WEBVTT

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<v Speaker 1>Hello everybody, and welcome to a brand new episode of

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<v Speaker 1>Second Take Cinema, coming at you from the Glorious in

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<v Speaker 1>Parlor Film's headquarters in sunny South End on Sea. I

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<v Speaker 1>am your host, Jamie Evans, joined as per usual by

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<v Speaker 1>monsieur Rory Joscelyn. Today we are giving a second take

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<v Speaker 1>to a film from the library of one mister Adam Sandler.

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<v Speaker 1>I know what you're thinking, Jamie. Why would you bother

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<v Speaker 1>giving a second take to ninety percent of those movies?

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<v Speaker 1>But here's one I think is a little bit more

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<v Speaker 1>interesting than some of the rest, Even though you may

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<v Speaker 1>not know it. It's one of the greatest bait and

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<v Speaker 1>switchers in film history. Today we give a second take

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<v Speaker 1>to two thousand and Sixer's Click Click is a two

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<v Speaker 1>thousand and six American comedy movie directed by Frank Kurachi,

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<v Speaker 1>written by Steve Coran and Mark O'Keefe. It stars Adam Sandler, Beckhamsale,

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<v Speaker 1>Christopher Walken, Henry Winkler, David Hasselhoff, Julie Kavner, and Sean Astin.

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<v Speaker 1>That's right, the guy from one of those Lord of

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<v Speaker 1>the Ring films?

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<v Speaker 2>Was he? Sam wise Ganji? I want to say is

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<v Speaker 2>it Sam Wise.

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<v Speaker 3>GANGI, Sam Wise GANGI, Yes, Ganji dam ge gam with

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<v Speaker 3>an M yeah obviously, gamgee Gamgi.

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<v Speaker 1>Click was made for a budget of eighty two point

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<v Speaker 1>five million doll hairs, and it grossed two hundred and

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<v Speaker 1>forty point seven million doll hairs at the box office.

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<v Speaker 1>Rotten Tomatoes gives Click a score of thirty four percent,

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<v Speaker 1>with the site's critical consensus reading, this latest Adam Sandler

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<v Speaker 1>vehicle borrowed shamelessly from It's a Wonderful Life and back

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<v Speaker 1>to the Future and fails to produce the necessary laughs

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<v Speaker 1>that would forgive such limitation such imitation.

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<v Speaker 2>Sorry, it's later and my eyes hurt.

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<v Speaker 1>Peter Bradshaw opined that Click was an improvement over the

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<v Speaker 1>previous Sun Mister Deeds. It has some moments of good

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<v Speaker 1>natured sweetness, and Adam Sandler is improving as a comic performer,

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<v Speaker 1>though he is still conceited and opaque. The film was

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<v Speaker 1>criticized for its use of gross out humor and an

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<v Speaker 1>unlikable protagonist. Entertainment Weekly critic Liz Schwarzbaum wrote that Click

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<v Speaker 1>failed at being It's a Wonderful Life because Michael earns

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<v Speaker 1>none of George Bailey's mature wisdom honestly. When it came

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<v Speaker 1>to positive reviews, Newsweek claimed Click was predictable as a

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<v Speaker 1>moral story, but unusually dark, occasionally touching, and pretty funny

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<v Speaker 1>for a Sandler comedy. Empires Sam Toy enjoyed the film

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<v Speaker 1>for its smart and genuinely moving ideas, Beckinsale's performance, and

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<v Speaker 1>a strong third act, although dismissed the script for being

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<v Speaker 1>overstuffed the first half of the film, for Sandler being

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<v Speaker 1>too restrained in his everyman role, and actors such as Coolidge, Hasselhoff,

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<v Speaker 1>and Walken for being put in small roles. I don't know,

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<v Speaker 1>I thought had a role. Yeah, that's about as much

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<v Speaker 1>Hasselhoff as I need.

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<v Speaker 2>In a film.

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<v Speaker 3>You know, he's not an actor who He's not someone

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<v Speaker 3>you want leading a film unless it's epic cheese, and

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<v Speaker 3>this has cheese to it, certainly in its first half,

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<v Speaker 3>and that's pretty much the only point in which Hasselhoff appears.

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<v Speaker 1>And I thought Walkin's part was perfectly fine. Yes, I

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<v Speaker 1>could have done with a bit more Jennifer Coolidge. I

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<v Speaker 1>like Jennifer Coolidge, but she is Stifler's mum from American

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<v Speaker 1>part she played, was it Janine.

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<v Speaker 4>Yeah, yeah, yeah, yeah, she's.

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<v Speaker 1>A funny actress. I could have done with her being

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<v Speaker 1>in more, but maybe I was fine with what she had.

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<v Speaker 4>I think she was perfect. She was in it a

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<v Speaker 4>perfect amount.

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<v Speaker 3>It's hard to say who would want more comedy acting wise,

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<v Speaker 3>because I'm not a massive fan of Adam Sandler's comedy.

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<v Speaker 3>The thing that really makes this thing for me is

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<v Speaker 3>it second half, where it basically stops beating a comedy.

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<v Speaker 1>Let's start here, because why not talk about Sandler's wider career.

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<v Speaker 1>Whoever told that man he was funny? Because I swear

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<v Speaker 1>to god, you look at his filmography and all of

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<v Speaker 1>his best roles are dramas. So he acts it and

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<v Speaker 1>he's he's and he's pretty good.

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<v Speaker 4>He's a pretty gems and stuff.

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<v Speaker 1>Yeah, he's a pretty good dramatic actor. I watched him

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<v Speaker 1>in The Myrowitz Stories, which is him, Ben Stiller, Dustin Hoffman,

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<v Speaker 1>a couple of other people I can't remember who, but

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<v Speaker 1>he's like the lead and he doesn't feel out of

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<v Speaker 1>because I really thought he'd feel really out of place

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<v Speaker 1>next to like Dustin Hoffman, but he doesn't. You believe

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<v Speaker 1>him on the screen because he plays Dustin Hoffman's son.

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<v Speaker 1>I had an ex who really liked Adam Senders.

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<v Speaker 3>I watched quite a few of his films and the

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<v Speaker 3>mostly not for me, but every now and then he'll

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<v Speaker 3>say something that's funny, like there was Grown.

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<v Speaker 4>Ups, the first Grown Ups film. There's two of them,

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<v Speaker 4>which I didn't need.

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<v Speaker 2>Is it the first one where he fights Stone called

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<v Speaker 2>Steve Austin?

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<v Speaker 4>He ever seen? The first one is the and it

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<v Speaker 4>has Rob Schneider in it, and.

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<v Speaker 2>That's every Adam sad.

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<v Speaker 4>No, he's not in the second one.

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<v Speaker 3>That's how you know the second one isn't worth watching

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<v Speaker 3>because even Robson I went, yeah, but yeah, in the

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<v Speaker 3>first one, they whenever they talked to Rob Schneider they

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<v Speaker 3>bully him by saying may as the Light to show

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<v Speaker 3>that he's somewhat slow, which really hasn't aged well either.

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<v Speaker 3>But yeah, they just keep on doing that maze.

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<v Speaker 2>You know.

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<v Speaker 1>Last year I gave a second not as part of

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<v Speaker 1>this show, just randomly struck by nostalgia. One day, I

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<v Speaker 1>gave a second take to an Adam Sandler film that

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<v Speaker 1>I think. I think a lot of his comedies are

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<v Speaker 1>aimed at teens, which is probably why he's so success

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<v Speaker 1>owners yeah, he's probably so successful atons because I rewatched

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<v Speaker 1>a film that as a kid, like a thirteen year old,

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<v Speaker 1>I loved. I rewatched it as an adult and I

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<v Speaker 1>was like, this is awful, and that was little nikky.

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<v Speaker 2>No.

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<v Speaker 1>The entire film is Adam Sandler doing a gun face

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<v Speaker 1>and speaking literally like this, get in the flask, Adrian,

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<v Speaker 1>get in the.

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<v Speaker 3>There is something about certain actors where in general, they

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<v Speaker 3>can be very good act Adam Tanner again good example

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<v Speaker 3>of it, can be a phenomenal actor given the right

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<v Speaker 3>role in the right direction. But when they do comedy,

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<v Speaker 3>he did the same in a Halloween movie he did

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<v Speaker 3>for Netflix.

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<v Speaker 2>Oh, Huby, Halloween, that's it.

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<v Speaker 3>I've seen that and he does the same thing again.

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<v Speaker 3>He does that weird gurning massage and you're like, it's

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<v Speaker 3>not funny, and be stop it. He's just stop. I

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<v Speaker 3>had a similar thing when I watched Ricky Gerves. I

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<v Speaker 3>watched the first season of the show Derek. Now, there

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<v Speaker 3>are some Ricky gives is a bit marmite to me.

