WEBVTT

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<v Speaker 1>We can kill it. Shouted it out there? What hell

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<v Speaker 1>are you?

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<v Speaker 2>Welcome back to midnight viewing. More specifically, we're talking yaucha fest.

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<v Speaker 2>I heard an interview with Dan Trackckenberg recently, and evidently

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<v Speaker 2>I've been saying it wrong this entire time. What a crime?

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<v Speaker 3>HB, yao sa yalloa is a yaucha?

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<v Speaker 2>Get the fuck out of here with that nonsense. I

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<v Speaker 2>wait about this time for that. All right, ladies and gentlemen,

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<v Speaker 2>kids and germs and smith mars. This is the one.

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<v Speaker 2>Oh no, we did pray. This is the stopgap. This

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<v Speaker 2>was a surprise. This was a secret project. Evidently nobody

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<v Speaker 2>knew about it while they were doing it. They were

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<v Speaker 2>doing it in conjunction or at the same time as

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<v Speaker 2>Predator bad Lands.

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<v Speaker 4>All Right, Dan Tracktenburg is full of surprises, as will

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<v Speaker 4>be this discussion. I think you'll find father alone. This

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<v Speaker 4>discussion on killer of Killers will be full of surprises

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<v Speaker 4>as well.

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<v Speaker 2>Okay, that means that HB didn't like it, evidently, so

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<v Speaker 2>let's find out why. First of all, here's the trailer.

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<v Speaker 1>You are old enough. Now it's time I tell you

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<v Speaker 1>about the monster. We must kill it or it will

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<v Speaker 1>kill us.

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<v Speaker 2>Old editor and Killer of Killers, released on June sixth,

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<v Speaker 2>twenty five, on streaming only. This is a Hulu jam.

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<v Speaker 2>It is directed by Dan Tracktonberg, screenplay by Mishow Robert Rutari,

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<v Speaker 2>Story by Dan Tracktonberg and Me Show Robert Routari, based

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<v Speaker 2>on characters by Who Say It with Me? Everybody? Jim

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<v Speaker 2>and John Thomas. And this one stars Lindsay Lavanchi, Louis Ozawa,

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<v Speaker 2>Rick Gonzalez, and Michael B. HB. What did you say this?

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<v Speaker 2>What does you think of this one?

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<v Speaker 1>No?

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<v Speaker 2>Actually, no, I'm going to take that back. Let me

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<v Speaker 2>just say it is rare in the midst of a

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<v Speaker 2>franchise to receive the gift of an anthology. We hear

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<v Speaker 2>at midnight viewing specialize in anthologies. So what a welcome

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<v Speaker 2>fucking dessert this was for me. I love short fiction.

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<v Speaker 2>I love slices of fiction. Now, HP, did you know

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<v Speaker 2>that part of the inspiration for this film a side

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<v Speaker 2>of Dan Tracktenberg saying a pulp fiction is also an

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<v Speaker 2>anthology because most people think of horror anthologies when they

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<v Speaker 2>think of anthologies at all. But do you know that

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<v Speaker 2>part of the inspiration for this film was best in show.

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<v Speaker 4>That I did not know, and I'm searching trying to

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<v Speaker 4>find the Is it just because of the fact that

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<v Speaker 4>you're dealing with five or six different groups of dog competitors?

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<v Speaker 3>Is at the tie in that's part of it? Okay?

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<v Speaker 4>What's the formal connection between the two?

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<v Speaker 2>You meet each of those characters individually, you fall in

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<v Speaker 2>love with them and their own particular stories, and then

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<v Speaker 2>you have to watch them battle at the end.

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<v Speaker 3>Ah. Interesting.

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<v Speaker 4>Now can I up for one minute before we get

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<v Speaker 4>into this. I just I feel the need to bring

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<v Speaker 4>this up now. I didn't want to imply that I

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<v Speaker 4>did not like this. I'm maybe I'm spoiling the discussion

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<v Speaker 4>a little bit, but it's not that I did not

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<v Speaker 4>like it.

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<v Speaker 3>It's just we'll get into it.

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<v Speaker 4>But just understand, first of all, I love the fact

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<v Speaker 4>that this was a surprise that was sprung on people.

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<v Speaker 3>Without any real notice.

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<v Speaker 4>It was like getting a present on when it's not Christmas.

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<v Speaker 2>It reminded me.

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<v Speaker 4>It reminded me a little bit of when musicians sometimes

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<v Speaker 4>have a surprise album drop. Bowie did this with the

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<v Speaker 4>next day. I remember it was a big deal to

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<v Speaker 4>me because it came out of nowhere. He hadn't recorded

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<v Speaker 4>in forever, and there we had this gift of an

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<v Speaker 4>album kind of out of the blue. So I really

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<v Speaker 4>I love the fact that trackten Berger. It makes me

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<v Speaker 4>feel like he values the fans and loves that shock,

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<v Speaker 4>surprise and appreciation of something that kind of out of

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<v Speaker 4>It's not like he had to do it.

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<v Speaker 2>He did.

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<v Speaker 4>He wasn't under any obligation to give us these the

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<v Speaker 4>gift of this movie or this animated collection of shorts.

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<v Speaker 4>But so all due respect to Trachtenberg, I love the

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<v Speaker 4>fact that we were gifted this essentially.

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<v Speaker 3>But let's dig into it a little bit.

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<v Speaker 4>And I'll go into some of my the pros and cons,

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<v Speaker 4>my likes and dislikes of this.

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<v Speaker 2>Too late. You didn't like get the atracted Mercades.

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<v Speaker 4>Yeah, I hope not, because I respect the hell out

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<v Speaker 4>of him. I love I love what he's done with

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<v Speaker 4>the franchise. But let's dig into this a little bit.

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<v Speaker 2>Let us do that three stories technically four, because there

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<v Speaker 2>is a wrap up, a wrap around, if you will

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<v Speaker 2>take us there HB.

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<v Speaker 4>Broad Strokes. The first episode takes place in its Viking times.

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<v Speaker 4>It's called The Shield, and it involves a.

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<v Speaker 2>This is the oldest one, This is the oldest story.

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<v Speaker 2>This takes place in eight forty one ad.

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<v Speaker 4>Ah okay I must not have written down the year.

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<v Speaker 3>So this is the story of a shield.

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<v Speaker 4>Maiden in Viking times who is obsessed with vengeance. She's

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<v Speaker 4>trying to she wants to kill the feudal lord or

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<v Speaker 4>what have you who murdered her, actually forced her to

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<v Speaker 4>murder her own father. And she's taking among the people

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<v Speaker 4>she takes with her as her son, and they have

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<v Speaker 4>this final assault on his palace, if you will. And

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<v Speaker 4>of course who has to come and crash the party

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<v Speaker 4>but our friend the Yaucha.

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<v Speaker 3>So that's story one.

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<v Speaker 4>Story two is a little further into the future. It

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<v Speaker 4>takes place in sixteen oh nine feudal Japan. This, by

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<v Speaker 4>the way, spoiler alert, this was my favorite of the

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<v Speaker 4>stories that we get.

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<v Speaker 3>This one was called The Sword.

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<v Speaker 4>This is about two brothers who are supposed to fight

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<v Speaker 4>to decide who gets to carry on the samurai tradition

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<v Speaker 4>of their father. One of them runs away in disgrace

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<v Speaker 4>and becomes essentially a ronin, and they eventually the father dies.

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<v Speaker 2>Excuse me, sir, he did not become a robin Ronan.

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<v Speaker 2>He became a shinobi, a Ronan is a disgraced samurai.

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<v Speaker 2>He becomes a ninja.

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<v Speaker 3>That's fine, I stand corrected.

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<v Speaker 2>This is the classic tale of samurai versus ninja.

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<v Speaker 4>Yes versus and again it's they're having this showdown, the

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<v Speaker 4>father has died. They're having this showdown, and who crashes

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<v Speaker 4>the party? Our friend, the Yaucha. The third tale is

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<v Speaker 4>called I have it here. It's called The Bullet It

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<v Speaker 4>takes place in nineteen forty one. It's the story of

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<v Speaker 4>a young man who dreams of becoming a pilot.

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<v Speaker 3>One day he is.

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<v Speaker 4>He eventually joins the war effort. In nineteen forty two,

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<v Speaker 4>there's an air battle. Once again, our friends the crashed

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<v Speaker 4>the party, as it were, I already said that before.

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<v Speaker 4>I used that metaphor twice.

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<v Speaker 3>Thank you. And this young man what's his name, Gonzalez?

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<v Speaker 3>I think his name is Torres.

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<v Speaker 2>Sorry Tores played by Rick Gonzalez.

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<v Speaker 3>Yeah, that's where the mix up was.

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<v Speaker 4>Torres musters the courage to try and take out the Yaucha.

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<v Speaker 4>And then the fourth technically the fourth and final entry

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<v Speaker 4>in this anthology is spoiler alert. All of the main

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<v Speaker 4>characters of the preceding three stories beat the predators. They

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<v Speaker 4>effectively kill the Predators. The fourth story is they've all

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<v Speaker 4>been brought together to the Yaucha home planet to juke

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<v Speaker 4>it out in gladiatorial combat to decide who is wait

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<v Speaker 4>for it, the Killer of Killers.

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<v Speaker 2>Yeah, that last story is called the Battle.

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<v Speaker 3>By the way, The Battle, Oh sorry I left that out.

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<v Speaker 2>Let's Dig into the Shield my favorite story. In fact,

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<v Speaker 2>I wish these stories had been played in reverse order.

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<v Speaker 2>I wish we had started with the Bullet and then

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<v Speaker 2>gone back further and further in time.

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<v Speaker 4>It would have been an interesting choice. I so I

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<v Speaker 4>said that the the one that in Japan that the

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<v Speaker 4>Sword was my favorite. This one was a very close second.

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<v Speaker 3>I really like this.

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<v Speaker 4>This is a very solid introduction to the world and

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<v Speaker 4>the sort of look of this because it is animated,

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<v Speaker 4>but it's not animated in a traditional sense. It almost

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<v Speaker 4>looks and I think the team that animated this, they're

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<v Speaker 4>known primarily as a Previz team, and that's the vibe

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<v Speaker 4>I get from this. It's both kind of a strength

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<v Speaker 4>and a weakness of this, because if you don't like

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<v Speaker 4>the look of this animation, you're predisposed to not really

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<v Speaker 4>enjoying the experience.

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<v Speaker 2>I think that's the thing about every animation, honestly, And

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<v Speaker 2>the further and further the older and older I get,

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<v Speaker 2>the more and more I find that I either respond

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<v Speaker 2>to the character design or I don't, and no amount

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<v Speaker 2>of oh wow, that school wizbang whatever is going to

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<v Speaker 2>change that or make me enjoy that thing. Luckily, these

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<v Speaker 2>look like watercolor paintings come to life.

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<v Speaker 3>Yeah, they're very cool.

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<v Speaker 4>They have a three dimensionality to them, which I think

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<v Speaker 4>is appealing. And it's animated very well. I like you,

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<v Speaker 4>I really enjoyed it. I thought it's probably a less

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<v Speaker 4>expensive way of producing the animation because it's not as

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<v Speaker 4>smooth or as detailed as other animation that I've seen.

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<v Speaker 3>But this worked very well, I think.

