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<v Speaker 1>Welcome Friends.

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<v Speaker 2>Podcast, Jacky, Welcome to Movie Film. It's episode three forty four.

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<v Speaker 2>My name is Zaki is Sign. I'm here with Brian Hall.

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<v Speaker 1>Hey. How's it going, Zachi?

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<v Speaker 2>Hey, hanging in there. I am very much looking forward

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<v Speaker 2>to the conversation we're about to have.

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<v Speaker 1>Me too, Me too. We've been waiting decades to have

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<v Speaker 1>this conversation.

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<v Speaker 2>It feels like, I dare say, nearly forty years. Yeah, right,

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<v Speaker 2>but we'll get we'll talk about that in just second.

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<v Speaker 2>We got more, we got we got more pressing stuff

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<v Speaker 2>in in the in the front term, like like your

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<v Speaker 2>continued journey through Widows Bay.

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<v Speaker 1>Yeah, I mentioned that I am enjoying Widow's Bay this.

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<v Speaker 2>Since since the last time we talked to now, I

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<v Speaker 2>feel like this show has just like taken over social media?

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<v Speaker 1>Has it?

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<v Speaker 2>Really?

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<v Speaker 1>So?

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<v Speaker 2>You kind? I feel like you got in on the

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<v Speaker 2>front end here?

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<v Speaker 1>Okay, Well good. I'm glad that I brought it up

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<v Speaker 1>when I did, because I have had people reach out

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<v Speaker 1>to me and say that they started it and they

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<v Speaker 1>are also enjoying it. But it's this is such an

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<v Speaker 1>interesting show, and for people who don't remember what I'm

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<v Speaker 1>talking about, Widdows Bay is an Apple TV Plus series

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<v Speaker 1>starring Matthew Reese, and the log line on IMDb is

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<v Speaker 1>a skeptical mayor leads the superstitious residence of a cursed

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<v Speaker 1>New England island. And a lot of times when you

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<v Speaker 1>have these streaming series, they are one story that's introduced

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<v Speaker 1>in the pilot and that's the whole thread right for

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<v Speaker 1>the for like ten episodes, and sometimes it can feel

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<v Speaker 1>like a little stretched out. And when I started this,

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<v Speaker 1>they're spooky, mysterious things happening on this island, and it

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<v Speaker 1>was one specific sort of thing, like maybe a haunted

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<v Speaker 1>fog that was rolling into town in the pilot, and

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<v Speaker 1>I was like, you know, I'm enjoying this, but I'm

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<v Speaker 1>not sure I want to watch ten episodes about a

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<v Speaker 1>haunted fog. And to my delight, every episode is a

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<v Speaker 1>different horror trope, right, there is a thread that goes

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<v Speaker 1>through all of them, with the mayor and all the characters.

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<v Speaker 1>It's not an anthology series, but I just love that

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<v Speaker 1>each episode you don't exactly know what trope they're going

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<v Speaker 1>to play with, and when I say play, I mean

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<v Speaker 1>exactly that, Like they there are legitimate scares and spookiness

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<v Speaker 1>and things happening in this but it is very playful

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<v Speaker 1>at the same time. It has this really not muted

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<v Speaker 1>but it's not an out and out comedy, but there

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<v Speaker 1>are just big comedic moments that stem naturally from what's

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<v Speaker 1>happening in each show and from the characters and what

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<v Speaker 1>the characters are like, and it just feels like this

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<v Speaker 1>tightrope of tone that they're walking. At the beginning, I

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<v Speaker 1>was almost nervous starting each new episode because I was like, man,

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<v Speaker 1>they've just nailed this every episode and I'm like afraid

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<v Speaker 1>they're going to fall off now, you know. Or even

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<v Speaker 1>start an episode, I'm like, oh, I don't know if

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<v Speaker 1>I'm gonna be interested in this, And then by the

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<v Speaker 1>end I'm always like it shows. It just keeps getting

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<v Speaker 1>better and better. And I had that experience even last

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<v Speaker 1>night where I was like, oh, interesting, I Well, it's

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<v Speaker 1>so hard because I don't want to spoil what these

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<v Speaker 1>things are, because the fun is discovering what it is

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<v Speaker 1>and how they play with that thing. But I will

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<v Speaker 1>say there's an episode involving like a boat and having

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<v Speaker 1>to go out a certain distance in the water with

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<v Speaker 1>a certain person. I'll say that for anyone who knows

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<v Speaker 1>what I'm talking about. I was like, this is so

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<v Speaker 1>my jam, Like this is so fun and funny and

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<v Speaker 1>scary and weird and like creepy. It's just And then

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<v Speaker 1>I watched the most recent one, which was a little

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<v Speaker 1>bit of a Halloween the movie Halloween sort of riff,

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<v Speaker 1>and what made it so fun was you've got these

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<v Speaker 1>trophy sort of things happening, of course, but it's through

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<v Speaker 1>the lens of this really unique character on the show

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<v Speaker 1>named Patricia played by Kato Flynn, who is just a delight,

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<v Speaker 1>just a delight to watch every week. And I just

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<v Speaker 1>I bust it out laughing like twice. But that's what

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<v Speaker 1>it is. It's not a comedy. It just it lures

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<v Speaker 1>you in and you're hoping that everything works out and

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<v Speaker 1>you're also leaning forward but a little scared by certain

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<v Speaker 1>sorts of things. But then they'll just hit you with

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<v Speaker 1>these like unexpected moments that just make you, you know,

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<v Speaker 1>belly laugh. So anyway, I just wanted to shout it

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<v Speaker 1>out again to the people who did start watching it

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<v Speaker 1>and are enjoying it hi, and for the people who

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<v Speaker 1>haven't yet, I just I recommend this. I mean again,

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<v Speaker 1>it's it's spooky. I wouldn't. It's not so far as

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<v Speaker 1>like like some R rated horror thing. I would say

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<v Speaker 1>it's sort of like a hard PG thirteen y sort

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<v Speaker 1>of level of scary, And that still might not be

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<v Speaker 1>some people's thing, But for people who think that sounds

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<v Speaker 1>interesting and kind of fun and intriguing, I would say,

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<v Speaker 1>definitely check it out on Apple TV Plus.

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<v Speaker 2>Well, there we go, your check is in the mail.

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<v Speaker 2>I feel like you're single handedly driving all the traffic.

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<v Speaker 1>Oh well, you know, I think that's probably true. I'm

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<v Speaker 1>not going to verify.

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<v Speaker 2>One thing I've seen a lot of is people suddenly

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<v Speaker 2>discovering what a great actor Stephen Root is. Yeah, I mean,

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<v Speaker 2>and I'm like, yeah, no, shit.

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<v Speaker 1>Yeah, no, he's He's been reliable for as long as

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<v Speaker 1>I can remember. I mean, he's even reliable. Is underselling it?

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<v Speaker 1>I mean he he's just the secret sauce in so

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<v Speaker 1>many things, right, that's right. Although I will say that

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<v Speaker 1>I think the first time I ever saw him was

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<v Speaker 1>probably Office Space.

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<v Speaker 2>Yeah, that would have been for you, right. I saw

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<v Speaker 2>him as the boss on news radio Oh okay, right,

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<v Speaker 2>which was on at roughly the same time he was

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<v Speaker 2>in Office Space. That alone as a testament to his

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<v Speaker 2>you know, ability to go from from the big boss

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<v Speaker 2>to the lowest. Yeah, a cubicle jockey, you know, yeah,

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<v Speaker 2>my steepler, that's right.

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<v Speaker 1>Yeah, you know. One of the things I will mention

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<v Speaker 1>just because I'd kind of forgot about this. But I

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<v Speaker 1>have a friend works over at Paramount, and so occasionally

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<v Speaker 1>they'll do these events. They'll do flashback screenings, and this

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<v Speaker 1>past weekend they showed Ferris Bueler's Day Off, and I

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<v Speaker 1>mention it because I just about a month ago, I

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<v Speaker 1>had just seen it, right, I just seen it the

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<v Speaker 1>Regal by my house, which does flashback series. They showed

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<v Speaker 1>Ferris Bueler's Day Off, and I was talking about it

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<v Speaker 1>on here and how much I loved it all over again,

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<v Speaker 1>and me and my neighbor, the person I was sitting

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<v Speaker 1>next to I didn't even know, we were both like, man,

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<v Speaker 1>that movie just completely holds up. What a blast all

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<v Speaker 1>these years later still and.

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<v Speaker 2>Then you watched it again this past week and you're like,

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<v Speaker 2>wait a minute, this sucks. You're just going back and forth.

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<v Speaker 1>Well, it was sort of a social thing. It was

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<v Speaker 1>going to be a group of friends, and I thought, well,

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<v Speaker 1>I want to be there. I want to hang out

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<v Speaker 1>with these.

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<v Speaker 2>Like an interactive screening people throwing spoons at the screen

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<v Speaker 2>and stuff like that.

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<v Speaker 1>Yeah exactly, yeah, yeah, yeah yeah, like at the room, yeah,

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<v Speaker 1>with the spoons and anyway, so I went, and it

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<v Speaker 1>was before I even get into watching it again, so close.

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<v Speaker 1>It was pretty amazing this thing they put on. As

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<v Speaker 1>soon as you walked into their theater. In the lobby,

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<v Speaker 1>they had this big counter basically circular counter that had

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<v Speaker 1>all this candy on it, like snickerspars em and M's

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<v Speaker 1>anything you could grab, and they've had that before. But

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<v Speaker 1>what was unique was they had like signage. They had

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<v Speaker 1>you know, Ferris Bueller's Day Off the title and quotes

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<v Speaker 1>from it, like printed onto this counter. And I was like, wow,

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<v Speaker 1>that's kind of amazing. And then as you walked in deeper,

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<v Speaker 1>they had all these old tube televisions stacked into a

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<v Speaker 1>pyramid playing Ferris Bueller's Day Off. Wow, And I was

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<v Speaker 1>like wow. And then they had you know, popcorn and

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<v Speaker 1>sodas and things like that. But they also had a

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<v Speaker 1>hot dog kart and I was like, oh, cool, hot

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<v Speaker 1>dog all right, But I walked up and they were

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<v Speaker 1>Chicago style hot dogs, like legit and with the Vienna

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<v Speaker 1>beef dogs and everything, and I was like what, And

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<v Speaker 1>so I just I don't know who planned it. I mean,

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<v Speaker 1>obviously it costs some money and.

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<v Speaker 2>You're like, i'll have one, and then the guy who

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<v Speaker 2>gives it to you is Matthew Broderick, Yes, exactly, and

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<v Speaker 2>then you wake up because the things.

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<v Speaker 1>It does sound like it does. But I was just

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<v Speaker 1>like blown away by this mid afternoon flashback screen of

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<v Speaker 1>affairs Buller, like how much they'd put into it. So

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<v Speaker 1>I just for that alone, I was like, wow, cool. Anyways,

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<v Speaker 1>but then we sit down and I'm like, Okay, I've

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<v Speaker 1>just seen this, but you know I've seen this movie

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<v Speaker 1>one hundred times anyway, you know, And dude, I got

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<v Speaker 1>sucked right back in. I just I had to bring

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<v Speaker 1>that up to say, like, this is just one of

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<v Speaker 1>those for me, like sort of miracle movies where like

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<v Speaker 1>you just don't tire of it, and it's just as funny.

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<v Speaker 1>I was still laughing when he's pretending to be sick

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<v Speaker 1>with his parents and you know, me, me, me, you know,

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<v Speaker 1>keep making all the funny noises when they're like checking

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<v Speaker 1>his temperature and all that. And and actually there was

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<v Speaker 1>a woman sitting next to me, who was laughing and gasping,

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<v Speaker 1>almost as if she had never seen it before. Wow,

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<v Speaker 1>And that was really fun because then in a way,

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<v Speaker 1>you're sort of experiencing it through her eyes a little bit,

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<v Speaker 1>and it's making like, oh, yeah, that is kind of funny. Here.

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<v Speaker 1>I haven't thought about this because I've seen it a

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<v Speaker 1>hundred times, but yeah, but anyway, yeah, just it's I

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<v Speaker 1>don't know, John Hughes just has that so many of

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<v Speaker 1>his movies they are so rewatchable. Yeah, you know, Home Alone.

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<v Speaker 1>I mean I've seen that movie countless times and I

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<v Speaker 1>can't wait to watch it again, you know, this year

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<v Speaker 1>later at Christmas time, and plain streams and automobiles and

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<v Speaker 1>I just I don't know it would be I don't

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<v Speaker 1>want to dig into it now, but like, what is that?

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<v Speaker 1>What is the secret sauce of that? Like why are

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<v Speaker 1>they so easily rewatchable? You know? And something I've noticed

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<v Speaker 1>now just off the top of my head, I'm thinking planes, trains,

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<v Speaker 1>Ferris Bueller, Home Alone, just those three. There are a

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<v Speaker 1>lot of vignettes, right right, It's like a compelling character.

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<v Speaker 1>It's experiencing a series of things, and maybe there's something

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<v Speaker 1>to that, even it's like these little episodes they experience.

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<v Speaker 1>But what he gets right is that all those episodes

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<v Speaker 1>are very compelling.

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<v Speaker 2>Well, I think that the secret sauce is that they

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<v Speaker 2>are wholesome comedies that aren't afraid to have an edge.

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<v Speaker 1>Yeah, that's a great point, and.

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<v Speaker 2>Aren't afraid to show their heart. Right, So in other words,

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<v Speaker 2>you're like to me, planes, trains and automobiles. Part of

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<v Speaker 2>the reason it works is that you can have the

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<v Speaker 2>scene where Dell is in the car talking to his

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<v Speaker 2>who we don't realize his dead wife, mm hmm, right,

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<v Speaker 2>Like it's not afraid to put that in there too.

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<v Speaker 2>You're like, no, this is a comedy. People aren't gonna

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<v Speaker 2>be laughing, you know.

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<v Speaker 1>Yep, you know.

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<v Speaker 2>A Home Alone gives you the old Man Marley storyline.

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<v Speaker 1>Yes, yes, matters.

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<v Speaker 2>Ferris Bueller gives you the Cameron and his Dad story

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<v Speaker 2>and that's important, you know.

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<v Speaker 1>I completely agree, and funny enough, when I watched it

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<v Speaker 1>a month ago, I think I was just watching it,

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<v Speaker 1>like looking at it because I'd seen so many times

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<v Speaker 1>and I was enjoying it, and I was enjoying looking

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<v Speaker 1>at it on the big screen. Seeing Chicago. I will

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<v Speaker 1>never not marvel at that twist and shout parade sequence,

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<v Speaker 1>because when it ends, you have that wide shot where

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<v Speaker 1>it just the street just goes on and on and on,

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<v Speaker 1>and it is filled with people and life and activity,

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<v Speaker 1>and it's just I would probably put it in one

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<v Speaker 1>of my favorite shots of all time. It's just an

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<v Speaker 1>amazing sort of thing, right, like where it's not filled

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<v Speaker 1>in with volume or you know, effects or replicating people,

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<v Speaker 1>which is fine in certain uses these days, but like,

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<v Speaker 1>you know what I mean, it's just so alive, right,

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<v Speaker 1>And yeah, okay, So the what I was going to

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<v Speaker 1>say then is I was just enjoying it kind of

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<v Speaker 1>visually and laughing at it on a surface level. This time,

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<v Speaker 1>I really did track a lot with the emotions, more

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<v Speaker 1>than I have in years following his sister's arc, which

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<v Speaker 1>you know, like, oh yeah, he drives her crazy and

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<v Speaker 1>then by the end she learns the loosen up. It's like, no,

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<v Speaker 1>they do a good job of actually seeding why she

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<v Speaker 1>feels this way, right, and how it's kind of you know,

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<v Speaker 1>imposed on her a lot. And of course the Cameron

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<v Speaker 1>thing is like the big beating heart of the movie,

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<v Speaker 1>and I really tracked with that this whole time, and

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<v Speaker 1>it just resonated. You know, you can sort of watch

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<v Speaker 1>a movie you've seen a million times for the first time.

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<v Speaker 1>I get and when you put all your attention on

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<v Speaker 1>it and let it, you know, dive into it, put

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<v Speaker 1>your phone away. Yeah, yeah, you know. But also I

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<v Speaker 1>think what I thought you were going to say, which

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<v Speaker 1>planes trains when you said in the car. There's that

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<v Speaker 1>scene where John Candy when they go between the two trucks, and.

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<v Speaker 2>First, well, I mean, that's obviously the most one of

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<v Speaker 2>the one of like my top five funniest scenes in

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<v Speaker 2>any movie ever, but you.

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<v Speaker 1>Know what's so funny about it? And it is hilarious.

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<v Speaker 1>But then for a split second, the two characters look

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<v Speaker 1>like skeletons with their clothes on, right, and then John

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<v Speaker 1>Canny looks like the devil, devil, and Steve Martin's looking

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<v Speaker 1>at him like, what have I done? How did I

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<v Speaker 1>get in the car with it? You know, the devil?

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<v Speaker 1>And then in Ferris Bueller, for some reason, there's this

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<v Speaker 1>magic in the air where every character is singing Donkashane

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<v Speaker 1>like there's a magical realism to it. And in Home

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<v Speaker 1>Alone there's the furnace. The furnace talks to heaven, right,

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<v Speaker 1>you know, like I like that he's willing to go

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<v Speaker 1>really silly like Looney Tunes, but he knows just how

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<v Speaker 1>far to go, not too far. And then to your point,

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<v Speaker 1>I think the real reason they ultimately stay with us

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<v Speaker 1>and we want to keep watching them is, Yes, we

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<v Speaker 1>enjoy all the fun, that's what gets us through the movie.

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<v Speaker 1>But the reason we want to watch it again is

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<v Speaker 1>to experience the feelings that he provides.

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<v Speaker 2>See what it sounds to me like you're saying is

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<v Speaker 2>you have got his moves all figured out and you

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<v Speaker 2>could do something comparable to any of John Hughes's best.

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<v Speaker 2>That's that's my takeaway from what you're saying. You're saying

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<v Speaker 2>I can do it as good or better as John

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<v Speaker 2>Hughes unquote Brian Holmes.

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<v Speaker 1>Right, yes, let it be said in June twenty twenty six.

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<v Speaker 1>But no, I immediately when you started saying that, the

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<v Speaker 1>first thing I thought was, well, I can have a steak,

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<v Speaker 1>and I can have you know, butter and you know

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<v Speaker 1>pastry dough and all that stuff, but I can't make

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<v Speaker 1>Gordon Ramsay's the beef Wellington, you know what I mean?

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<v Speaker 2>Like, now I want to see the Brian Hall shot

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<v Speaker 2>for shot remake the gus of Anne sant Psycho, if

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<v Speaker 2>you will, of Ferris Bueller.

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<v Speaker 1>That would be fascinate. That is one of those movies,

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<v Speaker 1>excuse me where I feel like I don't I don't

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<v Speaker 1>feel like you can remake that, you know, and I

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<v Speaker 1>know we've said that about a lot of movies and

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<v Speaker 1>then they've done it anyway, But like there is just

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<v Speaker 1>that movie is such lightning in a bottle from just

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<v Speaker 1>first of all, just Ferris. How do you cast Ferris

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<v Speaker 1>again and not want to punch that guy in the face?

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<v Speaker 1>You know what I mean? Like they calibrate for me.

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<v Speaker 1>I maybe some people they are annoyed by him, but

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<v Speaker 1>I just feel like Matthew Broderick. He is smug, but

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<v Speaker 1>in this weird, charming way where you feel like you're

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<v Speaker 1>you're you enjoy being with him.

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<v Speaker 2>I mean, it's it's funny that you talk about. Uh,

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<v Speaker 2>you know, how do you not want to punch Ferris

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<v Speaker 2>in the face?

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<v Speaker 1>Right?

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<v Speaker 2>Uh? Because of course they did attempt to recast Farris Bueller. Yes, yes, which,

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<v Speaker 2>by the way, funniest joke of all time would have

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00:16:19.919 --> 00:16:22.080
<v Speaker 2>been if you went through that whole experience with the

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<v Speaker 2>with the hot dog and going through the tunnel, if

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<v Speaker 2>you will, to the theme park ride and then it's

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<v Speaker 2>just a marathon of Ferris Bueller the series, Right, I

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00:16:30.679 --> 00:16:34.600
<v Speaker 2>think that would have been goddamn hilarious. But but that show,

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<v Speaker 2>to your point, like I happened to completely unconnected to this,

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<v Speaker 2>Like within the last six months, I saw a handful

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<v Speaker 2>of episodes, Oh really on on YouTube? Yeah, okay, and

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<v Speaker 2>it's it's funny because the Ferris Bueller the series Charlie

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00:16:52.279 --> 00:16:56.720
<v Speaker 2>Schlatter played played Ferris and and no more punchable character

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<v Speaker 2>have I seen, you know, and I'm saying or not actor,

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<v Speaker 2>because I'm sure Charlie Schlader is a lovely human being. Yeah, right, right, right,

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<v Speaker 2>but the character he was given to play was absolutely insufferable.

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<v Speaker 2>And the fact that they hung the name Ferris Bueller

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<v Speaker 2>on it was like this added level of insult, you know,

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<v Speaker 2>and you I think you know this. It literally starts

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<v Speaker 2>with him saying, oh, that movie about my life is

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<v Speaker 2>all wrong, and then he pulls a standee of Ferris

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<v Speaker 2>Bueller up from the movie played by Matthew Brodrick out

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<v Speaker 2>of his closet and he's like, Matthew Broderick, come on,

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<v Speaker 2>And then he gets a chains on cuts it in half,

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<v Speaker 2>and I'm like, what are you guys stupid? You know,

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<v Speaker 2>I know, I know that's like the most famous beat.

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00:17:36.799 --> 00:17:40.400
<v Speaker 2>But the show it's very because it premiered the same season,

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<v Speaker 2>maybe even the same week as Parker Lewis Can't Lose

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<v Speaker 2>on Fox, which that show was good, right, and that

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<v Speaker 2>was clearly a Ferris.

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<v Speaker 1>Bueller rip off totally.

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<v Speaker 2>But but you know, the show, it it had you know,

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<v Speaker 2>Jennifer Aniston plays plays Genie, and Richard Riley is Rooney,

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<v Speaker 2>huh like, and you can see that, right, like you

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00:18:05.920 --> 00:18:08.240
<v Speaker 2>can picture that. That's like the may for TV Ferris Bueller,

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00:18:08.319 --> 00:18:14.279
<v Speaker 2>you know, yeah, yeah. But what I realized watching the

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00:18:14.359 --> 00:18:18.599
<v Speaker 2>show is that there's a reason there wasn't a whole

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00:18:18.839 --> 00:18:22.240
<v Speaker 2>Ferris Bueller's blank, Like, there wasn't a whole series of

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<v Speaker 2>those yes, because we're meant to spend exactly this much

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00:18:26.519 --> 00:18:30.519
<v Speaker 2>time with this character, yes, yes, right, and and and

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00:18:30.720 --> 00:18:32.599
<v Speaker 2>we just dip in. We we go on this little

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<v Speaker 2>journey with this character and then and then we never

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<v Speaker 2>see him again. That's the point. And and the show,

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<v Speaker 2>I mean, it didn't last very long, so they learned

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<v Speaker 2>it quick. But I mean it's for TV. They kept

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<v Speaker 2>trying to do that because they did an Uncle Buck series.

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<v Speaker 1>Yeah, they've done a couple.

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<v Speaker 2>Yeah, Uncle but which might have been right around the

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<v Speaker 2>same time the Faris Bueler Show, and that that show

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<v Speaker 2>starts with that's a sequel to the movie.

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<v Speaker 1>Okay, I remember, I can see it, but I don't

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<v Speaker 1>remember as.

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<v Speaker 2>Kevin Meaney as Buck. And you know, the parents.

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<v Speaker 1>Die, oh geez, and so.

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<v Speaker 2>Buck has to adopt the kids, and I'm like, what

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<v Speaker 2>are you guys doing. It starts, oh, you know, the parents,

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<v Speaker 2>and you know how Buck like, you know, rebuilds his

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<v Speaker 2>relationship with Yeah, we're just dead.

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<v Speaker 1>Now, you know. Yeah, leave it. Leave John Hughes alone.

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<v Speaker 1>If I learned that, you know what, I'm putting my

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<v Speaker 1>pen down. I am.

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<v Speaker 2>So no shot for shot, remakeup Parisula from you?

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<v Speaker 1>No, no, no, actually that would be interesting though. Yeah. No, sorry, no, no,

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<v Speaker 1>that's it. Yeah. Uh well, I have one more thing

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<v Speaker 1>to talk about, and uh it is that I saw

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<v Speaker 1>the movie back Rooms, and this is kind of the

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<v Speaker 1>sensation sweeping the nation at the moment. Did you see

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00:19:54.720 --> 00:19:58.400
<v Speaker 1>this coming? Because this is apparently a very well known

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<v Speaker 1>property with teenagers.

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<v Speaker 2>This is how I know I'm I'm rapidly aging because

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<v Speaker 2>this came out of the clear blue sky for me.

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<v Speaker 1>Okay, well, actually I did know what it was, but

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<v Speaker 1>I had never seen it before i'd seen the picture,

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<v Speaker 1>So okay, to try to set this up, I'll read

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<v Speaker 1>the log line of what this movie is and then

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00:20:19.599 --> 00:20:21.759
<v Speaker 1>give a little history on it because it's pretty fascinating.

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00:20:22.200 --> 00:20:26.359
<v Speaker 1>So the loglane on IMDb is after a therapist's patient

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<v Speaker 1>disappears into a dimension beyond reality, she must venture into

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<v Speaker 1>the unknown to save him. Basically, yeah, it's like, basically,

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00:20:34.440 --> 00:20:37.200
<v Speaker 1>this guy works at a furniture store. She will tell

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<v Speaker 1>edge of four and he's an unhappy person, and he

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00:20:41.799 --> 00:20:46.119
<v Speaker 1>goes into the basement and he discovers a portal in

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00:20:46.160 --> 00:20:50.519
<v Speaker 1>his wall that leads him into this alternate universe, which

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00:20:50.559 --> 00:20:57.559
<v Speaker 1>is just a never ending labyrinth of mundane like you know,

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00:20:57.680 --> 00:21:05.640
<v Speaker 1>neon light yellow office space, and it feels sort of

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00:21:05.720 --> 00:21:09.000
<v Speaker 1>like real life, but there's something just a little off

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00:21:09.200 --> 00:21:12.759
<v Speaker 1>about it, like the the way that the halls are angled,

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00:21:12.960 --> 00:21:17.559
<v Speaker 1>or you'll see things from reality chairs, tables, whatever, but

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00:21:17.920 --> 00:21:21.839
<v Speaker 1>they're like blended into the ground almost like you know,

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00:21:21.920 --> 00:21:24.920
<v Speaker 1>like there is some some sort of weird mishap where

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00:21:25.000 --> 00:21:27.440
<v Speaker 1>something didn't go through a portal correctly, and so only

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00:21:27.480 --> 00:21:31.160
<v Speaker 1>half of it is appearing. And as he wanders these halls,

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00:21:31.440 --> 00:21:37.440
<v Speaker 1>he hears things in the distance, so he's possibly not alone,

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00:21:37.519 --> 00:21:39.880
<v Speaker 1>and we don't know what that thing is.

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<v Speaker 3>And so you get it's well, anyway, the way that

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<v Speaker 3>I'm having fun just listening to attempt to discribe, I know,

399
00:21:51.000 --> 00:21:52.079
<v Speaker 3>I know it's it's riveting.

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00:21:53.160 --> 00:21:57.359
<v Speaker 1>Sorry this bad video, but but but the way that

401
00:21:57.400 --> 00:22:01.000
<v Speaker 1>it started was it was some picture that someone posted

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00:22:01.039 --> 00:22:03.640
<v Speaker 1>of a real off empty office space and it was

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00:22:03.759 --> 00:22:05.640
<v Speaker 1>online and then I think it was on four Chan

404
00:22:05.799 --> 00:22:09.839
<v Speaker 1>or something like that. They posted the picture and then

405
00:22:10.039 --> 00:22:12.720
<v Speaker 1>they started making up this mythology of what this place

406
00:22:12.799 --> 00:22:17.240
<v Speaker 1>could be because it just looked mundane but also like

407
00:22:17.599 --> 00:22:19.839
<v Speaker 1>kind of off putting in like a place you wouldn't

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00:22:19.839 --> 00:22:22.119
<v Speaker 1>necessarily even though all the lights are on, you just

409
00:22:22.160 --> 00:22:25.519
<v Speaker 1>wouldn't necessarily want to stand there like alone. It just

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00:22:25.519 --> 00:22:28.519
<v Speaker 1>feels like, is there's something around that corner? Like what's

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00:22:28.799 --> 00:22:30.759
<v Speaker 1>something's off about this place? And so it became this

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00:22:30.799 --> 00:22:35.119
<v Speaker 1>internet mythology. And then this kid named Kane Parsons.

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00:22:34.720 --> 00:22:37.920
<v Speaker 2>He's twenty, so he started working on this as a teenager.

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00:22:38.240 --> 00:22:39.880
<v Speaker 1>Yeah, I think he made this when he was nineteen

415
00:22:40.359 --> 00:22:43.319
<v Speaker 1>or if I'm not mistaken, he's turning twenty one shortly.

