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<v Speaker 1>All right, so introduce yourself to the Private Talk podcast

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<v Speaker 1>with Alexus Texas. Let's know all about.

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<v Speaker 2>You, and you already know it is a one. The guy,

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<v Speaker 2>the guy.

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<v Speaker 1>I like that. So what's your background. Let's let's let

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<v Speaker 1>us know for those of you who's out there who

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<v Speaker 1>doesn't know this is a one, and tell them all

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<v Speaker 1>about you.

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<v Speaker 2>Well, you know, I'll keep it short. I'm a I'm

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<v Speaker 2>a songwriter, producer and I've written and produced for people

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<v Speaker 2>like Drake.

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<v Speaker 1>You say it like so humbly, like I'm a producer. Nia.

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<v Speaker 1>Oh you're a big deal. Like it's okay, you know

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<v Speaker 1>what I mean? Like you've done some really big hits obviously,

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<v Speaker 1>Like like this is this is like a private podcast

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<v Speaker 1>with a Lexus Texas. Now we've met each other before.

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<v Speaker 1>It feel comfortable to speak as freely as you want to.

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<v Speaker 1>And yeah, don't don't be so, don't be boring.

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<v Speaker 2>I'm a big deal.

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<v Speaker 1>I know you. Let's hear about your a big deal.

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<v Speaker 1>What's the biggest person that you've worked with that you

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<v Speaker 1>feel like that you've either set off your career or

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<v Speaker 1>you've helped their career or which otherwise.

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<v Speaker 2>I would have to say A one man like, I like.

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<v Speaker 1>That respective if you're not you fan, then who else

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<v Speaker 1>is going to be?

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<v Speaker 2>You're not like that? Dude is fucking incredible. Like you

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<v Speaker 2>get in the studio with a one man and the energy,

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<v Speaker 2>the ship that he brings to the table is just incredible,

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<v Speaker 2>you know. And he's also worked with people like Drake,

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<v Speaker 2>Chris Brown, Robin Thig, you know, Todd Ala Son, Jeremiah

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<v Speaker 2>you know, kidding a lot of people.

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<v Speaker 1>Very cool. Yeah, so what do you think is your

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<v Speaker 1>your biggest hit out of all the hits that you've made.

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<v Speaker 2>That you'd be my savorite is right now? No stylist, stylist. Yeah,

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<v Speaker 2>My first placement ever was a record called Unusual by

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<v Speaker 2>Trey Songs and Drake and uh. People people used to

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<v Speaker 2>ask me like who who If if you had a choice,

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<v Speaker 2>who would be the two artists that you would love

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<v Speaker 2>to work with? And I used to say Trade Songs

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<v Speaker 2>and Drake And my first placement ever was Trey Songs

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<v Speaker 2>and Drake.

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<v Speaker 1>That's awesome. Like, I'm a true believer into speaking things

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<v Speaker 1>into existence. And you have to again, like you have

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<v Speaker 1>to be your biggest fan and supporter because that's how

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<v Speaker 1>the shit happens. That's why you are who you are

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<v Speaker 1>and you've made big hits.

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<v Speaker 2>And I didn't get it easy. You know, I was homeless,

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<v Speaker 2>you know I did. I did.

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<v Speaker 1>I really.

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<v Speaker 2>I'm from Kansas City, Kansas, so you know. I played

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<v Speaker 2>basketball in college. So I did three years in college

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<v Speaker 2>and my my, well my.

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<v Speaker 1>My fourth year, as said, my position did you play?

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<v Speaker 1>I played basketball point guard?

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<v Speaker 2>Okay, I was a beast. I'm a beast at everything.

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<v Speaker 2>I mean, that's why my name is a one, because

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<v Speaker 2>I'm just a one all around you.

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<v Speaker 1>If I challenge you to a game and you think

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<v Speaker 1>they would be me, I would be anybody, anybody, even Lebron. Nice,

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<v Speaker 1>right Lebron.

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<v Speaker 2>You hear it.

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<v Speaker 1>Yeah you heard it first on the private podcast with Ass.

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<v Speaker 2>But yeah, now I was homeless. I took a break

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<v Speaker 2>from college for a year, That's what I was telling myself.

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<v Speaker 2>And then I was just wrapping and then my friends

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<v Speaker 2>gasted me up, like yo, you could really make it,

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<v Speaker 2>and I was like for real. So I had a

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<v Speaker 2>little job for seven months back home. I quit the job.

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<v Speaker 2>Cash my check. Last check was like a thousand dollars.

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<v Speaker 2>I got a Greyhound ticket to LA.

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<v Speaker 1>So you put everything that was like all in yeah.

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<v Speaker 2>I knew this dude who. He was like, man, I

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<v Speaker 2>got a crib out here, you can rent a room.

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<v Speaker 2>So I'm like you sure, You're like yeah, So I

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<v Speaker 2>said I'll be there in La on let's say Tuesday.

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<v Speaker 2>He was like all right, cool. So I get.

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<v Speaker 1>There, and how nervous were you on that on that

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<v Speaker 1>greathound bus, like going there because you to Kansas City,

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<v Speaker 1>You've put everything in You're you're just hoping that this

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<v Speaker 1>room is.

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<v Speaker 2>Getting excited like I couldn't wait, you know. And when

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<v Speaker 2>I got here, the dude stop answering forever. I've probably

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<v Speaker 2>never talked to him ever again, and I was just

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<v Speaker 2>like with damn. I was looking at the city lights

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<v Speaker 2>and I was still excited. So I was like, man,

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<v Speaker 2>I'll figure it out. And my homegirl, Rona, which I

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<v Speaker 2>knew her through a mutual friend. Rona she was the

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<v Speaker 2>girl that used to do the jingles on Jamie Fox Show.

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<v Speaker 2>So she lived in North Hollywood and she was like, Yo,

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<v Speaker 2>you know what, you can park your bags in my

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<v Speaker 2>parking space, like right next to my car. So I

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<v Speaker 2>was like all right, hell yeah, now I got somewhere

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<v Speaker 2>to park my bags. It's all I needed, you know,

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<v Speaker 2>so I would sneak in her little parking garage, grasb

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<v Speaker 2>some clothes and hit any little clean restroom I could,

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<v Speaker 2>you know, find and take a full wash up and

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<v Speaker 2>get dressed. Like nobody knew I was homeless, you know

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<v Speaker 2>what I'm saying. And I would walk up and down

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<v Speaker 2>North Hollywood every day, just trying to meet producers and

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<v Speaker 2>looking for opportunity to take the train to Hollywood, trying

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<v Speaker 2>to figure it out, you know. And one night I

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<v Speaker 2>was walking in North Hollywood that was like my, my,

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<v Speaker 2>my stop. Yeah, you know yeah. And people used to

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<v Speaker 2>say like, yo, you should meet Raphael and I'm like, man, no,

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<v Speaker 2>shade to him. I'm like, I'm trying to meet Drake

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<v Speaker 2>or somebody you know, like Raphael.

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<v Speaker 1>What this was.

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<v Speaker 2>This was the beginning of nine, two thousand and nine,

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<v Speaker 2>And I'm like, man, I'm trying to meet like Drake

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<v Speaker 2>or somebody you know. And then one night he Raphael

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<v Speaker 2>rolled past me on a bike like what up, Champ.

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<v Speaker 2>I was like what a And then he went into

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<v Speaker 2>this building and I was like, wait, that was RAPHAELA

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<v Speaker 2>deep So I went back to the door. His engineer answer,

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<v Speaker 2>it was like leave a demo on your number he

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<v Speaker 2>hit you, I never heard from MS. I wasn't tripping,

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<v Speaker 2>and then I was like a few weeks later, I

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<v Speaker 2>was walking past the gate and it was open. It

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<v Speaker 2>was broke that day, and I seen him on the phone.

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<v Speaker 2>I was like, man, fuck this, I'm going in there. Yeah,

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<v Speaker 2>so I go in there and then he puts his

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<v Speaker 2>finger up like hold on, and he was on the

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<v Speaker 2>phone for thirty minutes. Can you imagine.

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<v Speaker 1>Standing there like sweating, like it's even gonna listen to me,

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<v Speaker 1>or like wave me off or like what is this?

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<v Speaker 1>But that's still a big thing, like and you could

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<v Speaker 1>have been like, nah, fuck it, I'm leaving whatever, but yeah,

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<v Speaker 1>you put it in work and you're like, no, I'm gonna.

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<v Speaker 2>Wait here, playing with my fingers, just trying to look

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<v Speaker 2>cool and ship.

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<v Speaker 1>Around at that time. So you can't find something.

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<v Speaker 2>So he gets out funing like yo, how the fuck

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<v Speaker 2>you get in my studio? I was like, oh, ship

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<v Speaker 2>And I looked down and I was like, yo, I'm

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<v Speaker 2>just a producer, songwriter, look for opportunity. And he was like,

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<v Speaker 2>oh that's how shit happened. And he was like shiit,

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<v Speaker 2>come on in. He's like, leave a demo with me.

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<v Speaker 2>And your number. I'll hit you up. I left him

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<v Speaker 2>another demo and my number, and then another week will

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<v Speaker 2>by I ain't here from so I was like, I'm

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<v Speaker 2>off him. And then I went in this restaurant in

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<v Speaker 2>North Hollywood called Big Wings and I see him and

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<v Speaker 2>I at the time, my cousin was like, yo, I

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<v Speaker 2>feel back there. I was like, man, I fuck that.

