WEBVTT

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<v Speaker 1>The projection.

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<v Speaker 2>Both podcast is sponsored by Scarecrow Video. Try out scarecrows

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<v Speaker 2>DVDs delivered directly to your door. Visit scarecrow dot com today.

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<v Speaker 3>Oh g is, folks, it's showtime.

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<v Speaker 4>People say good money to see this movie.

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<v Speaker 3>When they go out to a theater.

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<v Speaker 5>They want clothed sodas, hot popcorn, and no monsters in

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<v Speaker 5>the projection booth.

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<v Speaker 3>Everyone pretend podcasting isn't boring.

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<v Speaker 6>He's been called whooped, freaky, absurd, and just plain discus. Now,

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<v Speaker 6>for his first starring role ever, they're letting Tom Green

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<v Speaker 6>do it.

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<v Speaker 5>He's way bye, my daddy, I'm going to get some job.

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<v Speaker 7>So he's mighty God.

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<v Speaker 3>The characters are laying I'm a loser.

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<v Speaker 4>I wish I was dead for acting, building sets, directed

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<v Speaker 4>and produce him.

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<v Speaker 3>Money's no option.

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<v Speaker 5>The helicopter one hundred fifty thousan dollars one hundred dollars.

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<v Speaker 3>Then you have the seven hundred and fifty thousand dollars.

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<v Speaker 1>That's all my money with his own, How are you?

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<v Speaker 8>I'd be a lot better if you'd smack my legs

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<v Speaker 8>with this bamboostick.

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<v Speaker 4>Special to Freddy Got Fingered, Jeez Louise, say it, jesuis

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<v Speaker 4>Jeez Louise.

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<v Speaker 3>Jeez Louis.

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<v Speaker 4>Yes, said shooting now in Theaters two thousand and one.

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<v Speaker 9>No, I just like to say, jays Louise, that's a

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<v Speaker 9>that's all. I just like to say, Gez Louise, that's

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<v Speaker 9>all okay, So I just like to say g's Louise.

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<v Speaker 2>Welcome to the Projection Booth. I'm your host, Mike White,

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<v Speaker 2>Jimmy once again, is mister Rob Saint Mary.

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<v Speaker 1>I'm not just moving to Hollywood to work in a

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<v Speaker 1>cheese sandwich factory.

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<v Speaker 2>Also back in the booth is Miss Heather drain Daddy.

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<v Speaker 7>Would you like some sausage?

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<v Speaker 3>Teddy?

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<v Speaker 7>Would you like some sausages?

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<v Speaker 1>Somebody?

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<v Speaker 2>Month concludes with a look at Tom Green's anti comedy

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<v Speaker 2>Freddy Got Fingered, released in two thousand and one. This

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<v Speaker 2>was a World before nine to eleven. This was April twenty,

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<v Speaker 2>two thousand and one. The film stars Green as Gord Brodie,

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<v Speaker 2>an artist who wants to get his drawings turned into

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<v Speaker 2>a show. He adds to Hollywood, where he gets a

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<v Speaker 2>job making delicious cheese sandwich.

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<v Speaker 8>I just thought people might be getting a little hungry.

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<v Speaker 8>It's a delicious cheese sandwich. A delicious cheese sandwich. Isn't

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<v Speaker 8>that delicious? Isn't that a delicious cheese sandwich?

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<v Speaker 2>Has a disastrous pitch meeting and goes back to live

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<v Speaker 2>with his parents. We will be spoiling this film as

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<v Speaker 2>we discuss it, so if you don't want anything ruined,

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<v Speaker 2>please turn off the show and watch the movie. We

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<v Speaker 2>will still be here when you get back. So, Rob,

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<v Speaker 2>when was the first time you saw Freddy got fingered?

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<v Speaker 2>And what did you think.

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<v Speaker 1>When Tom Green was big in the late nineties early aunts,

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<v Speaker 1>I didn't have cable, so I grew up in a

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<v Speaker 1>house without cable. As a matter of fact, the first

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<v Speaker 1>thing that my mother did when I moved out of

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<v Speaker 1>the house was get three things for that house that

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<v Speaker 1>I wanted as a kid, a dog, air conditioning, and cable.

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<v Speaker 1>It was like as soon as I moved out, and

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<v Speaker 1>I was like, okay, I see how it is. I

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<v Speaker 1>didn't get the LeBaron, but my mom got that stuff.

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<v Speaker 1>So anyway, this must have been I think maybe two

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<v Speaker 1>years ago. The Criterion had a section on the movies

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<v Speaker 1>produced by MTV Films, so that included Jackass, but also Artier,

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<v Speaker 1>fair like Election, and of course this one is in there.

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<v Speaker 1>And I thought, you know what, if it's good enough

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<v Speaker 1>for Criterion, maybe I should watch it because I had

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<v Speaker 1>seen the trailer, I had heard the awful a Cisco

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<v Speaker 1>and Ebert did the review.

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<v Speaker 10>It's a vomitatorium of a movie starring Green as gored

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<v Speaker 10>and I'm notxious retard who makes it his life's work

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<v Speaker 10>to freak out his dad play with teeth gnashing scorn

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<v Speaker 10>by rip porn on TV. We can't show you the

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<v Speaker 10>scene where Green swings a newborn baby around his head

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<v Speaker 10>by its umbilical cord, or two scenes evolving the sexual

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<v Speaker 10>organs of a stallion an a bull elephant, or when

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<v Speaker 10>he skins a deer around wearing his bloody carcass, or

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<v Speaker 10>any of the jokes about child abuse. The MPAA gave

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<v Speaker 10>this movie an R rating. That's definitive evidence that the

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<v Speaker 10>NPA ratings board is morally a drift and that we

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<v Speaker 10>need a workable adult rating for movies like this.

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<v Speaker 11>You're absolutely right, this is ground zero. It has to

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<v Speaker 11>be ground zero of bad comedies. And Tom Green with

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<v Speaker 11>this horse and with this elephant. If a woman was

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<v Speaker 11>doing that, this movie'd be banned in Tijuana, let alone

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<v Speaker 11>getting an R rating. And it's just so horrible and

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<v Speaker 11>he's such an unfunny guy. He should be Flippenberger somewhere.

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<v Speaker 11>Why is Tom Green getting movies?

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<v Speaker 4>And who wants to.

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<v Speaker 3>See this guy?

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<v Speaker 11>You know, even in a stupid comedy, there has to

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<v Speaker 11>be a setup before you have a punchline. This is

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<v Speaker 11>just hey, let's just do a bunch of punchlines, and

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<v Speaker 11>the punchlines are let's do gross out stuff.

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<v Speaker 1>Roger Ebert just loved this one, and so I was like, Eh,

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<v Speaker 1>really have a way in because I wasn't really a

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<v Speaker 1>fan of him. So I watched it and I was like,

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<v Speaker 1>oh my god, this is brilliant and horrible at the

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<v Speaker 1>same time. As I wrote on my letterbox, I go,

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<v Speaker 1>this is absurdist and surrealist, and it fits right in

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<v Speaker 1>the context of everything else that was going on at

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<v Speaker 1>that time, because if you remember in the late nineties

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<v Speaker 1>early two thousands, there was all of the gross out comedies,

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<v Speaker 1>and a lot of the gross out comedies also had

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<v Speaker 1>like sentimentality about family, and it was like he took

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<v Speaker 1>all of that and just amped it and satirized it

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<v Speaker 1>at the same time. So I just was like, I

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<v Speaker 1>don't know if you can sit down and watch this

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<v Speaker 1>like you would watch anything in particular, but if you

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<v Speaker 1>look at it as like a piece of art that

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<v Speaker 1>you can dissect as a satire piece, I think it's

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<v Speaker 1>I think it's brilliant. There's sections of it that do

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<v Speaker 1>make me laugh really fucking hard. I can see that

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<v Speaker 1>people would enjoy this probably under substance as well. It

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<v Speaker 1>feels like in a lot of ways. When I was

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<v Speaker 1>on it was one of the first episodes I was

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<v Speaker 1>on with you. I used to talk about how Bloodsucking

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<v Speaker 1>Freaks has all of these layers of meaning and symbolism,

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<v Speaker 1>and I'm like, did Joel m Reid seek to do that?

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<v Speaker 1>I'm like, I don't think so. And there's part of

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<v Speaker 1>me that I just think Tom Green was being Tom

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<v Speaker 1>Green and at the same time there is all of

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<v Speaker 1>that in here, and Heather, how about yourself?

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<v Speaker 12>That that was beautiful. By the way I entered this film,

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<v Speaker 12>I saw it. I didn't get to see it in

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<v Speaker 12>the theater, but I remember renting it.

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<v Speaker 7>I entered it as a Tom Green fan. I loved

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<v Speaker 7>his show on MTV.

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<v Speaker 12>I was even a fan of the bum song Freebody

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<v Speaker 12>remembers that. In fact, I still occasionally have been noticing

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<v Speaker 12>it because yeah, my bum my bum is on the gump,

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<v Speaker 12>like it's just Tom Green. For me, it's always been

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<v Speaker 12>like that great mix of humor that is really, on

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<v Speaker 12>one hand, completely super like you cannot it's not intellectual.

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<v Speaker 12>It is honestly going to just immediately just hit a

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<v Speaker 12>lot of people the wrong way. But there's always he's

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<v Speaker 12>always doing just like the sense of completely what you said, absurdism.

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<v Speaker 7>It was almost like data.

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<v Speaker 12>Just just just the craziness of it, of some of

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<v Speaker 12>the stuff that he would do on a show and

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<v Speaker 12>just legit funny. Just I found a lot. I just

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<v Speaker 12>find him like incredibly funny. So I was excited about

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<v Speaker 12>the movie despite the horrible trailer.

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<v Speaker 7>This was a bad era for how.

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<v Speaker 12>Trailers were edited. I'm not a fan of how trailers

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<v Speaker 12>are cut now, to be honest. If you go back

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<v Speaker 12>and look at the early odds and late nighties for comedies,

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<v Speaker 12>it is it's rough. Bubble Boy was another one, and

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<v Speaker 12>that was another film that was actually like a really

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<v Speaker 12>fun subversive comedy that got get like what it really was.

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<v Speaker 2>We'll go to my grave just saying that.

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<v Speaker 7>That's a wonderful for that.

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<v Speaker 2>There's a part of me that really wants to cover

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<v Speaker 2>that at some point in the future you should.

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<v Speaker 12>It's a really tremendously underrated film. I love Bubble Boy,

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<v Speaker 12>but it was promoted terribly and rewatching the trailer for

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<v Speaker 12>Fred you got fingered. Prepping for this, I was like, God,

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<v Speaker 12>this trailer is terrible. But by reading the movie and

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<v Speaker 12>the movie is, I wouldn't call it a masterpiece. There

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<v Speaker 12>are parts that I think, especially revisiting it, have fallen.

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<v Speaker 7>Flat for me.

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<v Speaker 12>The parts that make me laugh really incredibly hard, are

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<v Speaker 12>so unhinged, so beautifully unhinged, and such a great antidote

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<v Speaker 12>to that.

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<v Speaker 7>To your point, rob, to that whole can I new people.

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<v Speaker 12>I actually dated a guy that said that, Actually you

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<v Speaker 12>said accused me of not liking gross out heureor because

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<v Speaker 12>I didn't like me myself and Irene.

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<v Speaker 7>Keep in mind, this was already me watching Pink Flamingos

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<v Speaker 7>as my meditation tape in college. But I couldn't handle

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<v Speaker 7>the Farellis. So it's because I'm a girl. That's that's

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<v Speaker 7>why he's an ex.

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<v Speaker 12>Fair to me was like, it's like Tom Green being like,

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<v Speaker 12>oh you got you think that's okay, cute? Check this out,

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<v Speaker 12>and then having this amazing cast. We'll get all into

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<v Speaker 12>on that. But I really I have a huge saucewat

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<v Speaker 12>Rose Baby.

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<v Speaker 7>It's that perfect. Obviously, it's that for anybody.

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<v Speaker 12>I'm amazed that people hated it, because I'm like, if

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<v Speaker 12>you know who Tom Green is, why'd you even watch it?

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<v Speaker 12>I haven't watched the Notebook Eber even reviewing this was absurd.

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<v Speaker 12>It's like, why who was clamoring for Roger Ebert's opinion

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<v Speaker 12>on Freddy got fingered butt?

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<v Speaker 7>AnyWho? What about you, Mike?

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<v Speaker 2>Well, for me, I saw this for the first time,

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<v Speaker 2>it was probably DBD. It probably wasn't a VHS tape

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<v Speaker 2>because I think by two thousand and two and I

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<v Speaker 2>probably saw this, we had moved on from VHS mostly

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<v Speaker 2>say what you will about the formats, but and I

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<v Speaker 2>did not grow up with Tom Green. Obviously I was

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<v Speaker 2>aware of Tom Green. You really couldn't escape Tom Green

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<v Speaker 2>because he was just on MTV in so many places

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<v Speaker 2>doing the Pepsi commercials.

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<v Speaker 3>I'm on a mission.

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<v Speaker 9>I'm on the road to number one, going to all

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<v Speaker 9>the colleges, colleges.

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<v Speaker 3>I'm going to prove that people love the taste of pepsy.

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<v Speaker 10>One, new pepsi one with a new secret recipe that

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<v Speaker 10>makes it taste too good to be called diet.

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<v Speaker 3>Cactuses, all the taste of pepsy one. People love the

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<v Speaker 3>taste of pepsi one, new pepsi one, true cold taste,

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<v Speaker 3>one calorie.

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<v Speaker 2>All of these things. So I knew of him, but

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<v Speaker 2>I really didn't watch the show. I really didn't realize

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<v Speaker 2>his impact. Like I didn't realize that so much of

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<v Speaker 2>Jackass took from Tom Green, just this whole thing of

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<v Speaker 2>like him waking up his parents and stuff, Like it

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<v Speaker 2>feels like Bam Margera's whole stick was very Tom Green,

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<v Speaker 2>all this stuff with the skateboarding, all this. I mean,

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<v Speaker 2>it's he's a very I want to say, he's only

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<v Speaker 2>like a year older than I am. So it's weird

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<v Speaker 2>to be like contemporaries with Tom Green. He reminds me

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<v Speaker 2>a lot of myself before I I got on medication,

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<v Speaker 2>Like I could swing very wide with the pendulum of emotions,

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<v Speaker 2>you know, like frying jags where I couldn't catch my

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<v Speaker 2>breath from crying so hard. And then also manic episodes

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<v Speaker 2>where I kind of sounded like this with just the

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<v Speaker 2>intensity that he speaks. Really, the whole thing of him

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<v Speaker 2>repeating things and repeating things, I know, that's kind of

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<v Speaker 2>the anti comedy thing, you know. It's it's funny, it's

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<v Speaker 2>not funny. It's really not funny. It swings back to funny.

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<v Speaker 8>Isn't that a delicious cheese sandwich?

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<v Speaker 12>And the repetition, oh my god, a delicious cheese sandwich kind.

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<v Speaker 2>Of drives me a little crazy. Like listening to his

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<v Speaker 2>audio commentary for this, oh my god, that was an ordeal,

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<v Speaker 2>and he's kind of an ordeal for me. I really

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<v Speaker 2>missed the boat with him. When I watched him on

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<v Speaker 2>Last One Laughing recently. I liked him there, and he

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<v Speaker 2>was still doing the same shtick like making people laugh

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<v Speaker 2>what you're not supposed to do on that show, making

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<v Speaker 2>people laugh by just repeating the phrase delicious cheese sandwich

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<v Speaker 2>over and over and over again. I didn't necessarily get

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<v Speaker 2>that this was supposed to be in anti comedy. I

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<v Speaker 2>thought he was being sincere when it came to this film.

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<v Speaker 2>I have since rewatched it recently with that in mind.

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<v Speaker 2>I still don't find it that funny. There are things, obviously,

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<v Speaker 2>like the sausage song. I enjoy that. I didn't realize

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<v Speaker 2>that taping meat to his head was kind of his thing.

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<v Speaker 2>That was one of his first things that he did

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<v Speaker 2>on his early cable access show. It's not my style

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<v Speaker 2>of humor.

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<v Speaker 1>The thing that's good that you sent along with this,

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<v Speaker 1>and I think we can talk about him in parallel

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<v Speaker 1>because I think it helps is the documentary. There's a

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<v Speaker 1>documentary that just came out like in the last year

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<v Speaker 1>or two that actually he directed, which I was like,

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<v Speaker 1>oh God, I'm like people directing their own documentaries, like

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<v Speaker 1>we're in trouble. But I think that he did a

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<v Speaker 1>really nice job interrogating process where it all comes from,

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<v Speaker 1>and that repetition of word thing and some of his

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<v Speaker 1>humor choices that has been amped up. A lot of

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<v Speaker 1>that comes from, as he said, it came from Letterman,

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<v Speaker 1>and I can't help but think of the connection between

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<v Speaker 1>Letterman and how Letterman does that. And then also one

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<v Speaker 1>of my favorites who's also been on the show is

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<v Speaker 1>Chris Elliot. Chris Elliot was doing a lot of just

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<v Speaker 1>anti humor at a time in the eighties and early

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<v Speaker 1>nineties and people just they didn't even know what the

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<v Speaker 1>hell they were looking at what he was doing that stuff, Mike, you.

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<v Speaker 12>Mentioning Bam Margeria and I'm almost now you're making me

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<v Speaker 12>want to go down like some weird rabbit hole where

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<v Speaker 12>I have like a graph of which started first, because

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<v Speaker 12>I know Bam originally started doing that when he was

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<v Speaker 12>doing the Cky videos, which predate Jackass. And I'm just

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<v Speaker 12>outing myself on all things right now of coredutable comedy,

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<v Speaker 12>see k why I could take a relief skateboarding, but

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<v Speaker 12>there's some really just surreal comedy on those, particularly like

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<v Speaker 12>anything with Brandon Decamillo.

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<v Speaker 7>Like there's a song they did called Mustard Man. If

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<v Speaker 7>they did a whole song.

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<v Speaker 12>Of music video to torment a friend of theirs because

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<v Speaker 12>he hated mustards paper, that's funny.

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<v Speaker 7>It makes me laugh.

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<v Speaker 12>I'm curious like if the parallel, if there was like influences,

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<v Speaker 12>or if it was just like this weird zeitgeist of

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<v Speaker 12>just these young guys that yeah, we love punk rock,

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<v Speaker 12>we love skateboarding, and we love torturing our family and

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<v Speaker 12>being just really obnoxious and irreverent and.

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<v Speaker 7>Yeah, this is not for everybody.

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<v Speaker 12>I was actually really I think it's good that we

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<v Speaker 12>have you, like always you're a host. But I've known

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<v Speaker 12>way more people that hate not just like strong.

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<v Speaker 7>Oh it wasn't for me hate this.

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<v Speaker 12>Movie more than I've known people that really that really

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<v Speaker 12>liked it.

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<v Speaker 7>So this will be juicy, it'll be good.

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<v Speaker 2>It's interesting when it comes to the whole skateboarding video thing,

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<v Speaker 2>Like within just the last few months, I've interviewed a

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<v Speaker 2>few people, editors, sound guys where they got their star

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<v Speaker 2>start with skate videos and like even you know, growing up,

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<v Speaker 2>I was never a skateboarder because I have absolutely no

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<v Speaker 2>sense of balance, But I grew up with a lot

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<v Speaker 2>of friends who were skateboarders, and there was one among

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<v Speaker 2>them who was a videographer. He would record everything, he

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<v Speaker 2>would edit stuff, you know, the old VCR to VCR

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00:16:34.080 --> 00:16:37.320
<v Speaker 2>type of editing and everything. And then yeah, they started

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<v Speaker 2>to introduce skits into things. I'm sure a lot of

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<v Speaker 2>it was coming from, you know, the Thrasher videos that

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00:16:43.320 --> 00:16:45.840
<v Speaker 2>were out. I mean I remember them talking a lot

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<v Speaker 2>about the search for animal chin and just like being

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<v Speaker 2>very close to that culture, but also on the outs

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<v Speaker 2>of it, just because I you know, I knew who

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00:16:56.600 --> 00:17:00.279
<v Speaker 2>Stacy Peralta was. I knew Bill dan Forth who he was,

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<v Speaker 2>but I wasn't in that world necessarily. But yeah, it's

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<v Speaker 2>interesting how many people got their start in that world

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<v Speaker 2>and that are still obviously working in the industry today

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<v Speaker 2>that I'm still interviewing people and they're just like, oh, yeah,

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<v Speaker 2>I used to edit skate videos. It's like, that's pretty

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00:17:17.160 --> 00:17:20.880
<v Speaker 2>fucking cool that that's where a lot of diy ethos

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00:17:20.920 --> 00:17:21.480
<v Speaker 2>came from.

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<v Speaker 1>I'm on the younger end of gen X, so I'm like,

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00:17:25.960 --> 00:17:29.000
<v Speaker 1>on the cusp, you're a bit older than me, five

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00:17:29.119 --> 00:17:31.920
<v Speaker 1>six years older than me. So it seems like skate

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<v Speaker 1>kids that I knew when I was in like middle

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<v Speaker 1>school and stuff, they were all high school kids. There

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00:17:37.839 --> 00:17:39.359
<v Speaker 1>were a good five six years older. They were all

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<v Speaker 1>about your age, about what Tom Green's age was. So

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00:17:42.160 --> 00:17:45.680
<v Speaker 1>there was really this combination of punk rock and skate

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00:17:45.759 --> 00:17:48.559
<v Speaker 1>culture and early vhs like you could get your hands

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<v Speaker 1>on a camcorder and do stuff. Letterman was probably the

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<v Speaker 1>most out there at the time because the other thing

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<v Speaker 1>that was on at eleven thirty was Carson and he

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00:17:59.240 --> 00:18:03.640
<v Speaker 1>was just stayed and for their grandparents like him. By comparison,

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<v Speaker 1>like Letterman was really shaking things up.

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<v Speaker 2>And I just say I was absolutely thrilled watching that

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<v Speaker 2>Tom Green documentary the clips that he chose from David Letterman.

