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<v Speaker 1>But yeah, hi, thanks so much for coming on.

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<v Speaker 2>Of course.

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<v Speaker 1>I mean, we very much enjoy having other people to

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<v Speaker 1>talk to you about our nerdy shit.

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<v Speaker 3>So yeah, like, oh yeah, you know us too.

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<v Speaker 1>Yeah, it's good.

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<v Speaker 4>But yeah, I'm very excited to talk about this particular

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<v Speaker 4>kind of nerdy ship.

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<v Speaker 1>I mean, well, the thing is that it's like particularly

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<v Speaker 1>wild in my but you know, how on earth can

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<v Speaker 1>something be quite so dull and insane at the same time.

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<v Speaker 1>You don't know, you don't know the magic of medieval history, baby, but.

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<v Speaker 5>Yeah, nice, Okay, I am. I am rolling luckily on

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<v Speaker 5>my end now. So that's that's that's the going.

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<v Speaker 1>Okay, I am.

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<v Speaker 3>Too, got my local going.

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<v Speaker 1>You're I simply love to have backup.

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<v Speaker 2>It's good to have back up.

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<v Speaker 5>Oh yeah, that's why I keep a version of myself

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<v Speaker 5>in painting form behind me.

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<v Speaker 1>You know, absolutely absolutely.

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<v Speaker 3>That is not me, but it does really look like me.

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<v Speaker 1>I love that for you.

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<v Speaker 6>You had a lot of hair back then.

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<v Speaker 3>That was yeah, I know, that was that was the

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<v Speaker 3>seventies were a different time.

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<v Speaker 6>Oh man, there we go.

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<v Speaker 3>That's the sound. That's the sound. It's the sound of

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<v Speaker 3>the police.

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<v Speaker 1>Wow, not again, Christ I mean, like, I mean I'm

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<v Speaker 1>just trying at the moment, you know, as a as

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<v Speaker 1>a gentle lady who is not used to being in America.

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<v Speaker 1>I'm like getting used once again to like just seeing

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<v Speaker 1>like all these heavily arm coups all the time. I'm like,

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<v Speaker 1>what the fuck is going on?

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<v Speaker 2>It's like they're keeping you safe, That's what's going on.

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<v Speaker 1>Yeah, really safe.

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<v Speaker 6>You don't like your police state, I know, book.

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<v Speaker 1>And it's remarkable because so many more armed police here

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<v Speaker 1>in Tacoma, and yet so much more Matthews. So it's

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<v Speaker 1>it's crazy how those things don't actually correlate and anyway

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<v Speaker 1>share just like well they might correlate, just you know,

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<v Speaker 1>in the other direction. God, I swear to like my

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<v Speaker 1>brother was shouting to him like the other day and

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<v Speaker 1>he's like, yeah, you know, like last time I saw

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<v Speaker 1>a gun discharged and I was like, yeah, So, like

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<v Speaker 1>I think about my life in London is I don't

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<v Speaker 1>have any stories.

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<v Speaker 6>Like it's the same thing is when you go to

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<v Speaker 6>your required longbow training every Sundays, the same thing is.

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<v Speaker 6>You know, it's just a little louder over you. You know,

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<v Speaker 6>we we like a little a little pizzazz, you know,

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<v Speaker 6>you Brits are you know, stiff upper lipping on you

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<v Speaker 6>and keeps it spicy. You're as American as I am.

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<v Speaker 1>I mean, you know, signs point to yes. I'm just

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<v Speaker 1>kind of like an American who's going.

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<v Speaker 6>I meant that. I meant that as a you know,

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<v Speaker 6>a point of common and I can understand how it

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<v Speaker 6>might have been heard as either an insult or a threat.

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<v Speaker 2>I think being called an American these days is an insult.

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<v Speaker 6>Yeah, man, isn't that great? Where are you guys gonna

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<v Speaker 6>go when this soul collapse?

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<v Speaker 5>Well, my roommate is has dual citizenship with Canada, and

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<v Speaker 5>so I was going to say, probably Canada, but then

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<v Speaker 5>that will probably just become a fifty first state.

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<v Speaker 6>So oh that's never ha. I know, I know, I'm

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<v Speaker 6>just making sure, like I'm like, all right now, we

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<v Speaker 6>gotta be.

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<v Speaker 2>Like the valiant Canadian troops are actually going to make

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<v Speaker 2>sure that they do not become the fifty first state.

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<v Speaker 7>If anything, Yeah, marching under the orders of Imperator fucking

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<v Speaker 7>dug Ford become like the great like anti American.

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<v Speaker 2>That's the thing. Like, if anything, New England is going

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<v Speaker 2>to get an next into Quebec and then New England

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<v Speaker 2>will become Francophone and it'll be wild.

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<v Speaker 4>A bunch of amure having to learn new language.

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<v Speaker 6>Bostonians. Yeah, we got the reverse Irish French connection.

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<v Speaker 1>Let's go, let's absolutely go.

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<v Speaker 6>Oh all right, well, unfortunately, not unfortunately, but I do

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<v Speaker 6>have a time limit because.

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<v Speaker 1>I actually I guess that we're gonna have to do

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<v Speaker 1>this podcast.

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<v Speaker 6>All right, well cool, let's do this. Uh well, I'm

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<v Speaker 6>really you know, I'm really bad at uh at like

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<v Speaker 6>segues and transitions. I'm like, how should I do this?

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<v Speaker 6>And then I realized I've been thinking about how I

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<v Speaker 6>need to do the segue or transition. Well, I should

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<v Speaker 6>have just said, all right, anyway, let's talk about the.

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<v Speaker 2>Yeah, let's talk about some mystery place.

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<v Speaker 6>I love being I love being neurotic. It's great. Yeah,

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<v Speaker 6>you know here we are all right, here we go. Hello,

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<v Speaker 6>and welcome back to We're Not So Different, a podcast

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<v Speaker 6>about how we've always been idiots. My name is Luke Waters,

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<v Speaker 6>and I am an amateur medievalist, and as always I'm

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<v Speaker 6>joined by doctor Eleanor Yannige, who is anything but today, folks,

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<v Speaker 6>we got an interview. We don't have a question today

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<v Speaker 6>because of that interview. But we're gonna start doing like

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<v Speaker 6>an episode of a mailbag episode a month or something

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<v Speaker 6>until we can because yeah, we we got to do that.

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<v Speaker 6>But anyway, you guys know the deal. If you want

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<v Speaker 6>to subscribe to the Patreon and give us questions, you know,

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<v Speaker 6>the patreon dot comst w nist pot. I'm not doing

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<v Speaker 6>the whole spiel. We got people here, we got things.

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<v Speaker 1>To do ourselves in front of the guests you got.

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<v Speaker 6>We don't want to We don't want to embarrass ourselves

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<v Speaker 6>in front of in front of royalty.

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<v Speaker 2>What oh god, see when did that happen?

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<v Speaker 5>Oh I'm I wondered why my head was so much

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<v Speaker 5>heavier to it was.

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<v Speaker 3>All those hollow crowns you have back here, hal the

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<v Speaker 3>solid ones light.

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<v Speaker 6>Oh man, hollow.

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<v Speaker 3>Snake was definitely my favorite character, I think in Middle Gear.

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<v Speaker 1>Oh man, all right, it's gone good.

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<v Speaker 6>Hollow Snake. Oh, folks, we're here today to talk about

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<v Speaker 6>mystery plays. What the hell are they am?

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<v Speaker 1>I right?

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<v Speaker 6>Oh yeah, that's the kind of thing you're listening to

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<v Speaker 6>the show to find out. Well, if you don't know

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<v Speaker 6>the name, mystery play might evoke ideas of dramatic stories

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<v Speaker 6>that involve someone solving crimes being acted out before an audience.

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<v Speaker 6>And if that's what you're expecting, well then I've got

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<v Speaker 6>one piece of advice. Prepare to be disappointed. If, however,

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<v Speaker 6>we're imagining a series of living tableau depicting scenes from

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<v Speaker 6>the Bible that were often incorporated into religious ceremonies like

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<v Speaker 6>the Mass, well then you're in the right place. But

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<v Speaker 6>I hear you ask what mysteries about the Bible are

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<v Speaker 6>being solved in these mystery plays. To that, I must reply,

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<v Speaker 6>you got a lot of fucking nerve power serious mystery.

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<v Speaker 6>I love doing these because I get to talk to myself.

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<v Speaker 6>It's fun. But seriously, the mystery as it's used here

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<v Speaker 6>refers to the higher mysteries of the spiritual variety, the

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<v Speaker 6>miraculous works of God, things of that nature. Now you

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<v Speaker 6>might think that sounds pretty boring, like one of those

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<v Speaker 6>outdoor Nativity scenes that churches in America do around Christmas.

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<v Speaker 3>And my church did that. I did for many years.

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<v Speaker 6>As did you get to play Baby Jesus.

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<v Speaker 3>No, I was.

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<v Speaker 4>I was the child shepherd and I was standing out

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<v Speaker 4>there while the live sheep that we had was strangling

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<v Speaker 4>itself on its own leash.

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<v Speaker 2>Was it just was it just a sheep or were

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<v Speaker 2>there other animals as well? I'm not sure. I remember

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<v Speaker 2>you talking about that.

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<v Speaker 4>We had three sheep and the church also owned a donkey.

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<v Speaker 4>I will never forget the day that the pastor opened

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<v Speaker 4>his sermon with just some news everyone, the first Baptist

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<v Speaker 4>Church of Gallup, New Mexico's donkey went to be home

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<v Speaker 4>with the Lord on Wednesday after Yes.

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<v Speaker 6>Yes, look, I I was vers I was. I was

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<v Speaker 6>raised in evangelical Christianity. Let's go, and I've been. I've

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<v Speaker 6>been an atheist for a long while. But I will

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<v Speaker 6>be honest. If your version of heaven doesn't include animals,

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<v Speaker 6>I don't want to fucking hear about it. If you

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<v Speaker 6>if you can't take a dog or a cat, or

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<v Speaker 6>a beloved donkey up to heaven with you, then what

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<v Speaker 6>the fuck is even the point?

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<v Speaker 2>Donkey?

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<v Speaker 1>Yeah, I had a donkey growing up. And also just

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<v Speaker 1>a huge segue to talk about uh, you know, growing

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<v Speaker 1>up in Takoa, we had this donkey whose name was

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<v Speaker 1>Edgar Rice Burrough.

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<v Speaker 6>He was always of course you did.

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<v Speaker 1>He was always breaking out and like a Tibetan, mastiffs

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<v Speaker 1>would always break out with him because they were like,

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<v Speaker 1>I need to shepherd by donkey.

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<v Speaker 3>And once the.

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<v Speaker 1>Donkey kicked lights out of a bus that honked at

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<v Speaker 1>him because he was standing in the middle of the road.

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<v Speaker 1>And we've got this giant Tibetan master who's.

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<v Speaker 3>Like a fucking touch my donkey.

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<v Speaker 2>Oh yeah, to.

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<v Speaker 1>Do it anyway, Like my parents copped a misdemeanor on

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<v Speaker 1>that one. Anyway. WHOA. I was chatting about this last

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<v Speaker 1>night to my homeboy, who teaches high school history here

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<v Speaker 1>in Tacoba, and he also teaches the thing about urban animals,

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<v Speaker 1>and he's like, well, it's illegal to have donkeys in

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<v Speaker 1>Tacoba and I was like, well, we were living in

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<v Speaker 1>Lakewood at the time, and he goes, it's also illegal

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<v Speaker 1>to have donkeys liquids.

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<v Speaker 6>Shut up, shut up.

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<v Speaker 1>Apparently my family is probably the reason why you're not

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<v Speaker 1>allowed to have a donkey.

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<v Speaker 2>Oh there you go.

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<v Speaker 6>I call it.

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<v Speaker 1>The people cannot be trusted, and I want to be

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<v Speaker 1>so real with you. We cannot.

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<v Speaker 6>Oh my god, let me let me finish this. I

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<v Speaker 6>can introduce him. Oh my god. Yeah, no, no, you're good.

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<v Speaker 6>I yeah, you know. I must admit that there are

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<v Speaker 6>several million other things I could think of that I'd

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<v Speaker 6>rather do than doing a mystery play. But as we've

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<v Speaker 6>noted many times on the show, preaching and religious activities

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<v Speaker 6>were popular culture for medieval Europeans. Ough Man, what what

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<v Speaker 6>a bereft time? Now, I'm just kidding. These mystery plays

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<v Speaker 6>allowed them to experience the biblical stories they heard in

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<v Speaker 6>mass and sermons through a different visual medium, and they

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<v Speaker 6>were a hit, especially in Spain and England. Over time,

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<v Speaker 6>they developed entire cycles or series of plays focusing on

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<v Speaker 6>certain topics or characters. But they also became more secularized

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<v Speaker 6>after the pope pulled a medieval footloose and forbade the

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<v Speaker 6>clergy from doing any more acting on stage. Can you

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<v Speaker 6>imagine not letting those queens act? Good God. This moved

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<v Speaker 6>the mystery plays from the churches to town guilds, who

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<v Speaker 6>began producing and putting them on, even moving into fully

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<v Speaker 6>secular stories. But we're not here to talk about mystery

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<v Speaker 6>plays alone. We've got guests Brian Alford, Josh Borman, and

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<v Speaker 6>AJ Ditty from the Worst of All Possible Worlds podcas Caids. Hello,

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<v Speaker 6>I wanted to come on this show to talk about

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<v Speaker 6>this topic, specifically, Brian, Josh and Aj thank you so

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<v Speaker 6>much for being here. How the hell are you?

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<v Speaker 2>Hey? Thank you for having us. I guess we'll each

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<v Speaker 2>introduce ourselves. You won't be able to tell us a

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<v Speaker 2>part listener, even people who listen to our show, and

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<v Speaker 2>we have listened to our show for like the almost

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<v Speaker 2>two hundred episodes we've been going now still can't tell

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<v Speaker 2>us apart. But I'm Josh. You can sort of differentiate

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<v Speaker 2>me because I swear more and I say I do

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<v Speaker 2>that more often.

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<v Speaker 4>And Josh also, Josh also has a Michigan accent. Yeah, Brian,

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<v Speaker 4>by the way, I have a new Mexican accent.

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<v Speaker 5>I don't know, Yeah, And I'm a j and I

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<v Speaker 5>have a San Diego accent, which means about as much

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<v Speaker 5>as a New Mexico accent.

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<v Speaker 1>I feel, you know, as someone from the Puget Sound area.

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<v Speaker 5>Word apparently, I say you's weird. I say the you

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<v Speaker 5>and bullet weird. That's sort of do you say no?

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<v Speaker 8>I don't say boo, but yeah, no, sweetish ship.

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<v Speaker 2>Sounds more Nordic to me.

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<v Speaker 6>You know, I don't know. Look, I barely. If I

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<v Speaker 6>get too riled up, you'll start to hear me sound,

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<v Speaker 6>you know, start to sound a little bit like foghorn leghorns,

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<v Speaker 6>you know, from the great State of Gelgia.

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<v Speaker 2>Well, thank you so much for having us on though,

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<v Speaker 2>where We're really excited because we all sort of have

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<v Speaker 2>our own experiences with the mystery plays. Like Eleanor reached

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<v Speaker 2>out to me not too long ago, and at first

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<v Speaker 2>I was like, well, you know, we I could just

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<v Speaker 2>come on and riff. But then I realized, oh, ship,

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<v Speaker 2>there's like one thing about medieval history that we all

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<v Speaker 2>sort of know about and have direct personal experience with.

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<v Speaker 2>So I'm very excited to talk about it.

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<v Speaker 1>Okay, Yeah, So I want to start you guys there,

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<v Speaker 1>because how the fuck do you have trug? Oh?

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<v Speaker 3>Oh, Hellen, I need.

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<v Speaker 5>Allow me to allow me to elaborate on a little

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<v Speaker 5>thing called the Mysteries, which was a play that was

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<v Speaker 5>done at the Flea Theater, a theater we can mention

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<v Speaker 5>because this is not our podcast, right, we will our show,

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<v Speaker 5>but we can name it wherever else. And this was

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<v Speaker 5>a modern adaptation of the York Mystery Cycle. Commissioned fifty

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<v Speaker 5>one play rights, which was whittled down to forty eight

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<v Speaker 5>because three of the plays were really bad.

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<v Speaker 3>And I'm considering the things that did make.

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<v Speaker 5>The Yeah, there was one that involved a potato witch.

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<v Speaker 5>That was the funniest thing I've ever seen in my life,

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<v Speaker 5>but was also probably the worst.

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<v Speaker 3>And so witches wait, sorry, thank you, thank you was

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<v Speaker 3>the witch of potato. No, no, she just kept throwing

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<v Speaker 3>potatoes at people.

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<v Speaker 6>Oh I know, I'm so fat and I love Burger

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<v Speaker 6>so much potato, which like a potatoes.

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<v Speaker 3>Yes, that was up. But yeah.

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<v Speaker 5>So basically, each one of these playwrights took one of

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<v Speaker 5>the episodes of the mysteries, like like in the way

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<v Speaker 5>that you know in in actual mystery plays, like guilds

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<v Speaker 5>would take on like one of the stories, and then

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<v Speaker 5>they would write their version of it.

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<v Speaker 3>And ours was a very queer, very modern, very.

