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Speaker 1: How we use electricity can be smarter, cleaner and greener.

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zero Hub at Electricarland dot I. E.

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Speaker 2: Hey everybody, and welcome to the Paranormal Portal. I'm your

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host friend Thomas. Thank you so much for joining us today.

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We've got an epic show ahead. But just remember, if

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any of you have experiences you'd like to share, I'd.

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Speaker 3: Love to hear from you.

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Speaker 2: You can either email me at Paranormal Portal radio at

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gmail dot com or head over to Paranormalportal dot net

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and scroll down and find the button that says interview me,

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and that'll allow you to look at the calendar of

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possible times and dates and find a date that works

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for you. Love to hear your stories, so definitely get

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in touch with me.

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Speaker 3: Music.

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Speaker 2: Most of the time, this kind of thing slips in quietly.

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You come across something familiar, something you've seen before, and

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for a second it doesn't look the way you expect

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it to, not quite enough to stop you, just enough

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that you notice it, And usually you don't give it

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much weight. You figure it's you, you remembered it wrong,

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or you're mixing it up for something else. It's easy

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to accept. Memory does that, so you move on. But

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every once in a while it just doesn't settle that easily.

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For a lot of people, it starts with something from childhood,

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a name that they've seen over and over again, books

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on a shelf, covers they can still picture without thinking

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about it. The Berenstein bears. That's how people remember it

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as T E i N, not vaguely, not as a guess.

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They remember reading it that way, seeing it that way

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more than once, and then later on they come across

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it again and something feels off, so they take a

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closer look, and the name isn't Berenstein. It's beren Stein

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as T A I N. You don't need much more

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than that to feel it. It's a small thing, but

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it just doesn't sit right. Most people can still explain

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it away. Maybe it's just the way it sounded, Maybe

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your brain leaned towards something more familiar. Stein feels like

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a name stain doesn't, so you just adjust and move on,

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and that would usually be the end of it, but

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for a lot of people it isn't. Something else comes

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into your awareness. The monopoly Man. A lot of people

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remember him with a monocle. It's just part of the

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image in their mind, except he doesn't have one. And

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that's usually the point where you slow down a little,

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because now it's not just one memory you can shrug off.

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But then something else stands out, like the fruit of

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the loom logo, a pile of fruit, and behind it

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that curved basket, the cornucopia. You can picture it clearly,

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you can remember it from a thousand articles of clothing,

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except it just isn't there. At that point, it's harder

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to treat it like a simple mistake. Nothing around you changes,

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there's no big moment, but internally something shifted, because now

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you're noticing a pattern, and you start realizing there are

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other things you've never questioned before. Lines for movies, every

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day phrases, small details you've seen so many times you

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never had a reason to doubt them. Luke, I am

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your father. That's how most people remember it, but that's

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not the line. Objects in the mirror, maybe closer than

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they appear. You've probably seen that on a car mirror

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more times than you can count, But that's not what

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it says. Each one on its own still feels explainable,

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but once there are a few of them, it starts

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to feel different. You're not reacting to one example anymore.

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You're noticing that same kind of mismatch just keeps showing up,

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and somewhere in the middle of that, your attention shifts.

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It's not about the details and more about the feeling

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they leave behind, that sense that something isn't lining up

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the way it should. Not enough to interrupt your day,

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not even enough to cause panic, just enough to make

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you stop for a second, And in that moment you're

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left with a simple question. If you remember it one

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way and the world shows you something different, which one

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do you trust? And that's where this starts. And once

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you notice it, it's hard not to keep looking because

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if something that familiar can be off, then it raises

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a bigger question. How many other things have you never

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thought to question? And why do so many people remember

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the same details the same way if those details don't

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match what's in front of them. Now there's a name

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for that, but the name doesn't explain it, It just

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gives it somewhere to sit. At some point, people start

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comparing notes, not in any organized way at first, just conversations,

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online forums, comments sections, people realizing that what they remembered

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wasn't just something they remembered alone. Someone would bring up

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the Berenstein Bears, and instead of being corrected, they'd find

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other people saying exactly the same thing, spelled the same

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way and remembered the same way. And then someone else

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would mention the monopoly man, and again the same detail

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would come up, the monocle, not as a guess, not

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as a maybe, just as something they were sure they

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had seen. And as more of these examples surfaced, something

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became harder to ignore. It wasn't just that people were

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remembering things differently, It was that large groups of people

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were remembering the same differences. Eventually, the phenomena was given

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a name, and that name came from a researcher named

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Fiona Broom. She had been at an event speaking with

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other people about a memory she was certain of. She

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remembered hearing that Nelson Mandela had died in prison in

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the nineteen eighties, not vaguely. She remembered news coverage, reactions,

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the sense of it as a historical mode moment. But

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when she brought it up, she found out something unexpected.