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<v Speaker 2>When the one clip came on and it was Letterman

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<v Speaker 2>who found this woman at her job and they had

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<v Speaker 2>been to her house. As soon as that came up,

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<v Speaker 2>I was like, oh my god, I remember this and

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00:18:27.920 --> 00:18:31.079
<v Speaker 2>like said the lines as he's saying them, see this guy,

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<v Speaker 2>he was sitting on your bed that killed me when

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00:18:34.640 --> 00:18:36.839
<v Speaker 2>I was younger, And it was just so great to

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00:18:36.839 --> 00:18:40.839
<v Speaker 2>see that clip again. Fucking Letterman was so awesome. And

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<v Speaker 2>I just loved the whole thread of how much Tom

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<v Speaker 2>Green loved Letterman and the excitement because I also read

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<v Speaker 2>a lot of Green's autobiography as well, and you know

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<v Speaker 2>he's there like yeah, And then Dave made fun of

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00:18:55.160 --> 00:18:57.599
<v Speaker 2>my forty dollars gap sweater and then they played the

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<v Speaker 2>clip and here he is, you know, coming out, and

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<v Speaker 2>it's like, oh, did you buy that sweater at the Gap?

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<v Speaker 1>It's like, yep, great.

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<v Speaker 2>It was so nice to see and to hear him

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00:19:08.480 --> 00:19:10.720
<v Speaker 2>meet his hero to me for my bud.

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<v Speaker 12>It was one of the best gags Tom Green ever

352
00:19:12.559 --> 00:19:15.440
<v Speaker 12>dide on his show was he was on like a

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<v Speaker 12>cruise ship, and there was one of the workers named

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<v Speaker 12>Cereal Kirks, and he's filled fifteen minutes be like the

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00:19:24.240 --> 00:19:27.599
<v Speaker 12>viol and we did this these stereal carpets.

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<v Speaker 3>What's your name?

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<v Speaker 2>Oh?

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<v Speaker 12>And I don't I'm not doing it justice because I

359
00:19:37.200 --> 00:19:40.519
<v Speaker 12>am not a comedian, nor am I Tom Green. But

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<v Speaker 12>to me, it was that irreverence. I've heard some people

361
00:19:43.279 --> 00:19:46.200
<v Speaker 12>hate on Jackass and I was like, always just grossed out.

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<v Speaker 12>But I'm like, but you kind of love these guys.

363
00:19:48.519 --> 00:19:50.680
<v Speaker 12>You get to know them as people, and you really

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00:19:50.680 --> 00:19:53.079
<v Speaker 12>do care about them, and you enjoy them, and sometimes

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<v Speaker 12>to the point where I don't even like seeing some

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00:19:54.839 --> 00:19:56.559
<v Speaker 12>of the stunts because I'm like, oh, I don't do that.

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<v Speaker 7>Don't do that to your butthole. You're a good guy.

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00:19:59.599 --> 00:20:02.359
<v Speaker 12>But it with Tom Grad, it was like to me,

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<v Speaker 12>it was always like when he would do the weirder

370
00:20:05.000 --> 00:20:10.079
<v Speaker 12>stuff that had that just that great strangeness about it,

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<v Speaker 12>because if anybody's just doing something that's just obvious and dumb,

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<v Speaker 12>it's not gonna stick. I've made the same defense for

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<v Speaker 12>Beavis and butthead where some people just we'd be well,

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<v Speaker 12>that shows dumb, and I'm like, it's actually very far

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00:20:20.720 --> 00:20:22.359
<v Speaker 12>from dumb, and it holds up.

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00:20:22.519 --> 00:20:24.240
<v Speaker 7>I love Beavis and butthead.

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<v Speaker 12>And it's fascinating this whole Zeit guys, all of this

378
00:20:26.920 --> 00:20:29.119
<v Speaker 12>stuff came coming from MTV in the nineties.

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<v Speaker 7>It's so weird to me watching this movie with the

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<v Speaker 7>budget it has. I don't know if this I mentioning

381
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<v Speaker 7>like the skateboard videos.

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00:20:35.079 --> 00:20:37.440
<v Speaker 12>I kept thinking, I wonder if this movie would hit

383
00:20:37.519 --> 00:20:39.960
<v Speaker 12>different if it had a fraction of the budget and

384
00:20:40.160 --> 00:20:44.519
<v Speaker 12>was shot real. DIY do it not like trash Humper's level,

385
00:20:44.599 --> 00:20:47.880
<v Speaker 12>but maybe keep the cast, keep all of that.

386
00:20:48.359 --> 00:20:51.599
<v Speaker 7>But because just that the way it was edited.

387
00:20:51.519 --> 00:20:54.440
<v Speaker 12>And all of that felt very Hollywood, but it didn't

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00:20:54.440 --> 00:20:56.799
<v Speaker 12>feel like a satire to me. That felt like the

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00:20:56.880 --> 00:20:59.319
<v Speaker 12>studio being like, we got to have some control over

390
00:20:59.400 --> 00:21:00.680
<v Speaker 12>this because this guy unhinged.

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00:21:01.559 --> 00:21:06.039
<v Speaker 1>The most unrealistic part of this movie is the fact

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00:21:06.480 --> 00:21:09.480
<v Speaker 1>that there's an American named Gord, thank you.

393
00:21:10.359 --> 00:21:11.640
<v Speaker 7>The most Canadian name.

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<v Speaker 1>I have never met in an American named Gordon as

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00:21:15.759 --> 00:21:20.200
<v Speaker 1>a detroiter, I have met many Canadians by Gord.

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00:21:21.160 --> 00:21:23.920
<v Speaker 12>I kept having that this kind act with Gory, what's

397
00:21:24.000 --> 00:21:25.279
<v Speaker 12>next versus hockey hair?

398
00:21:25.319 --> 00:21:26.680
<v Speaker 7>Are we gonna have a bag?

399
00:21:26.759 --> 00:21:30.160
<v Speaker 12>Of like poo like put ketchup potato chips at a

400
00:21:31.279 --> 00:21:34.680
<v Speaker 12>What was that like a Max Webster album in the background.

401
00:21:35.720 --> 00:21:36.759
<v Speaker 7>I love Max Webster.

402
00:21:37.359 --> 00:21:39.799
<v Speaker 1>You gotta get your double double from Timmy's That's right.

403
00:21:40.640 --> 00:21:44.079
<v Speaker 2>A lot of this movie does feel like there's something

404
00:21:44.119 --> 00:21:47.599
<v Speaker 2>about Mary at times, especially I mean having Harlan Williams

405
00:21:47.640 --> 00:21:50.559
<v Speaker 2>show up. I fucking love Harlan and Williams. Speaking of

406
00:21:50.599 --> 00:21:55.559
<v Speaker 2>another underrated comedy, Rocketman. He is so fucking good in Rocketman.

407
00:21:55.680 --> 00:21:59.319
<v Speaker 2>I love that movie. I really enjoy him, and you know,

408
00:21:59.440 --> 00:22:01.839
<v Speaker 2>he kind of threw it back to something about Mary.

409
00:22:01.880 --> 00:22:07.240
<v Speaker 2>And then even casting of Freddie himself, Eddie K. Thomas,

410
00:22:07.720 --> 00:22:10.480
<v Speaker 2>We're going right back to his role as Finch in

411
00:22:10.799 --> 00:22:13.880
<v Speaker 2>American Pie. So it's like interesting to see for me,

412
00:22:14.079 --> 00:22:17.119
<v Speaker 2>it's like this movie has already started to speak to

413
00:22:17.240 --> 00:22:19.279
<v Speaker 2>the movies that came before it, even with some of

414
00:22:19.319 --> 00:22:23.519
<v Speaker 2>the casting choices, and yeah, they are spectacular. I kind

415
00:22:23.519 --> 00:22:25.519
<v Speaker 2>of wish that Freddie had a little bit more to do.

416
00:22:25.680 --> 00:22:29.240
<v Speaker 2>He is great playing this dweeb and just playing that

417
00:22:29.759 --> 00:22:32.160
<v Speaker 2>daddy's boy. Just you know, I'm the one that got

418
00:22:32.200 --> 00:22:34.440
<v Speaker 2>the job. I'm the one that you know, is fulfilling

419
00:22:34.960 --> 00:22:38.599
<v Speaker 2>the promises and the dreams of our parents. And he's

420
00:22:38.720 --> 00:22:41.400
<v Speaker 2>just such a little dickhead and he's.

421
00:22:41.240 --> 00:22:44.960
<v Speaker 1>Totally disrespected, Like in that one scene where it's oh,

422
00:22:45.039 --> 00:22:46.400
<v Speaker 1>I got to go to work and all this and

423
00:22:46.519 --> 00:22:49.839
<v Speaker 1>that great dad it is rip towards whatever. It's like

424
00:22:49.960 --> 00:22:53.160
<v Speaker 1>he doesn't like any of his kids, like either of them.

425
00:22:53.559 --> 00:22:53.839
<v Speaker 3>Really.

426
00:22:54.759 --> 00:22:58.319
<v Speaker 12>The number one son license play on the lombaron and

427
00:22:58.480 --> 00:23:01.559
<v Speaker 12>I love that God is just it's me.

428
00:23:02.160 --> 00:23:04.960
<v Speaker 7>I'm the number one son. This is number one son

429
00:23:05.039 --> 00:23:05.880
<v Speaker 7>in the license plate.

430
00:23:06.119 --> 00:23:06.440
<v Speaker 1>That's me.

431
00:23:06.599 --> 00:23:07.720
<v Speaker 8>I'm the number one son.

432
00:23:08.880 --> 00:23:09.400
<v Speaker 3>What about me?

433
00:23:09.559 --> 00:23:11.759
<v Speaker 13>Mom? You're number one son too?

434
00:23:11.960 --> 00:23:14.720
<v Speaker 3>But how come Gord gets a leb Baron and I don't?

435
00:23:14.920 --> 00:23:16.720
<v Speaker 14>It's because they love me more than they love you?

436
00:23:16.960 --> 00:23:18.200
<v Speaker 4>No, no, no, they don't.

437
00:23:18.359 --> 00:23:21.160
<v Speaker 14>Yeah, I only see one LeBaron, Freddy. I only see one.

438
00:23:21.200 --> 00:23:26.640
<v Speaker 14>I don't see two lebarons. Where's your le baron, Freddy?

439
00:23:26.720 --> 00:23:34.039
<v Speaker 14>Where's your lebarono? How many lionsd this?

440
00:23:34.279 --> 00:23:36.920
<v Speaker 1>This car is more than a gift. It's it's kind

441
00:23:36.960 --> 00:23:41.599
<v Speaker 1>of an investment in you. It means I believe in

442
00:23:41.720 --> 00:23:42.160
<v Speaker 1>my son.

443
00:23:43.240 --> 00:23:44.039
<v Speaker 3>You'd be a good man.

444
00:23:45.480 --> 00:23:45.720
<v Speaker 7>Father.

445
00:23:45.799 --> 00:23:50.240
<v Speaker 1>I will be a good man. You make your daddy proud.

446
00:23:50.640 --> 00:23:53.960
<v Speaker 7>You hear me, I'm gonna make you proud, daddy.

447
00:23:54.799 --> 00:23:56.200
<v Speaker 2>I'm gonna make you so proud.

448
00:23:58.799 --> 00:23:59.839
<v Speaker 1>You make your daddy proud.

449
00:24:01.279 --> 00:24:01.880
<v Speaker 7>You're gonna be so.

450
00:24:02.000 --> 00:24:03.400
<v Speaker 3>Proud, bro.

451
00:24:06.119 --> 00:24:06.480
<v Speaker 1>Proud.

452
00:24:10.720 --> 00:24:12.279
<v Speaker 3>Get the fuck out of the line.

453
00:24:15.319 --> 00:24:20.480
<v Speaker 12>Of the casting in this movie, so we get the casting.

454
00:24:21.799 --> 00:24:26.400
<v Speaker 12>Rip Torn, for my money is and there are things

455
00:24:26.440 --> 00:24:27.359
<v Speaker 12>I love about this film.

456
00:24:27.400 --> 00:24:30.000
<v Speaker 7>I'm obviously not a hater. He is the best thing

457
00:24:30.039 --> 00:24:33.119
<v Speaker 7>in this movie, Ripped Torn. And it shocks me.

458
00:24:33.240 --> 00:24:35.039
<v Speaker 12>And of course it's the date malaged my very. I

459
00:24:35.039 --> 00:24:37.720
<v Speaker 12>don't know how true, and neither is that he wasn't

460
00:24:37.799 --> 00:24:41.119
<v Speaker 12>even the first choice. And I'm like, and some of

461
00:24:41.160 --> 00:24:44.519
<v Speaker 12>the choices I saw that they vetted before or tried

462
00:24:44.559 --> 00:24:46.960
<v Speaker 12>to vote, and it didn't happen before Torn. I was

463
00:24:47.079 --> 00:24:49.400
<v Speaker 12>like Gary Shandler, like they just went to the Larry

464
00:24:49.480 --> 00:24:52.960
<v Speaker 12>Sander cast basically and to a tour with third I

465
00:24:53.000 --> 00:24:54.799
<v Speaker 12>cannot imagine Gery Shandling in this role.

466
00:24:55.200 --> 00:24:56.000
<v Speaker 7>I can't imagine.

467
00:24:56.599 --> 00:25:01.240
<v Speaker 12>Maybe I like Jeffrey Tambor, He's awesome, but no nobody

468
00:25:01.319 --> 00:25:03.400
<v Speaker 12>else could do this role. But Rip Torn, Ripped Torn,

469
00:25:04.119 --> 00:25:06.559
<v Speaker 12>has that chaos element in him.

470
00:25:07.480 --> 00:25:08.559
<v Speaker 7>He is chaos.

471
00:25:08.759 --> 00:25:11.519
<v Speaker 12>If he was a woman, he'd be Heiress, the goddess

472
00:25:11.599 --> 00:25:16.839
<v Speaker 12>of chaos that is rip Torn. And he also has

473
00:25:17.000 --> 00:25:21.000
<v Speaker 12>that underground, a reverent spirit about him, even he's the

474
00:25:21.160 --> 00:25:24.720
<v Speaker 12>like outer limits then doing like Maidstone in the sixties

475
00:25:24.759 --> 00:25:28.039
<v Speaker 12>and doing wild avant garn theater and so retards. It

476
00:25:28.160 --> 00:25:32.279
<v Speaker 12>perfect to do this kind of like insane, very anti

477
00:25:32.480 --> 00:25:37.799
<v Speaker 12>mainstream comedy with a completely mainstream bud and distribution. He's

478
00:25:37.920 --> 00:25:41.000
<v Speaker 12>perfect and he's so angry in this film. It's like

479
00:25:41.119 --> 00:25:44.599
<v Speaker 12>he was doing Angel Tossed in the Trail a theater

480
00:25:44.720 --> 00:25:46.519
<v Speaker 12>and I love him well.

481
00:25:46.400 --> 00:25:50.160
<v Speaker 2>And he never stopped working. But there was that weird

482
00:25:50.359 --> 00:25:52.680
<v Speaker 2>bump that he got from Men in Black where it

483
00:25:52.799 --> 00:25:55.839
<v Speaker 2>was just like, remember this guy, Like, like I said,

484
00:25:55.920 --> 00:25:59.240
<v Speaker 2>he hadn't gone away. He was Hercules that same year.

485
00:25:59.400 --> 00:26:02.160
<v Speaker 2>He had been in down Periscope a few years prior

486
00:26:02.240 --> 00:26:06.920
<v Speaker 2>to that, like he's always been around Canadian Bacon another classic.

487
00:26:07.319 --> 00:26:10.480
<v Speaker 2>But it's like he got that little bump from Men

488
00:26:10.559 --> 00:26:12.799
<v Speaker 2>in Black and it was just like, look out, he's back.

489
00:26:12.880 --> 00:26:15.400
<v Speaker 2>And Ripped Torn, by the way, I always used to

490
00:26:15.480 --> 00:26:21.200
<v Speaker 2>confuse him with Rip Taylor, because Rip Torn obviously is

491
00:26:21.240 --> 00:26:24.480
<v Speaker 2>a joke name, and then Rip Taylor doesn't have a

492
00:26:24.599 --> 00:26:26.759
<v Speaker 2>joke name, but I always mix those two up because

493
00:26:26.759 --> 00:26:28.519
<v Speaker 2>I was just like, well, of course, the guy whose

494
00:26:28.599 --> 00:26:33.640
<v Speaker 2>name Rip Torn is throwing confetti everywhere and another nice

495
00:26:33.680 --> 00:26:35.880
<v Speaker 2>little nod to the end of the first Jeckass movie.

496
00:26:36.759 --> 00:26:38.559
<v Speaker 1>And that's why I had to send you guys the

497
00:26:38.640 --> 00:26:42.960
<v Speaker 1>bit about Maidstone, because I'm like, if Tom Green was

498
00:26:43.000 --> 00:26:44.839
<v Speaker 1>a pain in the ass director, which I don't know

499
00:26:44.920 --> 00:26:47.400
<v Speaker 1>if he was or not, I'm like, that's nothing compared

500
00:26:47.440 --> 00:26:51.000
<v Speaker 1>to what Ripped Torn dealing with Norman Mayler in their fight,

501
00:26:51.079 --> 00:26:53.960
<v Speaker 1>which included a hammer to the skull and someone getting

502
00:26:53.960 --> 00:26:58.039
<v Speaker 1>their ear bitting off. I'll uh, Mike Tyson, it's crazy.

503
00:26:59.039 --> 00:27:01.680
<v Speaker 7>We're already having a wave in the theory as it is.

504
00:27:01.880 --> 00:27:05.480
<v Speaker 12>And then I'm thinking about young viral Rip Torn on

505
00:27:05.920 --> 00:27:10.079
<v Speaker 12>probably twenty hits to ask hidden Norman Mayler, who was

506
00:27:10.119 --> 00:27:13.400
<v Speaker 12>such a knob of Layton Mayler. Just it's a terrible person,

507
00:27:13.759 --> 00:27:16.519
<v Speaker 12>stabbed his pregnant wife at one point, by the way,

508
00:27:17.000 --> 00:27:20.119
<v Speaker 12>so fuck him. And there's Rip cool as a cucumber,

509
00:27:20.319 --> 00:27:23.319
<v Speaker 12>call him baby baby the Norman's I could just we

510
00:27:23.359 --> 00:27:25.599
<v Speaker 12>could do ahole episode on just that scene of Maidstone.

511
00:27:25.680 --> 00:27:29.599
<v Speaker 7>I would be so glad to guess on that towards perfect.

512
00:27:29.799 --> 00:27:33.480
<v Speaker 7>He's perfect in this film and it's spanking his fair

513
00:27:33.680 --> 00:27:35.119
<v Speaker 7>ass going fucking ly.

514
00:27:35.440 --> 00:27:38.640
<v Speaker 2>Fuck Lee Core, you want a fucking daddy, Fuck you daddy,

515
00:27:38.799 --> 00:27:39.480
<v Speaker 2>Fuck you daddy.

516
00:27:39.559 --> 00:27:43.920
<v Speaker 7>It's not right. It's riptort and somebody and Gary shambling

517
00:27:43.960 --> 00:27:44.240
<v Speaker 7>during that.

518
00:27:44.359 --> 00:27:48.119
<v Speaker 12>I can't, I can't, and he would probably just sound

519
00:27:48.200 --> 00:27:50.680
<v Speaker 12>like embarrassed trying to say the lights fuck fuck me.

520
00:27:51.200 --> 00:27:51.519
<v Speaker 7>I don't know.

521
00:27:51.599 --> 00:27:55.440
<v Speaker 12>I can't do Gary Shanley, but ripptorn and having Julie

522
00:27:55.519 --> 00:27:59.720
<v Speaker 12>Haggardy that's the mother like great Julie Haggerty. I always

523
00:27:59.759 --> 00:28:02.359
<v Speaker 12>loved seeing her pop up in something. She's always just

524
00:28:02.480 --> 00:28:04.880
<v Speaker 12>like a familiar light for me, which she when I

525
00:28:04.920 --> 00:28:05.559
<v Speaker 12>see he in a movie.

526
00:28:06.160 --> 00:28:09.160
<v Speaker 2>Little underdone as far as her role goes, like I

527
00:28:09.240 --> 00:28:10.799
<v Speaker 2>wish there was a little bit more of her, but

528
00:28:11.160 --> 00:28:14.440
<v Speaker 2>she's basically the long suffering wife. I do like that

529
00:28:14.640 --> 00:28:16.880
<v Speaker 2>she ends up leaving him and starts getting some of

530
00:28:16.920 --> 00:28:18.039
<v Speaker 2>that good dick from.

531
00:28:18.039 --> 00:28:22.160
<v Speaker 12>Shack, who's like angsteeing out she has she has got

532
00:28:22.640 --> 00:28:26.839
<v Speaker 12>him what would be the opposite of digmatized vagina tized,

533
00:28:27.640 --> 00:28:28.960
<v Speaker 12>I got this person for you.

534
00:28:30.440 --> 00:28:34.440
<v Speaker 7>Like embarrassed for her. It's it's so I'm just like, oh,

535
00:28:34.720 --> 00:28:37.400
<v Speaker 7>that's lovely, go get that, you go.

536
00:28:37.759 --> 00:28:37.799
<v Speaker 9>Go.

537
00:28:38.000 --> 00:28:41.920
<v Speaker 12>Julie Haggerty. No granted being with the melee griptorn that

538
00:28:42.119 --> 00:28:44.480
<v Speaker 12>this is a rip tour. This is the gim character

539
00:28:45.039 --> 00:28:51.240
<v Speaker 12>I think, who's even more angry and maybe equally legal

540
00:28:52.119 --> 00:28:53.559
<v Speaker 12>polititious an action.

541
00:28:54.200 --> 00:28:59.200
<v Speaker 7>But but yeah, this this family dynamic and then you

542
00:28:59.319 --> 00:29:02.640
<v Speaker 7>have Gore does a character. Now's the question I have

543
00:29:02.759 --> 00:29:04.039
<v Speaker 7>for you from both year.