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<v Speaker 5>Secular version of the story, or it tried to like

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<v Speaker 5>it's best to be uh it was.

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<v Speaker 1>It was.

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<v Speaker 2>It was queer in the sense that like a lot

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<v Speaker 2>of people got their tits out and like sometimes and

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<v Speaker 2>sometimes you have dudes making out and sometimes you'd have

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<v Speaker 2>girls making out.

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<v Speaker 4>But like literally every picture online, any article that's written

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<v Speaker 4>about the Mysteries, there's just a picture of Colin Waite.

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<v Speaker 2>Yes you sexy jesus, Yeah, just.

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<v Speaker 4>Like looking absolutely fantastic.

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<v Speaker 3>All of that one just doing crunches.

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<v Speaker 6>So did the three of you do this together?

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<v Speaker 3>So I did, Yeah, Josh Josh AJ worked on it.

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<v Speaker 4>I was still in college, but I was a theater

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<v Speaker 4>major and study history and and so my my way

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<v Speaker 4>into like medieval mystery plays is mostly through like every

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<v Speaker 4>Man or the Second Shepherd's Play or the Brome Abraham

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<v Speaker 4>and Isaac, and I think the Second Shepherds is part.

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<v Speaker 3>Of the Wakefield cycle, so not the York cycle.

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<v Speaker 1>Yeah.

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<v Speaker 6>The fact that I mean, but I'll be honest with

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<v Speaker 6>the fact that you'll know any of that is no.

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<v Speaker 6>And I'm and I'm being completely serious here. It's it's

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<v Speaker 6>really cool because like this is something that I like,

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<v Speaker 6>I mean, when I started the show, I didn't know

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<v Speaker 6>a ton about medieval history, and yeah, and I've learned

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<v Speaker 6>some much from Eleanor, but this is even something where

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<v Speaker 6>I was like, I have to remind myself what this

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<v Speaker 6>is because we've mentioned it a you know, a handful

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<v Speaker 6>of times, we haven't really done it. So the fact

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<v Speaker 6>that all three of you have a knowledge either working

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<v Speaker 6>knowledge or you know, background academic knowledge of it is

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<v Speaker 6>really cool.

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<v Speaker 2>I mean, it is. It is literally how Aj and

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<v Speaker 2>I met was doing that.

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<v Speaker 3>Yeah.

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<v Speaker 2>AJJ acted in it and I was the wardrobe manager.

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<v Speaker 5>Yes, which with a cast of I think it was

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<v Speaker 5>fifty four actors, a lot of costumes, all unpaid, six

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<v Speaker 5>hours very we got very sweaty in them, and it

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<v Speaker 5>was gross.

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<v Speaker 3>It was a gross, gross time.

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<v Speaker 1>So I've got a question. So you're doing in theory,

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<v Speaker 1>you know, fifty one, but that didn't happen. So you

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<v Speaker 1>did forty eight plays as a part of the cycle.

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<v Speaker 1>So was that like once a week or no? No,

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<v Speaker 1>how was this happening? I don't know.

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<v Speaker 5>Along for the most part, they were all about ten

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<v Speaker 5>minutes some of actually they got it down to I

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<v Speaker 5>think most of them were around five to eight at

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<v Speaker 5>a certain point, because it had to fit into a

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<v Speaker 5>six hour time frame, otherwise it was violating ordinances in

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<v Speaker 5>the city. If we went past midnight, the upstairs neighbors

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<v Speaker 5>would call, you know, four one one on us, basically.

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<v Speaker 3>Three one one three one one, thank you. I would

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<v Speaker 3>like information on them.

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<v Speaker 5>So and so we were there, uh, basically we also

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<v Speaker 5>in between.

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<v Speaker 3>There were three acts to it.

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<v Speaker 5>The first act was the entire Old Testament, which kind

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<v Speaker 5>of felt like rushing through a lot of that, and

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<v Speaker 5>then Act two was Jesus' birth to ministry, and then

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<v Speaker 5>Act three was the Crucifixion through revelation, and uh, it

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<v Speaker 5>was very sort of Jesus heavy in Jesus forward as

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<v Speaker 5>the mystery plays themselves in the Mystery sycle obviously were

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<v Speaker 5>and there was also food, right like you guys, they

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<v Speaker 5>were served food. Yeah, there were two intermissions, so the

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<v Speaker 5>first intermission was a half hour break to eat dinner,

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<v Speaker 5>and then the second intermission was a half hour break

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<v Speaker 5>to have dessert, and both of those were served by

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<v Speaker 5>the actors again unpaid. Sweaty to the hottest we've ever been,

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<v Speaker 5>I will say, but we were sexy in a way that, like,

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<v Speaker 5>you know, a way I think that may have like

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<v Speaker 5>tipped some of the reviews honestly.

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<v Speaker 3>But yeah, that's how.

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<v Speaker 5>We That's that's how I met most of my artistic

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<v Speaker 5>collaborators that I still work with today.

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<v Speaker 3>And it's also how I met my spouse.

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<v Speaker 5>So, you know, kind of I wish we would have

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<v Speaker 5>gotten paid and that it wasn't just a cult basically that.

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<v Speaker 3>We were a part of for a brief period of time.

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<v Speaker 5>But yeah, I mean, look, Josh and I met out

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<v Speaker 5>of it, and that's obviously led to some really wonderful stuff.

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<v Speaker 5>And all it took was Josh washing my horribly horribly

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<v Speaker 5>sweaty scarves.

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<v Speaker 3>That that's right the show.

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<v Speaker 6>And you guys, you guys simultaneously riffed on a joke

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<v Speaker 6>together and you looked at each other and you're like,

359
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<v Speaker 6>no way, no way, We're going to start a podcast.

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<v Speaker 6>And you know.

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<v Speaker 3>It wasn't not that.

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<v Speaker 2>Yeah, that was basically like we didn't actually start the

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<v Speaker 2>podcast until more recently, Like with this mysteries was like

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<v Speaker 2>a decade plus ago at this point.

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<v Speaker 3>Four Yeah. Nice, Oh wow, eleven years.

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<v Speaker 1>How dare you point out that twenty fourteen was eleven years?

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<v Speaker 9>Right?

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<v Speaker 1>All right, now, I don't appreciate that, but I.

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<v Speaker 4>Do have remember remember Obama who remembers the the time

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<v Speaker 4>he wore Khakis that the.

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<v Speaker 6>Only the only problem he ever had.

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<v Speaker 3>Totally.

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<v Speaker 6>Yeah, anyway, I do have one of the questions, So

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<v Speaker 6>this was commissioned by a living human being and not

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<v Speaker 6>a time traveler?

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<v Speaker 3>It was? It was? In fact, yeah, it was.

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<v Speaker 5>It was sort of the brainchild of Edis Kandar, who

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<v Speaker 5>was the director slash cult leader in charge of that

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<v Speaker 5>particular production and also the Flea Theater itself, I think

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00:21:17.200 --> 00:21:20.519
<v Speaker 5>put out a commission for it. Basically they wanted big,

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<v Speaker 5>grandiose things because that director had done a thing called

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<v Speaker 5>These Seven Sicknesses, which was an adaptation of like a

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<v Speaker 5>whole Oedipus cycle I think, and which was also six hours.

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<v Speaker 2>And then that was a really big hit for the

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<v Speaker 2>theater a few years earlier.

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<v Speaker 5>And then they did Rescom, which was a restoration comedy.

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<v Speaker 5>I know, there was like a six hour play, a

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<v Speaker 5>mashup of all kinds of restoration comedies, which are also

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<v Speaker 5>not very good.

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<v Speaker 6>I mean, I mean, I make the joke, but it's

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<v Speaker 6>cool that like they let you guys just go in

392
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<v Speaker 6>there and do a queer and alternative retaillings of the

393
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<v Speaker 6>Bible and know them was like, hey, man, what the

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<v Speaker 6>fuck you know? I mean it was in New York, but.

395
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<v Speaker 5>I mean the people who own the rights to the

396
00:22:01.920 --> 00:22:04.200
<v Speaker 5>Beatles soundtrack got very upset with us and sent us

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<v Speaker 5>a season assist.

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<v Speaker 3>So how long that we sing?

399
00:22:07.759 --> 00:22:09.240
<v Speaker 2>Was it was that for the scene where you ended

400
00:22:09.319 --> 00:22:10.119
<v Speaker 2>up singing the killers?

401
00:22:10.519 --> 00:22:13.799
<v Speaker 5>Yes, yeah, And then they sent a season desists three days.

402
00:22:14.519 --> 00:22:15.359
<v Speaker 3>We got away with it.

403
00:22:15.359 --> 00:22:17.599
<v Speaker 10>It was in every review, but we got away with

404
00:22:17.799 --> 00:22:19.960
<v Speaker 10>what songs.

405
00:22:20.039 --> 00:22:23.000
<v Speaker 3>All these things that I've done. That is after the best.

406
00:22:22.920 --> 00:22:24.720
<v Speaker 6>Song, the best fuck out anyway.

407
00:22:24.759 --> 00:22:26.039
<v Speaker 3>Yeah, yeah, it was after Pentecost.

408
00:22:26.119 --> 00:22:29.119
<v Speaker 5>But what was the Beatles song that Hey Jude, we

409
00:22:29.160 --> 00:22:30.039
<v Speaker 5>did hate Jude.

410
00:22:31.079 --> 00:22:34.759
<v Speaker 3>That so much. Yeah, and you know who's I that

411
00:22:34.799 --> 00:22:35.200
<v Speaker 3>thing was?

412
00:22:35.240 --> 00:22:37.359
<v Speaker 5>That was my buddy Matt Cox was the one who

413
00:22:37.400 --> 00:22:39.279
<v Speaker 5>suggested that, and then he went on to write Puffs.

414
00:22:39.279 --> 00:22:42.160
<v Speaker 5>So he has like very good sort of storytelling instincts.

415
00:22:42.160 --> 00:22:44.079
<v Speaker 5>Where it came to it, but it was it ended

416
00:22:44.160 --> 00:22:46.559
<v Speaker 5>up being a very collaborative process because again, the players

417
00:22:46.599 --> 00:22:48.240
<v Speaker 5>would come in and bring in these plays and sometimes

418
00:22:48.279 --> 00:22:50.799
<v Speaker 5>they were just terrible, and so there was a lot

419
00:22:50.799 --> 00:22:53.799
<v Speaker 5>of rewriting happening in the room, which was another thing.

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00:22:53.839 --> 00:22:57.079
<v Speaker 5>And also from what I understand, uh, something that was

421
00:22:57.079 --> 00:22:59.200
<v Speaker 5>true of the original mystery plays as well, that there

422
00:22:59.400 --> 00:23:03.079
<v Speaker 5>was a lot of sort of localizing of a lot

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<v Speaker 5>of like the stories too, to the particular guilds who

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00:23:05.200 --> 00:23:07.160
<v Speaker 5>are putting these stories up.

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<v Speaker 1>Yeah.

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<v Speaker 4>There's a really funny example in the Dream of Pilot's Wife,

427
00:23:14.640 --> 00:23:18.559
<v Speaker 4>they refer to the devil as mahoon, which is a

428
00:23:18.640 --> 00:23:22.680
<v Speaker 4>medieval term for the devil that comes from the name mohammet.

429
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<v Speaker 1>Oh.

430
00:23:23.359 --> 00:23:26.480
<v Speaker 4>It's like here are these guys in you know, thirty

431
00:23:26.519 --> 00:23:30.759
<v Speaker 4>three ad referring to Mahoon. There's also like in the

432
00:23:30.799 --> 00:23:32.960
<v Speaker 4>Second Shepherd's Play, there's a lot of characters who use

433
00:23:33.039 --> 00:23:37.200
<v Speaker 4>like turns of phrase that involve Jesus Christ in some way,

434
00:23:37.240 --> 00:23:39.720
<v Speaker 4>even though he doesn't get born until the end.

435
00:23:39.599 --> 00:23:40.160
<v Speaker 3>Of the day.

436
00:23:43.000 --> 00:23:46.799
<v Speaker 6>It was like, you know, it's like some Roman back

437
00:23:46.839 --> 00:23:50.960
<v Speaker 6>in you know, forty forty BCE and they're like, what

438
00:23:51.039 --> 00:23:53.480
<v Speaker 6>does BCE mean? Like, I don't fucking know anything.

439
00:23:53.880 --> 00:23:55.240
<v Speaker 3>Just write it down, man.

440
00:23:55.440 --> 00:24:00.200
<v Speaker 6>Yeah, well, I guess before we go on anymore, let

441
00:24:00.240 --> 00:24:02.400
<v Speaker 6>me turn to eleanor real quick, eleanor you know, can

442
00:24:02.440 --> 00:24:03.920
<v Speaker 6>you just give us a little bit more of a

443
00:24:03.960 --> 00:24:07.480
<v Speaker 6>background on like how medieval people saw these and you

444
00:24:07.519 --> 00:24:10.559
<v Speaker 6>know what, what you find interesting about them?

445
00:24:11.079 --> 00:24:13.000
<v Speaker 1>Yeah? So, I mean the first one to kind of

446
00:24:13.039 --> 00:24:15.319
<v Speaker 1>say here is that, you know how I'm always going

447
00:24:15.359 --> 00:24:17.839
<v Speaker 1>on and on about how people love sermons, and they'd

448
00:24:17.839 --> 00:24:20.039
<v Speaker 1>be like, fuck, yeah, there's a new preacher in town.

449
00:24:20.079 --> 00:24:22.480
<v Speaker 1>We're all going like, I mean, mystery plays are that

450
00:24:22.680 --> 00:24:24.440
<v Speaker 1>but times ten? Right?

451
00:24:24.480 --> 00:24:26.759
<v Speaker 6>Did you get to see it? I'm not kidding.

452
00:24:26.839 --> 00:24:27.079
<v Speaker 3>Yeah.

453
00:24:27.759 --> 00:24:29.519
<v Speaker 1>It kind of starts off sort of as a like

454
00:24:29.680 --> 00:24:32.559
<v Speaker 1>youth past or ass kind of thing where they're like,

455
00:24:32.599 --> 00:24:35.359
<v Speaker 1>you know, what I'll really get to the people is

456
00:24:35.400 --> 00:24:38.839
<v Speaker 1>if we if we act out these plays, and it

457
00:24:38.880 --> 00:24:41.279
<v Speaker 1>does start out as a very particularized thing that is

458
00:24:41.319 --> 00:24:45.240
<v Speaker 1>happening in churches, so it might happen as a part

459
00:24:45.400 --> 00:24:47.599
<v Speaker 1>of the mass, or it would be sort of like

460
00:24:47.680 --> 00:24:50.119
<v Speaker 1>optional extra credit. The priests would be like, hey, everybody,

461
00:24:50.119 --> 00:24:52.640
<v Speaker 1>we're doing a play tonight, and everyone would be hype

462
00:24:52.720 --> 00:24:54.720
<v Speaker 1>because you know, there's a play on and that's cool.

463
00:24:55.480 --> 00:25:00.279
<v Speaker 1>As you mentioned, Luke and the introduction, this eventually gets

464
00:25:00.279 --> 00:25:05.759
<v Speaker 1>out of hand and like the priests are beefing the

465
00:25:05.880 --> 00:25:08.039
<v Speaker 1>monks are because like monks will do this too, and

466
00:25:08.079 --> 00:25:10.680
<v Speaker 1>then like people will go over to the monastery and

467
00:25:11.079 --> 00:25:15.359
<v Speaker 1>everybody wants different parts. There is rather a lot of

468
00:25:15.400 --> 00:25:17.640
<v Speaker 1>you know, dressing up as women that happens because only

469
00:25:17.720 --> 00:25:19.799
<v Speaker 1>men are involved in the plays.

470
00:25:20.400 --> 00:25:26.279
<v Speaker 10>Their hands shoot up, Oh I have to get kissed

471
00:25:26.279 --> 00:25:31.240
<v Speaker 10>in this one.

472
00:25:30.839 --> 00:25:36.480
<v Speaker 1>It's getting sexy. It's getting a little bit too at

473
00:25:36.519 --> 00:25:39.200
<v Speaker 1>each other's throats. And then the church is like, okay,

474
00:25:39.240 --> 00:25:41.839
<v Speaker 1>that is it. Priests, no more of this, and uh,

475
00:25:41.880 --> 00:25:44.720
<v Speaker 1>there's some backlash that the priests are not happy.

476
00:25:45.079 --> 00:25:47.960
<v Speaker 2>I want to keep kissing that guy.

477
00:25:48.240 --> 00:25:57.839
<v Speaker 6>No, we're I have to, I can't. It kills me

478
00:25:57.920 --> 00:26:00.480
<v Speaker 6>every time, every time. It doesn't matter, does it matter

479
00:26:00.519 --> 00:26:01.839
<v Speaker 6>what it's about, It just gets.

480
00:26:03.400 --> 00:26:06.519
<v Speaker 1>So basically, the church has this big clamp down, but

481
00:26:06.720 --> 00:26:09.119
<v Speaker 1>the cat's already out of the bag, right, And everybody

482
00:26:09.160 --> 00:26:13.359
<v Speaker 1>loves mystery plays. So that's where the guilds come in.

