to nothing.

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<v Speaker 1>My goodness, being Frank, where the only way to be

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<v Speaker 1>is Frank. Hello everyone, and welcome to being Frank. We're

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<v Speaker 1>the only way to be is Frank. I'm your host, FRANKL. Borne,

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<v Speaker 1>and I'd like to thank you for joining us on

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<v Speaker 1>what we like to call the Intelligent Conversation Podcast, where

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<v Speaker 1>no conversation is out of bounds and all points of

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<v Speaker 1>view are welcome. We record live to tape. I give

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<v Speaker 1>you the date so you have some relevance and context.

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<v Speaker 1>Is the fifth of February Black History Month. One of

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<v Speaker 1>the first things the new administration under President Donald J.

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<v Speaker 1>Trump did was to not only shut down the Department

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<v Speaker 1>of Equity and Inclusion the DEI, but to obliterate the

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<v Speaker 1>very mention of the words, as if they conveyed some

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<v Speaker 1>type of filthy message. It also attempts to destroy years

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<v Speaker 1>of important good efforts to level the playing field for

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<v Speaker 1>all Americans. The executive order even goes so far as

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<v Speaker 1>to eliminate cultural celebrations like Black History Month from the

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<v Speaker 1>federal calendar. In frustration, many say, but he's the president.

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<v Speaker 1>What can we do well? We can fight back by

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<v Speaker 1>refusing to endorse the bigotry the orders represent, and that

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<v Speaker 1>it's exactly what we're doing here at being Frank. By

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<v Speaker 1>continuing to celebrate Black History Month, my guest represents the

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<v Speaker 1>very best of equity and conclusion with his life's work

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<v Speaker 1>of empowering undeserved communities through theater, arts, and more. He's

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<v Speaker 1>a playwright, director, teacher, mentor, the executive director of the

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<v Speaker 1>award winning Shant's Repertory Theater and my longtime friend mister

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<v Speaker 1>Samuel Harps. Samuel, thank you so much for taking the

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<v Speaker 1>time and joining us today.

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<v Speaker 2>So glad to be you've been looking forward to it, Frank.

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<v Speaker 2>You know I was thinking earlier. I've known you for

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<v Speaker 2>over thirty years. Man.

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<v Speaker 1>You know, yeah, it's it's pretty amazing when you stop

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<v Speaker 1>to think about it. How time does fly? So I

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<v Speaker 1>know you. But let's assume people in our listening audience

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<v Speaker 1>don't tell us a little bit about yourself, your background,

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<v Speaker 1>and how you came to where you are today.

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<v Speaker 2>Okay, kind of brief, but I've been in Rockland County,

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<v Speaker 2>I guess you know, about thirty five years. I'm a transplant.

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<v Speaker 2>My sisters and I were raised in a military family,

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<v Speaker 2>so We traveled around quite a bit, you know, and

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<v Speaker 2>finally settled in the Norfolk Tywood area north of Virginia.

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<v Speaker 2>And I came to New York in nineteen eighty eight

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<v Speaker 2>on an internship at New Dramatists, right next door to

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<v Speaker 2>the Actors Studio, So quite fortunate there and that was

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<v Speaker 2>my start. Fell in love with to Rocklander, who kind

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<v Speaker 2>of brought me up to nyactin, fell in love with nyacting.

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<v Speaker 2>When we broke up, I decided to stay. It's a

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<v Speaker 2>great community and I'm happy to be here. At our

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<v Speaker 2>youth theater about twenty two years ago up in Havistraw,

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<v Speaker 2>which was a mentorship we kind of got the kids

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<v Speaker 2>who didn't get cast in the really big high school

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<v Speaker 2>and junior high school productions. They were starting to have,

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<v Speaker 2>you know, guys and dolls and so on and so forth,

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<v Speaker 2>and we found ourselves in the community of community theaters

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<v Speaker 2>that were only doing guys and dolls and damn Yankees,

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<v Speaker 2>but they weren't doing new works by African American Latinos

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<v Speaker 2>or anyone else for that matter. So we were kind

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<v Speaker 2>of like the what do you call it, the small

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<v Speaker 2>fish in the big pond or whatever that metaphor is yeah.

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<v Speaker 1>You know, Samuel, this is so important too. As I

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<v Speaker 1>mentioned in the thing with the struggle against DEI, I mean,

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<v Speaker 1>you're talking about inclusion, equity, being equal, not better, but

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<v Speaker 1>certainly not less, okay, and being included. And I want

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<v Speaker 1>to talk a little bit about in more detail as

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<v Speaker 1>our conversation continues, but I want to find it and

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<v Speaker 1>get a little bit more into Samuel, what drew you

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<v Speaker 1>to the theater? You mentioned you were next to it,

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<v Speaker 1>but what was it about theater that grabbed you?

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<v Speaker 2>You know, a great question, and I love when people

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<v Speaker 2>ask that in different variations. But I came about kind

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<v Speaker 2>of late in the game. I mean again, I was

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<v Speaker 2>we were in Germany doing most of the height of

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<v Speaker 2>the civil rights movement, just kicking off, so you know,

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<v Speaker 2>we kind of looked at I wanted to be Jimmy

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<v Speaker 2>hendrick Man or Jim Morrison, so I had to you know.

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<v Speaker 2>And on the other side of that the Temptations and

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<v Speaker 2>Smoking Robinson, so I was like right back in the middle.

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<v Speaker 2>And music, as always is what kind of bridged all races.

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<v Speaker 2>I mean, you know, I know many groups you know

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<v Speaker 2>that are frost Slining Family Stone and so on, and

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<v Speaker 2>so forth. But with being in Germany, and I come

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<v Speaker 2>from a military family all the way back to the

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<v Speaker 2>Civil War. Black men in my family have fought in wars.

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<v Speaker 2>My father went to Korea Vietnam twice. He said he

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<v Speaker 2>wasn't finished the first time, so he decided to go back.

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<v Speaker 2>I have cousins, two uncles, one that died in Vietnam.

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<v Speaker 2>Both my sisters are military, one fought in Kuwait, the

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<v Speaker 2>other in Afghanistan. Myself, I'm a veteran, very patriotic family,

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<v Speaker 2>which sounds to some people like an oxymorn. A black

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<v Speaker 2>person is patriotic, But black people built this place, man,

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<v Speaker 2>We're just as patriotic as anyone else, probably more so.

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<v Speaker 2>You know. Honestly, I joined the military because I just

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<v Speaker 2>got bored with college. And you know, I was in

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<v Speaker 2>the middle of the dream beferred. You know, I was

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<v Speaker 2>right at my teen years when Woodstock was going on.

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<v Speaker 2>They were dancing and marching in the streets. But again,

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<v Speaker 2>I came about here at thirteen fourteen from a different

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<v Speaker 2>perspective of America, you know, and in Germany, being black,

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<v Speaker 2>the only racism I felt was being an American. They

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<v Speaker 2>were Chinese classmates, Italians, you know, Jewish across the board,

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<v Speaker 2>so I just thought I was American. That was it,

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<v Speaker 2>except for German girls and German boys. The young ones

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<v Speaker 2>when we got into the small towns wanted to rub

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<v Speaker 2>to see if this black actually rubbed off. But it wasn't.

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<v Speaker 1>That happened to me in China. I know that actually

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<v Speaker 1>does happen, and it's not. It's not a say racist thing.

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<v Speaker 1>They don't think you're so unusual. They don't see people, man.

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<v Speaker 2>I mean it was nineteen sixty three, so a lot

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<v Speaker 2>of these kids had never seen a black person. So

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<v Speaker 2>they were just like, it's curiosity, not racism. Maybe curiosity

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<v Speaker 2>eighty percent to me, but who knows. Basically I took

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<v Speaker 2>it as being curiosity. I did as well. If it

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<v Speaker 2>really rubbed off, you know, it doesn't, except for when

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<v Speaker 2>I really scrub hard, when I'd take in a shower,

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<v Speaker 2>it does come just a little bit. But then coming

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<v Speaker 2>to America again, with all of that, we were bust.

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<v Speaker 2>We lived right in the middle of a white community

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<v Speaker 2>because military bases in the Tiword area are close to

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<v Speaker 2>pretty affluent white communities. So my sisters and I were

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<v Speaker 2>actually busted from a white community to a black school

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<v Speaker 2>and we were there for the first time at an

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<v Speaker 2>all black school, and we were I was dumbfounded. I

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<v Speaker 2>mean I again, I looked like Jimmy Hendrix at the

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<v Speaker 2>time at fourteen, you know, my hair stood in my

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<v Speaker 2>afro like this. I had an afro like that. But

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<v Speaker 2>then it kind of like did that you know, headbands

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<v Speaker 2>and you know beat it vests. So I was an

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<v Speaker 2>odd ball, you know, in a place where I should

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<v Speaker 2>have been seen as one of my peers. But I

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<v Speaker 2>had to get into my first fight because a brother

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<v Speaker 2>told me he wanted to show me how to be

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<v Speaker 2>a brother, you know, because there's a walk to it,

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<v Speaker 2>there's a talk to it, there's a rhythm to being black.

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<v Speaker 2>And if you don't know what that rhythm is, you know,

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<v Speaker 2>not only do what I be accepted, you can get

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<v Speaker 2>your ass with. I'm being very friends. So yeah, so

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<v Speaker 2>it was it was an interesting time. You know. I

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<v Speaker 2>was a surf you know, as well as a guy

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<v Speaker 2>who was really good at basketball, you know, so it

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<v Speaker 2>was just a cut between them both again, Jim Morrison,

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<v Speaker 2>James Brown, you know Sliner, Family Stone, Lin Zeppelin, you

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<v Speaker 2>know I. You know, my friends were diverse, you know, Chinese, African,

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<v Speaker 2>American White the works.

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<v Speaker 1>So thank you so much for sharing that with us, Sambuel.

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<v Speaker 1>In all the years that I've known you too, I

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<v Speaker 1>didn't know that part of you, So I really appreciate

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<v Speaker 1>you sharing with it. And I don't want to make

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<v Speaker 1>this entirely about the E because I want to talk

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<v Speaker 1>about you. Got some new work, and I promise we're

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<v Speaker 1>going to devote some time to that. Two new things

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<v Speaker 1>coming up in February, and we are going to devote

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<v Speaker 1>some time to that. But I think this is an

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<v Speaker 1>important conversation to have again, especially in light of what's

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<v Speaker 1>going on today. So a person with your perspective, you know,

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<v Speaker 1>And it's interesting and I'm quote unquote Italian American and

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<v Speaker 1>Sicilian American, and my family's only been here two generations,

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<v Speaker 1>and yet people will look at me as you know,

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<v Speaker 1>and your family has been here for multiple generations and

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<v Speaker 1>served as my father served in World War Two, your

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<v Speaker 1>family has served forever. How does it make you feel

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<v Speaker 1>when you hear somebody say, well, you know, Trump certainly.