544
00:29:04.920 --> 00:29:08.880
<v Speaker 12>Do you feel like Gord as a character simultaneously uplifts

545
00:29:08.920 --> 00:29:11.720
<v Speaker 12>the film because some of the funny spits are som green,

546
00:29:12.400 --> 00:29:17.559
<v Speaker 12>But then his character is such a bad penny for

547
00:29:17.759 --> 00:29:21.519
<v Speaker 12>everything he touches that it's sometimes it's it's not funny,

548
00:29:21.559 --> 00:29:25.000
<v Speaker 12>it's just, oh, Jeeve, Gord, you have such a nice

549
00:29:25.039 --> 00:29:26.000
<v Speaker 12>Canadian name.

550
00:29:25.880 --> 00:29:26.599
<v Speaker 3>What are you doing?

551
00:29:27.759 --> 00:29:30.559
<v Speaker 1>On one level, I could relate to his character because

552
00:29:30.720 --> 00:29:34.559
<v Speaker 1>I got that they're working class, Like dad works at

553
00:29:34.559 --> 00:29:40.279
<v Speaker 1>the mill or something, and he wants a creative life.

554
00:29:40.480 --> 00:29:43.559
<v Speaker 1>He wants to be this cartoonist. And in the beginning

555
00:29:43.720 --> 00:29:46.319
<v Speaker 1>when he's drawing this X ray cat cartoon and he's like,

556
00:29:46.400 --> 00:29:49.119
<v Speaker 1>I'm gonna get be an animator and this is like

557
00:29:49.200 --> 00:29:53.160
<v Speaker 1>his goal and so that's the basically the main driver

558
00:29:53.359 --> 00:29:55.359
<v Speaker 1>for him is to try and figure out how to

559
00:29:55.519 --> 00:29:59.599
<v Speaker 1>establish himself. So there's part of me that like can

560
00:29:59.680 --> 00:30:03.200
<v Speaker 1>relate to that oh man, like, I'm so far away

561
00:30:03.240 --> 00:30:06.079
<v Speaker 1>from ever having a creative life because basically the best

562
00:30:06.119 --> 00:30:08.279
<v Speaker 1>I could do would be to go work at the bank,

563
00:30:09.039 --> 00:30:13.200
<v Speaker 1>which is what the other character has so his brother,

564
00:30:14.000 --> 00:30:16.440
<v Speaker 1>so to me, I can relate to that. At the

565
00:30:16.519 --> 00:30:21.319
<v Speaker 1>same time, his character's gone if you did the things

566
00:30:21.400 --> 00:30:24.920
<v Speaker 1>he does in reality. Like I said, you have to

567
00:30:25.039 --> 00:30:27.519
<v Speaker 1>look at this as a cartoon to a certain extent,

568
00:30:27.640 --> 00:30:30.799
<v Speaker 1>because if you were going to take this as sincerity,

569
00:30:31.440 --> 00:30:35.720
<v Speaker 1>like just him stopping the car and running over to

570
00:30:35.799 --> 00:30:40.920
<v Speaker 1>the farm and helping out with the stud the stud horse,

571
00:30:41.640 --> 00:30:45.279
<v Speaker 1>I think that might get you institutionalized. They might be

572
00:30:46.720 --> 00:30:50.599
<v Speaker 1>doing a McMurphy on there, McMurray on you there. It's

573
00:30:51.119 --> 00:30:53.960
<v Speaker 1>at the end because you're just a little too unhinged.

574
00:30:54.920 --> 00:30:57.680
<v Speaker 1>But the one thing that I really love about this,

575
00:30:57.920 --> 00:31:01.680
<v Speaker 1>and we talk about the other characters, is I really

576
00:31:01.839 --> 00:31:04.799
<v Speaker 1>love the Betty character. And that was the thing that

577
00:31:05.119 --> 00:31:09.759
<v Speaker 1>really I absolutely connected to in this film. I said, Wow,

578
00:31:09.880 --> 00:31:14.079
<v Speaker 1>I'm like, here's a character who she's a woman who

579
00:31:14.119 --> 00:31:19.920
<v Speaker 1>has sexual agency, who's in a wheelchair, and it doesn't

580
00:31:20.000 --> 00:31:23.319
<v Speaker 1>face him at all. He's just like, big deal, Like

581
00:31:23.440 --> 00:31:25.920
<v Speaker 1>she's in a wheelchair. And other people comment about the

582
00:31:26.039 --> 00:31:29.119
<v Speaker 1>fact that she's in a wheelchair as a handicap, but

583
00:31:29.480 --> 00:31:33.839
<v Speaker 1>she does not allow that and those expectations to stop

584
00:31:33.960 --> 00:31:36.640
<v Speaker 1>what she wants to do. And I was like that,

585
00:31:36.960 --> 00:31:39.160
<v Speaker 1>I think is one of the rare things where it's like, oh,

586
00:31:39.279 --> 00:31:43.759
<v Speaker 1>you pitied, it's so sad. There's always this pity for

587
00:31:43.839 --> 00:31:47.400
<v Speaker 1>the disabled character, and not in this movie, like she's

588
00:31:47.720 --> 00:31:50.960
<v Speaker 1>treated just any other normal quote unquote, and I'm using

589
00:31:50.960 --> 00:31:54.240
<v Speaker 1>her quotes normal person, which which I thought that was

590
00:31:55.000 --> 00:31:58.720
<v Speaker 1>rather bold and interesting given the time. I don't think

591
00:31:58.720 --> 00:31:59.680
<v Speaker 1>anyone's doing that. Then.

592
00:32:00.480 --> 00:32:04.119
<v Speaker 12>Oh my god, I love Betty that much Marisa Coughlin

593
00:32:05.079 --> 00:32:07.000
<v Speaker 12>or Marissa Coughlin I could be doing.

594
00:32:07.759 --> 00:32:11.440
<v Speaker 7>She's dynamite here. I loved her performance so much.

595
00:32:11.680 --> 00:32:16.000
<v Speaker 12>I love her weird little sort of beavisy kit like giggle,

596
00:32:16.079 --> 00:32:20.160
<v Speaker 12>like she got this little stouter giggle like that. But

597
00:32:20.279 --> 00:32:24.160
<v Speaker 12>she's as unhinged in some ways as Gored. After he

598
00:32:24.240 --> 00:32:26.599
<v Speaker 12>first meets Betty and she, oh, yeah, he was my

599
00:32:26.759 --> 00:32:29.079
<v Speaker 12>number and he's selling his like harl William's character is,

600
00:32:29.200 --> 00:32:32.039
<v Speaker 12>Oh my god, it's so weird. I asked to girl out.

601
00:32:32.160 --> 00:32:34.799
<v Speaker 7>She said yes, and he's about to but he's like, yeah,

602
00:32:34.880 --> 00:32:38.000
<v Speaker 7>it is weird. Her likes don't work or something.

603
00:32:38.160 --> 00:32:41.279
<v Speaker 12>But then that's dropped like it's not really, it's like, okay,

604
00:32:41.359 --> 00:32:45.920
<v Speaker 12>cool whatever, Like it's not. It's a non issue, which

605
00:32:46.119 --> 00:32:47.799
<v Speaker 12>is super refreshing.

606
00:32:48.079 --> 00:32:48.359
<v Speaker 7>It's not.

607
00:32:49.000 --> 00:32:51.920
<v Speaker 12>It's not made into any sort of like after school

608
00:32:51.960 --> 00:32:53.160
<v Speaker 12>special kind of vibes.

609
00:32:53.920 --> 00:32:58.000
<v Speaker 7>And another thing other than like a slur that Jim

610
00:32:58.319 --> 00:33:01.400
<v Speaker 7>for Torm's character yells at Freddy and Harlan Williams outside,

611
00:33:02.440 --> 00:33:05.279
<v Speaker 7>there's no like homophobia. There's no.

612
00:33:05.680 --> 00:33:09.720
<v Speaker 12>And this era was rife with gay jokes and and

613
00:33:09.839 --> 00:33:15.119
<v Speaker 12>also a lot of sexism, and neither one. Now the women,

614
00:33:15.240 --> 00:33:19.400
<v Speaker 12>the women, Julie Hagerty's kind of she blazes her bother man,

615
00:33:19.759 --> 00:33:23.119
<v Speaker 12>I'm out, I'm gonna get with Shack, and Betty's just,

616
00:33:23.519 --> 00:33:26.400
<v Speaker 12>oh my god, my favorite. And the way Coughlin delivers

617
00:33:26.440 --> 00:33:29.680
<v Speaker 12>this line nails me. It just kills me, because like

618
00:33:29.839 --> 00:33:32.599
<v Speaker 12>they have their reunion and he's given her jewels and

619
00:33:32.680 --> 00:33:34.759
<v Speaker 12>she's doing that big teary eyed where's I don't want

620
00:33:34.799 --> 00:33:35.359
<v Speaker 12>your jewels?

621
00:33:35.440 --> 00:33:37.319
<v Speaker 7>And you think she's gonna say, I just want your love,

622
00:33:37.400 --> 00:33:39.440
<v Speaker 7>and she's like, I just want to suck a cock.

623
00:33:40.039 --> 00:33:42.680
<v Speaker 1>That's what I love about that. It's no good.

624
00:33:43.319 --> 00:33:45.960
<v Speaker 2>I love that she just wants to suck his cock,

625
00:33:46.079 --> 00:33:48.720
<v Speaker 2>wants to have her legs beaten with a bamboo pole,

626
00:33:49.599 --> 00:33:53.480
<v Speaker 2>And I also love his response to that, like he

627
00:33:53.640 --> 00:33:57.599
<v Speaker 2>does indulge her fetish both both times we see them together.

628
00:33:57.720 --> 00:34:00.279
<v Speaker 2>In early part of the film, he's beating her life eggs.

629
00:34:00.359 --> 00:34:02.200
<v Speaker 2>He screws up and hits her in the face at

630
00:34:02.240 --> 00:34:05.279
<v Speaker 2>one point, but once he understands that, he's like, okay,

631
00:34:05.359 --> 00:34:07.319
<v Speaker 2>and then even like offers up his knee to be

632
00:34:07.440 --> 00:34:11.320
<v Speaker 2>hit and everything, but the whole thing of her just

633
00:34:11.360 --> 00:34:13.159
<v Speaker 2>one suck his cock, and he's just like, well, can

634
00:34:13.239 --> 00:34:16.719
<v Speaker 2>we just go out for dinner? Like it's not that

635
00:34:17.119 --> 00:34:20.960
<v Speaker 2>you know, Peter Venkman, when Dana's coming on to me,

636
00:34:21.000 --> 00:34:22.719
<v Speaker 2>he's like, oh all right, well no, no, no, I

637
00:34:22.719 --> 00:34:25.119
<v Speaker 2>shouldn't like because you know Venkman wants to hit that

638
00:34:25.280 --> 00:34:27.760
<v Speaker 2>even though Dana's not in her right mind. But Gord

639
00:34:28.079 --> 00:34:30.400
<v Speaker 2>is very just like, oh, no, I actually want to

640
00:34:30.440 --> 00:34:32.320
<v Speaker 2>go out on a date with you, Like we've had

641
00:34:32.400 --> 00:34:35.800
<v Speaker 2>two dates. Neither one of our dates because both times

642
00:34:35.840 --> 00:34:38.000
<v Speaker 2>you end up sucking my cock. And it's like he

643
00:34:38.119 --> 00:34:40.239
<v Speaker 2>actually wants to take her to a fancy restaurant, sir,

644
00:34:40.360 --> 00:34:41.679
<v Speaker 2>this is a fancy restaurant.

645
00:34:42.280 --> 00:34:45.199
<v Speaker 1>And that's what I also liked about it was that's

646
00:34:45.280 --> 00:34:47.960
<v Speaker 1>the thing he's uncomfortable about. It's just like that she

647
00:34:48.159 --> 00:34:50.119
<v Speaker 1>has his agency, and at first he's kind of like,

648
00:34:50.599 --> 00:34:52.840
<v Speaker 1>I don't know how to deal with that. Aren't we

649
00:34:52.920 --> 00:34:55.000
<v Speaker 1>supposed to go to dinner and hold.

650
00:34:54.880 --> 00:34:56.679
<v Speaker 7>Hands and be romantic?

651
00:34:57.280 --> 00:34:57.480
<v Speaker 1>Yeah?

652
00:34:58.239 --> 00:35:01.599
<v Speaker 2>Right, Yeah, he's just that's a good Portland boy, you know,

653
00:35:01.840 --> 00:35:05.719
<v Speaker 2>wants to with the Canadian name. He wants to hold hands. Yeah,

654
00:35:06.039 --> 00:35:08.639
<v Speaker 2>doesn't want all that cocksucking all the time, even though

655
00:35:08.719 --> 00:35:12.639
<v Speaker 2>she's voracious, even and she doesn't even question too much

656
00:35:12.880 --> 00:35:16.000
<v Speaker 2>him having a umbilical core duct tape to his stomach.

657
00:35:16.519 --> 00:35:19.079
<v Speaker 12>I love that she like arches her eyebrow and then

658
00:35:19.159 --> 00:35:21.960
<v Speaker 12>after he explains that she's oh, I could work around that.

659
00:35:22.400 --> 00:35:26.320
<v Speaker 12>She's like such a trooper. She loves at Falacio. She

660
00:35:26.679 --> 00:35:31.320
<v Speaker 12>is down for the crime. And yeah, the ubilical cordus gross.

661
00:35:31.400 --> 00:35:34.199
<v Speaker 12>There are some gags and this film that actually hit

662
00:35:34.320 --> 00:35:37.360
<v Speaker 12>me more gross and raw now that I think they

663
00:35:37.440 --> 00:35:39.480
<v Speaker 12>did when I was younger. I don't know if that's

664
00:35:39.519 --> 00:35:43.679
<v Speaker 12>just because of getting older, or if it's just sobriety.

665
00:35:44.440 --> 00:35:47.920
<v Speaker 12>It's probably the combination, and this one will only probably

666
00:35:48.000 --> 00:35:50.760
<v Speaker 12>hit people funny if they've seen the movie, because describing

667
00:35:50.800 --> 00:35:52.880
<v Speaker 12>it is not gonna do it justice. But after he

668
00:35:52.960 --> 00:35:55.000
<v Speaker 12>meets with the great I loved Anthony Michael Holl in

669
00:35:55.039 --> 00:35:56.920
<v Speaker 12>this film. By the way, he's a charactor. I always

670
00:35:56.960 --> 00:35:59.440
<v Speaker 12>just loves seeing them. Anthony Michael Hall is great and

671
00:35:59.639 --> 00:36:02.920
<v Speaker 12>he gives he's actually really good advice like that may

672
00:36:02.960 --> 00:36:05.519
<v Speaker 12>be the most unrealistic thing in this film. Actually is

673
00:36:05.679 --> 00:36:11.400
<v Speaker 12>a successful entrepreneur in Hollywood giving helpful advice to a

674
00:36:11.880 --> 00:36:14.239
<v Speaker 12>somebody who's very green. But he's just You're like, the

675
00:36:14.320 --> 00:36:17.480
<v Speaker 12>drawings are good, the story sucks. You need to work

676
00:36:17.559 --> 00:36:19.400
<v Speaker 12>on the story. She need to get inside these characters.

677
00:36:19.440 --> 00:36:22.760
<v Speaker 12>You'd inside these animals that you were drawing. And Tom

678
00:36:22.800 --> 00:36:26.519
<v Speaker 12>Green seeing a dead deer carcass is an old, dead, horned,

679
00:36:26.880 --> 00:36:31.039
<v Speaker 12>antlered animal cuts it guts right in the little street

680
00:36:31.119 --> 00:36:33.960
<v Speaker 12>and where is it like a cape. He's like, like

681
00:36:34.119 --> 00:36:36.800
<v Speaker 12>that make you and then he gets it by a

682
00:36:36.960 --> 00:36:39.920
<v Speaker 12>semi and then the guy checks on him.

683
00:36:39.920 --> 00:36:42.840
<v Speaker 7>He's covered in like old road killed blood and he.

684
00:36:42.960 --> 00:36:46.400
<v Speaker 12>Just starts laughing maniacally, going greed, Tom greed, but he

685
00:36:46.519 --> 00:36:49.599
<v Speaker 12>gets super unhinged in the way he does that.

686
00:36:49.760 --> 00:36:51.000
<v Speaker 7>He does it so well.

687
00:36:51.119 --> 00:36:54.039
<v Speaker 12>It always makes me laugh, like he's just so good

688
00:36:54.119 --> 00:36:59.000
<v Speaker 12>at committing to just the intensity these intensities, he's just

689
00:36:59.360 --> 00:37:00.440
<v Speaker 12>it's but he's on.

690
00:37:00.880 --> 00:37:03.639
<v Speaker 7>He just added out it always tickles my funny bone.

691
00:37:04.079 --> 00:37:08.159
<v Speaker 1>Those notes that he gives him about the X Ray

692
00:37:08.239 --> 00:37:13.280
<v Speaker 1>cant Animation show feels like a meta commentary on the

693
00:37:13.320 --> 00:37:17.079
<v Speaker 1>film itself. It feels exactly like, you've got this idea,

694
00:37:17.159 --> 00:37:19.400
<v Speaker 1>but it doesn't quite work and all this. So he

695
00:37:20.239 --> 00:37:24.400
<v Speaker 1>it's almost like he's explaining why the movie is the

696
00:37:24.480 --> 00:37:29.840
<v Speaker 1>way it is. To a certain it's interesting. But I

697
00:37:29.960 --> 00:37:33.440
<v Speaker 1>also thought when he puts the the animal carcass on

698
00:37:33.559 --> 00:37:37.159
<v Speaker 1>and does the dance, I was like, I never knew

699
00:37:37.199 --> 00:37:40.480
<v Speaker 1>that this was an inspiration for Midsummer If.

700
00:37:40.559 --> 00:37:44.719
<v Speaker 12>Rip Torn's role in this film, if his performance inspired

701
00:37:44.800 --> 00:37:48.679
<v Speaker 12>him being cast for Dodgeball, because not about three years later,

702
00:37:49.239 --> 00:37:52.519
<v Speaker 12>and I feel like there's a similar dynamic.

703
00:37:53.639 --> 00:37:56.440
<v Speaker 2>Yeah, that's the old man kind of thing. Yeah, you

704
00:37:56.519 --> 00:37:58.119
<v Speaker 2>can dodge a wrench, you can dodge a ball.

705
00:37:58.920 --> 00:38:00.920
<v Speaker 12>To your point, Mike, this was in that mid period

706
00:38:00.960 --> 00:38:05.559
<v Speaker 12>between like Larry Sanders and the first minute Black and

707
00:38:05.639 --> 00:38:07.840
<v Speaker 12>then later on mid of Black two and then Dodgeball.

708
00:38:07.840 --> 00:38:12.400
<v Speaker 12>Because definitely Dodgeball really further amped up the You know,

709
00:38:12.639 --> 00:38:13.920
<v Speaker 12>I won't call it a comeback.

710
00:38:13.639 --> 00:38:17.079
<v Speaker 7>Because he's been there for years, but definitely the more

711
00:38:17.280 --> 00:38:22.280
<v Speaker 7>like newer generation awareness of return. But yeah, oh god,

712
00:38:22.360 --> 00:38:23.079
<v Speaker 7>it's someone.

713
00:38:23.719 --> 00:38:27.559
<v Speaker 2>Talking about this movie being a parody of other quote

714
00:38:27.599 --> 00:38:30.679
<v Speaker 2>unquote gross out comedies. I mean, obviously he's going to

715
00:38:30.719 --> 00:38:34.960
<v Speaker 2>go farther than anybody ever has before, just because he's

716
00:38:35.199 --> 00:38:38.079
<v Speaker 2>one making a point about stuff, and two he's Tom Green.

717
00:38:38.639 --> 00:38:40.960
<v Speaker 2>So like the whole thing with the roadkill, from what

718
00:38:41.039 --> 00:38:43.119
<v Speaker 2>I understand, that's where the line and the M and

719
00:38:43.280 --> 00:38:45.880
<v Speaker 2>M song about humping a dead moose came from, and

720
00:38:45.960 --> 00:38:49.440
<v Speaker 2>that was part of his show. It's amazing to hear

721
00:38:49.760 --> 00:38:52.559
<v Speaker 2>him talk about or to see some of these clips

722
00:38:52.599 --> 00:38:54.599
<v Speaker 2>from his show and realize that so many of the

723
00:38:54.719 --> 00:38:57.400
<v Speaker 2>things that he's doing in this movie are basically like

724
00:38:58.440 --> 00:39:02.599
<v Speaker 2>riffs on the show, or references to things that were

725
00:39:02.679 --> 00:39:04.599
<v Speaker 2>on the show, or even references just the things in

726
00:39:04.679 --> 00:39:06.679
<v Speaker 2>real life. You talked about in the commentary about how

727
00:39:06.719 --> 00:39:09.639
<v Speaker 2>he had a friend who would talk about business, and

728
00:39:09.800 --> 00:39:11.719
<v Speaker 2>you know, you you buy the stocks when they're when

729
00:39:11.719 --> 00:39:14.320
<v Speaker 2>they're really low, and then you sell them when they're

730
00:39:14.360 --> 00:39:16.679
<v Speaker 2>when they're high, and you buy them low and then

731
00:39:16.760 --> 00:39:18.559
<v Speaker 2>you sell them when they're high and you're just doing

732
00:39:18.639 --> 00:39:21.960
<v Speaker 2>that thing. And he also I guess they did the

733
00:39:22.000 --> 00:39:26.199
<v Speaker 2>whole thing with the phone with the tape recorder and

734
00:39:26.480 --> 00:39:28.400
<v Speaker 2>then you know, yelling like you know, you look at

735
00:39:28.400 --> 00:39:31.199
<v Speaker 2>your desk, you're fucking fired, like all that stuff. It's

736
00:39:31.280 --> 00:39:34.719
<v Speaker 2>just it's all like I don't want to say recycling,

737
00:39:34.840 --> 00:39:36.679
<v Speaker 2>but it's just like, Okay, well, these are good bits

738
00:39:36.679 --> 00:39:39.119
<v Speaker 2>and we're going to pull them all together in this

739
00:39:39.639 --> 00:39:40.760
<v Speaker 2>this film.