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Nelson Mandela hadn't died in the eighties. He'd been released

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from prison, and years later he became president of South Africa.

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What stood out wasn't just that she remembered it differently,

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it was that other people around her remembered it the

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same way she did. That shared discrepancy became the reference point,

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and over time people started using the term the Mandela effect.

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It's a simple label. It doesn't explain anything. It just

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describes the experience a large number of people remembering something

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one way and finding that it doesn't match what's currently

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accepted as fact. And once the name existed, more people

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started recognizing it. They'd come across one example, and then another,

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and then another, and they'd start to realize they had

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their own, not just things they'd heard about, things they

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personally remembered clearly, And that's when it changes from being

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interesting to being personal, because it's no longer something happening

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somewhere else. It's something that reaches into your own memory,

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your own experiences, things you would have never thought to question.

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And once that happens, the conversation shifts. It's no longer

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about whether something is right or wrong. It becomes about

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that moment where what you remember and what you're looking

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at don't quite line up. And for a lot of people,

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that's where it opens up, because once you start paying attention,

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you realize how many of these there are. Some are small, insignificant,

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even they're easy to overlook unless someone points them out.

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Others are tied to things people have seen their entire lives, logos,

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brand names, lines from movies, and things that were never

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meant to be questioned, and yet when you look at

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them now, something doesn't quite match. Once people start noticing it,

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it doesn't really stop. It's not like you sit down

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and go looking for these things. They just seem to

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come up. You hear one example and it reminds you

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of something else, or you come across something you've seen

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your whole life, and for the first time you actually

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begin to look at it, and that's usually when another

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one clicks. Luke, I am your father. That's the line

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most people remember. It's been repeated that way for years, quoted, referenced,

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built into conversations, but when you go back to it,

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that's not what's said. And sometimes it's not just a

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matter of wording, it's the way something lands. You hear

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it again, and technically it's the same scene, the same characters,

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even the same moments, but it doesn't hit the way

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you expect it to. Like there's a version of it

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in your mind that feels more complete, more familiar, and

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the one you're hearing now feels slightly out of step

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with that. Not wrong exactly, just not what you're expecting

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to hear. And that's the part people tend to notice,

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not just that something is different, but that the version

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they remember still feels just as real. Then something else

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stands out. Mirror mirror on the wall. That's how the

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line goes. That's how people have said it for as

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long as they can remember. But when you hear it again,

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it's different. Magic mirror on the wall. It's close, close

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enough that you might not notice it at first, but

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once you do, it just doesn't sit quite right. And

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then another one, the spelling of Fabrize. A lot of

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people remember it as fabriz with two e's in the middle,

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and that's how it looks in your mind, but when

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you see it now, it's spelled differently f e b

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r e ze. And again it's small, easy to overlook,

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but it's not just one person noticing it. It keeps

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coming up. Then they're the ones tied to images. Things

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you don't just remember, you've seen them over and over.

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Pik at you. A lot of people remember this. Pokemon

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has a tip of his tail that's black. It feels

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right when you picture it, but when you look at

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it now, that detail is no longer there. Curious George,

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most people remember him having a tail, it's part of

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how they picture him moving and climbing and sweat, but

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when you actually look, there isn't one. And these aren't

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obscure things. These are characters people have grown up with

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things they've seen repeatedly without ever having a reason to

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question them, and that's what makes it stand out. It's

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not just memory in the abstract. It's familiarity, repetition, the

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kind of exposure that usually makes something feel fixed, and

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yet when the people look again, something feels just slightly

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out of place. Then they're the ones tied to wording.

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Speaker 2: Phrases people feel like they've known their entire lives. Objects

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in the mirror may be closer than they appear. That's

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the version most people recognize, but when they actually read

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it is different. It's a small shift, same meaning, but

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not the same phrasing. And those small shifts seem to

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matter more than they should because they're not random. They

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don't feel random, they feel consistent, like the memory isn't

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just drifting, it's landing in the same place over and

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over again. And that's where it starts to stand out,

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because it's not happening in isolation. It's not one person,

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one memory, one moment. It's something that seems to surface

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in the same way for people who have no connection

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to each other. They weren't comparing notes beforehand, they weren't

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influencing each other, and yet when they describe what they remember,

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it lines up, not perfectly in every every detail, but

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closely enough that it raises the same question, how does

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that happen? It's not just that people remember things differently,