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00:22:43.680 --> 00:22:46.720
<v Speaker 2>Yeah, when this all started, he was seventeen. Yeah, so

417
00:22:46.759 --> 00:22:51.160
<v Speaker 2>he basically needless to say, I'm looking at my three

418
00:22:51.160 --> 00:22:54.319
<v Speaker 2>teenagers with a lot of disappointment after this past weekend,

419
00:22:54.720 --> 00:22:56.240
<v Speaker 2>right with the judge eyes.

420
00:22:57.079 --> 00:23:02.000
<v Speaker 1>Judge eyes, that's what jedge reyin Hold looks at his

421
00:23:02.039 --> 00:23:08.039
<v Speaker 1>wife with JG That's true. So he took this mythology

422
00:23:08.039 --> 00:23:13.799
<v Speaker 1>and he basically made these YouTube videos where they look

423
00:23:13.920 --> 00:23:16.480
<v Speaker 1>like found footage, sort of like Blair Witch Project sort

424
00:23:16.480 --> 00:23:19.079
<v Speaker 1>of thing where someone accidentally goes through the portal. And

425
00:23:19.279 --> 00:23:21.640
<v Speaker 1>what's brilliant about it is he made it in Blender,

426
00:23:21.720 --> 00:23:25.279
<v Speaker 1>so it's not real like it's all computer graphics, but

427
00:23:25.319 --> 00:23:28.039
<v Speaker 1>it looks very very good, very very real, and it

428
00:23:28.079 --> 00:23:30.759
<v Speaker 1>looks like someone with a camcorder, like an old school

429
00:23:30.839 --> 00:23:33.319
<v Speaker 1>vhscam quarterer, has gone through a portal and ends up

430
00:23:33.319 --> 00:23:35.759
<v Speaker 1>in this place and is wandering these hallways, and he

431
00:23:35.839 --> 00:23:41.119
<v Speaker 1>puts like the perfect distortion and sound design, so it

432
00:23:41.160 --> 00:23:43.319
<v Speaker 1>really does feel like a person walking around with one

433
00:23:43.319 --> 00:23:45.400
<v Speaker 1>of these old school cam quarters. So that's what really

434
00:23:45.440 --> 00:23:47.559
<v Speaker 1>sells it, Like you really feel like you're in this

435
00:23:49.559 --> 00:23:56.319
<v Speaker 1>unsettling slash mundane place. So anyway, I watched I'd never

436
00:23:56.359 --> 00:23:58.559
<v Speaker 1>seen it before. I just seen the picture that originated it.

437
00:23:58.559 --> 00:24:00.200
<v Speaker 1>But after I watched the movie, I went and watch

438
00:24:00.359 --> 00:24:03.839
<v Speaker 1>the first short, and I recommend it. It's actually very impressive.

439
00:24:03.880 --> 00:24:06.079
<v Speaker 1>I can totally see and apparently he's made a lot

440
00:24:06.119 --> 00:24:09.079
<v Speaker 1>of them since. And I can see why A twenty

441
00:24:09.079 --> 00:24:12.519
<v Speaker 1>four saw this kid and was like he gets this,

442
00:24:12.920 --> 00:24:17.279
<v Speaker 1>like he this is a very particular esthetic and he

443
00:24:17.319 --> 00:24:21.680
<v Speaker 1>has already nailed it. So I don't know, let's see

444
00:24:22.319 --> 00:24:24.279
<v Speaker 1>bring him in. Why have someone try to imitate what

445
00:24:24.319 --> 00:24:26.720
<v Speaker 1>he's already done, you know, and that doesn't make him

446
00:24:26.720 --> 00:24:29.160
<v Speaker 1>like a that's a real I can't think of another movie,

447
00:24:29.640 --> 00:24:31.559
<v Speaker 1>a major release like this has been made by someone

448
00:24:31.599 --> 00:24:34.960
<v Speaker 1>so young. But I think it's cool that they did

449
00:24:35.039 --> 00:24:40.000
<v Speaker 1>bring him in because this movie is just a spectacular vision.

450
00:24:41.680 --> 00:24:44.720
<v Speaker 2>Yeah, it's headed towards being eight twenty four's biggest hit ever.

451
00:24:45.119 --> 00:24:47.920
<v Speaker 1>Yeah, I mean so okay, So I again, I'm familiar

452
00:24:47.960 --> 00:24:51.039
<v Speaker 1>with this internet mythology. I knew this movie was coming,

453
00:24:51.119 --> 00:24:53.920
<v Speaker 1>but this is not really on my radar, right, So

454
00:24:54.039 --> 00:24:55.799
<v Speaker 1>Chad and I were like, well, let's go check this out.

455
00:24:55.799 --> 00:24:58.640
<v Speaker 1>It looks kind of fun, like something we'd enjoy. And

456
00:24:58.680 --> 00:25:01.359
<v Speaker 1>we go to the theater and it is packed with kids,

457
00:25:02.359 --> 00:25:04.720
<v Speaker 1>and in front of us when we're trying to get

458
00:25:04.720 --> 00:25:07.759
<v Speaker 1>our ticket scanned, there are these kids like, yeah, I

459
00:25:07.759 --> 00:25:09.759
<v Speaker 1>don't know, look like twelve or something, and they were

460
00:25:09.799 --> 00:25:11.519
<v Speaker 1>trying to buy tickets to this, but they wouldn't sell

461
00:25:11.519 --> 00:25:13.759
<v Speaker 1>it to them because it's rated R. And I was like,

462
00:25:13.759 --> 00:25:16.319
<v Speaker 1>I can't remember the last time I saw that, you

463
00:25:16.359 --> 00:25:18.759
<v Speaker 1>know what I mean that sense I remember it happening

464
00:25:18.759 --> 00:25:22.200
<v Speaker 1>to me or something. And then when we walked up

465
00:25:22.240 --> 00:25:24.240
<v Speaker 1>to the theater, there was a security person at the

466
00:25:24.240 --> 00:25:26.920
<v Speaker 1>door making sure no kids snuck in, and I was

467
00:25:26.960 --> 00:25:29.400
<v Speaker 1>like wow. And so I'm in this big theater. It's

468
00:25:29.599 --> 00:25:33.160
<v Speaker 1>totally packed. And when it starts and it says back rooms,

469
00:25:33.440 --> 00:25:37.160
<v Speaker 1>the whole theater rips into applause. I was like, holy cow.

470
00:25:37.279 --> 00:25:41.119
<v Speaker 1>Like so there is like a dedicated Rabbit fan base

471
00:25:41.160 --> 00:25:43.559
<v Speaker 1>for this that this is like they're Star Wars, you know,

472
00:25:43.599 --> 00:25:46.200
<v Speaker 1>like they're showing up opening night to see this thing

473
00:25:46.240 --> 00:25:51.759
<v Speaker 1>that they love. And so anyway, I think as a movie,

474
00:25:52.000 --> 00:25:55.720
<v Speaker 1>I'm not sure how successful it is as a movie.

475
00:25:55.960 --> 00:25:58.240
<v Speaker 1>And when I say that, it's because the characters are

476
00:25:58.680 --> 00:26:05.839
<v Speaker 1>very stock. They're they're not very deep. They literally just

477
00:26:05.839 --> 00:26:10.759
<v Speaker 1>feel like you know, divorced guy who keeps liquor bottle

478
00:26:10.799 --> 00:26:14.119
<v Speaker 1>by bed, you know what I mean, Or like like

479
00:26:14.200 --> 00:26:19.200
<v Speaker 1>they're they're they're no deeper than that. But she would

480
00:26:19.200 --> 00:26:23.559
<v Speaker 1>tell Edgie you four and Renata reinsve they're such great

481
00:26:23.599 --> 00:26:28.640
<v Speaker 1>actors that they do. They're really selling the experience for

482
00:26:28.680 --> 00:26:31.000
<v Speaker 1>as weird as it is, and they're very compelling to watch.

483
00:26:31.519 --> 00:26:34.920
<v Speaker 1>You just wish that, like on a script level, I

484
00:26:34.960 --> 00:26:38.599
<v Speaker 1>wish it had been a little bit more textured or

485
00:26:38.839 --> 00:26:41.680
<v Speaker 1>or deeper character wise.

486
00:26:42.839 --> 00:26:45.799
<v Speaker 2>So what I'm hearing is you've figured out what Cane

487
00:26:45.839 --> 00:26:47.640
<v Speaker 2>Parsons does and you can do it better.

488
00:26:49.200 --> 00:26:52.759
<v Speaker 1>Unquote Ryan Hall absolutely not absolutely no. But but what

489
00:26:52.799 --> 00:26:55.519
<v Speaker 1>I want to say is, and I've heard other people

490
00:26:55.519 --> 00:26:57.480
<v Speaker 1>say this. I just listened to another podcast and they

491
00:26:57.480 --> 00:26:59.799
<v Speaker 1>weren't too high on it for those reasons, and and

492
00:26:59.799 --> 00:27:04.039
<v Speaker 1>and basically what I would say is I agree with you. However,

493
00:27:05.039 --> 00:27:10.960
<v Speaker 1>as an experience I loved this. I had a blast

494
00:27:11.000 --> 00:27:15.880
<v Speaker 1>with this movie. This this is an experience movie, you

495
00:27:15.960 --> 00:27:18.920
<v Speaker 1>know what I mean. Like it does have themes, and

496
00:27:18.960 --> 00:27:23.559
<v Speaker 1>it does have conclusions for the characters, and you know,

497
00:27:23.880 --> 00:27:26.359
<v Speaker 1>we can talk about how successful you feel like that is,

498
00:27:28.359 --> 00:27:34.799
<v Speaker 1>but the experience of this, the cinematography, the vision, it's

499
00:27:35.359 --> 00:27:40.000
<v Speaker 1>unlike anything I've seen before. And I really feel like

500
00:27:40.079 --> 00:27:43.640
<v Speaker 1>I saw a new version of Creepy Gotcha, and it

501
00:27:43.759 --> 00:27:46.039
<v Speaker 1>really resonated with me. I had a lot of fun

502
00:27:47.160 --> 00:27:51.640
<v Speaker 1>being with Edgia four kind of being creeped out but

503
00:27:52.519 --> 00:27:56.559
<v Speaker 1>wanting to know what was around the corner, hearing something scuttle,

504
00:27:57.039 --> 00:27:59.920
<v Speaker 1>you know, in the background, and being curious what it is,

505
00:28:00.000 --> 00:28:02.200
<v Speaker 1>but also not wanting to see its face, you know,

506
00:28:02.359 --> 00:28:07.240
<v Speaker 1>like it has that unsettling dream feeling, like the sort

507
00:28:07.279 --> 00:28:12.519
<v Speaker 1>of sense and feelings that only can happen in a dream.

508
00:28:13.000 --> 00:28:18.680
<v Speaker 1>And somehow Parsons captures that, you know, on film it's

509
00:28:19.079 --> 00:28:21.839
<v Speaker 1>and there is a minor sort of found footage aspect

510
00:28:21.920 --> 00:28:23.279
<v Speaker 1>to it that's maybe like a little bit of an

511
00:28:23.279 --> 00:28:27.480
<v Speaker 1>homage to its origins. And I thought that was really successful,

512
00:28:27.559 --> 00:28:29.240
<v Speaker 1>Like they made it look like a home video camera

513
00:28:29.359 --> 00:28:32.160
<v Speaker 1>and there's a person going down this creepy tunnel and

514
00:28:32.720 --> 00:28:35.240
<v Speaker 1>weird sounds are happening off screen, and I just I

515
00:28:35.319 --> 00:28:37.599
<v Speaker 1>just enjoy that stuff. I enjoyed the paranormal movies. I

516
00:28:37.680 --> 00:28:39.920
<v Speaker 1>enjoyed Blair Witch back in the day. But I liked it.

517
00:28:39.960 --> 00:28:42.680
<v Speaker 1>That's not the whole movie, it's a portion of the movie.

518
00:28:42.960 --> 00:28:46.440
<v Speaker 1>And then basically, you know, the rest of it is

519
00:28:47.119 --> 00:28:51.240
<v Speaker 1>wandering through these halls and where all that leads, and

520
00:28:51.960 --> 00:28:55.680
<v Speaker 1>I was totally engaged with it, had no idea where

521
00:28:55.720 --> 00:29:01.039
<v Speaker 1>it was going, experience to kind of chill that. I

522
00:29:01.119 --> 00:29:03.519
<v Speaker 1>just can't think of another movie that's made me chill

523
00:29:03.559 --> 00:29:08.079
<v Speaker 1>that way. And so, you know, yeah, I as a

524
00:29:08.119 --> 00:29:13.160
<v Speaker 1>story and with characters, I can completely understand people wishing

525
00:29:13.599 --> 00:29:16.319
<v Speaker 1>there had been a little bit more to that. Although

526
00:29:16.400 --> 00:29:19.119
<v Speaker 1>again the performances I thought were very very good. They're

527
00:29:19.160 --> 00:29:22.400
<v Speaker 1>bringing their a game and it's really compelling to watch.

528
00:29:22.599 --> 00:29:24.720
<v Speaker 1>But like, for me, this was all about the ride.

529
00:29:24.759 --> 00:29:30.079
<v Speaker 1>This was just such a cool ride and I recommend

530
00:29:30.079 --> 00:29:33.160
<v Speaker 1>it on that alone, honestly. And I'm very curious how

531
00:29:33.160 --> 00:29:36.440
<v Speaker 1>this is going to continue to perform. I mean insane

532
00:29:36.480 --> 00:29:39.039
<v Speaker 1>that this movie from this first time director who's like

533
00:29:39.200 --> 00:29:43.359
<v Speaker 1>nineteen when he made it based on a YouTube video,

534
00:29:44.240 --> 00:29:50.200
<v Speaker 1>opens to eighty million plus, right, Like that's bonkers, And

535
00:29:50.279 --> 00:29:52.440
<v Speaker 1>so now I'm curious, like does it have legs? Do

536
00:29:52.559 --> 00:29:55.000
<v Speaker 1>more people turn up for this? Does the audience continue

537
00:29:55.039 --> 00:29:57.000
<v Speaker 1>watching it? Like does it have a steep drop. I'm

538
00:29:57.079 --> 00:29:57.640
<v Speaker 1>very curious.

539
00:29:58.000 --> 00:30:00.400
<v Speaker 2>I think this one will have legs, because get it,

540
00:30:00.440 --> 00:30:02.480
<v Speaker 2>the word of mouth is going to carry it. I

541
00:30:02.519 --> 00:30:07.599
<v Speaker 2>also am already feeling bad for Cane Parsons in terms

542
00:30:07.640 --> 00:30:10.519
<v Speaker 2>of having to follow up on this. Oh totally. I

543
00:30:10.519 --> 00:30:13.559
<v Speaker 2>feel like this is like a Shyamalan situation about to happen.

544
00:30:13.839 --> 00:30:17.279
<v Speaker 1>That is a really great comp yep. I mean hopefully not,

545
00:30:17.559 --> 00:30:22.079
<v Speaker 1>but that the possibility absolutely, And I.

546
00:30:22.400 --> 00:30:24.240
<v Speaker 2>Mean this this seems, at least in terms of word

547
00:30:24.279 --> 00:30:26.480
<v Speaker 2>of mouth, kind of a Blair Witch situation, which you

548
00:30:26.839 --> 00:30:30.400
<v Speaker 2>likened it too earlier, where it's just well, I can't

549
00:30:30.400 --> 00:30:32.119
<v Speaker 2>really talk about it. You got to just go see it,

550
00:30:32.200 --> 00:30:32.400
<v Speaker 2>you know.

551
00:30:33.319 --> 00:30:34.599
<v Speaker 1>Yeah, yeah I was.

552
00:30:34.680 --> 00:30:35.960
<v Speaker 2>I was hoping to catch it by the time we

553
00:30:36.000 --> 00:30:38.920
<v Speaker 2>record today, but unfortunately the scheduling did not work.

554
00:30:39.000 --> 00:30:42.839
<v Speaker 1>So oh yeah, yeah, I've been wanting to catch obsession

555
00:30:43.039 --> 00:30:44.680
<v Speaker 1>speaking of, but I just haven't had the time.

556
00:30:44.839 --> 00:30:47.400
<v Speaker 2>Yeah, that's another one. Yeah, the stuff is starting to

557
00:30:47.400 --> 00:30:51.400
<v Speaker 2>pile up. Sheep detectives. Also, yep, my wife, I'm gonna

558
00:30:51.440 --> 00:30:53.839
<v Speaker 2>just watch the sheep Detectives. She snuck away and watched that.

559
00:30:53.960 --> 00:30:56.160
<v Speaker 2>So so we may need to do like this may

560
00:30:56.200 --> 00:30:58.400
<v Speaker 2>end up becoming a recurring segment where it's just stuff

561
00:30:58.440 --> 00:30:59.599
<v Speaker 2>I haven't seen but I'm gonna have.

562
00:30:59.720 --> 00:31:02.720
<v Speaker 4>And then right, right, right, you have a nice conversation

563
00:31:02.799 --> 00:31:05.319
<v Speaker 4>about Yeah, one more thing I want to I want

564
00:31:05.359 --> 00:31:08.480
<v Speaker 4>to give it credit for also is there there are

565
00:31:08.559 --> 00:31:13.079
<v Speaker 4>things back there, and I'm certain that there were visual

566
00:31:13.079 --> 00:31:15.000
<v Speaker 4>effects employed, and so I want to compliment the visual

567
00:31:15.039 --> 00:31:16.359
<v Speaker 4>effects because I couldn't tell.

568
00:31:16.880 --> 00:31:18.759
<v Speaker 1>I couldn't tell what was a visual effect. And there

569
00:31:18.759 --> 00:31:21.920
<v Speaker 1>are also things that you see that are clearly practical

570
00:31:21.960 --> 00:31:30.359
<v Speaker 1>and really there, and they are very unnerving, interesting, and

571
00:31:30.440 --> 00:31:36.160
<v Speaker 1>I think the practicality of them is what really sells it. Okay,

572
00:31:36.400 --> 00:31:38.759
<v Speaker 1>And it's one of those things where you're just like,

573
00:31:39.519 --> 00:31:41.559
<v Speaker 1>it's not like Freddy Krueger, you know what I mean,

574
00:31:41.680 --> 00:31:43.759
<v Speaker 1>Like it's a little weirder than that. It's more dream

575
00:31:43.880 --> 00:31:48.240
<v Speaker 1>like than that, and somehow like to just create that

576
00:31:48.359 --> 00:31:50.559
<v Speaker 1>and capture that and make me have like this the

577
00:31:50.599 --> 00:31:52.279
<v Speaker 1>thing when you're trying to explain to dream of someone

578
00:31:52.319 --> 00:31:54.599
<v Speaker 1>and you just can't quite do it, or they're just like,

579
00:31:54.839 --> 00:31:57.000
<v Speaker 1>I know this meant something to you when you had

580
00:31:57.039 --> 00:31:59.680
<v Speaker 1>a feeling, but I can't understand what you're talking about.

581
00:32:00.119 --> 00:32:03.920
<v Speaker 1>Somehow Kane Parsons translated that into something literal a film,

582
00:32:04.160 --> 00:32:06.920
<v Speaker 1>and it's I had a great time watching it.

583
00:32:07.720 --> 00:32:11.960
<v Speaker 2>So what about if you, Brian, are wandering through the

584
00:32:12.000 --> 00:32:15.440
<v Speaker 2>back rooms and you just see a guy dressed as

585
00:32:15.440 --> 00:32:20.640
<v Speaker 2>a pilgrim? Yeah, is that your nightmare scenario?

586
00:32:21.000 --> 00:32:22.920
<v Speaker 1>I'd be like that guy in mullhalland Drive when he

587
00:32:22.920 --> 00:32:24.880
<v Speaker 1>doesn't want to see what's behind the dumpster and he's

588
00:32:24.920 --> 00:32:27.319
<v Speaker 1>like walking up to it and then he basically like dies.

589
00:32:27.359 --> 00:32:28.319
<v Speaker 1>A fright. That would be.

590
00:32:30.440 --> 00:32:31.720
<v Speaker 2>For those of you who don't know, this is a

591
00:32:31.720 --> 00:32:37.960
<v Speaker 2>deep cut to Brian's long standing pilgrim terror. There's context

592
00:32:38.039 --> 00:32:40.440
<v Speaker 2>to that, but I think it's funnier to say you're

593
00:32:40.480 --> 00:32:41.279
<v Speaker 2>scared of pilgrims.

594
00:32:41.559 --> 00:32:45.680
<v Speaker 1>No I yeah, no I am. I They make me uncomfortable.

595
00:32:49.359 --> 00:32:52.160
<v Speaker 2>I love the idea that somebody's listening to this episode,

596
00:32:52.319 --> 00:32:55.559
<v Speaker 2>this is their first episode of movie film, and they're like,

597
00:32:55.640 --> 00:32:56.839
<v Speaker 2>he's afraid of pilgrims?

598
00:32:56.880 --> 00:32:57.480
<v Speaker 1>What like that?

599
00:32:57.640 --> 00:32:59.200
<v Speaker 2>You know, we just don't explain it.

600
00:32:59.599 --> 00:33:02.400
<v Speaker 1>Yeah, yeah, but you know it's funny. Sean Coyle, our friend,

601
00:33:02.559 --> 00:33:05.400
<v Speaker 1>his kids, they know this about me, and so for

602
00:33:05.480 --> 00:33:08.119
<v Speaker 1>my birthday a lot of times they'll make me birthday cards,

603
00:33:08.119 --> 00:33:11.599
<v Speaker 1>like draw them and they'll draw Pilgrims in them.

604
00:33:11.039 --> 00:33:13.200
<v Speaker 2>Very see now that's what I see you like like

605
00:33:13.319 --> 00:33:17.519
<v Speaker 2>John Hawk and Congo, Remember like he he dies a

606
00:33:17.640 --> 00:33:20.799
<v Speaker 2>fright when he sees the you know, Amy, yes, right, right,

607
00:33:20.839 --> 00:33:23.599
<v Speaker 2>So that's why I you know, I like the idea

608
00:33:23.640 --> 00:33:26.400
<v Speaker 2>of Sean's Sean's son coming up to you dressed up

609
00:33:26.400 --> 00:33:29.440
<v Speaker 2>like a pilgrim O Brian and you're just like a

610
00:33:30.039 --> 00:33:30.799
<v Speaker 2>and you're just dead.

611
00:33:32.400 --> 00:33:34.839
<v Speaker 1>I love. But also too like our our references I love.

612
00:33:35.000 --> 00:33:36.680
<v Speaker 1>I'm like, yeah, you know, Mohulan driver, the guy dies

613
00:33:36.720 --> 00:33:38.359
<v Speaker 1>of fright and you're like, yeah, Congo or the guy

614
00:33:38.440 --> 00:33:44.400
<v Speaker 1>drives a friend like yeah, no, no, Congo. I love that. Yeah.

615
00:33:44.440 --> 00:33:46.000
<v Speaker 1>What have you been watching? I?

616
00:33:46.000 --> 00:33:50.559
<v Speaker 2>I have been somewhat busy this past week. The last

617
00:33:50.559 --> 00:33:52.119
<v Speaker 2>I think the last time we recorded. The last thing

618
00:33:52.119 --> 00:33:55.799
<v Speaker 2>I'd seen was was Spider and Wir Yes, right. And

619
00:33:55.839 --> 00:33:57.599
<v Speaker 2>that's been kind of fun because my kids are watching it,

620
00:33:57.640 --> 00:33:59.279
<v Speaker 2>so I've sort of been dipping in and out watching

621
00:33:59.319 --> 00:34:02.640
<v Speaker 2>and they're really in it, you know, And the reaction

622
00:34:02.720 --> 00:34:06.039
<v Speaker 2>to that show has been fun in that, you know,

623
00:34:06.519 --> 00:34:10.559
<v Speaker 2>what's working in its favor is that it's not really

624
00:34:10.880 --> 00:34:14.960
<v Speaker 2>tied up in all the multiversal shenanigans and you're not

625
00:34:15.039 --> 00:34:18.960
<v Speaker 2>stressing over how does this quote unquote fit. You're just like, now,

626
00:34:18.960 --> 00:34:24.480
<v Speaker 2>it's a fun story. Nicholas Cage being like, hey, hey,

627
00:34:24.559 --> 00:34:26.360
<v Speaker 2>Silver Marine, I don't know what you're doing here, but

628
00:34:27.760 --> 00:34:29.000
<v Speaker 2>I'm afraid I got't to stop you.

629
00:34:29.000 --> 00:34:29.199
<v Speaker 1>You know.

630
00:34:29.199 --> 00:34:30.519
<v Speaker 2>It's just a lot of that, and you're like, I'm

631
00:34:30.559 --> 00:34:31.000
<v Speaker 2>down for that.

632
00:34:31.280 --> 00:34:33.920
<v Speaker 1>Yeah, I heard he's doing kind of a Cagney. Is

633
00:34:33.960 --> 00:34:34.320
<v Speaker 1>that right?

634
00:34:35.039 --> 00:34:38.559
<v Speaker 2>He's doing a little Cagney little Lettergy Robinson. I think

635
00:34:38.599 --> 00:34:43.400
<v Speaker 2>I said this during our last discussion. The character is

636
00:34:44.159 --> 00:34:48.840
<v Speaker 2>obsessed with gangster pictures, so ah, there's at least a

637
00:34:48.960 --> 00:34:53.239
<v Speaker 2>character a reason for it. I also admire the restraint

638
00:34:53.360 --> 00:34:58.559
<v Speaker 2>of doing a a you know, kind of a Bogart

639
00:34:58.760 --> 00:35:03.559
<v Speaker 2>esque set and not having voiceover narration, which you think

640
00:35:03.559 --> 00:35:06.360
<v Speaker 2>that would have been the most obviously, and they shied

641
00:35:06.400 --> 00:35:10.000
<v Speaker 2>away from that. So so so it isn't just just

642
00:35:10.159 --> 00:35:12.920
<v Speaker 2>Nicholas Cage. You know, she wandered into my office and

643
00:35:12.960 --> 00:35:15.760
<v Speaker 2>I've never seen anybody who look like that before. You know,

644
00:35:16.239 --> 00:35:19.360
<v Speaker 2>they didn't do that. I admire. I admire the restraint,

645
00:35:19.360 --> 00:35:20.000
<v Speaker 2>That's all I'm saying.

646
00:35:20.079 --> 00:35:22.039
<v Speaker 1>Yeah, but it's a good one.

647
00:35:22.039 --> 00:35:24.039
<v Speaker 2>I do think you would enjoy it, so Okay, cool,

648
00:35:24.480 --> 00:35:27.920
<v Speaker 2>recommend that anyway, As I was saying before I was

649
00:35:27.920 --> 00:35:36.320
<v Speaker 2>so rudely interrupted, we have some listener letters. You have

650
00:35:38.000 --> 00:35:49.159
<v Speaker 2>eighteen thousands all addressed. You've got me, all right, we

651
00:35:49.239 --> 00:35:52.280
<v Speaker 2>got some. We got some Star Wars related communications. Seems

652
00:35:52.320 --> 00:35:56.159
<v Speaker 2>appropriate because you may have forgotten, Brian, but there is

653
00:35:56.199 --> 00:35:58.480
<v Speaker 2>a Star Wars movie in theaters right now.

654
00:35:58.800 --> 00:35:59.679
<v Speaker 1>Mm hmm, that's right.

655
00:36:00.800 --> 00:36:03.119
<v Speaker 2>It is rapidly dropping down the charts.

656
00:36:03.480 --> 00:36:05.320
<v Speaker 1>I was gonna say, it's part of a narrative of

657
00:36:05.400 --> 00:36:10.119
<v Speaker 1>some unprecedented box office recently, right, I mean where you

658
00:36:10.159 --> 00:36:13.360
<v Speaker 1>have Star Wars did a hard seventy percent drop in

659
00:36:13.440 --> 00:36:16.519
<v Speaker 1>its second weekend, and then you have that movie Obsession,

660
00:36:17.320 --> 00:36:21.400
<v Speaker 1>which was made for under a million dollars, and each

661
00:36:21.440 --> 00:36:25.360
<v Speaker 1>week it's been out it has made more money, which

662
00:36:25.400 --> 00:36:28.599
<v Speaker 1>apparently the last time that happened was with et.

663
00:36:29.480 --> 00:36:29.960
<v Speaker 2>Wow.

664
00:36:30.280 --> 00:36:34.880
<v Speaker 1>Yeah, so that is an impressive story. And on top

665
00:36:34.920 --> 00:36:37.239
<v Speaker 1>of that, that was I think number two this last weekend,

666
00:36:37.880 --> 00:36:42.599
<v Speaker 1>and number one was Back Rooms, nineteen year old filmmaker

667
00:36:42.639 --> 00:36:44.719
<v Speaker 1>based on a YouTube video opens to eighty one million,

668
00:36:44.800 --> 00:36:47.239
<v Speaker 1>So people are like, wow, this is it almost feels

669
00:36:47.280 --> 00:36:50.400
<v Speaker 1>like back in the seventies, you know where Steven Spielberg

670
00:36:50.519 --> 00:36:52.639
<v Speaker 1>is making his Shark movie, and George Lucas is making

671
00:36:52.639 --> 00:36:55.000
<v Speaker 1>a space movie. And the establishment was like, who are

672
00:36:55.039 --> 00:36:58.320
<v Speaker 1>these kids? And what is this pew pew and space stuff?

673
00:36:58.639 --> 00:37:02.920
<v Speaker 2>Well, you know that come Monday morning, every producer had

674
00:37:03.039 --> 00:37:05.880
<v Speaker 2>their assistant just scouring four Chan.