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<v Speaker 2>You know what I'm saying back yeah, and then he

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<v Speaker 2>was like, nah, but he's fanning us back there. So

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<v Speaker 2>I was like shit, so I go back there. He

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<v Speaker 2>was like, yeah, I was just telling my partner, how

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<v Speaker 2>y'all just you know, snuck in my studio and shit.

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<v Speaker 2>He's like, I'm there every day three thirty, pull up

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<v Speaker 2>and we will take a meeting. And I was like

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<v Speaker 2>all right, cool. So I pulled up the next day

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<v Speaker 2>three thirty. He was like damn man, you you know persistent. Yeah,

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<v Speaker 2>and then he was like, I ain't gonna lie. I

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<v Speaker 2>don't know what I did with that demo. I was like,

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<v Speaker 2>I got another one. So I played only songs I

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<v Speaker 2>had was five songs. He was like, yeah, this is dope.

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<v Speaker 2>What do you want and I was like, I just

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<v Speaker 2>want opportunity. So he left He gave me like fifteen

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<v Speaker 2>beats and was like, yo, take the with you right

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<v Speaker 2>to it. When you got something, hit me up, I'll

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<v Speaker 2>get you in my studio to record it. So I

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<v Speaker 2>said back, it's this guy that I knew where I

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<v Speaker 2>met who had a little car wash in the back

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<v Speaker 2>of a gym, and so I asked him if I

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<v Speaker 2>could wash cars during the day, just to make a

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<v Speaker 2>little change, and he was cool with it. But he

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<v Speaker 2>had a shed. It was like a real share where

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<v Speaker 2>he kept his equipment. I was like, Yo, is it

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<v Speaker 2>cool if I crashed in his shed at night? And

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<v Speaker 2>he was like yeah. So at night I would sleep

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<v Speaker 2>in the shed with a line chair on a line

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<v Speaker 2>chair with one cover. So I went to that shed

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<v Speaker 2>and wrote a song and called him like seven eight

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<v Speaker 2>in the morning. He was just like fuck, alright, dude,

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<v Speaker 2>come on, you know what I'm saying. Yeah, And I

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<v Speaker 2>went up there and did a song and then he

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<v Speaker 2>liked it and he was like, Yo, I'm gonna go

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<v Speaker 2>on tour. I'm going on tour for like two weeks.

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<v Speaker 2>When I get back, I'm you could take this little

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<v Speaker 2>room in the back when I get back, I'm on

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<v Speaker 2>here what you got And then we'll talk. So he

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<v Speaker 2>came back. I had like six songs and then he

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<v Speaker 2>was like, yo, you're dope. I want to sign you publishing.

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<v Speaker 2>Let's do a fifty to fifty and I was like,

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<v Speaker 2>I'm with it. And then before he left, I was like, yo,

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<v Speaker 2>can I can I get the big room the room

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<v Speaker 2>and he was like yeah. I was like, oh ship, yeah.

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<v Speaker 2>So so I'm here. I'm like, still new to this

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<v Speaker 2>writing and producing things, and I have a big ass

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<v Speaker 2>room to myself.

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<v Speaker 1>Every dy booster you're in confidence a little bit.

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<v Speaker 2>It did boost my confidence, but then I'm like, yo,

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<v Speaker 2>I gotta find an engineer because I don't know how

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<v Speaker 2>to do none of this ship, you know. So I

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<v Speaker 2>met this dude and uh, he knew how to engineer

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<v Speaker 2>his fucking ass off. His name was Life, and we

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<v Speaker 2>kind of became cool, you know. And then he was recording,

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<v Speaker 2>and then he was writing too because he was a

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<v Speaker 2>writer as well, and shit, I was pumping out songs

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<v Speaker 2>and then one night I said I want to write

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<v Speaker 2>a country song. So I studied country for three days straight,

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<v Speaker 2>no sleep.

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<v Speaker 1>What does studying country mean for those people that are listening.

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<v Speaker 2>Right on to YouTube? And I just started looking up

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<v Speaker 2>old country.

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<v Speaker 1>Songs were the people that she looked up.

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<v Speaker 2>And I can't even tell you. I ain't gonna lie.

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<v Speaker 2>Classic country, Yeah, classic country hits and you know, just

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<v Speaker 2>studying the structure and how they talked about things stories,

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<v Speaker 2>and then I wrote one and I thought it was nice,

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<v Speaker 2>you know. And then I was just whatever. I was

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<v Speaker 2>working on other stuff. And then one time, this about

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<v Speaker 2>four months had passed, me working with my own room.

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<v Speaker 2>Ralphaieladk never got his business right, So I'm in the

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<v Speaker 2>studio without even being signed to him, and I think

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<v Speaker 2>it is hit him and he came in there one

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<v Speaker 2>day like kind of anger. I was like, yo, I'm

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<v Speaker 2>renting this room out like he's over, what are you doing?

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<v Speaker 1>Yeah?

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<v Speaker 2>Yeah, And I was like, oh shit. I He's like, yeah,

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<v Speaker 2>this is your last day. And I was like, well damn.

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<v Speaker 2>So then it was low key back to the streets

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<v Speaker 2>because I was really sleeping in that motherfucker.

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<v Speaker 1>How did that make you feel? Did you feel like

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<v Speaker 1>you have to do more you felt you were doing? Like,

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<v Speaker 1>did you feel like you're a grind? One had to

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<v Speaker 1>be like as a you know, entrepreneur, entertainer trying to

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<v Speaker 1>get your foot in the business, and.

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<v Speaker 2>Yeah, I felt like it was back to Z zero,

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<v Speaker 2>you know what I'm saying. And I'm like, shit, now

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<v Speaker 2>I got to figure it out. And it was just

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<v Speaker 2>like a cool I've been here before. It's all good.

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<v Speaker 2>My cousin was out here with me and he had

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<v Speaker 2>a godfather who does jazz music. So he reached out

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<v Speaker 2>out the blue and was like, Yo, I heard y'all

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<v Speaker 2>out here, like, come to my house. I live in

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<v Speaker 2>North Ridgs. So we fucked and walked from North Hollywood,

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<v Speaker 2>took bus, walked, took the bus journey all the way.

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<v Speaker 1>Yeah, for those of you guys the Private Talk podcast,

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<v Speaker 1>that's that's quite a hike.

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<v Speaker 2>And we got there and then he was like, how

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<v Speaker 2>y'all get we like we walked, he was like, oh man,

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<v Speaker 2>where y'all standing? We're like nowhere.

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<v Speaker 1>Determination.

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<v Speaker 2>Yeah, he wanted music from us, and so he was like, Yo,

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<v Speaker 2>I'm gonna put you on the rental. Y'all sleep in

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<v Speaker 2>my back my back studio. So boom. It went from

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<v Speaker 2>the studio with Raphael Sadik, another studio in the back house.

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<v Speaker 1>You know what I'm saying, They don't have a big room.

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<v Speaker 1>Now you're in the back house, but I.

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<v Speaker 2>Was cool with it. You know, it was really comfortable

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<v Speaker 2>and all. So we started working on jazz music with

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<v Speaker 2>Norman Brown.

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<v Speaker 1>I like how you go from the country the jazz,

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<v Speaker 1>Like it's all over the place, because as an artist

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<v Speaker 1>you really have to know all of it to be

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<v Speaker 1>your craft and do be as talented as you are.

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<v Speaker 2>Yeah, so you know, we was giving him what he

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<v Speaker 2>needs pause and we was good. So we was in

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<v Speaker 2>that house with him for a solid three months after

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<v Speaker 2>he wrapped his album. It was kind of like a

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<v Speaker 2>god but he was telling us he was gonna put

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<v Speaker 2>us in an apartment and everything.

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<v Speaker 1>At this time, like when you're going this, are you

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<v Speaker 1>showing them music because you're working on or they're just

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<v Speaker 1>scratch okay? But is there ever like a time where

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<v Speaker 1>you're like, man, this is a hit and I know

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<v Speaker 1>it and you're like showing them or you're just like

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<v Speaker 1>they're just doing their own thing. You're just staying there

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<v Speaker 1>until something.

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<v Speaker 2>Like nah, I was waking up working but like.

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<v Speaker 1>But when were you showing this guy these beats? And

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<v Speaker 1>was he just like something's better?

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<v Speaker 2>He was playing guitar from scratch, so he would play

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<v Speaker 2>the guitar and then we would write a song on

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<v Speaker 2>top of it every other day, you know, and then

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<v Speaker 2>that's how we did the music. We did like three

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<v Speaker 2>or four songs on his album, but after that it

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<v Speaker 2>was a rap and he was like, I was like, damn,

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<v Speaker 2>what happened to the apartment?

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<v Speaker 1>You know? So how did you get your like breakthrough

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<v Speaker 1>when everyone was like this is the man a one?

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<v Speaker 2>Yeah? So so I'm I got a call from Mike

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<v Speaker 2>Karen from he was the vice president of Atlantic Records,

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<v Speaker 2>and he was like, yo, I want to take a

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<v Speaker 2>meeting with you. You did this country song and I

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<v Speaker 2>like it.

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<v Speaker 1>It is a country song.

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<v Speaker 2>Called that was the country song. I don't even remember.

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<v Speaker 2>I've written probably like two to three thousand songs. Yeah,

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<v Speaker 2>I'm gonna give you. Yeah, the level I'm at now

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<v Speaker 2>is ridiculous. I can do like ten songs.

