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Speaker 1: Come in welcome. I'm e. G.

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Speaker 2: Marshall, engineer of this runaway Express through the mysterious terrain

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of the imagination. Our fancies are only memories which are

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divorced from the discipline of space and time, according.

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Speaker 1: To the poet.

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Speaker 2: And what does that mean? It means in a sense

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that we are free, free to reconstruct the past in

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any way that suits our purpose, and.

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Speaker 1: So many of us do it. But you can't cure me.

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Speaker 3: I wish you would give me a suitable alternative.

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Speaker 1: It's murder.

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Speaker 3: No, it would be an accident.

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Speaker 1: What do you made an accident?

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Speaker 3: This automatic, this dazzling Luga automatic.

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Speaker 2: You were examinings you see, then you didn't know it

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was loaded. Our mystery drama, The Memory Killers was written

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especially for the Mystery Theater by Sam Dan and stars

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Ralph Bell. It is sponsored in part by Buick Motor

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Division and Anheuser Busch Incorporated Breweries a Budweiser.

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Speaker 1: I'll be back shortly with that one.

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Speaker 2: Now. People's Year end double issue is here with the

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twenty five most intriguing people of the year from Many

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four to Dolly Party for Woody to Share, Paddy Hurst

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and Joey Brown because They're all here in this special double.

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Speaker 1: Issue of people.

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Speaker 2: The winners and losers of seventy five People to Watch

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four in seventy six, Jacqueline Streis and Katherine have Burn

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and Hartrey Too, Dori Day and Rudolph Muriyev lost, a

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swat of Olympic hopefuls, and a line of first lady's

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in waiting. It's the biggest, most exciting issue of people

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ever take up a hobby to day, Henry Clay Courtland

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is what they mean when they say distinguished looking.

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Speaker 3: Henry Clay is tall, no longer young, but middle age.

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Speaker 2: Which ravages so many of us, has only enhanced him.

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Speaker 3: The few strands of gray served to make the rest

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of his hair seem thicker.

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Speaker 2: The very few lines in his face lend him a

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kind of attractive maturity. His deep, pleasant voice, his kindly

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manner are.

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Speaker 1: Great assets to his company.

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Speaker 2: Which deals in that arcane area known as public relations

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and marketing strategy. Well, Henry Clay is sitting in his office,

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and he is displaying a side of him that his

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clients very rarely get to see.

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Speaker 1: Tell me why I'm being pessimistic, John.

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Speaker 2: I didn't say you were being pessimistic. I said you

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were being unduly pessimist.

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Speaker 1: I think I'm the only one around here. It's basically reality, Henry.

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We have this new account, what newer to the Dutchmen.

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Speaker 2: They're not Dutch, they're Journey's the difference. It's a foot

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and we don't have them as an account.

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Speaker 1: Not yet.

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Speaker 2: They want you to come over and sign a contract.

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Speaker 1: Don't they know direct the letter? You'll say, did read

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the letter?

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Speaker 2: They want me to come over and sell them on

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the idea of letting us handle our American marketing strategy

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and thing.

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Speaker 1: Henry. Once you get there, once you get a clear

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shot of the.

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Speaker 2: Clients in the bag, we're going to have to make

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a major effort to these peth Henry.

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Speaker 1: When you're leaving Communich, I have to remind you, George,

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these are not the best of time to work.

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Speaker 2: The million bucks clear the very first year, and from

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there the sky is the limit. Wow, you've gotta go

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for it. The long bomb, the big play, we're rolling

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the dice partner and now three years ago were sitting

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pretty and a scandal.

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Speaker 1: Hits Continental Engines and poof, they're out of it.

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Speaker 2: Tell Us and wire and cable collapses. Everybody else starts

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pulling in their horns. That's why we need those Belgians,

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German whatever. And the Naias felt is that how you

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say it? Noius New World, that's close enough. They got

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products that don't quit. They got everything from sports cost

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to diaperness. I'm not sure I want to go back

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to Germany back when were you over there during the war?

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The war for crying out loud, Henry, that's one hundred

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years ago. We get it.

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Speaker 1: You're right, I have to bring this up.

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Speaker 2: They're a logical client for us. We're a logical agency

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for them.

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Speaker 1: We know it, they know it. We need each other.

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Speaker 2: So so I'm going I'll leave tonight.

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Speaker 1: That's my man.

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Speaker 2: I really didn't understand my reluctance. Noiusvelt was made to order.

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Speaker 1: For us, and actually they had sought us out and

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we needed.

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Speaker 3: Them, And so.

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Speaker 2: Why was I jumping up and down with joy at

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the opportunity? While the truth is I am not by

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nature a man who jumps up and down with joy.

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Speaker 1: But I could have shown a little more enthusiasm.

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Speaker 2: I asked the question, but I have no idea the answer.

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I think I really don't know myself very well. I'm

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fifty four years old, and it seems that I learned

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more about myself every day.

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Speaker 4: Won't you sit down?

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Speaker 2: Mister cousin, Thank you Ravolka he and chairman is Claus.

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Speaker 1: Oh, thank you again? What they your facts are incorrect? Oh?

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Speaker 2: I am not far Volka, I am from Volker.

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Speaker 1: Oh, I'm sorry.

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Speaker 4: Does an unmarried woman always move you to sorrow?

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Speaker 2: Mister Coulipland in any event, we should defend with fraul.

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Speaker 4: For I'm hair and mister I should like you to

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call me Malena.

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Speaker 1: Malena, that's a very pretty name, and.

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Speaker 4: I shall call you Henry.

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Speaker 2: I have street daughters for my brother to be completely.

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Speaker 4: At your service until he arrives.

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Speaker 2: Your brother is Dietrish Walker, who is listed as president

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of the world.

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Speaker 1: And uh, you are the vice president. M Worker. I

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didn't know that stood for marleaa.

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Speaker 4: Is this your first visit to journy?

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Speaker 1: Well, no, I see, or may I ask.

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Speaker 3: What it is that you see?

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Speaker 4: That is the sort of answer given by people who

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were here during the war.

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Speaker 2: What so much has happened since it's it's been so

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Vanda though, I think it's all been forgotten.

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Speaker 3: You ought to be our guest for dinner?

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Speaker 2: Oh I don't want to inconvenience anyone at all. I've

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heard so much about you, about me. Yes, we had

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you investigated quite thoroughly.

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Speaker 4: That is, we analyzed the work you did for other

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companies in America. We're very much impressed, Thank you, and

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I'm very much impressed.

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Speaker 2: It was then I noticed her for the first time

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that has really noticed her.

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Speaker 1: I had been aware of the fact that she was

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about forty, very attractive.

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Speaker 2: Charming, but now there seemed to be something personal in it,

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something directed at me, something womanly. When I walked in there,

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I've been somewhat surprised to discover that.

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Speaker 1: The executive I was to report too was a lady.

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Speaker 2: And now I sat there and faced the fact that

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I could very well have fallen in.

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Speaker 1: Love with her.

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Speaker 4: What big strategy do you think will be effective in

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marketing automobiles in your country?

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Speaker 2: Our questions were the questions I was fully prepared to answer,

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and so I I could answer them without drinking.

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Speaker 4: In a real sense, we think America is joining the

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rest of the world when it comes to side an

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economy of operation.

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Speaker 2: Is it possible that you can walk into a room,

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confront a woman and fall in love at sight?

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Speaker 4: But there is still a mystique about the American made automobile.

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Speaker 2: Of course it's possible. Didn't it happen so many years

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ago with Caravan. Uh, it's been ten years since I

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lost Caravan.