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<v Speaker 1>And I have something out on my blog talk Frank,

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<v Speaker 1>as well as the Nyak News and Views published about

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<v Speaker 1>this whole situation, and it's just so unfortunate that, you know,

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<v Speaker 1>the recent mid air collision with the president, instead of

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<v Speaker 1>bringing people together through healing and compassion, suggests that this

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<v Speaker 1>was caused by dei, in other words, incompetent people who

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<v Speaker 1>are only there because they were given a break to

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<v Speaker 1>get there. It's insulting to me. It must be abhorrent

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<v Speaker 1>to somebody like you whose family has given so much

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<v Speaker 1>to this country.

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<v Speaker 2>What is it think about just that point, just for

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<v Speaker 2>a moment, we had the coldest month of the year

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<v Speaker 2>and the shortest month of the year. African American History

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<v Speaker 2>Months was started in nineteen twenty six as African American Week,

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<v Speaker 2>okay a week, and we fought from nineteen twenty sixteen

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<v Speaker 2>thirty two to get that week. Now, all these years later,

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<v Speaker 2>just the thought of eliminating it, just the thought is insane. Yeah,

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<v Speaker 2>it's totally insane. I mean, I February for the last

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<v Speaker 2>ten years, Frank has first of all. African American History

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<v Speaker 2>Month in general has gone through its own incarnations. Okay.

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<v Speaker 2>I taught in the schools here for a while, and

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<v Speaker 2>it used to most of the teenagers used to dread

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<v Speaker 2>it because what we saw was Okay, they suffered, they overcame,

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<v Speaker 2>they suffered again, Martin Luther King, and it was over, okay,

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<v Speaker 2>But they didn't talk about the struggles to fight the strikes,

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<v Speaker 2>the history of African Americans, the history. Okay, you know

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<v Speaker 2>the penagen you know the first heart surgeon, you know

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<v Speaker 2>the person, the people who built the White House and

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<v Speaker 2>Washington d C. Okay, they started Black universities Hbasus, which

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<v Speaker 2>I'm a graduate of. Those are the stories that the

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<v Speaker 2>kids did not get, which led me to writing the

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<v Speaker 2>stories that I actually write on African American lessons on history,

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<v Speaker 2>historical events and figures, because these are stories that people

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<v Speaker 2>did not know about. Their first black All Black Theater

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<v Speaker 2>company was created in Manhattan in eighteen twenty one. Never

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<v Speaker 2>heard of it. My daughter gave me an ancestry kit

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<v Speaker 2>eight years ago for my sixtieth birthday. I had never

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<v Speaker 2>considered looking up even past my father, which is what

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<v Speaker 2>led me to finding out about having family members that

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<v Speaker 2>fought and said they weren't allowed to carry a gun

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<v Speaker 2>when my father fought in Korea. When he fought in Korea,

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<v Speaker 2>they weren't first sending African Americans because they weren't allowed

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<v Speaker 2>to carry guns. This is in Korea, in the fifties

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<v Speaker 2>and then they allowed it to happen because they started

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<v Speaker 2>to run out of white bodies to put in the

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<v Speaker 2>front line. Okay, so then people ask me how it

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<v Speaker 2>feels to actually consider getting it a Black History Month. Again,

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<v Speaker 2>I say redundantly, the coldest and the shortest month of

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<v Speaker 2>the year, just to even think about it. TI, I

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<v Speaker 2>go both ways. And with that, you know, what does

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<v Speaker 2>that mean? We want? America has been trying to level

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<v Speaker 2>the playing field for since the reconstruction. They just can't

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<v Speaker 2>figure out why and how. Okay, forty acres in the

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<v Speaker 2>mule never got it. Social Security, you know, there was

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<v Speaker 2>a I'm going to talk to you to death answer, right,

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<v Speaker 2>but no.

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<v Speaker 1>It is Sam, I and my audience. I'm quiet, which

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<v Speaker 1>means I'm listening intently. I believe they are too.

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<v Speaker 2>Please continue, Sam, Please see this the Okay, from an

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<v Speaker 2>African American perspective, there was a quota in Mississippi. They

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<v Speaker 2>had no black firefighters in a town that was seventy

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<v Speaker 2>eight percent black Southern Mississippi. Wow, So they decided, okay,

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<v Speaker 2>we want to get more blacks. And this is in

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<v Speaker 2>the eighties. This is not this is not ancient history.

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<v Speaker 2>We want to try to get more blacks as firemen.

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<v Speaker 2>So they had a lot of black African Americans. I'm

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<v Speaker 2>going to use black throughout to come in and take

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<v Speaker 2>the tests so they can level the playing field. And

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<v Speaker 2>what they did, they leveled the playing field. Years later

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<v Speaker 2>there were many more African Americans. But then two of

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<v Speaker 2>the brothers that took this test found out that they

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<v Speaker 2>lowered the standards on the test to feel this quote. Okay,

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<v Speaker 2>so DU's one thing, but wouldn't you want to take

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<v Speaker 2>the same tests as these other guys the other fireman?

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<v Speaker 1>Absolutely in fairness, absolutely an excellent point to make.

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<v Speaker 2>So what did they say by lowering? And they're saying

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<v Speaker 2>already that you're not good enough, smart enough, strong enough,

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<v Speaker 2>which they've been saying since, you know, forever, since Bear

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<v Speaker 2>Bryant decided to get some black men on his team.

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<v Speaker 2>You know, that was what we were good for, lifting, running, jumping,

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<v Speaker 2>Jackie Robinson, the works. But you're just not smart enough.

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<v Speaker 2>We couldn't even be quarterbacks on the football field. It's

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<v Speaker 2>just not just not smart enough. How many black coaches

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<v Speaker 2>were there in basketball? None for many years until recently,

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<v Speaker 2>you know, in the sixties, Bill Russell's like I'm gonna do.

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<v Speaker 2>I'm gonna coach because I'm the better player. Okay, but

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<v Speaker 2>these are the things that that DEI had that comes

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<v Speaker 2>around to make it such an insult to say that

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<v Speaker 2>you got and it's still saying d I itself is

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<v Speaker 2>saying you're not good enough, you know, to actually be here.

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<v Speaker 2>Of course, most people see it as leveling the playing field,

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<v Speaker 2>but how do you do that again? One hundred and

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<v Speaker 2>how many years eighteen sixty five, two hundred years or so,

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<v Speaker 2>trying to level the playing field, and this guy wants

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<v Speaker 2>to say, yeah, no, let's stop that.

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<v Speaker 1>Okay, Well, because you know, DEI does have a function,

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<v Speaker 1>I think, and it's a deep issue and one I'm

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<v Speaker 1>sure we could debate for more than the hour that

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<v Speaker 1>we have for this program. But certainly, and we mentioned

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<v Speaker 1>the term without making it sound try of leveling the

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<v Speaker 1>playing field because the field is not level. For example,

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<v Speaker 1>education within poorer communities does not equal the education in

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<v Speaker 1>the more wealthy communities. And let's attach the colors associated

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<v Speaker 1>with that, the black communities versus the white community. So DEI,

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<v Speaker 1>in an effort to say, well, look, we have to

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<v Speaker 1>skew it. It's like in the old days, we remember

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<v Speaker 1>when teachers used to mark on a curve. That's something

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<v Speaker 1>that's kind of disappeared a little bit. But yet it

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<v Speaker 1>had a function to bring everyone together, okay, along and

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<v Speaker 1>along the same path. So DEI at least had a

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<v Speaker 1>function to at least acknowledge say, well, yeah, the white

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<v Speaker 1>kid does have an advantage because he did go to

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<v Speaker 1>a better school, and that can be proven. You're a Rocklander.

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<v Speaker 1>And Joe Allen made a film of it. Two schools

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<v Speaker 1>in Hillburn about black kids and white kids, and the

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<v Speaker 1>black kids include Native American kids and white kids went

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<v Speaker 1>to two completely different schools and so far as even

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<v Speaker 1>one school had indoor plumbing in a gymnasium where the others,

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<v Speaker 1>you know, that was the white school. The black school

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<v Speaker 1>had an outhouse, et cetera. So which one is easier

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<v Speaker 1>to learn in where you learn better?

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<v Speaker 2>And it's still it's still like that.

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<v Speaker 1>So how do we And again maybe this is a

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<v Speaker 1>rhetorical question, Samuel, but that's why he invited you, because

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<v Speaker 1>you and I can have these kind of discussions. Where

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<v Speaker 1>where do where do we bring it to a point

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<v Speaker 1>where we say that it is enough, it's it must

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<v Speaker 1>be solely merit and can you hear that you and

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<v Speaker 1>everybody wants to be known that they accomplish things by

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<v Speaker 1>their own merit. But when do we reach that?

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<v Speaker 2>How? I mean, how do we reach The first thing?

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<v Speaker 2>First is you could you could change the laws frame. Yeah,

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<v Speaker 2>the changing logs is easy, it's writing on paper. But

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<v Speaker 2>you cannot change the way people think. That takes lifetimes.

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<v Speaker 2>We're still trying to figure out the Jesus thing, you know,

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<v Speaker 2>I mean, so, I mean, you know, how do you

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<v Speaker 2>the playing field? It may sound pessimistic, but again, and

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<v Speaker 2>since slavery, I mean, since reconstruction, since they said you

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<v Speaker 2>are free, they've been trying to level the playing field

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<v Speaker 2>in America. Okay, in Europe, a lot of you know,

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<v Speaker 2>James Baldwin and Josephine Baker and Richard Wright, Langston's Hughes,

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<v Speaker 2>they went to Paris for that very reason, because the

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<v Speaker 2>playing they they're seen as a human being. Here we're

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<v Speaker 2>still seeing as a subculture, a sub human being. Not

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<v Speaker 2>just culturally, but you have a lot of people that

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<v Speaker 2>literally think are president being one that you just are inferior.

