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<v Speaker 1>Well here we are welcome to twenty twenty five. How

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<v Speaker 1>you doing Hi this clip? You're post of Earth Ancients

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<v Speaker 1>and we are celebrating. We are welcoming in twenty twenty five,

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<v Speaker 1>brand new year that is looking to be provocative, looking

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<v Speaker 1>to be a good year on many fronts. I'm happy

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<v Speaker 1>about it. I'm looking forward to growing the podcast through

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<v Speaker 1>video channels, through more social media. And I think I

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<v Speaker 1>mentioned this recently on Destiny is Destiny is going to

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<v Speaker 1>get its own persona and what that means is that

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<v Speaker 1>we're breaking it out from being under the shadow of

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<v Speaker 1>Earth Ancients and Destiny gets its own website. And I'm

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<v Speaker 1>happy to announce that because it really needs its own website,

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<v Speaker 1>it needs its own identity. It has it in many ways.

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<v Speaker 1>But there's a lot more going on beneath the audio

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<v Speaker 1>that needs to be presented, and what that means is

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<v Speaker 1>that there is references, and there's resources, and there's information

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<v Speaker 1>that people need to get who want to know more.

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<v Speaker 1>So twenty twenty five is shaping up to be a

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<v Speaker 1>good one. I wanted to mention and I didn't mention

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<v Speaker 1>this last week. Graham Hancock is going to be doing

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<v Speaker 1>a presentation his only United States presentation April nineteenth and

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<v Speaker 1>twentieth in Sedona, Arizona, and Robert Dakota, who is the producer,

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<v Speaker 1>and I have worked closely over the years present people

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<v Speaker 1>like Graham, Randall Carlson and some of the A listers

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<v Speaker 1>that we have on the show. And he wants to,

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<v Speaker 1>you know, give some tickets away. So we have a

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<v Speaker 1>pair of tickets to give away if you want to go.

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<v Speaker 1>April nineteen through the twentieth. It's it's the Sedona Performing

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<v Speaker 1>Arts Center called the Fight for the Past. It's elongated program.

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<v Speaker 1>I don't know how many hours it is. It's pretty extensive.

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<v Speaker 1>And if you want to be in the in the

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<v Speaker 1>running for tickets, send me an email, send it to

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<v Speaker 1>I'd like to join. I just sit on the on

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<v Speaker 1>the top under the subject put it, put Graham Hancock

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<v Speaker 1>ins in, and then put under the information put sign

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<v Speaker 1>me up and we'll we'll pick a winner sometime in

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<v Speaker 1>March before I leave for Repneuei, which is Easter Island.

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<v Speaker 1>So Graham Hancock April nineteenth through the twentieth again is

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<v Speaker 1>the only talk he's going to give. You can see

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<v Speaker 1>the entire itinerary at Worldviewsmedia dot com. That's world and

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<v Speaker 1>then V I E W the letter Z media dot

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<v Speaker 1>com and it's two days. The details are on there,

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<v Speaker 1>and again Graham is uh. I guess he's just so

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<v Speaker 1>busy that he is unable to do any more. I

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<v Speaker 1>was hoping to have him here in San Francisco in

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<v Speaker 1>the spring, but he declined, saying I'm just on the

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<v Speaker 1>road too much, and he's I think he's probably getting

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<v Speaker 1>ready to start a third season of Ancient Apocalypse, and

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<v Speaker 1>that's just very, very time consuming because obviously if you've

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<v Speaker 1>been watching it, he flies around the world and you know,

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<v Speaker 1>you do remote sites, you got your team. It's very,

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<v Speaker 1>very time consuming. And he's got more writing. He's got

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<v Speaker 1>another book coming out. So if you want to see

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<v Speaker 1>Graham Hancock, let me know. Go to Earth Ancients the

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<v Speaker 1>number four the letter you at gmail dot com and

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<v Speaker 1>say under subjects, say Graham Hancock tickets and then sign

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<v Speaker 1>me up and we'll give away a couple of pairs

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<v Speaker 1>of ticket. We'll give away a pair of tickets for

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<v Speaker 1>that amazing opportunity to meet with Graham. I should also

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<v Speaker 1>mention that Graham does a meet and greet at the

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<v Speaker 1>end of each of these days that's a chance to

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<v Speaker 1>either buy a book or bring a book with you,

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<v Speaker 1>get a book signing, and have a photo with Graham.

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<v Speaker 1>He loves that, he loves hanging with people. When we

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<v Speaker 1>had him here a few years ago in San Francisco,

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<v Speaker 1>his latest book had come out America before and he

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<v Speaker 1>wasn't feeling very well. He sat for I think we

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<v Speaker 1>counted four hundred people. A line of almost four hundred

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<v Speaker 1>people had their book signed, and many of these people

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<v Speaker 1>set were with him for a photo too. So very

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<v Speaker 1>generous with his time, A wonderful presenter, just an amazing presenter.

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<v Speaker 1>If you get a chance to see him in live,

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<v Speaker 1>do so and check it out again. For more information,

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<v Speaker 1>go to world Viewsmedia dot com. Look for the little

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<v Speaker 1>Graham Hancock banner and click it. Hey, Today we are

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<v Speaker 1>discussing one of my favorite subjects, which is the ruins

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<v Speaker 1>on Mars of all the undisclosed errors presented by NASA.

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<v Speaker 1>And when I say undisclosed, I mean this is something

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<v Speaker 1>that is in everyone's face, especially planetary scientists, image specialist, geologist,

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<v Speaker 1>and now with some of the latest photography, archaeology is

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<v Speaker 1>getting involved. NASA has done a great, great disservice. Now obviously,

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<v Speaker 1>if they are disclosing ruins on the planet Mars, there

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<v Speaker 1>is a lot to deal with. And what I believe

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<v Speaker 1>is happening is that this document that I've always brought up,

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<v Speaker 1>which is this Brookings Institute document that was requisitioned in

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<v Speaker 1>nineteen sixty as NASA was being formed. I think it

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<v Speaker 1>was the No, it was NASA. NASA actually requisitioned it

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<v Speaker 1>from the Brookings Institute. And if you don't know the story,

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<v Speaker 1>I'll talk about real quickly. What happened was they wanted

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<v Speaker 1>to know how the public would react with the disclosure

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<v Speaker 1>of a ruins of an ancient alien civilization or UFO,

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<v Speaker 1>disclosure that they had craft they had, the bodies of

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<v Speaker 1>these occupants that are flying these UFOs, or any kind

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<v Speaker 1>of disclosure of off world beings observing US aircraft scans,

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<v Speaker 1>anything that would give us a sense of first contact

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<v Speaker 1>was deemed to be too much for us emotionally and psychologically.

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<v Speaker 1>And what that means is and what they predicted, and

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<v Speaker 1>this is again in nineteen sixty, they predicted that we

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<v Speaker 1>would lose our minds, that people would commit suicide, government

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<v Speaker 1>would fail, religions would not be in existence anymore, and

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<v Speaker 1>people will generally flip out. Well, this happened recently again,

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<v Speaker 1>about five years ago, NASA went to a number of theologians, rabbis, priests,

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<v Speaker 1>ministers and asked and through a collection of these experts,

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<v Speaker 1>so called experts, they asked the same question, and of

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<v Speaker 1>course these religious figures pretty much repeated the same thing

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<v Speaker 1>that they felt that their congregations would lose it. Now,

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<v Speaker 1>I don't think that this is an area that they

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<v Speaker 1>should be asked consulting with. They need to consult with

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<v Speaker 1>people who are dealing with the social media avenues Google, Instagram,

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<v Speaker 1>X and so on, because here is a demographic that

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<v Speaker 1>is our future, that has their hands on the pulse

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<v Speaker 1>of not only societies norms and abnormalities, because there are

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<v Speaker 1>we have a lot of abnormalities in our society, but

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<v Speaker 1>also how people react to changes in government, changes in policy,

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<v Speaker 1>changes in style, lifestyle, changes in health, changes in consciousness.

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<v Speaker 1>This is all where it sets right now. Religion is

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<v Speaker 1>a dying feature. Those of you who go to church,

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<v Speaker 1>I you know, it's great. I have gone to church

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<v Speaker 1>since I was a kid. I think it's a nest

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<v Speaker 1>necessary that's my opinion, but it should not be the

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<v Speaker 1>deciding factor for something that's important as first contact or

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<v Speaker 1>the disclosure of aliens. And so when NASA started imaging

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<v Speaker 1>Mars and these images were coming back with artificial ruins, pyramids,

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<v Speaker 1>massive human, animal and insect reliefs, many of them miles

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<v Speaker 1>across by half a mile or more high, they made

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<v Speaker 1>the decision to squelch the whole thing. They felt that

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<v Speaker 1>it was too much for us. Now, you can't cover

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<v Speaker 1>this up with scientists, especially people like doctor Mark Carlato,

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<v Speaker 1>who's an image specialist. These guys write the software for

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<v Speaker 1>these satellites, and so when he began measuring and reviewing

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<v Speaker 1>the images, he was perplexed that NASA was not revealing

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<v Speaker 1>this material. And so there's a small group of planetary scientists, geologists,

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<v Speaker 1>image specialists, engineers, and archaeologists who are wondering what the

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<v Speaker 1>hell is going on. And I've said this forever. When

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<v Speaker 1>this comes out, and apparently it's supposed to be coming

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<v Speaker 1>out soon, that there are artificial ruins on the planet Mars,

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<v Speaker 1>I think really heads should roll. There's no excuse for this,

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<v Speaker 1>and it's a mistake to think that we will lose it,

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<v Speaker 1>you know. And I've said this on and on and

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<v Speaker 1>on forever. That when we learn that we are not

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<v Speaker 1>the only ones, I think we begin evolving. We evolved

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<v Speaker 1>to another level, and I think we need to go there.

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<v Speaker 1>I think we're kind of in a rut right now

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<v Speaker 1>and we need to evolve it. We need to move

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<v Speaker 1>beyond our current state.

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<v Speaker 2>Now.

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<v Speaker 1>We're going to have a vy Lobe on the program

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<v Speaker 1>in a few weeks, and he is changing his tune.

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<v Speaker 1>I think he's becoming more outspoken for first contact, and

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<v Speaker 1>as you know, he is, and we're going to talk

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<v Speaker 1>about this. He is dredging the Pacific Ocean off a

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<v Speaker 1>New Guinea to find bits and pieces of what he

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<v Speaker 1>believes is an alien craft, an alien probe, and we'll

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<v Speaker 1>learn more about that. But one of the questions I've

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<v Speaker 1>always asked him is what do you think about this

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<v Speaker 1>first contact? And he's always been very transparent about the

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<v Speaker 1>fact that we just need to disclose this material. We

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<v Speaker 1>need to know that we're not the only ones in

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<v Speaker 1>our cosmos. And to say that, to say that we're

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<v Speaker 1>the only ones, it's just crazy. Hey, you know, the

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<v Speaker 1>other thing I want to mention is that I was

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<v Speaker 1>privy to a private video presentation by doctor Stephen Greer,

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<v Speaker 1>who's kind of a ufologist who is basically telling us

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<v Speaker 1>that these drones, Remember we did a program on the drones.

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<v Speaker 1>These drones are a warning. A good many of these

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<v Speaker 1>drones are alien, are et driven, are et designed, and

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<v Speaker 1>it's they want the government to come out and just say, hey,

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<v Speaker 1>they're here, the ufology, the UFOs are here, the UAPs

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<v Speaker 1>are here. There is a off world group behind them,

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<v Speaker 1>and blah blah blah. Now Greer thinks the reason that

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<v Speaker 1>they're being revealed or showing themselves through these drone like

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<v Speaker 1>aircraft is the fact that we're pushing the nuclear envelope

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<v Speaker 1>a little too close. The feeling is, and this is

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<v Speaker 1>what he says, is that we've moved nuclear weapons back

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<v Speaker 1>into England, threatening Russia. After removing them from England, we've

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<v Speaker 1>brought them back. And the other thing is that there

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<v Speaker 1>our off world friends are upset about our environment. Apparently

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<v Speaker 1>we're damaging our environment irreptibly and they want to have

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<v Speaker 1>us stop and have us be more conscious about it. So, hey,

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<v Speaker 1>I've said it from the beginning. Land your ships come

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<v Speaker 1>on out and talk to us. But today's program is

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<v Speaker 1>the ruins of a once thriving civilization. Mars and my

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<v Speaker 1>guest today is George Haas, who's just released a new

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<v Speaker 1>book called The Great Architects of Mars, Evidence for the

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<v Speaker 1>Last Civilizations on the Red Planet. And our program today

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<v Speaker 1>is called Our Mars Ancestors, a topic that has fascinated

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<v Speaker 1>people like Graham Hancock. Remember Graham, and this is like

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<v Speaker 1>fifteen years ago. He wrote a book called The Mars

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<v Speaker 1>Mystery where he speculates that there are contributing factors between

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<v Speaker 1>the race that he's familiar with on Mars and pre

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<v Speaker 1>Dynastic or early Egyptian cultures because he thinks that there

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<v Speaker 1>is a connection there. Others have speculated this but haven't

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<v Speaker 1>talked about it with as much detail as Graham. So

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<v Speaker 1>a lot to consider here. So we're going to do

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<v Speaker 1>this program to highlight this book. But I want to

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<v Speaker 1>mention that the book's not available till the end of

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<v Speaker 1>this month January twenty twenty five. And so I've selected

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<v Speaker 1>about fifteen of the best photographs of this book for

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<v Speaker 1>you to look at. And I think you're really going

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<v Speaker 1>to enjoy it because this is it's something you're going

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<v Speaker 1>to be his. You got to really be aware of

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<v Speaker 1>this material. It can't be covered up anymore. It has

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<v Speaker 1>to be this closes. It's really critically important. So that's

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<v Speaker 1>our program today. There's a few people who talk about

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<v Speaker 1>and present data on Mars as detailed as George hass

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<v Speaker 1>and I gotta compliment George. He has had a book

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<v Speaker 1>hidden from us for a while, and this is a

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<v Speaker 1>few years ago. He was asking me, Hey, you know,

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<v Speaker 1>I'm thinking about another book. I got another book ready.

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<v Speaker 1>You got anybody who might be interested? And I happen

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<v Speaker 1>to know a few people in the publishing industry. If

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<v Speaker 1>you don't know who George Hass is, he is the

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<v Speaker 1>I consider him a premier investigator of Mars. Mars research.

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<v Speaker 1>He's known as the head or the director of the

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<v Speaker 1>Sidonia Institute. He's a member of Society for Planetary SETI

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<v Speaker 1>search for Extraterrestrial Intelligence Research, and he's written numerous articles,

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<v Speaker 1>some of technical publication journals, others in general online publications.

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<v Speaker 1>And I am fascinated in the entire subject of Mars.

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<v Speaker 1>I've studied it for over thirty years, and like George,

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<v Speaker 1>I am a trained illustrator. So I began seeing a

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<v Speaker 1>nominalist features from the beginning and wondered what the hell

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<v Speaker 1>was going on with NASA and JPL, what is the

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<v Speaker 1>hell going on? You got rovers on the ground, you

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<v Speaker 1>got satellites in the atmosphere, why are you not giving

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<v Speaker 1>us more details? And today we're presenting a new book

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<v Speaker 1>from George. It's called The Great Architects of Mars, Evidence

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<v Speaker 1>for the Lost Civilizations on the Red Planet. And I

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<v Speaker 1>got to tell you this is one for you, your bookshelf,

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<v Speaker 1>your your collection, because not only does George present new

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<v Speaker 1>evidence of artificial structures, he goes into great detail and

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<v Speaker 1>this book is really a nice addition to his work.

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<v Speaker 1>Goes into great detail on a number of cities, some

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<v Speaker 1>that I've known about and some others that are brand

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<v Speaker 1>new to me and a probably to a lot of

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<v Speaker 1>people who read this book. So we're going to present

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<v Speaker 1>this material, and I just spoke to George before we started.

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<v Speaker 1>I will have a small gallery of what I believe

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<v Speaker 1>are some of the better images that he's presenting, and

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<v Speaker 1>you can see those on the Earth Ancients Facebook page

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<v Speaker 1>as well as Instagram. I'll have some of these on Instagram.

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<v Speaker 1>So we want to get into this as soon as

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<v Speaker 1>we can. So George, first of all, congratulations on this

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<v Speaker 1>new book and welcome to Earth Ancients.

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<v Speaker 2>Well, Thank you, Cliff, and Happy New Year to you

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<v Speaker 2>and all of your listeners. Hopefully will be starting off

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<v Speaker 2>a great year and find out from NASA that there's

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<v Speaker 2>even more structures that we can add to this archive

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<v Speaker 2>of artificial structures on the surface of Mars.

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<v Speaker 1>Why this book, George, Why did you feel necessary to

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<v Speaker 1>published this this tone?

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<v Speaker 2>Well, I've been working on NASA images and European space images,

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<v Speaker 2>all the space images for over thirty years. My first

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<v Speaker 2>two books co authored with the William Saunders and they

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<v Speaker 2>focused on a lot of the stuff in Sedonia area.

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<v Speaker 2>And over that time I've collected an archive of all

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<v Speaker 2>kinds of structures that we've come across through throughout the years.

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<v Speaker 2>And after my second book with North Atlantic Books, they

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<v Speaker 2>kind of lost interest in Mars material. They changed directions.

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<v Speaker 2>The owner was bought out, so they had totally changed

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<v Speaker 2>their whole direction about this type of publication and it

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<v Speaker 2>was kind of difficult to find another publisher. And while

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<v Speaker 2>all that was going on, I co authored six science

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<v Speaker 2>papers dealing with some of these structures on Mars. And

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<v Speaker 2>all that time collecting these this information and all these

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<v Speaker 2>structures and still trying.

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<v Speaker 3>To get book companies to take any interest, and of

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<v Speaker 3>course speaking with you one afternoon, you had told me

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<v Speaker 3>that Grossinger had gone over from North Atlantic Books to.