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that happens all the time. It's that people remember the

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same differences, strangers, different ages, different backgrounds, landing on the

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same details. And once you've heard enough of them, it

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changes how you look at it because it's no longer

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one example. It's not even a handful. It's a pattern

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that keeps repeating, and somewhere along the way, you stop

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focusing on whether each individual example can be explained, and

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you start to notice the shape that they form together,

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the consistency. And that's what lingers, because even if you

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could explain one of them, or two, or even a few,

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it doesn't really address why they keep showing up in

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the same way for so many different people. And once

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that thought settles in, it becomes harder to dismiss entirely,

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not because you've reached a conclusion, but because something about

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It keeps pulling your attention back, like there's something there

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just outside of a clear explanation, and the more you hear,

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the more it starts to feel like you're circling something,

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not quite seeing it directly, but getting closer to it,

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maybe from different angles. Up to this point, it's still

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possible to keep a little distance from it. You hear

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the examples, and some of them land, some of them don't,

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but there's still things out in the world. Logos, movie lines,

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brand name that changes for some people because for them

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it doesn't stay in that category. It shows up somewhere

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they didn't expect it to, and when that happens, the

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reaction is usually pretty similar. People don't describe it as frightening.

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It's more like confusion and then that moment where they

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stop and try to make sense of it. One of

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the examples that comes up again and again, which we

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previously mentioned, involves the fruit of the loom logo. Some

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people have seen their entire lives without thinking about it

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on clothing, on tags in stores. A lot of people

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remember it a certain way, a cluster of fruit, and

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behind it the woven cornucopia, that curved, horn shaped basket,

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not vaguely, they can picture where it sits, how the

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fruit spills out of it. Some people even say that's

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how they first learned what a cornucopia was. And when

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they go looking for it, they can't find a version

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of the logo that includes it. They check older images,

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archived advertisements, anything they can find, and what they see

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is just the fruit, no basket. And for some people

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that's where it stops. They just make the adjustment, they

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accept what they're seeing, and they just move on. But

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even then there's usually a trace of it left behind,

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something small, a sense that the version they remember didn't

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just disappear. It's still there, just not where they expect

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to find it, and that's enough to stay with them

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even if they don't talk about it, even if they

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don't bring it up again, they assume they just filled

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in the details. But for authers, it doesn't settle that easily,

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because the memory doesn't feel like a guess. It feels

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like something they've seen repeatedly. And what makes it stand

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out even more is that they're not the only ones

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who remember it that way. The same detail comes up

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again and again from different people, again in different places,

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and that's where it starts to feel familiar, that same pattern,

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something remembered clearly that doesn't match what they can find.

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Another example that carries the same weight shows up in

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a very different place. A passage from the Bible, the

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lion shall lay down with the lamb. It's a line

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people have heard for years in sermons, in conversation, in artwork.

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It feels established, fixed, but when they go looking for it,

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the wording is different. The wolf shall dwell with the lamb.

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And for people who know the passage, who've heard it,

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read it, returned to it over time, the wording isn't

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what they remember, and it stands out immediately, not because

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they were unsure, but because they weren't. And that's what

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carries across all of these experiences. It's not uncertainty. It's familiarity,

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that sense of knowing something well enough that you never

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had a reason to question it, and then at some

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point you do, and what you find doesn't quite match

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what you expect to see. There are other examples like that,

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people noticing small details and things they've seen for years.

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A word that just doesn't look right, a phrase that

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sounds slightly off, not something they would have paid attention to, before,

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00:25:24,039 --> 00:25:28,319
but once they notice it, they can't quite unnotice it.

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And what stays with them isn't just the example, it's

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the feeling that comes with it, that sense that something

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they were sure about doesn't line up the way it

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used to, not in a way that they can prove,

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not in a way that they can point to directly,

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just something that doesn't quite resolve. And for people who

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00:25:56,160 --> 00:26:00,880
experience that, even once, it's enough to change how they

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00:26:00,960 --> 00:26:06,640
look at it, because it's no longer something abstract, it's

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something that overlaps directly within their own memory, their own

296
00:26:11,480 --> 00:26:15,640
sense of what they know, and once that happens, it

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00:26:15,720 --> 00:26:20,319
becomes harder to set aside, not because there's an answer waiting,

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but because the question just doesn't go away. It just

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00:26:25,200 --> 00:26:30,240
stays there. There are other moments like this that people

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00:26:30,279 --> 00:26:35,359
bring up, not just small details, but scenes and memories

301
00:26:35,400 --> 00:26:39,400
where something feels like it's been removed and what's left