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<v Speaker 3>Some of the stuff I like, some of the stuff

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<v Speaker 3>I really don't like. Derek was something I really didn't like.

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<v Speaker 3>He's trying to play a mentally slow person. He doesn't

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<v Speaker 3>play it very well or convincingly. And the reason he's

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<v Speaker 3>doing it is he thinks he thinks it's funny, him

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<v Speaker 3>doing a silly voice.

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<v Speaker 2>And.

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<v Speaker 3>You're like, dude, just stop, just stop. And I don't

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<v Speaker 3>know what it is with comedic actors that they find

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<v Speaker 3>something that obviously they find funny. I'm guessing they must

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<v Speaker 3>find it amusing themselves. Maybe their friends find it funny,

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<v Speaker 3>but they think the world in large will find it funny.

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<v Speaker 3>You just sit there and go, dude, I keep that

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<v Speaker 3>within your friends.

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<v Speaker 2>I think.

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<v Speaker 1>I think there is an awful lot of comedy.

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<v Speaker 2>Bad comedy out there.

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<v Speaker 1>Yeah, that gets there because a group of friends think

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<v Speaker 1>it's funny amongst themselves and the translate. And it's why

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<v Speaker 1>so many of these comedy actors always have their friends

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<v Speaker 1>in their film. Adam Sandler does it. He's always got

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<v Speaker 1>Rob Schneider, Kevin James, David Spade, Chris Rock and for

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<v Speaker 1>I know they've fallen out now, but for a long time,

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<v Speaker 1>James Franco and Seth Rogan did that, didn't they. Yes,

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<v Speaker 1>they did, always in films together. Same with Danny McBride

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<v Speaker 1>and Jonah Hill. Always in films together, and it's because

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<v Speaker 1>they find their own shit funny. Have you ever seen

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<v Speaker 1>Little Nicky?

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<v Speaker 2>Right?

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<v Speaker 1>So let me explain Little Nikky very quickly. Harvey kai Tell,

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<v Speaker 1>isn't it debate seeing himself? Harvey car Tell plays Satan. Oh,

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<v Speaker 1>everyone in this film is debasing himself, including Adam Sandler,

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<v Speaker 1>because he's better than that. Harvey carr Tell is Satan.

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<v Speaker 1>His like chief assistant is Kevin Neelan. He has three sons,

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<v Speaker 1>one played by Tiny Lista from The Dark Knight YEP.

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<v Speaker 1>One played by Reese Evans or recy Fonds.

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<v Speaker 2>I never knew how it was.

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<v Speaker 1>I was perhaps it reci Fonds, the Welsh guy, but

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<v Speaker 1>apparently if On's in Welsh is pronounced Evans.

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<v Speaker 3>You know rece Fonds. Don't you guarantee you've seen his sonics?

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<v Speaker 3>He's in everything?

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<v Speaker 1>No, he sadly is in The Amazing Spider Man as

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<v Speaker 1>the Lizard.

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<v Speaker 2>What would you were seeing him as?

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<v Speaker 1>Have you ever seen It's notting Hill he's in. He's

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<v Speaker 1>Hugh Grant's roommate.

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<v Speaker 3>I think, oh, what the skanky guy. He kind of

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<v Speaker 3>looks a bit skaggy. Yeah, he's blonde hair. Yeah, it's him.

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<v Speaker 2>And then Adam Sandler is his youngest son.

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<v Speaker 4>I think that guy was in After Life with Ricky Gervas.

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<v Speaker 2>Oh he might have been.

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<v Speaker 4>He was the worst thing in it.

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<v Speaker 3>Oh really, if it's the guy I'm thinking of, he

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<v Speaker 3>he's the guy who plays the psychiatrist to help Ricky

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<v Speaker 3>Gerves get over his grief. And that's like that character

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<v Speaker 3>doesn't read like a psychiatrist. Doesn't funny, And it's clearly

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<v Speaker 3>where it's the bit in there where Ricky Gervas has gone,

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<v Speaker 3>this will be funny if I just say horrible shit

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<v Speaker 3>and people will find it funny because, oh my god,

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<v Speaker 3>I can't believe a psychiatrist said that. But he doesn't

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<v Speaker 3>come across and feel like a psychiatrist. So the character

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<v Speaker 3>doesn't feel genuine enough for that comedy to land in

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<v Speaker 3>that angle. And the jokes aren't funny, it's just offensive

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<v Speaker 3>ballot Yeah, but yeah.

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<v Speaker 1>So it's tiny list of Rees Evans and Adam Sandler.

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<v Speaker 1>They're all Satan's kid and they're all waiting to find

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<v Speaker 1>out which of them will be the next King of Hell.

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<v Speaker 1>Because Satan's been King of health like two thousand years.

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<v Speaker 1>It's time for him to retire. And Harvey kai Tell

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<v Speaker 1>brings them all into the room and he pulls a bait,

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<v Speaker 1>and Switchery is like, I've decided that the next king

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<v Speaker 1>of Hell will be me. I'm going to rain for

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<v Speaker 1>another two thousand years. And Little Nicky is like, yeah,

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<v Speaker 1>that's cool. I love my dad. I'm fine with him

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<v Speaker 1>being Satan. But the other two are like, no, we

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<v Speaker 1>want to be king. So they plot to overthrow him, right,

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<v Speaker 1>and then Little Nicky has to defeat his own brothers.

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<v Speaker 1>It's here's the level of jokes in it. They turn

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<v Speaker 1>Kevin Kneeling into a boob head right as he has

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<v Speaker 1>actual prosthetic boobs on his head. They show a scene

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<v Speaker 1>of Hitler in a French made outfit getting pineapples shoved.

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<v Speaker 2>Up his ass.

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<v Speaker 4>I mean, I mean to be fair, and at.

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<v Speaker 2>The end of the film, if you don't mind me

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<v Speaker 2>spoiling the end.

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<v Speaker 4>I'm never gonna watch this.

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<v Speaker 1>Yeah, no, you won't want to the talking dog in it.

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<v Speaker 1>If I forgot to mention, you know you've gone too

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<v Speaker 1>far in he gets through the Tiny Lister quite early

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<v Speaker 1>in the film, and Recee Evans is like, the finale

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<v Speaker 1>is like the fire Boss and he gets given this

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<v Speaker 1>sphere at some point in the film I can't remember where,

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<v Speaker 1>and he gets told it's a secret weapon that will

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<v Speaker 1>be able to defeat Receevens. You know it's it's the

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<v Speaker 1>Diosex machina. The thing is, it will only work. It

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<v Speaker 1>only works because re Sevens does. What he does is

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<v Speaker 1>fighting Little Nikki and he turns into a bat. That's

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<v Speaker 1>a very satan thing to do. That's makes sense. So

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<v Speaker 1>he turns into a big bat and Little Nicky's like,

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<v Speaker 1>I can stop you, and he throws this sphere down

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<v Speaker 1>and the sphere explodes in a puff of smoke to

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<v Speaker 1>reveal mister Ossie Osbourne, who then grabs Reese Farns, who

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<v Speaker 1>is still an animated bat, and bites his head off.

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<v Speaker 1>You know, okay, right, Recie Farns, why don't you just

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<v Speaker 1>change back?

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<v Speaker 4>Yeah?

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<v Speaker 1>And b you've given Little Nikki that as a secret

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<v Speaker 1>weapon earlier in the film. Did you know Recevens would

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<v Speaker 1>just transmographying to a bat. That's that's other films.

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<v Speaker 2>Now. I want to talk about my experience watching Click Yes,

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<v Speaker 2>because I la, do you like to go first?

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<v Speaker 4>No, I'll let you go first.

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<v Speaker 3>I just want to say, yeah, like, there's not much

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<v Speaker 3>in Adam Sender's own back und so he's got his

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<v Speaker 3>own company, Happy Madison. You can usually tell if the

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<v Speaker 3>film he's in is going to be good or art

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<v Speaker 3>based on whether or not Happy Madison produced it. If

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<v Speaker 3>Happy Madison produced it, it's going to be dire for

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<v Speaker 3>the most part, with a few exceptions. Click for me

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<v Speaker 3>would be one of them because they are often just

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<v Speaker 3>brainless garbage. But that's his own production company that he

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<v Speaker 3>uses to make movies with his friends. If he's in

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<v Speaker 3>something like Uncut Gems, it's not him, it's someone else

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<v Speaker 3>making it. He's just acting in it.

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<v Speaker 2>I really need to see on.

