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Speaker 2: Hey everybody, and welcome to the Paranormal Portal. I'm your
host friend Thomas. Thank you so much for joining us today.
We've got an epic show ahead. But just remember, if
any of you have experiences you'd like to share, I'd.
Speaker 3: Love to hear from you.
Speaker 2: You can either email me at Paranormal Portal radio at
gmail dot com or head over to Paranormalportal dot net
and scroll down and find the button that says interview me,
and that'll allow you to look at the calendar of
possible times and dates and find a date that works
for you. Love to hear your stories, so definitely get
in touch with me.
Speaker 3: Music.
Speaker 2: Most of the time, this kind of thing slips in quietly.
You come across something familiar, something you've seen before, and
for a second it doesn't look the way you expect
it to, not quite enough to stop you, just enough
that you notice it, And usually you don't give it
much weight. You figure it's you, you remembered it wrong,
or you're mixing it up for something else. It's easy
to accept. Memory does that, so you move on. But
every once in a while it just doesn't settle that easily.
For a lot of people, it starts with something from childhood,
a name that they've seen over and over again, books
on a shelf, covers they can still picture without thinking
about it. The Berenstein bears. That's how people remember it
as T E i N, not vaguely, not as a guess.
They remember reading it that way, seeing it that way
more than once, and then later on they come across
it again and something feels off, so they take a
closer look, and the name isn't Berenstein. It's beren Stein
as T A I N. You don't need much more
than that to feel it. It's a small thing, but
it just doesn't sit right. Most people can still explain
it away. Maybe it's just the way it sounded, Maybe
your brain leaned towards something more familiar. Stein feels like
a name stain doesn't, so you just adjust and move on,
and that would usually be the end of it, but
for a lot of people it isn't. Something else comes
into your awareness. The monopoly Man. A lot of people
remember him with a monocle. It's just part of the
image in their mind, except he doesn't have one. And
that's usually the point where you slow down a little,
because now it's not just one memory you can shrug off.
But then something else stands out, like the fruit of
the loom logo, a pile of fruit, and behind it
that curved basket, the cornucopia. You can picture it clearly,
you can remember it from a thousand articles of clothing,
except it just isn't there. At that point, it's harder
to treat it like a simple mistake. Nothing around you changes,
there's no big moment, but internally something shifted, because now
you're noticing a pattern, and you start realizing there are
other things you've never questioned before. Lines for movies, every
day phrases, small details you've seen so many times you
never had a reason to doubt them. Luke, I am
your father. That's how most people remember it, but that's
not the line. Objects in the mirror, maybe closer than
they appear. You've probably seen that on a car mirror
more times than you can count, But that's not what
it says. Each one on its own still feels explainable,
but once there are a few of them, it starts
to feel different. You're not reacting to one example anymore.
You're noticing that same kind of mismatch just keeps showing up,
and somewhere in the middle of that, your attention shifts.
It's not about the details and more about the feeling
they leave behind, that sense that something isn't lining up
the way it should. Not enough to interrupt your day,
not even enough to cause panic, just enough to make
you stop for a second, And in that moment you're
left with a simple question. If you remember it one
way and the world shows you something different, which one
do you trust? And that's where this starts. And once
you notice it, it's hard not to keep looking because
if something that familiar can be off, then it raises
a bigger question. How many other things have you never
thought to question? And why do so many people remember
the same details the same way if those details don't
match what's in front of them. Now there's a name
for that, but the name doesn't explain it, It just
gives it somewhere to sit. At some point, people start
comparing notes, not in any organized way at first, just conversations,
online forums, comments sections, people realizing that what they remembered
wasn't just something they remembered alone. Someone would bring up
the Berenstein Bears, and instead of being corrected, they'd find
other people saying exactly the same thing, spelled the same
way and remembered the same way. And then someone else
would mention the monopoly man, and again the same detail
would come up, the monocle, not as a guess, not
as a maybe, just as something they were sure they
had seen. And as more of these examples surfaced, something
became harder to ignore. It wasn't just that people were
remembering things differently, It was that large groups of people
were remembering the same differences. Eventually, the phenomena was given
a name, and that name came from a researcher named
Fiona Broom. She had been at an event speaking with
other people about a memory she was certain of. She
remembered hearing that Nelson Mandela had died in prison in
the nineteen eighties, not vaguely. She remembered news coverage, reactions,
the sense of it as a historical mode moment. But
when she brought it up, she found out something unexpected.
Nelson Mandela hadn't died in the eighties. He'd been released
from prison, and years later he became president of South Africa.