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<v Speaker 2>Yeah, And this is a story I like the most

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<v Speaker 2>basically because it's it goes everywhere I want a story

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<v Speaker 2>to go. It has breathless action, it has fantastic action

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<v Speaker 2>as a matter of fact, and it has crazy emotion

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<v Speaker 2>and it leaves you devastated at the end, and that's

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<v Speaker 2>what I'm looking for. And no Predator movie to this

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<v Speaker 2>point has left me feeling that way at the end, bereft,

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<v Speaker 2>even Predators where they're trapped on that planet. Because I

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<v Speaker 2>didn't give a shit about those characters. This story is

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<v Speaker 2>twenty two minutes maybe in length, and by the end

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<v Speaker 2>I was absolutely shredded for Ursa.

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<v Speaker 4>It's a powerful story and it's well told, and I

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<v Speaker 4>think what you hit upon is one thing that we

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<v Speaker 4>talked about in the context of Prey the last episode,

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<v Speaker 4>which is pro was we basically agreed that Pray you

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<v Speaker 4>could have taken the Yaucha out of it entirely, and

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<v Speaker 4>it could have been. It would have been a very

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<v Speaker 4>compelling story of this Native American tribe and the struggles

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<v Speaker 4>of Naturu and how she was going to navigate the culture.

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<v Speaker 4>The best stories in this anthology, in my opinion, follow

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<v Speaker 4>a similar dynamic. So this one the story of the

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<v Speaker 4>shield Maid and looking for vengeance against her her hated

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<v Speaker 4>this person that destroyed her world essentially and made it.

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<v Speaker 3>So that she says she feels that there's.

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<v Speaker 4>A monster inside of her that cannot be it can't

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<v Speaker 4>be slaked until she kills this person. That's a very

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<v Speaker 4>compelling story without the other worldly dealings with the predator.

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<v Speaker 4>Same thing when we get to the Sword, it's the

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<v Speaker 4>same deal. We really care about these characters, and it's

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<v Speaker 4>such a compelling tale that they tell that with or

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<v Speaker 4>without the Yaucha, it's still going to be a cool

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<v Speaker 4>story that they're telling. That to me is what marks

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<v Speaker 4>the best of these anthology pieces is and The Shield

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<v Speaker 4>is a good example of that.

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<v Speaker 2>I've been in the anthology trenches for years now, and

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<v Speaker 2>I can say with authority that the greatest thing an

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<v Speaker 2>anthology story can be is economical with its time. And

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<v Speaker 2>each of these is incredibly economical their fleet to foot,

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<v Speaker 2>considering how much shoe leather they're laying out here. And

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<v Speaker 2>I agree with you, the best predator stories are the

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<v Speaker 2>ones that could exist without the predator, that could just

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<v Speaker 2>be whatever the threat happens to be. At the end

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<v Speaker 2>of the Shield, the predator character might as well have

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<v Speaker 2>been the Zorn character, which is the be evil warlord

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<v Speaker 2>that she's come to kill. She dispatches them, or rather

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<v Speaker 2>her son dispatches him pretty quickly, but and then she

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<v Speaker 2>has to fight the predator, so that easily just could

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<v Speaker 2>have been swapped out in her fight Zarren and then

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<v Speaker 2>come with the same outcome. However, what they do here

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<v Speaker 2>by aditing the predator is they do something really which

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<v Speaker 2>is they tell us once again the story of Baio Wolf,

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<v Speaker 2>where they've come to this king's grand hall and they're

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<v Speaker 2>in there, all these warriors, and then this monster of

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<v Speaker 2>Grendel shows up, and the fact they call him Grendel

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<v Speaker 2>as soon as he does, and that to me was

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<v Speaker 2>fan fucking tasting, a real world sci fi reasoning for

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<v Speaker 2>the Beowulf tale to have been told in the first place.

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<v Speaker 4>I thought that was really cool too, that because that's

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<v Speaker 4>the only frame of reference these characters have back then,

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<v Speaker 4>is this mythology of this great monster that's come to

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<v Speaker 4>do battle with them. Of course they would lean on

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<v Speaker 4>their own mythology to make sense of what's happening around them.

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<v Speaker 4>The other kind of cool thing that they introduce in this,

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<v Speaker 4>and we've seen this in the other Predator movies especially,

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<v Speaker 4>is that each Predator, each Yaucha, has some kind of

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<v Speaker 4>unique style or weaponry that kind of distinguishes them from

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<v Speaker 4>any of the other yaucher that we've seen.

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<v Speaker 3>We saw this in every one of the movies.

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<v Speaker 4>This has one of those kind of cool weapons. He

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<v Speaker 4>has what's essentially like a sonic spring. He's missing a hand,

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<v Speaker 4>this yaucha, and in its place, it's this spring loaded

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<v Speaker 4>device that when it's fired, it shoots like a wave

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<v Speaker 4>of sound energy and knocks down people, can break things.

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<v Speaker 4>I love the technology. Every little morsel of technology that

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<v Speaker 4>they introduce with the Yaucha, I think is always really special.

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<v Speaker 2>Absolutely, when Pray we discovered that they hadn't at that

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<v Speaker 2>time come up with energy based weapons. They were still

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<v Speaker 2>using projectiles. So this is even further back. This is

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<v Speaker 2>like a thousand years before that movie. It only makes

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<v Speaker 2>sense that it's going to be more physical and less

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<v Speaker 2>sort of sci fi energy based phasers or something. And

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<v Speaker 2>if so, that makes it almost steampunk because he has

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<v Speaker 2>to lock it into place to get it to work

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<v Speaker 2>every time, basically like Prime the Pump not only like

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<v Speaker 2>the cool, steampunky version of a Predator weapon, but it

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<v Speaker 2>does continue the care with which Tracktenberger's treating all of

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<v Speaker 2>this because, as he said, each of them has their

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<v Speaker 2>own specialized weapon, and he knows that as fans, we

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<v Speaker 2>like that shit. We want new stuff and we want

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<v Speaker 2>it to be super cool, and all the weapons are

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<v Speaker 2>super cool, and this one in particular more than the

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<v Speaker 2>other stories. And maybe the reason I like it the

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<v Speaker 2>most is that's that Predator's ace in the hole. That's

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<v Speaker 2>what he thinks and probably has gotten him out of

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<v Speaker 2>every scrape he's ever been into or ever been in,

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<v Speaker 2>and it's the thing that effectively kills him here at

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<v Speaker 2>the end. I love the ending and using the shield

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<v Speaker 2>and that knocks her back and knocks him into the

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<v Speaker 2>fucking anchor, and ah, I don't know, loved it, loved it.

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<v Speaker 4>That's key to all of these stories is the combatant,

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<v Speaker 4>the human going up against the predator always figures out

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<v Speaker 4>how what's the secret to beating it? What's that thing

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<v Speaker 4>that makes the vulnerable.

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<v Speaker 3>Or how do they use their weaponry against them?

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<v Speaker 4>I think that's the thing that kind of binds them

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<v Speaker 4>all together, all of these winners in the predator battles,

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<v Speaker 4>they all have the ability to figure out what's happening,

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<v Speaker 4>quickly process that information and figure out a way to

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<v Speaker 4>use it back against the predator.

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<v Speaker 2>And they don't. Really. Half of every Predator movie till

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<v Speaker 2>now is them figuring out those things. Oh, it can't

286
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<v Speaker 2>see Cole. Like here, she's under a fucking ice flow,

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<v Speaker 2>She's beneath a frozen lake and it can't see her.

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<v Speaker 2>Does that matter to her? No, She's just trying to breathe.

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<v Speaker 2>We as the audience already know. So I'm glad he's

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<v Speaker 2>working his way towards that where we don't have to

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<v Speaker 2>be introduced to the rules of the predator every single

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<v Speaker 2>fucking time. How many times can we watch fucking Bruce

293
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<v Speaker 2>Wayne crying over his parents' corpse.

294
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<v Speaker 4>And that's the thing about this that I appreciate is

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00:17:53.960 --> 00:17:56.680
<v Speaker 4>he's clear he's doing this. Trackenberg is doing this. He's

296
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<v Speaker 4>produced this for the fans. And that's the earest indication

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<v Speaker 4>that you just described, which is he doesn't have to

298
00:18:04.279 --> 00:18:07.079
<v Speaker 4>sit there and give you the rundown on the Yaucha

299
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<v Speaker 4>and their existence and their history and how they work

300
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<v Speaker 4>and their code of ethics and honor.

301
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<v Speaker 3>We all know that.

302
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<v Speaker 4>So clearly this was executed in such a way that

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<v Speaker 4>fans are going to have a field, have a lot

304
00:18:21.920 --> 00:18:24.039
<v Speaker 4>of fun with this, and not have to be spoon

305
00:18:24.079 --> 00:18:26.440
<v Speaker 4>fed the origin and how this all works.

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00:18:26.839 --> 00:18:27.319
<v Speaker 3>It's all.

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<v Speaker 4>The word you used was like economical. This is so

308
00:18:31.079 --> 00:18:35.119
<v Speaker 4>streamlined and efficient storytelling. It's really that part of its

309
00:18:35.160 --> 00:18:37.400
<v Speaker 4>I think very effective.

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<v Speaker 2>I think it's not only excellent service for the fans

311
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<v Speaker 2>because it's not insulting to us and it came out

312
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<v Speaker 2>of nowhere and we love this and we want more

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<v Speaker 2>of it. But it allows him to expand his universe

314
00:18:50.119 --> 00:18:54.400
<v Speaker 2>exponentially and very simply the fact that this entire movie

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<v Speaker 2>starts with a quote from the Yaucha codex, go forth

316
00:18:58.799 --> 00:19:02.599
<v Speaker 2>among the stars and seek only the strongest prey. They

317
00:19:02.759 --> 00:19:07.000
<v Speaker 2>shall be your trophy. Become the killer of killers. That's

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<v Speaker 2>from them, and this is the first sort of text

319
00:19:09.920 --> 00:19:13.279
<v Speaker 2>we've received from the Yaucha. Apparently there is a law book,

320
00:19:13.599 --> 00:19:14.759
<v Speaker 2>and that's one of them.

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<v Speaker 4>The more and more he expands the universe, so the

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00:19:18.759 --> 00:19:21.079
<v Speaker 4>cooler it is, and we see a lot of that

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00:19:21.279 --> 00:19:24.200
<v Speaker 4>come the end of this movie. But for me, it's

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<v Speaker 4>also very chilling. And there's something very disturbing about one

325
00:19:29.160 --> 00:19:32.799
<v Speaker 4>aspect of the basically the third going into the fourth

326
00:19:32.839 --> 00:19:36.119
<v Speaker 4>story that we'll talk about. But the bottom line is

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<v Speaker 4>Tracktenberg and his team of writers and everyone else, they're

328
00:19:41.720 --> 00:19:45.279
<v Speaker 4>just so smart at expanding this universe in such a

329
00:19:45.319 --> 00:19:48.079
<v Speaker 4>logical way and making it. I'm not sure they would

330
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<v Speaker 4>ever dreamed of where the Yaucher is now when the

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<v Speaker 4>first Predator was made back in eighty six, some forty

332
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<v Speaker 4>years ago. It's pretty remarkable what we we have now

333
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<v Speaker 4>versus what was originally given to us back then.