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<v Speaker 4>Yeah, I've heard lots of really positive things.

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<v Speaker 2>About I've had it. I've got a copy of it.

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<v Speaker 1>I've had it for years, right, and it's just one

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<v Speaker 1>of those things where I never It's the same with

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<v Speaker 1>black Swan. I've had black Swan since it came out

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<v Speaker 1>over a decade ago.

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<v Speaker 4>Yeah, and I just keep to watch it.

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<v Speaker 2>Yeah.

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<v Speaker 3>I don't think I'll hit you as well as the

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<v Speaker 3>Wrestler did. But black Swan is a really interesting film.

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<v Speaker 3>I rate that director anyway. It's really good.

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<v Speaker 4>Yeah, a fantastic But anyway, so Click, I'm gonna be real.

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<v Speaker 2>Honest.

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<v Speaker 1>The reason I watch Click is because Kate Becking Sales

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<v Speaker 1>Isn't It? And I was on a real Kate beckinsale

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<v Speaker 1>face when I was a teen, promoted by Van Helsing

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<v Speaker 1>and Underworld. Anyway, so I watched Click as Kate Beckett

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<v Speaker 1>Sale wasn't it and I was like, Oh, it's an

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<v Speaker 1>Adam Sandler film. I'd seen a couple of Adam Sandler

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<v Speaker 1>films by that point, so I was like, I know

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<v Speaker 1>what I'm getting. It's gonna mostly be stupid, but she

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<v Speaker 1>might be good in it. And the first half of

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<v Speaker 1>the film is exactly what you think the film is

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<v Speaker 1>going to be based on the trailers. It's Adam Sandler

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<v Speaker 1>playing his typical Adam Sandler character.

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<v Speaker 3>He's kind of a schlubby guy trying to get through

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<v Speaker 3>a schlubby well a decent job in this one, but

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<v Speaker 3>still he's kind of slubbing his way through. It's meant

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<v Speaker 3>to be like, oh, I want to be the next

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<v Speaker 3>Big Boss, but like he comes into the first meeting

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<v Speaker 3>with the Saudi Arabian guys and just basically insults them

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<v Speaker 3>straight away.

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<v Speaker 1>Anyway, So I downloaded the film and for the first no,

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<v Speaker 1>I didn't download it. I bought it on DV bloody.

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<v Speaker 4>D back when I used to spend money on films.

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<v Speaker 1>Yes, and yeah, the first half is exactly what you

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<v Speaker 1>think it's gonna be. Schlubby Adam Sandler gets a universal

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<v Speaker 1>remote that lets him control his universe, and there's all

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<v Speaker 1>the gimmicks you think there's gonna be. He puts the

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<v Speaker 1>commentary on. He fast forwards.

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<v Speaker 3>Things I have to call bullshit on the commentary, by

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<v Speaker 3>the way, And yeah, comment works because the commentary is

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<v Speaker 3>you've got the director or the actors sitting there going

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<v Speaker 3>so in this scene we did this and or this

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<v Speaker 3>funny anecdote, or this is how we built this scene,

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<v Speaker 3>or how you know this was the idea behind this.

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<v Speaker 4>The commentary of this one is just so in his house,

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<v Speaker 4>and you're like, that's not comment.

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<v Speaker 1>Been coordinarration, yes, not commentary, but oh well yeah all

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<v Speaker 1>no description.

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<v Speaker 2>Yeah, yes, yeah. He changes his boss to Spanish.

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<v Speaker 1>At one point he slow motions are jogger done he

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<v Speaker 1>so he can ogler. Yeah, it's all the stuff you

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00:15:59.120 --> 00:16:03.960
<v Speaker 1>think it's gonna be. After Hasselhoff doesn't promote him, so

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00:16:04.039 --> 00:16:06.279
<v Speaker 1>he pauses him and then farts in his face.

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<v Speaker 4>That was the worst bit of the film. Yeah, that

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<v Speaker 4>scene is the worst bit of the film.

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<v Speaker 1>Yeah, they're out of nowhere. In the middle of the film,

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00:16:14.519 --> 00:16:17.720
<v Speaker 1>this film suddenly decides, Hey, it's almost like the guy

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<v Speaker 1>writing it was like, you know, this film is just

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<v Speaker 1>not funny.

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<v Speaker 3>Well on how it was before the end of the

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<v Speaker 3>first half. What's the end point of that story?

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00:16:28.120 --> 00:16:28.559
<v Speaker 2>Exactly?

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<v Speaker 4>It's just like, guy, how does he learn not to work?

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<v Speaker 2>Like?

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<v Speaker 4>How how does he without the r I tell you.

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<v Speaker 1>There is another way you could have done that if

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00:16:37.559 --> 00:16:39.679
<v Speaker 1>you wanted to keep it as the shitty comedy. And

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<v Speaker 1>the other way is that bratty kid gets the remote, well,

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00:16:43.039 --> 00:16:46.120
<v Speaker 1>the next door neighbor the camera or Hasselhoff, one of

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00:16:46.120 --> 00:16:51.240
<v Speaker 1>the villains gets the remote using it just jesus what passes.

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<v Speaker 2>For a villain in these films, and uses it to

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<v Speaker 2>fuck Sandler over.

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<v Speaker 1>That would there is a very real world where that

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00:16:57.639 --> 00:17:00.360
<v Speaker 1>could have been what this film was. Instead, what this

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00:17:00.399 --> 00:17:03.799
<v Speaker 1>film does is it pulls a blinder of a twist,

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<v Speaker 1>possibly the biggest genre shift I've ever seen.

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<v Speaker 4>It stops being a comedy entirely.

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<v Speaker 1>Yeah, outside of like Sunshine, which goes from being a

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<v Speaker 1>sci fi movie to a slasher movie halfway through that

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<v Speaker 1>didn't like that.

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<v Speaker 4>That didn't really work that way round unfortunately.

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<v Speaker 2>Oh I quite like it.

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00:17:22.319 --> 00:17:24.799
<v Speaker 3>I like some I like Sunshine in general, but the

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<v Speaker 3>ending felt a little bit weak, right, I didn't really

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<v Speaker 3>get the villain, right, But yeah, I see your point.

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00:17:31.480 --> 00:17:33.119
<v Speaker 3>That was at least a genre flip as well.

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<v Speaker 1>Yeah, but this just it suddenly becomes this like incredibly

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00:17:37.920 --> 00:17:42.680
<v Speaker 1>serious movie about a man basically wasting his life on

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<v Speaker 1>auto pilot.

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<v Speaker 3>Trying to He's focusing on work, isn't he, Because basically,

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<v Speaker 3>when he's on a pilot, the whole thing is about

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00:17:48.480 --> 00:17:52.160
<v Speaker 3>getting the promotion and being the scene, and so everything

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00:17:52.200 --> 00:17:54.279
<v Speaker 3>in his personal life gets left behind.

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<v Speaker 1>And the reason this film was always stuck with me

347
00:17:59.039 --> 00:18:01.240
<v Speaker 1>is there's a bit in that third act once he

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<v Speaker 1>ends up going to the future, doesn't he basically fast forward?

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<v Speaker 3>The irony being that the future where he's got like

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00:18:06.240 --> 00:18:08.319
<v Speaker 3>all this sci fi gadgetary.

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<v Speaker 2>Was five years ago.

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<v Speaker 3>It's twenty twenty one, so it's four years ago yeah

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<v Speaker 3>for us, And I'm just like, why is it even

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00:18:15.880 --> 00:18:18.720
<v Speaker 3>in Click? The twenty twenty one in Click was better

355
00:18:18.799 --> 00:18:21.079
<v Speaker 3>than the twenty twenty five of today.

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<v Speaker 1>The reason this was always stuck with me. The film

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00:18:23.759 --> 00:18:26.480
<v Speaker 1>gets super serious and there's a bit where I cried,

358
00:18:27.200 --> 00:18:31.640
<v Speaker 1>I like cried cried. I'm talking like ugly cry, like

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00:18:31.880 --> 00:18:36.319
<v Speaker 1>snot tears, red in the face. The film finished, and

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00:18:36.319 --> 00:18:39.279
<v Speaker 1>it made me contemplate my entire fucking existence.

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<v Speaker 3>Yes, because it never goes back to the Sandler comedy either.

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<v Speaker 3>Because it could do that for a little bit and

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<v Speaker 3>then return and be like, hey, back to the fart

364
00:18:46.319 --> 00:18:47.240
<v Speaker 3>some funny jokes.

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<v Speaker 4>It never does, and that's right.

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<v Speaker 3>It's the right choice to keep it in once you've

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00:18:51.920 --> 00:18:53.359
<v Speaker 3>switched the series, just stay there.

