WEBVTT

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<v Speaker 1>They even for escape.

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<v Speaker 2>Monday morning at nine o'clock on This is New York,

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<v Speaker 2>let Bill Leonard tell you the details about his exciting

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<v Speaker 2>new contest.

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<v Speaker 1>Get the contest you want to enter, So get the

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<v Speaker 1>details this Monday on This is New York with Bill Leonards.

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<v Speaker 1>But I'm now eight o'clock. Somebody CBSAM and FM New York.

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<v Speaker 3>Tired of the everyday grimes, have a dream of a

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<v Speaker 3>life of romantic adventure. Who want to get away from

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<v Speaker 3>it all? We offer you Escape.

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<v Speaker 4>Escape Design to free you from the four walls of today.

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<v Speaker 1>For a half hour of adventure.

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<v Speaker 2>You are stranded with a carnival the side of the

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<v Speaker 2>iron curtains one out of nowhere. A fortune is within

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<v Speaker 2>your grass, riding a number on a roulette wheel hundreds

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<v Speaker 2>of feet high? Why is your shoulder laughing at you?

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<v Speaker 2>A killer clown from whom there is no escape?

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<v Speaker 4>Listen now as Escape brings you David Creek an important

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<v Speaker 4>fine story carnival in Vienna.

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<v Speaker 1>In the old the role of tenements used to be

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<v Speaker 1>called the shutting off.

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<v Speaker 2>Then there was a war and it was called rubble,

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<v Speaker 2>and it was cleaned up, and it was just an

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<v Speaker 2>empty space.

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<v Speaker 1>In the older part of Vienna.

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<v Speaker 2>That's where the carnival set up Fitch and windstands, wheels,

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<v Speaker 2>the midway act of the high wire for a valley rides,

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<v Speaker 2>parm readers and the biggest ferris wheel this side of

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<v Speaker 2>the Rhine. Twenty carriages and a four minute rides and

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<v Speaker 2>myself front gate Superintendent John Ashcroft Allison, the nice founding name,

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<v Speaker 2>John Ashcroft Allison. The help calls me hair, which is mister,

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<v Speaker 2>that's the way it is. And there's Lily who works

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<v Speaker 2>at Gap whenever it's needed.

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<v Speaker 1>He's got red hair.

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<v Speaker 5>We get alongside.

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<v Speaker 6>Wait, Hannah us African.

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<v Speaker 1>You pass a shiny thing.

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<v Speaker 7>And you are anything and stop and broken, looks at

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<v Speaker 7>your hair.

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<v Speaker 8>One of the good boys.

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<v Speaker 2>And now it's the American money maroon shir think joke,

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<v Speaker 2>can't he? And liar what you mean? Liar?

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<v Speaker 1>You are vain, you are powdering, have nothing to be

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<v Speaker 1>proud of.

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<v Speaker 6>You are hate me?

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<v Speaker 1>You are you are?

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<v Speaker 9>You mean?

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<v Speaker 1>One who up from another?

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<v Speaker 6>Tell you what you when you re cleanse your hair.

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<v Speaker 9>One of these days back to the stay.

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<v Speaker 10>You'll never go to this thing.

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<v Speaker 2>You cannot, I know, Joey tell you last nice And I.

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<v Speaker 1>Did not want to, oh I bet you didn't. Oh,

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<v Speaker 1>I did not.

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<v Speaker 11>Want to hear Joey told me you were a thought

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<v Speaker 11>in a Statehold your joy.

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<v Speaker 8>You were a carnival as a man who is?

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<v Speaker 12>Who is?

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<v Speaker 8>Handwritings like that here and.

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<v Speaker 2>Once the guy wrote down and claimed for me to analyze,

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<v Speaker 2>and I saved the signature in ford you for three

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<v Speaker 2>months all over the place football.

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<v Speaker 8>They almost caught up with me one day.

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<v Speaker 5>I would have told you he didn't.

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<v Speaker 1>I didn't do anything.

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<v Speaker 11>There was something he told me.

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<v Speaker 1>And he told me how you fled from your country

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<v Speaker 1>to yours?

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<v Speaker 8>Has you met me? And how you been.

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<v Speaker 1>Traveling from kindival to con.

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<v Speaker 8>H Come on, just what.

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<v Speaker 5>That's really one of these days I'm going to get

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<v Speaker 5>my hands on enough Joe.

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<v Speaker 12>That's true talking about.

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<v Speaker 8>Probably a clown. Why don't you do something about a clown?

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<v Speaker 1>Why should I do something about him?

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<v Speaker 8>I like him hundreds by the way.

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<v Speaker 2>He laught, but a wooden, cloudy, wooden clown and mechanism.

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<v Speaker 8>Listen to him, Listen to handle.

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<v Speaker 13>It's a purely mechanical love compared to lose customers into

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<v Speaker 13>my hall of.