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Speaker 1: I'm lonely. I have been from the very moment I

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lost her. Oh goodness, it's lunch time.

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Speaker 2: I hope you have no plans. Yes, I have plans.

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I have plans to take you into my arms.

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Speaker 4: We have a dining room for all our executives. This

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will be expended opportunity for you to meet everyone.

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Speaker 2: I've already met the most important person in the world.

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They say it can happen this way suddenly, without warning.

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I'm in love and with a girl I don't even know.

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Speaker 4: You can see the entire city from here.

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Speaker 3: Of course it's been considerably rebuilt.

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Speaker 2: Yes, that's right. You said you had been here, Daven.

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Speaker 3: Moore bringing Munich.

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Speaker 1: Well I was over Munich. Oh you were a fire

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I was flight crew.

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Speaker 4: Huh.

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Speaker 3: I remember I was just a child.

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Speaker 4: We would hear the sirens and there would be the

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desperate surge.

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Speaker 3: To the shelters.

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Speaker 4: It was well, we were over London and Rotterdam and

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other places.

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Speaker 2: So why complain, why should we talk about wars.

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Speaker 3: It's another world.

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Speaker 4: Today, a better one. Yes, I come fromented you on

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your German, and everyone here is amazed that you speak

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it so well.

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Speaker 1: Where did you learn in college?

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Speaker 2: Ah?

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Speaker 4: But you have an ease, a kind of flow that

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can't be picked up through formal study. You acquire it

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through a conversation.

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Speaker 1: When you were a prisoner, how did you know you

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were a flyer?

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Speaker 3: So I could assume you were shut down?

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Speaker 1: Well, not all flyers were shut down.

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Speaker 4: I could be wrong, but I also recognized that your

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German is.

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Speaker 1: Well, it's dated, dated.

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Speaker 4: Well, it's the same with English, style and pronunciation and

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idiomatic things change. I couldn't you tell immediately if someone

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was losing the kind of English spoken thirty or fourteen

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years ago?

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Speaker 1: Well, the somebody said hubba hubbah. I guess I would.

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Speaker 4: I remember that I was a little girl and this

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big American soldier gave me a stick of chewing gum

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and he said hubba hubba.

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Speaker 2: I could never find out what it meant.

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Speaker 1: When either could I?

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Speaker 2: Oh, you were a prison yes where or somewhere around

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the Baltic Uh And I had to serve as interpreter.

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Speaker 4: MM, well, if you're finished for your coffee, I should

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like to have you meet some of our local marketing people.

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Speaker 2: She had won me over completely in just the way

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Carolyn did, And yet she was unlike Carolyn.

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Speaker 1: She was blonde and bright, while Carolyn was dark and subdued.

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Speaker 2: But in each there was a sweetness and a perception

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and a way of making me feel comfortable. And once

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again I was answering the questions automatically from the top

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of my head while my mind was completely absorbed with her.

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Speaker 4: What is considered a viable cost of a thousand in

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American print media?

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Speaker 1: And now the problem, how do I go about this?

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Speaker 4: I see you on here as a rather interest to reaction.

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Speaker 2: Is idea to expand our.

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Speaker 1: Appeal in every age group?

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Speaker 2: Can I be accused of making you play for her

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to when sure landing the account?

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Speaker 4: Is it true that emphasis on quality alone is not enough?

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Speaker 1: I know what I have to do.

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Speaker 2: I have to get her along away from all these

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people and just tell her I love her, because until

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I do, I'll love her.

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Speaker 1: Know a moment's peace.

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Speaker 4: We had a message while we were out at bunch.

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My brother Beatrice has been detained, but he'll be here

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as soon as he can. He's anxious to meet you.

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So is there anything you'd like to talk with me about?

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Anything else I can tell.

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Speaker 2: You about the corporation?

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Speaker 1: Not really.

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Speaker 4: We are a large and complicated film and you've been

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exposed to a great deal, more than enough for one day.

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Speaker 2: There is something I I'd like to tell her?

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Speaker 1: Yes, what als I think about it?

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Speaker 2: I don't know how this is going to sound, and

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I'm not even sure this.

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Speaker 1: Is the time to say it. One of the basic

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principles of New.

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Speaker 4: World is absolute frankness.

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Speaker 1: Ah, that's good.

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Speaker 4: Everyone is encouraged to speak his mind.

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Speaker 2: And then I shall speak mine, Marley, and I love you.

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Speaker 1: Maybe I shouldn't have said it.

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Speaker 4: No, I'm glad you did, because it gives me the

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courage to say something too.

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Speaker 5: I I also love you, Henry.

250
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Speaker 2: And that's how it can happen one day, without any

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warning whatsoever, in a strange country a woman he doesn't

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even know. I love you is generally what people say

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at the end of a story, But in ours, why

254
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does this declaration of love occur at the beginning?

255
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Speaker 5: Well, you know what they say about.

256
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Speaker 2: The course of true love. I shall return with that too.

257
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In just a few moments. Can we say that the

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person we fall in.

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Speaker 1: Love with is the.

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Speaker 2: One we happen to meet at a time when we

261
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happen to be most vulnerable?

262
00:14:35,720 --> 00:14:38,159
Speaker 1: Is all love love at first sight?

263
00:14:39,159 --> 00:14:43,240
Speaker 2: And do we merely delay announcing it because we pretend

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we are getting to know the loved one better? These

265
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are personal matters of taste and temperament.

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Speaker 1: All we know for.

267
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Speaker 2: Sure is that Henry Cortland and by Lena Vulkar have fallen.

268
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Speaker 1: In love within ours after their meeting. What are we

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going to do, malne do yes? And what are we

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going to say to whom? To everyone? For instance, if

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your brother woulda walk in here right now, I.

272
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Speaker 4: Would say to me in Geetish Henry and I have

273
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fallen in love.

274
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Speaker 2: But I've only just arrived in this country this morning.

275
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We have known each other three hours. How could we

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explain it? That's the wonderful thing about love. You're not

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required to explain it.

278
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Speaker 1: Were you? Were you ever in love before?

279
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Speaker 2: Yes?

280
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Speaker 1: Once? Whop? Yes? Once?

281
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Speaker 4: Huh see yere so much the same.

282
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Speaker 1: I don't know how to account for it.

283
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Speaker 4: I don't die there.

284
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Speaker 1: I I didn't wanna come here.

285
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Speaker 4: Why because of the war? Yes, did something bad happen

286
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to you?

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Speaker 1: Yes? What I can't tell do?

288
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Speaker 2: Why not?

289
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Speaker 1: Because I don't know you well enough. Did you hear

290
00:16:06,559 --> 00:16:08,879
what I just said? I can tell you why I

291
00:16:09,000 --> 00:16:12,600
love here, but I can't if anybody heard us. They

292
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were really and they were crazy, But it was because

293
00:16:16,039 --> 00:16:18,120
of fool. You did not wish to return to Gym.

294
00:16:18,320 --> 00:16:21,440
Speaker 2: Yes, and then I realized I was practically a blone

295
00:16:21,440 --> 00:16:22,080
in my thinking.

296
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Speaker 1: No one remembered the war seriously anymore.

297
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Speaker 3: A new generation had grown up in my country. And

298
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in my and a minute my plane.

299
00:16:30,440 --> 00:16:32,960
Speaker 2: Touched down at the airport, I saw how different it was.

300
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It was no longer the great dry place I remembered,

301
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filled with silent, brooding people. It's become a country just

302
00:16:41,360 --> 00:16:43,679
like my own, tall buildings, bustling crowds.

