WEBVTT

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<v Speaker 1>A bed that are.

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<v Speaker 2>Trigger warner.

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<v Speaker 3>This podcast may include explicit content that will take you

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<v Speaker 3>out of your comfort zone and make you question reality.

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<v Speaker 4>Listener's discretion is advised.

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<v Speaker 5>Howdy folks, your host Double J back here, coming at

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<v Speaker 5>Live slash Live from my studio slash RV dining room

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<v Speaker 5>located directly outside the city of Little Port of Prince, Ohio,

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<v Speaker 5>the city formerly known as Springfield, Ohio. You know, apparently

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<v Speaker 5>the place where they're eating the cats, they're eating the dogs. Anyhow, folks,

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<v Speaker 5>once again your host Double J here, I will be

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<v Speaker 5>your pilot navigator for tonight's Shenanigan infused journey into the

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<v Speaker 5>mind of this particular garbage can. Dude, got a real

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<v Speaker 5>barn burner on deck for you folks here tonight, and

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<v Speaker 5>we're gonna go through a in a cult and or

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<v Speaker 5>esoteric review of the nineteen eighty six cinematic masterpiece starring

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<v Speaker 5>Eddie Murphy The Golden Child, and joining me here tonight

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<v Speaker 5>is Nick from the Occult Rejects. Nick Welcome, Welcome, sir.

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<v Speaker 1>What's going on man? Thank you very much?

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<v Speaker 5>And fellow oh for sure, and fellow occult Rejects Cosmic Pete,

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<v Speaker 5>Julia and Jen the Ninja.

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<v Speaker 1>How what's up.

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<v Speaker 5>Welcome back to Operation GCD, Jen and Julia, Welcome.

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<v Speaker 4>You've been on. We've done Fridays, I Think Together, and.

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<v Speaker 5>Some other shows, but this is your your first Operation

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<v Speaker 5>GCD experience, so welcome.

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<v Speaker 6>Yeah, the grass is greener over here. I think I

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<v Speaker 6>like it. I like the air over here nice, I.

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<v Speaker 5>Like green grass. I think, Nick, Nick, you agrees me

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<v Speaker 5>on that one. He knows what I'm talking about. Yes, yes,

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<v Speaker 5>So I'm glad to hear this came together in an

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<v Speaker 5>unofficial fashion in such a fantastic way, because quite honestly,

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<v Speaker 5>this spun out of tonight's.

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<v Speaker 4>Show reviewing The Golden Child.

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<v Speaker 5>If folks aren't familiar with the film, I will be

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<v Speaker 5>playing a brief trailer here for us, and before we

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<v Speaker 5>dive into any of the details that I found the

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<v Speaker 5>original trailer that was the I guess it was from

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<v Speaker 5>early nineteen eighty six because it came out in December

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<v Speaker 5>of eighty six. I believe the film did. So it's

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<v Speaker 5>a it's a great it's a great trailer from It's

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<v Speaker 5>a perfect eighties trailer.

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<v Speaker 4>So it does a great job.

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<v Speaker 5>It actually explains the story and the narrative of the plotline,

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<v Speaker 5>whereas today's trailers do none of that. And there's so

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<v Speaker 5>many trailers I watched today, I'm like, what the fuck's

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<v Speaker 5>this movie even about?

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<v Speaker 4>Man? Yeah? Yeah, yeah, I mean.

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<v Speaker 5>It's quite honestly, I think it's the formula in which

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<v Speaker 5>Hollywood makes films today. And that's one example. Don't want

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<v Speaker 5>to go off on too big of a tangent, but

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<v Speaker 5>one example. There was a film about ten years ago.

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<v Speaker 5>It was a Spanish language film even and it was

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<v Speaker 5>supposed to be a drama film, and it was apparently

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<v Speaker 5>this you know, they put a lot of money into it,

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<v Speaker 5>so for some reason they wanted to try to save it.

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<v Speaker 5>So it was gonna be completely shit canned in the

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<v Speaker 5>studio called in I believe it was Keanu Reeves to

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<v Speaker 5>come in for two weeks film a bunch of sea.

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<v Speaker 6>Oh sh listen, throws on your own show my.

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<v Speaker 5>Back, My Back, where I cut out romance drama.

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<v Speaker 6>Reeves.

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<v Speaker 5>Yeah, they called it Kanu to film like two weeks

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<v Speaker 5>the ship, and they changed into a crime, some.

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<v Speaker 4>Sort of crime thriller.

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<v Speaker 5>They went from romance drama to crime thriller from two

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<v Speaker 5>different languages. As I'm just saying, a lot of films

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<v Speaker 5>are very formulaic, and this in this day and age,

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<v Speaker 5>when they can pull off of something like that, I

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<v Speaker 5>don't think anyone solid in theaters anyway. But nonetheless, like

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<v Speaker 5>you know, until the last two weeks of filming, it

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<v Speaker 5>was a it was a Spanish language romance, you know film,

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<v Speaker 5>and then they brought in Keanu and made it some

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<v Speaker 5>sort of crime thriller, you know, in English speaking, So

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<v Speaker 5>again you know they don't. You know what I'm getting

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<v Speaker 5>at is, you know, I think there was a certain

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<v Speaker 5>craft to filmmaking still in the eighties, not only just

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<v Speaker 5>the writing as I'm pointing out, the plot lines and

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<v Speaker 5>the trailers even described these fucking films, but the you're

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<v Speaker 5>rubbing off on me, Julia with with.

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<v Speaker 4>All your cursing like a sailor, I feel like I

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<v Speaker 4>have to curse the uh the I mean.

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<v Speaker 5>I'm an old retired senior masters artant, so I'm sorry,

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<v Speaker 5>master start senior and CEO from the Air Force, so

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<v Speaker 5>it doesn't take me much. But I'm not a sailor.

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<v Speaker 5>But you know, it's about the same language, you know

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<v Speaker 5>what I mean.

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<v Speaker 6>To push you in that direction, that's.

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<v Speaker 4>What That's what I'm saying. I didn't.

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<v Speaker 5>I did that for twenty years in the Air Force,

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<v Speaker 5>right it wasn't. It wasn't a navy, But it's the

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<v Speaker 5>same difference, I suppose. But so also I think this

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<v Speaker 5>this film was great in the special effects, right M

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<v Speaker 5>for the eighties, Yeah, it was I think so pretty monumental,

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<v Speaker 5>Uh you know achievements I think they did with some

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<v Speaker 5>real time special effects.

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<v Speaker 1>Yeah, like when the guy goes to like meditate and

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<v Speaker 1>the bad guy shows up and like everything blows away

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<v Speaker 1>and it's just yeah, I thought that was pretty impressive.

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<v Speaker 4>Then there's yeah, there's a lot of those scenes right well.

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<v Speaker 2>To riff off your point, JJ, which I think is

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<v Speaker 2>really good is there's a technical aspect of filmmaking obviously,

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<v Speaker 2>because they were using actual cameras, actual celluloid And I

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<v Speaker 2>think that that plays a big part in technical craftsmanship

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<v Speaker 2>because if you don't do something, how would you know

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<v Speaker 2>how to do it? So if you're relying on digital,

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<v Speaker 2>and I'm not an anti digital, especially for the early

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<v Speaker 2>two thousands, I think it was really cool that there's

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<v Speaker 2>a lot of shows that like have that interesting like

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<v Speaker 2>darker blue kind of filter that you can only really

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<v Speaker 2>do with digital, like handicams and I think that that

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<v Speaker 2>was innovative. But I think, really this is something totally different.

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<v Speaker 2>This is like that. I think this is why you

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<v Speaker 2>like it. I think this is why I like it.

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<v Speaker 2>And it's and I think this ulia like said and

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<v Speaker 2>also Nick, because it's like something classic. It's something that

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<v Speaker 2>we all can refer to. There's a grammar, it's very

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<v Speaker 2>coherent as a film language.

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<v Speaker 4>Oh for sure, I'm anti cigyah, so I definitely do.

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<v Speaker 7>Yeah.

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<v Speaker 6>I mean, you know what I would compare it to.

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<v Speaker 6>It's like a lot of the movies that come out recently.

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<v Speaker 6>It's like I think I heard somebody else say this too,

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<v Speaker 6>but the Marvel movies and stuff like that, it's like

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<v Speaker 6>it's like going to a theme park and you ride

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<v Speaker 6>the rides and you woo and then it's over with.

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<v Speaker 6>Whereas movies in the eighties and before that obviously, and

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<v Speaker 6>even some movies in the nineties maybe early two thousands,

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<v Speaker 6>they were more like a story. They were more like

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<v Speaker 6>an experience, like a you get like enthralled with it,

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<v Speaker 6>you and it's like it takes you on a journey,

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<v Speaker 6>whereas now it's like kind of just bread and circusy

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<v Speaker 6>type stuff. It's like just fill your mind with this

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<v Speaker 6>garbage and be happy, be with it.

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<v Speaker 5>I mean, oh for sure, it's terrible, right they just

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<v Speaker 5>call it in with writing. Yeah, that's what I was

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<v Speaker 5>getting that when you can just call on Keanu and

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<v Speaker 5>change your entire language of your film and genre of

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<v Speaker 5>your film.

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<v Speaker 4>In two weeks, Like clearly there's a formula these films, right.

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<v Speaker 6>Great, Yeah, And I think the comedy was better back then. Like,

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<v Speaker 6>don't get me wrong, I like super Bad and like

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<v Speaker 6>Jet Appatole movies. I like that kind of comedy because

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<v Speaker 6>I'll watch that stuff too, Pineapple Express, But there was

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<v Speaker 6>something about like the eighties comedy that was like a

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<v Speaker 6>full belly laugh. Like I hate to even say it,

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<v Speaker 6>but eighties movies that I grew up on were like

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<v Speaker 6>The Burbs and Money Pit. I know Tom Jinks is

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<v Speaker 6>a shithead, but like those movies made me laugh so hard.

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<v Speaker 6>All Eddie Murphy movies made me laugh so hard, And

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<v Speaker 6>when I go back and watch them again even now,

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<v Speaker 6>I'm still laughing at the same like five jokes, just

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<v Speaker 6>over and over again, like they're still so funny.

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<v Speaker 5>That's one of the things I love about this movie

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<v Speaker 5>is that he plays Axel Foley basically, so it's like

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<v Speaker 5>Beverly Hills cop, but he's an LA private detective solving

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<v Speaker 5>satanic you know, you know, kidnapping by a satanic cold

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<v Speaker 5>of a young girl. He has some fighting demons, this

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<v Speaker 5>little Tibetan kid that turns out to be a girl.

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<v Speaker 5>I thought that was a was a boy in the film.

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<v Speaker 5>It turns out to be a girl, not trances.

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<v Speaker 6>Yeah, it's a girl.

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<v Speaker 5>That's a girl. That's a girl. I don't want to

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<v Speaker 5>I want to spoiler alert. They don't tell you that

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<v Speaker 5>in the film though. I just found that out actually

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<v Speaker 5>not that long ago. I could pop up my YouTube feed, like,

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<v Speaker 5>you know, where are they now?

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<v Speaker 4>You know, Golden Golden Child.

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<v Speaker 5>You know, and Eddie Murphy's looking rough, but I like

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<v Speaker 5>Eddie Murphy in the early eighties, you know.

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<v Speaker 4>And again they're like they were like, hey, this is

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<v Speaker 4>the boy.

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<v Speaker 5>From the Golden Child. I'm like, that's a girl. They're

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<v Speaker 5>like yeah, And I was like, oh, that's trans he

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<v Speaker 5>was a girl the entire time. I'm like, well, that's bizarre.

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<v Speaker 6>I didn't whoa Okay, well I did not know that. Yeah,

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<v Speaker 6>that's a fun fact. I could have swore it was

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<v Speaker 6>a boy, but before.

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<v Speaker 5>I before I played the trailer and uh turned it

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<v Speaker 5>over before I turned it over to y'all for any

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<v Speaker 5>any other comments here to start off the show, did you?

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<v Speaker 8>Uh?

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<v Speaker 5>I just want to point out, this is my favorite

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<v Speaker 5>era of Murphy, like you were saying there, Julia, like

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<v Speaker 5>later Murphy I could do without, you know, pre pre

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<v Speaker 5>trans hooker Murphy. You know, I remember that incident in

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<v Speaker 5>the nineties were suddenly Eddie Murphy's associated with all these

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<v Speaker 5>transgendered hookers on the streets of l A.

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<v Speaker 4>And then he.

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<v Speaker 5>Gets busted by the tabloids. Actually he gets busted by

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<v Speaker 5>Entrew Breitbart. He's the one he busted who broke that story.

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<v Speaker 5>And then suddenly these uh is Eddie's friends, Eddie's transgendered

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<v Speaker 5>hooker friends, are getting thrown off the tops of buildings

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<v Speaker 5>all of a sudden, strange tale strange, I mean, was the.

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<v Speaker 6>Uh time that like Boomerang and Vampire in Brooklyn and like.

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<v Speaker 5>Yeah, exactly, it was every yeah, everything, I'm good with everything.

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<v Speaker 6>Before that, okay, okay, did.

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<v Speaker 5>Whatever he got into around that time. And to be

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<v Speaker 5>honest with you, I think the reason a lot of

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<v Speaker 5>eighties films, a lot of eighties comedies were so good is.

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<v Speaker 6>Cocaine maybe Harlem Knights.

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<v Speaker 5>Very Cocaine Field. No, I think all these productions like

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<v Speaker 5>very cocaine Field. In fact, Tonight's Tonight's production The Golden

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<v Speaker 5>Child is only you have a one degree of separation

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<v Speaker 5>from Bob Cocaine Evans.

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<v Speaker 4>The production of this film.

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<v Speaker 5>So you're talking Hollywood and you're talking cocaine field nineteen

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<v Speaker 5>eighties films. This is right in the epicenter of that

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<v Speaker 5>wheelhouse because, like I said, it's ultimately the green it's

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<v Speaker 5>the green light of the film from Paramount Pictures is

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<v Speaker 5>the guy that Bob Evans hires to replace him there

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<v Speaker 5>when he gets he gets this independent producer role on

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<v Speaker 5>the lot until eighty one when he gets popped for

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<v Speaker 5>them cocaine trafficking charges and then his buddy Barry Diller

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<v Speaker 5>throws them off a lot is the udge and goes

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<v Speaker 5>and Barry Diyler is.

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<v Speaker 4>A very important character.

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<v Speaker 5>But yeah, he's uh, he was Bob, Bob co cocaine

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<v Speaker 5>Bob's underling.

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<v Speaker 6>So well, I before you play the trailer there, I

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<v Speaker 6>just have to say two things. I get exactly what

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<v Speaker 6>you're saying, but there is a movie he made later

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<v Speaker 6>in life that's called Life. Do you remember that one

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<v Speaker 6>he was older.

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<v Speaker 4>I think with Martin Lawrence.

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<v Speaker 6>Yeah, that's still one of my Yeah, still one of

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<v Speaker 6>my faves. I know he was kind of on his

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<v Speaker 6>way out at the time, but I still love that

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<v Speaker 6>movie and unpopular opinion, I actually think his brother is

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<v Speaker 6>funnier than he is. Charlie Murphy. Charlie Murphy, Charlie Murphy.

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<v Speaker 5>Well please, while you're still there talking to Julie, please

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<v Speaker 5>introduce your show since I didn't give you the proper

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<v Speaker 5>time here to do that thus far.

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<v Speaker 6>Oh well thanks. Yeah, I have Cosmic Peach podcast available wherever.

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<v Speaker 6>Really happy to be here tonight because I've been looking

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<v Speaker 6>for somebody to cover this movie with me for two

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<v Speaker 6>years now, and either no one's interested, or they haven't

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<v Speaker 6>seen it, or they don't understand why I think it's significant.

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<v Speaker 6>But so when you mentioned it the other night, I

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<v Speaker 6>was like, if you don't let me on that one,

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<v Speaker 6>I'm going to cry and just be in the comments,

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<v Speaker 6>shitting on you guys the whole time I should have

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<v Speaker 6>been on this one. Fucking you guys.

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<v Speaker 5>I was excited to see that you were so into

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<v Speaker 5>it because this is one of my favorite Films, and

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<v Speaker 5>we kind of we did Big Trouble a Little China

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<v Speaker 5>a few months ago, and the kind of the spin

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<v Speaker 5>off of that is we decided to do this because

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<v Speaker 5>this was the competing Hollywood project too, Big Trouble, Little China,

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<v Speaker 5>and share some of the same actors as Big Trouble,

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<v Speaker 5>Little China, not just Victor Wong, who had a very

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<v Speaker 5>great year.

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<v Speaker 4>He might have had the.

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<v Speaker 5>Best year in Hollywood for an Asian actor north of

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<v Speaker 5>fifty years old.

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<v Speaker 4>He he won that year that category.

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<v Speaker 6>Isn't he chang in the in Trimors?

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<v Speaker 5>Yeah, he's the grandfather in the Three Ninjas trilogy, which

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<v Speaker 5>was a big part of my childhood.

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<v Speaker 6>Yeah. I loved Trimors when I was little. And then

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<v Speaker 6>when I was doing the notes today, I was like,

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<v Speaker 6>I put in the side note, I said, did anyone

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<v Speaker 6>else realize that the old guy is changing from Trimmers?

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<v Speaker 5>That old guy, Maam is egg Chen egg Chin's a legend.

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<v Speaker 5>He did and he killed it in this one too.

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<v Speaker 6>Right, Oh yeah, for sure one hundred.

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<v Speaker 5>That's what I'm saying he was. He was killing it

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<v Speaker 5>in nineteen eighty six, a big year that year. So

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<v Speaker 5>and Nick Jen before we play the trailer and start

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<v Speaker 5>to start the show here and he may offer you

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<v Speaker 5>any comments. And what are you all working on over

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<v Speaker 5>there at the Occult Rejects, Nick, I know you're you're

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<v Speaker 5>pumping out new shows every day of the Occult All

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<v Speaker 5>was just out today.

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<v Speaker 1>Huh yeah, yeah, yeah, they cult Elvis. That was fun. Actually,

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<v Speaker 1>that was really interesting. Julie was there for that as well. Yeah,

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<v Speaker 1>you were there.

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<v Speaker 4>I was there. I've seen too.

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<v Speaker 1>Yeah, totally forgot. I'm burnt. Yeah, we had that.

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<v Speaker 4>That's a good show though, I really I really enjoyed that.

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<v Speaker 5>I haven't got a chance to re listen to, but

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<v Speaker 5>the first time I listened to when I was there,

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<v Speaker 5>it was a good show.

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<v Speaker 2>Yeah.

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<v Speaker 1>It spread off to Tuesday World.

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<v Speaker 4>That's right, that is worth Tuesday Weld. I really liked

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<v Speaker 4>that show. That was a good one.

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<v Speaker 5>I was just as excited when you brought up Tuesday

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<v Speaker 5>Weld as you were sounding like as you were excited

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<v Speaker 5>when I brought up The Golden Child.

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<v Speaker 6>It's a full circle moment here for the Occult Rejects.

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<v Speaker 6>It's a full circle We're the dream team at this point.

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<v Speaker 1>I I like that. I like that we got some

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<v Speaker 1>Red Hefer stuff coming out this week.

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<v Speaker 4>So nice.

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<v Speaker 1>Yeah, some stuff what you did with broadcasting seeds. We

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<v Speaker 1>got that coming out Friday for people listening now, and

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<v Speaker 1>over the weekend we will have for audio listeners. Uh,

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<v Speaker 1>then you probably wouldn't be watching now. But Mormon Mafia

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<v Speaker 1>part for dropping audio.

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<v Speaker 5>Oh yeah, that's a great series. J Jen's involved in

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<v Speaker 5>that one, Archie Jen. What's what's going on over there?

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<v Speaker 7>Gen?

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<v Speaker 4>You hid now is a ninja you're doing ninja stuff.

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<v Speaker 2>Nie, JJ. But thank you so much for inviting you.

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<v Speaker 2>I'd love to do especially this cinema. Oh call reviews.

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<v Speaker 2>This is obviously our second one. And of course my

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<v Speaker 2>boss Nick mister ninety three thirty three, but I'll give

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<v Speaker 2>I'll upgrade him this time.

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<v Speaker 4>There you go.

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<v Speaker 2>So I have a I have two notes actually, so

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<v Speaker 2>i'll do those at the end. So this is one

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<v Speaker 2>is about sure Elves. I think it's very interesting. I

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<v Speaker 2>think Julia will be actually interested in it. And if

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<v Speaker 2>Heidi's listening, so shout out Heidi. I think she'll actually

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<v Speaker 2>find it interesting to you. And then I have a

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<v Speaker 2>note about the cutting your hair on waxing and waning

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<v Speaker 2>moon because we talked about this literally yesterday or the other.

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<v Speaker 4>Night I'll just say that that just came up, right.

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<v Speaker 2>That's right. So I have a note about that, so

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<v Speaker 2>I will come back to that. But I have a show,

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<v Speaker 2>Threshold Saints. It's speculative ontology. We're exploring metaphysics through pop culture.

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<v Speaker 2>But it's not like Julia if you watch Julia's show,

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<v Speaker 2>and I obviously want everyone to watch Julia show, but

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<v Speaker 2>it's a different We approach it from different ways. I

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<v Speaker 2>look at everything through parafection and through like a technical

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<v Speaker 2>kind of cabala contra mixture, crazy wild wisdom. So if

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<v Speaker 2>you're interested in that, you can definitely subscribe. And I

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<v Speaker 2>just dropped a three part episode on ralph Blocksheet and

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<v Speaker 2>then I'm also dropping another episode this week, so yeah,

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<v Speaker 2>big thanks for that. But okay, so note about Tuesday Welds.

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<v Speaker 2>So I think what this is. When I was watching

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<v Speaker 2>the episode, I was so excited. Best episode. I think

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<v Speaker 2>one of my favorites, personal favorites. I thought it was

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<v Speaker 2>so phenomenal. Okay, So for Tuesday, I actually think she

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<v Speaker 2>embodied this concept called the Eyeschef Zenuni. So this is

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<v Speaker 2>the sometimes us translated as the Virgin horror, but it

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<v Speaker 2>can also be trans understood as the princess of the klipus.

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<v Speaker 4>So there's a that's a literal virgin, right, right, Jen, Yes.

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<v Speaker 2>Like that, Yeah, because it was all about sex magic, right,

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<v Speaker 2>So you had, but Tuesday would have never participated physically.

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<v Speaker 2>If I'm just saying, if she fills that archetype, there's

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<v Speaker 2>no I hear you.

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<v Speaker 4>I was just being a smart ass. So this is a.

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<v Speaker 2>Totally right, you're totally right. No, No, you're totally right.

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<v Speaker 2>I just was meaning that if she embodies that concept,

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<v Speaker 2>that's why she remained one reason. Maybe you could say

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<v Speaker 2>then the other ones dead end?

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<v Speaker 5>Would you would you say, this is a powerful position

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<v Speaker 5>within a occult network what you're describing.

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<v Speaker 2>Yeah, she would have It would have been like the

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<v Speaker 2>highest of the highest. Interesting, it would have been like

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<v Speaker 2>the person who channeled whatever they're channeling.

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<v Speaker 1>Would you be like considering it like I'm trying to

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<v Speaker 1>understand the it's the type of feminine. Would it be

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<v Speaker 1>more of like an empress card instead of netsuck is

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<v Speaker 1>kind of getting in?

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<v Speaker 2>Yes, yes, it's more eosotic with a little hode maybe.

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<v Speaker 4>Yeah, all right, it's released.

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<v Speaker 2>Well, I think that until she got married, she had

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<v Speaker 2>to maintain a like degree of virginity. I'm not saying

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<v Speaker 2>that she wasn't involved in sexual things. I'm sure that

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<v Speaker 2>what she did I actually kind of knows. I'll just

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<v Speaker 2>say it is that I think what she was directed

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<v Speaker 2>the sexual activities of other people. That's how I would

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<v Speaker 2>understand it in a more technical way. Obviously, I don't

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<v Speaker 2>think of things as sex magic or whatever. I've just

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<v Speaker 2>been looking at it more technically, so I think she

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<v Speaker 2>would sort of channel the daikini or whatever they're doing,

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<v Speaker 2>the feminine, divine force. But her mind is virginal, so

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<v Speaker 2>she doesn't you know, she's not the horror. Particularly, she's

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<v Speaker 2>a virgin horror. So she maybe direct sexual actions of

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<v Speaker 2>people around her, but she's not herself well that engaged.

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<v Speaker 4>I didn't describe Tuesday Weill's activity. She's very much the.

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<v Speaker 1>Director, a p didyt his buddy.

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<v Speaker 5>It's like how cocaine Bob Evans brought together the lovely

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<v Speaker 5>couple of Room and Polanski and Sharon Tate in nuptials,

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<v Speaker 5>only for Sharon Tate to you know, on her on

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<v Speaker 5>Town with Demise. I often wonder was that the plan going.

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<v Speaker 6>In pulling the strings behind?

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<v Speaker 5>And that that is correct me. I mean I would

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<v Speaker 5>say that's Tuesday. Well, and I'm glad you brought that

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<v Speaker 5>up there, Jen, because tonight's discussion includes satannic cold activity

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<v Speaker 5>in and around Los Angeles, California, which is where she'd

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<v Speaker 5>be pulling them strings from. So and I think there's

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<v Speaker 5>a good tie into that to that whole scene with

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<v Speaker 5>this whole film, not as much as the comparison and

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<v Speaker 5>I just did here with a dragonet in the comparison

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<v Speaker 5>of the processed church activities and around Los Angeles Hera

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<v Speaker 5>nineteen eighties. I highly recommend that, but there'll be more

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<v Speaker 5>satanic cold activity and weird blood rituals. But on that note,

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<v Speaker 5>we will watch the trailer here and get back to

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<v Speaker 5>uh unpacking these ideas here.

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<v Speaker 9>In one moment, every thousand generations, a perfect child is born,

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<v Speaker 9>a child with magical powers, a child sent to.

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<v Speaker 6>Bring good into the world, a goodly child.

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<v Speaker 10>And now this child has been kidnapped by the forces

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<v Speaker 10>of evil, as foretold by the Nietzschung Oracle.

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<v Speaker 1>Only one man can.

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<v Speaker 10>Find him, only one man can rescue him.

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<v Speaker 1>He is a man from a city of angels.

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<v Speaker 10>He has a man who does what he's writing to,

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<v Speaker 10>A brave man, a true man, it is his destiny

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<v Speaker 10>to save a golden child. He is chosen plot.

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<v Speaker 5>If I'm the chosen one, how come I'm.

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<v Speaker 4>Freezing while you're sitting in the one movie theater. I'm

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<v Speaker 4>going back to la and kicking somebody's bahar. This isn't

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<v Speaker 4>supposed to be happening to me, chosen one, my behave?

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<v Speaker 4>Why can somebody choose me to go to the Bahamas? Hawaii?

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<v Speaker 4>Is nice? You can send me to Vegas a chosen way.

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<v Speaker 6>I love it?

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<v Speaker 5>Right it describes the whole movie and the plotline of

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<v Speaker 5>the film, and and he breaks the fourth wall, which

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<v Speaker 5>is which I thought was great.

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<v Speaker 11>Mm hmm.

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<v Speaker 6>But it's also like when when it starts at the

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<v Speaker 6>beginning and all the serious stuff, like wouldn't who wouldn't

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<v Speaker 6>want to watch that movie?

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<v Speaker 5>Right?

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<v Speaker 6>Very Yeah, it's so mysterious you want to see more,

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<v Speaker 6>and then it's in with the comedy. I mean, geez,

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<v Speaker 6>what else can you ask for?

423
00:23:08.799 --> 00:23:12.599
<v Speaker 5>Definitely grasp your attention to Meily, right m m. It

424
00:23:12.640 --> 00:23:15.440
<v Speaker 5>turns out that's not too bad. That's Mammoth Lakes, California.

425
00:23:15.519 --> 00:23:17.920
<v Speaker 5>But strangely enough, they did a great job of that too.

426
00:23:18.640 --> 00:23:19.160
<v Speaker 1>Mm hmmm.

427
00:23:20.359 --> 00:23:22.559
<v Speaker 2>Well, I do want to point out this is obviously

428
00:23:22.599 --> 00:23:25.559
<v Speaker 2>one of my notes, but the idea of the Golden Child,

429
00:23:25.680 --> 00:23:28.599
<v Speaker 2>right off the bat, this is this is an actual

430
00:23:28.640 --> 00:23:32.759
<v Speaker 2>Buddhist idea, but it is also a theosophical idea. So

431
00:23:33.000 --> 00:23:35.240
<v Speaker 2>I just want to be very clear that when I'm

432
00:23:35.240 --> 00:23:37.519
<v Speaker 2>going to discuss that, I'm going to refer to actual

433
00:23:37.559 --> 00:23:41.400
<v Speaker 2>Buddhist ideas, but I'm aware of the theosophical ideas as well,

434
00:23:41.519 --> 00:23:44.079
<v Speaker 2>And I'm not saying it's bad because it's theosophical. I

435
00:23:44.119 --> 00:23:46.559
<v Speaker 2>think we're a way, we're all kind of past that,

436
00:23:46.839 --> 00:23:50.039
<v Speaker 2>you know, we we can look at things for you know,

437
00:23:50.559 --> 00:23:53.720
<v Speaker 2>the values are truth that they may hold or the false.

438
00:23:53.720 --> 00:23:58.880
<v Speaker 5>Said sure, sure, but obviously a lot of this falls

439
00:23:58.920 --> 00:24:01.759
<v Speaker 5>around the ideas of Tibetan Buddhism.

440
00:24:01.799 --> 00:24:03.039
<v Speaker 4>As the main.

441
00:24:02.960 --> 00:24:06.640
<v Speaker 5>Character here Axel Foley, they call Axle, they call them,

442
00:24:07.079 --> 00:24:08.519
<v Speaker 5>you know something else in this film, but it's clearly

443
00:24:08.559 --> 00:24:09.440
<v Speaker 5>Axl fully.

444
00:24:09.839 --> 00:24:14.599
<v Speaker 4>And Chandler Jerl, Chandler Jerald, right, which is a nod.

445
00:24:14.640 --> 00:24:17.359
<v Speaker 5>I guess to the the story that this is kind

446
00:24:17.400 --> 00:24:21.480
<v Speaker 5>of based off of this crime noir story that involves Tibet,

447
00:24:21.640 --> 00:24:24.279
<v Speaker 5>So I guess he went through some rewrites in Hollywood,

448
00:24:24.319 --> 00:24:27.039
<v Speaker 5>but end up including which I think is interesting because

449
00:24:27.079 --> 00:24:30.599
<v Speaker 5>it didn't initially include a satanic cult. That was something

450
00:24:30.640 --> 00:24:31.839
<v Speaker 5>they added on along the way.

451
00:24:32.640 --> 00:24:35.960
<v Speaker 6>Well, this is what's interesting to me. And when I

452
00:24:36.039 --> 00:24:38.960
<v Speaker 6>cover movies, I usually try to like go from the

453
00:24:39.039 --> 00:24:41.359
<v Speaker 6>opening scene all the way through the body of the

454
00:24:41.400 --> 00:24:46.759
<v Speaker 6>movie to the title or the end sequence whatever. Yeah,

455
00:24:46.799 --> 00:24:50.519
<v Speaker 6>and so my first note is that it opens up

456
00:24:50.559 --> 00:24:55.039
<v Speaker 6>in Tibet, and the significance of Tibet. I feel like

457
00:24:55.079 --> 00:24:58.400
<v Speaker 6>it's kind of obvious, just because there have been so

458
00:24:58.519 --> 00:25:02.680
<v Speaker 6>many occultists who were in inspired or channeled beings that

459
00:25:02.799 --> 00:25:09.599
<v Speaker 6>were from Tibet, including Madam Blovotsky, Alster Crowley, Alice Bailey.