483
00:26:13.400 --> 00:26:15.200
<v Speaker 1>And the guilds are like, well, this is awesome because

484
00:26:15.200 --> 00:26:17.279
<v Speaker 1>we also wish to beef with each other and dress

485
00:26:17.359 --> 00:26:22.960
<v Speaker 1>up like women. So like, the usually is that it

486
00:26:22.960 --> 00:26:26.920
<v Speaker 1>gets taken on by local guilds, and that's certainly how

487
00:26:26.920 --> 00:26:29.400
<v Speaker 1>we know, for example, about the York mystery plays are

488
00:26:29.519 --> 00:26:31.680
<v Speaker 1>one of the cycles that we have tons of info on,

489
00:26:32.119 --> 00:26:34.400
<v Speaker 1>and basically varying guilds would say, okay, we want to

490
00:26:34.440 --> 00:26:36.599
<v Speaker 1>do this one, we want to do this one, and

491
00:26:36.640 --> 00:26:40.119
<v Speaker 1>as we say, it's a cycle. So the liturgical year

492
00:26:40.279 --> 00:26:42.079
<v Speaker 1>kind of mirrors this. And the idea is that like

493
00:26:42.119 --> 00:26:44.440
<v Speaker 1>every January, you would kind of like start from the

494
00:26:44.480 --> 00:26:46.920
<v Speaker 1>beginning so you know whether or not you're going to

495
00:26:46.920 --> 00:26:49.839
<v Speaker 1>do Old Testament plays or in some cases people would

496
00:26:49.880 --> 00:26:51.759
<v Speaker 1>just start with, you know, kind of the birth of

497
00:26:51.839 --> 00:26:54.200
<v Speaker 1>Jesus at Christmas, which is like close enough or whatever,

498
00:26:54.519 --> 00:26:55.799
<v Speaker 1>and then they go through the year, and then by

499
00:26:55.880 --> 00:27:00.119
<v Speaker 1>the time you get to advent, you're doing apocalypse stuff.

500
00:27:00.759 --> 00:27:02.519
<v Speaker 1>So it's like it all makes sense and it's all

501
00:27:02.599 --> 00:27:05.720
<v Speaker 1>kind of like in harmony with the year, and you know,

502
00:27:05.880 --> 00:27:09.640
<v Speaker 1>there's lots of opportunities to do mystery plays because there's

503
00:27:09.680 --> 00:27:13.920
<v Speaker 1>a fucking feast like every other week, so it's just

504
00:27:13.960 --> 00:27:16.359
<v Speaker 1>like you just throw it up like whenever you've got

505
00:27:16.359 --> 00:27:19.039
<v Speaker 1>like a Saints Day or something like that, and everybody goes.

506
00:27:19.920 --> 00:27:24.039
<v Speaker 1>There is also a tendant thing where because this is

507
00:27:24.119 --> 00:27:28.559
<v Speaker 1>like the form of media, there is also created like

508
00:27:29.119 --> 00:27:35.119
<v Speaker 1>parody mystery plays. So yeah, yeah, there's like.

509
00:27:35.079 --> 00:27:38.000
<v Speaker 2>A famous joy.

510
00:27:38.799 --> 00:27:41.960
<v Speaker 1>Oh aj, I've got great news for you. And there

511
00:27:42.039 --> 00:27:45.440
<v Speaker 1>is a play that is called Unguentarius in Latin or

512
00:27:45.559 --> 00:27:52.000
<v Speaker 1>Mustichka in Czech, and it is like a body retelling

513
00:27:52.480 --> 00:27:55.680
<v Speaker 1>kind of of like the Abraham and Isaac story, but

514
00:27:55.839 --> 00:27:59.000
<v Speaker 1>also with like a quack doctor who is like selling

515
00:27:59.079 --> 00:28:01.680
<v Speaker 1>medicine that can like revive you from the dead, and

516
00:28:01.720 --> 00:28:05.160
<v Speaker 1>there's a lot of farting. Yeah, I'm just like so

517
00:28:05.240 --> 00:28:07.759
<v Speaker 1>it's just like farting every like five seconds and then

518
00:28:07.759 --> 00:28:10.240
<v Speaker 1>pretending you're dead and then farting in someone's face and

519
00:28:10.599 --> 00:28:14.039
<v Speaker 1>all this stuff. But we have that one, right, So

520
00:28:14.119 --> 00:28:16.839
<v Speaker 1>and it's very like scary movie where it's like, oh,

521
00:28:16.960 --> 00:28:19.079
<v Speaker 1>you so, we all know what mystery plays are supposed

522
00:28:19.079 --> 00:28:21.079
<v Speaker 1>to be, and this is kind of like an inversion

523
00:28:21.319 --> 00:28:25.440
<v Speaker 1>of that. So enough people are involved that you can

524
00:28:25.480 --> 00:28:28.480
<v Speaker 1>also have like a whole parody thing going on. Now,

525
00:28:28.480 --> 00:28:30.599
<v Speaker 1>the parodies are probably gonna more likely be put on

526
00:28:30.640 --> 00:28:33.480
<v Speaker 1>by professional troops of actors and that sort of thing.

527
00:28:33.559 --> 00:28:37.599
<v Speaker 1>But this is how embedded it is in medieval life,

528
00:28:37.680 --> 00:28:39.880
<v Speaker 1>is that you just kind of assume these things are

529
00:28:39.920 --> 00:28:43.319
<v Speaker 1>going to be taking place as a part of the

530
00:28:43.359 --> 00:28:46.759
<v Speaker 1>liturgical year and as like the festive season. You have

531
00:28:46.839 --> 00:28:48.799
<v Speaker 1>to have these or everyone is gonna be pissed.

532
00:28:48.839 --> 00:28:48.920
<v Speaker 10>Right.

533
00:28:48.960 --> 00:28:51.920
<v Speaker 1>They want their little play. They want to see a

534
00:28:52.359 --> 00:28:54.440
<v Speaker 1>dude who doesn't have a beard dress up like a

535
00:28:54.480 --> 00:28:57.839
<v Speaker 1>girl and then you know a question mark. You know,

536
00:28:57.880 --> 00:29:00.319
<v Speaker 1>that's what they want, right, And.

537
00:29:00.319 --> 00:29:01.519
<v Speaker 3>Where it goes from there, who's you know.

538
00:29:03.839 --> 00:29:06.839
<v Speaker 4>But it's interesting even in the non parody plays, like

539
00:29:07.000 --> 00:29:10.960
<v Speaker 4>how much is allowed to go on. They have actors

540
00:29:10.960 --> 00:29:14.359
<v Speaker 4>playing God the Father, they have actors playing the devil.

541
00:29:14.400 --> 00:29:16.160
<v Speaker 3>You know, there's I mean, there's like not really that

542
00:29:16.240 --> 00:29:16.680
<v Speaker 3>fear of.

543
00:29:16.640 --> 00:29:18.240
<v Speaker 4>The devil that we have in a lot of modern

544
00:29:18.279 --> 00:29:21.640
<v Speaker 4>culture now where people freak out at SNL sketches because

545
00:29:21.680 --> 00:29:26.079
<v Speaker 4>they say lamash to or whatever. But like and even

546
00:29:26.200 --> 00:29:29.599
<v Speaker 4>the in the Wakefield cycle, the Second Shepherd's Play is

547
00:29:29.759 --> 00:29:34.519
<v Speaker 4>itself a farce where a guy is like, he hexes

548
00:29:34.599 --> 00:29:37.480
<v Speaker 4>two shepherds and then like steals one of their sheep

549
00:29:37.519 --> 00:29:39.599
<v Speaker 4>and puts it in a cradle, and he talks to

550
00:29:39.640 --> 00:29:41.519
<v Speaker 4>his wife. He's like, we're just gonna pretend that that's

551
00:29:41.559 --> 00:29:43.839
<v Speaker 4>a baby and that you're giving birth to its twin

552
00:29:43.960 --> 00:29:46.519
<v Speaker 4>right now. So just like moan and shout a lot.

553
00:29:46.599 --> 00:29:49.880
<v Speaker 4>And then when they uncover it all, they just put

554
00:29:49.880 --> 00:29:52.200
<v Speaker 4>the guy in a big pillowcase and throw him against

555
00:29:52.240 --> 00:29:54.519
<v Speaker 4>the wall a few times, and then an angel shows

556
00:29:54.559 --> 00:29:57.079
<v Speaker 4>up and he's like, hey, a kid was just born.

557
00:29:57.240 --> 00:29:59.920
<v Speaker 3>It's God. You should go check it out. They're like, okay, cool,

558
00:30:00.039 --> 00:30:01.559
<v Speaker 3>and then happens.

559
00:30:01.960 --> 00:30:04.759
<v Speaker 2>The version of the Second Shepherd's Play that was in

560
00:30:04.880 --> 00:30:07.480
<v Speaker 2>the show that AJ and I did was actually, I

561
00:30:07.480 --> 00:30:10.359
<v Speaker 2>think one of the strongest plays in the entire thing,

562
00:30:10.480 --> 00:30:15.079
<v Speaker 2>maybe the strongest, because unlike a lot of the other ones,

563
00:30:15.480 --> 00:30:19.240
<v Speaker 2>it really just kind of did a contemporary version of

564
00:30:19.279 --> 00:30:22.480
<v Speaker 2>the play that sought to sort of preserve the structure

565
00:30:22.599 --> 00:30:26.119
<v Speaker 2>and the mood of the thing, whereas a lot of

566
00:30:26.160 --> 00:30:29.880
<v Speaker 2>the other plays in that thing were just like what

567
00:30:29.960 --> 00:30:32.480
<v Speaker 2>if they what if it was what if? They said,

568
00:30:32.519 --> 00:30:38.480
<v Speaker 2>fuck a lot? What if what if Satan got naked.

569
00:30:40.519 --> 00:30:41.759
<v Speaker 1>Afraid to ask the big question?

570
00:30:41.839 --> 00:30:47.920
<v Speaker 5>Yeah, I got for real. That was a big hurdle

571
00:30:47.960 --> 00:30:48.799
<v Speaker 5>we had to overcome.

572
00:30:48.880 --> 00:30:50.559
<v Speaker 3>At one point, it did not happen.

573
00:30:51.279 --> 00:30:54.799
<v Speaker 5>Did not happen, but the playwright was very insistent that

574
00:30:54.839 --> 00:31:01.279
<v Speaker 5>it that it would and again unpaid actors. Yeah, And

575
00:31:01.599 --> 00:31:03.920
<v Speaker 5>the only way he was talked out of it was

576
00:31:03.920 --> 00:31:05.039
<v Speaker 5>because the director was like.

577
00:31:05.039 --> 00:31:07.400
<v Speaker 3>Then it's going to smell like pee for the rest

578
00:31:07.400 --> 00:31:12.519
<v Speaker 3>of the plays, and that's not fair to the other playwrights. Meanwhile,

579
00:31:13.000 --> 00:31:15.680
<v Speaker 3>are like, we would actually not like to be Pete.

580
00:31:15.680 --> 00:31:21.079
<v Speaker 2>On the other Uh, the transfiguration was it. It was

581
00:31:21.119 --> 00:31:24.200
<v Speaker 2>like it was Jesus making out with the angel Gabriel

582
00:31:24.279 --> 00:31:26.480
<v Speaker 2>making out with Satan. They were having a three way.

583
00:31:26.440 --> 00:31:31.440
<v Speaker 5>Songs by Billy Porter, who wrote three original songs for

584
00:31:31.640 --> 00:31:33.599
<v Speaker 5>that show, Joke.

585
00:31:38.440 --> 00:31:42.920
<v Speaker 2>Downtown I Am Downtown New York City Theater.

586
00:31:43.119 --> 00:31:45.640
<v Speaker 5>Carly Ray Jepson came to performance of it and he

587
00:31:45.759 --> 00:31:47.400
<v Speaker 5>did black out drunk.

588
00:31:47.039 --> 00:31:49.559
<v Speaker 3>At one point and like knocking over wine.

589
00:31:49.680 --> 00:31:53.480
<v Speaker 2>It was like my uh, my college the theater professor

590
00:31:53.759 --> 00:31:56.200
<v Speaker 2>came to one of the performances and pretended not to

591
00:31:56.279 --> 00:31:57.720
<v Speaker 2>know me. That was funny.

592
00:31:58.200 --> 00:32:01.200
<v Speaker 6>Oh oh oh.

593
00:32:01.279 --> 00:32:03.039
<v Speaker 5>But the thing about the Shepherd's Play, Josh, that you

594
00:32:03.039 --> 00:32:04.519
<v Speaker 5>brought up and and I think one of the reasons

595
00:32:04.559 --> 00:32:06.319
<v Speaker 5>why it was the best and why I think maybe

596
00:32:06.319 --> 00:32:08.039
<v Speaker 5>Brian you were attracted to that one, is because there's

597
00:32:08.079 --> 00:32:09.759
<v Speaker 5>a lot of time where the shepherds are just kind

598
00:32:09.799 --> 00:32:13.000
<v Speaker 5>of waiting for the signal to happen, and that allows

599
00:32:13.079 --> 00:32:15.559
<v Speaker 5>a lot of creative freedom for the writer to like

600
00:32:15.599 --> 00:32:17.799
<v Speaker 5>be like, well, what were they talking about? And you know,

601
00:32:17.839 --> 00:32:19.599
<v Speaker 5>if it's a contemporary one, you can just make it

602
00:32:19.640 --> 00:32:21.599
<v Speaker 5>about like make it a little playlet. And then all

603
00:32:21.599 --> 00:32:22.880
<v Speaker 5>of a sudden, there's a star in the sky and

604
00:32:22.920 --> 00:32:24.440
<v Speaker 5>it's like, oh, look there's a star. And then because

605
00:32:24.599 --> 00:32:26.680
<v Speaker 5>you know, if I recall correctly, it was they were

606
00:32:26.720 --> 00:32:29.000
<v Speaker 5>just like it was because it was alex And and

607
00:32:29.240 --> 00:32:31.839
<v Speaker 5>Lindsley where the two main the two.

608
00:32:32.039 --> 00:32:33.319
<v Speaker 3>Made Justin and Justin Perdue.

609
00:32:33.880 --> 00:32:36.759
<v Speaker 2>Justin was there right, and they were just like shitty

610
00:32:37.000 --> 00:32:41.119
<v Speaker 2>like teenagers who were just like not looked after very

611
00:32:41.119 --> 00:32:44.400
<v Speaker 2>well by their parents and sort of just became buds.

612
00:32:44.839 --> 00:32:47.240
<v Speaker 2>And then yeah, seeing the star gave them like a

613
00:32:47.279 --> 00:32:49.039
<v Speaker 2>thing to focus on and go do, and it was

614
00:32:49.119 --> 00:32:50.920
<v Speaker 2>very it was very touching, and you can see why

615
00:32:51.799 --> 00:32:55.759
<v Speaker 2>in situations where they do the adaptation in a way

616
00:32:55.799 --> 00:32:57.759
<v Speaker 2>that makes sense, you can see what it is about

617
00:32:57.759 --> 00:33:01.480
<v Speaker 2>these narratives and themes that remain universal and resonant, because,

618
00:33:01.519 --> 00:33:04.319
<v Speaker 2>of course, people who are as you were saying, a

619
00:33:04.599 --> 00:33:08.079
<v Speaker 2>waiting for something to happen, they just need to find

620
00:33:08.119 --> 00:33:11.519
<v Speaker 2>something to fill that time with, and sometimes that lets

621
00:33:11.559 --> 00:33:13.720
<v Speaker 2>us know who people really are as well as what

622
00:33:13.839 --> 00:33:15.839
<v Speaker 2>is it they really want, and what is that they

623
00:33:15.839 --> 00:33:19.200
<v Speaker 2>really want can then be fulfilled by the arrival of

624
00:33:19.240 --> 00:33:19.759
<v Speaker 2>the Christ.

625
00:33:20.759 --> 00:33:23.440
<v Speaker 4>And sometimes what they really want is to hex your

626
00:33:23.440 --> 00:33:25.480
<v Speaker 4>shepherd friends and steal their sheep.

627
00:33:25.720 --> 00:33:33.279
<v Speaker 2>Yeah sometimes maybe yeah, yeah, sometimes.

628
00:33:32.880 --> 00:33:36.839
<v Speaker 4>That sheep develops a very hardcore suicidal impulse and then

629
00:33:37.079 --> 00:33:39.720
<v Speaker 4>your dad, playing the shepherd standing in front of you,

630
00:33:39.759 --> 00:33:43.119
<v Speaker 4>has to go rescue in the middle of the tableau.

631
00:33:44.480 --> 00:33:46.680
<v Speaker 1>No. I think that's actually a really important point, Brian,

632
00:33:46.720 --> 00:33:49.559
<v Speaker 1>because we still sort of do this, and I definitely

633
00:33:49.559 --> 00:33:54.400
<v Speaker 1>remember it from growing up in the Seattle area. There

634
00:33:54.559 --> 00:33:57.880
<v Speaker 1>was there was like one, i think, big evangelical church

635
00:33:57.880 --> 00:34:00.400
<v Speaker 1>where they would have these ads. Ever, of course they'd

636
00:34:00.400 --> 00:34:04.359
<v Speaker 1>be like, we have this huge living nativity, and you know,

637
00:34:04.440 --> 00:34:06.599
<v Speaker 1>basically they're like, we've got camels, it's got a cast

638
00:34:06.640 --> 00:34:07.559
<v Speaker 1>of hundreds or whatever.