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<v Speaker 1>Get them, yeah, get them.

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<v Speaker 2>But we'll get to that all right. Yeah. So, so

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<v Speaker 2>I took the meeting with Mike Karen and then he

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<v Speaker 2>thought I had a bunch of country songs and shit,

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<v Speaker 2>but I had a bunch of R and B songs

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<v Speaker 2>yeah that one.

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<v Speaker 1>Yeah.

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<v Speaker 2>He was like, I was trying to get a publishing

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<v Speaker 2>deal and he's like, I feel like you straight up

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<v Speaker 2>the middle writer, and I was like I was new

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<v Speaker 2>to everything, so I was like, I don't know that term,

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<v Speaker 2>what does that mean? And he was like there's no

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<v Speaker 2>edge to you, like you're a safe writer. And I

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<v Speaker 2>was like oh damn. He was like, but keep working

309
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<v Speaker 2>and I was like shit, I cool. Literally six days later,

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<v Speaker 2>I write a song and then he calls me again.

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<v Speaker 2>He's like, yo, this is a single and I was like, oh, word.

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<v Speaker 2>And I did it for Pleasure Pete at the time

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<v Speaker 2>because I was trying to get it on trade songs,

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<v Speaker 2>you know, album, but they just yeah, they told me

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<v Speaker 2>that the album was closed and they was mastering it.

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<v Speaker 2>So Mike Herron was like, Yo, this is a single.

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<v Speaker 2>So I was like, yeah, I know, Pleasure gonna kill it.

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<v Speaker 2>He was like, nah, trade songs and I'm gonna get

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<v Speaker 2>Drake on it. I was like word. He was like, yeah,

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<v Speaker 2>let's take a meeting tomorrow. I was like, all right,

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<v Speaker 2>beat that feel. It was crazy, you know. I love

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<v Speaker 2>Mike Karens, so like no shade. But it was two

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<v Speaker 2>Mike Karens that I met within that week. The one

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<v Speaker 2>that it was like safe and then the one that

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<v Speaker 2>was like, yo, You're fucking incredible. Whatever you're eating, keep

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<v Speaker 2>eating it. And so I was confused because you know,

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<v Speaker 2>I'm I'm still new out here and I don't know

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<v Speaker 2>the game like that. So I was like, damn, you

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<v Speaker 2>just you really.

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<v Speaker 1>Don't know what to say. You don't want to step

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<v Speaker 1>anybody's toes.

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<v Speaker 2>Right, So he offered me a publishing deal, and I'm like, damn,

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<v Speaker 2>I do want to take it. I'm homeless, you know

334
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<v Speaker 2>what I'm saying, But I don't know the business. So

335
00:16:37.919 --> 00:16:41.279
<v Speaker 2>I was like, fuck, let me call Ralfy. So I

336
00:16:41.320 --> 00:16:44.200
<v Speaker 2>called olf Yesterd. He like, come by. I show him

337
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<v Speaker 2>all these agreements and he's like, nah, this bullshit. Because

338
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<v Speaker 2>like word got around and almost every publisher wanted to

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<v Speaker 2>sign me, you know what I'm saying. And the biggest

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<v Speaker 2>offer I had at the time was three fifty three

341
00:16:58.080 --> 00:17:01.559
<v Speaker 2>and fifty thousand, and I wanted to take it so bad,

342
00:17:01.639 --> 00:17:04.279
<v Speaker 2>but I was listening to Raphaelsa like, Yo, this is

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<v Speaker 2>a terrible.

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<v Speaker 1>Deal and that you know you said you're being homeless.

345
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<v Speaker 1>That's like a lot of money that you've never like,

346
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<v Speaker 1>you know, at one time, you know what I mean.

347
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<v Speaker 1>It's like, what do you do? It's like yeah, it's

348
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<v Speaker 1>all on me.

349
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<v Speaker 2>Right. So then death Jam flew me to Miami for

350
00:17:18.680 --> 00:17:21.279
<v Speaker 2>a couple of months to just work in writing camps

351
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<v Speaker 2>for Justin Bieber and a lot of people. So I

352
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<v Speaker 2>got to meet cool producers like Bangladesh cool and Dre

353
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<v Speaker 2>and and all these people. And I was living the life.

354
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<v Speaker 2>I had a room at the what was it, I

355
00:17:36.559 --> 00:17:40.599
<v Speaker 2>feel like the Weston, you know, overlooking the water. I

356
00:17:40.599 --> 00:17:43.160
<v Speaker 2>had a rental per dim Yeah.

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<v Speaker 1>I was like, you're living it now, living in studio.

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<v Speaker 1>Now you live in at large per dimn. You can

359
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<v Speaker 1>get carried away with that sometimes. Yeah.

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<v Speaker 2>So when I got back to La, I'm like, damn right,

361
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<v Speaker 2>I got this single coming out, but I'm still homeless

362
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<v Speaker 2>because I ain't take no deals. And so this guy,

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<v Speaker 2>and Gary Leon, he's an A and R now at

364
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<v Speaker 2>Atlantic Records, but he was just up and coming and

365
00:18:06.640 --> 00:18:08.960
<v Speaker 2>he was like, yo, I believe in you. I want

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<v Speaker 2>to manage you. And I was like, damn, yeah, I

367
00:18:12.039 --> 00:18:15.319
<v Speaker 2>do need management. I said, you got a five bedroom house,

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<v Speaker 2>so yeah, you manage me. I live with you.

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<v Speaker 1>Yeah. So he was like that, so boom, I was

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<v Speaker 1>out the streets.

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<v Speaker 2>Yeah, and I had my own room, five bedroom house

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<v Speaker 2>gated community. It was like, I'm like, oh, I'm living

373
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<v Speaker 2>a life, you know what I'm saying. And then residuals

374
00:18:36.359 --> 00:18:38.960
<v Speaker 2>started coming in from the song doing so well. It

375
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<v Speaker 2>went top ten on the Urban charts, and so I

376
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<v Speaker 2>started Then a lot of people would listen to me now,

377
00:18:47.680 --> 00:18:50.319
<v Speaker 2>like I could get in sessions, like then I met

378
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<v Speaker 2>Tiger from that song is how I met Drake. It

379
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<v Speaker 2>was up for an ASCAP Award, and so I was like,

380
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<v Speaker 2>you know, Drake, I appreciate you know what I'm saying everything.

381
00:19:04.039 --> 00:19:06.160
<v Speaker 2>He was like, I appreciate you know what I'm saying.

382
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<v Speaker 2>You bringing this record? And I was like, yo, you

383
00:19:08.720 --> 00:19:12.319
<v Speaker 2>got an email, and he grabbed my phone. He put

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<v Speaker 2>his number down. So I was like, damn, Drake just

385
00:19:14.640 --> 00:19:16.079
<v Speaker 2>gave me his number. You know what I'm saying.

386
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<v Speaker 1>So you got in another way, you know.

387
00:19:20.279 --> 00:19:22.079
<v Speaker 2>It's a couple of days go by. I'm like, yo,

388
00:19:22.119 --> 00:19:23.960
<v Speaker 2>I got a call this you know what I'm saying,

389
00:19:24.039 --> 00:19:26.319
<v Speaker 2>Like he might change his numbers. So I called him.

390
00:19:26.640 --> 00:19:29.480
<v Speaker 2>He talked to me for a very long time. He

391
00:19:29.640 --> 00:19:31.400
<v Speaker 2>was at the time. He was like, yeah, I'm about

392
00:19:31.400 --> 00:19:33.079
<v Speaker 2>to be dropping a single. One a couple of weeks

393
00:19:33.400 --> 00:19:38.680
<v Speaker 2>caught headlines I'm gonna link you with my producer, Boy Wander,

394
00:19:39.200 --> 00:19:41.440
<v Speaker 2>and I'm like, hell yeah. So he linked me with

395
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<v Speaker 2>Boy Wander. I started doing some stuff with Boy Wander.

396
00:19:45.680 --> 00:19:48.000
<v Speaker 2>I had a potential record that was gonna be on

397
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<v Speaker 2>Drake's album at the time, but it was a miscommunication

398
00:19:52.200 --> 00:19:57.759
<v Speaker 2>on the drums. Drake wanted some drum changes, Boy Wander didn't.

399
00:19:58.160 --> 00:20:02.039
<v Speaker 2>It was a miscommunication and and so that record ended

400
00:20:02.079 --> 00:20:05.160
<v Speaker 2>up going to Tiger and Tiger put Big Seane on it,

401
00:20:05.240 --> 00:20:08.440
<v Speaker 2>and there was a single called I'm Gone. So, you know,

402
00:20:08.640 --> 00:20:10.559
<v Speaker 2>me and Boy Wonder at that time, we was doing

403
00:20:10.599 --> 00:20:13.039
<v Speaker 2>a little little work, you know what I'm saying. I

404
00:20:13.079 --> 00:20:16.119
<v Speaker 2>did like a little non exclusive with him, you know,

405
00:20:17.079 --> 00:20:17.680
<v Speaker 2>signed to him.

406
00:20:17.799 --> 00:20:19.680
<v Speaker 1>I'm sure you have like a lot of like unreleased

407
00:20:19.680 --> 00:20:24.559
<v Speaker 1>stuff that you just have so much out there, Like

408
00:20:24.599 --> 00:20:26.640
<v Speaker 1>it's just like I'm sure you just make geats and.

409
00:20:26.680 --> 00:20:29.319
<v Speaker 2>Like all the time, there's a record.