What stood out wasn't just that she remembered it differently,
it was that other people around her remembered it the
same way she did. That shared discrepancy became the reference point,
and over time people started using the term the Mandela effect.
It's a simple label. It doesn't explain anything. It just
describes the experience a large number of people remembering something
one way and finding that it doesn't match what's currently
accepted as fact. And once the name existed, more people
started recognizing it. They'd come across one example, and then another,
and then another, and they'd start to realize they had
their own, not just things they'd heard about, things they
personally remembered clearly, And that's when it changes from being
interesting to being personal, because it's no longer something happening
somewhere else. It's something that reaches into your own memory,
your own experiences, things you would have never thought to question.
And once that happens, the conversation shifts. It's no longer
about whether something is right or wrong. It becomes about
that moment where what you remember and what you're looking
at don't quite line up. And for a lot of people,
that's where it opens up, because once you start paying attention,
you realize how many of these there are. Some are small, insignificant,
even they're easy to overlook unless someone points them out.
Others are tied to things people have seen their entire lives, logos,
brand names, lines from movies, and things that were never
meant to be questioned, and yet when you look at
them now, something doesn't quite match. Once people start noticing it,
it doesn't really stop. It's not like you sit down
and go looking for these things. They just seem to
come up. You hear one example and it reminds you
of something else, or you come across something you've seen
your whole life, and for the first time you actually
begin to look at it, and that's usually when another
one clicks. Luke, I am your father. That's the line
most people remember. It's been repeated that way for years, quoted, referenced,
built into conversations, but when you go back to it,
that's not what's said. And sometimes it's not just a
matter of wording, it's the way something lands. You hear
it again, and technically it's the same scene, the same characters,
even the same moments, but it doesn't hit the way
you expect it to. Like there's a version of it
in your mind that feels more complete, more familiar, and
the one you're hearing now feels slightly out of step
with that. Not wrong exactly, just not what you're expecting
to hear. And that's the part people tend to notice,
not just that something is different, but that the version
they remember still feels just as real. Then something else
stands out. Mirror mirror on the wall. That's how the
line goes. That's how people have said it for as
long as they can remember. But when you hear it again,
it's different. Magic mirror on the wall. It's close, close
enough that you might not notice it at first, but
once you do, it just doesn't sit quite right. And
then another one, the spelling of Fabrize. A lot of
people remember it as fabriz with two e's in the middle,
and that's how it looks in your mind, but when
you see it now, it's spelled differently f e b
r e ze. And again it's small, easy to overlook,
but it's not just one person noticing it. It keeps
coming up. Then they're the ones tied to images. Things
you don't just remember, you've seen them over and over.
Pik at you. A lot of people remember this. Pokemon
has a tip of his tail that's black. It feels
right when you picture it, but when you look at
it now, that detail is no longer there. Curious George,
most people remember him having a tail, it's part of
how they picture him moving and climbing and sweat, but
when you actually look, there isn't one. And these aren't
obscure things. These are characters people have grown up with
things they've seen repeatedly without ever having a reason to
question them, and that's what makes it stand out. It's
not just memory in the abstract. It's familiarity, repetition, the
kind of exposure that usually makes something feel fixed, and
yet when the people look again, something feels just slightly
out of place. Then they're the ones tied to wording.
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Speaker 2: Phrases people feel like they've known their entire lives. Objects
in the mirror may be closer than they appear. That's
the version most people recognize, but when they actually read
it is different. It's a small shift, same meaning, but
not the same phrasing. And those small shifts seem to
matter more than they should because they're not random. They
don't feel random, they feel consistent, like the memory isn't
just drifting, it's landing in the same place over and
over again. And that's where it starts to stand out,
because it's not happening in isolation. It's not one person,
one memory, one moment. It's something that seems to surface
in the same way for people who have no connection
to each other. They weren't comparing notes beforehand, they weren't
influencing each other, and yet when they describe what they remember,
it lines up, not perfectly in every every detail, but
closely enough that it raises the same question, how does
that happen? It's not just that people remember things differently,
that happens all the time. It's that people remember the
same differences, strangers, different ages, different backgrounds, landing on the
same details. And once you've heard enough of them, it
changes how you look at it because it's no longer
one example. It's not even a handful. It's a pattern
that keeps repeating, and somewhere along the way, you stop
focusing on whether each individual example can be explained, and
you start to notice the shape that they form together,
the consistency. And that's what lingers, because even if you
could explain one of them, or two, or even a few,
it doesn't really address why they keep showing up in
the same way for so many different people. And once
that thought settles in, it becomes harder to dismiss entirely,
not because you've reached a conclusion, but because something about
It keeps pulling your attention back, like there's something there
just outside of a clear explanation, and the more you hear,
the more it starts to feel like you're circling something,
not quite seeing it directly, but getting closer to it,
maybe from different angles. Up to this point, it's still
possible to keep a little distance from it. You hear
the examples, and some of them land, some of them don't,
but there's still things out in the world. Logos, movie lines,
brand name that changes for some people because for them
it doesn't stay in that category. It shows up somewhere
they didn't expect it to, and when that happens, the
reaction is usually pretty similar. People don't describe it as frightening.