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<v Speaker 2>You just don't quite have it. Okay, you dump that

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<v Speaker 2>on a people for four hundred years, they start to

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<v Speaker 2>believe that I would go into schools as a special

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<v Speaker 2>education teacher and have kids that were put in special

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<v Speaker 2>ed before they took a test to be put in

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<v Speaker 2>special ed because they come in behind the eight ball. Okay,

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<v Speaker 2>they come in and you're not smart enough. So you're

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<v Speaker 2>sitting in the classroom already knowing that you're not smart

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<v Speaker 2>enough than the white guy next to you with red

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<v Speaker 2>hair and blue eyes. You already know that intuitively, so

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<v Speaker 2>you're gonna try it just a little less, and you're

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<v Speaker 2>going to be very angry with the teacher, just like

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<v Speaker 2>everyone's angry with the government for that same reason. The

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<v Speaker 2>government is our school teacher, is our math teacher, our

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<v Speaker 2>social studies teacher, okay. And he's talking. And when they

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<v Speaker 2>start talking about taking away the history out of the

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<v Speaker 2>history books, it was never there. Okay. So you can't

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<v Speaker 2>talk about race. Okay, you can not talk about race

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<v Speaker 2>in America as long as you got black and white.

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<v Speaker 2>And this is a black man talking, you know. But

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<v Speaker 2>I'm one amongst many to have this feeling of just

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<v Speaker 2>still not being seen. The first thing in the world

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<v Speaker 2>for any person is to not feel seen, especially in

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<v Speaker 2>America with the blood that has been shed on this country.

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<v Speaker 2>Martin Luther King, you know, he fought for what we

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<v Speaker 2>got in the sixties, but then it got turned around.

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<v Speaker 2>It was worse after George Floyd than it was in

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<v Speaker 2>nineteen sixty nine. Man, worse after George Floyd. Well, we

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<v Speaker 2>watched the man for what nine minutes with his head

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<v Speaker 2>on the cement, with the guys you know, foot in

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<v Speaker 2>this roAP, screaming for his mom. It took things like

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<v Speaker 2>that to shake America and go, wow, that's wrong. But

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<v Speaker 2>then what do you do about it?

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<v Speaker 1>It happened again, whether recently in New York State with

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<v Speaker 1>the prison guards. We saw, I think everyone saw, and

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<v Speaker 1>everyone was revolted by that horrible beating. But yet it

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<v Speaker 1>happened again.

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<v Speaker 2>And it will. I still to this day in Rockland County,

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<v Speaker 2>to this day get stopped at least twice a year

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<v Speaker 2>for DWB in Rockland County. The street I live on,

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<v Speaker 2>I get stopped eight blocks from the street I live

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<v Speaker 2>on to find out. First they say, of course, you're

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<v Speaker 2>not wearing your seatbelt, which is no way I'm knowing,

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<v Speaker 2>But they just s he's just don't seem right around here.

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<v Speaker 2>And that's back to my philosophy. Of you can change

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<v Speaker 2>the laws, which can't change the way people think. And

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<v Speaker 2>that's not a pessimistic view, that's just my realism of it. Okay,

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<v Speaker 2>one of the ways. And I think it's a perfect segue.

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<v Speaker 1>And I wanted to talk to you about mentorship because

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<v Speaker 1>I know that's an important element. But first let's go

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<v Speaker 1>back who in your life has provided mentorship and why

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<v Speaker 1>is it important and who can we can we look

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<v Speaker 1>to for that, particularly again in the minority community, as

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<v Speaker 1>you hear it over and over again, we need more

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<v Speaker 1>powerful role models, We need mentors. So talk a little

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<v Speaker 1>bit about who some of yours were, are, why and

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<v Speaker 1>what importance that role plays in every community.

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<v Speaker 2>Right. My mentor when that is coming up, was a

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<v Speaker 2>black man from Richmond, Virginia named Arthur Adams. Reason being

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<v Speaker 2>because Arthur ash was a two man. Okay, of course

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<v Speaker 2>you have your Jackie Robinson's and so on and so forth,

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<v Speaker 2>but he was a person I looked up to. My mentor,

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<v Speaker 2>of course was my father, every that's the obvious, but

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<v Speaker 2>the person that I looked up to wanted to inspire

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<v Speaker 2>to be, not because I want to play tennis, but

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<v Speaker 2>the way he carried himself. Do we dress. You know,

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<v Speaker 2>he walked with a certain a certain bit of class

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<v Speaker 2>that I wanted to capture. That's who I wanted to be.

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<v Speaker 2>So when I went into in particular theater, but teaching

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<v Speaker 2>in general, the black man, I wanted them to see

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<v Speaker 2>a black man who was very sure of himself of

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<v Speaker 2>who he is. And then if you get self assurance,

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<v Speaker 2>this is who I am, and I'm proud of that.

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<v Speaker 2>And there's no outside forces that can say, hey, he's

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<v Speaker 2>not good enough. If he knows who he is, he

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<v Speaker 2>doesn't have to ask those questions of anyone, including himself.

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<v Speaker 2>Arthur asked, gave me that. I only met him once

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<v Speaker 2>and never talked to him. I just shook his hand

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<v Speaker 2>because he came to our school, you know. But I

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<v Speaker 2>in my head it was always I want to be

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<v Speaker 2>like that, not Muhammad ar Lee. Are the role models

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<v Speaker 2>for the last thirty five years, or actually I'm going

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00:23:32.160 --> 00:23:35.119
<v Speaker 2>to go further back forty years for African Americans have

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<v Speaker 2>been our athletes and our rappers, not the musicians. Of course,

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<v Speaker 2>I want to be Stevie Wonder and as I pointed

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<v Speaker 2>out earlier, I'm going to be Jimmy Hendrix. But I

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00:23:46.039 --> 00:23:50.759
<v Speaker 2>do remember in junior high school, a social study teacher

397
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<v Speaker 2>telling me that I should work on my jump shot

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<v Speaker 2>because he felt that was probably the only opportunity that

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<v Speaker 2>I might have, you know, and I had been right

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<v Speaker 2>in the journal, my journals since I was nine years old.

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00:24:03.799 --> 00:24:06.680
<v Speaker 2>And if it weren't for an English teacher, that counteracted

402
00:24:06.720 --> 00:24:11.079
<v Speaker 2>what he was saying, telling me, a white English teacher,

403
00:24:11.599 --> 00:24:14.039
<v Speaker 2>you can be anything you want. You know, you like

404
00:24:14.119 --> 00:24:17.960
<v Speaker 2>to write. Writing is power. That led me to theater.

405
00:24:18.440 --> 00:24:23.240
<v Speaker 2>The pen is power, you know. So that's my mentor

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00:24:23.480 --> 00:24:26.599
<v Speaker 2>and the person I looked up to, and that's what

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<v Speaker 2>I want to give out to our kids, that you

408
00:24:29.359 --> 00:24:32.039
<v Speaker 2>can be something. You don't have to work on your

409
00:24:32.119 --> 00:24:34.839
<v Speaker 2>jump shot, you know, you don't have to go out

410
00:24:34.880 --> 00:24:36.880
<v Speaker 2>to football, you don't have to be a rapper. But

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<v Speaker 2>these are the person people they looked up to. Real quick.

412
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<v Speaker 2>I my first wife and I were tutors in bedsty

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<v Speaker 2>very quick, very quick.

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<v Speaker 1>So please take that we have time. Please got this.

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<v Speaker 2>And there was there was there were kids that used

416
00:24:54.559 --> 00:24:57.559
<v Speaker 2>to hang out. And there was a little girl that

417
00:24:57.599 --> 00:25:01.680
<v Speaker 2>we were walking her home twelve years old. She got

418
00:25:01.720 --> 00:25:03.759
<v Speaker 2>to her building and my wife and I, we were

419
00:25:03.799 --> 00:25:07.359
<v Speaker 2>not New Yorkers. My wife's from She was from Detroit

420
00:25:07.400 --> 00:25:11.119
<v Speaker 2>and I'm from the South. Basically I moved here from Atlanta.

421
00:25:11.680 --> 00:25:13.440
<v Speaker 2>And she stopped us about a block and a half

422
00:25:13.480 --> 00:25:15.359
<v Speaker 2>from her house and says, okay, we have to wait.

423
00:25:15.400 --> 00:25:18.400
<v Speaker 2>We can't, we can't go in yet. And said, well

424
00:25:18.440 --> 00:25:21.960
<v Speaker 2>why not, Well because we don't. We just lived there.

425
00:25:22.000 --> 00:25:24.200
<v Speaker 2>We don't own the building. Buildings run by those guys

426
00:25:24.200 --> 00:25:27.279
<v Speaker 2>are standing at the front. Okay, and my wife has

427
00:25:27.440 --> 00:25:29.519
<v Speaker 2>a lot of mouth. She goes up, I'm going to

428
00:25:29.559 --> 00:25:32.720
<v Speaker 2>walk through here. The guy stops her, both grabs her

429
00:25:32.720 --> 00:25:36.640
<v Speaker 2>body arm and says, you gotta wait. You know, the

430
00:25:36.680 --> 00:25:38.799
<v Speaker 2>little girl is right, you can't come into this building

431
00:25:38.839 --> 00:25:41.960
<v Speaker 2>because we run this building, and that's the drug dealers.

432
00:25:42.480 --> 00:25:46.359
<v Speaker 2>And that was a kid, her brother Raheem. Never forget

433
00:25:46.400 --> 00:25:50.559
<v Speaker 2>this kid who was one of the smartest kids, not

434
00:25:50.720 --> 00:25:53.559
<v Speaker 2>just street smart, books smart. He was reading Shakespeare, he

435
00:25:53.640 --> 00:25:57.440
<v Speaker 2>was reading Chilcer, you know, he was reading w de Bus.

436
00:25:57.519 --> 00:26:00.400
<v Speaker 2>He was really smart. But he's still on the corner.

437
00:26:00.440 --> 00:26:02.319
<v Speaker 2>And he didn't sell crack. He sold the vows that

438
00:26:02.400 --> 00:26:04.519
<v Speaker 2>crack came in back to the guys and he picked

439
00:26:04.559 --> 00:26:06.880
<v Speaker 2>him up off the street. He has a lot of

440
00:26:06.960 --> 00:26:12.759
<v Speaker 2>money that's thick thick, a lot of money. And I'm

441
00:26:12.799 --> 00:26:16.319
<v Speaker 2>telling this kid every day, get a real job, get

442
00:26:16.359 --> 00:26:19.079
<v Speaker 2>an education. This is in the eighties, you know, go

443
00:26:19.119 --> 00:26:21.799
<v Speaker 2>to school. He said. Mister Harp's how much money you

444
00:26:21.880 --> 00:26:26.559
<v Speaker 2>got in your part right now? You know, reaching my pocket,

445
00:26:26.559 --> 00:26:30.160
<v Speaker 2>put out my easily thirteen dollars he said. You see

446
00:26:30.160 --> 00:26:34.200
<v Speaker 2>this right here, eighty one hundred dollars I made this

447
00:26:34.319 --> 00:26:37.640
<v Speaker 2>week for picking up valves and taking them back to them.