410
00:20:29.519 --> 00:20:32.160
<v Speaker 1>Does your library look like anyone library?

411
00:20:32.200 --> 00:20:37.839
<v Speaker 2>Crazy? But there's a record out there that's sitting somewhere

412
00:20:37.880 --> 00:20:42.000
<v Speaker 2>in Drake's hard drive with him and a little wang

413
00:20:43.039 --> 00:20:46.519
<v Speaker 2>produced by me and Boy Wonder that I've never heard.

414
00:20:46.720 --> 00:20:49.279
<v Speaker 1>Drake. If you're listening to this a private podcast with

415
00:20:49.279 --> 00:20:51.599
<v Speaker 1>a lectu sect. You better find that in your playoffs.

416
00:20:51.599 --> 00:20:53.240
<v Speaker 2>And every time I would you want to hear it,

417
00:20:53.359 --> 00:20:55.440
<v Speaker 2>Like every time I would see Drake around the time,

418
00:20:55.519 --> 00:20:57.559
<v Speaker 2>But yo, what's up with the record? Like yeah, he

419
00:20:57.680 --> 00:21:00.599
<v Speaker 2>was like it's coming, and then after all he was

420
00:21:00.880 --> 00:21:03.640
<v Speaker 2>I could tell he was annoying, Like, Bro, we're probably

421
00:21:03.720 --> 00:21:06.559
<v Speaker 2>a hundred records past that, Like, why are you still

422
00:21:06.559 --> 00:21:07.680
<v Speaker 2>bringing up that record?

423
00:21:07.799 --> 00:21:11.720
<v Speaker 1>Well, I still have faith. I'm gonna, We're gonna, you

424
00:21:11.720 --> 00:21:14.400
<v Speaker 1>know what I'm saying, Hey, we're still speaking to an existence.

425
00:21:15.160 --> 00:21:16.839
<v Speaker 1>So with all these people that you're saying, like with

426
00:21:16.920 --> 00:21:19.319
<v Speaker 1>Drake and the Trey songs, it's like, which artists do

427
00:21:19.400 --> 00:21:21.839
<v Speaker 1>you think that you've been are still currently friends with

428
00:21:21.880 --> 00:21:23.640
<v Speaker 1>that you like, you just collab and you're just in

429
00:21:23.680 --> 00:21:24.880
<v Speaker 1>there and you don't even know if you make it.

430
00:21:24.960 --> 00:21:26.960
<v Speaker 1>You're just doing it for fun, Like who do you still?

431
00:21:27.480 --> 00:21:30.839
<v Speaker 2>The best chemistry I have is with Chris Brown?

432
00:21:31.000 --> 00:21:31.480
<v Speaker 1>Chris Brown?

433
00:21:31.759 --> 00:21:32.240
<v Speaker 2>Yeah?

434
00:21:32.279 --> 00:21:33.680
<v Speaker 1>What do you think is your biggest hit that you've

435
00:21:33.680 --> 00:21:34.400
<v Speaker 1>done with Chris Brown?

436
00:21:35.799 --> 00:21:36.160
<v Speaker 2>Party?

437
00:21:36.480 --> 00:21:36.799
<v Speaker 1>Party?

438
00:21:36.960 --> 00:21:37.960
<v Speaker 2>Yeah? One?

439
00:21:38.400 --> 00:21:38.720
<v Speaker 1>Nice?

440
00:21:38.960 --> 00:21:40.279
<v Speaker 2>Yeah?

441
00:21:40.319 --> 00:21:43.039
<v Speaker 1>Okay, So I have a question with you, Like you

442
00:21:43.240 --> 00:21:46.039
<v Speaker 1>for me, you've always been the most stylish. You always

443
00:21:46.079 --> 00:21:48.400
<v Speaker 1>like you know, is there anything people that inspired that.

444
00:21:48.480 --> 00:21:50.440
<v Speaker 1>Do you just create it yourself? Do you have like

445
00:21:50.519 --> 00:21:54.920
<v Speaker 1>who inspired you to create your look? Do your own thing?

446
00:21:55.039 --> 00:21:58.119
<v Speaker 1>Like you're very like one not one dimensional, I say,

447
00:21:58.119 --> 00:21:59.680
<v Speaker 1>but you're in your own lane. You do your own thing.

448
00:21:59.720 --> 00:22:01.839
<v Speaker 1>You're very outside of the box. People are always going

449
00:22:01.920 --> 00:22:03.559
<v Speaker 1>to look like, hey, what is that like? Like today,

450
00:22:04.480 --> 00:22:06.799
<v Speaker 1>awesome colors when you walked in the door, I was like, hey,

451
00:22:06.920 --> 00:22:07.240
<v Speaker 1>I like.

452
00:22:07.200 --> 00:22:10.640
<v Speaker 2>My nails like they changed colors a little bit.

453
00:22:10.680 --> 00:22:12.519
<v Speaker 1>When did you start doing your nail like painting your

454
00:22:12.599 --> 00:22:16.119
<v Speaker 1>nails twenty fourteen? Did you see someone? Are you just

455
00:22:16.160 --> 00:22:17.759
<v Speaker 1>light the way looking? You're just like, fuck it, I'm

456
00:22:17.759 --> 00:22:18.720
<v Speaker 1>gonna just what I want to do.

457
00:22:18.920 --> 00:22:21.240
<v Speaker 2>Oh. I used to take my wife and my mom

458
00:22:21.319 --> 00:22:23.359
<v Speaker 2>to the nel salon and then I would sit in

459
00:22:23.359 --> 00:22:26.119
<v Speaker 2>a little massage chair and go to sleep. And one

460
00:22:26.160 --> 00:22:28.359
<v Speaker 2>time I woke up and I looked and my mama

461
00:22:28.440 --> 00:22:30.640
<v Speaker 2>was right across from me getting her toes done, and

462
00:22:30.680 --> 00:22:33.359
<v Speaker 2>she was like, boy, you should paint tip nails black

463
00:22:33.440 --> 00:22:35.200
<v Speaker 2>on some rock stars shit. And I was like, man,

464
00:22:35.240 --> 00:22:37.839
<v Speaker 2>get the fuck out of here. And I went back

465
00:22:37.880 --> 00:22:41.279
<v Speaker 2>to sleep, right, but I had a dream that I

466
00:22:41.359 --> 00:22:43.720
<v Speaker 2>did it and went to the mall and a lot

467
00:22:43.720 --> 00:22:45.160
<v Speaker 2>of people was like, Yo, what do you do? And

468
00:22:45.240 --> 00:22:47.559
<v Speaker 2>I was like what? So I woke up. I was like, yo,

469
00:22:47.640 --> 00:22:49.920
<v Speaker 2>I got at least try this shit. So I tried

470
00:22:49.960 --> 00:22:52.759
<v Speaker 2>it right when we actually went to the mall and

471
00:22:53.119 --> 00:22:55.440
<v Speaker 2>people were really like, yo, what do you do? You're

472
00:22:55.480 --> 00:22:55.880
<v Speaker 2>an artist?

473
00:22:55.960 --> 00:22:59.880
<v Speaker 1>And I was like, oh shit, because of the nails. Yeah,

474
00:23:00.319 --> 00:23:02.000
<v Speaker 1>Now do you do your hands and your feet or

475
00:23:02.079 --> 00:23:02.680
<v Speaker 1>just your hand? No?

476
00:23:02.880 --> 00:23:04.839
<v Speaker 2>Just just my hands tied out the sign? Does his

477
00:23:04.920 --> 00:23:05.480
<v Speaker 2>hands and feet?

478
00:23:05.599 --> 00:23:05.920
<v Speaker 1>Okay?

479
00:23:06.200 --> 00:23:07.559
<v Speaker 2>Yeah? I like that.

480
00:23:08.240 --> 00:23:11.920
<v Speaker 1>Yeah, but did they match? Didn't see the match? The

481
00:23:11.960 --> 00:23:13.640
<v Speaker 1>hands and feet?

482
00:23:14.319 --> 00:23:16.000
<v Speaker 2>I don't know. I don't look at his feet.

483
00:23:16.400 --> 00:23:18.160
<v Speaker 1>Lovely one day he'll come here and ask him.

484
00:23:18.359 --> 00:23:21.640
<v Speaker 2>Yeah, for sure. But yeah, so I was like, yo,

485
00:23:21.680 --> 00:23:23.640
<v Speaker 2>I'm a rocket for a little bit. And then I

486
00:23:23.759 --> 00:23:27.720
<v Speaker 2>ended up having an opportunity to be on a reality show,

487
00:23:27.759 --> 00:23:30.240
<v Speaker 2>which is Love and Hip Hop, and then I was like,

488
00:23:30.319 --> 00:23:32.559
<v Speaker 2>you know what, I'm not going to do this ship

489
00:23:33.319 --> 00:23:36.039
<v Speaker 2>while I'm on camera on TV. And then I was like,

490
00:23:36.039 --> 00:23:38.400
<v Speaker 2>you know what, fuck it because I used to I

491
00:23:38.480 --> 00:23:42.160
<v Speaker 2>wear pearls too. You know, it's been a minute I style,

492
00:23:42.200 --> 00:23:44.240
<v Speaker 2>but you know that was my thing.

493
00:23:44.599 --> 00:23:47.079
<v Speaker 1>So that just came naturally from you or did you

494
00:23:47.119 --> 00:23:50.039
<v Speaker 1>have an did you like see fashion as a kid, did.