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<v Speaker 2>Yeah, and you know, what like, finally somebody fucking innovating,

335
00:20:07.480 --> 00:20:11.599
<v Speaker 2>because what we had thirty years in between Predator and

336
00:20:11.680 --> 00:20:16.599
<v Speaker 2>Predators and they just told the same fucking movie. Pretty much,

337
00:20:16.920 --> 00:20:19.039
<v Speaker 2>Let's go back to the jungle with a bunch of soldiers. Okay,

338
00:20:19.119 --> 00:20:22.880
<v Speaker 2>let's do it. Hey gives the show we got dogs now, Okay, great.

339
00:20:23.519 --> 00:20:25.319
<v Speaker 2>I know I liked that movie more than I'm letting on,

340
00:20:25.400 --> 00:20:28.079
<v Speaker 2>but give me a break already. Anyway, let's move on

341
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<v Speaker 2>to the next story. By the way, I listened to

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00:20:29.920 --> 00:20:32.519
<v Speaker 2>and ran a bunch of interviews with Tracktenberg about this film,

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<v Speaker 2>and as if my admiration wasn't high enough, he gives

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<v Speaker 2>credit like it's fucking Halloween candy. He like everyone who

345
00:20:41.559 --> 00:20:44.599
<v Speaker 2>points out something that was cool that came from another

346
00:20:44.640 --> 00:20:48.119
<v Speaker 2>person's idea, he points that person out immediately, And I

347
00:20:48.160 --> 00:20:48.799
<v Speaker 2>admire that.

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<v Speaker 4>I love humility. I love somebody who gives credit where

349
00:20:52.759 --> 00:20:53.480
<v Speaker 4>credit is due.

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<v Speaker 3>Makes me like him even more.

351
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<v Speaker 2>All right, Take us to the Take us to the

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<v Speaker 2>Sword sixty oh nine Feudal Japan. Beautiful chakrahachi flutes playing.

353
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<v Speaker 2>I would like to mention the score. By the way,

354
00:21:05.839 --> 00:21:09.279
<v Speaker 2>Benjamin Wallfish did the score. He's a very prolific film

355
00:21:09.279 --> 00:21:11.559
<v Speaker 2>composer and television composer. As a matter of fact, I

356
00:21:11.559 --> 00:21:13.880
<v Speaker 2>listened to this entire soundtrack they're getting Dan today. It is.

357
00:21:14.599 --> 00:21:20.079
<v Speaker 2>It's remarkably good and only occasionally plays on the dundadum

358
00:21:20.559 --> 00:21:22.359
<v Speaker 2>that has to be in every Predator thing. But he

359
00:21:22.400 --> 00:21:24.440
<v Speaker 2>works it in so well that I just fucking love

360
00:21:24.480 --> 00:21:26.200
<v Speaker 2>it anyway, the sort what else?

361
00:21:26.599 --> 00:21:28.440
<v Speaker 3>What else has he done soundtracks for?

362
00:21:28.960 --> 00:21:32.839
<v Speaker 2>Most recently, he did the soundtrack to it. He was

363
00:21:33.079 --> 00:21:36.640
<v Speaker 2>the co author of the Blade Runner twenty forty nine soundtrack.

364
00:21:37.200 --> 00:21:41.119
<v Speaker 2>He did, He did Shazam. He did hell Boy, that's

365
00:21:41.160 --> 00:21:43.359
<v Speaker 2>the bad hell Boy with David Harber, not.

366
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<v Speaker 3>The Oh yeah, the most recent. Yeah.

367
00:21:45.680 --> 00:21:47.960
<v Speaker 2>He's also Leewan El's go to guy. So he did

368
00:21:47.960 --> 00:21:51.079
<v Speaker 2>the Invisible Man and Wolfman. He did that last Mortal

369
00:21:51.119 --> 00:21:54.240
<v Speaker 2>Kombat movie. He's doing the new Mortal Kombat movie. Oh,

370
00:21:54.279 --> 00:21:57.920
<v Speaker 2>he did the Flash for Andy Mashetti. He did Twisters,

371
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<v Speaker 2>he did Alien Aromulus. So he actually in the fucking

372
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<v Speaker 2>neighborhood already. Wow. He is prolific and good and we'll

373
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<v Speaker 2>be reviewing his music again in a few weeks because

374
00:22:09.160 --> 00:22:12.960
<v Speaker 2>he did Predator, bad Lands, Super The Sword, My Man.

375
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<v Speaker 3>The Sword.

376
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<v Speaker 4>Like I said before, your favorite, right, it was my favorite.

377
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<v Speaker 4>I'm a sucker for a good tale of feudal Japan

378
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<v Speaker 4>where you know it's there. It's honor running through everything

379
00:22:25.440 --> 00:22:29.559
<v Speaker 4>you these The Seven Samurai is one of my favorite movies.

380
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<v Speaker 4>I love all that stuff. I love the honor that

381
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<v Speaker 4>that they present. I love this idea of the duty

382
00:22:36.839 --> 00:22:40.400
<v Speaker 4>that these two brothers feel. The one who's disgraced and

383
00:22:40.440 --> 00:22:43.319
<v Speaker 4>has become a shinobi, the other wants to uphold the

384
00:22:43.319 --> 00:22:46.920
<v Speaker 4>tradition of his father, and that just the idea that

385
00:22:47.000 --> 00:22:51.319
<v Speaker 4>they're both they're having this last duel together. Like I said,

386
00:22:51.519 --> 00:22:56.440
<v Speaker 4>even outside of the alien aspect of it, that alone

387
00:22:56.480 --> 00:23:00.279
<v Speaker 4>would be an interesting tale. It's it's from lack of

388
00:23:00.319 --> 00:23:03.200
<v Speaker 4>a better word, it's shot really well, it's animated really well.

389
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<v Speaker 3>The action is great. I just love it.

390
00:23:06.559 --> 00:23:10.319
<v Speaker 4>I love martial arts movies, so this was very much

391
00:23:10.319 --> 00:23:11.079
<v Speaker 4>in my wheelhouse.

392
00:23:11.240 --> 00:23:13.680
<v Speaker 2>Agreed, The action is all fucking fantastic here. And I'd

393
00:23:13.720 --> 00:23:15.359
<v Speaker 2>like to point out that I forgot to mention in

394
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<v Speaker 2>the last story The Shield, when they finally arrive at

395
00:23:19.359 --> 00:23:24.839
<v Speaker 2>Zorn's compound and Ursa jumps off that boat, that's one

396
00:23:24.880 --> 00:23:28.839
<v Speaker 2>shot from beginning right until she gets to Zarn it's

397
00:23:28.839 --> 00:23:30.599
<v Speaker 2>all on intaken. It's fucking amazing.

398
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<v Speaker 4>Anyway, Banks, we should we also should mention before we

399
00:23:34.480 --> 00:23:37.680
<v Speaker 4>get to that, that there's this thing that he does

400
00:23:37.759 --> 00:23:40.960
<v Speaker 4>where at the very end after the Shield, Maiden has

401
00:23:41.000 --> 00:23:44.480
<v Speaker 4>not only killed the predator, but sadly she has lost

402
00:23:44.519 --> 00:23:47.440
<v Speaker 4>her own son. And it's the story, like you said,

403
00:23:47.480 --> 00:23:51.200
<v Speaker 4>it's heart wrenching because he dies in her arms. But

404
00:23:51.359 --> 00:23:54.759
<v Speaker 4>what essentially happens at that point is it fades into

405
00:23:54.799 --> 00:23:58.200
<v Speaker 4>another scene where now she has some kind of collar

406
00:23:58.440 --> 00:24:02.160
<v Speaker 4>around her neck and somebody's kneeling in her presence. She

407
00:24:02.200 --> 00:24:05.000
<v Speaker 4>doesn't know where she is. We don't know what's going

408
00:24:05.039 --> 00:24:09.480
<v Speaker 4>on as audience members, but this will become part of

409
00:24:09.559 --> 00:24:12.319
<v Speaker 4>effectively the wrap around story and the finale. But I

410
00:24:12.359 --> 00:24:16.960
<v Speaker 4>love this little mystery that Tracktenberg is presenting us with

411
00:24:17.039 --> 00:24:19.160
<v Speaker 4>because we already know just from the idea of the

412
00:24:19.240 --> 00:24:22.039
<v Speaker 4>Killer of Killers what's probably happening.

413
00:24:22.519 --> 00:24:25.200
<v Speaker 3>But it's like leaving.

414
00:24:24.920 --> 00:24:28.359
<v Speaker 4>These little clues as to the ultimate fate of these characters.

415
00:24:28.720 --> 00:24:32.519
<v Speaker 4>But then anyway, we move into the Sword, this story

416
00:24:32.559 --> 00:24:35.480
<v Speaker 4>of these two brothers and the father that has split

417
00:24:35.559 --> 00:24:40.519
<v Speaker 4>them into very compelling stuff. And one aspect of this

418
00:24:40.680 --> 00:24:42.720
<v Speaker 4>that I think is cool in both stories up till

419
00:24:42.759 --> 00:24:48.400
<v Speaker 4>now is the Predator is there but really observing, studying

420
00:24:48.480 --> 00:24:50.000
<v Speaker 4>in a way that we don't.

421
00:24:51.359 --> 00:24:52.640
<v Speaker 3>They do this in the other.

422
00:24:52.599 --> 00:24:56.240
<v Speaker 4>Movies, but in this sense, it's almost as if he's

423
00:24:56.400 --> 00:25:01.559
<v Speaker 4>following their individual stories even as he's making his own

424
00:25:01.640 --> 00:25:04.839
<v Speaker 4>plan for what he's going to try to accomplish.

425
00:25:04.880 --> 00:25:05.599
<v Speaker 3>It's very cool.

426
00:25:05.640 --> 00:25:08.680
<v Speaker 4>So he's observing these characters just as we are. It's

427
00:25:08.680 --> 00:25:11.359
<v Speaker 4>almost like he's a proxy for the audience up to

428
00:25:11.400 --> 00:25:11.799
<v Speaker 4>a point.

429
00:25:12.240 --> 00:25:15.960
<v Speaker 2>Professionals being professional. I just like watching the Predator doing

430
00:25:16.039 --> 00:25:18.839
<v Speaker 2>his thing man and what he's focused on in any

431
00:25:18.880 --> 00:25:22.440
<v Speaker 2>one time. These three guys have arrows. What are they doing?

432
00:25:22.720 --> 00:25:27.640
<v Speaker 2>Target practice? This guy's wait, who's this dude? Aha? Finally

433
00:25:27.680 --> 00:25:29.480
<v Speaker 2>some action loved it.

434
00:25:29.480 --> 00:25:30.720
<v Speaker 3>It's great, it's great.

435
00:25:30.920 --> 00:25:35.119
<v Speaker 2>So they you know, there's a reason that these, this

436
00:25:35.160 --> 00:25:37.799
<v Speaker 2>particular group of stories could be told without the Predator,

437
00:25:38.079 --> 00:25:41.519
<v Speaker 2>and that's because these are the oldest stories in human history.

438
00:25:41.960 --> 00:25:44.119
<v Speaker 2>I've got to get revenge from my father's story, and

439
00:25:44.839 --> 00:25:49.599
<v Speaker 2>that revenge makes you should dig two graves. There you go,

440
00:25:50.319 --> 00:25:53.960
<v Speaker 2>brother versus brother. You want Dad's love, I want Dad's love.