448
00:26:37.640 --> 00:26:39.599
<v Speaker 2>And that little girl is right. You can get hurt

449
00:26:39.640 --> 00:26:43.640
<v Speaker 2>around here. That's what that's what I inspire to be.

450
00:26:43.640 --> 00:26:46.359
<v Speaker 2>Because they're riding around and Cadillacs with no job. They

451
00:26:46.519 --> 00:26:49.640
<v Speaker 2>riding around and they got gold and they got chained

452
00:26:49.680 --> 00:26:52.440
<v Speaker 2>with no jobs. And you're telling this kid to go

453
00:26:52.519 --> 00:26:57.920
<v Speaker 2>to school for four years to be something. Okay, that's

454
00:26:58.000 --> 00:27:00.319
<v Speaker 2>not going to take you or maybe take you somewhere.

455
00:27:00.960 --> 00:27:04.640
<v Speaker 2>So it takes a very special human, meaning a very

456
00:27:05.279 --> 00:27:10.519
<v Speaker 2>special black person to be an American, a black American

457
00:27:10.680 --> 00:27:15.039
<v Speaker 2>in this country takes something extremely special. Our figures are

458
00:27:15.079 --> 00:27:18.519
<v Speaker 2>still our sports figures, you know, but there it's a turnaround.

459
00:27:19.319 --> 00:27:22.119
<v Speaker 2>Since the brother said I'm not gonna when he kneeled

460
00:27:23.359 --> 00:27:28.599
<v Speaker 2>during the pandemic, Okay, uh, Colin Kaepernet and said, I'm

461
00:27:28.640 --> 00:27:30.480
<v Speaker 2>not gonna I'm not gonna raise my hand to the

462
00:27:30.519 --> 00:27:34.200
<v Speaker 2>flat because of the way we're being treated. Okay, that's

463
00:27:34.240 --> 00:27:36.519
<v Speaker 2>the kind of role models we need to see. But

464
00:27:37.160 --> 00:27:40.000
<v Speaker 2>people see that as dangerous. But he made a statement.

465
00:27:40.400 --> 00:27:44.519
<v Speaker 2>But what happens gets banned for football, got a mean

466
00:27:44.640 --> 00:27:47.880
<v Speaker 2>right on can run and throw. He could have easily

467
00:27:48.200 --> 00:27:50.400
<v Speaker 2>been something we're not going to We're not going to

468
00:27:50.400 --> 00:27:53.920
<v Speaker 2>tolerate that in America. We still were not going to

469
00:27:53.960 --> 00:27:57.759
<v Speaker 2>tolerate in America. That's why we got seventy eight men

470
00:27:57.799 --> 00:28:01.119
<v Speaker 2>of color in our prisons, while we have fifty eight

471
00:28:01.160 --> 00:28:05.920
<v Speaker 2>percent in colleges. We got ten percent of the You know,

472
00:28:06.119 --> 00:28:10.240
<v Speaker 2>Harvard University, if you're sitting in the cafeteria and someone

473
00:28:10.440 --> 00:28:14.680
<v Speaker 2>really does not think you belong there, they'll call authorities.

474
00:28:15.279 --> 00:28:19.200
<v Speaker 2>It's still happening. Happened to a young girl last year,

475
00:28:19.519 --> 00:28:25.720
<v Speaker 2>Harvard student, junior, sitting in just a common area, but

476
00:28:25.839 --> 00:28:30.720
<v Speaker 2>someone said she doesn't belong here and called authorities, and

477
00:28:30.799 --> 00:28:34.960
<v Speaker 2>authorities came and ask her do you belong here? Yes,

478
00:28:35.039 --> 00:28:38.079
<v Speaker 2>I belong here's my ID and that's overweight. But what

479
00:28:38.079 --> 00:28:41.160
<v Speaker 2>did they do to that girl? It scarred her for

480
00:28:41.240 --> 00:28:44.319
<v Speaker 2>a while. She didn't go to an HBAH group like

481
00:28:44.400 --> 00:28:48.279
<v Speaker 2>I did. Howard is getting that recognition now. But where

482
00:28:48.319 --> 00:28:55.519
<v Speaker 2>are those schools? Jackson State where Dion Sanders was the

483
00:28:55.640 --> 00:28:59.039
<v Speaker 2>coach when he went down there, they did not have

484
00:28:59.240 --> 00:29:04.559
<v Speaker 2>indoor plumber in their practice facility, didn't have indoors. They

485
00:29:04.559 --> 00:29:09.359
<v Speaker 2>couldn't take showers at Jackson State couldn't take showers because

486
00:29:09.359 --> 00:29:12.920
<v Speaker 2>they didn't have and not in the town that the

487
00:29:12.920 --> 00:29:16.359
<v Speaker 2>school is in. This is a historically black university that

488
00:29:16.559 --> 00:29:21.240
<v Speaker 2>was built in eighteen eighty nine. They don't have They

489
00:29:21.240 --> 00:29:24.559
<v Speaker 2>couldn't take a shower because they didn't have facilities. So

490
00:29:24.599 --> 00:29:26.759
<v Speaker 2>he was there for two years. He went there with

491
00:29:26.839 --> 00:29:30.359
<v Speaker 2>a two and nine record. The year two years after

492
00:29:30.440 --> 00:29:35.720
<v Speaker 2>he's there, when he leaves, they win the CIAA Championship. Because,

493
00:29:35.799 --> 00:29:38.880
<v Speaker 2>like he says, people have their knocks on Dion, but

494
00:29:38.960 --> 00:29:43.759
<v Speaker 2>he turned them into men, not into football players. He

495
00:29:43.880 --> 00:29:46.880
<v Speaker 2>turned them into men. No one comes in. First of all,

496
00:29:46.920 --> 00:29:49.240
<v Speaker 2>he got the town because he's doing Dion Sanders to

497
00:29:49.319 --> 00:29:52.960
<v Speaker 2>put plumbing in there. It was a shame and all

498
00:29:52.960 --> 00:29:54.720
<v Speaker 2>he had to do was say something and the putting

499
00:29:54.720 --> 00:29:57.319
<v Speaker 2>in the newspaper. But it's been like that for you

500
00:29:57.359 --> 00:30:00.680
<v Speaker 2>know what, like two years because it went out and

501
00:30:00.720 --> 00:30:02.319
<v Speaker 2>they just didn't think to fix it because it's a

502
00:30:02.319 --> 00:30:07.400
<v Speaker 2>black college. It's their thing. Yeah, and Jackson, Mississippi is

503
00:30:07.799 --> 00:30:10.839
<v Speaker 2>predominantly black. Yes, so maybe we should have had the

504
00:30:10.839 --> 00:30:14.279
<v Speaker 2>plumbing fixed, you know, out there on the football field, yeah,

505
00:30:14.440 --> 00:30:17.240
<v Speaker 2>you know, don't touch down to the losing, you know.

506
00:30:17.720 --> 00:30:20.960
<v Speaker 2>But it took a Dion Sanders because he's loudmouthed in

507
00:30:21.000 --> 00:30:23.400
<v Speaker 2>a good way and he gets things done. Then he

508
00:30:23.440 --> 00:30:27.400
<v Speaker 2>goes to Colorado State and they pay him millions and

509
00:30:28.359 --> 00:30:30.000
<v Speaker 2>same thing. He's changing him into men.

510
00:30:30.559 --> 00:30:34.599
<v Speaker 1>So it's the culture. How do we get that culture

511
00:30:34.640 --> 00:30:38.119
<v Speaker 1>and the culture of success into the black communities? What

512
00:30:38.519 --> 00:30:42.079
<v Speaker 1>really concerns me? And again you mentioned some statistics, and

513
00:30:42.119 --> 00:30:44.519
<v Speaker 1>if you look at the statistics in terms of certainly

514
00:30:44.599 --> 00:30:49.240
<v Speaker 1>gun violence, it's epidemic in the black communities and it's

515
00:30:49.279 --> 00:30:52.400
<v Speaker 1>a difficult subject. A lot of people don't want to

516
00:30:52.400 --> 00:30:56.279
<v Speaker 1>touch it. How do we deal with it? What can

517
00:30:56.359 --> 00:30:59.839
<v Speaker 1>we do? What kind of message can we get into

518
00:30:59.839 --> 00:31:03.759
<v Speaker 1>the communities, What kind of effective changes can we make

519
00:31:03.880 --> 00:31:07.000
<v Speaker 1>to deal with this terrible Blight's awful every every day

520
00:31:07.000 --> 00:31:09.799
<v Speaker 1>on the news, young eight year of nine year old kids,

521
00:31:09.880 --> 00:31:13.759
<v Speaker 1>and I don't have to elaborate longer that we all

522
00:31:13.799 --> 00:31:15.720
<v Speaker 1>know that what can we do.

523
00:31:16.279 --> 00:31:19.279
<v Speaker 2>We have a lot of community leaders, Frank, that are

524
00:31:19.440 --> 00:31:24.079
<v Speaker 2>in the communities just doing what what they can. But

525
00:31:24.160 --> 00:31:26.319
<v Speaker 2>the kid I just talked about, Raheem, how do you

526
00:31:26.400 --> 00:31:30.480
<v Speaker 2>tell him? Really? You know, I mean, you know this

527
00:31:30.720 --> 00:31:37.759
<v Speaker 2>is generational. You know, of course his dad I'm going

528
00:31:37.839 --> 00:31:40.319
<v Speaker 2>to choose a guy. This guy, you know his dad

529
00:31:40.480 --> 00:31:43.839
<v Speaker 2>was in prison. Is that his grandfather was in prison.