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<v Speaker 2>Baron Company and he had some position over there about

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<v Speaker 2>selecting authors. And I mean that was a godsend right there.

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<v Speaker 2>I mean, I bless you for telling me that, because

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<v Speaker 2>I didn't even know he was over there. And I

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<v Speaker 2>spoke with him God for about an hour on the phone,

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<v Speaker 2>and he went all through the whole you know, disintegration

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<v Speaker 2>of North Atlantic Books very upsetting, and he had me

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<v Speaker 2>send a pitch to the Baron Company and within a

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<v Speaker 2>month I got a notice that they were interested. And

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<v Speaker 2>then I had to read find the book, change chapters around.

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<v Speaker 2>I'm sure you know how that goes.

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<v Speaker 1>You have to we got involved with the editors.

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<v Speaker 2>Well this was even before the editors. He wanted a yeah,

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<v Speaker 2>because I had like three books that I had in

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<v Speaker 2>the can ready to go, and so he wanted me

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<v Speaker 2>to put my best case forward in this first book. Okay,

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<v Speaker 2>So I kind of changed chapters around and tried to

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<v Speaker 2>focus on, you know, putting an interesting book together, and

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<v Speaker 2>that's what we have here with the I went through

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<v Speaker 2>all kinds of titles and one day I had this

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<v Speaker 2>idea for a title, The Great Architects of the Mars. Yeah,

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<v Speaker 2>and here we.

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<v Speaker 1>Are, fantastic, congratulations. I just want to tell our listeners

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<v Speaker 1>that the book's very well written. It gets into various

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<v Speaker 1>regions of Mars that have been imaged, and you know,

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<v Speaker 1>it's funny, George, and we talk about this a lot.

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<v Speaker 1>We've had the image specialists, archaeologists, planetary scientists all believe

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<v Speaker 1>and have shown the evidence for archaeology ruins, artificial forms

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<v Speaker 1>and structures, and yet NASA JPL just doesn't want to

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<v Speaker 1>reveal it anything. They keep spending billions of dollars on

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<v Speaker 1>these rovers to look for microbes. And I joke with

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<v Speaker 1>people on this show and off microphone that I have

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<v Speaker 1>this image of the rovers bumping into staircases and columns

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<v Speaker 1>and buildings, and then the camera looking right at this,

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<v Speaker 1>and then they got to get the hell away from there,

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<v Speaker 1>so they'll turn around and go back where they started from.

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<v Speaker 1>What do you think of that?

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<v Speaker 2>Well, I don't think you're too far off, Cliff. It

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00:22:38.920 --> 00:22:42.480
<v Speaker 2>appears that NASA has an aversion to anything that doesn't

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<v Speaker 2>look like a rock. If they see a rock next

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<v Speaker 2>to the rover, they'll pull up next to it. They'll

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<v Speaker 2>they have these little grinders that they do testing to

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<v Speaker 2>see what type of rock it is. They'll spend all

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<v Speaker 2>kinds of time next to a rock. But if but

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<v Speaker 2>if there's an nomaly of a formation on the right

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<v Speaker 2>side very near the rover that kind of looks like

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<v Speaker 2>part of a building, or it looks like a broken sculpture,

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<v Speaker 2>or it looks like a piece of blown up machinery.

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<v Speaker 2>I mean, there's a lot of pieces that look like

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<v Speaker 2>parts of metal machinery and things laying all over the

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<v Speaker 2>place with tubes and all kinds. They do not look

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<v Speaker 2>like rocks. Yeah, and they get the hell away from those.

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<v Speaker 1>Yeah.

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<v Speaker 2>Now they may look at those in private that we

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<v Speaker 2>don't know about. But as for public, you know, there's

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<v Speaker 2>nothing here to see. Let's go over there and look

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<v Speaker 2>at that rock that looks like all the other rocks.

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<v Speaker 1>Now, you're aware of the Brookings Institute document on First Contact.

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<v Speaker 1>Within that document they actually even present the possibilities of

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<v Speaker 1>the discovery of an ancient alien race and how the

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<v Speaker 1>public group react. This was written in nineteen sixty you're

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<v Speaker 1>familiar with it. Yeah, And this has to be the

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<v Speaker 1>guiding force behind NASA's decision to keep this all under

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<v Speaker 1>tight wraps. What do you say about that, I mean

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<v Speaker 1>to release this data. And I've heard this recently in

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<v Speaker 1>some other form of alien interventions or something, that if

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<v Speaker 1>NASA reveals that they are aware of ancient alien race

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<v Speaker 1>artifacts on the Moon, on Mars, or of their knowledge

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<v Speaker 1>of UAPs, it would cause such a horrific reaction that

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<v Speaker 1>our planet would go into chaos.

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<v Speaker 2>Well, that was basically the conclusion that the report, which

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<v Speaker 2>was undertaken before NASA. This is when Eisenhower was president

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<v Speaker 2>and they were thinking about going to the Moon and

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<v Speaker 2>things like that, and he put together his group. I

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<v Speaker 2>think Margaret Mead was even part of the I can't

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<v Speaker 2>remember one of those people. So and they found that

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<v Speaker 2>the human psyche was so fragile. This is in that

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<v Speaker 2>time period that if we were to find out there

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<v Speaker 2>were artifacts on the Moon or any of the planets

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<v Speaker 2>in our solar system, it would be total chaos. It

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<v Speaker 2>would destroy religion. And they had all this panic insight.

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<v Speaker 2>I think the same thing happened to the Russians. That's

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<v Speaker 2>why they stopped going to the Moon. That Russians were

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<v Speaker 2>way ahead of us in the early space program. They

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<v Speaker 2>had the first woman orbit the Moon. They had low

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<v Speaker 2>altitude cameras that were taking pictures of the surface, and

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<v Speaker 2>I think the Russians saw formations on the moon and

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<v Speaker 2>contacted because there's evidence that they had communication with Kennedy,

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<v Speaker 2>and they didn't want anybody to going to the Moon

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<v Speaker 2>or anywhere else because that would if you're a communist government,

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<v Speaker 2>you are the main power. You don't want to have

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<v Speaker 2>God involved. And they got rid of all the religion

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<v Speaker 2>and you can't have the people knowing there's some advanced

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<v Speaker 2>culture greater than Russia or of her communist country Yorks

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<v Speaker 2>in China, so they can't have any of that. You know,

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<v Speaker 2>they are the best. They are the ones that you

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<v Speaker 2>need to bow down to. So they would squelch any

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<v Speaker 2>type of evidence of a previous high technology that was

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<v Speaker 2>in the past.

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<v Speaker 1>Yeah, I wanted to ask you, and you need to

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<v Speaker 1>go back a little bit. But I don't know if

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<v Speaker 1>you remember. There was a woman who was kind of

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<v Speaker 1>a whistleblower. I think she passed away, who was in

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<v Speaker 1>a department in Texas whose primary job was to airbrush

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<v Speaker 1>out various unusual pyramidal shapes, evidence of buildings, temples, even

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<v Speaker 1>some sphinx that were found on Mars and she was

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<v Speaker 1>either she either passed away or something happened to her.

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<v Speaker 1>But you know who I'm talking about.

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<v Speaker 2>I recall the story car Cliff, but I'm not sure

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<v Speaker 2>what her name was, but I think she was more

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<v Speaker 2>involved in you know, when they do the copy and

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00:27:07.519 --> 00:27:10.079
<v Speaker 2>paste and they cover up things like that, she really

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00:27:10.119 --> 00:27:13.000
<v Speaker 2>wasn't airbrushing but that type of thing. And there are

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00:27:13.039 --> 00:27:16.519
<v Speaker 2>some pictures that you can see from the Mars Global

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<v Speaker 2>Surveyor and even the little rovers that it looks like

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00:27:19.720 --> 00:27:24.720
<v Speaker 2>they've screen captured a little area and then just overweighted

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<v Speaker 2>yeah something. But you know they don't catch everything because

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00:27:28.640 --> 00:27:29.680
<v Speaker 2>there's so much stuff.

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<v Speaker 1>Well, there was a huge population at one point, and

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<v Speaker 1>we'll talk about this shortly. Some of these cities have

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00:27:39.000 --> 00:27:43.759
<v Speaker 1>you know, dwellings for tens of thousands of people. Yes,

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00:27:43.960 --> 00:27:48.400
<v Speaker 1>so at one point. And of course Brandenburg John Brandenbrook

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00:27:48.440 --> 00:27:52.200
<v Speaker 1>talks about this. He's into the tens of millions of years,

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00:27:52.680 --> 00:27:56.880
<v Speaker 1>which could make sense. I'm less than tens of millions.

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00:27:56.920 --> 00:28:00.480
<v Speaker 1>I think he's into the hundreds of millions actually, But

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00:28:02.119 --> 00:28:10.079
<v Speaker 1>there's still enough archaeology and strange buildings, pyramids and structures

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00:28:10.119 --> 00:28:13.319
<v Speaker 1>that are have survived. And I think you're right. I

396
00:28:13.359 --> 00:28:15.440
<v Speaker 1>think there's just so many of them that they can't

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00:28:15.519 --> 00:28:16.400
<v Speaker 1>cover them all up.

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00:28:17.359 --> 00:28:21.799
<v Speaker 2>No, they can't. And that's what they do normally, is

399
00:28:21.839 --> 00:28:24.119
<v Speaker 2>if they see something in the distance, they just avoid that.

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00:28:24.160 --> 00:28:26.640
<v Speaker 2>They don't want to get any clearer pictures. So a

401
00:28:26.680 --> 00:28:29.079
<v Speaker 2>lot of the community that's you know, scouring all of

402
00:28:29.119 --> 00:28:31.799
<v Speaker 2>these pictures constantly. They get very upset that, you know,

403
00:28:31.839 --> 00:28:34.000
<v Speaker 2>they have a nice clear picture this odd thing in

404
00:28:34.039 --> 00:28:34.519
<v Speaker 2>the distance.

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00:28:34.839 --> 00:28:37.079
<v Speaker 1>Yeah. Now, one of the things in this book that

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00:28:37.119 --> 00:28:40.000
<v Speaker 1>you just finished writing that I thought was good was

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00:28:40.480 --> 00:28:45.519
<v Speaker 1>you get into paradolia, which is the issues where you

408
00:28:45.559 --> 00:28:48.519
<v Speaker 1>look at something and your brain out unlike he thinks

409
00:28:48.519 --> 00:28:53.480
<v Speaker 1>it's a face or it's something that's recognizable, and and

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00:28:53.519 --> 00:28:56.640
<v Speaker 1>you actually highlight that in the early parts of your book.

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00:28:58.039 --> 00:29:00.400
<v Speaker 1>Talk about that for a minute as we cantinue this

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00:29:00.480 --> 00:29:04.240
<v Speaker 1>discussion and why that's important to understand that we're looking

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00:29:04.279 --> 00:29:08.960
<v Speaker 1>at actual geometric shapes which are artificial and not paradolia.

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00:29:10.160 --> 00:29:13.200
<v Speaker 2>Right. Well, this whole idea about paradolia, this was a

415
00:29:13.319 --> 00:29:16.759
<v Speaker 2>very obscure word that was not used anywhere until the

416
00:29:16.839 --> 00:29:19.839
<v Speaker 2>nineteen nineties, and this was started by a guy named

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00:29:19.880 --> 00:29:23.119
<v Speaker 2>Stephen Goldstein. He was an author and he was. He

418
00:29:23.160 --> 00:29:26.119
<v Speaker 2>did an article and Skeptical Inquirer, and it was all

419
00:29:26.119 --> 00:29:29.160
<v Speaker 2>about the face on Mars. And this was before they

420
00:29:29.200 --> 00:29:31.599
<v Speaker 2>had the high resolution images. This is when they just

421
00:29:31.640 --> 00:29:35.680
<v Speaker 2>relied on the Viking images. And he got everybody to

422
00:29:35.720 --> 00:29:40.359
<v Speaker 2>believe that paradolia was the idea that you would see

423
00:29:40.359 --> 00:29:43.759
<v Speaker 2>faces in anything. You know, in the treaties, in the woods,

424
00:29:44.240 --> 00:29:46.400
<v Speaker 2>a branch looks like a little profile of a face.

425
00:29:46.440 --> 00:29:49.799
<v Speaker 2>So this was a common thing called paradolia, right you.

426
00:29:50.240 --> 00:29:52.640
<v Speaker 2>And it's he got the word, which I did a

427
00:29:52.680 --> 00:29:55.319
<v Speaker 2>lot of research on this. This goes back to eighteen

428
00:29:55.519 --> 00:30:00.000
<v Speaker 2>sixty eight. This was a professor that he was a psychologist.

429
00:30:00.240 --> 00:30:04.039
<v Speaker 2>He did an article in the Journal of Mental Science

430
00:30:04.839 --> 00:30:07.799
<v Speaker 2>and he briefly mentions, this is a mental condition where

431
00:30:07.839 --> 00:30:11.119
<v Speaker 2>people actually see faces everywhere. It's called paradolia. They'll see

432
00:30:11.119 --> 00:30:14.640
<v Speaker 2>faces on walls, there's nothing there, but they're they're hallos.

433
00:30:14.960 --> 00:30:19.319
<v Speaker 2>It's a mental problem. So he used that word paradolia,

434
00:30:19.519 --> 00:30:22.519
<v Speaker 2>which is a medical term for the sickness where people

435
00:30:22.559 --> 00:30:26.200
<v Speaker 2>will see faces everywhere, and equating that to try to

436
00:30:26.240 --> 00:30:28.720
<v Speaker 2>diminish any type of interest in the face on Mars.

437
00:30:29.240 --> 00:30:30.839
<v Speaker 2>So this is all back to the face on Mars.

438
00:30:30.920 --> 00:30:34.119
<v Speaker 2>The word paradolia. Now, anytime anybody sees something that looks

439
00:30:34.160 --> 00:30:38.039
<v Speaker 2>like a face around the rover area, looks like sculptures,

440
00:30:38.440 --> 00:30:42.079
<v Speaker 2>a Roman type head or meso American head, all that's paradolia.

441
00:30:42.160 --> 00:30:45.559
<v Speaker 2>Everybody sees faces and rocks, so they just totally dismiss

442
00:30:45.640 --> 00:30:47.920
<v Speaker 2>it and it goes. I mean I even mentioned in

443
00:30:47.960 --> 00:30:50.480
<v Speaker 2>the book we have, there's a section on the parrot

444
00:30:50.519 --> 00:30:53.720
<v Speaker 2>formation which has you know, twenty two points of anatomical correctness,

445
00:30:53.880 --> 00:30:58.039
<v Speaker 2>and people say, oh, that's paradolia. So it's it's a

446
00:30:58.079 --> 00:31:01.640
<v Speaker 2>great term. But I found that it was just based

447
00:31:01.680 --> 00:31:06.319
<v Speaker 2>on this think eighteen sixty eight Medical Journal where there

448
00:31:06.359 --> 00:31:06.680
<v Speaker 2>was this.

449
00:31:07.000 --> 00:31:09.400
<v Speaker 1>Well, I mean, this is what NASA JPL tells us

450
00:31:09.400 --> 00:31:14.200
<v Speaker 1>when we, you know, ask them about these anomalies on

451
00:31:14.279 --> 00:31:23.160
<v Speaker 1>mars Is paradolia. One of the great apologists for NASA

452
00:31:23.279 --> 00:31:28.599
<v Speaker 1>is a guy named James Olberg. And for years there

453
00:31:28.759 --> 00:31:35.599
<v Speaker 1>was independent research done by image specialists, guys like Mark Carlotto,

454
00:31:35.680 --> 00:31:40.039
<v Speaker 1>doctor Mark Carlotto, John Ober, John Brandenburg and many others

455
00:31:40.039 --> 00:31:43.400
<v Speaker 1>who we've had on the program and James. When they

456
00:31:43.400 --> 00:31:48.119
<v Speaker 1>published something, James Olberg will come out and say, basically,

457
00:31:48.480 --> 00:31:53.799
<v Speaker 1>he'll do what he can to dismiss these things, and

458
00:31:54.160 --> 00:31:58.359
<v Speaker 1>even in the face of very very solid evidence, he'll

459
00:31:58.400 --> 00:31:59.680
<v Speaker 1>say it's a trick of the light.

460
00:32:00.759 --> 00:32:03.599
<v Speaker 2>Oh, it's always trick of light and shadow. But you,

461
00:32:03.720 --> 00:32:06.119
<v Speaker 2>being an artist and myself, you know, if you do sculpture,

462
00:32:06.160 --> 00:32:07.799
<v Speaker 2>you have to have light and shadow. That's how you

463
00:32:07.799 --> 00:32:11.400
<v Speaker 2>get three dimensions. It's it's silly excuse. Oh, that's just

464
00:32:11.440 --> 00:32:13.640
<v Speaker 2>a trick of light and shadow. Well, you know, when

465
00:32:13.680 --> 00:32:16.920
<v Speaker 2>you do a two dimensional drawing, you want it to

466
00:32:16.920 --> 00:32:19.039
<v Speaker 2>look three dimensional, you know, so you're shading and all

467
00:32:19.079 --> 00:32:22.000
<v Speaker 2>that type of stuff. But you know this, they this

468
00:32:22.079 --> 00:32:25.960
<v Speaker 2>whole community of skeptics and try to diminish everything. Uh,

469
00:32:26.000 --> 00:32:30.880
<v Speaker 2>they always They also use the cloud formations cloud gazing

470
00:32:31.279 --> 00:32:33.480
<v Speaker 2>that you know, you're looking up in the clouds and

471
00:32:33.519 --> 00:32:36.200
<v Speaker 2>you see a bird or that cloud looks like a

472
00:32:36.240 --> 00:32:39.000
<v Speaker 2>horse's head, and that's the same thing you're seeing on Mars.