740
00:39:42.039 --> 00:39:44.079
<v Speaker 1>That was the thing also that I liked about the

741
00:39:44.159 --> 00:39:47.400
<v Speaker 1>Tom Green documentary was some of those scenes that are

742
00:39:47.480 --> 00:39:50.639
<v Speaker 1>in that documentary. He doesn't connect them one to one

743
00:39:51.000 --> 00:39:54.000
<v Speaker 1>that way. But after seeing because I watched Freddy Got

744
00:39:54.039 --> 00:39:56.920
<v Speaker 1>Fingers and then so the documentary watch it again, I

745
00:39:57.119 --> 00:39:58.920
<v Speaker 1>was like, as you were saying, I'm like, oh, this

746
00:39:59.119 --> 00:40:02.360
<v Speaker 1>is just him doing a fictionalized version of this instead

747
00:40:02.360 --> 00:40:03.760
<v Speaker 1>of a man on the street version of this.

748
00:40:05.239 --> 00:40:07.760
<v Speaker 12>One of the flaws of this film, and it's just

749
00:40:08.000 --> 00:40:11.320
<v Speaker 12>time back to how the story aspects of the film

750
00:40:11.960 --> 00:40:15.119
<v Speaker 12>are obviously very loose. That's fine, but there are parts

751
00:40:15.280 --> 00:40:18.559
<v Speaker 12>that full flat because in the film will do a

752
00:40:18.599 --> 00:40:22.480
<v Speaker 12>little traditional film moment, but then there's like bits and

753
00:40:23.119 --> 00:40:26.480
<v Speaker 12>there's to me, a disharmony with it that doesn't feel

754
00:40:27.079 --> 00:40:29.000
<v Speaker 12>organically part of what he's doing.

755
00:40:29.079 --> 00:40:30.599
<v Speaker 7>There are parts of it that do, and those are

756
00:40:30.639 --> 00:40:32.480
<v Speaker 7>the parts that work really well, but then there are

757
00:40:32.480 --> 00:40:33.719
<v Speaker 7>other parts that just don't.

758
00:40:34.440 --> 00:40:36.760
<v Speaker 12>It's like what those thinkings isn't like the other kind

759
00:40:36.840 --> 00:40:38.719
<v Speaker 12>of thing. And that's why I was like, I almost

760
00:40:38.760 --> 00:40:41.480
<v Speaker 12>wonder if this would have just worked better if take

761
00:40:41.519 --> 00:40:45.639
<v Speaker 12>away a lot of that sheen and studio control and

762
00:40:45.880 --> 00:40:49.920
<v Speaker 12>just make your own sheen and delude Tom, just make

763
00:40:50.000 --> 00:40:54.159
<v Speaker 12>it super diy, but with the same caz.

764
00:40:54.360 --> 00:40:56.159
<v Speaker 7>I think that'd be like an interesting flavor.

765
00:40:56.199 --> 00:40:58.679
<v Speaker 12>Is still like, we still have some Hollywood elements, but

766
00:40:58.800 --> 00:41:02.000
<v Speaker 12>then the rest of this is just just like souped nuts.

767
00:41:02.679 --> 00:41:06.480
<v Speaker 2>But what were you what was the hot the gross

768
00:41:06.519 --> 00:41:07.039
<v Speaker 2>out bits?

769
00:41:07.079 --> 00:41:07.239
<v Speaker 9>You know?

770
00:41:07.360 --> 00:41:09.679
<v Speaker 2>I was talking about how if this is a parody

771
00:41:09.760 --> 00:41:13.320
<v Speaker 2>of other gross out comedies, he's going to amp up

772
00:41:13.400 --> 00:41:16.039
<v Speaker 2>the gross out bits as much as much as he

773
00:41:16.159 --> 00:41:22.280
<v Speaker 2>possibly can, so things like the dead deer, things like

774
00:41:22.719 --> 00:41:26.960
<v Speaker 2>the birthing scene, which rewatching this again, I was like, yeah,

775
00:41:27.360 --> 00:41:30.800
<v Speaker 2>I can kind of see why people thought this was objectionable,

776
00:41:30.840 --> 00:41:33.760
<v Speaker 2>but I just found it very funny. I especially like

777
00:41:33.880 --> 00:41:37.039
<v Speaker 2>the whole moment where he's got his shoes literally screwed

778
00:41:37.079 --> 00:41:39.639
<v Speaker 2>to the floor so he can grab the baby ahull

779
00:41:39.760 --> 00:41:42.920
<v Speaker 2>way back on the umbellical cord and like it. Like

780
00:41:43.000 --> 00:41:45.280
<v Speaker 2>you said, Rob, it's like a living cartoon that he's

781
00:41:45.360 --> 00:41:47.840
<v Speaker 2>doing with this, and you know, and then he ends

782
00:41:47.920 --> 00:41:50.159
<v Speaker 2>up saving that baby. Why is nobody applauding him for that?

783
00:41:50.320 --> 00:41:52.199
<v Speaker 1>Come on, that's right. You got a problem with heroes

784
00:41:52.239 --> 00:41:52.679
<v Speaker 1>around here.

785
00:41:53.760 --> 00:41:58.000
<v Speaker 2>In my mind, I conflated the elephant jacking off with

786
00:41:58.119 --> 00:42:00.960
<v Speaker 2>the horse shacking off, and Eat walks in the commentary

787
00:42:01.039 --> 00:42:04.639
<v Speaker 2>about jacking off a horse, and I'm like, can you

788
00:42:04.719 --> 00:42:07.400
<v Speaker 2>consider it jacking off a horse if there's no completion,

789
00:42:07.639 --> 00:42:10.320
<v Speaker 2>because for me, it was just molesting a horse rather

790
00:42:10.400 --> 00:42:11.760
<v Speaker 2>than jacking off a horse.

791
00:42:12.800 --> 00:42:17.599
<v Speaker 12>Yeah, get it right, Tom Green, you liar. He really

792
00:42:17.719 --> 00:42:19.679
<v Speaker 12>just grabs the horse as willy And it's.

793
00:42:19.559 --> 00:42:22.559
<v Speaker 7>Like, oh, well about a farm guy working on a farm,

794
00:42:23.159 --> 00:42:25.079
<v Speaker 7>which I'm fine with. I don't want to see or

795
00:42:25.400 --> 00:42:27.880
<v Speaker 7>I don't want to see any animal. It was bad

796
00:42:28.000 --> 00:42:28.679
<v Speaker 7>enough we saw what.

797
00:42:28.719 --> 00:42:29.239
<v Speaker 12>We did here.

798
00:42:30.440 --> 00:42:33.199
<v Speaker 2>Just the drippiness of the horse cock was really I

799
00:42:33.320 --> 00:42:35.400
<v Speaker 2>was just like wow. And he talks about that a

800
00:42:35.440 --> 00:42:37.840
<v Speaker 2>little bit on the commentary. He's just like, I don't

801
00:42:37.840 --> 00:42:39.480
<v Speaker 2>know what that liquid is or it might have been

802
00:42:39.519 --> 00:42:41.679
<v Speaker 2>in the documentary where he's talking about the liquid. I

803
00:42:41.719 --> 00:42:44.599
<v Speaker 2>think he's actually talking to our guest on this episode,

804
00:42:44.679 --> 00:42:48.079
<v Speaker 2>the producer, one of the producers. So it's like, yeah, no,

805
00:42:48.199 --> 00:42:50.199
<v Speaker 2>I don't know where that liquid comes from either. No,

806
00:42:50.360 --> 00:42:52.880
<v Speaker 2>that is in the commentary where he's like, my cock

807
00:42:52.960 --> 00:42:54.679
<v Speaker 2>doesn't have liquid on it, and I was like, well,

808
00:42:55.239 --> 00:42:57.360
<v Speaker 2>you do have pre com. So I think that might

809
00:42:57.440 --> 00:42:59.119
<v Speaker 2>be the horse's pre com just kind of getting it

810
00:42:59.199 --> 00:42:59.880
<v Speaker 2>ready kind of thing.

811
00:43:01.280 --> 00:43:03.639
<v Speaker 1>The next we're going to decide exactly when is the

812
00:43:03.719 --> 00:43:07.480
<v Speaker 1>moment that a premature ejaculation becomes a mature ejaculation. What

813
00:43:07.559 --> 00:43:10.719
<v Speaker 1>are we talking about here? This is what we call foreshadowing.

814
00:43:11.599 --> 00:43:12.639
<v Speaker 7>It's Chekoff's gun.

815
00:43:13.440 --> 00:43:15.519
<v Speaker 1>He needed to pay off, he had to pay off.

816
00:43:15.599 --> 00:43:17.960
<v Speaker 1>It's Chekhoff's gun. Literally, there you go.

817
00:43:18.960 --> 00:43:21.760
<v Speaker 2>Well, and again, you know, it's the miracle of life,

818
00:43:21.960 --> 00:43:24.239
<v Speaker 2>which we have with the baby scene. We also have

819
00:43:24.440 --> 00:43:27.079
<v Speaker 2>the breathing and it really all speaks to the whole

820
00:43:27.159 --> 00:43:29.519
<v Speaker 2>power of power of fathers and sons, you know, which

821
00:43:29.639 --> 00:43:32.000
<v Speaker 2>is through this and especially when it comes to the

822
00:43:32.039 --> 00:43:35.440
<v Speaker 2>whole idea of Freddy getting fingered. It's very capturing the

823
00:43:35.519 --> 00:43:37.599
<v Speaker 2>freedman's in that way. In fact, I think that this

824
00:43:37.760 --> 00:43:42.880
<v Speaker 2>is more arn't felt than capturing the Freedman's myself camp follow.

825
00:43:42.679 --> 00:43:44.559
<v Speaker 12>That up, Mike, I will say, I like to they

826
00:43:44.679 --> 00:43:48.000
<v Speaker 12>Tom Green had seen brov Checks a little bit and

827
00:43:48.280 --> 00:43:51.639
<v Speaker 12>was inspired by the opening sequence in that film.

828
00:43:52.519 --> 00:43:54.320
<v Speaker 7>That is a That film is a masterpiece.

829
00:43:54.400 --> 00:43:57.280
<v Speaker 12>But the word I can't believe we got got away

830
00:43:57.320 --> 00:44:00.320
<v Speaker 12>with it like in our rating, I don't. There's like

831
00:44:00.400 --> 00:44:02.800
<v Speaker 12>different cuts. But he got a weigh with a lot

832
00:44:03.519 --> 00:44:07.280
<v Speaker 12>and I'm just like, but the NPA is we don't want, we.

833
00:44:07.320 --> 00:44:11.280
<v Speaker 7>Don't want kind of lingos. But we're fine with a horse,

834
00:44:11.519 --> 00:44:13.440
<v Speaker 7>a real horse penis being.

835
00:44:13.719 --> 00:44:17.679
<v Speaker 12>Hoisted up by a hand. Go me like that, but

836
00:44:17.800 --> 00:44:22.559
<v Speaker 12>no kind of lingos and no, no, no human male genitals.

837
00:44:23.239 --> 00:44:26.280
<v Speaker 12>A giant horse penis is perfectly fine. But no, don't

838
00:44:26.320 --> 00:44:30.760
<v Speaker 12>you be given that little human adult willy in that picture.

839
00:44:31.000 --> 00:44:33.639
<v Speaker 1>Now, I think part of it has to do with tone.

840
00:44:34.079 --> 00:44:38.559
<v Speaker 1>It is so ridiculous. You can't you just can't take

841
00:44:38.559 --> 00:44:40.360
<v Speaker 1>it serious. It can't take any of the thing really

842
00:44:40.480 --> 00:44:42.519
<v Speaker 1>serious in here. And I agree with you on that

843
00:44:42.679 --> 00:44:47.639
<v Speaker 1>that it's to its detriment as a standard narrative that

844
00:44:47.880 --> 00:44:51.679
<v Speaker 1>you can't really take things serious. So it does have

845
00:44:51.880 --> 00:44:54.639
<v Speaker 1>this kind of back and forth where you're like you

846
00:44:54.760 --> 00:44:58.119
<v Speaker 1>could get into the narrative and then something pulls you out.

847
00:44:59.000 --> 00:45:01.440
<v Speaker 1>So that's why I don't I think it works as

848
00:45:01.519 --> 00:45:03.800
<v Speaker 1>a straight ahead film. It's almost like an art piece

849
00:45:05.079 --> 00:45:07.800
<v Speaker 1>exp like we're trying to go, I go. This is

850
00:45:07.880 --> 00:45:11.400
<v Speaker 1>a shnandalu. This is some sort of performance art piece

851
00:45:11.519 --> 00:45:13.719
<v Speaker 1>more than it is a standard narrative film.

852
00:45:14.239 --> 00:45:17.639
<v Speaker 7>Yeah, Tom Green as Karen Findley. The only thing missing

853
00:45:17.760 --> 00:45:21.079
<v Speaker 7>is the can of yams. Yeah, that's great. That's a

854
00:45:21.119 --> 00:45:22.039
<v Speaker 7>great way to approach it.

855
00:45:22.320 --> 00:45:26.079
<v Speaker 12>Also a side note with the cartoon elements, did you

856
00:45:26.119 --> 00:45:28.239
<v Speaker 12>guys feel like there was any sort of John Kay

857
00:45:28.840 --> 00:45:31.840
<v Speaker 12>from Red and Stimpy sort of satire going on? Because

858
00:45:31.880 --> 00:45:34.239
<v Speaker 12>when we see the cartoon come to action, which is

859
00:45:34.360 --> 00:45:37.239
<v Speaker 12>by the way they'll look at my hoofs part is

860
00:45:37.320 --> 00:45:38.920
<v Speaker 12>one of my favorite things, not just in this.

861
00:45:39.000 --> 00:45:39.719
<v Speaker 7>Film, in life.

862
00:45:40.119 --> 00:45:42.679
<v Speaker 12>If having a bad day, I get to say our

863
00:45:42.760 --> 00:45:47.320
<v Speaker 12>ground going, you've got feet But was hilarious, but that

864
00:45:48.079 --> 00:45:53.280
<v Speaker 12>his whole like Zebra People cartoon, like the violence in

865
00:45:53.360 --> 00:45:56.639
<v Speaker 12>that and the father character. It felt to me so

866
00:45:56.840 --> 00:45:59.719
<v Speaker 12>much like John Kay because John k always said there

867
00:45:59.760 --> 00:46:06.199
<v Speaker 12>was ocular strangchin I grow fifties male father archetypes.

868
00:46:05.599 --> 00:46:10.119
<v Speaker 7>And everything is like everything is just even things that.

869
00:46:10.159 --> 00:46:13.159
<v Speaker 12>Are pretty are really close up really gnarly and nasty,

870
00:46:13.159 --> 00:46:16.039
<v Speaker 12>and there's like weird hairs and all of that.

871
00:46:16.360 --> 00:46:18.519
<v Speaker 7>I just I felt like it was very much like

872
00:46:18.639 --> 00:46:20.920
<v Speaker 7>a John K kind of satire.

873
00:46:21.599 --> 00:46:23.719
<v Speaker 1>Yeah, I could see Ren and stimpy. Yeah.

874
00:46:24.880 --> 00:46:27.920
<v Speaker 2>Well yeah when he pulls him down the street and

875
00:46:28.159 --> 00:46:30.920
<v Speaker 2>his teeth are grinding along and you just think of

876
00:46:31.559 --> 00:46:35.000
<v Speaker 2>you think everyone Wren had that bad tooth and you

877
00:46:35.079 --> 00:46:38.239
<v Speaker 2>get to see that close up of the mouth where

878
00:46:38.280 --> 00:46:41.400
<v Speaker 2>it's just like the little stink lines coming off of things,

879
00:46:41.480 --> 00:46:45.280
<v Speaker 2>and just yeah, how awful his mouth was. Yeah, I

880
00:46:45.320 --> 00:46:47.760
<v Speaker 2>can definitely see that. I think was the animator I

881
00:46:47.840 --> 00:46:51.599
<v Speaker 2>think was involved with Beavis and Butthead. But it didn't

882
00:46:51.639 --> 00:46:53.960
<v Speaker 2>look like Beavis and Butthead did not have that same

883
00:46:54.280 --> 00:46:58.239
<v Speaker 2>animation style, which I always appreciated. And I haven't watched

884
00:46:58.320 --> 00:47:00.559
<v Speaker 2>the new Beavis and butt Head because apparently that's a thing,

885
00:47:01.280 --> 00:47:05.079
<v Speaker 2>but I always appreciate it. Just how shitty the animation

886
00:47:05.239 --> 00:47:08.760
<v Speaker 2>looked like kind of on purpose, you know, I mean,

887
00:47:08.880 --> 00:47:13.000
<v Speaker 2>like just the faces and everything just were not right,

888
00:47:13.280 --> 00:47:16.320
<v Speaker 2>you know, like, yeah, they you know Beavis had a

889
00:47:16.480 --> 00:47:19.159
<v Speaker 2>really or sorry but had had a really weak chin,

890
00:47:19.360 --> 00:47:22.920
<v Speaker 2>but like that chin. I mean you've seen, I'm sure

891
00:47:22.960 --> 00:47:25.599
<v Speaker 2>we've all seen. This is what Beavis and butt Heead

892
00:47:25.599 --> 00:47:28.239
<v Speaker 2>would look like in real life and that Nightmare fuel

893
00:47:28.320 --> 00:47:30.079
<v Speaker 2>kind of like this is what Popeye would look like

894
00:47:30.119 --> 00:47:32.400
<v Speaker 2>in real life, or here's what Homer Simpson would look

895
00:47:32.480 --> 00:47:34.679
<v Speaker 2>like in real life, and you're just like, holy shit.

896
00:47:35.559 --> 00:47:38.760
<v Speaker 2>Both of them, but especially Ren and Stimpy were great

897
00:47:38.840 --> 00:47:41.599
<v Speaker 2>with bros out kind of stuff and just yeah, those

898
00:47:41.679 --> 00:47:44.480
<v Speaker 2>close ups or I would love when they would do

899
00:47:44.599 --> 00:47:46.559
<v Speaker 2>close ups and then you'd hear the fog horn.

900
00:47:51.000 --> 00:47:53.199
<v Speaker 12>At least Viavis and butt Head. I can still enjoy

901
00:47:53.199 --> 00:47:56.920
<v Speaker 12>it because Mike Judge isn't a creeper. But yeah, thanks

902
00:47:57.000 --> 00:47:57.320
<v Speaker 12>John k.

903
00:47:58.079 --> 00:48:01.760
<v Speaker 2>Oh, yeah yeah, that that John k documentary will turn

904
00:48:01.840 --> 00:48:02.320
<v Speaker 2>your stomach.

905
00:48:02.360 --> 00:48:04.480
<v Speaker 7>I had even see the documentary. I read the was

906
00:48:04.519 --> 00:48:05.239
<v Speaker 7>it es choire?

907
00:48:05.400 --> 00:48:10.360
<v Speaker 12>I read the article and that with heartbreaking on so

908
00:48:10.480 --> 00:48:15.719
<v Speaker 12>many levels, and especially as I'm the age that those

909
00:48:15.840 --> 00:48:19.400
<v Speaker 12>girls were like because I got into that show as

910
00:48:19.440 --> 00:48:21.000
<v Speaker 12>a little kid actually and I.

911
00:48:22.920 --> 00:48:23.960
<v Speaker 7>It was like nothing.

912
00:48:24.199 --> 00:48:24.360
<v Speaker 8>Yeah.

913
00:48:24.400 --> 00:48:25.840
<v Speaker 12>I hate when people are like, oh, this were in

914
00:48:25.920 --> 00:48:28.199
<v Speaker 12>my childhood. Your childhood is still there, your Childhoo's fine.

915
00:48:28.239 --> 00:48:30.000
<v Speaker 7>It's the past. It is the past.

916
00:48:31.199 --> 00:48:34.920
<v Speaker 12>I say it feels tainted now, Yeah, because it does.

917
00:48:35.000 --> 00:48:37.920
<v Speaker 12>They ever Billy West love Billy West. As far as

918
00:48:37.920 --> 00:48:40.280
<v Speaker 12>I know, Billy West hasn't done anything on tours.

919
00:48:41.360 --> 00:48:44.760
<v Speaker 2>I did see Pretty Got Fingered compared a lot to

920
00:48:44.880 --> 00:48:48.519
<v Speaker 2>Dirty Work, which we just watched for the Chevy Chase podcast,

921
00:48:48.800 --> 00:48:51.079
<v Speaker 2>because I think Chevy Chase is in it for like

922
00:48:51.360 --> 00:48:54.760
<v Speaker 2>two seconds or something. Actually, I think he works on

923
00:48:56.800 --> 00:48:59.679
<v Speaker 2>Who's the greatest insult comic of all? Don Rickles? I

924
00:48:59.719 --> 00:49:03.239
<v Speaker 2>think he's Don Rickles's doctor. It didn't connect with Dirty

925
00:49:03.280 --> 00:49:04.760
<v Speaker 2>Work at all, and I think that's one of those

926
00:49:04.840 --> 00:49:06.960
<v Speaker 2>nostalgia things where if you grew up with it, you're

927
00:49:07.039 --> 00:49:09.880
<v Speaker 2>probably still a big fan. But I didn't grow up

928
00:49:09.880 --> 00:49:12.159
<v Speaker 2>with it, and I was like, eh, yeah, I do

929
00:49:12.400 --> 00:49:15.639
<v Speaker 2>like Norm McDonald a lot, and he also has a

930
00:49:15.719 --> 00:49:18.440
<v Speaker 2>lot of anti comedy. I just saw him telling a

931
00:49:18.559 --> 00:49:21.280
<v Speaker 2>joke today where you know, he talked with his doctor

932
00:49:21.360 --> 00:49:23.639
<v Speaker 2>and his doctor said, if you don't quit eating like this,

933
00:49:24.119 --> 00:49:25.880
<v Speaker 2>you're going to have a heart attack or a stroke.

934
00:49:26.440 --> 00:49:28.239
<v Speaker 2>And the person said, I thought you were setting up

935
00:49:28.280 --> 00:49:30.440
<v Speaker 2>for a joke. He goes, no, my doctor's not a comedian.