530
00:31:44.920 --> 00:31:47.759
<v Speaker 2>So he had no role models except for the guys

531
00:31:47.759 --> 00:31:50.920
<v Speaker 2>that are really making the money in them. And it's

532
00:31:51.000 --> 00:31:54.720
<v Speaker 2>really it's really cut through its survival out there, and

533
00:31:54.759 --> 00:31:57.599
<v Speaker 2>it's just tough. It's even tough now, Frank, to tell

534
00:31:57.640 --> 00:31:59.680
<v Speaker 2>a kid to get a real job. What is a

535
00:31:59.720 --> 00:32:03.599
<v Speaker 2>real job? You know, to eighteen year old, you know,

536
00:32:04.000 --> 00:32:06.680
<v Speaker 2>to be a rapper or to be Lebron James is

537
00:32:06.680 --> 00:32:11.160
<v Speaker 2>the aspiration that's it's faded a little bit since, you know,

538
00:32:11.279 --> 00:32:13.759
<v Speaker 2>but it's still the aspirations of a lot of young

539
00:32:13.839 --> 00:32:17.559
<v Speaker 2>black men because you see the flash, you see the gold,

540
00:32:18.319 --> 00:32:20.880
<v Speaker 2>you know, and it's it's out there and you know,

541
00:32:20.920 --> 00:32:24.400
<v Speaker 2>I'm chasing that, you know, I mean four years and

542
00:32:24.400 --> 00:32:27.039
<v Speaker 2>then eight just to be a doctor and then living

543
00:32:27.079 --> 00:32:29.359
<v Speaker 2>in a country that's telling you, you.

544
00:32:29.319 --> 00:32:31.480
<v Speaker 1>Know, it's still not good enough.

545
00:32:31.559 --> 00:32:34.240
<v Speaker 2>Yeah, you're not You're not good enough, you know. And

546
00:32:34.440 --> 00:32:37.119
<v Speaker 2>d E I again it's it's a measure, and it's

547
00:32:37.119 --> 00:32:40.480
<v Speaker 2>a good one, like Social Security was, like like blue

548
00:32:40.559 --> 00:32:43.480
<v Speaker 2>stamps and all those things were. But you know, it's

549
00:32:43.480 --> 00:32:46.759
<v Speaker 2>still saying the same thing d I is saying, you know,

550
00:32:46.960 --> 00:32:50.519
<v Speaker 2>basically not good enough. You know. Uh, And I understand

551
00:32:50.519 --> 00:32:53.960
<v Speaker 2>it that it needs to be in place. But again,

552
00:32:54.359 --> 00:32:59.759
<v Speaker 2>look at the numbers again, you know what has what

553
00:32:59.799 --> 00:33:02.640
<v Speaker 2>has changed? It's Black History Month that really makes me

554
00:33:02.680 --> 00:33:06.039
<v Speaker 2>start to actually hone in and really look at it.

555
00:33:06.720 --> 00:33:09.200
<v Speaker 2>I get very popularly doing Black History Month because I

556
00:33:09.240 --> 00:33:12.400
<v Speaker 2>do historical pieces. People called me to give me money

557
00:33:12.480 --> 00:33:16.720
<v Speaker 2>doing Black History Month because I have respectfully very liberal

558
00:33:16.880 --> 00:33:20.480
<v Speaker 2>white friends that the only time they get a chance

559
00:33:20.519 --> 00:33:24.480
<v Speaker 2>to really, really, really really make a difference is find

560
00:33:24.519 --> 00:33:27.759
<v Speaker 2>the one black person they know and throw some money

561
00:33:27.759 --> 00:33:30.039
<v Speaker 2>out of I know that sounds sad because you know,

562
00:33:30.079 --> 00:33:32.079
<v Speaker 2>and I know a lot of them are going to listen.

563
00:33:32.200 --> 00:33:35.960
<v Speaker 2>But those that are, you know, that should feel bad

564
00:33:36.000 --> 00:33:38.400
<v Speaker 2>about it, should because I feel great about it. We

565
00:33:38.480 --> 00:33:42.720
<v Speaker 2>get that one month, okay, to say black people have

566
00:33:42.839 --> 00:33:47.039
<v Speaker 2>made a difference in our country, in our history. I

567
00:33:47.079 --> 00:33:49.200
<v Speaker 2>have a T shirt that a kid gave me that says,

568
00:33:49.200 --> 00:33:53.960
<v Speaker 2>Black history is everybody's history, and that is very true.

569
00:33:54.279 --> 00:33:57.720
<v Speaker 2>We've been here for since they're Quakers, you know what

570
00:33:57.799 --> 00:33:58.799
<v Speaker 2>I mean.

571
00:33:58.880 --> 00:34:00.920
<v Speaker 1>That's why I call it sixteen nineteen when the first

572
00:34:01.799 --> 00:34:04.680
<v Speaker 1>game to Virginia. Yeah, it's like four hundred plus years.

573
00:34:04.759 --> 00:34:07.759
<v Speaker 2>Yeah, so we're not we're not going anywhere.

574
00:34:07.920 --> 00:34:08.119
<v Speaker 1>Yeah.

575
00:34:08.199 --> 00:34:11.599
<v Speaker 2>You know. I sometimes as I got older, I sometimes

576
00:34:11.599 --> 00:34:15.480
<v Speaker 2>sound bitter, which I'm not. Man. I mean, I love

577
00:34:15.880 --> 00:34:20.719
<v Speaker 2>this country, Okay, I really do. And I did not

578
00:34:20.960 --> 00:34:23.559
<v Speaker 2>vote for Obama because he was black. I voted for

579
00:34:23.639 --> 00:34:29.239
<v Speaker 2>him because he was the right person. Okay. I voted

580
00:34:29.280 --> 00:34:32.360
<v Speaker 2>for Hillary for the same reason. She's the right person.

581
00:34:33.039 --> 00:34:37.559
<v Speaker 2>I voted for Kamala for the same reason because she's

582
00:34:37.599 --> 00:34:41.519
<v Speaker 2>the right person. Even though she's a d high, she

583
00:34:41.639 --> 00:34:46.880
<v Speaker 2>was the right person for the job. Interesting. Interesting, and

584
00:34:47.000 --> 00:34:50.159
<v Speaker 2>it is a slight to say dee I.

585
00:34:50.679 --> 00:34:54.159
<v Speaker 1>Oh, they use they use it as such, certainly they yes.

586
00:34:54.760 --> 00:34:58.719
<v Speaker 2>Yeah, taking the history out of the history books, that's

587
00:34:58.760 --> 00:35:01.039
<v Speaker 2>not even. The history is not even. And there we

588
00:35:01.079 --> 00:35:06.639
<v Speaker 2>can't teach we can't teach race in the country that

589
00:35:06.800 --> 00:35:11.400
<v Speaker 2>is built on race. You know. Here's here's a Kumbay

590
00:35:11.480 --> 00:35:17.840
<v Speaker 2>our moment. We are really of the very same thing

591
00:35:18.320 --> 00:35:22.880
<v Speaker 2>if you strip away this cover as we were put here,

592
00:35:23.079 --> 00:35:26.239
<v Speaker 2>but really the same thing, the exact same thing. We

593
00:35:26.320 --> 00:35:32.280
<v Speaker 2>have aspirations, we love, we fear, we hate, Okay, we

594
00:35:32.400 --> 00:35:35.679
<v Speaker 2>have that. We're all exactly the same, except for we

595
00:35:35.800 --> 00:35:39.400
<v Speaker 2>are shelled in very different colors. Okay. And that's the

596
00:35:39.440 --> 00:35:42.480
<v Speaker 2>only thing that separates us. That's the irony here, the

597
00:35:42.519 --> 00:35:45.559
<v Speaker 2>only thing that separates us, you know. And the reason

598
00:35:45.639 --> 00:35:48.320
<v Speaker 2>and it's so difficult is we don't see each other

599
00:35:48.480 --> 00:35:52.920
<v Speaker 2>as the same. We see each other as different. And

600
00:35:53.000 --> 00:35:55.119
<v Speaker 2>here's that Kumba moment. If we don't start to see

601
00:35:55.280 --> 00:35:59.679
<v Speaker 2>ourselves and explore and really celebrate our differences, which we've

602
00:35:59.679 --> 00:36:04.480
<v Speaker 2>been trying to do, you know, you know, black slow,

603
00:36:04.639 --> 00:36:07.480
<v Speaker 2>white music, white those black music, what is you know,

604
00:36:08.599 --> 00:36:13.079
<v Speaker 2>the works, you know. But until we really say that's

605
00:36:13.199 --> 00:36:17.840
<v Speaker 2>my brother there, we're one, that's the solution. And it's

606
00:36:17.840 --> 00:36:21.920
<v Speaker 2>not easy. Again, we're still trying to figure out, you know,

607
00:36:22.119 --> 00:36:26.360
<v Speaker 2>my God's bigger than yours, you know, and that's fundamental.

608
00:36:27.199 --> 00:36:30.159
<v Speaker 2>You know, we're still doing the most primitive things known

609
00:36:30.199 --> 00:36:33.599
<v Speaker 2>to humankind. War How primitive is that?

610
00:36:34.880 --> 00:36:35.079
<v Speaker 1>You know?

611
00:36:35.280 --> 00:36:39.719
<v Speaker 2>I mean, it's it's it's amazing. The what I talk

612
00:36:39.719 --> 00:36:40.440
<v Speaker 2>about is amazing.

613
00:36:40.519 --> 00:36:43.920
<v Speaker 1>Yeah, well it makes you wonder, is that is that

614
00:36:44.000 --> 00:36:47.320
<v Speaker 1>truly the human experience? You know? That that that it's

615
00:36:47.320 --> 00:36:50.360
<v Speaker 1>always been with us, It'll always be with us. I mean,

616
00:36:50.360 --> 00:36:54.239
<v Speaker 1>we we we like to think sublime thoughts and enlightenment

617
00:36:54.639 --> 00:36:57.480
<v Speaker 1>and we work towards that goal. I don't know if

618
00:36:57.480 --> 00:37:00.440
<v Speaker 1>I'll ever get there. Maybe some do. But as a

619
00:37:00.519 --> 00:37:03.360
<v Speaker 1>race perhaps perhaps.

620
00:37:03.079 --> 00:37:05.920
<v Speaker 2>Right and it does sound grim, but I you know,

621
00:37:05.960 --> 00:37:08.519
<v Speaker 2>we've made some leaps and bounds, needless to say, but

622
00:37:08.920 --> 00:37:11.320
<v Speaker 2>we haven't changed the way we think about God and

623
00:37:11.599 --> 00:37:13.480
<v Speaker 2>millennial you know.

624
00:37:13.800 --> 00:37:16.719
<v Speaker 1>I mean, and every time somebody tries too, they get

625
00:37:16.960 --> 00:37:20.719
<v Speaker 1>they usually persecute and they still.