460
00:25:10.240 --> 00:25:16.440
<v Speaker 6>They all said that they channeled beings, Tibetan beings, and

461
00:25:17.640 --> 00:25:23.279
<v Speaker 6>there was even an expedition. Hitler actually put together this

462
00:25:23.400 --> 00:25:26.839
<v Speaker 6>expedition and it was like some of the best soldiers

463
00:25:27.079 --> 00:25:31.079
<v Speaker 6>he had, and he sent them to Tibet, and that's

464
00:25:31.119 --> 00:25:35.680
<v Speaker 6>where they brought back the sigil er symbol of the swastika,

465
00:25:36.319 --> 00:25:39.960
<v Speaker 6>and they hijacked it to do what they did with it.

466
00:25:40.000 --> 00:25:44.920
<v Speaker 6>But so Hitler, Madam Blovotsky, Alster Crowley, and Alice Bailey

467
00:25:45.079 --> 00:25:47.480
<v Speaker 6>all had an obsession with Tibet.

468
00:25:48.079 --> 00:25:53.440
<v Speaker 4>Don't forget Rich peg. The list goes on, right, the

469
00:25:53.480 --> 00:25:54.079
<v Speaker 4>list goes.

470
00:25:53.960 --> 00:25:57.559
<v Speaker 6>On, Yes, there is.

471
00:25:57.079 --> 00:26:00.200
<v Speaker 4>A strange fascination with the you know it.

472
00:26:00.680 --> 00:26:07.319
<v Speaker 2>Well, I'll add this because obviously I practice Paultreana, so

473
00:26:07.759 --> 00:26:10.960
<v Speaker 2>I will say it's it's sorcery. I mean, like, if

474
00:26:11.000 --> 00:26:13.000
<v Speaker 2>you're interested in magic, it's a it's a really great

475
00:26:13.039 --> 00:26:17.279
<v Speaker 2>system and it combined Buddhist but it's all Buddhist ideas,

476
00:26:17.319 --> 00:26:20.400
<v Speaker 2>so you're not really June in wizards, right, So you're

477
00:26:20.440 --> 00:26:24.640
<v Speaker 2>you're using your mind, You're using the conceptual ideas of sorcery,

478
00:26:24.920 --> 00:26:27.839
<v Speaker 2>especially like that. You know, every we always laugh, I

479
00:26:27.880 --> 00:26:31.759
<v Speaker 2>always tease, like the dharma practitioners who aren't Asian because

480
00:26:31.759 --> 00:26:35.079
<v Speaker 2>obviously I'm half half, so we call them Westoid. So

481
00:26:35.079 --> 00:26:37.319
<v Speaker 2>I'm just gonna use that really quickly. But it's not

482
00:26:37.400 --> 00:26:39.400
<v Speaker 2>in a pejorative but there.

483
00:26:39.319 --> 00:26:41.240
<v Speaker 4>Is sounds like it, Bro, what are you talking about

484
00:26:41.640 --> 00:26:42.440
<v Speaker 4>that pejorative?

485
00:26:43.079 --> 00:26:46.039
<v Speaker 2>Well, it's because I'm a west Joy too, really, right,

486
00:26:46.119 --> 00:26:47.480
<v Speaker 2>because like you know.

487
00:26:48.519 --> 00:26:50.079
<v Speaker 4>Your self identified Westwood.

488
00:26:50.279 --> 00:26:52.680
<v Speaker 5>It just sounds it sounds like a negative you know,

489
00:26:52.880 --> 00:26:55.079
<v Speaker 5>some sort of negative derogatory statement.

490
00:26:55.160 --> 00:26:58.079
<v Speaker 12>Right, you're absolutely, But I think that we I think

491
00:26:58.119 --> 00:27:00.279
<v Speaker 12>that I like the idea that it could be like

492
00:27:01.200 --> 00:27:03.599
<v Speaker 12>you could say the word is like just a vessel

493
00:27:04.000 --> 00:27:06.559
<v Speaker 12>that it can contain, like any idea that we want.

494
00:27:06.640 --> 00:27:09.799
<v Speaker 2>So I'm like being very discordion I guess, but felf

495
00:27:09.799 --> 00:27:11.000
<v Speaker 2>preferentially using it.

496
00:27:11.480 --> 00:27:13.039
<v Speaker 4>I'm not gonna lie to you. Jen you could convince

497
00:27:13.039 --> 00:27:14.799
<v Speaker 4>me you just made that word up. I have no idea.

498
00:27:14.839 --> 00:27:15.720
<v Speaker 4>I have the first time I've.

499
00:27:15.559 --> 00:27:19.519
<v Speaker 2>Ever heard it, so it's very online. It's very like

500
00:27:19.640 --> 00:27:23.519
<v Speaker 2>probably is it ken it isn't keno? Keino?

501
00:27:23.759 --> 00:27:26.839
<v Speaker 5>It definitely that word too recently, I still haven't really

502
00:27:26.880 --> 00:27:27.680
<v Speaker 5>grasped the concept.

503
00:27:27.680 --> 00:27:29.160
<v Speaker 4>That's why I have to keep asking, is that keno?

504
00:27:29.400 --> 00:27:29.559
<v Speaker 2>You know?

505
00:27:29.759 --> 00:27:29.799
<v Speaker 8>So?

506
00:27:29.839 --> 00:27:32.039
<v Speaker 2>You know you always say it's like it's true keino.

507
00:27:32.240 --> 00:27:34.160
<v Speaker 2>That's the real that's the real way to do it.

508
00:27:34.160 --> 00:27:36.640
<v Speaker 2>And if you're really cool like me, you do the

509
00:27:36.880 --> 00:27:39.240
<v Speaker 2>U you do with a V, so you do like

510
00:27:39.359 --> 00:27:42.440
<v Speaker 2>true keino but it's all lowercase, and then you do

511
00:27:42.519 --> 00:27:44.000
<v Speaker 2>like ko ki n o.

512
00:27:46.240 --> 00:27:47.960
<v Speaker 5>I appreciate, but I'm not sure if I'm any closer

513
00:27:47.960 --> 00:27:49.720
<v Speaker 5>to understanding what is or is not keno.

514
00:27:49.880 --> 00:27:51.920
<v Speaker 4>So I probably can contain to ask these.

515
00:27:51.839 --> 00:27:56.079
<v Speaker 2>Questions that it just means. Is it really aesthetic? Is

516
00:27:56.119 --> 00:28:00.759
<v Speaker 2>it beautiful? Is it like capturing? I kind of the

517
00:28:00.880 --> 00:28:03.000
<v Speaker 2>light has to be captured in a specific way. You

518
00:28:03.000 --> 00:28:06.119
<v Speaker 2>can almost say a realistic way. There's like filtered through,

519
00:28:06.240 --> 00:28:10.319
<v Speaker 2>like layers of maybe their gradients of color on the screen.

520
00:28:10.359 --> 00:28:12.920
<v Speaker 2>So it's like anything that's really beautiful, like a sunset,

521
00:28:12.960 --> 00:28:14.720
<v Speaker 2>can be very key. Now that doesn't have to be

522
00:28:14.799 --> 00:28:15.519
<v Speaker 2>on the screen.

523
00:28:16.079 --> 00:28:18.799
<v Speaker 5>I think I'd be cracking. I have a very keynote

524
00:28:18.839 --> 00:28:20.720
<v Speaker 5>scene on deck here force in a few minutes from

525
00:28:20.759 --> 00:28:22.400
<v Speaker 5>the film. I think, I think when I bring it up,

526
00:28:22.440 --> 00:28:26.599
<v Speaker 5>I think you'll know what I'm talking about. So this

527
00:28:26.920 --> 00:28:30.559
<v Speaker 5>the film goes into bed right, so we already automatically

528
00:28:30.680 --> 00:28:32.759
<v Speaker 5>right at the start of the film, we see this

529
00:28:32.880 --> 00:28:36.519
<v Speaker 5>Tibetan Buddhism is the is the root of this the

530
00:28:36.559 --> 00:28:38.359
<v Speaker 5>story with this this young child.

531
00:28:38.160 --> 00:28:40.400
<v Speaker 4>Right they you know, they're they're they're.

532
00:28:42.160 --> 00:28:44.240
<v Speaker 5>He's hanging out in the temple right when we get

533
00:28:44.599 --> 00:28:47.279
<v Speaker 5>when he gets uh, what do we call it kidnapped

534
00:28:47.319 --> 00:28:47.960
<v Speaker 5>or budden apped?

535
00:28:47.960 --> 00:28:48.680
<v Speaker 4>What do we calling this?

536
00:28:49.559 --> 00:28:50.599
<v Speaker 6>Yeah, kidnapped?

537
00:28:52.440 --> 00:28:54.799
<v Speaker 4>It's not a Buddha alert on everyone's cell phones.

538
00:28:57.519 --> 00:28:58.519
<v Speaker 6>Golden napped?

539
00:29:00.640 --> 00:29:04.279
<v Speaker 4>Well, get my deities mixed up? Jen is it not

540
00:29:04.279 --> 00:29:05.440
<v Speaker 4>at alert?

541
00:29:06.319 --> 00:29:08.720
<v Speaker 2>He you could say he's a he's like a Tolku

542
00:29:10.400 --> 00:29:14.559
<v Speaker 2>which Tolku is like a reincarnated lama. It's like a

543
00:29:14.640 --> 00:29:18.160
<v Speaker 2>lama from a previous rebirth or or a saint or

544
00:29:18.200 --> 00:29:23.400
<v Speaker 2>a Maha sitter or an accomplished master. And so not

545
00:29:23.480 --> 00:29:26.319
<v Speaker 2>all schools of Tibetan Buddhism believe in it, but this

546
00:29:26.559 --> 00:29:29.200
<v Speaker 2>film in particular is very syncretic. Now it is really

547
00:29:29.200 --> 00:29:33.640
<v Speaker 2>important to know that the consultant Ken McLeod wrote a

548
00:29:34.119 --> 00:29:37.680
<v Speaker 2>like it's famous in Badriana circle, so he wrote the

549
00:29:37.720 --> 00:29:41.640
<v Speaker 2>Magic of Adriana, so he he gets it. He even

550
00:29:41.680 --> 00:29:44.079
<v Speaker 2>says like I have the wisdom and understanding, like he

551
00:29:44.279 --> 00:29:47.200
<v Speaker 2>that's the exact words he uses. So he gets it,

552
00:29:47.279 --> 00:29:50.440
<v Speaker 2>like he's like he's in that clear view whatever he

553
00:29:50.559 --> 00:29:53.000
<v Speaker 2>calls it like a lot of the time anyway, So

554
00:29:53.359 --> 00:29:57.759
<v Speaker 2>he he did not train in the specific school that

555
00:30:00.160 --> 00:30:03.960
<v Speaker 2>this is excuse me, sorry, that believes in Tolku's but

556
00:30:04.480 --> 00:30:07.680
<v Speaker 2>obviously it's drawing from multiple different schools of Buddhism. So

557
00:30:07.720 --> 00:30:09.559
<v Speaker 2>you can see this in the first scene with the

558
00:30:09.759 --> 00:30:13.200
<v Speaker 2>yellow hats, so this is the majority sect. This is

559
00:30:13.240 --> 00:30:16.359
<v Speaker 2>the Golucus school. So when they're wearing the yellow tall

560
00:30:16.440 --> 00:30:21.599
<v Speaker 2>yellow hats, that signifies usually what school they belong to.

561
00:30:22.200 --> 00:30:24.480
<v Speaker 2>And it's also interesting to note that the Yellow Hats,

562
00:30:24.680 --> 00:30:29.200
<v Speaker 2>the Yellow Hat Shamans are also a faction of Shamans

563
00:30:29.200 --> 00:30:32.119
<v Speaker 2>in Mongolia. So a lot of this has like Mongolian

564
00:30:32.720 --> 00:30:35.599
<v Speaker 2>kind of like CenTra. It's very Central Asian the whole thing.

565
00:30:35.640 --> 00:30:38.319
<v Speaker 2>It's not just Tibetan, Like Tibet used to be a

566
00:30:38.440 --> 00:30:42.319
<v Speaker 2>huge empire right at one time. So that's why it's

567
00:30:42.519 --> 00:30:46.039
<v Speaker 2>kind of like it was a large land like that

568
00:30:46.240 --> 00:30:53.279
<v Speaker 2>range really from Mongolia, Manchuria well into almost Western Asia.

569
00:30:53.400 --> 00:30:56.759
<v Speaker 5>So is this a yellow Hats you speak of anything

570
00:30:56.799 --> 00:31:00.960
<v Speaker 5>new with the Yellow Dragons, Well, it is interesting the

571
00:31:01.000 --> 00:31:05.559
<v Speaker 5>gang we see later in the film, it certainly could have.

572
00:31:06.559 --> 00:31:09.279
<v Speaker 4>You know, Temmy Tongks runs a place down at the restaurant.

573
00:31:11.359 --> 00:31:14.000
<v Speaker 2>Well, there's is clearly like an overlap. I think I

574
00:31:14.039 --> 00:31:17.039
<v Speaker 2>think there's like a motif like dragons are not they're

575
00:31:17.160 --> 00:31:21.720
<v Speaker 2>they're they're usually auspicious, meaning like lucky, so they're not inauspicious,

576
00:31:21.720 --> 00:31:24.039
<v Speaker 2>but there are a symbol of like power and strength,

577
00:31:24.559 --> 00:31:27.079
<v Speaker 2>and so yeah, dragons, and so.

578
00:31:26.960 --> 00:31:28.759
<v Speaker 4>We've got a lot of dragons here to I don't.

579
00:31:28.599 --> 00:31:30.880
<v Speaker 2>We a lot of naugas for sure.

580
00:31:31.559 --> 00:31:36.680
<v Speaker 4>You even have a half dragon half lady, right, Yeah, there.

581
00:31:36.480 --> 00:31:40.279
<v Speaker 6>Is one Well, you know what it reminded me of actually,

582
00:31:40.440 --> 00:31:45.799
<v Speaker 6>just hearing Gin talk about it a little bit, I'm

583
00:31:45.880 --> 00:31:51.960
<v Speaker 6>like halfway retarded when it comes to like anything other

584
00:31:52.039 --> 00:31:55.480
<v Speaker 6>than just like the basics of like Buddhism, this that

585
00:31:55.599 --> 00:31:58.200
<v Speaker 6>like I studied, like the surface level of stuff. But

586
00:31:58.240 --> 00:32:01.319
<v Speaker 6>what it reminded me of was, did you ever watch

587
00:32:01.359 --> 00:32:05.400
<v Speaker 6>Avatar The Last Airbender? And it's like this kid that

588
00:32:05.480 --> 00:32:09.440
<v Speaker 6>keeps getting reincarnated and he's got like all the power

589
00:32:09.759 --> 00:32:12.640
<v Speaker 6>and they have to train him and he's born every

590
00:32:12.720 --> 00:32:15.519
<v Speaker 6>like one hundred years or something like that. It reminded

591
00:32:15.519 --> 00:32:17.799
<v Speaker 6>me a lot of the story of the Golden Child.

592
00:32:17.880 --> 00:32:20.920
<v Speaker 6>For anybody else who watched that show. I liked it

593
00:32:20.960 --> 00:32:23.519
<v Speaker 6>when it was like a nineties Nickelodeon thing.

594
00:32:24.200 --> 00:32:30.960
<v Speaker 2>Yeah I'm doing right now, Julia, that's so really yeah,

595
00:32:30.960 --> 00:32:33.400
<v Speaker 2>But yeah, that is what he is. That's a very

596
00:32:33.440 --> 00:32:35.799
<v Speaker 2>good understanding of like he's an Airbender.

597
00:32:36.640 --> 00:32:37.759
<v Speaker 1>He's he's like a.

598
00:32:37.759 --> 00:32:41.319
<v Speaker 2>Rebirth of someone who had you could say, quote unquote

599
00:32:41.359 --> 00:32:45.039
<v Speaker 2>magical powers. We would call them like cities or like

600
00:32:45.119 --> 00:32:49.680
<v Speaker 2>spiritual accomplishments more than magic powers. And so he's reincarnated

601
00:32:49.680 --> 00:32:53.400
<v Speaker 2>into a Golden Child. So that's worth exploring. But I'll

602
00:32:53.440 --> 00:32:55.720
<v Speaker 2>let I'll let you decide where you want to take

603
00:32:55.720 --> 00:32:58.440
<v Speaker 2>a JJ, but I'm ready with that when you want

604
00:32:58.440 --> 00:32:58.960
<v Speaker 2>to go there.

605
00:32:59.599 --> 00:33:01.480
<v Speaker 5>Yeah, well we'll get back for sure. I appreciate that, Jim.

606
00:33:01.480 --> 00:33:03.880
<v Speaker 5>We'll get back to Tibet and chronological order from the film.

607
00:33:03.880 --> 00:33:06.359
<v Speaker 5>I think because they kidnapped, we don't really understand who

608
00:33:06.359 --> 00:33:09.559
<v Speaker 5>this child is, the Golden Child, right, we just see him.

609
00:33:09.759 --> 00:33:10.279
<v Speaker 4>We go there.

610
00:33:10.279 --> 00:33:12.319
<v Speaker 5>It starts off into Bet like you point out, Julia,

611
00:33:12.799 --> 00:33:14.880
<v Speaker 5>and then this kid gets kid he gets booed and

612
00:33:14.960 --> 00:33:19.720
<v Speaker 5>apt and then next thing you know, he's in Los.

613
00:33:19.519 --> 00:33:25.400
<v Speaker 6>Angeles and that's where we get introduced to Chandler Jerrell,

614
00:33:26.680 --> 00:33:33.480
<v Speaker 6>who is Eddie Murphy. And yeah, well I do have

615
00:33:33.599 --> 00:33:36.000
<v Speaker 6>a just I like to point out though, some of

616
00:33:36.039 --> 00:33:38.319
<v Speaker 6>the funniest parts in the movie as we go along

617
00:33:38.839 --> 00:33:42.359
<v Speaker 6>and the opening of you know, it shows like the

618
00:33:42.359 --> 00:33:45.200
<v Speaker 6>Hollywood sign and you know, like, okay, we're no longer

619
00:33:45.200 --> 00:33:47.880
<v Speaker 6>in Tibet, this is the transition. Now we're in Hollywood,

620
00:33:48.440 --> 00:33:51.319
<v Speaker 6>and it just shows him walking down the street and

621
00:33:51.480 --> 00:33:56.400
<v Speaker 6>he comes up behind a guy reading chunky Asses at.

622
00:33:56.240 --> 00:34:02.480
<v Speaker 5>The Yeah, we don't have those anywhere doing the old newstands, right.

623
00:34:04.680 --> 00:34:06.720
<v Speaker 6>I just thought I've always thought that was one of

624
00:34:06.759 --> 00:34:12.719
<v Speaker 6>the funniest parts of the movie. He's like ass pie, right.

625
00:34:17.519 --> 00:34:19.280
<v Speaker 1>I was like, yo, when I watched it recently, I

626
00:34:19.320 --> 00:34:19.559
<v Speaker 1>was like.

627
00:34:19.480 --> 00:34:22.800
<v Speaker 6>I don't remember that, chunky asses.

628
00:34:23.000 --> 00:34:24.039
<v Speaker 1>Yeah, I didn't remember that.

629
00:34:27.559 --> 00:34:32.159
<v Speaker 6>Because this is the moment where we first meet Chandler Jerrol.

630
00:34:32.400 --> 00:34:35.559
<v Speaker 6>I have in my notes here. I looked at all

631
00:34:35.599 --> 00:34:38.440
<v Speaker 6>the names, but this is the only name that kind

632
00:34:38.440 --> 00:34:44.599
<v Speaker 6>of stood out to me, Chandler. That name means candle maker,

633
00:34:45.039 --> 00:34:48.480
<v Speaker 6>so I don't know if that's significant, but maybe. But

634
00:34:48.639 --> 00:34:54.039
<v Speaker 6>his last name, Jerrel means spear ruler or rule by

635
00:34:54.119 --> 00:34:58.119
<v Speaker 6>the spear. So we have two different things that kind

636
00:34:58.119 --> 00:35:01.199
<v Speaker 6>of make sense for why his name might be Chandler

637
00:35:01.679 --> 00:35:05.280
<v Speaker 6>Jerrel because he's like the chosen one. Maybe he's like

638
00:35:05.360 --> 00:35:08.000
<v Speaker 6>the light in the dark place. He's you know, the

639
00:35:08.079 --> 00:35:11.559
<v Speaker 6>candle and then he's the spear ruler. And then we

640
00:35:11.639 --> 00:35:14.559
<v Speaker 6>get in we see this spear later on in the movie.

641
00:35:15.599 --> 00:35:19.000
<v Speaker 6>But yeah, I think, you know, even down to the names,

642
00:35:19.239 --> 00:35:22.920
<v Speaker 6>you can kind of pull cool stuff.

643
00:35:22.599 --> 00:35:23.119
<v Speaker 4>Out of that.

644
00:35:25.000 --> 00:35:28.000
<v Speaker 2>So to payback or to riff, I'll call it riffing

645
00:35:28.039 --> 00:35:32.320
<v Speaker 2>if and but it was a great point. And so

646
00:35:32.480 --> 00:35:35.440
<v Speaker 2>the spear wielding thing is really interesting because I also

647
00:35:35.519 --> 00:35:38.480
<v Speaker 2>noted that, and because that is the golden child. So

648
00:35:38.599 --> 00:35:42.119
<v Speaker 2>in especially in theosophy, so the golden child is based

649
00:35:42.159 --> 00:35:44.920
<v Speaker 2>off of the Puranic figure. So when I'm saying Piranhas,

650
00:35:44.960 --> 00:35:50.719
<v Speaker 2>that's a kind of Hindu scripture that was written between

651
00:35:51.119 --> 00:35:55.079
<v Speaker 2>about the first century eighty till about the tenth century. See,

652
00:35:55.679 --> 00:35:59.079
<v Speaker 2>so these aren't the vitas, but this is what more,

653
00:35:59.320 --> 00:36:02.440
<v Speaker 2>this is what my Hinduism really is based on. So

654
00:36:02.519 --> 00:36:06.039
<v Speaker 2>what people call Hinduism now is not really Vedic. It's

655
00:36:06.119 --> 00:36:09.239
<v Speaker 2>really based on Kuranas, which is fine, nothing wrong with that.

656
00:36:09.599 --> 00:36:15.360
<v Speaker 2>So there's a Shiva, so everybody knows Shiva. He's he's blue,

657
00:36:15.559 --> 00:36:19.039
<v Speaker 2>he's ferocious, he has three lines on his forehead. They

658
00:36:19.079 --> 00:36:22.320
<v Speaker 2>worship him usually with a lingam, meaning like it's kind

659
00:36:22.320 --> 00:36:25.880
<v Speaker 2>of a phallic stone. Anyways, he has a son with

660
00:36:26.000 --> 00:36:29.280
<v Speaker 2>his wife, whose name is Shokti sometimes, and they have

661
00:36:29.320 --> 00:36:33.280
<v Speaker 2>a son named Kumara, which literally means the sun. So

662
00:36:33.400 --> 00:36:37.119
<v Speaker 2>he wields a spear in his right hand. Now, the

663
00:36:37.199 --> 00:36:39.880
<v Speaker 2>reason why he does this is very important because he

664
00:36:40.039 --> 00:36:44.920
<v Speaker 2>throws away the left hand texts into sort of the

665
00:36:44.920 --> 00:36:48.559
<v Speaker 2>primordial water where they get swallowed by a giant whale.

666
00:36:49.280 --> 00:36:54.800
<v Speaker 2>So there's an idea here that the kumara, so a

667
00:36:54.880 --> 00:36:58.679
<v Speaker 2>person who is thus reborn, but it's really an avatar

668
00:36:58.760 --> 00:37:03.280
<v Speaker 2>of this deity, can retrieve these left hand path texts,

669
00:37:03.360 --> 00:37:07.719
<v Speaker 2>thus unifying synthesizing you could say the world tree or

670
00:37:07.760 --> 00:37:12.880
<v Speaker 2>the universe or conceptual mind with like nonconceptual thinking. Like

671
00:37:12.960 --> 00:37:17.039
<v Speaker 2>it's like a theosophical kind of like christ consciousness sort

672
00:37:17.039 --> 00:37:19.159
<v Speaker 2>of idea, Like they're talking about it like it could

673
00:37:19.159 --> 00:37:21.639
<v Speaker 2>be literal, but then there's also an idea that it

674
00:37:21.639 --> 00:37:24.760
<v Speaker 2>could also be maybe just a process of consciousness.

675
00:37:25.880 --> 00:37:27.480
<v Speaker 4>Sure, sure.

676
00:37:29.079 --> 00:37:31.800
<v Speaker 5>You again, what's this theosophical stuff? You guys keep coming on?

677
00:37:31.840 --> 00:37:32.639
<v Speaker 5>I saw you shake your head?

678
00:37:32.719 --> 00:37:34.800
<v Speaker 4>Nick? What was this? What's all this business about?

679
00:37:35.599 --> 00:37:37.840
<v Speaker 1>And I just thought that was interesting getting into narcissism.

680
00:37:38.960 --> 00:37:41.079
<v Speaker 4>Yeah, what do you think it's interesting about that?

681
00:37:41.880 --> 00:37:44.280
<v Speaker 1>So thinking about covering that myself recently.

682
00:37:45.320 --> 00:37:47.440
<v Speaker 4>What do you think about it? That's interesting?

683
00:37:47.599 --> 00:37:49.880
<v Speaker 5>Let's say to the story here, the narrative of the

684
00:37:49.920 --> 00:37:53.920
<v Speaker 5>tales of the Golden Child, you know, the a cult

685
00:37:54.000 --> 00:37:57.119
<v Speaker 5>understanding of these things, right, because that is this concept

686
00:37:57.119 --> 00:38:04.719
<v Speaker 5>of a golden child, is that in the theosophical folklore talking.

687
00:38:05.639 --> 00:38:08.519
<v Speaker 1>Well, this stuff is I would think the.

688
00:38:09.000 --> 00:38:13.800
<v Speaker 2>Jin Well, it's definitely in theosophy, like it's sheep bulbots.

689
00:38:13.880 --> 00:38:16.599
<v Speaker 2>He's definitely Alice Bailey definitely talks about it like Nick

690
00:38:16.679 --> 00:38:19.559
<v Speaker 2>suit Golden right, Yeah, and there's a it's a gnostic

691
00:38:19.639 --> 00:38:22.320
<v Speaker 2>idea too, it's the seth or the atom, although in

692
00:38:22.360 --> 00:38:25.400
<v Speaker 2>this case it's really the seth because Seth is the sun. Right.

693
00:38:25.920 --> 00:38:28.760
<v Speaker 2>So this is like a child, so they can't be generative,

694
00:38:29.239 --> 00:38:32.519
<v Speaker 2>meaning that like a father is a fully masculine force,

695
00:38:32.599 --> 00:38:37.000
<v Speaker 2>he's generative, but a son isn't necessarily generative depending on

696
00:38:37.000 --> 00:38:40.679
<v Speaker 2>their age. So that's why they that's why they call

697
00:38:40.719 --> 00:38:44.079
<v Speaker 2>it a child. So I mean when when you guys

698
00:38:44.079 --> 00:38:47.199
<v Speaker 2>have covered like the you know, we always talk about

699
00:38:47.280 --> 00:38:50.320
<v Speaker 2>archetypes and how it's so important in magic that people

700
00:38:50.320 --> 00:38:54.119
<v Speaker 2>embody certain traits. While child can be both male and female.

701
00:38:54.159 --> 00:38:57.639
<v Speaker 2>In a way, it's heard they're hermetic by themselves because

702
00:38:57.639 --> 00:39:00.559
<v Speaker 2>they're non generative because they're a child. So it's kind

703
00:39:00.599 --> 00:39:03.159
<v Speaker 2>of like the perfect vessel if you want to think

704
00:39:03.159 --> 00:39:06.000
<v Speaker 2>of it in a really theosophical way. The golden vessel

705
00:39:06.239 --> 00:39:08.840
<v Speaker 2>is like if you look at Catholic images. I've talked

706
00:39:08.840 --> 00:39:12.280
<v Speaker 2>to Nick about this million times, but like the Sacred

707
00:39:12.280 --> 00:39:15.079
<v Speaker 2>Heart images, I've talked to you JJ million times about this,

708
00:39:15.119 --> 00:39:18.119
<v Speaker 2>But the sacred Heart image is the perfect idea of it.

709
00:39:18.119 --> 00:39:21.400
<v Speaker 2>It's the golden heart. So that's the golden vessel, the

710
00:39:21.440 --> 00:39:25.599
<v Speaker 2>golden child, and the kumara. So the idea is that

711
00:39:25.639 --> 00:39:26.000
<v Speaker 2>you have.

712
00:39:26.159 --> 00:39:27.960
<v Speaker 4>You're talking like a rosen Krucian heart. Does that ever

713
00:39:28.079 --> 00:39:28.519
<v Speaker 4>come on the roads?

714
00:39:28.920 --> 00:39:33.239
<v Speaker 2>Very similar? It's all very interrelated, like there's a I

715
00:39:33.320 --> 00:39:35.960
<v Speaker 2>think there's deep connections to all these things. I mean,

716
00:39:36.000 --> 00:39:39.360
<v Speaker 2>I personally look at everything more axial or I don't

717
00:39:39.440 --> 00:39:43.519
<v Speaker 2>like the word perennial, but sometimes people understand what I'm

718
00:39:43.559 --> 00:39:46.599
<v Speaker 2>talking about. What if I call it that? So yeah,

719
00:39:46.599 --> 00:39:49.519
<v Speaker 2>I think they're all interrelated, and I think theosophy's lifting

720
00:39:49.920 --> 00:39:52.840
<v Speaker 2>like a superficial layer and they're making connections. I don't

721
00:39:52.880 --> 00:39:56.400
<v Speaker 2>all agree with them, but I don't fully discard it either,

722
00:39:56.440 --> 00:39:58.360
<v Speaker 2>because I think that they're also talking about something really

723
00:39:58.400 --> 00:40:02.360
<v Speaker 2>interesting and something also they are talking about like gnostic ideas,

724
00:40:02.519 --> 00:40:06.079
<v Speaker 2>but they're also ideas, and you know, they go beyond that.

725
00:40:06.159 --> 00:40:09.159
<v Speaker 2>There's obviously this whole film is about TNTRA, but you

726
00:40:09.199 --> 00:40:13.639
<v Speaker 2>could read it in a very sort of like theosophical

727
00:40:13.639 --> 00:40:16.199
<v Speaker 2>Buddhist kind of way, like a sort of mixture of

728
00:40:16.239 --> 00:40:19.000
<v Speaker 2>the two and that would totally make sense too. And

729
00:40:19.239 --> 00:40:22.239
<v Speaker 2>because there they all, all of them see this kind

730
00:40:22.280 --> 00:40:27.599
<v Speaker 2>of backdrop as very similar and obviously theosophy lays like

731
00:40:27.639 --> 00:40:31.199
<v Speaker 2>a kind of narrative groundwork for them to build off of. Now,

732
00:40:31.280 --> 00:40:34.559
<v Speaker 2>Ken McLeod was one of the who is the consultant

733
00:40:34.639 --> 00:40:37.000
<v Speaker 2>for this film, very famous dharma author.

734
00:40:37.639 --> 00:40:39.559
<v Speaker 4>Well, I can already he's a Scott's irishman.

735
00:40:40.280 --> 00:40:42.400
<v Speaker 2>He is, he is. He even has an accent JJ,

736
00:40:44.639 --> 00:40:48.360
<v Speaker 2>but he he is. He was one of the last

737
00:40:48.519 --> 00:40:51.960
<v Speaker 2>people to be trained in the pre modern Tibetan way.

738
00:40:52.840 --> 00:40:56.239
<v Speaker 2>So he was like, there aren't very many teachers that

739
00:40:56.320 --> 00:41:00.320
<v Speaker 2>were trained like that, like before the advent of like selfans,

740
00:41:00.320 --> 00:41:04.400
<v Speaker 2>Like his teacher didn't even know what those things really were.