302
00:26:39,440 --> 00:26:43,480
behind doesn't quite work the same way. One of those

303
00:26:43,519 --> 00:26:47,559
comes from the James Bond film Moonraker. There's a character

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in that movie known as Jaws, and he's named that

305
00:26:51,079 --> 00:26:55,119
for a reason. He has these large metal teeth, and

306
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throughout the film he's presented as extraordinarily dangerous, stoppable. There's

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a scene where he's standing in a resort and a

308
00:27:04,279 --> 00:27:09,279
young woman walks towards him. She's blonde with pigtails, and

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she's completely unafraid. And if you're watching that scene for

310
00:27:13,519 --> 00:27:16,079
the first time, like I was as a young man

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00:27:16,160 --> 00:27:20,279
in a movie theater, it doesn't make sense. You're wondering

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00:27:20,359 --> 00:27:24,599
why she's walking straight towards someone like that. There's this

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00:27:24,839 --> 00:27:31,880
moment of tension, and then she smiles, And what I

314
00:27:31,920 --> 00:27:35,440
remember and others remember as well, is that she has

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00:27:35,519 --> 00:27:40,480
braces on her teeth, metal braces, And suddenly the whole

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00:27:40,559 --> 00:27:46,000
scene clicks because now there's a connection. He sees her,

317
00:27:46,880 --> 00:27:51,960
she sees him, and instead of fear, there's recognition, and

318
00:27:52,039 --> 00:27:56,759
he smiles back, and the entire tone of the moment changes.

319
00:27:57,839 --> 00:28:03,880
It's no longer threatening. It becomes something unexpectedly human, even

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00:28:03,920 --> 00:28:07,759
a little bit funny. That detail is what makes the

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00:28:07,799 --> 00:28:11,799
scene work. But when people go back and watch it,

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00:28:11,880 --> 00:28:18,119
now she smiles and there are no braces, and without

323
00:28:18,119 --> 00:28:23,079
that detail, the moment feels different. The connection isn't clear.

324
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It becomes something entirely different, And for people who remember

325
00:28:29,160 --> 00:28:33,200
it the other way, it's really hard to reconcile because

326
00:28:33,920 --> 00:28:38,000
it's not just a missing detail, it's the removal of

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the reason the scene made sense in the first place.

328
00:28:41,720 --> 00:28:46,160
And that's what stands out, not just that something is different,

329
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but that the version they remember feels more complete and

330
00:28:50,920 --> 00:28:54,680
more coherent, like it fits together in a way the

331
00:28:54,680 --> 00:28:58,920
current version just doesn't. And there are other moments like

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00:28:59,000 --> 00:29:03,799
that scenes people feel like they know that don't quite

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00:29:04,000 --> 00:29:05,640
land the same way anymore.

334
00:29:16,680 --> 00:29:19,119
Speaker 5: Sometimes your search for a new home can feel like

335
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336
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338
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339
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340
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341
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342
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343
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344
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345
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by the Central Bank of Ireland.

346
00:30:07,000 --> 00:30:09,319
Speaker 2: Another one people talk about comes from The Snow White

347
00:30:09,359 --> 00:30:13,720
and the Seven Dwarfs, which we referenced earlier, the scene

348
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with the mirror. Most people remember the line is mirror,

349
00:30:18,759 --> 00:30:23,079
mirror on the wall. It's one of the most recognizable

350
00:30:23,119 --> 00:30:26,440
lines in the film. But when they go back and

351
00:30:26,480 --> 00:30:31,720
watch it, the line is different, magic mirror on the wall.

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And for some people that shift stands out immediately, not

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because they were unsure, but because mirror mirror feels so familiar,

354
00:30:43,599 --> 00:30:48,440
so repeated, it's hard to place where that version came from,

355
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and once they notice it, it just doesn't sit the

356
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same way. It's a small change, but it's one that

357
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people feel certain about, and that's certainty is what makes

358
00:31:01,119 --> 00:31:05,079
it linger. There's another example that shows up in a

359
00:31:05,119 --> 00:31:09,880
completely different way, not in dialogue, but in something physical,

360
00:31:10,799 --> 00:31:14,880
the human body. There are people who remember the human

361
00:31:14,880 --> 00:31:21,000
skeleton differently, specifically the rib cage. Some remember it as

362
00:31:21,079 --> 00:31:25,440
being more closed, more solid, but when they look at

363
00:31:25,440 --> 00:31:29,319
it now, there are gaps, open spaces that they don't

364
00:31:29,359 --> 00:31:34,480
remember being there before. Others point to the position of organs,

365
00:31:35,359 --> 00:31:39,240
the heart not being where they always thought it was,

366
00:31:40,240 --> 00:31:44,200
not centered the way that they remember it, but shifted,

367
00:31:45,400 --> 00:31:48,799
and for some people that's harder to dismiss because it's

368
00:31:48,880 --> 00:31:51,279
not a logo and it's not a line from a movie.