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<v Speaker 4>But it is surprising because you literally sit there and go,

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<v Speaker 4>this is a different film.

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<v Speaker 3>And the thing is, up to this point, you've got

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<v Speaker 3>Christopher Walken's character, who in the first half feels like

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<v Speaker 3>he's just been hired to play Christopher Walken as Christopher

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<v Speaker 3>Walken in Christopher walk In the movie, and you're like, Okay,

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00:19:12.519 --> 00:19:15.359
<v Speaker 3>you've just hired christopherkin because you could afford him. In

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<v Speaker 3>the second half, when he basically he becomes the Angel

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00:19:19.640 --> 00:19:24.240
<v Speaker 3>of Death as he calls himself, it changes like, holy shit,

377
00:19:24.880 --> 00:19:30.559
<v Speaker 3>it's Christopher Walken doing this part, and it being Christopher

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00:19:30.559 --> 00:19:33.799
<v Speaker 3>walker somehow works. Whereas it didn't do for me in

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00:19:33.839 --> 00:19:36.480
<v Speaker 3>the first half, but it kind of pays off in

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<v Speaker 3>the second half.

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<v Speaker 4>Very weird. I've never really had an experience like it

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<v Speaker 4>watching a movie.

383
00:19:42.359 --> 00:19:45.160
<v Speaker 2>No, and it stuck with me all these years.

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<v Speaker 1>I won't talk yet about the bit that made me cry,

385
00:19:49.680 --> 00:19:51.839
<v Speaker 1>But do you remember your first experience watching Click?

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00:19:52.440 --> 00:19:55.920
<v Speaker 3>Yes, I watched it. I didn't see it in cinemas.

387
00:19:56.200 --> 00:20:00.000
<v Speaker 3>I watched it on DVD at some point. I can't

388
00:20:00.039 --> 00:20:03.440
<v Speaker 3>remember exactly when it was a while ago. I think

389
00:20:03.480 --> 00:20:05.480
<v Speaker 3>it was when I had first moved out of my

390
00:20:05.680 --> 00:20:08.759
<v Speaker 3>family home, so it would have been about twenty ten,

391
00:20:08.839 --> 00:20:12.799
<v Speaker 3>twenty eleven. And I expected, like yourself, just a shitty,

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00:20:12.839 --> 00:20:16.079
<v Speaker 3>schlubby comedy. Got that for half of it. Really loved

393
00:20:16.079 --> 00:20:18.000
<v Speaker 3>the Terry CRUs bit that always stuck with me, where

394
00:20:18.240 --> 00:20:20.880
<v Speaker 3>he's singing in the car next to him and then

395
00:20:20.920 --> 00:20:22.960
<v Speaker 3>he just mutes him while he's singing the song.

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00:20:23.480 --> 00:20:24.400
<v Speaker 4>That was really cool.

397
00:20:24.839 --> 00:20:27.839
<v Speaker 3>But yeah, I was just kind of watching it that way.

398
00:20:28.279 --> 00:20:31.119
<v Speaker 3>And then I just remember at a certain point, I

399
00:20:31.160 --> 00:20:34.440
<v Speaker 3>remember it changed, but i'd never remembered what the change was,

400
00:20:36.119 --> 00:20:38.400
<v Speaker 3>and I away was just remembered loving the film but

401
00:20:38.519 --> 00:20:42.839
<v Speaker 3>not remembering why. And I don't know yeah, it just

402
00:20:43.160 --> 00:20:46.720
<v Speaker 3>it left my brain, and so I watched it again

403
00:20:46.880 --> 00:20:50.039
<v Speaker 3>for the second time only for this and it was

404
00:20:50.279 --> 00:20:51.920
<v Speaker 3>It was kind of cool because I was able to

405
00:20:51.960 --> 00:20:54.200
<v Speaker 3>basically watch it for the first time for the second

406
00:20:54.240 --> 00:21:00.279
<v Speaker 3>time and yet again did not still didn't expect it,

407
00:21:00.759 --> 00:21:04.920
<v Speaker 3>didn't expect where it would go to. The second half

408
00:21:05.000 --> 00:21:08.119
<v Speaker 3>is better than the first. Now, something that this film

409
00:21:08.200 --> 00:21:12.559
<v Speaker 3>does do. Looking at IMDb, it's giving itself the moniker

410
00:21:12.559 --> 00:21:15.960
<v Speaker 3>of high concept comedy, which is a bit like horror

411
00:21:16.359 --> 00:21:16.920
<v Speaker 3>when they.

412
00:21:16.799 --> 00:21:19.480
<v Speaker 4>Do elevated comedy. We're not doing.

413
00:21:19.799 --> 00:21:22.279
<v Speaker 3>But this is a bit higher concept, I guess in

414
00:21:22.319 --> 00:21:26.039
<v Speaker 3>the terms of most comedy doesn't try and then do

415
00:21:26.160 --> 00:21:30.839
<v Speaker 3>an emotional storyline set in a The destruction of your

416
00:21:30.839 --> 00:21:34.799
<v Speaker 3>life using sci fi technology isn't a common thread for

417
00:21:35.400 --> 00:21:39.319
<v Speaker 3>comedy movies. Honestly, I just can't think of anything else

418
00:21:39.359 --> 00:21:43.000
<v Speaker 3>that's like it that does the bait and switch.

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00:21:42.799 --> 00:21:46.200
<v Speaker 2>Because I remember the trailers had none of this state. Yeah,

420
00:21:46.200 --> 00:21:47.200
<v Speaker 2>the trailers were all.

421
00:21:47.079 --> 00:21:50.680
<v Speaker 1>The funny, you know, the funny fucking around with the remote,

422
00:21:50.720 --> 00:21:52.319
<v Speaker 1>pausing people and fast forward.

423
00:21:52.720 --> 00:21:56.000
<v Speaker 3>Selling it to Adam Sandler fans, I think that was

424
00:21:56.000 --> 00:21:58.279
<v Speaker 3>a weird thing because I don't know how you would

425
00:21:58.279 --> 00:22:00.920
<v Speaker 3>sell this generally because the way they sold it was

426
00:22:00.920 --> 00:22:04.759
<v Speaker 3>to sell it to Adam Sandler fans. But I can't

427
00:22:04.799 --> 00:22:08.759
<v Speaker 3>imagine anyone who likes general Adam Sandler comedy would like

428
00:22:08.880 --> 00:22:11.240
<v Speaker 3>the second half because it's too deep.

429
00:22:11.559 --> 00:22:12.960
<v Speaker 2>You'll get people who are surprised.

430
00:22:13.319 --> 00:22:15.319
<v Speaker 3>You'll get some people who You'll get people who don't

431
00:22:15.440 --> 00:22:18.000
<v Speaker 3>like it, yeah, because all.

432
00:22:17.880 --> 00:22:21.759
<v Speaker 1>They want is the Adam Sandler stuff. But you'll get

433
00:22:21.759 --> 00:22:24.480
<v Speaker 1>people who like Adam Sandler who were pleasantly surprised.

434
00:22:24.640 --> 00:22:26.160
<v Speaker 3>Yeah, no, no, I get that, But I like in

435
00:22:26.240 --> 00:22:29.759
<v Speaker 3>terms of marketing it, they went for that audience. But

436
00:22:29.839 --> 00:22:32.240
<v Speaker 3>I think a lot of that audience wouldn't like the

437
00:22:32.240 --> 00:22:35.079
<v Speaker 3>people I used to know who like Adam Sandler films.

438
00:22:35.519 --> 00:22:37.480
<v Speaker 3>They like this sort of film, but I don't think

439
00:22:37.480 --> 00:22:39.119
<v Speaker 3>they would have liked the switch. I think they would

440
00:22:39.119 --> 00:22:41.880
<v Speaker 3>have watched an Adam Sandler film to get exactly what

441
00:22:41.960 --> 00:22:44.400
<v Speaker 3>they get out of and Adam Sandler film, and then

442
00:22:44.440 --> 00:22:48.440
<v Speaker 3>been disappointed that they were taken somewhere they did not expect. Simultaneously,

443
00:22:48.599 --> 00:22:52.799
<v Speaker 3>anyone who would really enjoy the emotional second half would

444
00:22:52.839 --> 00:22:55.599
<v Speaker 3>like yeah, would sit there and go, I'm not gonna

445
00:22:55.599 --> 00:22:58.920
<v Speaker 3>watch it because it's an Adam Sandler film. So they

446
00:22:58.920 --> 00:23:01.200
<v Speaker 3>would just go, well, I didn't like anything happy medicine's

447
00:23:01.240 --> 00:23:03.799
<v Speaker 3>done to bollocks to this, in which case they miss

448
00:23:03.799 --> 00:23:07.039
<v Speaker 3>out on that incredible twist. It's hard to know who

449
00:23:07.079 --> 00:23:11.119
<v Speaker 3>this is really for, despite the fact that it does work.