741
00:41:05.000 --> 00:41:08.599
<v Speaker 5>They were told it was more of a genuine source

742
00:41:08.639 --> 00:41:12.199
<v Speaker 5>instead of a kind of the bastardization of some of

743
00:41:12.239 --> 00:41:12.760
<v Speaker 5>the concepts.

744
00:41:12.800 --> 00:41:13.559
<v Speaker 4>I suppose what you're.

745
00:41:13.400 --> 00:41:16.199
<v Speaker 2>Saying right right, So he is drawing from like a

746
00:41:16.239 --> 00:41:20.480
<v Speaker 2>real layer. Now he as most vet Buddhists are open

747
00:41:20.599 --> 00:41:26.159
<v Speaker 2>to looking at seeds and other places, but it requires

748
00:41:26.199 --> 00:41:29.360
<v Speaker 2>a high degree of discernment, just like it would in

749
00:41:29.400 --> 00:41:32.280
<v Speaker 2>a cabalistic way. So you the whole idea is like

750
00:41:32.360 --> 00:41:36.039
<v Speaker 2>rectify the words as they are or as you make them.

751
00:41:36.599 --> 00:41:38.920
<v Speaker 2>And so I'm saying words and I know that's kind

752
00:41:38.920 --> 00:41:42.000
<v Speaker 2>of meta, but the words are really important. And so

753
00:41:42.039 --> 00:41:44.360
<v Speaker 2>this comes up a lot in the film obviously, because

754
00:41:44.400 --> 00:41:48.039
<v Speaker 2>you see like the sigils, the tan seed syllables, you

755
00:41:48.079 --> 00:41:51.800
<v Speaker 2>see soundscript writing covering the walls. Obviously this is like,

756
00:41:52.199 --> 00:41:54.679
<v Speaker 2>this is a big part of Buddhist magic is the word.

757
00:41:54.960 --> 00:41:57.039
<v Speaker 2>So you can even hear right away. There's even a

758
00:41:57.079 --> 00:42:01.280
<v Speaker 2>relationship with Christianity. So there's no there's really there's something

759
00:42:01.360 --> 00:42:04.440
<v Speaker 2>similar between all the different kinds of magic, because that's

760
00:42:04.440 --> 00:42:05.199
<v Speaker 2>really all it is.

761
00:42:05.800 --> 00:42:07.760
<v Speaker 5>Sure, No, I have a couple I have a couple

762
00:42:07.760 --> 00:42:09.840
<v Speaker 5>of scenes with some of that the schedules you're talking about,

763
00:42:10.320 --> 00:42:12.440
<v Speaker 5>we can see some of that stuff. I know what

764
00:42:12.480 --> 00:42:14.639
<v Speaker 5>you mean, Julie about the names and stuff. I definitely

765
00:42:14.679 --> 00:42:17.960
<v Speaker 5>agree with you. One of the weird names in this film, though,

766
00:42:18.599 --> 00:42:21.440
<v Speaker 5>is the the valain here that the demon devil fellow

767
00:42:21.440 --> 00:42:23.599
<v Speaker 5>old Sardo Numsa right?

768
00:42:26.519 --> 00:42:26.800
<v Speaker 4>Does that?

769
00:42:26.960 --> 00:42:29.159
<v Speaker 5>Does that name have any gnostic meanings? In this Golden

770
00:42:29.199 --> 00:42:31.199
<v Speaker 5>Child references? Nick, what do you what is his name?

771
00:42:31.199 --> 00:42:33.920
<v Speaker 5>What do you make of the name Sardo Numsa?

772
00:42:35.000 --> 00:42:38.480
<v Speaker 1>One thing I did look up is specifically with that name,

773
00:42:38.599 --> 00:42:44.159
<v Speaker 1>is that him's his name in Chandler Jerrell, both equal

774
00:42:44.239 --> 00:42:48.239
<v Speaker 1>the same, both equal one English Jamatra.

775
00:42:50.840 --> 00:42:51.719
<v Speaker 4>Oh that's interesting.

776
00:42:51.800 --> 00:42:53.800
<v Speaker 2>Yeah, that was interesting.

777
00:42:54.519 --> 00:42:57.119
<v Speaker 5>Yeah, some deep trimatria there in comparison thing, because that's

778
00:42:57.119 --> 00:42:59.960
<v Speaker 5>a that's a weird ass name, right, Sardo numsa.

779
00:43:00.880 --> 00:43:03.280
<v Speaker 1>Real real quick just to like even get some of

780
00:43:03.320 --> 00:43:07.639
<v Speaker 1>my stuff out that. Yeah, you're talking. There's just certain

781
00:43:07.719 --> 00:43:09.199
<v Speaker 1>things that got brought up that I want to try

782
00:43:09.280 --> 00:43:14.760
<v Speaker 1>to cover. When you mentioned the I guess theosophy I

783
00:43:14.840 --> 00:43:17.519
<v Speaker 1>started one of the things. The reason for that that

784
00:43:17.559 --> 00:43:20.159
<v Speaker 1>piqued my interest is because I do think this movie

785
00:43:20.199 --> 00:43:25.800
<v Speaker 1>has Cabbalistic attributes to it, and I do think if

786
00:43:25.800 --> 00:43:29.199
<v Speaker 1>you're into that, if you're into the Hamitic Kabala, especially

787
00:43:29.199 --> 00:43:31.960
<v Speaker 1>like put put it this way, if you're into Thalima

788
00:43:32.920 --> 00:43:35.719
<v Speaker 1>or kind of like looking at the way Crowley would

789
00:43:35.760 --> 00:43:38.639
<v Speaker 1>do stuff, you'll pull from different areas. So it's like

790
00:43:39.199 --> 00:43:43.159
<v Speaker 1>you could use Buddhism as an image because you can

791
00:43:43.199 --> 00:43:46.280
<v Speaker 1>still convey the message with the way things match up

792
00:43:46.320 --> 00:43:49.599
<v Speaker 1>on the Tree of life, you know, hermetically and cabbalistically.

793
00:43:50.559 --> 00:43:53.920
<v Speaker 1>So I do think like you could you know, be

794
00:43:55.000 --> 00:43:56.679
<v Speaker 1>you could be using the Tree of life and using

795
00:43:56.679 --> 00:44:00.920
<v Speaker 1>Norse gods to tell the story or Greek gods the story. Sure,

796
00:44:01.159 --> 00:44:01.800
<v Speaker 1>it doesn't matter.

797
00:44:01.840 --> 00:44:04.880
<v Speaker 6>I put that in my notes to Nick. I think

798
00:44:05.000 --> 00:44:06.199
<v Speaker 6>the exact same.

799
00:44:06.000 --> 00:44:09.159
<v Speaker 1>Thing, and I do think what you're saying, yeah, And

800
00:44:09.199 --> 00:44:10.159
<v Speaker 1>I do think it might.

801
00:44:10.039 --> 00:44:16.880
<v Speaker 5>Be today starring Keanu Reeves inspired possibly itself like the movie.

802
00:44:18.039 --> 00:44:20.119
<v Speaker 1>And one of the reasons is yeah. And one of

803
00:44:20.119 --> 00:44:23.559
<v Speaker 1>the reasons yeah, why I wanted to mention that you

804
00:44:23.639 --> 00:44:25.880
<v Speaker 1>had mentioned it, you know, Jin had mentioned it earlier,

805
00:44:25.880 --> 00:44:27.320
<v Speaker 1>and I was like, fuck it. Maybe I should have

806
00:44:27.360 --> 00:44:29.840
<v Speaker 1>just got my Jamatrius stuff off at the beginning, because

807
00:44:29.840 --> 00:44:32.760
<v Speaker 1>sometimes it can get boring. But he called me missed

808
00:44:32.760 --> 00:44:35.480
<v Speaker 1>the ninety three and then thirty three. Golden Child in

809
00:44:35.519 --> 00:44:44.480
<v Speaker 1>English equals ninety three. It also Saturn, Vishnu moonshock, yeah

810
00:44:44.599 --> 00:44:48.199
<v Speaker 1>equals cash. But tell, I found this interesting, and I

811
00:44:48.199 --> 00:44:50.039
<v Speaker 1>tried telling people this, this is why people were so

812
00:44:50.119 --> 00:44:55.960
<v Speaker 1>obsessed with it. Hawked tua also equals ninety three. Uh

813
00:44:56.280 --> 00:45:01.519
<v Speaker 1>it really yeah, and out of distance of society and

814
00:45:01.599 --> 00:45:05.480
<v Speaker 1>Golden Child in Hebrew equals one to seventy. I found

815
00:45:05.480 --> 00:45:07.320
<v Speaker 1>that interesting. You still get a seventeen and then in

816
00:45:07.440 --> 00:45:09.840
<v Speaker 1>ninety three in the sense, and that does an equal

817
00:45:09.960 --> 00:45:12.880
<v Speaker 1>moon lamb of God in hand of God in April.

818
00:45:13.599 --> 00:45:16.199
<v Speaker 1>And do you find that interesting going with Golden Child

819
00:45:17.320 --> 00:45:18.320
<v Speaker 1>when it comes to.

820
00:45:18.400 --> 00:45:20.639
<v Speaker 4>With the what's the significance there with April and the

821
00:45:20.639 --> 00:45:21.280
<v Speaker 4>Golden Child?

822
00:45:21.800 --> 00:45:24.880
<v Speaker 1>Well, the golden child in my opinion, even when it

823
00:45:24.920 --> 00:45:29.719
<v Speaker 1>comes to you, Kabbala, this fhear of tifferent matches gold.

824
00:45:29.800 --> 00:45:31.960
<v Speaker 1>You know that's related with the sun. And the specific

825
00:45:32.039 --> 00:45:34.480
<v Speaker 1>image that you can even use for that is a child.

826
00:45:35.360 --> 00:45:38.360
<v Speaker 4>So I was gonna ask about images because what's going

827
00:45:38.400 --> 00:45:38.679
<v Speaker 4>on here?

828
00:45:38.760 --> 00:45:38.880
<v Speaker 13>Right?

829
00:45:39.400 --> 00:45:41.360
<v Speaker 4>Anyone interrupt you? But I feel like there's a lot

830
00:45:41.400 --> 00:45:42.400
<v Speaker 4>going on with this image.

831
00:45:42.920 --> 00:45:44.559
<v Speaker 6>I said the same thing.

832
00:45:45.639 --> 00:45:50.119
<v Speaker 2>It's really interesting, JJ, because you can say that throughout

833
00:45:50.119 --> 00:45:52.599
<v Speaker 2>the film they also refer to Eddie Murphy as the

834
00:45:52.719 --> 00:45:56.480
<v Speaker 2>chosen One. So who really is the Golden Child? Like,

835
00:45:56.559 --> 00:45:58.960
<v Speaker 2>who really is the Golden Child? Is it just like

836
00:45:58.960 --> 00:46:02.320
<v Speaker 2>a production out words? Is that with that little Asian

837
00:46:02.440 --> 00:46:05.480
<v Speaker 2>kid who is Filipino by the way, not even Tibetan, but.

838
00:46:06.199 --> 00:46:08.400
<v Speaker 4>And and not a boy, that's definitely girl.

839
00:46:09.840 --> 00:46:15.119
<v Speaker 2>Well, it's very hermetic, it feels it almost to me

840
00:46:15.760 --> 00:46:18.719
<v Speaker 2>is someone who's interested in like hermetic Kabala. It does

841
00:46:18.760 --> 00:46:23.079
<v Speaker 2>feel like a deliberate choice a girl who appears as

842
00:46:23.079 --> 00:46:23.480
<v Speaker 2>a boy.

843
00:46:24.079 --> 00:46:26.480
<v Speaker 4>Oh oh, I see now, I wasn't even thinking of that.

844
00:46:27.599 --> 00:46:29.840
<v Speaker 4>Nick Nicks checking his area. What do you all got on?

845
00:46:29.880 --> 00:46:30.559
<v Speaker 4>What do you all got on?

846
00:46:30.599 --> 00:46:34.000
<v Speaker 1>That would be very old like I mean even even

847
00:46:34.079 --> 00:46:36.360
<v Speaker 1>even the old man with you know, wiping the boogerund

848
00:46:36.360 --> 00:46:38.679
<v Speaker 1>his ship when he was outside with the dude, I

849
00:46:38.679 --> 00:46:40.800
<v Speaker 1>think was it at one point? Was he wearing like

850
00:46:40.920 --> 00:46:42.480
<v Speaker 1>orange at some point?

851
00:46:42.840 --> 00:46:44.840
<v Speaker 4>That's even want to watch it? I got that clip

852
00:46:44.880 --> 00:46:45.559
<v Speaker 4>right here to watch.

853
00:46:45.559 --> 00:46:46.960
<v Speaker 1>I would even say that's kind of like where a

854
00:46:47.000 --> 00:46:48.480
<v Speaker 1>jokes that would land to as well.

855
00:46:48.480 --> 00:46:50.519
<v Speaker 4>On hood he's a trickster character.

856
00:46:50.679 --> 00:46:53.000
<v Speaker 1>Yeah, well they already he's the magician. He's gone there

857
00:46:53.000 --> 00:46:54.800
<v Speaker 1>and come back. So he kind of realizes, like the

858
00:46:54.840 --> 00:46:56.119
<v Speaker 1>world is a joke to a sense.

859
00:46:57.119 --> 00:46:59.079
<v Speaker 5>This is the first this is the first time old

860
00:46:59.079 --> 00:47:03.440
<v Speaker 5>actual Acxule Foley meets this old wizard man Victor Wong.

861
00:47:04.079 --> 00:47:06.039
<v Speaker 4>But you're right, he does have some ore engine here.

862
00:47:06.079 --> 00:47:06.920
<v Speaker 4>I think he's got some red.

863
00:47:06.960 --> 00:47:09.039
<v Speaker 5>But which is it's kind of the same color as

864
00:47:09.039 --> 00:47:11.519
<v Speaker 5>I was thinking of this back background of this image.

865
00:47:11.280 --> 00:47:14.519
<v Speaker 1>Right of the left plor too that would be orange,

866
00:47:14.559 --> 00:47:15.960
<v Speaker 1>black and uh red.

867
00:47:17.400 --> 00:47:19.719
<v Speaker 5>Let's let's watch this this quick clip of when these

868
00:47:19.719 --> 00:47:21.360
<v Speaker 5>two meet in the film. It's quite comical.

869
00:47:23.840 --> 00:47:26.239
<v Speaker 4>Hey, wait a second, you took a hundred. You took

870
00:47:26.280 --> 00:47:28.159
<v Speaker 4>the hundred. No, that's no seed.

871
00:47:28.280 --> 00:47:31.840
<v Speaker 11>One dollar see one dollars for you see the George Washington.

872
00:47:32.199 --> 00:47:35.119
<v Speaker 11>That's Benjamin Franklin. That's not happening. You've just you got

873
00:47:35.119 --> 00:47:42.239
<v Speaker 11>the wrong money. Can I have my money back?

874
00:47:45.280 --> 00:47:45.960
<v Speaker 4>And you gave me the.

875
00:47:45.920 --> 00:47:46.920
<v Speaker 11>Wrong necklace too?

876
00:47:47.800 --> 00:47:49.440
<v Speaker 4>Breaking my hot ash wipe?

877
00:47:51.119 --> 00:47:54.159
<v Speaker 11>Well you speak English just fine, so a lot of it.

878
00:47:55.960 --> 00:47:58.119
<v Speaker 11>Hey listen, man, give me one hundred back, take this

879
00:47:58.159 --> 00:47:59.360
<v Speaker 11>dollar and take this to give me.

880
00:47:59.320 --> 00:48:02.639
<v Speaker 9>The right one monkey breath, puke face, eat of turtlesteime.

881
00:48:04.480 --> 00:48:07.679
<v Speaker 4>Uh, okay, tell you what, Just give me my shit.

882
00:48:07.800 --> 00:48:08.400
<v Speaker 3>You take your ship.

883
00:48:08.480 --> 00:48:09.519
<v Speaker 2>I watch Scotch Pocket.

884
00:48:09.760 --> 00:48:16.000
<v Speaker 4>Okay, you slick shit. Hits that Victor Wong, he's a character.

885
00:48:18.519 --> 00:48:20.320
<v Speaker 1>At some point when he's wearing his hat. I'm pretty

886
00:48:20.320 --> 00:48:22.039
<v Speaker 1>sure he's an orange, like an orange.

887
00:48:22.280 --> 00:48:23.800
<v Speaker 4>Yeah maybe in this side of the temple. I have that.

888
00:48:23.840 --> 00:48:24.719
<v Speaker 4>I have that clip as well.

889
00:48:24.760 --> 00:48:27.199
<v Speaker 5>He turns into a bird there right, which I don't

890
00:48:27.199 --> 00:48:29.159
<v Speaker 5>know all this bird stuff with the cultism or not

891
00:48:29.320 --> 00:48:33.199
<v Speaker 5>or any esoterically, but there's a bird guide in this film,

892
00:48:33.199 --> 00:48:34.960
<v Speaker 5>and then that dude turns into a bird at one point,

893
00:48:35.079 --> 00:48:36.400
<v Speaker 5>so I thought that was kind of strange.

894
00:48:36.559 --> 00:48:36.920
<v Speaker 1>You know what.

895
00:48:37.159 --> 00:48:40.719
<v Speaker 6>The first miracle though, that he performs at the very

896
00:48:40.800 --> 00:48:44.400
<v Speaker 6>beginning of the movie is resurrect it's a bird, the

897
00:48:44.519 --> 00:48:48.559
<v Speaker 6>dead parrot. But it's that parrot, the same parrot that

898
00:48:48.639 --> 00:48:54.079
<v Speaker 6>follows him throughout the movie that the Wong guy transforms into.

899
00:48:54.159 --> 00:48:57.400
<v Speaker 6>So he's actually the parrot from the beginning of the

900
00:48:57.440 --> 00:49:01.559
<v Speaker 6>movie because if you, yeah, if you notice, like right

901
00:49:01.639 --> 00:49:04.960
<v Speaker 6>as they kidnap him, that parrot fly out the door,

902
00:49:05.119 --> 00:49:07.519
<v Speaker 6>and then it follows him throughout the movie, and then

903
00:49:07.599 --> 00:49:11.639
<v Speaker 6>he turns into the little Asian guy at the market,

904
00:49:11.760 --> 00:49:14.159
<v Speaker 6>and that's the first time you realize the parrot is

905
00:49:14.199 --> 00:49:18.360
<v Speaker 6>actually this shaman guy's for lack of a better term,

906
00:49:18.440 --> 00:49:21.920
<v Speaker 6>but I was gonna say, it's interesting that they chose

907
00:49:21.960 --> 00:49:26.079
<v Speaker 6>a girl to play a boy in this movie, or

908
00:49:26.199 --> 00:49:29.599
<v Speaker 6>however you want to think about it, because and then

909
00:49:30.000 --> 00:49:35.519
<v Speaker 6>Jen said that she was Filipino and not even whatever

910
00:49:35.639 --> 00:49:41.119
<v Speaker 6>Tibetan or whatever there's whatever he's supposed to be. But

911
00:49:43.039 --> 00:49:46.960
<v Speaker 6>Night Shamalan did that same shit when he did the

912
00:49:47.000 --> 00:49:50.239
<v Speaker 6>live action version of Avatar the Last Airbender, because it

913
00:49:50.280 --> 00:49:54.199
<v Speaker 6>was supposed to be an Asian boy, and the cartoon

914
00:49:54.360 --> 00:49:59.320
<v Speaker 6>is like an Asian cartoon. I don't think it's Japanese,

915
00:49:59.400 --> 00:50:02.440
<v Speaker 6>but it might be. But anyways, he picked a white kid,

916
00:50:03.320 --> 00:50:08.119
<v Speaker 6>and he also changed the race of like all the

917
00:50:08.239 --> 00:50:14.119
<v Speaker 6>different tribes and like made one tribe like people from India,

918
00:50:14.159 --> 00:50:19.440
<v Speaker 6>and he made another tribe like all Caucasians. And he

919
00:50:19.559 --> 00:50:23.000
<v Speaker 6>basically took the idea and he like switched it all

920
00:50:23.079 --> 00:50:25.320
<v Speaker 6>up and made it weird, and people hated that because

921
00:50:25.360 --> 00:50:29.320
<v Speaker 6>it didn't follow the story like the cartoon. But I

922
00:50:29.360 --> 00:50:31.800
<v Speaker 6>do think it's interesting because it's like the same idea

923
00:50:31.840 --> 00:50:37.119
<v Speaker 6>of this Last Airbender, you know, the Avatar, and he's

924
00:50:37.159 --> 00:50:39.960
<v Speaker 6>supposed to be this and that he took the character,

925
00:50:40.119 --> 00:50:43.840
<v Speaker 6>made it a white kid, and then changed all the

926
00:50:43.880 --> 00:50:47.639
<v Speaker 6>other races throughout the tribes. So I don't know, it

927
00:50:47.679 --> 00:50:49.320
<v Speaker 6>could be significant in some way.

928
00:50:50.719 --> 00:50:56.559
<v Speaker 2>Yeah, right, yeah, for sure. I wanted that's a great point, Julia.

929
00:50:56.760 --> 00:50:59.000
<v Speaker 2>I want to just pick you out riff off that

930
00:50:59.239 --> 00:51:01.800
<v Speaker 2>and talk about the parrot for a moment. And this

931
00:51:01.880 --> 00:51:06.440
<v Speaker 2>is a really significant contric kind of bird because it

932
00:51:06.480 --> 00:51:08.360
<v Speaker 2>is one of the well in Tandre at least it

933
00:51:08.400 --> 00:51:10.280
<v Speaker 2>is considered to be the only bird that can mimic

934
00:51:10.360 --> 00:51:14.239
<v Speaker 2>human speech. So it is the if you want to

935
00:51:14.400 --> 00:51:16.599
<v Speaker 2>liken it to like a goddess that you can then

936
00:51:16.679 --> 00:51:20.719
<v Speaker 2>google or look up an image of her. It's called Matongi. Interestingly,

937
00:51:20.840 --> 00:51:25.119
<v Speaker 2>the rap artist Mia also had an album called Matonghi.

938
00:51:25.400 --> 00:51:29.559
<v Speaker 2>So it is the goddess who is very tiphoretic. So

939
00:51:29.719 --> 00:51:33.239
<v Speaker 2>there's another tipperatic element actually in the naga kanya. So

940
00:51:33.280 --> 00:51:36.199
<v Speaker 2>you guys were talking about before the snake woman or

941
00:51:36.199 --> 00:51:40.440
<v Speaker 2>the snake Princess, that's what she was, Draga the dragon lady.

942
00:51:40.440 --> 00:51:44.280
<v Speaker 2>She's a natriten. So this is like this is a

943
00:51:44.320 --> 00:51:48.760
<v Speaker 2>traditional idea, is that a naga kanya can tell is

944
00:51:48.800 --> 00:51:52.239
<v Speaker 2>like a prophet or a seer, like someone who has

945
00:51:52.320 --> 00:51:54.920
<v Speaker 2>like because they're in both worlds. A naga lives in

946
00:51:54.960 --> 00:51:57.840
<v Speaker 2>the subtle world, meaning like the spirit world, but a

947
00:51:57.880 --> 00:52:01.159
<v Speaker 2>man lives or a person lives in the human world

948
00:52:01.199 --> 00:52:04.079
<v Speaker 2>and the animal world. So she's like half and half,

949
00:52:04.159 --> 00:52:07.320
<v Speaker 2>so she's like liminal, so she's able to access maybe

950
00:52:07.400 --> 00:52:08.760
<v Speaker 2>more spiritual knowledge.

951
00:52:10.119 --> 00:52:11.360
<v Speaker 4>Interesting, what are your thoughts on this?

952
00:52:11.440 --> 00:52:14.239
<v Speaker 5>Common here we got Golden Child brings to mind the

953
00:52:14.239 --> 00:52:18.119
<v Speaker 5>Golden Boy and Jade Girl of Chinese Miss Servants of

954
00:52:18.159 --> 00:52:20.519
<v Speaker 5>the jade Emperor who said to Guy, the good people

955
00:52:20.559 --> 00:52:21.159
<v Speaker 5>to paradise.

956
00:52:21.679 --> 00:52:25.960
<v Speaker 2>This is a great Yeah, this is a book comment. Sorry,

957
00:52:27.239 --> 00:52:31.440
<v Speaker 2>it's very it's very KEYO. Yeah. Well, okay. So the

958
00:52:31.480 --> 00:52:34.239
<v Speaker 2>Buddhist idea is that it's they're the servants of guan Yin.

959
00:52:34.880 --> 00:52:38.000
<v Speaker 2>So if you look at Daoist depictions, not Buddhist depictions,

960
00:52:38.000 --> 00:52:40.599
<v Speaker 2>but Diwist depictions of her, she'll be with the two children.

961
00:52:41.079 --> 00:52:44.400
<v Speaker 2>So the Jade girl is obviously that's the stone of us,

962
00:52:44.480 --> 00:52:47.760
<v Speaker 2>stone of nut SoC and the and then the Golden Boy.

963
00:52:47.840 --> 00:52:51.440
<v Speaker 2>He is tiporetic, but because he's a child, he's it's

964
00:52:51.480 --> 00:52:53.559
<v Speaker 2>like a ono for a ship like that. I mean,

965
00:52:53.639 --> 00:52:56.440
<v Speaker 2>that's what that's what it is. He's like he's he's

966
00:52:56.440 --> 00:52:59.599
<v Speaker 2>going on the path from Hod to the Sun, from

967
00:52:59.639 --> 00:53:03.000
<v Speaker 2>Hoe to different basically nice.

968
00:53:03.000 --> 00:53:05.880
<v Speaker 1>You know, since we were speaking Cabala real quick, I just.

969
00:53:07.639 --> 00:53:07.840
<v Speaker 2>In there.

970
00:53:07.960 --> 00:53:10.800
<v Speaker 1>Jj uh. At some point later on in the movie,

971
00:53:10.840 --> 00:53:15.039
<v Speaker 1>this lady Keenang, however you say your name, she does

972
00:53:15.079 --> 00:53:17.159
<v Speaker 1>have like a green I don't know if it's jade,

973
00:53:17.280 --> 00:53:19.320
<v Speaker 1>but she does have like a green necklace on at

974
00:53:19.320 --> 00:53:22.559
<v Speaker 1>some point, and I do think again because of the child,

975
00:53:22.599 --> 00:53:25.840
<v Speaker 1>I think is is Tifferate. I do think that some

976
00:53:26.079 --> 00:53:30.239
<v Speaker 1>point he Eddie Murphy is playing Hoad, and I do

977
00:53:30.320 --> 00:53:33.239
<v Speaker 1>think she's playing Netsuck. And I do think you actually

978
00:53:33.280 --> 00:53:35.639
<v Speaker 1>see like in a sense throughout the movie. I do

979
00:53:35.679 --> 00:53:38.119
<v Speaker 1>think it's actually crossing the ambiss and coming back, you know,

980
00:53:38.199 --> 00:53:40.400
<v Speaker 1>and fighting the demons as part of it.

981
00:53:40.719 --> 00:53:43.239
<v Speaker 5>You know that story in Green's associated with that the

982
00:53:43.280 --> 00:53:45.599
<v Speaker 5>color of green or the stone of or jade or something.

983
00:53:45.880 --> 00:53:48.519
<v Speaker 1>Yeah, Well to show, yeah, she would be Netsuck, which

984
00:53:48.519 --> 00:53:50.719
<v Speaker 1>would be the which would be a female green sphere

985
00:53:50.760 --> 00:53:53.599
<v Speaker 1>at the bottom of the tree, right underneath the golden child.

986
00:53:53.639 --> 00:53:55.840
<v Speaker 1>And then you have Eddie Murphy, I think would be

987
00:53:55.880 --> 00:54:00.920
<v Speaker 1>the guy on the left, the black pillar, but the

988
00:54:01.039 --> 00:54:04.360
<v Speaker 1>orange guy, you know, the orange feah, you know. And

989
00:54:04.400 --> 00:54:06.920
<v Speaker 1>I do think they throughout the story. I think they

990
00:54:07.519 --> 00:54:09.639
<v Speaker 1>go up the tree. I think you see a progression

991
00:54:09.639 --> 00:54:12.119
<v Speaker 1>going up the tree. And I do think like the

992
00:54:12.159 --> 00:54:15.199
<v Speaker 1>parrot or whatever that bird is, that rainbow bird could

993
00:54:15.239 --> 00:54:18.440
<v Speaker 1>possibly be the rainbow that emanates from netsc to Hoad.

994
00:54:19.320 --> 00:54:21.960
<v Speaker 1>There was a that And I also, like from my

995
00:54:22.000 --> 00:54:24.280
<v Speaker 1>own experience, I had wondered if if it is a

996
00:54:24.320 --> 00:54:26.719
<v Speaker 1>story of crossing the abyss and going up the tree

997
00:54:26.760 --> 00:54:29.320
<v Speaker 1>of life, could that be like the rainbow bridge that

998
00:54:29.360 --> 00:54:30.880
<v Speaker 1>you will witness before you bless the.

999
00:54:34.400 --> 00:54:35.760
<v Speaker 2>Following the whole way.

1000
00:54:35.840 --> 00:54:37.159
<v Speaker 1>Yeah.

1001
00:54:37.239 --> 00:54:41.719
<v Speaker 6>Yeah, it is a rainbow bird, very rainbowie mm hmmm.

1002
00:54:42.360 --> 00:54:45.280
<v Speaker 5>So we're talking dragon ladies, we're talking all this Eastern

1003
00:54:45.360 --> 00:54:49.400
<v Speaker 5>mysticism stuff. I got a clip relative to the film

1004
00:54:49.440 --> 00:54:50.920
<v Speaker 5>Your nine is one. In fact, it is indeed a

1005
00:54:50.960 --> 00:54:54.679
<v Speaker 5>clip from the film, and it describes all these things,

1006
00:54:54.719 --> 00:54:59.039
<v Speaker 5>the Golden childs, the Chosen Ones, the dragon ladies, and uh,

1007
00:54:59.159 --> 00:55:00.920
<v Speaker 5>I'll bring that up for right now.

1008
00:55:01.719 --> 00:55:03.639
<v Speaker 11>So if something happens to the kid, the whole world

1009
00:55:03.679 --> 00:55:04.159
<v Speaker 11>goes to hell.

1010
00:55:04.480 --> 00:55:05.800
<v Speaker 8>The world will become hell.

1011
00:55:06.400 --> 00:55:09.599
<v Speaker 11>Ah, not far from that.

1012
00:55:09.719 --> 00:55:12.320
<v Speaker 4>Now, listen, who would want to take the kid anyway?

1013
00:55:12.639 --> 00:55:15.599
<v Speaker 4>Those who want evil rather than good?

1014
00:55:19.639 --> 00:55:21.199
<v Speaker 11>Can you be a little bit more specific?

1015
00:55:21.480 --> 00:55:23.119
<v Speaker 8>We do not know what took him.

1016
00:55:24.039 --> 00:55:26.159
<v Speaker 11>Well, could you tell me why the people took him

1017
00:55:26.159 --> 00:55:27.239
<v Speaker 11>and trying to make him eat blood?

1018
00:55:27.719 --> 00:55:31.519
<v Speaker 10>Nothing in this world will hurt him, but if you

1019
00:55:31.559 --> 00:55:36.800
<v Speaker 10>were to pollute himself with anything impure, he would become vulnerable.

1020
00:55:38.239 --> 00:55:43.599
<v Speaker 11>Okay, So if they if he eats the blood, they

1021
00:55:43.599 --> 00:55:48.360
<v Speaker 11>could kill him. Yes, Oh, do you have.

1022
00:55:48.400 --> 00:55:50.280
<v Speaker 8>Any other questions?

1023
00:55:52.039 --> 00:55:53.199
<v Speaker 3>As a matter of fact, I do.

1024
00:55:55.000 --> 00:55:57.280
<v Speaker 11>What are you doing this weekend? Because your silhouette is

1025
00:55:57.360 --> 00:56:05.199
<v Speaker 11>kicking plays in maraccas too.