369
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It's something they feel certain that they had learned, something

370
00:31:55,759 --> 00:31:59,599
they've carried with them for years, and when it doesn't

371
00:31:59,720 --> 00:32:04,960
matter which it stands out in a different way, more personal,

372
00:32:06,000 --> 00:32:10,680
more immediate. And then there are moments tied to memory itself,

373
00:32:11,920 --> 00:32:17,839
things people remember not just seeing, but experiencing, like other

374
00:32:17,960 --> 00:32:22,519
lines from well known films. In Forrest Gump, many people

375
00:32:22,680 --> 00:32:26,240
remember the line life is like a box of chocolates,

376
00:32:27,240 --> 00:32:30,200
But then they go back and listen and the line

377
00:32:30,359 --> 00:32:34,359
is life was like a box of chocolates. And for

378
00:32:34,519 --> 00:32:39,480
some that difference feels small, but for others it changes

379
00:32:39,559 --> 00:32:43,799
the way that line lands. One is present and the

380
00:32:43,880 --> 00:32:47,880
other feels like something already passed. And again, it's not

381
00:32:48,039 --> 00:32:51,680
just the wording, it's the familiarity of what they remember,

382
00:32:51,799 --> 00:32:57,680
hearing something that felt certain that now feels just slightly

383
00:32:57,759 --> 00:33:01,119
out of place. And when you start to stack these

384
00:33:01,200 --> 00:33:05,559
moments together, different kinds of memories, different parts of life,

385
00:33:06,319 --> 00:33:10,599
but the same kind of experience surrounding them, that's when

386
00:33:10,640 --> 00:33:14,359
it becomes harder to ignore. Not because any one of

387
00:33:14,440 --> 00:33:18,599
them proves anything, but because of how many there are,

388
00:33:20,319 --> 00:33:24,880
and how similar they feel when people describe them. By

389
00:33:24,960 --> 00:33:28,519
this time, it's not really about any one example anymore.

390
00:33:29,440 --> 00:33:32,559
It's not the logo, it's not the line from the movie.

391
00:33:33,400 --> 00:33:36,960
It's not even a single passage or phrase. It's a

392
00:33:37,039 --> 00:33:41,319
way they all seem to follow the same shape, something familiar,

393
00:33:42,200 --> 00:33:46,880
something people feel certain about, and then something that doesn't

394
00:33:46,960 --> 00:33:50,240
quite match when they look at it again, And that

395
00:33:50,400 --> 00:33:55,680
pattern repeats, not all at once. It's spread out, different

396
00:33:55,759 --> 00:34:00,359
people noticing different things at different times, But when you

397
00:34:00,480 --> 00:34:03,400
step back and look at it as a whole, it

398
00:34:03,559 --> 00:34:08,119
starts to feel connected, like separate moments that all point

399
00:34:08,360 --> 00:34:13,000
in the same direction, even if that direction isn't fully clear,

400
00:34:14,000 --> 00:34:18,440
across different kinds of things, different parts of life, different

401
00:34:18,480 --> 00:34:23,239
groups of people. It shows up in branding, in language,

402
00:34:24,119 --> 00:34:27,719
in things people have seen casually, and in things they've

403
00:34:27,800 --> 00:34:32,079
returned to over and over again. And even though the

404
00:34:32,239 --> 00:34:36,840
examples are different, the experience around them tends to sound

405
00:34:37,039 --> 00:34:42,400
very similar. People describe that same moment of pause, that

406
00:34:42,639 --> 00:34:45,719
same sense that something isn't lining up the way it

407
00:34:45,800 --> 00:34:51,960
should not confusion in a general sense, something more specific

408
00:34:52,079 --> 00:34:57,519
than that, like recognizing a difference but not knowing where

409
00:34:57,559 --> 00:35:01,800
it came from. And one of the things that stands

410
00:35:01,840 --> 00:35:07,440
out most is how consistent that experience is. People who've

411
00:35:07,559 --> 00:35:11,519
never met, who have no reason to influence each other

412
00:35:12,559 --> 00:35:17,199
describing the same kind of realization, remembering the same kinds

413
00:35:17,239 --> 00:35:21,480
of details, and running into the same kind of mismatch.