441
00:25:54.000 --> 00:25:56.119
<v Speaker 2>I became a And then on top of that, Ninja

442
00:25:56.200 --> 00:25:59.559
<v Speaker 2>versus Samurai which we've also seen how many times, So

443
00:26:00.359 --> 00:26:03.119
<v Speaker 2>look the secret sauce here is the Predator. But I

444
00:26:03.119 --> 00:26:06.720
<v Speaker 2>do agree these are so beautifully animated that had you

445
00:26:06.880 --> 00:26:09.799
<v Speaker 2>just given me a movie called Killer of Killers, I

446
00:26:09.799 --> 00:26:12.039
<v Speaker 2>would have been like, ah, wow, yeah, those were the

447
00:26:12.119 --> 00:26:13.359
<v Speaker 2>Killer of Killers. They were the best.

448
00:26:13.799 --> 00:26:14.079
<v Speaker 3>Yeah.

449
00:26:14.119 --> 00:26:17.640
<v Speaker 4>And what the other thing that is apparent to me

450
00:26:18.079 --> 00:26:22.599
<v Speaker 4>is that, obviously, Pray we sung the Virtues of Prey

451
00:26:23.000 --> 00:26:25.440
<v Speaker 4>to an amazing degree in the last episode. We both

452
00:26:25.599 --> 00:26:28.519
<v Speaker 4>loved it, and audience has loved it because it essentially

453
00:26:28.559 --> 00:26:31.960
<v Speaker 4>rejuvenated the franchise. But I think it's in bold and

454
00:26:32.559 --> 00:26:35.160
<v Speaker 4>Tracktenburg to do is to say, you know what, I

455
00:26:35.160 --> 00:26:39.519
<v Speaker 4>think there's an appetite for people to see these historical

456
00:26:40.559 --> 00:26:45.480
<v Speaker 4>versions of these Predator tales. Everything up before Prey, everything

457
00:26:45.599 --> 00:26:49.960
<v Speaker 4>was basically modern day or near future sort of tales

458
00:26:50.000 --> 00:26:53.240
<v Speaker 4>of the Predator. We knew that he existed in the

459
00:26:53.279 --> 00:26:55.519
<v Speaker 4>past or the race existed in the past because of

460
00:26:55.559 --> 00:26:59.160
<v Speaker 4>the Adelini gun that Danny Glover gets way back in

461
00:26:59.279 --> 00:27:03.680
<v Speaker 4>Predator too. But it's just so smart of Tracten Bird

462
00:27:03.799 --> 00:27:07.599
<v Speaker 4>to keep pulling on that thread of the Predator all

463
00:27:07.640 --> 00:27:10.519
<v Speaker 4>through history and the fact that they've always been here

464
00:27:10.559 --> 00:27:15.400
<v Speaker 4>and they're always finding new ways to battle humans and

465
00:27:15.480 --> 00:27:21.599
<v Speaker 4>the ingenuity of these these humans throughout history to battle

466
00:27:21.759 --> 00:27:25.559
<v Speaker 4>and kill these predators. It's it's like I said, I

467
00:27:25.680 --> 00:27:28.319
<v Speaker 4>maybe I seemed a little too harsh at the outset

468
00:27:28.359 --> 00:27:31.200
<v Speaker 4>of this episode. It's not as if I didn't appreciate

469
00:27:31.240 --> 00:27:34.680
<v Speaker 4>it and I don't love the idea behind it. I

470
00:27:34.759 --> 00:27:38.039
<v Speaker 4>just think that's just so creative. And obviously with bad Lands,

471
00:27:38.039 --> 00:27:40.440
<v Speaker 4>he's going in the opposite direction. It looks like it's

472
00:27:40.559 --> 00:27:43.519
<v Speaker 4>now we're heading back into the future for the next

473
00:27:43.759 --> 00:27:45.640
<v Speaker 4>phase of this series.

474
00:27:45.720 --> 00:27:48.720
<v Speaker 2>But actually committed to that idea as opposed to just

475
00:27:48.839 --> 00:27:51.480
<v Speaker 2>dicking around. The last one took place. Now we can't

476
00:27:51.559 --> 00:27:54.079
<v Speaker 2>really have another one. This won't take place ten years

477
00:27:54.079 --> 00:27:58.079
<v Speaker 2>after that one. Why who cares? Go backwards? Motherfucker? We

478
00:27:58.119 --> 00:28:01.240
<v Speaker 2>don't care what the continuity of these things. It's insane

479
00:28:01.279 --> 00:28:03.119
<v Speaker 2>to me that it took this long for anyone to

480
00:28:03.200 --> 00:28:07.960
<v Speaker 2>figure it out. Honestly, add Predator to any genre in

481
00:28:08.079 --> 00:28:10.640
<v Speaker 2>any time period. You're gonna have a fucking good movie

482
00:28:10.720 --> 00:28:12.599
<v Speaker 2>as long as you don't just keep repeating the first film.

483
00:28:12.599 --> 00:28:17.079
<v Speaker 4>Obviously he has an ultimate license, or he should, I

484
00:28:17.119 --> 00:28:19.359
<v Speaker 4>would say, if I'm the movie studio, I would give

485
00:28:19.440 --> 00:28:21.519
<v Speaker 4>him carte blanche to do whatever the hell he wants.

486
00:28:21.519 --> 00:28:23.920
<v Speaker 4>If he wants to do a Raiders of the Lost

487
00:28:24.000 --> 00:28:27.680
<v Speaker 4>Arc meets the Predator movie, fucking do it. If he

488
00:28:27.799 --> 00:28:30.359
<v Speaker 4>wants to do who like that kind of an archie

489
00:28:30.400 --> 00:28:32.960
<v Speaker 4>versus Predator type thing where it's like a teen sex

490
00:28:33.000 --> 00:28:34.680
<v Speaker 4>comedy with the Predator mixed up.

491
00:28:35.160 --> 00:28:38.079
<v Speaker 3>Sign me up, I'm already in line. I'm there.

492
00:28:38.200 --> 00:28:42.160
<v Speaker 4>So again, we're really we're praising him an awful lot,

493
00:28:42.200 --> 00:28:43.960
<v Speaker 4>but I think it's very well deserved.

494
00:28:44.000 --> 00:28:46.640
<v Speaker 3>And even if he might not take all that credit

495
00:28:46.680 --> 00:28:47.920
<v Speaker 3>for himself, maybe.

496
00:28:47.640 --> 00:28:50.160
<v Speaker 4>He would give it to the other people who He

497
00:28:50.200 --> 00:28:52.359
<v Speaker 4>doesn't do this all by himself, let's face it, but

498
00:28:53.119 --> 00:28:56.400
<v Speaker 4>he is the secret sauce that made this series come

499
00:28:56.440 --> 00:28:57.160
<v Speaker 4>alive again.

500
00:28:57.720 --> 00:29:00.079
<v Speaker 2>And that brings us to your favorite segment, the bull.

501
00:29:00.640 --> 00:29:03.359
<v Speaker 2>The bullet, by the way, is the name of his plane, yes,

502
00:29:03.640 --> 00:29:06.519
<v Speaker 2>and that is his weapon. You get the idea here,

503
00:29:06.680 --> 00:29:08.880
<v Speaker 2>shield sword, bullet.

504
00:29:09.319 --> 00:29:09.640
<v Speaker 3>Sure.

505
00:29:09.920 --> 00:29:11.920
<v Speaker 4>My favorite part of this, by the way, is the

506
00:29:11.920 --> 00:29:13.759
<v Speaker 4>fact that Michael Bean was in it, and I didn't

507
00:29:13.759 --> 00:29:15.440
<v Speaker 4>even know it was Michael Bean. I thought that was

508
00:29:15.519 --> 00:29:19.160
<v Speaker 4>really cool because we all love Michael Bean. But having

509
00:29:19.200 --> 00:29:23.559
<v Speaker 4>said that, this was my least favorite episode for a

510
00:29:23.640 --> 00:29:27.559
<v Speaker 4>variety of reasons, but really it was a little It

511
00:29:27.599 --> 00:29:31.359
<v Speaker 4>felt to me like an episode of Amazing Stories.

512
00:29:31.640 --> 00:29:32.519
<v Speaker 3>That's what it felt like to me.

513
00:29:32.599 --> 00:29:35.920
<v Speaker 4>It felt it leaned very heavily, far too heavily, in

514
00:29:35.960 --> 00:29:41.440
<v Speaker 4>my opinion, into the action adventure comedy kind of thing.

515
00:29:41.559 --> 00:29:44.440
<v Speaker 4>It felt like, what was that episode with Kevin Costner

516
00:29:44.480 --> 00:29:46.160
<v Speaker 4>with a tailgunner get stuck.

517
00:29:45.880 --> 00:29:46.359
<v Speaker 3>In the thing?

518
00:29:46.880 --> 00:29:47.400
<v Speaker 2>The mission?

519
00:29:48.119 --> 00:29:50.279
<v Speaker 3>The mission? Yeah, it felt like the mission.

520
00:29:50.400 --> 00:29:53.880
<v Speaker 2>Casey Schamasco is a belly gunner trapped in the bubble

521
00:29:53.960 --> 00:29:56.720
<v Speaker 2>dome on the bottom of a B seventeen landing gear

522
00:29:56.799 --> 00:29:59.640
<v Speaker 2>won't come down. But he's a cartoonist, and this is

523
00:29:59.640 --> 00:30:01.319
<v Speaker 2>a man Spielberg episode.

524
00:30:01.759 --> 00:30:06.279
<v Speaker 4>I really wanted to like this particular episode of the

525
00:30:06.359 --> 00:30:11.039
<v Speaker 4>movie because I love the idea that it's the nineteen forties,

526
00:30:11.119 --> 00:30:14.839
<v Speaker 4>it's World War two. I being an amateur UFO buff

527
00:30:15.400 --> 00:30:19.559
<v Speaker 4>I'm aware that there have been UFO sightings in wartime.

528
00:30:20.079 --> 00:30:22.119
<v Speaker 4>I think they were originally called the Foo Fighters. Think

529
00:30:22.160 --> 00:30:25.440
<v Speaker 4>that's the origin of that name. They called them Foo Fighters.

530
00:30:26.119 --> 00:30:29.759
<v Speaker 4>I was so excited to see that kind of idea

531
00:30:29.839 --> 00:30:32.440
<v Speaker 4>come to life in the context of a Predator movie.

532
00:30:32.440 --> 00:30:36.920
<v Speaker 4>But really what we got was it felt safe to me,

533
00:30:37.799 --> 00:30:41.000
<v Speaker 4>and I don't think the Predator series works when it

534
00:30:41.000 --> 00:30:41.920
<v Speaker 4>plays it safe.