639
00:34:07.720 --> 00:34:09.679
<v Speaker 2>They like billboards up or something like that.

640
00:34:09.760 --> 00:34:11.679
<v Speaker 1>They would throw at billboards and I think like also

641
00:34:11.760 --> 00:34:16.719
<v Speaker 1>have like uh like commercials on local television. And you know,

642
00:34:16.760 --> 00:34:21.840
<v Speaker 1>obviously I never went because I was raised right, like

643
00:34:22.519 --> 00:34:24.239
<v Speaker 1>it was definitely one of these things that was in there,

644
00:34:24.280 --> 00:34:26.400
<v Speaker 1>so that we still have this impulse. It's just that

645
00:34:26.679 --> 00:34:30.920
<v Speaker 1>in terms of how the modern and very particularly the

646
00:34:31.000 --> 00:34:34.480
<v Speaker 1>American imagination works, it's like there's one there's one religious

647
00:34:34.480 --> 00:34:36.719
<v Speaker 1>holiday year and it's Christmas. For some reason, like we

648
00:34:36.800 --> 00:34:39.719
<v Speaker 1>got to ignore Easter. Like I've got like my European

649
00:34:39.760 --> 00:34:41.920
<v Speaker 1>friends and Australian friends are always laughing because like we

650
00:34:41.960 --> 00:34:44.960
<v Speaker 1>get tons of time off for Easter in Europe and

651
00:34:44.960 --> 00:34:47.480
<v Speaker 1>Australia You've got like a four day weekend, and they're

652
00:34:47.519 --> 00:34:51.199
<v Speaker 1>like mystified by the fact that Americans don't, because they're like,

653
00:34:51.440 --> 00:34:54.480
<v Speaker 1>you're the only ones who believe in this shit. Yeah

654
00:34:54.639 --> 00:34:55.679
<v Speaker 1>you get any time off.

655
00:34:55.719 --> 00:34:58.199
<v Speaker 2>You're right, we do believe in the Easter. Bunny, he's

656
00:34:58.280 --> 00:34:59.199
<v Speaker 2>really important.

657
00:34:59.440 --> 00:35:03.159
<v Speaker 6>Yeah, you you misunderstand the belief here is not in

658
00:35:03.840 --> 00:35:07.880
<v Speaker 6>Jesus or Christ or anything like that. It's in the

659
00:35:07.960 --> 00:35:13.519
<v Speaker 6>power of commercialism. God, we're gonna sell you chocolate. And also,

660
00:35:13.599 --> 00:35:16.039
<v Speaker 6>I think the reason people here don't do it is

661
00:35:16.079 --> 00:35:18.199
<v Speaker 6>because it moves around and they're like, I'm not keeping

662
00:35:18.199 --> 00:35:19.880
<v Speaker 6>track of that ship. Yes, I'm not kidding.

663
00:35:19.920 --> 00:35:25.519
<v Speaker 3>I really I own her cycle. Bullshit. I mean, come on.

664
00:35:25.760 --> 00:35:28.320
<v Speaker 6>My kid asked me. My kid asked me like a

665
00:35:28.320 --> 00:35:30.800
<v Speaker 6>couple of years ago. She's like, when is Easter? And

666
00:35:30.840 --> 00:35:33.000
<v Speaker 6>she was like four or five at the time. And

667
00:35:33.039 --> 00:35:36.880
<v Speaker 6>I was like, I really don't know, dear, and she

668
00:35:37.079 --> 00:35:42.239
<v Speaker 6>goes she did not believe me. She was I was like,

669
00:35:42.320 --> 00:35:45.920
<v Speaker 6>I was picking bran. Yeah. She ran and like, you know,

670
00:35:46.280 --> 00:35:48.039
<v Speaker 6>you could play. You can play that little game with

671
00:35:48.079 --> 00:35:50.760
<v Speaker 6>the kid for a minute. But they then they're like

672
00:35:50.800 --> 00:35:52.440
<v Speaker 6>stop and you're like, oh, you know, okay, I was

673
00:35:52.480 --> 00:35:54.679
<v Speaker 6>just kidding, but I was like, no, baby, I really

674
00:35:54.719 --> 00:35:57.519
<v Speaker 6>don't know what it is. And she got home she

675
00:35:57.599 --> 00:35:59.480
<v Speaker 6>was mad at me. She runs and tells my wife.

676
00:35:59.480 --> 00:36:02.880
<v Speaker 6>She's like, Daddy told me the Easter moves every year,

677
00:36:04.000 --> 00:36:06.840
<v Speaker 6>is it? And I was like and I looked at

678
00:36:06.840 --> 00:36:08.880
<v Speaker 6>my wife and I and I just struck my shoulders

679
00:36:08.960 --> 00:36:11.880
<v Speaker 6>She's like it, dear, it does move every year. And

680
00:36:12.039 --> 00:36:16.440
<v Speaker 6>she was like fine. You know, it's like one.

681
00:36:16.280 --> 00:36:19.239
<v Speaker 1>Of the big things that people are really into in

682
00:36:19.280 --> 00:36:24.559
<v Speaker 1>the Middle Ages is calculating Easter. It's like as a hobby. Yeah,

683
00:36:24.599 --> 00:36:26.960
<v Speaker 1>it's like we'll have all these manuscripts and they're like,

684
00:36:27.000 --> 00:36:30.519
<v Speaker 1>and this how you calculate it? All right, and they're

685
00:36:30.599 --> 00:36:31.239
<v Speaker 1>really into that.

686
00:36:31.280 --> 00:36:34.679
<v Speaker 2>But I really understand Easter on a much deeper level than.

687
00:36:34.599 --> 00:36:37.400
<v Speaker 1>You, like, like, that's what's going down.

688
00:36:37.280 --> 00:36:40.199
<v Speaker 4>And this is what autistic people did before they discovered anime.

689
00:36:40.639 --> 00:36:43.199
<v Speaker 6>Yeah and trains.

690
00:36:44.840 --> 00:36:47.360
<v Speaker 1>Yeah, being a weed for Easter, it's a it's one,

691
00:36:47.599 --> 00:36:47.880
<v Speaker 1>you know.

692
00:36:50.199 --> 00:36:51.880
<v Speaker 2>Easter boo. Is this anything?

693
00:36:52.480 --> 00:36:58.280
<v Speaker 1>Okay? All right, now I'm listening. Okay, Fine. So I

694
00:36:58.920 --> 00:37:01.719
<v Speaker 1>saw like a I need mystery play the other day

695
00:37:01.880 --> 00:37:06.480
<v Speaker 1>because for work, I like mad I made a TV

696
00:37:06.480 --> 00:37:08.559
<v Speaker 1>show about the Apocalypse that should be out next month,

697
00:37:08.840 --> 00:37:11.320
<v Speaker 1>and so there's a bunch of people in Oxford who

698
00:37:11.360 --> 00:37:15.079
<v Speaker 1>hang out and do mystery plays because Oxford is known

699
00:37:15.199 --> 00:37:19.360
<v Speaker 1>for its nerds, right yeah, And they put on a

700
00:37:19.440 --> 00:37:22.000
<v Speaker 1>little Apocalypse mystery play for me, and it was like

701
00:37:23.519 --> 00:37:27.239
<v Speaker 1>fun if you relate to it like medieval people did

702
00:37:27.400 --> 00:37:29.320
<v Speaker 1>right where I was like you know, I was like,

703
00:37:29.360 --> 00:37:32.119
<v Speaker 1>I'm taking it upon myself to behave like a medieval person,

704
00:37:32.119 --> 00:37:34.880
<v Speaker 1>and like whenever the bad person who's like gonna go

705
00:37:34.920 --> 00:37:41.000
<v Speaker 1>to Hell is like getting yelled at by Jesus, You're like.

706
00:37:41.000 --> 00:37:43.880
<v Speaker 3>Jesus, yeah, right, you.

707
00:37:43.840 --> 00:37:46.239
<v Speaker 1>Know, and like that's really fun because there's like and

708
00:37:46.280 --> 00:37:50.840
<v Speaker 1>there was like lots of proud participation and right, and

709
00:37:50.960 --> 00:37:54.719
<v Speaker 1>you know, it was kind of like the traditional like oh, hey,

710
00:37:54.760 --> 00:37:56.719
<v Speaker 1>you're going to heaven with me. Oh you're going to

711
00:37:56.760 --> 00:37:59.519
<v Speaker 1>hell a y oh, because you were like hype to

712
00:38:00.039 --> 00:38:02.679
<v Speaker 1>other people and you are mean to them, bah blah.

713
00:38:02.719 --> 00:38:05.960
<v Speaker 1>But apparently they do I'm gonna go. I think this year,

714
00:38:06.000 --> 00:38:07.800
<v Speaker 1>like next it's next month. I think it's like April

715
00:38:07.800 --> 00:38:11.119
<v Speaker 1>twenty seventh. They like put on a bunch of the

716
00:38:11.159 --> 00:38:14.719
<v Speaker 1>mystery plays. And last year they got in trouble because

717
00:38:14.719 --> 00:38:17.599
<v Speaker 1>they were doing like the Massacre of the Innocence as

718
00:38:17.639 --> 00:38:19.920
<v Speaker 1>like one of the mystery plays or whatever, ye like

719
00:38:19.960 --> 00:38:24.320
<v Speaker 1>in a normal way and like some narcass student like

720
00:38:24.480 --> 00:38:27.639
<v Speaker 1>is like trying to study like a loser for their

721
00:38:28.159 --> 00:38:30.079
<v Speaker 1>or something, and they're like and they hear all this

722
00:38:30.199 --> 00:38:32.239
<v Speaker 1>noise because they're like doing they're doing the mystery play

723
00:38:32.239 --> 00:38:34.480
<v Speaker 1>in the churchyard and they look out the window and

724
00:38:34.519 --> 00:38:37.559
<v Speaker 1>there's like these people waving around like babies on spikes, and.

725
00:38:37.519 --> 00:38:42.719
<v Speaker 6>Then like yeah, hell yeah, and.

726
00:38:42.840 --> 00:38:46.039
<v Speaker 1>They like made a complaint about the massacre of the

727
00:38:46.079 --> 00:38:50.079
<v Speaker 1>Innocence Play, which I was like, okay, you're in. I

728
00:38:50.119 --> 00:38:53.559
<v Speaker 1>cannot stress what a loser that kid is. But like

729
00:38:53.599 --> 00:38:56.400
<v Speaker 1>they're absolutely still kind of going for it in Oxford.

730
00:38:56.440 --> 00:38:59.719
<v Speaker 1>And obviously this is like a niche ass special interest

731
00:38:59.840 --> 00:39:04.239
<v Speaker 1>for you know, nerds and the autistic people that we love,

732
00:39:04.440 --> 00:39:07.960
<v Speaker 1>you know, so like that's great, but I do think

733
00:39:08.000 --> 00:39:09.840
<v Speaker 1>that there is kind of like that aspect to it, right.

734
00:39:09.840 --> 00:39:11.280
<v Speaker 1>It's like, on the one hand, they could just be

735
00:39:11.400 --> 00:39:14.639
<v Speaker 1>like super super boring, but for medieval people, they it's

736
00:39:14.679 --> 00:39:17.119
<v Speaker 1>kind of like a pantomime. Sure, you know, it's like

737
00:39:17.159 --> 00:39:19.559
<v Speaker 1>you're supposed to be kind of like throwing things and

738
00:39:19.639 --> 00:39:23.199
<v Speaker 1>yelling and like he's behind you, Jesus, you know, and

739
00:39:23.440 --> 00:39:24.079
<v Speaker 1>like all of that.

740
00:39:24.960 --> 00:39:28.639
<v Speaker 3>I know, I am exactly, you know.

741
00:39:30.440 --> 00:39:33.480
<v Speaker 6>It's like, you know, I was just gonna say, it's

742
00:39:33.519 --> 00:39:35.199
<v Speaker 6>like when you have to watch a show with your

743
00:39:35.280 --> 00:39:38.239
<v Speaker 6>kids and it's like where's the ball and the kid's

744
00:39:38.239 --> 00:39:42.599
<v Speaker 6>supposed to be like right there, Jesus is like where's

745
00:39:42.639 --> 00:39:46.360
<v Speaker 6>the Devil? And they're like, he's behind another guy who

746
00:39:46.440 --> 00:39:49.760
<v Speaker 6>looks like Jesus pops up. He's like, I already knew.

747
00:39:51.840 --> 00:39:55.880
<v Speaker 5>We are looking for a god's clues. We are, We're

748
00:39:55.920 --> 00:39:58.360
<v Speaker 5>looking for a god's cuse so we don't go to hell.

749
00:39:58.679 --> 00:40:03.320
<v Speaker 4>Hey, the Explorers is walking by El Diablo.

750
00:40:06.679 --> 00:40:10.599
<v Speaker 5>Diablo no damning.

751
00:40:12.199 --> 00:40:15.199
<v Speaker 2>Which one was the torture of the Innocence or whatever?

752
00:40:16.559 --> 00:40:18.599
<v Speaker 2>Which one was that in the Mysteries, that.

753
00:40:18.760 --> 00:40:23.199
<v Speaker 5>Was the Border agents who were also assassins, I think,

754
00:40:23.360 --> 00:40:25.239
<v Speaker 5>and they were talking about whether or not they were

755
00:40:25.239 --> 00:40:26.639
<v Speaker 5>going to go through with killing the kids.

756
00:40:26.719 --> 00:40:29.239
<v Speaker 2>I would oh god, I don't even remember that one.

757
00:40:29.320 --> 00:40:30.480
<v Speaker 3>I would like to point.

758
00:40:30.239 --> 00:40:34.400
<v Speaker 6>Out that I looked up your Mystery play and that

759
00:40:34.559 --> 00:40:37.559
<v Speaker 6>specific one gets a ride up in here about you know,

760
00:40:38.280 --> 00:40:43.760
<v Speaker 6>being transgressive and uh you know, uh, Mary and Joseph

761
00:40:43.880 --> 00:40:48.159
<v Speaker 6>trying to go to the inn and ice or you

762
00:40:48.199 --> 00:40:51.199
<v Speaker 6>know whatever whatever it was called at the time, agents

763
00:40:51.679 --> 00:40:53.480
<v Speaker 6>harassing them and giving them ship for it.

764
00:40:53.559 --> 00:40:56.360
<v Speaker 5>You know, Yeah, yeah, that was that. That one was

765
00:40:56.400 --> 00:40:57.920
<v Speaker 5>that one that was really that was really acted. I

766
00:40:57.920 --> 00:41:00.519
<v Speaker 5>mean most of Act one I spent downstairs because I

767
00:41:00.599 --> 00:41:03.480
<v Speaker 5>was I played the doctor who told Mary that she

768
00:41:03.599 --> 00:41:06.360
<v Speaker 5>was pregnant was that was one of my roles, and

769
00:41:06.400 --> 00:41:08.639
<v Speaker 5>then the other one was doubting Thomas. So a lot

770
00:41:08.639 --> 00:41:10.719
<v Speaker 5>of my stuff happened in X two and three.

771
00:41:10.760 --> 00:41:13.360
<v Speaker 2>You acted your face off as doubting Thomas. I will

772
00:41:13.400 --> 00:41:13.960
<v Speaker 2>say that was.

773
00:41:14.239 --> 00:41:18.280
<v Speaker 3>A big scarf. The scarf did most of the word no, no.

774
00:41:18.199 --> 00:41:19.400
<v Speaker 6>I'm not gonna be it.

775
00:41:19.599 --> 00:41:21.960
<v Speaker 3>No no, yeah.

776
00:41:22.000 --> 00:41:22.159
<v Speaker 1>No.

777
00:41:22.239 --> 00:41:25.239
<v Speaker 5>It was really fun because originally in the workshop production

778
00:41:25.320 --> 00:41:28.639
<v Speaker 5>of that, it was I had a very different play

779
00:41:28.639 --> 00:41:31.199
<v Speaker 5>for Doubting Thomas that made absolutely.

780
00:41:30.639 --> 00:41:33.000
<v Speaker 3>No sense, with like eighteen minutes of.

781
00:41:32.960 --> 00:41:37.840
<v Speaker 5>A monologue that began with the line there's noise all around,

782
00:41:37.880 --> 00:41:40.440
<v Speaker 5>but I can't see any of it and kind of

783
00:41:40.519 --> 00:41:42.760
<v Speaker 5>just went from there like it was high poetical, but

784
00:41:42.800 --> 00:41:46.760
<v Speaker 5>it was also like I genuinely have no idea what's happening,

785
00:41:47.000 --> 00:41:49.360
<v Speaker 5>like beat for beating this monologue, and then it got

786
00:41:49.400 --> 00:41:53.480
<v Speaker 5>rewritten because that writer had a nervous breakdown and was

787
00:41:53.559 --> 00:41:57.760
<v Speaker 5>replaced by there was sort of like an overarching group

788
00:41:57.760 --> 00:42:00.920
<v Speaker 5>of playwrights called Collaboration Town that with like write like

789
00:42:01.000 --> 00:42:03.960
<v Speaker 5>stuff that would happen during like the intermissions and stuff.