626
00:37:20.440 --> 00:37:24.199
<v Speaker 2>Do you know. Yeah, I mean, you know, it's amazing.

627
00:37:24.239 --> 00:37:26.920
<v Speaker 2>It's an amazing thing to talk about. Man. I'm glad

628
00:37:26.960 --> 00:37:28.079
<v Speaker 2>you're pulling this stuff out.

629
00:37:28.400 --> 00:37:31.360
<v Speaker 1>Yeah, this has been absolutely wonderful. And again we could

630
00:37:31.400 --> 00:37:33.679
<v Speaker 1>keep going and we're not done yet, but I want

631
00:37:33.679 --> 00:37:35.639
<v Speaker 1>to talk about your work. We take a quick break,

632
00:37:35.880 --> 00:37:38.079
<v Speaker 1>and I know you got two new things in the

633
00:37:38.119 --> 00:37:41.679
<v Speaker 1>works coming up in February, the Death of King shot

634
00:37:41.679 --> 00:37:44.280
<v Speaker 1>Away the birth of the African Growth Theater that's on

635
00:37:44.360 --> 00:37:48.840
<v Speaker 1>February thirteenth, and then you have the Spirit of Truth,

636
00:37:48.880 --> 00:37:52.880
<v Speaker 1>a new play directed by Melhancock, and that's on February

637
00:37:52.880 --> 00:37:55.400
<v Speaker 1>twenty seventh. I want to talk a little bit about

638
00:37:55.760 --> 00:38:00.000
<v Speaker 1>the germination of those plays of Well Won, the history

639
00:38:00.679 --> 00:38:03.239
<v Speaker 1>and the creation of the play, all of that more

640
00:38:03.320 --> 00:38:06.840
<v Speaker 1>right after these brief commercial messages. Okay, so you don't

641
00:38:06.880 --> 00:38:10.280
<v Speaker 1>go away, Sam yet, please yet, And of course our

642
00:38:10.320 --> 00:38:14.199
<v Speaker 1>audience don't go anywhere yet. This conversation has been fantastic.

643
00:38:14.559 --> 00:38:16.760
<v Speaker 1>This is Being Frank. We're the only way to be

644
00:38:17.119 --> 00:38:20.320
<v Speaker 1>is Frank. I'm your host, Frank Lebono. My very special

645
00:38:20.360 --> 00:38:24.119
<v Speaker 1>guest is playwright, mentor, and so much more. Mister Samuel

646
00:38:24.119 --> 00:38:26.480
<v Speaker 1>Harps will be right back with more after these brief

647
00:38:26.760 --> 00:38:27.760
<v Speaker 1>commercial messages.

648
00:38:28.360 --> 00:38:43.559
<v Speaker 2>Hudson Riverradio dot com. Hudson River Radio dot com.

649
00:38:43.840 --> 00:38:50.159
<v Speaker 3>This is Hudson River Radio dot com.

650
00:38:50.320 --> 00:38:57.199
<v Speaker 2>This is Hudson River Radio dot com.

651
00:38:57.559 --> 00:39:03.039
<v Speaker 3>This is Hudson River Radio dot com.

652
00:39:03.239 --> 00:39:07.480
<v Speaker 1>Welcome back to Being Frank, the Intelligent Conversation Podcast. Thanks

653
00:39:07.480 --> 00:39:11.079
<v Speaker 1>for sticking with us. I'm your host, Frank Lebono. Our engineer,

654
00:39:11.280 --> 00:39:14.320
<v Speaker 1>as we all know, is mister Neil Richter. A very

655
00:39:14.320 --> 00:39:20.000
<v Speaker 1>special guest is playwright, writer, director, Mister Samuel Harps. You know,

656
00:39:20.039 --> 00:39:22.360
<v Speaker 1>we bring our audience a fresh topic just about every

657
00:39:22.400 --> 00:39:26.199
<v Speaker 1>week and stream from Hudson River Radio located in beautiful

658
00:39:26.199 --> 00:39:29.159
<v Speaker 1>and historic Stony Point, New York. But remember, you can

659
00:39:29.199 --> 00:39:33.480
<v Speaker 1>catch Being Frank anywhere you get your favorite podcasts like Apple, Spotify,

660
00:39:34.000 --> 00:39:37.800
<v Speaker 1>iHeartRadio and all the others. Remember where archives, so you

661
00:39:37.800 --> 00:39:40.400
<v Speaker 1>can listen to any of our programs anytime you like.

662
00:39:41.039 --> 00:39:43.159
<v Speaker 1>Find the link to Being Frank on the Hudson River

663
00:39:43.280 --> 00:39:49.000
<v Speaker 1>Radio Facebook page or at our website Hudsonriverradio dot com.

664
00:39:49.280 --> 00:39:52.519
<v Speaker 1>Just click and you're there. All right, Samuel, Back to

665
00:39:52.559 --> 00:39:56.199
<v Speaker 1>our conversation. First half was absolutely great, But I want

666
00:39:56.239 --> 00:39:58.159
<v Speaker 1>to talk a little bit more about your work. It's

667
00:39:58.239 --> 00:40:02.280
<v Speaker 1>relative to our conversation as you tend to focus, and

668
00:40:02.559 --> 00:40:06.320
<v Speaker 1>it's interesting you tend to focus a little bit more

669
00:40:06.360 --> 00:40:09.559
<v Speaker 1>on lesser known figures and events in your work. Why

670
00:40:09.639 --> 00:40:11.480
<v Speaker 1>is that important to you? And then bring us to

671
00:40:11.639 --> 00:40:14.239
<v Speaker 1>the two works that I had mentioned before the break,

672
00:40:14.360 --> 00:40:16.840
<v Speaker 1>we'll talk about them in some detail. Why is it

673
00:40:16.880 --> 00:40:21.679
<v Speaker 1>important to feature lesser known people, artists and their work.

674
00:40:22.159 --> 00:40:25.599
<v Speaker 2>Yes, yes, of course for that very reason, Frank, because

675
00:40:25.599 --> 00:40:29.239
<v Speaker 2>they're lesser or not known, and they also prized me,

676
00:40:30.559 --> 00:40:33.480
<v Speaker 2>like I was saying earlier, I got an ancestry about

677
00:40:33.480 --> 00:40:37.400
<v Speaker 2>eight years ago, and traditionally for February I would do

678
00:40:37.440 --> 00:40:42.480
<v Speaker 2>a play for Black History Month, and this year it's

679
00:40:42.559 --> 00:40:47.000
<v Speaker 2>no different. So it was just stuff that people just

680
00:40:47.039 --> 00:40:49.920
<v Speaker 2>don't know about, never hear, you know, didn't get in

681
00:40:49.960 --> 00:40:56.840
<v Speaker 2>there in their history books. So the playover at Rockland

682
00:40:56.840 --> 00:40:59.280
<v Speaker 2>Community College, The Death of King shot away. As I

683
00:40:59.280 --> 00:41:02.920
<v Speaker 2>said earlier, it's about the first black theater company and

684
00:41:02.960 --> 00:41:07.639
<v Speaker 2>the first black theater company to do othello in the

685
00:41:07.679 --> 00:41:09.960
<v Speaker 2>black man in the title role, which at that point

686
00:41:10.039 --> 00:41:12.320
<v Speaker 2>was unheard of, even though of course a fellow is

687
00:41:12.320 --> 00:41:12.920
<v Speaker 2>a black man.

688
00:41:14.239 --> 00:41:18.239
<v Speaker 1>And then again more irony that people read this, yeah,

689
00:41:18.280 --> 00:41:20.880
<v Speaker 1>you know, they would rather put a white man in

690
00:41:20.920 --> 00:41:22.960
<v Speaker 1>black face. That didn't actually get a black actor.

691
00:41:22.960 --> 00:41:27.880
<v Speaker 2>It's extraordinary for years, very interesting piece uh two story

692
00:41:27.960 --> 00:41:31.760
<v Speaker 2>again and right around the corner from where the theater

693
00:41:32.000 --> 00:41:35.920
<v Speaker 2>was created, the Park Theater was doing a fellow with

694
00:41:36.000 --> 00:41:39.840
<v Speaker 2>a white and black face. So it was a constant feud,

695
00:41:39.920 --> 00:41:43.760
<v Speaker 2>which is the subtext of the play to to life.

696
00:41:43.880 --> 00:41:46.719
<v Speaker 2>The Death of King Shadowy was the name of the theater.

697
00:41:46.760 --> 00:41:51.239
<v Speaker 2>Company was started by a playwright, William Brown, and William

698
00:41:51.280 --> 00:41:54.440
<v Speaker 2>Brown wrote a play called the drama of King Shadowy.

699
00:41:55.199 --> 00:42:00.360
<v Speaker 2>But the his theater was firebomb three times in the

700
00:42:00.400 --> 00:42:03.800
<v Speaker 2>three years that they were around, and in the last

701
00:42:03.840 --> 00:42:07.480
<v Speaker 2>fire his play was burnt and it was never found.