675
00:37:07.559 --> 00:37:10.760
<v Speaker 1>Yeah, well the creepypasta stuff, right, like all that online horror.

676
00:37:10.840 --> 00:37:13.719
<v Speaker 2>Yeah, because we're about to get a whole bunch of

677
00:37:14.760 --> 00:37:17.320
<v Speaker 2>I mean, it's a coming, you know, totally all that.

678
00:37:18.360 --> 00:37:20.639
<v Speaker 2>Here's a note we got from Roger and this is

679
00:37:20.719 --> 00:37:22.639
<v Speaker 2>he emailed us a movie film podcast at gmail dot com.

680
00:37:22.679 --> 00:37:25.119
<v Speaker 2>This is when regards to our Solo as Star Wars

681
00:37:25.119 --> 00:37:28.760
<v Speaker 2>story commentary. Ah this Isaac and Bryant. I loved this commentary.

682
00:37:28.800 --> 00:37:32.000
<v Speaker 2>I listened while doing house chores. That's I love that.

683
00:37:32.239 --> 00:37:35.119
<v Speaker 2>I love that people people shovel the driveway while listening

684
00:37:35.159 --> 00:37:35.719
<v Speaker 2>to us and stuff.

685
00:37:35.719 --> 00:37:36.800
<v Speaker 1>That's cool.

686
00:37:37.360 --> 00:37:39.880
<v Speaker 2>I unfortunately didn't see Solo in the cinema because I

687
00:37:39.920 --> 00:37:42.079
<v Speaker 2>was barely a Star Wars fan. Then I saw Solo

688
00:37:42.079 --> 00:37:47.000
<v Speaker 2>on TV a year later. It is so fun. I'm

689
00:37:47.000 --> 00:37:49.920
<v Speaker 2>not an uber Star Wars fan, but I appreciate the

690
00:37:49.920 --> 00:37:52.519
<v Speaker 2>world now. I fell in love with Star Wars in

691
00:37:52.599 --> 00:37:57.239
<v Speaker 2>twenty twenty. I watched them in release order in David

692
00:37:57.320 --> 00:38:01.719
<v Speaker 2>Cornsweat's preferred release order, which is four or five, one, two,

693
00:38:01.840 --> 00:38:03.519
<v Speaker 2>three and six, which is the.

694
00:38:04.239 --> 00:38:05.840
<v Speaker 1>Is that machete machete order?

695
00:38:05.920 --> 00:38:08.679
<v Speaker 2>Yeah, so basically that that way what you do is

696
00:38:10.119 --> 00:38:12.719
<v Speaker 2>you if you watch them. Basically the idea is that

697
00:38:12.719 --> 00:38:15.440
<v Speaker 2>if you watch them in number order, you lose the

698
00:38:15.440 --> 00:38:18.800
<v Speaker 2>big reveal of Darth Vader being Luke's father. So if

699
00:38:18.840 --> 00:38:21.480
<v Speaker 2>you go, if you go Star Wars Empire, you get

700
00:38:21.480 --> 00:38:23.880
<v Speaker 2>the reveal, and then you get the backstory with the

701
00:38:23.920 --> 00:38:25.599
<v Speaker 2>prequel trilogy, and then you come back and watch your

702
00:38:25.599 --> 00:38:26.199
<v Speaker 2>train of the Jedi.

703
00:38:26.360 --> 00:38:30.480
<v Speaker 1>Yep, I watched the.

704
00:38:32.599 --> 00:38:34.519
<v Speaker 2>I watched them in quorn Swit's preferred Star Wars order

705
00:38:34.599 --> 00:38:38.440
<v Speaker 2>last month for Grogu prep time and the sequels and

706
00:38:38.480 --> 00:38:43.119
<v Speaker 2>the Mando show after uh man, that's a lot of

707
00:38:43.119 --> 00:38:43.840
<v Speaker 2>Star Wars right there.

708
00:38:43.920 --> 00:38:44.119
<v Speaker 1>Yeah.

709
00:38:44.199 --> 00:38:46.440
<v Speaker 2>Yeah, I thought it'd be cute to see qrn Sweats

710
00:38:46.440 --> 00:38:47.960
<v Speaker 2>watch order. I have no clue how good Mandow and

711
00:38:48.000 --> 00:38:49.880
<v Speaker 2>Grogog will be, but I'll be there. Thanks for the

712
00:38:49.880 --> 00:38:52.679
<v Speaker 2>show guys. Ps Disney, make corn switz wish come true

713
00:38:52.719 --> 00:38:54.000
<v Speaker 2>of being an X Wing pilot.

714
00:38:54.800 --> 00:38:56.920
<v Speaker 1>Yeah, I'd be happy to see him in Star Wars.

715
00:38:56.679 --> 00:38:59.480
<v Speaker 2>David Kornswett is such as Star Wars Dork, which I love.

716
00:39:01.320 --> 00:39:06.440
<v Speaker 2>We talked about it before he recorded himself playing the

717
00:39:06.639 --> 00:39:10.639
<v Speaker 2>music of the Death Star Assault while doing the entire

718
00:39:11.119 --> 00:39:12.719
<v Speaker 2>voiceover of the whole sequence.

719
00:39:12.960 --> 00:39:15.159
<v Speaker 1>Yeah. He knows the music the score so well that

720
00:39:15.199 --> 00:39:18.000
<v Speaker 1>he knew where all the dialogue landed, and he was

721
00:39:18.199 --> 00:39:20.800
<v Speaker 1>informssive Nerdery. Yeah, it was pretty good. See.

722
00:39:20.880 --> 00:39:24.480
<v Speaker 2>That's the type of shit that when I was younger,

723
00:39:25.679 --> 00:39:28.239
<v Speaker 2>if I were to do that, I would make sure

724
00:39:28.239 --> 00:39:31.559
<v Speaker 2>there was not a camera anywhere near. You know, it'd

725
00:39:31.559 --> 00:39:34.320
<v Speaker 2>be like Star Wars Kid. Yeah, yeah, right, exactly. You

726
00:39:34.639 --> 00:39:38.079
<v Speaker 2>can't live that shit down, you know, David Cornstar gets

727
00:39:38.119 --> 00:39:38.760
<v Speaker 2>to play Supermans.

728
00:39:38.800 --> 00:39:39.159
<v Speaker 1>I don't know.

729
00:39:39.159 --> 00:39:43.760
<v Speaker 2>Maybe I was wrong the whole time. Yeah, thank you

730
00:39:43.800 --> 00:39:45.800
<v Speaker 2>for that, Roger, and I would love to know what

731
00:39:45.840 --> 00:39:49.760
<v Speaker 2>you thought of Mandalorian Grogu. Yeah, definitely speaking of thoughts

732
00:39:49.800 --> 00:39:52.199
<v Speaker 2>on Mandalorian Grogu. Here's an email we got from Matthew

733
00:39:52.239 --> 00:39:55.079
<v Speaker 2>also a movie from podcastgbail dot com as I left

734
00:39:55.079 --> 00:39:58.360
<v Speaker 2>a screening of the Mandalorian and Grogu, questioning the life

735
00:39:58.480 --> 00:40:02.400
<v Speaker 2>choices that had led me the I don't feel like

736
00:40:04.119 --> 00:40:05.880
<v Speaker 2>I'm unclear what he thought of that movie, Brian, I

737
00:40:05.880 --> 00:40:06.239
<v Speaker 2>don't know.

738
00:40:08.239 --> 00:40:08.760
<v Speaker 1>I got to.

739
00:40:08.719 --> 00:40:13.159
<v Speaker 2>Thinking just how much of contemporary geek pop culture consists

740
00:40:13.400 --> 00:40:16.639
<v Speaker 2>of prequels. Literally, everything Star Wars has done since the

741
00:40:16.719 --> 00:40:19.440
<v Speaker 2>Rise of Skywalker is a prequel to The Force Awakens,

742
00:40:21.199 --> 00:40:23.840
<v Speaker 2>Star Trek Strange New world That's true. Yeah, Star Trek

743
00:40:23.920 --> 00:40:26.360
<v Speaker 2>Strange New Worlds is a prequel, and Picard was a

744
00:40:26.400 --> 00:40:29.480
<v Speaker 2>prequel to the later seasons of Discovery. Over on HBO

745
00:40:29.559 --> 00:40:32.119
<v Speaker 2>home of the prequel it Welcome to Darry. Both West

746
00:40:32.239 --> 00:40:34.679
<v Speaker 2>Roast series are prequels to Game of Thrones and the

747
00:40:34.760 --> 00:40:36.880
<v Speaker 2>Realm of Middle Earth. Both The Rings of Power and

748
00:40:36.960 --> 00:40:39.159
<v Speaker 2>War of the Row Herem are prequels, along with the

749
00:40:39.239 --> 00:40:41.719
<v Speaker 2>upcoming movies about the Hunt for Gollum and the flashback

750
00:40:41.760 --> 00:40:44.239
<v Speaker 2>story about how the Hobbits actually did meet Tom Bombadil

751
00:40:44.400 --> 00:40:48.320
<v Speaker 2>before reaching Rivendell after all. Meanwhile, both Alien Romulus and

752
00:40:48.360 --> 00:40:51.159
<v Speaker 2>Alien Earth are prequels to Aliens, and the next Narnia

753
00:40:51.199 --> 00:40:52.960
<v Speaker 2>reboot will start with a prequel to The Lion, The

754
00:40:53.000 --> 00:40:55.840
<v Speaker 2>Witch and the Wardrobe. June Part three is technically moving

755
00:40:55.840 --> 00:40:58.239
<v Speaker 2>to the Big the moving the Big screen franchise forward,

756
00:40:58.360 --> 00:41:00.559
<v Speaker 2>but it's based on a book with lots of decades

757
00:41:00.599 --> 00:41:03.639
<v Speaker 2>old sequels, and the Odyssey takes place in the distant past.

758
00:41:03.840 --> 00:41:06.840
<v Speaker 2>Starfleet Academy nominally advanced to the star Trek narrative, yet

759
00:41:06.880 --> 00:41:09.679
<v Speaker 2>still managed to give off prequel vibes by focusing on

760
00:41:09.760 --> 00:41:12.760
<v Speaker 2>the rebuilding of the Federation, thereby making it a spiritual

761
00:41:12.800 --> 00:41:16.280
<v Speaker 2>prequel to at least the next generation. Also, the rebooted

762
00:41:16.320 --> 00:41:18.760
<v Speaker 2>Harry Potter series will be one long prequel to the

763
00:41:18.840 --> 00:41:22.360
<v Speaker 2>Cursed Child Play. Finally, the MCU stands alone by charting

764
00:41:22.400 --> 00:41:25.039
<v Speaker 2>new ground, but even the famously tight lipped Kevin Feigey

765
00:41:25.119 --> 00:41:28.119
<v Speaker 2>hasn't bothered to conceal that Secret Wars will feature a

766
00:41:28.199 --> 00:41:31.199
<v Speaker 2>major continuity shakeup of some kind. So the upcoming Spider

767
00:41:31.239 --> 00:41:36.920
<v Speaker 2>Man and Doomsday Flix also carry a certain prequelly gene. Sequah. Now,

768
00:41:36.960 --> 00:41:39.440
<v Speaker 2>I love me some franchises and and Or felt fresh

769
00:41:39.440 --> 00:41:42.000
<v Speaker 2>as hex, so I'm no automatic prequel hater, but this

770
00:41:42.119 --> 00:41:45.880
<v Speaker 2>feels like a lot of retrospection. No, I don't really

771
00:41:45.920 --> 00:41:47.639
<v Speaker 2>have much more to say about all this, but just

772
00:41:47.679 --> 00:41:49.000
<v Speaker 2>thought it worth pointing out.

773
00:41:50.639 --> 00:41:54.840
<v Speaker 1>Yeah, that's that's pretty fascinating seeing it all listed out

774
00:41:54.880 --> 00:41:55.159
<v Speaker 1>like that.

775
00:41:55.800 --> 00:42:00.679
<v Speaker 2>Well, I will say I think the Starfleet Academy example,

776
00:42:00.760 --> 00:42:02.639
<v Speaker 2>I see where you're going. It feels like a little

777
00:42:02.639 --> 00:42:05.920
<v Speaker 2>bit of a push to me. I think the mc

778
00:42:06.119 --> 00:42:08.320
<v Speaker 2>I mean, with the MCU, that's like saying, well, every

779
00:42:08.519 --> 00:42:10.199
<v Speaker 2>MCU thing is a prequel.

780
00:42:09.840 --> 00:42:10.360
<v Speaker 1>To the next thing.

781
00:42:10.400 --> 00:42:15.360
<v Speaker 2>I mean, you know, it's like, well yeah. However, broadly,

782
00:42:15.960 --> 00:42:18.360
<v Speaker 2>I think we're seeing something very interesting, which is that

783
00:42:19.159 --> 00:42:24.400
<v Speaker 2>corporations are are averse to change. They don't want to

784
00:42:24.480 --> 00:42:27.280
<v Speaker 2>change the window dressing of their big brands too much

785
00:42:27.320 --> 00:42:29.400
<v Speaker 2>because that moves it too far away from the thing.

786
00:42:29.280 --> 00:42:30.760
<v Speaker 1>That makes them money. Yeap.

787
00:42:31.400 --> 00:42:34.159
<v Speaker 2>So I don't think it's a surprise at all. Star

788
00:42:34.239 --> 00:42:35.880
<v Speaker 2>Wars has been sort of a unique beast thatch you've

789
00:42:35.880 --> 00:42:38.039
<v Speaker 2>talked about before. I think they're terrified to go past

790
00:42:38.119 --> 00:42:39.639
<v Speaker 2>Rise of Skywalker because they don't know what the hell

791
00:42:39.679 --> 00:42:39.920
<v Speaker 2>to do.

792
00:42:40.280 --> 00:42:43.840
<v Speaker 1>I was gonna say, I think why they would, or

793
00:42:44.039 --> 00:42:46.880
<v Speaker 1>these studios with all these properties would be inclined to

794
00:42:46.880 --> 00:42:51.000
<v Speaker 1>do prequels is you can do new stories, but there

795
00:42:51.119 --> 00:42:53.599
<v Speaker 1>is like a ceiling that's almost like a safety net

796
00:42:53.760 --> 00:42:55.960
<v Speaker 1>for you, like you know what how much you can

797
00:42:56.079 --> 00:42:58.000
<v Speaker 1>change and how much you can't change, and you can

798
00:42:58.320 --> 00:43:01.079
<v Speaker 1>work within like safe confine. But if you were to

799
00:43:01.119 --> 00:43:03.519
<v Speaker 1>do it post stories that have already been told, you're

800
00:43:03.599 --> 00:43:09.119
<v Speaker 1>charting something that's like the wild West, right, and it

801
00:43:09.239 --> 00:43:11.599
<v Speaker 1>might affect things that you want to do later, and

802
00:43:11.679 --> 00:43:15.239
<v Speaker 1>it just feels a little riskier to venture out that way, right.

803
00:43:15.280 --> 00:43:19.840
<v Speaker 2>Well, I think you know what's interesting is when we

804
00:43:19.880 --> 00:43:22.519
<v Speaker 2>talk about the Star Wars prequels, I mean, the biggest knock,

805
00:43:24.079 --> 00:43:25.639
<v Speaker 2>well there are many knocks now, but I mean what

806
00:43:25.760 --> 00:43:28.719
<v Speaker 2>the biggest knock against the Force Awakens was like, why

807
00:43:28.679 --> 00:43:32.400
<v Speaker 2>are you guys just redoing a new hope? And that

808
00:43:32.719 --> 00:43:35.039
<v Speaker 2>sort of tells you something where even as they moved

809
00:43:35.079 --> 00:43:38.480
<v Speaker 2>it forward, the goal really wasn't to move it forward.

810
00:43:39.840 --> 00:43:42.360
<v Speaker 2>It was to take it backward. So I think the

811
00:43:42.400 --> 00:43:44.400
<v Speaker 2>fact that they are doing all these prequels, I mean,

812
00:43:44.440 --> 00:43:48.039
<v Speaker 2>I'm look, I'm I'm not opposed to prequels, but I

813
00:43:48.079 --> 00:43:52.599
<v Speaker 2>am i am burned out on prequels because you know,

814
00:43:52.880 --> 00:43:58.119
<v Speaker 2>it's like I'm kind of like, well, the if it

815
00:43:58.159 --> 00:44:02.639
<v Speaker 2>was worth telling, you would have done it already generally

816
00:44:03.480 --> 00:44:06.679
<v Speaker 2>with rare exceptions, right. I mean, Godfather Part two has

817
00:44:06.719 --> 00:44:11.440
<v Speaker 2>prequel elements, right, right? But remember like like remember when

818
00:44:11.480 --> 00:44:14.519
<v Speaker 2>they were talking about doing the John McClain prequel, Yes,

819
00:44:14.840 --> 00:44:19.360
<v Speaker 2>and it's like, why, dude, you know I was just

820
00:44:19.400 --> 00:44:21.280
<v Speaker 2>about to bring this up there doing this the John

821
00:44:21.360 --> 00:44:25.360
<v Speaker 2>Rambo which is coming out in June, I think, and

822
00:44:25.360 --> 00:44:28.480
<v Speaker 2>and my thought is like, well, what what is that story?

823
00:44:28.599 --> 00:44:35.719
<v Speaker 2>Because like, either he's just a regular soldier in Vietnam

824
00:44:35.800 --> 00:44:39.960
<v Speaker 2>or he's a friggin psychopath in Vietnam, and I don't

825
00:44:40.039 --> 00:44:44.000
<v Speaker 2>believe that's the case. So it's like, what what is

826
00:44:44.920 --> 00:44:47.239
<v Speaker 2>what is the necessary element of this story?

827
00:44:48.400 --> 00:44:48.599
<v Speaker 1>You know?

828
00:44:49.960 --> 00:44:55.639
<v Speaker 2>Yeah, because inevitably it's like how do we how do

829
00:44:55.679 --> 00:44:59.199
<v Speaker 2>we allude to the thing that people know? Yeah, you know,

830
00:44:59.320 --> 00:45:03.320
<v Speaker 2>And and you know, the example I've used before is

831
00:45:03.360 --> 00:45:07.880
<v Speaker 2>Hannibal Rising, which is the Hannibal Elector prequel, and it's

832
00:45:07.920 --> 00:45:11.039
<v Speaker 2>him as a kid, and and I'm like, well, I

833
00:45:11.079 --> 00:45:14.079
<v Speaker 2>don't I don't want to I don't want to see

834
00:45:14.079 --> 00:45:17.639
<v Speaker 2>why Hannibal Lecter became the way he did, you know, right,

835
00:45:17.880 --> 00:45:20.280
<v Speaker 2>And and then you know, even even Red Dragon, which

836
00:45:20.320 --> 00:45:23.960
<v Speaker 2>is very much a prequel, uh, tries to incorporate as

837
00:45:24.079 --> 00:45:26.039
<v Speaker 2>much of the hey, you know, this is connected to

838
00:45:26.079 --> 00:45:27.519
<v Speaker 2>that other thing, Like I don't like that.

839
00:45:28.719 --> 00:45:29.000
<v Speaker 1>You know.

840
00:45:32.159 --> 00:45:38.320
<v Speaker 2>There's another Yeah, it's talking about the hunt for Gollum.

841
00:45:38.360 --> 00:45:41.039
<v Speaker 2>And that's another one where like you're sort of like,

842
00:45:41.199 --> 00:45:44.400
<v Speaker 2>what what is interesting about this story?

843
00:45:45.199 --> 00:45:51.639
<v Speaker 1>Yeah, because we all we already know where it ends, right, Yeah, exactly,

844
00:45:51.960 --> 00:45:52.159
<v Speaker 1>you know.

845
00:45:53.280 --> 00:45:56.159
<v Speaker 2>And and I think since the last time we discussed it,

846
00:45:56.199 --> 00:46:00.800
<v Speaker 2>they have cast Jamie Dornan as Aragorn, and that is

847
00:46:00.880 --> 00:46:02.679
<v Speaker 2>good casting, I will say. I think, yeah, I think

848
00:46:02.719 --> 00:46:04.840
<v Speaker 2>he right, like I can. I can absolutely see that.

849
00:46:05.199 --> 00:46:06.000
<v Speaker 1>Yeah, yeah, me too.

850
00:46:06.079 --> 00:46:08.440
<v Speaker 2>So I remember you and I were like, man, whoever

851
00:46:08.480 --> 00:46:10.159
<v Speaker 2>the poor bastard is. I'm like, well, you know what,

852
00:46:11.920 --> 00:46:14.039
<v Speaker 2>it could have been worse? I think he is. I

853
00:46:14.079 --> 00:46:15.519
<v Speaker 2>think he would do well in that role. And I

854
00:46:15.519 --> 00:46:17.800
<v Speaker 2>think you would do something different enough that you wouldn't

855
00:46:19.000 --> 00:46:21.360
<v Speaker 2>you wouldn't be too fixated on the fact that it's

856
00:46:21.400 --> 00:46:26.519
<v Speaker 2>not Vigo Mortenson, you know. But yeah, Hey, Hollywood is

857
00:46:26.559 --> 00:46:29.360
<v Speaker 2>built on recycling familiarity, so that I think that's the

858
00:46:29.400 --> 00:46:33.159
<v Speaker 2>reason we got so many prequels. Yeah, and they will

859
00:46:33.199 --> 00:46:33.760
<v Speaker 2>never stop.

860
00:46:35.119 --> 00:46:35.280
<v Speaker 4>You know.

861
00:46:35.360 --> 00:46:40.199
<v Speaker 1>It's funny. We were talking about this a couple episodes ago.

862
00:46:40.280 --> 00:46:43.840
<v Speaker 1>I don't remember what about specifically, but we were just

863
00:46:43.880 --> 00:46:47.239
<v Speaker 1>being like a little cynical about Hollywood and them trying

864
00:46:47.239 --> 00:46:49.880
<v Speaker 1>to please everybody and then pleasing nobody and making these

865
00:46:50.320 --> 00:46:54.360
<v Speaker 1>very safe blockbusters. And I'm thinking two things right now.

866
00:46:55.760 --> 00:46:58.039
<v Speaker 1>After when I was editing that episode, and I heard

867
00:46:58.079 --> 00:47:02.159
<v Speaker 1>us saying it again, I did think, you know, yes,

868
00:47:03.159 --> 00:47:07.280
<v Speaker 1>And there have been an awful lot of interesting movies recently.

869
00:47:07.760 --> 00:47:10.920
<v Speaker 1>I just recently, I mean this year alone, the drama

870
00:47:11.599 --> 00:47:15.239
<v Speaker 1>was really interesting in Sinners and One, Battle and Weapons

871
00:47:15.280 --> 00:47:19.440
<v Speaker 1>and Project Hail Mary. You know is all doing pretty well. Yeah,

872
00:47:19.480 --> 00:47:21.400
<v Speaker 1>And I talked about a movie called Crime one to

873
00:47:21.480 --> 00:47:24.119
<v Speaker 1>one that was really good that came out in theaters

874
00:47:24.119 --> 00:47:29.880
<v Speaker 1>this year, and Send Help earlier this year, so it's

875
00:47:29.920 --> 00:47:35.760
<v Speaker 1>not like we're only getting recycled story blockbusters sorts of things.

876
00:47:37.840 --> 00:47:39.920
<v Speaker 1>I've been kind of impressed when I really think about

877
00:47:40.000 --> 00:47:43.880
<v Speaker 1>how many interesting things have come out theatrically, even though

878
00:47:43.880 --> 00:47:45.760
<v Speaker 1>maybe they don't perform as much as we would like,

879
00:47:46.480 --> 00:47:48.079
<v Speaker 1>but they have been given a shot at least, and

880
00:47:48.119 --> 00:47:50.199
<v Speaker 1>people have discovered them at some point at whether in

881
00:47:50.239 --> 00:47:54.760
<v Speaker 1>theaters or streaming. And then the other thing I think is, well,

882
00:47:55.360 --> 00:47:59.039
<v Speaker 1>if some of those blockbusters keep the lights on, you

883
00:47:59.079 --> 00:48:02.119
<v Speaker 1>know what I mean, it's then if people want to

884
00:48:02.159 --> 00:48:04.519
<v Speaker 1>see them enjoy them, great. But I am happy that

885
00:48:04.559 --> 00:48:07.480
<v Speaker 1>there have been options, more options than I think I've

886
00:48:07.519 --> 00:48:09.039
<v Speaker 1>been giving credit lately.

887
00:48:10.519 --> 00:48:13.480
<v Speaker 2>So stay with me on that's how about a Fairis

888
00:48:13.559 --> 00:48:18.480
<v Speaker 2>Bueller prequel have you heard about this? Well, I was

889
00:48:18.519 --> 00:48:19.679
<v Speaker 2>just joking. Is this a real thing?

890
00:48:19.920 --> 00:48:24.480
<v Speaker 1>I actually don't remember if this is top secret or not. No, No,

891
00:48:24.559 --> 00:48:27.199
<v Speaker 1>this was this was announced. Oh okay, I was just

892
00:48:27.280 --> 00:48:29.000
<v Speaker 1>I was I was one hundred percent joking. Just to

893
00:48:29.039 --> 00:48:31.880
<v Speaker 1>be clear, that was there was a script. It was

894
00:48:31.880 --> 00:48:35.239
<v Speaker 1>in development, and it was about the two guys who

895
00:48:35.360 --> 00:48:36.039
<v Speaker 1>take the car.

896
00:48:37.159 --> 00:48:39.239
<v Speaker 2>So that's not even a prequel. That's just like a

897
00:48:39.280 --> 00:48:40.159
<v Speaker 2>side side squol.

898
00:48:40.280 --> 00:48:44.039
<v Speaker 1>Yeah, but but they basically went out. I guess I'm

899
00:48:44.039 --> 00:48:47.239
<v Speaker 1>not probab should talk about this, but anyway, that's basically

900
00:48:47.679 --> 00:48:51.679
<v Speaker 1>that's yeah, yes, ZACKI they thought of that already. Okay, Now,

901
00:48:51.760 --> 00:48:53.480
<v Speaker 1>I mean we're you know, and I say that because

902
00:48:53.480 --> 00:48:55.800
<v Speaker 1>like your cynical idea, it's like that's how cynical it is.

903
00:48:55.800 --> 00:48:57.840
<v Speaker 1>It's like, yeah, they they mind it.

904
00:48:58.039 --> 00:48:59.039
<v Speaker 2>They at least considered it.

905
00:48:59.280 --> 00:49:01.920
<v Speaker 1>Yeah, although I think if you're going to do it,

906
00:49:02.159 --> 00:49:05.679
<v Speaker 1>that's like not, that's pretty clever the two guys.

907
00:49:05.719 --> 00:49:08.559
<v Speaker 2>That's almost like as far as I'd be willing to

908
00:49:08.599 --> 00:49:12.039
<v Speaker 2>go right right at least it's something different what I want.

909
00:49:12.079 --> 00:49:13.519
<v Speaker 2>And by when I say what I want, I A

910
00:49:13.760 --> 00:49:16.119
<v Speaker 2>mean what I don't want is like faris goes it's

911
00:49:16.119 --> 00:49:18.000
<v Speaker 2>his first day of school. He's like the new kid

912
00:49:18.119 --> 00:49:22.000
<v Speaker 2>and everybody's picking on him or whatever. And he meets camera,

913
00:49:22.119 --> 00:49:26.639
<v Speaker 2>Cameron is like kind of the cool kid. And then

914
00:49:26.880 --> 00:49:28.760
<v Speaker 2>by by the end of the story, the tables are

915
00:49:28.760 --> 00:49:29.679
<v Speaker 2>turned and.

916
00:49:29.920 --> 00:49:33.840
<v Speaker 1>Right, right, right, or he like does his first confident

917
00:49:33.960 --> 00:49:36.519
<v Speaker 1>thing and realize there's power and confidence and you know,

918
00:49:36.599 --> 00:49:36.840
<v Speaker 1>then he.

919
00:49:37.199 --> 00:49:39.039
<v Speaker 2>Right, yeah, well it's like Bart, you know, when he

920
00:49:39.079 --> 00:49:40.719
<v Speaker 2>goes to school for the first time and he's like,

921
00:49:40.800 --> 00:49:46.360
<v Speaker 2>but man, and right, you know, yeah, Cameron's like, the

922
00:49:46.400 --> 00:49:47.239
<v Speaker 2>world needs.

923
00:49:47.000 --> 00:49:47.760
<v Speaker 1>A clown or whatever.

924
00:49:49.480 --> 00:49:53.719
<v Speaker 2>Exactly exactly knock on wood. So that doesn't happen, uh,

925
00:49:54.239 --> 00:49:58.320
<v Speaker 2>but but yes, I think it just so happens. We

926
00:49:58.360 --> 00:50:00.599
<v Speaker 2>are speaking at a moment when they're is a lot

927
00:50:00.639 --> 00:50:06.800
<v Speaker 2>of new energy in interesting new ideas, and so as

928
00:50:06.840 --> 00:50:10.000
<v Speaker 2>we talk about often hopefully it means yeah, sure, you know,

929
00:50:10.039 --> 00:50:12.519
<v Speaker 2>we get our you know, our sequels and our franchises,

930
00:50:12.559 --> 00:50:14.719
<v Speaker 2>which were ultimately fine with on a case by case,

931
00:50:14.920 --> 00:50:18.159
<v Speaker 2>but do the other stuff too, you know.