414
00:35:22,840 --> 00:35:25,880
That's the part that keeps it from being easy to dismiss,

415
00:35:27,199 --> 00:35:32,400
because memory on its own is unpredictable. It shifts, it

416
00:35:32,559 --> 00:35:37,159
fills in gaps, it changes over time, but it doesn't

417
00:35:37,239 --> 00:35:40,159
usually move in the same direction for large groups of

418
00:35:40,199 --> 00:35:44,599
people with the same level of certainty. And that's where

419
00:35:44,639 --> 00:35:50,440
the question starts to build, not answers, just questions what

420
00:35:50,719 --> 00:35:55,039
would cause something like that? Why do the differences feel

421
00:35:55,119 --> 00:35:59,320
so specific, Why do they tend to cluster around things

422
00:35:59,360 --> 00:36:03,639
people feel familiar with, and why does the experience of

423
00:36:03,760 --> 00:36:07,480
noticing them feel so similar from one person to the next.

424
00:36:09,039 --> 00:36:12,119
And that's where it becomes harder to treat as a coincidence,

425
00:36:13,519 --> 00:36:16,880
not because anyone moment proves anything, but because of how

426
00:36:17,000 --> 00:36:20,719
many of them there are and how similar they feel

427
00:36:21,199 --> 00:36:25,920
when people describe them. That consistency is difficult to ignore.

428
00:36:27,239 --> 00:36:31,679
There isn't a single way people approach those questions. Some

429
00:36:31,920 --> 00:36:35,239
stay grounded in memory, and the idea of what people

430
00:36:35,280 --> 00:36:38,800
are experiences is tied to how the mind processes and

431
00:36:38,920 --> 00:36:43,880
stores information, not as an error necessarily, but as something

432
00:36:44,000 --> 00:36:48,639
more complex. Others look at it from a different angle,

433
00:36:49,719 --> 00:36:56,199
not focusing on memory, but on reality itself, the idea

434
00:36:56,280 --> 00:37:00,360
that what people are noticing isn't just how they remember things,

435
00:37:01,239 --> 00:37:05,159
but how things appear to them now, and whether those

436
00:37:05,239 --> 00:37:09,679
two are always as fixed as we assume. There are

437
00:37:09,760 --> 00:37:12,440
people who try to take that new idea even further,

438
00:37:13,559 --> 00:37:17,320
to look at it from the smallest level possible, the

439
00:37:17,440 --> 00:37:22,840
structure of reality itself. One idea that's been shared comes

440
00:37:22,960 --> 00:37:29,039
from a young physics enthusiast named Max Lowin. He's someone

441
00:37:29,079 --> 00:37:31,480
who gained attention at a young age for the way

442
00:37:31,559 --> 00:37:35,880
he approaches physics and the nature of reality, and his

443
00:37:36,079 --> 00:37:40,639
suggestion takes a different direction from most. He proposed that

444
00:37:41,079 --> 00:37:45,599
if something at a fundamental level were to change, even

445
00:37:45,679 --> 00:37:49,239
something as small as the properties of a single particle,

446
00:37:50,400 --> 00:37:55,079
it could have larger consequences, not necessarily in a way

447
00:37:55,159 --> 00:37:59,360
that would be obvious, not something you'd see happening around you,

448
00:38:00,559 --> 00:38:05,760
but something that might show up in inconsistencies small differences,

449
00:38:07,079 --> 00:38:12,119
things that don't quite match what people remember. He connected

450
00:38:12,159 --> 00:38:16,679
that idea to experiments at CERNE, the kind of experiments

451
00:38:16,760 --> 00:38:21,239
that deal with particles at the smallest measurable scale, and

452
00:38:21,360 --> 00:38:25,239
the question that follows from that is simple but difficult

453
00:38:25,320 --> 00:38:31,280
to answer. If something changes at that level, even slightly,

454
00:38:32,719 --> 00:38:37,360
would everything change with it or would some things remain

455
00:38:37,960 --> 00:38:42,079
just out of place. There are other ways people try

456
00:38:42,119 --> 00:38:47,039
to make sense of it, ideas about parallel realities, the

457
00:38:47,159 --> 00:38:51,599
possibility that there isn't just one version of events but many,

458
00:38:52,639 --> 00:38:56,719
and that what people are noticing are points when those

459
00:38:57,000 --> 00:39:01,079
versions don't line up perfectly. It's not merging in a

460
00:39:01,159 --> 00:39:07,800
visible way, not shifting all at once, just small inconsistencies,

461
00:39:09,320 --> 00:39:13,880
details that don't match across versions, and memory being one

462
00:39:13,920 --> 00:39:17,559
of the places where that difference shows up. None of