495
00:23:49.839 --> 00:23:51.920
<v Speaker 2>You just like I just felt like doing it. And

496
00:23:51.920 --> 00:23:54.240
<v Speaker 2>then I just everything. If I feel like doing something,

497
00:23:54.279 --> 00:23:56.920
<v Speaker 2>I just do it. You know what I'm saying. I'm

498
00:23:57.039 --> 00:24:00.839
<v Speaker 2>fun like that, free spirited all and so it's like

499
00:24:02.079 --> 00:24:05.839
<v Speaker 2>I let people say what they want, all these gays.

500
00:24:06.160 --> 00:24:07.640
<v Speaker 1>I feel like everyone has to live in your truth,

501
00:24:07.640 --> 00:24:09.400
<v Speaker 1>you know, And that's I think that if you think

502
00:24:09.440 --> 00:24:11.119
<v Speaker 1>that because of the way that my appearances and you

503
00:24:11.160 --> 00:24:13.279
<v Speaker 1>don't even know anything what that even means, Like, so

504
00:24:13.400 --> 00:24:15.960
<v Speaker 1>you're not that's like your problem, not mine, right.

505
00:24:16.000 --> 00:24:18.720
<v Speaker 2>So you know, I was like, fuck it, I'm gonna

506
00:24:18.759 --> 00:24:21.759
<v Speaker 2>just I'm gonna just be me on TV. And then

507
00:24:22.240 --> 00:24:24.000
<v Speaker 2>I was looking at it like all right, you'll be

508
00:24:24.039 --> 00:24:27.920
<v Speaker 2>able to google me without knowing my name. And that

509
00:24:28.119 --> 00:24:31.400
<v Speaker 2>was happening. The guy with the blonde dreads wear pearls

510
00:24:31.400 --> 00:24:34.279
<v Speaker 2>and black nail polish, you know. So I was like,

511
00:24:34.319 --> 00:24:34.880
<v Speaker 2>that's cool.

512
00:24:35.039 --> 00:24:37.599
<v Speaker 1>Now you can't go back. Yeah, no, there's no turning back.

513
00:24:37.799 --> 00:24:37.960
<v Speaker 2>No.

514
00:24:38.079 --> 00:24:40.599
<v Speaker 1>I like them. I've done Chromebuck that before. Mind myself

515
00:24:40.599 --> 00:24:41.319
<v Speaker 1>for Sparklings.

516
00:24:42.200 --> 00:24:44.359
<v Speaker 2>I've been in a chrome vibe lately. I dig that.

517
00:24:44.519 --> 00:24:47.440
<v Speaker 2>I'm working on my own noil polish line as well.

518
00:24:47.640 --> 00:24:50.920
<v Speaker 1>Respect. That's awesome. So you said reality show, you said

519
00:24:50.960 --> 00:24:52.960
<v Speaker 1>love and hip hop? How did you get into that?

520
00:24:53.079 --> 00:24:53.279
<v Speaker 2>Did that?

521
00:24:53.480 --> 00:24:55.359
<v Speaker 1>Just like, how did you start that?

522
00:24:55.440 --> 00:24:57.720
<v Speaker 2>How did that being that nigga in the streets? You know?

523
00:24:57.920 --> 00:24:59.319
<v Speaker 1>So they came and approached you.

524
00:24:59.200 --> 00:25:02.880
<v Speaker 2>Yeah, making noise in the industry as a producer songwriter,

525
00:25:03.000 --> 00:25:03.599
<v Speaker 2>and they was.

526
00:25:03.559 --> 00:25:05.319
<v Speaker 1>Just like, did you go in with a bunch of friends?

527
00:25:05.440 --> 00:25:06.000
<v Speaker 1>Was it solo?

528
00:25:06.240 --> 00:25:10.240
<v Speaker 2>It was me and my wife, Lyrica Anderson, and you know,

529
00:25:10.319 --> 00:25:13.799
<v Speaker 2>I was just really focused on her projects. So we

530
00:25:13.839 --> 00:25:16.359
<v Speaker 2>was kind of making some noise on some independent shit,

531
00:25:16.480 --> 00:25:19.799
<v Speaker 2>you know, in the streets, and they was just like, yo, y'all,

532
00:25:19.880 --> 00:25:22.559
<v Speaker 2>y'all should come in for an interview. And we did

533
00:25:22.559 --> 00:25:25.799
<v Speaker 2>that and they fell in love. I met my mom

534
00:25:25.920 --> 00:25:28.640
<v Speaker 2>and they met her mom Like this is crazy, like

535
00:25:28.880 --> 00:25:29.960
<v Speaker 2>they wanted us. You know.

536
00:25:30.160 --> 00:25:30.920
<v Speaker 1>It just clicked.

537
00:25:31.000 --> 00:25:33.559
<v Speaker 2>Yeah, it clicked. So we was just like we give

538
00:25:33.599 --> 00:25:34.079
<v Speaker 2>it a shot.

539
00:25:34.559 --> 00:25:36.759
<v Speaker 1>And shit, how many seasons have you been on?

540
00:25:36.839 --> 00:25:39.119
<v Speaker 2>Now? Four? Now? Four? Yeah?

541
00:25:39.200 --> 00:25:41.519
<v Speaker 1>So with those through the ways, have you like obviously

542
00:25:41.640 --> 00:25:44.240
<v Speaker 1>there are people. LA is small. LA is really small,

543
00:25:44.240 --> 00:25:46.400
<v Speaker 1>and it's like with cast people, do you are you

544
00:25:46.559 --> 00:25:49.000
<v Speaker 1>actually friends with them? Is it really scripted to the thing?

545
00:25:49.079 --> 00:25:50.960
<v Speaker 1>Do use it mechanical do when you fight with them?

546
00:25:50.960 --> 00:25:52.880
<v Speaker 1>Are they fighting because it means something or is it

547
00:25:52.920 --> 00:25:55.240
<v Speaker 1>just because it's just how you feel at the time.

548
00:25:55.400 --> 00:25:59.880
<v Speaker 2>My only friends is ray J, like we was friends

549
00:26:00.039 --> 00:26:08.880
<v Speaker 2>before that, Marcus Black, Solo, Luci and Ship. That's it.

550
00:26:09.279 --> 00:26:10.960
<v Speaker 1>That's it, Yeah, that's it.

551
00:26:11.799 --> 00:26:13.599
<v Speaker 2>That's it so far.

552
00:26:14.079 --> 00:26:17.519
<v Speaker 1>Okay, But I guess it's like one of those things

553
00:26:17.599 --> 00:26:18.720
<v Speaker 1>you don't see each other all the time. Is it

554
00:26:18.759 --> 00:26:20.079
<v Speaker 1>just because of the show or is it like you

555
00:26:20.119 --> 00:26:23.279
<v Speaker 1>guys actually hang out a personal level?

556
00:26:24.079 --> 00:26:26.640
<v Speaker 2>Well me and raise a we like, we like that,

557
00:26:26.759 --> 00:26:27.039
<v Speaker 2>you know.

558
00:26:27.119 --> 00:26:29.680
<v Speaker 1>Other than that, is there anybody from the show that

559
00:26:29.720 --> 00:26:32.160
<v Speaker 1>you absolutely couldn't like, you don't even want to be around,

560
00:26:32.200 --> 00:26:33.440
<v Speaker 1>won't film with, won't do anything with.

561
00:26:34.640 --> 00:26:38.000
<v Speaker 2>Mm hmmm, nah, I don't really.

562
00:26:37.720 --> 00:26:42.240
<v Speaker 1>Like My life is so like you feel like you're

563
00:26:42.279 --> 00:26:44.279
<v Speaker 1>like an open book because you're on the show though,

564
00:26:44.319 --> 00:26:46.079
<v Speaker 1>because it's like at that point, it's like you get

565
00:26:46.079 --> 00:26:47.880
<v Speaker 1>targeted either way if you want to be their friend

566
00:26:47.960 --> 00:26:50.000
<v Speaker 1>or not. They're going to say a headline, Hey, you're

567
00:26:50.039 --> 00:26:53.519
<v Speaker 1>fighting with this person or you're doing this or how

568
00:26:53.680 --> 00:26:56.039
<v Speaker 1>like how do you get wrapped up and not wrapped

569
00:26:56.119 --> 00:26:57.119
<v Speaker 1>up in those things? You know?

570
00:26:57.240 --> 00:26:59.119
<v Speaker 2>I mean, you know I'm an open book for sure.

571
00:26:59.640 --> 00:27:04.920
<v Speaker 2>My life's you see it, it's reality for me. But

572
00:27:05.680 --> 00:27:07.720
<v Speaker 2>I just I don't know, like people don't love hip

573
00:27:07.720 --> 00:27:11.160
<v Speaker 2>hop other cast members, Like you know, if I am

574
00:27:11.240 --> 00:27:13.440
<v Speaker 2>in the scene with him, I'm just doing my job

575
00:27:14.119 --> 00:27:17.440
<v Speaker 2>and then I'm out of there. I don't carry love

576
00:27:17.480 --> 00:27:20.519
<v Speaker 2>and hip hop home with me. You know what I'm saying.

577
00:27:21.319 --> 00:27:25.119
<v Speaker 2>I have fun. I do what I do in real life,

578
00:27:25.160 --> 00:27:28.200
<v Speaker 2>and then I don't talk about it like after like that,

579
00:27:28.359 --> 00:27:30.920
<v Speaker 2>like what it is, Yeah, is what it is?