473
00:32:39.359 --> 00:32:42.119
<v Speaker 2>Well you know, you know, and I know we're not

474
00:32:42.519 --> 00:32:45.880
<v Speaker 2>a we're not meteorologist. And if we look up in

475
00:32:45.920 --> 00:32:50.720
<v Speaker 2>the sky we see a contrail from the planes, we

476
00:32:50.799 --> 00:32:53.559
<v Speaker 2>know that line is not natural, that's made by the

477
00:32:53.599 --> 00:32:56.160
<v Speaker 2>plane or if one of those planes go up. And

478
00:32:56.160 --> 00:32:59.160
<v Speaker 2>they that do writing, and they also do uh, they'll

479
00:32:59.160 --> 00:33:01.240
<v Speaker 2>do smiley face is up in the sky. A plane

480
00:33:01.240 --> 00:33:04.440
<v Speaker 2>will draw those, but they're doing that intentionally, so we

481
00:33:04.559 --> 00:33:07.599
<v Speaker 2>know that's artificial. Planes will go by and make an

482
00:33:07.720 --> 00:33:10.720
<v Speaker 2>X in the sky. In my backyard. I see them

483
00:33:10.720 --> 00:33:14.559
<v Speaker 2>all the time. We're not far from a government facility

484
00:33:15.400 --> 00:33:18.720
<v Speaker 2>towards West Virginia where I'm at, and they're constantly putting

485
00:33:18.839 --> 00:33:21.880
<v Speaker 2>these x's in the sky. I don't know what it's about,

486
00:33:22.160 --> 00:33:24.039
<v Speaker 2>but one plane will go one way and one will

487
00:33:24.079 --> 00:33:27.400
<v Speaker 2>call the other, kind of like X files on television.

488
00:33:28.039 --> 00:33:30.599
<v Speaker 2>So we know that these are artificial. But you know,

489
00:33:30.599 --> 00:33:32.240
<v Speaker 2>when you see a cloud that kind of looks like

490
00:33:32.279 --> 00:33:35.160
<v Speaker 2>a bird or a horse, you know that's just an anomaly.

491
00:33:35.200 --> 00:33:39.599
<v Speaker 2>That's just the cloud. It's usually just a very flat contour.

492
00:33:39.680 --> 00:33:43.519
<v Speaker 2>There's no details. You know, you don't have eyes, teeth, nose, ears,

493
00:33:43.839 --> 00:33:46.039
<v Speaker 2>it's just a silhouette, like a cutout.

494
00:33:47.039 --> 00:33:49.960
<v Speaker 1>The problem I have, Georgia is the fact that planetary

495
00:33:50.000 --> 00:33:56.960
<v Speaker 1>scientists and the image specialists who are trained to see

496
00:33:57.839 --> 00:34:03.160
<v Speaker 1>satellite imagery and today code it are are basically told

497
00:34:03.200 --> 00:34:07.319
<v Speaker 1>that they're seeing nothing. And this upsets me to no end,

498
00:34:07.400 --> 00:34:09.880
<v Speaker 1>to the point where when this does come out and

499
00:34:09.920 --> 00:34:11.880
<v Speaker 1>I don't know if it'll come out in our lifetime.

500
00:34:11.920 --> 00:34:17.039
<v Speaker 1>I hope it does. Uh, I mean, really, what's the

501
00:34:17.320 --> 00:34:19.280
<v Speaker 1>what's the big deal of telling the world that we

502
00:34:19.400 --> 00:34:25.239
<v Speaker 1>have discovered an alien civilization on the planet Mars. Well,

503
00:34:25.400 --> 00:34:29.000
<v Speaker 1>you said it succinctly in the fact that religions would fail,

504
00:34:29.639 --> 00:34:34.840
<v Speaker 1>But would they really in today's social media climate? Would

505
00:34:34.960 --> 00:34:37.719
<v Speaker 1>would the fact that that that that we have found

506
00:34:38.079 --> 00:34:44.280
<v Speaker 1>as an example in Atlanti's chaos, the city by the Lake,

507
00:34:45.559 --> 00:34:50.039
<v Speaker 1>oh yeah, which is obvious to archaeologists that I've shown

508
00:34:50.280 --> 00:34:54.079
<v Speaker 1>images to that these are ruins of yeah.

509
00:34:53.880 --> 00:34:58.679
<v Speaker 2>The compartmentalized little structures, all the buildings, the peoples and

510
00:34:58.800 --> 00:35:01.960
<v Speaker 2>all the word peoples stuff stuffs everywhere, And yeah, if

511
00:35:01.960 --> 00:35:03.559
<v Speaker 2>you were to show them that and say you found

512
00:35:03.599 --> 00:35:05.840
<v Speaker 2>this over and you know, these the ruins of Dresden

513
00:35:06.440 --> 00:35:09.079
<v Speaker 2>after World War two, they go, oh, yeah, that looks

514
00:35:09.159 --> 00:35:14.440
<v Speaker 2>like the old fit woman thinking you know, yeah, and uh,

515
00:35:14.960 --> 00:35:17.079
<v Speaker 2>there'd be no problem. But you mentioned it on Mars

516
00:35:17.119 --> 00:35:18.719
<v Speaker 2>and then they, you know, they kind of get kind

517
00:35:18.719 --> 00:35:19.280
<v Speaker 2>of get goofy.

518
00:35:20.599 --> 00:35:23.119
<v Speaker 1>So I have to wonder if if the speculation that

519
00:35:23.159 --> 00:35:27.920
<v Speaker 1>people will go nuts is kind of over over dramatized,

520
00:35:28.719 --> 00:35:33.360
<v Speaker 1>and that it is, wouldn't that wouldn't be that big

521
00:35:33.360 --> 00:35:37.199
<v Speaker 1>a deal. I think the bigger question is that and

522
00:35:37.239 --> 00:35:41.960
<v Speaker 1>the concern for them is that we start evolving and

523
00:35:42.079 --> 00:35:45.480
<v Speaker 1>because we understand we're not the only civilization in our

524
00:35:45.559 --> 00:35:53.920
<v Speaker 1>cosmos and that uh, there was an ancient civilization on

525
00:35:54.000 --> 00:35:57.079
<v Speaker 1>another planet that's in our in our solar system.

526
00:35:58.360 --> 00:36:01.199
<v Speaker 2>Well, what I think the governments are worried about it's

527
00:36:01.199 --> 00:36:05.599
<v Speaker 2>not that Like myself, I'm a religious person. I believe

528
00:36:05.639 --> 00:36:09.920
<v Speaker 2>in Christ is our savior, but I also believe there's

529
00:36:09.960 --> 00:36:11.800
<v Speaker 2>structures on Mars and out and how they got there.

530
00:36:12.440 --> 00:36:14.960
<v Speaker 2>I don't think finding these kind of ruins would delete

531
00:36:15.119 --> 00:36:20.199
<v Speaker 2>any type of stability of religion. It's what the governments

532
00:36:20.199 --> 00:36:24.880
<v Speaker 2>are afraid of. Are the fanatics, Like we just had

533
00:36:24.880 --> 00:36:28.199
<v Speaker 2>the bombings New Year's Eve. These are the people they're

534
00:36:28.199 --> 00:36:32.039
<v Speaker 2>afraid of that will strike out and start terrorizing the

535
00:36:32.039 --> 00:36:33.960
<v Speaker 2>world because of this information coming out.

536
00:36:34.360 --> 00:36:37.920
<v Speaker 1>Well, because that's what their world is turned upside down

537
00:36:37.960 --> 00:36:38.599
<v Speaker 1>and they have no.

538
00:36:38.719 --> 00:36:41.360
<v Speaker 2>Yes, that's did you ever see the movie Contact, you know,

539
00:36:41.360 --> 00:36:44.440
<v Speaker 2>written by Carl Yeah, yeah, you see how the see

540
00:36:44.480 --> 00:36:46.360
<v Speaker 2>how society acted with that information.

541
00:36:46.960 --> 00:36:49.000
<v Speaker 1>The religious fanatics, Yeah.

542
00:36:48.679 --> 00:36:51.000
<v Speaker 2>You had the religious fanatics. They're the ones that they're

543
00:36:51.039 --> 00:36:55.519
<v Speaker 2>they're afraid of because they'll cause all kinds of trouble. Yeah, yeah,

544
00:36:56.079 --> 00:36:57.760
<v Speaker 2>so I think I think that's what it is.

545
00:36:58.159 --> 00:36:59.599
<v Speaker 1>Yeah, I want to bring that up. I'm bringing that

546
00:36:59.639 --> 00:37:03.360
<v Speaker 1>up in the getting of our discussion, George, because we

547
00:37:03.519 --> 00:37:08.159
<v Speaker 1>have to. It's gotten out of control, you know. And

548
00:37:08.199 --> 00:37:10.800
<v Speaker 1>I've always said this, and I've said it with you

549
00:37:10.840 --> 00:37:14.679
<v Speaker 1>on the program many times. When this is divulged, I

550
00:37:14.719 --> 00:37:19.480
<v Speaker 1>think everyone at NASA should be fired because there's no

551
00:37:19.599 --> 00:37:22.239
<v Speaker 1>reason for this to be kept under wraps. We have

552
00:37:22.360 --> 00:37:24.039
<v Speaker 1>this amazing evidence.

553
00:37:24.679 --> 00:37:32.159
<v Speaker 2>They're only doing what they were told. Yeah, well, I'm

554
00:37:32.239 --> 00:37:34.599
<v Speaker 2>sure you want through the book. I start the book

555
00:37:34.599 --> 00:37:38.440
<v Speaker 2>out with the history of satellite technology, you know, balloons, Yeah,

556
00:37:38.760 --> 00:37:41.599
<v Speaker 2>going in airplanes and getting the whole idea of aerial

557
00:37:41.679 --> 00:37:44.119
<v Speaker 2>photography and areal ths are balance and things like that,

558
00:37:44.519 --> 00:37:46.719
<v Speaker 2>and that's basically what we're doing with Mars.

559
00:37:46.760 --> 00:37:46.920
<v Speaker 4>Now.

560
00:37:46.960 --> 00:37:51.119
<v Speaker 2>We have these very high resolution satellite cameras going around

561
00:37:51.199 --> 00:37:55.559
<v Speaker 2>and just taking pictures of the ground and we're finding

562
00:37:55.599 --> 00:37:59.360
<v Speaker 2>that's how we're seeing these structures. Now. I mentioned in

563
00:37:59.400 --> 00:38:04.880
<v Speaker 2>the book about the pilot that flew over an area

564
00:38:05.159 --> 00:38:07.599
<v Speaker 2>of China in nineteen forty seven and he took a

565
00:38:07.599 --> 00:38:10.199
<v Speaker 2>picture out of his window they call it the White Pyramid.

566
00:38:10.719 --> 00:38:12.760
<v Speaker 2>They thought it was a hoax. For years. This was

567
00:38:12.840 --> 00:38:15.480
<v Speaker 2>just the silliest thing. A lot of skeptics would bring

568
00:38:15.480 --> 00:38:17.920
<v Speaker 2>this up. Oh, this forged picture of the there's no

569
00:38:18.039 --> 00:38:21.079
<v Speaker 2>pyramids in China. And then of course we had the

570
00:38:21.159 --> 00:38:23.800
<v Speaker 2>advent of Google and Google Earth, and oh my god,

571
00:38:24.000 --> 00:38:27.400
<v Speaker 2>there's maybe one hundred pyramids in China that we didn't

572
00:38:27.400 --> 00:38:29.280
<v Speaker 2>know about exactly.

573
00:38:31.079 --> 00:38:35.360
<v Speaker 1>That's a good suggestion. We're going to take a short

574
00:38:35.360 --> 00:38:40.280
<v Speaker 1>commercial break to allow our sponsors to identify themselves, and

575
00:38:40.320 --> 00:38:44.079
<v Speaker 1>we will return shortly with my guest today, George has

576
00:38:44.280 --> 00:38:50.559
<v Speaker 1>talking about his newly released book, The Great Architects of Mars.

577
00:38:51.400 --> 00:39:37.679
<v Speaker 1>Will be right back. My guess today is author George hass.

578
00:39:37.719 --> 00:39:41.639
<v Speaker 1>He is a member of Planetary Seti Research. He has

579
00:39:41.679 --> 00:39:44.199
<v Speaker 1>made a study of the planet Mars and written a

580
00:39:44.280 --> 00:39:47.679
<v Speaker 1>number of papers, both scientific and for the general consumption,

581
00:39:48.480 --> 00:39:51.480
<v Speaker 1>and is the author of a new book just released

582
00:39:51.559 --> 00:39:59.880
<v Speaker 1>called The Great Architects of Mars. I want to move on,

583
00:40:00.000 --> 00:40:03.519
<v Speaker 1>and you have an excellent section in the book that

584
00:40:03.639 --> 00:40:07.559
<v Speaker 1>I want to speak on. You talk about the geoglyphs

585
00:40:07.880 --> 00:40:11.960
<v Speaker 1>on on on Mars, but also the geoglyphs in the

586
00:40:12.239 --> 00:40:15.800
<v Speaker 1>in uh on Earth. And I want you to talk

587
00:40:15.840 --> 00:40:19.119
<v Speaker 1>a little bit about the Stuart Giant or Stuart's Giant

588
00:40:19.119 --> 00:40:21.199
<v Speaker 1>in Australia, because that's a new one for me.

589
00:40:22.639 --> 00:40:24.400
<v Speaker 2>Oh that is that is very interesting.

590
00:40:24.679 --> 00:40:25.840
<v Speaker 1>Yeah, talk about that.

591
00:40:26.800 --> 00:40:31.239
<v Speaker 2>Well, it's a it's a large land drawing. It's etched

592
00:40:31.280 --> 00:40:34.360
<v Speaker 2>in the ground, kind of like the Nascal lines, and

593
00:40:34.440 --> 00:40:37.679
<v Speaker 2>it's very big, and it's it looks like a it's

594
00:40:37.719 --> 00:40:40.239
<v Speaker 2>a nude figure standing there and he's got his arm

595
00:40:40.320 --> 00:40:43.119
<v Speaker 2>up like he's gonna he's got a sling shot or something.

596
00:40:43.679 --> 00:40:48.239
<v Speaker 2>And originally people thought it is because he's an aborigine.

597
00:40:48.639 --> 00:40:49.239
<v Speaker 1>Yes, make it.

598
00:40:49.280 --> 00:40:51.840
<v Speaker 2>He's got a symbol on his chest, and he's got

599
00:40:51.880 --> 00:40:54.760
<v Speaker 2>his hair in a bun that goes back, and it's

600
00:40:54.800 --> 00:40:58.000
<v Speaker 2>it's in the book. And when they people originally saw it,

601
00:40:58.079 --> 00:41:03.320
<v Speaker 2>sport really clear pick they thought it was a bird

602
00:41:03.360 --> 00:41:05.480
<v Speaker 2>headed man standing there because the back of the head

603
00:41:05.519 --> 00:41:07.679
<v Speaker 2>kind of looked like a beak. So of course there

604
00:41:07.679 --> 00:41:09.800
<v Speaker 2>were stories that, oh my god, the Egyptians were in

605
00:41:10.039 --> 00:41:14.119
<v Speaker 2>Australia and there's all these things. And then one of

606
00:41:14.159 --> 00:41:18.760
<v Speaker 2>the mayors down there tried to find out who did this.

607
00:41:18.840 --> 00:41:21.559
<v Speaker 2>They for years this has been a mystery. They don't

608
00:41:21.599 --> 00:41:24.000
<v Speaker 2>know who did it. It's very near a military base.

609
00:41:24.039 --> 00:41:26.639
<v Speaker 2>There's an American military base there and there's one I

610
00:41:26.679 --> 00:41:29.079
<v Speaker 2>think the Australian base. It's it's mentioned in the book.

611
00:41:29.639 --> 00:41:32.119
<v Speaker 2>And this is just a weird anomaly. And it just

612
00:41:32.159 --> 00:41:35.880
<v Speaker 2>shows that like people that we find things on Mars

613
00:41:35.880 --> 00:41:38.239
<v Speaker 2>like the parrot, and of course they want an explanation,

614
00:41:38.320 --> 00:41:40.559
<v Speaker 2>why is it there? Who did it? And we have

615
00:41:40.599 --> 00:41:43.599
<v Speaker 2>a structure here on Earth like the bad Lands Guardian.

616
00:41:44.760 --> 00:41:46.159
<v Speaker 1>I was just going to bring that up. He wrote

617
00:41:46.199 --> 00:41:47.159
<v Speaker 1>a paper on that.

618
00:41:47.199 --> 00:41:50.360
<v Speaker 2>And yes I did. Yeah, And it's the same idea

619
00:41:51.079 --> 00:41:53.400
<v Speaker 2>that we don't know who, how these got there, and

620
00:41:53.440 --> 00:41:55.119
<v Speaker 2>they're on Earth and we can't figure it out.

621
00:41:55.519 --> 00:41:58.719
<v Speaker 1>Well, what's an interesting on these geoglyphs? And by the way,

622
00:41:58.760 --> 00:42:03.440
<v Speaker 1>the Badlands Guardian and is a it's a Native American

623
00:42:04.320 --> 00:42:08.360
<v Speaker 1>with a with a headdress. And George wrote a paper.

624
00:42:08.360 --> 00:42:09.920
<v Speaker 1>We had actually had you on a couple of years

625
00:42:09.920 --> 00:42:12.760
<v Speaker 1>ago to talk about that. Why I'm bringing that up

626
00:42:12.840 --> 00:42:18.639
<v Speaker 1>is we don't we can't date these things, but they're

627
00:42:18.679 --> 00:42:21.880
<v Speaker 1>only visible from high high elevations. In fact, in some

628
00:42:21.960 --> 00:42:26.679
<v Speaker 1>cases they're only available from space. And that makes you wonder,

629
00:42:27.280 --> 00:42:30.559
<v Speaker 1>is this from an earlier epoch on Earth? Where there

630
00:42:30.679 --> 00:42:37.760
<v Speaker 1>was technology of sufficient development that they could fly above

631
00:42:37.920 --> 00:42:44.480
<v Speaker 1>the planet uh and actually coordinate with a ground based group.