463
00:39:17,639 --> 00:39:21,840
these ideas fully explain what people are experiencing, but each

464
00:39:21,920 --> 00:39:25,400
one seems to touch part of it, and that may

465
00:39:25,480 --> 00:39:29,039
be the most important thing to recognize, because at this

466
00:39:29,199 --> 00:39:33,480
point it's not really about choosing an explanation. It's about

467
00:39:34,079 --> 00:39:39,440
recognizing the patterns. Something is happening at the level of experience,

468
00:39:40,559 --> 00:39:43,840
something that causes people to notice the same kinds of

469
00:39:43,960 --> 00:39:49,559
differences in the same kinds of ways, and whatever the

470
00:39:49,719 --> 00:39:55,199
explanation might be, it hasn't fully resolved that pattern. It's

471
00:39:55,239 --> 00:40:00,400
still there, still showing up, still pulling people back to

472
00:40:00,480 --> 00:40:05,880
the same question. If what we remember and what we

473
00:40:06,079 --> 00:40:11,039
see don't always line up, then what does that say

474
00:40:11,360 --> 00:40:17,360
about how stable either one really is. It's a strange

475
00:40:17,440 --> 00:40:20,599
feeling when something familiar doesn't sit the way it used to.

476
00:40:22,199 --> 00:40:25,239
Not enough to stop you, not enough to make a

477
00:40:25,320 --> 00:40:29,280
scene out of it, just enough that you notice, and

478
00:40:29,440 --> 00:40:34,880
for a second you hesitate, like something didn't land quite

479
00:40:35,039 --> 00:40:38,199
the way you expected it to. Most of the time

480
00:40:38,320 --> 00:40:40,679
you don't stay on it, you just move past it.

481
00:40:41,920 --> 00:40:44,239
But every once in a while it lingers a little

482
00:40:44,280 --> 00:40:47,920
longer than it should, and you feel yourself thinking about

483
00:40:47,960 --> 00:40:52,880
it again later, not trying to solve it, just turning

484
00:40:52,960 --> 00:40:57,079
it over. What stays with you is the feeling that

485
00:40:57,239 --> 00:41:01,639
they leave behind, the moment where or something familiar doesn't

486
00:41:01,679 --> 00:41:05,119
quite line up the way you expect it to, and

487
00:41:05,199 --> 00:41:07,840
the realization that you're not the only one who's had

488
00:41:07,880 --> 00:41:13,480
that moment, that other people, people you've never met, people

489
00:41:13,599 --> 00:41:17,199
living in completely different lives, have run into that same

490
00:41:17,320 --> 00:41:21,760
kind of pause and remembered things in a way that

491
00:41:21,920 --> 00:41:25,800
doesn't quite match what they're seeing. Now, that's the part

492
00:41:25,880 --> 00:41:31,159
that lingers because it doesn't resolve cleanly. You can explain

493
00:41:31,239 --> 00:41:33,760
one or two of these moments, maybe even a few,

494
00:41:34,880 --> 00:41:38,840
but the pattern itself doesn't really go anywhere. It just

495
00:41:38,920 --> 00:41:42,000
stays there, and the more you sit with it, the

496
00:41:42,119 --> 00:41:45,440
more it starts to shift how you look at things,

497
00:41:46,679 --> 00:41:49,000
not in a way that interrupts your day, just enough

498
00:41:49,119 --> 00:41:53,159
that every now and then you notice something and you

499
00:41:53,320 --> 00:41:56,559
stop on it, not for long, just long enough to

500
00:41:56,679 --> 00:42:01,559
feel that same sense of hesitation, that same question in

501
00:42:01,639 --> 00:42:05,719
the back of your mind, not necessarily what changes, just

502
00:42:06,440 --> 00:42:09,199
whether everything has always been exactly the way that you

503
00:42:09,400 --> 00:42:13,719
assumed that it was, Because most of us move through

504
00:42:13,760 --> 00:42:17,159
the world with a quiet kind of certainty that what

505
00:42:17,360 --> 00:42:21,400
we remember lines up with what we see, that the

506
00:42:21,519 --> 00:42:25,760
things we've known for years stay the same. And most

507
00:42:25,800 --> 00:42:29,559
of the time they do. But every once in a while,

508
00:42:29,760 --> 00:42:34,920
something doesn't. And when that happens, it doesn't come with

509
00:42:35,039 --> 00:42:40,719
an explanation, It doesn't draw attention to itself. It just

510
00:42:40,880 --> 00:42:44,639
leaves you at that same moments where what you remember

511
00:42:45,039 --> 00:42:50,079
and what you're looking at don't line up, and You're

512
00:42:50,119 --> 00:42:53,760
left to decide what to do with that. Do you

513
00:42:53,880 --> 00:42:57,719
adjust the memory and move on, do you question it

514
00:42:58,000 --> 00:43:01,840
and look a little closer, or do you just let

515
00:43:01,920 --> 00:43:06,199
it sit there the way it is? Honestly, there isn't

516
00:43:06,239 --> 00:43:10,360
really a single way to approach this, because whatever this is,

517
00:43:10,519 --> 00:43:13,400
it doesn't seem to follow a clear set of rules.