580
00:27:31.279 --> 00:27:33.319
<v Speaker 1>So with your real life? What is your your real

581
00:27:33.400 --> 00:27:36.720
<v Speaker 1>life contained? What is your relationship status? You say, your wife, Like,

582
00:27:36.759 --> 00:27:38.720
<v Speaker 1>what's going on? I know that you just si a

583
00:27:38.799 --> 00:27:40.480
<v Speaker 1>new baby? Congratulations on that.

584
00:27:40.720 --> 00:27:44.960
<v Speaker 2>Love him oceans Ion Bentley.

585
00:27:45.359 --> 00:27:46.799
<v Speaker 1>I feel like he's a give mix to the both

586
00:27:46.799 --> 00:27:46.920
<v Speaker 1>of you.

587
00:27:47.559 --> 00:27:50.240
<v Speaker 2>Yeah, he's a superstar.

588
00:27:50.720 --> 00:27:53.799
<v Speaker 1>I see something rockstar in the making. Dirty a rockstar.

589
00:27:54.160 --> 00:27:58.799
<v Speaker 2>No, he's a superstar. Like he He's like, it's crazy

590
00:27:58.839 --> 00:28:01.160
<v Speaker 2>how you can already see him. I'm like eighteen years

591
00:28:01.200 --> 00:28:04.480
<v Speaker 2>old in the NBA. It's just crazy, Like you know

592
00:28:04.480 --> 00:28:06.720
<v Speaker 2>what I'm saying. He went to the We took him

593
00:28:06.720 --> 00:28:09.640
<v Speaker 2>to the Lakers game like last week for the first time.

594
00:28:09.720 --> 00:28:12.319
<v Speaker 2>He was just so like I just was reading his

595
00:28:12.359 --> 00:28:15.079
<v Speaker 2>brain like, yo, I can't wait as me. He was

596
00:28:15.119 --> 00:28:18.039
<v Speaker 2>looking at Lebron like YO, that's me in seventeen years,

597
00:28:18.039 --> 00:28:20.039
<v Speaker 2>and I was just like, yo, that's right. You know

598
00:28:20.079 --> 00:28:20.640
<v Speaker 2>what I'm saying.

599
00:28:20.920 --> 00:28:21.880
<v Speaker 1>You soak it up in a.

600
00:28:22.279 --> 00:28:25.920
<v Speaker 2>Yeah, I mean yeah, And he was really good there,

601
00:28:26.000 --> 00:28:28.319
<v Speaker 2>like he didn't give me no problem. So I'm like, yo,

602
00:28:28.680 --> 00:28:30.880
<v Speaker 2>he fell at home already, so I know he gonna

603
00:28:30.920 --> 00:28:32.079
<v Speaker 2>play for the Lakers.

604
00:28:32.400 --> 00:28:35.000
<v Speaker 1>Nice, Yeah, for sure putting it out there Lakers. Yeah,

605
00:28:35.160 --> 00:28:36.880
<v Speaker 1>for what year would that be?

606
00:28:38.279 --> 00:28:40.599
<v Speaker 2>I ain't gonna lie like he's so like, you know

607
00:28:40.640 --> 00:28:43.640
<v Speaker 2>how things changed so that she could be in ten years.

608
00:28:43.680 --> 00:28:49.759
<v Speaker 2>I ain't gonna lie to you. The Lakers unbelievable.

609
00:28:49.680 --> 00:28:55.680
<v Speaker 1>Here first on the podcast with Election Texas, like he's.

610
00:28:55.400 --> 00:28:58.440
<v Speaker 2>You know, hey, you never know anything is possible.

611
00:28:58.519 --> 00:29:01.039
<v Speaker 1>It's very true. We have all kinds of things that

612
00:29:01.079 --> 00:29:03.160
<v Speaker 1>we never thought were possible ten years ago at this point,

613
00:29:03.240 --> 00:29:05.440
<v Speaker 1>so that this could be very true. I'm just saying,

614
00:29:05.720 --> 00:29:08.279
<v Speaker 1>So your relationship status, you said, what's going on right now?

615
00:29:08.440 --> 00:29:10.559
<v Speaker 2>Just we just co parenting, you know what I'm saying.

616
00:29:10.799 --> 00:29:13.480
<v Speaker 1>So you're single, I.

617
00:29:13.440 --> 00:29:16.400
<v Speaker 2>Mean, yeah, we co parenting, right.

618
00:29:16.400 --> 00:29:18.519
<v Speaker 1>I'm asking you. I don't know what co parenting you mean,

619
00:29:18.559 --> 00:29:20.559
<v Speaker 1>I doesn't I don't know your child like I don't

620
00:29:20.599 --> 00:29:22.920
<v Speaker 1>have you know, this means like, all right, you're just

621
00:29:22.960 --> 00:29:26.759
<v Speaker 1>ambicable having a relationship. But y'all, you know seeing other people.

622
00:29:27.839 --> 00:29:29.799
<v Speaker 1>Do you think because of your the show and everything

623
00:29:29.799 --> 00:29:31.960
<v Speaker 1>like that had a reflection of those things?

624
00:29:32.279 --> 00:29:32.440
<v Speaker 2>Huh?

625
00:29:32.559 --> 00:29:33.920
<v Speaker 1>Do you think the show had anything to do with

626
00:29:34.079 --> 00:29:36.000
<v Speaker 1>like that whole process right now?

627
00:29:36.599 --> 00:29:41.759
<v Speaker 2>Now? Just you know, just life. You know, sometimes we

628
00:29:41.799 --> 00:29:46.000
<v Speaker 2>make mistakes, make bad moves. You know, it's like playing cards.

629
00:29:46.000 --> 00:29:48.640
<v Speaker 2>Sometimes you deal the wrong car and ship.

630
00:29:49.200 --> 00:29:51.680
<v Speaker 1>I like that you say cards because you know, here

631
00:29:51.720 --> 00:29:54.920
<v Speaker 1>at the Private Pod or the Private Talk Podcast with

632
00:29:54.920 --> 00:29:57.839
<v Speaker 1>a Lexus Texas, we have a game called Truth with Texas.

633
00:29:58.599 --> 00:30:01.599
<v Speaker 1>So we're going to play a game. And after this

634
00:30:01.640 --> 00:30:04.000
<v Speaker 1>break we're going to set up this game Truth with Texas.

635
00:30:04.039 --> 00:30:05.759
<v Speaker 1>I'm gonna let you pick some cards. Just's got some

636
00:30:05.759 --> 00:30:08.640
<v Speaker 1>little questions. It's gonna be quick, painless, and then I'm

637
00:30:08.680 --> 00:30:10.680
<v Speaker 1>sure you're gonna have a lot of fun. I hope

638
00:30:10.720 --> 00:30:12.920
<v Speaker 1>you guys are ready? Are you ready?

639
00:30:12.920 --> 00:30:13.240
<v Speaker 2>Ayone?

640
00:30:14.480 --> 00:30:17.319
<v Speaker 1>Are you sure you're done? The seed hasn't been that hot,

641
00:30:17.359 --> 00:30:23.480
<v Speaker 1>hasn't Okay? All right, here we go peck it like it.

642
00:30:25.079 --> 00:30:31.079
<v Speaker 1>Those fancy nails shining. All right, we've got a club,

643
00:30:31.519 --> 00:30:38.039
<v Speaker 1>so my clubs. All right, what part of the body

644
00:30:38.759 --> 00:30:46.960
<v Speaker 1>turns you on the most about a woman? Oh? Oh huh,

645
00:30:47.680 --> 00:30:51.079
<v Speaker 1>for real, for real Private talk wants to know?

646
00:30:52.240 --> 00:30:52.680
<v Speaker 2>Lips?

647
00:30:53.000 --> 00:30:57.640
<v Speaker 1>Lips? As I licked my lips, I'm like, you looked

648
00:30:57.640 --> 00:31:01.240
<v Speaker 1>at me to say I saw them. So is that

649
00:31:01.319 --> 00:31:04.519
<v Speaker 1>your final answer? Lips? Yeah, I don't think that's accurate.

650
00:31:05.240 --> 00:31:07.240
<v Speaker 1>I don't think that's accurate. That's the first thing you

651
00:31:07.279 --> 00:31:09.279
<v Speaker 1>look at as a woman that turns you on the most.

652
00:31:11.519 --> 00:31:13.240
<v Speaker 2>Oh, the first thing that I look at.

653
00:31:13.880 --> 00:31:15.599
<v Speaker 1>I'm scared of you, motherfuckers.

654
00:31:20.079 --> 00:31:24.359
<v Speaker 2>The first thing that turned me on. She gotta look pretty.

655
00:31:24.359 --> 00:31:29.599
<v Speaker 1>Face for sure, body part a face. It has to

656
00:31:29.599 --> 00:31:33.000
<v Speaker 1>be specific. Lips are we going with. We'll go with lips,

657
00:31:33.000 --> 00:31:34.759
<v Speaker 1>whole face as a whole. That's just like a.

658
00:31:34.680 --> 00:31:39.880
<v Speaker 2>Cop out body part. I'm trying to tell you you

659
00:31:39.920 --> 00:31:42.880
<v Speaker 2>want the truth true, Hey, I.

660
00:31:42.960 --> 00:31:48.839
<v Speaker 1>Want like you said, you want to ship like.