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<v Speaker 2>Mir Quite of the upset here any if he makes this,

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<v Speaker 2>come on, you wouldn't a commander.

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<v Speaker 13>But as easy hair as if you know your name

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<v Speaker 13>and love that show and knows your stop and bring

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<v Speaker 13>like a peacock and love bedch Just want to.

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<v Speaker 2>Tell you something, cut my advice, change the record in

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<v Speaker 2>a hunter and a clown.

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<v Speaker 8>Yeah, but what you want?

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<v Speaker 7>You up on your shoulder laughing.

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<v Speaker 1>Huh hands all right, it's not fatty laughing at you.

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<v Speaker 8>Let's forget it.

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<v Speaker 12>I oh, why heaven?

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<v Speaker 1>I want to be.

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<v Speaker 8>I though, I love you, I love you, watch you the.

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<v Speaker 2>Phone in a safety apartment. What's the man? Y? Yeah?

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<v Speaker 1>Wah, where are you going?

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<v Speaker 9>Just wait?

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<v Speaker 11>Without being very pick and.

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<v Speaker 1>Dark, Joey, I want to be Let's take a look.

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<v Speaker 10>See that's also important you.

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<v Speaker 1>Need How about here?

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<v Speaker 5>Joey's back of the trailer?

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<v Speaker 8>What for that?

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<v Speaker 1>Hi, Julia? What's not as you?

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<v Speaker 9>Then?

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<v Speaker 1>Friends?

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<v Speaker 5>Haven't we jumped into each other in a silver bar?

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<v Speaker 5>And Buddy's right off?

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<v Speaker 2>J Beside the fact you're a lush you're a good boy,

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<v Speaker 2>good friends, good shield for any conny in the world.

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<v Speaker 5>Right, Oh, I don't mind it. Took a drink and

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<v Speaker 5>spilled a lily about me.

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<v Speaker 1>One way or another.

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<v Speaker 8>She had to find out, Well, what's this all about?

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<v Speaker 1>Heist of the wallet just now, huh.

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<v Speaker 5>I'm a guy, touristly.

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<v Speaker 8>Tourists, huh.

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<v Speaker 1>He was with a blonde from Maxis. He had to

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<v Speaker 1>be a.

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<v Speaker 6>Tourist the way he was dressed, green short and a

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<v Speaker 6>feather in his hat.

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<v Speaker 1>Give me the wallet, Julie.

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<v Speaker 11>I'm taking no one to talk to me like that, Julie, coach.

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<v Speaker 1>I'm telling you. Come on, Joe, I will take a

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<v Speaker 1>lot of that. Joey.

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<v Speaker 9>Here, Joey and you shake.

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<v Speaker 2>Sure, Let's see.

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<v Speaker 1>You're right all right?

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<v Speaker 5>Oh my walk the mad.

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<v Speaker 2>Card?

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<v Speaker 1>Where's a toe? You a ready enough?

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<v Speaker 8>Wait a minute?

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<v Speaker 5>You know what, Joey, you'll never know five half some

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<v Speaker 5>friend of mine.

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<v Speaker 1>Then I'll catch up to you. We'll catch up to you.

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<v Speaker 2>I didn't look at him anymore, not at Joey. That

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<v Speaker 2>John Ashcroft Allison looking out at me from the aluminum

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<v Speaker 2>side of the trailer.

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<v Speaker 1>And I'm amount of.

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<v Speaker 9>A ten dollar high.

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<v Speaker 2>And he winked back at me, and his lips shaped

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<v Speaker 2>the words I was saying. Ninety three thousand dollars letter

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<v Speaker 2>of credit in mister Paul Max Wallace, complete with identification cards.

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<v Speaker 2>So I looked around for the green short A man

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<v Speaker 2>with a feather in his hat with a blonde from

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<v Speaker 2>Max and the way it happened, and I pumped into

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<v Speaker 2>them coming out of all a mirror. I trailed them

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<v Speaker 2>over to the ferry's wheel, watched mister Max flatdowns and

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<v Speaker 2>change a couple of tickets, waited until they get into

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<v Speaker 2>a carriage in a wheel.

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<v Speaker 8>And started. Then I walked over at heperism.

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<v Speaker 1>A got organ high.

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<v Speaker 9>Push this six wheels back?

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<v Speaker 1>Hey, how about you and Maleen Malen. I never got

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<v Speaker 1>to see although she works right over there.

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<v Speaker 9>We only get the waves then and.

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<v Speaker 1>We are both off.

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<v Speaker 5>Her boyfriend comes and takes her away.

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<v Speaker 11>And once you go over and talk to us, sure, go.

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<v Speaker 5>Ahead, I'll take over the wheeling.

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<v Speaker 10>I would certainly like to see money.