932
00:50:18.559 --> 00:50:21.599
<v Speaker 1>Yeah, which, by the way, I'm thinking, just because I

933
00:50:21.639 --> 00:50:24.360
<v Speaker 1>mentioned the drama and now Robert Pattinson's on my mind,

934
00:50:24.559 --> 00:50:28.400
<v Speaker 1>did you see the trailer for that To Catch a Predator?

935
00:50:28.920 --> 00:50:32.599
<v Speaker 1>Dude's coming, sign me up. I know what is the deal,

936
00:50:32.639 --> 00:50:34.320
<v Speaker 1>but I feel the same way, dude.

937
00:50:34.960 --> 00:50:38.880
<v Speaker 2>So it's called Primetime and it's it's Robert Pattinson as

938
00:50:38.960 --> 00:50:42.199
<v Speaker 2>Chris Hansen and he has that inflection down.

939
00:50:42.480 --> 00:50:43.440
<v Speaker 1>Yeah, yeah, totally.

940
00:50:43.880 --> 00:50:47.280
<v Speaker 2>And it's it's looking at the making of To Catch

941
00:50:47.280 --> 00:50:49.760
<v Speaker 2>a Predator, which you may remember, you know, they came

942
00:50:49.760 --> 00:50:51.760
<v Speaker 2>out with a documentary about it just in the in

943
00:50:51.800 --> 00:50:52.440
<v Speaker 2>the last year.

944
00:50:52.719 --> 00:50:54.239
<v Speaker 1>I watched it on your recommendation.

945
00:50:54.519 --> 00:50:57.199
<v Speaker 2>Oh you did. Okay, it's good documentary, right, it's very good.

946
00:50:57.280 --> 00:50:57.440
<v Speaker 1>Yeah.

947
00:50:57.519 --> 00:51:01.000
<v Speaker 2>Really, it's called Predators, and I suspect that this film

948
00:51:01.079 --> 00:51:03.599
<v Speaker 2>is going to traverse much of the same ground.

949
00:51:03.760 --> 00:51:06.119
<v Speaker 1>Kind of interrogating the whole enterprise.

950
00:51:06.400 --> 00:51:13.039
<v Speaker 2>Yeah, sort of the the impact of this, you know,

951
00:51:13.159 --> 00:51:16.039
<v Speaker 2>this show, which is really gross.

952
00:51:16.480 --> 00:51:17.599
<v Speaker 1>Yeah, but.

953
00:51:19.079 --> 00:51:24.599
<v Speaker 2>You know, by putting these pretty disgusting people on display,

954
00:51:25.840 --> 00:51:30.280
<v Speaker 2>it sort of cloaks itself in righteousness, and so you

955
00:51:30.400 --> 00:51:32.239
<v Speaker 2>kind of have to take a step backward and be like, well.

956
00:51:32.119 --> 00:51:33.239
<v Speaker 1>This is all gross.

957
00:51:33.679 --> 00:51:37.440
<v Speaker 2>Yeah yeah, right, And again I suspect that's the angle

958
00:51:37.519 --> 00:51:39.320
<v Speaker 2>the film is going to take, and so I'm very

959
00:51:39.360 --> 00:51:41.760
<v Speaker 2>much interested in the documentary is term for those of

960
00:51:41.760 --> 00:51:45.119
<v Speaker 2>you listening, it's called Predators, not to be confused with

961
00:51:45.239 --> 00:51:51.079
<v Speaker 2>Predator three, also called Predators. Yeah, very different thematic focus.

962
00:51:52.119 --> 00:51:54.400
<v Speaker 1>Yeah yeah, but I knew this movie was coming, and

963
00:51:54.440 --> 00:51:56.000
<v Speaker 1>I thought it was going to be like an analog

964
00:51:56.880 --> 00:52:00.159
<v Speaker 1>to Catch a Predator. But then when you hear Patson like,

965
00:52:00.360 --> 00:52:02.199
<v Speaker 1>why don't you take a seat, you know, like doing

966
00:52:02.199 --> 00:52:05.559
<v Speaker 1>the voices. Oh they're really doing one NBC. Yeah.

967
00:52:05.960 --> 00:52:13.039
<v Speaker 2>Yeah, and you know the documentary actually interviews Chris Hansen,

968
00:52:13.079 --> 00:52:16.719
<v Speaker 2>and I found that probably the most fascinating part of it.

969
00:52:16.960 --> 00:52:17.880
<v Speaker 1>M that was.

970
00:52:17.840 --> 00:52:21.480
<v Speaker 2>Interesting, right because because he sort of has to reckon

971
00:52:21.599 --> 00:52:24.280
<v Speaker 2>with his role in this, right, So I mean either

972
00:52:24.400 --> 00:52:27.360
<v Speaker 2>he you know, it's like two options, either disabout be

973
00:52:27.400 --> 00:52:29.239
<v Speaker 2>like well we you know, we went a little too far,

974
00:52:29.360 --> 00:52:31.280
<v Speaker 2>or be like no, we did a lot of good.

975
00:52:31.639 --> 00:52:32.840
<v Speaker 1>Because that's his legacy.

976
00:52:32.920 --> 00:52:35.159
<v Speaker 2>Now, that's his legacy. And he's still doing it, by

977
00:52:35.159 --> 00:52:36.960
<v Speaker 2>the way, now he's just doing it on YouTube.

978
00:52:37.079 --> 00:52:39.679
<v Speaker 1>Yeah, like a web series. Yeah.

979
00:52:39.719 --> 00:52:41.599
<v Speaker 2>Interesting stuff anyway, Yeah, I'm looking forward to that. I

980
00:52:41.639 --> 00:52:42.400
<v Speaker 2>think that's in the fall.

981
00:52:43.519 --> 00:52:47.119
<v Speaker 1>Yes, moving on, Hey, Brian, we.

982
00:52:47.079 --> 00:52:47.760
<v Speaker 2>Got some headlines.

983
00:52:54.760 --> 00:52:55.400
<v Speaker 1>What a scoop?

984
00:52:55.960 --> 00:52:58.480
<v Speaker 2>Well here's a big one. Marshall Lucas has passed away.

985
00:52:58.960 --> 00:53:03.800
<v Speaker 2>Yeah yeah, Marsin Lucas ex wife of George Lucas, but

986
00:53:04.159 --> 00:53:08.360
<v Speaker 2>perhaps just as importantly, she was the editor of the

987
00:53:08.400 --> 00:53:12.639
<v Speaker 2>original Star Wars and Return of the Jedi Taxi Driver

988
00:53:12.880 --> 00:53:17.400
<v Speaker 2>and yeah, above and beyond the Lucas of it all. Yeah,

989
00:53:17.559 --> 00:53:21.719
<v Speaker 2>she has been credited with you know, you know, it's

990
00:53:21.760 --> 00:53:28.079
<v Speaker 2>sort of like initially, you know, following George Lucas's divorce,

991
00:53:28.119 --> 00:53:31.239
<v Speaker 2>I think he tried to move away from crediting her

992
00:53:31.920 --> 00:53:35.880
<v Speaker 2>very much, right, Yeah, And so what you saw was

993
00:53:35.880 --> 00:53:39.880
<v Speaker 2>a bounce back where fans were crediting her with having

994
00:53:40.000 --> 00:53:43.440
<v Speaker 2>saved the film. And I feel like the truth is

995
00:53:43.480 --> 00:53:46.280
<v Speaker 2>probably somewhere in the middle. I totally agree with that,

996
00:53:46.519 --> 00:53:48.400
<v Speaker 2>as tends to be the case. But yes, t ch

997
00:53:48.440 --> 00:53:51.679
<v Speaker 2>Ex eleven thirty eight American Graffiti, Alice doesn't live here anymore.

998
00:53:51.719 --> 00:53:55.320
<v Speaker 2>Taxi Driver in New York, New York. Incredible editor, incredible instincts,

999
00:53:55.400 --> 00:54:00.719
<v Speaker 2>And what you realize by the diversity of her filmography

1000
00:54:01.039 --> 00:54:05.639
<v Speaker 2>is that there is a specific sensitivity that's required to

1001
00:54:05.639 --> 00:54:11.719
<v Speaker 2>be an editor. Where you have to you have to

1002
00:54:11.800 --> 00:54:17.199
<v Speaker 2>go where the movie is attempting to take you, and

1003
00:54:17.199 --> 00:54:19.360
<v Speaker 2>and sometimes that means grappling with it a little bit,

1004
00:54:19.400 --> 00:54:22.000
<v Speaker 2>you know. She described and interviews the conversation she had

1005
00:54:22.039 --> 00:54:24.760
<v Speaker 2>with with George, not as a wife, but as an

1006
00:54:24.840 --> 00:54:29.039
<v Speaker 2>editor about the things that she felt strongly should be

1007
00:54:29.079 --> 00:54:31.159
<v Speaker 2>cut out versus things she felt strongly should be left in.

1008
00:54:31.199 --> 00:54:34.199
<v Speaker 2>And and you know, that whole dialogue that goes into

1009
00:54:34.199 --> 00:54:37.199
<v Speaker 2>film with construction is so fascinating, right mm hm. And

1010
00:54:37.239 --> 00:54:38.920
<v Speaker 2>I think I think, I mean, certainly she has a

1011
00:54:39.000 --> 00:54:40.960
<v Speaker 2>very integral role in Star Wars.

1012
00:54:41.639 --> 00:54:44.679
<v Speaker 1>Oh definitely. I mean an example, I think the thing

1013
00:54:44.920 --> 00:54:49.280
<v Speaker 1>was everyone knew it wasn't quite locking in the way

1014
00:54:49.280 --> 00:54:51.840
<v Speaker 1>that it should and I think even you know, George

1015
00:54:51.920 --> 00:54:54.920
<v Speaker 1>Lucas was aware of that, and so he had everybody

1016
00:54:55.000 --> 00:54:57.119
<v Speaker 1>put their heads together and he got, you know, surrounded

1017
00:54:57.159 --> 00:55:01.239
<v Speaker 1>himself with smart people, including Marcia Lucas, and and they

1018
00:55:01.239 --> 00:55:04.320
<v Speaker 1>came up with ideas like I don't think originally there

1019
00:55:04.440 --> 00:55:08.320
<v Speaker 1>was a ticking clock at the end of a New Hope,

1020
00:55:08.800 --> 00:55:12.039
<v Speaker 1>you know, the countdown to blowing up the rebel bass,

1021
00:55:12.280 --> 00:55:14.519
<v Speaker 1>and that was something that was like put together in

1022
00:55:14.639 --> 00:55:20.519
<v Speaker 1>post you know, and just finding ways to ratchet things up.

1023
00:55:20.559 --> 00:55:25.760
<v Speaker 1>And like she's responsible for a lot of those things

1024
00:55:25.800 --> 00:55:28.480
<v Speaker 1>that make us grip our seats at the end of

1025
00:55:28.480 --> 00:55:30.960
<v Speaker 1>that movie. You know, those a lot of her contributions. So,

1026
00:55:31.199 --> 00:55:35.000
<v Speaker 1>I mean, definitely she played a major part in helping

1027
00:55:35.000 --> 00:55:38.360
<v Speaker 1>to shape that movie for sure. Yeah.

1028
00:55:38.400 --> 00:55:40.639
<v Speaker 2>The only you know, I think there's that sense of

1029
00:55:40.719 --> 00:55:43.159
<v Speaker 2>like she you know, she saved the movie.

1030
00:55:44.199 --> 00:55:47.239
<v Speaker 1>Yes, no, no, no, no, no, yeah, And I feel like

1031
00:55:47.280 --> 00:55:48.159
<v Speaker 1>there is.

1032
00:55:49.679 --> 00:55:52.719
<v Speaker 2>It's interesting to look at different sort of factions of

1033
00:55:53.159 --> 00:55:57.239
<v Speaker 2>Star Wars fandom, where you've got orthodox Star Wars fans,

1034
00:55:57.280 --> 00:56:01.639
<v Speaker 2>you have reformed Star Wars fans, and so there is

1035
00:56:01.679 --> 00:56:05.480
<v Speaker 2>the there's like the anti Lucas Star Wars fans, which

1036
00:56:05.760 --> 00:56:09.159
<v Speaker 2>seems like an insane thing to say, but yet we

1037
00:56:09.239 --> 00:56:12.360
<v Speaker 2>know that is true. Yeah, We're like, well, if it

1038
00:56:12.480 --> 00:56:14.920
<v Speaker 2>wasn't for his ex wife, the movie wouldn't have been

1039
00:56:14.920 --> 00:56:18.079
<v Speaker 2>what it is. And it's like, well, even she would say,

1040
00:56:18.159 --> 00:56:21.480
<v Speaker 2>like all the pieces were with Lucas, you know, I

1041
00:56:21.519 --> 00:56:23.440
<v Speaker 2>mean it started with him. There wouldn't be a movie

1042
00:56:23.480 --> 00:56:24.360
<v Speaker 2>if it wasn't for him. You know.

1043
00:56:24.519 --> 00:56:26.039
<v Speaker 1>That's why I agree with you that it's something in

1044
00:56:26.039 --> 00:56:29.400
<v Speaker 1>the middle. Yeah, yes, it's it's that's one of the

1045
00:56:29.440 --> 00:56:31.400
<v Speaker 1>smartest things you can do in a collaboration is to

1046
00:56:31.400 --> 00:56:33.760
<v Speaker 1>surround yourself with smart people and have no ego and

1047
00:56:33.840 --> 00:56:37.599
<v Speaker 1>just listen to the best idea.

1048
00:56:36.840 --> 00:56:40.320
<v Speaker 2>Right that's exactly right. And you know, I don't know

1049
00:56:40.360 --> 00:56:41.960
<v Speaker 2>if we talked about it on the podcast, but but

1050
00:56:42.079 --> 00:56:45.400
<v Speaker 2>you know, she had been interviewed recently.

1051
00:56:45.440 --> 00:56:49.280
<v Speaker 1>Do you remember this? Yeah, it was a it's like

1052
00:56:49.320 --> 00:56:53.719
<v Speaker 1>a series, right, are you talking about that TV series? Yeah?

1053
00:56:53.760 --> 00:56:56.280
<v Speaker 2>But like the I feel like the raw footage was

1054
00:56:56.320 --> 00:56:57.400
<v Speaker 2>released of the interview.

1055
00:56:57.800 --> 00:57:00.559
<v Speaker 1>Oh I did not see that. I believe I can't

1056
00:57:00.559 --> 00:57:06.880
<v Speaker 1>remember the show. It was like on Vice see see.

1057
00:57:06.960 --> 00:57:08.920
<v Speaker 2>Yeah, I guess we should have. You should have done

1058
00:57:08.920 --> 00:57:13.639
<v Speaker 2>like a bare minimum of icons unearthed. Yes, is a serio. Yeah,

1059
00:57:13.639 --> 00:57:18.960
<v Speaker 2>so that's the series. And so they they released like

1060
00:57:19.000 --> 00:57:21.280
<v Speaker 2>the raw footage it's like three hours plus. You can

1061
00:57:21.320 --> 00:57:22.159
<v Speaker 2>find it on YouTube.

1062
00:57:22.199 --> 00:57:22.599
<v Speaker 1>Oh wow.

1063
00:57:24.280 --> 00:57:26.760
<v Speaker 2>And the guy who was interviewing her is a freaking idiot.

1064
00:57:27.320 --> 00:57:27.760
<v Speaker 1>What do you mean?

1065
00:57:28.360 --> 00:57:32.360
<v Speaker 2>Like he he was not. It was so it was

1066
00:57:32.400 --> 00:57:36.280
<v Speaker 2>so clear that he was a not very good at

1067
00:57:36.320 --> 00:57:41.440
<v Speaker 2>it and be trying to get her to say certain things.

1068
00:57:41.599 --> 00:57:45.400
<v Speaker 1>Mmmm. And I'm astounded.

1069
00:57:44.840 --> 00:57:47.000
<v Speaker 2>By the fact that, I mean this, this session lasted

1070
00:57:47.039 --> 00:57:50.199
<v Speaker 2>for three hours whatever, you know, in fits and starts whatever.

1071
00:57:50.400 --> 00:57:53.039
<v Speaker 2>But I'm just like, you know, when you're interviewing somebody,

1072
00:57:53.039 --> 00:57:55.400
<v Speaker 2>you kinda you have to you have to let them go.

1073
00:57:55.440 --> 00:57:58.679
<v Speaker 2>Where they're gonna go and then you go there, and

1074
00:57:58.760 --> 00:58:04.159
<v Speaker 2>it felt it felt mean spirited is the wrong word,

1075
00:58:04.159 --> 00:58:08.280
<v Speaker 2>but it felt dismissive of this woman's of the entirety

1076
00:58:08.320 --> 00:58:08.960
<v Speaker 2>of her career.

1077
00:58:09.480 --> 00:58:15.559
<v Speaker 1>Really, to me, it did, huh, well, why why would

1078
00:58:15.599 --> 00:58:16.519
<v Speaker 1>you even have her there?

1079
00:58:16.559 --> 00:58:21.679
<v Speaker 2>An interviewer to like it was, I don't know if well,

1080
00:58:22.599 --> 00:58:24.599
<v Speaker 2>I don't think it was about taking her down. I

1081
00:58:24.639 --> 00:58:29.360
<v Speaker 2>think it was sort of diminishing by omission everything else

1082
00:58:29.360 --> 00:58:34.440
<v Speaker 2>she's done, you know, because it just it it felt

1083
00:58:34.480 --> 00:58:38.400
<v Speaker 2>like an attempt to create some kind of an adversarial

1084
00:58:38.480 --> 00:58:42.559
<v Speaker 2>hook against George Lucas. Ah, I see, I see, and

1085
00:58:42.559 --> 00:58:47.599
<v Speaker 2>and I mean she look. I mean their marriage, you know,

1086
00:58:47.679 --> 00:58:52.199
<v Speaker 2>did not end amicably, and obviously he has in the

1087
00:58:52.239 --> 00:58:56.920
<v Speaker 2>decades since, you know, he hasn't been gone out of

1088
00:58:56.960 --> 00:58:59.480
<v Speaker 2>his way to incorporate her, which I mean, that's his right,

1089
00:58:59.519 --> 00:59:01.840
<v Speaker 2>and it just it feels icky, like I don't want

1090
00:59:01.840 --> 00:59:04.480
<v Speaker 2>to get into all that, right, and so it's weird,

1091
00:59:04.639 --> 00:59:09.000
<v Speaker 2>like here's a woman in the in the twilight years

1092
00:59:09.000 --> 00:59:11.800
<v Speaker 2>of her life and she's having to sort of to

1093
00:59:12.199 --> 00:59:14.599
<v Speaker 2>dig through all this and her own hurt feelings about

1094
00:59:14.679 --> 00:59:16.440
<v Speaker 2>not being a knowledge and I don't know, it just

1095
00:59:16.519 --> 00:59:18.400
<v Speaker 2>it felt gross to me. That's that's just, that's all

1096
00:59:18.400 --> 00:59:18.880
<v Speaker 2>I'm saying.

1097
00:59:19.119 --> 00:59:22.920
<v Speaker 1>That's tough, because I think it's nice that she had

1098
00:59:22.920 --> 00:59:27.960
<v Speaker 1>an opportunity to tell her story, right, you know, and

1099
00:59:28.000 --> 00:59:32.000
<v Speaker 1>share her experience. And yeah, my memory is that she

1100
00:59:32.440 --> 00:59:36.519
<v Speaker 1>didn't try to like claim some sort of larger credit

1101
00:59:36.800 --> 00:59:39.920
<v Speaker 1>for anything. No, she wanted to tell her story like

1102
00:59:40.079 --> 00:59:42.280
<v Speaker 1>I was there this, you know, right.

1103
00:59:42.400 --> 00:59:45.079
<v Speaker 2>But she doesn't talk about, you know, feeling like she's

1104
00:59:45.119 --> 00:59:47.079
<v Speaker 2>been shut out of the whole thing.

1105
00:59:47.239 --> 00:59:48.760
<v Speaker 1>Sure, sure, sure, And you.

1106
00:59:48.679 --> 00:59:51.559
<v Speaker 2>Know there's the there's the like, oh, well, do you

1107
00:59:51.599 --> 00:59:53.199
<v Speaker 2>watch the new Star Wars stuff? She's like, well, no,

1108
00:59:53.280 --> 00:59:54.760
<v Speaker 2>not really, Well why don't you watch it? You know

1109
00:59:54.880 --> 00:59:58.159
<v Speaker 2>kind of thing like wow, she's entitled to not, you know,

1110
00:59:58.360 --> 01:00:00.880
<v Speaker 2>like yeah, yeah, and you know, you can you get

1111
01:00:00.920 --> 01:00:02.960
<v Speaker 2>the sense from her like well, I mean I've done

1112
01:00:03.239 --> 01:00:08.519
<v Speaker 2>I did other stuff too. But all of this is

1113
01:00:08.519 --> 01:00:13.159
<v Speaker 2>to say, certainly an essential part of that movie that

1114
01:00:13.199 --> 01:00:15.599
<v Speaker 2>the world fell in love with back then, right right,

1115
01:00:15.719 --> 01:00:18.599
<v Speaker 2>And as we hit the fiftieth anniversary of its release

1116
01:00:18.679 --> 01:00:22.119
<v Speaker 2>next year, what you realize is how so many of

1117
01:00:21.440 --> 01:00:26.119
<v Speaker 2>the essential people are involved have have moved on, you know,

1118
01:00:27.840 --> 01:00:31.599
<v Speaker 2>who were not going to get their tellings right, Gary Kurtz,

1119
01:00:31.719 --> 01:00:35.559
<v Speaker 2>and you know obviously all of the actors who've passed on,

1120
01:00:35.599 --> 01:00:37.920
<v Speaker 2>and you know, there is something that saddens me about that.

1121
01:00:37.960 --> 01:00:39.880
<v Speaker 2>But then you're like, well, it's a fifty year old movie,

1122
01:00:40.679 --> 01:00:45.480
<v Speaker 2>right right, I mean that's the equivalent of Wizard of

1123
01:00:45.480 --> 01:00:47.119
<v Speaker 2>Oz when we were kids or something. You know.

1124
01:00:47.360 --> 01:00:49.639
<v Speaker 1>Isn't fascinating, but it's one of those things that's just

1125
01:00:49.679 --> 01:00:50.400
<v Speaker 1>never gone away.

1126
01:00:51.000 --> 01:00:51.800
<v Speaker 2>Yeah, that's right.

1127
01:00:52.079 --> 01:00:57.519
<v Speaker 1>Yeah, like a rare case, very rare. Yeah, yeah, you

1128
01:00:57.519 --> 01:00:58.719
<v Speaker 1>know it that reminds me of a little bit.

1129
01:00:58.719 --> 01:01:02.079
<v Speaker 2>Oh no, no, well, it's just that one point about

1130
01:01:02.119 --> 01:01:04.000
<v Speaker 2>Wizard of Oz. Just given what we were just talking

1131
01:01:04.039 --> 01:01:06.599
<v Speaker 2>about prequels and stuff, it is fascinating to me that

1132
01:01:07.159 --> 01:01:10.400
<v Speaker 2>Oz has had so many prequels and offshoots and whatnot,

1133
01:01:10.559 --> 01:01:13.199
<v Speaker 2>but they have never done a straight remake of Wizard

1134
01:01:13.280 --> 01:01:16.920
<v Speaker 2>of Oz. Yeah, right, And this is we've talked about this,

1135
01:01:16.960 --> 01:01:19.519
<v Speaker 2>I think, and it's like, what is it about that

1136
01:01:19.639 --> 01:01:24.239
<v Speaker 2>movie that's like everybody it's like hands off and.

1137
01:01:24.360 --> 01:01:26.199
<v Speaker 1>We understand, don't touch it.

1138
01:01:26.320 --> 01:01:29.519
<v Speaker 2>Weird, right, Yeah, yeah, I don't know, I find that interesting.

1139
01:01:30.119 --> 01:01:34.400
<v Speaker 1>Yeah. Now, I was going to say, was you know,

1140
01:01:34.480 --> 01:01:37.800
<v Speaker 1>having Marcia Lucas be older now and kind of wanting

1141
01:01:37.800 --> 01:01:40.840
<v Speaker 1>an opportunity to at least, you know, tell her story,

1142
01:01:40.920 --> 01:01:44.480
<v Speaker 1>share her stories. That reminds me of that Paul Rubin's documentary.

1143
01:01:44.960 --> 01:01:49.880
<v Speaker 1>Ah yeah, recently pee Wee as himself and you very much.

1144
01:01:49.920 --> 01:01:52.639
<v Speaker 1>I mean, it's it's not like you get the sense.

1145
01:01:52.679 --> 01:01:55.480
<v Speaker 1>I mean he basically outright says it. For most of

1146
01:01:55.519 --> 01:01:57.440
<v Speaker 1>his career. You know, people have loved pee Wee Herman,

1147
01:01:58.719 --> 01:02:01.360
<v Speaker 1>but when they saw you know, the movie Peem's Big Adventure,

1148
01:02:01.400 --> 01:02:04.039
<v Speaker 1>which everybody loves, written by Paul Rubins, nobody knows who

1149
01:02:04.039 --> 01:02:06.400
<v Speaker 1>that is. And he's like, no, that's me, Like I

1150
01:02:07.239 --> 01:02:08.920
<v Speaker 1>worked really hard on that, and you don't even know

1151
01:02:08.960 --> 01:02:11.239
<v Speaker 1>that I did that, you know. And so it's like

1152
01:02:11.320 --> 01:02:16.000
<v Speaker 1>he wanted to not in an egotistical way, but he

1153
01:02:16.039 --> 01:02:18.639
<v Speaker 1>wanted to get a little credit, you know, like let

1154
01:02:18.679 --> 01:02:22.880
<v Speaker 1>people know his story and what went into being this character,

1155
01:02:22.920 --> 01:02:24.880
<v Speaker 1>because that was like such a weird thing in the eighties, right,

1156
01:02:24.880 --> 01:02:27.679
<v Speaker 1>whenever Pee Wee was on a talk show, it wasn't like,

1157
01:02:27.719 --> 01:02:31.119
<v Speaker 1>here's Paul Rubins talking about Pee Wee Herman. He always

1158
01:02:31.119 --> 01:02:34.719
<v Speaker 1>appeared as pee Wee Herman in the movie credits for

1159
01:02:34.960 --> 01:02:38.880
<v Speaker 1>Pee's Big Adventure. Pee Wee Herman as himself. Right, And

1160
01:02:38.960 --> 01:02:40.960
<v Speaker 1>so all these years later, I think Paul Rubens was

1161
01:02:41.000 --> 01:02:42.760
<v Speaker 1>looking back and we now know that he was ill,

1162
01:02:43.119 --> 01:02:44.760
<v Speaker 1>and I think he kind of wanted to have it

1163
01:02:44.800 --> 01:02:47.960
<v Speaker 1>on record, like, my name is Paul Rubens, this was

1164
01:02:48.000 --> 01:02:49.679
<v Speaker 1>my creation. I worked really hard on it, and I'm

1165
01:02:49.679 --> 01:02:53.000
<v Speaker 1>glad you liked it. And that's what that documentary felt like.

1166
01:02:53.320 --> 01:02:56.920
<v Speaker 1>And he even passes away while they're making the documentary.

1167
01:02:56.920 --> 01:02:58.480
<v Speaker 1>I mean, that's how close to the end he was.

1168
01:02:58.519 --> 01:03:00.760
<v Speaker 1>And so you just get the sense that that was

1169
01:03:00.760 --> 01:03:03.400
<v Speaker 1>really important to him, just to have the record straight.

1170
01:03:03.599 --> 01:03:03.800
<v Speaker 2>You know.

1171
01:03:04.639 --> 01:03:05.360
<v Speaker 1>That's in that.

1172
01:03:05.480 --> 01:03:12.440
<v Speaker 2>Something, right, like the the the the battle, the internal

1173
01:03:12.480 --> 01:03:17.679
<v Speaker 2>battle of feeling pride that your creation, that your character

1174
01:03:17.880 --> 01:03:23.440
<v Speaker 2>so beloved, coupled with the frustration of wanting people to

1175
01:03:23.440 --> 01:03:27.519
<v Speaker 2>know you're more than just that one character. Yeah, yeah,

1176
01:03:27.840 --> 01:03:30.719
<v Speaker 2>you know, it's it's it's tough.

1177
01:03:30.840 --> 01:03:32.960
<v Speaker 1>Yeah. You know.