632
00:42:44.880 --> 00:42:51.920
<v Speaker 1>These geoglyphs because they're not just uh, poorly drawn like

633
00:42:52.000 --> 00:42:57.679
<v Speaker 1>the Stuart's Giant. They're very well designed and anatomically correct.

634
00:42:58.280 --> 00:43:01.000
<v Speaker 1>So how how did they do these things?

635
00:43:01.360 --> 00:43:04.079
<v Speaker 2>Yeah? I know, it's very well proportioned. You look at

636
00:43:04.119 --> 00:43:06.000
<v Speaker 2>it looks like a drawing, like somebody just did it.

637
00:43:06.079 --> 00:43:08.239
<v Speaker 2>You know, it's like Michelangelo did a drawing of this

638
00:43:08.320 --> 00:43:12.360
<v Speaker 2>aborigine guy, you know, with a boomerang. I think that's

639
00:43:12.360 --> 00:43:14.119
<v Speaker 2>what he's holding up. They thought it was either an

640
00:43:14.119 --> 00:43:16.159
<v Speaker 2>axe or something, but I think he's holding a boomerang.

641
00:43:16.760 --> 00:43:21.480
<v Speaker 2>And it is just an amazing work of art that's there.

642
00:43:22.079 --> 00:43:25.039
<v Speaker 2>And you know, the explanations for why they build these

643
00:43:25.079 --> 00:43:30.519
<v Speaker 2>geoglyphs usually landmarks this is our area. They think they're

644
00:43:30.559 --> 00:43:32.559
<v Speaker 2>built so the gods can see them. That's what they

645
00:43:32.840 --> 00:43:34.960
<v Speaker 2>thought about the Nasca lines that they built those of

646
00:43:35.079 --> 00:43:37.719
<v Speaker 2>the gods could see them. So it's either you got

647
00:43:37.800 --> 00:43:42.920
<v Speaker 2>two two explanations for the reason they're built. Either the

648
00:43:42.920 --> 00:43:45.400
<v Speaker 2>gods are looking at them, or somebody flying over in

649
00:43:45.440 --> 00:43:47.679
<v Speaker 2>a plane or a spaceship seeing them. So who are

650
00:43:47.719 --> 00:43:49.239
<v Speaker 2>you trying to communicate with could.

651
00:43:49.079 --> 00:43:51.599
<v Speaker 1>Be both, yeah, but I mean, George, if we look

652
00:43:51.639 --> 00:43:55.480
<v Speaker 1>at it, there's these geoglyphs of huge proportion in England,

653
00:43:57.039 --> 00:44:00.400
<v Speaker 1>They're in parts of Europe. There's obvious see some of

654
00:44:00.440 --> 00:44:05.159
<v Speaker 1>the United States. So these are very challenging to date.

655
00:44:06.599 --> 00:44:10.760
<v Speaker 2>They are, and recently in the early two thousands with

656
00:44:10.960 --> 00:44:15.559
<v Speaker 2>the Google Earth, hundreds were found over in Saudi Arabia

657
00:44:15.559 --> 00:44:17.519
<v Speaker 2>and places that nobody goes out in the middle of

658
00:44:17.559 --> 00:44:19.400
<v Speaker 2>the desert. They didn't even know these things were there,

659
00:44:19.639 --> 00:44:21.840
<v Speaker 2>but they're taking these satellite pictures and it was like,

660
00:44:21.880 --> 00:44:24.760
<v Speaker 2>oh my god. The archaeologists didn't even know about these

661
00:44:24.880 --> 00:44:28.639
<v Speaker 2>until you know, year two thousands. It's just amazing. And

662
00:44:28.679 --> 00:44:32.679
<v Speaker 2>they're finding these things all over the world. Saudi Arabia,

663
00:44:32.760 --> 00:44:35.079
<v Speaker 2>over in Russia they found some in some of the

664
00:44:35.119 --> 00:44:42.280
<v Speaker 2>mountains over there, big moose shape. And the other interesting thing, Cliff,

665
00:44:42.800 --> 00:44:47.440
<v Speaker 2>is that some of these geoglyphs aren't proportionally correct. Some

666
00:44:47.480 --> 00:44:50.119
<v Speaker 2>of them, like the Elk it looks like, you know,

667
00:44:50.239 --> 00:44:52.119
<v Speaker 2>a little girl or a little boy did it, you know,

668
00:44:52.199 --> 00:44:57.679
<v Speaker 2>in first grade. It's very oddly drawn, but it's real. Now,

669
00:44:57.679 --> 00:44:59.920
<v Speaker 2>if we were to find something like that on Mars

670
00:45:00.199 --> 00:45:03.679
<v Speaker 2>Oh no, that's not anatomically correct. That's that's just you know, the.

671
00:45:03.639 --> 00:45:06.360
<v Speaker 1>Wind and the optical illusion.

672
00:45:06.760 --> 00:45:11.039
<v Speaker 2>Yeah, it's not exactly. So that's why I present a

673
00:45:11.079 --> 00:45:12.800
<v Speaker 2>lot of this stuff in the book just to give Well,

674
00:45:13.039 --> 00:45:13.639
<v Speaker 2>I'm bringing that.

675
00:45:13.719 --> 00:45:18.039
<v Speaker 1>Up because one of my issues on Mars is that

676
00:45:18.920 --> 00:45:23.199
<v Speaker 1>the civilization that left these buildings, pyramids and other structures

677
00:45:23.239 --> 00:45:30.199
<v Speaker 1>and temples also had a genius level of artistic engineering

678
00:45:31.199 --> 00:45:35.039
<v Speaker 1>where architects, well there are those guys too, but they're

679
00:45:35.079 --> 00:45:38.760
<v Speaker 1>also engineers, of course, the great architects of Mars. Yes,

680
00:45:38.800 --> 00:45:42.119
<v Speaker 1>of course. But we've talked about this before. I have

681
00:45:42.280 --> 00:45:50.679
<v Speaker 1>seen human heads, animals, insects, creatures of all shapes and

682
00:45:50.719 --> 00:45:58.079
<v Speaker 1>side sizes, miles in dimension, dimensional shape, miles long by

683
00:45:58.119 --> 00:46:06.199
<v Speaker 1>miles wide, and perfectly conceived, which just blows me away.

684
00:46:06.559 --> 00:46:09.119
<v Speaker 1>And you have to wonder, And you bring up this

685
00:46:09.239 --> 00:46:13.320
<v Speaker 1>question too as well as Graham Hancock was at one point,

686
00:46:13.679 --> 00:46:17.639
<v Speaker 1>millions of years ago a connection between Earth and Mars

687
00:46:18.159 --> 00:46:21.320
<v Speaker 1>because many of these, it seems to me, the ones

688
00:46:21.440 --> 00:46:27.039
<v Speaker 1>on Mars, these geoglyphs on Mars are extremely sophisticated. And

689
00:46:27.079 --> 00:46:29.840
<v Speaker 1>we'll talk about the bird in a minute. But what

690
00:46:29.880 --> 00:46:30.440
<v Speaker 1>do you say to.

691
00:46:30.400 --> 00:46:35.559
<v Speaker 2>That, Well, It's been my experience that a lot of

692
00:46:35.599 --> 00:46:40.239
<v Speaker 2>these geoglyphs that we're finding are as. My co author

693
00:46:40.280 --> 00:46:43.440
<v Speaker 2>with my first two books, William Saunders, who's a geologist,

694
00:46:43.559 --> 00:46:47.880
<v Speaker 2>he said, they appear to be pristine. They don't show

695
00:46:47.920 --> 00:46:51.440
<v Speaker 2>any evidence of weather ring or whatever. How did they

696
00:46:51.480 --> 00:46:54.239
<v Speaker 2>do these? And then they weren't like the wind covered

697
00:46:54.320 --> 00:46:56.599
<v Speaker 2>up the lines or the features. It's they all look

698
00:46:56.679 --> 00:46:59.000
<v Speaker 2>like somebody's been keeping them fresh so you can look.

699
00:46:59.159 --> 00:47:00.199
<v Speaker 2>Are they not that old?

700
00:47:00.239 --> 00:47:00.400
<v Speaker 1>You know?

701
00:47:00.440 --> 00:47:04.440
<v Speaker 2>That is his explanation, is that these aren't that old.

702
00:47:05.039 --> 00:47:07.760
<v Speaker 2>Bill was thinking, these are probably, you know, twenty thousand

703
00:47:07.800 --> 00:47:11.239
<v Speaker 2>to fifty thousand years old. And have you been to

704
00:47:11.320 --> 00:47:14.480
<v Speaker 2>the last chapter of the book, Cliff about the Maya

705
00:47:14.559 --> 00:47:15.280
<v Speaker 2>star wars.

706
00:47:15.400 --> 00:47:16.880
<v Speaker 1>No, we're going to talk about that in a sec

707
00:47:17.880 --> 00:47:21.039
<v Speaker 1>because we're both Mayanis and I want to bring it

708
00:47:21.119 --> 00:47:24.519
<v Speaker 1>up in a sec. What makes this book amazing for

709
00:47:24.639 --> 00:47:28.039
<v Speaker 1>me is that you get into areas that I wasn't

710
00:47:28.039 --> 00:47:30.679
<v Speaker 1>really familiar with. And I want to talk now about

711
00:47:30.760 --> 00:47:36.159
<v Speaker 1>the Mariner's nine missions were back in nineteen seventy one

712
00:47:36.199 --> 00:47:42.280
<v Speaker 1>that orbited Mars and imaged Elysium, And this is an

713
00:47:42.320 --> 00:47:44.599
<v Speaker 1>area that I wasn't that familiar with. But I want

714
00:47:44.599 --> 00:47:48.320
<v Speaker 1>you to talk about the say Carl Sagan's pyramid or

715
00:47:48.360 --> 00:47:56.199
<v Speaker 1>otherwise known as the Elysium pyramids, and the the geologist

716
00:47:56.239 --> 00:48:01.760
<v Speaker 1>wrote a paper. This guy named Gibson and his partner

717
00:48:03.559 --> 00:48:07.800
<v Speaker 1>wrote an article called the Pyramidal Structures on Mars in

718
00:48:07.880 --> 00:48:10.199
<v Speaker 1>nineteen seventy four. Talk a little bit about that white

719
00:48:10.360 --> 00:48:14.519
<v Speaker 1>that scientific paper. These are two geologists.

720
00:48:14.960 --> 00:48:17.760
<v Speaker 2>Yeah, you're talking about the Gibson paper of the science paper.

721
00:48:17.880 --> 00:48:24.239
<v Speaker 2>This was before Sagan. He also noticed these pyramids in

722
00:48:24.280 --> 00:48:27.960
<v Speaker 2>the Elysium area of Mars, and they were so impressed.

723
00:48:28.000 --> 00:48:31.320
<v Speaker 2>They had a science paper published and he found that

724
00:48:31.360 --> 00:48:36.239
<v Speaker 2>the geometry of these was just remarkable. And so it's

725
00:48:36.320 --> 00:48:38.440
<v Speaker 2>a very important paper. Most people don't even realize it

726
00:48:38.480 --> 00:48:42.320
<v Speaker 2>was published, because when you talk about these structures on Mars,

727
00:48:42.320 --> 00:48:44.679
<v Speaker 2>a lot of people mentioned that, oh, where's all the

728
00:48:44.719 --> 00:48:48.400
<v Speaker 2>scientists doing scientists were doing papers on this and this

729
00:48:48.960 --> 00:48:51.599
<v Speaker 2>this is one that's just a remarkable piece of work

730
00:48:52.000 --> 00:48:55.559
<v Speaker 2>and it provides a lot of support for further investigation

731
00:48:55.679 --> 00:49:00.880
<v Speaker 2>of this. And when carls and got ahold of this,

732
00:49:02.079 --> 00:49:05.519
<v Speaker 2>he noticed the same pyramid in the Marinder nine from

733
00:49:05.559 --> 00:49:08.400
<v Speaker 2>nineteen seventy two images. Now the Mariner nine camera really

734
00:49:08.400 --> 00:49:10.719
<v Speaker 2>took some pretty sharp pictures. At times they were better

735
00:49:10.760 --> 00:49:13.920
<v Speaker 2>than the Viking. Yeah, I mean, I don't know if

736
00:49:13.960 --> 00:49:15.920
<v Speaker 2>you've gone through some of their archives look at some

737
00:49:16.000 --> 00:49:18.639
<v Speaker 2>of the Mariners. Some of the Mariner pictures are they're

738
00:49:18.840 --> 00:49:22.800
<v Speaker 2>pretty high contrast, but they show sharp lines, and that's

739
00:49:22.800 --> 00:49:28.400
<v Speaker 2>what jumped out Carl Sagan and Carl Sagan famously quoted

740
00:49:28.440 --> 00:49:32.079
<v Speaker 2>as saying that intelligent life on Earth reveals itself through

741
00:49:32.079 --> 00:49:35.960
<v Speaker 2>the geometry and regularity of its construction. And that's what

742
00:49:36.000 --> 00:49:38.039
<v Speaker 2>we're finding all through this book that I just put out.

743
00:49:38.360 --> 00:49:42.519
<v Speaker 2>There's all this symmetrical geometry everywhere, and that's not natural.

744
00:49:44.480 --> 00:49:47.559
<v Speaker 1>Yeah. One of the things that I was interested in

745
00:49:47.599 --> 00:49:52.400
<v Speaker 1>doing was going to and I just did this yesterday.

746
00:49:52.440 --> 00:49:58.079
<v Speaker 1>I went to Google Earth Pro and I got a

747
00:49:58.079 --> 00:50:01.000
<v Speaker 1>new laptop, so I downloaded it. I went over to

748
00:50:01.000 --> 00:50:07.159
<v Speaker 1>the Giza Plateau and I found the three pyramids there

749
00:50:08.199 --> 00:50:12.880
<v Speaker 1>and I looked at them, and I moved the lens

750
00:50:13.559 --> 00:50:16.159
<v Speaker 1>in such a way that I could see the shadows

751
00:50:17.079 --> 00:50:23.360
<v Speaker 1>and the shadows of these the pyramids. I guess they're

752
00:50:23.400 --> 00:50:26.920
<v Speaker 1>calling them Sagan's Pyramids or the Elysium. The Elysium pyramids

753
00:50:28.320 --> 00:50:32.559
<v Speaker 1>are very sharp, so they're definitely pyramids of some pyramidal shapes.

754
00:50:33.000 --> 00:50:37.480
<v Speaker 1>But what makes them so unique and less likely to

755
00:50:37.519 --> 00:50:42.920
<v Speaker 1>be accepted by the various groups here is the fact

756
00:50:42.960 --> 00:50:47.000
<v Speaker 1>that they're not the pyramids that were used to They're

757
00:50:47.119 --> 00:50:50.239
<v Speaker 1>very unique, very much more creatively designed. Talk a little

758
00:50:50.280 --> 00:50:52.320
<v Speaker 1>bit about the Elysium pyramids.

759
00:50:53.119 --> 00:50:55.840
<v Speaker 2>Well that's another interesting thing about the pyramids on Mars.

760
00:50:56.239 --> 00:50:59.800
<v Speaker 2>Earth pyramids. Everybody's course familiar with the gods the pyramids,

761
00:50:59.840 --> 00:51:05.360
<v Speaker 2>they're four sided. Most of the pyramids that I've seen

762
00:51:05.440 --> 00:51:08.079
<v Speaker 2>that other people have found I've found myself, especially the

763
00:51:08.079 --> 00:51:12.519
<v Speaker 2>ones in the Elysium, are that they're three sided. The

764
00:51:12.559 --> 00:51:16.199
<v Speaker 2>Sagan pyramid is a three sided pyramid, which actually if

765
00:51:16.199 --> 00:51:18.559
<v Speaker 2>you count the bottom, that's called the tetrahedral. That's what

766
00:51:18.679 --> 00:51:21.719
<v Speaker 2>Richard Hogan was always talking about, all this sacred geometry

767
00:51:21.800 --> 00:51:24.599
<v Speaker 2>in the power of nineteen point five. So these are

768
00:51:24.639 --> 00:51:27.280
<v Speaker 2>all over the place in Elysium. They're three sided pyramids.

769
00:51:27.360 --> 00:51:30.400
<v Speaker 2>You don't see a lot of them on Earth, very rarely.

770
00:51:30.960 --> 00:51:34.920
<v Speaker 2>Most pyramids here are four and five sided, like the Pentagon,

771
00:51:35.159 --> 00:51:37.760
<v Speaker 2>which isn't really a pyramid, but these type of four sided.

772
00:51:37.880 --> 00:51:42.159
<v Speaker 2>American Indians built four sided and five sided mounds that

773
00:51:42.199 --> 00:51:45.880
<v Speaker 2>were pyramidal yeah. Yeah, and on Mars a lot of

774
00:51:45.880 --> 00:51:48.559
<v Speaker 2>these are three sided tetrahedral pyramids.

775
00:51:48.760 --> 00:51:52.599
<v Speaker 1>Yeah, it's amazing. You know, I have to say this.

776
00:51:53.519 --> 00:51:59.559
<v Speaker 1>We now have satellites orbiting Mars that are high resolution,

777
00:52:01.159 --> 00:52:04.519
<v Speaker 1>and when I see these images in your book, it's

778
00:52:04.559 --> 00:52:08.639
<v Speaker 1>sad that we can't get really high, high, high quality

779
00:52:09.239 --> 00:52:13.639
<v Speaker 1>images like we see from Google Earth Pro because that

780
00:52:13.679 --> 00:52:17.039
<v Speaker 1>would that would be the icing on the cake, that

781
00:52:17.079 --> 00:52:18.199
<v Speaker 1>would put them all away.