535
00:30:42.079 --> 00:30:44.359
<v Speaker 2>Here's what I'll give it. It's the first time we've

536
00:30:44.359 --> 00:30:47.519
<v Speaker 2>seen a dog fighting Predator. It's the first time that

537
00:30:47.599 --> 00:30:53.160
<v Speaker 2>we've seen an aerial dog fighting fella. And to me,

538
00:30:53.519 --> 00:30:57.519
<v Speaker 2>that being his secret weapon, his specialized thing, was super

539
00:30:57.599 --> 00:31:00.440
<v Speaker 2>duper cool. This should have been my favorite AP episode

540
00:31:00.559 --> 00:31:03.440
<v Speaker 2>or my favorite story. Like you said, it takes place

541
00:31:03.519 --> 00:31:06.079
<v Speaker 2>during World War Two, and it takes place during the

542
00:31:06.119 --> 00:31:09.319
<v Speaker 2>North African Campaign, and it's about an air battle above

543
00:31:09.400 --> 00:31:13.599
<v Speaker 2>the fucking the fray. And like you said, this is

544
00:31:13.599 --> 00:31:17.640
<v Speaker 2>where modern UFO lore comes from. It starts at the

545
00:31:17.759 --> 00:31:20.319
<v Speaker 2>end of World War Two. Or there are reports during

546
00:31:20.359 --> 00:31:22.880
<v Speaker 2>World War two of as you said, Foo fighters where

547
00:31:23.079 --> 00:31:26.519
<v Speaker 2>B seventeen pilots will report strange lights following them for

548
00:31:26.640 --> 00:31:29.720
<v Speaker 2>miles and then disappearing in a way that didn't seem

549
00:31:29.880 --> 00:31:33.680
<v Speaker 2>terrestrial in origin. And there's an entire squadron that went

550
00:31:33.720 --> 00:31:36.559
<v Speaker 2>missing in the quote unquote Bermuda Triangle not too long

551
00:31:36.599 --> 00:31:38.359
<v Speaker 2>after the end of the World War Two that they

552
00:31:38.400 --> 00:31:41.640
<v Speaker 2>could have used, and the idea that we could have

553
00:31:41.680 --> 00:31:44.680
<v Speaker 2>gotten the I know, look, they did it so well

554
00:31:44.720 --> 00:31:46.720
<v Speaker 2>in heavy metal, but the idea that they could have

555
00:31:46.720 --> 00:31:49.920
<v Speaker 2>had a B seventeen flying Fortress battling a predator. A

556
00:31:50.039 --> 00:31:53.720
<v Speaker 2>crew of humans fighting a predator is super cool to me.

557
00:31:54.319 --> 00:31:56.359
<v Speaker 2>But that's not the story they're telling. They want to

558
00:31:56.359 --> 00:31:59.079
<v Speaker 2>give us dog fights. Okay, fine, let's do that, but

559
00:31:59.680 --> 00:32:03.039
<v Speaker 2>let's have him get out of the fucking cockpit at all,

560
00:32:03.640 --> 00:32:05.559
<v Speaker 2>because what the fuck are you doing. I ride a

561
00:32:05.599 --> 00:32:08.160
<v Speaker 2>bike to and from work. If I take my hands

562
00:32:08.200 --> 00:32:10.680
<v Speaker 2>off the handlebars for a second, I'm going to be

563
00:32:10.680 --> 00:32:14.079
<v Speaker 2>in a lot of pain. This character is constantly getting

564
00:32:14.079 --> 00:32:17.079
<v Speaker 2>out of his airplane. What the fuck is happening?

565
00:32:17.640 --> 00:32:20.559
<v Speaker 4>That's really where it lost me bottom alone for good.

566
00:32:20.559 --> 00:32:25.519
<v Speaker 4>This particular vignette is at one point his auxiliary fuel

567
00:32:25.559 --> 00:32:28.519
<v Speaker 4>tank is on fire, I think, and he asked. He

568
00:32:28.680 --> 00:32:32.559
<v Speaker 4>literally gets out of his cockpit at six thousand miles

569
00:32:33.000 --> 00:32:37.440
<v Speaker 4>above the ocean to basically work it out by hand,

570
00:32:37.640 --> 00:32:40.119
<v Speaker 4>to bang on it till it look.

571
00:32:40.559 --> 00:32:42.359
<v Speaker 3>I'm deathly afraid of heights.

572
00:32:42.599 --> 00:32:43.079
<v Speaker 2>I can't.

573
00:32:43.200 --> 00:32:45.400
<v Speaker 4>I went with my kids once to one of these

574
00:32:45.440 --> 00:32:47.920
<v Speaker 4>treetop adventure things, and I had to be helped down

575
00:32:48.039 --> 00:32:52.240
<v Speaker 4>because I was terrified of even being twenty feet up

576
00:32:52.240 --> 00:32:54.759
<v Speaker 4>in the air. It was probably not even probably ten feet.

577
00:32:54.920 --> 00:32:58.599
<v Speaker 4>It look, by definition, it's already straining credulity because we're

578
00:32:58.599 --> 00:33:03.519
<v Speaker 4>dealing with an alien creature who's dogfighting with an entire squadron.

579
00:33:04.119 --> 00:33:07.599
<v Speaker 4>But having said that, the idea that this guy clambers

580
00:33:07.640 --> 00:33:10.440
<v Speaker 4>out of his cockpit and he's talking on the radio

581
00:33:10.480 --> 00:33:12.960
<v Speaker 4>and he's doing all these things and not having a

582
00:33:13.000 --> 00:33:16.039
<v Speaker 4>heart attack at everything that's happening, that the horror of

583
00:33:16.839 --> 00:33:20.279
<v Speaker 4>what he's presented with it just seemed it was a

584
00:33:20.279 --> 00:33:22.880
<v Speaker 4>bridge too far for me at that point. And to

585
00:33:22.920 --> 00:33:24.880
<v Speaker 4>be honest, I checked out a little bit at that point.

586
00:33:25.680 --> 00:33:28.000
<v Speaker 2>He gets out of that cockpit multiple times, and that

587
00:33:28.160 --> 00:33:31.319
<v Speaker 2>is to me also where I checked out, because, like

588
00:33:31.400 --> 00:33:35.519
<v Speaker 2>I said, you tell me he tied off the fucking rudder,

589
00:33:36.000 --> 00:33:39.839
<v Speaker 2>you know, the stick? Okay, fine, and as soon as

590
00:33:39.880 --> 00:33:43.319
<v Speaker 2>it tilts in any direction, even if he look he's

591
00:33:43.319 --> 00:33:45.519
<v Speaker 2>a pilot. He has no fear of fights. I get that.

592
00:33:45.599 --> 00:33:47.240
<v Speaker 2>And he's probably been out on a wing of a

593
00:33:47.279 --> 00:33:49.960
<v Speaker 2>plane maybe when it's been in the air before, because

594
00:33:49.960 --> 00:33:53.000
<v Speaker 2>those guys are crazy. But the idea that the technology

595
00:33:53.079 --> 00:33:55.920
<v Speaker 2>is working in concert with him and everything is working

596
00:33:55.960 --> 00:34:02.640
<v Speaker 2>fine while a predator in advanced alien ship is hunting

597
00:34:02.720 --> 00:34:04.839
<v Speaker 2>him down is fucking or ridiculous.

598
00:34:04.960 --> 00:34:09.639
<v Speaker 4>It was ludicrous, and yeah, it made me frankly sad

599
00:34:09.800 --> 00:34:14.440
<v Speaker 4>because I'm rooting for Tractenburg. I in Tractenburg, we trust.

600
00:34:15.239 --> 00:34:18.280
<v Speaker 4>This just seemed to me to totally it was off.

601
00:34:18.760 --> 00:34:21.000
<v Speaker 4>I get what he was trying to do. Maybe he

602
00:34:21.159 --> 00:34:23.920
<v Speaker 4>was trying to make it a little more lighthearted than

603
00:34:24.000 --> 00:34:27.800
<v Speaker 4>the rest, and by that definition he succeeded, But it

604
00:34:27.920 --> 00:34:30.360
<v Speaker 4>just wasn't for me. Maybe some maybe this was some

605
00:34:30.400 --> 00:34:35.199
<v Speaker 4>people's favorite episode of this particular anthology, but it wasn't mine.

606
00:34:35.280 --> 00:34:38.559
<v Speaker 2>It's just okay at best, which is probably which is

607
00:34:38.599 --> 00:34:42.800
<v Speaker 2>definitely what prompted my proposal that they show these in

608
00:34:42.880 --> 00:34:45.760
<v Speaker 2>reverse order they'd started in the forties and we worked

609
00:34:45.760 --> 00:34:47.800
<v Speaker 2>our way back in time. It would have been way

610
00:34:48.159 --> 00:34:51.360
<v Speaker 2>more powerful, because here's the thing. What he's working against

611
00:34:51.559 --> 00:34:55.599
<v Speaker 2>is the great bummer that we finally discover, and we

612
00:34:55.639 --> 00:34:59.639
<v Speaker 2>discover about the predators overall eventually, is that if you

613
00:34:59.760 --> 00:35:03.159
<v Speaker 2>beat them, they're coming to take you. And that's a

614
00:35:03.280 --> 00:35:07.559
<v Speaker 2>fucking drag man on a certain level, it's a fucking drag.

615
00:35:07.719 --> 00:35:10.320
<v Speaker 4>That was the most horrifying part of this whole movie

616
00:35:10.719 --> 00:35:14.800
<v Speaker 4>for me. Father Malone is after in the final sort

617
00:35:14.800 --> 00:35:17.199
<v Speaker 4>of vignette where we are. At the end of this

618
00:35:17.400 --> 00:35:19.400
<v Speaker 4>the bullet Torres.

619
00:35:18.960 --> 00:35:20.559
<v Speaker 3>Has gone back to civilian life.

620
00:35:20.559 --> 00:35:25.079
<v Speaker 4>He now has his own mechanic shop. This is probably months,

621
00:35:25.079 --> 00:35:29.880
<v Speaker 4>if not years after this battle all happened, so it's it.

622
00:35:30.280 --> 00:35:34.599
<v Speaker 4>All this time has gone by and the predator still

623
00:35:35.239 --> 00:35:38.639
<v Speaker 4>has not forgotten what he did, but tracks him down

624
00:35:39.159 --> 00:35:42.760
<v Speaker 4>to where he lives in I think Florida. That's horrifying

625
00:35:42.880 --> 00:35:44.960
<v Speaker 4>to me that it doesn't matter. It could be three

626
00:35:45.039 --> 00:35:48.119
<v Speaker 4>or four years after you kill that predator. They will

627
00:35:48.199 --> 00:35:51.400
<v Speaker 4>find you and they will take you against your will

628
00:35:51.559 --> 00:35:56.239
<v Speaker 4>into a spaceship back to their home planet with really

629
00:35:56.360 --> 00:36:00.599
<v Speaker 4>no way of getting back home. That's so fucking scary

630
00:36:00.639 --> 00:36:04.559
<v Speaker 4>to me. That's worse than the average alien abduction because

631
00:36:04.840 --> 00:36:09.440
<v Speaker 4>you're getting taken because you've survived. But they don't see

632
00:36:09.440 --> 00:36:11.840
<v Speaker 4>it that way. The Yaucha don't see it that way.

633
00:36:11.639 --> 00:36:15.760
<v Speaker 4>They want your cunning, they want your ability to fight

634
00:36:16.320 --> 00:36:17.360
<v Speaker 4>for their own amusement.

635
00:36:17.480 --> 00:36:18.760
<v Speaker 3>That's scary as hell.

636
00:36:19.280 --> 00:36:21.280
<v Speaker 2>It's a whole other level to the predator. So that

637
00:36:21.320 --> 00:36:23.760
<v Speaker 2>I don't like about them, but that's okay. They are

638
00:36:23.800 --> 00:36:24.920
<v Speaker 2>the villains after.

639
00:36:24.760 --> 00:36:28.679
<v Speaker 3>All, agreed. It makes them even more hateable as villains

640
00:36:28.880 --> 00:36:30.920
<v Speaker 3>because they, yes, they do have a code. They won't.