1026
00:56:08.000 --> 00:56:09.320
<v Speaker 8>This is the Chosen One?

1027
00:56:11.079 --> 00:56:14.000
<v Speaker 4>Yes, if people certainly do put on a good show.

1028
00:56:14.000 --> 00:56:14.920
<v Speaker 11>Where'd you find her at?

1029
00:56:15.360 --> 00:56:17.960
<v Speaker 14>She's the librarian at the sea, the repository, a percussine.

1030
00:56:18.440 --> 00:56:21.000
<v Speaker 14>She was blown to help us, she said, three hundred

1031
00:56:21.079 --> 00:56:21.480
<v Speaker 14>days old.

1032
00:56:22.880 --> 00:56:26.199
<v Speaker 11>How she managed that one one of her ancestors strapped.

1033
00:56:25.880 --> 00:56:26.440
<v Speaker 8>By a dragon?

1034
00:56:30.079 --> 00:56:31.079
<v Speaker 4>Does that happen a lot with you?

1035
00:56:31.159 --> 00:56:39.320
<v Speaker 5>For so three hundred year dragon? You know, three hundred

1036
00:56:39.400 --> 00:56:42.760
<v Speaker 5>year old dragon? Rapes aside? You know, we we got

1037
00:56:42.760 --> 00:56:45.000
<v Speaker 5>a good good sight picture there on what's going on

1038
00:56:45.039 --> 00:56:47.559
<v Speaker 5>with this narrative here with the Golden Child and the

1039
00:56:48.280 --> 00:56:48.920
<v Speaker 5>Chosen One?

1040
00:56:48.960 --> 00:56:50.360
<v Speaker 4>And how how old?

1041
00:56:50.440 --> 00:56:51.559
<v Speaker 2>Even the number three? Though?

1042
00:56:51.639 --> 00:56:54.079
<v Speaker 4>JJ, Like what's that with the number of threes?

1043
00:56:54.480 --> 00:56:56.920
<v Speaker 2>Yeah, Like when they're saying like three hundred, she's three

1044
00:56:56.960 --> 00:57:00.360
<v Speaker 2>hundred years old? Like you could say that the either

1045
00:57:00.440 --> 00:57:02.960
<v Speaker 2>talking about Bena or you could also say that time

1046
00:57:03.000 --> 00:57:04.199
<v Speaker 2>as always divided by three?

1047
00:57:04.679 --> 00:57:04.920
<v Speaker 1>See?

1048
00:57:05.119 --> 00:57:07.400
<v Speaker 5>Is that a good lifespan for a half dragon half human?

1049
00:57:09.039 --> 00:57:10.400
<v Speaker 5>What's the average lifespan there?

1050
00:57:12.119 --> 00:57:14.199
<v Speaker 2>I mean, could be like a thousand years, could be.

1051
00:57:14.519 --> 00:57:16.960
<v Speaker 4>I was gonna say, I feel like I feel like

1052
00:57:17.000 --> 00:57:17.360
<v Speaker 4>they came in.

1053
00:57:17.400 --> 00:57:19.039
<v Speaker 5>They feel like they came in short with the three hundreds,

1054
00:57:19.039 --> 00:57:20.440
<v Speaker 5>so I feel like that might mean something right with

1055
00:57:20.480 --> 00:57:22.599
<v Speaker 5>the you know, they may have intentionally put it as

1056
00:57:22.639 --> 00:57:23.960
<v Speaker 5>three hundred for some reason.

1057
00:57:23.800 --> 00:57:26.960
<v Speaker 4>Right, I had thought, So you're and your dragon should

1058
00:57:27.000 --> 00:57:29.039
<v Speaker 4>be much older in my opinion, so I'm on an

1059
00:57:29.079 --> 00:57:29.719
<v Speaker 4>older dragon.

1060
00:57:30.360 --> 00:57:33.800
<v Speaker 1>Even with her, I look at her aspect as almost

1061
00:57:33.840 --> 00:57:36.400
<v Speaker 1>being like me, Jim or Pace, you see this too,

1062
00:57:36.440 --> 00:57:39.360
<v Speaker 1>be Nah, you never really get to see her except

1063
00:57:39.360 --> 00:57:41.519
<v Speaker 1>for that one point. And again it's because she's more

1064
00:57:41.559 --> 00:57:44.159
<v Speaker 1>of like a voice in your mind or an idea.

1065
00:57:44.320 --> 00:57:47.639
<v Speaker 1>She's not really an actual image. So you do see her,

1066
00:57:47.760 --> 00:57:51.639
<v Speaker 1>and then in my opinion, a lot of either sometimes

1067
00:57:51.920 --> 00:57:56.880
<v Speaker 1>some dragon or maybe a reptile like symbolism. I even

1068
00:57:56.920 --> 00:58:00.760
<v Speaker 1>think some of the aliens from the Alien movie is

1069
00:58:00.880 --> 00:58:05.840
<v Speaker 1>like part of the brain, possibly the hippo campus. So

1070
00:58:06.719 --> 00:58:08.800
<v Speaker 1>you know, then then again that would be of the mind.

1071
00:58:09.760 --> 00:58:11.920
<v Speaker 1>You know, you're really just to get thoughts. You're not

1072
00:58:12.079 --> 00:58:16.960
<v Speaker 1>like an actual thing. Yet again, you're she's behind something,

1073
00:58:17.000 --> 00:58:19.480
<v Speaker 1>You're just hearing something. Just what does that call? You

1074
00:58:19.480 --> 00:58:22.440
<v Speaker 1>don't have nothing to attach that to except for that

1075
00:58:22.519 --> 00:58:24.679
<v Speaker 1>silhouette that he found that he thought was banging or whatever.

1076
00:58:24.719 --> 00:58:29.199
<v Speaker 6>He say, Right, and she plays the maracas.

1077
00:58:28.800 --> 00:58:30.840
<v Speaker 1>Literal, is he gonna stub lay around naked all day

1078
00:58:30.840 --> 00:58:33.039
<v Speaker 1>watching soap opera smoking cigarettes associates?

1079
00:58:34.320 --> 00:58:37.760
<v Speaker 6>Yeah, he gets upset.

1080
00:58:37.800 --> 00:58:39.639
<v Speaker 5>Then he gets all about hurt, right, because he doesn't

1081
00:58:39.639 --> 00:58:42.239
<v Speaker 5>want to be the chosen one, right, he goes to

1082
00:58:42.320 --> 00:58:45.000
<v Speaker 5>take it out on the dragon lady amongst other folks.

1083
00:58:45.039 --> 00:58:50.400
<v Speaker 5>But character, right, this is just the picture of her

1084
00:58:50.480 --> 00:58:53.519
<v Speaker 5>upper Torso, yeah, we never.

1085
00:58:53.400 --> 00:58:56.159
<v Speaker 6>Get to we never get to see the dragon tail.

1086
00:58:56.960 --> 00:59:02.280
<v Speaker 5>Well they show it, right, but it's like up because

1087
00:59:02.280 --> 00:59:04.559
<v Speaker 5>he knocks down the thing at one point, right.

1088
00:59:04.840 --> 00:59:07.679
<v Speaker 6>Yes, right, did we get to see the hotel?

1089
00:59:08.599 --> 00:59:12.119
<v Speaker 4>It's pretty good, right yeap?

1090
00:59:12.360 --> 00:59:14.079
<v Speaker 6>Yeah, yeah, there we go.

1091
00:59:14.000 --> 00:59:15.639
<v Speaker 4>The best image I can get. It's kind of grainy,

1092
00:59:15.719 --> 00:59:17.079
<v Speaker 4>but mm hmmm.

1093
00:59:18.679 --> 00:59:21.119
<v Speaker 2>So she reveals like who she is, Like that was

1094
00:59:21.199 --> 00:59:22.679
<v Speaker 2>really good, Nick, I appreciate that.

1095
00:59:23.480 --> 00:59:26.039
<v Speaker 4>So what's the dragon mean for for Eastern stuff?

1096
00:59:26.079 --> 00:59:26.239
<v Speaker 8>There?

1097
00:59:26.320 --> 00:59:29.920
<v Speaker 2>Jin, Well, it goes with what Nick was saying about

1098
00:59:29.920 --> 00:59:34.480
<v Speaker 2>being on like how it's like it brings you good seductive,

1099
00:59:34.599 --> 00:59:37.159
<v Speaker 2>so it like brings you closer and then it reveals

1100
00:59:37.159 --> 00:59:40.280
<v Speaker 2>what it really is behind the veil. That's how you

1101
00:59:40.320 --> 00:59:44.199
<v Speaker 2>could maybe describe it. And so she she's like a

1102
00:59:44.840 --> 00:59:48.599
<v Speaker 2>she would say that she's the wife of Rahu, who

1103
00:59:48.639 --> 00:59:51.760
<v Speaker 2>is the dragon of the eclipse. So there's a common

1104
00:59:51.800 --> 00:59:56.519
<v Speaker 2>misconception on astrology twitter that somehow that worshiping deities of

1105
00:59:56.599 --> 01:00:01.719
<v Speaker 2>Saturn are related to Saturn, like Collie, remove Rahu from

1106
01:00:01.760 --> 01:00:04.679
<v Speaker 2>a birth chart. That's actually not true. I don't even

1107
01:00:04.719 --> 01:00:07.679
<v Speaker 2>know who came up with that. It actually densifies his

1108
01:00:07.800 --> 01:00:11.239
<v Speaker 2>presence and a chart that's like a very basic contract knowledge.

1109
01:00:12.559 --> 01:00:14.360
<v Speaker 2>So I just want to point that out. Is that

1110
01:00:14.400 --> 01:00:18.000
<v Speaker 2>where he's where he sort of So what I'm trying

1111
01:00:18.039 --> 01:00:20.639
<v Speaker 2>to say is that at Saturn, like if he has

1112
01:00:20.679 --> 01:00:25.679
<v Speaker 2>a Saturnian sort of vibration, he would actually appear it

1113
01:00:25.719 --> 01:00:29.039
<v Speaker 2>would appear a lot more snakelike. It would be very serpentine.

1114
01:00:29.679 --> 01:00:32.320
<v Speaker 4>But what you're saying, more sneak stuff than dragon stuff.

1115
01:00:32.400 --> 01:00:34.880
<v Speaker 2>Kind of, Yes, that's exactly that. That's a really good

1116
01:00:34.880 --> 01:00:36.960
<v Speaker 2>way to put it, JJ is that you would see

1117
01:00:37.000 --> 01:00:39.920
<v Speaker 2>more of a serpent and then once you move away

1118
01:00:40.000 --> 01:00:43.719
<v Speaker 2>from Benah you would maybe it would make more sense

1119
01:00:43.760 --> 01:00:45.719
<v Speaker 2>as more of a cosmic or mythical being.

1120
01:00:46.800 --> 01:00:48.519
<v Speaker 4>Yeah, because he's got a rattler on the back end

1121
01:00:48.559 --> 01:00:49.000
<v Speaker 4>of this thing.

1122
01:00:49.880 --> 01:00:53.280
<v Speaker 6>I was gonna say that mm hmm. What I'm talking

1123
01:00:53.280 --> 01:00:57.440
<v Speaker 6>about that shaker deal on the back. But you know what,

1124
01:00:58.760 --> 01:01:03.800
<v Speaker 6>I think that they you colors and weird stuff like

1125
01:01:03.840 --> 01:01:07.559
<v Speaker 6>that this entire movie. And I I'm not I'm not

1126
01:01:07.840 --> 01:01:11.159
<v Speaker 6>good enough with occultism to tell you what it means.

1127
01:01:11.159 --> 01:01:17.800
<v Speaker 6>But it's always like yellow Dragon, biker gang, and then

1128
01:01:18.440 --> 01:01:22.840
<v Speaker 6>you know, yeah, and then it's like, I feel like

1129
01:01:22.880 --> 01:01:27.280
<v Speaker 6>they mispronounced things on purpose, and I don't know why

1130
01:01:27.320 --> 01:01:32.440
<v Speaker 6>that might be significant. Like the main bad guy, Sarto Numpspah,

1131
01:01:33.239 --> 01:01:39.000
<v Speaker 6>he can't say, he can't say he's like miss d

1132
01:01:39.199 --> 01:01:47.119
<v Speaker 6>Yarral that aady, but he he also can't you know.

1133
01:01:47.239 --> 01:01:50.679
<v Speaker 6>It says like he's supposed to find the cross dagger

1134
01:01:50.719 --> 01:01:54.000
<v Speaker 6>of a jaunty and he goes the cross dagger of

1135
01:01:54.079 --> 01:01:57.679
<v Speaker 6>a yant Like he can't say, he can't say.

1136
01:01:59.159 --> 01:02:00.119
<v Speaker 4>You are correct about.

1137
01:02:00.880 --> 01:02:04.159
<v Speaker 6>Yeah, And so I thought that was agree.

1138
01:02:04.199 --> 01:02:07.400
<v Speaker 5>He's pretty he's pretty uh, you know, as far as

1139
01:02:07.519 --> 01:02:09.199
<v Speaker 5>villains go, he's he's a pretty good villain.

1140
01:02:09.880 --> 01:02:12.800
<v Speaker 6>Yeah, he's a ginger. Of course, they make the ginger

1141
01:02:12.880 --> 01:02:15.679
<v Speaker 6>the bad guy every single freaking time.

1142
01:02:16.320 --> 01:02:18.280
<v Speaker 4>Gingers have no sult so I mean it makes sense

1143
01:02:18.400 --> 01:02:18.880
<v Speaker 4>he would.

1144
01:02:18.679 --> 01:02:23.360
<v Speaker 6>Play well, you know, JJ I take that personally, but

1145
01:02:23.400 --> 01:02:26.039
<v Speaker 6>I'm half ginger, Julia, I understand what you're saying.

1146
01:02:26.039 --> 01:02:28.599
<v Speaker 4>I'm just saying, like, you know, it's a perfect role

1147
01:02:28.639 --> 01:02:30.000
<v Speaker 4>for him, right, He's a ginger.

1148
01:02:29.840 --> 01:02:30.800
<v Speaker 8>Right, right.

1149
01:02:31.000 --> 01:02:35.559
<v Speaker 6>Yeah, But so I think to back up a little bit,

1150
01:02:35.760 --> 01:02:39.719
<v Speaker 6>like Sure Chandler, he's like on this talk show and

1151
01:02:39.719 --> 01:02:42.199
<v Speaker 6>he says he's looking for this sixteen year old girl.

1152
01:02:42.519 --> 01:02:46.719
<v Speaker 6>And that's another thing moment. Okay, I was gonna say, like,

1153
01:02:47.159 --> 01:02:49.960
<v Speaker 6>that's at the beginning of the movie, but the rest

1154
01:02:50.000 --> 01:02:52.960
<v Speaker 6>of it, like the blood sacrificing and all that stuff,

1155
01:02:53.360 --> 01:02:56.840
<v Speaker 6>won't make sense until we mentioned the part where he's like,

1156
01:02:56.920 --> 01:02:59.599
<v Speaker 6>that's how he gets introduced to the stories. He goes

1157
01:02:59.639 --> 01:03:03.159
<v Speaker 6>on this talk show and he says he's looking for

1158
01:03:04.239 --> 01:03:07.119
<v Speaker 6>Eryl Moseley or whatever her last name is.

1159
01:03:07.239 --> 01:03:07.679
<v Speaker 4>Yes, ma'am.

1160
01:03:07.760 --> 01:03:11.480
<v Speaker 5>Yeah, And if I, if I may, I thank you

1161
01:03:11.519 --> 01:03:12.159
<v Speaker 5>for kicking this off.

1162
01:03:12.199 --> 01:03:13.719
<v Speaker 4>I got that clip right here, if we can, we

1163
01:03:13.719 --> 01:03:15.039
<v Speaker 4>can watch that here for the folks.

1164
01:03:15.119 --> 01:03:16.400
<v Speaker 6>Yeah, it's so hilarious.

1165
01:03:16.639 --> 01:03:19.400
<v Speaker 5>Pack some of this because this is the cross section, right,

1166
01:03:19.400 --> 01:03:22.880
<v Speaker 5>So they came from Tibet to Los Angeles and they

1167
01:03:22.880 --> 01:03:25.440
<v Speaker 5>were just talking about not eating not eating blood. This

1168
01:03:25.519 --> 01:03:28.360
<v Speaker 5>is the cross section of the boot Tibetan Buddhism. And

1169
01:03:28.400 --> 01:03:31.920
<v Speaker 5>the Satanism Here in America cross section, here in Los Angeles.

1170
01:03:31.920 --> 01:03:38.599
<v Speaker 4>Here with this clip. Now, let's let's talk.

1171
01:03:38.400 --> 01:03:40.679
<v Speaker 2>About tortoises, Judy, what have we got here? This is great?

1172
01:03:40.679 --> 01:03:42.679
<v Speaker 2>Oh this is Teddy and he's eighty years old.

1173
01:03:42.800 --> 01:03:45.199
<v Speaker 4>We're eighty. He's one man.

1174
01:03:45.320 --> 01:03:46.400
<v Speaker 3>Teddy can kissed my ass.

1175
01:03:46.400 --> 01:03:46.599
<v Speaker 8>Listen.

1176
01:03:46.679 --> 01:03:48.400
<v Speaker 2>I'm trying to find this girl. Okay.

1177
01:03:48.400 --> 01:03:50.559
<v Speaker 3>Her name is Cheryl mos That she was last seen

1178
01:03:50.920 --> 01:03:52.840
<v Speaker 3>on Violin down in North Fide with you out in

1179
01:03:52.840 --> 01:03:55.320
<v Speaker 3>a sweater and a skirt. I'd appreciate if you're contacted

1180
01:03:55.320 --> 01:03:57.480
<v Speaker 3>me at four sixteen eight point nine two, if you

1181
01:03:57.519 --> 01:03:59.039
<v Speaker 3>had any bank come shut up, man, If you have

1182
01:03:59.119 --> 01:04:01.000
<v Speaker 3>any information at le to the finding of this girl,

1183
01:04:01.159 --> 01:04:02.639
<v Speaker 3>I'd appreciate your contact with me.

1184
01:04:02.800 --> 01:04:02.960
<v Speaker 2>Yo.

1185
01:04:03.119 --> 01:04:05.239
<v Speaker 3>Hey, if you don't put the camera out, bust your

1186
01:04:05.239 --> 01:04:08.440
<v Speaker 3>ass man, leave the camera on show Mosley Chandler Joe

1187
01:04:08.519 --> 01:04:09.239
<v Speaker 3>twenty five hours.

1188
01:04:09.159 --> 01:04:11.400
<v Speaker 2>Then say eight point nine two. Now you can talk

1189
01:04:11.400 --> 01:04:12.039
<v Speaker 2>about whatever.

1190
01:04:11.880 --> 01:04:14.559
<v Speaker 3>You want to talk about with datoy Si and whenever excuse.

1191
01:04:16.119 --> 01:04:18.639
<v Speaker 5>So that's that's al Chandler. Jerald gets roped in here

1192
01:04:18.679 --> 01:04:22.159
<v Speaker 5>as the chosen one because homegirl. There martial arts expert

1193
01:04:22.199 --> 01:04:23.679
<v Speaker 5>and mysterious wizard lady.

1194
01:04:23.920 --> 01:04:25.239
<v Speaker 4>She's a finds them.

1195
01:04:25.360 --> 01:04:26.159
<v Speaker 2>She's a zacchini.

1196
01:04:27.079 --> 01:04:28.760
<v Speaker 4>What is this? Is it a zucchini?

1197
01:04:29.760 --> 01:04:33.320
<v Speaker 2>She's a jicchini. She's like a yoga practitioner. And she's

1198
01:04:33.360 --> 01:04:38.480
<v Speaker 2>obviously like gained some cities, like some accomplishments.

1199
01:04:38.159 --> 01:04:40.719
<v Speaker 4>She's got skill sets, got some skills.

1200
01:04:41.199 --> 01:04:44.840
<v Speaker 6>Yeah, she's a real badass. And you know when I

1201
01:04:44.840 --> 01:04:46.719
<v Speaker 6>don't know if it's time for me to say it

1202
01:04:46.880 --> 01:04:51.440
<v Speaker 6>just yet, but in classic eighties style, one of the

1203
01:04:51.480 --> 01:04:54.760
<v Speaker 6>first scenes where she's like going off with her badass ory,

1204
01:04:55.079 --> 01:04:57.400
<v Speaker 6>of course, she has to kick a fucking pipe down

1205
01:04:57.440 --> 01:05:00.639
<v Speaker 6>in her tits are all wet and flopping around and stuff,

1206
01:05:00.639 --> 01:05:03.320
<v Speaker 6>and her nips are showing through her shirt, is like

1207
01:05:04.280 --> 01:05:08.800
<v Speaker 6>classic eighties Uh, you know, but she.

1208
01:05:08.440 --> 01:05:11.480
<v Speaker 4>She's actually was that the Yellow Dragons fight? Was that?

1209
01:05:11.679 --> 01:05:13.320
<v Speaker 4>Was that? Was that the same fight when they give

1210
01:05:13.599 --> 01:05:14.400
<v Speaker 4>the Yellow Dragons?

1211
01:05:14.760 --> 01:05:20.880
<v Speaker 6>Yes? But I actually, yeah, had you seen her in

1212
01:05:20.920 --> 01:05:21.719
<v Speaker 6>any other movies?

1213
01:05:23.000 --> 01:05:25.679
<v Speaker 4>No? I don't think I have sense either, quite honestly.

1214
01:05:25.800 --> 01:05:25.920
<v Speaker 13>No.

1215
01:05:26.039 --> 01:05:27.239
<v Speaker 6>And she's so cute.

1216
01:05:27.880 --> 01:05:32.639
<v Speaker 5>She's so cute The Golden Boy Girl, the Golden Child

1217
01:05:32.880 --> 01:05:34.960
<v Speaker 5>that they didn't act again either, apparently this was their

1218
01:05:35.000 --> 01:05:35.480
<v Speaker 5>only film.

1219
01:05:35.840 --> 01:05:40.000
<v Speaker 6>Sure, but so I was gonna mention because I said, like,

1220
01:05:40.039 --> 01:05:42.239
<v Speaker 6>I feel like they use colors a lot, like with

1221
01:05:42.320 --> 01:05:45.039
<v Speaker 6>the yellow dragon and this and that. If you really

1222
01:05:45.079 --> 01:05:47.360
<v Speaker 6>go back and watch the movie and you count how

1223
01:05:47.400 --> 01:05:51.079
<v Speaker 6>many times they use blue, it just is weird to

1224
01:05:51.119 --> 01:05:54.719
<v Speaker 6>me because like even that clip you just showed the

1225
01:05:54.760 --> 01:05:57.320
<v Speaker 6>talk show, the curtain in the background is blue. He's

1226
01:05:57.360 --> 01:06:01.239
<v Speaker 6>wearing a blue shirt, and then at the well there's

1227
01:06:01.280 --> 01:06:03.039
<v Speaker 6>a lot of blue in the middle. But like at

1228
01:06:03.079 --> 01:06:06.679
<v Speaker 6>the end, like two or three of the characters are

1229
01:06:06.719 --> 01:06:09.639
<v Speaker 6>all wearing blue shirts. And so I don't know if

1230
01:06:09.639 --> 01:06:12.639
<v Speaker 6>that's significant in some way, but I think the colors

1231
01:06:12.679 --> 01:06:13.679
<v Speaker 6>are a big deal.

1232
01:06:14.599 --> 01:06:18.199
<v Speaker 2>No, I'm truly are sure. Sorry, JJ, go ahead, Jane,

1233
01:06:18.920 --> 01:06:22.360
<v Speaker 2>that was great noticing Julia. Let me just say, even

1234
01:06:22.400 --> 01:06:26.280
<v Speaker 2>when he says, bring the camera back over here, like

1235
01:06:26.400 --> 01:06:29.400
<v Speaker 2>look at me, and he's wearing that black leather jacket,

1236
01:06:29.440 --> 01:06:31.480
<v Speaker 2>that really stood out to me. It's very Bana. But

1237
01:06:31.519 --> 01:06:34.559
<v Speaker 2>he's also in the blue. Like Julia said, she's really

1238
01:06:34.639 --> 01:06:38.800
<v Speaker 2>pulling focus towards him, and she's wearing like red. It's

1239
01:06:38.920 --> 01:06:42.440
<v Speaker 2>very geveraatic like Marshall, but she's perceiving him. And as

1240
01:06:42.519 --> 01:06:45.559
<v Speaker 2>Julia said, it's not just him that has the blue shirt,

1241
01:06:45.559 --> 01:06:48.000
<v Speaker 2>but it's also the background of the talk show, and

1242
01:06:48.039 --> 01:06:50.960
<v Speaker 2>then when it zooms out you can see it and

1243
01:06:51.000 --> 01:06:53.719
<v Speaker 2>it's like, so it's like the whole idea is like

1244
01:06:53.960 --> 01:06:57.360
<v Speaker 2>you're standing at Goba, you're looking at you're in the fire,

1245
01:06:57.679 --> 01:06:59.960
<v Speaker 2>but then you're looking at the ocean and you can

1246
01:07:00.119 --> 01:07:03.599
<v Speaker 2>see yourself and then you look you can you acknowledge

1247
01:07:03.840 --> 01:07:06.920
<v Speaker 2>what it is, but it doesn't necessarily appear as you right,

1248
01:07:07.000 --> 01:07:09.280
<v Speaker 2>And that's sort of the that's a very magic I'm

1249
01:07:09.280 --> 01:07:11.880
<v Speaker 2>sorry that was very meta, but that is kind of

1250
01:07:11.920 --> 01:07:14.639
<v Speaker 2>what it's like. It's like there's an interaction with perception

1251
01:07:15.079 --> 01:07:17.880
<v Speaker 2>that happens between the ocean and the water and the fire.

1252
01:07:18.199 --> 01:07:21.239
<v Speaker 2>You can say that. So that's kind of what they represent.

1253
01:07:21.320 --> 01:07:24.280
<v Speaker 2>And but they reverse the poles. You see that usually

1254
01:07:24.320 --> 01:07:28.079
<v Speaker 2>you would have a more masculine figure at Mars or

1255
01:07:28.159 --> 01:07:31.280
<v Speaker 2>Govra and a feminine figure has said, but not, you

1256
01:07:31.320 --> 01:07:32.480
<v Speaker 2>don't have to, So.

1257
01:07:32.440 --> 01:07:34.480
<v Speaker 4>You're playing they're playing gender games, like the Day with

1258
01:07:34.519 --> 01:07:35.519
<v Speaker 4>the Golden Child.

1259
01:07:36.159 --> 01:07:39.360
<v Speaker 2>Is that what we're telling me, Well, it's interesting because

1260
01:07:39.360 --> 01:07:43.760
<v Speaker 2>it's like she's the one in perception. He's just saying,

1261
01:07:44.199 --> 01:07:46.400
<v Speaker 2>you know, bring the camera towards me, let me be

1262
01:07:46.599 --> 01:07:52.079
<v Speaker 2>amplify or magnetize this girl's story like outward and but

1263
01:07:52.159 --> 01:07:54.760
<v Speaker 2>she's like, but what she's focused on is him, So

1264
01:07:54.800 --> 01:08:00.400
<v Speaker 2>she's singular in her view, where he's expansive, very much hessetic.

1265
01:08:00.440 --> 01:08:02.320
<v Speaker 1>If you want to think about it, JJ a really

1266
01:08:02.320 --> 01:08:04.960
<v Speaker 1>good way to explain it. I think even with this,

1267
01:08:05.480 --> 01:08:08.000
<v Speaker 1>if you want to make it cabalistically, which I think

1268
01:08:09.519 --> 01:08:11.280
<v Speaker 1>Gin's doing a real good job, I would you know,

1269
01:08:11.360 --> 01:08:15.400
<v Speaker 1>include the chess head again, even a projecting or expansive

1270
01:08:15.920 --> 01:08:18.159
<v Speaker 1>if you took a light bulb, the light that shining

1271
01:08:18.199 --> 01:08:21.000
<v Speaker 1>out of it would be kind of like male energy,

1272
01:08:21.479 --> 01:08:23.479
<v Speaker 1>and the light bulb itself will kind of be the

1273
01:08:23.520 --> 01:08:28.560
<v Speaker 1>feminine energy and the male energy sound sight is coming

1274
01:08:28.560 --> 01:08:30.039
<v Speaker 1>out of it.

1275
01:08:30.039 --> 01:08:34.520
<v Speaker 15>It's a good analogy projective projectives that would be like

1276
01:08:34.560 --> 01:08:37.520
<v Speaker 15>a so I I even think when he was saying

1277
01:08:37.560 --> 01:08:40.680
<v Speaker 15>about him in a sense, if you think about it,

1278
01:08:40.840 --> 01:08:44.880
<v Speaker 15>she sees him then, and I would say he is

1279
01:08:45.000 --> 01:08:50.079
<v Speaker 15>very much chested at that point, very expansive, very powerful, loud,

1280
01:08:50.159 --> 01:08:52.319
<v Speaker 15>being seen you know by a lot.

1281
01:08:52.640 --> 01:08:58.000
<v Speaker 1>It's on TV. She sees him, She sees him, and

1282
01:08:58.039 --> 01:09:02.960
<v Speaker 1>then basically she takes him him and brings him wherever

1283
01:09:03.000 --> 01:09:10.720
<v Speaker 1>he's got to go. It's very magnetic. Well well playing

1284
01:09:10.720 --> 01:09:12.560
<v Speaker 1>the side of the Yeah, well she chose.

1285
01:09:12.359 --> 01:09:14.560
<v Speaker 6>Him, she chose him.

1286
01:09:14.680 --> 01:09:17.920
<v Speaker 1>Yeah, and then she pulls him very very magnetically like

1287
01:09:17.960 --> 01:09:20.239
<v Speaker 1>the left pillar. She now fucking pulls him all the

1288
01:09:20.279 --> 01:09:21.119
<v Speaker 1>way to her side.

1289
01:09:21.920 --> 01:09:27.760
<v Speaker 2>So what we're supposed to Julia, go ahead, I just

1290
01:09:27.800 --> 01:09:30.159
<v Speaker 2>want to say what next? Thing is really profound because

1291
01:09:30.199 --> 01:09:32.760
<v Speaker 2>that is even the idea is that Tikini will lead

1292
01:09:32.840 --> 01:09:36.119
<v Speaker 2>you through experiences you as the witness or the perceiver,

1293
01:09:36.760 --> 01:09:40.560
<v Speaker 2>rather than it's not just all your will. It's like

1294
01:09:40.640 --> 01:09:43.399
<v Speaker 2>there's part of it that is a little bit other power,

1295
01:09:43.479 --> 01:09:46.079
<v Speaker 2>is what we would call it. So it's like generative

1296
01:09:46.239 --> 01:09:50.439
<v Speaker 2>outside of you. Maybe it is you, but maybe it isn't.

1297
01:09:50.520 --> 01:09:52.279
<v Speaker 2>It's kind of like an inter social moment.

1298
01:09:53.000 --> 01:09:55.279
<v Speaker 4>So I don't know. This is how it happens.

1299
01:09:55.359 --> 01:09:57.239
<v Speaker 5>Right, she signs him up for all these things, right

1300
01:09:57.279 --> 01:09:58.479
<v Speaker 5>because she sees him on the TV.

1301
01:09:58.680 --> 01:10:02.800
<v Speaker 2>Right, Yeah, she has selected him as a partner as

1302
01:10:02.840 --> 01:10:04.680
<v Speaker 2>the chosen one, right exactly.

1303
01:10:05.039 --> 01:10:09.239
<v Speaker 1>And sorry I was interrupting you go ahead. I just

1304
01:10:09.239 --> 01:10:10.680
<v Speaker 1>want to don't want to forget.

1305
01:10:10.880 --> 01:10:12.560
<v Speaker 2>No, no, no, please please, I'm done.