782
00:52:18.840 --> 00:52:23.760
<v Speaker 2>Talk about that, well, the problem with taking these beautiful

783
00:52:23.760 --> 00:52:27.280
<v Speaker 2>pictures from NASA and putting them in a book. You know,

784
00:52:27.360 --> 00:52:31.320
<v Speaker 2>you're shrinking him down and you have to rely on

785
00:52:31.400 --> 00:52:35.119
<v Speaker 2>the contrast of the printer. So sometimes a little darker,

786
00:52:35.119 --> 00:52:37.800
<v Speaker 2>a little lighter. Ye. We got a few images in

787
00:52:37.840 --> 00:52:40.519
<v Speaker 2>the book that they're going to have to fix in

788
00:52:40.960 --> 00:52:43.760
<v Speaker 2>the the second edition because they came out a little dark.

789
00:52:44.039 --> 00:52:52.840
<v Speaker 2>But the book is also available as a h I

790
00:52:52.880 --> 00:52:57.679
<v Speaker 2>lost my train of thought, Cliff, you we're talking about

791
00:52:57.679 --> 00:53:01.559
<v Speaker 2>the book. I'm sorry. Yeah, So the book is also

792
00:53:01.599 --> 00:53:04.480
<v Speaker 2>available as an e book, and that of course has

793
00:53:04.559 --> 00:53:07.000
<v Speaker 2>light you know. That's it's so, I haven't seen the

794
00:53:07.039 --> 00:53:09.159
<v Speaker 2>copy yet. They're supposed to be sending me one. The

795
00:53:09.199 --> 00:53:12.280
<v Speaker 2>book's not officially released until the seventh. And I'm hoping

796
00:53:12.320 --> 00:53:18.559
<v Speaker 2>that these images, which are high contrast images that are

797
00:53:18.559 --> 00:53:20.719
<v Speaker 2>in the book, that when we look at them with

798
00:53:21.079 --> 00:53:23.679
<v Speaker 2>the kindle, it's gonna it's gonna look a lot better.

799
00:53:24.000 --> 00:53:26.679
<v Speaker 1>I have no problem with the images. I think they're

800
00:53:26.800 --> 00:53:30.000
<v Speaker 1>they're they're very good, but they're from nineteen seventy four

801
00:53:32.119 --> 00:53:33.880
<v Speaker 1>or the late the mid nineteen seven.

802
00:53:34.079 --> 00:53:40.280
<v Speaker 2>Are you talking about the.

803
00:53:37.719 --> 00:53:38.840
<v Speaker 1>The Sagan Complex.

804
00:53:39.800 --> 00:53:42.119
<v Speaker 2>Yeah, Well, the sad thing I mentioned this in that

805
00:53:42.360 --> 00:53:45.079
<v Speaker 2>chapter about Sagan he never got to see the high

806
00:53:45.079 --> 00:53:48.079
<v Speaker 2>resolution images of these pyramids. He got to see the

807
00:53:48.119 --> 00:53:51.960
<v Speaker 2>Mariner nine and then the Biking. The Viking image was awful. Yeah,

808
00:53:51.960 --> 00:53:54.199
<v Speaker 2>it's in the book. I mean compared to the nice

809
00:53:54.280 --> 00:53:57.840
<v Speaker 2>crisp Mariner nine image, and that's all he got to see.

810
00:53:57.960 --> 00:54:01.360
<v Speaker 2>And years after he died, the Global Surveyor took all

811
00:54:01.360 --> 00:54:03.679
<v Speaker 2>these great pictures of the area which is in the book,

812
00:54:03.920 --> 00:54:05.679
<v Speaker 2>and sadly he never got to see these.

813
00:54:06.199 --> 00:54:09.840
<v Speaker 1>But sure, My point is that we have orbiting satellites

814
00:54:10.199 --> 00:54:14.559
<v Speaker 1>on Mars right now. You we both know they could

815
00:54:14.639 --> 00:54:19.519
<v Speaker 1>pull a crisp satellite image of this area and that

816
00:54:19.559 --> 00:54:20.199
<v Speaker 1>would be it.

817
00:54:21.440 --> 00:54:26.119
<v Speaker 2>Oh, you're right, and the available images that we have

818
00:54:26.280 --> 00:54:28.920
<v Speaker 2>that I mentioned in the book. They're the Mars Global

819
00:54:28.960 --> 00:54:35.079
<v Speaker 2>Surveyor not the Mars They are the Mars Reconnaissance images,

820
00:54:35.159 --> 00:54:39.880
<v Speaker 2>the CTX images, which are low resolution. But you're right,

821
00:54:40.480 --> 00:54:43.440
<v Speaker 2>they've only taken I think one hi res image of

822
00:54:43.559 --> 00:54:46.840
<v Speaker 2>one of those pyramids. But yeah, they, like you said,

823
00:54:46.880 --> 00:54:49.440
<v Speaker 2>they could do it if they wanted. They may have

824
00:54:49.519 --> 00:54:51.719
<v Speaker 2>them at NASA, but we haven't seen them.

825
00:54:51.840 --> 00:54:54.400
<v Speaker 1>Yeah, they're not releasing them. Okay. I want to talk

826
00:54:54.400 --> 00:54:57.920
<v Speaker 1>about the the Sagan Complex. You have a number, you

827
00:54:58.000 --> 00:55:01.199
<v Speaker 1>highlight a number of the pyramidal structure. I have to

828
00:55:01.199 --> 00:55:05.880
<v Speaker 1>say this, whoever the civilization was that built these, like

829
00:55:05.920 --> 00:55:11.000
<v Speaker 1>I said before, they were architectural engineering geniuses. I want

830
00:55:11.000 --> 00:55:15.199
<v Speaker 1>you to talk about the Kite Pyramid. And one thing

831
00:55:15.239 --> 00:55:16.880
<v Speaker 1>I also would like you to do it, and I

832
00:55:16.920 --> 00:55:18.800
<v Speaker 1>don't know if you can do it based on the imagery,

833
00:55:19.559 --> 00:55:24.440
<v Speaker 1>is give us a suggested date for perhaps when it

834
00:55:24.519 --> 00:55:25.400
<v Speaker 1>may have been built.

835
00:55:27.559 --> 00:55:31.000
<v Speaker 2>You're talking the Kite Pyramid is not in Elysium. That's

836
00:55:31.039 --> 00:55:31.880
<v Speaker 2>in a different chapter.

837
00:55:32.360 --> 00:55:37.440
<v Speaker 1>Oh, is that that's the Sagan Complex though we'll talk

838
00:55:37.480 --> 00:55:38.880
<v Speaker 1>about the Kite Pyramid.

839
00:55:40.199 --> 00:55:42.920
<v Speaker 2>The Kite the Kite Pyramid is not in the Mean

840
00:55:42.960 --> 00:55:45.039
<v Speaker 2>Green Mean City.

841
00:55:46.280 --> 00:55:52.159
<v Speaker 1>Yeah, it's in Northern Territory, right, But that's that's not Sagan.

842
00:55:52.280 --> 00:55:53.519
<v Speaker 2>This is a whole different complex.

843
00:55:53.519 --> 00:55:55.679
<v Speaker 1>Okay, I'm sorry, yes, thank you.

844
00:55:56.599 --> 00:55:58.639
<v Speaker 2>So you can reask me and we'll cut that out,

845
00:56:00.400 --> 00:56:00.719
<v Speaker 2>all right.

846
00:56:00.760 --> 00:56:03.679
<v Speaker 1>So tell me about the imaging from twenty eighteen the

847
00:56:03.760 --> 00:56:08.880
<v Speaker 1>Mean City, which is also known as the Northern Territory, right.

848
00:56:08.960 --> 00:56:11.440
<v Speaker 2>The one formation that you're interested in there, like I

849
00:56:11.519 --> 00:56:15.320
<v Speaker 2>call the kite formation, which is very extraordinary. I mean,

850
00:56:15.360 --> 00:56:20.400
<v Speaker 2>that is no way natural formation. It has like a

851
00:56:20.440 --> 00:56:22.599
<v Speaker 2>beat that comes on it and the sides go up

852
00:56:23.239 --> 00:56:25.960
<v Speaker 2>and there's like these these horns that come off the side.

853
00:56:26.480 --> 00:56:27.800
<v Speaker 2>A lot of people look at that and they think,

854
00:56:27.840 --> 00:56:30.599
<v Speaker 2>oh god, that looks like a space ship. Yeah, like

855
00:56:30.719 --> 00:56:33.039
<v Speaker 2>something you see from the Kleons or something. But it's

856
00:56:33.079 --> 00:56:38.079
<v Speaker 2>actually just it's a structural formation on the surface. But

857
00:56:38.280 --> 00:56:40.920
<v Speaker 2>it certainly jumps out at you that this does not belong.

858
00:56:41.880 --> 00:56:44.719
<v Speaker 1>Do you have any idea the height in the dimensions

859
00:56:44.760 --> 00:56:47.840
<v Speaker 1>of it when you use any kind of measuring tools?

860
00:56:48.920 --> 00:56:52.920
<v Speaker 2>No, I haven't. Actually I've done measurements of it's length

861
00:56:52.960 --> 00:56:55.119
<v Speaker 2>and with but I don't know about the height. They're

862
00:56:55.199 --> 00:56:58.760
<v Speaker 2>probably at least half a mile high. Everything on Mars

863
00:56:58.840 --> 00:57:02.400
<v Speaker 2>there is huge, everything big and in that area that

864
00:57:02.440 --> 00:57:05.079
<v Speaker 2>you're discussing in the book, all of those structures are

865
00:57:05.079 --> 00:57:07.880
<v Speaker 2>in a little grouping area and they're on a large platform.

866
00:57:07.920 --> 00:57:10.239
<v Speaker 2>Each each one is on a on a platform. They're

867
00:57:10.920 --> 00:57:13.320
<v Speaker 2>one and after the other, all in a row there

868
00:57:13.760 --> 00:57:16.599
<v Speaker 2>and looks very much like dough comparisons of the way

869
00:57:16.639 --> 00:57:20.760
<v Speaker 2>this city on Mars here is set up with Mesoamerican cities.

870
00:57:21.679 --> 00:57:24.400
<v Speaker 1>Would you say that this kite pyramid, and we're going

871
00:57:24.480 --> 00:57:28.840
<v Speaker 1>to talk about a few other structures were made as

872
00:57:28.960 --> 00:57:32.199
<v Speaker 1>standing sculptures, or would you suggest that they may be

873
00:57:33.119 --> 00:57:36.280
<v Speaker 1>buildings that just have unusual shapes.

874
00:57:37.519 --> 00:57:40.360
<v Speaker 2>I think they're the latter. They're buildings. They're probably what

875
00:57:40.719 --> 00:57:45.719
<v Speaker 2>some people call archeologies, which have rooms inside and you know,

876
00:57:45.880 --> 00:57:49.679
<v Speaker 2>labs and maybe living farders, all kinds of things like that.

877
00:57:50.159 --> 00:57:53.159
<v Speaker 2>These are just large buildings that probably housed people.

878
00:57:53.840 --> 00:57:57.719
<v Speaker 1>MM interesting And you know, it's funny you just mentioned platforms,

879
00:57:57.719 --> 00:58:00.039
<v Speaker 1>and I wasn't even thinking about that. A lot a

880
00:58:00.039 --> 00:58:04.719
<v Speaker 1>lot of these pyramidal structures do sit on platforms. And

881
00:58:06.159 --> 00:58:08.239
<v Speaker 1>let's say we had you on we were talking about

882
00:58:08.280 --> 00:58:11.880
<v Speaker 1>a couple of these buildings that had these platform bases

883
00:58:12.519 --> 00:58:14.960
<v Speaker 1>and they had entrance ways. Do we see an entrance

884
00:58:15.000 --> 00:58:19.639
<v Speaker 1>way on the starshield are pyramid Excuse me, no, I

885
00:58:19.960 --> 00:58:21.639
<v Speaker 1>did not see anything on there, but you're right.

886
00:58:21.679 --> 00:58:25.239
<v Speaker 2>Some of these in Sidonia. The face on Mars is

887
00:58:25.280 --> 00:58:28.480
<v Speaker 2>on a platform. The DNM pyramids on a platform. A

888
00:58:28.480 --> 00:58:31.239
<v Speaker 2>lot of these are on a support of you know

889
00:58:31.559 --> 00:58:35.119
<v Speaker 2>what they call the footprint platform. So, and this whole

890
00:58:35.199 --> 00:58:37.519
<v Speaker 2>chapter here all of these, and they're not only one.

891
00:58:37.559 --> 00:58:42.199
<v Speaker 2>There's like three or four structures that are on one platform. Okay.

892
00:58:42.639 --> 00:58:45.960
<v Speaker 1>The other one in that general vicinity is the star shield.

893
00:58:46.760 --> 00:58:49.000
<v Speaker 1>That's another amazing building.

894
00:58:50.119 --> 00:58:53.000
<v Speaker 2>The star shield is pretty amazing. Yes, Is that the

895
00:58:53.000 --> 00:58:55.400
<v Speaker 2>one where there's the small one? There's the two, right, Yeah,

896
00:58:55.400 --> 00:58:58.320
<v Speaker 2>there's one, and the smaller one looks just like it.

897
00:58:58.360 --> 00:59:00.719
<v Speaker 2>I mean, how do you have that? That is amazing?

898
00:59:01.320 --> 00:59:04.519
<v Speaker 2>You have this large star shield, and then right above it,

899
00:59:04.679 --> 00:59:07.599
<v Speaker 2>on the other side of the complex there's a smaller

900
00:59:07.639 --> 00:59:10.760
<v Speaker 2>structure that is shaped just like it with the five points.

901
00:59:11.559 --> 00:59:12.559
<v Speaker 2>It's pretty amazing.

902
00:59:13.400 --> 00:59:13.719
<v Speaker 1>Yeah.

903
00:59:14.320 --> 00:59:16.719
<v Speaker 2>I think I call that one what star shield junior?

904
00:59:17.360 --> 00:59:28.800
<v Speaker 1>Yeah, exactly. But they're so perfectly rendered and how they

905
00:59:28.800 --> 00:59:30.960
<v Speaker 1>are built. We just don't have any idea. We don't

906
00:59:30.960 --> 00:59:33.159
<v Speaker 1>have boots on the ground on the service of Mars

907
00:59:33.840 --> 00:59:35.800
<v Speaker 1>to walk up to these things to see if they're

908
00:59:38.480 --> 00:59:41.440
<v Speaker 1>you know, structures and steel. I think years ago you

909
00:59:41.440 --> 00:59:44.760
<v Speaker 1>said that they probably were made of some heavy steel

910
00:59:45.440 --> 00:59:50.639
<v Speaker 1>or or had inner beams and inner structure to keep

911
00:59:50.679 --> 00:59:51.400
<v Speaker 1>them supported.

912
00:59:52.400 --> 00:59:55.920
<v Speaker 2>Yeah, they're probably built as a grid network of support

913
00:59:56.440 --> 00:59:58.480
<v Speaker 2>beams and things, and then they put up type of

914
00:59:59.039 --> 01:00:01.360
<v Speaker 2>I'm just saying conc for a lack of a better word,

915
01:00:01.400 --> 01:00:04.119
<v Speaker 2>but they have some kind of outer covering, because there

916
01:00:04.159 --> 01:00:07.159
<v Speaker 2>are some areas on Mars where the covering seem to

917
01:00:07.159 --> 01:00:09.280
<v Speaker 2>be have been blown off or ripped off, and you

918
01:00:09.280 --> 01:00:14.519
<v Speaker 2>can see all the gritted uh selli perstructions all yes,

919
01:00:14.559 --> 01:00:15.760
<v Speaker 2>all the infrastructure in side.

920
01:00:15.800 --> 01:00:20.800
<v Speaker 1>Yeah. We're going to take a short commercial break to

921
01:00:20.880 --> 01:00:24.800
<v Speaker 1>allow our sponsors to identify themselves, and we will return

922
01:00:24.880 --> 01:00:28.920
<v Speaker 1>shortly with my guests. This week, George has presenting his

923
01:00:29.079 --> 01:00:35.280
<v Speaker 1>new book, just released, The Great Architects of Mars. We'll

924
01:00:35.280 --> 01:00:46.199
<v Speaker 1>rejoin you in a minute.

925
01:00:46.599 --> 01:00:49.719
<v Speaker 4>Hold up, says go. When I pulled up, they all

926
01:00:50.039 --> 01:00:53.599
<v Speaker 4>mad like at once think a guy watching hop off

927
01:00:53.639 --> 01:00:56.199
<v Speaker 4>your freaking I'm handsome, slide up in the club like

928
01:00:56.239 --> 01:00:58.679
<v Speaker 4>two change his naked and club but a full check.

929
01:01:00.400 --> 01:01:02.960
<v Speaker 1>Learn all these words are wanting to.

930
01:01:03.079 --> 01:01:04.960
<v Speaker 4>The message by not just see the.

931
01:01:08.239 --> 01:01:19.760
<v Speaker 1>Films. There's a lot of imagery of the surface of Mars.

932
01:01:19.800 --> 01:01:24.519
<v Speaker 1>There's a lot of new satellite data that's coming out

933
01:01:24.599 --> 01:01:29.079
<v Speaker 1>and being refined and released, and it's all available in

934
01:01:29.119 --> 01:01:33.280
<v Speaker 1>this new book, The Great Architects of Mars, authored by

935
01:01:33.280 --> 01:01:39.440
<v Speaker 1>my guest today George Haas. Now, one of the things

936
01:01:39.480 --> 01:01:42.599
<v Speaker 1>that I'm curious when you wrote this book, did you

937
01:01:42.679 --> 01:01:45.280
<v Speaker 1>have a sense or do you have a sense of

938
01:01:45.320 --> 01:01:49.719
<v Speaker 1>the intelligence of these of these Martians Because we see

939
01:01:50.559 --> 01:01:55.599
<v Speaker 1>human faces, we see birds, we see animals, we see

940
01:01:56.440 --> 01:02:01.320
<v Speaker 1>very radical designs. What is your feeling on their level

941
01:02:01.360 --> 01:02:02.159
<v Speaker 1>of intelligence.