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<v Speaker 5>Go on, get it? They get carrots side of the river,

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<v Speaker 5>twenty carriages in a formative rise.

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<v Speaker 2>Mister Paul Max from bought the mad and the green

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<v Speaker 2>one for the blonde, enjoying.

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<v Speaker 8>To keep him in the carriage like get it twenty.

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<v Speaker 6>Three thousand dollars alp with a trick a twenty.

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<v Speaker 2>To one shot goop a handful of sand and gravel

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<v Speaker 2>off the g into the oil and taken a.

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<v Speaker 5>Handful four minutes with fourteen.

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<v Speaker 1>Times around bike trimp, a big splip.

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<v Speaker 10>Eleven we could sweet in the world, tiny gap it

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<v Speaker 10>become a.

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<v Speaker 9>Green but I got my handful. Maybe it wouldn't work it,

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<v Speaker 9>Maybe I needed another killing me.

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<v Speaker 8>Maybe I.

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<v Speaker 10>Haven't gon by carry green.

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<v Speaker 1>Parent with a wad like in the neck and they

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<v Speaker 1>bore my.

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<v Speaker 8>Water and the cat and I closed my eye.

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<v Speaker 5>When I opened them, the wheel it stopped spinning.

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<v Speaker 2>Carriage at the top was green, and I knew there

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<v Speaker 2>wasn't a chance of that wheel coming down for a

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<v Speaker 2>long long time, and there wasn't a ladder that high

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<v Speaker 2>that could get them down.

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<v Speaker 8>Twenty three thousand dollars.

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<v Speaker 5>On a twenty to one shot, I just hit.

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<v Speaker 4>You are listening to Carnival in Vienna, the night's presentation

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<v Speaker 4>of Escape. Edgar Bergen fans will be doubly delighted with

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<v Speaker 4>the New Edgar Bergan Show with Charlie McCarthy. Remember Sunday

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<v Speaker 4>nights on most of these sacans The New Edgar Bergen

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<v Speaker 4>Show with Charlie McCarthy. And now back to Escape and

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<v Speaker 4>the second act of Carnival in Vienna.

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<v Speaker 2>Carnival and the big Wheel not spinning anymore against the

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<v Speaker 2>Vienna sky and for a little while the small riot

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<v Speaker 2>of Carnie wound down, no attraction at it to early

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<v Speaker 2>afternoon with a Danube close, and all the kids took

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<v Speaker 2>to it, climbed the girders and hung from them like

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<v Speaker 2>skinny rag dolls, and kicked their feet in. The watter's

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<v Speaker 2>face was going crazy trying to fix the ferrett wheels,

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<v Speaker 2>and a small detail of Russian soldiers took to it too,

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<v Speaker 2>grinning up at the merchandise display of black cotton stockings,

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<v Speaker 2>Boedian petticoats, and at a very very very top, all

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<v Speaker 2>very a gent from Boston mat with his arms wrapped

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<v Speaker 2>around up blonde from everywhere. I told out of the handle,

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<v Speaker 2>it's the best way he could. I'd round up some

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<v Speaker 2>refugees to give my hands, and I walked away from it,

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<v Speaker 2>away half the gas last the shooting gallery.

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<v Speaker 1>Ask him at the close fighting the.

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<v Speaker 2>Face half where the cornie started.

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<v Speaker 8>To die and got to be mud and litter and

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<v Speaker 8>broken straw where the.

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<v Speaker 5>Trailers were mine bright and shiners.

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<v Speaker 8>And the wreck because there was a displaced straw line.

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<v Speaker 5>Very handy with a dust cloth and needed the work.

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<v Speaker 1>And the job.

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<v Speaker 2>Class in penmanship, uh gentle, the writing hands scroll circles

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<v Speaker 2>and plants, and then Johnnie Allison into Paul mc MPEd

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<v Speaker 2>from Boston, mass.

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<v Speaker 8>Oh, Max, Oh, what you're.

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<v Speaker 14>Doing, Johnny boy?

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<v Speaker 8>What you're doing?

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<v Speaker 14>Johnny boy?

225
00:15:22.320 --> 00:15:25.519
<v Speaker 1>The pober snaps over the cup of Joey drink yourself

226
00:15:25.679 --> 00:15:26.720
<v Speaker 1>did huh huh?

227
00:15:27.080 --> 00:15:28.440
<v Speaker 14>No, huh huh.

228
00:15:30.240 --> 00:15:32.159
<v Speaker 5>Maybe you don't understand because you're fussed up.

229
00:15:33.000 --> 00:15:34.120
<v Speaker 1>You're not wanted Joey.

230
00:15:34.720 --> 00:15:35.919
<v Speaker 8>Oh no, that hurt.

231
00:15:36.960 --> 00:15:38.759
<v Speaker 14>So that's when you say it to an old friend.