303
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Speaker 1: And I even fell in.

304
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Speaker 2: Love love love you fell in love with fool teacher.

305
00:16:52,279 --> 00:16:54,399
Speaker 4: Business of courts them from the United States.

306
00:16:54,759 --> 00:16:59,000
Speaker 3: I finally we made I'm sure we would be able

307
00:16:59,080 --> 00:17:03,559
to do business. I was someone talking about love. It

308
00:17:04,359 --> 00:17:06,359
happens to be my favorite pastime.

309
00:17:06,680 --> 00:17:07,880
Speaker 2: Uh, past time is right.

310
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Speaker 4: Dolo Dietrich has been married four times.

311
00:17:11,480 --> 00:17:13,920
Speaker 1: They starting to call him the blue Beard in German.

312
00:17:13,720 --> 00:17:18,680
Speaker 2: Industry, typical journalistic license. All my wives received the most

313
00:17:18,759 --> 00:17:22,119
generous settlements. I never killed any of them.

314
00:17:23,480 --> 00:17:25,680
Speaker 3: Did I ever kill anyone?

315
00:17:28,440 --> 00:17:34,920
Speaker 2: Did I ever kill anyone? I had heard those words before,

316
00:17:36,240 --> 00:17:41,720
pronounced exactly that way back in the stalage by the

317
00:17:41,880 --> 00:17:43,599
SS Intelligence Major.

318
00:17:44,640 --> 00:17:47,599
Speaker 1: His name was I don't remember his name.

319
00:17:48,640 --> 00:17:50,480
Speaker 2: I was always too tired when he spoke to me,

320
00:17:51,839 --> 00:17:57,160
too tired, and everything hurt too much. Let me look

321
00:17:57,200 --> 00:18:00,920
at this man's face again, but he listened to his voice.

322
00:18:02,119 --> 00:18:03,279
Let me concentrate.

323
00:18:04,400 --> 00:18:07,640
Speaker 3: What are you saying, Marlena, I'm saying me in love?

324
00:18:08,599 --> 00:18:11,160
Who is and MEY and I? We are in love?

325
00:18:12,000 --> 00:18:14,960
Speaker 4: But he's just we both know everything you're going to say.

326
00:18:15,480 --> 00:18:16,680
Speaker 1: We know how it sounds.

327
00:18:17,359 --> 00:18:19,799
Speaker 2: It sounds marveled. Uh huh.

328
00:18:20,440 --> 00:18:22,880
Speaker 4: Then you don't think we're crazy.

329
00:18:23,599 --> 00:18:26,680
Speaker 3: Henry, Marlena, What has happened to the two of you?

330
00:18:27,400 --> 00:18:32,480
Speaker 2: That sudden spontaneous recognition of love. One sees a face

331
00:18:33,359 --> 00:18:38,519
and instantly one is overwhelmed. I've been seeking this all

332
00:18:38,640 --> 00:18:39,160
my life.

333
00:18:40,759 --> 00:18:50,960
Speaker 1: I've never found it. Boka Major Boca was that his name?

334
00:18:52,480 --> 00:18:53,200
Is this his face?

335
00:18:55,039 --> 00:18:55,279
Speaker 2: Yes?

336
00:18:55,720 --> 00:18:59,480
Speaker 1: It must be. It has to be the way he

337
00:18:59,599 --> 00:19:05,559
just said, Did I ever kill anyone? Did I ever

338
00:19:06,319 --> 00:19:07,240
kill anyone?

339
00:19:08,240 --> 00:19:13,680
Speaker 3: Did I ever kill anyone? Lieutenant Cortland, I never killed anyone.

340
00:19:15,079 --> 00:19:16,559
Speaker 1: I never have to kill anyone.

341
00:19:17,720 --> 00:19:22,200
Speaker 2: My prisoners kidded themselves through stupidity.

342
00:19:23,640 --> 00:19:24,759
Speaker 1: What do you want me to have?

343
00:19:25,720 --> 00:19:30,079
Speaker 3: A German officer in this camp is an American agent?

344
00:19:31,279 --> 00:19:37,400
Speaker 1: Who you know him? Who are I don't know what

345
00:19:37,480 --> 00:19:41,720
you're talking about. I just have to get some sleep.

346
00:19:42,480 --> 00:19:47,240
Speaker 3: Guy knows his name, and you can sleep. Plenty of

347
00:19:47,400 --> 00:19:51,759
time for sleep, Americans. I if he doesn't get sleep,

348
00:19:53,599 --> 00:19:54,319
you're killing me.

349
00:19:55,079 --> 00:19:59,839
Speaker 1: No, No, you are only kidding yourself.

350
00:20:06,000 --> 00:20:08,000
Speaker 3: Hasn't this been a wonderful dinner?

351
00:20:08,319 --> 00:20:11,559
Speaker 2: Thank you? I never knew when I made the reservation

352
00:20:11,680 --> 00:20:13,839
this morning that it would be a dinner to celebrate

353
00:20:13,960 --> 00:20:17,759
my sister's engagement. And now where shall we go?

354
00:20:18,279 --> 00:20:19,920
Speaker 3: What do you say, Danny?

355
00:20:20,920 --> 00:20:21,119
Speaker 1: Oh?

356
00:20:22,400 --> 00:20:24,880
Speaker 2: Oh, unless you're tired timing and you got to get

357
00:20:24,960 --> 00:20:31,079
to sleep. Well, sleep, there's plenty of time for sleep.

358
00:20:34,480 --> 00:20:38,359
Speaker 1: Plenty of time for sleep. That was the way he

359
00:20:38,480 --> 00:20:42,799
said it. He had to be that major, He had

360
00:20:42,920 --> 00:20:48,279
to be those scars just above his right eye. Oh

361
00:20:48,359 --> 00:20:51,240
he's the one. How could I ever begin?

362
00:20:53,400 --> 00:20:55,079
Speaker 3: Plenty of time for sleep?

363
00:20:55,400 --> 00:20:58,440
Speaker 4: Well, there is such a thing as check bag that

364
00:20:58,680 --> 00:21:01,200
is an old wife's day. And since when did those

365
00:21:01,359 --> 00:21:04,160
old wives by inject a man needs to dress?

366
00:21:04,519 --> 00:21:05,920
Speaker 1: Listen to the way she talks.

367
00:21:06,000 --> 00:21:09,799
Speaker 2: Now that you're hooked their attention to it, Henry, it's

368
00:21:09,799 --> 00:21:12,359
still not too late to break the engagement.

369
00:21:12,519 --> 00:21:13,680
Speaker 1: Who said that you are?

370
00:21:13,759 --> 00:21:16,640
Speaker 2: Indeed you fell in love with her because she appears

371
00:21:16,680 --> 00:21:22,160
to be glamorous, beautiful, mysterious. But once she has got

372
00:21:22,279 --> 00:21:25,200
Europe he shows her essential nature.

373
00:21:26,160 --> 00:21:27,480
Speaker 1: She becomes a house frau.

374
00:21:28,759 --> 00:21:32,240
Speaker 2: If you think an American housewife is something, wait till

375
00:21:32,279 --> 00:21:34,680
you experience a German house fraul.

376
00:21:35,119 --> 00:21:36,759
Speaker 1: And who should know better than you?

377
00:21:39,400 --> 00:21:40,200
Speaker 3: Maybe not right?

378
00:21:41,240 --> 00:21:45,200
Speaker 2: Besides, I must be getting older. Time was when I

379
00:21:45,240 --> 00:21:48,000
could party all night and still be at the office

380
00:21:48,200 --> 00:21:49,039
bright and early.