942
01:02:03.719 --> 01:02:09.639
<v Speaker 2>Well, they're obviously a very intellectual culture, highly advanced, and

943
01:02:09.920 --> 01:02:14.239
<v Speaker 2>I think they're connected to us because the architecture of

944
01:02:14.360 --> 01:02:17.920
<v Speaker 2>the mythology, some of the pictographs of the animals and birds,

945
01:02:18.159 --> 01:02:19.960
<v Speaker 2>they look very much like things that we find here

946
01:02:19.960 --> 01:02:24.800
<v Speaker 2>on Earth. So whoever built these I think have a

947
01:02:24.840 --> 01:02:29.079
<v Speaker 2>direct correlation to who we are and may have had

948
01:02:29.079 --> 01:02:31.800
<v Speaker 2>a lot to do with our paths that we don't

949
01:02:31.840 --> 01:02:34.599
<v Speaker 2>know about. And as for age, we were talking about

950
01:02:34.639 --> 01:02:40.800
<v Speaker 2>the kite. Our estimate, going by the Maya Star Wars story,

951
01:02:42.000 --> 01:02:45.320
<v Speaker 2>I kind of agree with Bill Saunders that things we're

952
01:02:45.320 --> 01:02:47.960
<v Speaker 2>seeing here, probably no more than one hundred thousand years old.

953
01:02:49.719 --> 01:02:52.599
<v Speaker 1>So how does Brandenburgh get into them tens of millions

954
01:02:52.639 --> 01:02:56.719
<v Speaker 1>of years because he's looking at that the nuclear blast.

955
01:02:56.800 --> 01:02:57.920
<v Speaker 1>I guess yes.

956
01:02:58.039 --> 01:03:01.400
<v Speaker 2>And branden Berg's a scientist, and they seem to always

957
01:03:01.400 --> 01:03:05.840
<v Speaker 2>talk in you know, very long time spans. You know,

958
01:03:06.840 --> 01:03:10.239
<v Speaker 2>our universe started, you know, four hundred and fifty billion

959
01:03:10.320 --> 01:03:12.480
<v Speaker 2>years ago. It's like, do they could have been hunt

960
01:03:12.480 --> 01:03:16.440
<v Speaker 2>four hundred and fifty one? We don't know. Those there

961
01:03:16.440 --> 01:03:20.440
<v Speaker 2>are just extraordinary numbers, and scientists seem to be comfortable

962
01:03:20.880 --> 01:03:22.920
<v Speaker 2>when they talk about things and they use big numbers

963
01:03:22.960 --> 01:03:27.519
<v Speaker 2>because it doesn't affect us. That's just my reasoning. Even

964
01:03:27.559 --> 01:03:30.800
<v Speaker 2>though Brandenburg is overwhelmed with all this evidence that it

965
01:03:30.880 --> 01:03:33.159
<v Speaker 2>might be younger, because I mean, he's found things that

966
01:03:33.199 --> 01:03:38.960
<v Speaker 2>are remarkable on his own in the utopia area that

967
01:03:40.239 --> 01:03:43.039
<v Speaker 2>you know, are just just as valid. So I just

968
01:03:43.079 --> 01:03:46.280
<v Speaker 2>think he, because of his background and his training, he's

969
01:03:46.320 --> 01:03:50.320
<v Speaker 2>still hanging on to these these large numbers. And you

970
01:03:50.400 --> 01:03:52.719
<v Speaker 2>talk to people about the bad Lands Guardian and they think,

971
01:03:52.760 --> 01:03:54.920
<v Speaker 2>oh my god, that must be you know, thousands and

972
01:03:54.960 --> 01:03:58.079
<v Speaker 2>thousands and maybe a million years. No, it can't be

973
01:03:58.119 --> 01:04:01.480
<v Speaker 2>that old, because Bill discusses it in the science paper

974
01:04:01.719 --> 01:04:03.480
<v Speaker 2>that the glacier went through there, so it had to

975
01:04:03.480 --> 01:04:06.280
<v Speaker 2>be built after the glacier up there. And the other

976
01:04:06.360 --> 01:04:09.079
<v Speaker 2>thing is the truth of the mittery is newer than

977
01:04:09.119 --> 01:04:09.559
<v Speaker 2>they think.

978
01:04:09.920 --> 01:04:14.840
<v Speaker 1>Yeah, we need a trained anthropologist to go in there

979
01:04:15.079 --> 01:04:17.960
<v Speaker 1>and begin you know. This is of course my fantasy

980
01:04:18.079 --> 01:04:22.519
<v Speaker 1>is when NASA admits that there's ruins on Mars. You know,

981
01:04:22.719 --> 01:04:32.639
<v Speaker 1>a a astronomer, non astronomer, a an anthropological engineer who's

982
01:04:32.719 --> 01:04:37.360
<v Speaker 1>a astronaut, gets up in there and can begin time

983
01:04:37.480 --> 01:04:41.400
<v Speaker 1>dating the various civilizations that were on Mars because of

984
01:04:41.480 --> 01:04:48.400
<v Speaker 1>Brandenburgh's right, with his decay of the ozone, because of

985
01:04:48.400 --> 01:04:53.440
<v Speaker 1>a nuclear weapon being blown up there, then there may

986
01:04:53.480 --> 01:04:58.920
<v Speaker 1>have been the surviving cultures that built these ruins that

987
01:04:58.960 --> 01:05:03.079
<v Speaker 1>we see, the birds and the animals and the people,

988
01:05:04.360 --> 01:05:10.199
<v Speaker 1>the surviving civilization that developed after this nuclear war that

989
01:05:10.280 --> 01:05:11.079
<v Speaker 1>he talks about.

990
01:05:11.920 --> 01:05:14.519
<v Speaker 2>Yes, you're absolutely right. This is how I view it,

991
01:05:14.599 --> 01:05:18.199
<v Speaker 2>that this structures we're seeing hour after the initial destruction

992
01:05:18.639 --> 01:05:21.760
<v Speaker 2>that Brandenburg's talking about, the signature where there was this

993
01:05:21.880 --> 01:05:26.159
<v Speaker 2>nuclear attack on the planet. That I think Earth and

994
01:05:26.320 --> 01:05:29.159
<v Speaker 2>Mars have a very complex history that we're really not

995
01:05:29.199 --> 01:05:34.000
<v Speaker 2>sure about. Yeah, It's kind of like the ruins that

996
01:05:34.159 --> 01:05:38.039
<v Speaker 2>were built on Mars after the nuclear attack might have

997
01:05:38.119 --> 01:05:41.199
<v Speaker 2>been closer to who we are that they did some

998
01:05:41.280 --> 01:05:45.519
<v Speaker 2>planet hopping. They were based on Earth, they went to

999
01:05:45.559 --> 01:05:47.920
<v Speaker 2>the Moon, they built stuff on the Moon, they went

1000
01:05:47.960 --> 01:05:50.880
<v Speaker 2>to Mars. They had a colony on Mars, and then

1001
01:05:50.960 --> 01:05:52.960
<v Speaker 2>before you know what, the colony on Mars is saying,

1002
01:05:52.960 --> 01:05:54.639
<v Speaker 2>you're not going to tell us what to do, this

1003
01:05:54.679 --> 01:05:58.559
<v Speaker 2>is our planet. And then you have a revolutionary war,

1004
01:05:59.519 --> 01:06:01.199
<v Speaker 2>and then you have all the new things that you

1005
01:06:01.239 --> 01:06:04.159
<v Speaker 2>see floating around. It looks like things that blew up recently,

1006
01:06:04.440 --> 01:06:07.039
<v Speaker 2>because it was not long ago that they had another war.

1007
01:06:07.199 --> 01:06:09.920
<v Speaker 2>So it's probably been a few wars on Mars. That's

1008
01:06:09.920 --> 01:06:13.000
<v Speaker 2>why it's the you know, the planet of the war God.

1009
01:06:13.639 --> 01:06:17.360
<v Speaker 2>And we're just at the far end of all this

1010
01:06:17.440 --> 01:06:21.480
<v Speaker 2>stuff and we're slowly learning that, hey, something went on.

1011
01:06:21.519 --> 01:06:23.719
<v Speaker 2>There was a base on the Moon, there's ruins on

1012
01:06:23.760 --> 01:06:26.039
<v Speaker 2>the Moon, there was a base on Mars. And then

1013
01:06:26.079 --> 01:06:28.920
<v Speaker 2>Brandenburg finds evidence that there was, you know, even an

1014
01:06:28.960 --> 01:06:33.400
<v Speaker 2>ancient catastrophe that happened there. What happened to the other

1015
01:06:33.480 --> 01:06:35.840
<v Speaker 2>planet that was there the asteroid belt? When did that

1016
01:06:35.920 --> 01:06:38.599
<v Speaker 2>blow up? It's all kinds of questions.

1017
01:06:39.000 --> 01:06:43.920
<v Speaker 1>Yeah, a lot of questions. Tell us why you have

1018
01:06:44.079 --> 01:06:48.599
<v Speaker 1>this feeling that there is a connection between the Maya

1019
01:06:48.760 --> 01:06:53.480
<v Speaker 1>of the Earth and the ruins that you see in

1020
01:06:53.559 --> 01:06:54.840
<v Speaker 1>parts of Mars.

1021
01:06:56.519 --> 01:06:59.039
<v Speaker 2>Well, it all began with the Face on Mars. Briefly,

1022
01:07:00.079 --> 01:07:02.000
<v Speaker 2>all of the iconography and things that are in the

1023
01:07:02.039 --> 01:07:06.360
<v Speaker 2>Face on Mars was the first clue that led Bill

1024
01:07:06.400 --> 01:07:09.639
<v Speaker 2>and I to meso America. And then now finding all

1025
01:07:09.639 --> 01:07:14.280
<v Speaker 2>these structures and all these pyramidal formations, they look a

1026
01:07:14.280 --> 01:07:18.920
<v Speaker 2>lot like meso American pyramids and step pyramids and things

1027
01:07:18.960 --> 01:07:22.719
<v Speaker 2>like that. And also some of the pictographic things we're

1028
01:07:22.800 --> 01:07:26.760
<v Speaker 2>finding seemed to have a direct correlation with meso American mythology.

1029
01:07:27.360 --> 01:07:30.039
<v Speaker 2>The parrot formation has a dart in its beak. That

1030
01:07:30.320 --> 01:07:33.480
<v Speaker 2>what we're seeing there. That's the principal bird deity from

1031
01:07:33.559 --> 01:07:37.280
<v Speaker 2>the meso American culture. He was the bird that set

1032
01:07:37.320 --> 01:07:39.159
<v Speaker 2>up in the world tree at the center of the Earth.

1033
01:07:39.480 --> 01:07:41.360
<v Speaker 2>And at the time of creation we had the hero

1034
01:07:41.440 --> 01:07:45.639
<v Speaker 2>twins and the principal bird deity, which is actually seven McCall.

1035
01:07:45.719 --> 01:07:48.840
<v Speaker 2>It has to do with the the seven stars of

1036
01:07:48.880 --> 01:07:53.280
<v Speaker 2>the Big Dipper. So seven McCall has that celestial connection

1037
01:07:53.800 --> 01:07:56.360
<v Speaker 2>and he was a little devious. He stole the sun

1038
01:07:57.119 --> 01:08:00.800
<v Speaker 2>and hid it, and the hero twins had to kill him.

1039
01:08:00.840 --> 01:08:03.119
<v Speaker 2>They shot him in the jaw with the dart which

1040
01:08:03.199 --> 01:08:05.960
<v Speaker 2>the parrot on Mars has a dartnet's beak, and he

1041
01:08:06.039 --> 01:08:09.280
<v Speaker 2>appears to be down on the ground dead. And so

1042
01:08:09.440 --> 01:08:11.760
<v Speaker 2>all of these little things that we were finding all

1043
01:08:11.920 --> 01:08:16.039
<v Speaker 2>kept reinforcing this whole idea that possibly there's some kind

1044
01:08:16.079 --> 01:08:19.119
<v Speaker 2>of connection with meso America. And then I find out

1045
01:08:19.159 --> 01:08:23.159
<v Speaker 2>about the Maya Star War, which archaeologists have known about

1046
01:08:23.239 --> 01:08:26.319
<v Speaker 2>that they can't figure out, you know where sixth earthplaces

1047
01:08:26.680 --> 01:08:29.840
<v Speaker 2>talk about that, how's this connected to the Zip monster

1048
01:08:29.920 --> 01:08:32.439
<v Speaker 2>and the Mars Beast and you know the rain God.

1049
01:08:32.520 --> 01:08:35.239
<v Speaker 2>And as you can see in the book, I just

1050
01:08:35.359 --> 01:08:37.479
<v Speaker 2>lay it out there to show everybody how I mean,

1051
01:08:37.520 --> 01:08:40.680
<v Speaker 2>it's right in front of you. Even in the Dresden

1052
01:08:40.720 --> 01:08:43.439
<v Speaker 2>Codex you got the the Mars Beast coming out of

1053
01:08:43.439 --> 01:08:48.039
<v Speaker 2>the sky there. The invasion. Pretty amazing.

1054
01:08:48.479 --> 01:08:53.479
<v Speaker 1>Yeah, So I bring that up because you have a

1055
01:08:53.479 --> 01:08:58.920
<v Speaker 1>a conjoined temple complex that you feature in the book

1056
01:09:00.039 --> 01:09:02.760
<v Speaker 1>that is amazing that I haven't seen before. It's part

1057
01:09:02.760 --> 01:09:05.720
<v Speaker 1>of track four. Yeah, talk about that.

1058
01:09:06.840 --> 01:09:15.199
<v Speaker 2>Well, Track four that's the one that has the kite. Yeah. Yeah,

1059
01:09:16.319 --> 01:09:21.159
<v Speaker 2>that whole complex there is pretty remarkable. There's a large

1060
01:09:22.399 --> 01:09:27.399
<v Speaker 2>bar beam structured and it has square structures above it,

1061
01:09:27.399 --> 01:09:31.399
<v Speaker 2>and below it we have the kite formation, and above

1062
01:09:31.439 --> 01:09:35.680
<v Speaker 2>the kite there is this triangular formation, has this all

1063
01:09:35.720 --> 01:09:38.640
<v Speaker 2>these circular formations that are coming out of it. It

1064
01:09:38.720 --> 01:09:41.159
<v Speaker 2>is just amazing. And all of these little which I

1065
01:09:41.199 --> 01:09:44.720
<v Speaker 2>call track one, two, and three, they're all on this

1066
01:09:44.840 --> 01:09:47.600
<v Speaker 2>little platform, separated from the other structures, but they're all

1067
01:09:47.840 --> 01:09:51.239
<v Speaker 2>in a row. They're all connected. There's the expansive view

1068
01:09:51.279 --> 01:09:54.359
<v Speaker 2>of the whole complex in the book, and it's just

1069
01:09:54.479 --> 01:09:56.159
<v Speaker 2>remarkable how this is all put together.

1070
01:09:57.399 --> 01:10:00.640
<v Speaker 1>Yeah. I mean these are all very significant buildings, aren't they.

1071
01:10:01.439 --> 01:10:06.399
<v Speaker 2>Oh yeah, you have mostly triangular, square, rounded corners a lot,

1072
01:10:06.520 --> 01:10:10.960
<v Speaker 2>and they're they're highly geometric, and there's they're symmetrical. Uh.

1073
01:10:11.119 --> 01:10:14.159
<v Speaker 2>Just each of these on their own is an anomaly.

1074
01:10:14.239 --> 01:10:16.239
<v Speaker 2>But here we have like four or five all in

1075
01:10:16.239 --> 01:10:16.680
<v Speaker 2>a grouping.

1076
01:10:17.399 --> 01:10:17.600
<v Speaker 1>Yeah.

1077
01:10:17.640 --> 01:10:20.039
<v Speaker 2>So it's like, you know, hello, what is this.

1078
01:10:21.880 --> 01:10:25.199
<v Speaker 1>I want to mention that take a look. Yeah, I

1079
01:10:25.199 --> 01:10:28.479
<v Speaker 1>want to mention this that George gets into mounds and

1080
01:10:28.840 --> 01:10:34.239
<v Speaker 1>building structures gives us some really amazing details of structures

1081
01:10:34.239 --> 01:10:39.199
<v Speaker 1>within geometric shapes. That are cities that are buildings that

1082
01:10:39.239 --> 01:10:44.159
<v Speaker 1>are pyramidal shaped, that are just mind blowing. And he

1083
01:10:44.239 --> 01:10:46.920
<v Speaker 1>goes into great detail that we can't get into now

1084
01:10:46.960 --> 01:10:49.119
<v Speaker 1>that you got to get the book to detail it.

1085
01:10:50.000 --> 01:10:51.840
<v Speaker 1>I want to get into the keyhole. You have a

1086
01:10:51.880 --> 01:10:57.279
<v Speaker 1>whole chapter on the keyhole. Uh, talk about that. I

1087
01:10:57.359 --> 01:10:59.039
<v Speaker 1>think he wrote a paper on that, didn't you.

1088
01:10:59.760 --> 01:11:04.000
<v Speaker 2>Yeah, the keyhole is located in Libya Mons on Mars.

1089
01:11:04.000 --> 01:11:06.479
<v Speaker 2>That was discovered by a member of the Society for

1090
01:11:06.560 --> 01:11:10.800
<v Speaker 2>Planetary set of Research, Greg orm He found that and

1091
01:11:10.800 --> 01:11:13.760
<v Speaker 2>he presented it to the society and we all looked

1092
01:11:13.760 --> 01:11:15.800
<v Speaker 2>at it for a while and it was very interesting.