641
00:36:31.159 --> 00:36:33.159
<v Speaker 4>They usually don't kill you if you're not an armed and

642
00:36:33.280 --> 00:36:37.559
<v Speaker 4>not a threat. But Torres, it had been forever since

643
00:36:37.559 --> 00:36:40.679
<v Speaker 4>he fought and killed the predator, had he was just

644
00:36:40.800 --> 00:36:43.199
<v Speaker 4>living his life and he gets taken by this ship.

645
00:36:43.880 --> 00:36:47.360
<v Speaker 2>Scary, so we end up Oh, not only are do

646
00:36:47.400 --> 00:36:50.679
<v Speaker 2>you end up grabbed by the predators and taken from

647
00:36:50.719 --> 00:36:53.519
<v Speaker 2>your world to be shipped off to fight in some

648
00:36:53.599 --> 00:36:57.400
<v Speaker 2>gladiatorial combat at some point. But that's the point I'm making.

649
00:36:57.960 --> 00:37:00.679
<v Speaker 2>It's at some point. These characters have been some sort

650
00:37:00.679 --> 00:37:06.599
<v Speaker 2>of cryo freeze for hundreds of years, and now they're

651
00:37:06.639 --> 00:37:08.960
<v Speaker 2>just being thought out. This is obviously the first time

652
00:37:09.000 --> 00:37:11.199
<v Speaker 2>they've been thought out, because they don't know what's going on.

653
00:37:11.880 --> 00:37:16.960
<v Speaker 4>Yeah, because the fuck he's on this ship with the

654
00:37:17.000 --> 00:37:21.679
<v Speaker 4>Shield Maiden and the Shinobi. How what do we say,

655
00:37:21.679 --> 00:37:24.639
<v Speaker 4>six ninety one was when the Viking shield.

656
00:37:24.360 --> 00:37:28.800
<v Speaker 2>Eight hundred a D sixteen hundred a D and nineteen

657
00:37:28.880 --> 00:37:31.199
<v Speaker 2>forty five or so or seven.

658
00:37:30.880 --> 00:37:34.960
<v Speaker 4>Maybe hundreds of years. That's so scary to me, Like

659
00:37:35.039 --> 00:37:38.360
<v Speaker 4>that's like your worst nightmare. You're taken from the everything

660
00:37:38.440 --> 00:37:42.599
<v Speaker 4>you know and love and put on this planet tould

661
00:37:42.760 --> 00:37:43.239
<v Speaker 4>just kill.

662
00:37:43.800 --> 00:37:48.079
<v Speaker 2>So they're paraded out to an arena where they're going

663
00:37:48.159 --> 00:37:51.519
<v Speaker 2>to have to kill one another, and then the victor

664
00:37:51.840 --> 00:37:55.679
<v Speaker 2>has the privilege of fighting. The character is listed as

665
00:37:55.719 --> 00:37:59.920
<v Speaker 2>the Grendel King. Yeah, okay, so that's now. First of all,

666
00:38:00.039 --> 00:38:02.840
<v Speaker 2>when they come out of the ship and they're marching

667
00:38:02.840 --> 00:38:06.559
<v Speaker 2>to the arena and the predators are all kneeling on

668
00:38:06.639 --> 00:38:09.559
<v Speaker 2>either side of them, that was great. Yeah, I like

669
00:38:09.639 --> 00:38:11.599
<v Speaker 2>that the predators still have the respect even if they're

670
00:38:11.639 --> 00:38:13.400
<v Speaker 2>doing this horrible fucking thing to these people.

671
00:38:13.440 --> 00:38:16.880
<v Speaker 4>But yeah, if you can kill these other people, then

672
00:38:17.280 --> 00:38:20.599
<v Speaker 4>it's not as if you then are given the ability

673
00:38:20.639 --> 00:38:24.000
<v Speaker 4>to leave. All that affords you is the ability to

674
00:38:24.000 --> 00:38:27.480
<v Speaker 4>get killed by an even larger and meaner predator than you've.

675
00:38:27.360 --> 00:38:28.199
<v Speaker 3>Already dealt with.

676
00:38:28.480 --> 00:38:30.480
<v Speaker 2>What do you win if you beat him? They never

677
00:38:30.559 --> 00:38:31.239
<v Speaker 2>tell us.

678
00:38:31.440 --> 00:38:34.480
<v Speaker 3>I was wondering about that too. I don't know, because.

679
00:38:34.239 --> 00:38:36.760
<v Speaker 2>Do you become the king of of all the ouches,

680
00:38:37.559 --> 00:38:41.159
<v Speaker 2>this foreigner from another planet becomes their king. No.

681
00:38:41.320 --> 00:38:44.440
<v Speaker 4>I would assume that if you make it that far,

682
00:38:44.519 --> 00:38:47.360
<v Speaker 4>and I'm sure precious few ever do that, they just

683
00:38:47.440 --> 00:38:50.800
<v Speaker 4>put you on ice again, that you put back into cryo,

684
00:38:50.840 --> 00:38:53.239
<v Speaker 4>and then when the next maybe you then become.

685
00:38:53.440 --> 00:38:55.679
<v Speaker 3>The killer of killers that they have to get through.

686
00:38:56.280 --> 00:38:58.760
<v Speaker 4>I don't think there's any real reward at the end

687
00:38:58.840 --> 00:39:01.639
<v Speaker 4>of all this, other than and surviving another day.

688
00:39:02.199 --> 00:39:04.800
<v Speaker 2>It would be cool if you become if you're really

689
00:39:04.840 --> 00:39:07.000
<v Speaker 2>good at it, if you're a killer of killers, you

690
00:39:07.079 --> 00:39:09.239
<v Speaker 2>become the one that they drop onto a planet with

691
00:39:09.280 --> 00:39:12.800
<v Speaker 2>a bunch of like young predators, like they you're the

692
00:39:12.880 --> 00:39:17.280
<v Speaker 2>feared thing. But when okay, when they're gonna pit these

693
00:39:17.320 --> 00:39:20.760
<v Speaker 2>guys against each other, they give them weapons from their

694
00:39:20.800 --> 00:39:23.480
<v Speaker 2>home world, figuring this is what you need. So they

695
00:39:23.480 --> 00:39:25.599
<v Speaker 2>give him a sword, and they give her some sort

696
00:39:25.639 --> 00:39:28.880
<v Speaker 2>of axe, very Viking. And then they give him and

697
00:39:28.920 --> 00:39:30.679
<v Speaker 2>this should be a clue as to where we're going

698
00:39:30.760 --> 00:39:33.400
<v Speaker 2>at the end of this, they give him the end Alini.

699
00:39:33.079 --> 00:39:35.599
<v Speaker 3>Pistol, but with no ammunition.

700
00:39:36.079 --> 00:39:38.800
<v Speaker 2>There is ambunition. It's sitting right there. He just doesn't

701
00:39:38.800 --> 00:39:39.559
<v Speaker 2>know what to do with it.

702
00:39:39.880 --> 00:39:42.039
<v Speaker 4>Oh, he just he fumbles it and then he realizes

703
00:39:42.079 --> 00:39:44.599
<v Speaker 4>what it is. You're right, I thought the ammunition popped

704
00:39:44.679 --> 00:39:47.880
<v Speaker 4>up in another like at another point in their fight,

705
00:39:48.119 --> 00:39:51.440
<v Speaker 4>just after the fight goes on for a little while.

706
00:39:51.000 --> 00:39:52.800
<v Speaker 2>It had popped up. He just hadn't seen it. He

707
00:39:52.880 --> 00:39:54.400
<v Speaker 2>just grabbed a gun and thought, I'm going to use

708
00:39:54.440 --> 00:39:56.840
<v Speaker 2>this gun, and then afterwards when oh what, oh, I

709
00:39:56.880 --> 00:39:59.559
<v Speaker 2>see the weapon has gunpowder and such.

710
00:40:00.239 --> 00:40:02.280
<v Speaker 4>Which kind of ties it in with prey because that's

711
00:40:02.639 --> 00:40:05.440
<v Speaker 4>Naduru also struggled with the pistol a little bit. She

712
00:40:05.519 --> 00:40:07.840
<v Speaker 4>didn't even after being told how to do it, she

713
00:40:07.920 --> 00:40:11.079
<v Speaker 4>still doesn't understand the gunpowder and all of that stuff.

714
00:40:11.280 --> 00:40:13.039
<v Speaker 2>So she had never seen a pistol before, so she

715
00:40:13.079 --> 00:40:13.840
<v Speaker 2>has an excuse.

716
00:40:14.280 --> 00:40:15.679
<v Speaker 3>But he had never seen a flint lock.

717
00:40:15.760 --> 00:40:18.360
<v Speaker 4>It's probably a fair bet that Tores hadn't never seen

718
00:40:18.360 --> 00:40:18.840
<v Speaker 4>one of those.

719
00:40:18.920 --> 00:40:21.360
<v Speaker 2>Come on, Dorez, you know what you're supposed to You

720
00:40:21.360 --> 00:40:24.159
<v Speaker 2>got to put the powder in. You gotta ram rod

721
00:40:24.199 --> 00:40:24.599
<v Speaker 2>the thing.

722
00:40:25.400 --> 00:40:27.800
<v Speaker 4>But while he's trying to because it's what it's like

723
00:40:27.840 --> 00:40:30.639
<v Speaker 4>a for step process to load and fire these things.

724
00:40:30.679 --> 00:40:35.239
<v Speaker 4>But meanwhile he has the shield maiden kind of decides

725
00:40:35.440 --> 00:40:37.800
<v Speaker 4>immediately that this is what she has to do, just

726
00:40:37.800 --> 00:40:43.400
<v Speaker 4>starts swinging the axe. The Shanobi at least realizes, maybe

727
00:40:43.480 --> 00:40:46.599
<v Speaker 4>he actually decides he's not going to fight because he's

728
00:40:46.679 --> 00:40:48.760
<v Speaker 4>not going to fight for someone else's amusement, and he

729
00:40:48.840 --> 00:40:49.880
<v Speaker 4>just doesn't believe.

730
00:40:49.559 --> 00:40:50.280
<v Speaker 3>In the whole thing.

731
00:40:50.679 --> 00:40:52.599
<v Speaker 4>And Torres is just trying to figure out a way

732
00:40:52.639 --> 00:40:54.440
<v Speaker 4>to get to the ship so he can fly them

733
00:40:54.480 --> 00:40:58.719
<v Speaker 4>off that world. So he's struggling with this pistol. Meanwhile

734
00:40:58.760 --> 00:41:02.360
<v Speaker 4>this shield maiden is swinging this big fucking sharp ACKs

735
00:41:02.400 --> 00:41:04.880
<v Speaker 4>at him and trying to kill him, and the Shinobi's

736
00:41:04.880 --> 00:41:07.639
<v Speaker 4>just trying to keep the piece as best he can.

737
00:41:07.960 --> 00:41:10.400
<v Speaker 4>And they also have they we should also mention that

738
00:41:10.440 --> 00:41:15.000
<v Speaker 4>they have the universal translators that so they can talk

739
00:41:15.480 --> 00:41:18.239
<v Speaker 4>and be understood in each other's language, at least to

740
00:41:18.239 --> 00:41:23.039
<v Speaker 4>a certain degree. And we get more of the Yaucha speaking,

741
00:41:23.639 --> 00:41:27.519
<v Speaker 4>and I know there's something, like I said, cool and

742
00:41:27.639 --> 00:41:28.639
<v Speaker 4>chilling about all of that.