381
00:21:49,400 --> 00:21:51,559
Speaker 4: We must all be at the office, bright and early,

382
00:21:51,920 --> 00:21:54,480
and here Henry tell us how to sell New World

383
00:21:54,680 --> 00:21:55,279
in America.

384
00:22:01,640 --> 00:22:09,920
Speaker 2: Uh uh allah, Henry, George, you know what time it

385
00:22:10,039 --> 00:22:10,319
is here?

386
00:22:10,640 --> 00:22:12,799
Speaker 1: Well, I can't help it. I have to know how

387
00:22:12,880 --> 00:22:14,319
things are going, George.

388
00:22:14,359 --> 00:22:15,359
Speaker 3: I've got to get some rest.

389
00:22:15,559 --> 00:22:18,000
Speaker 1: Look, I'm nervous about rot.

390
00:22:18,279 --> 00:22:21,519
Speaker 2: Everybody knows we're pitching this account in New World, and

391
00:22:21,759 --> 00:22:22,640
if we don't get.

392
00:22:22,519 --> 00:22:26,160
Speaker 1: It, it's gonna look like like we I understand what

393
00:22:26,319 --> 00:22:28,200
you did was tell everyone we had the account.

394
00:22:28,319 --> 00:22:30,920
Speaker 2: Well, and so now we can't afford to lose it.

395
00:22:31,039 --> 00:22:32,640
Speaker 1: I okay, So I was hasty.

396
00:22:32,799 --> 00:22:34,839
Speaker 6: I made a mistake, Henry.

397
00:22:35,640 --> 00:22:39,200
Speaker 1: We must have that account. We gotta have it, all right,

398
00:22:40,480 --> 00:22:48,759
all right, goodbye, Ah. We must have that account, we must.

399
00:22:51,240 --> 00:22:55,559
Speaker 7: I was dreaming before that phone rang? What was I

400
00:22:55,680 --> 00:23:00,960
dreaming about it? Or was I dreaming? Am I living

401
00:23:01,039 --> 00:23:01,279
through it?

402
00:23:01,319 --> 00:23:06,440
Speaker 1: Again? And we there again, back there, in that damn

403
00:23:06,680 --> 00:23:12,000
stinking cellar in the stalog And we back there, Frank

404
00:23:12,079 --> 00:23:12,279
and I.

405
00:23:14,160 --> 00:23:14,920
Speaker 2: Back there.

406
00:23:23,079 --> 00:23:26,440
Speaker 3: Let me give you the the water.

407
00:23:27,440 --> 00:23:32,920
Speaker 2: I I can't fright, I can't. They don't hurt us,

408
00:23:32,920 --> 00:23:35,599
happen anything, hide this week, to get it, bead it.

409
00:23:36,359 --> 00:23:37,200
Speaker 1: Nothing matter anyhow.

410
00:23:37,720 --> 00:23:41,680
Speaker 2: I'm as good at dead, but a fright by it

411
00:23:41,799 --> 00:23:42,960
was dead y me.

412
00:23:43,000 --> 00:23:43,960
Speaker 1: Put my jacket over here.

413
00:23:44,160 --> 00:23:48,480
Speaker 2: Oh we freeze to dad, try to sleep, fright, I'd

414
00:23:48,519 --> 00:23:51,240
be wrestled up to I C, I C I can't sleep.

415
00:23:51,440 --> 00:23:57,799
Speaker 1: And they took busted up inside I. I didn't tell

416
00:23:57,839 --> 00:24:02,160
him anything. I took everything, but I didn't know my mouth.

417
00:24:02,200 --> 00:24:04,440
If I can't, Frank, and don't try to talk, I said,

418
00:24:05,200 --> 00:24:09,119
That's about all I can do now. There's only something

419
00:24:09,200 --> 00:24:14,079
I could do for you can't. There is live Get

420
00:24:14,319 --> 00:24:17,960
get that, that says Major. I'm like, oh, what's his name?

421
00:24:18,759 --> 00:24:22,200
Full cut? Full cut? Whoever? Why not go? I can

422
00:24:23,519 --> 00:24:27,200
get him for what he did, not just to me,

423
00:24:27,799 --> 00:24:31,079
but to everybody. That's right. If worst kind there is

424
00:24:32,759 --> 00:24:36,160
never get his own man's dirty. Get him for me.

425
00:24:36,400 --> 00:24:39,680
I will. I swear to me, so you don't do it.

426
00:24:40,000 --> 00:24:40,559
I swear, I.

427
00:24:40,559 --> 00:24:44,519
Speaker 3: Say, I swear I killed that.

428
00:24:44,680 --> 00:24:50,359
Speaker 1: That says Major. I swear I'll kill that Major. Yeah.

429
00:24:51,480 --> 00:25:01,839
If I can't, I can't. And so you see the

430
00:25:02,119 --> 00:25:07,200
entire campaign is coordinated. You stress the same basic theme

431
00:25:07,279 --> 00:25:11,119
in all the media. It's fantastic Henry.

432
00:25:11,200 --> 00:25:12,000
Speaker 2: All my life.

433
00:25:12,079 --> 00:25:14,400
Speaker 1: I was afraid of bringing men, and look at me.

434
00:25:15,039 --> 00:25:16,440
I just fell in love with one.

435
00:25:16,799 --> 00:25:22,119
Speaker 4: Now about some details, Ah, he teased a genius of details.

436
00:25:22,480 --> 00:25:24,519
Speaker 2: Oh that's what life is all about. You.

437
00:25:30,759 --> 00:25:33,640
Speaker 1: He was talking to me. I must have been answering

438
00:25:33,720 --> 00:25:35,519
him because what he wanted to know was stuff I

439
00:25:35,559 --> 00:25:40,079
could discuss in my sleep. And someone else was talking

440
00:25:40,160 --> 00:25:45,880
to me too, someone else, a very dirty, blooded man

441
00:25:45,960 --> 00:25:48,079
who was lying on a filthy floor.

442
00:25:47,920 --> 00:25:53,200
Speaker 2: In a prison camp. Kill him, Mary, kill him, you

443
00:25:53,359 --> 00:25:54,759
swore you killed him?

444
00:25:56,160 --> 00:26:00,640
Speaker 1: How can I kill him? Shoot him? Staid strangely does

445
00:26:00,720 --> 00:26:02,559
it matter? Kill him?

446
00:26:03,440 --> 00:26:05,920
Speaker 3: But but the war is over?

447
00:26:06,359 --> 00:26:06,680
Speaker 6: So what.

448
00:26:08,240 --> 00:26:09,960
Speaker 1: How could I explain a thing like that?

449
00:26:10,480 --> 00:26:12,079
Speaker 2: Tell everybody what happened?

450
00:26:12,759 --> 00:26:17,920
Speaker 1: But it's another world now. Nobody remembers, nobody cares you swore.

451
00:26:17,839 --> 00:26:20,079
Speaker 2: You kill him. I'm not even sure he's the one.

452
00:26:20,200 --> 00:26:20,839
Speaker 1: He's the one.

453
00:26:22,000 --> 00:26:22,480
Speaker 2: Kill him?

454
00:26:22,519 --> 00:26:26,119
Speaker 1: No, I I I can't, And you've got to kill

455
00:26:26,240 --> 00:26:29,920
him for me. You're asking me to throw away my life.

456
00:26:30,000 --> 00:26:33,119
I'm asking you to keep your promise? What promise?