1093
01:11:16.279 --> 01:11:20.600
<v Speaker 2>And I brought in two geologists, William Saunders and Michael Dale,

1094
01:11:20.960 --> 01:11:24.159
<v Speaker 2>and they were just amazed about the shape. And it's

1095
01:11:24.159 --> 01:11:29.760
<v Speaker 2>so it has beautiful symmetry, it's geometric, it's a it's

1096
01:11:29.800 --> 01:11:33.119
<v Speaker 2>your typical keyhole shape. Yeah, and it's sitting out in

1097
01:11:33.159 --> 01:11:35.960
<v Speaker 2>the middle of nowhere on Mars on a plane all

1098
01:11:36.000 --> 01:11:39.600
<v Speaker 2>by itself. And when it when NASA releases images, I

1099
01:11:39.600 --> 01:11:41.920
<v Speaker 2>mean they released, you know, thousands a month.

1100
01:11:42.159 --> 01:11:44.720
<v Speaker 1>But they screwed up on that one. That one's too obvious.

1101
01:11:44.840 --> 01:11:45.479
<v Speaker 1>They screwed up.

1102
01:11:45.560 --> 01:11:48.840
<v Speaker 2>Well, they tried to cover their butts when when these

1103
01:11:48.880 --> 01:11:52.600
<v Speaker 2>images are released, they don't have any type of captions

1104
01:11:52.640 --> 01:11:54.520
<v Speaker 2>about what they're looking you're looking at. They just put

1105
01:11:54.560 --> 01:11:56.800
<v Speaker 2>them out there and you know, have fun. We don't

1106
01:11:56.800 --> 01:11:59.840
<v Speaker 2>see anything. Well, when they took this picture, they panicked

1107
01:11:59.880 --> 01:12:03.319
<v Speaker 2>and they called it an exclamation mark, and they want

1108
01:12:03.319 --> 01:12:05.039
<v Speaker 2>that's what they called it. If you go to the site,

1109
01:12:05.039 --> 01:12:08.119
<v Speaker 2>that's what they call it. Oh my god, really inclamation mark?

1110
01:12:08.600 --> 01:12:11.239
<v Speaker 2>And uh. But then they have one of their NASA

1111
01:12:11.239 --> 01:12:15.039
<v Speaker 2>scientists go on and on about that it's not really symmetrical.

1112
01:12:15.479 --> 01:12:17.920
<v Speaker 2>It's it's got the erosion here and there, and it

1113
01:12:17.960 --> 01:12:20.920
<v Speaker 2>was probably created by a faulting. And they go there's

1114
01:12:21.000 --> 01:12:22.119
<v Speaker 2>like two paragraphs they go on.

1115
01:12:22.159 --> 01:12:24.079
<v Speaker 1>They try to cover the as on that one.

1116
01:12:24.199 --> 01:12:28.399
<v Speaker 2>Yeah, they tried to explain it away. And uh, somebody

1117
01:12:28.399 --> 01:12:30.600
<v Speaker 2>on the internet when we first started looking at this,

1118
01:12:30.760 --> 01:12:36.119
<v Speaker 2>it wasn't me. They found the Kufon Tomb in Japan,

1119
01:12:37.199 --> 01:12:41.359
<v Speaker 2>the keyhole shaped the Kufon Tomb, which looks almost identical.

1120
01:12:41.439 --> 01:12:45.000
<v Speaker 2>It's scary and even the angle of the picture. I

1121
01:12:45.039 --> 01:12:46.680
<v Speaker 2>have it in the book, you know, side by side.

1122
01:12:46.720 --> 01:12:49.800
<v Speaker 2>It's just mind blowing. And you know that was produced

1123
01:12:49.800 --> 01:12:53.079
<v Speaker 2>by the early Japanese culture, which we don't know much about.

1124
01:12:53.560 --> 01:12:56.239
<v Speaker 2>And then when the Japanese came down, I think they

1125
01:12:56.239 --> 01:12:59.000
<v Speaker 2>were really the Chinese that took over the island, and

1126
01:12:59.000 --> 01:13:02.840
<v Speaker 2>then they became the Japanese. They killed everybody and then

1127
01:13:02.840 --> 01:13:07.159
<v Speaker 2>they started making these tombs for their kings and whatever.

1128
01:13:07.600 --> 01:13:10.520
<v Speaker 2>So this is a very ancient keyhole shape. And we

1129
01:13:10.640 --> 01:13:14.039
<v Speaker 2>found that it's over in Saudi Arabia. We're talking about

1130
01:13:14.079 --> 01:13:16.560
<v Speaker 2>the advent of Google Earth, taking all these pictures out

1131
01:13:16.560 --> 01:13:18.319
<v Speaker 2>in the middle of the desert that nobody goes to,

1132
01:13:18.359 --> 01:13:21.720
<v Speaker 2>and there's like all these keyhole tombs out there, very similar.

1133
01:13:22.239 --> 01:13:26.520
<v Speaker 2>So this keyhole is a very ancient symbol. It's a

1134
01:13:26.520 --> 01:13:29.479
<v Speaker 2>symbol of death. It was the Egyptians also used it,

1135
01:13:29.720 --> 01:13:33.760
<v Speaker 2>really and yoh yeah. And we were so intrigued by

1136
01:13:33.800 --> 01:13:36.600
<v Speaker 2>this that we put a science paper together which was

1137
01:13:36.720 --> 01:13:41.159
<v Speaker 2>published in the Journal of Space Exploration in twenty sixteen. Now,

1138
01:13:41.199 --> 01:13:43.319
<v Speaker 2>this thing is a mile and a half long. That's

1139
01:13:43.319 --> 01:13:47.079
<v Speaker 2>how bigness is. Everything's big. Wow, it's amazing.

1140
01:13:47.359 --> 01:13:49.399
<v Speaker 1>And how if it's a mile and a half long,

1141
01:13:49.439 --> 01:13:51.279
<v Speaker 1>what's the height is about half mile?

1142
01:13:51.399 --> 01:13:54.479
<v Speaker 2>You think, yeah, probably yeah, building?

1143
01:13:54.520 --> 01:13:58.159
<v Speaker 1>How are they building? So the atmosphere must be very thin?

1144
01:13:58.720 --> 01:14:02.479
<v Speaker 1>How are they building half a mile high. I can't

1145
01:14:02.479 --> 01:14:03.319
<v Speaker 1>even conceive of that.

1146
01:14:03.479 --> 01:14:05.960
<v Speaker 2>As they're gigantic. They're gigantic.

1147
01:14:08.239 --> 01:14:10.640
<v Speaker 1>I mean, I don't even know how the hell they

1148
01:14:10.640 --> 01:14:11.560
<v Speaker 1>would pull that off.

1149
01:14:13.159 --> 01:14:15.840
<v Speaker 2>Well, I think these were living quarters. These are buildings

1150
01:14:15.880 --> 01:14:19.000
<v Speaker 2>that they were using for you know, living on the

1151
01:14:19.000 --> 01:14:21.439
<v Speaker 2>planet because they couldn't live outside. They were all living

1152
01:14:21.439 --> 01:14:24.720
<v Speaker 2>inside these buildings because of the you know, the poor

1153
01:14:25.239 --> 01:14:30.680
<v Speaker 2>atmosphere and the keyhole was featured on Ancient Aliens and

1154
01:14:30.760 --> 01:14:34.319
<v Speaker 2>also with William Shattner on The Unexplained. They both featured

1155
01:14:34.319 --> 01:14:38.439
<v Speaker 2>this this formation, and it's been in magazines and newspaper

1156
01:14:38.479 --> 01:14:40.520
<v Speaker 2>articles and stuff, so it's it's been around for a

1157
01:14:40.560 --> 01:14:44.720
<v Speaker 2>long time. When Bill and I uh went public with this,

1158
01:14:46.000 --> 01:14:49.439
<v Speaker 2>we had it on my discussion board and within days

1159
01:14:49.560 --> 01:14:53.159
<v Speaker 2>there were YouTube articles about it and they used our images,

1160
01:14:53.199 --> 01:14:55.600
<v Speaker 2>they used my drawings that are in the book. No

1161
01:14:55.720 --> 01:14:58.359
<v Speaker 2>mention of the Sedonian Institute or anything, you know, but

1162
01:14:58.439 --> 01:14:59.119
<v Speaker 2>that's the Internet.

1163
01:14:59.359 --> 01:15:02.279
<v Speaker 1>That's the Internet. You can't do anything about it. The

1164
01:15:02.279 --> 01:15:04.960
<v Speaker 1>book we're talking about is The Great Architects of Mars,

1165
01:15:05.039 --> 01:15:08.520
<v Speaker 1>evidence for the last civilizations on the Red Planet. My

1166
01:15:08.520 --> 01:15:13.880
<v Speaker 1>guest today has been George Haas, and as we conclude,

1167
01:15:14.079 --> 01:15:17.199
<v Speaker 1>You have a really well done chapter on a favorite

1168
01:15:17.199 --> 01:15:22.520
<v Speaker 1>place of mind, which is Atlantis Chaos. And what makes

1169
01:15:22.520 --> 01:15:28.000
<v Speaker 1>this your work very compelling is that you go in

1170
01:15:29.119 --> 01:15:32.720
<v Speaker 1>section by section, and I want you to talk about

1171
01:15:32.720 --> 01:15:38.680
<v Speaker 1>some of the structures that you've found in Atlantic Atlantis Chaos.

1172
01:15:38.720 --> 01:15:42.560
<v Speaker 1>This is a city and they forgot to cover this

1173
01:15:42.600 --> 01:15:46.680
<v Speaker 1>one up with their air brushing. This one has the

1174
01:15:46.800 --> 01:15:54.600
<v Speaker 1>ruins of a fairly substantial sized city. What do we

1175
01:15:54.680 --> 01:15:56.319
<v Speaker 1>suspect the population was?

1176
01:15:58.159 --> 01:16:03.079
<v Speaker 2>Oh, my god, the whole area is very large. There's

1177
01:16:03.079 --> 01:16:06.680
<v Speaker 2>probably was you know, could have been a million people

1178
01:16:06.720 --> 01:16:07.199
<v Speaker 2>living there.

1179
01:16:07.800 --> 01:16:09.079
<v Speaker 1>That's oh it's that big.

1180
01:16:09.159 --> 01:16:10.840
<v Speaker 2>Okay, Oh, yes, huge, it's very.

1181
01:16:10.840 --> 01:16:12.279
<v Speaker 1>You're gonna say a couple hundred thousand.

1182
01:16:15.000 --> 01:16:17.600
<v Speaker 2>Well, if they were big people, that maybe there was less.

1183
01:16:18.600 --> 01:16:24.840
<v Speaker 2>How about some of these little yeah, go ahead, some

1184
01:16:24.920 --> 01:16:28.439
<v Speaker 2>of the the grivited areas of the city, all this

1185
01:16:28.560 --> 01:16:33.560
<v Speaker 2>compartmentalized area, they're just identical. They're all about twenty by

1186
01:16:33.640 --> 01:16:37.520
<v Speaker 2>twenty feet long and wide. So they're just like cookie

1187
01:16:37.520 --> 01:16:40.600
<v Speaker 2>cutter in some of the sections of the city. And

1188
01:16:40.800 --> 01:16:42.920
<v Speaker 2>I don't know were these living quarters? Was this a

1189
01:16:43.000 --> 01:16:46.000
<v Speaker 2>storage area? And all the roots have been blown off,

1190
01:16:46.039 --> 01:16:49.600
<v Speaker 2>But this whole grid of this cookie Cutter Cities is

1191
01:16:49.680 --> 01:16:51.840
<v Speaker 2>just right there for everybody to see. And then some

1192
01:16:51.920 --> 01:16:54.640
<v Speaker 2>of the structures next to it were embedded within this

1193
01:16:54.760 --> 01:16:56.840
<v Speaker 2>are look like temples and things like that, which we

1194
01:16:56.920 --> 01:16:58.520
<v Speaker 2>discussed in the in the book.

1195
01:16:59.039 --> 01:17:02.279
<v Speaker 1>Yeah, talk about some of the buildings because you show

1196
01:17:03.479 --> 01:17:07.359
<v Speaker 1>the round features of it looks like a domed structure

1197
01:17:07.359 --> 01:17:11.159
<v Speaker 1>of some kind, and it is one of the It's

1198
01:17:11.159 --> 01:17:12.159
<v Speaker 1>in one of the areas.

1199
01:17:12.880 --> 01:17:16.279
<v Speaker 2>Yeah, right in the basically at the center. Uh, in

1200
01:17:16.319 --> 01:17:20.800
<v Speaker 2>the middle of all this grid work of this compartmentalized structures. Uh,

1201
01:17:20.840 --> 01:17:24.359
<v Speaker 2>there's like three or four features. There's this one tall

1202
01:17:25.159 --> 01:17:28.560
<v Speaker 2>temple that has like stair steps that go up very tall,

1203
01:17:29.159 --> 01:17:32.359
<v Speaker 2>and that's standing there in amongst all of these little

1204
01:17:32.359 --> 01:17:35.359
<v Speaker 2>cubes that had their roofs blown off. And then next

1205
01:17:35.359 --> 01:17:37.319
<v Speaker 2>to that, there's this little domed area that kind of

1206
01:17:37.319 --> 01:17:39.880
<v Speaker 2>looks like the dome on the Capitol Building in d C.

1207
01:17:41.039 --> 01:17:43.760
<v Speaker 2>It's just this big, large dome with a peak at

1208
01:17:43.760 --> 01:17:45.720
<v Speaker 2>the top, and it's easy to see it. I mean,

1209
01:17:45.800 --> 01:17:50.800
<v Speaker 2>you don't have to be an archaeologist or a a

1210
01:17:50.880 --> 01:17:54.359
<v Speaker 2>you know, someone that studies buildings to see it. And

1211
01:17:54.399 --> 01:17:57.359
<v Speaker 2>then next to that there's this very strange which I

1212
01:17:57.399 --> 01:18:00.680
<v Speaker 2>call it looks like a woodmill or a b or something,

1213
01:18:00.880 --> 01:18:03.560
<v Speaker 2>and it's just out of place. And you know, I

1214
01:18:03.600 --> 01:18:07.600
<v Speaker 2>didn't mention this in the book, Cliff, but it dawned

1215
01:18:07.640 --> 01:18:10.960
<v Speaker 2>on me later after you know, had this sent away

1216
01:18:10.960 --> 01:18:15.960
<v Speaker 2>and I was having an interview with someone else, and

1217
01:18:16.079 --> 01:18:18.079
<v Speaker 2>it just dawned on me, you know, why are these

1218
01:18:18.239 --> 01:18:22.520
<v Speaker 2>three images not destroyed? And the same thing happened in

1219
01:18:22.640 --> 01:18:27.319
<v Speaker 2>Nagasaki when they dropped the bomb. Oh the church there,

1220
01:18:27.479 --> 01:18:31.079
<v Speaker 2>that that the what was that the old that structure

1221
01:18:31.119 --> 01:18:34.680
<v Speaker 2>that was in the middle there, that memorial building that

1222
01:18:34.720 --> 01:18:37.520
<v Speaker 2>they have now that was not touched. Everything else around

1223
01:18:37.520 --> 01:18:40.439
<v Speaker 2>it's been flattened out. So it may be back to

1224
01:18:40.680 --> 01:18:43.640
<v Speaker 2>Brandenburg that maybe this is some of the area that

1225
01:18:43.680 --> 01:18:46.279
<v Speaker 2>where a bomb went off and flattened everything else out,

1226
01:18:46.279 --> 01:18:48.399
<v Speaker 2>and these three buildings were in the center.

1227
01:18:49.199 --> 01:18:51.239
<v Speaker 1>I didn't even think about that because there's.

1228
01:18:51.039 --> 01:18:55.520
<v Speaker 2>No other buildings around. They're the only three in the middle. Wow, interesting,

1229
01:18:55.600 --> 01:18:56.640
<v Speaker 2>isn't it.

1230
01:18:56.640 --> 01:19:03.880
<v Speaker 1>It's fascinating. This book is a great addition to your work, George,

1231
01:19:04.199 --> 01:19:06.880
<v Speaker 1>And for those of you listening, this is one you

1232
01:19:07.000 --> 01:19:09.720
<v Speaker 1>got to have in your library because you'll be able

1233
01:19:09.760 --> 01:19:13.920
<v Speaker 1>to reference it when they do expose the details. So

1234
01:19:14.000 --> 01:19:20.199
<v Speaker 1>George what's your prediction on a disclosure on Mars.

1235
01:19:20.680 --> 01:19:27.680
<v Speaker 2>Well, we've had a very difficult time with our space program.

1236
01:19:28.039 --> 01:19:30.880
<v Speaker 2>We were supposed to be going to the Moon last year.

1237
01:19:33.000 --> 01:19:34.840
<v Speaker 2>That was one of the first dates. We were supposed

1238
01:19:34.840 --> 01:19:37.279
<v Speaker 2>to be landing on the Moon with the Artemis program

1239
01:19:37.319 --> 01:19:40.640
<v Speaker 2>in twenty twenty four, but that kept getting pushed back.

1240
01:19:40.680 --> 01:19:43.039
<v Speaker 2>I mean, if you go back and check out the

1241
01:19:43.079 --> 01:19:45.960
<v Speaker 2>proposal dates, we were supposed to be there this last summer,

1242
01:19:46.560 --> 01:19:50.720
<v Speaker 2>but NASA's been pushing it further back, and now they're saying,

1243
01:19:50.720 --> 01:19:52.279
<v Speaker 2>you know, the year twenty thirties.

1244
01:19:53.560 --> 01:19:55.760
<v Speaker 1>I thought it was seventy twenty seven, and then getting

1245
01:19:55.840 --> 01:19:57.199
<v Speaker 1>to Mars was in the thirties.

1246
01:19:58.239 --> 01:20:00.600
<v Speaker 2>Well, I think the last I heard even going to

1247
01:20:00.640 --> 01:20:05.640
<v Speaker 2>the Moon was twenty thirty. But I think with the

1248
01:20:05.880 --> 01:20:09.720
<v Speaker 2>new administration coming in and our good friend Elon Musk,

1249
01:20:10.159 --> 01:20:11.880
<v Speaker 2>who can't wait to go to Mars, I think we're

1250
01:20:11.880 --> 01:20:16.159
<v Speaker 2>gonna beginning to the Moon and Mars hopefully pretty soon.