1306
01:10:13.000 --> 01:10:15.239
<v Speaker 1>When I was saying before in the video, I do

1307
01:10:15.800 --> 01:10:18.359
<v Speaker 1>think that they both play the princess and the and

1308
01:10:18.399 --> 01:10:21.359
<v Speaker 1>the prince the hod and that suck, but they both

1309
01:10:21.359 --> 01:10:22.920
<v Speaker 1>are going to play the king and the queen at

1310
01:10:22.920 --> 01:10:25.119
<v Speaker 1>one point. And I do think at Chessa, when she's

1311
01:10:25.159 --> 01:10:29.760
<v Speaker 1>seeing him, she's seeing the king in that that that

1312
01:10:30.520 --> 01:10:34.000
<v Speaker 1>hoad is going to become going up the tree. She

1313
01:10:34.039 --> 01:10:36.640
<v Speaker 1>already sees it in him, so that's why she picks him.

1314
01:10:37.199 --> 01:10:39.359
<v Speaker 1>That sounds a little a little much, but I do

1315
01:10:39.399 --> 01:10:41.159
<v Speaker 1>think that's the kind of part of it that makes

1316
01:10:41.199 --> 01:10:41.760
<v Speaker 1>total sound.

1317
01:10:43.159 --> 01:10:45.680
<v Speaker 5>His old noomsy is he pronounced the stuff and Hebrew

1318
01:10:45.720 --> 01:10:46.680
<v Speaker 5>stuff kabala wise.

1319
01:10:47.560 --> 01:10:50.359
<v Speaker 1>I was wondering about that. But the whole reason why

1320
01:10:50.399 --> 01:10:51.560
<v Speaker 1>he doesn't say the jay.

1321
01:10:52.159 --> 01:10:57.840
<v Speaker 2>Well, there's there's no jay in Hebrew, so you wouldn't

1322
01:10:58.720 --> 01:11:00.880
<v Speaker 2>that's that's even a a thing in magic.

1323
01:11:01.000 --> 01:11:03.319
<v Speaker 4>Like that's why it's mister pronouncing Yero, right, he's got

1324
01:11:03.920 --> 01:11:04.680
<v Speaker 4>instead of Gerald.

1325
01:11:04.960 --> 01:11:08.399
<v Speaker 2>Well you could say it's like dilectification of the jay almost,

1326
01:11:08.439 --> 01:11:11.520
<v Speaker 2>like you could say it's like how they say Ihovah

1327
01:11:11.960 --> 01:11:15.800
<v Speaker 2>instead of Jehovah. So like you can even hear that

1328
01:11:15.840 --> 01:11:19.319
<v Speaker 2>there's a distinction obviously, and like maybe what God you're

1329
01:11:19.319 --> 01:11:21.840
<v Speaker 2>referring to. I'm not saying that, I'm just saying that's

1330
01:11:21.880 --> 01:11:26.560
<v Speaker 2>how people think of it. Or like what like Covenant

1331
01:11:26.600 --> 01:11:29.479
<v Speaker 2>you hold like that's obviously very mythriic, but I think, yeah,

1332
01:11:29.520 --> 01:11:32.319
<v Speaker 2>I think that's kind of in line with the general

1333
01:11:32.399 --> 01:11:36.039
<v Speaker 2>magical sort of orders and how they view the world.

1334
01:11:39.199 --> 01:11:43.399
<v Speaker 6>Pointed out just really quick, they pointed out because the

1335
01:11:43.520 --> 01:11:47.000
<v Speaker 6>two things. And this is why it's important, because when

1336
01:11:47.079 --> 01:11:53.039
<v Speaker 6>you when you watch this movie, and I said, oh,

1337
01:11:53.199 --> 01:11:56.600
<v Speaker 6>look there he's wearing a blue shirt and he's got

1338
01:11:56.640 --> 01:12:01.520
<v Speaker 6>the blue curtain behind him, and you know she's wearing

1339
01:12:01.520 --> 01:12:03.560
<v Speaker 6>the red or whatever, and Jin did a great job

1340
01:12:03.600 --> 01:12:07.600
<v Speaker 6>explaining that. But if you listen to like the dialogue

1341
01:12:07.640 --> 01:12:11.039
<v Speaker 6>in these scenes, it's on purpose. They because the talk

1342
01:12:11.119 --> 01:12:14.119
<v Speaker 6>show hosts comments on what he's wearing, and he's like, oh,

1343
01:12:14.159 --> 01:12:17.000
<v Speaker 6>look at your outfit. I love your hats, and it's like, okay,

1344
01:12:17.720 --> 01:12:22.439
<v Speaker 6>attention to what he's wearing. And then in another scene,

1345
01:12:23.239 --> 01:12:29.239
<v Speaker 6>Chandler Jerrol calls Sarto out. Yeah, He's like, why do

1346
01:12:29.319 --> 01:12:32.760
<v Speaker 6>you pose mispronounce my name when you know it's jeral

1347
01:12:33.359 --> 01:12:37.039
<v Speaker 6>And he said, I know. So he's like acknowledging that

1348
01:12:37.319 --> 01:12:41.720
<v Speaker 6>I'm mispronouncing it on purpose. So that's why I think, like, yeah,

1349
01:12:42.119 --> 01:12:45.479
<v Speaker 6>could we be looking into it too far or whatever? Maybe,

1350
01:12:45.520 --> 01:12:48.199
<v Speaker 6>But I think the reason they put those little lines

1351
01:12:48.239 --> 01:12:51.000
<v Speaker 6>in the movie is because it is intentional. It's like

1352
01:12:51.119 --> 01:12:55.119
<v Speaker 6>the wardrobe choices, the way that he mispronounces the name,

1353
01:12:55.720 --> 01:12:58.600
<v Speaker 6>like they even included it into the dialogue. It's like,

1354
01:12:58.640 --> 01:13:01.279
<v Speaker 6>why do you insist on miss pronouncing my name? You

1355
01:13:01.359 --> 01:13:05.439
<v Speaker 6>know it's Jerald And he's like, yeah, I know, boy, Julia.

1356
01:13:05.520 --> 01:13:07.680
<v Speaker 4>That's a very solid point. They have some great dialogue

1357
01:13:07.720 --> 01:13:08.319
<v Speaker 4>between old.

1358
01:13:08.239 --> 01:13:11.880
<v Speaker 5>Nupsy and uh chandeler Gerald there or mister Gerrol that is,

1359
01:13:12.399 --> 01:13:14.279
<v Speaker 5>you know, there's some back, you know some as far

1360
01:13:14.279 --> 01:13:16.600
<v Speaker 5>as the antagonist protagonist, they're not really doing a lot

1361
01:13:16.640 --> 01:13:18.239
<v Speaker 5>of duke in and out, but they are doing a lot.

1362
01:13:18.279 --> 01:13:20.520
<v Speaker 5>I mean, there's a little bit of that. But they

1363
01:13:20.640 --> 01:13:22.119
<v Speaker 5>do a lot of back and forth, just you know,

1364
01:13:22.199 --> 01:13:24.600
<v Speaker 5>gelling at each other. So they got some classic dialogue.

1365
01:13:25.039 --> 01:13:27.439
<v Speaker 2>Well I do that sometimes, like I feel i've I've

1366
01:13:27.640 --> 01:13:30.560
<v Speaker 2>I've discussed it on lives before that it's a it's

1367
01:13:30.600 --> 01:13:34.760
<v Speaker 2>an old Discordian like a chaos magician trick. You mispronounce

1368
01:13:34.880 --> 01:13:37.960
<v Speaker 2>things or you create. Something I'm more fond of is

1369
01:13:38.000 --> 01:13:41.119
<v Speaker 2>you create compound words that are totally brand new for

1370
01:13:41.199 --> 01:13:44.399
<v Speaker 2>your use. So an example of.

1371
01:13:44.319 --> 01:13:45.840
<v Speaker 4>That Westoid is that what you did to me with

1372
01:13:45.840 --> 01:13:46.760
<v Speaker 4>western Well, I.

1373
01:13:46.720 --> 01:13:49.600
<v Speaker 2>Didn't up with that. That's something from the zoomer Twitter.

1374
01:13:49.720 --> 01:13:52.359
<v Speaker 2>I'm about ten years too old to use technically, but

1375
01:13:53.279 --> 01:13:58.640
<v Speaker 2>I'll give you an example like clipolithic, Like people think

1376
01:13:58.640 --> 01:14:01.279
<v Speaker 2>that I just mispronounced it, but actually makes sense because

1377
01:14:01.319 --> 01:14:04.520
<v Speaker 2>you're talking about like a stone aggregate. So that's like

1378
01:14:04.560 --> 01:14:07.199
<v Speaker 2>a compound word that you can just make, but it

1379
01:14:07.279 --> 01:14:09.039
<v Speaker 2>has to there has to be a logic, and I

1380
01:14:09.119 --> 01:14:11.880
<v Speaker 2>go hearing, so you can do that instead of saying

1381
01:14:12.279 --> 01:14:14.640
<v Speaker 2>like kleipa, which I don't have a prom saying. But

1382
01:14:14.720 --> 01:14:17.479
<v Speaker 2>sometimes there's an idea that the things that you say

1383
01:14:18.479 --> 01:14:22.079
<v Speaker 2>are the things you invoke, so depending on the context

1384
01:14:22.159 --> 01:14:23.760
<v Speaker 2>you're using at So.

1385
01:14:24.479 --> 01:14:28.279
<v Speaker 4>Well, that's interesting. I appreciate that. Jen is that also Kenu?

1386
01:14:28.560 --> 01:14:31.199
<v Speaker 2>Is that kenu that is considered true Keno?

1387
01:14:31.640 --> 01:14:33.560
<v Speaker 4>I would assume it would be. I'm getting I'm catching on.

1388
01:14:33.600 --> 01:14:34.159
<v Speaker 4>I'm catching on.

1389
01:14:34.800 --> 01:14:37.000
<v Speaker 5>So we we were talking yellow dragon stuff and the

1390
01:14:37.039 --> 01:14:40.800
<v Speaker 5>crossover with intersection with Satan Satanic cold stuff in around

1391
01:14:40.880 --> 01:14:41.640
<v Speaker 5>Los Angeles.

1392
01:14:41.960 --> 01:14:43.319
<v Speaker 4>It's spoiler alert.

1393
01:14:43.359 --> 01:14:46.000
<v Speaker 5>We find out Tommy Tong, who works you know, is

1394
01:14:46.079 --> 01:14:48.720
<v Speaker 5>running this out law blacker gang who kidnapped this young

1395
01:14:48.720 --> 01:14:52.159
<v Speaker 5>girl that the channel Chaneral Yarrel is looking for well

1396
01:14:52.159 --> 01:14:54.960
<v Speaker 5>he works for old Numcy. So we're about to find

1397
01:14:54.960 --> 01:14:55.840
<v Speaker 5>that out here right now.

1398
01:14:59.319 --> 01:15:04.399
<v Speaker 4>Oh Cheryl, Yeah, we sold.

1399
01:15:04.079 --> 01:15:10.199
<v Speaker 2>Her, I mean you sold you sold a cool.

1400
01:15:11.239 --> 01:15:15.079
<v Speaker 13>To Tommy tom He got that restaurant down on Broadway,

1401
01:15:15.560 --> 01:15:20.720
<v Speaker 13>and we traded her case of cigarettes and a quarter

1402
01:15:20.760 --> 01:15:21.920
<v Speaker 13>of pork fried rice.

1403
01:15:22.319 --> 01:15:23.920
<v Speaker 1>Why would somebody want to buy somebody?

1404
01:15:25.279 --> 01:15:26.560
<v Speaker 2>He needed a girl?

1405
01:15:27.119 --> 01:15:31.640
<v Speaker 13>What worked the steel out with the devil said he

1406
01:15:31.720 --> 01:15:32.600
<v Speaker 13>needed her blood?

1407
01:15:40.079 --> 01:15:42.920
<v Speaker 6>So much to say? I have so much to say.

1408
01:15:44.000 --> 01:15:48.600
<v Speaker 5>Please, I did forget that the parent clip which I'll play.

1409
01:15:48.640 --> 01:15:50.520
<v Speaker 5>He wants me to discuss this one with the you know,

1410
01:15:50.560 --> 01:15:52.479
<v Speaker 5>the parrot guy. That is how they got there. Was

1411
01:15:53.199 --> 01:15:56.720
<v Speaker 5>Victor Wong, the revived parent from the Golden Child, is

1412
01:15:56.720 --> 01:15:58.079
<v Speaker 5>the one who led them to that house.

1413
01:15:58.800 --> 01:15:59.359
<v Speaker 1>Mm hmmm.

1414
01:16:00.319 --> 01:16:03.680
<v Speaker 6>So they do find Cheryl a little bit before this scene,

1415
01:16:03.680 --> 01:16:05.880
<v Speaker 6>and that's where he finds the bucket of oatmeal with

1416
01:16:05.920 --> 01:16:10.720
<v Speaker 6>the blood in it. Yeah, and so again I say

1417
01:16:10.760 --> 01:16:16.319
<v Speaker 6>this because I think it's important they chose an actress

1418
01:16:16.359 --> 01:16:18.680
<v Speaker 6>to play Cheryl, even though she's in it for five

1419
01:16:18.800 --> 01:16:21.840
<v Speaker 6>seconds and she's just a dead body. It's a ginger girl,

1420
01:16:22.439 --> 01:16:26.359
<v Speaker 6>and she's the innocent one. She's the sacrifice, but also

1421
01:16:26.479 --> 01:16:29.399
<v Speaker 6>the devil is the ginger guy, and it's like the

1422
01:16:29.520 --> 01:16:34.159
<v Speaker 6>masculine and the feminine, but they're both red haired ginger people.

1423
01:16:34.600 --> 01:16:37.840
<v Speaker 6>And like one's the innocent one, one's the devil. He

1424
01:16:37.920 --> 01:16:41.560
<v Speaker 6>kills her, sacrifices or uses her blood in this ritual

1425
01:16:41.640 --> 01:16:45.039
<v Speaker 6>to kill this kid, and you know, it's like an

1426
01:16:45.119 --> 01:16:48.560
<v Speaker 6>innocent ginger girl, and then the devil is a ginger guy.

1427
01:16:48.680 --> 01:16:53.920
<v Speaker 6>I think they do that stuff on purpose. And the

1428
01:16:53.960 --> 01:16:55.920
<v Speaker 6>only other thing I have to say about this scene

1429
01:16:56.039 --> 01:16:59.880
<v Speaker 6>is that at the very beginning when they break into

1430
01:16:59.880 --> 01:17:03.199
<v Speaker 6>the house, they're playing a really specific song. I don't

1431
01:17:03.239 --> 01:17:08.000
<v Speaker 6>know if you caught it. It's by Rat, you know

1432
01:17:08.079 --> 01:17:10.560
<v Speaker 6>that body to I.

1433
01:17:10.560 --> 01:17:12.279
<v Speaker 4>Did not catch it, but please tell us.

1434
01:17:12.800 --> 01:17:16.840
<v Speaker 6>Okay, So the album that that song is on. It

1435
01:17:16.960 --> 01:17:21.439
<v Speaker 6>was Rat's debut album, and it featured themes of witchcraft,

1436
01:17:21.600 --> 01:17:25.880
<v Speaker 6>nuclear war, and global destruction. And that is the song

1437
01:17:25.960 --> 01:17:30.640
<v Speaker 6>that's playing as that scene opens up. So, as I say,

1438
01:17:30.720 --> 01:17:33.439
<v Speaker 6>if you look in the background, everything is on purpose.

1439
01:17:33.520 --> 01:17:35.800
<v Speaker 6>Even a dead girl that's laying in the movie for

1440
01:17:35.840 --> 01:17:38.479
<v Speaker 6>five minutes that happens to be a ginger girl with

1441
01:17:38.520 --> 01:17:42.279
<v Speaker 6>this yellow dragon tattoo. And then you know, the devil's

1442
01:17:42.279 --> 01:17:45.279
<v Speaker 6>a red haired guy. I think all the little tiny

1443
01:17:45.319 --> 01:17:48.000
<v Speaker 6>details actually matter in the long run.

1444
01:17:50.880 --> 01:17:51.520
<v Speaker 4>I agree.

1445
01:17:52.119 --> 01:17:54.279
<v Speaker 2>I agree as well, Julia, and I will say that

1446
01:17:54.359 --> 01:17:59.520
<v Speaker 2>sometimes in contra the deity and his concert are depicted

1447
01:17:59.560 --> 01:18:02.000
<v Speaker 2>as red hair, but if you kind of understand, you

1448
01:18:02.039 --> 01:18:04.199
<v Speaker 2>realize it doesn't have to be red hair, because it

1449
01:18:04.199 --> 01:18:07.680
<v Speaker 2>can just be the sort of appearance of red from

1450
01:18:07.760 --> 01:18:10.960
<v Speaker 2>wisdom fire. So the wisdom fire would make the hair

1451
01:18:11.159 --> 01:18:13.560
<v Speaker 2>pere red, so it could be blonde or even block.

1452
01:18:13.600 --> 01:18:16.279
<v Speaker 2>And sometimes it is also depicted us up. But I

1453
01:18:16.279 --> 01:18:18.000
<v Speaker 2>think that was also a really good point.

1454
01:18:20.199 --> 01:18:23.279
<v Speaker 6>Somebody got the song right. Yeah, I couldn't remember the

1455
01:18:23.319 --> 01:18:27.000
<v Speaker 6>title of it, but I remembered the uh lyrics. But yes,

1456
01:18:27.119 --> 01:18:30.159
<v Speaker 6>that's that's the song too. That's playing in the background.

1457
01:18:30.920 --> 01:18:33.920
<v Speaker 6>And I only and what struck me the first time

1458
01:18:33.960 --> 01:18:37.000
<v Speaker 6>I watched it, before I even decided I wanted to

1459
01:18:37.039 --> 01:18:40.039
<v Speaker 6>cover it on a Conspiracy episode is I hate that song.

1460
01:18:40.479 --> 01:18:43.039
<v Speaker 6>And every time that scene plays, I'm like, somebody shoot

1461
01:18:43.079 --> 01:18:47.000
<v Speaker 6>me in the face. I hate the rat shit.

1462
01:18:48.680 --> 01:18:51.159
<v Speaker 4>You're not my scene for sure. So before we get

1463
01:18:51.159 --> 01:18:52.039
<v Speaker 4>into the oatmeal.

1464
01:18:51.760 --> 01:18:54.039
<v Speaker 5>Blood stuff, tell or before we talk about the oatmeal

1465
01:18:54.079 --> 01:18:56.119
<v Speaker 5>and the blood stuff, I got a video clip to

1466
01:18:56.159 --> 01:18:57.760
<v Speaker 5>tie that into the Golden Child here in a minute.

1467
01:18:57.760 --> 01:19:00.239
<v Speaker 5>But let's what are your all thoughts? What's all that about?

1468
01:19:00.279 --> 01:19:02.239
<v Speaker 5>What's feeding all this blood stuff? About neatmeal?

1469
01:19:03.560 --> 01:19:06.159
<v Speaker 2>Well, before we do a blood and oatmeal, which I

1470
01:19:06.439 --> 01:19:08.600
<v Speaker 2>will obviously discuss a little is that.

1471
01:19:08.680 --> 01:19:10.159
<v Speaker 5>And you've got to watch out. Victor Wong has got

1472
01:19:10.159 --> 01:19:11.800
<v Speaker 5>his wand out, buddy. What do you want to talk

1473
01:19:11.840 --> 01:19:13.840
<v Speaker 5>about before blood and oaemeal? What are we talking here?

1474
01:19:13.960 --> 01:19:15.279
<v Speaker 2>Well, Victor Wong? Of course.

1475
01:19:15.520 --> 01:19:18.680
<v Speaker 4>So the red that's what I brought this picture of.

1476
01:19:19.720 --> 01:19:21.039
<v Speaker 2>It's perfect, it's perfect. JJ.

1477
01:19:21.199 --> 01:19:23.479
<v Speaker 4>Did the orange of the Rednick was talking about earlier?

1478
01:19:23.800 --> 01:19:26.680
<v Speaker 2>Yes, So orange is a really important color in Buddhism.

1479
01:19:26.760 --> 01:19:29.000
<v Speaker 2>You could almost say it's the most important color. If

1480
01:19:29.039 --> 01:19:30.720
<v Speaker 2>you were to compare it to the tree, you would

1481
01:19:30.760 --> 01:19:34.359
<v Speaker 2>definitely say that Buddhism really likes hod as a starting

1482
01:19:34.399 --> 01:19:38.800
<v Speaker 2>position for an upasaka or someone who practices Buddhism. So

1483
01:19:40.119 --> 01:19:42.479
<v Speaker 2>I set at the beginning that the monks depicted were

1484
01:19:42.560 --> 01:19:46.560
<v Speaker 2>of the Gelakhpa, so the Gellic school. He is actually

1485
01:19:46.600 --> 01:19:50.479
<v Speaker 2>a Nagapa, so he is a sorcerer. He belongs to

1486
01:19:50.520 --> 01:19:54.399
<v Speaker 2>the ning Musk. So the it's the old school or

1487
01:19:54.399 --> 01:19:57.800
<v Speaker 2>the ancient school, so they're allowed sort of more. They

1488
01:19:57.920 --> 01:20:01.960
<v Speaker 2>give themselves a little more conceptual leeway with ideas. And

1489
01:20:02.039 --> 01:20:05.159
<v Speaker 2>he can also be a householder, so he's not restricted

1490
01:20:05.199 --> 01:20:09.880
<v Speaker 2>by monastic vows. That's why later on spoiler alert, he

1491
01:20:09.960 --> 01:20:13.880
<v Speaker 2>gets called like a paternal name. So, but that's even

1492
01:20:13.880 --> 01:20:16.079
<v Speaker 2>what his red hat means. It's kind of like he

1493
01:20:16.079 --> 01:20:18.960
<v Speaker 2>wears the orange robe. Sometimes he would be a black

1494
01:20:19.000 --> 01:20:21.279
<v Speaker 2>coat with an orange robe. He would obviously be in

1495
01:20:21.319 --> 01:20:26.079
<v Speaker 2>turquoise jewelry Lapis Lazuli jewelry, and then he would wear

1496
01:20:26.119 --> 01:20:28.520
<v Speaker 2>the red hat, and that would indicate that he is

1497
01:20:28.800 --> 01:20:32.319
<v Speaker 2>also a Buddhist. He's not just a sorcerer. So there's

1498
01:20:32.359 --> 01:20:34.079
<v Speaker 2>just an idea there.

1499
01:20:37.159 --> 01:20:39.640
<v Speaker 4>So sorry, let me flipped it on him.

1500
01:20:39.640 --> 01:20:41.680
<v Speaker 5>Where there they're trying to feed the Golden child some

1501
01:20:41.720 --> 01:20:42.880
<v Speaker 5>of his blood outmeal.

1502
01:20:42.560 --> 01:20:46.039
<v Speaker 4>Here it's got some of those schedules we were.

1503
01:20:45.920 --> 01:20:48.760
<v Speaker 5>Talking about earlier Jan with the there's probably a lot

1504
01:20:48.760 --> 01:20:50.399
<v Speaker 5>of stuff you're all going to see that I don't.

1505
01:20:50.479 --> 01:22:38.840
<v Speaker 5>I don't have the foggiest idea about so stand by police.

1506
01:21:42.439 --> 01:22:16.039
<v Speaker 7>As there's name see you will eat.

1507
01:22:17.600 --> 01:22:23.279
<v Speaker 2>So I think it's really interesting JJ that the Sigils

1508
01:22:23.399 --> 01:22:26.039
<v Speaker 2>like I don't read to that and I've never I cannot,

1509
01:22:26.279 --> 01:22:26.960
<v Speaker 2>but I can, right.

1510
01:22:27.079 --> 01:22:28.720
<v Speaker 5>Well, I one second, j hold on, one second, hold

1511
01:22:28.760 --> 01:22:32.760
<v Speaker 5>up one second. I always want to see him do

1512
01:22:32.800 --> 01:22:45.560
<v Speaker 5>his telepathic powers here, or I guess technically she the

1513
01:22:45.640 --> 01:22:47.920
<v Speaker 5>Golden Child said fuck your meal?

1514
01:22:51.279 --> 01:22:52.239
<v Speaker 4>What were you saying there, Jim?

1515
01:22:52.800 --> 01:22:55.760
<v Speaker 2>I apologize, JJ, and my I mean you're good for

1516
01:22:55.800 --> 01:22:59.520
<v Speaker 2>a second. Okay, so I apologize to that, but I

1517
01:22:59.560 --> 01:23:01.439
<v Speaker 2>can't even remember, but I'll just I'll start with the

1518
01:23:01.479 --> 01:23:04.319
<v Speaker 2>oatmeal in blood because that's obviously, you know what, people

1519
01:23:04.359 --> 01:23:05.960
<v Speaker 2>will give the people what they want.

1520
01:23:06.119 --> 01:23:08.439
<v Speaker 7>So obviously that's a big part of the story here, right,

1521
01:23:08.520 --> 01:23:09.520
<v Speaker 7>that's right, a week.

1522
01:23:09.560 --> 01:23:11.560
<v Speaker 4>They got a week in the Golden style to kill it.

1523
01:23:12.319 --> 01:23:15.000
<v Speaker 2>So it is. It is a tonric idea, just like

1524
01:23:15.039 --> 01:23:18.039
<v Speaker 2>it is in Tellima. Like cakes of light that obviously

1525
01:23:18.039 --> 01:23:21.960
<v Speaker 2>comes from Tibetan Buddhism, it's obviously like our trauma cakes. Interestingly,

1526
01:23:22.159 --> 01:23:24.840
<v Speaker 2>that they use oatmeal, that's obviously a nod to I

1527
01:23:24.840 --> 01:23:26.720
<v Speaker 2>don't know how they make cakes of light in the

1528
01:23:27.119 --> 01:23:29.039
<v Speaker 2>in the Oto or any of the other orders, but

1529
01:23:29.399 --> 01:23:33.159
<v Speaker 2>in Tibetan Buddhism it's made with barley powder, so it's

1530
01:23:33.159 --> 01:23:37.199
<v Speaker 2>barley powder starfire, so it's not the blood of a virgin,

1531
01:23:37.520 --> 01:23:40.760
<v Speaker 2>just to be very clear, And it's not even starfire

1532
01:23:40.840 --> 01:23:43.199
<v Speaker 2>as you would understand it. It's made it's like a

1533
01:23:43.239 --> 01:23:48.359
<v Speaker 2>homeopathic like eight times version made into tiny little nectar pills.

1534
01:23:49.199 --> 01:23:52.720
<v Speaker 2>So and yes, it can also be other substances. And

1535
01:23:52.760 --> 01:23:57.359
<v Speaker 2>so the transgressive substances change the offering from like a

1536
01:23:57.439 --> 01:24:01.359
<v Speaker 2>peaceful offering into a wrathful offering. But in to n Buddhism,

1537
01:24:01.399 --> 01:24:06.840
<v Speaker 2>nothing is ever sacrifice except yourself, like not yourself, but

1538
01:24:07.199 --> 01:24:09.479
<v Speaker 2>kind of like who you think you are. That's the

1539
01:24:09.520 --> 01:24:13.279
<v Speaker 2>only that's just their symbolic offerings to represent sort of

1540
01:24:13.359 --> 01:24:19.119
<v Speaker 2>mental or uh, sort of like obstacles of consciousness. So

1541
01:24:19.199 --> 01:24:22.840
<v Speaker 2>you offer those obstacles of consciousness, but you put it

1542
01:24:22.920 --> 01:24:26.079
<v Speaker 2>in a in a vessel. That is the transgressive or

1543
01:24:26.079 --> 01:24:28.960
<v Speaker 2>wrathful offering. But the in and of itself is just

1544
01:24:29.000 --> 01:24:32.000
<v Speaker 2>a container. It's not like the real thing. You're just

1545
01:24:32.159 --> 01:24:36.479
<v Speaker 2>using that as a vehicle to remove the obstacle. But

1546
01:24:36.520 --> 01:24:40.279
<v Speaker 2>the obstacle always comes from yourself, it's not from external source.

1547
01:24:44.720 --> 01:24:47.159
<v Speaker 5>Interesting, So what are your thoughts, Nick on all this

1548
01:24:47.640 --> 01:24:50.600
<v Speaker 5>blood oatmeal weakening of this child.

1549
01:24:50.359 --> 01:24:53.800
<v Speaker 4>The golden child to immortal mortal situations?

1550
01:24:54.840 --> 01:25:00.239
<v Speaker 1>Uh? Oh, look at a couple of different different ways here. U. Well,

1551
01:25:00.279 --> 01:25:03.039
<v Speaker 1>even when like Chin was going there with it too,

1552
01:25:03.079 --> 01:25:04.880
<v Speaker 1>I guess, like you know, kick of Lights that does

1553
01:25:05.000 --> 01:25:06.640
<v Speaker 1>have blood in it stuff, he was talking at his

1554
01:25:06.680 --> 01:25:10.880
<v Speaker 1>blood in it wheat. I think it's just used in

1555
01:25:10.960 --> 01:25:16.560
<v Speaker 1>general or something like that. A grain is used symbolically.

1556
01:25:16.600 --> 01:25:19.800
<v Speaker 1>I think a lot, you know, just because it's cooked oatmeal,

1557
01:25:19.960 --> 01:25:21.720
<v Speaker 1>you know, think about it in the real sense, you know,

1558
01:25:21.840 --> 01:25:24.880
<v Speaker 1>you see stuff like that a lot. Uh. And then

1559
01:25:25.159 --> 01:25:33.439
<v Speaker 1>even with health uh huh did heart healthy? It's probably blood.

1560
01:25:33.600 --> 01:25:37.720
<v Speaker 1>I another interesting thing with that too. Even in in

1561
01:25:37.800 --> 01:25:42.680
<v Speaker 1>Hebrew it matches golden and fool. There was something else.

1562
01:25:42.720 --> 01:25:44.479
<v Speaker 1>I was gonna bring it up before, but uh, I

1563
01:25:44.479 --> 01:25:46.680
<v Speaker 1>didn't want to get too much on the numbers. So

1564
01:25:46.720 --> 01:25:48.840
<v Speaker 1>like I even thought that, like, how that seems interesting,

1565
01:25:48.880 --> 01:25:51.680
<v Speaker 1>how that like even matches like Eddie Murphy's character. But

1566
01:25:51.720 --> 01:25:55.239
<v Speaker 1>then tholso the kid itself again, and and then even

1567
01:25:55.880 --> 01:25:59.680
<v Speaker 1>in right yeah, and then even uh blood and then

1568
01:25:59.680 --> 01:26:03.079
<v Speaker 1>in English matches this might be a stretch matches Luna,

1569
01:26:03.159 --> 01:26:05.720
<v Speaker 1>but that chick's name also matches moon.

1570
01:26:10.199 --> 01:26:12.239
<v Speaker 4>I am kind of the reverse of the symbolism of

1571
01:26:12.279 --> 01:26:13.880
<v Speaker 4>the sun too, right, is that right? Right?

1572
01:26:14.439 --> 01:26:17.199
<v Speaker 1>And it matches full all the way around, and matches

1573
01:26:17.279 --> 01:26:23.119
<v Speaker 1>full uh in Hebrew and English and simple all the

1574
01:26:23.119 --> 01:26:23.760
<v Speaker 1>way around.