457
00:26:34,119 --> 00:26:35,839
Speaker 2: Something I said when I was black and blow and

458
00:26:35,960 --> 00:26:37,640
freezing and starving and half crazy.

459
00:26:38,039 --> 00:26:39,400
Speaker 1: Him it doesn't matter anymore.

460
00:26:39,400 --> 00:26:42,279
Speaker 2: It doesn't make any difference anymore. You kill him. I'm

461
00:26:42,319 --> 00:26:44,440
sure sure you can say kill him?

462
00:26:44,880 --> 00:26:45,880
Speaker 1: What if you've got to lose?

463
00:26:45,880 --> 00:26:49,759
Speaker 2: You're dead. He killed me. I can't help that.

464
00:26:50,200 --> 00:26:54,400
Speaker 1: I have no choice, but I do. I'm sorry, Frank.

465
00:26:55,720 --> 00:26:56,359
I'm not a hero.

466
00:26:57,440 --> 00:27:00,759
Speaker 2: I'm just an average, everyday person. I I can't do

467
00:27:00,880 --> 00:27:03,559
what these fellows do in books and pictures. I take

468
00:27:03,720 --> 00:27:04,920
the world as I find it.

469
00:27:05,079 --> 00:27:07,839
Speaker 3: I live in the world as it is.

470
00:27:08,279 --> 00:27:12,319
Speaker 1: Is that supposed to be living? You're dead? Are you

471
00:27:12,480 --> 00:27:13,000
better off?

472
00:27:13,640 --> 00:27:16,960
Speaker 2: I'm beginning to wonder when they got to work on

473
00:27:17,079 --> 00:27:19,000
you did you tell?

474
00:27:20,279 --> 00:27:21,559
Speaker 1: Is that why you're still alive?

475
00:27:25,079 --> 00:27:29,599
Speaker 2: I cannot see a single flaw in this presentation, and

476
00:27:29,759 --> 00:27:32,359
we are to award the account to mister Cortlin's n

477
00:27:33,240 --> 00:27:36,960
you mean your future husband isn't entitled to special consideration?

478
00:27:37,920 --> 00:27:40,079
Speaker 4: Only how you ain Didney Hollis?

479
00:27:41,440 --> 00:27:44,759
Speaker 2: Isn't she the most remarkable woman you have ever met?

480
00:27:44,839 --> 00:27:45,799
Henry and.

481
00:27:47,359 --> 00:27:49,240
Speaker 4: Darning a man's in.

482
00:27:49,279 --> 00:27:53,720
Speaker 2: A daze, no wonder, Look what's happened to him in

483
00:27:53,799 --> 00:27:59,079
a single day? He lands a major account and a wife.

484
00:28:06,319 --> 00:28:09,440
Speaker 1: And what would you do? Confront Deepish and have it out?

485
00:28:10,400 --> 00:28:14,039
Speaker 2: Sure you were sitting there in your comfortable chair. But

486
00:28:14,200 --> 00:28:17,440
Henry has a great deal to lose. But you say,

487
00:28:18,079 --> 00:28:21,839
we listen to these tales because we want heroes. Heroes

488
00:28:21,920 --> 00:28:26,359
were not afraid the way we are. Well, we still

489
00:28:26,480 --> 00:28:29,559
have a third act. We may come across say.

490
00:28:29,519 --> 00:28:44,720
Speaker 1: Hero Yet they say heroes are born, not made, And

491
00:28:44,960 --> 00:28:48,039
this seems to be true from Henry clay Courtland's viewpoint.

492
00:28:48,720 --> 00:28:52,000
Speaker 2: Oh, Henry looks like a hero. He appears to be

493
00:28:52,079 --> 00:28:54,960
the kind of person who can certainly take care of himself.

494
00:28:55,799 --> 00:28:59,559
But he has a chance for heroics, and evidently he

495
00:28:59,599 --> 00:29:00,599
has choken and to turn it.

496
00:29:00,640 --> 00:29:11,759
Speaker 1: Down, something no true born hero would ever think of doing. Hello, darling,

497
00:29:12,599 --> 00:29:13,599
how are you this morning?

498
00:29:13,920 --> 00:29:14,079
Speaker 4: Oh?

499
00:29:14,079 --> 00:29:18,240
Speaker 1: Oh wonderful? Do you still love me? Do I still

500
00:29:18,279 --> 00:29:18,519
love you?

501
00:29:19,079 --> 00:29:19,240
Speaker 2: Well?

502
00:29:19,359 --> 00:29:21,720
Speaker 1: All I know you're not a person of uh pe

503
00:29:21,799 --> 00:29:22,880
curial temperament.

504
00:29:23,440 --> 00:29:26,079
Speaker 4: You may fall violently in love with one day and

505
00:29:26,279 --> 00:29:28,160
justifiably out of love on the next.

506
00:29:28,720 --> 00:29:31,440
Speaker 1: Well, I might say the same about you. Well, I

507
00:29:31,680 --> 00:29:36,559
still love you today as much as yesterday. No, no,

508
00:29:37,640 --> 00:29:45,559
I love you twice as much. And it was true,

509
00:29:46,480 --> 00:29:47,759
we love each other even more.

510
00:29:48,680 --> 00:29:50,759
Speaker 2: I put everything else out of my mind, the past,

511
00:29:50,920 --> 00:29:54,400
the present, camp Frank the Major. I lived a new

512
00:29:54,480 --> 00:29:56,079
life in a new world, and there was nothing I

513
00:29:56,119 --> 00:29:58,359
could do about what may or may not have been

514
00:29:58,640 --> 00:29:59,680
a lifetime ago.

515
00:30:01,359 --> 00:30:03,000
Speaker 1: I decided to walk to the office.

516
00:30:03,079 --> 00:30:05,640
Speaker 2: It was such a glorious day, the kind of day

517
00:30:05,759 --> 00:30:08,799
lovers are entitled to. And I didn't see the speeding

518
00:30:08,839 --> 00:30:09,880
automobile but seemed to.

519
00:30:09,880 --> 00:30:12,400
Speaker 1: Be bearing down on me. If wide away down to

520
00:30:12,559 --> 00:30:13,680
who happened to be passing at the.

521
00:30:13,680 --> 00:30:15,839
Speaker 3: Same time, didn't custom medn't killed.

522
00:30:16,440 --> 00:30:18,680
Speaker 2: Hey, what's where you're going? You haway?

523
00:30:20,440 --> 00:30:22,640
Speaker 1: The boy who pushed me to safety smile at me.

524
00:30:23,640 --> 00:30:25,839
Speaker 2: I had shout my anger at the driver in English,

525
00:30:26,920 --> 00:30:28,400
and I looked at his face closely.

526
00:30:29,519 --> 00:30:32,720
Speaker 1: I owed the boy in my life, and his face

527
00:30:33,000 --> 00:30:39,440
became familiar, but it seemed older. It was oh, good lord,

528
00:30:40,440 --> 00:30:45,880
it was Frank. Frank. Am I going crazy? I've got

529
00:30:46,079 --> 00:30:48,759
to kill him any I ey him?

530
00:30:49,319 --> 00:30:49,519
Speaker 4: Or you?

531
00:30:50,559 --> 00:30:51,759
Speaker 3: What are you talking about?

532
00:30:51,920 --> 00:30:54,680
Speaker 1: Horror? The driver tried to run you down.

533
00:30:55,440 --> 00:30:58,200
Speaker 2: It was just some not you see, and when you

534
00:30:58,359 --> 00:31:01,240
recognized him, and that's why he has to kill.