936
00:49:30.519 --> 00:49:34.519
<v Speaker 7>I am, Oh my god. I missed that man so much.

937
00:49:34.960 --> 00:49:39.639
<v Speaker 12>And the best thing the Bob Saggett roast Norm McDonald's

938
00:49:40.199 --> 00:49:42.440
<v Speaker 12>I know this isn't a side, but it must be spoken.

939
00:49:43.119 --> 00:49:45.639
<v Speaker 12>One of the other comedians tries to best him and

940
00:49:45.800 --> 00:49:49.000
<v Speaker 12>be like listening to Norm McDonald do comedies like watching

941
00:49:49.079 --> 00:49:52.199
<v Speaker 12>Henry fond of pick blueberries and Nor McDonald just without

942
00:49:52.199 --> 00:49:54.079
<v Speaker 12>this to be Oh, I can't think of anything more

943
00:49:54.679 --> 00:49:57.480
<v Speaker 12>that this audience would love to see than him under

944
00:49:58.039 --> 00:49:59.679
<v Speaker 12>flip Love.

945
00:50:00.000 --> 00:50:02.239
<v Speaker 2>We have a lot of well wishers here tonight, and

946
00:50:02.360 --> 00:50:04.320
<v Speaker 2>a lot of them would like to throw you down

947
00:50:04.480 --> 00:50:05.719
<v Speaker 2>one a well.

948
00:50:07.400 --> 00:50:12.039
<v Speaker 3>They want to murder you in a well. It's a

949
00:50:12.079 --> 00:50:12.880
<v Speaker 3>little harsh, but.

950
00:50:14.960 --> 00:50:17.000
<v Speaker 2>Apparently they want to murder you in a well.

951
00:50:17.960 --> 00:50:19.360
<v Speaker 1>It says you're on this card.

952
00:50:20.880 --> 00:50:23.400
<v Speaker 7>That man's a JOm, that man is an ass. I

953
00:50:23.519 --> 00:50:24.760
<v Speaker 7>miss I miss him so much.

954
00:50:24.960 --> 00:50:27.679
<v Speaker 12>Also, I'm ashamed, but he said the greatest insult comic

955
00:50:27.719 --> 00:50:30.079
<v Speaker 12>of all time, Mike my brain said, triumph.

956
00:50:30.599 --> 00:50:31.280
<v Speaker 1>He's up there.

957
00:50:31.519 --> 00:50:35.199
<v Speaker 2>He's definitely up there. Getting back to Betty real quick.

958
00:50:35.360 --> 00:50:37.639
<v Speaker 2>The other thing that we should not forget is that

959
00:50:37.880 --> 00:50:43.480
<v Speaker 2>she's the one that actually influences and inspires Gored to

960
00:50:43.679 --> 00:50:47.679
<v Speaker 2>fulfill his dream because she fulfills her dream of having

961
00:50:47.760 --> 00:50:51.960
<v Speaker 2>that rocket powered wheelchair, and you know, she gets on

962
00:50:52.039 --> 00:50:54.360
<v Speaker 2>the news and everything. She's the one that really inspires

963
00:50:54.440 --> 00:50:58.719
<v Speaker 2>him while he has his freak out serving more cheese sandwiches.

964
00:50:59.239 --> 00:51:02.280
<v Speaker 2>And honestly, when I watched Laugh Out Loud or Last

965
00:51:02.320 --> 00:51:06.199
<v Speaker 2>One Laughing, I had no memory of this whole cheese

966
00:51:06.239 --> 00:51:09.880
<v Speaker 2>sandwich theme, and apparently that was also a theme on

967
00:51:10.159 --> 00:51:13.760
<v Speaker 2>the show, and people would you know, he would always

968
00:51:13.800 --> 00:51:18.119
<v Speaker 2>bring up cheese sandwiches. So I love that scene when

969
00:51:18.199 --> 00:51:21.400
<v Speaker 2>he's working at the second cheese sandwich place, the actual

970
00:51:21.480 --> 00:51:25.639
<v Speaker 2>like subway shop, and just piling on all the cheese

971
00:51:25.800 --> 00:51:29.039
<v Speaker 2>onto that guy sandwich. That that really worked for me.

972
00:51:29.159 --> 00:51:31.559
<v Speaker 2>There are a lot of moments in this movie that

973
00:51:31.760 --> 00:51:35.000
<v Speaker 2>do work quite a bit for me. I mean, the

974
00:51:35.320 --> 00:51:39.800
<v Speaker 2>sausage song is fantastic. It's interesting too that he doesn't

975
00:51:39.880 --> 00:51:44.519
<v Speaker 2>seem to care about pacing. You would think that Gord

976
00:51:44.639 --> 00:51:50.320
<v Speaker 2>coming back to Oregon would be the end of act one,

977
00:51:50.639 --> 00:51:54.039
<v Speaker 2>but it happens like what fifteen minutes into this movie,

978
00:51:54.639 --> 00:51:57.280
<v Speaker 2>So it's like so quick. He just like goes down,

979
00:51:58.679 --> 00:52:01.199
<v Speaker 2>sees the horse keeps going, you know. And I know

980
00:52:01.320 --> 00:52:03.280
<v Speaker 2>we'll talk about deleted scenes, and there were a lot

981
00:52:03.320 --> 00:52:06.760
<v Speaker 2>of deleted scenes in that opening sequence, even to the

982
00:52:06.840 --> 00:52:09.199
<v Speaker 2>point of towards the end of the movie having the

983
00:52:09.280 --> 00:52:11.800
<v Speaker 2>person holding the sign saying when is this fucking movie

984
00:52:11.840 --> 00:52:15.079
<v Speaker 2>going to end? It's like, yeah, we are definitely way

985
00:52:15.280 --> 00:52:17.199
<v Speaker 2>past where the third act should have ended.

986
00:52:18.079 --> 00:52:21.440
<v Speaker 1>As you were saying, she becomes the inspiration for him

987
00:52:21.519 --> 00:52:26.400
<v Speaker 1>to complete his mission. Is his reaction when it doesn't

988
00:52:26.480 --> 00:52:30.840
<v Speaker 1>work that he's don't you feel like a dummy, and

989
00:52:31.000 --> 00:52:33.800
<v Speaker 1>she's no, because how can I expect to get it

990
00:52:34.079 --> 00:52:38.159
<v Speaker 1>on the first time? And so I really love that

991
00:52:39.519 --> 00:52:42.920
<v Speaker 1>interplay of attitudes where it's no, it has to be

992
00:52:43.480 --> 00:52:46.920
<v Speaker 1>easy and simple, otherwise I'm just going to collapse. I'm

993
00:52:46.920 --> 00:52:49.400
<v Speaker 1>not gonna be able to do anything, or it's now

994
00:52:49.480 --> 00:52:51.519
<v Speaker 1>I'll just I'll just keep iterating until I get it.

995
00:52:51.719 --> 00:52:55.079
<v Speaker 1>And so I love how they represent two different ideas

996
00:52:55.119 --> 00:52:58.079
<v Speaker 1>of the creative end in that way, because I dealt

997
00:52:58.079 --> 00:53:00.719
<v Speaker 1>with people on both sides who are like, oh, I'm

998
00:53:00.880 --> 00:53:04.800
<v Speaker 1>just fucking terrible. I got rejected by all these agents,

999
00:53:04.880 --> 00:53:07.239
<v Speaker 1>nobody wants to hire me, and it's oh, I'm done.

1000
00:53:07.440 --> 00:53:10.559
<v Speaker 1>And it's really because it is the tenacity of the

1001
00:53:10.639 --> 00:53:13.800
<v Speaker 1>cockroaches that run the joint and is to have to say.

1002
00:53:14.760 --> 00:53:17.639
<v Speaker 7>He actually has two different people give him actually really.

1003
00:53:17.639 --> 00:53:23.199
<v Speaker 12>Sound and vibe and not like sound in Hollywood movie advise,

1004
00:53:23.440 --> 00:53:24.000
<v Speaker 12>keep doing it.

1005
00:53:24.239 --> 00:53:25.239
<v Speaker 7>You have to keep testing it.

1006
00:53:25.320 --> 00:53:27.920
<v Speaker 12>And even like Anthony Michael Halls were like, yeah, actually

1007
00:53:28.000 --> 00:53:32.119
<v Speaker 12>your art's good, just there's no story, Like it's animation.

1008
00:53:32.239 --> 00:53:33.480
<v Speaker 7>We have to tell a story. You gotta work on

1009
00:53:33.559 --> 00:53:36.599
<v Speaker 7>the story. And it's okay. The Gord's got like some

1010
00:53:36.679 --> 00:53:39.599
<v Speaker 7>good people in his life. I don't know whether or

1011
00:53:39.599 --> 00:53:44.119
<v Speaker 7>not he deserves them. He literally falsely accuses his father

1012
00:53:44.280 --> 00:53:50.039
<v Speaker 7>of molesting his adult aged brother, who is then he's

1013
00:53:50.159 --> 00:53:54.400
<v Speaker 7>put in a in a home. But it's it's it's

1014
00:53:54.480 --> 00:53:56.519
<v Speaker 7>not funny, but it's funny.

1015
00:53:57.079 --> 00:54:01.119
<v Speaker 12>Frank Cron asked, Freddy's like with these kids watching like

1016
00:54:01.360 --> 00:54:02.840
<v Speaker 12>Medical future.

1017
00:54:02.800 --> 00:54:07.000
<v Speaker 2>Watching the Texas Chainsaw massacre. Oh, you're right, No, it

1018
00:54:07.119 --> 00:54:09.920
<v Speaker 2>was the medical footage that he was watching when they

1019
00:54:10.000 --> 00:54:14.000
<v Speaker 2>came to take him away. He was watching Tom Green's

1020
00:54:14.119 --> 00:54:19.920
<v Speaker 2>actual operation footage. And you had Tom Green's actual like

1021
00:54:20.199 --> 00:54:23.639
<v Speaker 2>high school photo next to the television. Yeah, and really

1022
00:54:23.760 --> 00:54:27.400
<v Speaker 2>thinking about it because Green, the thing about that documentary

1023
00:54:27.480 --> 00:54:32.119
<v Speaker 2>that really shines through is just his real life tenacity,

1024
00:54:32.280 --> 00:54:34.800
<v Speaker 2>Like he is the opposite of Gord when it comes

1025
00:54:34.840 --> 00:54:38.719
<v Speaker 2>to this, Like he you know, it's like John Payce's

1026
00:54:38.760 --> 00:54:40.599
<v Speaker 2>Crime Wave. He came from the North End. He had

1027
00:54:40.639 --> 00:54:42.639
<v Speaker 2>a dream, you know, he has this dream of I

1028
00:54:42.800 --> 00:54:46.920
<v Speaker 2>want to have my television show. And everything he did

1029
00:54:47.199 --> 00:54:51.320
<v Speaker 2>in his entire life was to get this dream fulfilled.

1030
00:54:51.679 --> 00:54:54.639
<v Speaker 2>You know, he took a lot of video classes when

1031
00:54:54.679 --> 00:54:57.039
<v Speaker 2>he's in high school. He's you know, started to work

1032
00:54:57.119 --> 00:55:00.159
<v Speaker 2>on public access. He started his public access show. It

1033
00:55:00.239 --> 00:55:02.760
<v Speaker 2>got so popular that he moved from you know, one

1034
00:55:02.840 --> 00:55:05.559
<v Speaker 2>network to like I think it was much Much Music

1035
00:55:05.679 --> 00:55:07.880
<v Speaker 2>or something in Canada, and then it gets to go

1036
00:55:08.119 --> 00:55:09.400
<v Speaker 2>to New York and.

1037
00:55:09.440 --> 00:55:10.000
<v Speaker 1>Make his pitch.

1038
00:55:10.119 --> 00:55:12.199
<v Speaker 2>It gets picked up. He has his own talk show

1039
00:55:12.280 --> 00:55:15.920
<v Speaker 2>now on like MTV, And it's just amazing to see

1040
00:55:16.559 --> 00:55:20.199
<v Speaker 2>how hard he worked to do that and to perfect

1041
00:55:20.280 --> 00:55:22.679
<v Speaker 2>these things, and how he would keep what worked and

1042
00:55:22.760 --> 00:55:25.440
<v Speaker 2>then worked on what didn't work. And you know, the

1043
00:55:25.559 --> 00:55:28.159
<v Speaker 2>things like his co host or the guy who sat

1044
00:55:28.239 --> 00:55:30.440
<v Speaker 2>behind him in the window and would laugh at things

1045
00:55:30.960 --> 00:55:32.079
<v Speaker 2>like those worked for him.

1046
00:55:32.159 --> 00:55:33.480
<v Speaker 1>So he just keeps doing it.

1047
00:55:33.559 --> 00:55:36.440
<v Speaker 2>He could have dumped those guys that he grew up

1048
00:55:36.519 --> 00:55:38.239
<v Speaker 2>with and been like no, no, give me, like an

1049
00:55:38.280 --> 00:55:42.559
<v Speaker 2>Andy Richter or something, but no, he's stays loyal to

1050
00:55:42.719 --> 00:55:44.960
<v Speaker 2>his friends. And that was The really nice thing too

1051
00:55:45.039 --> 00:55:48.440
<v Speaker 2>about that documentary was here's all of his friends from

1052
00:55:48.639 --> 00:55:51.199
<v Speaker 2>fucking high school are still friends with him.

1053
00:55:52.119 --> 00:55:53.239
<v Speaker 7>That tells through everything.

1054
00:55:53.599 --> 00:55:54.360
<v Speaker 3>And Glenn.

1055
00:55:54.760 --> 00:55:57.519
<v Speaker 12>I can't even imagine him not having Glenn. I care

1056
00:55:57.519 --> 00:55:59.840
<v Speaker 12>about Glenn's last name, but Glenn. Glenn's like his co

1057
00:56:00.199 --> 00:56:02.800
<v Speaker 12>on the show. And Glenn's always kind of like this,

1058
00:56:03.199 --> 00:56:06.440
<v Speaker 12>kind of like the straight guy to Tom's Shenanigans and

1059
00:56:06.840 --> 00:56:09.119
<v Speaker 12>and just and poor Glenn. There was this whole thing

1060
00:56:09.159 --> 00:56:12.800
<v Speaker 12>where Tom kept trying to get Glenn to like sensually

1061
00:56:12.960 --> 00:56:16.559
<v Speaker 12>kisses and he can try to set up the mood.

1062
00:56:17.280 --> 00:56:20.719
<v Speaker 7>I love that. And also public access represent as somebody

1063
00:56:20.840 --> 00:56:21.800
<v Speaker 7>who I.

1064
00:56:21.960 --> 00:56:24.760
<v Speaker 12>Learned all my video my core video skills at a

1065
00:56:24.840 --> 00:56:27.239
<v Speaker 12>bublic access station. I worked at a public access station.

1066
00:56:27.559 --> 00:56:30.199
<v Speaker 12>And people don't get public access enough credit.

1067
00:56:30.480 --> 00:56:32.800
<v Speaker 7>And that's the thing. That's what it's there for, for

1068
00:56:32.920 --> 00:56:35.920
<v Speaker 7>people to learn these skills to get their art out there.

1069
00:56:36.400 --> 00:56:38.840
<v Speaker 12>That's a beautiful thing. And I just love that Tom

1070
00:56:38.920 --> 00:56:43.000
<v Speaker 12>Green used that, especially because not everybody. Most people don't

1071
00:56:43.039 --> 00:56:47.599
<v Speaker 12>have as cheaper as the technology gets. If you're working class,

1072
00:56:47.760 --> 00:56:51.599
<v Speaker 12>that technology isn't that chy. It's not if you're paying,

1073
00:56:51.639 --> 00:56:54.519
<v Speaker 12>if you're living paycheck to paycheck. You can't just be like,

1074
00:56:54.599 --> 00:56:56.679
<v Speaker 12>oh yeah, let me go spend several hundred bucks on

1075
00:56:56.719 --> 00:57:00.360
<v Speaker 12>a camera and then more more on an editor and

1076
00:57:00.480 --> 00:57:03.719
<v Speaker 12>stuff like that. So he just us everything that he could.

1077
00:57:03.960 --> 00:57:06.880
<v Speaker 12>He's a great working class hero. And you know what,

1078
00:57:07.079 --> 00:57:09.480
<v Speaker 12>even if somebody hates this film, I don't think you

1079
00:57:09.559 --> 00:57:12.519
<v Speaker 12>could say he sold out. Selling out would have probably

1080
00:57:13.199 --> 00:57:16.079
<v Speaker 12>been in his financial favor at this point because he

1081
00:57:16.199 --> 00:57:17.239
<v Speaker 12>was white hot from.

1082
00:57:17.119 --> 00:57:20.079
<v Speaker 7>All that MTV and all doing What was that movie

1083
00:57:20.239 --> 00:57:23.960
<v Speaker 7>Road Trip, which I know I saw. I can't remember

1084
00:57:24.079 --> 00:57:27.000
<v Speaker 7>a thing of did your brother the Tom Greene being

1085
00:57:27.079 --> 00:57:29.400
<v Speaker 7>in it? I don't remember the movie. I know for

1086
00:57:29.480 --> 00:57:31.559
<v Speaker 7>a fact I watched it. It was so much. I

1087
00:57:31.599 --> 00:57:33.480
<v Speaker 7>don't know if it was just like a nothing burger

1088
00:57:33.559 --> 00:57:37.119
<v Speaker 7>of a comedy where it just nothing suck.

1089
00:57:37.920 --> 00:57:40.960
<v Speaker 2>It's funny. I don't remember anything except for him putting

1090
00:57:41.000 --> 00:57:46.159
<v Speaker 2>the mice in his mouth. And I really remember another

1091
00:57:46.280 --> 00:57:49.760
<v Speaker 2>Trip movie way better, which is Euro Trip. I thought

1092
00:57:49.800 --> 00:57:52.199
<v Speaker 2>that that was great, But yeah, I don't remember road

1093
00:57:52.239 --> 00:57:53.079
<v Speaker 2>Trip at all either.

1094
00:57:54.119 --> 00:57:57.440
<v Speaker 1>I love the scene where he's with the construction foreman,

1095
00:57:57.760 --> 00:58:00.239
<v Speaker 1>whether it's like gonna do stuff at the house and

1096
00:58:00.719 --> 00:58:03.239
<v Speaker 1>they gave me a million dollars and I did this,

1097
00:58:03.440 --> 00:58:07.559
<v Speaker 1>and I did this again. It's this meta commentary on

1098
00:58:07.639 --> 00:58:09.679
<v Speaker 1>the fact that they gave me this money to make

1099
00:58:09.800 --> 00:58:13.000
<v Speaker 1>something they don't know what they're doing, and.

1100
00:58:13.079 --> 00:58:17.679
<v Speaker 2>I spent it on stupid shit, like seven hundred thousand

1101
00:58:17.719 --> 00:58:20.360
<v Speaker 2>dollars for a fucking helicopter rental.

1102
00:58:21.239 --> 00:58:23.679
<v Speaker 1>It's just hilarious to me because it almost feels like

1103
00:58:23.760 --> 00:58:26.400
<v Speaker 1>a commentary on the actual movie again that you're watching,

1104
00:58:26.719 --> 00:58:29.280
<v Speaker 1>because he's almost like amazed that they gave him the money,

1105
00:58:30.239 --> 00:58:32.519
<v Speaker 1>much the way that I'm sure Tom Green's I'm amazed

1106
00:58:32.519 --> 00:58:34.920
<v Speaker 1>they gave me this money to just do this.

1107
00:58:35.960 --> 00:58:38.719
<v Speaker 2>That scene with Anthony Michael Hall. You know, we always

1108
00:58:38.760 --> 00:58:41.800
<v Speaker 2>talk about the end of Bad Lieutenant Port of Call

1109
00:58:41.840 --> 00:58:44.320
<v Speaker 2>in New Orleans, where it's just like this good thing

1110
00:58:44.480 --> 00:58:46.559
<v Speaker 2>happens and this one and after a while you're just like,

1111
00:58:47.119 --> 00:58:50.639
<v Speaker 2>this is way too much. This is obviously satire. And

1112
00:58:51.400 --> 00:58:53.880
<v Speaker 2>him there with Anthony Michael Hall, he's like, I don't know,

1113
00:58:54.039 --> 00:58:56.440
<v Speaker 2>a million dollars. He's like, oh sure, yeah, and like

1114
00:58:56.519 --> 00:58:59.559
<v Speaker 2>write some a check for a million dollars and it

1115
00:58:59.719 --> 00:59:03.039
<v Speaker 2>gets go to the old Gray Bank, where not only

1116
00:59:03.239 --> 00:59:06.000
<v Speaker 2>I imagine Freddy works there, but also the Harley Williams

1117
00:59:06.119 --> 00:59:09.599
<v Speaker 2>character works there. As well, and he's just like, you know, yeah,

1118
00:59:09.639 --> 00:59:11.760
<v Speaker 2>here's my million dollar check, you know, like cash this

1119
00:59:11.920 --> 00:59:13.920
<v Speaker 2>check for me. And I'm like, you can't just cash

1120
00:59:13.960 --> 00:59:16.360
<v Speaker 2>a million dollar check, Gord. You know, it's it's a

1121
00:59:16.480 --> 00:59:19.280
<v Speaker 2>whole other thing. No matter how much you hump on

1122
00:59:19.440 --> 00:59:20.960
<v Speaker 2>Asian customers.

1123
00:59:20.760 --> 00:59:24.880
<v Speaker 7>Stop humping mister Lee. Oh, I know, Anthony Bikerl. Hall

1124
00:59:25.119 --> 00:59:28.320
<v Speaker 7>excels it so well. I'm wondering because I saw a

1125
00:59:28.400 --> 00:59:31.039
<v Speaker 7>little clip online of Green.