790
00:42:04.039 --> 00:42:07.199
<v Speaker 2>Yeah, they basically made the whole thing make some semblance

791
00:42:07.199 --> 00:42:09.360
<v Speaker 2>of sense if it wasn't for them, the thing would

792
00:42:09.360 --> 00:42:10.719
<v Speaker 2>have been straight nonsense.

793
00:42:10.840 --> 00:42:13.559
<v Speaker 3>And also Jill Rafson also really helped out with that.

794
00:42:13.559 --> 00:42:16.159
<v Speaker 5>Who's a current name and director of Classic theater shake

795
00:42:16.239 --> 00:42:17.679
<v Speaker 5>Their company sorry, their.

796
00:42:17.599 --> 00:42:21.119
<v Speaker 3>Name was was Collaboration Town.

797
00:42:21.679 --> 00:42:25.440
<v Speaker 5>Yeah, yeah, population them.

798
00:42:26.239 --> 00:42:28.480
<v Speaker 4>We're gonna we're gonna get together and we're gonna collaborate

799
00:42:28.519 --> 00:42:29.480
<v Speaker 4>what should we call our group?

800
00:42:29.519 --> 00:42:30.440
<v Speaker 3>Collaboration Town?

801
00:42:30.559 --> 00:42:35.400
<v Speaker 5>Great, got it one, but that that that one was

802
00:42:35.400 --> 00:42:37.239
<v Speaker 5>always really fun because I wanted to do a lot

803
00:42:37.239 --> 00:42:38.320
<v Speaker 5>of audience interaction with it.

804
00:42:38.360 --> 00:42:40.599
<v Speaker 3>So during the intermissions I would go up and like, audience,

805
00:42:40.599 --> 00:42:40.800
<v Speaker 3>I'm just.

806
00:42:40.920 --> 00:42:43.039
<v Speaker 5>Like, hey, would it be okay if I like headbutted

807
00:42:43.039 --> 00:42:45.639
<v Speaker 5>you during the section? And they would either say yes

808
00:42:45.679 --> 00:42:47.199
<v Speaker 5>you can or no you can't, and I would be

809
00:42:47.199 --> 00:42:49.119
<v Speaker 5>like great, fine, but then uh.

810
00:42:49.239 --> 00:42:50.480
<v Speaker 3>It really endeared.

811
00:42:50.679 --> 00:42:53.280
<v Speaker 5>I think I had to kind of I really stack

812
00:42:53.360 --> 00:42:56.400
<v Speaker 5>the deck in my favor by going up and talking

813
00:42:56.400 --> 00:42:59.280
<v Speaker 5>to them during the intermissions and just hey, this is

814
00:42:59.320 --> 00:42:59.920
<v Speaker 5>the choreography.

815
00:43:00.079 --> 00:43:00.800
<v Speaker 3>You comfortable with this?

816
00:43:00.960 --> 00:43:03.719
<v Speaker 5>And then they would usually they would usually were very enthusiastic.

817
00:43:03.760 --> 00:43:05.320
<v Speaker 5>If they were sitting in the front row, they kind

818
00:43:05.360 --> 00:43:07.280
<v Speaker 5>of wanted to be involved because.

819
00:43:07.159 --> 00:43:08.119
<v Speaker 3>There was like no room.

820
00:43:08.320 --> 00:43:11.599
<v Speaker 5>Also, the floors were made of slatted wood that were

821
00:43:11.719 --> 00:43:13.760
<v Speaker 5>very sharp, and we had to do the whole show barefoot.

822
00:43:13.880 --> 00:43:15.960
<v Speaker 5>So the amount of just like blood that was on

823
00:43:16.079 --> 00:43:18.639
<v Speaker 5>that stage from all of our like toes falling in

824
00:43:18.679 --> 00:43:22.480
<v Speaker 5>between gaps and things. Uh, I mean, look, here's the thing.

825
00:43:22.719 --> 00:43:26.920
<v Speaker 5>The original mystery plays also pretty dangerous because.

826
00:43:27.000 --> 00:43:28.239
<v Speaker 3>You know, you have to put a guy in a

827
00:43:28.360 --> 00:43:33.159
<v Speaker 3>giant pillow case and slamming have special effects. They just

828
00:43:33.280 --> 00:43:33.920
<v Speaker 3>actually did it.

829
00:43:34.000 --> 00:43:34.559
<v Speaker 2>They just did it.

830
00:43:34.960 --> 00:43:37.159
<v Speaker 5>We were just going for authenticity, you know, we were

831
00:43:37.199 --> 00:43:38.719
<v Speaker 5>downtown theater artists.

832
00:43:39.119 --> 00:43:43.079
<v Speaker 6>Well, there was one guy who enthusiastically volunteered for that,

833
00:43:43.199 --> 00:43:45.880
<v Speaker 6>and you're like really, and he's like, yeah, just beat

834
00:43:45.920 --> 00:43:48.679
<v Speaker 6>the ship out of it. Just locked me in something.

835
00:43:48.719 --> 00:43:50.920
<v Speaker 6>And you guys, you could throw me in like a

836
00:43:51.000 --> 00:43:53.280
<v Speaker 6>safe if you want, you know, push me down the stairs.

837
00:43:53.320 --> 00:43:55.320
<v Speaker 6>They're like, what the hell are you talking about, Bob?

838
00:43:55.639 --> 00:43:59.320
<v Speaker 3>What the fuck is her actor who played Jesus.

839
00:43:59.400 --> 00:44:02.159
<v Speaker 5>Actually, there was a lot of negotiation around what the

840
00:44:02.199 --> 00:44:05.079
<v Speaker 5>crucifixion would look like, and eventually just ended up standing

841
00:44:05.159 --> 00:44:06.920
<v Speaker 5>on a box and putting his hands up right and

842
00:44:06.960 --> 00:44:09.119
<v Speaker 5>then like tied to the thing. But originally he was

843
00:44:09.159 --> 00:44:11.880
<v Speaker 5>just going to be suspended from the cross and it

844
00:44:11.920 --> 00:44:17.079
<v Speaker 5>took him saying, I think you're actually just trying to crucify.

845
00:44:18.239 --> 00:44:21.800
<v Speaker 1>Yeah, yeah, yeah, that is that is what the usual

846
00:44:21.880 --> 00:44:27.440
<v Speaker 1>crucifixion was. Yeah yeah, well yeah, And I mean but

847
00:44:27.480 --> 00:44:30.079
<v Speaker 1>it is true like video people, I mean, it's got

848
00:44:30.199 --> 00:44:32.559
<v Speaker 1>to be like one of the highest incidents of CTEs

849
00:44:34.880 --> 00:44:38.800
<v Speaker 1>participating in mystery plans or like whatever. But because they're

850
00:44:38.880 --> 00:44:40.800
<v Speaker 1>doing all kinds of stuff, like you know, they're they're

851
00:44:40.840 --> 00:44:43.440
<v Speaker 1>they've got like rigging and the angels are coming down

852
00:44:43.440 --> 00:44:47.119
<v Speaker 1>from heaven or like you know, Jesus is being is

853
00:44:47.119 --> 00:44:49.760
<v Speaker 1>like ascending. You know, you've got uh, they're building like

854
00:44:49.800 --> 00:44:51.000
<v Speaker 1>really elaborate hell.

855
00:44:50.960 --> 00:44:55.960
<v Speaker 9>Mouths that they know, so they got like these huge sets,

856
00:44:56.239 --> 00:44:58.440
<v Speaker 9>which was again like part of the church objection because

857
00:44:58.440 --> 00:45:00.960
<v Speaker 9>they were like, could not be like spending all this

858
00:45:01.039 --> 00:45:02.880
<v Speaker 9>money on a hell mouth, and they're like.

859
00:45:03.920 --> 00:45:06.159
<v Speaker 1>What if we do though, you know, and then things

860
00:45:06.159 --> 00:45:08.519
<v Speaker 1>like this where it's just like it's getting too elaborate

861
00:45:08.599 --> 00:45:11.519
<v Speaker 1>and you know, there's no idea of help and safety.

862
00:45:11.960 --> 00:45:15.360
<v Speaker 1>You know, people are falling off stage, breaking legs right

863
00:45:15.400 --> 00:45:17.880
<v Speaker 1>and left. You know, it's a it's a good family

864
00:45:17.960 --> 00:45:20.480
<v Speaker 1>day out. It's what I'm trying to say.

865
00:45:20.719 --> 00:45:22.880
<v Speaker 3>The violations.

866
00:45:24.920 --> 00:45:34.039
<v Speaker 2>So stands for Oxford Safety.

867
00:45:33.400 --> 00:45:36.239
<v Speaker 4>Well once this is in the hands of like all

868
00:45:36.239 --> 00:45:38.760
<v Speaker 4>these different guilds, right, this is what like Shakespeare is

869
00:45:38.800 --> 00:45:41.000
<v Speaker 4>riffing on a little bit and much ado about nothing,

870
00:45:41.400 --> 00:45:44.320
<v Speaker 4>but like each guild has its own specialty. So it's like, yeah,

871
00:45:44.320 --> 00:45:47.000
<v Speaker 4>if you're a tanner, you might as well do some

872
00:45:47.000 --> 00:45:49.760
<v Speaker 4>stuff that involves leather. If you do rigging, like of

873
00:45:49.800 --> 00:45:52.239
<v Speaker 4>course you're gonna make somebody fly. And now I'm just

874
00:45:52.280 --> 00:45:55.480
<v Speaker 4>realizing what the tanners too. If you want to if

875
00:45:55.519 --> 00:45:57.280
<v Speaker 4>you want to do a player where you're pissing on people,

876
00:45:57.320 --> 00:45:58.000
<v Speaker 4>those guys.

877
00:45:57.760 --> 00:46:01.400
<v Speaker 3>Are well prepared for it. They have a handle to

878
00:46:01.400 --> 00:46:04.639
<v Speaker 3>make the leather. Oh yeah, yeah, I kiss all day.

879
00:46:04.960 --> 00:46:07.880
<v Speaker 6>He didn't even he didn't even smell it anymore. He's like,

880
00:46:08.039 --> 00:46:10.480
<v Speaker 6>they're like, what about the smell for the others and

881
00:46:10.519 --> 00:46:13.199
<v Speaker 6>the and the the Tanner's like, I'm good man, I

882
00:46:13.239 --> 00:46:14.000
<v Speaker 6>can't smell.

883
00:46:14.480 --> 00:46:15.880
<v Speaker 2>Smell twenty years.

884
00:46:16.079 --> 00:46:24.480
<v Speaker 1>Yeah yeah, Like I mean the fishlongers. They're like really

885
00:46:24.480 --> 00:46:28.320
<v Speaker 1>into like the feasts of gloves and fishes obviously.

886
00:46:28.480 --> 00:46:30.840
<v Speaker 3>Oh yeah, yeah, Oh too bad.

887
00:46:30.960 --> 00:46:36.719
<v Speaker 1>We didn't all go to John's fish shack before we

888
00:46:36.840 --> 00:46:38.239
<v Speaker 1>came or you know, like.

889
00:46:40.559 --> 00:46:44.599
<v Speaker 6>Yeah, that's right. I just I think, uh I do

890
00:46:44.639 --> 00:46:50.199
<v Speaker 6>think it's fascinating. You know that uh uh adding the

891
00:46:50.440 --> 00:46:55.159
<v Speaker 6>visual aspect to it, You know that that does a

892
00:46:55.199 --> 00:46:57.480
<v Speaker 6>lot for people. It gets people rolled up a lot.

893
00:46:57.519 --> 00:46:59.679
<v Speaker 6>And you know, it's uh, kind of like going to

894
00:46:59.719 --> 00:47:01.639
<v Speaker 6>the movie. Now you go, You're sitting in a nice

895
00:47:01.679 --> 00:47:04.159
<v Speaker 6>theater and you're like, you know, even if the movie's

896
00:47:04.199 --> 00:47:07.280
<v Speaker 6>not great, get a snack, you get to chill. It's

897
00:47:07.320 --> 00:47:09.440
<v Speaker 6>not the exact same for them, but you know, you

898
00:47:09.480 --> 00:47:11.920
<v Speaker 6>finally get to see someone acting out the Bible instead

899
00:47:11.920 --> 00:47:13.159
<v Speaker 6>of just a guy talking about it.

900
00:47:13.199 --> 00:47:16.519
<v Speaker 2>But you know, that's also something that has always been

901
00:47:16.559 --> 00:47:20.679
<v Speaker 2>attention in Protestant Christianity specifically, is this idea of like

902
00:47:21.079 --> 00:47:25.079
<v Speaker 2>how much should you represent physically? The idea that like

903
00:47:25.159 --> 00:47:29.039
<v Speaker 2>it becomes at some point idolatrous if you put forth

904
00:47:29.079 --> 00:47:34.639
<v Speaker 2>something that is so clearly concrete that then it takes

905
00:47:34.679 --> 00:47:37.880
<v Speaker 2>away from God breathing the inspiration in or whatever.

906
00:47:38.000 --> 00:47:38.079
<v Speaker 6>Like.

907
00:47:38.119 --> 00:47:41.440
<v Speaker 2>That's why traditional Protestants tend to be really against religious

908
00:47:41.639 --> 00:47:45.199
<v Speaker 2>icons and that sort of thing, because it's depicting almost

909
00:47:45.199 --> 00:47:47.599
<v Speaker 2>that which ought not be depicted, If that makes sense.

910
00:47:48.840 --> 00:47:53.320
<v Speaker 4>Yeah, yeah, well, and yeah, the Puritan tradition that arises

911
00:47:54.239 --> 00:47:56.639
<v Speaker 4>this is why in the more Protestant countries will have

912
00:47:56.679 --> 00:47:59.360
<v Speaker 4>like these big gaps, Like in England, people stop doing

913
00:47:59.480 --> 00:48:03.440
<v Speaker 4>mystery and then they pick them up hundreds of years later,

914
00:48:03.920 --> 00:48:07.239
<v Speaker 4>as you know, these these historical finds in someone's collection

915
00:48:08.079 --> 00:48:10.400
<v Speaker 4>and records and everything, and they go, oh, yeah, we

916
00:48:10.400 --> 00:48:14.360
<v Speaker 4>should start putting them on again. Whereas in Spain there

917
00:48:14.360 --> 00:48:16.960
<v Speaker 4>are some towns in Spain where it's basically an unbroken

918
00:48:17.000 --> 00:48:22.239
<v Speaker 4>lineage since you know, the thirteen hundreds or something like that, and.

919
00:48:22.320 --> 00:48:25.719
<v Speaker 2>It's the sort of thing too where it carries through

920
00:48:25.760 --> 00:48:29.079
<v Speaker 2>in a strange way to to contemporary Christianity, even on

921
00:48:29.119 --> 00:48:31.800
<v Speaker 2>the Protestant side. Like just as an example, Brian and I,

922
00:48:31.840 --> 00:48:35.559
<v Speaker 2>the school that we went to is a Dutch Protestant.

923
00:48:35.800 --> 00:48:38.800
<v Speaker 3>College named after John Calvin.

924
00:48:38.480 --> 00:48:43.000
<v Speaker 2>That's right, our boy, the man himself, and it has

925
00:48:43.519 --> 00:48:47.559
<v Speaker 2>had a theater program. But the sort of politics around

926
00:48:47.599 --> 00:48:51.119
<v Speaker 2>it are a little weird because, particularly in like the

927
00:48:51.159 --> 00:48:54.480
<v Speaker 2>mid twentieth century, early to mid twentieth century, a lot

928
00:48:54.480 --> 00:48:56.360
<v Speaker 2>of the people coming out of that tradition were still

929
00:48:56.480 --> 00:48:59.320
<v Speaker 2>very opposed to the idea of doing anything that was

930
00:48:59.360 --> 00:49:04.519
<v Speaker 2>too elevated or theatrical, and so they sort of had to, like,

931
00:49:04.559 --> 00:49:07.679
<v Speaker 2>for instance, the theater in which the stuff is presented

932
00:49:07.719 --> 00:49:10.400
<v Speaker 2>is not called the theater. It's called an auditorium. And

933
00:49:10.440 --> 00:49:12.639
<v Speaker 2>that was like the compromise that they had to do

934
00:49:12.960 --> 00:49:15.760
<v Speaker 2>in order to get the capital sponsorship. Before this new theater,

935
00:49:16.000 --> 00:49:19.400
<v Speaker 2>they couldn't actually call it a theor So there's this

936
00:49:19.480 --> 00:49:23.199
<v Speaker 2>weird tension throughout the history of Protestantism where there is

937
00:49:23.239 --> 00:49:27.519
<v Speaker 2>this understanding that if you represent something dramatically, it can

938
00:49:27.559 --> 00:49:29.519
<v Speaker 2>really compel people in a way that you can't by

939
00:49:29.559 --> 00:49:31.960
<v Speaker 2>just you know, reading from the Bible or whatever. But

940
00:49:32.039 --> 00:49:35.320
<v Speaker 2>if you go a little too hard, then the ideas

941
00:49:35.320 --> 00:49:38.239
<v Speaker 2>you might be blaspheming or like getting in the way

942
00:49:38.400 --> 00:49:40.159
<v Speaker 2>of what our Lord and Savior is trying to tell

943
00:49:40.199 --> 00:49:42.840
<v Speaker 2>you directly through the word, because at the end of

944
00:49:42.880 --> 00:49:46.639
<v Speaker 2>the day, it's the word, the actual text on the page,

945
00:49:47.039 --> 00:49:49.679
<v Speaker 2>that is the bedrock of Protestant Christianity.