1178
01:03:33.039 --> 01:03:35.400
<v Speaker 2>One thing I did want to mention, and this is

1179
01:03:35.440 --> 01:03:38.599
<v Speaker 2>only tangentially connected to things we talk about. I don't

1180
01:03:38.599 --> 01:03:40.639
<v Speaker 2>know if you've been following the news out of CBS

1181
01:03:40.679 --> 01:03:45.280
<v Speaker 2>over the last couple of days, headlines, you know, it's

1182
01:03:45.480 --> 01:03:48.440
<v Speaker 2>it's one of those moments where where you know you're

1183
01:03:48.519 --> 01:03:53.039
<v Speaker 2>living through the legacy sequel of The Insider, right, right,

1184
01:03:53.239 --> 01:03:54.840
<v Speaker 2>it's a weird thing to have happening. So, you know,

1185
01:03:54.880 --> 01:03:59.519
<v Speaker 2>for those of you don't know, CBS News has been

1186
01:03:59.559 --> 01:04:05.079
<v Speaker 2>overhaul over the last year because of various corporate agendas,

1187
01:04:05.159 --> 01:04:08.480
<v Speaker 2>let's say, and they brought in an executive producer named

1188
01:04:08.559 --> 01:04:12.119
<v Speaker 2>or not editor in chief named Barry Wise, who overhauled

1189
01:04:12.159 --> 01:04:14.360
<v Speaker 2>CBS News, and they brought in somebody new and that

1190
01:04:14.679 --> 01:04:17.239
<v Speaker 2>show is languishing in the ratings. And then sixty Minutes,

1191
01:04:17.280 --> 01:04:19.320
<v Speaker 2>which has never been languishing in the ratings, always been

1192
01:04:19.320 --> 01:04:22.320
<v Speaker 2>a big hit. They've in the last week they basically

1193
01:04:23.039 --> 01:04:28.039
<v Speaker 2>just decapitated the whole production staff, the executive producers and whatnot,

1194
01:04:28.039 --> 01:04:32.440
<v Speaker 2>and they've gotten rid of several of the correspondents, and

1195
01:04:34.280 --> 01:04:36.960
<v Speaker 2>they brought in a new EP who has no broadcast

1196
01:04:36.960 --> 01:04:41.800
<v Speaker 2>TV experience, and Scott Pelly, who's like a long time

1197
01:04:42.239 --> 01:04:45.039
<v Speaker 2>CBS guy. He used to anchor the nightly news like

1198
01:04:45.159 --> 01:04:48.440
<v Speaker 2>a couple of years ago. He's been at sixty Minutes

1199
01:04:48.480 --> 01:04:52.480
<v Speaker 2>for good twenty plus years at this point. So he

1200
01:04:52.480 --> 01:04:55.840
<v Speaker 2>gets up there and he's like, you know, you you

1201
01:04:55.920 --> 01:04:59.159
<v Speaker 2>have no business running this show. And you know, Barry Wise,

1202
01:04:59.199 --> 01:05:01.559
<v Speaker 2>she was brought into murder sixty minutes and that's what

1203
01:05:01.599 --> 01:05:05.760
<v Speaker 2>she's doing, right, And I'm just picturing Christopher Plumber as

1204
01:05:05.840 --> 01:05:08.840
<v Speaker 2>Mike Wallace reading the Riot Act to the corporate people,

1205
01:05:09.000 --> 01:05:12.039
<v Speaker 2>you know. And it's just weird because we are, in

1206
01:05:12.079 --> 01:05:16.840
<v Speaker 2>fact talking about sixty minutes still and it's like, well,

1207
01:05:16.880 --> 01:05:20.360
<v Speaker 2>if nothing else, you'd think the people involved would be like, well,

1208
01:05:20.400 --> 01:05:22.880
<v Speaker 2>I don't want to be the bad guy in the

1209
01:05:22.960 --> 01:05:27.840
<v Speaker 2>hypothetical Insider sequel if nothing else right.

1210
01:05:28.679 --> 01:05:30.679
<v Speaker 1>Well, you would think, or at least that's how people

1211
01:05:31.119 --> 01:05:32.239
<v Speaker 1>seem to used to think.

1212
01:05:33.159 --> 01:05:35.800
<v Speaker 2>It's it's odd, but yeah, like I said, history doesn't repeat,

1213
01:05:35.800 --> 01:05:37.480
<v Speaker 2>but it rhymes. And so we are sort of living

1214
01:05:37.519 --> 01:05:40.440
<v Speaker 2>through this moment right now. And this is something this

1215
01:05:40.480 --> 01:05:42.400
<v Speaker 2>has been a hobby horse of mind for a long time. Look,

1216
01:05:42.480 --> 01:05:45.280
<v Speaker 2>journalism is important and if it goes away, we'll all

1217
01:05:45.360 --> 01:05:47.719
<v Speaker 2>suffer the impact of it. And so this is this

1218
01:05:47.840 --> 01:05:54.119
<v Speaker 2>is something seismic that's happening right now because sixty minutes.

1219
01:05:54.960 --> 01:05:59.000
<v Speaker 2>There's no excuse, right the show continues to be a powerhouse.

1220
01:06:00.199 --> 01:06:02.760
<v Speaker 2>So it is that you can't even claim, oh, we're

1221
01:06:02.760 --> 01:06:04.800
<v Speaker 2>just trying to fix it because it's broken. No, no,

1222
01:06:04.960 --> 01:06:08.920
<v Speaker 2>you're breaking it right so that you can claim what

1223
01:06:08.960 --> 01:06:12.840
<v Speaker 2>you're doing is fixing it. Uh, and that's very scary

1224
01:06:12.960 --> 01:06:15.960
<v Speaker 2>because to me that makes me say, well, what does

1225
01:06:15.960 --> 01:06:18.639
<v Speaker 2>a year from now look like at sixty minutes? And

1226
01:06:18.679 --> 01:06:22.079
<v Speaker 2>by extension, all these other all these other news sources

1227
01:06:22.119 --> 01:06:24.159
<v Speaker 2>that are that are trusted you know, by and large,

1228
01:06:24.159 --> 01:06:28.159
<v Speaker 2>you know, new news and Brian, you may remember, this

1229
01:06:28.320 --> 01:06:31.400
<v Speaker 2>news did not used to be partisan, right, right, used

1230
01:06:31.440 --> 01:06:33.440
<v Speaker 2>to just be you know, it's like, this is the news,

1231
01:06:33.440 --> 01:06:37.079
<v Speaker 2>this is what's happening, you know, and and we're swiftly

1232
01:06:37.119 --> 01:06:40.840
<v Speaker 2>losing that. We're seeing this shift where you have people

1233
01:06:40.840 --> 01:06:44.119
<v Speaker 2>who have been cut loose from from legacy media, you know,

1234
01:06:44.199 --> 01:06:47.400
<v Speaker 2>making their little purchase on YouTube and whatnot. Right, So

1235
01:06:47.480 --> 01:06:52.039
<v Speaker 2>you've got you know, you know, Don Lemon and uh,

1236
01:06:52.719 --> 01:06:55.400
<v Speaker 2>you know, Jim Acosta, whoever, like all these people, right

1237
01:06:55.719 --> 01:06:58.239
<v Speaker 2>And and I'm like that's fine, good, right, if you're

1238
01:06:58.239 --> 01:06:59.079
<v Speaker 2>able to keep working.

1239
01:06:59.159 --> 01:06:59.400
<v Speaker 1>Good.

1240
01:06:59.599 --> 01:07:03.719
<v Speaker 2>But the problem is it levels the playing field in

1241
01:07:03.760 --> 01:07:06.920
<v Speaker 2>a way that's not necessarily helpful if you're trying to

1242
01:07:06.920 --> 01:07:10.400
<v Speaker 2>put out facts. Does that make sense? Yeah, yeah, right,

1243
01:07:10.440 --> 01:07:14.079
<v Speaker 2>because because these big news organizations, by virtue of the

1244
01:07:14.119 --> 01:07:17.719
<v Speaker 2>fact that they have these established institutional legacy that that

1245
01:07:17.920 --> 01:07:20.519
<v Speaker 2>allowed the ability to say no, this is true, and

1246
01:07:20.760 --> 01:07:24.880
<v Speaker 2>they had a megaphone that was likely to reach a

1247
01:07:24.960 --> 01:07:28.000
<v Speaker 2>greater distance. And when you take that away and you say, well, no,

1248
01:07:28.039 --> 01:07:30.119
<v Speaker 2>I'm just going to join the pool with all these

1249
01:07:30.159 --> 01:07:32.880
<v Speaker 2>people who've set up shop on YouTube, Well, how do

1250
01:07:32.920 --> 01:07:37.440
<v Speaker 2>you stand out? How does an average person know the

1251
01:07:37.480 --> 01:07:40.320
<v Speaker 2>difference between X talking head versus why talking head in

1252
01:07:40.360 --> 01:07:44.679
<v Speaker 2>terms of agendas and whatnot? Right, It's like it's like,

1253
01:07:46.599 --> 01:07:48.400
<v Speaker 2>you know, and I use this example in my classes.

1254
01:07:48.440 --> 01:07:48.800
<v Speaker 1>I'm like.

1255
01:07:50.400 --> 01:07:53.119
<v Speaker 2>You and I we know the difference between Time magazine

1256
01:07:53.880 --> 01:07:57.280
<v Speaker 2>and some random like like there's Time magazine. Oh, we

1257
01:07:57.320 --> 01:07:59.559
<v Speaker 2>know that's a real magazine, Newsweek, that's a real magazine.

1258
01:07:59.639 --> 01:08:01.559
<v Speaker 2>News Well, that's not a thing, right. But if I

1259
01:08:01.559 --> 01:08:03.719
<v Speaker 2>tell somebody News Time, who doesn't know any better, those

1260
01:08:03.880 --> 01:08:07.159
<v Speaker 2>like oh okay, guess it's a magazine, that's where we're

1261
01:08:07.159 --> 01:08:12.000
<v Speaker 2>at now, right, because people buy and large don't know

1262
01:08:12.079 --> 01:08:16.479
<v Speaker 2>these differences, don't know these distinctions, right. You know, if

1263
01:08:16.520 --> 01:08:19.640
<v Speaker 2>you're just watching stuff on TikTok, then how do you

1264
01:08:19.680 --> 01:08:21.479
<v Speaker 2>differentiate between who's credible and who's not?

1265
01:08:22.479 --> 01:08:25.520
<v Speaker 1>Yeah, losing these things are sad.

1266
01:08:26.760 --> 01:08:30.239
<v Speaker 2>Yeah, And I feel like periodically on this show we're

1267
01:08:30.239 --> 01:08:33.399
<v Speaker 2>doing sort of like death wash for for traditional journalism,

1268
01:08:34.840 --> 01:08:39.560
<v Speaker 2>and and that's you know, sad saddens me certainly as

1269
01:08:39.720 --> 01:08:43.720
<v Speaker 2>as somebody who works in journalism and loves it and

1270
01:08:44.239 --> 01:08:46.520
<v Speaker 2>knows how important it is. You know, if it goes away,

1271
01:08:46.560 --> 01:08:50.760
<v Speaker 2>we'll all we'll all be impacted. Yeah, definitely. So that's

1272
01:08:50.800 --> 01:08:53.800
<v Speaker 2>like a TVD. We're gonna keep checking in on that one.

1273
01:08:53.840 --> 01:08:55.479
<v Speaker 2>I have a feeling we'll put a pin in that one.

1274
01:08:55.720 --> 01:08:59.479
<v Speaker 2>We will absolutely put a pin. But we've got something

1275
01:08:59.479 --> 01:09:01.760
<v Speaker 2>more important discuss at this very moment.

1276
01:09:06.840 --> 01:09:10.239
<v Speaker 1>And now we're pleased to bring our feature.

1277
01:09:13.399 --> 01:09:16.119
<v Speaker 2>And we are back. And you know who else is back? Brian,

1278
01:09:16.239 --> 01:09:19.840
<v Speaker 2>who's that Zechy? Why it's Adam, Prince of Eternia.

1279
01:09:20.000 --> 01:09:21.760
<v Speaker 1>Hey, it's been a while.

1280
01:09:21.800 --> 01:09:26.199
<v Speaker 2>It has indeed, he's He's shown up every once in

1281
01:09:26.239 --> 01:09:28.840
<v Speaker 2>a while, but nobody else has paid attention this show.

1282
01:09:28.920 --> 01:09:32.199
<v Speaker 1>You have though, you've you've always uh checked in with

1283
01:09:32.359 --> 01:09:34.920
<v Speaker 1>the Masters of the Universe. Universe.

1284
01:09:35.920 --> 01:09:39.359
<v Speaker 2>I'm I'm among the few, the proud. Yes, Masters of

1285
01:09:39.399 --> 01:09:42.439
<v Speaker 2>the Universe is in theaters as we are recording this,

1286
01:09:43.000 --> 01:09:45.600
<v Speaker 2>and it's probably gonna be out of theaters by the

1287
01:09:45.600 --> 01:09:46.479
<v Speaker 2>time you're listening to this.

1288
01:09:48.840 --> 01:09:51.800
<v Speaker 1>I'm just guessing. You know, it's funny. I feel like,

1289
01:09:51.920 --> 01:09:54.079
<v Speaker 1>for a while, just because of our schedules, we've been

1290
01:09:54.119 --> 01:09:59.760
<v Speaker 1>recording our you know, conversations after release weekend, so we

1291
01:10:00.039 --> 01:10:02.119
<v Speaker 1>kind of have an idea of how the world has

1292
01:10:02.159 --> 01:10:05.399
<v Speaker 1>received the thing we're talking about. Yeah, but this is

1293
01:10:05.600 --> 01:10:08.720
<v Speaker 1>like right as it's about to open, so we don't

1294
01:10:08.760 --> 01:10:12.119
<v Speaker 1>know exactly how this is going to perform. I mean,

1295
01:10:12.159 --> 01:10:18.079
<v Speaker 1>I have my fears, but it's kind of it's kind

1296
01:10:18.079 --> 01:10:19.920
<v Speaker 1>of interesting. I actually haven't even read a lot of

1297
01:10:19.920 --> 01:10:23.479
<v Speaker 1>reviews about this, so I just kind of have my feelings.

1298
01:10:24.079 --> 01:10:30.079
<v Speaker 2>Well, I'm I'm looking at I'm looking at Deadline. Here

1299
01:10:30.119 --> 01:10:34.199
<v Speaker 2>it says Manchester Universe is best with guys over twenty

1300
01:10:34.199 --> 01:10:37.239
<v Speaker 2>five franchise had it sayday in the eighties and over.

1301
01:10:37.159 --> 01:10:39.680
<v Speaker 1>Forty Let's see.

1302
01:10:41.039 --> 01:10:48.239
<v Speaker 2>Uh, it's looking at twenty million dollars abroad and between

1303
01:10:48.239 --> 01:10:52.279
<v Speaker 2>twenty five and thirty five domestically for its opening weekend,

1304
01:10:52.359 --> 01:10:58.439
<v Speaker 2>which would be catastrophic for a movie with a around

1305
01:10:58.439 --> 01:11:01.840
<v Speaker 2>two hundred and eighty two hundred million dollar budget. Yeah,

1306
01:11:02.159 --> 01:11:03.119
<v Speaker 2>not not ideal.

1307
01:11:03.880 --> 01:11:07.000
<v Speaker 1>And for a movie that I fear may not have legs.

1308
01:11:07.800 --> 01:11:10.199
<v Speaker 2>That's gonna be an interesting one. Yeah, I'm I'm very cure.

1309
01:11:10.399 --> 01:11:14.600
<v Speaker 2>I suspect you're right, because even if word of mouth

1310
01:11:14.680 --> 01:11:16.600
<v Speaker 2>is good, I mean, there's just a lot of you know,

1311
01:11:16.640 --> 01:11:18.159
<v Speaker 2>there's a lot of competition, there's.

1312
01:11:17.920 --> 01:11:20.039
<v Speaker 1>A lot of things going on. Yeah, and it seems

1313
01:11:20.039 --> 01:11:22.840
<v Speaker 1>like the young's out there are watching all these you know,

1314
01:11:23.479 --> 01:11:26.960
<v Speaker 1>horror movies, right, the obsession and back rooms and all that,

1315
01:11:27.079 --> 01:11:29.760
<v Speaker 1>and it's you know what I mean, like, that's that's

1316
01:11:29.800 --> 01:11:32.640
<v Speaker 1>the audience you need to be showing up for this.

1317
01:11:33.600 --> 01:11:36.680
<v Speaker 2>Well that that's that's really the key thing. Yeah. So

1318
01:11:36.680 --> 01:11:42.960
<v Speaker 2>so ultimately, as I have said often on this show, hey,

1319
01:11:43.239 --> 01:11:45.159
<v Speaker 2>that movie an't coming out of my pocket. Ain't going

1320
01:11:45.199 --> 01:11:48.359
<v Speaker 2>into my pocket. Sure, sure, all I got to say

1321
01:11:48.600 --> 01:11:50.399
<v Speaker 2>is whether I think it's good or not, So we

1322
01:11:50.439 --> 01:11:52.760
<v Speaker 2>can have that conversation. But yes, just as a he

1323
01:11:52.880 --> 01:11:55.039
<v Speaker 2>Man fan from from the time I was a little

1324
01:11:55.119 --> 01:11:57.640
<v Speaker 2>Wei one, I would like it to do well, just

1325
01:11:57.680 --> 01:12:00.119
<v Speaker 2>to just to show that there's still juice left in

1326
01:12:00.159 --> 01:12:02.239
<v Speaker 2>this But you know.

1327
01:12:02.880 --> 01:12:05.600
<v Speaker 1>I agree, and I mean without any spoilers, I mean,

1328
01:12:05.640 --> 01:12:07.479
<v Speaker 1>the things that it sets up, I'm like, I want to.

1329
01:12:07.479 --> 01:12:11.640
<v Speaker 2>See that that is true. Yeah, yeah, specific yeah right,

1330
01:12:11.960 --> 01:12:15.439
<v Speaker 2>we'll talk about that. Yeah, So we have not talked

1331
01:12:15.439 --> 01:12:18.960
<v Speaker 2>about our thoughts on the film, although you read my review.

1332
01:12:19.319 --> 01:12:20.760
<v Speaker 1>I did. I couldn't help myself.

1333
01:12:21.479 --> 01:12:25.680
<v Speaker 2>You have me at a disadvantage. But I suspect and

1334
01:12:25.680 --> 01:12:28.359
<v Speaker 2>correct me if I'm wrong that we landed somewhere in

1335
01:12:28.399 --> 01:12:36.039
<v Speaker 2>the same vicinity as each other. Yeah, I think so, well, well,

1336
01:12:36.079 --> 01:12:38.560
<v Speaker 2>I'll just say this, I mean before we even get

1337
01:12:38.560 --> 01:12:42.520
<v Speaker 2>into it, Like, I'm watching it again about an hour

1338
01:12:42.560 --> 01:12:45.640
<v Speaker 2>and fifteen minutes from now. Okay, So that's how much

1339
01:12:45.680 --> 01:12:46.560
<v Speaker 2>I liked.

1340
01:12:47.079 --> 01:12:51.479
<v Speaker 1>I hope I get to catch it again. You know,

1341
01:12:52.079 --> 01:12:55.640
<v Speaker 1>I really enjoyed this movie a lot. I will say this,

1342
01:12:55.720 --> 01:12:59.000
<v Speaker 1>though I wasn't sure about it. In the first half.

1343
01:13:00.560 --> 01:13:05.640
<v Speaker 1>It starts off kind of doing that Marvel yuck yuck humor,

1344
01:13:06.920 --> 01:13:09.640
<v Speaker 1>you know what I mean, where it's like, if we

1345
01:13:09.920 --> 01:13:12.560
<v Speaker 1>even like hint that we're taking any of this seriously,

1346
01:13:12.640 --> 01:13:15.239
<v Speaker 1>we're gonna lose everybody. So we've got to undercut everything

1347
01:13:15.279 --> 01:13:18.359
<v Speaker 1>we say. Yeah, And I was like, look, I get that,

1348
01:13:18.399 --> 01:13:21.319
<v Speaker 1>and you're it's probably the right instinct. But I thought

1349
01:13:21.319 --> 01:13:24.159
<v Speaker 1>it was dialed a little high at the beginning, and

1350
01:13:24.239 --> 01:13:29.800
<v Speaker 1>I was a little worried, not gonna lie, but I was.

1351
01:13:29.880 --> 01:13:33.399
<v Speaker 1>I was enjoying it. I was enjoying seeing Adam on Earth. Well,

1352
01:13:33.399 --> 01:13:35.159
<v Speaker 1>I enjoyed the set up at the beginning. I enjoyed

1353
01:13:35.159 --> 01:13:40.920
<v Speaker 1>Adam on Earth. I enjoyed the hero's journey of it. Frankly,

1354
01:13:41.079 --> 01:13:44.079
<v Speaker 1>you know, with with he Man, I thought that was

1355
01:13:44.119 --> 01:13:47.680
<v Speaker 1>all sturdy and fun for me. The second half is

1356
01:13:47.720 --> 01:13:51.279
<v Speaker 1>where this movie really locked in interesting, and I was like,

1357
01:13:51.680 --> 01:13:56.600
<v Speaker 1>I love this. Like this it turned into the he

1358
01:13:56.680 --> 01:14:01.319
<v Speaker 1>Man cartoon, Like it was like unabashedly the he Man cartoon.

1359
01:14:02.239 --> 01:14:04.640
<v Speaker 1>It like more and more and more even as it

1360
01:14:04.680 --> 01:14:07.920
<v Speaker 1>went along that by the time it ended, I was

1361
01:14:07.960 --> 01:14:11.600
<v Speaker 1>in like smiling so big that like I didn't even

1362
01:14:11.680 --> 01:14:13.479
<v Speaker 1>care about the things that I wasn't so sure about,

1363
01:14:13.560 --> 01:14:15.279
<v Speaker 1>And it made me want to rewatch it again because

1364
01:14:15.319 --> 01:14:16.840
<v Speaker 1>I thought, now that I kind of get what it

1365
01:14:16.880 --> 01:14:19.000
<v Speaker 1>is as a whole, I wonder if I might even

1366
01:14:19.000 --> 01:14:22.439
<v Speaker 1>be more generous right with the whole thing on a

1367
01:14:22.479 --> 01:14:25.000
<v Speaker 1>second viewing. But I walked out it with a huge

1368
01:14:25.000 --> 01:14:28.520
<v Speaker 1>smile on my face. I don't I don't think this

1369
01:14:28.560 --> 01:14:32.439
<v Speaker 1>is going to be for everybody, honestly, like, but I

1370
01:14:32.520 --> 01:14:36.640
<v Speaker 1>just loved that it was so proudly and unabashedly a

1371
01:14:36.680 --> 01:14:37.600
<v Speaker 1>he Man movie.

1372
01:14:38.960 --> 01:14:40.600
<v Speaker 2>So I agree with you, it's it's not going to

1373
01:14:40.640 --> 01:14:42.880
<v Speaker 2>be for everybody, but that you know that that sentiment,

1374
01:14:42.960 --> 01:14:46.319
<v Speaker 2>you know, that can apply widely to to all types

1375
01:14:46.359 --> 01:14:52.319
<v Speaker 2>of films. I think the key thing though, is, at

1376
01:14:52.399 --> 01:14:55.479
<v Speaker 2>least for me, and feel free to disagree. The question

1377
01:14:55.640 --> 01:14:59.640
<v Speaker 2>I had is if somebody's just coming in completely cold,

1378
01:15:00.239 --> 01:15:04.359
<v Speaker 2>is there are there enough hooks to bring them on

1379
01:15:04.399 --> 01:15:07.560
<v Speaker 2>that journey? And I think this movie accomplishes that.

1380
01:15:08.680 --> 01:15:12.399
<v Speaker 1>Yeah. Yeah, Like I said, at the beginning, I wasn't sure. Yeah.

1381
01:15:12.880 --> 01:15:14.760
<v Speaker 1>I was actually thinking about my parents. I was like,

1382
01:15:14.760 --> 01:15:16.720
<v Speaker 1>did they enjoy this because they knew I was seeing

1383
01:15:16.760 --> 01:15:18.479
<v Speaker 1>it that night and they were like, I'll tell us

1384
01:15:18.479 --> 01:15:22.640
<v Speaker 1>how it is, And I wasn't sure. This was my experience,

1385
01:15:22.680 --> 01:15:25.520
<v Speaker 1>And then by the end I was like, I think

1386
01:15:25.600 --> 01:15:27.600
<v Speaker 1>most people will walk out of this with a big

1387
01:15:27.600 --> 01:15:29.039
<v Speaker 1>smile on their face. Right.

1388
01:15:29.359 --> 01:15:31.479
<v Speaker 2>So that's that's where I feel like word of mouth

1389
01:15:31.560 --> 01:15:33.720
<v Speaker 2>is really going to be be key, because I think

1390
01:15:33.760 --> 01:15:36.560
<v Speaker 2>people who who decide to check it out, I they'll

1391
01:15:36.600 --> 01:15:42.600
<v Speaker 2>they'll at least enjoy it if they have an inclination

1392
01:15:42.640 --> 01:15:45.720
<v Speaker 2>for this type of thing, you know. I think that

1393
01:15:46.520 --> 01:15:50.680
<v Speaker 2>for me, the the way it evokes the cartoon like

1394
01:15:50.680 --> 01:15:52.880
<v Speaker 2>you were talking about partly like this is like soir

1395
01:15:52.880 --> 01:15:56.119
<v Speaker 2>Travis Knight, right, who who you know, he started with

1396
01:15:56.119 --> 01:15:57.760
<v Speaker 2>with Leaka and he did you know, cool in the

1397
01:15:57.760 --> 01:16:00.720
<v Speaker 2>Two Strings of Animation. But he did Bumblebee. That was

1398
01:16:00.720 --> 01:16:05.039
<v Speaker 2>his first live action movie, and Bumblebee it took like,

1399
01:16:06.119 --> 01:16:08.840
<v Speaker 2>you know, forty five seconds into that movie to be like, Oh,

1400
01:16:08.880 --> 01:16:09.840
<v Speaker 2>this guy knows what he's doing.

1401
01:16:11.079 --> 01:16:13.079
<v Speaker 1>It's funny you say that because I forgot that he

1402
01:16:13.119 --> 01:16:15.279
<v Speaker 1>did that movie. I like that movie, and my family

1403
01:16:15.319 --> 01:16:18.279
<v Speaker 1>watched it together at Christmas and we all enjoyed it

1404
01:16:18.359 --> 01:16:21.119
<v Speaker 1>so above and beyond just being.

1405
01:16:22.479 --> 01:16:26.600
<v Speaker 2>A good fantasy film, very heavily Spielberg influenced, right, yeah, yeah,

1406
01:16:26.760 --> 01:16:33.479
<v Speaker 2>but he locked in on the iconography of transformers in

1407
01:16:33.520 --> 01:16:36.159
<v Speaker 2>a way that the Michael Bay films never did, right

1408
01:16:36.560 --> 01:16:41.279
<v Speaker 2>because from Michael Bay didn't have that affinity for transformers.

1409
01:16:41.279 --> 01:16:45.880
<v Speaker 2>It wasn't his thing. But for Travis Knight, it was right.

1410
01:16:46.359 --> 01:16:48.319
<v Speaker 2>And so when I heard he was directing this, I

1411
01:16:48.359 --> 01:16:51.000
<v Speaker 2>was like, well, they got the right guy, obviously, and

1412
01:16:51.039 --> 01:16:54.399
<v Speaker 2>so it was gratifying to see that initial confidence born

1413
01:16:54.439 --> 01:16:59.239
<v Speaker 2>out he got it. You know, I also think, I

1414
01:16:59.279 --> 01:17:03.039
<v Speaker 2>mean it's true, right because because you know, I watched

1415
01:17:03.039 --> 01:17:06.039
<v Speaker 2>the old filmation cartoons fairly often used with my kids,

1416
01:17:06.039 --> 01:17:10.079
<v Speaker 2>you know, and you know, he mans as a character.

1417
01:17:10.159 --> 01:17:15.520
<v Speaker 2>I mean, he's kind of square, right, There's not a

1418
01:17:15.560 --> 01:17:17.760
<v Speaker 2>ton of growth you can have that character go through.

1419
01:17:17.800 --> 01:17:19.960
<v Speaker 2>Although there's a few episodes where they actually have him

1420
01:17:20.840 --> 01:17:22.960
<v Speaker 2>experience something meaningful. But you know, that was kind of

1421
01:17:22.960 --> 01:17:24.640
<v Speaker 2>my thing, like how do you make he Man interesting?

1422
01:17:24.680 --> 01:17:26.760
<v Speaker 2>You know, we talked, we just watched the nineteen eighty

1423
01:17:26.760 --> 01:17:28.399
<v Speaker 2>seven movie, and we're like, he Man is like the

1424
01:17:28.479 --> 01:17:30.800
<v Speaker 2>least interesting character in this he Man movie, right right,

1425
01:17:32.079 --> 01:17:37.960
<v Speaker 2>I think bye bye. By centering the film on this

1426
01:17:38.079 --> 01:17:40.159
<v Speaker 2>notion of what does it mean to be a man,

1427
01:17:40.279 --> 01:17:44.840
<v Speaker 2>and that's sort of Adam's journey, I think it gives

1428
01:17:44.920 --> 01:17:48.199
<v Speaker 2>us somewhere to start and somewhere to end. And that's

1429
01:17:48.239 --> 01:17:49.680
<v Speaker 2>always you know, you hear me say this all the time.

1430
01:17:49.720 --> 01:17:52.439
<v Speaker 2>I'm like, what's what's the emotional journey that we're going on?

1431
01:17:52.520 --> 01:17:55.520
<v Speaker 2>Then I'll go with you on all the rasmntas. And

1432
01:17:55.560 --> 01:17:59.159
<v Speaker 2>I feel like that I was gratified by that same. Yeah,

1433
01:17:59.199 --> 01:18:02.920
<v Speaker 2>you know, I found all that stuff worked. Like I think,

1434
01:18:02.960 --> 01:18:05.239
<v Speaker 2>I think Adam gets a great journey. I think Man

1435
01:18:05.239 --> 01:18:07.600
<v Speaker 2>at Arms has a terrific character journey.

1436
01:18:07.840 --> 01:18:10.960
<v Speaker 1>Yep. Yeah, they share a moment later in the movie

1437
01:18:10.960 --> 01:18:14.079
<v Speaker 1>that I was really touched by and laughed at and

1438
01:18:14.239 --> 01:18:15.520
<v Speaker 1>that was really fun.