1126
00:59:31.159 --> 00:59:34.079
<v Speaker 12>I guess Howie Bendel has, of course, having Mendel's a

1127
00:59:34.119 --> 00:59:38.039
<v Speaker 12>podcast and and Tom Green was on a little clip

1128
00:59:38.079 --> 00:59:41.880
<v Speaker 12>I saw was how he Bendell like still be like

1129
00:59:42.440 --> 00:59:46.400
<v Speaker 12>sore because he auditioned for a part in this movie

1130
00:59:46.480 --> 00:59:49.559
<v Speaker 12>and he obviously didn't get it. But in the in

1131
00:59:49.639 --> 00:59:51.960
<v Speaker 12>the clip I saw, they didn't say which character, and

1132
00:59:52.000 --> 00:59:54.599
<v Speaker 12>I'm thinking, I'm thinking it had to have been the

1133
00:59:54.920 --> 00:59:55.920
<v Speaker 12>Anthony Michael Hall.

1134
00:59:56.440 --> 00:59:58.639
<v Speaker 7>Because Mendel's too young for the dad.

1135
00:59:59.639 --> 01:00:02.199
<v Speaker 12>But he's like a little bit older than Tom Green,

1136
01:00:02.280 --> 01:00:04.199
<v Speaker 12>so him being Harlem Williams wouldn't make sense.

1137
01:00:04.320 --> 01:00:05.679
<v Speaker 7>He's definitely not gonna be Freddy.

1138
01:00:06.679 --> 01:00:08.920
<v Speaker 2>No, it seems like that would a word. I mean,

1139
01:00:08.960 --> 01:00:10.920
<v Speaker 2>there's a few roles that we'll talk about after the

1140
01:00:11.039 --> 01:00:14.960
<v Speaker 2>jump that are completely on the cutting room floor. Could

1141
01:00:15.000 --> 01:00:16.920
<v Speaker 2>have been one of those. But yeah, no, I don't.

1142
01:00:17.119 --> 01:00:21.280
<v Speaker 2>I think him as the radioactive President probably would have

1143
01:00:21.320 --> 01:00:22.119
<v Speaker 2>made a lot of sense.

1144
01:00:23.280 --> 01:00:25.599
<v Speaker 7>He's fine, Patry Mindell's fine. He needs to get over it.

1145
01:00:25.719 --> 01:00:28.320
<v Speaker 12>Anthony Michael Hall is great and I love I love

1146
01:00:28.400 --> 01:00:31.079
<v Speaker 12>him in this We get the Drew Barrymore cameo that

1147
01:00:31.320 --> 01:00:33.360
<v Speaker 12>was a little I don't know if it's because we

1148
01:00:33.440 --> 01:00:37.239
<v Speaker 12>know what we know now, that felt a little okay, Tom,

1149
01:00:38.320 --> 01:00:40.159
<v Speaker 12>But I don't know. Heck, if I was him and

1150
01:00:40.639 --> 01:00:42.840
<v Speaker 12>engaged to Drew Barrymore, I probably would have done the

1151
01:00:42.880 --> 01:00:43.320
<v Speaker 12>same thing.

1152
01:00:43.599 --> 01:00:46.760
<v Speaker 1>But that scene with Drew Barrymore where he comes in

1153
01:00:46.920 --> 01:00:49.320
<v Speaker 1>and he's I'm looking for the person that he's got

1154
01:00:49.440 --> 01:00:53.199
<v Speaker 1>to think like I'm statute of limitations is run out.

1155
01:00:54.039 --> 01:00:56.039
<v Speaker 1>But I'll admit that I've done things like that as

1156
01:00:56.079 --> 01:00:58.239
<v Speaker 1>a journalist, where I was like trying to track someone

1157
01:00:58.360 --> 01:01:01.679
<v Speaker 1>down and I'd be like looking for the guy, who's

1158
01:01:01.719 --> 01:01:04.519
<v Speaker 1>the guy and you just kind of walk through, Like

1159
01:01:04.719 --> 01:01:08.199
<v Speaker 1>if you act like you belong there, people won't stop you.

1160
01:01:08.320 --> 01:01:11.039
<v Speaker 1>You could just walk you just walk right into the scene.

1161
01:01:11.760 --> 01:01:14.519
<v Speaker 2>You can just point out the floor and go Japanese

1162
01:01:14.920 --> 01:01:17.800
<v Speaker 2>or whatever he does to the more security guard.

1163
01:01:17.679 --> 01:01:20.119
<v Speaker 1>Because I used to have to do that for my job.

1164
01:01:20.320 --> 01:01:23.880
<v Speaker 1>So I was like, right on, I've been there, I understand.

1165
01:01:25.440 --> 01:01:27.760
<v Speaker 7>Were you dressed like an old timey British body?

1166
01:01:28.400 --> 01:01:29.639
<v Speaker 1>No, sadly no.

1167
01:01:30.880 --> 01:01:33.599
<v Speaker 7>Also, I would be sobermiss if I didn't bring this

1168
01:01:33.719 --> 01:01:36.039
<v Speaker 7>up with you guys. The soundtrack in this film.

1169
01:01:36.119 --> 01:01:37.760
<v Speaker 12>That was the thing I remember the first time I

1170
01:01:37.800 --> 01:01:41.440
<v Speaker 12>watched this when I heard Problems by the Pistols come

1171
01:01:41.480 --> 01:01:42.280
<v Speaker 12>out immediately, and I.

1172
01:01:42.440 --> 01:01:46.400
<v Speaker 15>Was like, oh, hell, yes, now we're talking like this

1173
01:01:46.519 --> 01:01:50.599
<v Speaker 15>ain't no crazy Town or they would have played in

1174
01:01:50.719 --> 01:01:53.519
<v Speaker 15>this era. And there are a few oh in the Ramones,

1175
01:01:54.199 --> 01:02:00.800
<v Speaker 15>Yeah you have the Ramones, the Dead Kennedy's Agent Orange, Yeah,

1176
01:02:01.000 --> 01:02:04.559
<v Speaker 15>we got Agent or I, and there are a few choices.

1177
01:02:04.639 --> 01:02:07.440
<v Speaker 7>I was like, oh, God, of course we're getting. But

1178
01:02:07.639 --> 01:02:09.920
<v Speaker 7>as all the soundtrack's really good, we get the New

1179
01:02:10.000 --> 01:02:10.599
<v Speaker 7>York Dolls.

1180
01:02:11.639 --> 01:02:13.679
<v Speaker 2>Yeah, we'll definitely talk about a song that he tried

1181
01:02:13.719 --> 01:02:17.000
<v Speaker 2>to get for that section with the New York Dolls,

1182
01:02:17.039 --> 01:02:20.400
<v Speaker 2>but we'll save that one for after the jump. The

1183
01:02:20.519 --> 01:02:22.840
<v Speaker 2>one thing that he said in the commentary that I

1184
01:02:22.960 --> 01:02:25.599
<v Speaker 2>really liked was there's a moment I think where Harlan

1185
01:02:25.639 --> 01:02:29.400
<v Speaker 2>Williams says you can't do that or something. He like

1186
01:02:29.559 --> 01:02:32.639
<v Speaker 2>tells Gord like that that everything is over and like

1187
01:02:32.719 --> 01:02:36.320
<v Speaker 2>it's it's it's done, and then Green was going to

1188
01:02:36.440 --> 01:02:39.519
<v Speaker 2>roll the credits at that moment and then just like

1189
01:02:39.679 --> 01:02:42.039
<v Speaker 2>stop the credits and be like, no, no, it's not over.

1190
01:02:42.239 --> 01:02:44.199
<v Speaker 2>You know, nothing is over kind of thing. Nothing is

1191
01:02:44.239 --> 01:02:46.599
<v Speaker 2>over till we say it is. And I kind of

1192
01:02:46.719 --> 01:02:48.599
<v Speaker 2>I almost wish he would have played with the form

1193
01:02:48.639 --> 01:02:51.840
<v Speaker 2>a little more because he's already doing like this kind

1194
01:02:51.880 --> 01:02:56.320
<v Speaker 2>of anti comedy thing and making fun of these other movies.

1195
01:02:57.239 --> 01:02:59.760
<v Speaker 2>But I feel like he could have gone even farther.

1196
01:02:59.599 --> 01:03:00.159
<v Speaker 15>With some of this.

1197
01:03:01.000 --> 01:03:03.119
<v Speaker 1>I think part of the reason why it works is

1198
01:03:03.199 --> 01:03:07.880
<v Speaker 1>that he's referencing a concept, but not an idea itself.

1199
01:03:08.039 --> 01:03:09.840
<v Speaker 1>And what I mean by that is is that this

1200
01:03:10.039 --> 01:03:12.639
<v Speaker 1>isn't the scary movie franchise where it's like, oh, that's

1201
01:03:12.679 --> 01:03:15.079
<v Speaker 1>a reference to this movie and this person stressed up

1202
01:03:15.199 --> 01:03:19.000
<v Speaker 1>like that. It's it's more of a tone concept of

1203
01:03:19.480 --> 01:03:22.400
<v Speaker 1>the gross out films and the fairly movies and all

1204
01:03:22.480 --> 01:03:25.079
<v Speaker 1>that stuff, and he's just taking the piss out of

1205
01:03:25.119 --> 01:03:27.679
<v Speaker 1>it by just jacking it up through the fucking ceiling

1206
01:03:28.280 --> 01:03:31.239
<v Speaker 1>and speaking of jacking things up through the fucking ceiling,

1207
01:03:32.039 --> 01:03:36.039
<v Speaker 1>the whole house thing. So this is where a little

1208
01:03:36.079 --> 01:03:40.760
<v Speaker 1>bit of classic, classic old school comedy comes in with

1209
01:03:40.880 --> 01:03:42.239
<v Speaker 1>his Buster Keaton reference.

1210
01:03:42.960 --> 01:03:46.280
<v Speaker 2>Yeah, what an amazing visual of the house on that.

1211
01:03:47.280 --> 01:03:50.559
<v Speaker 2>It's not a stilt, I mean it's one. It's a monopod.

1212
01:03:50.760 --> 01:03:54.360
<v Speaker 2>You know, it's just balanced on there as he's tearing

1213
01:03:54.440 --> 01:03:59.360
<v Speaker 2>ass through obble. You know, definitely not It was booked

1214
01:03:59.440 --> 01:04:01.599
<v Speaker 2>like just a big bitch that they dug and put

1215
01:04:01.639 --> 01:04:03.719
<v Speaker 2>a bunch of people in burkas.

1216
01:04:04.559 --> 01:04:08.360
<v Speaker 12>Oh please, you know Bronson Cannon was just like twenty

1217
01:04:08.480 --> 01:04:13.559
<v Speaker 12>feet away from I was, oh gods, yeah that and

1218
01:04:13.639 --> 01:04:16.039
<v Speaker 12>you're right, that is like such a like yp Okay,

1219
01:04:16.159 --> 01:04:17.679
<v Speaker 12>now we have a bed Atbuster Keaton.

1220
01:04:18.199 --> 01:04:21.239
<v Speaker 7>They're a little bit of maybe like Hoping Crosby.

1221
01:04:21.800 --> 01:04:22.920
<v Speaker 2>Yeah, it's like a road movie.

1222
01:04:23.280 --> 01:04:27.719
<v Speaker 7>Yeah yeah, tiny bit there. But then there's like fake

1223
01:04:27.840 --> 01:04:28.679
<v Speaker 7>elephant semen.

1224
01:04:29.960 --> 01:04:32.559
<v Speaker 1>I wonder if there was a different title, because okay,

1225
01:04:32.719 --> 01:04:37.440
<v Speaker 1>the title is the line that they like gets gets attention.

1226
01:04:37.639 --> 01:04:41.800
<v Speaker 1>But the thing is it's like his dad really like

1227
01:04:42.159 --> 01:04:44.519
<v Speaker 1>never really brings it up again after they have their

1228
01:04:44.559 --> 01:04:47.519
<v Speaker 1>kind of blowout, and you would think that calling someone

1229
01:04:47.559 --> 01:04:51.639
<v Speaker 1>a pedophile an ancestual pedophile would just be like, all right,

1230
01:04:51.719 --> 01:04:53.719
<v Speaker 1>I'm done with you. Fuck you. I never want to

1231
01:04:53.760 --> 01:04:56.760
<v Speaker 1>talk to you again. And in the end, it's after

1232
01:04:57.400 --> 01:04:59.559
<v Speaker 1>he's got the show and he did, they go on

1233
01:04:59.599 --> 01:05:03.719
<v Speaker 1>the pack stand adventure. Dad's proud, so the goal is met,

1234
01:05:03.920 --> 01:05:06.559
<v Speaker 1>so it's like never really brought up again, and it's like, oh,

1235
01:05:06.679 --> 01:05:09.639
<v Speaker 1>everything's fine. So I guess maybe that's just a joke

1236
01:05:09.719 --> 01:05:12.000
<v Speaker 1>on comedies that you could do like the worst shit

1237
01:05:12.079 --> 01:05:16.280
<v Speaker 1>the people, and as long as everything happens in the end,

1238
01:05:16.400 --> 01:05:18.800
<v Speaker 1>it's happy. Everything's fucking forgiven.

1239
01:05:18.960 --> 01:05:22.559
<v Speaker 2>Really, Yeah, And even that poor little kid that walks

1240
01:05:22.639 --> 01:05:26.079
<v Speaker 2>into the propeller, you know, you do get to hear

1241
01:05:26.119 --> 01:05:27.199
<v Speaker 2>him go, I'm okay.

1242
01:05:27.960 --> 01:05:30.519
<v Speaker 7>The ad R was a maidic.

1243
01:05:31.320 --> 01:05:35.800
<v Speaker 12>It was that's It's frozen scream, which Eric, if you

1244
01:05:35.840 --> 01:05:38.840
<v Speaker 12>guys have seen this, this horror gem, I just recently

1245
01:05:38.840 --> 01:05:39.320
<v Speaker 12>saw Member.

1246
01:05:39.360 --> 01:05:43.000
<v Speaker 7>So I'm the ADR and nat is a wonder. Call

1247
01:05:43.119 --> 01:05:44.559
<v Speaker 7>it that. It's a wonder.

1248
01:05:45.559 --> 01:05:48.519
<v Speaker 2>And there you have the father and son relationship too,

1249
01:05:48.639 --> 01:05:52.280
<v Speaker 2>because we keep seeing this kid just get inadvertently abused

1250
01:05:52.400 --> 01:05:53.320
<v Speaker 2>by father.

1251
01:05:54.159 --> 01:05:56.159
<v Speaker 12>That poor kid, like when I have the dietar and

1252
01:05:56.239 --> 01:05:57.400
<v Speaker 12>he's can I happen.

1253
01:05:59.639 --> 01:06:04.039
<v Speaker 7>Just like a cake daddy like that your birthday.

1254
01:06:04.280 --> 01:06:09.480
<v Speaker 12>Of course, it's like this, poor kid and holy shit, okay,

1255
01:06:09.639 --> 01:06:12.880
<v Speaker 12>the same Ripertory does this like weird little Lord Fonterroy

1256
01:06:13.119 --> 01:06:15.400
<v Speaker 12>accent at the dinner table about the rice.

1257
01:06:16.000 --> 01:06:20.000
<v Speaker 8>Ohoo, little Lord Fontleroy is tell me because there's too

1258
01:06:20.159 --> 01:06:21.599
<v Speaker 8>much roast beef in it.

1259
01:06:21.760 --> 01:06:22.440
<v Speaker 1>This is boring.

1260
01:06:24.400 --> 01:06:26.840
<v Speaker 3>I'm eating a chicken scent with Oh you're not. Oh shit,

1261
01:06:26.920 --> 01:06:28.559
<v Speaker 3>this is crazy. I'm a twenty eight year old man.

1262
01:06:28.719 --> 01:06:30.679
<v Speaker 3>I should be able to eat a chicken sandwich if

1263
01:06:30.679 --> 01:06:30.960
<v Speaker 3>I want.

1264
01:06:31.199 --> 01:06:33.159
<v Speaker 7>He's twenty eight years old and he can eat a

1265
01:06:33.280 --> 01:06:34.199
<v Speaker 7>chicken sandwich.

1266
01:06:34.360 --> 01:06:35.119
<v Speaker 1>Very impressive.

1267
01:06:35.800 --> 01:06:39.280
<v Speaker 5>Mike Fitzgiven's son is a nuclear physicist.

1268
01:06:38.960 --> 01:06:45.480
<v Speaker 3>And my son can eat it. No, you can either

1269
01:06:45.599 --> 01:06:47.840
<v Speaker 3>eat that goddamn roast beef.

1270
01:06:47.760 --> 01:06:50.199
<v Speaker 1>Or you can go to bed. Why can I not

1271
01:06:50.400 --> 01:06:51.599
<v Speaker 1>eat a twenty.

1272
01:06:53.400 --> 01:06:53.559
<v Speaker 12>Man?

1273
01:06:53.559 --> 01:06:54.599
<v Speaker 2>I'm twenty eight years old.

1274
01:06:55.280 --> 01:06:58.280
<v Speaker 1>It's the over pronunciation of endings that is the thing

1275
01:06:58.360 --> 01:07:03.280
<v Speaker 1>that I like. Yeah, sandt.

1276
01:07:04.039 --> 01:07:06.280
<v Speaker 3>My belly again.

1277
01:07:06.480 --> 01:07:09.320
<v Speaker 7>So I cannot imagine anybody in this role other than

1278
01:07:09.440 --> 01:07:13.639
<v Speaker 7>rip Tourn. He's so perfect. It's like it was raping him.

1279
01:07:14.039 --> 01:07:17.760
<v Speaker 12>It really feels like That's why I was floored. May

1280
01:07:18.079 --> 01:07:20.960
<v Speaker 12>this the Jeffrey Jones and Gene Wilder.

1281
01:07:21.639 --> 01:07:22.360
<v Speaker 7>Is that true.

1282
01:07:22.960 --> 01:07:25.559
<v Speaker 2>I don't know. It doesn't seem like it could be possible.

1283
01:07:25.920 --> 01:07:28.119
<v Speaker 12>Thank god they didn't put Jeffrey Jones in it, because

1284
01:07:29.079 --> 01:07:31.760
<v Speaker 12>but yeah, I mean, like it's bizarre just.

1285
01:07:31.840 --> 01:07:32.599
<v Speaker 7>The list of people.

1286
01:07:32.639 --> 01:07:35.199
<v Speaker 12>And I'm like this was written even if it wasn't

1287
01:07:35.199 --> 01:07:38.239
<v Speaker 12>intentionally written for rip Torn, there was some cosmic lattice

1288
01:07:38.320 --> 01:07:41.599
<v Speaker 12>work going on where it's Ripturn's role, like he's going

1289
01:07:41.679 --> 01:07:43.119
<v Speaker 12>to do this and he's going to own it.

1290
01:07:43.920 --> 01:07:45.960
<v Speaker 1>I can't even think of who could play this role.

1291
01:07:46.800 --> 01:07:49.199
<v Speaker 1>The only other way that you could go is I'm

1292
01:07:49.280 --> 01:07:52.960
<v Speaker 1>thinking of when Herzog was into Harmony Karn movies, like

1293
01:07:53.079 --> 01:07:55.039
<v Speaker 1>that would be the only way it would be, like

1294
01:07:55.519 --> 01:07:56.599
<v Speaker 1>you need someone like that.

1295
01:07:57.920 --> 01:08:01.559
<v Speaker 12>There is one person, ironically, I almost don't want to

1296
01:08:01.559 --> 01:08:03.440
<v Speaker 12>mention because I know he's in the deleted Saints, So

1297
01:08:03.480 --> 01:08:04.679
<v Speaker 12>I almost wonder if I should save this.

1298
01:08:04.800 --> 01:08:06.679
<v Speaker 7>But if we're bringing it now, I will say, if

1299
01:08:06.719 --> 01:08:11.280
<v Speaker 7>anybody has seen Joe Flaherty's Kirk Douglas impersonation Kirk, what

1300
01:08:11.400 --> 01:08:11.920
<v Speaker 7>on earth.

1301
01:08:11.760 --> 01:08:14.239
<v Speaker 3>Would you do with a child like this, I'll tell

1302
01:08:14.280 --> 01:08:17.399
<v Speaker 3>you what I'd do. I'd take her and butter Cross money.

1303
01:08:17.960 --> 01:08:22.039
<v Speaker 3>Then I'd give her a good log, hearty good.

1304
01:08:25.840 --> 01:08:28.319
<v Speaker 12>I'm a massive Joe Flaherty fan, but I'll save that

1305
01:08:28.439 --> 01:08:31.520
<v Speaker 12>for a deleted part, but I will say Joe Flaherty

1306
01:08:31.640 --> 01:08:34.319
<v Speaker 12>on Kirk Douglas energy could have come close.

1307
01:08:34.600 --> 01:08:36.960
<v Speaker 7>I really do think that, yeah, because he's.

1308
01:08:36.880 --> 01:08:39.640
<v Speaker 2>Kind of doing that a little bit in one crazy summer.

1309
01:08:39.680 --> 01:08:41.560
<v Speaker 2>If memory serves, Oh my.

1310
01:08:41.680 --> 01:08:42.640
<v Speaker 7>God, I love let me.

1311
01:08:43.600 --> 01:08:46.079
<v Speaker 1>I'd like to call him my friend. But I would

1312
01:08:46.119 --> 01:08:47.039
<v Speaker 1>be alart.

1313
01:08:47.560 --> 01:08:50.680
<v Speaker 12>Because Flaherty really could do that, just like he had

1314
01:08:50.760 --> 01:08:54.000
<v Speaker 12>Dad energy already, and he could do that just really

1315
01:08:54.199 --> 01:08:57.039
<v Speaker 12>hyper funny, angry voice.

1316
01:08:57.359 --> 01:08:59.880
<v Speaker 7>I would Kirk would have been too young at this juncture.

1317
01:09:00.039 --> 01:09:01.039
<v Speaker 7>Job Odaker could do that.

1318
01:09:01.239 --> 01:09:03.920
<v Speaker 2>Now let's go ahead and we're going to take a break,

1319
01:09:04.000 --> 01:09:06.520
<v Speaker 2>and we'll be back with an interview with producer Lauren

1320
01:09:06.600 --> 01:09:10.439
<v Speaker 2>Lloyd right after these brief messages. Looking for something superior

1321
01:09:10.479 --> 01:09:12.439
<v Speaker 2>to streaming, a place with more than five times the

1322
01:09:12.520 --> 01:09:15.680
<v Speaker 2>selection available on all of the other streaming services combined,

1323
01:09:15.960 --> 01:09:19.159
<v Speaker 2>check out Scarecrow Videos rent by mail service. Select from

1324
01:09:19.159 --> 01:09:22.760
<v Speaker 2>an unparalleled collection of over one hundred and fifty thousand films.