232
00:15:40.000 --> 00:15:43.200
<v Speaker 14>But you could buy back my affection. I like you, Johnny, Honey,

233
00:15:43.960 --> 00:15:45.399
<v Speaker 14>I don't want not to like you.

234
00:15:45.639 --> 00:15:47.279
<v Speaker 9>Lush beat the lush.

235
00:15:47.559 --> 00:15:51.279
<v Speaker 14>Don't talk like that, Johnny. You made a noise like

236
00:15:51.399 --> 00:15:54.519
<v Speaker 14>twenty three thousand dollars when I hear you laugh. I

237
00:15:54.639 --> 00:15:58.120
<v Speaker 14>don't know the angle, but I won't end half.

238
00:15:58.320 --> 00:16:02.480
<v Speaker 2>Johnny appeally you have dreamed about them bother. That's her

239
00:16:02.600 --> 00:16:03.399
<v Speaker 2>picture of mindy.

240
00:16:03.960 --> 00:16:06.279
<v Speaker 14>What was you doing when I come in? Johnny written

241
00:16:06.279 --> 00:16:10.960
<v Speaker 14>a letter? Practice you maybe get no feelings digits just

242
00:16:11.039 --> 00:16:15.000
<v Speaker 14>says you let me see Johnny way. You didn't even

243
00:16:15.120 --> 00:16:18.720
<v Speaker 14>let me spee. But I got something I wanted you

244
00:16:18.840 --> 00:16:22.159
<v Speaker 14>to see, Johnny. I brung it just to show you.

245
00:16:23.919 --> 00:16:28.360
<v Speaker 5>Oh h Joey, Joey, You're really our fight, don't you.

246
00:16:29.960 --> 00:16:34.399
<v Speaker 14>Huh. No, all this shr gun does, Johnny, all it

247
00:16:34.559 --> 00:16:37.039
<v Speaker 14>does in the world is to make you and me, buddy.

248
00:16:37.919 --> 00:16:39.720
<v Speaker 14>I squeeze it on it just a little bit, and

249
00:16:39.799 --> 00:16:42.399
<v Speaker 14>all it says you hear it, Johnny.

250
00:16:43.039 --> 00:16:47.840
<v Speaker 11>All it says is buddy, buddy, buddy, like.

251
00:16:47.919 --> 00:16:48.840
<v Speaker 1>It was Mama dog.

252
00:16:50.720 --> 00:16:53.039
<v Speaker 14>You say half me, Johnny, say half a twenty three

253
00:16:53.120 --> 00:16:54.279
<v Speaker 14>grand I don't squeeze them all.

254
00:16:56.080 --> 00:16:58.039
<v Speaker 2>Give it me, Joey, give me the gun, and then

255
00:16:58.080 --> 00:16:58.960
<v Speaker 2>you can go hip shops.

256
00:16:58.960 --> 00:17:03.639
<v Speaker 5>Final, gim me, Joey, you can squeeze the shop.

257
00:17:03.879 --> 00:17:05.759
<v Speaker 14>Just sit right down on the floor, Johnny, so it'll

258
00:17:05.759 --> 00:17:06.759
<v Speaker 14>go off right between your eyes.

259
00:17:06.799 --> 00:17:17.880
<v Speaker 10>Give me, Joey, I'll drop it. I'll throw it away, Jimmy,

260
00:17:18.480 --> 00:17:18.759
<v Speaker 10>give me.

261
00:17:24.079 --> 00:17:26.880
<v Speaker 1>Nobody exclese you for a sucker, Johnny, boy. You helped

262
00:17:26.920 --> 00:17:29.119
<v Speaker 1>me up and I Johnny.

263
00:17:30.599 --> 00:17:31.519
<v Speaker 8>Got to be drier.

264
00:17:32.759 --> 00:17:34.799
<v Speaker 1>This just like this.

265
00:17:36.119 --> 00:17:47.559
<v Speaker 9>Uh, he was as dead as I could make him.

266
00:17:48.319 --> 00:17:50.000
<v Speaker 2>I picked him up and carried him to my car,

267
00:17:50.400 --> 00:17:52.079
<v Speaker 2>dropped his body in the front seat next to me.

268
00:17:53.039 --> 00:17:55.480
<v Speaker 2>Whoever may have seen it figured the only thing to figure.

269
00:17:55.839 --> 00:17:57.279
<v Speaker 1>Joey was stoned again.

270
00:17:58.079 --> 00:18:00.720
<v Speaker 2>Johnny Allison was nursing him like he'd done a thousand

271
00:18:00.759 --> 00:18:03.839
<v Speaker 2>and two times. It took a few minutes to drive

272
00:18:03.880 --> 00:18:06.079
<v Speaker 2>out of the edge of the Russian zone, wlong it

273
00:18:06.200 --> 00:18:07.839
<v Speaker 2>to a square block of rubble.