743
00:41:29.039 --> 00:41:32.199
<v Speaker 2>I loved it. I loved hearing him speak, and I

744
00:41:32.320 --> 00:41:36.039
<v Speaker 2>loved hearing the translation. More of that, please, I'm so

745
00:41:36.119 --> 00:41:38.079
<v Speaker 2>excited for bad lance. Okay, I'm gonna stop.

746
00:41:38.440 --> 00:41:40.440
<v Speaker 4>We're going to get that in bad at least according

747
00:41:40.480 --> 00:41:42.599
<v Speaker 4>to the trailers, we're going to get a lot of that.

748
00:41:43.000 --> 00:41:45.920
<v Speaker 4>But anyway, we'll cross that bridge when we come to

749
00:41:45.960 --> 00:41:47.000
<v Speaker 4>it very soon.

750
00:41:47.639 --> 00:41:51.239
<v Speaker 2>Right, so to get away when one remains, although, oh

751
00:41:51.280 --> 00:41:54.480
<v Speaker 2>you know what, here's something that happens, much much like Voltan,

752
00:41:54.880 --> 00:41:57.639
<v Speaker 2>he's got a few tricks of his sleeves. This grendel king.

753
00:41:58.000 --> 00:42:00.679
<v Speaker 2>If they're not going to fight each other, let's courage them.

754
00:42:00.800 --> 00:42:04.880
<v Speaker 2>So they released beasts from other worlds, yes, including one

755
00:42:04.920 --> 00:42:07.199
<v Speaker 2>with this maw on the top of its head that

756
00:42:07.360 --> 00:42:10.519
<v Speaker 2>eats Torres. And I gotta tell you, HP when he

757
00:42:10.559 --> 00:42:13.480
<v Speaker 2>did eat Toarres, I thought, oh wow, the steaks got

758
00:42:13.519 --> 00:42:17.239
<v Speaker 2>really high. Also, I don't really care that they killed Taurrests.

759
00:42:17.239 --> 00:42:20.559
<v Speaker 2>He's the one that was expendable, so that was good. Like,

760
00:42:20.639 --> 00:42:23.039
<v Speaker 2>as long as the shield made and the and the

761
00:42:23.119 --> 00:42:25.280
<v Speaker 2>ninja are okay, I'm good with Torres.

762
00:42:26.000 --> 00:42:27.039
<v Speaker 3>That was a cheat though.

763
00:42:27.159 --> 00:42:29.679
<v Speaker 4>He should have died because what they do that stupid

764
00:42:29.719 --> 00:42:32.480
<v Speaker 4>thing where he's inside of the belly of the beast

765
00:42:32.559 --> 00:42:35.519
<v Speaker 4>and he's struggling trying to get out. I wish they

766
00:42:35.559 --> 00:42:37.639
<v Speaker 4>had just done away with them and that would have

767
00:42:37.679 --> 00:42:40.480
<v Speaker 4>been it. They need somebody to take off in the ship.

768
00:42:40.880 --> 00:42:44.280
<v Speaker 2>But still, see that's the problem, and this is Tracktenberg's problem.

769
00:42:44.360 --> 00:42:47.480
<v Speaker 2>He wanted to do best in show because he realized

770
00:42:47.519 --> 00:42:49.239
<v Speaker 2>that we love these people and now we're going to

771
00:42:49.360 --> 00:42:51.239
<v Speaker 2>feel really bad if any of them died. But then

772
00:42:51.280 --> 00:42:54.320
<v Speaker 2>he loved the characters too much, so he couldn't kill them. Yeah.

773
00:42:54.559 --> 00:42:57.239
<v Speaker 4>So what ends up happening, though, is that he they

774
00:42:57.320 --> 00:43:00.559
<v Speaker 4>all take their lumps. I think the sword the Schernobi

775
00:43:00.599 --> 00:43:02.920
<v Speaker 4>gets it the worst. I think he is bitten or

776
00:43:02.920 --> 00:43:07.119
<v Speaker 4>stabbed or I don't remember exactly. But they escape on

777
00:43:07.239 --> 00:43:10.800
<v Speaker 4>the ship. They steal the ship. Torres pilots a ship out,

778
00:43:11.199 --> 00:43:14.960
<v Speaker 4>but the Shield Maiden has been left behind and she's

779
00:43:15.159 --> 00:43:16.960
<v Speaker 4>held by the other predators.

780
00:43:17.559 --> 00:43:20.039
<v Speaker 3>And that's when the leader.

781
00:43:19.719 --> 00:43:25.280
<v Speaker 4>Of this whole enterprise, this amphitheater, essentially Declare's hunting season

782
00:43:25.320 --> 00:43:25.880
<v Speaker 4>has begun.

783
00:43:26.320 --> 00:43:28.320
<v Speaker 2>First of all, they put her back in cryo sleep,

784
00:43:28.440 --> 00:43:32.480
<v Speaker 2>which look they easily could have said you're a failure

785
00:43:32.480 --> 00:43:34.280
<v Speaker 2>and stabbed her. And then that was the end. So

786
00:43:34.639 --> 00:43:38.199
<v Speaker 2>at least they recognized that she has some value as

787
00:43:38.199 --> 00:43:41.480
<v Speaker 2>a fighter and a killer of killers potentially. But then,

788
00:43:41.840 --> 00:43:44.719
<v Speaker 2>like you said, here's the thing, all of the problems

789
00:43:44.760 --> 00:43:47.519
<v Speaker 2>I had with this movie, and I did have some,

790
00:43:47.679 --> 00:43:50.079
<v Speaker 2>and I did not like portions of this movie were

791
00:43:50.159 --> 00:43:55.519
<v Speaker 2>completely papered over. When the Predator king goes, let's go hunting,

792
00:43:55.960 --> 00:43:59.880
<v Speaker 2>and then an innumerable number of ships took off and

793
00:44:00.400 --> 00:44:03.079
<v Speaker 2>in pursuit of Torres and the Ninja boy.

794
00:44:03.559 --> 00:44:07.239
<v Speaker 4>It's absurd the number of ships. There's absolutely unless there's

795
00:44:07.960 --> 00:44:10.039
<v Speaker 4>maybe he has a sequel in mind at some point

796
00:44:10.400 --> 00:44:11.360
<v Speaker 4>there's no way.

797
00:44:11.199 --> 00:44:13.039
<v Speaker 3>That they could have gotten away where you think.

798
00:44:13.840 --> 00:44:15.920
<v Speaker 4>But at the same time, you're right that the Shield

799
00:44:15.960 --> 00:44:19.960
<v Speaker 4>Maiden is spared. But it's still a living nightmare because

800
00:44:20.000 --> 00:44:21.800
<v Speaker 4>all she's ever going to wake up to is another

801
00:44:21.840 --> 00:44:25.599
<v Speaker 4>opportunity to fight for her life. But what we do

802
00:44:25.760 --> 00:44:28.519
<v Speaker 4>have the kind of lasting image from this, and this

803
00:44:28.559 --> 00:44:32.679
<v Speaker 4>was something that was revised after release, is we see

804
00:44:32.719 --> 00:44:37.320
<v Speaker 4>her getting pushed in this cryo stasis.

805
00:44:36.679 --> 00:44:40.000
<v Speaker 2>Boxer of the Lost Dark. We mentioned that during Prey

806
00:44:40.039 --> 00:44:41.719
<v Speaker 2>it's Raiders in the Lost Dark. At the end here

807
00:44:41.840 --> 00:44:45.199
<v Speaker 2>it's the fucking warehouse with all of the artifacts it

808
00:44:45.280 --> 00:44:45.599
<v Speaker 2>is there.

809
00:44:45.679 --> 00:44:50.440
<v Speaker 4>There's hundreds, if not thousands of cryo tubes in this warehouse,

810
00:44:50.480 --> 00:44:50.719
<v Speaker 4>and we.

811
00:44:50.639 --> 00:44:52.719
<v Speaker 2>Get to tear into one as we pass if there's

812
00:44:52.760 --> 00:44:55.679
<v Speaker 2>the silhouette of something with four arms that looks.

813
00:44:55.639 --> 00:44:59.599
<v Speaker 4>Formidable, which I think, as a side note, I what

814
00:44:59.679 --> 00:45:03.800
<v Speaker 4>I'm hoping we get eventually. I know it's important to

815
00:45:03.800 --> 00:45:06.639
<v Speaker 4>have a human protagonist because that's what we identify with

816
00:45:06.800 --> 00:45:12.079
<v Speaker 4>as humans, but I do want to see more extraterrestrial

817
00:45:12.599 --> 00:45:15.119
<v Speaker 4>aspects to add it, because it's not just that they're

818
00:45:15.199 --> 00:45:19.639
<v Speaker 4>hunting Earth. They're they're hunting grounds are probably like innumerable

819
00:45:19.679 --> 00:45:24.000
<v Speaker 4>there's probably weird planets with that forearmed creature that you describe.

820
00:45:24.039 --> 00:45:25.360
<v Speaker 4>I want to see some more of that. I want

821
00:45:25.360 --> 00:45:28.760
<v Speaker 4>to get Let's widen it out from Earth and let's

822
00:45:28.760 --> 00:45:30.920
<v Speaker 4>see some more interesting Maybe we'll get that a little

823
00:45:30.960 --> 00:45:31.760
<v Speaker 4>bit in bad lance.

824
00:45:32.199 --> 00:45:32.760
<v Speaker 3>We'll see.

825
00:45:33.280 --> 00:45:34.760
<v Speaker 2>I think we're probably gonna get a whole lot of

826
00:45:34.760 --> 00:45:39.280
<v Speaker 2>beasts and other predators and humans. But I like where

827
00:45:39.320 --> 00:45:43.000
<v Speaker 2>you're going because I would like to see another humanoid race.

828
00:45:43.159 --> 00:45:46.039
<v Speaker 2>Who else have they encountered that have fucked them up?

829
00:45:46.159 --> 00:45:50.119
<v Speaker 4>Yeah, clearly the humans cannot be the killer of killers.

830
00:45:50.119 --> 00:45:54.000
<v Speaker 4>There's got to be some weird alien race that is

831
00:45:54.079 --> 00:45:55.960
<v Speaker 4>even more formidable than humans.

832
00:45:56.000 --> 00:45:56.880
<v Speaker 3>I have to believe that.

833
00:45:57.039 --> 00:46:00.960
<v Speaker 4>But anyway, so they're wheeling the Shield Maiden back to

834
00:46:01.000 --> 00:46:03.679
<v Speaker 4>her spot in the warehouse, and as they're passing, who

835
00:46:03.679 --> 00:46:04.280
<v Speaker 4>do we see?

836
00:46:06.519 --> 00:46:08.199
<v Speaker 3>We see Nadu.

837
00:46:08.840 --> 00:46:11.840
<v Speaker 4>She is and that makes me sad for a Naturu

838
00:46:11.960 --> 00:46:14.840
<v Speaker 4>because she was such she fought through so much, and

839
00:46:15.000 --> 00:46:18.119
<v Speaker 4>pray the idea that she's just been boxed up and

840
00:46:18.199 --> 00:46:21.400
<v Speaker 4>kept in storage to fight.