It's more like confusion and then that moment where they
stop and try to make sense of it. One of
the examples that comes up again and again, which we
previously mentioned, involves the fruit of the loom logo. Some
people have seen their entire lives without thinking about it
on clothing, on tags in stores. A lot of people
remember it a certain way, a cluster of fruit, and
behind it the woven cornucopia, that curved, horn shaped basket,
not vaguely, they can picture where it sits, how the
fruit spills out of it. Some people even say that's
how they first learned what a cornucopia was. And when
they go looking for it, they can't find a version
of the logo that includes it. They check older images,
archived advertisements, anything they can find, and what they see
is just the fruit, no basket. And for some people
that's where it stops. They just make the adjustment, they
accept what they're seeing, and they just move on. But
even then there's usually a trace of it left behind,
something small, a sense that the version they remember didn't
just disappear. It's still there, just not where they expect
to find it, and that's enough to stay with them
even if they don't talk about it, even if they
don't bring it up again, they assume they just filled
in the details. But for authers, it doesn't settle that easily,
because the memory doesn't feel like a guess. It feels
like something they've seen repeatedly. And what makes it stand
out even more is that they're not the only ones
who remember it that way. The same detail comes up
again and again from different people, again in different places,
and that's where it starts to feel familiar, that same pattern,
something remembered clearly that doesn't match what they can find.
Another example that carries the same weight shows up in
a very different place. A passage from the Bible, the
lion shall lay down with the lamb. It's a line
people have heard for years in sermons, in conversation, in artwork.
It feels established, fixed, but when they go looking for it,
the wording is different. The wolf shall dwell with the lamb.
And for people who know the passage, who've heard it,
read it, returned to it over time, the wording isn't
what they remember, and it stands out immediately, not because
they were unsure, but because they weren't. And that's what
carries across all of these experiences. It's not uncertainty. It's familiarity,
that sense of knowing something well enough that you never
had a reason to question it, and then at some
point you do, and what you find doesn't quite match
what you expect to see. There are other examples like that,
people noticing small details and things they've seen for years.
A word that just doesn't look right, a phrase that
sounds slightly off, not something they would have paid attention to, before,
but once they notice it, they can't quite unnotice it.
And what stays with them isn't just the example, it's
the feeling that comes with it, that sense that something
they were sure about doesn't line up the way it
used to, not in a way that they can prove,
not in a way that they can point to directly,
just something that doesn't quite resolve. And for people who
experience that, even once, it's enough to change how they
look at it, because it's no longer something abstract, it's
something that overlaps directly within their own memory, their own
sense of what they know, and once that happens, it
becomes harder to set aside, not because there's an answer waiting,
but because the question just doesn't go away. It just
stays there. There are other moments like this that people
bring up, not just small details, but scenes and memories
where something feels like it's been removed and what's left
behind doesn't quite work the same way. One of those
comes from the James Bond film Moonraker. There's a character
in that movie known as Jaws, and he's named that
for a reason. He has these large metal teeth, and
throughout the film he's presented as extraordinarily dangerous, stoppable. There's
a scene where he's standing in a resort and a
young woman walks towards him. She's blonde with pigtails, and
she's completely unafraid. And if you're watching that scene for
the first time, like I was as a young man
in a movie theater, it doesn't make sense. You're wondering
why she's walking straight towards someone like that. There's this
moment of tension, and then she smiles, And what I
remember and others remember as well, is that she has
braces on her teeth, metal braces, And suddenly the whole
scene clicks because now there's a connection. He sees her,
she sees him, and instead of fear, there's recognition, and
he smiles back, and the entire tone of the moment changes.
It's no longer threatening. It becomes something unexpectedly human, even
a little bit funny. That detail is what makes the
scene work. But when people go back and watch it,
now she smiles and there are no braces, and without
that detail, the moment feels different. The connection isn't clear.