1575
01:26:24.680 --> 01:26:28.079
<v Speaker 6>I've read some theories about the Golden Child online, and

1576
01:26:28.279 --> 01:26:32.279
<v Speaker 6>also every every time before I do an episode like this,

1577
01:26:32.399 --> 01:26:34.600
<v Speaker 6>I like to check Reddit and see what people have

1578
01:26:34.680 --> 01:26:38.359
<v Speaker 6>said about it, and they did. To Nick's point, they

1579
01:26:38.479 --> 01:26:41.960
<v Speaker 6>always referenced that girl I think her name is key

1580
01:26:42.359 --> 01:26:46.199
<v Speaker 6>Key Nung or something like that. In the movie, they

1581
01:26:46.279 --> 01:26:50.319
<v Speaker 6>reference her as as supposed to be a moon deity,

1582
01:26:50.800 --> 01:26:53.439
<v Speaker 6>and I read that several times in a lot of

1583
01:26:53.479 --> 01:26:55.960
<v Speaker 6>the Reddit chats, that she was supposed to be like

1584
01:26:56.039 --> 01:26:59.399
<v Speaker 6>a moon deity. So I just wanted to throw that

1585
01:26:59.479 --> 01:27:03.000
<v Speaker 6>in there, that that's not my name. Yeah, that was

1586
01:27:03.159 --> 01:27:06.840
<v Speaker 6>That wasn't my conclusions, but I did see that several

1587
01:27:06.880 --> 01:27:09.239
<v Speaker 6>times on Reddit, people talking about this movie and what

1588
01:27:09.279 --> 01:27:11.960
<v Speaker 6>it could mean and stuff like that. That got brought

1589
01:27:12.199 --> 01:27:19.439
<v Speaker 6>a lot. Yeah, I couldn't find anything on that specifically,

1590
01:27:20.800 --> 01:27:22.800
<v Speaker 6>but the blood and the oatmeal, I think it could

1591
01:27:22.800 --> 01:27:26.359
<v Speaker 6>be another thing obviously with Jin and Nick are saying,

1592
01:27:27.079 --> 01:27:29.960
<v Speaker 6>and just the colors, the white and the red, I

1593
01:27:30.000 --> 01:27:35.800
<v Speaker 6>think could be significant because out of all things to choose, oatmeal,

1594
01:27:36.039 --> 01:27:38.520
<v Speaker 6>I feel like that's a little specific because you could

1595
01:27:38.560 --> 01:27:40.640
<v Speaker 6>put blood. I feel like if I was going to

1596
01:27:40.680 --> 01:27:43.720
<v Speaker 6>try to feed somebody something with blood in it, more

1597
01:27:43.840 --> 01:27:47.079
<v Speaker 6>creative about it, like vegetable soup, then you.

1598
01:27:47.079 --> 01:27:49.399
<v Speaker 5>Couldn't got You gotta sneak it in there. You gotta

1599
01:27:49.399 --> 01:27:51.760
<v Speaker 5>find a better so to transport that blood.

1600
01:27:51.760 --> 01:27:53.840
<v Speaker 6>That's like, why why oat meal?

1601
01:27:54.079 --> 01:27:54.279
<v Speaker 13>You know?

1602
01:27:56.319 --> 01:27:58.399
<v Speaker 5>Yeh seems that importance, right, the grain or the oats.

1603
01:27:58.439 --> 01:28:00.319
<v Speaker 5>There's something's important.

1604
01:28:00.960 --> 01:28:04.359
<v Speaker 6>Yeah, And like when he first digs the spoon into

1605
01:28:04.439 --> 01:28:07.079
<v Speaker 6>it and there's that scene where it's just oatmeal on

1606
01:28:07.119 --> 01:28:09.680
<v Speaker 6>the top and then boom, blood comes squirting out of it.

1607
01:28:10.039 --> 01:28:12.920
<v Speaker 6>And it's like very cinematic how they did, like the

1608
01:28:13.000 --> 01:28:16.560
<v Speaker 6>white oatmeal with the red blood squirting out so and

1609
01:28:16.600 --> 01:28:19.079
<v Speaker 6>then he even like takes a polaroid stature of it.

1610
01:28:20.119 --> 01:28:24.079
<v Speaker 6>So I think, you know, the colors could be significant

1611
01:28:24.119 --> 01:28:28.479
<v Speaker 6>also if you want to get real surface level, like

1612
01:28:28.520 --> 01:28:31.079
<v Speaker 6>with the red hair and the white skin, the oatmeal

1613
01:28:31.199 --> 01:28:34.960
<v Speaker 6>and the blood. It's like literally all the colors in

1614
01:28:35.039 --> 01:28:36.479
<v Speaker 6>this movie mean something.

1615
01:28:37.880 --> 01:28:38.520
<v Speaker 4>I mean, I like it.

1616
01:28:38.600 --> 01:28:40.119
<v Speaker 5>You got a lot of that red stuff going on

1617
01:28:40.119 --> 01:28:43.039
<v Speaker 5>in just the movie poster right, the official imagery for the.

1618
01:28:42.920 --> 01:28:47.479
<v Speaker 4>Film, right, I mean some deep reds going on, deep reds.

1619
01:28:47.680 --> 01:28:50.800
<v Speaker 2>Well, I can offer a little something is that that

1620
01:28:50.880 --> 01:28:54.520
<v Speaker 2>was great because the white, red, and blue are the

1621
01:28:54.560 --> 01:28:57.199
<v Speaker 2>most significant colors. Like I said, orange is a really

1622
01:28:57.199 --> 01:28:59.840
<v Speaker 2>important color. Yes, green is a really important color. Yes,

1623
01:29:00.439 --> 01:29:05.199
<v Speaker 2>but the real primordial colors are white, red, and blue

1624
01:29:05.279 --> 01:29:08.560
<v Speaker 2>in that order. So obviously the pepsi can has like

1625
01:29:08.680 --> 01:29:12.159
<v Speaker 2>multiple layers of significance just through that. It's also you

1626
01:29:12.159 --> 01:29:16.239
<v Speaker 2>could say, like a sort of an agent of synthesis

1627
01:29:16.439 --> 01:29:20.119
<v Speaker 2>away because it it's like bringing it's obviously a tin

1628
01:29:20.239 --> 01:29:24.119
<v Speaker 2>can kind of thing or aluminum, so maybe even has mercurialness.

1629
01:29:24.279 --> 01:29:27.720
<v Speaker 2>But then it's white, so it's kind of heather. But

1630
01:29:28.720 --> 01:29:30.600
<v Speaker 2>you need other things to get there. So you have

1631
01:29:30.680 --> 01:29:33.359
<v Speaker 2>the hesset and the Gevra, the water and the fire

1632
01:29:33.479 --> 01:29:36.359
<v Speaker 2>coming together, and then the little boat boy at Hoe,

1633
01:29:36.479 --> 01:29:40.279
<v Speaker 2>that little golden prince, he's making it alive with his mind.

1634
01:29:40.399 --> 01:29:45.479
<v Speaker 2>So yeah, there's something very magic about that. And I

1635
01:29:45.520 --> 01:29:48.000
<v Speaker 2>think that the other I'd have forgot my other point,

1636
01:29:48.039 --> 01:29:50.000
<v Speaker 2>but I you know, that was a great point, Julia

1637
01:29:50.079 --> 01:29:53.560
<v Speaker 2>and I agree. Also, you can you can make turma

1638
01:29:53.760 --> 01:29:57.520
<v Speaker 2>turmas like wrathful offerings. You can make them very gory

1639
01:29:57.560 --> 01:30:00.359
<v Speaker 2>like looking because you just you you just like old

1640
01:30:00.359 --> 01:30:04.000
<v Speaker 2>a cake basically out of barley powder and like little

1641
01:30:04.039 --> 01:30:07.600
<v Speaker 2>substance pills, and then you can make them like have

1642
01:30:07.680 --> 01:30:11.119
<v Speaker 2>eyeballs or tongues or like any of their wrathful kind

1643
01:30:11.119 --> 01:30:13.800
<v Speaker 2>of offerings. So, like what Julie is saying, it's like

1644
01:30:13.840 --> 01:30:17.680
<v Speaker 2>a perfect simulcra like a you know, it's not quite real,

1645
01:30:17.840 --> 01:30:21.319
<v Speaker 2>and it's also cinematic, so it's like a crazy offering.

1646
01:30:21.439 --> 01:30:24.279
<v Speaker 2>That spirting blood that they're telling us is real, but

1647
01:30:24.359 --> 01:30:26.880
<v Speaker 2>we also know as an audience is not really real.

1648
01:30:27.079 --> 01:30:29.399
<v Speaker 2>So it is kind of like a perfect contraed offering

1649
01:30:29.439 --> 01:30:30.920
<v Speaker 2>in a way because it's kind of like a lie

1650
01:30:31.000 --> 01:30:32.079
<v Speaker 2>of truth at the same time.

1651
01:30:33.760 --> 01:30:36.680
<v Speaker 6>Yeah, and I think the three colors I noticed the

1652
01:30:36.800 --> 01:30:40.920
<v Speaker 6>most in this movie were red, white, and blue, and

1653
01:30:41.439 --> 01:30:48.279
<v Speaker 6>the Golden Child wears a traditional like little Buddhist looking

1654
01:30:48.399 --> 01:30:52.079
<v Speaker 6>robe throughout the entire movie, except for the very last

1655
01:30:52.159 --> 01:30:56.159
<v Speaker 6>scene of the movie where they put a red, white

1656
01:30:56.199 --> 01:31:00.880
<v Speaker 6>and blue shirt on him and then Eddie Murphy gives

1657
01:31:00.960 --> 01:31:06.319
<v Speaker 6>him a hat that's blue and white, and so yeah,

1658
01:31:06.359 --> 01:31:09.199
<v Speaker 6>I think that they I mean, the whole movie, he's

1659
01:31:09.239 --> 01:31:13.640
<v Speaker 6>like got the traditional you know, garbon and then at

1660
01:31:13.680 --> 01:31:16.439
<v Speaker 6>the very last scene of the movie he's red, white

1661
01:31:16.439 --> 01:31:20.239
<v Speaker 6>and blue stripe shirt with a blue and white hat,

1662
01:31:20.359 --> 01:31:25.039
<v Speaker 6>and so yeah, I think that stands out, like I

1663
01:31:25.039 --> 01:31:27.960
<v Speaker 6>don't even know why they put that on him, honestly.

1664
01:31:27.600 --> 01:31:30.720
<v Speaker 4>Because excellent point, though, excellent point.

1665
01:31:31.479 --> 01:31:40.039
<v Speaker 6>Yeah they're wearing blue again. Yeah, the red, white and

1666
01:31:40.039 --> 01:31:45.119
<v Speaker 6>blue stripes in the blue and white hat, and yeah,

1667
01:31:45.119 --> 01:31:48.159
<v Speaker 6>I think the colors definitely mean something I.

1668
01:31:48.119 --> 01:31:49.880
<v Speaker 5>Don't want to miss. I don't want to miss gender

1669
01:31:49.920 --> 01:31:51.960
<v Speaker 5>this individual, not even in a translay. But that is

1670
01:31:52.119 --> 01:31:53.239
<v Speaker 5>just remind you that is a girl.

1671
01:31:53.720 --> 01:31:54.119
<v Speaker 4>What's new?

1672
01:31:54.319 --> 01:31:55.840
<v Speaker 6>That's so crazy to me.

1673
01:31:57.159 --> 01:31:59.239
<v Speaker 4>Isn't it wild? I was shocked to learn that.

1674
01:32:00.159 --> 01:32:02.000
<v Speaker 6>I mean, I guess they did that with the little

1675
01:32:02.039 --> 01:32:07.640
<v Speaker 6>girl what's her face from fucking such stranger things. So

1676
01:32:07.680 --> 01:32:10.439
<v Speaker 6>it's not the first time they shaved a girl's head,

1677
01:32:10.520 --> 01:32:12.920
<v Speaker 6>and you know, but they let her still be a

1678
01:32:12.960 --> 01:32:13.560
<v Speaker 6>girl in.

1679
01:32:13.479 --> 01:32:16.560
<v Speaker 5>That, you know what I'm saying, Like where like jen

1680
01:32:16.720 --> 01:32:18.880
<v Speaker 5>was and Nick were discussing earlier, when he's playing in

1681
01:32:18.920 --> 01:32:21.840
<v Speaker 5>the gender role games within this occult, you know, philosophies,

1682
01:32:22.399 --> 01:32:24.359
<v Speaker 5>you know, I kind of see the same thing from you,

1683
01:32:24.640 --> 01:32:27.199
<v Speaker 5>like a surface level, like you were saying, Julia, When

1684
01:32:27.239 --> 01:32:28.760
<v Speaker 5>I look at Satanism, I'm like, well, they like to

1685
01:32:28.760 --> 01:32:31.680
<v Speaker 5>play this gender game a lot and Satanism and old noomsy.

1686
01:32:31.720 --> 01:32:33.920
<v Speaker 5>Here they call him the devil, but he's he's a noopsy,

1687
01:32:34.399 --> 01:32:36.319
<v Speaker 5>but he's he's kind of is the devil, right, I

1688
01:32:36.359 --> 01:32:38.279
<v Speaker 5>Mean they don't classify it, but.

1689
01:32:39.640 --> 01:32:43.720
<v Speaker 6>He's a demon for sure because he meditates and then

1690
01:32:43.760 --> 01:32:45.640
<v Speaker 6>he speaks to the devil.

1691
01:32:49.039 --> 01:32:50.880
<v Speaker 4>Not even the top devil. He's like a like a

1692
01:32:50.920 --> 01:32:51.800
<v Speaker 4>lower tier devil.

1693
01:32:52.159 --> 01:32:54.520
<v Speaker 6>Yeah, he's like a like a like a.

1694
01:32:55.960 --> 01:32:56.439
<v Speaker 10>The devil.

1695
01:32:57.560 --> 01:32:59.600
<v Speaker 4>Yeah, he's middle.

1696
01:33:01.239 --> 01:33:03.560
<v Speaker 6>Because he can't even figure out what the fuck to do.

1697
01:33:03.640 --> 01:33:06.479
<v Speaker 6>He's got to go back and ask advice. Like I

1698
01:33:06.479 --> 01:33:08.439
<v Speaker 6>thought you were supposed to be a demon with all

1699
01:33:08.479 --> 01:33:10.720
<v Speaker 6>your demony knowledge and ship, and you got to go

1700
01:33:10.840 --> 01:33:13.119
<v Speaker 6>back and refer back to the devil all the time,

1701
01:33:13.199 --> 01:33:15.680
<v Speaker 6>like you're retard. Like what am I supposed to do?

1702
01:33:16.279 --> 01:33:17.319
<v Speaker 4>How do I kill him?

1703
01:33:17.359 --> 01:33:19.479
<v Speaker 6>I don't know, stab him in the fucking face.

1704
01:33:20.600 --> 01:33:22.399
<v Speaker 5>No, that's a that's a great that's a great point

1705
01:33:22.439 --> 01:33:24.520
<v Speaker 5>because if you're some sort of criminal mastermind, you work,

1706
01:33:24.560 --> 01:33:27.159
<v Speaker 5>you know, this demon thing. You hire Tommy Tong who

1707
01:33:27.199 --> 01:33:30.239
<v Speaker 5>pays some chowmaine to these bikers, the kidnap a girl.

1708
01:33:30.359 --> 01:33:32.760
<v Speaker 5>What are what are these negotiations and logistics you're going

1709
01:33:32.760 --> 01:33:36.039
<v Speaker 5>through your budd demon you can do better. Look at

1710
01:33:36.119 --> 01:33:37.640
<v Speaker 5>hold on, let me let me just show you who

1711
01:33:37.880 --> 01:33:40.760
<v Speaker 5>Tommy Tong is here, because he much like Victor Wong,

1712
01:33:40.760 --> 01:33:43.479
<v Speaker 5>and they also start in Big Trouble Little China, the

1713
01:33:43.479 --> 01:33:45.760
<v Speaker 5>guy who played Tommy Tong here, But Tommy Tong was

1714
01:33:45.760 --> 01:34:13.399
<v Speaker 5>a liability and old Noomsy wasn't having it. I speaking

1715
01:34:13.439 --> 01:34:14.920
<v Speaker 5>role is more of a dying role, but that was

1716
01:34:14.960 --> 01:34:15.560
<v Speaker 5>Tommy Tongue.

1717
01:34:16.239 --> 01:34:19.600
<v Speaker 6>What is the rat significant for? Because they're listening to

1718
01:34:19.800 --> 01:34:23.279
<v Speaker 6>a rat song and then Noopsy just turned into a rat,

1719
01:34:23.399 --> 01:34:24.159
<v Speaker 6>So what is it?

1720
01:34:24.199 --> 01:34:24.920
<v Speaker 4>Beat me to it?

1721
01:34:25.039 --> 01:34:27.840
<v Speaker 5>You beat me to it, Julia, and I feel like

1722
01:34:28.119 --> 01:34:30.520
<v Speaker 5>Asian cultures have a different significance of rats than we

1723
01:34:30.520 --> 01:34:31.279
<v Speaker 5>do here in America.

1724
01:34:31.720 --> 01:34:33.039
<v Speaker 4>But I'm sure Jenny can add to that.

1725
01:34:33.600 --> 01:34:33.800
<v Speaker 8>Well.

1726
01:34:33.840 --> 01:34:35.800
<v Speaker 2>If you wanted to give it a really Buddhist layer,

1727
01:34:35.840 --> 01:34:38.199
<v Speaker 2>you could say the rat is the vehicle of the

1728
01:34:38.319 --> 01:34:42.039
<v Speaker 2>Lord of hosts or the lord of aggregates, so it

1729
01:34:42.079 --> 01:34:48.000
<v Speaker 2>would maybe give him like a materialistic Klepolithic, maybe even Satanic.

1730
01:34:48.039 --> 01:34:50.840
<v Speaker 2>But of course you don't have to I'm just saying conceptually,

1731
01:34:50.840 --> 01:34:53.319
<v Speaker 2>you don't have to take it like that, right, but

1732
01:34:53.479 --> 01:34:55.319
<v Speaker 2>you could say that it gives it that element. But

1733
01:34:55.359 --> 01:34:59.840
<v Speaker 2>there's also a really interesting element that's universal is that

1734
01:35:00.960 --> 01:35:04.920
<v Speaker 2>in almost every culture that I've ever encountered talking about magic,

1735
01:35:05.039 --> 01:35:09.640
<v Speaker 2>they will always discuss sorcerers being able to transform into

1736
01:35:10.640 --> 01:35:14.800
<v Speaker 2>black animals. So like a rat, like a dog, like

1737
01:35:14.840 --> 01:35:20.439
<v Speaker 2>a horse. All, uh, it's cat is actually rare. It's

1738
01:35:20.479 --> 01:35:24.520
<v Speaker 2>actually quite rare as an idea that only women. It's

1739
01:35:24.560 --> 01:35:27.760
<v Speaker 2>more women can turn into cats, or they will say

1740
01:35:27.800 --> 01:35:30.680
<v Speaker 2>cat spirits, especially in a Chinese context, I'll say cat

1741
01:35:30.720 --> 01:35:34.039
<v Speaker 2>spirits can live a very long time, and eventually, if

1742
01:35:34.039 --> 01:35:37.079
<v Speaker 2>they can live long enough, they'll turn into women that

1743
01:35:37.199 --> 01:35:39.560
<v Speaker 2>can like marry men and et cetera.

1744
01:35:40.720 --> 01:35:42.560
<v Speaker 5>So it's a lot of thoughts out in my process

1745
01:35:43.159 --> 01:35:46.399
<v Speaker 5>inspect Jim, But I mean I like it just some

1746
01:35:46.439 --> 01:35:47.000
<v Speaker 5>wild stuff.

1747
01:35:47.000 --> 01:35:47.920
<v Speaker 4>You just threw out their bud.

1748
01:35:48.560 --> 01:35:50.600
<v Speaker 6>I think that happened to me though. I think I

1749
01:35:50.720 --> 01:35:53.000
<v Speaker 6>was born a cat and I slowly you were born

1750
01:35:53.479 --> 01:35:56.720
<v Speaker 6>into Yeah. I mean I've always just identified as a cat.

1751
01:35:56.840 --> 01:36:00.000
<v Speaker 6>Like I'm always like, go fuck yourself. You know, people

1752
01:36:00.039 --> 01:36:02.399
<v Speaker 6>will come around and I'm like and then I go

1753
01:36:02.560 --> 01:36:07.640
<v Speaker 6>hide somewhere. I'm better as an online presence, Yeah, I'm

1754
01:36:07.680 --> 01:36:11.399
<v Speaker 6>just I'm a hotline presence. Don't come to my house.

1755
01:36:11.119 --> 01:36:14.600
<v Speaker 5>Though, you want to do online vampiring, like to Celest

1756
01:36:14.640 --> 01:36:15.840
<v Speaker 5>the vampire we just had.

1757
01:36:15.680 --> 01:36:19.239
<v Speaker 16>On said I would totally do it as well as

1758
01:36:19.279 --> 01:36:24.680
<v Speaker 16>I don't have to meet a motherfucker, and like, yeah,

1759
01:36:25.199 --> 01:36:27.880
<v Speaker 16>but oh so I was gonna say, I feel like

1760
01:36:27.920 --> 01:36:32.199
<v Speaker 16>there are undertones of like the Christianity story inside this movie,

1761
01:36:32.279 --> 01:36:36.560
<v Speaker 16>because the biker gang that sells the young girl for.

1762
01:36:38.720 --> 01:36:43.680
<v Speaker 6>Pork fried rice or like whatever, that's like the Judas

1763
01:36:44.319 --> 01:36:47.039
<v Speaker 6>couple of egg rolls, you know, and then you have

1764
01:36:48.199 --> 01:36:53.399
<v Speaker 6>you know, Sartos is trying to offer a deal to Jerrold,

1765
01:36:53.520 --> 01:36:56.279
<v Speaker 6>so it's like making a deal with the devil and

1766
01:36:56.479 --> 01:37:03.600
<v Speaker 6>the chos. Yeah, yeah, so I do think there are

1767
01:37:03.680 --> 01:37:08.039
<v Speaker 6>like the like Christian aspects of this, like someone betraying

1768
01:37:08.079 --> 01:37:10.880
<v Speaker 6>you and selling you for pork fried rice and making

1769
01:37:10.920 --> 01:37:13.359
<v Speaker 6>a deal with the devil, and you know, the whole kind.

1770
01:37:13.279 --> 01:37:15.560
<v Speaker 5>Of making a joke of the Satanic panic at the time, right,

1771
01:37:15.880 --> 01:37:17.840
<v Speaker 5>this is kind of the hotest Satanic panic, right.

1772
01:37:17.920 --> 01:37:23.880
<v Speaker 6>Sure, I would say, so, yeah, what's funny because I

1773
01:37:23.880 --> 01:37:24.399
<v Speaker 6>didn't I don't.

1774
01:37:24.399 --> 01:37:25.640
<v Speaker 4>I don't know why I put the clip. I was

1775
01:37:25.680 --> 01:37:26.239
<v Speaker 4>just looking for it.

1776
01:37:27.159 --> 01:37:31.680
<v Speaker 5>But speaking of all this satanic stuff, right, so in

1777
01:37:31.720 --> 01:37:33.079
<v Speaker 5>the Satanic Panic business.

1778
01:37:33.960 --> 01:37:35.800
<v Speaker 4>So Eddie Murphy.

1779
01:37:35.520 --> 01:37:37.159
<v Speaker 5>Did a show I think it was at coffee with

1780
01:37:37.239 --> 01:37:40.479
<v Speaker 5>car Jerry Seinfeld, and he's talking about how he met

1781
01:37:40.479 --> 01:37:42.760
<v Speaker 5>Sammy Davis Junior there around the same time made this

1782
01:37:42.800 --> 01:37:45.760
<v Speaker 5>film sub mid eighties, so and Sammy Day Old Sammy

1783
01:37:45.840 --> 01:37:47.760
<v Speaker 5>d was trying to get him to join the Church

1784
01:37:47.800 --> 01:37:49.600
<v Speaker 5>of Satan, join the dark Side?

1785
01:37:49.640 --> 01:37:50.319
<v Speaker 4>Is he is?

1786
01:37:50.359 --> 01:37:50.399
<v Speaker 2>He?

1787
01:37:50.399 --> 01:37:55.359
<v Speaker 4>Old? Eddie was talking, Well, hmmm, I.

1788
01:37:55.279 --> 01:37:57.520
<v Speaker 2>Think it's important to just note really quick that we

1789
01:37:57.680 --> 01:38:02.720
<v Speaker 2>don't have a Satan figure. Say, well, maybe that's not accurate.

1790
01:38:03.279 --> 01:38:06.079
<v Speaker 1>Don't have it equal Satan. I meant to tell you

1791
01:38:06.119 --> 01:38:07.760
<v Speaker 1>that Johnty equal Satan.

1792
01:38:07.920 --> 01:38:14.239
<v Speaker 4>Okay, the dagger, yeah, johnt dagger, Yes, the Satan dagger. Oh,

1793
01:38:14.279 --> 01:38:14.920
<v Speaker 4>that's interesting.

1794
01:38:14.920 --> 01:38:15.279
<v Speaker 2>That's right.

1795
01:38:16.239 --> 01:38:21.199
<v Speaker 6>You remember what they said about it when when Noopsy

1796
01:38:21.439 --> 01:38:24.840
<v Speaker 6>meditates to speak with the devil and he says, the

1797
01:38:25.119 --> 01:38:28.640
<v Speaker 6>jaunty Dagger is not of this world and it came

1798
01:38:28.800 --> 01:38:32.760
<v Speaker 6>from Hell so they could kill the Golden Child, like

1799
01:38:32.840 --> 01:38:34.399
<v Speaker 6>it's literally from hell.

1800
01:38:35.520 --> 01:38:38.159
<v Speaker 4>And to make this.

1801
01:38:38.199 --> 01:38:40.600
<v Speaker 5>Hell right, he had to eat the bloody oatmeal and

1802
01:38:40.600 --> 01:38:43.600
<v Speaker 5>make this hell, which kind of sounds like vampirism.

1803
01:38:43.880 --> 01:38:46.279
<v Speaker 2>Well, he's bringing the carnal ground to the little Boy.

1804
01:38:46.479 --> 01:38:48.039
<v Speaker 4>The online is more of.

1805
01:38:47.960 --> 01:38:51.279
<v Speaker 2>Heaven, you could say. And so there's something really interesting

1806
01:38:51.319 --> 01:38:53.399
<v Speaker 2>even about the dagger since Snick brought it up, is

1807
01:38:53.439 --> 01:38:56.920
<v Speaker 2>that that dagger is actually a magical implement, but it's

1808
01:38:57.000 --> 01:39:01.159
<v Speaker 2>also a deity. That deity name is vaujor Kumara. That's

1809
01:39:01.199 --> 01:39:04.359
<v Speaker 2>an older version of text, but or older.

1810
01:39:04.600 --> 01:39:05.479
<v Speaker 4>That's not a dagger, Jim.

1811
01:39:05.720 --> 01:39:11.399
<v Speaker 2>This is a dagger, yes, that dagger, So it's a

1812
01:39:11.520 --> 01:39:14.760
<v Speaker 2>three pointed dagger. And it also is called Vajra Kumara,

1813
01:39:14.920 --> 01:39:17.800
<v Speaker 2>just like the Golden Boy. So the dagger can also

1814
01:39:17.880 --> 01:39:19.800
<v Speaker 2>be a deity like it can.

1815
01:39:19.680 --> 01:39:23.399
<v Speaker 4>Also this is also the Golden Child.

1816
01:39:23.199 --> 01:39:25.479
<v Speaker 2>Right, but then you be Then the whole point is

1817
01:39:25.520 --> 01:39:28.199
<v Speaker 2>like to proceed, like to not have a distinction between

1818
01:39:28.239 --> 01:39:32.520
<v Speaker 2>like object and perceiver. So you're kind of unified in

1819
01:39:32.560 --> 01:39:34.319
<v Speaker 2>the dagger. And you can even see there's like a

1820
01:39:34.359 --> 01:39:37.920
<v Speaker 2>figure eight sort of thing that's a vadra. So like

1821
01:39:38.079 --> 01:39:41.159
<v Speaker 2>everyone always loves the vadra whenever I bring it up.

1822
01:39:41.199 --> 01:39:43.520
<v Speaker 2>So that's a vajra in the middle. But then it

1823
01:39:43.560 --> 01:39:45.720
<v Speaker 2>comes down to a single point. So at the single

1824
01:39:45.760 --> 01:39:48.159
<v Speaker 2>point should be your like will, but it's your will

1825
01:39:48.199 --> 01:39:51.920
<v Speaker 2>and complete emptiness. So it's what I'm really trying to say,

1826
01:39:52.000 --> 01:39:54.399
<v Speaker 2>is it's just it's a wand you could say or

1827
01:39:54.439 --> 01:39:58.119
<v Speaker 2>a dagger. It can be both things really, but it

1828
01:39:58.119 --> 01:40:00.800
<v Speaker 2>it can also be you, but it it's not you,

1829
01:40:00.960 --> 01:40:03.000
<v Speaker 2>just like when you're holding it, playing with it.

1830
01:40:02.880 --> 01:40:05.239
<v Speaker 4>Like it's a dagger that identifies as a.

1831
01:40:06.399 --> 01:40:09.319
<v Speaker 2>Yes, like you could say, you could say the apotheosis

1832
01:40:09.359 --> 01:40:11.960
<v Speaker 2>of a person is the golden child. I think that's

1833
01:40:11.960 --> 01:40:14.600
<v Speaker 2>a very Christian kabalistic way to kind of look at it,

1834
01:40:14.720 --> 01:40:16.960
<v Speaker 2>or even a theosophical way, like I think that's what

1835
01:40:17.119 --> 01:40:18.880
<v Speaker 2>Nick and I have both been like getting at is

1836
01:40:18.920 --> 01:40:21.279
<v Speaker 2>that it's like someone rising through the tree. But it

1837
01:40:21.319 --> 01:40:32.079
<v Speaker 2>could be like a real person, maybe a magician, Okay.

1838
01:40:28.800 --> 01:40:31.640
<v Speaker 1>Dagger even I don't want to try to get into

1839
01:40:31.680 --> 01:40:34.880
<v Speaker 1>it too much. I explained it a couple of well,

1840
01:40:35.159 --> 01:40:38.760
<v Speaker 1>a couple of years ago I had covered Michael Myers

1841
01:40:39.199 --> 01:40:42.439
<v Speaker 1>Halloween in the Nightmare Elme Street. How I both thought

1842
01:40:42.520 --> 01:40:45.880
<v Speaker 1>that they kind of both represented beasts in the both

1843
01:40:45.960 --> 01:40:50.359
<v Speaker 1>like possibly like Janice. And again they both you know,

1844
01:40:50.640 --> 01:40:54.359
<v Speaker 1>Freddy has the daggers kind of finger daggers and the

1845
01:40:54.399 --> 01:40:57.000
<v Speaker 1>other guy is known for a knife as well. And

1846
01:40:57.119 --> 01:40:59.960
<v Speaker 1>I do you know, even when I was showing there's something,

1847
01:41:00.079 --> 01:41:02.840
<v Speaker 1>and I think line two in line seventeen, I think

1848
01:41:02.880 --> 01:41:07.319
<v Speaker 1>both associate with like Janus in a Crawley seven seven

1849
01:41:07.439 --> 01:41:10.399
<v Speaker 1>seven and somewhere like I think a knife for like

1850
01:41:10.439 --> 01:41:15.079
<v Speaker 1>a Crusser. Something along those lines comes up associated with that.

1851
01:41:15.560 --> 01:41:17.399
<v Speaker 1>And that was like another thing I was showing that

1852
01:41:17.439 --> 01:41:19.279
<v Speaker 1>I was trying to explain. And if you think about

1853
01:41:19.319 --> 01:41:21.119
<v Speaker 1>it in a sense, if you look at the dagger now,

1854
01:41:21.119 --> 01:41:24.479
<v Speaker 1>it's already got the two face got right at the bottom.

1855
01:41:24.720 --> 01:41:26.279
<v Speaker 5>That's what I was just gonna say, right, is that

1856
01:41:26.399 --> 01:41:28.439
<v Speaker 5>yanis the two faces you see, they're right.