702
00:42:08.360 --> 00:42:10.679
<v Speaker 2>So it's a tragedy but with a little a little

703
00:42:10.679 --> 00:42:15.239
<v Speaker 2>bit of happeness in it. A very intriguing story again,

704
00:42:15.360 --> 00:42:18.159
<v Speaker 2>one that I did not know existed. And every time

705
00:42:18.199 --> 00:42:21.880
<v Speaker 2>I looked through history now, and history now is at

706
00:42:21.920 --> 00:42:25.039
<v Speaker 2>our fingertips, are things like Google and you know, Wikipedia,

707
00:42:26.119 --> 00:42:28.559
<v Speaker 2>so many others. The Burning of New York, which we did,

708
00:42:28.800 --> 00:42:32.199
<v Speaker 2>was a true story. You know, it happened down on

709
00:42:32.239 --> 00:42:34.480
<v Speaker 2>Wall Street where thirty eight people were hanged during a

710
00:42:34.519 --> 00:42:40.679
<v Speaker 2>Black rebellion, and there's been others. The other play across

711
00:42:40.679 --> 00:42:45.960
<v Speaker 2>the river at Bethany Arts Community is Answered Journal Truth,

712
00:42:46.679 --> 00:42:49.440
<v Speaker 2>but it focuses on her life before she was the

713
00:42:49.679 --> 00:42:54.760
<v Speaker 2>iconic Sojourner Truth that we know. It's dealing with the

714
00:42:54.840 --> 00:42:57.960
<v Speaker 2>period in eighteen thirty four when she was got involved

715
00:42:58.360 --> 00:43:04.320
<v Speaker 2>with a leader by the name of Matthias, the prophet Matthias,

716
00:43:05.159 --> 00:43:08.159
<v Speaker 2>and it happened in the village of sing Singh. And

717
00:43:08.320 --> 00:43:13.159
<v Speaker 2>I was commissioned by the historian over at a Astining

718
00:43:13.320 --> 00:43:18.280
<v Speaker 2>to do this play incredible piece, man, I never you

719
00:43:18.320 --> 00:43:20.159
<v Speaker 2>would not believe it. I mean I had to actually

720
00:43:20.159 --> 00:43:21.960
<v Speaker 2>tone it down some. I mean, this guy was a

721
00:43:22.000 --> 00:43:28.159
<v Speaker 2>cult leader in eighteen thirties, Robert Matthias, who had run

722
00:43:28.159 --> 00:43:32.760
<v Speaker 2>into the Mormon leader myth out West, came to New

723
00:43:32.840 --> 00:43:34.480
<v Speaker 2>York to Five Points and he was just one of

724
00:43:34.519 --> 00:43:40.440
<v Speaker 2>those street corner preachers in Five Points. And so join

725
00:43:40.480 --> 00:43:43.079
<v Speaker 2>a truth who was a very religious person. Her name

726
00:43:43.159 --> 00:43:45.800
<v Speaker 2>was Isabella at the time in her twenties. She got

727
00:43:45.800 --> 00:43:47.480
<v Speaker 2>involved with him and worked for him, and she got

728
00:43:47.519 --> 00:43:52.800
<v Speaker 2>involved with this cult that he created, and they both

729
00:43:52.840 --> 00:43:57.639
<v Speaker 2>got implicated in poisoning one of his parishioners and court trial.

730
00:43:57.960 --> 00:44:02.719
<v Speaker 2>Very interesting piece. Wow yeah yeah what what?

731
00:44:02.719 --> 00:44:07.159
<v Speaker 1>What is Is there any commonality between the two works, Samuel?

732
00:44:07.280 --> 00:44:08.920
<v Speaker 1>What do you see any.

733
00:44:08.760 --> 00:44:11.960
<v Speaker 2>There these two Probably not at all, Frank. I mean

734
00:44:12.400 --> 00:44:16.719
<v Speaker 2>one was a commission and uh and bringing in the

735
00:44:16.920 --> 00:44:23.960
<v Speaker 2>uh uh shot away. We actually staged back during the

736
00:44:23.960 --> 00:44:27.760
<v Speaker 2>pandemic and the late February for Black History Month, but

737
00:44:27.840 --> 00:44:30.840
<v Speaker 2>the following week, of course, the pandemic. Two weeks later

738
00:44:30.880 --> 00:44:34.599
<v Speaker 2>the pandemic hit and we were shut down and our

739
00:44:34.639 --> 00:44:37.159
<v Speaker 2>theater at the time, even though we were at Garneville

740
00:44:37.239 --> 00:44:41.960
<v Speaker 2>Art Center we had to fold because our theater sustained itself,

741
00:44:41.960 --> 00:44:44.880
<v Speaker 2>of course through grants and you know, people coming through

742
00:44:44.920 --> 00:44:48.599
<v Speaker 2>the doors. So this is like the first reincarnation of

743
00:44:48.639 --> 00:44:51.440
<v Speaker 2>the piece. But there's no commonality other than their African

744
00:44:51.440 --> 00:44:55.360
<v Speaker 2>American figures with stories that pretty much were less.

745
00:44:55.519 --> 00:44:57.440
<v Speaker 1>What what what? What do you think? Then let's take

746
00:44:57.480 --> 00:45:00.000
<v Speaker 1>each one separately? Then what would you what do you

747
00:45:00.000 --> 00:45:02.960
<v Speaker 1>I think people should take from the death of King

748
00:45:03.119 --> 00:45:05.920
<v Speaker 1>shot Away? What message are you trying to convey there?

749
00:45:06.039 --> 00:45:09.559
<v Speaker 1>Or is the cast of the overall? What is it

750
00:45:09.679 --> 00:45:10.360
<v Speaker 1>trying to convey?

751
00:45:11.079 --> 00:45:16.920
<v Speaker 2>Again? The irony of a black man? Never Ira Aldridge

752
00:45:17.760 --> 00:45:22.679
<v Speaker 2>later did Richard the Third, but the fact that Othello

753
00:45:23.440 --> 00:45:28.719
<v Speaker 2>was a more and the strife in the play, the conflict,

754
00:45:28.800 --> 00:45:31.400
<v Speaker 2>the major conflict is the fact that the theater, the

755
00:45:31.480 --> 00:45:35.440
<v Speaker 2>bigger Shakespearean theater in the city, was doing the same

756
00:45:35.480 --> 00:45:39.159
<v Speaker 2>play in blackface, and that was That's the core of

757
00:45:39.199 --> 00:45:41.960
<v Speaker 2>the piece. I want people just to literally see the

758
00:45:42.000 --> 00:45:45.199
<v Speaker 2>irony of just that first and foremost, and the fact

759
00:45:45.239 --> 00:45:49.039
<v Speaker 2>that a theater company in eighteen twenty one, these are

760
00:45:49.039 --> 00:45:52.760
<v Speaker 2>all three men, of course who bought the property. But

761
00:45:52.840 --> 00:45:57.159
<v Speaker 2>he was firebomb three times. Okay, they just kept moving

762
00:45:57.159 --> 00:46:00.199
<v Speaker 2>to a different theater and creating so that I I

763
00:46:00.280 --> 00:46:06.480
<v Speaker 2>build it. Subtitled is Resilience and Perseverance, a story of

764
00:46:06.519 --> 00:46:11.519
<v Speaker 2>the resilience and perseverance. Because to his craft, he continued

765
00:46:12.199 --> 00:46:13.440
<v Speaker 2>to try to create a theater.

766
00:46:15.480 --> 00:46:18.280
<v Speaker 1>That's the Death of King shot Away Birth of the

767
00:46:18.320 --> 00:46:24.199
<v Speaker 1>African Grove Theater February thirteenth at seven thirty pm at

768
00:46:24.239 --> 00:46:27.880
<v Speaker 1>the Rockland Community Cultural Arts Centers. It's open and free

769
00:46:28.119 --> 00:46:30.760
<v Speaker 1>to the public. All right, let's go to your work

770
00:46:31.079 --> 00:46:33.960
<v Speaker 1>that you wrote, Sam, which is up next and runs

771
00:46:34.079 --> 00:46:37.960
<v Speaker 1>through the end of February through early March. The Spirit

772
00:46:38.119 --> 00:46:42.880
<v Speaker 1>of Truth. Okay, what will you hope that people will

773
00:46:42.920 --> 00:46:44.519
<v Speaker 1>take from this work? Right?

774
00:46:44.599 --> 00:46:46.760
<v Speaker 2>Of course? I mean, of course you know I wrote

775
00:46:47.079 --> 00:46:48.119
<v Speaker 2>both pieces.

776
00:46:48.360 --> 00:46:51.320
<v Speaker 1>But oh yes, I'm sorry, thank you for making that clear.

777
00:46:51.400 --> 00:46:55.360
<v Speaker 2>YEPK. But over in the River because it was a commission.

778
00:46:56.440 --> 00:46:59.880
<v Speaker 2>It was a story still that I had never heard of.

779
00:47:00.840 --> 00:47:03.480
<v Speaker 2>And we of course know who's the Join of Truth is.

780
00:47:03.519 --> 00:47:07.519
<v Speaker 2>He's one of the most famous suffragists and abolitionists of

781
00:47:07.599 --> 00:47:10.440
<v Speaker 2>that time. But again this focus is on a part

782
00:47:10.480 --> 00:47:14.360
<v Speaker 2>of her life in the early twenties and a cult

783
00:47:14.480 --> 00:47:18.039
<v Speaker 2>leader much like the Jim Jones is of today. He

784
00:47:18.159 --> 00:47:22.599
<v Speaker 2>had that sort of charisma with the public. And I

785
00:47:22.639 --> 00:47:25.039
<v Speaker 2>love the fact that it happened right here in Sing Sing,

786
00:47:25.119 --> 00:47:29.280
<v Speaker 2>right here in Astiny, which is where the play takes place.

787
00:47:30.320 --> 00:47:34.599
<v Speaker 2>I want people actually to look at the historical context.

788
00:47:34.760 --> 00:47:39.480
<v Speaker 2>Like all these pieces. Black History month for me as

789
00:47:39.480 --> 00:47:42.199
<v Speaker 2>a writer as become special because I get a chance

790
00:47:42.239 --> 00:47:48.159
<v Speaker 2>to dig and find these untold stories, things that I

791
00:47:48.159 --> 00:47:50.480
<v Speaker 2>had not heard of. Is always intrigued me. History I

792
00:47:50.519 --> 00:47:53.400
<v Speaker 2>didn't give a damn about in high school or college,

793
00:47:54.119 --> 00:47:57.679
<v Speaker 2>but suddenly again with getting an ancestry and finding out

794
00:47:57.679 --> 00:48:01.639
<v Speaker 2>my roots and then finding out the true nature. I mean,

795
00:48:02.000 --> 00:48:05.480
<v Speaker 2>you know that basically we are here and again the

796
00:48:05.480 --> 00:48:09.000
<v Speaker 2>political climate always I mean, like it's a little bit

797
00:48:09.000 --> 00:48:12.320
<v Speaker 2>of fire under my butt. You want to tell stories.

798
00:48:13.800 --> 00:48:16.840
<v Speaker 2>It's my voice, you know, as a writer, you know,

799
00:48:17.400 --> 00:48:21.119
<v Speaker 2>I just love the fact that history, our history, black

800
00:48:21.280 --> 00:48:27.679
<v Speaker 2>history is so broad, covered so many categories. I was

801
00:48:27.719 --> 00:48:32.199
<v Speaker 2>reading today in New York Times about a black opera composer,

802
00:48:33.199 --> 00:48:38.800
<v Speaker 2>Edmund Dating, who's getting his opera staged in New Orleans

803
00:48:38.840 --> 00:48:41.639
<v Speaker 2>for the first time, you know, And it was discovered

804
00:48:43.320 --> 00:48:47.400
<v Speaker 2>by the Frenchman his work, which was created back in

805
00:48:47.400 --> 00:48:51.400
<v Speaker 2>the eighteen eighties. And that's the next story and there's

806
00:48:51.519 --> 00:48:54.480
<v Speaker 2>there's so many others that people again are starting to

807
00:48:54.480 --> 00:48:55.199
<v Speaker 2>get familiar with.