661
00:31:49.559 --> 00:31:55.000
<v Speaker 2>You want the truth. Here it is lips. That's yeah.

662
00:31:55.119 --> 00:31:57.039
<v Speaker 1>Clips first, all right, we're gonna go with lips. All right,

663
00:31:57.119 --> 00:32:01.559
<v Speaker 1>here we go. But hey, what let us no secret?

664
00:32:01.599 --> 00:32:02.039
<v Speaker 2>I love.

665
00:32:04.240 --> 00:32:08.319
<v Speaker 1>I mean, I think most men do. I mean, I

666
00:32:08.400 --> 00:32:10.119
<v Speaker 1>like head and I'm a woman, and so I mean.

667
00:32:10.000 --> 00:32:14.079
<v Speaker 2>Some some girls asked this question like, oh what do

668
00:32:14.119 --> 00:32:18.640
<v Speaker 2>you what do you like more pussy? Your head? You know?

669
00:32:19.519 --> 00:32:20.519
<v Speaker 2>My answer is head?

670
00:32:20.880 --> 00:32:23.400
<v Speaker 1>Is it because some good girls pussy is whack? Are

671
00:32:23.400 --> 00:32:29.759
<v Speaker 1>you just like head? I like your sound effects?

672
00:32:31.160 --> 00:32:32.759
<v Speaker 2>Should I be talking about that?

673
00:32:32.839 --> 00:32:35.519
<v Speaker 1>Yes? This is a private conversation that's doing the couch

674
00:32:35.559 --> 00:32:38.799
<v Speaker 1>here with the private talk conversations do it's.

675
00:32:38.359 --> 00:32:44.240
<v Speaker 2>Just something about, oh my gosh, don't kill me, guys,

676
00:32:44.240 --> 00:32:47.920
<v Speaker 2>something about like a good jacket, twist.

677
00:32:48.200 --> 00:32:53.240
<v Speaker 1>A jack and twist. Guys out there Private talk podcast

678
00:32:53.319 --> 00:32:55.720
<v Speaker 1>with a Lexis Texas. You guys, you like a jack

679
00:32:55.759 --> 00:32:56.240
<v Speaker 1>and twist?

680
00:32:57.519 --> 00:33:02.599
<v Speaker 2>You know, a girl jack and twisting this it's different.

681
00:33:03.160 --> 00:33:04.799
<v Speaker 1>Do all of them do that? Or do you like

682
00:33:05.039 --> 00:33:06.960
<v Speaker 1>demand them and instruct them to do that because that's

683
00:33:06.960 --> 00:33:09.880
<v Speaker 1>the way you like. I'm just saying, okay me not

684
00:33:09.960 --> 00:33:11.559
<v Speaker 1>all all right, let me back out, let me back up.

685
00:33:11.599 --> 00:33:14.960
<v Speaker 1>I'm just saying, you're in your whole like sexual encounter,

686
00:33:15.119 --> 00:33:15.920
<v Speaker 1>history and life.

687
00:33:16.519 --> 00:33:20.200
<v Speaker 2>Yeah, I'm just talking about if I'm in a relationship,

688
00:33:20.279 --> 00:33:21.079
<v Speaker 2>you know, by.

689
00:33:21.079 --> 00:33:23.200
<v Speaker 1>What happened was Okay, let's go to the next card.

690
00:33:23.480 --> 00:33:26.960
<v Speaker 1>Truth with Texas. Let's do it, all right, are you ready?

691
00:33:27.039 --> 00:33:28.240
<v Speaker 1>Let's go, let's go, let's go.

692
00:33:31.599 --> 00:33:32.640
<v Speaker 2>Oh man, I'm good.

693
00:33:33.640 --> 00:33:38.839
<v Speaker 1>Ooh the hearts all right? Hmmm, how long have you

694
00:33:38.920 --> 00:33:43.920
<v Speaker 1>gone without sex? For the longest amount of time?

695
00:33:44.720 --> 00:33:45.119
<v Speaker 2>For real?

696
00:33:45.400 --> 00:33:49.279
<v Speaker 1>For real? Don't lie to hit, don't lie, don't lie.

697
00:33:49.319 --> 00:33:50.200
<v Speaker 1>Don't make me do this again.

698
00:33:53.000 --> 00:33:58.559
<v Speaker 2>Long as I've gone without sex? Damn, like I got it?

699
00:34:00.079 --> 00:34:00.680
<v Speaker 1>Scroll back.

700
00:34:02.559 --> 00:34:03.519
<v Speaker 2>That's a lot of life.

701
00:34:04.279 --> 00:34:05.839
<v Speaker 1>Hey, we're here. I got time.

702
00:34:09.280 --> 00:34:13.079
<v Speaker 2>But do you maybe maybe three months?

703
00:34:13.440 --> 00:34:16.239
<v Speaker 1>Three months? No head, no pussy, no nothing.

704
00:34:16.920 --> 00:34:17.599
<v Speaker 2>Oh shit.

705
00:34:21.119 --> 00:34:28.079
<v Speaker 1>Oh the longest I've gone is six months?

706
00:34:28.639 --> 00:34:29.239
<v Speaker 2>Oh shit.

707
00:34:29.440 --> 00:34:31.000
<v Speaker 1>Yeah, I was angry the whole time.

708
00:34:32.000 --> 00:34:34.360
<v Speaker 2>Yeah, I say, like two months.

709
00:34:34.039 --> 00:34:38.039
<v Speaker 1>Two months with everything. It's hard start out here. Yeah,

710
00:34:38.079 --> 00:34:40.039
<v Speaker 1>all right, I respect the honesty. All right, here we go.

711
00:34:40.159 --> 00:34:44.400
<v Speaker 1>Next question, Let's see what you get?

712
00:34:44.719 --> 00:34:45.119
<v Speaker 2>Okay?

713
00:34:46.599 --> 00:34:50.679
<v Speaker 1>Ooh, that's my favorite one. It's a spade, so it's

714
00:34:50.840 --> 00:34:54.719
<v Speaker 1>just like my my booty but different. So this one

715
00:34:54.880 --> 00:34:57.199
<v Speaker 1>is going to be a little bit more riskier than

716
00:34:57.199 --> 00:34:59.400
<v Speaker 1>the naughtiest question, because this is why we're here at

717
00:34:59.400 --> 00:35:03.199
<v Speaker 1>the Private Talk Podcast. So are you ready? Listeners? Are

718
00:35:03.239 --> 00:35:05.800
<v Speaker 1>you still with me? You better be subscribing to the

719
00:35:06.000 --> 00:35:09.960
<v Speaker 1>Private Talk Podcast with your favorite Alexis, Texas. All right, guys,

720
00:35:10.280 --> 00:35:15.199
<v Speaker 1>let's get this question out. What's the weirdest sexual experience

721
00:35:15.400 --> 00:35:16.599
<v Speaker 1>you've ever had?

722
00:35:17.159 --> 00:35:26.320
<v Speaker 2>Mm hmm ship the weirdest secion m h.

723
00:35:28.559 --> 00:35:40.320
<v Speaker 1>M, going back into sexual bank, it's like, dude.

724
00:35:37.760 --> 00:35:42.079
<v Speaker 2>It was weird and wow, don't hold that.

725
00:35:44.199 --> 00:35:44.719
<v Speaker 1>Let's hear it.

726
00:35:46.599 --> 00:35:48.880
<v Speaker 2>I have three girls lined up.

727
00:35:49.599 --> 00:35:50.960
<v Speaker 1>Were they like based?

728
00:35:52.360 --> 00:35:54.079
<v Speaker 2>Yeah? I was hammering them all.

729
00:35:54.400 --> 00:35:59.559
<v Speaker 1>Like one stroke each one like bam bam bam. Like

730
00:36:00.079 --> 00:36:02.480
<v Speaker 1>were they like stocked on top like like a you know,

731
00:36:02.760 --> 00:36:07.000
<v Speaker 1>like drum line like I was the man a one a.

732
00:36:07.239 --> 00:36:13.360
<v Speaker 2>Yeah, it was, it was. It was weird. That's weird. Yeah,

733
00:36:13.480 --> 00:36:16.039
<v Speaker 2>all right, dy was game for it.

734
00:36:16.519 --> 00:36:18.480
<v Speaker 1>And it was just you and the drum line with

735
00:36:18.559 --> 00:36:20.679
<v Speaker 1>ladies and cheeks. Nice.

736
00:36:20.840 --> 00:36:21.559
<v Speaker 2>Three girls.

737
00:36:21.760 --> 00:36:23.000
<v Speaker 1>That's the most you've ever been with?

738
00:36:23.760 --> 00:36:25.079
<v Speaker 2>Yeah at one time? Yeah?

739
00:36:25.719 --> 00:36:27.760
<v Speaker 1>Was that a lot to handle? No?

740
00:36:27.920 --> 00:36:30.320
<v Speaker 2>I think I am I saying so much.

741
00:36:30.519 --> 00:36:32.119
<v Speaker 1>No, you're supposed to feel comfortable.

742
00:36:32.119 --> 00:36:34.679
<v Speaker 2>This is a back then. I felt like I was

743
00:36:34.719 --> 00:36:37.760
<v Speaker 2>performing pretty good. Okay, I'm a great performer.

744
00:36:37.880 --> 00:36:41.360
<v Speaker 1>So each girl would be like, yeah he drummed that line?

745
00:36:41.599 --> 00:36:42.400
<v Speaker 2>Yeah not for sure?