946
00:49:50.519 --> 00:49:55.400
<v Speaker 6>I think, yeah, I think that the thing that that

947
00:49:56.039 --> 00:50:00.719
<v Speaker 6>people who earnestly believe this would say is that you know,

948
00:50:03.119 --> 00:50:06.320
<v Speaker 6>just look at anything, any representation of a thing, and

949
00:50:06.400 --> 00:50:09.679
<v Speaker 6>you if you take that in your mind like you

950
00:50:09.719 --> 00:50:11.920
<v Speaker 6>will see it like that, and that becomes the way

951
00:50:11.920 --> 00:50:14.639
<v Speaker 6>that you play with it, and you don't see and

952
00:50:14.760 --> 00:50:17.440
<v Speaker 6>so your vision of God or your vision of Jesus

953
00:50:17.519 --> 00:50:21.559
<v Speaker 6>or whatever or the afterlife is replaced by like, you know,

954
00:50:22.159 --> 00:50:25.599
<v Speaker 6>the buff guy with the crown of thorns and you know,

955
00:50:25.679 --> 00:50:27.840
<v Speaker 6>the Jesus.

956
00:50:29.079 --> 00:50:29.880
<v Speaker 2>Our good friend Colin.

957
00:50:29.960 --> 00:50:33.840
<v Speaker 6>Wait, it's replaced with that. And so you're focused on

958
00:50:33.960 --> 00:50:41.239
<v Speaker 6>a man made picture instead of your internal, positive, numinous

959
00:50:41.320 --> 00:50:44.239
<v Speaker 6>feelings about God. But you know, it's one of those

960
00:50:44.280 --> 00:50:47.159
<v Speaker 6>things that like, I mean just a lot, I mean,

961
00:50:47.239 --> 00:50:50.880
<v Speaker 6>not just Protestantism and Evangelical Christianity have these problems, but

962
00:50:50.920 --> 00:50:53.480
<v Speaker 6>it just the weight of all these contradictions just like

963
00:50:53.599 --> 00:50:56.320
<v Speaker 6>keeps piling up and keeps piling up, and keeps piling up,

964
00:50:56.360 --> 00:51:02.239
<v Speaker 6>because now we're all so mediated that it's really hard

965
00:51:02.320 --> 00:51:05.639
<v Speaker 6>to make that like stick in the real world now

966
00:51:05.719 --> 00:51:08.840
<v Speaker 6>because people are like, of course I've seen a representation

967
00:51:08.920 --> 00:51:10.519
<v Speaker 6>of the Garden of Eden. Of course I've seen a

968
00:51:10.559 --> 00:51:14.599
<v Speaker 6>representation of Moses, like because I've seen a picture because

969
00:51:14.719 --> 00:51:18.440
<v Speaker 6>you know, the Charlton Heston Tink Commandments movie was on

970
00:51:18.519 --> 00:51:20.599
<v Speaker 6>TV when I was a kid, you know, like, you know,

971
00:51:21.079 --> 00:51:23.800
<v Speaker 6>and so it just it collapses under that. And now,

972
00:51:23.920 --> 00:51:27.360
<v Speaker 6>as far as I know, they don't they don't really

973
00:51:27.840 --> 00:51:31.360
<v Speaker 6>focus on that as much anymore. But you know, yeah,

974
00:51:31.400 --> 00:51:32.440
<v Speaker 6>and go ahead.

975
00:51:32.639 --> 00:51:37.159
<v Speaker 4>In an American Evangelicalism, American Christianity in general, but especially evangelicals,

976
00:51:37.199 --> 00:51:40.400
<v Speaker 4>is like kitch has really taken.

977
00:51:40.119 --> 00:51:43.960
<v Speaker 3>Over, right, Yes, yes, you know people know, of course.

978
00:51:44.039 --> 00:51:44.199
<v Speaker 6>Yeah.

979
00:51:44.239 --> 00:51:47.559
<v Speaker 3>Charlton Heston also doing Ben Her. Before that, Ben Hur

980
00:51:47.760 --> 00:51:48.000
<v Speaker 3>was a.

981
00:51:47.920 --> 00:51:50.679
<v Speaker 4>Big Broadway play in the late nineteenth century that had

982
00:51:50.719 --> 00:51:53.639
<v Speaker 4>actual horses on stage doing a chariot race on a

983
00:51:53.679 --> 00:52:00.639
<v Speaker 4>giant treadmill. And huh, now we have things like Josh

984
00:52:00.719 --> 00:52:05.960
<v Speaker 4>and I were briefly obsessed with this Hamilton inspired rap

985
00:52:06.119 --> 00:52:09.280
<v Speaker 4>musical about Jesus that was produced by the Duck Dynasty.

986
00:52:09.360 --> 00:52:09.599
<v Speaker 3>Guys.

987
00:52:09.760 --> 00:52:14.000
<v Speaker 4>Oh yeah, what is story the musical that was written

988
00:52:14.079 --> 00:52:16.519
<v Speaker 4>by a homeschooled seventeen years.

989
00:52:16.320 --> 00:52:22.239
<v Speaker 2>And it sounds like it they in a way. This

990
00:52:22.360 --> 00:52:25.519
<v Speaker 2>is actually kind of an interesting contemporary reflection of the

991
00:52:25.559 --> 00:52:29.159
<v Speaker 2>mystery plays. Because this was a musical. They set up

992
00:52:29.199 --> 00:52:31.280
<v Speaker 2>a tent just outside of Dallas.

993
00:52:31.400 --> 00:52:35.960
<v Speaker 3>They built a gigantic theater and shopping complex for this one.

994
00:52:36.079 --> 00:52:38.320
<v Speaker 2>They were thinking it was going to run for years.

995
00:52:38.400 --> 00:52:39.840
<v Speaker 2>I think it ran for nine months.

996
00:52:40.199 --> 00:52:42.119
<v Speaker 3>Yeah, like we were Jesus.

997
00:52:41.880 --> 00:52:47.320
<v Speaker 1>And I'm here to say it's not not that, it's

998
00:52:47.400 --> 00:52:50.719
<v Speaker 1>more like it thrown away my miracle.

999
00:52:53.400 --> 00:52:56.599
<v Speaker 4>You also have like mega churches of course, like like

1000
00:52:57.119 --> 00:52:59.639
<v Speaker 4>Righteous Gemstones is always riffing on this mega churches that

1001
00:52:59.679 --> 00:53:03.239
<v Speaker 4>will do these giant pageants at Easter and Christmas with

1002
00:53:03.320 --> 00:53:06.679
<v Speaker 4>like a lot of flying, a lot of you know,

1003
00:53:06.840 --> 00:53:11.800
<v Speaker 4>drum lines and whatever they have. There's the Sitan Sound

1004
00:53:11.880 --> 00:53:16.800
<v Speaker 4>Theaters in Lancaster, Pennsylvania and Branson, Missouri that do these

1005
00:53:17.199 --> 00:53:22.159
<v Speaker 4>enormous Bible musicals with like you do Jonah, And there's

1006
00:53:22.159 --> 00:53:25.480
<v Speaker 4>a gigantic whale puppet that flies over the audience.

1007
00:53:25.599 --> 00:53:27.960
<v Speaker 6>Also in Pigeon Forge and Gatlinburg, Tennis.

1008
00:53:29.679 --> 00:53:33.400
<v Speaker 4>Yeah, yeah, and and and it kind of has some

1009
00:53:33.440 --> 00:53:35.679
<v Speaker 4>of those same especially the ones that are at megachurches,

1010
00:53:35.760 --> 00:53:37.880
<v Speaker 4>has this sort of same roots. It's like, oh, we're

1011
00:53:37.920 --> 00:53:40.199
<v Speaker 4>going to get the local business leaders together, they're going

1012
00:53:40.239 --> 00:53:44.119
<v Speaker 4>to build this. There's that infamous Jenny Nicholson covered that

1013
00:53:44.119 --> 00:53:48.519
<v Speaker 4>that church in Canada that does like Avengers themed passion plays.

1014
00:53:48.719 --> 00:53:52.840
<v Speaker 2>Yeah, every every year. It's a passion play that rips

1015
00:53:52.880 --> 00:53:54.599
<v Speaker 2>off of a different Disney ip.

1016
00:53:54.920 --> 00:53:57.960
<v Speaker 3>Basically, it's like it's like Iron Man and then they

1017
00:53:58.000 --> 00:53:59.559
<v Speaker 3>sing free Bird when he dies.

1018
00:54:00.039 --> 00:54:04.760
<v Speaker 2>Ian King one was my favorite personally. They crucify Simba.

1019
00:54:04.840 --> 00:54:05.599
<v Speaker 2>It's amazing.

1020
00:54:05.840 --> 00:54:06.840
<v Speaker 6>Yeah.

1021
00:54:06.519 --> 00:54:10.719
<v Speaker 1>Yes, Okay, okay, So here's my thing. Right, Like obviously,

1022
00:54:11.599 --> 00:54:14.920
<v Speaker 1>the like the human impulse to act out a Bible

1023
00:54:15.719 --> 00:54:18.400
<v Speaker 1>story has always been there, but I think this is

1024
00:54:18.440 --> 00:54:20.599
<v Speaker 1>one of the this is one of these instances where

1025
00:54:20.719 --> 00:54:22.840
<v Speaker 1>in okay, we're keeping certain things, the acting out of

1026
00:54:22.880 --> 00:54:28.920
<v Speaker 1>the Biblical story, we're keeping the using like local businesses

1027
00:54:29.119 --> 00:54:31.039
<v Speaker 1>in order to like prop this up kind of like

1028
00:54:31.199 --> 00:54:33.559
<v Speaker 1>your name out there. But how come we're so much

1029
00:54:33.599 --> 00:54:36.760
<v Speaker 1>more cringe.

1030
00:54:36.800 --> 00:54:42.400
<v Speaker 6>Because because they meant it. Then they meant it. They

1031
00:54:42.480 --> 00:54:46.519
<v Speaker 6>meant every fucking word of that they and they meant

1032
00:54:46.599 --> 00:54:49.480
<v Speaker 6>it deep in their marrow. And so like when you

1033
00:54:49.519 --> 00:54:52.239
<v Speaker 6>look at it, even if we even if we were

1034
00:54:52.280 --> 00:54:55.000
<v Speaker 6>able to see one that they put on and we

1035
00:54:55.000 --> 00:54:58.000
<v Speaker 6>were like, oh, okay, you know, here's another one about

1036
00:54:58.119 --> 00:55:01.320
<v Speaker 6>you know, Jesus is going to do this or whatever, hooray,

1037
00:55:01.400 --> 00:55:04.320
<v Speaker 6>Like they don't have that, so it doesn't enter into

1038
00:55:04.360 --> 00:55:07.159
<v Speaker 6>that for them. But like this stuff now is like

1039
00:55:09.199 --> 00:55:12.639
<v Speaker 6>that's fucking that. That's worse than like, that's worse than

1040
00:55:12.679 --> 00:55:15.880
<v Speaker 6>just turning on Disney Plus for the congregation, Like you're

1041
00:55:16.000 --> 00:55:19.320
<v Speaker 6>just like yeah, you like you've like melded all this

1042
00:55:19.360 --> 00:55:23.559
<v Speaker 6>stuff and we're beyond like perverting the gospel. We're beyond

1043
00:55:23.880 --> 00:55:29.360
<v Speaker 6>like uh blaspheming. This is like instead of Jesus kicking

1044
00:55:29.440 --> 00:55:31.840
<v Speaker 6>the money changers out of the temple, inviting them all

1045
00:55:31.880 --> 00:55:34.119
<v Speaker 6>in and you know, we're gonna have a banquet, We're

1046
00:55:34.159 --> 00:55:36.400
<v Speaker 6>gonna put on a play about how much we love

1047
00:55:36.480 --> 00:55:41.159
<v Speaker 6>the the Roman Empire. Like you know, it's like and

1048
00:55:41.199 --> 00:55:43.920
<v Speaker 6>I mean that it's it's not I mean, you know,

1049
00:55:44.039 --> 00:55:46.880
<v Speaker 6>money and religion being a problem is not new. You know,

1050
00:55:47.039 --> 00:55:49.559
<v Speaker 6>is not new. It's not a Protestant thing. But this

1051
00:55:49.920 --> 00:55:55.440
<v Speaker 6>like uh like just a based nature of it is. Yeah,

1052
00:55:55.480 --> 00:55:58.360
<v Speaker 6>it's just I like, again I'm an atheist, but I'm like,

1053
00:55:58.760 --> 00:56:02.000
<v Speaker 6>you guys, don't even take that seriously. This is just

1054
00:56:02.079 --> 00:56:05.440
<v Speaker 6>an affectation for you, like I would.

1055
00:56:05.800 --> 00:56:07.079
<v Speaker 3>Yeah, yeah, it's like a thing.

1056
00:56:07.360 --> 00:56:09.440
<v Speaker 5>I feel like it's like an earnest thing. Like for

1057
00:56:09.519 --> 00:56:13.239
<v Speaker 5>the seventeen year old, it feels incredibly earnest, right, I

1058
00:56:13.280 --> 00:56:16.119
<v Speaker 5>feel like that just because they've been raised. It's sort

1059
00:56:16.119 --> 00:56:18.159
<v Speaker 5>of the gumbo. Yeah, yeah, no, there is something to

1060
00:56:18.280 --> 00:56:21.679
<v Speaker 5>like like the people who are full grown adults who

1061
00:56:21.719 --> 00:56:24.719
<v Speaker 5>are doing this, who are like co signing onto this,

1062
00:56:25.079 --> 00:56:27.480
<v Speaker 5>that that to me, I think plays into your point

1063
00:56:27.519 --> 00:56:30.360
<v Speaker 5>of just like the like you know what, there is

1064
00:56:30.440 --> 00:56:35.400
<v Speaker 5>no real difference between the money lenders and the fucking

1065
00:56:35.599 --> 00:56:36.559
<v Speaker 5>priests anymore.

1066
00:56:36.719 --> 00:56:39.880
<v Speaker 2>But I this is something that we This sort of

1067
00:56:39.920 --> 00:56:41.639
<v Speaker 2>thing is something that we talk about a fair bit

1068
00:56:41.679 --> 00:56:43.760
<v Speaker 2>on our show when we're talking about things that are

1069
00:56:43.760 --> 00:56:48.519
<v Speaker 2>within sort of the evangelical bubble. How you get these

1070
00:56:49.199 --> 00:56:53.000
<v Speaker 2>meta narratives that people just receive and absorb.

1071
00:56:53.719 --> 00:56:54.320
<v Speaker 6>Yeah. Uh.

1072
00:56:54.360 --> 00:56:57.320
<v Speaker 2>And in the case of something like yeah, those ridiculous

1073
00:56:57.400 --> 00:57:01.480
<v Speaker 2>church passion plays where Tony Stark gets cruise, it's it's

1074
00:57:01.480 --> 00:57:06.280
<v Speaker 2>it's like, you don't you you don't really understand anymore

1075
00:57:06.440 --> 00:57:09.599
<v Speaker 2>what the point of the story is, Whereas I feel

1076
00:57:09.679 --> 00:57:12.280
<v Speaker 2>like with the original mystery plays, if you talk about that,

1077
00:57:13.159 --> 00:57:17.800
<v Speaker 2>it's more didactic in a way, but it's also more participatory,

1078
00:57:17.880 --> 00:57:22.559
<v Speaker 2>where it's like you are really wanting to understand this narrative,

1079
00:57:23.480 --> 00:57:26.039
<v Speaker 2>not just as a piece of this is something we

1080
00:57:26.119 --> 00:57:28.800
<v Speaker 2>all know, but as something that you want to actively

1081
00:57:28.840 --> 00:57:32.880
<v Speaker 2>participate in. You want to understand how you connect to

1082
00:57:32.920 --> 00:57:35.800
<v Speaker 2>this story. And I think that's really meaningful. And that's

1083
00:57:35.800 --> 00:57:39.039
<v Speaker 2>a meaningful difference because Yeah, you go and watch one

1084
00:57:39.039 --> 00:57:42.480
<v Speaker 2>of these spectacles and you're just sitting there and being entertained,

1085
00:57:42.760 --> 00:57:44.360
<v Speaker 2>and I feel like that's very different from what you

1086
00:57:44.360 --> 00:57:46.280
<v Speaker 2>get when you look at those old mystery plays.

1087
00:57:46.559 --> 00:57:49.719
<v Speaker 1>I suppose there is also something here too, where to

1088
00:57:49.840 --> 00:57:52.440
<v Speaker 1>an extent, the fact that the church is like, not, no,

1089
00:57:52.960 --> 00:57:54.519
<v Speaker 1>you need to you need to fucking knock it off,

1090
00:57:54.559 --> 00:57:57.039
<v Speaker 1>like this is clearly God beyond right. It's not for

1091
00:57:57.119 --> 00:58:02.440
<v Speaker 1>the clergy to be doing that. Almost, I guess gives it.