1325
01:09:22.800 --> 01:09:25.680
<v Speaker 2>I get Blu rays, four k's and DVDs delivered directly

1326
01:09:25.760 --> 01:09:28.079
<v Speaker 2>to your door. Get in on it now at scarecrow

1327
01:09:28.159 --> 01:09:32.760
<v Speaker 2>dot com and rediscover the wonders of physical media. Before

1328
01:09:32.800 --> 01:09:35.439
<v Speaker 2>we start talking about Freddie got fingered, I'm so curious,

1329
01:09:35.800 --> 01:09:37.600
<v Speaker 2>how did you get your start in the business, because

1330
01:09:37.600 --> 01:09:39.640
<v Speaker 2>I know that you were a casting director for a while,

1331
01:09:39.880 --> 01:09:41.720
<v Speaker 2>and then did you do acting as well?

1332
01:09:42.520 --> 01:09:42.600
<v Speaker 1>Now?

1333
01:09:42.720 --> 01:09:47.079
<v Speaker 13>I went to Carnegie Mellon in Pittsburgh after high school,

1334
01:09:47.399 --> 01:09:50.119
<v Speaker 13>and I really always wanted to be an actress. I thought, Hey,

1335
01:09:50.279 --> 01:09:53.359
<v Speaker 13>my big face should be up there. And then when

1336
01:09:53.479 --> 01:09:56.720
<v Speaker 13>I was applying to audition there, I thought, everyone, all

1337
01:09:56.840 --> 01:09:59.840
<v Speaker 13>women actually are going to be auditioning to be act

1338
01:10:00.399 --> 01:10:02.880
<v Speaker 13>So I'm going to say I want to be a director,

1339
01:10:03.199 --> 01:10:05.399
<v Speaker 13>and somehow I'll trick them and they'll let me in.

1340
01:10:06.199 --> 01:10:06.720
<v Speaker 7>And I did.

1341
01:10:06.800 --> 01:10:08.520
<v Speaker 13>I got in as a director. So then I started

1342
01:10:08.560 --> 01:10:12.039
<v Speaker 13>seeing another side of things, not just acting. And after

1343
01:10:12.239 --> 01:10:17.479
<v Speaker 13>a graduation, I moved to Massachusetts and I worked with

1344
01:10:17.760 --> 01:10:20.720
<v Speaker 13>the American division of the Royal Shakespeare Company and I

1345
01:10:20.760 --> 01:10:23.000
<v Speaker 13>did some directing there, and then I came to Hollywood,

1346
01:10:23.720 --> 01:10:25.239
<v Speaker 13>and I you didn't try to figure it all out,

1347
01:10:25.279 --> 01:10:27.239
<v Speaker 13>you know, It's like there's no rules there. So I

1348
01:10:27.439 --> 01:10:30.119
<v Speaker 13>just thought casting seemed like a good way in, and

1349
01:10:30.159 --> 01:10:33.039
<v Speaker 13>then I figured it out from there. I mean, my

1350
01:10:33.119 --> 01:10:35.479
<v Speaker 13>first movie was Mermaids and it was my sister who

1351
01:10:35.560 --> 01:10:39.840
<v Speaker 13>sent me the book and I went to a casting

1352
01:10:39.920 --> 01:10:43.079
<v Speaker 13>associate of mine, Wale Nsita at the time, because she

1353
01:10:43.159 --> 01:10:45.760
<v Speaker 13>knew everybody, everybody famous, and I thought, oh, I'll find

1354
01:10:45.800 --> 01:10:49.960
<v Speaker 13>a writer and she'll find a star and we'll make movies.

1355
01:10:50.399 --> 01:10:54.760
<v Speaker 13>And then we did. It worked out good. So that's

1356
01:10:54.800 --> 01:10:58.600
<v Speaker 13>how honestly, you know, my very first job was selling

1357
01:10:58.680 --> 01:11:01.960
<v Speaker 13>cars out in la I had no idea what was what.

1358
01:11:02.279 --> 01:11:04.760
<v Speaker 13>I just moved out and was like, oh, and I

1359
01:11:04.800 --> 01:11:06.680
<v Speaker 13>didn't have a car. So I thought, oh, you know what,

1360
01:11:06.800 --> 01:11:10.000
<v Speaker 13>I'm going to get a job selling cars, nice ones,

1361
01:11:10.640 --> 01:11:14.159
<v Speaker 13>and I'll sell them to famous Hollywood people and they'll

1362
01:11:14.319 --> 01:11:17.479
<v Speaker 13>like me and give me a job. And it almost

1363
01:11:17.600 --> 01:11:20.279
<v Speaker 13>worked like that. But I walked down to a place

1364
01:11:20.319 --> 01:11:22.520
<v Speaker 13>called Room and BMW and I said I'm here to

1365
01:11:22.600 --> 01:11:25.359
<v Speaker 13>sell cars, and they were just like, it's the early eighties.

1366
01:11:25.399 --> 01:11:29.119
<v Speaker 13>Women don't sell cars. And I never thought about that anyway.

1367
01:11:29.159 --> 01:11:33.439
<v Speaker 13>I persevered, got a gig there, sold a car to

1368
01:11:33.600 --> 01:11:37.079
<v Speaker 13>an agent who said, oh, come work for me, and

1369
01:11:37.600 --> 01:11:38.079
<v Speaker 13>off we went.

1370
01:11:38.920 --> 01:11:41.840
<v Speaker 2>It was the eighties and then into the nineties. Did

1371
01:11:41.880 --> 01:11:45.000
<v Speaker 2>you run into a lot of sexism in your different positions.

1372
01:11:45.720 --> 01:11:49.039
<v Speaker 13>Oh always, it was yeah, always. Do you know what

1373
01:11:49.199 --> 01:11:49.520
<v Speaker 13>was weird?

1374
01:11:49.640 --> 01:11:49.760
<v Speaker 9>Is that?

1375
01:11:49.920 --> 01:11:53.079
<v Speaker 13>Or maybe not weird? Well, it was just those sexists

1376
01:11:53.479 --> 01:11:56.720
<v Speaker 13>from the very very beginning. Because when Walie Nasda and

1377
01:11:56.800 --> 01:12:00.720
<v Speaker 13>I started producing, this is before I became a studio

1378
01:12:00.800 --> 01:12:04.600
<v Speaker 13>executive that went off with another production company to make Freddy,

1379
01:12:05.760 --> 01:12:10.239
<v Speaker 13>there was only like Deborah Hill and there was only

1380
01:12:10.319 --> 01:12:14.640
<v Speaker 13>one other producer's team, and so people could not figure

1381
01:12:14.640 --> 01:12:17.359
<v Speaker 13>it out. I remember when we started finding writers and

1382
01:12:17.800 --> 01:12:20.520
<v Speaker 13>you know, selling scripts and stuff. It was Mike Ovitz

1383
01:12:20.560 --> 01:12:22.640
<v Speaker 13>at CIA called Wally and I in and said, who

1384
01:12:22.680 --> 01:12:26.199
<v Speaker 13>are you guys? How are you doing things without these

1385
01:12:26.239 --> 01:12:29.119
<v Speaker 13>scripts coming over my transom. He used that word and

1386
01:12:29.119 --> 01:12:32.279
<v Speaker 13>I thought, that's a curious word. It was interesting. So

1387
01:12:32.399 --> 01:12:37.039
<v Speaker 13>when that me Too movement started, it was so shocking

1388
01:12:37.159 --> 01:12:40.119
<v Speaker 13>as a woman, I think, to be in Hollywood at

1389
01:12:40.159 --> 01:12:43.960
<v Speaker 13>that time and see, we know all this stuff. You

1390
01:12:44.039 --> 01:12:45.640
<v Speaker 13>know what I mean to sexism or what's going on

1391
01:12:45.720 --> 01:12:48.359
<v Speaker 13>to the power curve, or we just know what goes on.

1392
01:12:48.479 --> 01:12:50.520
<v Speaker 13>We know we're not a part of it. We know

1393
01:12:50.640 --> 01:12:53.479
<v Speaker 13>that there's another group. But when it came forth, it

1394
01:12:53.640 --> 01:12:57.239
<v Speaker 13>was like the inner structure of Hollywood kind of fell apart.

1395
01:12:57.920 --> 01:12:58.159
<v Speaker 1>It was.

1396
01:12:58.560 --> 01:13:01.000
<v Speaker 13>It was shocking. Actually, it was shocking to a lot

1397
01:13:01.000 --> 01:13:03.960
<v Speaker 13>of women. We were just like, okay, wait now they

1398
01:13:04.039 --> 01:13:08.560
<v Speaker 13>can see what's going on. This is really a wild time. Yeah.

1399
01:13:08.920 --> 01:13:09.399
<v Speaker 13>So there's that.

1400
01:13:10.319 --> 01:13:14.159
<v Speaker 2>You worked on a huge variety of films over the years,

1401
01:13:14.159 --> 01:13:15.840
<v Speaker 2>and I'm so curious. What were some of the favorite

1402
01:13:15.840 --> 01:13:17.760
<v Speaker 2>ones that you worked on. Oh.

1403
01:13:18.199 --> 01:13:22.359
<v Speaker 13>I liked the very first one, Mermaids. I love that

1404
01:13:23.239 --> 01:13:26.079
<v Speaker 13>because it was our first foray into making a movie,

1405
01:13:26.279 --> 01:13:29.239
<v Speaker 13>and you know, we discovered Christina Ricci. It was just

1406
01:13:29.319 --> 01:13:33.199
<v Speaker 13>a blast, and working with Cher was really remarkable, and

1407
01:13:33.319 --> 01:13:36.239
<v Speaker 13>it was Wally and I leading the way in a

1408
01:13:36.319 --> 01:13:39.479
<v Speaker 13>creative way, and we didn't have any judgment about what

1409
01:13:39.560 --> 01:13:41.680
<v Speaker 13>we were doing, so we felt very free to just

1410
01:13:42.520 --> 01:13:44.800
<v Speaker 13>you know, go with a vision. I mean it was

1411
01:13:44.920 --> 01:13:49.159
<v Speaker 13>difficult because we went through a lot of directors, a

1412
01:13:49.279 --> 01:13:52.119
<v Speaker 13>couple of stars, but you know, we found our way. Anyway.

1413
01:13:52.159 --> 01:13:56.279
<v Speaker 13>I love that. I loved doing Unstrung Heroes with Diane Keaton.

1414
01:13:57.079 --> 01:14:04.319
<v Speaker 13>She was really amazing, really unbelievably clever and creative and

1415
01:14:05.159 --> 01:14:09.039
<v Speaker 13>you know she uh, she was just great. I mean

1416
01:14:09.079 --> 01:14:13.039
<v Speaker 13>she really made a Valentine to mothers. I think the

1417
01:14:13.479 --> 01:14:16.560
<v Speaker 13>Armstrong Heroes what else. I love working with me more.

1418
01:14:16.680 --> 01:14:19.079
<v Speaker 13>I did three movies with her. I had just a

1419
01:14:19.199 --> 01:14:24.119
<v Speaker 13>blast in my life. Anyway, Freddy got fingered was a

1420
01:14:24.720 --> 01:14:28.439
<v Speaker 13>real unusual turn of events. I was a studio exec

1421
01:14:28.560 --> 01:14:33.479
<v Speaker 13>at Hollywood Pictures and I believe that. Well, first of all,

1422
01:14:33.520 --> 01:14:37.079
<v Speaker 13>Tom Green was the rage in the nineteen nineties. I

1423
01:14:37.119 --> 01:14:40.279
<v Speaker 13>mean he was just the shock and gross out king

1424
01:14:40.439 --> 01:14:43.439
<v Speaker 13>of MTV, and all the studios of that time really

1425
01:14:43.479 --> 01:14:46.520
<v Speaker 13>wanted to harness like the audience of MTV in a

1426
01:14:46.600 --> 01:14:50.640
<v Speaker 13>more significant way. So he was like the ironic punk

1427
01:14:50.680 --> 01:14:52.600
<v Speaker 13>gross and everybody out. I remember him as like the

1428
01:14:53.520 --> 01:14:57.159
<v Speaker 13>dude who was who had a microphone and dog poop

1429
01:14:57.199 --> 01:15:00.279
<v Speaker 13>at the end of it interviewing people and I've this

1430
01:15:00.359 --> 01:15:04.159
<v Speaker 13>is disgusting, and he had very intriguing So anyway, it

1431
01:15:04.279 --> 01:15:06.840
<v Speaker 13>was developed there wanted to turnaround from Disney. I think

1432
01:15:06.840 --> 01:15:09.680
<v Speaker 13>it was Joe Roth who who developed it, and it

1433
01:15:09.800 --> 01:15:12.479
<v Speaker 13>came by the way of Joe's good friend Larry Bresner

1434
01:15:12.840 --> 01:15:17.439
<v Speaker 13>at MBST. And Larry has since passed away, but he

1435
01:15:17.600 --> 01:15:19.840
<v Speaker 13>was the guy who said, what do you think of

1436
01:15:19.920 --> 01:15:24.039
<v Speaker 13>Tom Green? And we were excited. Everybody wanted this project.

1437
01:15:24.079 --> 01:15:26.119
<v Speaker 13>By the way, we were excited that we had the

1438
01:15:26.199 --> 01:15:28.720
<v Speaker 13>ability to get it because he was such a huge star,

1439
01:15:28.800 --> 01:15:31.960
<v Speaker 13>and he was so we never met anyone like him,

1440
01:15:32.479 --> 01:15:34.439
<v Speaker 13>and he was such a creative force and such a

1441
01:15:34.520 --> 01:15:36.239
<v Speaker 13>frightening guy. I have to say in a way that

1442
01:15:36.359 --> 01:15:41.000
<v Speaker 13>he basically made everyone feel super uncomfortable. So it was

1443
01:15:41.079 --> 01:15:43.560
<v Speaker 13>a real interesting balance of knowing that this is a

1444
01:15:43.640 --> 01:15:48.199
<v Speaker 13>really creative guy feeling uncomfortable, wanting to as a producer

1445
01:15:49.159 --> 01:15:54.279
<v Speaker 13>facilitate and support his vision, which was very difficult. What

1446
01:15:54.439 --> 01:15:57.359
<v Speaker 13>was so difficult about it, Well, he kept going further

1447
01:15:57.439 --> 01:15:59.399
<v Speaker 13>and further and further. I mean his idea was that

1448
01:15:59.600 --> 01:16:02.680
<v Speaker 13>he just I just want to see how far I

1449
01:16:02.720 --> 01:16:05.960
<v Speaker 13>can go? Because it was like Tom Green's greatest hits,

1450
01:16:06.000 --> 01:16:08.119
<v Speaker 13>How bizarre can I be? How wild can I be?

1451
01:16:08.520 --> 01:16:11.800
<v Speaker 13>It wasn't like political or it was just his stuff,

1452
01:16:11.920 --> 01:16:15.960
<v Speaker 13>his weird, gross out, disgusting stuff. Watching it again now

1453
01:16:16.199 --> 01:16:20.680
<v Speaker 13>I look back and think what. Quite frankly, I think,

1454
01:16:20.880 --> 01:16:24.720
<v Speaker 13>how in the world did this come into being? How

1455
01:16:24.760 --> 01:16:27.359
<v Speaker 13>did Fox give us the money? I remember when we

1456
01:16:27.439 --> 01:16:29.800
<v Speaker 13>were working on there were two issues that we were

1457
01:16:29.800 --> 01:16:34.680
<v Speaker 13>working with. One was, okay, we have this crazy script

1458
01:16:34.800 --> 01:16:37.119
<v Speaker 13>that was not quite developed yet. We worked on developing it.

1459
01:16:37.560 --> 01:16:40.960
<v Speaker 13>But these crazy stirring of events and we thought, well,

1460
01:16:40.960 --> 01:16:43.760
<v Speaker 13>who's going to direct this? So we met with a

1461
01:16:43.840 --> 01:16:45.640
<v Speaker 13>lot of directors. There was a lot of interest, but

1462
01:16:45.880 --> 01:16:48.960
<v Speaker 13>Tom always really knew visually what he wanted to do.

1463
01:16:50.520 --> 01:16:51.319
<v Speaker 7>So you have to respect that.

1464
01:16:51.439 --> 01:16:52.880
<v Speaker 13>You have to say, okay, he sees it like this,

1465
01:16:53.600 --> 01:16:55.279
<v Speaker 13>you know, the point of view is like this, the

1466
01:16:55.359 --> 01:16:57.960
<v Speaker 13>actors are going to be like that. And so he

1467
01:16:58.119 --> 01:17:00.840
<v Speaker 13>ended up directing it. Larry I decided that we were

1468
01:17:00.880 --> 01:17:03.880
<v Speaker 13>just going to give him the reins and see if

1469
01:17:03.920 --> 01:17:06.760
<v Speaker 13>we can control it at all. But it's interesting because

1470
01:17:06.800 --> 01:17:08.880
<v Speaker 13>I thought this is a very very low budget movie.

1471
01:17:08.920 --> 01:17:10.479
<v Speaker 13>I mean, if we get a couple of million bucks,

1472
01:17:10.600 --> 01:17:13.399
<v Speaker 13>let's go be wild and see what happens. And we

1473
01:17:13.520 --> 01:17:16.520
<v Speaker 13>got a lot of dough. I was stunned. I was

1474
01:17:16.640 --> 01:17:18.800
<v Speaker 13>just like, we're not going to Pakistan, I mean what.

1475
01:17:19.640 --> 01:17:24.159
<v Speaker 13>So anyway, it was that it was figuring out how

1476
01:17:24.279 --> 01:17:28.279
<v Speaker 13>to support his creative vision, be the go between between

1477
01:17:28.359 --> 01:17:33.439
<v Speaker 13>him and Fox and keeping reins on creatively what he

1478
01:17:33.520 --> 01:17:35.920
<v Speaker 13>wanted to do. It was very busy.

1479
01:17:36.840 --> 01:17:39.399
<v Speaker 1>Was he always on mostly?

1480
01:17:40.520 --> 01:17:43.399
<v Speaker 13>There was also mostly you know, and that was his shtick.

1481
01:17:43.479 --> 01:17:44.359
<v Speaker 7>He was his stick.

1482
01:17:44.520 --> 01:17:46.359
<v Speaker 13>The whole point of me was trying to figure out

1483
01:17:46.359 --> 01:17:49.159
<v Speaker 13>what wasn't that. What was interesting is that we used

1484
01:17:49.159 --> 01:17:52.720
<v Speaker 13>to run lines all the time and there were moments

1485
01:17:52.800 --> 01:17:55.199
<v Speaker 13>there that I could see who he was. And he

1486
01:17:55.319 --> 01:17:59.039
<v Speaker 13>also was with Drew Barrymore, and I thought that was

1487
01:17:59.159 --> 01:18:02.520
<v Speaker 13>a wild experience. Like, Okay, Drew, who's, you know, very

1488
01:18:02.600 --> 01:18:06.479
<v Speaker 13>grounded and has her roots in Hollywood for generations, and

1489
01:18:06.600 --> 01:18:10.920
<v Speaker 13>Tom Green, this kind of irascible Canadian. He was real

1490
01:18:10.960 --> 01:18:13.920
<v Speaker 13>around her, and his best friends were working with him,

1491
01:18:14.000 --> 01:18:18.119
<v Speaker 13>Sean and Derek Harvey, and he really trusted them, and

1492
01:18:18.199 --> 01:18:19.760
<v Speaker 13>they were in the movie and they were co writing

1493
01:18:19.800 --> 01:18:21.239
<v Speaker 13>and they were really supported to him.

1494
01:18:22.159 --> 01:18:23.720
<v Speaker 2>Yeah, you said you were kind of going back and

1495
01:18:24.119 --> 01:18:26.920
<v Speaker 2>forth between the production and Fox. I mean, was there

1496
01:18:27.000 --> 01:18:29.520
<v Speaker 2>any concerns by Fox or are they just like this

1497
01:18:29.720 --> 01:18:31.520
<v Speaker 2>is the biggest thing since sliced.

1498
01:18:31.199 --> 01:18:32.079
<v Speaker 1>Bread, Go Go Go.

1499
01:18:33.039 --> 01:18:37.359
<v Speaker 13>Well, it was also Regency who was the financier. I

1500
01:18:37.439 --> 01:18:40.479
<v Speaker 13>don't really know what their deal was with Fox, but

1501
01:18:40.560 --> 01:18:44.479
<v Speaker 13>it was arn On Milshawn who ran Regency, and he

1502
01:18:44.720 --> 01:18:49.079
<v Speaker 13>was very intrigued with the heat of this young comic.

1503
01:18:49.800 --> 01:18:52.439
<v Speaker 13>We all were, we were all under the Tom Green spell.

1504
01:18:53.079 --> 01:18:53.319
<v Speaker 1>Okay.

1505
01:18:53.359 --> 01:18:55.199
<v Speaker 13>It was also a bunch of let's say older people

1506
01:18:55.239 --> 01:18:57.800
<v Speaker 13>who didn't quite understand the MTV, you know what this

1507
01:18:57.920 --> 01:19:00.000
<v Speaker 13>gross out humor was, and we didn't want to stuff

1508
01:19:00.119 --> 01:19:02.279
<v Speaker 13>on his toes and you could see we didn't.

1509
01:19:03.479 --> 01:19:04.079
<v Speaker 1>I seem to.

1510
01:19:04.079 --> 01:19:06.840
<v Speaker 2>Remember there was a behind the scenes documentary that's on

1511
01:19:06.960 --> 01:19:09.399
<v Speaker 2>the DVD and there's at least one clip with you

1512
01:19:09.520 --> 01:19:13.840
<v Speaker 2>and it where it's the finer points of dealing with

1513
01:19:14.079 --> 01:19:15.479
<v Speaker 2>a erect horse.