808
00:48:57.039 --> 00:48:59.719
<v Speaker 1>So that's the Spirit of Truth A play by Samuel

809
00:48:59.760 --> 00:49:06.039
<v Speaker 1>Harp February twenty seventh, twenty eighth, March first, sixth, seventh eighth,

810
00:49:06.119 --> 00:49:09.239
<v Speaker 1>All shows at seven pm. And that's the Bethany Arts

811
00:49:09.719 --> 00:49:16.000
<v Speaker 1>Community at forty Summer Summerstown Road in Austin, New York. Samuel,

812
00:49:16.039 --> 00:49:19.079
<v Speaker 1>one last question. I know something very near and dear

813
00:49:19.119 --> 00:49:22.440
<v Speaker 1>to your heart, the Shades rep Theater. What's going on there?

814
00:49:22.480 --> 00:49:24.679
<v Speaker 1>Tell us a little bit about the theater and what's

815
00:49:24.679 --> 00:49:25.320
<v Speaker 1>happening now.

816
00:49:25.760 --> 00:49:31.320
<v Speaker 2>Well, again, we were after twenty two years. You know,

817
00:49:31.440 --> 00:49:35.199
<v Speaker 2>the pandemic literally knocked us out of the park. Right now,

818
00:49:35.719 --> 00:49:39.480
<v Speaker 2>I still have my troop of actors. Because actors they

819
00:49:39.559 --> 00:49:41.960
<v Speaker 2>just don't go away. They're like old soldiers, man. They

820
00:49:42.480 --> 00:49:44.719
<v Speaker 2>it's never died, it just they literally just fade away.

821
00:49:45.400 --> 00:49:48.719
<v Speaker 2>So I still have. You know, over time, you build

822
00:49:48.840 --> 00:49:52.360
<v Speaker 2>just a community of actors that you work with on

823
00:49:52.440 --> 00:49:54.920
<v Speaker 2>both sides of the river and from Manhattan. So I

824
00:49:54.960 --> 00:49:58.440
<v Speaker 2>still have my core, which is my actors. And as

825
00:49:58.480 --> 00:50:01.280
<v Speaker 2>a writer, that's all you need. So we're still doing place.

826
00:50:02.119 --> 00:50:04.360
<v Speaker 2>It's actually gotten me out of my shell a little bit,

827
00:50:04.480 --> 00:50:07.360
<v Speaker 2>you know, with being doing something over at Bethany and

828
00:50:07.519 --> 00:50:12.000
<v Speaker 2>over at RCC, I had gotten pretty complacent and lazy

829
00:50:12.159 --> 00:50:14.000
<v Speaker 2>having my own theater when I could just write my

830
00:50:14.039 --> 00:50:17.920
<v Speaker 2>stuff and literally go downstairs and stage it. So it's

831
00:50:17.920 --> 00:50:21.719
<v Speaker 2>got me looking for other opportunities until I find another

832
00:50:21.920 --> 00:50:24.679
<v Speaker 2>roof of brick and mortar that we can serve the

833
00:50:24.679 --> 00:50:25.440
<v Speaker 2>community out of.

834
00:50:26.800 --> 00:50:29.519
<v Speaker 1>Well, Samuel Harps, we hope you find that opportunity and

835
00:50:29.559 --> 00:50:31.599
<v Speaker 1>we'll be there to check it out. I hope to

836
00:50:31.599 --> 00:50:35.280
<v Speaker 1>see what one of the performances, maybe both if I can,

837
00:50:35.360 --> 00:50:38.000
<v Speaker 1>I'd certainly love to do it. And I really appreciate

838
00:50:38.079 --> 00:50:40.400
<v Speaker 1>you being here and being Frank with us. It was

839
00:50:40.480 --> 00:50:42.000
<v Speaker 1>truly intelligent conversation.

840
00:50:42.119 --> 00:50:44.840
<v Speaker 2>Samuel, thank you, Thank you so much. Frank, it was

841
00:50:44.880 --> 00:50:46.880
<v Speaker 2>great being here man and good simple.

842
00:50:47.239 --> 00:50:49.280
<v Speaker 1>Yeah, I'm proud to call your friend. It's been too

843
00:50:49.320 --> 00:50:52.159
<v Speaker 1>long between. I could go back to the old days

844
00:50:52.159 --> 00:50:56.079
<v Speaker 1>of TKR. That's scary. Some people out there listening will

845
00:50:56.119 --> 00:51:00.639
<v Speaker 1>recognize that. Yeah, you know ur, So you offer a

846
00:51:00.679 --> 00:51:03.400
<v Speaker 1>special thanks to our listeners to take time to give

847
00:51:03.480 --> 00:51:05.800
<v Speaker 1>us a voice in their lives. Remember, we offer a

848
00:51:05.840 --> 00:51:09.760
<v Speaker 1>fresh topic just about every week. Catch us wherever and

849
00:51:09.800 --> 00:51:13.800
<v Speaker 1>whenever you get your favorite podcast that includes Apple, Spotify,

850
00:51:13.840 --> 00:51:16.400
<v Speaker 1>your Heart Radio, all the rest. Check us out on

851
00:51:16.400 --> 00:51:19.920
<v Speaker 1>the Hudson River Radio Facebook page, leave us a comment

852
00:51:19.960 --> 00:51:21.920
<v Speaker 1>and like us too. You know I always leave you

853
00:51:22.079 --> 00:51:24.840
<v Speaker 1>with two Lessel nuggets. I call them, I guess why not.

854
00:51:25.199 --> 00:51:28.039
<v Speaker 1>One is a quote and then some great music. The

855
00:51:28.119 --> 00:51:31.239
<v Speaker 1>quote comes from Nelson Mandela. It's simple and I think

856
00:51:31.639 --> 00:51:36.519
<v Speaker 1>very sublime and eloquent. It always seems impossible until it's

857
00:51:36.519 --> 00:51:40.239
<v Speaker 1>just done. And we've got some great music from mister

858
00:51:40.320 --> 00:51:44.239
<v Speaker 1>ken Rawl, also known as mister Blanketfest, who every year's

859
00:51:44.800 --> 00:51:48.719
<v Speaker 1>donates hundreds and hundreds of blankets to the needy. He

860
00:51:48.880 --> 00:51:52.639
<v Speaker 1>and his wife, the poetests Ivon So Tomayor and a

861
00:51:52.679 --> 00:51:55.239
<v Speaker 1>host of other friends and family get together and do

862
00:51:55.320 --> 00:51:59.280
<v Speaker 1>Blanketfest and do a great thing for a lot of

863
00:51:59.320 --> 00:52:02.440
<v Speaker 1>needy people. Well here's his song, no Big Deal for

864
00:52:02.519 --> 00:52:05.079
<v Speaker 1>our engineer Neil Richter. I'm your host, Frank Lebono. We

865
00:52:05.199 --> 00:52:07.679
<v Speaker 1>hope to have you join us on the next being Frank.

866
00:52:07.719 --> 00:52:11.039
<v Speaker 1>We're the only way to be is Frank. Thanks everybody,

867
00:52:11.559 --> 00:52:14.400
<v Speaker 1>No big deal, No big deal.

868
00:52:15.960 --> 00:52:20.239
<v Speaker 4>When you always feel that giant, occasionally that giant, but

869
00:52:20.440 --> 00:52:25.079
<v Speaker 4>you always keep my giant, No big deal, took my

870
00:52:25.239 --> 00:52:27.480
<v Speaker 4>love to the jib in picture movie.

871
00:52:28.880 --> 00:52:29.119
<v Speaker 2>Sat.

872
00:52:29.239 --> 00:52:34.159
<v Speaker 4>She wanted someone that was strong, shout me father bar

873
00:52:35.199 --> 00:52:37.920
<v Speaker 4>someone else was gone, would not be fun.

874
00:52:38.000 --> 00:52:39.559
<v Speaker 2>She tell me what was wrong?

875
00:52:40.960 --> 00:52:46.199
<v Speaker 4>No big deal, no big deal. When you always be

876
00:52:46.440 --> 00:52:51.239
<v Speaker 4>that try occasionally that tying, but you always keep by trying,

877
00:52:51.519 --> 00:52:56.400
<v Speaker 4>Nor good deal. Chaddy says, I've got to be a man.

878
00:52:58.320 --> 00:53:00.920
<v Speaker 4>Mama says, you're not y'all the sun.

879
00:53:02.360 --> 00:53:03.760
<v Speaker 2>Who cares what they say?

880
00:53:04.599 --> 00:53:06.119
<v Speaker 4>S everything's okay.

881
00:53:06.639 --> 00:53:10.960
<v Speaker 2>Rather throwing off that have have some fun. No big deal,

882
00:53:12.320 --> 00:53:12.840
<v Speaker 2>no big.

883
00:53:14.559 --> 00:53:18.800
<v Speaker 4>When you always be like crying occasionally like dying, but

884
00:53:18.960 --> 00:53:32.039
<v Speaker 4>you always keep on trying, No big deal. I can't

885
00:53:32.079 --> 00:53:36.639
<v Speaker 4>wait till summer child gets here. I can't wait till

886
00:53:36.719 --> 00:53:41.840
<v Speaker 4>summer comes a rounds when I'm with my friends, the

887
00:53:41.960 --> 00:53:46.320
<v Speaker 4>party numbers and tell us really want his laughs abround.

888
00:53:47.519 --> 00:53:52.760
<v Speaker 2>No big deal, no pig When you always be.

889
00:53:52.960 --> 00:53:56.760
<v Speaker 4>Like crying, I can seally like dying, but you always

890
00:53:56.880 --> 00:53:57.679
<v Speaker 4>keep on trying.

891
00:53:57.840 --> 00:53:58.679
<v Speaker 2>No be deal.

892
00:54:00.159 --> 00:54:04.360
<v Speaker 4>Don't you always fear that tyme otentially that shying, but

893
00:54:04.519 --> 00:54:09.079
<v Speaker 4>you always keep about shying. No big deal, no big tal,

894
00:54:10.280 --> 00:54:13.320
<v Speaker 4>no big tale, no big tale.

895
00:54:25.119 --> 00:54:27.559
<v Speaker 3>This is Hudson River Radio dot com