1092
00:58:02.440 --> 00:58:04.880
<v Speaker 1>It's like it nots to the thing that we're talking about, right,

1093
00:58:05.039 --> 00:58:07.239
<v Speaker 1>because clearly what they're worried about is that it's going

1094
00:58:07.320 --> 00:58:09.719
<v Speaker 1>to turn into like the megachurch thing right right where

1095
00:58:09.719 --> 00:58:11.960
<v Speaker 1>they're like, this is not fucking appropriate, and they know

1096
00:58:13.039 --> 00:58:16.559
<v Speaker 1>it's not appropriate, right, Whereas yo, if like the if

1097
00:58:16.599 --> 00:58:19.400
<v Speaker 1>the Fishmonger's Guild wants to put it on go for

1098
00:58:19.519 --> 00:58:22.639
<v Speaker 1>your life. We're not saying don't have religious plays. We're

1099
00:58:22.679 --> 00:58:27.320
<v Speaker 1>saying that they don't have a place within actual churches

1100
00:58:27.920 --> 00:58:30.360
<v Speaker 1>during mass, right, And I guess that's that's like a

1101
00:58:30.400 --> 00:58:32.960
<v Speaker 1>reasonable objection that I can kind of like, you know,

1102
00:58:33.119 --> 00:58:34.719
<v Speaker 1>I'm coming down on the side of the medieval church

1103
00:58:34.760 --> 00:58:37.480
<v Speaker 1>with seems legit.

1104
00:58:37.880 --> 00:58:41.039
<v Speaker 6>I mean, no, they are right about it, and I

1105
00:58:41.039 --> 00:58:43.840
<v Speaker 6>mean this is the like we are circling around the

1106
00:58:43.840 --> 00:58:49.239
<v Speaker 6>genesis of the like the problem that our earnest early

1107
00:58:49.760 --> 00:58:56.320
<v Speaker 6>Protestants had with icons, with these things, because the church

1108
00:58:56.400 --> 00:58:58.840
<v Speaker 6>is also saying, all right, guys, you are making like

1109
00:58:59.639 --> 00:59:02.519
<v Speaker 6>we of our icons now, but you got like, you know,

1110
00:59:02.639 --> 00:59:06.360
<v Speaker 6>this is this is beyond stained glass or anything. This

1111
00:59:06.440 --> 00:59:10.239
<v Speaker 6>is you know, this is pure spectacle. You know, this

1112
00:59:10.440 --> 00:59:13.239
<v Speaker 6>is taking the place of God in the imagination or whatever.

1113
00:59:13.320 --> 00:59:19.840
<v Speaker 6>And you know, and when you don't have that lever

1114
00:59:20.119 --> 00:59:22.880
<v Speaker 6>at the top to pull and be like, hey, guys,

1115
00:59:22.920 --> 00:59:26.360
<v Speaker 6>maybe we should pull it back, then the human imagination

1116
00:59:26.519 --> 00:59:29.880
<v Speaker 6>just goes to its extent and you know, here we are.

1117
00:59:30.159 --> 00:59:33.400
<v Speaker 6>Sometimes that's good, you know, And then sometimes you end

1118
00:59:33.480 --> 00:59:40.320
<v Speaker 6>up with the little mermaid being crucified or whatever. For

1119
00:59:40.400 --> 00:59:44.599
<v Speaker 6>the love of God, no speak. She can't speak because

1120
00:59:44.719 --> 00:59:50.079
<v Speaker 6>Ursula slash Satan has taken ability to say, eloi, eloi?

1121
00:59:52.800 --> 00:59:54.039
<v Speaker 6>What the fuck is how?

1122
00:59:54.159 --> 00:59:57.559
<v Speaker 3>I don't know what fish? I mean?

1123
00:59:57.880 --> 00:59:58.119
<v Speaker 1>Yeah?

1124
00:59:58.599 --> 01:00:01.559
<v Speaker 6>Why is Eric here? And he's shirtless and just hanging like,

1125
01:00:01.599 --> 01:00:02.280
<v Speaker 6>what is going on?

1126
01:00:03.239 --> 01:00:10.039
<v Speaker 3>Why is that priest making out with Eric? Wait, there's

1127
01:00:10.039 --> 01:00:11.039
<v Speaker 3>so much piss.

1128
01:00:11.920 --> 01:00:15.440
<v Speaker 4>It's everywhere everywhere, got all over my potatoes.

1129
01:00:19.280 --> 01:00:20.559
<v Speaker 2>That's good, that's at the beginning.

1130
01:00:21.880 --> 01:00:25.599
<v Speaker 4>Well, I think there there is one of the things

1131
01:00:25.639 --> 01:00:28.519
<v Speaker 4>that some churches do that I do think is sincere

1132
01:00:28.840 --> 01:00:31.760
<v Speaker 4>and it's still in its own like cracked bizarre way.

1133
01:00:31.920 --> 01:00:32.800
<v Speaker 3>Is hell houses?

1134
01:00:33.559 --> 01:00:37.280
<v Speaker 4>Oh yeah sure, And I say I make immersive theater,

1135
01:00:37.480 --> 01:00:39.480
<v Speaker 4>or I have made immersive theater. I haven't done anything

1136
01:00:39.480 --> 01:00:43.079
<v Speaker 4>in a little while, but like, yeah, I know they

1137
01:00:43.079 --> 01:00:45.000
<v Speaker 4>need to get into escape rooms, is what I'm saying.

1138
01:00:45.039 --> 01:00:51.719
<v Speaker 4>But these Back in the seventies, Jerry Folwell was like,

1139
01:00:51.840 --> 01:00:54.880
<v Speaker 4>you know, everything's getting too secular. What if we come

1140
01:00:54.960 --> 01:00:57.519
<v Speaker 4>up with the most insane idea in the world, which

1141
01:00:57.559 --> 01:00:59.840
<v Speaker 4>is just take people in a haunted house tour where

1142
01:00:59.840 --> 01:01:03.440
<v Speaker 4>they see the consequences of like getting an abortion and

1143
01:01:04.280 --> 01:01:07.559
<v Speaker 4>you know, doing weed so much that you become anti war.

1144
01:01:08.199 --> 01:01:13.039
<v Speaker 4>And that has evolved into there's a great documentary from

1145
01:01:13.079 --> 01:01:15.719
<v Speaker 4>like twenty five years ago now called just called hell House.

1146
01:01:15.880 --> 01:01:17.840
<v Speaker 3>Yes, that's about these.

1147
01:01:18.480 --> 01:01:21.559
<v Speaker 4>I think the Pentecostals are really the only people developing

1148
01:01:21.679 --> 01:01:25.960
<v Speaker 4>like a modern Christian aesthetic that is a really interesting one,

1149
01:01:26.000 --> 01:01:29.119
<v Speaker 4>and it's a really scary one. It's one that acknowledges demons,

1150
01:01:29.639 --> 01:01:32.159
<v Speaker 4>and it's not demons in the medieval way of like, well,

1151
01:01:32.159 --> 01:01:34.280
<v Speaker 4>look at Satan, We're going to get one over on him.

1152
01:01:34.639 --> 01:01:37.800
<v Speaker 4>He's a big dumb dumb It's like everything is coming

1153
01:01:37.840 --> 01:01:41.280
<v Speaker 4>after you. That headache you got yesterday, that migraine, that

1154
01:01:41.440 --> 01:01:43.679
<v Speaker 4>was a demon, and he could come back and he

1155
01:01:43.719 --> 01:01:47.440
<v Speaker 4>could be stronger the next day. And that is a

1156
01:01:47.559 --> 01:01:50.400
<v Speaker 4>it's a very theatrical thing and it's very cheesy, but

1157
01:01:50.480 --> 01:01:53.320
<v Speaker 4>I do think that they're the best hell houses are

1158
01:01:53.320 --> 01:01:57.559
<v Speaker 4>the ones that are extremely earnest, that are so they

1159
01:01:57.639 --> 01:02:00.920
<v Speaker 4>feel that same sort of like urgency and they're like,

1160
01:02:00.960 --> 01:02:04.519
<v Speaker 4>you need to stop getting abortions all the time because

1161
01:02:04.559 --> 01:02:07.880
<v Speaker 4>then you're gonna die in a car accident. And what

1162
01:02:08.039 --> 01:02:10.400
<v Speaker 4>the car accident has to do with the abortion is unclear.

1163
01:02:10.480 --> 01:02:14.119
<v Speaker 4>But this room that's just full of demons that just

1164
01:02:14.199 --> 01:02:15.920
<v Speaker 4>keeps shouting abortion at the car.

1165
01:02:16.039 --> 01:02:18.639
<v Speaker 2>The car accident was on the way home from the abortion.

1166
01:02:20.280 --> 01:02:23.559
<v Speaker 1>I love my monthly abortion. The girls and I get together.

1167
01:02:25.480 --> 01:02:30.079
<v Speaker 6>Have mimosas afterwards, smoked, smoke too much, weedy to California,

1168
01:02:30.119 --> 01:02:34.920
<v Speaker 6>babys in with no I think I think we've hit

1169
01:02:34.920 --> 01:02:37.199
<v Speaker 6>the nail on the head here, which is that you

1170
01:02:37.239 --> 01:02:40.199
<v Speaker 6>can do like the theatrical ship, but you just have

1171
01:02:40.320 --> 01:02:44.000
<v Speaker 6>to live. You have to believe in a literal, actual hell.

1172
01:02:44.360 --> 01:02:47.760
<v Speaker 6>I don't want to hear about your pluralist heaven or

1173
01:02:47.800 --> 01:02:50.840
<v Speaker 6>anything like that. I want to know that you feel

1174
01:02:50.960 --> 01:02:55.880
<v Speaker 6>the hot brimstone breath of Satan on your neck every

1175
01:02:56.000 --> 01:03:00.079
<v Speaker 6>day and you are literally worried about the the the

1176
01:03:00.119 --> 01:03:04.800
<v Speaker 6>location of your eternal soul, then you can do it. Otherwise, Yeah,

1177
01:03:04.880 --> 01:03:06.920
<v Speaker 6>we're just doing We're just doing musical theater.

1178
01:03:07.199 --> 01:03:09.880
<v Speaker 2>Yeah, that was That was a big part of I

1179
01:03:09.880 --> 01:03:13.360
<v Speaker 2>think why the show that AJ and I worked on failed, Like,

1180
01:03:13.400 --> 01:03:19.519
<v Speaker 2>when it failed, it was because of that lack of respect,

1181
01:03:19.760 --> 01:03:22.840
<v Speaker 2>I guess is one way putting it. But like the

1182
01:03:22.920 --> 01:03:26.360
<v Speaker 2>idea that this story really truly does have broader implications, right,

1183
01:03:26.920 --> 01:03:29.400
<v Speaker 2>and it might not necessarily have to be to do

1184
01:03:29.519 --> 01:03:32.679
<v Speaker 2>with literal heaven and literal hell. Yeah, but you have

1185
01:03:32.760 --> 01:03:36.480
<v Speaker 2>to at least believe that things matter, that like we

1186
01:03:36.599 --> 01:03:42.239
<v Speaker 2>are as a species, let's say, barreling down towards some

1187
01:03:42.280 --> 01:03:48.039
<v Speaker 2>sort of absolute existential crisis such as climate change for instance, which,

1188
01:03:48.079 --> 01:03:50.239
<v Speaker 2>by the way, the play, the play that was about

1189
01:03:50.239 --> 01:03:52.880
<v Speaker 2>Noah's flood that was also about climate change, didn't really work,

1190
01:03:52.920 --> 01:03:55.440
<v Speaker 2>but it could have worked. It was close to working

1191
01:03:55.519 --> 01:03:56.760
<v Speaker 2>because of that exact thing.

1192
01:03:57.320 --> 01:04:00.400
<v Speaker 5>Yeah, it consisted solely of one line, which is Noah,

1193
01:04:00.440 --> 01:04:03.159
<v Speaker 5>please please I'm sorry, I fucked up.

1194
01:04:03.440 --> 01:04:05.000
<v Speaker 3>Just let me on the boat. Just let me on

1195
01:04:05.039 --> 01:04:05.320
<v Speaker 3>the boat.

1196
01:04:05.320 --> 01:04:06.559
<v Speaker 5>And then it was like more and more people just

1197
01:04:06.599 --> 01:04:07.920
<v Speaker 5>ran on and kept screaming it, and then they all

1198
01:04:07.960 --> 01:04:11.599
<v Speaker 5>got flashed away in the flood. But I think, like

1199
01:04:11.760 --> 01:04:14.519
<v Speaker 5>what the ones that were successful, and I think the

1200
01:04:14.559 --> 01:04:17.800
<v Speaker 5>mystery plays even back in the day that were successful,

1201
01:04:17.840 --> 01:04:21.880
<v Speaker 5>are just like very good adaptations of the original story.

1202
01:04:21.960 --> 01:04:24.760
<v Speaker 3>They got at the core idea behind it.

1203
01:04:24.800 --> 01:04:28.519
<v Speaker 5>Like in our version, Pentecost happened and you read about

1204
01:04:28.559 --> 01:04:31.239
<v Speaker 5>all the apostles all of a sudden, like you know, incense,

1205
01:04:31.239 --> 01:04:34.000
<v Speaker 5>Peppermint's color of time, eyes just like opening up and

1206
01:04:34.039 --> 01:04:36.519
<v Speaker 5>they see the time knife and they understand they have

1207
01:04:36.559 --> 01:04:38.280
<v Speaker 5>to go out on their mission or whatever, right, And

1208
01:04:38.320 --> 01:04:40.519
<v Speaker 5>so you have to instill in the audience what the

1209
01:04:40.559 --> 01:04:43.840
<v Speaker 5>apostles felt in that moment in order to make it

1210
01:04:43.880 --> 01:04:48.119
<v Speaker 5>an effective adaptation. And there's something about an entire room

1211
01:04:48.360 --> 01:04:50.880
<v Speaker 5>of actors singing all these things that I've done and

1212
01:04:50.960 --> 01:04:52.440
<v Speaker 5>encouraging you to sing too.

1213
01:04:52.639 --> 01:04:56.960
<v Speaker 2>And stopping so hard that you literally feel the building shake.

1214
01:04:56.840 --> 01:04:59.599
<v Speaker 3>Like a whole building shake around you. But that's where

1215
01:05:00.000 --> 01:05:03.920
<v Speaker 3>three one one calls. That's also like.

1216
01:05:03.840 --> 01:05:07.079
<v Speaker 6>The killers are playing a show downstairs.

1217
01:05:07.800 --> 01:05:09.360
<v Speaker 3>Someone should tell the killers.

1218
01:05:10.480 --> 01:05:15.159
<v Speaker 5>But yeah, no, that the feeling that it it like evokes,

1219
01:05:15.199 --> 01:05:18.199
<v Speaker 5>I you know, having read the original York mystery plays,

1220
01:05:18.840 --> 01:05:22.079
<v Speaker 5>like a lot of them are it's a little bit

1221
01:05:22.119 --> 01:05:24.199
<v Speaker 5>harder to translate into like a modern thing. But the

1222
01:05:24.199 --> 01:05:26.000
<v Speaker 5>ones that hit me the most, like even the Doubting

1223
01:05:26.000 --> 01:05:29.039
<v Speaker 5>Thomas one, it was like it told the whole story

1224
01:05:29.119 --> 01:05:31.320
<v Speaker 5>and it made me feel the way Thomas did, which

1225
01:05:31.360 --> 01:05:36.679
<v Speaker 5>was just extremely unsure of everything. And tell my best

1226
01:05:36.679 --> 01:05:39.880
<v Speaker 5>friend who I watched, you know who died, like comes

1227
01:05:39.920 --> 01:05:41.840
<v Speaker 5>back and tells me everything's gonna be okay.

1228
01:05:41.559 --> 01:05:43.800
<v Speaker 3>And then you feel the relief of that.

1229
01:05:44.039 --> 01:05:47.079
<v Speaker 5>Like that, that, to me is what makes an effective

1230
01:05:47.199 --> 01:05:49.679
<v Speaker 5>mystery play, is getting at the truth underneath all the

1231
01:05:49.679 --> 01:05:50.519
<v Speaker 5>biblical stuff.

1232
01:05:52.800 --> 01:05:55.280
<v Speaker 6>Yeah, or maybe it's just maybe it's just a firm

1233
01:05:55.519 --> 01:06:00.159
<v Speaker 6>like actual belief in like God in a guy that

1234
01:06:00.239 --> 01:06:05.280
<v Speaker 6>you can conceptualize and understand. I mean, because so much

1235
01:06:05.280 --> 01:06:07.639
<v Speaker 6>of religion now, like it doesn't matter who it is,

1236
01:06:07.719 --> 01:06:11.440
<v Speaker 6>it doesn't matter what religion it is. So much of

1237
01:06:11.440 --> 01:06:16.639
<v Speaker 6>it now is just like a shirt, like a jersey,

1238
01:06:16.719 --> 01:06:19.800
<v Speaker 6>a team jersey that people wear because they because it's

1239
01:06:19.840 --> 01:06:22.000
<v Speaker 6>a cultural thing and it's a thing. And if that

1240
01:06:22.199 --> 01:06:24.920
<v Speaker 6>people can interact with religion however they want. It's not

1241
01:06:25.000 --> 01:06:28.800
<v Speaker 6>my business. But like when you try to do art

1242
01:06:28.960 --> 01:06:31.039
<v Speaker 6>about that or you try to make a story and an

1243
01:06:31.039 --> 01:06:35.840
<v Speaker 6>adaptation of that, people can tell if you either like

1244
01:06:36.199 --> 01:06:39.760
<v Speaker 6>just don't really care about God, or maybe you believed

1245
01:06:39.760 --> 01:06:41.559
<v Speaker 6>in God at one point and lost your faith. There's

1246
01:06:41.639 --> 01:06:44.920
<v Speaker 6>interesting stuff there, and they could tell if you seriously believe,

1247
01:06:45.000 --> 01:06:48.440
<v Speaker 6>you know, this is God. God dwells in me, you know,

1248
01:06:48.519 --> 01:06:51.000
<v Speaker 6>in whatever form, And you could tell that when somebody's

1249
01:06:51.079 --> 01:06:53.239
<v Speaker 6>doing it. You could tell when somebody struggle with it

1250
01:06:54.320 --> 01:06:57.480
<v Speaker 6>and when they just think it's a joke, yeah.