It becomes something entirely different, And for people who remember
it the other way, it's really hard to reconcile because
it's not just a missing detail, it's the removal of
the reason the scene made sense in the first place.
And that's what stands out, not just that something is different,
but that the version they remember feels more complete and
more coherent, like it fits together in a way the
current version just doesn't. And there are other moments like
that scenes people feel like they know that don't quite
land the same way anymore.
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Speaker 2: Another one people talk about comes from The Snow White
and the Seven Dwarfs, which we referenced earlier, the scene
with the mirror. Most people remember the line is mirror,
mirror on the wall. It's one of the most recognizable
lines in the film. But when they go back and
watch it, the line is different, magic mirror on the wall.
And for some people that shift stands out immediately, not
because they were unsure, but because mirror mirror feels so familiar,
so repeated, it's hard to place where that version came from,
and once they notice it, it just doesn't sit the
same way. It's a small change, but it's one that
people feel certain about, and that's certainty is what makes
it linger. There's another example that shows up in a
completely different way, not in dialogue, but in something physical,
the human body. There are people who remember the human
skeleton differently, specifically the rib cage. Some remember it as
being more closed, more solid, but when they look at
it now, there are gaps, open spaces that they don't
remember being there before. Others point to the position of organs,
the heart not being where they always thought it was,
not centered the way that they remember it, but shifted,
and for some people that's harder to dismiss because it's
not a logo and it's not a line from a movie.
It's something they feel certain that they had learned, something
they've carried with them for years, and when it doesn't
matter which it stands out in a different way, more personal,
more immediate. And then there are moments tied to memory itself,
things people remember not just seeing, but experiencing, like other
lines from well known films. In Forrest Gump, many people
remember the line life is like a box of chocolates,
But then they go back and listen and the line
is life was like a box of chocolates. And for
some that difference feels small, but for others it changes
the way that line lands. One is present and the
other feels like something already passed. And again, it's not
just the wording, it's the familiarity of what they remember,
hearing something that felt certain that now feels just slightly
out of place. And when you start to stack these
moments together, different kinds of memories, different parts of life,
but the same kind of experience surrounding them, that's when
it becomes harder to ignore. Not because any one of
them proves anything, but because of how many there are,
and how similar they feel when people describe them. By
this time, it's not really about any one example anymore.
It's not the logo, it's not the line from the movie.
It's not even a single passage or phrase. It's a
way they all seem to follow the same shape, something familiar,
something people feel certain about, and then something that doesn't
quite match when they look at it again, And that
pattern repeats, not all at once. It's spread out, different
people noticing different things at different times, But when you
step back and look at it as a whole, it
starts to feel connected, like separate moments that all point
in the same direction, even if that direction isn't fully clear,
across different kinds of things, different parts of life, different
groups of people. It shows up in branding, in language,
in things people have seen casually, and in things they've
returned to over and over again. And even though the
examples are different, the experience around them tends to sound
very similar. People describe that same moment of pause, that
same sense that something isn't lining up the way it
should not confusion in a general sense, something more specific
than that, like recognizing a difference but not knowing where
it came from. And one of the things that stands
out most is how consistent that experience is. People who've
never met, who have no reason to influence each other
describing the same kind of realization, remembering the same kinds
of details, and running into the same kind of mismatch.
That's the part that keeps it from being easy to dismiss,
because memory on its own is unpredictable. It shifts, it
fills in gaps, it changes over time, but it doesn't
usually move in the same direction for large groups of
people with the same level of certainty. And that's where
the question starts to build, not answers, just questions what
would cause something like that? Why do the differences feel
so specific, Why do they tend to cluster around things
people feel familiar with, and why does the experience of
noticing them feel so similar from one person to the next.
And that's where it becomes harder to treat as a coincidence,
not because anyone moment proves anything, but because of how
many of them there are and how similar they feel
when people describe them. That consistency is difficult to ignore.