274
00:18:08.039 --> 00:18:09.079
<v Speaker 1>Behind it to an alley.

275
00:18:10.079 --> 00:18:12.279
<v Speaker 2>I opened a bottle of schnop I'd remember to bring along,

276
00:18:12.759 --> 00:18:16.160
<v Speaker 2>then sed out my mouth with it and poured the rest.

277
00:18:16.039 --> 00:18:16.960
<v Speaker 8>Down Joey's tross.

278
00:18:17.599 --> 00:18:19.880
<v Speaker 5>I slid the bottle into his coat pocket, sneezed them

279
00:18:19.880 --> 00:18:20.359
<v Speaker 5>out of the car.

280
00:18:21.480 --> 00:18:24.319
<v Speaker 2>What was in the alley with some garbage cans straped clean,

281
00:18:24.640 --> 00:18:27.200
<v Speaker 2>some bony dogs who just stared, and.

282
00:18:27.319 --> 00:18:28.680
<v Speaker 9>Unknown name rush.

283
00:18:31.680 --> 00:18:32.279
<v Speaker 8>In the trailer.

284
00:18:32.359 --> 00:18:34.720
<v Speaker 2>By half past one I could forge the signature of

285
00:18:34.799 --> 00:18:38.839
<v Speaker 2>mister Paul Mac with a pen between my teeth, eight letters,

286
00:18:38.880 --> 00:18:41.079
<v Speaker 2>straight up and down, with a couple of curls in between.

287
00:18:42.319 --> 00:18:44.680
<v Speaker 2>By two, when I was in the Vienna State National Tank,

288
00:18:44.799 --> 00:18:45.759
<v Speaker 2>and it'll.

289
00:18:45.559 --> 00:18:51.039
<v Speaker 8>Stuck to as the noon, sir, what can we do

290
00:18:51.160 --> 00:18:52.039
<v Speaker 8>for you this after noon?

291
00:18:52.119 --> 00:18:53.680
<v Speaker 1>Give you your business with me this afternoon?

292
00:18:53.720 --> 00:18:58.400
<v Speaker 2>My hair, here, my letter of credit by identification card.

293
00:18:59.079 --> 00:18:59.799
<v Speaker 1>I am Paul Mac.

294
00:19:00.160 --> 00:19:01.039
<v Speaker 5>Thousand messages.

295
00:19:01.640 --> 00:19:05.680
<v Speaker 1>Of course, well my name, let's.

296
00:19:05.480 --> 00:19:09.880
<v Speaker 11>Give it of course of course all nine something nothing

297
00:19:09.960 --> 00:19:13.079
<v Speaker 11>nothing but nothing. Everything is a popular that's only year

298
00:19:13.559 --> 00:19:17.559
<v Speaker 11>only one. Can you telephone yesterday to informed us she would.

299
00:19:17.400 --> 00:19:19.400
<v Speaker 1>Not come here until ten tomorrow morning?

300
00:19:19.599 --> 00:19:22.759
<v Speaker 8>Oh you mean ben't you telephone yesterday? It was after noon.

301
00:19:23.319 --> 00:19:25.839
<v Speaker 2>Surely you're doing member, surely I do remember my nare

302
00:19:26.559 --> 00:19:27.960
<v Speaker 2>something came up to think my plan?

303
00:19:28.119 --> 00:19:28.759
<v Speaker 1>So I'm here now.

304
00:19:28.839 --> 00:19:31.000
<v Speaker 5>This afternoon didn't make a difference.

305
00:19:31.000 --> 00:19:32.000
<v Speaker 1>So no, no, no, surely no.

306
00:19:32.319 --> 00:19:34.440
<v Speaker 11>Except told you that it gets a short no to

307
00:19:34.480 --> 00:19:37.519
<v Speaker 11>gather the money five thousand and fifty dollars but not

308
00:19:38.000 --> 00:19:43.119
<v Speaker 11>twenty three thousand thousands. My here, that's the notation I

309
00:19:43.319 --> 00:19:44.200
<v Speaker 11>had here.

310
00:19:44.400 --> 00:19:49.839
<v Speaker 8>I'll show you here that your telephone yesterday that you would.

311
00:19:49.720 --> 00:19:52.240
<v Speaker 11>Come tomorrow, that is a five thousand or your groups.

312
00:19:53.880 --> 00:19:56.319
<v Speaker 5>Somebody made a mistake. A look, I've got ideal.

313
00:19:56.400 --> 00:19:58.240
<v Speaker 2>I need every cent left on my letter of credit

314
00:19:58.440 --> 00:20:01.880
<v Speaker 2>twenty three thousand scholars with all American make.

315
00:20:01.799 --> 00:20:04.599
<v Speaker 11>A choice of course, approson from MAC Did you sign

316
00:20:04.640 --> 00:20:07.279
<v Speaker 11>this space for me so that I may compare signature

317
00:20:07.559 --> 00:20:08.759
<v Speaker 11>the formality only.