450
00:23:10.960 --> 00:23:14.079
<v Speaker 1>Which might be why you don't hear about it much anymore.

451
00:23:14.519 --> 00:23:17.000
<v Speaker 1>It hasn't like survived the test of time.

452
00:23:17.079 --> 00:23:18.240
<v Speaker 2>Really, yeah, it.

453
00:23:18.160 --> 00:23:20.599
<v Speaker 3>Has dated as well, let's be honest, because the way

454
00:23:20.640 --> 00:23:24.319
<v Speaker 3>the remote looks looks very late nineties early two thousands,

455
00:23:24.759 --> 00:23:29.240
<v Speaker 3>like it's got that slightly sparkly plastic around it, and

456
00:23:29.279 --> 00:23:32.400
<v Speaker 3>the shape of it feels very it feels like something

457
00:23:32.440 --> 00:23:34.039
<v Speaker 3>you'd use on a Sega Dreamcast.

458
00:23:34.319 --> 00:23:36.319
<v Speaker 4>It's got that sort of style to it.

459
00:23:36.519 --> 00:23:38.480
<v Speaker 3>And also when he uses the menu button to go

460
00:23:38.480 --> 00:23:42.000
<v Speaker 3>into the main menu, it looks like those early DVD menus,

461
00:23:42.000 --> 00:23:44.359
<v Speaker 3>which at the time would have been amazing, like wow,

462
00:23:44.400 --> 00:23:46.799
<v Speaker 3>it's like they're literally walking around and doing a scene

463
00:23:46.839 --> 00:23:51.200
<v Speaker 3>within a DVD menu. Unfortunately, nowadays, a there's not a

464
00:23:51.240 --> 00:23:55.039
<v Speaker 3>lot of physical media anymore, and the physical media there

465
00:23:55.160 --> 00:23:58.039
<v Speaker 3>is is bare bones of shit, so the menus are

466
00:23:58.079 --> 00:24:02.400
<v Speaker 3>really bland. You don't get that's like CGI think's moving

467
00:24:02.440 --> 00:24:05.480
<v Speaker 3>around and really trying to impress you. It's mostly just

468
00:24:05.519 --> 00:24:08.400
<v Speaker 3>like a video in the background with some music going on,

469
00:24:08.960 --> 00:24:11.079
<v Speaker 3>and then the text at the bottom of play movie

470
00:24:11.279 --> 00:24:16.200
<v Speaker 3>select language extras and you're like, oh, what happened to

471
00:24:16.240 --> 00:24:19.440
<v Speaker 3>these menus? It has dated even the future of it

472
00:24:19.759 --> 00:24:22.839
<v Speaker 3>where it's like seeing the future. It's it's what sci

473
00:24:22.880 --> 00:24:24.960
<v Speaker 3>fi's of the early two thousands look like.

474
00:24:25.279 --> 00:24:28.880
<v Speaker 1>Yeah, definitely, I think the Switch works as well because

475
00:24:29.519 --> 00:24:33.119
<v Speaker 1>the first the first sign of the Switch is when

476
00:24:33.119 --> 00:24:36.319
<v Speaker 1>he wakes up and he's fat, and you think.

477
00:24:36.000 --> 00:24:37.640
<v Speaker 2>Oh God, here we go.

478
00:24:38.279 --> 00:24:41.720
<v Speaker 1>It's gonna be that tasteless, big Mama's house style thin

479
00:24:41.839 --> 00:24:46.079
<v Speaker 1>guy in a fat suit comedy. And then you realize

480
00:24:46.119 --> 00:24:49.440
<v Speaker 1>his wife's broken up with him and she's married Sean

481
00:24:49.480 --> 00:24:53.680
<v Speaker 1>Aston instead, and you kind of get this moment, You

482
00:24:53.759 --> 00:24:55.279
<v Speaker 1>kind of get this thing where you're starting to think,

483
00:24:55.319 --> 00:24:57.400
<v Speaker 1>hang on, this is getting a little bit more serious.

484
00:24:57.839 --> 00:24:59.359
<v Speaker 2>They're still trying to be funny.

485
00:24:59.039 --> 00:25:01.839
<v Speaker 3>But it's a bit And then he gets cancer yes,

486
00:25:01.960 --> 00:25:05.480
<v Speaker 3>and you're like, oh shit, yeah. Now, Usually there is

487
00:25:05.559 --> 00:25:09.599
<v Speaker 3>a bit of a thing in film, certainly bad film

488
00:25:09.960 --> 00:25:14.240
<v Speaker 3>where sudden cancer is brought in, and a particular film there, buddy.

489
00:25:14.480 --> 00:25:16.039
<v Speaker 3>There are quite a few films that do it. Things

490
00:25:16.039 --> 00:25:17.640
<v Speaker 3>like the room do it. So I was a bit

491
00:25:17.680 --> 00:25:19.400
<v Speaker 3>worried it was going to throw that and just.

492
00:25:19.319 --> 00:25:21.920
<v Speaker 4>Be like, hey, you got the cancer. Oh good buddy,

493
00:25:22.279 --> 00:25:23.480
<v Speaker 4>You're like what.

494
00:25:24.119 --> 00:25:27.359
<v Speaker 3>But thankfully it does pay that off because that becomes

495
00:25:27.400 --> 00:25:32.640
<v Speaker 3>then a recurring part to his decay as an individual.

496
00:25:33.079 --> 00:25:36.079
<v Speaker 1>It shows you how impactful that stuff near the end

497
00:25:36.319 --> 00:25:39.240
<v Speaker 1>is because I remember that being a much bigger portion

498
00:25:39.400 --> 00:25:42.279
<v Speaker 1>of the movie, like I remembered it being literally half

499
00:25:42.680 --> 00:25:44.079
<v Speaker 1>but it really it's only.

500
00:25:43.839 --> 00:25:44.599
<v Speaker 2>The third act.

501
00:25:44.720 --> 00:25:46.920
<v Speaker 3>Yeah, and it's only a bit of the third act. Yeah,

502
00:25:47.039 --> 00:25:50.599
<v Speaker 3>because he it's his heart, isn't it that gives out eventually?

503
00:25:50.920 --> 00:25:53.119
<v Speaker 1>I would say the third act starts when he wakes

504
00:25:53.240 --> 00:25:56.000
<v Speaker 1>up and he's had the cancer. Right, it's like, you

505
00:25:56.039 --> 00:25:57.799
<v Speaker 1>haven't been well a day a day in the.

506
00:25:57.839 --> 00:26:00.720
<v Speaker 3>Last ten years, and yeah, because he's gips ten years,

507
00:26:01.119 --> 00:26:03.279
<v Speaker 3>doesn't he? And she's looking older.

508
00:26:03.680 --> 00:26:08.160
<v Speaker 1>Henry Winkler is the unsung MVP of this movie. He

509
00:26:08.359 --> 00:26:12.359
<v Speaker 1>is believable as a granddad and just likable enough as

510
00:26:12.400 --> 00:26:14.920
<v Speaker 1>a granddad that when you get what I feel is

511
00:26:14.960 --> 00:26:18.759
<v Speaker 1>the pivotal scene, which is when he realizes his dad's

512
00:26:18.799 --> 00:26:21.720
<v Speaker 1>died and he tries to go back and witness the

513
00:26:21.799 --> 00:26:23.119
<v Speaker 1>last time he saw his dad.

514
00:26:23.240 --> 00:26:23.759
<v Speaker 4>Yeah.

515
00:26:23.960 --> 00:26:25.599
<v Speaker 3>I like about that scene is he says, take me

516
00:26:25.640 --> 00:26:28.079
<v Speaker 3>to the funeral, goes we can't you were never there? Yeah,

517
00:26:28.200 --> 00:26:31.680
<v Speaker 3>that hits and you're like, oh you bitch, Yeah, why

518
00:26:31.720 --> 00:26:32.400
<v Speaker 3>didn't you go?

519
00:26:32.759 --> 00:26:34.440
<v Speaker 2>Well, I don't think he says the funeral.

520
00:26:34.480 --> 00:26:36.720
<v Speaker 3>Do think he says take me to when he does

521
00:26:36.799 --> 00:26:38.359
<v Speaker 3>the day he does like when he dies.

522
00:26:38.480 --> 00:26:40.799
<v Speaker 4>No, No, he says take me to the funeral.