1439
01:18:16.479 --> 01:18:19.439
<v Speaker 2>I think Camila Mendez as Tila, I think I think

1440
01:18:19.479 --> 01:18:24.520
<v Speaker 2>she gets she gets like, you know, uh, substantial stuff

1441
01:18:24.560 --> 01:18:29.600
<v Speaker 2>to do right above being just like warrior girl. And

1442
01:18:29.680 --> 01:18:32.479
<v Speaker 2>I'll say, I don't know if this is like controversial,

1443
01:18:33.199 --> 01:18:36.720
<v Speaker 2>I thought Jared Letto was great eskeletor you know. I

1444
01:18:38.000 --> 01:18:39.800
<v Speaker 2>feel like, however, I will say before you even say

1445
01:18:39.800 --> 01:18:43.239
<v Speaker 2>if it's no place, please, I will say that I

1446
01:18:43.600 --> 01:18:48.159
<v Speaker 2>think his characterization was good. However, it could have been

1447
01:18:48.239 --> 01:18:51.399
<v Speaker 2>like literally anybody there is.

1448
01:18:51.479 --> 01:18:57.079
<v Speaker 1>Yeah, that's acknowledge that. I look forward to watching it

1449
01:18:57.119 --> 01:19:02.439
<v Speaker 1>again because I feel like he felt a little just

1450
01:19:04.039 --> 01:19:05.520
<v Speaker 1>flat at the beginning.

1451
01:19:05.680 --> 01:19:10.000
<v Speaker 2>To me, he was like a mix of of Franklingella

1452
01:19:10.359 --> 01:19:13.000
<v Speaker 2>and filmation and they just like merged him together and

1453
01:19:13.000 --> 01:19:13.760
<v Speaker 2>you got this guy.

1454
01:19:14.039 --> 01:19:16.000
<v Speaker 1>Well. I feel like maybe I'm wrong, and maybe it's

1455
01:19:16.079 --> 01:19:18.039
<v Speaker 1>just because that was his introduction. But as the movie

1456
01:19:18.079 --> 01:19:23.159
<v Speaker 1>went along, he became more and more funny and interesting. Sure. Sure,

1457
01:19:23.880 --> 01:19:27.439
<v Speaker 1>And at the beginning, yeah, it wasn't like a distinctive voice.

1458
01:19:27.479 --> 01:19:30.560
<v Speaker 1>It was just some guy doing like a sort of

1459
01:19:30.640 --> 01:19:34.079
<v Speaker 1>British affectation kind of thing and rolling his rs right,

1460
01:19:34.520 --> 01:19:37.000
<v Speaker 1>And I was like, okay, like I wasn't thinking much

1461
01:19:37.000 --> 01:19:38.920
<v Speaker 1>of it. But as the movie went along, then he

1462
01:19:38.960 --> 01:19:42.560
<v Speaker 1>got a little quirkier and his interactions with Evil Linn

1463
01:19:43.119 --> 01:19:45.000
<v Speaker 1>and you know, the way he would react to certain

1464
01:19:45.039 --> 01:19:47.479
<v Speaker 1>things when they didn't go his way. Then I started

1465
01:19:47.520 --> 01:19:50.960
<v Speaker 1>to really like the character more, like he kind of

1466
01:19:50.960 --> 01:19:52.880
<v Speaker 1>grew on me over the course of the movie.

1467
01:19:53.000 --> 01:19:55.079
<v Speaker 2>I agree with that. I know I would agree with that.

1468
01:19:55.119 --> 01:19:59.000
<v Speaker 2>I think in that sense I'm thinking about just overall

1469
01:19:59.039 --> 01:20:00.760
<v Speaker 2>my experience with the character. But yeah, I mean, I

1470
01:20:00.800 --> 01:20:03.000
<v Speaker 2>think what you're saying is fair. I think, and I

1471
01:20:03.039 --> 01:20:06.000
<v Speaker 2>noted this in my review. I mean, they way mixed

1472
01:20:06.119 --> 01:20:07.439
<v Speaker 2>him down his voice.

1473
01:20:08.199 --> 01:20:10.880
<v Speaker 1>I was so glad you actually pointed that out in

1474
01:20:10.880 --> 01:20:12.479
<v Speaker 1>your review because there were a couple of lines that

1475
01:20:12.520 --> 01:20:13.399
<v Speaker 1>I didn't catch.

1476
01:20:14.720 --> 01:20:19.920
<v Speaker 2>Yeah, because it Yeah, it was like just let him

1477
01:20:19.920 --> 01:20:22.600
<v Speaker 2>do whatever he was doing without having it was like

1478
01:20:23.039 --> 01:20:26.159
<v Speaker 2>you know Orson Wells in the Transformers movie, where they

1479
01:20:26.800 --> 01:20:32.000
<v Speaker 2>they just you know, they post produced it so much, right, Yeah.

1480
01:20:31.800 --> 01:20:34.039
<v Speaker 1>Yeah, and it almost maybe that's part of what it

1481
01:20:34.159 --> 01:20:36.319
<v Speaker 1>is that I'm feeling but not quite being able to

1482
01:20:36.319 --> 01:20:38.439
<v Speaker 1>put into words, like they sort of stripped it of

1483
01:20:38.479 --> 01:20:42.800
<v Speaker 1>like just a bit more even personality, right, Like he

1484
01:20:42.880 --> 01:20:44.920
<v Speaker 1>was saying funny things, and it was funny hearing him

1485
01:20:44.960 --> 01:20:47.520
<v Speaker 1>say those things his way. But I feel like just

1486
01:20:47.560 --> 01:20:50.439
<v Speaker 1>giving him a little bit more nuance would have made

1487
01:20:50.479 --> 01:20:55.760
<v Speaker 1>him feel even more interesting. But I feel like it

1488
01:20:55.840 --> 01:20:58.760
<v Speaker 1>got that way more as the movie went along, and

1489
01:20:58.760 --> 01:21:01.359
<v Speaker 1>then he started saying funnier things, and.

1490
01:21:01.399 --> 01:21:06.199
<v Speaker 2>See what what what I liked was the the utter

1491
01:21:06.319 --> 01:21:07.880
<v Speaker 2>lack of nuance for this character.

1492
01:21:08.520 --> 01:21:11.239
<v Speaker 1>Yeah, or even I like him being broad. No, don't

1493
01:21:11.239 --> 01:21:12.760
<v Speaker 1>get me wrong, Yeah, I like him being broad, but

1494
01:21:12.800 --> 01:21:14.520
<v Speaker 1>even just to the I mean just to the voice,

1495
01:21:14.560 --> 01:21:16.159
<v Speaker 1>to the performance. Yeah.

1496
01:21:16.479 --> 01:21:19.600
<v Speaker 2>Sorry, But but right away when people heard Jared Letto

1497
01:21:19.640 --> 01:21:22.319
<v Speaker 2>had been cast, it was like the the ritual rending

1498
01:21:22.359 --> 01:21:25.800
<v Speaker 2>of garments and stuff, right, and that this is my

1499
01:21:25.840 --> 01:21:29.600
<v Speaker 2>thing with Jared Letto. I'm I'm I'm, I would say overall,

1500
01:21:29.680 --> 01:21:35.640
<v Speaker 2>in general, I'm a net neutral on most Jared Letto work, right, Yeah,

1501
01:21:35.760 --> 01:21:38.800
<v Speaker 2>Like we talked about tron areas, like I thought he was.

1502
01:21:39.520 --> 01:21:41.119
<v Speaker 2>I didn't think he was bad. I didn't think he

1503
01:21:41.439 --> 01:21:44.439
<v Speaker 2>brought anything extra either. He was a net neutral. I

1504
01:21:44.479 --> 01:21:48.079
<v Speaker 2>feel like in this one there was a little personality

1505
01:21:48.119 --> 01:21:50.239
<v Speaker 2>he brought in where I have to acknowledge, Well, I

1506
01:21:50.239 --> 01:21:53.279
<v Speaker 2>don't think he was bad. He certainly you can't if

1507
01:21:53.319 --> 01:21:54.760
<v Speaker 2>they're failings to the movie. I don't think you can

1508
01:21:54.760 --> 01:21:56.640
<v Speaker 2>be like, oh, well, Jared Letto, you know, kills everything

1509
01:21:56.640 --> 01:21:59.880
<v Speaker 2>he touches. I don't think that's the case. No. But

1510
01:22:00.000 --> 01:22:02.680
<v Speaker 2>but when you hear it's Jared Leedley, you're like, well,

1511
01:22:02.680 --> 01:22:06.439
<v Speaker 2>maybe they're gonna show like before he became skeletors.

1512
01:22:06.479 --> 01:22:08.560
<v Speaker 1>Oh yeah, that's that was my thought.

1513
01:22:09.920 --> 01:22:10.800
<v Speaker 2>And no, they don't do that.

1514
01:22:11.439 --> 01:22:15.000
<v Speaker 1>No, was he on set? Like is he actually is

1515
01:22:15.039 --> 01:22:15.800
<v Speaker 1>that his body?

1516
01:22:15.920 --> 01:22:17.640
<v Speaker 2>Like that's what Alison Brees said, he showed up, he

1517
01:22:17.720 --> 01:22:20.479
<v Speaker 2>rubbed blood on his face or whatever stupid goddamn Jared

1518
01:22:20.520 --> 01:22:23.720
<v Speaker 2>leto thing that he inevitably does.

1519
01:22:25.199 --> 01:22:28.079
<v Speaker 1>Dead rats and boxes and yeah, you know rap gifts.

1520
01:22:28.119 --> 01:22:33.720
<v Speaker 2>Yeah you know, so, yes, that was him. Although it's

1521
01:22:33.760 --> 01:22:35.840
<v Speaker 2>it's a remarkable motion capture creation.

1522
01:22:36.720 --> 01:22:38.359
<v Speaker 1>I see, I see, I see, I see.

1523
01:22:38.560 --> 01:22:41.279
<v Speaker 2>That's the thing, is I you know, one thing I've

1524
01:22:41.319 --> 01:22:43.159
<v Speaker 2>seen a lot of is like, this movie seems very

1525
01:22:43.359 --> 01:22:49.239
<v Speaker 2>embarrassed by itself and and I can't see that. I

1526
01:22:49.239 --> 01:22:51.439
<v Speaker 2>can see that interpretation. But to me, I'm like, I

1527
01:22:51.439 --> 01:22:53.279
<v Speaker 2>don't think you can look at the characters in this

1528
01:22:53.359 --> 01:22:55.800
<v Speaker 2>movie and say it feels embarrassed by itself. I was

1529
01:22:55.840 --> 01:22:59.359
<v Speaker 2>gonna say I couldn't disagree more right, Like, like for me,

1530
01:23:01.359 --> 01:23:03.720
<v Speaker 2>I suppose like there's a there's a moment which I

1531
01:23:03.760 --> 01:23:05.399
<v Speaker 2>found pretty fun, to be honest. I don't think this

1532
01:23:05.439 --> 01:23:08.359
<v Speaker 2>is a spoiler, but like, you know, the plot hinges

1533
01:23:08.359 --> 01:23:11.000
<v Speaker 2>on this idea that Adam was whisked away from attorney

1534
01:23:11.000 --> 01:23:13.239
<v Speaker 2>as a child and he comes back, right, and now

1535
01:23:13.239 --> 01:23:16.960
<v Speaker 2>he's reintroduced all these people and he's like, you man,

1536
01:23:17.000 --> 01:23:20.119
<v Speaker 2>you're you're a ram man and you're Fisto. And they're like,

1537
01:23:20.159 --> 01:23:23.039
<v Speaker 2>that's not our name, guy, you know. And I thought

1538
01:23:23.079 --> 01:23:23.960
<v Speaker 2>that was hilarious.

1539
01:23:24.159 --> 01:23:26.239
<v Speaker 1>I thought it was pretty brilliant, to be honest, right,

1540
01:23:26.640 --> 01:23:29.760
<v Speaker 1>because that's his ten or even eight or whatever he was,

1541
01:23:29.800 --> 01:23:31.840
<v Speaker 1>that's his eight year old memory of these people. Oh,

1542
01:23:31.920 --> 01:23:36.079
<v Speaker 1>the guy the iron fist So I called you Fisto exactly.

1543
01:23:36.119 --> 01:23:38.720
<v Speaker 1>He's got these childish names.

1544
01:23:38.399 --> 01:23:40.760
<v Speaker 2>Because you look at the names of the toys, right,

1545
01:23:40.800 --> 01:23:42.920
<v Speaker 2>they're like, well that that is kind of a silly name,

1546
01:23:43.039 --> 01:23:43.159
<v Speaker 2>you know.

1547
01:23:43.239 --> 01:23:43.800
<v Speaker 1>Yeah. Yeah.

1548
01:23:43.880 --> 01:23:45.960
<v Speaker 2>And so I suppose you can say, oh, this is

1549
01:23:45.960 --> 01:23:48.000
<v Speaker 2>the movie's just embarrassed of itself. And I'm like, well

1550
01:23:48.079 --> 01:23:50.119
<v Speaker 2>you can do that, or you can be very triumphally.

1551
01:23:50.279 --> 01:23:52.159
<v Speaker 2>I am Fisto. And I feel like that's worse.

1552
01:23:52.560 --> 01:23:55.920
<v Speaker 1>I know, I agree, and they do do the thing. Yeah,

1553
01:23:55.960 --> 01:23:58.840
<v Speaker 1>we're like, well that's that's you know, that's a silly

1554
01:23:58.880 --> 01:24:01.479
<v Speaker 1>sort of name. But like, I don't know, there's the

1555
01:24:01.600 --> 01:24:03.800
<v Speaker 1>version of that where you feel like the movie is

1556
01:24:03.840 --> 01:24:05.600
<v Speaker 1>embarrassed of itself, Like we talk about that in the

1557
01:24:05.600 --> 01:24:08.399
<v Speaker 1>superhero movies, where they always have to dismiss their costumes

1558
01:24:08.680 --> 01:24:11.399
<v Speaker 1>or their names or something. This felt different to me.

1559
01:24:11.880 --> 01:24:15.720
<v Speaker 1>I agree with that, And these things are ten times

1560
01:24:15.760 --> 01:24:19.199
<v Speaker 1>sillier then yellow and blue costumes, these names, you know,

1561
01:24:19.600 --> 01:24:25.359
<v Speaker 1>ram Man and yeah, yes, exactly. So I thought that

1562
01:24:25.399 --> 01:24:26.960
<v Speaker 1>was a pretty clever idea.

1563
01:24:27.359 --> 01:24:28.000
<v Speaker 2>I thought it was.

1564
01:24:28.039 --> 01:24:28.800
<v Speaker 1>I thought that worked.

1565
01:24:28.800 --> 01:24:31.319
<v Speaker 2>And I think and I noted this in my review too,

1566
01:24:31.359 --> 01:24:35.600
<v Speaker 2>I think the movie very smartly just ignores the secret

1567
01:24:35.640 --> 01:24:39.600
<v Speaker 2>identity of it all. Sure, all right, because this is

1568
01:24:39.640 --> 01:24:41.640
<v Speaker 2>the thing where you're like, you look at Superman, You're like,

1569
01:24:41.680 --> 01:24:44.479
<v Speaker 2>how come nobody recognizes when he puts on his glasses.

1570
01:24:44.520 --> 01:24:47.039
<v Speaker 2>It's like, okay, well he man, hold my beers that

1571
01:24:49.000 --> 01:24:50.960
<v Speaker 2>oh Adam takes off his shirt and gets a tan

1572
01:24:51.039 --> 01:24:53.279
<v Speaker 2>and nobody recognizes him, you know, right right, And I

1573
01:24:53.640 --> 01:24:55.760
<v Speaker 2>think it's like I remember going into this being like

1574
01:24:55.800 --> 01:24:58.439
<v Speaker 2>there is no good way to like, you just can't

1575
01:24:58.479 --> 01:25:01.520
<v Speaker 2>do the secret identity. Yeah, so I think that was

1576
01:25:01.560 --> 01:25:04.800
<v Speaker 2>a smart way to go. But but I think we

1577
01:25:04.840 --> 01:25:07.680
<v Speaker 2>haven't talked at all about Nicholas Galaxy as Adam and

1578
01:25:07.760 --> 01:25:11.439
<v Speaker 2>he Man. A couple things. First of all, I mean,

1579
01:25:11.560 --> 01:25:14.760
<v Speaker 2>the guy put on some muscle for this role, right, like.

1580
01:25:14.880 --> 01:25:16.760
<v Speaker 1>You see good he looks like an action figure.

1581
01:25:17.000 --> 01:25:20.279
<v Speaker 2>He he does. But what's interesting is that as Adam,

1582
01:25:20.920 --> 01:25:25.439
<v Speaker 2>he's able to play him as kind of dumpy. Yeah

1583
01:25:25.600 --> 01:25:28.439
<v Speaker 2>yeah right, and it's just he slouches and I and

1584
01:25:28.479 --> 01:25:31.920
<v Speaker 2>you know, I was thinking of like Chris Reeve as

1585
01:25:32.000 --> 01:25:35.039
<v Speaker 2>Clark Kent, you know, where he just he his physicality

1586
01:25:35.199 --> 01:25:40.479
<v Speaker 2>is just different as Adam. And then when you see

1587
01:25:40.560 --> 01:25:44.600
<v Speaker 2>him become he Man, I mean his his whole posture

1588
01:25:44.600 --> 01:25:50.720
<v Speaker 2>everything changes, and uh, the the way he looks as

1589
01:25:50.720 --> 01:25:52.319
<v Speaker 2>he Man, You're like, well that is he Man?

1590
01:25:52.479 --> 01:25:55.439
<v Speaker 1>You know, oh totally. I mean I got chills honestly

1591
01:25:55.479 --> 01:25:56.039
<v Speaker 1>when he the.

1592
01:25:55.960 --> 01:25:58.399
<v Speaker 2>First time he becomes he Man, I was like, man,

1593
01:25:59.359 --> 01:26:03.079
<v Speaker 2>this is like the movie you know, forty plus years

1594
01:26:03.079 --> 01:26:04.399
<v Speaker 2>ago I wanted to see, you know.

1595
01:26:04.720 --> 01:26:07.359
<v Speaker 1>Like literally, I mean this is That's why I say

1596
01:26:07.359 --> 01:26:09.720
<v Speaker 1>when people are saying it feels like it's embarrassed by itself.

1597
01:26:09.760 --> 01:26:12.000
<v Speaker 1>We'll get into spoilers in a bit, but I mean

1598
01:26:12.039 --> 01:26:14.640
<v Speaker 1>where this movie winds up in everything that it does

1599
01:26:14.680 --> 01:26:19.239
<v Speaker 1>and shows us like this is the cartoon. Yeah, you know,

1600
01:26:19.399 --> 01:26:22.159
<v Speaker 1>like in the best possible way. This is like what yeah,

1601
01:26:22.760 --> 01:26:26.079
<v Speaker 1>seven year old Brian wanted to see when he was seven. Yeah,

1602
01:26:26.119 --> 01:26:28.319
<v Speaker 1>that's right in my theater. By the way, was like

1603
01:26:28.399 --> 01:26:32.319
<v Speaker 1>eating it up, really laughing at everything, applauding it. I

1604
01:26:32.399 --> 01:26:36.800
<v Speaker 1>have the power. So what was yours like it? Well?

1605
01:26:36.800 --> 01:26:37.479
<v Speaker 1>It was fun.

1606
01:26:37.479 --> 01:26:39.800
<v Speaker 2>I mean you know there's a big ground of applause

1607
01:26:39.800 --> 01:26:40.439
<v Speaker 2>when it ended.

1608
01:26:41.239 --> 01:26:41.680
<v Speaker 1>Mmm.

1609
01:26:41.840 --> 01:26:47.199
<v Speaker 2>So they were definitely feeling that. I think that you

1610
01:26:47.199 --> 01:26:52.600
<v Speaker 2>know that there's there's a lot of like in the

1611
01:26:52.640 --> 01:26:57.039
<v Speaker 2>front end, you know, looking at at how he's he's

1612
01:26:57.119 --> 01:26:59.840
<v Speaker 2>just fundamentally unhappy in his job, and you know he's

1613
01:27:00.239 --> 01:27:04.319
<v Speaker 2>working hr whatever he's doing, right, Yeah, And I found

1614
01:27:04.359 --> 01:27:05.960
<v Speaker 2>all that funny. But I will say, if there's a

1615
01:27:06.000 --> 01:27:09.199
<v Speaker 2>critique I have, I almost wonder if it would have

1616
01:27:09.239 --> 01:27:14.920
<v Speaker 2>been worth showing him being really good at what he does, yeah,

1617
01:27:14.960 --> 01:27:18.239
<v Speaker 2>like resolving differences and stuff like this is like he's

1618
01:27:18.359 --> 01:27:20.000
<v Speaker 2>very like, yes, he wants to get home, but he's

1619
01:27:20.000 --> 01:27:23.000
<v Speaker 2>also like this is something he is good at.

1620
01:27:23.319 --> 01:27:25.800
<v Speaker 1>I completely agree with that, because basically they try to

1621
01:27:25.800 --> 01:27:30.159
<v Speaker 1>turn corporate office speak into sort of a joke, that's right.

1622
01:27:30.600 --> 01:27:34.119
<v Speaker 1>And so when he does office speak, you know, to

1623
01:27:34.359 --> 01:27:39.279
<v Speaker 1>these mythical heroic characters, it feels silly, right, But I

1624
01:27:39.319 --> 01:27:41.560
<v Speaker 1>agree with you. I kind of wish we had seen that.

1625
01:27:41.640 --> 01:27:43.920
<v Speaker 1>It's like, no, he actually has Yes, he's very distracted

1626
01:27:43.960 --> 01:27:45.920
<v Speaker 1>by you know, trying to find the sword while he's

1627
01:27:45.920 --> 01:27:49.319
<v Speaker 1>on Earth, but yeah, that's his strength. He was never

1628
01:27:50.119 --> 01:27:53.439
<v Speaker 1>like a warrior type, right, but he is good with people.

1629
01:27:54.199 --> 01:27:58.159
<v Speaker 2>Yeah, because because to me, you know, the film starts

1630
01:27:58.199 --> 01:28:01.239
<v Speaker 2>with sort of this this idea, Oh, he's this kid

1631
01:28:01.279 --> 01:28:06.239
<v Speaker 2>and his dad, the king is like, oh he he

1632
01:28:06.359 --> 01:28:08.279
<v Speaker 2>you know, he's like wrong, son died kind of thing,

1633
01:28:08.359 --> 01:28:11.439
<v Speaker 2>you know, a little bit like oh he's not a man,

1634
01:28:11.560 --> 01:28:14.279
<v Speaker 2>you know basically right, Yeah, yeah, and I would have

1635
01:28:14.520 --> 01:28:18.119
<v Speaker 2>I mean, the movie does gesture towards him and sort

1636
01:28:18.119 --> 01:28:19.640
<v Speaker 2>of like, well, what does it mean to be a man?

1637
01:28:20.840 --> 01:28:22.279
<v Speaker 1>What does masculinity mean? Right?

1638
01:28:23.439 --> 01:28:26.640
<v Speaker 2>And I applaud what it tries to do because because

1639
01:28:26.720 --> 01:28:30.479
<v Speaker 2>it's not like, no, being masculine means being macho and muscular,

1640
01:28:30.560 --> 01:28:33.720
<v Speaker 2>and no, I mean I think he man has a

1641
01:28:33.800 --> 01:28:36.640
<v Speaker 2>sensitivity he had in the show. In the old show,

1642
01:28:37.520 --> 01:28:41.960
<v Speaker 2>he had that too, right, Yeah, you know. I mean

1643
01:28:42.000 --> 01:28:44.199
<v Speaker 2>I was just watching an episode the other day, you know,

1644
01:28:44.279 --> 01:28:47.239
<v Speaker 2>and it's like, oh, you know, Merman is going after

1645
01:28:47.279 --> 01:28:49.600
<v Speaker 2>Tela or whatever, and then Merman is in danger and

1646
01:28:49.680 --> 01:28:55.000
<v Speaker 2>he Man saves him, and and Tila was like, why'd

1647
01:28:55.039 --> 01:28:56.640
<v Speaker 2>you save him? You know, and He's like, because because

1648
01:28:56.680 --> 01:28:59.600
<v Speaker 2>every life is worth saving and that stuff. You know.

1649
01:28:59.680 --> 01:29:01.279
<v Speaker 2>I mean obviously I just sort of took it in

1650
01:29:01.319 --> 01:29:03.199
<v Speaker 2>as a kid, but as as a grown up, I

1651
01:29:03.239 --> 01:29:09.039
<v Speaker 2>appreciate that a lot, that that that message is always important. Yeah,

1652
01:29:09.079 --> 01:29:13.600
<v Speaker 2>and so you know, he Man was always you know,

1653
01:29:13.840 --> 01:29:16.239
<v Speaker 2>sensitive in that way. You know, he wasn't just a

1654
01:29:17.439 --> 01:29:21.640
<v Speaker 2>barbarian with an axe and a sword. So this isn't like, oh,

1655
01:29:21.760 --> 01:29:22.479
<v Speaker 2>woke he Man.

1656
01:29:22.560 --> 01:29:22.760
<v Speaker 1>You know.

1657
01:29:24.880 --> 01:29:26.680
<v Speaker 2>So I like that they leaned into that. I think

1658
01:29:26.760 --> 01:29:32.319
<v Speaker 2>I just would have liked I would have liked them

1659
01:29:32.359 --> 01:29:36.079
<v Speaker 2>to square the circle more on that, you know, because

1660
01:29:36.079 --> 01:29:40.199
<v Speaker 2>we we kind of like, you know, well we'll talk

1661
01:29:40.239 --> 01:29:42.840
<v Speaker 2>about this in spoilers, but you know, it feels like

1662
01:29:42.840 --> 01:29:45.600
<v Speaker 2>there's unresolved issues that he has that I don't think

1663
01:29:45.640 --> 01:29:47.760
<v Speaker 2>fully get addressed. Does that make sense?

1664
01:29:47.960 --> 01:29:52.399
<v Speaker 1>Yeah? Yeah, yeah, well do we do we want to

1665
01:29:52.399 --> 01:29:57.479
<v Speaker 1>get into it spoiler.

1666
01:30:02.399 --> 01:30:04.960
<v Speaker 2>Well, one thing I'll say before before you can get

1667
01:30:04.960 --> 01:30:08.439
<v Speaker 2>into your thing. Not nearly enough battle Cat. It's very disappointing.

1668
01:30:08.640 --> 01:30:12.880
<v Speaker 1>I yes, there's a moment where he actually says, I

1669
01:30:12.880 --> 01:30:15.039
<v Speaker 1>guess I'll get in the armor next time or something

1670
01:30:15.079 --> 01:30:16.920
<v Speaker 1>like that, and I was like, ah, don't do that.

1671
01:30:17.239 --> 01:30:19.920
<v Speaker 1>And so then later when we do see him in

1672
01:30:19.960 --> 01:30:23.439
<v Speaker 1>the armor, because I had the you know, the battle

1673
01:30:23.439 --> 01:30:26.720
<v Speaker 1>Cat with that red armor and everything, and like just

1674
01:30:26.760 --> 01:30:29.680
<v Speaker 1>seeing him on screen, I was like wow, Like I

1675
01:30:29.680 --> 01:30:32.000
<v Speaker 1>didn't realize I was going to have those feelings watching

1676
01:30:32.039 --> 01:30:34.640
<v Speaker 1>this movie, but it was pretty exciting. It was brief,

1677
01:30:34.760 --> 01:30:35.399
<v Speaker 1>but exciting.

1678
01:30:35.840 --> 01:30:39.760
<v Speaker 2>Yeah, I agree, yeah, go ahead.

1679
01:30:40.279 --> 01:30:42.399
<v Speaker 1>No, well, I guess we could have said this during

1680
01:30:42.439 --> 01:30:45.880
<v Speaker 1>non spoilers. But the score is super fun.

1681
01:30:45.800 --> 01:30:49.399
<v Speaker 2>Like, dude, great score Brian may on guitar. Yeah, it's

1682
01:30:49.520 --> 01:30:52.039
<v Speaker 2>very like flash Gordony, Oh yeah, big time.

1683
01:30:51.960 --> 01:30:54.800
<v Speaker 1>You know. I mean, well literally Queen plays that's right,

1684
01:30:54.880 --> 01:30:57.640
<v Speaker 1>you know, during the movie. But when we see some

1685
01:30:57.720 --> 01:31:01.159
<v Speaker 1>of the first action happening and it's like rock music,

1686
01:31:01.640 --> 01:31:04.279
<v Speaker 1>kind of like eighties rock music and drums and guitars,

1687
01:31:04.279 --> 01:31:07.199
<v Speaker 1>I was like, yes, this is correct, Like this is

1688
01:31:07.520 --> 01:31:09.279
<v Speaker 1>this is what this is. Like, I don't want to

1689
01:31:09.319 --> 01:31:12.680
<v Speaker 1>hear some sort of Lord of the Rings self serious score.