318
00:20:10.559 --> 00:20:11.039
<v Speaker 1>I want to.

319
00:20:12.920 --> 00:20:14.039
<v Speaker 2>Thank you, m.

320
00:20:18.400 --> 00:20:22.519
<v Speaker 11>Hm tange and now only moments long that I must

321
00:20:22.599 --> 00:20:23.599
<v Speaker 11>corroborate the machine.

322
00:20:23.680 --> 00:20:31.960
<v Speaker 8>That's the formatic. Oh sure, ah wait m hm what.

323
00:20:35.160 --> 00:20:37.680
<v Speaker 1>H h m hm.

324
00:20:41.319 --> 00:20:44.839
<v Speaker 8>H it's all that it should be missed from that.

325
00:20:45.480 --> 00:20:48.480
<v Speaker 8>Your money's in this pass. Can you see thousand dollars?

326
00:20:48.559 --> 00:20:48.799
<v Speaker 9>Thank you?

327
00:20:49.000 --> 00:20:49.200
<v Speaker 1>Nay?

328
00:20:49.880 --> 00:20:52.559
<v Speaker 8>Not a thing to sign the precept?

329
00:20:53.039 --> 00:20:54.240
<v Speaker 11>Oh yeah, I know, I know.

330
00:20:57.279 --> 00:20:58.400
<v Speaker 9>H m hm.

331
00:20:58.960 --> 00:21:03.759
<v Speaker 8>That's sure. You understand how much the necessity of caution. However,

332
00:21:04.160 --> 00:21:04.519
<v Speaker 8>there's the.

333
00:21:04.599 --> 00:21:05.839
<v Speaker 1>Thing if you don't mind it.

334
00:21:06.319 --> 00:21:06.960
<v Speaker 8>I'm in a hurry.

335
00:21:07.000 --> 00:21:07.640
<v Speaker 1>What's dating here?

336
00:21:08.400 --> 00:21:09.400
<v Speaker 8>How does it feel?

337
00:21:10.079 --> 00:21:12.119
<v Speaker 11>How does and then see when you can get into

338
00:21:12.160 --> 00:21:15.720
<v Speaker 11>a band ask for tens of thousands of dollars and

339
00:21:16.000 --> 00:21:16.359
<v Speaker 11>get it.

340
00:21:17.799 --> 00:21:18.079
<v Speaker 9>M h.

341
00:21:20.559 --> 00:21:25.240
<v Speaker 1>Good, feels good, wonderful.

342
00:21:52.039 --> 00:21:52.960
<v Speaker 5>It's Johnny, baby?

343
00:21:53.440 --> 00:21:53.920
<v Speaker 2>How up.

344
00:21:56.960 --> 00:21:57.920
<v Speaker 8>There you see.

345
00:22:00.200 --> 00:22:00.440
<v Speaker 9>Coming?

346
00:22:00.880 --> 00:22:07.680
<v Speaker 8>Oh baby, baby? An hour and I missed to.

347
00:22:09.480 --> 00:22:10.319
<v Speaker 1>Time of fool.

348
00:22:10.599 --> 00:22:15.519
<v Speaker 8>Uh huh over n the excitement diseasing.

349
00:22:15.160 --> 00:22:17.319
<v Speaker 6>Stop in a minute, the very sup of it.

350
00:22:17.680 --> 00:22:21.000
<v Speaker 1>Screaming and screaming that you at your home? How is

351
00:22:21.039 --> 00:22:23.799
<v Speaker 1>your man home to keep from? Yeah?

352
00:22:24.599 --> 00:22:28.559
<v Speaker 5>Yeah, funny Lily were leaving?

353
00:22:29.680 --> 00:22:31.480
<v Speaker 9>Yeah yeah, what do you want?

354
00:22:31.559 --> 00:22:31.759
<v Speaker 8>Lily?

355
00:22:32.279 --> 00:22:35.759
<v Speaker 2>One of the Greens Paris Rome, London. Dream one over

356
00:22:35.880 --> 00:22:39.960
<v Speaker 2>me baby, Johnny Allison makes it come true? And I

357
00:22:40.079 --> 00:22:42.599
<v Speaker 2>grab a coat, Lily, and this minute it's all you

358
00:22:42.720 --> 00:22:45.279
<v Speaker 2>live A need where it's going? I told you whatever

359
00:22:45.359 --> 00:22:48.160
<v Speaker 2>ride you want whatever bubble to lay against your neck,

360
00:22:48.240 --> 00:22:49.640
<v Speaker 2>to your fingers and your toes.

361
00:22:50.720 --> 00:22:53.480
<v Speaker 7>The money you have saved is front Gate, Superintendent of

362
00:22:53.559 --> 00:22:55.759
<v Speaker 7>the Chief side, Peace Connivent.