523
00:26:40.920 --> 00:26:41.880
<v Speaker 2>Oh he said.

524
00:26:41.960 --> 00:26:42.920
<v Speaker 4>I think he says, take me to.

525
00:26:42.920 --> 00:26:45.440
<v Speaker 3>The funeral, goes you weren't there, right, and then he goes,

526
00:26:45.519 --> 00:26:47.400
<v Speaker 3>take me to the last time I saw my father.

527
00:26:48.000 --> 00:26:49.640
<v Speaker 3>And then it's that the scene that you were about

528
00:26:49.680 --> 00:26:51.079
<v Speaker 3>to talk about in the office.

529
00:26:50.880 --> 00:26:53.960
<v Speaker 1>Yeah, where Henry Winkler's trying to interact with him and

530
00:26:54.039 --> 00:26:57.240
<v Speaker 1>he's just ignoring him and he ends up basically breaking

531
00:26:57.279 --> 00:27:00.400
<v Speaker 1>his There's this running joke, isn't there, that he's got

532
00:27:00.400 --> 00:27:03.319
<v Speaker 1>this coin trick and he doesn't think Adam Sandler knows

533
00:27:03.319 --> 00:27:05.799
<v Speaker 1>how he does it. But Adam Sandler does know how

534
00:27:05.839 --> 00:27:09.079
<v Speaker 1>he does it. But Adam Sandler's always yeah, he's always

535
00:27:09.200 --> 00:27:11.559
<v Speaker 1>kept the mystery alive.

536
00:27:12.000 --> 00:27:13.200
<v Speaker 2>But then he just snaps at me.

537
00:27:13.240 --> 00:27:14.880
<v Speaker 1>He's like, I've always known how you do the trick

538
00:27:14.960 --> 00:27:17.759
<v Speaker 1>now piss off or something like that, and Henry Winkler

539
00:27:17.839 --> 00:27:21.640
<v Speaker 1>does a phenomenal bit of acting where he kind of

540
00:27:21.759 --> 00:27:24.359
<v Speaker 1>keeps a straight face and goes okay, And it's only

541
00:27:24.400 --> 00:27:28.559
<v Speaker 1>when he's turned away from Adam Sandler that he starts

542
00:27:28.599 --> 00:27:33.480
<v Speaker 1>to crumple. But we see it because obviously our Adam Sandler,

543
00:27:33.480 --> 00:27:37.079
<v Speaker 1>the one who's traveled through time, is on our We're

544
00:27:37.119 --> 00:27:39.440
<v Speaker 1>watching from his side and we see the face crumple.

545
00:27:40.039 --> 00:27:42.839
<v Speaker 1>That scene breaks my heart every time.

546
00:27:42.960 --> 00:27:46.640
<v Speaker 3>Because it's an undoable bit of damage and he can

547
00:27:46.680 --> 00:27:48.079
<v Speaker 3>never he can never repair it.

548
00:27:49.319 --> 00:27:50.119
<v Speaker 4>That's fantastic.

549
00:27:50.160 --> 00:27:52.200
<v Speaker 3>I actually really yeah, I really rate the second half

550
00:27:52.200 --> 00:27:54.880
<v Speaker 3>of this film. Some of the reviews you read were

551
00:27:54.920 --> 00:27:57.119
<v Speaker 3>comparing it to It's a Wonderful Life.

552
00:27:57.279 --> 00:27:57.400
<v Speaker 2>Now.

553
00:27:57.400 --> 00:28:00.400
<v Speaker 3>I've not actually watched that film yet, dirty me to

554
00:28:00.440 --> 00:28:02.240
<v Speaker 3>say so, but I've never actually seen it. But I

555
00:28:02.279 --> 00:28:04.319
<v Speaker 3>understand what they mean because at the end he comes

556
00:28:04.359 --> 00:28:07.440
<v Speaker 3>back and he's like a renewed man in the present day.

557
00:28:07.599 --> 00:28:09.519
<v Speaker 3>I understand what they mean by it doesn't kind of

558
00:28:09.559 --> 00:28:12.640
<v Speaker 3>feel as earned in terms of him being that super positive.

559
00:28:13.160 --> 00:28:15.319
<v Speaker 3>But I kind of disagree that it's not at all

560
00:28:15.480 --> 00:28:19.759
<v Speaker 3>earned because he's from having watched his life that way.

561
00:28:20.640 --> 00:28:23.279
<v Speaker 3>I find it perfectly believable that he would change his

562
00:28:23.359 --> 00:28:26.599
<v Speaker 3>ways because he really like The whole point is, by

563
00:28:26.640 --> 00:28:30.839
<v Speaker 3>the end of the future segment, he dies realizing that

564
00:28:31.519 --> 00:28:35.759
<v Speaker 3>work isn't as important as family. So I feel it

565
00:28:35.759 --> 00:28:40.599
<v Speaker 3>it's a little disingenuous for the reviewers there to say

566
00:28:40.640 --> 00:28:43.240
<v Speaker 3>that he doesn't earn it or it doesn't feel earned.

567
00:28:44.599 --> 00:28:48.079
<v Speaker 3>Maybe the way he runs through the house basically showing.

568
00:28:47.759 --> 00:28:50.920
<v Speaker 4>Hey, their movie house, it is.

569
00:28:50.880 --> 00:28:52.279
<v Speaker 3>Not quite like that, but you know what I mean,

570
00:28:52.319 --> 00:28:55.359
<v Speaker 3>It's like, that's not it's the run through the house

571
00:28:55.359 --> 00:28:56.279
<v Speaker 3>that doesn't really worry.

572
00:28:56.480 --> 00:28:59.640
<v Speaker 1>The ending is very reminiscent of when Scrooge wakes up

573
00:28:59.640 --> 00:29:01.559
<v Speaker 1>as a chain changed man at the end of Christmas

574
00:29:01.599 --> 00:29:03.960
<v Speaker 1>Carol and he's already done when in the version of

575
00:29:04.000 --> 00:29:06.920
<v Speaker 1>Scrooge we watched where he runs down the street singing

576
00:29:06.960 --> 00:29:09.480
<v Speaker 1>far the Christmas and given toys to.

577
00:29:09.440 --> 00:29:10.599
<v Speaker 2>Every wadded stuff.

578
00:29:11.319 --> 00:29:13.119
<v Speaker 3>And I don't think that's earned because of the style

579
00:29:13.160 --> 00:29:16.480
<v Speaker 3>of the film in both of its hearts, isn't that

580
00:29:16.559 --> 00:29:18.200
<v Speaker 3>sort of revelatory thing.

581
00:29:18.480 --> 00:29:20.680
<v Speaker 4>It should have been a bit more calm, I think.

582
00:29:21.200 --> 00:29:23.920
<v Speaker 3>But I can understand why they went for it, because

583
00:29:23.920 --> 00:29:25.880
<v Speaker 3>they were trying to get back to a feel good ending,

584
00:29:26.240 --> 00:29:28.279
<v Speaker 3>especially considering how dark this goes.

585
00:29:28.720 --> 00:29:31.400
<v Speaker 1>Yeah, it's kind of sad as well, how we react

586
00:29:31.440 --> 00:29:34.680
<v Speaker 1>when he finds out the dogs died, and that kind

587
00:29:34.680 --> 00:29:35.839
<v Speaker 1>of gets him done it.

588
00:29:35.920 --> 00:29:38.240
<v Speaker 3>Well, because he skips forward only a few months at first,

589
00:29:38.319 --> 00:29:40.359
<v Speaker 3>isn't he and the dogs died in that time, and

590
00:29:40.400 --> 00:29:42.240
<v Speaker 3>it's just it hits you how quickly.

591
00:29:42.640 --> 00:29:45.160
<v Speaker 4>Yeah, certainly with animals because obviously they lost Spencer are

592
00:29:45.279 --> 00:29:45.920
<v Speaker 4>much much shorter.

593
00:29:46.720 --> 00:29:48.279
<v Speaker 1>So in terms of the acting in this, and I

594
00:29:48.319 --> 00:29:50.000
<v Speaker 1>think everyone does a fine enough job.

595
00:29:50.160 --> 00:29:51.640
<v Speaker 4>Yes, is actually very good.

596
00:29:51.720 --> 00:29:55.000
<v Speaker 1>Sean Aston's good, cape, Beckham sales good. The American accent

597
00:29:55.039 --> 00:29:58.240
<v Speaker 1>slips a couple of times. Yeah, even Hasselhoff.

598
00:29:58.240 --> 00:29:59.240
<v Speaker 2>I was surprised by.