1251
01:20:16.600 --> 01:20:19.560
<v Speaker 2>And once we get to the Moon in Mars again,

1252
01:20:20.479 --> 01:20:23.000
<v Speaker 2>I think disclosure won't be far behind.

1253
01:20:23.720 --> 01:20:25.720
<v Speaker 1>So that could be twenty years.

1254
01:20:26.119 --> 01:20:27.399
<v Speaker 2>Yeah, I'm going to be an old man.

1255
01:20:31.239 --> 01:20:33.840
<v Speaker 1>Oh boy, Well, I hope you're around to see it.

1256
01:20:33.880 --> 01:20:38.880
<v Speaker 1>I hope I'm around to see it because it'll be

1257
01:20:39.680 --> 01:20:45.640
<v Speaker 1>so earth shattering and so important to our evolution that

1258
01:20:47.680 --> 01:20:51.399
<v Speaker 1>you know, everyone's point of view will be changed. George,

1259
01:20:51.760 --> 01:20:54.600
<v Speaker 1>is this book out yet? I think we're it came

1260
01:20:54.640 --> 01:20:56.560
<v Speaker 1>out what second week of December or is it?

1261
01:20:57.039 --> 01:21:01.880
<v Speaker 2>No, the book is not released whole. I think January seventh.

1262
01:21:02.319 --> 01:21:02.800
<v Speaker 2>That's okay.

1263
01:21:02.960 --> 01:21:04.199
<v Speaker 1>So I got an early copy.

1264
01:21:04.800 --> 01:21:07.840
<v Speaker 2>Yeah, yeah, anybody that was participating in the book with

1265
01:21:07.920 --> 01:21:12.199
<v Speaker 2>things they sent you all. I got my copy. They

1266
01:21:12.239 --> 01:21:14.239
<v Speaker 2>sent me a little book, a box of books, I

1267
01:21:14.279 --> 01:21:16.760
<v Speaker 2>think in late November, so they.

1268
01:21:16.640 --> 01:21:18.520
<v Speaker 1>Can pre order, probably from Amazon.

1269
01:21:19.640 --> 01:21:23.199
<v Speaker 2>Yes, and I noticed this morning that my book was

1270
01:21:23.319 --> 01:21:27.800
<v Speaker 2>number one on Amazon of books on Mars, so doing

1271
01:21:27.840 --> 01:21:31.960
<v Speaker 2>pretty well. Congratulations, So I'm very excited about that. I

1272
01:21:31.960 --> 01:21:34.800
<v Speaker 2>don't know how many books have sold, but that's pre order.

1273
01:21:35.439 --> 01:21:40.720
<v Speaker 2>But I encourage everybody to please get the book. I'm

1274
01:21:40.720 --> 01:21:43.039
<v Speaker 2>not making a lot of money. It's all not about money.

1275
01:21:43.159 --> 01:21:46.800
<v Speaker 2>I want to get the information out there. And please,

1276
01:21:46.840 --> 01:21:49.439
<v Speaker 2>if you like the book, tell a friend order them

1277
01:21:49.439 --> 01:21:52.960
<v Speaker 2>one for a happy New Year. It would be really appreciated.

1278
01:21:53.520 --> 01:21:56.720
<v Speaker 2>And I have about three or four more books in

1279
01:21:56.760 --> 01:21:59.880
<v Speaker 2>the can ready to go. So if this is successful,

1280
01:22:00.640 --> 01:22:02.960
<v Speaker 2>I have, like I said, three or four more books

1281
01:22:03.000 --> 01:22:04.359
<v Speaker 2>that are going to be just I'm.

1282
01:22:04.199 --> 01:22:08.640
<v Speaker 1>Going to get somebody in the intelligence, NASA's intelligence who

1283
01:22:08.640 --> 01:22:16.159
<v Speaker 1>can pirate a couple of un edited images of one

1284
01:22:16.159 --> 01:22:19.640
<v Speaker 1>of these areas that blows the socks off of everybody,

1285
01:22:20.600 --> 01:22:21.000
<v Speaker 1>I hope.

1286
01:22:21.039 --> 01:22:24.760
<v Speaker 2>So, Cliff, all right, I'm not even wearing socks anymore.

1287
01:22:26.520 --> 01:22:30.720
<v Speaker 1>George Haas, fantastic, congratulations Again. The book is the Great

1288
01:22:30.800 --> 01:22:34.479
<v Speaker 1>Architects of Mars, Evidence for the Law of Civilizations on

1289
01:22:34.600 --> 01:22:39.000
<v Speaker 1>the Red Planet. It is one for your library. It's

1290
01:22:39.119 --> 01:22:43.000
<v Speaker 1>very well written, very well edited, and very well presented.

1291
01:22:43.079 --> 01:22:44.840
<v Speaker 1>So best of luck.

1292
01:22:46.039 --> 01:22:48.479
<v Speaker 2>Thank you, Cliff, and thank you for having me on

1293
01:22:48.520 --> 01:22:51.800
<v Speaker 2>your show and exposing all of this evidence to your

1294
01:22:52.039 --> 01:22:52.880
<v Speaker 2>your listeners.

1295
01:22:53.199 --> 01:22:56.279
<v Speaker 1>Well, I also mentioned George has and I mentioned this

1296
01:22:56.319 --> 01:22:57.920
<v Speaker 1>to the very beginning. George is going to give me some

1297
01:22:57.960 --> 01:23:02.720
<v Speaker 1>photographs so I can pay post on the Earth Ancients

1298
01:23:02.760 --> 01:23:07.760
<v Speaker 1>Facebook page. So look for that in the next couple

1299
01:23:07.840 --> 01:23:10.159
<v Speaker 1>of days. I'll have it up pretty soon, all.

1300
01:23:10.159 --> 01:23:12.760
<v Speaker 2>Right, George, Best of luck, Thanks a lot, Cliff.

1301
01:23:20.800 --> 01:23:24.159
<v Speaker 1>If Stephen Greer is correct, and this is a year

1302
01:23:24.199 --> 01:23:29.159
<v Speaker 1>of disclosure from NASA, from our government, NASA being JPL,

1303
01:23:29.239 --> 01:23:32.319
<v Speaker 1>the guys who are running the rovers. It could be

1304
01:23:32.680 --> 01:23:35.760
<v Speaker 1>one that is, it could be a year that is

1305
01:23:36.399 --> 01:23:41.279
<v Speaker 1>really a wonderful revelation and a major shift in our

1306
01:23:41.359 --> 01:23:46.399
<v Speaker 1>cultural consciousness of who we are and our place in

1307
01:23:46.479 --> 01:23:51.239
<v Speaker 1>the cosmos. We're sitting out probes, we're sending out satellites

1308
01:23:51.439 --> 01:23:55.520
<v Speaker 1>and craft, We're you know, landing people on the moon

1309
01:23:55.840 --> 01:23:59.840
<v Speaker 1>on Mars eventually, and the sky's the limit. And I

1310
01:23:59.840 --> 01:24:03.119
<v Speaker 1>think it's time that we wake up and realize that

1311
01:24:03.199 --> 01:24:07.720
<v Speaker 1>we are not alone. And so I have this feeling

1312
01:24:07.760 --> 01:24:10.039
<v Speaker 1>and I've been hearing it after this program I did

1313
01:24:10.039 --> 01:24:14.439
<v Speaker 1>on the drones that there is major disclosure and it

1314
01:24:14.479 --> 01:24:18.800
<v Speaker 1>may not be from our government. Can you imagine, could

1315
01:24:18.840 --> 01:24:23.840
<v Speaker 1>you imagine our off world brethren, you know, lighting the

1316
01:24:23.880 --> 01:24:27.600
<v Speaker 1>sky up with some kind of big message board or

1317
01:24:27.960 --> 01:24:32.439
<v Speaker 1>you know, this is very dramatic. Our TVs all switch

1318
01:24:32.800 --> 01:24:37.359
<v Speaker 1>to a channel where there is an announcement something.

1319
01:24:38.000 --> 01:24:38.680
<v Speaker 2>And this is the.

1320
01:24:38.560 --> 01:24:47.840
<v Speaker 1>Real interesting aspect of Greer's prediction, which is there will

1321
01:24:47.920 --> 01:24:54.960
<v Speaker 1>be a announcement provided in twenty twenty five from our

1322
01:24:55.000 --> 01:25:00.319
<v Speaker 1>et our alien brethren. And they've been one to do

1323
01:25:00.359 --> 01:25:02.239
<v Speaker 1>this for a while, and I think what it was

1324
01:25:02.319 --> 01:25:07.199
<v Speaker 1>is for decades they've been told by the American government

1325
01:25:07.279 --> 01:25:14.199
<v Speaker 1>that they would the Americans would come forth and say, yes,

1326
01:25:14.279 --> 01:25:18.640
<v Speaker 1>they're here, Yes, there is an understanding between us and

1327
01:25:18.720 --> 01:25:23.359
<v Speaker 1>this race of beings and so forth and so.

1328
01:25:23.880 --> 01:25:24.159
<v Speaker 2>And so.

1329
01:25:24.239 --> 01:25:27.000
<v Speaker 1>If they haven't done that, they keep screwing with these guys.

1330
01:25:27.600 --> 01:25:29.640
<v Speaker 1>And you know, when you're dealing with an intelligence as

1331
01:25:29.800 --> 01:25:33.319
<v Speaker 1>hundreds or thousands of years advance of you, they they

1332
01:25:33.520 --> 01:25:36.560
<v Speaker 1>you know, they're putting up with so much. And our

1333
01:25:36.600 --> 01:25:41.560
<v Speaker 1>governments just asked backwards. The United States governments just ass backwards.

1334
01:25:42.359 --> 01:25:46.960
<v Speaker 1>And so they're screwing around with these with these aliens,

1335
01:25:46.960 --> 01:25:49.319
<v Speaker 1>and I think it's going to be time. And this

1336
01:25:49.439 --> 01:25:51.520
<v Speaker 1>is not scary. They're just like, look, we've had enough.

1337
01:25:51.600 --> 01:25:54.960
<v Speaker 1>We're just we're going to disclose who we are, what

1338
01:25:55.079 --> 01:25:58.000
<v Speaker 1>you should should be doing, what you should not be doing.

1339
01:25:58.079 --> 01:26:02.159
<v Speaker 1>When I say disclosed disclosure, I'm talking about the nuclear

1340
01:26:02.279 --> 01:26:06.439
<v Speaker 1>threat because of a country lights up a nuclear bomb

1341
01:26:06.760 --> 01:26:11.000
<v Speaker 1>that harms everybody. That's the beginning of the end. And then,

1342
01:26:11.039 --> 01:26:16.079
<v Speaker 1>of course, the other aspect of their concern is the environment.

1343
01:26:16.840 --> 01:26:21.000
<v Speaker 1>What are we doing? Why are we maintaining this protocol

1344
01:26:21.079 --> 01:26:24.319
<v Speaker 1>of polluting the earth, polluting the water, polluting the land,

1345
01:26:24.359 --> 01:26:29.000
<v Speaker 1>and pluting the atmosphere, you know, and we're already reaping

1346
01:26:29.039 --> 01:26:31.399
<v Speaker 1>the benefits of that. It's not really the benefits the

1347
01:26:32.199 --> 01:26:35.399
<v Speaker 1>problems associated with this pollution. And I know a lot

1348
01:26:35.439 --> 01:26:37.920
<v Speaker 1>of you are out there that say, oh, climate change

1349
01:26:37.960 --> 01:26:41.439
<v Speaker 1>doesn't do anything to the environment, but we know now

1350
01:26:41.680 --> 01:26:45.880
<v Speaker 1>scientifically that's not right, that's incorrect. So anyhow, I am

1351
01:26:45.960 --> 01:26:50.520
<v Speaker 1>hoping for some kind of disclosure in twenty twenty five,

1352
01:26:51.359 --> 01:26:55.199
<v Speaker 1>and I just think it's really critical that we get

1353
01:26:55.239 --> 01:26:59.920
<v Speaker 1>over ourselves and quit thinking that we're the only ones

1354
01:27:00.079 --> 01:27:03.199
<v Speaker 1>in our and our cosmos, because we're not. So I

1355
01:27:03.199 --> 01:27:06.520
<v Speaker 1>hope you enjoyed that again. That book, The Great Architects

1356
01:27:06.560 --> 01:27:11.960
<v Speaker 1>of Mars. It's pre orders and you can't really get

1357
01:27:12.000 --> 01:27:14.399
<v Speaker 1>it till the end of the month, so produced by

1358
01:27:14.520 --> 01:27:19.680
<v Speaker 1>Inner Traditions Bearing Company, and you can pre order it.

1359
01:27:20.239 --> 01:27:22.399
<v Speaker 1>Take a look at the photographs that I put on Facebook,

1360
01:27:22.399 --> 01:27:24.399
<v Speaker 1>because you'll probably be kind of blown away. Some of

1361
01:27:24.439 --> 01:27:28.279
<v Speaker 1>them are very good. Hey, we got the year starting

1362
01:27:28.359 --> 01:27:31.560
<v Speaker 1>up again, and that means we need your support. If

1363
01:27:31.560 --> 01:27:36.600
<v Speaker 1>you could become a subscriber of Patreon and provide us

1364
01:27:36.640 --> 01:27:39.760
<v Speaker 1>with five dollars, ten dollars, fifty, even twenty a bus

1365
01:27:39.760 --> 01:27:44.319
<v Speaker 1>dollars a month makes a huge difference. We have overhead.

1366
01:27:44.359 --> 01:27:48.399
<v Speaker 1>We have costs that are really really a challenge, and

1367
01:27:48.479 --> 01:27:50.960
<v Speaker 1>for as little as five, ten, fifteen, even twenty a month,

1368
01:27:51.479 --> 01:27:53.399
<v Speaker 1>you can support the work we do here. To become

1369
01:27:53.399 --> 01:27:58.000
<v Speaker 1>a subscriber to Patreon, go to patreon dot com, Forward

1370
01:27:58.079 --> 01:28:02.119
<v Speaker 1>Slash Earth Ancients and subscribe. That's PA t R E

1371
01:28:02.239 --> 01:28:07.039
<v Speaker 1>O N dot com Earth Ancients. Check out the page.

1372
01:28:07.399 --> 01:28:10.119
<v Speaker 1>They take an ATM or a credit card and you

1373
01:28:10.159 --> 01:28:11.760
<v Speaker 1>don't even have to think about it. They just deducted.

1374
01:28:11.840 --> 01:28:16.239
<v Speaker 1>Every month. We have over thirty books as our thank

1375
01:28:16.279 --> 01:28:21.399
<v Speaker 1>you gift for you, and I think I have the

1376
01:28:21.439 --> 01:28:27.279
<v Speaker 1>great Architects of Mars available to you. If you sign up,

1377
01:28:27.319 --> 01:28:30.039
<v Speaker 1>you get the whole book as a digital file. It's

1378
01:28:30.039 --> 01:28:33.199
<v Speaker 1>a PDF file. You can load it on your desktop

1379
01:28:33.560 --> 01:28:36.920
<v Speaker 1>in the comfort of your home or wherever you take

1380
01:28:36.960 --> 01:28:40.520
<v Speaker 1>your laptop. You can see these pages. So we have

1381
01:28:40.600 --> 01:28:43.520
<v Speaker 1>other books and every month I post a book. We

1382
01:28:43.600 --> 01:28:48.039
<v Speaker 1>have unpublished interviews, we have some galleries, and I am

1383
01:28:48.119 --> 01:28:52.199
<v Speaker 1>always available to chat and we try to do something

1384
01:28:52.399 --> 01:28:57.159
<v Speaker 1>with the group every couple of months. Sometimes it's a

1385
01:28:57.239 --> 01:29:01.039
<v Speaker 1>quarter every quarter. So again, become a subscriber. Go to

1386
01:29:01.079 --> 01:29:05.199
<v Speaker 1>Patreon dot com Forward Slash Earth Ancients. We really appreciate

1387
01:29:05.199 --> 01:29:10.920
<v Speaker 1>your support. All right, that's it for this week. I

1388
01:29:10.960 --> 01:29:13.399
<v Speaker 1>want to remind you that next week we have a

1389
01:29:14.560 --> 01:29:18.079
<v Speaker 1>program we do every January, which is a review of

1390
01:29:18.199 --> 01:29:22.720
<v Speaker 1>twenty twenty four, a review of the year, and I

1391
01:29:22.720 --> 01:29:28.920
<v Speaker 1>guess will be Jendaeo, michae L. Flem and doctor Lydia

1392
01:29:29.279 --> 01:29:32.880
<v Speaker 1>DeLong coming to us from Mexico, I believe, and we're

1393
01:29:32.920 --> 01:29:39.960
<v Speaker 1>going to talk about the discoveries, the information, the notes

1394
01:29:40.479 --> 01:29:43.600
<v Speaker 1>that were highlights for twenty twenty four in a round

1395
01:29:43.720 --> 01:29:47.159
<v Speaker 1>robin discussion, So don't forget to check that out next week.

1396
01:29:47.760 --> 01:29:51.079
<v Speaker 1>All right. I want to thank George Haas for his

1397
01:29:51.199 --> 01:29:55.159
<v Speaker 1>time with us today and the great book that he's releasing,

1398
01:29:55.199 --> 01:29:58.319
<v Speaker 1>The Great Architects of Mars As always the team of

1399
01:29:59.159 --> 01:30:03.000
<v Speaker 1>Guiltour and Mark Foster and everyone who makes this stuff happen.

1400
01:30:03.880 --> 01:30:08.399
<v Speaker 1>You guys rock. All right, Happy New Year, and we'll

1401
01:30:08.439 --> 01:30:09.359
<v Speaker 1>talk to you next time.