363
00:22:55.519 --> 00:22:57.359
<v Speaker 5>With twenty three thousand dollars.

364
00:23:00.240 --> 00:23:01.960
<v Speaker 1>What are you talking about it?

365
00:23:02.480 --> 00:23:05.039
<v Speaker 8>Like I always said I were twenty three thousand dollars worth.

366
00:23:05.640 --> 00:23:07.880
<v Speaker 1>Now come on, cover it with a coat. Will you

367
00:23:08.039 --> 00:23:08.799
<v Speaker 1>get such money?

368
00:23:08.920 --> 00:23:10.599
<v Speaker 8>Johnny? What difference? It's green?

369
00:23:10.720 --> 00:23:13.279
<v Speaker 5>It makes a pretty sound, and rub together, make it

370
00:23:13.359 --> 00:23:16.039
<v Speaker 5>whisper and advise. Mink for you and silk for me.

371
00:23:16.640 --> 00:23:20.119
<v Speaker 8>Like I saw once in a shopping room. That's a baby.

372
00:23:20.799 --> 00:23:22.279
<v Speaker 8>First stop room, sir.

373
00:23:22.279 --> 00:23:24.839
<v Speaker 5>Johnny can look good, so Johnny can look swell?

374
00:23:25.000 --> 00:23:26.400
<v Speaker 1>So Johnny, can you stole it?

375
00:23:28.799 --> 00:23:30.000
<v Speaker 8>I promoted this baby.

376
00:23:30.079 --> 00:23:32.640
<v Speaker 7>You stole it from the American who screamed from the

377
00:23:32.640 --> 00:23:33.079
<v Speaker 7>top of the.

378
00:23:33.079 --> 00:23:39.039
<v Speaker 8>Fair, cree me, baby me, Johnny Allison, come on, get out.

379
00:23:39.200 --> 00:23:42.440
<v Speaker 1>I want no part of you me. You're talking to Lily,

380
00:23:42.920 --> 00:23:44.799
<v Speaker 1>the man with the promises, the man with the dreams.

381
00:23:45.119 --> 00:23:49.359
<v Speaker 1>So don't tell me. Dream men, men of nothing deep.

382
00:23:50.279 --> 00:23:52.880
<v Speaker 8>Who not Lily?

383
00:23:53.519 --> 00:23:53.559
<v Speaker 14>Not?

384
00:23:53.799 --> 00:23:57.079
<v Speaker 1>I love baby? Not with you homis men.

385
00:23:57.240 --> 00:24:00.440
<v Speaker 7>Dream men You'll feed men of angers and he makes

386
00:24:00.480 --> 00:24:01.519
<v Speaker 7>them from mornings.

387
00:24:07.200 --> 00:24:14.160
<v Speaker 5>Anything else you need to say, you had Joey and.

388
00:24:14.400 --> 00:24:20.759
<v Speaker 7>Lush drunk down with yourselves, down with your stupidity, Turn

389
00:24:20.880 --> 00:24:28.319
<v Speaker 7>with yours, joe joe jo it's Johnny anything, who is Joey.

390
00:24:29.960 --> 00:24:31.519
<v Speaker 6>Joey Joey.

391
00:24:33.400 --> 00:24:40.960
<v Speaker 8>No Joy, shouldn't call me that joy, you shudden.

392
00:24:49.799 --> 00:25:07.960
<v Speaker 1>H uh. I stood over for a long time, for.

393
00:25:08.000 --> 00:25:09.200
<v Speaker 8>All the time that we needed.

394
00:25:09.680 --> 00:25:13.359
<v Speaker 2>Thur Finger's done, clenched and trail along the floor for

395
00:25:13.480 --> 00:25:16.240
<v Speaker 2>the life to go out of her, and then get out,

396
00:25:16.839 --> 00:25:19.640
<v Speaker 2>walk to run to the midway crowd.

397
00:25:19.400 --> 00:25:22.119
<v Speaker 1>In the ferris wheel. Moving now midway in.

398
00:25:22.160 --> 00:25:23.000
<v Speaker 5>The Palace of Fun.

399
00:25:23.640 --> 00:25:25.200
<v Speaker 9>I'm back aged into the world through the.

400
00:25:25.200 --> 00:25:28.720
<v Speaker 8>Hall of Mirrors, and I was on my way answer

401
00:25:28.839 --> 00:25:29.680
<v Speaker 8>the cloud laugh.

402
00:25:29.880 --> 00:25:32.599
<v Speaker 2>At this time I didn't care Johnny Allison on his

403
00:25:32.720 --> 00:25:34.839
<v Speaker 2>way with twenty three grand to take him wherever he

404
00:25:34.880 --> 00:25:35.279
<v Speaker 2>wanted to go.