746
00:36:42.559 --> 00:36:44.480
<v Speaker 1>All right, perfect, I like it? All right, last question,

747
00:36:45.079 --> 00:36:55.360
<v Speaker 1>Here we go, Here we go, here we go, right, diamonds.

748
00:36:55.400 --> 00:36:57.800
<v Speaker 1>All right, guys, are you ready for the last question.

749
00:36:57.920 --> 00:37:03.679
<v Speaker 1>It's the diamond card and let's see how many people

750
00:37:03.679 --> 00:37:12.039
<v Speaker 1>have you slept with? Oh ah, don't look at don't

751
00:37:12.039 --> 00:37:15.280
<v Speaker 1>look for an answer. No, it's just it's a I

752
00:37:16.199 --> 00:37:19.199
<v Speaker 1>have a list of questions that are each categorized for things,

753
00:37:19.199 --> 00:37:22.400
<v Speaker 1>and I just what happens happens. If you listened and

754
00:37:22.519 --> 00:37:25.519
<v Speaker 1>you actually liked and know what was it, if you

755
00:37:25.599 --> 00:37:27.960
<v Speaker 1>joined my Instagram for the private podcast, you would see

756
00:37:27.960 --> 00:37:30.679
<v Speaker 1>all these questions there. You should do it. You're going

757
00:37:30.719 --> 00:37:35.280
<v Speaker 1>to be live on there as well. How many people

758
00:37:35.280 --> 00:37:39.320
<v Speaker 1>have you had sex with? My and your whole life?

759
00:37:44.000 --> 00:37:45.800
<v Speaker 1>Do you need my hands and fingers and toes? Do

760
00:37:45.920 --> 00:37:46.880
<v Speaker 1>or you going over there?

761
00:37:47.920 --> 00:37:50.000
<v Speaker 2>I say like, I.

762
00:37:49.920 --> 00:37:51.760
<v Speaker 1>Don't even know my number. I don't know what I

763
00:37:52.199 --> 00:37:53.599
<v Speaker 1>to be quite honest.

764
00:37:53.480 --> 00:37:58.679
<v Speaker 2>I say like like like, yeah, you know that's not

765
00:37:58.800 --> 00:37:59.320
<v Speaker 2>a number.

766
00:38:00.360 --> 00:38:04.280
<v Speaker 1>That is not a number. No, it's not a number.

767
00:38:04.800 --> 00:38:07.239
<v Speaker 1>Come on now, it's a private talk here. This is

768
00:38:07.280 --> 00:38:09.440
<v Speaker 1>your whole life situation. How many people have you had

769
00:38:09.440 --> 00:38:09.760
<v Speaker 1>sex with?

770
00:38:10.039 --> 00:38:12.400
<v Speaker 2>Probably by like thirty thirty? All right?

771
00:38:12.519 --> 00:38:14.599
<v Speaker 1>I like it. That means like we should add our subtract.

772
00:38:14.840 --> 00:38:16.360
<v Speaker 1>What does that rule? With the girls or men. I

773
00:38:16.360 --> 00:38:18.559
<v Speaker 1>think with girls you subtract, and men you add. I

774
00:38:18.599 --> 00:38:19.880
<v Speaker 1>don't really remember how it goes.

775
00:38:20.360 --> 00:38:21.960
<v Speaker 2>I could be lying. It could be less.

776
00:38:22.199 --> 00:38:24.360
<v Speaker 1>It could be less, or it could be more.

777
00:38:24.559 --> 00:38:25.679
<v Speaker 2>I'm just trying to look cool.

778
00:38:27.280 --> 00:38:29.639
<v Speaker 1>You already look cool. You're nail polished. Yeah no, but

779
00:38:29.719 --> 00:38:32.599
<v Speaker 1>you're again, ayone the man. Thank you so much for

780
00:38:32.639 --> 00:38:35.960
<v Speaker 1>being a part of the Private Talk podcast. I appreciate

781
00:38:36.000 --> 00:38:38.119
<v Speaker 1>you for coming out and being honest with us, and

782
00:38:38.159 --> 00:38:39.800
<v Speaker 1>I hope that you've had a lot of fun with me.

783
00:38:40.239 --> 00:38:43.480
<v Speaker 1>I hope you like the channel, subscribe to the channel yourself.

784
00:38:43.559 --> 00:38:46.920
<v Speaker 1>And yeah, thanks for coming on the Private Talk Podcast.

785
00:38:47.079 --> 00:38:49.480
<v Speaker 2>If I'm being honest, I have a single that's about

786
00:38:49.480 --> 00:38:49.880
<v Speaker 2>to drop.

787
00:38:49.920 --> 00:38:53.199
<v Speaker 1>All right, let's hear it. Oh not where we can

788
00:38:53.239 --> 00:38:55.719
<v Speaker 1>find it? Not hear the single? Come down Down, come on.

789
00:38:56.239 --> 00:38:59.960
<v Speaker 2>Oh no, it's okay. It's called two at a Time

790
00:39:01.000 --> 00:39:06.239
<v Speaker 2>and it's featuring A one and it's fucking amazing. Produced

791
00:39:06.239 --> 00:39:06.960
<v Speaker 2>by Draymond.

792
00:39:07.880 --> 00:39:09.440
<v Speaker 1>This a one. He's speaking the third person.

793
00:39:09.480 --> 00:39:10.039
<v Speaker 2>I like him.

794
00:39:10.559 --> 00:39:11.519
<v Speaker 1>I listen to his music.

795
00:39:12.039 --> 00:39:17.559
<v Speaker 2>This record, it's gonna be a runner for sure, for sure.

796
00:39:17.679 --> 00:39:19.440
<v Speaker 1>Why do you think that you have like different like

797
00:39:19.519 --> 00:39:21.519
<v Speaker 1>feels about this one? Other than the ones we talked

798
00:39:21.559 --> 00:39:22.920
<v Speaker 1>about previous in this interview.

799
00:39:23.199 --> 00:39:26.800
<v Speaker 2>Yeah, it's shout out to Draymond, like, like, he's one

800
00:39:26.800 --> 00:39:28.119
<v Speaker 2>of my favorite producers.

801
00:39:28.880 --> 00:39:35.159
<v Speaker 1>I got a pause. He's done some phenomenal work. He's

802
00:39:35.199 --> 00:39:36.239
<v Speaker 1>an amazing person.

803
00:39:36.320 --> 00:39:38.960
<v Speaker 2>I love he did the beat.

804
00:39:40.639 --> 00:39:41.760
<v Speaker 1>He's a true he's a true one.

805
00:39:41.800 --> 00:39:45.880
<v Speaker 2>I like you did that. I that dude is amazing.

806
00:39:46.559 --> 00:39:49.199
<v Speaker 2>But it's just something about his beast that I just it.

807
00:39:49.719 --> 00:39:50.320
<v Speaker 2>It's magic.

808
00:39:50.480 --> 00:39:52.159
<v Speaker 1>Is it because of where you are right now? And

809
00:39:52.199 --> 00:39:54.880
<v Speaker 1>maybe you're like life and that it's like you're like, maybe.

810
00:39:56.159 --> 00:39:57.960
<v Speaker 2>Is just like this one?

811
00:39:58.280 --> 00:39:59.480
<v Speaker 1>All right, so tell us again.

812
00:39:59.360 --> 00:40:04.960
<v Speaker 2>What it is. It is eight away driven. It's really catchy.

813
00:40:05.079 --> 00:40:07.760
<v Speaker 2>You know, two at a time? Just think about it.

814
00:40:08.039 --> 00:40:09.679
<v Speaker 2>Have you ever had two at a time? I have.

815
00:40:10.760 --> 00:40:14.079
<v Speaker 1>I'm Alexis Tech now I'm interviewing. It's okay, I'm not

816
00:40:14.079 --> 00:40:16.239
<v Speaker 1>afraid we're This is a private conversation. You can ask

817
00:40:16.280 --> 00:40:16.800
<v Speaker 1>me anything you want.

818
00:40:16.880 --> 00:40:18.760
<v Speaker 2>Five at a time I have.

819
00:40:18.880 --> 00:40:21.599
<v Speaker 1>Actually, there was a movie I did. Yeah, you can

820
00:40:21.639 --> 00:40:23.280
<v Speaker 1>go and watch that. I haven't ten movies in a

821
00:40:23.280 --> 00:40:25.079
<v Speaker 1>really long time, but back back in the day, I

822
00:40:25.119 --> 00:40:27.559
<v Speaker 1>did do my share. No shame in my game. This

823
00:40:27.599 --> 00:40:30.440
<v Speaker 1>is a private talk with Alexus, Texas and you should

824
00:40:30.480 --> 00:40:31.199
<v Speaker 1>feel comfortable.

825
00:40:33.000 --> 00:40:34.719
<v Speaker 2>But yeah, not a single about to drop, you know

826
00:40:34.760 --> 00:40:36.280
<v Speaker 2>what I'm saying, And I think it's going to give

827
00:40:36.480 --> 00:40:37.119
<v Speaker 2>give a run.

828
00:40:37.360 --> 00:40:40.119
<v Speaker 1>So where can the fans see your social media?

829
00:40:40.280 --> 00:40:42.400
<v Speaker 2>Where can we just follow me? I'm everywhere.

830
00:40:42.920 --> 00:40:44.280
<v Speaker 1>You know, what's your social media?

831
00:40:44.480 --> 00:40:47.239
<v Speaker 2>But my social media is a one Bentley