There isn't a single way people approach those questions. Some
stay grounded in memory, and the idea of what people
are experiences is tied to how the mind processes and
stores information, not as an error necessarily, but as something
more complex. Others look at it from a different angle,
not focusing on memory, but on reality itself, the idea
that what people are noticing isn't just how they remember things,
but how things appear to them now, and whether those
two are always as fixed as we assume. There are
people who try to take that new idea even further,
to look at it from the smallest level possible, the
structure of reality itself. One idea that's been shared comes
from a young physics enthusiast named Max Lowin. He's someone
who gained attention at a young age for the way
he approaches physics and the nature of reality, and his
suggestion takes a different direction from most. He proposed that
if something at a fundamental level were to change, even
something as small as the properties of a single particle,
it could have larger consequences, not necessarily in a way
that would be obvious, not something you'd see happening around you,
but something that might show up in inconsistencies small differences,
things that don't quite match what people remember. He connected
that idea to experiments at CERNE, the kind of experiments
that deal with particles at the smallest measurable scale, and
the question that follows from that is simple but difficult
to answer. If something changes at that level, even slightly,
would everything change with it or would some things remain
just out of place. There are other ways people try
to make sense of it, ideas about parallel realities, the
possibility that there isn't just one version of events but many,
and that what people are noticing are points when those
versions don't line up perfectly. It's not merging in a
visible way, not shifting all at once, just small inconsistencies,
details that don't match across versions, and memory being one
of the places where that difference shows up. None of
these ideas fully explain what people are experiencing, but each
one seems to touch part of it, and that may
be the most important thing to recognize, because at this
point it's not really about choosing an explanation. It's about
recognizing the patterns. Something is happening at the level of experience,
something that causes people to notice the same kinds of
differences in the same kinds of ways, and whatever the
explanation might be, it hasn't fully resolved that pattern. It's
still there, still showing up, still pulling people back to
the same question. If what we remember and what we
see don't always line up, then what does that say
about how stable either one really is. It's a strange
feeling when something familiar doesn't sit the way it used to.
Not enough to stop you, not enough to make a
scene out of it, just enough that you notice, and
for a second you hesitate, like something didn't land quite
the way you expected it to. Most of the time
you don't stay on it, you just move past it.
But every once in a while it lingers a little
longer than it should, and you feel yourself thinking about
it again later, not trying to solve it, just turning
it over. What stays with you is the feeling that
they leave behind, the moment where or something familiar doesn't
quite line up the way you expect it to, and
the realization that you're not the only one who's had
that moment, that other people, people you've never met, people
living in completely different lives, have run into that same
kind of pause and remembered things in a way that
doesn't quite match what they're seeing. Now, that's the part
that lingers because it doesn't resolve cleanly. You can explain
one or two of these moments, maybe even a few,
but the pattern itself doesn't really go anywhere. It just
stays there, and the more you sit with it, the
more it starts to shift how you look at things,
not in a way that interrupts your day, just enough
that every now and then you notice something and you
stop on it, not for long, just long enough to
feel that same sense of hesitation, that same question in
the back of your mind, not necessarily what changes, just
whether everything has always been exactly the way that you
assumed that it was, Because most of us move through
the world with a quiet kind of certainty that what
we remember lines up with what we see, that the
things we've known for years stay the same. And most
of the time they do. But every once in a while,
something doesn't. And when that happens, it doesn't come with
an explanation, It doesn't draw attention to itself. It just
leaves you at that same moments where what you remember
and what you're looking at don't line up, and You're
left to decide what to do with that. Do you
adjust the memory and move on, do you question it
and look a little closer, or do you just let
it sit there the way it is? Honestly, there isn't
really a single way to approach this, because whatever this is,
it doesn't seem to follow a clear set of rules.
It doesn't show up the same way every time, and
it doesn't offer an explanation when it does. It just
appears in small details and familiar things in places you
weren't expecting to question, and then it's gone again, leaving
behind that same quiet question. If what we remember and
what we see don't always match, then what does that
say about how either one really works? And maybe more
than that, how much of what we take for granted
has never really been as fixed as it seems. If
any of you have had some of these moments something
that didn't quite line up, I'd really love to hear
about it. You can reach out through the show check
the show description for contact information, share your experience and
be part of the conversation. I remember, until next time,
all take care of yourselves, all right, everybody, that's going
to wrap it up for us today. So I hope
you guys enjoyed the show, and thank you again so
much for all your love and support. And remember, if
you want to follow the Paranormal Portal, probably the easiest
way is to head over to Paranormalportal dot net. That's
the homepage for the Paranormal Portal and you'll find links
to all of our different social media and sites and
information about the shows, including our YouTube channel which is
YouTube dot com slash Paranormal Portal, or just look for
Paranormal Portal on Google or whatever search engine and you'll
find links to our social media such as Facebook, Instagram, TikTok,
and Twitter. So we're kind of all over the place
and we're spreading as well as we can. But anyway,
thank you so much for the love and support you'all.
Take care and remember we love you all. Be good,
be kind, be nice, take care of each other, help
each other out, find the magic and every day, and
remember to laugh as much as you can until next time.
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