535
00:31:01,119 --> 00:31:03,519
Speaker 1: You or your parking r bond. He's afraid of you

536
00:31:03,680 --> 00:31:05,680
and me? Why should he be afraid of me? What

537
00:31:05,839 --> 00:31:07,359
can I do to him? He'll him?

538
00:31:08,200 --> 00:31:10,880
Speaker 2: But how can he be sure? I'm the one.

539
00:31:11,039 --> 00:31:14,480
Speaker 1: We can't take the chance. So he's trying to buy

540
00:31:14,599 --> 00:31:18,039
you off in your place and have I first. He's

541
00:31:18,079 --> 00:31:20,279
giving you his sister. He doesn't give me me anyone.

542
00:31:20,480 --> 00:31:23,039
She'll never marry you if he said no, she loves me.

543
00:31:23,160 --> 00:31:24,720
Speaker 3: A second, he's giving you.

544
00:31:24,799 --> 00:31:29,279
Speaker 1: This fantastic account everything to shut you up. All right,

545
00:31:30,119 --> 00:31:33,160
suppose it's true, But why should he want to kill me?

546
00:31:33,359 --> 00:31:37,039
Because he's afraid? You keep looking at him when he

547
00:31:37,160 --> 00:31:40,440
talks to him. You can't help yourself you keep looking

548
00:31:40,480 --> 00:31:43,640
at him in a certain way. He thinks you're playing

549
00:31:43,720 --> 00:31:47,480
cat and mouse with him. She's afrayed, so he knows

550
00:31:48,200 --> 00:31:50,799
he has to kill you. I don't believe it. He's

551
00:31:50,799 --> 00:31:54,720
the one to believe it. He's got no choice. Kill

552
00:31:54,839 --> 00:31:57,000
him before he kills you.

553
00:32:00,119 --> 00:32:00,240
Speaker 5: Uh.

554
00:32:03,960 --> 00:32:04,079
Speaker 6: Uh.

555
00:32:04,359 --> 00:32:06,000
Speaker 4: Isn't it beautiful around here?

556
00:32:07,039 --> 00:32:13,519
Speaker 1: Yes? Starting it reminds me of the mountains back home. Henry.

557
00:32:14,519 --> 00:32:19,519
Speaker 2: Yes, had you ever met my brother before Dietrich?

558
00:32:21,119 --> 00:32:21,759
Speaker 1: Or what do you ask?

559
00:32:22,480 --> 00:32:26,359
Speaker 4: Well, it could be my imagination, what could be your imagination?

560
00:32:27,240 --> 00:32:31,640
W whenever, whenever we've all been together, it seems to

561
00:32:31,759 --> 00:32:33,960
me that you've been staring at Ditrich.

562
00:32:34,440 --> 00:32:37,680
Speaker 1: Oh, I wasn't aware that I was sparing.

563
00:32:38,400 --> 00:32:42,240
Speaker 4: But you really didn't ever meet Dietrich, did you? I?

564
00:32:42,519 --> 00:32:45,799
Speaker 1: Uh, I don't know where I could have. Has he

565
00:32:45,799 --> 00:32:49,279
ever been to America? No, Well, I've only been here

566
00:32:49,359 --> 00:32:49,920
during the war.

567
00:32:50,240 --> 00:32:50,359
Speaker 2: Uh.

568
00:32:50,400 --> 00:32:50,920
Speaker 4: What uh?

569
00:32:52,039 --> 00:32:55,440
Speaker 1: What was Ditrich doing during the war? He was in

570
00:32:55,559 --> 00:32:57,519
written present?

571
00:32:57,839 --> 00:33:01,160
Speaker 3: Yes, he had been sentenced to death or.

572
00:33:02,799 --> 00:33:06,759
Speaker 1: Why he was a member of the underground the resistance?

573
00:33:08,759 --> 00:33:12,119
What many people are not aware of it.

574
00:33:12,880 --> 00:33:15,440
Speaker 4: But we've had an anti Nazi underground here too.

575
00:33:16,119 --> 00:33:19,640
Speaker 1: Well, you say he was sentenced to death, Uh, how

576
00:33:19,680 --> 00:33:20,279
did he get out?

577
00:33:21,160 --> 00:33:23,160
Speaker 4: They really didn't know what they wanted to do with him,

578
00:33:23,880 --> 00:33:26,440
and they thought maybe they could get more information out

579
00:33:26,440 --> 00:33:30,000
of him by keeping him alive, and finally his friends

580
00:33:30,039 --> 00:33:35,359
helped him escape. Oh so, I don't really think you

581
00:33:35,640 --> 00:33:36,240
ever might.

582
00:33:36,160 --> 00:33:37,039
Speaker 3: Have seen him before.

583
00:33:38,480 --> 00:33:39,039
Speaker 1: I suppose not.

584
00:33:39,640 --> 00:33:45,759
Speaker 4: Perhaps someone who looked like him. Perhaps those were such

585
00:33:45,839 --> 00:33:48,680
bad days, bad days for all of us.

586
00:33:49,240 --> 00:33:52,720
Speaker 1: Why are we even talking about him? We should be

587
00:33:52,799 --> 00:33:53,759
talking about us.

588
00:33:59,359 --> 00:34:02,440
Speaker 2: I I've asked all of you to attend this meeting

589
00:34:02,599 --> 00:34:06,160
to become acquainted with mister Henry Clay Courtland of the

590
00:34:06,319 --> 00:34:11,400
United States, and mister Cortland is not only joining our

591
00:34:11,760 --> 00:34:15,639
official family, but he would also be a member of

592
00:34:16,159 --> 00:34:20,719
my person No, it was not my imagination.

593
00:34:22,039 --> 00:34:26,000
Speaker 1: He's looking at me. He's looking at my face as

594
00:34:26,000 --> 00:34:29,079
if he's trying to read something, tell me something.

595
00:34:30,159 --> 00:34:31,920
Speaker 5: But what what?

596
00:34:33,119 --> 00:34:36,440
Speaker 1: He's trying to make a deal with you, Henry. But

597
00:34:36,559 --> 00:34:40,360
don't trust him. Don't trust him. He wants you off

598
00:34:40,440 --> 00:34:43,679
guard so he can kill you. Let them alone. All

599
00:34:43,719 --> 00:34:46,400
these people are looking at me. Some other people are

600
00:34:46,440 --> 00:34:51,000
looking at you, too, Henry. Guys from the camp, guys.

601
00:34:50,760 --> 00:34:54,280
Speaker 2: From your book, look at us, Henry, shut up a

602
00:34:54,400 --> 00:34:55,480
man's asking me a question.

603
00:34:55,599 --> 00:34:59,360
Speaker 1: Your turner bob him already, and Harry, look at us.

604
00:35:00,000 --> 00:35:03,840
We're all here, and we're all dead, and we're all

605
00:35:03,920 --> 00:35:08,039
asking you one question. When now you're gonna kill him?

606
00:35:09,599 --> 00:35:11,960
How can I be sure? I don't want to be sure.

607
00:35:12,800 --> 00:35:15,880
You want the girl, the money? How can I kill him?

608
00:35:15,880 --> 00:35:16,760
Speaker 2: If I'm not sure?

609
00:35:17,079 --> 00:35:21,199
Speaker 1: We're sure, each one of us, and you've got to

610
00:35:21,360 --> 00:35:26,800
kill him. You have to kill him, Henry. You know that,

611
00:35:27,079 --> 00:35:37,960
don't you? Yes? I know when when tonight, tonight you

612
00:35:38,159 --> 00:35:44,320
hurt me? I said, tonight, marvelous.