1690
01:31:13.600 --> 01:31:16.560
<v Speaker 1>This is fun, you know what I mean, Like we're

1691
01:31:16.600 --> 01:31:19.880
<v Speaker 1>having fun. And that's why what I was saying earlier,

1692
01:31:20.479 --> 01:31:25.159
<v Speaker 1>I do feel like this movie embraced its fun, you know, aspects,

1693
01:31:25.199 --> 01:31:27.520
<v Speaker 1>and that the planet is colorful. And then by the end,

1694
01:31:27.520 --> 01:31:31.439
<v Speaker 1>they're wearing literally their costumes from the cartoon, right, and

1695
01:31:31.680 --> 01:31:34.479
<v Speaker 1>Orco shows up, you know what I mean, and Orco

1696
01:31:35.640 --> 01:31:39.199
<v Speaker 1>talks to the audience and reiterates the lesson of the movie.

1697
01:31:40.039 --> 01:31:45.920
<v Speaker 1>Like I mean, I was so delighted by all of that. Yeah,

1698
01:31:45.960 --> 01:31:47.680
<v Speaker 1>And you know, I have always talked about how I

1699
01:31:47.720 --> 01:31:51.159
<v Speaker 1>like fourth wall breaks when they're doing the meme and

1700
01:31:51.159 --> 01:31:55.479
<v Speaker 1>they're all laughing, like leaning back and cackling, laughing together

1701
01:31:56.239 --> 01:31:59.199
<v Speaker 1>and cringers, like what the heck is going on? And

1702
01:31:59.359 --> 01:32:02.640
<v Speaker 1>he like looks at the camera. I died. I died laughing.

1703
01:32:04.319 --> 01:32:08.960
<v Speaker 1>So I like that it embraced its silliness. Yeah, you know,

1704
01:32:09.279 --> 01:32:12.359
<v Speaker 1>but like you said, there was a real uh you know,

1705
01:32:12.520 --> 01:32:15.960
<v Speaker 1>arc to it, and themes and and good characters and

1706
01:32:16.000 --> 01:32:18.199
<v Speaker 1>so it's I just felt like it was a great package.

1707
01:32:18.279 --> 01:32:19.720
<v Speaker 1>I liked that it didn't feel like it had to

1708
01:32:19.720 --> 01:32:22.840
<v Speaker 1>be well, you know, it's got to be a little

1709
01:32:22.840 --> 01:32:24.880
<v Speaker 1>bit more Lord of the Rings in the cartoon because

1710
01:32:24.880 --> 01:32:27.199
<v Speaker 1>people won't take it seriously. Otherwise it's like no, they

1711
01:32:27.279 --> 01:32:29.960
<v Speaker 1>just let it be what it actually is. And like

1712
01:32:30.039 --> 01:32:33.399
<v Speaker 1>you said, I hope people catch on to it and

1713
01:32:33.479 --> 01:32:36.840
<v Speaker 1>enjoy that. But if not, we do have a really

1714
01:32:37.199 --> 01:32:39.239
<v Speaker 1>pretty great he Man movie.

1715
01:32:39.560 --> 01:32:41.479
<v Speaker 2>That that was my thought. I was like, would I

1716
01:32:41.560 --> 01:32:43.520
<v Speaker 2>like a sequel? Absolutely, but you know, we got this

1717
01:32:43.600 --> 01:32:46.880
<v Speaker 2>one and it's pretty pretty good, you know. I honestly

1718
01:32:47.279 --> 01:32:52.520
<v Speaker 2>this seems like another John Carter Rocketeer, you know, Dick

1719
01:32:52.600 --> 01:32:53.760
<v Speaker 2>Tracy situation.

1720
01:32:54.439 --> 01:32:55.319
<v Speaker 1>All movies I love.

1721
01:32:55.640 --> 01:32:58.479
<v Speaker 2>Yeah, I mean, and like, these are movies that will

1722
01:32:58.479 --> 01:33:00.520
<v Speaker 2>be watched. You know, I would add like The Phantom

1723
01:33:00.600 --> 01:33:01.199
<v Speaker 2>to that list.

1724
01:33:01.239 --> 01:33:01.439
<v Speaker 4>You know.

1725
01:33:01.760 --> 01:33:03.920
<v Speaker 2>Sure, It's just you know that movie is thirty years old.

1726
01:33:04.199 --> 01:33:05.319
<v Speaker 1>Dungeons and Dragons.

1727
01:33:05.439 --> 01:33:08.159
<v Speaker 2>Dungeons and Dragons, there's another one. Yeah, this very this,

1728
01:33:08.399 --> 01:33:10.640
<v Speaker 2>you know what. My brother when I was driving home,

1729
01:33:10.680 --> 01:33:12.680
<v Speaker 2>he's like, what, like, what did you think of it?

1730
01:33:12.680 --> 01:33:13.880
<v Speaker 2>I said, Hey, I liked it, I said.

1731
01:33:13.920 --> 01:33:14.319
<v Speaker 1>I said.

1732
01:33:15.760 --> 01:33:18.880
<v Speaker 2>It's I said, it's like Flash Gordon meets Thor, Ragnarok

1733
01:33:19.039 --> 01:33:21.960
<v Speaker 2>meets I said, Flash Gordon meets Dungeons and Dragons meets

1734
01:33:22.000 --> 01:33:25.199
<v Speaker 2>Thor Ragnarok if star Lord was Thor.

1735
01:33:27.520 --> 01:33:31.119
<v Speaker 1>Yeah, yeah, yeah right, you know.

1736
01:33:31.920 --> 01:33:33.800
<v Speaker 2>And and my brother it is funny because I had

1737
01:33:33.840 --> 01:33:36.720
<v Speaker 2>lunch at the yesterday. He's like, yeah, I totally got it,

1738
01:33:36.960 --> 01:33:39.279
<v Speaker 2>like I did all the math. As you were talking,

1739
01:33:39.279 --> 01:33:42.039
<v Speaker 2>I was like, yeah, I want to see it, you know. Yeah,

1740
01:33:42.680 --> 01:33:47.199
<v Speaker 2>And it's tricky, you know. I again, I just I

1741
01:33:47.279 --> 01:33:50.520
<v Speaker 2>don't know that. What I said in my review is

1742
01:33:50.560 --> 01:33:54.239
<v Speaker 2>making this movie in nineteen in twenty twenty six is

1743
01:33:54.279 --> 01:33:58.359
<v Speaker 2>like making a major Matt Mason movie in the nineteen eighties.

1744
01:33:58.399 --> 01:33:59.840
<v Speaker 2>And for those of you who are like, what what's

1745
01:33:59.840 --> 01:34:02.479
<v Speaker 2>a Matt Mason? That was a Mattel toy line in

1746
01:34:02.520 --> 01:34:07.479
<v Speaker 2>the sixties, which you know, it was long gone by

1747
01:34:07.520 --> 01:34:08.319
<v Speaker 2>the time we grew up.

1748
01:34:08.520 --> 01:34:10.479
<v Speaker 1>Like back then, my dad might be like, oh, I

1749
01:34:10.520 --> 01:34:14.159
<v Speaker 1>remember that, that's exactly. But I wasn't gonna go drag

1750
01:34:14.199 --> 01:34:16.399
<v Speaker 1>my parents to the theater to go watch Matt Mason movie.

1751
01:34:16.600 --> 01:34:18.800
<v Speaker 2>Now, I will say I took my two older ones

1752
01:34:18.840 --> 01:34:22.079
<v Speaker 2>there nineteen and seventeen. They both liked it, like unabashedly,

1753
01:34:22.159 --> 01:34:22.640
<v Speaker 2>they liked.

1754
01:34:22.600 --> 01:34:23.439
<v Speaker 1>Oh good good.

1755
01:34:23.560 --> 01:34:25.439
<v Speaker 2>They're like that was good, you know, And they weren't

1756
01:34:25.439 --> 01:34:27.880
<v Speaker 2>just trying to trying to, you know, make their old

1757
01:34:27.960 --> 01:34:33.000
<v Speaker 2>man feel feel better about his life choices. Yeah, you

1758
01:34:33.039 --> 01:34:40.960
<v Speaker 2>know so, I think that to your point, like it tonally,

1759
01:34:41.079 --> 01:34:42.800
<v Speaker 2>it had a bit of a balancing act to do,

1760
01:34:42.840 --> 01:34:48.039
<v Speaker 2>and I think it managed to stay on balance, which

1761
01:34:48.119 --> 01:34:50.720
<v Speaker 2>is no easy feat because I mean, you're talking about

1762
01:34:50.760 --> 01:34:58.600
<v Speaker 2>fundamentally a universe where you have to balance the fantasy

1763
01:34:58.640 --> 01:35:01.439
<v Speaker 2>elements with the sci fi eye elements, and and it's

1764
01:35:01.479 --> 01:35:05.479
<v Speaker 2>all it's all meant to sell toys anyway, But how

1765
01:35:05.479 --> 01:35:07.720
<v Speaker 2>do you give it heart? You know, right, I think

1766
01:35:07.760 --> 01:35:08.159
<v Speaker 2>they do that.

1767
01:35:09.359 --> 01:35:14.279
<v Speaker 1>I agree, and I liked how I mean, I guess

1768
01:35:14.359 --> 01:35:16.920
<v Speaker 1>this is just inherent to the story itself, but just

1769
01:35:16.960 --> 01:35:21.000
<v Speaker 1>how more bonkers it got as it went along. I mean,

1770
01:35:21.039 --> 01:35:23.640
<v Speaker 1>obviously things change once they're on Eternia and you've got

1771
01:35:23.680 --> 01:35:26.720
<v Speaker 1>spaceships and which I enjoyed all that stuff. But I

1772
01:35:26.880 --> 01:35:31.960
<v Speaker 1>liked where Skeletor goes into he man's mind and he

1773
01:35:32.800 --> 01:35:34.439
<v Speaker 1>is then in the restaurant Adam.

1774
01:35:34.479 --> 01:35:35.760
<v Speaker 2>I really liked that sequence.

1775
01:35:36.039 --> 01:35:38.560
<v Speaker 1>And dude, when he was in the office and he

1776
01:35:38.640 --> 01:35:41.680
<v Speaker 1>was wearing that button up, short sleeved shirts and he

1777
01:35:41.760 --> 01:35:44.880
<v Speaker 1>had a tie that had bones on it. That's right,

1778
01:35:45.760 --> 01:35:47.560
<v Speaker 1>I think I might even said out loud, it has

1779
01:35:47.680 --> 01:35:54.399
<v Speaker 1>bones on it. That's funny. That's so funny. Yeah, yeah,

1780
01:35:54.479 --> 01:35:56.960
<v Speaker 1>I think maybe that's even it now that I'm thinking

1781
01:35:56.960 --> 01:35:58.920
<v Speaker 1>about it. Why I say that I locked in on

1782
01:35:58.960 --> 01:36:01.560
<v Speaker 1>the second half. Maybe I didn't know what it was

1783
01:36:01.600 --> 01:36:02.000
<v Speaker 1>doing it.

1784
01:36:02.079 --> 01:36:05.079
<v Speaker 2>First, That's right, that's a good observation.

1785
01:36:05.199 --> 01:36:07.439
<v Speaker 1>Yeah, and I might watch it differently the second time,

1786
01:36:07.479 --> 01:36:09.600
<v Speaker 1>even though, like I said, when it ended, I was like,

1787
01:36:09.840 --> 01:36:11.760
<v Speaker 1>big smile on my face. This was a lot of fun.

1788
01:36:12.279 --> 01:36:16.800
<v Speaker 1>But yeah, I like, yeah, that Adam too, like the

1789
01:36:17.159 --> 01:36:18.840
<v Speaker 1>fact that they let him be kind of dopey. I

1790
01:36:18.960 --> 01:36:22.239
<v Speaker 1>was watching him on Earth not just be this kind

1791
01:36:22.239 --> 01:36:25.239
<v Speaker 1>of handsome guy with big biceps who's just trying to

1792
01:36:25.239 --> 01:36:27.479
<v Speaker 1>make his way. But he's a little awkward in the

1793
01:36:27.520 --> 01:36:30.359
<v Speaker 1>way that you know, the girl and she's all that's

1794
01:36:30.399 --> 01:36:31.960
<v Speaker 1>awkward just because she's wearing glasses.

1795
01:36:33.800 --> 01:36:36.479
<v Speaker 2>That's the funny, because the movie starts with him on

1796
01:36:36.520 --> 01:36:39.720
<v Speaker 2>a blind date, yes, and he just sort of you know,

1797
01:36:39.800 --> 01:36:43.319
<v Speaker 2>the whole intro voiceover, back narration is just him telling

1798
01:36:43.319 --> 01:36:46.239
<v Speaker 2>this girl. And it's funny because you're like, look, Nicholas

1799
01:36:46.279 --> 01:36:50.840
<v Speaker 2>Gallat seeing certainly this movie isn't objectively godlike human being.

1800
01:36:51.000 --> 01:36:54.000
<v Speaker 2>You know, and so like that's the bye where this

1801
01:36:54.079 --> 01:36:58.720
<v Speaker 2>girl wouldn't just like sort of nod politely because he's

1802
01:36:58.760 --> 01:37:00.239
<v Speaker 2>so handsome, you know, I.

1803
01:37:00.159 --> 01:37:05.279
<v Speaker 1>Mean, right, yeah, but he's he's embarrassing himself, that's right.

1804
01:37:05.319 --> 01:37:08.039
<v Speaker 1>And I was a little surprised, and I liked it

1805
01:37:08.079 --> 01:37:10.279
<v Speaker 1>because it really endeared me to him and just how

1806
01:37:11.359 --> 01:37:14.199
<v Speaker 1>he's like, no, I remember this, this happened to me,

1807
01:37:14.239 --> 01:37:15.760
<v Speaker 1>and this is important and I'm going to get back

1808
01:37:15.800 --> 01:37:17.520
<v Speaker 1>there someday. And it made me really want him to

1809
01:37:17.560 --> 01:37:19.520
<v Speaker 1>get back. Yeah, yep, you know.

1810
01:37:20.600 --> 01:37:25.479
<v Speaker 2>Yeah, I think that the whole, the whole, you know,

1811
01:37:25.720 --> 01:37:30.439
<v Speaker 2>the idea of you have a destiny. You've been told

1812
01:37:30.520 --> 01:37:33.840
<v Speaker 2>you're the one who can you know, the sword will

1813
01:37:33.840 --> 01:37:35.720
<v Speaker 2>bring you back like every and then and then nope,

1814
01:37:35.800 --> 01:37:37.840
<v Speaker 2>and for fifteen years you're just told no, none of

1815
01:37:37.840 --> 01:37:40.399
<v Speaker 2>that is true. You know. It's a little like John

1816
01:37:40.479 --> 01:37:41.680
<v Speaker 2>Connor and Terminator three.

1817
01:37:41.960 --> 01:37:47.159
<v Speaker 1>You know. Yeah, yeah, yeah, right, you know it makes

1818
01:37:47.199 --> 01:37:49.479
<v Speaker 1>me wish to sorry, I don't mean to cut you off, no,

1819
01:37:49.520 --> 01:37:53.359
<v Speaker 1>but no, not at all. One of my my not

1820
01:37:53.479 --> 01:37:56.199
<v Speaker 1>red flags but warning flags at the beginning was his roommate.

1821
01:37:56.760 --> 01:37:59.920
<v Speaker 1>Oh sure, yeah, because his roommate is just like the whole,

1822
01:38:00.359 --> 01:38:02.239
<v Speaker 1>you know, supposed to be like the audience surrogate, to

1823
01:38:02.359 --> 01:38:06.760
<v Speaker 1>just be sarcastic against everything that's being presented by this movie.

1824
01:38:07.279 --> 01:38:09.920
<v Speaker 2>Right, He's kind of Taiko white tt in Green Lantern.

1825
01:38:10.199 --> 01:38:12.039
<v Speaker 1>Yes, yes, which a lot of you know, a little

1826
01:38:12.039 --> 01:38:15.359
<v Speaker 1>tika goes a long way, right, We've established that well,

1827
01:38:15.399 --> 01:38:17.960
<v Speaker 1>and you know, it starts with him like watching the

1828
01:38:18.000 --> 01:38:20.119
<v Speaker 1>notebook and crying and then trying to hide it. And

1829
01:38:20.119 --> 01:38:21.880
<v Speaker 1>I was like, dude, that joke's like twenty years old,

1830
01:38:23.199 --> 01:38:26.520
<v Speaker 1>you know, although I recognized later on that that maybe

1831
01:38:26.560 --> 01:38:29.199
<v Speaker 1>has something to do with masculinity and its and stuff.

1832
01:38:29.439 --> 01:38:33.479
<v Speaker 1>But instead of him just being some sort of kind

1833
01:38:33.479 --> 01:38:38.560
<v Speaker 1>of like, well that just happened. Yeah, yeah, like some

1834
01:38:38.720 --> 01:38:42.720
<v Speaker 1>tired joke machine, I actually wish. I'm like, what is

1835
01:38:42.760 --> 01:38:45.560
<v Speaker 1>their relationship? Why does he believe Adam? Right?

1836
01:38:46.000 --> 01:38:48.319
<v Speaker 2>Nobody else does, but he actually does? Yeah, And I

1837
01:38:48.359 --> 01:38:48.960
<v Speaker 2>was like, is he.

1838
01:38:49.000 --> 01:38:51.640
<v Speaker 1>Just He's like, look, I know Adam says these things

1839
01:38:51.640 --> 01:38:53.640
<v Speaker 1>and he really believes them, and I kind of feel

1840
01:38:53.640 --> 01:38:55.560
<v Speaker 1>bad for him. He's not a bad guy, like I

1841
01:38:55.560 --> 01:38:57.720
<v Speaker 1>would have liked if that relationship had felt a little

1842
01:38:57.760 --> 01:38:59.199
<v Speaker 1>bit more real.

1843
01:39:00.119 --> 01:39:02.319
<v Speaker 2>Well, So, I think, just just to add on to

1844
01:39:02.359 --> 01:39:06.880
<v Speaker 2>what you're saying, I think this is what's missing. And

1845
01:39:06.960 --> 01:39:09.159
<v Speaker 2>it's not like you're you're necessarily feel the absence, but

1846
01:39:09.199 --> 01:39:10.600
<v Speaker 2>that's certainly what I thought of. I'm like, well, he

1847
01:39:10.720 --> 01:39:12.319
<v Speaker 2>landed on earth as like an eight year old. Now

1848
01:39:12.359 --> 01:39:16.800
<v Speaker 2>he's in his mid twenties, so like, what where was

1849
01:39:16.840 --> 01:39:17.800
<v Speaker 2>he mm hmm?

1850
01:39:17.920 --> 01:39:19.039
<v Speaker 1>Yeah? Who raised him?

1851
01:39:19.079 --> 01:39:19.279
<v Speaker 2>You know?

1852
01:39:19.920 --> 01:39:20.600
<v Speaker 1>Right? Yeah? Yeah?

1853
01:39:20.600 --> 01:39:22.720
<v Speaker 2>Other people he considers his parents, you know what I mean?

1854
01:39:23.840 --> 01:39:25.279
<v Speaker 2>I feel like that's a missing piece.

1855
01:39:26.680 --> 01:39:28.640
<v Speaker 1>Yeah, and I wouldn't. It's not like they have to

1856
01:39:28.680 --> 01:39:32.119
<v Speaker 1>go down no, you know, way down that path, but

1857
01:39:32.600 --> 01:39:35.399
<v Speaker 1>instead of sort of the the jokiness and like, you know,

1858
01:39:35.479 --> 01:39:40.159
<v Speaker 1>the his boss who I like, sheer a Mada yeah

1859
01:39:40.199 --> 01:39:45.159
<v Speaker 1>from SNL. She she's kind of like a cartoon character, yes,

1860
01:39:45.359 --> 01:39:47.119
<v Speaker 1>the way she's behaving. And I was like, I don't

1861
01:39:47.199 --> 01:39:50.920
<v Speaker 1>mind what she represents and the part that she's playing

1862
01:39:51.039 --> 01:39:54.000
<v Speaker 1>in this story, but I don't love just how hard

1863
01:39:54.000 --> 01:39:55.960
<v Speaker 1>they're going into this. And I almost wish they had

1864
01:39:56.000 --> 01:39:58.720
<v Speaker 1>treated with humor. Keep the humor. That's fine, some humor,

1865
01:39:58.960 --> 01:40:00.680
<v Speaker 1>but yeah, I kind of want to to understand a

1866
01:40:00.760 --> 01:40:04.760
<v Speaker 1>little bit better really what Adam's deal was. Like you're saying, like,

1867
01:40:05.119 --> 01:40:07.279
<v Speaker 1>what has his life been like so far? Is he

1868
01:40:07.319 --> 01:40:10.000
<v Speaker 1>good at his job, and maybe that's why in the

1869
01:40:10.000 --> 01:40:11.359
<v Speaker 1>first half I was a little worried that it was

1870
01:40:11.439 --> 01:40:15.560
<v Speaker 1>just going to be sarcasm the whole time, And then

1871
01:40:15.600 --> 01:40:18.279
<v Speaker 1>when it got to the fantasy part, it just became

1872
01:40:18.319 --> 01:40:23.439
<v Speaker 1>more earnest and the humor was more organic from everything

1873
01:40:23.479 --> 01:40:26.039
<v Speaker 1>that was happening and from character and stuff, And maybe

1874
01:40:26.039 --> 01:40:28.479
<v Speaker 1>that's what I was feeling, the two sides of it.

1875
01:40:28.880 --> 01:40:32.680
<v Speaker 2>Yeah, but I will say, I mean, it's a solid

1876
01:40:32.760 --> 01:40:37.520
<v Speaker 2>hour plus before Adam becomes he man. I was excited

1877
01:40:37.560 --> 01:40:39.560
<v Speaker 2>once he became he man, but I certainly wasn't like,

1878
01:40:39.600 --> 01:40:40.640
<v Speaker 2>you know, when are we going to get to the

1879
01:40:40.640 --> 01:40:41.399
<v Speaker 2>fireworks factor?

1880
01:40:41.439 --> 01:40:46.319
<v Speaker 1>It was I was locked in, Yeah, totally were there

1881
01:40:46.319 --> 01:40:49.119
<v Speaker 1>are other other moments you want to well, I do.

1882
01:40:49.319 --> 01:40:52.399
<v Speaker 1>I alluded to it earlier, but when you know, Man

1883
01:40:52.399 --> 01:40:56.640
<v Speaker 1>at Arms is really hard on young Adam, Yeah, you know,

1884
01:40:56.680 --> 01:40:58.960
<v Speaker 1>because Adam isn't tough enough and he's never really going

1885
01:40:59.000 --> 01:41:01.960
<v Speaker 1>to be a great warrior. And then later when Adam

1886
01:41:02.000 --> 01:41:06.319
<v Speaker 1>talks to Duncan, Man at Arm's name Duncan, and he's

1887
01:41:06.359 --> 01:41:08.079
<v Speaker 1>just like, you know, it's okay sometimes to talk about

1888
01:41:08.079 --> 01:41:11.720
<v Speaker 1>your feelings, and they're having that conversation, and then Duncan

1889
01:41:11.880 --> 01:41:15.720
<v Speaker 1>actually lets it out and talks about his feelings. He's like, hey,

1890
01:41:15.840 --> 01:41:17.640
<v Speaker 1>you know, if you ever want to talk about feelings again,

1891
01:41:17.720 --> 01:41:19.680
<v Speaker 1>we can do that. It's like, and then they start

1892
01:41:19.720 --> 01:41:21.640
<v Speaker 1>like kind of joking, and then they start like play

1893
01:41:21.760 --> 01:41:24.920
<v Speaker 1>slapping each other. Do you remember that? Like ah you ah,

1894
01:41:25.279 --> 01:41:27.159
<v Speaker 1>they're slapping each other, and then Tila comes up and

1895
01:41:27.279 --> 01:41:31.600
<v Speaker 1>is like, what are you doing? I loved that stuff.

1896
01:41:31.640 --> 01:41:35.159
<v Speaker 1>That stuff really really funny. Charmed me well.

1897
01:41:35.279 --> 01:41:37.359
<v Speaker 2>And just to add to that, and I alluded to

1898
01:41:37.399 --> 01:41:39.880
<v Speaker 2>it earlier, I mean I think they gave Duncan a

1899
01:41:39.960 --> 01:41:43.840
<v Speaker 2>nice journey, you know. Yeah, yeah, he starts as a

1900
01:41:43.960 --> 01:41:46.520
<v Speaker 2>captain of the Royal Guard and then you know, he

1901
01:41:46.640 --> 01:41:49.800
<v Speaker 2>fails and he has to come back from that.

1902
01:41:49.800 --> 01:41:50.720
<v Speaker 1>That gives him.

1903
01:41:51.119 --> 01:41:54.560
<v Speaker 2>A in addition to his own journey, I think it

1904
01:41:54.680 --> 01:41:58.039
<v Speaker 2>gives him something meaningful to play with. Tila, come on, Mendez,

1905
01:41:58.039 --> 01:41:59.239
<v Speaker 2>who you know? I mean, I just know her as

1906
01:41:59.319 --> 01:42:01.079
<v Speaker 2>Veronica from Riverdale.

1907
01:42:01.399 --> 01:42:04.600
<v Speaker 1>Oh okay, okay, I really liked her in this. She

1908
01:42:04.720 --> 01:42:05.079
<v Speaker 1>was great.

1909
01:42:05.880 --> 01:42:07.520
<v Speaker 2>Alison Brie. We haven't talked about.

1910
01:42:07.279 --> 01:42:12.039
<v Speaker 1>Her, yes, yes, who? I thought she was so great

1911
01:42:12.079 --> 01:42:14.840
<v Speaker 1>and I wish there had been more. Actually, yeah, she

1912
01:42:14.960 --> 01:42:17.319
<v Speaker 1>just brings so much as a performer to begin with.

1913
01:42:17.479 --> 01:42:20.840
<v Speaker 1>She's such a great actress. Yeah, and she made Evil

1914
01:42:21.760 --> 01:42:25.239
<v Speaker 1>like really interesting to watch, just the way that she

1915
01:42:25.319 --> 01:42:27.680
<v Speaker 1>seems sort of turned on by Skeletor, but she's also

1916
01:42:28.600 --> 01:42:31.720
<v Speaker 1>continually tortured by Skeletor, And like, I just found all

1917
01:42:31.720 --> 01:42:34.479
<v Speaker 1>that really fun and interesting, and I wouldn't have minded

1918
01:42:34.479 --> 01:42:35.000
<v Speaker 1>more from her.

1919
01:42:35.840 --> 01:42:39.439
<v Speaker 2>Well, I texted this too. I just love that, both

1920
01:42:39.520 --> 01:42:41.840
<v Speaker 2>in this movie and the old movie Evil. NS go

1921
01:42:41.960 --> 01:42:45.920
<v Speaker 2>to movies that as soon as it even starts looking

1922
01:42:45.960 --> 01:42:48.239
<v Speaker 2>like Skeletor is gonna get his ass kicked, Evil ends

1923
01:42:48.279 --> 01:42:53.119
<v Speaker 2>like all right, let's go yeah, right right, there's no

1924
01:42:53.199 --> 01:42:54.159
<v Speaker 2>honor among thieves.

1925
01:42:54.720 --> 01:42:56.159
<v Speaker 1>Yeah, yeah, she's terrific.

1926
01:42:56.279 --> 01:42:58.119
<v Speaker 2>I love the I love the platinum hair.

1927
01:42:58.920 --> 01:43:02.359
<v Speaker 1>Yeah yeah, yeah, that was cool.

1928
01:43:02.399 --> 01:43:05.239
<v Speaker 2>Sorry, I'm just thinking of Elson Brie with the platinum hair. Sorry,

1929
01:43:05.239 --> 01:43:05.760
<v Speaker 2>excuse me.

1930
01:43:09.760 --> 01:43:13.359
<v Speaker 1>That's one of my uh earlier memories. I remember when

1931
01:43:13.399 --> 01:43:15.520
<v Speaker 1>they're making Community and I worked on the Paramount lot.

1932
01:43:15.760 --> 01:43:18.520
<v Speaker 1>We were crossing paths, and I was like, holy crap,

1933
01:43:18.520 --> 01:43:20.039
<v Speaker 1>it's that was a bre like a total crush on

1934
01:43:20.079 --> 01:43:22.479
<v Speaker 1>her and a community and and so I was like,

1935
01:43:22.520 --> 01:43:23.880
<v Speaker 1>all right, I don't want to be like weird. I'm

1936
01:43:23.880 --> 01:43:26.079
<v Speaker 1>sure everybody always looks at her and you know, yeah,

1937
01:43:26.159 --> 01:43:28.199
<v Speaker 1>it does. But I so I was kind of like

1938
01:43:28.199 --> 01:43:30.600
<v Speaker 1>trying to play it cool. But then at the last

1939
01:43:30.640 --> 01:43:33.279
<v Speaker 1>minute I looked up and we like locked eyes, and

1940
01:43:33.319 --> 01:43:38.880
<v Speaker 1>she gave me the warmest smile. Oh, like total what's

1941
01:43:38.920 --> 01:43:43.840
<v Speaker 1>the character's name on community, Annie? Annie? Just a total

1942
01:43:44.119 --> 01:43:47.479
<v Speaker 1>Annie smile. And I remember it just I melted, totally melted.

1943
01:43:48.000 --> 01:43:52.039
<v Speaker 2>You melted, just like moss Man in this movie. Moss

1944
01:43:52.079 --> 01:43:57.680
<v Speaker 2>Man a little nerved, I remember, because we see like

1945
01:43:57.760 --> 01:44:00.279
<v Speaker 2>the the our heroes are kind of in there little

1946
01:44:00.319 --> 01:44:03.000
<v Speaker 2>rebellion stronghold. I'm like, hey, Mossman, and then like ten

1947
01:44:03.000 --> 01:44:04.800
<v Speaker 2>minutes later, he's just a pile of goo.