405
00:25:36.200 --> 00:25:40.519
<v Speaker 1>All of Mirrors, I know it like a boy like

406
00:25:40.559 --> 00:25:41.599
<v Speaker 1>I knew the backup.

407
00:25:43.640 --> 00:25:46.880
<v Speaker 8>Back in my hands, turn at the corner.

408
00:25:48.880 --> 00:25:49.079
<v Speaker 9>Way.

409
00:25:53.160 --> 00:25:54.599
<v Speaker 1>Sometimes a guy forgets.

410
00:25:56.039 --> 00:25:58.319
<v Speaker 8>Palace of Fun, Hall of Mirrors.

411
00:25:59.200 --> 00:26:01.680
<v Speaker 5>They had time to get it and kept fun trying

412
00:26:01.720 --> 00:26:02.119
<v Speaker 5>to get out.

413
00:26:02.559 --> 00:26:04.759
<v Speaker 1>Whoever I went, Johnny Allison came right back at me.

414
00:26:05.920 --> 00:26:09.200
<v Speaker 8>I wasn't Johnny Allison. We trying to beat attention.

415
00:26:09.400 --> 00:26:18.079
<v Speaker 1>Gage, I didn't see myself. I wouldn't be there when

416
00:26:18.119 --> 00:26:19.400
<v Speaker 1>I would.

417
00:26:19.440 --> 00:26:21.720
<v Speaker 11>I I couldn't get all wrong.

418
00:26:22.799 --> 00:26:23.839
<v Speaker 1>Too many, too many.

419
00:26:25.799 --> 00:26:26.000
<v Speaker 11>With me.

420
00:26:26.960 --> 00:26:28.200
<v Speaker 1>He didn't look like her anymore.

421
00:26:28.920 --> 00:26:32.559
<v Speaker 8>It didn't look like anybody I who, yeah.

422
00:26:33.400 --> 00:26:34.680
<v Speaker 15>Like me?

423
00:26:36.039 --> 00:26:36.359
<v Speaker 9>But you.

424
00:26:37.920 --> 00:26:38.680
<v Speaker 1>The way she said?

425
00:26:56.000 --> 00:27:00.240
<v Speaker 8>He said, yes, yeah, he is there on the floor. Mh.

426
00:27:00.759 --> 00:27:03.480
<v Speaker 2>To kill a girl tan to hide in the hell

427
00:27:03.519 --> 00:27:04.039
<v Speaker 2>of mirrors?

428
00:27:04.759 --> 00:27:11.279
<v Speaker 15>Such stupidity, perhaps not for here a man can laugh

429
00:27:11.440 --> 00:27:16.480
<v Speaker 15>and say that, Johnny laughs the Jans. And here a

430
00:27:16.599 --> 00:27:18.359
<v Speaker 15>man can observe himself in.

431
00:27:18.440 --> 00:27:20.400
<v Speaker 1>A thousand mirrors.

432
00:27:22.000 --> 00:27:23.279
<v Speaker 15>From every anger.

433
00:27:24.079 --> 00:27:27.319
<v Speaker 11>That is, if a man can stand looking at himself.

434
00:27:29.319 --> 00:27:51.160
<v Speaker 8>Come, come, h.

435
00:27:52.759 --> 00:27:53.079
<v Speaker 11>M hm.

436
00:27:54.880 --> 00:27:57.960
<v Speaker 4>Escape has brought you Carnival in Vienna, a story written

437
00:27:58.000 --> 00:28:01.480
<v Speaker 4>and directed by David Friedkin and Morton Line. Featured in

438
00:28:01.519 --> 00:28:04.519
<v Speaker 4>the cast were Jack Moyles, William Bias, Jack Krusian, and

439
00:28:04.640 --> 00:28:08.319
<v Speaker 4>Hans Conried. Also heard were Barney Phillips, Robert Boone and

440
00:28:08.359 --> 00:28:12.599
<v Speaker 4>George Baroni. You're announcer George Walls. The special music for

441
00:28:12.839 --> 00:28:15.400
<v Speaker 4>Escape is composed and conducted by Leif Stephens.

442
00:28:17.440 --> 00:28:25.359
<v Speaker 3>Next week, you are flying a plane high above the

443
00:28:25.480 --> 00:28:30.160
<v Speaker 3>island of Masabuera three hundred miles of the coast of Chiles.

444
00:28:31.079 --> 00:28:35.799
<v Speaker 3>Beside you a beautiful woman, and only she knows. It's

445
00:28:35.839 --> 00:28:40.640
<v Speaker 3>the last stop, the last time around, a death trap

446
00:28:41.720 --> 00:28:45.000
<v Speaker 3>from which there is no escape.

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<v Speaker 4>So listen next week when Escape brings you Tony Barrett's

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<v Speaker 4>story There was a crooked man.