613
00:35:44,920 --> 00:35:48,280
Speaker 2: This is what they call accent. We ask Henry play

614
00:35:48,400 --> 00:35:51,760
Cortland when we can have his overall plan of action,

615
00:35:52,800 --> 00:35:54,360
and he says, don.

616
00:36:04,039 --> 00:36:08,199
Speaker 1: Hello, Henry, ddre here. How are you coming on the plane?

617
00:36:08,679 --> 00:36:09,039
Oh am?

618
00:36:09,079 --> 00:36:09,599
Speaker 2: I coming here?

619
00:36:10,639 --> 00:36:12,480
Speaker 1: Fine? Why don't I send.

620
00:36:12,360 --> 00:36:14,920
Speaker 7: The limousine over for you and you can work here

621
00:36:15,119 --> 00:36:15,760
at my house?

622
00:36:16,880 --> 00:36:20,719
Speaker 2: Your house, it's more spaces comfortable, and you and I

623
00:36:20,880 --> 00:36:29,920
can check why not your glass is empty?

624
00:36:30,119 --> 00:36:32,320
Speaker 1: Henry, I've had enough? Thanks?

625
00:36:33,400 --> 00:36:34,599
Speaker 2: How do you want to do this?

626
00:36:35,480 --> 00:36:38,920
Speaker 1: I just sketch out some notes and then have them headbine.

627
00:36:38,960 --> 00:36:40,960
On chance, I didn't mean that.

628
00:36:42,559 --> 00:36:44,639
Speaker 3: I meant the other thing.

629
00:36:46,159 --> 00:36:54,719
Speaker 1: What other things, you know, Lieutenant Cortland. So it's true

630
00:36:56,920 --> 00:37:03,159
you were this major foregun. I'd forgotten, and you were

631
00:37:03,639 --> 00:37:10,639
Lieutenant Courtland. I had forgotten too. Your sister said, yes,

632
00:37:11,840 --> 00:37:12,079
I know.

633
00:37:13,360 --> 00:37:16,480
Speaker 2: I had to tell her something. After all, if she

634
00:37:16,599 --> 00:37:19,079
wanted to believe her brother was an underground hero.

635
00:37:20,960 --> 00:37:22,880
Speaker 1: She was half right, My sister was.

636
00:37:23,119 --> 00:37:26,039
Speaker 3: And that's because I told her a half truth.

637
00:37:27,360 --> 00:37:31,400
Speaker 1: I had been in the underground is that song? Oh yes?

638
00:37:33,159 --> 00:37:37,599
Speaker 3: And they called me and they worked on me.

639
00:37:39,039 --> 00:37:42,440
Speaker 1: You know how well they could do that? Oh yes?

640
00:37:43,760 --> 00:37:48,159
Speaker 2: And so after a while I decided.

641
00:37:47,760 --> 00:37:52,719
Speaker 1: To join them. Well that's all that matters. You became

642
00:37:52,800 --> 00:37:55,599
one of them. You were one of them.

643
00:37:56,559 --> 00:38:01,039
Speaker 2: No human being can hold out again and clever and

644
00:38:01,280 --> 00:38:02,960
controlled torture.

645
00:38:03,280 --> 00:38:09,480
Speaker 1: I didn't know. You did not You talked. I never talked.

646
00:38:10,000 --> 00:38:13,159
You told us how to uncover the agent. How could I?

647
00:38:13,320 --> 00:38:15,760
I didn't know, But you told us who among your

648
00:38:15,840 --> 00:38:17,000
comrades could tell us?

649
00:38:18,480 --> 00:38:19,559
Speaker 3: Frank Watkins.

650
00:38:20,039 --> 00:38:26,119
Speaker 1: I never Oh, yes, you didn't know. But at the

651
00:38:26,320 --> 00:38:29,079
end you screamed and shouted his name.

652
00:38:29,480 --> 00:38:33,400
Speaker 2: I actually didn't matter, because you see, he was already

653
00:38:33,559 --> 00:38:35,760
dead and of no use to us.

654
00:38:39,400 --> 00:38:42,480
Speaker 1: And now and now.

655
00:38:43,920 --> 00:38:45,599
Speaker 3: There's only this way out.

656
00:38:47,639 --> 00:38:51,159
Speaker 1: I will have to kill you, not if I can

657
00:38:51,280 --> 00:38:52,039
kill you first.

658
00:38:52,639 --> 00:38:59,440
Speaker 2: Ah, but I have the opportunity while you don't. My

659
00:38:59,599 --> 00:39:05,079
lugo automatic and intricate and sophisticated weapons. In all the

660
00:39:05,239 --> 00:39:08,920
years I have owned this gun, it has never taken alive.

661
00:39:10,199 --> 00:39:16,679
But days the first time for everything, you're going to

662
00:39:16,800 --> 00:39:17,079
kill me.

663
00:39:17,719 --> 00:39:22,559
Speaker 1: Oh yes, it's murdered. How are you proposed to get

664
00:39:22,559 --> 00:39:26,840
away with him? It will not be murdered? What will

665
00:39:26,920 --> 00:39:27,119
it be?

666
00:39:28,480 --> 00:39:29,199
Speaker 3: An accident?

667
00:39:30,360 --> 00:39:33,960
Speaker 2: Two old soldiers get together over a glass of wine.

668
00:39:33,679 --> 00:39:36,760
Speaker 1: We talk about weapons. You ask to see my lure.

669
00:39:37,719 --> 00:39:38,519
You examined it.

670
00:39:39,880 --> 00:39:42,360
Speaker 3: Unfortunately, days around.

671
00:39:42,199 --> 00:39:46,679
Speaker 1: In the chamber, neat, very neat.

672
00:39:48,239 --> 00:39:51,239
Speaker 3: I'm sorry it has to be this way, but you

673
00:39:51,280 --> 00:39:52,800
would tolerate no other ending.

674
00:39:53,840 --> 00:39:56,119
Speaker 1: I don't intend to sit here that you kill me.

675
00:39:56,719 --> 00:39:59,239
I am afraid there's nothing you can do.

676
00:40:00,239 --> 00:40:01,880
Speaker 3: Oh yeah, drop it.

677
00:40:02,239 --> 00:40:04,760
Speaker 2: Come on, you are a dead man.

678
00:40:04,840 --> 00:40:07,599
Speaker 1: I'm back out, And have you killed anywhere in this country?

679
00:40:07,960 --> 00:40:09,199
All I up to is.

680
00:40:12,599 --> 00:40:20,519
Speaker 2: That I guess you really, that's the last word asked?

681
00:40:21,320 --> 00:40:25,000
Speaker 4: Oh was that shot Dietrich?

682
00:40:27,199 --> 00:40:34,079
Speaker 1: What happened to Ditchrich? And when darling? Darling? He wanted

683
00:40:34,119 --> 00:40:38,400
to show me how the local automatic pistol works, and

684
00:40:40,159 --> 00:40:42,679
he didn't know there was a live round in it.

685
00:40:51,920 --> 00:40:52,960
How much did.

686
00:40:52,880 --> 00:40:56,920
Speaker 2: Marlena hear before she came into the room. What did

687
00:40:57,000 --> 00:41:01,559
she know before she came into the room. Who knows

688
00:41:01,679 --> 00:41:02,880
what takes place.

689
00:41:02,719 --> 00:41:06,119
Speaker 1: In the heart and mind of another. All we know

690
00:41:06,480 --> 00:41:08,480
is the outside of what we see.