1857
01:41:30.880 --> 01:41:34.920
<v Speaker 2>So he technically he has five faces, but sometimes I

1858
01:41:35.439 --> 01:41:38.640
<v Speaker 2>h s three or one with a face above it,

1859
01:41:38.720 --> 01:41:40.840
<v Speaker 2>so it'll be like a little he'll kind of like

1860
01:41:40.880 --> 01:41:43.760
<v Speaker 2>a pot. It'll like represent like his higher consciousness the

1861
01:41:43.840 --> 01:41:47.119
<v Speaker 2>face above it. And interestingly, to go off, next comment

1862
01:41:47.439 --> 01:41:49.600
<v Speaker 2>is that when you look at him in art, so

1863
01:41:49.880 --> 01:41:53.000
<v Speaker 2>just Buddhist art, although sometimes they make daggers like this,

1864
01:41:53.560 --> 01:41:56.880
<v Speaker 2>he will be depicted in full form and he'll have wings,

1865
01:41:57.119 --> 01:42:00.439
<v Speaker 2>so all all in it will look like very much

1866
01:42:00.479 --> 01:42:03.000
<v Speaker 2>like a cross or a crucifix. Maybe maybe not as

1867
01:42:03.720 --> 01:42:06.520
<v Speaker 2>it looks like it taw anyway, and that is kind

1868
01:42:06.520 --> 01:42:09.720
<v Speaker 2>of the idea and so like Julia was saying, like

1869
01:42:09.720 --> 01:42:13.520
<v Speaker 2>like raising something from Hell, that he is the Adamantine's son.

1870
01:42:14.279 --> 01:42:16.800
<v Speaker 2>So that's another way to understand it. Like he's forged

1871
01:42:16.800 --> 01:42:19.319
<v Speaker 2>in hell fire, but he's a little more powerful than that.

1872
01:42:19.760 --> 01:42:22.760
<v Speaker 2>So you can see there's like a redemptive you could

1873
01:42:22.760 --> 01:42:25.239
<v Speaker 2>call it like a Buddhist arc or a theosophical arc,

1874
01:42:25.319 --> 01:42:28.479
<v Speaker 2>but I think that also parallels like the guy has

1875
01:42:28.520 --> 01:42:30.680
<v Speaker 2>to draw his path, the evil sorcerer has to draw

1876
01:42:30.720 --> 01:42:33.479
<v Speaker 2>his powers from like a worldly spirit. A spirit that

1877
01:42:33.520 --> 01:42:37.720
<v Speaker 2>doesn't is not omnipotent, is not omnipresent, just has a

1878
01:42:37.760 --> 01:42:41.199
<v Speaker 2>goal to become like I don't know, more of this

1879
01:42:41.279 --> 01:42:44.920
<v Speaker 2>earth or whatever. But the Golden Child he sort of

1880
01:42:44.920 --> 01:42:48.119
<v Speaker 2>transcends all that. He's sort of above it. He's not worldly.

1881
01:42:48.520 --> 01:42:50.840
<v Speaker 2>So that's kind of what the dagger also represents. You

1882
01:42:50.840 --> 01:42:52.720
<v Speaker 2>could say, real quick.

1883
01:42:52.560 --> 01:42:55.000
<v Speaker 4>And the chosen one can wield the dagger too, right.

1884
01:42:56.119 --> 01:42:58.159
<v Speaker 1>I don't know, Yeah, yeah, you can.

1885
01:42:59.520 --> 01:43:00.600
<v Speaker 4>The whole right.

1886
01:43:00.720 --> 01:43:03.199
<v Speaker 5>Old Victor Wong's like, well we'll find out if you

1887
01:43:03.239 --> 01:43:05.199
<v Speaker 5>can get that dagger, Budton, Well, if you're up to

1888
01:43:05.279 --> 01:43:09.159
<v Speaker 5>the challenge.

1889
01:43:07.640 --> 01:43:09.920
<v Speaker 1>Real quick too. Even when I had covered the movie

1890
01:43:09.960 --> 01:43:14.720
<v Speaker 1>from Hell, I showed symbolism and that about Janice and

1891
01:43:15.199 --> 01:43:18.399
<v Speaker 1>that's you know all about slice some motherfuckers up too. Shit.

1892
01:43:20.039 --> 01:43:22.520
<v Speaker 6>That's a good one to do a breakdown on because

1893
01:43:22.560 --> 01:43:25.800
<v Speaker 6>there's a kind of stuff in there. One of my

1894
01:43:26.279 --> 01:43:31.000
<v Speaker 6>favorite Johnny Depps actually I love that one. So what

1895
01:43:31.039 --> 01:43:34.279
<v Speaker 6>do you guys think about him eating those little twigs

1896
01:43:34.640 --> 01:43:38.119
<v Speaker 6>throughout the whole movie? Do you think that's significant.

1897
01:43:37.479 --> 01:43:38.239
<v Speaker 4>In a way?

1898
01:43:38.600 --> 01:43:40.520
<v Speaker 1>Yes, one thing I was going to bring up to

1899
01:43:40.560 --> 01:43:43.720
<v Speaker 1>with the whole blood stuff. It even goes back to uh,

1900
01:43:43.760 --> 01:43:46.319
<v Speaker 1>some guy in Pedocles from like five hundred PC. He

1901
01:43:46.359 --> 01:43:48.920
<v Speaker 1>was even stating that you if you want to do

1902
01:43:49.000 --> 01:43:52.039
<v Speaker 1>magical stuff, you're gonna have to stop taking him blood.

1903
01:43:52.600 --> 01:43:54.399
<v Speaker 1>You're gonna have to start like kind of eating like

1904
01:43:54.439 --> 01:43:58.760
<v Speaker 1>a vegetarian. And blood blood would be like it would

1905
01:43:58.760 --> 01:44:01.600
<v Speaker 1>just be a bad thing. It would be make you dirty.

1906
01:44:01.800 --> 01:44:03.399
<v Speaker 1>I can't think of the word right now.

1907
01:44:03.479 --> 01:44:06.640
<v Speaker 5>That well that's what makes it. That's what that's what

1908
01:44:06.680 --> 01:44:09.680
<v Speaker 5>they here, right, would make him dirty? Would be immortal, right,

1909
01:44:09.680 --> 01:44:10.920
<v Speaker 5>he would, he would be of the earth.

1910
01:44:11.079 --> 01:44:14.399
<v Speaker 1>Yeah, and he he he goes on about eating like,

1911
01:44:14.479 --> 01:44:16.439
<v Speaker 1>you know, stuff like that. So it makes sense that

1912
01:44:16.520 --> 01:44:18.399
<v Speaker 1>the kids like eating a plant. You know, it's it's

1913
01:44:18.520 --> 01:44:22.119
<v Speaker 1>nice he's eating a vegetarian die my opinion, and.

1914
01:44:22.039 --> 01:44:25.920
<v Speaker 6>The blood literally eating like one leaf a day for

1915
01:44:26.159 --> 01:44:27.359
<v Speaker 6>several days.

1916
01:44:28.479 --> 01:44:30.079
<v Speaker 5>And he can really do a lot of things to

1917
01:44:30.199 --> 01:44:32.359
<v Speaker 5>solve that problem with his magical wizard abilities.

1918
01:44:32.439 --> 01:44:32.640
<v Speaker 1>Right.

1919
01:44:32.760 --> 01:44:35.680
<v Speaker 5>Yeah, he saw him make a dancing PEPSI can come on,

1920
01:44:35.720 --> 01:44:37.399
<v Speaker 5>get out of here. This guy can find some food.

1921
01:44:38.640 --> 01:44:43.880
<v Speaker 1>About that too. With the eating if, in my opinion,

1922
01:44:43.960 --> 01:44:48.520
<v Speaker 1>like your I would think that maybe your senses. This

1923
01:44:48.640 --> 01:44:50.520
<v Speaker 1>is hard to explain, but like your body's gonna have

1924
01:44:50.520 --> 01:44:52.880
<v Speaker 1>to start paying it, like if to have a magical experience,

1925
01:44:52.880 --> 01:44:54.880
<v Speaker 1>you're gonna have to slip out a little bit. And

1926
01:44:54.960 --> 01:44:56.439
<v Speaker 1>I guess like if what if, Like if you're thinking

1927
01:44:56.439 --> 01:44:58.880
<v Speaker 1>about if you're putting stuff back into your body, it's

1928
01:44:58.920 --> 01:45:01.560
<v Speaker 1>gonna have to pay attention. Your stomach's gonna have to

1929
01:45:01.760 --> 01:45:04.600
<v Speaker 1>paying attention to the food. This is really hard and

1930
01:45:04.640 --> 01:45:06.800
<v Speaker 1>deep what I'm trying to explain here. But I do

1931
01:45:06.920 --> 01:45:10.159
<v Speaker 1>think like maybe they can't make fast. Yeah, it's almost

1932
01:45:10.199 --> 01:45:12.720
<v Speaker 1>like you're there's nothing there for your bidy to have

1933
01:45:12.920 --> 01:45:14.479
<v Speaker 1>to actually spend any energy.

1934
01:45:14.680 --> 01:45:18.439
<v Speaker 5>Sure, so you can concentrate the energy on magical stuff. Yes,

1935
01:45:20.039 --> 01:45:21.920
<v Speaker 5>it makes sense, Yeah.

1936
01:45:21.760 --> 01:45:24.680
<v Speaker 6>That does make sense. I didn't. I put in my

1937
01:45:24.760 --> 01:45:27.039
<v Speaker 6>notes to ask you guys about it because I couldn't

1938
01:45:27.039 --> 01:45:30.439
<v Speaker 6>figure out what it meant. Because I really forgot about

1939
01:45:30.479 --> 01:45:33.880
<v Speaker 6>that little twig thing in his pocket and you pull

1940
01:45:33.920 --> 01:45:35.640
<v Speaker 6>it out and you just eat a twig a day.

1941
01:45:35.720 --> 01:45:36.720
<v Speaker 1>It was like a midleaf.

1942
01:45:36.760 --> 01:45:40.720
<v Speaker 6>As a kid, I was like, this is all.

1943
01:45:42.600 --> 01:45:42.800
<v Speaker 2>Right.

1944
01:45:44.760 --> 01:45:46.800
<v Speaker 1>It's like that's they put in gum to make it.

1945
01:45:46.880 --> 01:45:53.239
<v Speaker 5>You know, so we uh we haven't. He went on

1946
01:45:53.319 --> 01:45:55.880
<v Speaker 5>quite a journey to get that dagger. I'm assuming there's

1947
01:45:55.920 --> 01:46:01.800
<v Speaker 5>some some elements of this journey that has some deeper understandings.

1948
01:46:01.840 --> 01:46:05.359
<v Speaker 4>So old uh chamler yer Old there goes to bet.

1949
01:46:05.439 --> 01:46:08.279
<v Speaker 5>Well, technically it was you know, Mammoth Lakes, California, but

1950
01:46:08.439 --> 01:46:10.000
<v Speaker 5>you know they did a good job and make it

1951
01:46:10.000 --> 01:46:12.239
<v Speaker 5>look like Tibet. But I got a clip for us

1952
01:46:12.239 --> 01:46:14.159
<v Speaker 5>here in that, in that journey on to get this

1953
01:46:14.279 --> 01:46:15.199
<v Speaker 5>your dagger.

1954
01:46:32.039 --> 01:46:44.079
<v Speaker 14>To my money, we have come to ask for the

1955
01:46:44.159 --> 01:46:45.239
<v Speaker 14>sacred Cross.

1956
01:46:45.079 --> 01:46:48.159
<v Speaker 8>Dagger over Jaunty for what reason?

1957
01:46:49.680 --> 01:46:51.760
<v Speaker 14>For the golden Child.

1958
01:46:55.640 --> 01:46:59.000
<v Speaker 4>So that's the second Christ, right before the funny part.

1959
01:47:00.159 --> 01:47:01.439
<v Speaker 5>I got I got that coming up. I want I

1960
01:47:01.439 --> 01:47:03.760
<v Speaker 5>want to talk. I got that coming up. Julia, don't

1961
01:47:03.760 --> 01:47:07.319
<v Speaker 5>worry about it. So that's the Segret cross dagger of Satan.

1962
01:47:07.399 --> 01:47:12.640
<v Speaker 2>Huh, Well, he's only Satan when he's like all over

1963
01:47:12.680 --> 01:47:15.760
<v Speaker 2>the place, when he's single pointed in his will. Then

1964
01:47:15.840 --> 01:47:19.600
<v Speaker 2>he reaches apotheosis. He becomes like you could, Okay, I'm

1965
01:47:19.600 --> 01:47:21.520
<v Speaker 2>gonna use like a word. It's gonna get me in trouble,

1966
01:47:21.560 --> 01:47:24.479
<v Speaker 2>but it I'm just gonna say. Anyway, he becomes christ like,

1967
01:47:25.199 --> 01:47:27.039
<v Speaker 2>if you want to say it like that, you can

1968
01:47:27.079 --> 01:47:27.640
<v Speaker 2>say it like that.

1969
01:47:27.680 --> 01:47:30.520
<v Speaker 4>It's okay, Sure, it's okay, Yeah, it's okay.

1970
01:47:30.600 --> 01:47:32.039
<v Speaker 5>So what are we looking at here with this whole

1971
01:47:32.039 --> 01:47:34.199
<v Speaker 5>scene before we get to that, I didn't leave out

1972
01:47:34.199 --> 01:47:36.000
<v Speaker 5>the funny part, Julia, trust me, I got that here.

1973
01:47:36.319 --> 01:47:37.840
<v Speaker 4>What are we looking at here with this whole scene?

1974
01:47:37.840 --> 01:47:41.439
<v Speaker 5>He's walking into spending these uh these pillars and you know,

1975
01:47:41.520 --> 01:47:44.119
<v Speaker 5>talking to this guy who's this wizard fellow slash bird.

1976
01:47:48.159 --> 01:47:49.159
<v Speaker 5>What are you all thoughts on that?

1977
01:47:49.920 --> 01:47:50.560
<v Speaker 1>Say that again?

1978
01:47:52.159 --> 01:47:52.760
<v Speaker 4>The whole scene.

1979
01:47:52.800 --> 01:47:54.880
<v Speaker 5>He walks into here with this temple and he's got

1980
01:47:54.880 --> 01:47:57.239
<v Speaker 5>to spend his pillars and he's talking to the wizard

1981
01:47:57.279 --> 01:48:02.079
<v Speaker 5>bird fella, you know, Nick shinn mm hmm. What's all

1982
01:48:02.079 --> 01:48:03.800
<v Speaker 5>this about? And then why would this why would this

1983
01:48:03.840 --> 01:48:05.319
<v Speaker 5>knife the house theory, you know what I mean? Like,

1984
01:48:05.319 --> 01:48:06.760
<v Speaker 5>why are these are the keepers of the knife? Is

1985
01:48:06.760 --> 01:48:09.319
<v Speaker 5>that what we're looking at here? These monk?

1986
01:48:11.279 --> 01:48:11.479
<v Speaker 3>Yeah?

1987
01:48:12.119 --> 01:48:13.880
<v Speaker 1>Uh, I don't know. I saw that part of like

1988
01:48:13.920 --> 01:48:15.800
<v Speaker 1>the Hero's Journey.

1989
01:48:16.920 --> 01:48:19.920
<v Speaker 6>I put that it was the Hero's journey in my notes,

1990
01:48:20.239 --> 01:48:24.399
<v Speaker 6>but I grouped this scene in with like him having

1991
01:48:24.399 --> 01:48:27.800
<v Speaker 6>to carry the water and the Yeah, that's what I.

1992
01:48:27.720 --> 01:48:29.800
<v Speaker 4>Was getting at. Yep, that's going across.

1993
01:48:29.560 --> 01:48:32.439
<v Speaker 6>The bridge and doing all. So I mean I grouped

1994
01:48:32.520 --> 01:48:36.399
<v Speaker 6>this scene in with the scene that follows as the

1995
01:48:36.439 --> 01:48:41.840
<v Speaker 6>hero's journey part of the story, which the hero's journey.

1996
01:48:41.880 --> 01:48:46.640
<v Speaker 6>I mean, honestly, Christ falls into the Hero's journey things, right,

1997
01:48:47.039 --> 01:48:50.079
<v Speaker 6>So I don't think it's bad to say that. I

1998
01:48:50.119 --> 01:48:51.319
<v Speaker 6>think it's like an.

1999
01:48:51.239 --> 01:48:53.960
<v Speaker 5>Archetcype say that, Julia, you and Jen both can make

2000
01:48:54.039 --> 01:48:55.960
<v Speaker 5>Christ references here on Operation GCD.

2001
01:48:56.039 --> 01:48:57.960
<v Speaker 4>It's it's not banned, it's not censored.

2002
01:48:58.600 --> 01:49:02.000
<v Speaker 6>Well say that dead, I think.

2003
01:49:02.600 --> 01:49:05.720
<v Speaker 5>Huh, I said, even Numcy won't mind he's dead.

2004
01:49:05.760 --> 01:49:08.239
<v Speaker 4>I think, oh really, I always.

2005
01:49:07.960 --> 01:49:09.760
<v Speaker 6>Thought he was a good looking guy. I didn't know

2006
01:49:09.800 --> 01:49:10.439
<v Speaker 6>he was dead.

2007
01:49:10.840 --> 01:49:12.880
<v Speaker 5>Well, the actor, I think is alive. He played a

2008
01:49:13.199 --> 01:49:15.960
<v Speaker 5>villain last section here as well. But yeah, here in

2009
01:49:15.960 --> 01:49:18.960
<v Speaker 5>the film uc does not need a good end. No,

2010
01:49:19.119 --> 01:49:21.119
<v Speaker 5>and again when we're I know there's a lot of

2011
01:49:21.119 --> 01:49:23.199
<v Speaker 5>Eastern mysticism stuff, but I mean it's hard to not

2012
01:49:23.439 --> 01:49:26.560
<v Speaker 5>see this through a you know, a very Christian Satanic

2013
01:49:26.680 --> 01:49:28.479
<v Speaker 5>lens of the Satanic Panic era.

2014
01:49:29.319 --> 01:49:32.159
<v Speaker 6>Well, I am a Christian, so I feel like that's

2015
01:49:32.199 --> 01:49:35.039
<v Speaker 6>the only lens that I look through a lot of times.

2016
01:49:35.399 --> 01:49:38.359
<v Speaker 6>But I mean, I always love to talk to people

2017
01:49:38.399 --> 01:49:40.520
<v Speaker 6>like Jin and Nick because they get me to look

2018
01:49:40.560 --> 01:49:44.920
<v Speaker 6>outside of my own perspective on things and to understand

2019
01:49:45.039 --> 01:49:48.279
<v Speaker 6>like we can all be right at the same time.

2020
01:49:48.760 --> 01:49:50.560
<v Speaker 6>But it's like I always say, it's like a five

2021
01:49:50.640 --> 01:49:56.199
<v Speaker 6>layer burrito, and there's many layers to it. There's like

2022
01:49:56.479 --> 01:49:57.079
<v Speaker 6>many things.

2023
01:49:57.119 --> 01:49:59.560
<v Speaker 5>I'm an alien Christian that does that? Does that work

2024
01:49:59.600 --> 01:50:02.399
<v Speaker 5>out well in this In this perspectives.

2025
01:50:02.039 --> 01:50:05.560
<v Speaker 2>You can map it all to the tree for formerly

2026
01:50:06.560 --> 01:50:09.319
<v Speaker 2>it doesn't really matter. You can honestly look at everything

2027
01:50:09.359 --> 01:50:12.119
<v Speaker 2>like Kabala like you like what Julia said, you can

2028
01:50:12.199 --> 01:50:14.920
<v Speaker 2>just understand that Kabala is sickly and then there's no problems.

2029
01:50:14.920 --> 01:50:16.920
<v Speaker 2>So you can kind of look at all the systems

2030
01:50:17.159 --> 01:50:19.399
<v Speaker 2>and say like, Okay, this is what this prefers, and

2031
01:50:19.479 --> 01:50:21.560
<v Speaker 2>this is how to get there, but you don't have

2032
01:50:21.600 --> 01:50:23.319
<v Speaker 2>to agree. It's just just like you can look at

2033
01:50:23.359 --> 01:50:25.439
<v Speaker 2>it and say, yeah, this is the relative truth, so

2034
01:50:26.000 --> 01:50:28.720
<v Speaker 2>you're sure fine with that. So that's how I feel

2035
01:50:28.760 --> 01:50:31.000
<v Speaker 2>about like most other religions, not all of them, but

2036
01:50:31.079 --> 01:50:34.359
<v Speaker 2>like Christianity for sure, Like it's a Christian kabala makes

2037
01:50:34.359 --> 01:50:36.439
<v Speaker 2>perfect sense to me. There's it's no problem.

2038
01:50:37.880 --> 01:50:40.680
<v Speaker 5>Joke's aside and dragon rapes aside. I think you know

2039
01:50:40.880 --> 01:50:43.359
<v Speaker 5>what I was getting at with the Satan figure here,

2040
01:50:43.760 --> 01:50:46.880
<v Speaker 5>nupsy here, you know, he he's They obviously have these

2041
01:50:46.920 --> 01:50:49.000
<v Speaker 5>satanic cold elements you know, tied in here, like like

2042
01:50:49.039 --> 01:50:52.199
<v Speaker 5>we were talking about before with the Blacker gangs, the kidnappings,

2043
01:50:52.239 --> 01:50:56.000
<v Speaker 5>the you know, these these common tropes and understandings of this,

2044
01:50:56.920 --> 01:51:00.720
<v Speaker 5>these real world situations that that transpire but or depicted

2045
01:51:00.760 --> 01:51:03.079
<v Speaker 5>here in this film. But what I always like to

2046
01:51:03.079 --> 01:51:05.199
<v Speaker 5>say also in those regards is like those people that

2047
01:51:05.239 --> 01:51:07.560
<v Speaker 5>are doing these things, they don't believe in Satan also

2048
01:51:08.079 --> 01:51:09.800
<v Speaker 5>was one thing I was. That's what I was, That's

2049
01:51:09.840 --> 01:51:11.520
<v Speaker 5>what I was getting at, That's what I was good.

2050
01:51:12.319 --> 01:51:17.399
<v Speaker 6>So you really aren't, you really aren't an alien Christian

2051
01:51:17.479 --> 01:51:18.239
<v Speaker 6>or whatever.

2052
01:51:17.960 --> 01:51:19.680
<v Speaker 4>You use formally formally?

2053
01:51:20.079 --> 01:51:23.800
<v Speaker 6>What does that mean that Jesus was terrestrial or what that.

2054
01:51:25.159 --> 01:51:27.279
<v Speaker 4>Yeah, well, you know, God loves on Cola. That's a

2055
01:51:27.279 --> 01:51:29.560
<v Speaker 4>different story altogether. It's near the Star series.

2056
01:51:31.680 --> 01:51:32.840
<v Speaker 6>A serious guy.

2057
01:51:33.039 --> 01:51:35.359
<v Speaker 4>Huh, yeah, very very much.

2058
01:51:35.399 --> 01:51:35.479
<v Speaker 11>So.

2059
01:51:36.000 --> 01:51:38.600
<v Speaker 5>Now that was the first twenty two years of my life.

2060
01:51:38.640 --> 01:51:42.520
<v Speaker 5>I recently just surpassed the you know, I've now longer

2061
01:51:42.560 --> 01:51:44.199
<v Speaker 5>been not a Mormon than I was a Mormon.

2062
01:51:44.279 --> 01:51:50.680
<v Speaker 6>So, oh, Mormonism, huh, let's see Christ.

2063
01:51:51.000 --> 01:51:54.000
<v Speaker 4>Sorry, you're a good dude. That's good.

2064
01:51:54.199 --> 01:51:56.279
<v Speaker 2>I just want to say that Heidi already knows this,

2065
01:51:56.439 --> 01:51:59.560
<v Speaker 2>but like I kind of I'm very fascinated by like

2066
01:51:59.640 --> 01:52:02.560
<v Speaker 2>how more means, think of like the tree and what

2067
01:52:02.640 --> 01:52:04.680
<v Speaker 2>like what they're doing. I'm not I don't want to

2068
01:52:04.680 --> 01:52:07.199
<v Speaker 2>be a Mormon. I'm not a Mormon or anything like that.

2069
01:52:07.640 --> 01:52:10.039
<v Speaker 4>Sign up right now, Jane, let's get let's make it happen.

2070
01:52:12.000 --> 01:52:14.199
<v Speaker 2>I don't know enough, I don't know anything about it,

2071
01:52:14.199 --> 01:52:20.359
<v Speaker 2>but I'm just I just like it for the Cabala,

2072
01:52:21.239 --> 01:52:21.800
<v Speaker 2>the mothership.

2073
01:52:24.159 --> 01:52:25.720
<v Speaker 6>All right, let's ship.

2074
01:52:26.239 --> 01:52:27.680
<v Speaker 4>All let's last off.

2075
01:52:27.800 --> 01:52:30.119
<v Speaker 5>Let's let's check out that Phonny scene here though from

2076
01:52:30.119 --> 01:52:32.239
<v Speaker 5>where he do another scene.

2077
01:52:35.079 --> 01:52:35.239
<v Speaker 7>There?

2078
01:52:37.640 --> 01:52:50.760
<v Speaker 8>Said him, ask it, I see.

2079
01:52:52.720 --> 01:52:53.560
<v Speaker 9>What the name.

2080
01:53:01.800 --> 01:53:19.760
<v Speaker 8>Any mask? Again? I want the knife.

2081
01:53:23.000 --> 01:53:23.399
<v Speaker 14>Please.

2082
01:53:40.880 --> 01:53:43.359
<v Speaker 8>Only a man whose heart is pure can wield a knife,

2083
01:53:43.680 --> 01:53:45.840
<v Speaker 8>and if you're such a man, you will have it.

2084
01:53:48.439 --> 01:53:54.000
<v Speaker 6>I love you died clips too, by the way, because

2085
01:53:54.000 --> 01:53:56.720
<v Speaker 6>that's what makes the movie breakdowns the best.

2086
01:53:57.319 --> 01:53:58.520
<v Speaker 4>I agree, I totally agree.

2087
01:53:58.560 --> 01:54:02.279
<v Speaker 5>Apparently YouTube does not agree that YouTube it's not liking

2088
01:54:02.359 --> 01:54:03.600
<v Speaker 5>the use of the clips.

2089
01:54:03.920 --> 01:54:06.720
<v Speaker 4>But I agree with you the clips.

2090
01:54:07.239 --> 01:54:09.720
<v Speaker 6>I was hoping you would include the clip where he's

2091
01:54:09.800 --> 01:54:13.760
<v Speaker 6>at that medicinal shop and looking at all the herbs

2092
01:54:13.880 --> 01:54:16.960
<v Speaker 6>and he's like, oh, yeah, that's good to keep the

2093
01:54:17.079 --> 01:54:20.520
<v Speaker 6>yang up. And he's like, nothing wrong with my yang.

2094
01:54:22.279 --> 01:54:23.880
<v Speaker 4>No, I didn't. I didn't. I didn't get that one.

2095
01:54:23.920 --> 01:54:25.920
<v Speaker 4>Another one you're talking. I know this team you're talking about, though.

2096
01:54:27.319 --> 01:54:29.760
<v Speaker 5>No, it's a classic Gatees Murphy, right, it's some classic

2097
01:54:29.800 --> 01:54:34.079
<v Speaker 5>Gatedes Murphy. But this idea, though, of this machination of

2098
01:54:34.199 --> 01:54:37.840
<v Speaker 5>this kind of satanic elements cult stuff in Los Angeles

2099
01:54:37.960 --> 01:54:41.079
<v Speaker 5>with this Tibetan Buddhism stuff, to me just rings the

2100
01:54:41.600 --> 01:54:45.479
<v Speaker 5>rings back to my you know, uh digging through the

2101
01:54:45.600 --> 01:54:49.159
<v Speaker 5>thoughts of my brain. Oil here I recall at Sanders Files,

2102
01:54:49.840 --> 01:54:53.079
<v Speaker 5>you know, the author of the family there, the Manson family,

2103
01:54:53.560 --> 01:54:56.720
<v Speaker 5>the actual good book on the Manson family contemporary to

2104
01:54:56.920 --> 01:55:00.479
<v Speaker 5>the actual crimes, not the bogle Oce nonsense. But at

2105
01:55:00.479 --> 01:55:02.199
<v Speaker 5>Sanders wrote his you know, at the same time as

2106
01:55:02.239 --> 01:55:05.399
<v Speaker 5>writing writing his book there in the early seventies, and

2107
01:55:05.399 --> 01:55:08.279
<v Speaker 5>I think it was published in seventy four. But sanders

2108
01:55:08.359 --> 01:55:13.399
<v Speaker 5>investigation was yielding some results that seemed to indicate there

2109
01:55:13.479 --> 01:55:21.960
<v Speaker 5>was a imagination of Buddhist ideas, telemic ideas and theosophical

2110
01:55:22.039 --> 01:55:25.479
<v Speaker 5>ideas I believe, into a into a cold faction that

2111
01:55:25.600 --> 01:55:28.239
<v Speaker 5>was also a Cali worshiping cold faction out of Japan

2112
01:55:28.439 --> 01:55:31.039
<v Speaker 5>called the Shing Gong cult, not Chin Gon, but Shin

2113
01:55:31.119 --> 01:55:33.359
<v Speaker 5>Gone with the s So.

2114
01:55:33.600 --> 01:55:37.319
<v Speaker 2>This totally correlates to what I know of like certain

2115
01:55:38.560 --> 01:55:40.439
<v Speaker 2>we'll call them, like I guess they would have been

2116
01:55:40.479 --> 01:55:43.720
<v Speaker 2>like process offshoots or whatever. And so like Michael's what.

2117
01:55:43.760 --> 01:55:45.840
<v Speaker 4>This was supposedly right, the four Pie allegedly was a

2118
01:55:46.079 --> 01:55:47.960
<v Speaker 4>was this four gone cult?

2119
01:55:48.039 --> 01:55:52.479
<v Speaker 2>That's right. So I mean, I you know, this is

2120
01:55:52.560 --> 01:55:55.880
<v Speaker 2>the thing is that there was there were in Nepal

2121
01:55:56.319 --> 01:55:59.880
<v Speaker 2>during this whole postwar period. There have been Collie kind

2122
01:55:59.920 --> 01:56:03.119
<v Speaker 2>of cults that are like parts Sulima, just like you're saying,

2123
01:56:03.159 --> 01:56:07.199
<v Speaker 2>they're like parts of Vadriana. They're parts Hindu like Tntra,

2124
01:56:07.399 --> 01:56:11.239
<v Speaker 2>they're parts like Satanism, their parts process Like it's kind

2125
01:56:11.239 --> 01:56:14.119
<v Speaker 2>of a weird blend, but it's like taking the most

2126
01:56:14.199 --> 01:56:17.800
<v Speaker 2>transgressive elements of all of them. So pretty much that's

2127
01:56:17.880 --> 01:56:20.880
<v Speaker 2>what I kind of understand of them is that they're

2128
01:56:21.000 --> 01:56:25.000
<v Speaker 2>just like really So Collie in Tntra is related to Saturn,

2129
01:56:25.319 --> 01:56:28.880
<v Speaker 2>so that would immediately place her in Bana. So if

2130
01:56:28.920 --> 01:56:31.079
<v Speaker 2>you're looking at the tree as like a ten or

2131
01:56:31.119 --> 01:56:35.159
<v Speaker 2>eleven spheared structure, she would never go at Keather. She

2132
01:56:35.239 --> 01:56:38.279
<v Speaker 2>would always go at Bana if you're really understanding what

2133
01:56:38.399 --> 01:56:41.319
<v Speaker 2>she is. So they're looking at it as like this

2134
01:56:41.800 --> 01:56:44.439
<v Speaker 2>this this way to like it's kind of like the

2135
01:56:44.520 --> 01:56:47.520
<v Speaker 2>black cube matrix, Like everybody loves that kind of like thing.

2136
01:56:47.920 --> 01:56:48.760
<v Speaker 1>That's kind of what it is.

2137
01:56:48.840 --> 01:56:51.239
<v Speaker 2>But you're putting yourself in the box, like you're putting

2138
01:56:51.279 --> 01:56:54.600
<v Speaker 2>yourself in the cube. You're densifying the world around you.