599
00:29:59.359 --> 00:30:00.960
<v Speaker 3>The only pick but I didn't like was the one

600
00:30:00.960 --> 00:30:04.000
<v Speaker 3>he got fighted on because don't taste shit, because that's

601
00:30:04.039 --> 00:30:04.799
<v Speaker 3>not even well apt.

602
00:30:04.839 --> 00:30:05.960
<v Speaker 4>But the rest of it is fine.

603
00:30:06.119 --> 00:30:09.559
<v Speaker 3>Yeah, Well, because the Hof the Hoff has become such

604
00:30:09.599 --> 00:30:12.759
<v Speaker 3>a parody of himself in the current day and age

605
00:30:12.799 --> 00:30:14.759
<v Speaker 3>he was by then, because this was bear in mind,

606
00:30:14.799 --> 00:30:17.119
<v Speaker 3>this was around the same time he was in Dodgeball even.

607
00:30:17.039 --> 00:30:19.400
<v Speaker 1>I mean, like now he's really a pact like he's

608
00:30:19.400 --> 00:30:21.079
<v Speaker 1>been in like SpongeBob the.

609
00:30:21.039 --> 00:30:21.960
<v Speaker 2>Movie and stuff.

610
00:30:22.000 --> 00:30:25.119
<v Speaker 3>Like that, and they created a fake version of him

611
00:30:25.440 --> 00:30:28.839
<v Speaker 3>life size. Did you know that in the SpongeBob movie,

612
00:30:28.839 --> 00:30:31.400
<v Speaker 3>the bit where they surf on the back of him

613
00:30:31.720 --> 00:30:36.119
<v Speaker 3>isn't him. It's an animatronic of him, right, because they

614
00:30:36.240 --> 00:30:38.079
<v Speaker 3>in order for the animation to work, they needed to

615
00:30:38.160 --> 00:30:40.599
<v Speaker 3>keep that thing in position for like eight straight hours,

616
00:30:41.039 --> 00:30:42.559
<v Speaker 3>and they thought that that was a bit harsh to

617
00:30:42.599 --> 00:30:43.519
<v Speaker 3>do to a person.

618
00:30:44.640 --> 00:30:46.759
<v Speaker 4>Let's be honest. David hasse Off probably would have be like,

619
00:30:47.000 --> 00:30:47.720
<v Speaker 4>fuck off that.

620
00:30:49.839 --> 00:30:52.079
<v Speaker 2>Joe whatever had t shirts that said things like don't

621
00:30:52.079 --> 00:30:52.799
<v Speaker 2>hassle the half.

622
00:30:52.960 --> 00:30:55.640
<v Speaker 3>Yeah, so I have one little bit of trivia there

623
00:30:55.640 --> 00:30:58.680
<v Speaker 3>that I think might be kind of interesting. R. L. Stein,

624
00:30:58.920 --> 00:31:02.200
<v Speaker 3>the writer of Goosebump. He wrote a very similar story,

625
00:31:02.240 --> 00:31:05.559
<v Speaker 3>apparently in his Tales to Give You Goosebump series, with

626
00:31:05.640 --> 00:31:08.119
<v Speaker 3>almost the exact same plot and set up, even down

627
00:31:08.119 --> 00:31:11.799
<v Speaker 3>to the title Click Galastic Incorporated almost sued Adam Sander

628
00:31:11.799 --> 00:31:15.079
<v Speaker 3>and this film's producers for plagiarism. Both parties agreed the

629
00:31:15.200 --> 00:31:17.599
<v Speaker 3>entire situation was a coincidence, and no legal action was

630
00:31:17.640 --> 00:31:20.359
<v Speaker 3>ever taken. Both stories could easily be based on the

631
00:31:20.400 --> 00:31:23.559
<v Speaker 3>old French tale The Magic Thread, in which a boy

632
00:31:23.640 --> 00:31:25.400
<v Speaker 3>is able to pull a thread to speed up parts

633
00:31:25.400 --> 00:31:26.039
<v Speaker 3>of his life.

634
00:31:25.880 --> 00:31:26.559
<v Speaker 4>He doesn't like.

635
00:31:26.839 --> 00:31:29.880
<v Speaker 3>Oh, he quickly finds himself an old man before being

636
00:31:29.920 --> 00:31:33.599
<v Speaker 3>given a second chance. I got that from IMDb. That

637
00:31:33.720 --> 00:31:36.279
<v Speaker 3>is not my own facts, but yeah, I thought that

638
00:31:36.359 --> 00:31:39.359
<v Speaker 3>was an interesting bit of trivia because I had not

639
00:31:39.440 --> 00:31:41.720
<v Speaker 3>heard of the French tale the magic thread. It makes

640
00:31:41.799 --> 00:31:44.400
<v Speaker 3>more sense in a modern sense, in a modern way,

641
00:31:44.440 --> 00:31:45.640
<v Speaker 3>to have it be something.

642
00:31:45.359 --> 00:31:46.359
<v Speaker 4>Like a remote.

643
00:31:46.720 --> 00:31:49.599
<v Speaker 3>But thinking about it, nowadays, even remotes are kind of

644
00:31:49.599 --> 00:31:52.400
<v Speaker 3>old fashioned. I know TVs still kind of have them,

645
00:31:52.480 --> 00:31:57.200
<v Speaker 3>but most things are now smart based, so that the

646
00:31:57.240 --> 00:32:01.559
<v Speaker 3>idea of pausing fast forward rewind all that stuff mostly

647
00:32:01.599 --> 00:32:03.359
<v Speaker 3>dealt with with either a mouse or voice.

648
00:32:03.359 --> 00:32:06.640
<v Speaker 4>Come on, yeah, yeah, what.

649
00:32:06.640 --> 00:32:09.920
<v Speaker 2>Was with the dog humping everything? Man?

650
00:32:10.720 --> 00:32:10.920
<v Speaker 4>See?

651
00:32:11.119 --> 00:32:14.079
<v Speaker 3>I understood that as a sound the rest joke, and

652
00:32:14.119 --> 00:32:16.599
<v Speaker 3>it kind of actually works into the emotional segments a

653
00:32:16.599 --> 00:32:19.759
<v Speaker 3>little bit, because when the dog is no longer humping

654
00:32:19.799 --> 00:32:21.680
<v Speaker 3>the thing, that's kind of emotionally like, Oh that was

655
00:32:22.279 --> 00:32:23.000
<v Speaker 3>because it's the oat.

656
00:32:23.079 --> 00:32:23.640
<v Speaker 4>Let's be fair.

657
00:32:23.680 --> 00:32:25.559
<v Speaker 3>The reason it only worked in that sense is because

658
00:32:25.559 --> 00:32:27.279
<v Speaker 3>it was the only thing we knew the dog did.

659
00:32:27.400 --> 00:32:30.720
<v Speaker 3>But then it did this thing where every dog focks this.

660
00:32:32.440 --> 00:32:36.160
<v Speaker 1>Male or dog he buys a female dog to keep Sundance.

661
00:32:36.480 --> 00:32:38.240
<v Speaker 1>By the way, do you think that was a reference

662
00:32:38.319 --> 00:32:41.799
<v Speaker 1>that they called it Sundance was to the fact that

663
00:32:41.920 --> 00:32:44.079
<v Speaker 1>maybe the fact that Adam Salmon never gets SIMS into

664
00:32:44.079 --> 00:32:45.359
<v Speaker 1>the Sundance Film Festival.

665
00:32:45.599 --> 00:32:47.480
<v Speaker 4>Oh, maybe I have an idea.

666
00:32:47.880 --> 00:32:50.440
<v Speaker 1>Maybe I'm just ridden way too much into that. Are

667
00:32:50.480 --> 00:32:52.640
<v Speaker 1>there any parts of the film we haven't touched on

668
00:32:52.759 --> 00:32:54.279
<v Speaker 1>yet that you'd like to touch on. I just feel

669
00:32:54.279 --> 00:32:57.799
<v Speaker 1>about Bed, Bath and Beyond. I could have without the

670
00:32:57.799 --> 00:32:59.880
<v Speaker 1>guy who wants him to just be his friend.

671
00:33:00.200 --> 00:33:00.799
<v Speaker 4>Yeah, that was weird.

672
00:33:00.839 --> 00:33:02.359
<v Speaker 1>And that's only the one who was in all of

673
00:33:02.400 --> 00:33:04.599
<v Speaker 1>the Adam Sandler films, and I think it's Nick Swanson

674
00:33:04.680 --> 00:33:06.720
<v Speaker 1>his name is, I think, But I didn't go anywhere.

675
00:33:07.160 --> 00:33:08.880
<v Speaker 1>That's the weird thing, other than he wakes up at

676
00:33:08.880 --> 00:33:10.240
<v Speaker 1>the end and because I will be your friend.