841
00:46:22.400 --> 00:46:25.880
<v Speaker 2>This is the next day and Daniel finds out that

842
00:46:26.039 --> 00:46:28.880
<v Speaker 2>Ali has broken up with him for some dude, and

843
00:46:28.880 --> 00:46:33.280
<v Speaker 2>his car is trashed and everything sucks again. That's how

844
00:46:33.320 --> 00:46:35.639
<v Speaker 2>you begin Karate Kid too. Fuck you. We fought so

845
00:46:35.800 --> 00:46:36.480
<v Speaker 2>hard from that.

846
00:46:36.559 --> 00:46:40.440
<v Speaker 3>Ending it is, But I like where you're going with this.

847
00:46:41.039 --> 00:46:46.719
<v Speaker 2>This is we've watched these rebels fucking fight and lose

848
00:46:46.840 --> 00:46:50.039
<v Speaker 2>and fight more and defeat an empire. And here's the

849
00:46:50.079 --> 00:46:50.800
<v Speaker 2>empire again.

850
00:46:51.159 --> 00:46:53.239
<v Speaker 3>What what did they fight for?

851
00:46:53.960 --> 00:46:57.360
<v Speaker 4>Crumples up that previous plot of the Karate Kid and

852
00:46:57.400 --> 00:46:58.239
<v Speaker 4>just says, oh, you know what.

853
00:46:58.480 --> 00:46:58.960
<v Speaker 3>Fuck you.

854
00:46:59.760 --> 00:47:03.000
<v Speaker 4>So that's how it originally ended, but then they put

855
00:47:03.000 --> 00:47:05.039
<v Speaker 4>out I think, I don't know if they called it

856
00:47:05.039 --> 00:47:07.639
<v Speaker 4>like a special ending or what, but for whatever reason,

857
00:47:07.760 --> 00:47:11.119
<v Speaker 4>they amended that ending later. So not only do we

858
00:47:11.159 --> 00:47:13.559
<v Speaker 4>get to see Nadu, but then the camera pans over

859
00:47:13.639 --> 00:47:17.519
<v Speaker 4>again and it's Danny Glover from Predator two h.

860
00:47:17.280 --> 00:47:23.320
<v Speaker 2>And A double R I G A and Mike Harrigan harrogon.

861
00:47:23.440 --> 00:47:25.599
<v Speaker 4>But then, but the thing that really got me excited

862
00:47:25.800 --> 00:47:26.760
<v Speaker 4>was right next to.

863
00:47:26.760 --> 00:47:30.639
<v Speaker 2>Mike Harrigan, No no, no, no is Dutch and they.

864
00:47:30.480 --> 00:47:33.239
<v Speaker 4>Give you that little musical cue from the first Predator.

865
00:47:33.280 --> 00:47:37.199
<v Speaker 4>It's Arnold Schwartzenegger from the original. So what this effectively

866
00:47:37.239 --> 00:47:41.719
<v Speaker 4>does is if they decide to make another animated picture

867
00:47:42.000 --> 00:47:45.239
<v Speaker 4>in this world, we might actually get to see Dutch

868
00:47:45.280 --> 00:47:49.960
<v Speaker 4>fighting alongside Nadu and Harrigan, and that is pretty fucking badass.

869
00:47:50.320 --> 00:47:54.000
<v Speaker 2>It's so fucking cool. I can't even they're around. You

870
00:47:54.119 --> 00:47:56.599
<v Speaker 2>start recording their voices. I hope they've done it secretly.

871
00:47:56.920 --> 00:47:59.639
<v Speaker 2>I hope there's a fucking Predator Killer of Killer sequel

872
00:47:59.639 --> 00:48:02.599
<v Speaker 2>on the way and it's Dutch and Harrigan and nah

873
00:48:02.679 --> 00:48:05.599
<v Speaker 2>Roup fucking shit up everywhere. Throw Ripley in there.

874
00:48:05.719 --> 00:48:06.079
<v Speaker 3>Why not?

875
00:48:06.280 --> 00:48:08.760
<v Speaker 2>How about the Flash Batman. He can show up to

876
00:48:08.840 --> 00:48:10.360
<v Speaker 2>and fight some predators. He's done it before.

877
00:48:10.880 --> 00:48:14.280
<v Speaker 4>So that was it almost redeemed the last couple of

878
00:48:14.320 --> 00:48:17.119
<v Speaker 4>the vignettes in this anthology. I just the prospect of

879
00:48:17.159 --> 00:48:20.000
<v Speaker 4>having those characters come back, because you'll never ever get

880
00:48:20.360 --> 00:48:24.639
<v Speaker 4>Danny Glover and Schwarzenegger in a live action sense. That

881
00:48:24.719 --> 00:48:28.960
<v Speaker 4>ship is sailed. But this gives them the license and

882
00:48:29.000 --> 00:48:30.719
<v Speaker 4>the ability to bring them back.

883
00:48:31.360 --> 00:48:32.000
<v Speaker 3>You don't even need.

884
00:48:32.159 --> 00:48:36.079
<v Speaker 4>Honestly, you don't even really need Schwarzenegger to do it,

885
00:48:36.159 --> 00:48:38.360
<v Speaker 4>because I will tell you this, like the Mortal Kombat,

886
00:48:38.360 --> 00:48:43.199
<v Speaker 4>the last few Mortal Kombat games, they've added in Schwarzenegger

887
00:48:43.320 --> 00:48:46.679
<v Speaker 4>characters as bonus characters, so you can fight Mortal Kombat

888
00:48:46.719 --> 00:48:49.559
<v Speaker 4>as the T eight hundred you can fight Mortal Kombat.

889
00:48:49.599 --> 00:48:52.440
<v Speaker 4>I think Dutch is in there. I think Kakonan is

890
00:48:52.480 --> 00:48:52.880
<v Speaker 4>in there.

891
00:48:53.599 --> 00:48:58.320
<v Speaker 2>Whoever they got ricks John Michritz, that would be cool

892
00:48:58.880 --> 00:49:02.480
<v Speaker 2>listening to a pisshants just try and tough. They make

893
00:49:02.519 --> 00:49:04.559
<v Speaker 2>me laugh if Matrix was here.

894
00:49:07.280 --> 00:49:11.599
<v Speaker 4>No, the My point is that it's not Schwarzenegger delivering

895
00:49:11.639 --> 00:49:15.800
<v Speaker 4>the lines in this Mortal Kombat game. But whoever they

896
00:49:15.840 --> 00:49:18.440
<v Speaker 4>got to do it sounds like Schwarzenegger to me, So

897
00:49:18.559 --> 00:49:20.760
<v Speaker 4>what the hell? He can have just somebody else through

898
00:49:20.800 --> 00:49:23.639
<v Speaker 4>his lines because he doesn't really seem to have much interest.

899
00:49:24.079 --> 00:49:27.000
<v Speaker 2>To go back to the point, your cousin Ivan could

900
00:49:27.039 --> 00:49:30.239
<v Speaker 2>do an Arnold Swarzenender impression that could probably past come

901
00:49:30.280 --> 00:49:30.679
<v Speaker 2>on now.

902
00:49:31.239 --> 00:49:32.199
<v Speaker 3>That would be so cool.

903
00:49:32.360 --> 00:49:36.239
<v Speaker 4>Imagine if these characters from these different movies got together.

904
00:49:36.400 --> 00:49:39.000
<v Speaker 4>That would actually we wouldn't be talking about a Hulu

905
00:49:39.679 --> 00:49:44.440
<v Speaker 4>only surprised thing. This would be a an actual theatrical

906
00:49:44.719 --> 00:49:47.519
<v Speaker 4>because why wouldn't you have that in the theater.

907
00:49:47.800 --> 00:49:48.440
<v Speaker 3>That sounds so.

908
00:49:48.440 --> 00:49:51.239
<v Speaker 2>Bad ass, It sounds bad lands.

909
00:49:51.199 --> 00:49:52.000
<v Speaker 3>Sounds awesome.

910
00:49:52.119 --> 00:49:55.199
<v Speaker 2>And that's where we're headed next. Oh my god, HP,

911
00:49:55.400 --> 00:49:58.119
<v Speaker 2>we've reached the end of a fest. Ladies and gentlemen,

912
00:49:58.239 --> 00:50:00.559
<v Speaker 2>next week you're gonna be hearing us talking about Predator

913
00:50:00.599 --> 00:50:05.639
<v Speaker 2>bad Lands. That's what's happening. Whoo oh boy, it's gonna

914
00:50:05.639 --> 00:50:07.719
<v Speaker 2>be such a good time. Hopefully it's a good movie,

915
00:50:08.000 --> 00:50:11.000
<v Speaker 2>because man, oh man, we've been fucking playing it up

916
00:50:11.039 --> 00:50:14.519
<v Speaker 2>and talking it up, and oh wouldn't it be terrible?

917
00:50:14.519 --> 00:50:16.360
<v Speaker 2>If it's terrible, Well.

918
00:50:16.360 --> 00:50:17.440
<v Speaker 3>Give something to talk about.

919
00:50:19.480 --> 00:50:20.639
<v Speaker 2>I'll be suppressed.

920
00:50:21.360 --> 00:50:24.400
<v Speaker 4>I don't think anything can happen. Look, our favorite filmmakers

921
00:50:24.480 --> 00:50:28.599
<v Speaker 4>have disappointed us in the past. I all signs point

922
00:50:28.880 --> 00:50:30.239
<v Speaker 4>to yes on this one.

923
00:50:30.320 --> 00:50:33.880
<v Speaker 2>Fall alone, like the Magic eight ball HP. Where you are?

924
00:50:33.920 --> 00:50:36.239
<v Speaker 2>Where can people find if they're looking for you? These days?

925
00:50:36.440 --> 00:50:36.760
<v Speaker 2>All right?

926
00:50:36.920 --> 00:50:41.199
<v Speaker 4>I co host the Night Mister Walters Taxi podcast, alongside

927
00:50:41.559 --> 00:50:45.239
<v Speaker 4>midnight viewings Father Alone. Right here, I host the Noise

928
00:50:45.320 --> 00:50:49.159
<v Speaker 4>Junkies music podcast, and not to mention, I have a

929
00:50:49.199 --> 00:50:53.239
<v Speaker 4>bandcamp site hpmusicplace dot bandcamp dot com.

930
00:50:53.639 --> 00:50:55.719
<v Speaker 2>As for me, you're listening to the show that I do.

931
00:50:55.960 --> 00:50:58.400
<v Speaker 2>Keep it here twice a week Mondays and Fridays, maybe

932
00:50:58.400 --> 00:51:00.599
<v Speaker 2>Sundays and Thursdays, who knows, whenever I get them done.

933
00:51:00.599 --> 00:51:02.880
<v Speaker 2>If you're a patron, you're listening to this month's in advance,

934
00:51:03.320 --> 00:51:06.480
<v Speaker 2>and oh, check out, we're starting Star Trek fast. We're

935
00:51:06.480 --> 00:51:08.440
<v Speaker 2>actually recording that one next but you're not probably gonna

936
00:51:08.480 --> 00:51:12.440
<v Speaker 2>hear that until December. Oh anyway, anyway, keep it here

937
00:51:12.599 --> 00:51:15.039
<v Speaker 2>at midnight viewing. That was another great thing about it,

938
00:51:15.079 --> 00:51:17.199
<v Speaker 2>all the subtitles. Anyway, we'll talk to you next time.

939
00:51:22.800 --> 00:51:47.719
<v Speaker 1>You can kill it. What hell