1251
01:06:56.800 --> 01:06:59.320
<v Speaker 2>Or when they're just kind of trying to shock people

1252
01:06:59.320 --> 01:07:00.320
<v Speaker 2>in a really empty way.

1253
01:07:00.559 --> 01:07:00.719
<v Speaker 9>Right.

1254
01:07:00.800 --> 01:07:04.480
<v Speaker 2>There's a lot of that too, And it's like, are

1255
01:07:04.519 --> 01:07:06.440
<v Speaker 2>you trying to even even when you shock people, are

1256
01:07:06.440 --> 01:07:08.480
<v Speaker 2>you trying to do it from a place of authenticity?

1257
01:07:08.639 --> 01:07:08.800
<v Speaker 6>Right?

1258
01:07:08.960 --> 01:07:11.440
<v Speaker 2>Like are you wanting to wake them up to something

1259
01:07:11.480 --> 01:07:13.639
<v Speaker 2>meaningful or you're trying to just make them be like,

1260
01:07:14.119 --> 01:07:16.320
<v Speaker 2>oh my god, you know that those.

1261
01:07:16.119 --> 01:07:18.400
<v Speaker 3>Are very Jesus is gay? Jesus gay?

1262
01:07:19.840 --> 01:07:20.079
<v Speaker 6>Yeah.

1263
01:07:20.119 --> 01:07:23.360
<v Speaker 1>I means it's the difference between come out jump scare

1264
01:07:23.599 --> 01:07:26.920
<v Speaker 1>and you know, like something that actually is is genuinely

1265
01:07:27.960 --> 01:07:31.320
<v Speaker 1>like thoughtfully frightening, right, Like, it's two things, you know.

1266
01:07:31.400 --> 01:07:34.159
<v Speaker 4>Yeah, that's why I'll never drive a car after my

1267
01:07:34.159 --> 01:07:39.199
<v Speaker 4>monthly abortion again, exactly, it's on something primal, right.

1268
01:07:39.440 --> 01:07:40.199
<v Speaker 1>Yeah, exactly.

1269
01:07:40.239 --> 01:07:44.480
<v Speaker 3>I always walk, you know, all the mimosas. You can't

1270
01:07:44.559 --> 01:07:45.039
<v Speaker 3>just go for.

1271
01:07:46.559 --> 01:07:50.159
<v Speaker 1>A vigorous after minute cities. You know, I could gets

1272
01:07:50.239 --> 01:07:52.880
<v Speaker 1>everything within fifteen minutes. But you know my abortion provider

1273
01:07:53.400 --> 01:07:54.159
<v Speaker 1>brunch place.

1274
01:07:54.440 --> 01:07:56.960
<v Speaker 2>Yeah, how's life in the gulag eleanor how's.

1275
01:07:56.760 --> 01:07:57.280
<v Speaker 3>It treating you?

1276
01:07:57.679 --> 01:08:01.679
<v Speaker 6>Yeah, yeah, you don't. You don't have freedom like we

1277
01:08:01.719 --> 01:08:05.480
<v Speaker 6>do here, No good, good old fashioned freedom. He could

1278
01:08:05.519 --> 01:08:08.360
<v Speaker 6>smell it in the air. He's definitely not gonna kill

1279
01:08:08.440 --> 01:08:10.119
<v Speaker 6>us all tomorrow.

1280
01:08:10.960 --> 01:08:14.000
<v Speaker 4>Yeah, I'm getting rid of all those e p A protections,

1281
01:08:14.239 --> 01:08:16.199
<v Speaker 4>thank thank god.

1282
01:08:16.439 --> 01:08:16.720
<v Speaker 6>Yeah.

1283
01:08:17.720 --> 01:08:22.840
<v Speaker 3>Yeah, piss is back. It's back, folks can but they're

1284
01:08:22.880 --> 01:08:26.039
<v Speaker 3>saying it. The pisses back. They've been asking me for years.

1285
01:08:26.079 --> 01:08:31.119
<v Speaker 3>They're asking they want to piss, They want to They

1286
01:08:31.159 --> 01:08:32.840
<v Speaker 3>have no where that they can piss. They have to

1287
01:08:32.840 --> 01:08:35.319
<v Speaker 3>go to the toilet. All that piss is going to waste.

1288
01:08:35.359 --> 01:08:37.800
<v Speaker 3>It's going down the pipes, and it's all pipes.

1289
01:08:37.880 --> 01:08:44.039
<v Speaker 4>We all watch that show Seinfeld show, Jerry Seinfeld he's

1290
01:08:44.039 --> 01:08:45.199
<v Speaker 4>a stand up community.

1291
01:08:45.199 --> 01:08:45.920
<v Speaker 3>He had a neighbor.

1292
01:08:46.800 --> 01:08:53.640
<v Speaker 6>Neighbor folks, you love him, you love it. Welcome to

1293
01:08:53.680 --> 01:08:58.520
<v Speaker 6>the stage, mister Michael Richards. It was famous routine from

1294
01:08:58.520 --> 01:09:04.439
<v Speaker 6>the Last Factor, and Michael Richards just comes out there

1295
01:09:04.479 --> 01:09:07.600
<v Speaker 6>and even he's like, Okay, I can't do this.

1296
01:09:08.560 --> 01:09:11.000
<v Speaker 5>Comedians and cars getting coffee.

1297
01:09:10.880 --> 01:09:15.239
<v Speaker 3>Where's Jerry? Where is he? Good luck?

1298
01:09:15.920 --> 01:09:25.720
<v Speaker 6>Good luck? That's awesome? Oh my god, Ellen, eleanor what

1299
01:09:25.760 --> 01:09:30.880
<v Speaker 6>have we what have we missed on on the mystery plays? That? Uh,

1300
01:09:31.800 --> 01:09:34.600
<v Speaker 6>that that maybe we should hit before we go.

1301
01:09:35.279 --> 01:09:37.279
<v Speaker 1>No, I mean, like that's pretty much it. And the

1302
01:09:37.319 --> 01:09:40.000
<v Speaker 1>point of it is that it is an art form

1303
01:09:40.119 --> 01:09:42.800
<v Speaker 1>that the community takes part of, but you can only

1304
01:09:42.880 --> 01:09:46.039
<v Speaker 1>really have it if you have a really interconnected community

1305
01:09:46.079 --> 01:09:50.399
<v Speaker 1>that also really deeply understands and believes in the material

1306
01:09:50.479 --> 01:09:53.800
<v Speaker 1>in question. And it's kind of a form of religious

1307
01:09:53.800 --> 01:09:57.840
<v Speaker 1>literacy that we kind of lack now, which is sort

1308
01:09:57.840 --> 01:09:59.359
<v Speaker 1>of universal and it's way. It's just one of the

1309
01:09:59.399 --> 01:10:02.720
<v Speaker 1>neat things about the medieval period actually is that they're

1310
01:10:02.760 --> 01:10:05.079
<v Speaker 1>all weird little guys doing these weird little things, and

1311
01:10:05.079 --> 01:10:08.279
<v Speaker 1>it's what I really love about them. So I appreciate

1312
01:10:08.319 --> 01:10:10.920
<v Speaker 1>you guys coming on and trauma dumping.

1313
01:10:13.439 --> 01:10:19.079
<v Speaker 6>Yeah, for all of our collective issues with Christianity. That's right, folks,

1314
01:10:19.119 --> 01:10:22.840
<v Speaker 6>we got problems with Jesus and you're gonna hear and

1315
01:10:22.920 --> 01:10:26.039
<v Speaker 6>you've actually just heard about them. You can't unhear it now.

1316
01:10:27.800 --> 01:10:30.279
<v Speaker 6>We did it. No, I'm just kidding. Thank you so

1317
01:10:30.439 --> 01:10:34.119
<v Speaker 6>much for coming on the show. I'm sure a lot

1318
01:10:34.119 --> 01:10:36.479
<v Speaker 6>of our listeners will definitely have heard of it, but

1319
01:10:36.800 --> 01:10:40.279
<v Speaker 6>if not, please tell us about the Worst of All

1320
01:10:40.279 --> 01:10:41.159
<v Speaker 6>Possible worlds.

1321
01:10:41.199 --> 01:10:45.119
<v Speaker 2>Sure, yeah, so well, thank you both Luke and Ellen

1322
01:10:45.239 --> 01:10:47.840
<v Speaker 2>for having us on. This is really good. We had

1323
01:10:47.840 --> 01:10:51.399
<v Speaker 2>a good time finally getting those stories out that we

1324
01:10:51.399 --> 01:10:53.119
<v Speaker 2>have never been able to tell on our own show.

1325
01:10:53.239 --> 01:10:54.279
<v Speaker 2>So let's go.

1326
01:10:55.760 --> 01:10:56.560
<v Speaker 3>Yeah. No, we do a show.

1327
01:10:56.600 --> 01:10:59.319
<v Speaker 2>It's called The Worst of All Possible Worlds. Every week

1328
01:10:59.399 --> 01:11:01.800
<v Speaker 2>we talk about a different piece of media. We talk

1329
01:11:01.840 --> 01:11:03.920
<v Speaker 2>about the narratives within that piece of media, both the

1330
01:11:03.920 --> 01:11:06.439
<v Speaker 2>explicit ones and the implicit ones, and we talk about

1331
01:11:06.439 --> 01:11:08.239
<v Speaker 2>the way that those narratives shape the world that we

1332
01:11:08.319 --> 01:11:11.039
<v Speaker 2>live in. Our tagline is case studies in the pop

1333
01:11:11.079 --> 01:11:14.039
<v Speaker 2>culture of a dying Empire. The vast majority of the time,

1334
01:11:14.039 --> 01:11:17.119
<v Speaker 2>that empire is the American Empire. Every once in a while,

1335
01:11:17.199 --> 01:11:21.279
<v Speaker 2>it's the Japanese Empire. We've talked about some. It's mostly

1336
01:11:21.439 --> 01:11:24.640
<v Speaker 2>and sometimes the British Empire as well, but mostly the

1337
01:11:24.760 --> 01:11:27.479
<v Speaker 2>US because that is our wheelhouse and we have a

1338
01:11:27.479 --> 01:11:32.079
<v Speaker 2>particular fascination, as you have just heard, with the intersection

1339
01:11:32.319 --> 01:11:36.840
<v Speaker 2>of narratives and evangelical Christianity. That is not our exclusive focus.

1340
01:11:36.880 --> 01:11:39.079
<v Speaker 2>We talk about all sorts of stuff, you know, video games,

1341
01:11:39.119 --> 01:11:44.159
<v Speaker 2>TV shows, movies, whatever, but we also are very interested

1342
01:11:44.199 --> 01:11:46.960
<v Speaker 2>in the reactionary right and the way that they are

1343
01:11:47.000 --> 01:11:51.199
<v Speaker 2>advancing their project through media. So feel free to go

1344
01:11:51.359 --> 01:11:54.600
<v Speaker 2>check us out. Our website is worst possible dot world

1345
01:11:54.880 --> 01:11:57.760
<v Speaker 2>and we also have a very affordably priced Patreon five

1346
01:11:57.800 --> 01:12:00.760
<v Speaker 2>dollars a month Patreon dot com ash worst of all.

1347
01:12:00.800 --> 01:12:01.880
<v Speaker 2>So we hope to see you there.

1348
01:12:03.439 --> 01:12:07.640
<v Speaker 6>Well yeah, uh, thank you all for coming it. It

1349
01:12:07.760 --> 01:12:11.840
<v Speaker 6>sounds great And you know, can I can I interest

1350
01:12:11.920 --> 01:12:15.520
<v Speaker 6>you in in a series on on the greatest work

1351
01:12:15.560 --> 01:12:17.520
<v Speaker 6>on nine to eleven in the War on Terror? And

1352
01:12:17.560 --> 01:12:21.000
<v Speaker 6>I'm of course talking about Revenge of the Sith.

1353
01:12:24.800 --> 01:12:27.920
<v Speaker 3>Uh it only it's more relevant it it does.

1354
01:12:28.039 --> 01:12:30.319
<v Speaker 6>It's just you bring me on and it's just me going.

1355
01:12:30.399 --> 01:12:33.239
<v Speaker 6>He was right, I don't understand it either, but he

1356
01:12:33.359 --> 01:12:38.079
<v Speaker 6>was right. It was to me about I take I

1357
01:12:38.159 --> 01:12:41.319
<v Speaker 6>take no pleasure in reporting this, But he was fucking

1358
01:12:41.439 --> 01:12:41.960
<v Speaker 6>right again.

1359
01:12:42.279 --> 01:12:44.439
<v Speaker 2>It was over he had the high ground.

1360
01:12:45.520 --> 01:12:45.960
<v Speaker 3>He did.

1361
01:12:46.079 --> 01:12:48.880
<v Speaker 6>I couldn't. You can't, folks, folks he had that. Yeah, sorry,

1362
01:12:48.880 --> 01:12:54.119
<v Speaker 6>I can't. China. China has the high ground, folks. Yeah. Anyway,

1363
01:12:54.720 --> 01:12:57.039
<v Speaker 6>Elean or what what's going on with you?

1364
01:12:57.640 --> 01:13:01.319
<v Speaker 1>Oh? Mate? I'm in the to Vic Northwest and mostly

1365
01:13:01.479 --> 01:13:06.359
<v Speaker 1>very stoned at the moment, but you can all check

1366
01:13:06.399 --> 01:13:11.760
<v Speaker 1>out my blog Going Hypenmedieval dot com. I am on

1367
01:13:11.800 --> 01:13:15.399
<v Speaker 1>the social media's at going Medieval more, particularly Blue Sky,

1368
01:13:15.680 --> 01:13:18.880
<v Speaker 1>uh you know where I bother Josh and things like that.

1369
01:13:20.199 --> 01:13:24.640
<v Speaker 1>I was recently interviewed for a Rolling Stone article about

1370
01:13:25.119 --> 01:13:29.880
<v Speaker 1>historians talking about how all of this is something that

1371
01:13:29.880 --> 01:13:32.239
<v Speaker 1>we're used to seeing. So you could check that out

1372
01:13:32.239 --> 01:13:34.359
<v Speaker 1>if you've got a Rolling Stone subscription, And I actually

1373
01:13:34.439 --> 01:13:37.760
<v Speaker 1>do really recommend, if you're wanting some actual good reporting

1374
01:13:37.800 --> 01:13:40.000
<v Speaker 1>at the moment, having a Rolling Stone subscription, because there's

1375
01:13:40.000 --> 01:13:42.640
<v Speaker 1>someone doing some of the only investigative journalism at the time.

1376
01:13:42.760 --> 01:13:42.960
<v Speaker 6>Yeah.

1377
01:13:43.000 --> 01:13:44.880
<v Speaker 2>Isn't Miles Clear writing for them as well?

1378
01:13:45.039 --> 01:13:48.920
<v Speaker 1>Yeah? Exactly, Yes, Yeah, Miles is the one who tapped

1379
01:13:48.920 --> 01:13:52.319
<v Speaker 1>me for that, which I appreciate, so check that out.

1380
01:13:52.720 --> 01:13:55.159
<v Speaker 1>And otherwise, like you know what my fucking problem is,

1381
01:13:55.199 --> 01:13:56.600
<v Speaker 1>Like you're you're already listening to this show.

1382
01:13:56.600 --> 01:14:02.399
<v Speaker 6>It's fine, there you go, folks. Yeah, my name is

1383
01:14:02.880 --> 01:14:07.000
<v Speaker 6>Luca is amazing on the various social media's, I post

1384
01:14:07.039 --> 01:14:09.520
<v Speaker 6>on the one that's annoying me the least at the moment.

1385
01:14:10.800 --> 01:14:14.239
<v Speaker 6>And uh yeah, so whichever one that is, folks will

1386
01:14:14.239 --> 01:14:16.439
<v Speaker 6>see you follow both and you get the same bullshit

1387
01:14:16.479 --> 01:14:19.079
<v Speaker 6>either way. Uh yeah, you can find my old show,

1388
01:14:19.439 --> 01:14:21.840
<v Speaker 6>uh People's History of the Old Republic if you want

1389
01:14:21.880 --> 01:14:26.279
<v Speaker 6>to hear me yap about Star Wars. But anyway, thank

1390
01:14:26.359 --> 01:14:28.720
<v Speaker 6>y'all so much for listening, and we'll see you next time.

1391
01:14:29.239 --> 01:14:29.560
<v Speaker 1>Bye.