518
00:43:14,559 --> 00:43:17,599
It doesn't show up the same way every time, and

519
00:43:17,760 --> 00:43:21,639
it doesn't offer an explanation when it does. It just

520
00:43:21,760 --> 00:43:28,280
appears in small details and familiar things in places you

521
00:43:28,400 --> 00:43:34,159
weren't expecting to question, and then it's gone again, leaving

522
00:43:34,280 --> 00:43:38,760
behind that same quiet question. If what we remember and

523
00:43:38,880 --> 00:43:42,639
what we see don't always match, then what does that

524
00:43:42,880 --> 00:43:48,000
say about how either one really works? And maybe more

525
00:43:48,079 --> 00:43:51,480
than that, how much of what we take for granted

526
00:43:52,599 --> 00:43:59,599
has never really been as fixed as it seems. If

527
00:43:59,599 --> 00:44:03,000
any of you have had some of these moments something

528
00:44:03,079 --> 00:44:05,639
that didn't quite line up, I'd really love to hear

529
00:44:05,679 --> 00:44:09,280
about it. You can reach out through the show check

530
00:44:09,360 --> 00:44:14,440
the show description for contact information, share your experience and

531
00:44:14,559 --> 00:44:18,639
be part of the conversation. I remember, until next time,

532
00:44:20,039 --> 00:44:45,599
all take care of yourselves, all right, everybody, that's going

533
00:44:45,679 --> 00:44:47,559
to wrap it up for us today. So I hope

534
00:44:47,559 --> 00:44:49,960
you guys enjoyed the show, and thank you again so

535
00:44:50,159 --> 00:44:53,280
much for all your love and support. And remember, if

536
00:44:53,280 --> 00:44:56,559
you want to follow the Paranormal Portal, probably the easiest

537
00:44:56,559 --> 00:45:00,159
way is to head over to Paranormalportal dot net. That's

538
00:45:00,199 --> 00:45:02,400
the homepage for the Paranormal Portal and you'll find links

539
00:45:02,440 --> 00:45:06,239
to all of our different social media and sites and

540
00:45:06,440 --> 00:45:10,000
information about the shows, including our YouTube channel which is

541
00:45:10,079 --> 00:45:14,239
YouTube dot com slash Paranormal Portal, or just look for

542
00:45:14,360 --> 00:45:17,960
Paranormal Portal on Google or whatever search engine and you'll

543
00:45:18,000 --> 00:45:23,360
find links to our social media such as Facebook, Instagram, TikTok,

544
00:45:23,960 --> 00:45:27,079
and Twitter. So we're kind of all over the place

545
00:45:27,280 --> 00:45:31,039
and we're spreading as well as we can. But anyway,

546
00:45:31,239 --> 00:45:33,519
thank you so much for the love and support you'all.

547
00:45:33,599 --> 00:45:35,719
Take care and remember we love you all. Be good,

548
00:45:35,840 --> 00:45:38,719
be kind, be nice, take care of each other, help

549
00:45:38,760 --> 00:45:41,000
each other out, find the magic and every day, and

550
00:45:41,119 --> 00:45:44,559
remember to laugh as much as you can until next time.

551
00:46:16,039 --> 00:46:35,639
Speaker 3: Back Patch.

552
00:47:53,000 --> 00:47:56,320
Speaker 6: Marketing is hard, but I'll tell you a little secret.

553
00:47:56,440 --> 00:47:58,159
It doesn't have to be. Let me point something out.

554
00:47:58,519 --> 00:48:00,679
You're listening to a podcast right now, and it's great.

555
00:48:00,880 --> 00:48:02,800
You love the host, you seek it out and download it.

556
00:48:02,840 --> 00:48:05,519
You listen to it while driving, working out, cooking, even

557
00:48:05,599 --> 00:48:09,119
going to the bathroom. Podcasts are a pretty close companion.

558
00:48:09,639 --> 00:48:12,159
And this is a podcast ad. Did I get your attention?

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