2139
01:56:55.079 --> 01:56:57.000
<v Speaker 2>And so Nick brought up at the very beginning, like

2140
01:56:57.319 --> 01:56:59.800
<v Speaker 2>we were talking about Golden Child and like I don't know,

2141
01:56:59.840 --> 01:57:02.039
<v Speaker 2>he said to Jamatri or something, and he said it

2142
01:57:02.119 --> 01:57:06.079
<v Speaker 2>was related to Vishnu. So Vishnu is related to Banah

2143
01:57:06.199 --> 01:57:10.199
<v Speaker 2>and related to Saturn very closely. So there's this relationship

2144
01:57:10.319 --> 01:57:13.960
<v Speaker 2>that you can sort of in Viishnavism, which is a

2145
01:57:14.079 --> 01:57:18.920
<v Speaker 2>kind of Hinduism, you pray to Vishnu through Bakhdi. So

2146
01:57:19.039 --> 01:57:22.279
<v Speaker 2>it's like considered to be like devotional love. You pray

2147
01:57:22.520 --> 01:57:26.239
<v Speaker 2>so hard that eventually it will liberate you or eject

2148
01:57:26.319 --> 01:57:28.279
<v Speaker 2>you from the cube or whatever it is, but it

2149
01:57:28.359 --> 01:57:31.359
<v Speaker 2>will take it supposedly will take you millions of lifetimes.

2150
01:57:32.039 --> 01:57:34.079
<v Speaker 2>So in a more tonic way, you would never get

2151
01:57:34.239 --> 01:57:39.279
<v Speaker 2>stuck here. But obviously these people, you know, they're really

2152
01:57:39.319 --> 01:57:42.079
<v Speaker 2>fixated on Calli, So that would be obviously a big

2153
01:57:42.159 --> 01:57:45.439
<v Speaker 2>problem from a Buddhist perspective, because you wouldn't just fixate

2154
01:57:45.560 --> 01:57:47.960
<v Speaker 2>on a deity or their name or you know, their

2155
01:57:48.000 --> 01:57:50.680
<v Speaker 2>ferocious presentation. Those are just conceptual ideas.

2156
01:57:51.159 --> 01:57:51.560
<v Speaker 4>You're saying.

2157
01:57:51.600 --> 01:57:53.439
<v Speaker 5>This is a unique, more of an extremist view of

2158
01:57:53.520 --> 01:57:55.800
<v Speaker 5>these situations, right, Yeah.

2159
01:57:55.680 --> 01:58:00.439
<v Speaker 2>It's an annihilationist, very extremist, very very non.

2160
01:58:00.439 --> 01:58:01.960
<v Speaker 4>Keno if you will, non.

2161
01:58:01.920 --> 01:58:05.680
<v Speaker 2>Keno, because it's not about embracing love or like the

2162
01:58:05.920 --> 01:58:08.359
<v Speaker 2>beauty of Maya, the beauty of the garden, or like

2163
01:58:08.680 --> 01:58:10.199
<v Speaker 2>you know, connections with other people.

2164
01:58:10.520 --> 01:58:12.399
<v Speaker 5>It's like kind of the tracking gin I'm catching on

2165
01:58:12.479 --> 01:58:15.079
<v Speaker 5>to this Kino business. I'll get there eventually, but you're.

2166
01:58:15.000 --> 01:58:18.920
<v Speaker 2>You're so the Keno thing is to love the world

2167
01:58:19.439 --> 01:58:21.680
<v Speaker 2>and like accept it for what it is, and then

2168
01:58:21.800 --> 01:58:24.720
<v Speaker 2>their view is to like they're kind of Calvinist almost

2169
01:58:24.720 --> 01:58:26.720
<v Speaker 2>similar way. They're like, we're going to degrade the world.

2170
01:58:26.800 --> 01:58:28.399
<v Speaker 2>We're going to do all the sin in the world,

2171
01:58:28.880 --> 01:58:31.399
<v Speaker 2>and we're going to make it like from the Ashes,

2172
01:58:31.439 --> 01:58:33.520
<v Speaker 2>We're going to remake it. But you don't really get

2173
01:58:33.560 --> 01:58:37.000
<v Speaker 2>to control the cosmic cycle. That's a more Buddhist view. Obviously,

2174
01:58:37.119 --> 01:58:40.279
<v Speaker 2>they do believe that they can like influence the cosmic cycle,

2175
01:58:40.359 --> 01:58:41.960
<v Speaker 2>but I I don't personally believe they can.

2176
01:58:43.800 --> 01:58:44.079
<v Speaker 14>JJ.

2177
01:58:44.279 --> 01:58:48.039
<v Speaker 6>Have you heard of the Thuggy cult that was doing

2178
01:58:48.079 --> 01:58:49.960
<v Speaker 6>all the Cali worshiping stuff.

2179
01:58:50.840 --> 01:58:54.680
<v Speaker 4>I think you told me about that somebody I thought

2180
01:58:54.720 --> 01:58:55.039
<v Speaker 4>I did.

2181
01:58:55.640 --> 01:58:58.560
<v Speaker 6>Yeah, I just covered them. I'm doing a new series

2182
01:58:58.960 --> 01:59:04.279
<v Speaker 6>on different cults. It's called Into the CULTI Verse, and

2183
01:59:04.840 --> 01:59:08.560
<v Speaker 6>I covered the Thuggie Cult and they were like Cali

2184
01:59:08.640 --> 01:59:11.399
<v Speaker 6>worshipers whatever, whatever. But if you really look into it,

2185
01:59:12.039 --> 01:59:14.520
<v Speaker 6>because like I always say, there's like a five l

2186
01:59:14.520 --> 01:59:16.640
<v Speaker 6>a burrito the.

2187
01:59:16.680 --> 01:59:20.039
<v Speaker 4>Thuds getting real hungry, dude, I love.

2188
01:59:20.039 --> 01:59:25.000
<v Speaker 6>Taco bell Ship if you look go all the way

2189
01:59:25.079 --> 01:59:28.159
<v Speaker 6>back into history with the Thuggie cults, they could have

2190
01:59:28.520 --> 01:59:34.520
<v Speaker 6>possibly been assassins under the employee of the Brahmin family.

2191
01:59:35.319 --> 01:59:37.479
<v Speaker 6>And I know we just spoke to about the Brahmin

2192
01:59:37.600 --> 01:59:41.720
<v Speaker 6>family in connection with Tuesday World and the Boston Brahmins,

2193
01:59:42.000 --> 01:59:42.319
<v Speaker 6>and so.

2194
01:59:42.760 --> 01:59:46.319
<v Speaker 5>Like, yeah, there's we're talking Indian Brahmins because that's Kamala

2195
01:59:46.359 --> 01:59:47.439
<v Speaker 5>Harris's people right there.

2196
01:59:47.600 --> 01:59:51.199
<v Speaker 6>Yeah, that's the that's the same Brahmins that I'm talking about.

2197
01:59:51.399 --> 01:59:54.760
<v Speaker 6>So yeah, there's a level of like Cali worshiping or whatever.

2198
01:59:54.920 --> 01:59:58.159
<v Speaker 6>But if you really look under the surface, it's all

2199
01:59:58.279 --> 02:00:01.600
<v Speaker 6>tied up in these weird royal blod line families and stuff.

2200
02:00:01.680 --> 02:00:06.279
<v Speaker 6>So it's like you said about the Manson thing, it's

2201
02:00:06.439 --> 02:00:09.680
<v Speaker 6>more than just like the Buglios. Oh they hated cops

2202
02:00:09.840 --> 02:00:11.920
<v Speaker 6>or whatever the fuck he was trying. It's starting a

2203
02:00:12.039 --> 02:00:15.520
<v Speaker 6>race war. It's like, no, let's let's really look at this,

2204
02:00:15.720 --> 02:00:19.319
<v Speaker 6>peel the layers back and look at I think.

2205
02:00:20.560 --> 02:00:27.439
<v Speaker 5>Was they were too much petchuli oil. Oh my gosh,

2206
02:00:28.079 --> 02:00:30.479
<v Speaker 5>it went mad from the petuli oil. They had mad

2207
02:00:30.520 --> 02:00:31.720
<v Speaker 5>pelio oil disease.

2208
02:00:32.239 --> 02:00:35.119
<v Speaker 6>They had petuli oil bo stink.

2209
02:00:38.600 --> 02:00:44.039
<v Speaker 2>I like peuli. So I'll send up for it. Oh no,

2210
02:00:44.239 --> 02:00:47.479
<v Speaker 2>it's all okay. I actually like Betty verbetto, so I'll

2211
02:00:49.039 --> 02:00:52.920
<v Speaker 2>but no, you're I mean, you're totally right, both of

2212
02:00:52.960 --> 02:00:56.199
<v Speaker 2>you guys. Like you know, there is there's like deeper connections,

2213
02:00:56.279 --> 02:00:58.439
<v Speaker 2>Like Vagiana has a lot of connections to some of

2214
02:00:58.560 --> 02:01:01.720
<v Speaker 2>these obviously exim and other things, and it's kind of

2215
02:01:01.840 --> 02:01:05.640
<v Speaker 2>like the old ideas that we lived in the Caliyuga.

2216
02:01:05.760 --> 02:01:08.000
<v Speaker 2>Like bringing up this idea of Collie. It's not directly

2217
02:01:08.079 --> 02:01:10.720
<v Speaker 2>one to one related to the goddess, but you can

2218
02:01:10.840 --> 02:01:15.319
<v Speaker 2>use it as an archetypal metaphor. So she's like very destructive.

2219
02:01:15.520 --> 02:01:18.800
<v Speaker 2>She's destroying the old system kind of, but it's also

2220
02:01:18.920 --> 02:01:22.319
<v Speaker 2>bringing things in. So her power is really magnetization, but

2221
02:01:22.439 --> 02:01:25.880
<v Speaker 2>it's the destruction through time. So you can think of

2222
02:01:25.960 --> 02:01:29.439
<v Speaker 2>it like traveling through space. You're degrading, you're getting older,

2223
02:01:29.560 --> 02:01:32.000
<v Speaker 2>exactly that same thing, and then you're gonna go to

2224
02:01:32.079 --> 02:01:34.880
<v Speaker 2>the carnal ground and become a skeleton and you know,

2225
02:01:35.159 --> 02:01:38.319
<v Speaker 2>like take on a new rebirth eventually. So that's what

2226
02:01:38.479 --> 02:01:40.359
<v Speaker 2>she's doing. It's kind of like bringing you through the

2227
02:01:40.439 --> 02:01:42.880
<v Speaker 2>cosmic cycle. So that Julia was talking about these like

2228
02:01:42.960 --> 02:01:46.479
<v Speaker 2>Brahmin families. A lot of the Brahmin casts, so it's

2229
02:01:46.600 --> 02:01:50.840
<v Speaker 2>like a birth cast that you're born into. They do

2230
02:01:51.079 --> 02:01:54.760
<v Speaker 2>believe in this Vishnu figure, so they will outwardly pray

2231
02:01:54.840 --> 02:01:56.880
<v Speaker 2>to the vish New figure. But there is also a

2232
02:01:56.960 --> 02:02:02.079
<v Speaker 2>secret idea that you will do shocka Tontra or goddess

2233
02:02:02.159 --> 02:02:06.319
<v Speaker 2>Tontra secretly at night, even though you pray to this

2234
02:02:06.600 --> 02:02:12.000
<v Speaker 2>like very orthodox heroic kind of like good guy. You know,

2235
02:02:12.319 --> 02:02:15.720
<v Speaker 2>he's the hero of the bag Gita. He's like, you know,

2236
02:02:15.880 --> 02:02:18.880
<v Speaker 2>he's the king of heaven. But at night you're doing

2237
02:02:18.960 --> 02:02:23.720
<v Speaker 2>something more transgressive, more contric more secret mystery called stuff.

2238
02:02:23.800 --> 02:02:26.439
<v Speaker 2>So yeah, I think there's a really interesting idea with that.

2239
02:02:26.560 --> 02:02:28.840
<v Speaker 2>What Julia was saying, it's like kind of always like

2240
02:02:28.920 --> 02:02:30.960
<v Speaker 2>the ad, there's an inverse and then there's like it

2241
02:02:31.000 --> 02:02:33.119
<v Speaker 2>depends on how you look at it, Like from what

2242
02:02:33.319 --> 02:02:34.079
<v Speaker 2>perspective you.

2243
02:02:34.159 --> 02:02:35.079
<v Speaker 4>Mean you got to look at it.

2244
02:02:36.840 --> 02:02:40.479
<v Speaker 6>Mh, both ways, you got to look at it.

2245
02:02:42.079 --> 02:02:44.000
<v Speaker 5>No, I think it's a it's an interesting when I

2246
02:02:44.159 --> 02:02:46.000
<v Speaker 5>was just looking. We're still up on YouTube there, nick.

2247
02:02:50.760 --> 02:02:51.680
<v Speaker 6>Did they kick us off?

2248
02:02:55.439 --> 02:02:55.800
<v Speaker 4>In case?

2249
02:02:56.000 --> 02:02:58.960
<v Speaker 1>I'll probably pull it down after this, after the life.

2250
02:02:58.800 --> 02:03:03.520
<v Speaker 6>Though, because of the clips those bitches a little one.

2251
02:03:04.600 --> 02:03:06.960
<v Speaker 5>No I said I won't. I was going to if

2252
02:03:06.960 --> 02:03:09.399
<v Speaker 5>we weren't, but yeah, I'm looking on both of our channels.

2253
02:03:09.399 --> 02:03:14.199
<v Speaker 5>We're still up yeah, programming there here. But let's uh,

2254
02:03:14.439 --> 02:03:16.199
<v Speaker 5>it's a good it's a good point to wrap this up.

2255
02:03:16.279 --> 02:03:21.279
<v Speaker 5>So what may I thank you all for your time

2256
02:03:21.319 --> 02:03:24.359
<v Speaker 5>this evening. First and foremost, I appreciate y'all joining me

2257
02:03:24.439 --> 02:03:27.159
<v Speaker 5>to do a and the cold and and or esoteric

2258
02:03:27.239 --> 02:03:31.520
<v Speaker 5>review of The Golden Child. Obviously I kind of gave

2259
02:03:31.600 --> 02:03:34.760
<v Speaker 5>the spoiler alert earlier Old Nipsy Dies courtesy of that

2260
02:03:34.880 --> 02:03:39.399
<v Speaker 5>dagger and uh, and any any closing contents I can

2261
02:03:39.439 --> 02:03:41.840
<v Speaker 5>pass off to y'all starting starry with you there, Julia,

2262
02:03:42.279 --> 02:03:43.279
<v Speaker 5>I appreciate your time, ma'am.

2263
02:03:43.399 --> 02:03:45.520
<v Speaker 4>Great conversation, Thank you.

2264
02:03:45.880 --> 02:03:49.359
<v Speaker 6>Yeah, I just have a few closing ideas for the movie,

2265
02:03:50.079 --> 02:03:51.079
<v Speaker 6>and thanks for inviting.

2266
02:03:51.359 --> 02:03:53.840
<v Speaker 5>Yeah, don't feel rushed, don't feel rushed at all, but

2267
02:03:54.359 --> 02:03:56.319
<v Speaker 5>absolutely oh yeah.

2268
02:03:56.199 --> 02:04:01.640
<v Speaker 6>I was just gonna say I noticed that the movie

2269
02:04:01.800 --> 02:04:05.560
<v Speaker 6>begins with him resurrecting a bird, and then the movie

2270
02:04:06.279 --> 02:04:08.479
<v Speaker 6>or the movie begins with a resurrection, and it ends

2271
02:04:08.520 --> 02:04:12.439
<v Speaker 6>with a resurrection because he brings back the moon deity

2272
02:04:12.560 --> 02:04:15.239
<v Speaker 6>if you will, or the Moon goddess, he brings her back,

2273
02:04:16.159 --> 02:04:21.000
<v Speaker 6>so it starts and ends with a resurrection. Also, at

2274
02:04:21.079 --> 02:04:28.359
<v Speaker 6>the end of the movie, he is bringing monarch butterflies

2275
02:04:28.880 --> 02:04:32.119
<v Speaker 6>back to life, so I don't know if anybody else

2276
02:04:32.199 --> 02:04:35.359
<v Speaker 6>caught that, but of course, you know the whole monarch thing,

2277
02:04:35.640 --> 02:04:40.039
<v Speaker 6>so I thought that was pretty significant. And then the

2278
02:04:40.239 --> 02:04:44.159
<v Speaker 6>house where they're keeping the Golden Child has black and

2279
02:04:44.239 --> 02:04:48.279
<v Speaker 6>white tile floors, So those were some of the main

2280
02:04:48.439 --> 02:04:50.880
<v Speaker 6>things at the end of the movie that I thought

2281
02:04:51.319 --> 02:04:53.680
<v Speaker 6>would be cool to mention for this breakdown.

2282
02:04:54.279 --> 02:04:55.159
<v Speaker 9>But yeah, like I.

2283
02:04:55.159 --> 02:04:58.800
<v Speaker 6>Said, I've been looking for somebody to want to talk

2284
02:04:58.880 --> 02:05:02.239
<v Speaker 6>about this for a couple of year years now, just

2285
02:05:02.359 --> 02:05:04.960
<v Speaker 6>because I feel like there's so many litted bits in

2286
02:05:05.079 --> 02:05:09.520
<v Speaker 6>there that are cool and it's a hilarious movie, and

2287
02:05:09.680 --> 02:05:13.640
<v Speaker 6>it's for me. I like to cover nostalgic childhood movies

2288
02:05:13.680 --> 02:05:15.920
<v Speaker 6>that I loved, and this is one of them for sure.

2289
02:05:15.960 --> 02:05:18.359
<v Speaker 6>I watched it all the time when I was a kid.

2290
02:05:18.800 --> 02:05:20.000
<v Speaker 6>So thanks for having me.

2291
02:05:21.199 --> 02:05:22.680
<v Speaker 4>Absolutely, thank you for joining us.

2292
02:05:24.000 --> 02:05:26.039
<v Speaker 5>I feel the same way about the nostalgic movies of

2293
02:05:26.119 --> 02:05:28.279
<v Speaker 5>my childhood, you know, and this is up there with

2294
02:05:28.319 --> 02:05:28.960
<v Speaker 5>Goonies for me.

2295
02:05:29.039 --> 02:05:32.119
<v Speaker 6>This one is I love Goonies.

2296
02:05:34.279 --> 02:05:37.840
<v Speaker 4>For sure. Now, thanks again, Nick.

2297
02:05:38.680 --> 02:05:41.760
<v Speaker 5>Do you have any closing statements on the on your

2298
02:05:41.800 --> 02:05:44.800
<v Speaker 5>review of the film, or any any thoughts or any

2299
02:05:44.840 --> 02:05:48.520
<v Speaker 5>plugs you'd like to to discuss your h No.

2300
02:05:48.840 --> 02:05:50.439
<v Speaker 1>I mean I was. I was excited we got to

2301
02:05:50.479 --> 02:05:52.560
<v Speaker 1>do it because I definitely think it's a deeply occulted

2302
02:05:52.640 --> 02:05:56.279
<v Speaker 1>movie for sure. Uh yeah. I thought this was great.

2303
02:05:56.760 --> 02:06:00.560
<v Speaker 1>It was great. Everybody had great stuff to say. Uh yeah.

2304
02:06:01.960 --> 02:06:05.279
<v Speaker 1>Besides that, for me, the one thing that I just

2305
02:06:05.359 --> 02:06:07.279
<v Speaker 1>do want to push is in which I think we're

2306
02:06:07.319 --> 02:06:09.439
<v Speaker 1>all probably saying it anyway, I do think there's a

2307
02:06:09.479 --> 02:06:12.439
<v Speaker 1>cabalistic tale, and you know, there's cobalistic symbolism in this

2308
02:06:12.560 --> 02:06:15.800
<v Speaker 1>movie for sure. I think you can if you pay

2309
02:06:15.800 --> 02:06:18.000
<v Speaker 1>attention and look at it with the colors and certain

2310
02:06:18.039 --> 02:06:21.000
<v Speaker 1>symbols and the male and female characters, I think you'll

2311
02:06:21.000 --> 02:06:23.720
<v Speaker 1>see it. That's it.

2312
02:06:25.119 --> 02:06:29.359
<v Speaker 4>Nice. Anything coming up on the Occult Rejects, Oh.

2313
02:06:29.279 --> 02:06:31.920
<v Speaker 1>Yeah again, let's see. I can tell you a few

2314
02:06:31.960 --> 02:06:33.439
<v Speaker 1>things that are coming out. Oh yeah, we got to

2315
02:06:33.479 --> 02:06:35.640
<v Speaker 1>morm of My Mafia coming out on audio Red Heifer

2316
02:06:35.800 --> 02:06:40.159
<v Speaker 1>this Friday. We got to Marian Deities next week with

2317
02:06:40.359 --> 02:06:43.479
<v Speaker 1>Gray Pilled and the Coral Castle with Library They Untold

2318
02:06:43.640 --> 02:06:44.479
<v Speaker 1>coming out soon too.

2319
02:06:45.000 --> 02:06:49.000
<v Speaker 4>Don't don't forget about vampire lady. Yes, yeah, that's the vampire. Yes,

2320
02:06:50.000 --> 02:06:51.920
<v Speaker 4>she was a nice vampire. She didn't try to eat anybody.

2321
02:06:52.039 --> 02:06:54.520
<v Speaker 1>Yeah, that will drop on audio as well for people

2322
02:06:54.520 --> 02:06:57.199
<v Speaker 1>who have not heard that yet. That's already been done

2323
02:06:57.239 --> 02:06:59.399
<v Speaker 1>and I think it's still out on the live so

2324
02:06:59.800 --> 02:07:00.520
<v Speaker 1>check it out now.

2325
02:07:01.439 --> 02:07:01.680
<v Speaker 4>Nice.

2326
02:07:01.880 --> 02:07:02.840
<v Speaker 1>Yeah, I'm leaving that up.

2327
02:07:06.640 --> 02:07:08.960
<v Speaker 4>All right. Well, for share your time, sir Jen, for

2328
02:07:09.079 --> 02:07:10.039
<v Speaker 4>shure your time, sir Any.

2329
02:07:10.079 --> 02:07:13.920
<v Speaker 5>Closing thoughts on the the nineteen eighty six cinematic masterpiece

2330
02:07:14.319 --> 02:07:15.079
<v Speaker 5>The Golden Child.

2331
02:07:15.680 --> 02:07:20.119
<v Speaker 2>So if you research Ken McLeod, he wrote a new book.

2332
02:07:20.199 --> 02:07:22.399
<v Speaker 2>I mentioned it right at the beginning Magic of Adriana.

2333
02:07:22.479 --> 02:07:24.800
<v Speaker 2>He talks about all the stuff that Nick and I

2334
02:07:25.119 --> 02:07:28.079
<v Speaker 2>just discussed, like a lot. He understands Kabala as well,

2335
02:07:28.199 --> 02:07:32.359
<v Speaker 2>like or he just he's able to like the system

2336
02:07:32.439 --> 02:07:35.520
<v Speaker 2>doesn't matter. He just kind of gets he's had the experience,

2337
02:07:35.560 --> 02:07:38.199
<v Speaker 2>so it doesn't really matter. He's just describing something so

2338
02:07:38.319 --> 02:07:41.000
<v Speaker 2>every he can. I'm not recommending him necessarily, but if

2339
02:07:41.039 --> 02:07:43.800
<v Speaker 2>you look into his background, he actually has a really

2340
02:07:43.880 --> 02:07:46.960
<v Speaker 2>interesting teacher. I'm sure JJ would find it really fascinating,

2341
02:07:47.560 --> 02:07:50.960
<v Speaker 2>and who was sort of the object of his own

2342
02:07:51.640 --> 02:07:55.039
<v Speaker 2>perhaps a scandal, will say in the past. But I'm

2343
02:07:55.119 --> 02:07:57.960
<v Speaker 2>not casting aspersions on anyone. I'm just saying it is

2344
02:07:58.119 --> 02:08:01.439
<v Speaker 2>kind of interesting. But he is a very interesting teacher,

2345
02:08:01.479 --> 02:08:03.760
<v Speaker 2>and I think he has some profound things to say.

2346
02:08:03.800 --> 02:08:07.039
<v Speaker 2>And I think he obviously consulted. I think he taught,

2347
02:08:07.199 --> 02:08:10.479
<v Speaker 2>like showed them how to use the couplistic ideas, but

2348
02:08:10.680 --> 02:08:13.840
<v Speaker 2>like make sure it was as much as it is syncretic.

2349
02:08:13.920 --> 02:08:16.119
<v Speaker 2>I think it keeps too like it's a Vazra film.

2350
02:08:16.399 --> 02:08:19.239
<v Speaker 2>You could say it like really has that aesthetic, but

2351
02:08:19.359 --> 02:08:21.680
<v Speaker 2>it also keeps true to a lot of the ideas.

2352
02:08:22.239 --> 02:08:24.159
<v Speaker 2>So I want to just say thank you so much

2353
02:08:24.279 --> 02:08:27.640
<v Speaker 2>to JJ, thank you so much to Nick always bringing

2354
02:08:27.680 --> 02:08:30.520
<v Speaker 2>me on. Nick really appreciate it. And of course Julia,

2355
02:08:30.640 --> 02:08:33.199
<v Speaker 2>I've we've worked together. I think this is our fourth time,

2356
02:08:33.279 --> 02:08:36.000
<v Speaker 2>but we've never we spoke a little of this c

2357
02:08:36.119 --> 02:08:39.880
<v Speaker 2>lest So I will end on this. I told you waning,

2358
02:08:40.239 --> 02:08:42.800
<v Speaker 2>so waning is more my thinking, whereas like you're trying

2359
02:08:42.840 --> 02:08:46.479
<v Speaker 2>to like cast the sort of like the bad luck

2360
02:08:46.560 --> 02:08:47.279
<v Speaker 2>into the past.

2361
02:08:47.600 --> 02:08:49.359
<v Speaker 4>That's why the barber tips.

2362
02:08:49.760 --> 02:08:53.199
<v Speaker 6>Yeah, I love these tips. I love these tips.

2363
02:08:53.640 --> 02:08:56.000
<v Speaker 2>So if it's waning, Moon, you cut your hair and

2364
02:08:56.119 --> 02:08:58.520
<v Speaker 2>then you burn. Like as I said, you can burn it.

2365
02:08:58.800 --> 02:09:01.840
<v Speaker 2>So that's like casting the old you into the past.

2366
02:09:02.800 --> 02:09:05.479
<v Speaker 2>Or if you want, like to feel more beautiful, that's

2367
02:09:05.479 --> 02:09:08.000
<v Speaker 2>a good maybe word to use. You could do it

2368
02:09:08.079 --> 02:09:10.000
<v Speaker 2>on a waxing moon, because I would like sort of

2369
02:09:10.199 --> 02:09:13.640
<v Speaker 2>empower you. So it's like either idea. I'm more of

2370
02:09:13.680 --> 02:09:15.840
<v Speaker 2>a waning person just because I always think like that,

2371
02:09:16.039 --> 02:09:18.680
<v Speaker 2>but maybe it was good. It's good to consider balance.

2372
02:09:19.359 --> 02:09:22.159
<v Speaker 6>Well, I will say this, and I'm so glad you

2373
02:09:22.239 --> 02:09:26.239
<v Speaker 6>brought it up again. God bless you because my appointment's

2374
02:09:26.279 --> 02:09:33.279
<v Speaker 6>tomorrow and it is a waning moon. I uh, over

2375
02:09:33.319 --> 02:09:35.560
<v Speaker 6>the last year, I've been through a lot, divorced and

2376
02:09:35.600 --> 02:09:39.520
<v Speaker 6>all kinds of stuff, and so like my ex husband

2377
02:09:39.640 --> 02:09:42.439
<v Speaker 6>touched this hair, and I want it off my head.

2378
02:09:42.560 --> 02:09:45.319
<v Speaker 6>I want to cut, I want it gone off of me.

2379
02:09:45.520 --> 02:09:48.159
<v Speaker 6>I want a new fresh start. So I think the

2380
02:09:48.279 --> 02:09:53.359
<v Speaker 6>way No, I'm I'm just thinking it's all at least

2381
02:09:53.399 --> 02:09:56.000
<v Speaker 6>half of it's got to go. It's got to go.

2382
02:09:56.840 --> 02:10:01.039
<v Speaker 5>So I, oh, Julia, pretty frightened, looking like very intimidating,

2383
02:10:01.600 --> 02:10:02.439
<v Speaker 5>no one want to with you.

2384
02:10:02.920 --> 02:10:03.800
<v Speaker 4>She just got mohawk.

2385
02:10:04.600 --> 02:10:07.319
<v Speaker 6>I could be a ginger mohawk kind of gal. I

2386
02:10:07.479 --> 02:10:08.560
<v Speaker 6>might I might do that.

2387
02:10:08.800 --> 02:10:09.159
<v Speaker 8>I don't know.

2388
02:10:09.279 --> 02:10:12.880
<v Speaker 6>We'll see, but I'm gonna go with the waning moon

2389
02:10:13.319 --> 02:10:15.760
<v Speaker 6>on this one, Jin because I need a new me,

2390
02:10:16.560 --> 02:10:17.199
<v Speaker 6>a new year.

2391
02:10:17.439 --> 02:10:17.840
<v Speaker 1>Knew me.

2392
02:10:21.000 --> 02:10:21.159
<v Speaker 11>Well.

2393
02:10:21.159 --> 02:10:24.039
<v Speaker 2>I'm glad that I could rectify that, because I did.

2394
02:10:24.079 --> 02:10:26.520
<v Speaker 2>I felt bad leaving you on the waiting thing knowing

2395
02:10:26.640 --> 02:10:28.399
<v Speaker 2>that there was two, but I didn't really think of

2396
02:10:28.479 --> 02:10:31.399
<v Speaker 2>that at first, so I'm glad I could correct it.

2397
02:10:31.560 --> 02:10:33.399
<v Speaker 2>So thank you for giving me that, and of course,

2398
02:10:33.479 --> 02:10:36.399
<v Speaker 2>thank you to JJ for inviting me to do these

2399
02:10:36.960 --> 02:10:40.640
<v Speaker 2>ocall film reviews. Everybody knows it's my favorite. I love

2400
02:10:40.720 --> 02:10:44.359
<v Speaker 2>the Agitator podcast as well with J David Osborne, and

2401
02:10:44.560 --> 02:10:46.600
<v Speaker 2>he's going to come on my show, and you know,

2402
02:10:46.640 --> 02:10:50.680
<v Speaker 2>they talk about Japanese movies. Obviously, doing cinema reviews is

2403
02:10:50.800 --> 02:10:53.720
<v Speaker 2>kind of my secret dream as a podcaster, but I'm

2404
02:10:53.760 --> 02:11:03.039
<v Speaker 2>more of an occultist really, so thank you so much now.

2405
02:11:03.119 --> 02:11:04.880
<v Speaker 5>I appreciate you all. It's one of my favorite films.

2406
02:11:04.920 --> 02:11:07.279
<v Speaker 5>I'm glad we got a chance to discuss it. Definitely

2407
02:11:07.319 --> 02:11:09.359
<v Speaker 5>a big fan of the Golden Child, and thanks to

2408
02:11:09.399 --> 02:11:12.000
<v Speaker 5>all folks of the interwebs for joining us again. JJ

2409
02:11:12.239 --> 02:11:15.439
<v Speaker 5>Vance not the Vice President host of Operations G c

2410
02:11:15.600 --> 02:11:19.279
<v Speaker 5>D also co host of Fridays There with Nick from

2411
02:11:19.319 --> 02:11:23.199
<v Speaker 5>the The Cult Rejects Operations g c D mash up there, So.

2412
02:11:24.720 --> 02:11:26.199
<v Speaker 4>Thanks again everyone, have a good evening.

2413
02:12:01.840 --> 02:12:09.119
<v Speaker 6>Plphical that

2414
02:12:11.960 --> 02:12:12.000
<v Speaker 8>That