677
00:33:10.440 --> 00:33:13.920
<v Speaker 3>Yeah, but like he doesn't come back after that scene,

678
00:33:13.960 --> 00:33:15.680
<v Speaker 3>so you just want him.

679
00:33:15.559 --> 00:33:19.039
<v Speaker 4>To No, But I just didn't understand the characters being there.

680
00:33:19.759 --> 00:33:22.599
<v Speaker 3>But yeah, it's it's quite The Bed and Beyond joke

681
00:33:22.640 --> 00:33:25.079
<v Speaker 3>doesn't work outside of America because we don't have bed

682
00:33:25.119 --> 00:33:27.839
<v Speaker 3>Bathom Beyond, which is an actual brand in America.

683
00:33:27.960 --> 00:33:29.119
<v Speaker 4>But it's just the UK.

684
00:33:29.240 --> 00:33:30.160
<v Speaker 2>We're like what.

685
00:33:32.359 --> 00:33:33.240
<v Speaker 4>Like the shop Front.

686
00:33:33.720 --> 00:33:38.240
<v Speaker 1>It's a surprisingly effective film when it wants to be. Though, Yes,

687
00:33:38.559 --> 00:33:40.839
<v Speaker 1>when he's dying in the rain as well, I thought

688
00:33:40.880 --> 00:33:41.880
<v Speaker 1>that was a bit sad.

689
00:33:42.000 --> 00:33:45.039
<v Speaker 3>Yeah, yeah, that actually it's melodramatic, but it actually works

690
00:33:45.079 --> 00:33:45.640
<v Speaker 3>for the scene.

691
00:33:46.319 --> 00:33:47.519
<v Speaker 4>It's built myself up to that.

692
00:33:47.839 --> 00:33:50.920
<v Speaker 1>The second part where I burst into tears is when

693
00:33:50.920 --> 00:33:53.240
<v Speaker 1>he gives Kate beck and say all the note that

694
00:33:53.319 --> 00:33:56.240
<v Speaker 1>he gave her on the first date. Literally, I've just

695
00:33:56.279 --> 00:33:59.400
<v Speaker 1>finished I just finished crying from the dad scene, and

696
00:33:59.440 --> 00:34:03.920
<v Speaker 1>then he does, and I was like that that, I

697
00:34:04.039 --> 00:34:06.759
<v Speaker 1>mean this, like you would take this to the bank

698
00:34:06.799 --> 00:34:09.760
<v Speaker 1>about me being a terrible filmmaker. That is more upsetting

699
00:34:09.840 --> 00:34:13.519
<v Speaker 1>than the Titanic. I cry more at that than I

700
00:34:13.639 --> 00:34:14.519
<v Speaker 1>do it Titanic.

701
00:34:15.000 --> 00:34:17.800
<v Speaker 4>You mean the movie Titanic? Ye yeah, yeah, yeah, yeah.

702
00:34:17.800 --> 00:34:21.000
<v Speaker 3>Well, to be fair, I wasn't particularly a fan of

703
00:34:21.039 --> 00:34:23.800
<v Speaker 3>the movie Titanic. It focuses on all the wrong things

704
00:34:23.840 --> 00:34:25.800
<v Speaker 3>and it doesn't It doesn't feel like a loss or

705
00:34:25.800 --> 00:34:27.960
<v Speaker 3>a tragedy in the way that it should have done

706
00:34:28.079 --> 00:34:29.920
<v Speaker 3>outside of the fact that you know it happened.

707
00:34:30.000 --> 00:34:31.159
<v Speaker 2>Yeah, but ever let go.

708
00:34:31.360 --> 00:34:34.639
<v Speaker 3>Yeah yeah, if Titanic was the exact same film, but

709
00:34:34.679 --> 00:34:37.559
<v Speaker 3>there hadn't been an actual incident of the Titanic. It

710
00:34:37.639 --> 00:34:40.119
<v Speaker 3>was just so you knew it was all fiction. No

711
00:34:40.119 --> 00:34:42.000
<v Speaker 3>one would have watched it and no one would have

712
00:34:42.119 --> 00:34:42.440
<v Speaker 3>liked it.

713
00:34:42.559 --> 00:34:44.920
<v Speaker 1>As we said in our episode, the song just so

714
00:34:45.039 --> 00:34:46.679
<v Speaker 1>much heavy lifting in that film.

715
00:34:46.760 --> 00:34:53.519
<v Speaker 2>Yes, good old Celine Dion. So yeah, I thought the

716
00:34:53.519 --> 00:34:55.679
<v Speaker 2>film still hit pretty well. Don't get me wrong. It

717
00:34:55.679 --> 00:34:57.760
<v Speaker 2>didn't hit me as much as it did the first time.

718
00:34:58.280 --> 00:34:59.679
<v Speaker 2>But will I will not lie?

719
00:35:00.079 --> 00:35:02.559
<v Speaker 1>I still teered up during the dad scene, and I

720
00:35:02.679 --> 00:35:04.639
<v Speaker 1>still teered up when he handed of the note that

721
00:35:04.679 --> 00:35:06.320
<v Speaker 1>said will you still love me in the morning.

722
00:35:06.440 --> 00:35:10.000
<v Speaker 3>Yeah, those are both very emotional moments. So as far

723
00:35:10.039 --> 00:35:15.000
<v Speaker 3>as I'm concerned, Yeah, yeah, it's dated and it won't

724
00:35:15.000 --> 00:35:18.360
<v Speaker 3>be for everyone. Because essentially, you have to be willing

725
00:35:18.400 --> 00:35:20.320
<v Speaker 3>to either sit through a comedy you won't like to

726
00:35:20.320 --> 00:35:23.119
<v Speaker 3>get to a really cool sci fi bit, or you

727
00:35:23.159 --> 00:35:25.000
<v Speaker 3>may sit through a comedy you do like to get

728
00:35:25.039 --> 00:35:26.840
<v Speaker 3>to a sci fi bit you don't really want.

729
00:35:27.280 --> 00:35:29.159
<v Speaker 4>So you really have to be in a mood.

730
00:35:29.239 --> 00:35:32.480
<v Speaker 3>I think, oh, yeah, yeah, like I said, I like

731
00:35:32.599 --> 00:35:35.280
<v Speaker 3>this film, Yeah, but I've barely ever watched it.

732
00:35:35.159 --> 00:35:36.360
<v Speaker 2>In all the years I've owned it.

733
00:35:36.519 --> 00:35:38.920
<v Speaker 1>Yeah, because I have to be in the mood to

734
00:35:39.039 --> 00:35:40.440
<v Speaker 1>cry my fucking eyes out.

735
00:35:40.639 --> 00:35:43.440
<v Speaker 3>Yeah, but when you want that, when you and certainly

736
00:35:43.480 --> 00:35:46.920
<v Speaker 3>the bait and switch of it, it hits, it still works.

737
00:35:47.000 --> 00:35:49.079
<v Speaker 3>It's hits twice for me, it's hit more than twice

738
00:35:49.119 --> 00:35:51.000
<v Speaker 3>for you, it still works.

739
00:35:51.119 --> 00:35:51.360
<v Speaker 2>Well.

740
00:35:51.480 --> 00:35:54.199
<v Speaker 1>There you have it, folks. That is click from the

741
00:35:54.320 --> 00:35:58.239
<v Speaker 1>Year of Our Lord two thousand and six. Thank you

742
00:35:58.280 --> 00:36:00.840
<v Speaker 1>everyone for tuning in. You can catch up with us

743
00:36:00.840 --> 00:36:03.639
<v Speaker 1>and keep up with us on all our social media's

744
00:36:03.800 --> 00:36:07.880
<v Speaker 1>at Imparlor Revolution on Facebook. On Twitter, We're at We're

745
00:36:07.920 --> 00:36:11.519
<v Speaker 1>at the Imparlor Films. On Blue Sky, we are in

746
00:36:11.639 --> 00:36:15.000
<v Speaker 1>Parlor Films on Instagram. I think we don't have an

747
00:36:15.000 --> 00:36:17.159
<v Speaker 1>impilor one. I think we have a generic haunted one.

748
00:36:17.320 --> 00:36:18.280
<v Speaker 1>So don't follow us.

749
00:36:18.239 --> 00:36:20.360
<v Speaker 2>There, I guess if you don't want to anyway.

750
00:36:20.360 --> 00:36:22.519
<v Speaker 1>Thank you for tuning in and we will be back

751
00:36:22.559 --> 00:36:26.679
<v Speaker 1>with you next week for more Second Take Cinema