691
00:41:09,360 --> 00:41:12,320
Speaker 2: And what we saw was that Henry and Morlena fell

692
00:41:12,360 --> 00:41:16,000
in love. What I can tell you is that they

693
00:41:16,039 --> 00:41:18,320
got married, and as far as I know, they are

694
00:41:18,360 --> 00:41:22,199
still quite happy. And you'll be happy if you wait.

695
00:41:22,119 --> 00:41:24,679
Speaker 1: To hear what I tend you when I return shortly.

696
00:41:34,480 --> 00:41:37,280
Who were Deepish Folker and Henry Clay Courtland.

697
00:41:38,000 --> 00:41:41,239
Speaker 2: There were two people out of millions whose lives and

698
00:41:41,360 --> 00:41:46,159
fates were formed by forces beyond their control. At one

699
00:41:46,239 --> 00:41:49,519
time a man could choose to die for his beliefs,

700
00:41:50,199 --> 00:41:50,800
but no more.

701
00:41:51,679 --> 00:41:53,360
Speaker 3: There are ways to make all.

702
00:41:53,239 --> 00:41:56,559
Speaker 1: Of us see another light, a different light.

703
00:41:57,480 --> 00:42:01,880
Speaker 2: But here we have the same life seven times each week,

704
00:42:02,519 --> 00:42:06,800
and you are invited to bask in the glow. Our

705
00:42:06,880 --> 00:42:10,880
cast included Ralph Bell, Patricia Wheel, Robert Dryden and Nat Pohlan.

706
00:42:11,519 --> 00:42:14,639
The entire production was under the direction of Hyman Brown.

707
00:42:25,239 --> 00:42:35,039
I shall be back shortly. In an effort to interpret

708
00:42:35,119 --> 00:42:38,320
ourselves to ourselves. I offer you the words of a

709
00:42:38,440 --> 00:42:39,199
Roman poet.

710
00:42:39,039 --> 00:42:43,159
Speaker 1: Named Catalus, who lived two thousand years ago. I hate

711
00:42:43,599 --> 00:42:47,280
and I love. Why I do so, I do not know,

712
00:42:48,119 --> 00:42:50,719
but I feel it, and I am in torment.

713
00:42:52,000 --> 00:42:54,960
Speaker 2: Perhaps when we comprehend a little better our own torment,

714
00:42:55,559 --> 00:42:59,239
we will better understand the torment of others, and in consequence.

715
00:42:58,760 --> 00:43:02,440
Speaker 1: Be a little kinder to one another. Is that not possible?

716
00:43:03,679 --> 00:43:04,440
I'll leave it up to you.

717
00:43:05,679 --> 00:43:08,840
Speaker 2: Our cast included Christopher to Borie, Terry Keane, Russell Horton

718
00:43:08,880 --> 00:43:12,239
and John be. The entire production was under the direction

719
00:43:12,360 --> 00:43:13,599
of Hymon Brown.

720
00:43:14,719 --> 00:43:15,280
Speaker 1: This is E. G.

721
00:43:15,480 --> 00:43:18,800
Speaker 2: Marshall inviting you to return to our Mystery Theater for

722
00:43:18,920 --> 00:43:21,199
another adventure in the macabre.

723
00:43:22,519 --> 00:43:42,199
Speaker 6: Until next time, pleasant dreams. I can't wait to meet

724
00:43:42,239 --> 00:43:44,920
your daughter, sir, well, I'll call her Evie.

725
00:43:46,119 --> 00:43:46,519
Speaker 2: Come here.

726
00:43:46,639 --> 00:43:48,480
Speaker 4: Would you better be good?

727
00:43:48,639 --> 00:43:51,159
Speaker 6: She's got a lot of spot What is it do

728
00:43:51,239 --> 00:43:53,320
you likely to meet a nice young man? Oh?

729
00:43:53,559 --> 00:43:55,800
Speaker 4: No, my hair looks dirty, daddy?

730
00:43:55,840 --> 00:43:56,880
Speaker 6: How would you do this to me?

731
00:43:57,000 --> 00:43:57,519
Speaker 4: I want to do.

732
00:43:58,719 --> 00:44:01,280
Speaker 2: I'm afraid her cream rins makes her hair a little greasy?

733
00:44:01,440 --> 00:44:02,480
Speaker 8: May I suggest agree?

734
00:44:02,639 --> 00:44:03,400
Speaker 2: Of course you'd agree.

735
00:44:03,400 --> 00:44:04,719
Speaker 1: All you have to do is look at her.

736
00:44:04,960 --> 00:44:07,760
Speaker 8: No, a Greek cream rints and conditioner, it helps stop

737
00:44:07,840 --> 00:44:10,519
the greasy really sure? After I shampoo, I use a

738
00:44:10,559 --> 00:44:12,039
Greek cream rents and conditioner and.

739
00:44:12,159 --> 00:44:14,440
Speaker 2: It helps stop the greases. Right, it sounds like I

740
00:44:14,480 --> 00:44:15,440
would like agree too.

741
00:44:15,639 --> 00:44:18,119
Speaker 8: Yeah, a Greek cream rints and conditioner is ninety nine

742
00:44:18,159 --> 00:44:19,039
percent oil free.

743
00:44:19,159 --> 00:44:20,199
Speaker 2: Evie, stop crying.

744
00:44:20,239 --> 00:44:22,320
Speaker 6: I'll they'll get some agreed, and after you use it,

745
00:44:22,400 --> 00:44:23,440
I'll drive you to the movies.

746
00:44:23,480 --> 00:44:25,559
Speaker 8: Okay ee, No, why not.

747
00:44:25,840 --> 00:44:28,440
Speaker 6: Because you got a creepy car it's a brown station.

748
00:44:29,599 --> 00:44:32,760
Speaker 1: Some conditioners contain oils that can cause the greasies. But

749
00:44:32,840 --> 00:44:35,239
a Gree cream rints and conditioner is ninety nine percent

750
00:44:35,320 --> 00:44:37,480
oil free. And try a grease shampoo.

751
00:44:37,760 --> 00:44:39,119
Speaker 2: It helps stop the greases too.

752
00:44:39,400 --> 00:44:41,320
Speaker 8: I'm glad you decided to come to the movie.

753
00:44:41,360 --> 00:44:42,519
Speaker 1: Your hair looks great.

754
00:44:42,880 --> 00:44:57,519
Speaker 2: Thank you, and I love your station wagon. Was our story,

755
00:44:57,639 --> 00:45:01,159
one of deep remorse, inexorable fate.

756
00:45:02,360 --> 00:45:02,800
Speaker 1: I don't know.

757
00:45:03,559 --> 00:45:06,159
Speaker 2: I leave you only with another quote from omark Iam

758
00:45:07,039 --> 00:45:11,840
the moving finger wrights and having writ moves on. Nor

759
00:45:11,960 --> 00:45:15,239
all the piety, nor wit shall lure it back to

760
00:45:15,480 --> 00:45:20,519
cancel half a line, nor all your tears wash out

761
00:45:20,679 --> 00:45:25,119
a word of it. Our cast included Jack Grimes, Blika Gray,

762
00:45:25,239 --> 00:45:29,480
Court Benson and Russell Horton. The entire production was under

763
00:45:29,519 --> 00:45:33,400
the direction of Hymon Brown, Missus E. G. Marshall, inviting

764
00:45:33,480 --> 00:45:37,519
you to return to our Mystery Theater for another adventure

765
00:45:37,679 --> 00:45:42,800
in the macabre. Until next time, pleasant,