1948
01:44:06.159 --> 01:44:09.479
<v Speaker 1>Right in the first one, right where they killed the

1949
01:44:09.640 --> 01:44:12.119
<v Speaker 1>interesting villain, that's right, Saurrod.

1950
01:44:12.479 --> 01:44:19.079
<v Speaker 2>Yeah, I think that they were. I was. I was

1951
01:44:19.319 --> 01:44:22.720
<v Speaker 2>sort of impressed with like the range of characters that

1952
01:44:22.760 --> 01:44:24.800
<v Speaker 2>they did bring in. I was disappointed we didn't get

1953
01:44:24.800 --> 01:44:26.399
<v Speaker 2>like Merman, who I feel like is one of the

1954
01:44:26.479 --> 01:44:29.439
<v Speaker 2>essential ones and to the others, but but like we

1955
01:44:29.560 --> 01:44:34.640
<v Speaker 2>got enough of the the the icons is probably the

1956
01:44:34.680 --> 01:44:38.479
<v Speaker 2>wrong word, but you know, the the the memorable characters

1957
01:44:38.520 --> 01:44:40.199
<v Speaker 2>from the toy line and the cartoon.

1958
01:44:40.159 --> 01:44:44.640
<v Speaker 1>Well, and I like that they kept their toy looking looks,

1959
01:44:44.800 --> 01:44:47.520
<v Speaker 1>their colors. They're you know, like moss Man. Yeah, he

1960
01:44:47.600 --> 01:44:49.640
<v Speaker 1>was just like a guy covered in moss for some reason.

1961
01:44:49.720 --> 01:44:53.439
<v Speaker 2>You know, that's how it works. The only thing that

1962
01:44:53.479 --> 01:44:56.119
<v Speaker 2>would have made it better is if moss Man used

1963
01:44:56.119 --> 01:45:02.560
<v Speaker 2>the exact same digital model as beast Man. Yes, because

1964
01:45:02.600 --> 01:45:04.439
<v Speaker 2>the toy, for those of you who don't know the

1965
01:45:04.479 --> 01:45:07.680
<v Speaker 2>toy of moss Man is, it's exactly beast Man, but

1966
01:45:07.720 --> 01:45:12.159
<v Speaker 2>he's flocked right. And those Mattel people, they didn't think

1967
01:45:12.199 --> 01:45:13.439
<v Speaker 2>we'd know. They didn't think we'd know.

1968
01:45:13.560 --> 01:45:14.920
<v Speaker 1>We knew, we knew.

1969
01:45:15.159 --> 01:45:17.960
<v Speaker 2>We knew stink Or was just Merman but painted like

1970
01:45:18.000 --> 01:45:22.079
<v Speaker 2>a skunk. We knew Faker was just he Man painted

1971
01:45:22.079 --> 01:45:23.840
<v Speaker 2>blue wearing Skeletor's harness.

1972
01:45:23.880 --> 01:45:28.479
<v Speaker 1>We're not stupid. Mattel still made our parents buy him

1973
01:45:28.520 --> 01:45:28.800
<v Speaker 1>for us.

1974
01:45:28.840 --> 01:45:34.439
<v Speaker 2>But that that is accurate. Yes, So one thing I

1975
01:45:34.439 --> 01:45:36.720
<v Speaker 2>did want to mention was was King rand Or played

1976
01:45:36.720 --> 01:45:41.279
<v Speaker 2>by James Purefoy, King Randor dies Brian.

1977
01:45:41.560 --> 01:45:44.079
<v Speaker 1>Yeah, the king is dead yep.

1978
01:45:44.439 --> 01:45:47.560
<v Speaker 2>So so I mean that's obviously this kind of a

1979
01:45:47.560 --> 01:45:51.000
<v Speaker 2>big deal in he Man lore right. I think that

1980
01:45:51.079 --> 01:45:52.720
<v Speaker 2>was the only way to go in terms of the

1981
01:45:52.840 --> 01:45:56.920
<v Speaker 2>arc in this film. Yeah, but it when the moment

1982
01:45:56.960 --> 01:46:01.000
<v Speaker 2>when he dies and he's like, he I forget what

1983
01:46:01.000 --> 01:46:03.760
<v Speaker 2>he says, right, He's like, I haven't said it or

1984
01:46:03.760 --> 01:46:07.960
<v Speaker 2>something right like, And I wanted to pay off that

1985
01:46:08.000 --> 01:46:10.880
<v Speaker 2>moment because I thought that would be like the end

1986
01:46:10.920 --> 01:46:14.680
<v Speaker 2>of the movie, would would tie that up. We didn't

1987
01:46:14.720 --> 01:46:18.239
<v Speaker 2>get that. Yeah, I feel like we needed one more

1988
01:46:18.279 --> 01:46:19.960
<v Speaker 2>scene with Adam and his dad.

1989
01:46:20.319 --> 01:46:20.760
<v Speaker 1>Yeah.

1990
01:46:20.920 --> 01:46:25.640
<v Speaker 2>Yeah, that although the I love the way they played it,

1991
01:46:25.840 --> 01:46:28.399
<v Speaker 2>and you know, you kind of think like, oh, did

1992
01:46:28.439 --> 01:46:31.439
<v Speaker 2>Skeletor just just zip. No, no, the camera pulls back.

1993
01:46:31.479 --> 01:46:34.800
<v Speaker 2>Skeletor stand right. He's watching the whole thing patiently, just

1994
01:46:34.880 --> 01:46:37.439
<v Speaker 2>patiently waiting, and then clocks he Man right on the head.

1995
01:46:37.479 --> 01:46:41.880
<v Speaker 2>I don't know, Skeletor. At one point he's like, I'm

1996
01:46:41.920 --> 01:46:43.399
<v Speaker 2>not complicate, I'm evil.

1997
01:46:43.840 --> 01:46:46.520
<v Speaker 1>I like that, Yeah, because he Man's trying to reason

1998
01:46:46.600 --> 01:46:47.000
<v Speaker 1>with him.

1999
01:46:47.319 --> 01:46:50.920
<v Speaker 2>He's like, I'm just evil. He's like, nobody's gonna have

2000
01:46:50.960 --> 01:46:51.760
<v Speaker 2>sympathy for me.

2001
01:46:51.880 --> 01:46:55.000
<v Speaker 1>I'm the evil guy. Yeah. Yeah, like I like this guy.

2002
01:46:55.039 --> 01:46:57.159
<v Speaker 2>He's good. I said this about Franklin Jell's Gunter. You

2003
01:46:57.159 --> 01:46:59.239
<v Speaker 2>give the man a puppy, he will kill that puppy.

2004
01:47:00.880 --> 01:47:03.760
<v Speaker 2>That's the skeletory. You know, and then of course how

2005
01:47:03.800 --> 01:47:06.319
<v Speaker 2>can we not mention to off lone Gren.

2006
01:47:07.079 --> 01:47:09.439
<v Speaker 1>I know, I know, I was wondering if he would

2007
01:47:09.680 --> 01:47:11.880
<v Speaker 1>be in here somewhere, and he doesn't just get like

2008
01:47:12.239 --> 01:47:14.600
<v Speaker 1>he's across the room in winks or something like. It's

2009
01:47:14.600 --> 01:47:15.880
<v Speaker 1>a whole scene. Well.

2010
01:47:15.920 --> 01:47:17.560
<v Speaker 2>I love that he's like, hey, I'm supposed to be

2011
01:47:17.560 --> 01:47:18.439
<v Speaker 2>that you're in my spot.

2012
01:47:18.800 --> 01:47:21.479
<v Speaker 1>Yeah, right right, that's very funny.

2013
01:47:21.640 --> 01:47:24.119
<v Speaker 2>At the gym, and then he's he gives him his

2014
01:47:24.560 --> 01:47:26.560
<v Speaker 2>what's funny is he gives him some advice, which is

2015
01:47:26.680 --> 01:47:28.880
<v Speaker 2>kind of like at the moment, doesn't make any sense,

2016
01:47:29.680 --> 01:47:33.399
<v Speaker 2>but it ends up, you know, actually helping he in

2017
01:47:33.520 --> 01:47:35.239
<v Speaker 2>in that moment when he is to rally his troops,

2018
01:47:35.239 --> 01:47:39.239
<v Speaker 2>you know, right or Adam, and then he says, good journey.

2019
01:47:38.960 --> 01:47:42.720
<v Speaker 1>Good journey, even does the hand hand thing. Yeah. I

2020
01:47:43.319 --> 01:47:43.560
<v Speaker 1>like that.

2021
01:47:43.720 --> 01:47:47.039
<v Speaker 2>They you know they I would have liked frank lingel

2022
01:47:47.039 --> 01:47:48.239
<v Speaker 2>A to show up, honestly.

2023
01:47:48.399 --> 01:47:51.319
<v Speaker 1>Yeah, oh sure. Yeah. Maybe he's the guy who's like

2024
01:47:51.359 --> 01:47:56.439
<v Speaker 1>out of my way in the gym, bumps tof lungrinlazy.

2025
01:47:55.479 --> 01:47:59.600
<v Speaker 2>Yeah yeah. Other other things that jumped.

2026
01:47:59.359 --> 01:48:01.800
<v Speaker 1>Out I thought skelted, Like I said, I thought he

2027
01:48:01.800 --> 01:48:03.800
<v Speaker 1>got funnier and funnier and I was laughing at all.

2028
01:48:04.279 --> 01:48:07.439
<v Speaker 1>They did a good job of And he just has

2029
01:48:07.479 --> 01:48:09.600
<v Speaker 1>a skull for a face, right, like I mean, it's

2030
01:48:09.600 --> 01:48:13.439
<v Speaker 1>not like Kenny Mote, but somehow it's still emoated. Yeah,

2031
01:48:13.439 --> 01:48:16.319
<v Speaker 1>I thought that was pretty pretty fun. I like the

2032
01:48:16.319 --> 01:48:19.920
<v Speaker 1>two red dots in the you know, the eye holes.

2033
01:48:19.960 --> 01:48:23.199
<v Speaker 2>I thought that was that that evokes the old the

2034
01:48:23.239 --> 01:48:25.600
<v Speaker 2>old toys. You know, we're kind of same thing as

2035
01:48:25.840 --> 01:48:31.199
<v Speaker 2>little his eyes were red. I there's a scene where

2036
01:48:31.199 --> 01:48:34.760
<v Speaker 2>he is sleeping. M oh, he's just under He's under

2037
01:48:34.760 --> 01:48:36.600
<v Speaker 2>a sheet like a corpse, right because he's you know,

2038
01:48:37.840 --> 01:48:39.720
<v Speaker 2>and and you know, I thought that was clever. But

2039
01:48:39.720 --> 01:48:41.279
<v Speaker 2>I also like that at the foot of his bed,

2040
01:48:41.319 --> 01:48:42.960
<v Speaker 2>his boots are just sitting there and just for some

2041
01:48:43.039 --> 01:48:46.640
<v Speaker 2>reason that made me chuckle, like, takes off his boots,

2042
01:48:46.640 --> 01:48:48.000
<v Speaker 2>puts them right next to his bed, and he just

2043
01:48:48.000 --> 01:48:49.439
<v Speaker 2>and then he puts the sheet over his head. I

2044
01:48:49.479 --> 01:48:55.439
<v Speaker 2>don't know, I just yeah, yeah, just like us exactly,

2045
01:48:55.520 --> 01:48:59.199
<v Speaker 2>you know, super villains, they're just like us. There's a

2046
01:48:59.199 --> 01:49:01.199
<v Speaker 2>lot of fun East drags, Like I'm looking forward to

2047
01:49:01.239 --> 01:49:04.359
<v Speaker 2>watching the YouTube videos that I'm sure are coming. Going

2048
01:49:04.399 --> 01:49:07.560
<v Speaker 2>through all of them. Yeah, there's plenty. I'm not going

2049
01:49:07.600 --> 01:49:10.279
<v Speaker 2>to about going through all of them. But but what it

2050
01:49:10.359 --> 01:49:13.079
<v Speaker 2>showed me is that clearly the folks making this thing

2051
01:49:13.119 --> 01:49:16.840
<v Speaker 2>had had a lot of affinity for this, for this franchise,

2052
01:49:17.039 --> 01:49:18.479
<v Speaker 2>and it showed Yeah.

2053
01:49:18.479 --> 01:49:20.479
<v Speaker 1>And I feel like if someone off the street were

2054
01:49:20.520 --> 01:49:23.359
<v Speaker 1>to walk in and watch this, I feel like if

2055
01:49:23.399 --> 01:49:27.560
<v Speaker 1>they allow themselves to go with it, they will be charmed.

2056
01:49:28.399 --> 01:49:33.039
<v Speaker 1>And I feel like fans are gonna love this. That's mine. Absolutely,

2057
01:49:33.439 --> 01:49:36.239
<v Speaker 1>you will. You You're you know, the biggest.

2058
01:49:36.000 --> 01:49:38.560
<v Speaker 2>I'd like to think that I speak for all he

2059
01:49:38.720 --> 01:49:45.199
<v Speaker 2>Man fans. Yeah, I am their voice and on their behalf.

2060
01:49:45.439 --> 01:49:49.079
<v Speaker 1>Yes, welove it great well, and we get all the

2061
01:49:49.560 --> 01:49:52.039
<v Speaker 1>moderns Oh sorry, goh, just well, just.

2062
01:49:51.960 --> 01:49:55.680
<v Speaker 2>To just to put a pin on that, you mentioned

2063
01:49:55.760 --> 01:49:57.960
<v Speaker 2>Dungeon Dragons. I think if you're looking for the most

2064
01:49:58.399 --> 01:50:02.279
<v Speaker 2>apt tonal analog, it's Dungeons and Dragons, the Chris Pine

2065
01:50:02.279 --> 01:50:03.239
<v Speaker 2>one from a few years ago.

2066
01:50:03.479 --> 01:50:08.079
<v Speaker 1>Yeah, no, totally, totally exactly that. Yeah, but you know,

2067
01:50:08.159 --> 01:50:10.079
<v Speaker 1>and I was gonna say, but you even get like

2068
01:50:10.119 --> 01:50:12.119
<v Speaker 1>the memes. You know, the four non Blonde song is

2069
01:50:12.159 --> 01:50:14.640
<v Speaker 1>in the movie, and I love.

2070
01:50:14.520 --> 01:50:17.119
<v Speaker 2>That we get like a reference to Highlander in the beginning.

2071
01:50:17.520 --> 01:50:20.000
<v Speaker 2>Oh yeah, that's right, which was amusing. And then and

2072
01:50:20.039 --> 01:50:22.239
<v Speaker 2>then we get Princes of the Universe later in the movie.

2073
01:50:23.720 --> 01:50:26.319
<v Speaker 2>Oh yeah, that's right, the Queen song. There's great needle

2074
01:50:26.359 --> 01:50:27.880
<v Speaker 2>drops actually throughout this movie.

2075
01:50:28.399 --> 01:50:31.880
<v Speaker 1>Yeah, you know yeah. And I just thought the score

2076
01:50:31.960 --> 01:50:33.399
<v Speaker 1>was fun. I'm glad they like went for it and

2077
01:50:33.399 --> 01:50:36.800
<v Speaker 1>made it like some big rock opera sounding things. I

2078
01:50:36.840 --> 01:50:37.600
<v Speaker 1>just felt like it fit.

2079
01:50:38.319 --> 01:50:42.000
<v Speaker 2>Now you have not seen Flash Gordon. If I'm not mistaken, No,

2080
01:50:42.920 --> 01:50:47.039
<v Speaker 2>you got you got a movie waiting for you. Yeah, yeah,

2081
01:50:47.119 --> 01:50:49.680
<v Speaker 2>i'd be curious. Well, this is like at this point,

2082
01:50:49.920 --> 01:50:52.000
<v Speaker 2>longtime listeners are like, oh, you're gonna do a commentary

2083
01:50:52.000 --> 01:50:57.239
<v Speaker 2>because we've been We've been promising one forever we will

2084
01:50:57.239 --> 01:51:00.399
<v Speaker 2>do a commentary one day. But Pine's got watched the

2085
01:51:00.439 --> 01:51:01.520
<v Speaker 2>movie first, I know.

2086
01:51:01.800 --> 01:51:02.079
<v Speaker 1>I know.

2087
01:51:02.279 --> 01:51:04.279
<v Speaker 2>So they got that win where you can send your

2088
01:51:04.279 --> 01:51:08.640
<v Speaker 2>hate mail to him, not me, get him. He's the

2089
01:51:08.640 --> 01:51:09.319
<v Speaker 2>one him.

2090
01:51:11.640 --> 01:51:14.760
<v Speaker 1>H dude orco showing up. I loved you.

2091
01:51:14.720 --> 01:51:17.560
<v Speaker 2>Know what's funny. So so before the movie started, I

2092
01:51:17.920 --> 01:51:20.479
<v Speaker 2>turned to my second kid and I'm like, he's like,

2093
01:51:20.560 --> 01:51:21.840
<v Speaker 2>is there a post credit scene? I was like, yeah,

2094
01:51:21.840 --> 01:51:24.680
<v Speaker 2>I think there's one. And I was like, my prediction

2095
01:51:25.640 --> 01:51:29.159
<v Speaker 2>is we're going to see either orco or Shira? Yep,

2096
01:51:30.039 --> 01:51:31.680
<v Speaker 2>and why didn't you know? We got both?

2097
01:51:31.840 --> 01:51:34.479
<v Speaker 1>We got both? And she actually started to turn her

2098
01:51:34.520 --> 01:51:36.439
<v Speaker 1>head and I was like, wait, did they cast her?

2099
01:51:37.000 --> 01:51:37.960
<v Speaker 2>I was wondering about that.

2100
01:51:38.239 --> 01:51:40.319
<v Speaker 1>Yeah, but I don't think so. I guess she's just

2101
01:51:40.479 --> 01:51:43.800
<v Speaker 1>she's just vague enough that they could, you know, fill

2102
01:51:43.840 --> 01:51:45.359
<v Speaker 1>that in with someone later. They should.

2103
01:51:45.359 --> 01:51:49.000
<v Speaker 2>They should get Ariana Grande, wasn't she? She played t

2104
01:51:49.199 --> 01:51:51.359
<v Speaker 2>is Shira in the There was like that SNL sketch.

2105
01:51:52.680 --> 01:51:53.439
<v Speaker 2>Have you seen that one?

2106
01:51:53.479 --> 01:51:55.800
<v Speaker 1>Oh? Is that the one with Chris Pratt and Chris.

2107
01:51:55.600 --> 01:51:58.760
<v Speaker 2>Pratt is he Man and turn kill Him is Lionel? Yeah?

2108
01:51:58.880 --> 01:52:01.840
<v Speaker 1>Yeah, they're like action figure that came to life. Yeah.

2109
01:52:02.079 --> 01:52:04.279
<v Speaker 2>I think I think it's a Kyle Mooney. He wishes

2110
01:52:04.319 --> 01:52:05.279
<v Speaker 2>his toys would come to life.

2111
01:52:05.359 --> 01:52:06.359
<v Speaker 1>Yeah, that's right, that's right.

2112
01:52:07.680 --> 01:52:09.479
<v Speaker 2>But we shall see. We'll see in the he Man

2113
01:52:09.520 --> 01:52:10.640
<v Speaker 2>sequel that's never coming.

2114
01:52:12.079 --> 01:52:16.520
<v Speaker 1>Oh man, I know this is such a buffer. I'm well,

2115
01:52:16.600 --> 01:52:21.960
<v Speaker 1>I guess you read the projections, but it ain't looking good. Yeah. Yeah,

2116
01:52:21.960 --> 01:52:23.560
<v Speaker 1>but I want these people to feel proud of what

2117
01:52:23.600 --> 01:52:27.439
<v Speaker 1>they did because they didn't compromise, you know what I mean,

2118
01:52:27.760 --> 01:52:31.920
<v Speaker 1>And like they made I in my opinion, I mean,

2119
01:52:32.119 --> 01:52:34.439
<v Speaker 1>we have our our thoughts about things that maybe could

2120
01:52:34.439 --> 01:52:37.319
<v Speaker 1>have been polished up a bit or whatever or thought

2121
01:52:37.319 --> 01:52:39.640
<v Speaker 1>out a little bit more. But like, as a whole,

2122
01:52:39.720 --> 01:52:42.439
<v Speaker 1>I think, what more could you ask for from a

2123
01:52:42.439 --> 01:52:44.960
<v Speaker 1>he Man movie? Like they did it. I think they should.

2124
01:52:45.039 --> 01:52:45.880
<v Speaker 1>They should be proud of it.

2125
01:52:46.479 --> 01:52:48.560
<v Speaker 2>They should be proud. And this is a movie that

2126
01:52:48.720 --> 01:52:51.640
<v Speaker 2>I know, I personally, I have no doubt I will

2127
01:52:52.000 --> 01:52:54.720
<v Speaker 2>I will be watching it in years ahead, and I

2128
01:52:54.760 --> 01:52:58.119
<v Speaker 2>think I think kids who watch it will it'll be

2129
01:52:58.319 --> 01:53:01.560
<v Speaker 2>something special for them. Yeah, and there we go.

2130
01:53:02.159 --> 01:53:04.800
<v Speaker 1>Yeah, I'm really happy. Is that nice that that's that

2131
01:53:04.840 --> 01:53:05.880
<v Speaker 1>we actually enjoyed.

2132
01:53:05.560 --> 01:53:09.640
<v Speaker 2>It, you know for sure that but also the fact

2133
01:53:09.680 --> 01:53:13.239
<v Speaker 2>that we have spent the life of this podcast being like, yeah,

2134
01:53:13.279 --> 01:53:16.039
<v Speaker 2>so they're talking about a he Man movie again. I

2135
01:53:16.079 --> 01:53:18.760
<v Speaker 2>know I'll believe that when that happens. And now it's happened,

2136
01:53:18.800 --> 01:53:21.279
<v Speaker 2>and and we no longer have purpose, Brian.

2137
01:53:22.000 --> 01:53:23.359
<v Speaker 1>We're just gonna fade away.

2138
01:53:25.720 --> 01:53:28.760
<v Speaker 2>I'm just gonna walk into the nearest body of water,

2139
01:53:29.159 --> 01:53:29.760
<v Speaker 2>just disappear.

2140
01:53:30.000 --> 01:53:34.000
<v Speaker 1>Yeah. Yeah. Or like remember when Cartman his hand is possessed.

2141
01:53:34.039 --> 01:53:38.159
<v Speaker 1>I think it's like by j Lo or whatever. And

2142
01:53:38.199 --> 01:53:40.720
<v Speaker 1>then when when it's finally the spirit is leaving his hand.

2143
01:53:40.760 --> 01:53:45.520
<v Speaker 1>He just goes, Will I dream, that's us, that's us.

2144
01:53:46.199 --> 01:53:46.960
<v Speaker 1>Will we dream?

2145
01:53:47.439 --> 01:53:49.000
<v Speaker 2>Well, I don't know if we will dream, but we

2146
01:53:49.079 --> 01:53:52.880
<v Speaker 2>will be discussing a disclosure day in our next episode.

2147
01:53:53.359 --> 01:53:59.279
<v Speaker 1>Man, I am cautiously really really excited.

2148
01:53:59.560 --> 01:54:02.319
<v Speaker 2>I agree with that very much, looking forward to that.

2149
01:54:02.560 --> 01:54:04.960
<v Speaker 2>But you'll have to tune in in a week for

2150
01:54:05.039 --> 01:54:07.640
<v Speaker 2>that one. For the time being, if you do watch

2151
01:54:07.680 --> 01:54:10.199
<v Speaker 2>Masters of the Universe on our recommendation, please let us

2152
01:54:10.239 --> 01:54:12.079
<v Speaker 2>know and let us know what you think. And if

2153
01:54:12.119 --> 01:54:16.119
<v Speaker 2>you haven't watched it, why the hell not. Yeah, if

2154
01:54:16.520 --> 01:54:20.399
<v Speaker 2>you care about us, you'll watch this movie. If you

2155
01:54:20.479 --> 01:54:23.680
<v Speaker 2>love us, you'll subscribe to our Patreon and then after that,

2156
01:54:25.119 --> 01:54:27.720
<v Speaker 2>with whatever money you have left, you'll you'll go watch

2157
01:54:27.720 --> 01:54:31.840
<v Speaker 2>Masters of the Universe. Hey, if you want to emails,

2158
01:54:31.840 --> 01:54:33.760
<v Speaker 2>you can emails the Movie Film Podcast at gmail dot com.

2159
01:54:33.800 --> 01:54:35.399
<v Speaker 2>You can I say like on our Facebook paid Facebook

2160
01:54:35.399 --> 01:54:37.560
<v Speaker 2>dot com slash Movie Film Podcast and message us there.

2161
01:54:37.560 --> 01:54:39.520
<v Speaker 2>As always, please go to Apple podcast, leave review, leave

2162
01:54:39.520 --> 01:54:41.119
<v Speaker 2>a star rating, every a little bit hopes. If you're

2163
01:54:41.119 --> 01:54:43.800
<v Speaker 2>listening to this show on YouTube, please hit like, hit subscribe,

2164
01:54:43.840 --> 01:54:45.640
<v Speaker 2>leave a comment, because we do read those on the show.

2165
01:54:46.079 --> 01:54:48.600
<v Speaker 2>We also have a Patreon, Brian, I just alluded to

2166
01:54:48.640 --> 01:54:49.000
<v Speaker 2>that earlier.

2167
01:54:49.520 --> 01:54:51.279
<v Speaker 1>Yes we do. If you head over to patreon dot

2168
01:54:51.359 --> 01:54:55.039
<v Speaker 1>com Slash Movie Film Podcast hit subscribe for only five

2169
01:54:55.119 --> 01:54:57.319
<v Speaker 1>dollars a month, you'll find every commentary we've ever done

2170
01:54:57.439 --> 01:55:01.720
<v Speaker 1>in every episode moving forward, absolutely free. In addition to that,

2171
01:55:01.800 --> 01:55:04.479
<v Speaker 1>you also find bonus conversations we drop about twice a month,

2172
01:55:05.119 --> 01:55:08.479
<v Speaker 1>just trailer talk and just headlines we've seen and things

2173
01:55:08.560 --> 01:55:10.600
<v Speaker 1>we want to talk about entertainment related that just didn't

2174
01:55:10.600 --> 01:55:13.600
<v Speaker 1>fit into the show. Our freefeed will always be available,

2175
01:55:13.640 --> 01:55:15.560
<v Speaker 1>but this is our way of providing what we believe

2176
01:55:15.680 --> 01:55:17.680
<v Speaker 1>is the most satisfying way to enjoy the show. So

2177
01:55:17.760 --> 01:55:21.720
<v Speaker 1>no ads are interruptions butting into the middle of the conversation. Plus,

2178
01:55:21.800 --> 01:55:23.880
<v Speaker 1>your subscription goes a long way and helping to support

2179
01:55:24.039 --> 01:55:26.840
<v Speaker 1>us and helping to sustain producing the show. So if

2180
01:55:26.840 --> 01:55:29.000
<v Speaker 1>you're interested in able, please head over to patreon dot

2181
01:55:29.079 --> 01:55:32.640
<v Speaker 1>com Slash Movie Film Podcast and subscribe. We'd be very grateful.

2182
01:55:33.239 --> 01:55:34.600
<v Speaker 2>And hey, if you're looking for me online, you can

2183
01:55:34.600 --> 01:55:36.640
<v Speaker 2>find me on social media at Zaki's corner. That's the

2184
01:55:36.760 --> 01:55:39.159
<v Speaker 2>Akis Corner. You can also find my reviews at the

2185
01:55:39.199 --> 01:55:42.920
<v Speaker 2>San Francisco Chronicle, including my review of Masters of the Universe,

2186
01:55:43.119 --> 01:55:47.600
<v Speaker 2>also Spider Noir from last week. You can also read

2187
01:55:47.640 --> 01:55:50.199
<v Speaker 2>my reviews at the Rap, including my thoughts on Jack

2188
01:55:50.319 --> 01:55:52.800
<v Speaker 2>Ryan Ghost War, which I talked about also in our

2189
01:55:52.880 --> 01:55:54.239
<v Speaker 2>last episode, all Right you, Brian, what do you got

2190
01:55:54.279 --> 01:55:54.479
<v Speaker 2>going on?

2191
01:55:54.960 --> 01:55:57.279
<v Speaker 1>You can find episodes I've written of Puppy Dog Pals

2192
01:55:57.359 --> 01:55:59.760
<v Speaker 1>and Young Jedi Adventures streaming on Disney Plus.

2193
01:56:00.720 --> 01:56:03.880
<v Speaker 2>There we go on behalf of my partner Brian holl

2194
01:56:03.920 --> 01:56:06.039
<v Speaker 2>My name is Zaki Hasan. This has been Movie Film

2195
01:56:06.119 --> 01:56:08.399
<v Speaker 2>three forty four. We'll catch you next time. Thanks everybody,

2196
01:56:10.159 --> 01:56:11.600
<v Speaker 2>Welcome friends.

2197
01:56:12.000 --> 01:56:19.119
<v Speaker 1>Movie Down Podcast podcast, Jakie the Toms Dot

2198
01:56:21.199 --> 01:56:22.039
<v Speaker 4>It's on the way.