1514
01:19:16.680 --> 01:19:19.880
<v Speaker 1>Oh my godness, How on earth did do you make

1515
01:19:19.960 --> 01:19:21.439
<v Speaker 1>it through this situation?

1516
01:19:22.439 --> 01:19:23.720
<v Speaker 13>I have to say that there were a lot of

1517
01:19:23.880 --> 01:19:26.439
<v Speaker 13>other crazy personal things going on in my life, which

1518
01:19:26.520 --> 01:19:32.319
<v Speaker 13>include rescuing Anne Hash from you know, institution and anyway

1519
01:19:32.359 --> 01:19:35.000
<v Speaker 13>in California. You know, I mean I was managing her,

1520
01:19:35.399 --> 01:19:37.800
<v Speaker 13>so I left that. I think it was the day

1521
01:19:37.880 --> 01:19:41.000
<v Speaker 13>after I was mostly I want to say, in shock,

1522
01:19:41.079 --> 01:19:42.760
<v Speaker 13>how did I get through it? I just got through it.

1523
01:19:42.880 --> 01:19:44.479
<v Speaker 13>I mean I was there in my trailer. I didn't

1524
01:19:44.520 --> 01:19:49.960
<v Speaker 13>go out and like witness physical attributes. But it was

1525
01:19:50.079 --> 01:19:53.039
<v Speaker 13>just another crazy day on the set with Tom Green.

1526
01:19:54.039 --> 01:19:57.479
<v Speaker 2>What were some of your either more shocking or favorite

1527
01:19:57.520 --> 01:19:58.479
<v Speaker 2>memories from the shoot.

1528
01:19:59.520 --> 01:20:05.479
<v Speaker 13>There was a really sweet moments with Tom and Julie

1529
01:20:05.520 --> 01:20:08.399
<v Speaker 13>Haggerty talking about why do you let him do this?

1530
01:20:08.640 --> 01:20:12.920
<v Speaker 13>And kind of the anger that Tom felt about his father.

1531
01:20:13.039 --> 01:20:15.079
<v Speaker 13>He would talk about that sometimes and that would come out.

1532
01:20:15.760 --> 01:20:17.720
<v Speaker 13>There was also a lot of stuff that was cut

1533
01:20:17.800 --> 01:20:19.880
<v Speaker 13>from the cheese factory and the cheese dipping and the

1534
01:20:20.000 --> 01:20:22.640
<v Speaker 13>Native American stuff. There was a lot of really touching

1535
01:20:22.920 --> 01:20:28.319
<v Speaker 13>but also bizarre stuff that was cut. But I liked

1536
01:20:28.720 --> 01:20:32.479
<v Speaker 13>being up in Canada. I loved the group of actors

1537
01:20:32.560 --> 01:20:34.840
<v Speaker 13>that we assembled. You know, yes, some good act was there.

1538
01:20:35.359 --> 01:20:40.159
<v Speaker 2>Yeah, I know that that's amazing. I know I know

1539
01:20:40.239 --> 01:20:43.119
<v Speaker 2>that other names were thrown around before Rip Torn came in,

1540
01:20:43.319 --> 01:20:45.520
<v Speaker 2>but I can't see anybody else playing that role.

1541
01:20:46.479 --> 01:20:50.760
<v Speaker 13>He was so bombastic. He was so I agree because

1542
01:20:50.800 --> 01:20:53.760
<v Speaker 13>he could be so bizarre and menacing and there it

1543
01:20:53.960 --> 01:20:57.560
<v Speaker 13>was just he was perfect. He was the perfect opposition

1544
01:20:57.720 --> 01:20:58.680
<v Speaker 13>to Tom.

1545
01:21:01.079 --> 01:21:04.000
<v Speaker 2>Yeah, he didn't my best going through all of the trailers,

1546
01:21:04.119 --> 01:21:06.720
<v Speaker 2>the behind the scenes, all of these things, trying to

1547
01:21:06.800 --> 01:21:10.680
<v Speaker 2>put together what this movie was. At some point, because

1548
01:21:10.720 --> 01:21:13.479
<v Speaker 2>you mentioned more at the cheese factory, Yeah, there's a

1549
01:21:13.560 --> 01:21:16.439
<v Speaker 2>shot right at the end, like in the outtakes at

1550
01:21:16.439 --> 01:21:19.159
<v Speaker 2>the end, where it's two people rising up out of

1551
01:21:19.199 --> 01:21:21.840
<v Speaker 2>a vat of cheese, and I don't know what the

1552
01:21:23.039 --> 01:21:24.880
<v Speaker 2>circumstances are around that at all.

1553
01:21:26.159 --> 01:21:28.800
<v Speaker 13>I think that was Stephen Tobolowski. I think you might

1554
01:21:28.800 --> 01:21:31.920
<v Speaker 13>have been cut from the whole movie, because there it

1555
01:21:32.039 --> 01:21:35.520
<v Speaker 13>was really weirdly coming of age story, if you can

1556
01:21:35.600 --> 01:21:39.680
<v Speaker 13>imagine about a kid who wanted to peddle his animated

1557
01:21:39.880 --> 01:21:44.520
<v Speaker 13>goods in Hollywood absurdly so trying to I mean, this

1558
01:21:44.680 --> 01:21:47.359
<v Speaker 13>is how many years ago do we do this? Twenty five?

1559
01:21:47.800 --> 01:21:49.960
<v Speaker 13>For a long time ago, I didn't go back and

1560
01:21:50.039 --> 01:21:54.199
<v Speaker 13>see I don't even remember seeing the outtakes of the

1561
01:21:54.279 --> 01:21:58.359
<v Speaker 13>interviews from the original release of the DVD or.

1562
01:21:58.439 --> 01:21:59.239
<v Speaker 2>Blu ray whatever.

1563
01:22:00.039 --> 01:22:01.840
<v Speaker 1>Well, I was curious, what was the premiere, Like.

1564
01:22:02.560 --> 01:22:04.079
<v Speaker 13>Boy, I don't even remember the premiere.

1565
01:22:04.159 --> 01:22:04.680
<v Speaker 7>How could that be?

1566
01:22:05.199 --> 01:22:08.319
<v Speaker 13>I don't remember it. Maybe I missed it. Sorry, I

1567
01:22:08.359 --> 01:22:09.000
<v Speaker 13>don't remember.

1568
01:22:10.000 --> 01:22:13.600
<v Speaker 2>I personally like this movie, and I see a lot

1569
01:22:13.680 --> 01:22:15.520
<v Speaker 2>of merit in it, but I know that at the

1570
01:22:15.600 --> 01:22:21.880
<v Speaker 2>time it was so lambasted and very wealthy, right one,

1571
01:22:21.920 --> 01:22:23.720
<v Speaker 2>A ton of razsies from what I understand.

1572
01:22:24.079 --> 01:22:26.840
<v Speaker 3>Yeah, we did the job, Yeah you did, Yeah you swept,

1573
01:22:27.640 --> 01:22:27.880
<v Speaker 3>did we?

1574
01:22:28.920 --> 01:22:29.159
<v Speaker 2>Yeah?

1575
01:22:29.279 --> 01:22:29.479
<v Speaker 1>Yeah?

1576
01:22:29.560 --> 01:22:32.479
<v Speaker 2>And then Tom actually went to the ceremony and played

1577
01:22:32.479 --> 01:22:34.720
<v Speaker 2>a harmonica solo that was so long that they had

1578
01:22:34.760 --> 01:22:36.079
<v Speaker 2>to drag him off of the stage.

1579
01:22:36.880 --> 01:22:37.960
<v Speaker 13>That is so like him.

1580
01:22:38.720 --> 01:22:42.359
<v Speaker 2>When did you know that this was being considered as

1581
01:22:42.439 --> 01:22:45.039
<v Speaker 2>such a bomb, and did that have any adverse effects

1582
01:22:45.079 --> 01:22:45.279
<v Speaker 2>for you?

1583
01:22:46.359 --> 01:22:46.960
<v Speaker 7>No, it didn't.

1584
01:22:47.079 --> 01:22:49.520
<v Speaker 13>Every time you make a movie and it's released, you're

1585
01:22:49.560 --> 01:22:53.640
<v Speaker 13>back at ground zero. So no, this was no more

1586
01:22:53.680 --> 01:22:57.960
<v Speaker 13>difficult than making any other movie. I always stood by

1587
01:22:58.000 --> 01:23:00.680
<v Speaker 13>the movie. I always thought that it's original, you will,

1588
01:23:00.960 --> 01:23:04.880
<v Speaker 13>it's unforgettable. We are going to distance, we are representing

1589
01:23:04.960 --> 01:23:07.079
<v Speaker 13>an artist's point of view, and I believe in that.

1590
01:23:07.800 --> 01:23:10.199
<v Speaker 13>I watched it again and I was like, what again,

1591
01:23:10.479 --> 01:23:14.520
<v Speaker 13>I was thinking that, But yeah, I remember talking to

1592
01:23:14.600 --> 01:23:17.600
<v Speaker 13>an executive from Hollywood Pictures who I believe was or

1593
01:23:18.079 --> 01:23:20.039
<v Speaker 13>I think was touched on, who was the person who

1594
01:23:20.079 --> 01:23:21.520
<v Speaker 13>had developed it, and they didn't know what to do

1595
01:23:21.600 --> 01:23:23.720
<v Speaker 13>with it, and they gave it back, and the trailers

1596
01:23:23.720 --> 01:23:25.600
<v Speaker 13>started coming out, and I can't remember who we opened

1597
01:23:25.600 --> 01:23:28.760
<v Speaker 13>it up against, but they were saying, like, what do

1598
01:23:28.800 --> 01:23:30.560
<v Speaker 13>you think. I said, we're going to do great because

1599
01:23:30.640 --> 01:23:33.399
<v Speaker 13>I just believe it, and he was just like what really?

1600
01:23:33.479 --> 01:23:35.760
<v Speaker 13>And I said great. I said it's funny and bizarre.

1601
01:23:35.880 --> 01:23:39.439
<v Speaker 13>And then when the reviews started coming back, I thought, oh,

1602
01:23:39.560 --> 01:23:41.439
<v Speaker 13>they're not seeing it or I didn't see it. But

1603
01:23:42.119 --> 01:23:43.880
<v Speaker 13>I felt like I did my job, you know, and

1604
01:23:44.000 --> 01:23:47.399
<v Speaker 13>that's really what it's about. Some of the comments. There

1605
01:23:47.479 --> 01:23:49.960
<v Speaker 13>was one comment if I remember that, first of all,

1606
01:23:50.000 --> 01:23:55.520
<v Speaker 13>they were across the board horrible, and so I thought, well,

1607
01:23:55.560 --> 01:23:58.760
<v Speaker 13>we did something right, but we didn't do also something right,

1608
01:23:59.520 --> 01:24:02.520
<v Speaker 13>that there was a comparison to like original Monty Python

1609
01:24:02.640 --> 01:24:06.279
<v Speaker 13>and the kind of the absurdist humor there. But now

1610
01:24:06.319 --> 01:24:09.640
<v Speaker 13>I hear it's a cold classic. It's like a postmodernist masterpiece,

1611
01:24:10.520 --> 01:24:13.680
<v Speaker 13>like Tom is secretly a genius. I have no idea.

1612
01:24:14.560 --> 01:24:18.239
<v Speaker 2>I read a few college dissertations about it, did you. Yeah,

1613
01:24:18.640 --> 01:24:21.840
<v Speaker 2>A couple of people at least have used this as

1614
01:24:21.920 --> 01:24:22.640
<v Speaker 2>their thesis.

1615
01:24:23.760 --> 01:24:26.159
<v Speaker 13>Really and why is that? Because why?

1616
01:24:26.800 --> 01:24:29.760
<v Speaker 2>I think it's the absurdism they come at it from,

1617
01:24:30.000 --> 01:24:36.439
<v Speaker 2>either neo surrealism or just kind of like existential crisis,

1618
01:24:36.640 --> 01:24:38.600
<v Speaker 2>especially with all the stuff around his father.

1619
01:24:39.520 --> 01:24:40.840
<v Speaker 13>That's really what grabbed me too.

1620
01:24:42.000 --> 01:24:42.840
<v Speaker 7>I can't believe it.

1621
01:24:43.479 --> 01:24:46.720
<v Speaker 13>Yeah, it was just a crazy time. I remember Harlan Williams.

1622
01:24:46.760 --> 01:24:49.800
<v Speaker 13>He was fun that whole but and I also remember

1623
01:24:49.840 --> 01:24:53.880
<v Speaker 13>how dazzling it was that well Tom Green could skateboard,

1624
01:24:53.960 --> 01:24:56.920
<v Speaker 13>and how dazzling that all that whole culture was.

1625
01:24:58.000 --> 01:25:01.560
<v Speaker 2>I love Harlan Williams. I thought Anthony Michael Hall knocked

1626
01:25:01.560 --> 01:25:03.399
<v Speaker 2>it out of the park. I felt like a lot

1627
01:25:03.479 --> 01:25:06.239
<v Speaker 2>of that was very ad libed watching it, and it

1628
01:25:06.319 --> 01:25:08.279
<v Speaker 2>felt like he was just going along with Green.

1629
01:25:10.319 --> 01:25:13.840
<v Speaker 13>Yeah, he was a powerful force. I don't really know

1630
01:25:13.880 --> 01:25:15.720
<v Speaker 13>what happened with Tom. I know that he went on

1631
01:25:15.800 --> 01:25:18.279
<v Speaker 13>to do road Trip, and I know he was very

1632
01:25:18.399 --> 01:25:23.479
<v Speaker 13>interested in like Brian Grazier's and certain producers.

1633
01:25:22.960 --> 01:25:23.920
<v Speaker 7>But I don't really know.

1634
01:25:24.520 --> 01:25:27.439
<v Speaker 13>I think he got a a podcast again, or of

1635
01:25:28.359 --> 01:25:29.560
<v Speaker 13>YouTube something. I don't know.

1636
01:25:29.960 --> 01:25:32.760
<v Speaker 2>Yeah, I think he's podcasting from a place up in Canada.

1637
01:25:32.880 --> 01:25:35.640
<v Speaker 2>He moved back up to close to Ottawa, close to

1638
01:25:35.720 --> 01:25:36.279
<v Speaker 2>his hometown.

1639
01:25:37.479 --> 01:25:38.479
<v Speaker 13>I got to check that out.

1640
01:25:38.880 --> 01:25:40.479
<v Speaker 2>How about you, What are you working on these days?

1641
01:25:41.079 --> 01:25:44.039
<v Speaker 13>I am working on something that I think is spectacular.

1642
01:25:44.600 --> 01:25:47.359
<v Speaker 13>And I thought I was retired, but apparently I'm not.

1643
01:25:48.359 --> 01:25:52.199
<v Speaker 13>I have another home that's down here in Florida, in Sarasota,

1644
01:25:52.800 --> 01:25:58.319
<v Speaker 13>there's a tiny fishing village called Cortez, and my helme

1645
01:25:58.479 --> 01:26:00.800
<v Speaker 13>is like right across the water from there. And during

1646
01:26:00.840 --> 01:26:03.680
<v Speaker 13>the nineteen seventies, there was more marijuana smuggle through that

1647
01:26:03.880 --> 01:26:07.159
<v Speaker 13>tiny town than anywhere else in America, and it was

1648
01:26:07.239 --> 01:26:11.479
<v Speaker 13>all done by sixteen year olds and the dea and

1649
01:26:11.560 --> 01:26:16.920
<v Speaker 13>the ATF was founded or formed in relation to many

1650
01:26:18.279 --> 01:26:22.439
<v Speaker 13>smuggling acts, but mostly because of these boys. And they

1651
01:26:22.960 --> 01:26:26.319
<v Speaker 13>smuggled in so much weed and it went. And the

1652
01:26:26.399 --> 01:26:29.640
<v Speaker 13>way they did it was they took a twenty three

1653
01:26:29.720 --> 01:26:33.399
<v Speaker 13>foot boat, four of them, down to Jamaica with a

1654
01:26:33.439 --> 01:26:35.439
<v Speaker 13>little bit of food and water and a Sears and

1655
01:26:35.560 --> 01:26:39.079
<v Speaker 13>Roebuck trash compactor, so if they found weed, they would

1656
01:26:39.119 --> 01:26:41.920
<v Speaker 13>compact it and put a lot on the boat. And

1657
01:26:42.039 --> 01:26:46.079
<v Speaker 13>they did anyway, So they were part of the Steenhatchie seven,

1658
01:26:46.119 --> 01:26:49.319
<v Speaker 13>which was the biggest. Walter Cronkite labeled them the steam

1659
01:26:49.359 --> 01:26:51.600
<v Speaker 13>Hatchie seven. It was the biggest drug bus in America,

1660
01:26:51.960 --> 01:26:54.720
<v Speaker 13>four and a half million dollars and nine tons. And

1661
01:26:54.800 --> 01:26:57.640
<v Speaker 13>then you know it was a wild adventure. But actually

1662
01:26:57.720 --> 01:27:01.319
<v Speaker 13>on the last day of Clinton's president, see, he pardoned

1663
01:27:01.319 --> 01:27:04.399
<v Speaker 13>our last guy who got life in prison for growing weed.

1664
01:27:04.960 --> 01:27:06.800
<v Speaker 13>So anyway, so that's what I'm working on. I got

1665
01:27:06.840 --> 01:27:08.920
<v Speaker 13>my writer director and we just put together a look

1666
01:27:08.960 --> 01:27:10.520
<v Speaker 13>book and off we go.

1667
01:27:11.520 --> 01:27:14.159
<v Speaker 2>Wow, that is great. I'm so glad that that's happening.

1668
01:27:15.119 --> 01:27:18.279
<v Speaker 13>I got the life rights to the last remaining smuggler

1669
01:27:18.560 --> 01:27:20.880
<v Speaker 13>and his name is Junior Guthrie. I mean what a

1670
01:27:20.920 --> 01:27:25.720
<v Speaker 13>great name. Also, so he's seventy eight, and those boys

1671
01:27:25.760 --> 01:27:28.239
<v Speaker 13>were just wild, wild wild.

1672
01:27:29.079 --> 01:27:32.239
<v Speaker 2>I love the whole crash compactor thing. That's fantastic, go

1673
01:27:32.399 --> 01:27:32.560
<v Speaker 2>do I.

1674
01:27:32.760 --> 01:27:35.479
<v Speaker 13>And all of it was like that because they were fishermen.

1675
01:27:35.600 --> 01:27:37.359
<v Speaker 13>I mean, they worked their asses off and they were

1676
01:27:37.520 --> 01:27:40.840
<v Speaker 13>so poor, and you know, their fathers and their grandfathers

1677
01:27:40.880 --> 01:27:42.560
<v Speaker 13>all fished. And then there was a law pass that

1678
01:27:42.640 --> 01:27:45.039
<v Speaker 13>they can't fish the way they had been fishing, so

1679
01:27:45.119 --> 01:27:49.359
<v Speaker 13>it really broke the back of commercial fishing. The boys thought, well,

1680
01:27:49.399 --> 01:27:52.680
<v Speaker 13>what are we going to do? And they became multimillionaires.

1681
01:27:52.760 --> 01:27:55.800
<v Speaker 13>They literally they had parties. They bought an island and

1682
01:27:55.800 --> 01:27:58.199
<v Speaker 13>they would have parties were Jimmy Buffett and the Almond

1683
01:27:58.199 --> 01:28:01.840
<v Speaker 13>brothers would come. And Buffett wrote this song, a Pirate

1684
01:28:01.920 --> 01:28:04.880
<v Speaker 13>Looks at forty. He co wrote it, even though it's

1685
01:28:04.920 --> 01:28:07.439
<v Speaker 13>not talked about by my lead smuggler Michael, who was

1686
01:28:07.479 --> 01:28:10.520
<v Speaker 13>eventually killed by the cartel. But it's the wildless story

1687
01:28:10.560 --> 01:28:14.479
<v Speaker 13>ever I believe. But yeah, Mike Knights murdered by the

1688
01:28:14.560 --> 01:28:17.760
<v Speaker 13>cartel and Mike White, I thought you were the Mike

1689
01:28:17.800 --> 01:28:21.359
<v Speaker 13>White I know from La you know, the my White

1690
01:28:21.439 --> 01:28:22.600
<v Speaker 13>loadeds like White.

1691
01:28:22.840 --> 01:28:24.079
<v Speaker 2>Oh yeah, I get that.

1692
01:28:24.199 --> 01:28:24.439
<v Speaker 11>A lot.

1693
01:28:24.560 --> 01:28:27.600
<v Speaker 2>I think it helps get me interview sometimes, but very nice.

1694
01:28:28.239 --> 01:28:29.920
<v Speaker 13>Okay, well, I hope I told you stuff that.

1695
01:28:30.399 --> 01:28:33.439
<v Speaker 2>Was good and new. I don't know absolutely did. I

1696
01:28:33.920 --> 01:28:35.640
<v Speaker 2>really appreciate this and I appreciate your.

1697
01:28:35.640 --> 01:28:39.319
<v Speaker 13>Time, my pleasure, and I'm thrilled to talk with you.

1698
01:28:39.439 --> 01:28:39.680
<v Speaker 7>Thank you.

1699
01:28:53.399 --> 01:28:57.239
<v Speaker 2>All Right, we were back and we were talking about

1700
01:28:57.279 --> 01:29:00.840
<v Speaker 2>Freddy Got Fingered and another comedy trope that this movie

1701
01:29:00.960 --> 01:29:03.960
<v Speaker 2>does that we were seeing a lot in this era

1702
01:29:04.640 --> 01:29:09.600
<v Speaker 2>were outtakes during the credits, and that relies a lot

1703
01:29:09.680 --> 01:29:15.119
<v Speaker 2>of scenes that we obviously saw some references there, but

1704
01:29:15.199 --> 01:29:17.840
<v Speaker 2>then a lot of scenes we didn't see. And I've

1705
01:29:17.880 --> 01:29:21.680
<v Speaker 2>found it pretty amazing that, I mean, Tom Green was

1706
01:29:21.760 --> 01:29:25.039
<v Speaker 2>doing the same thing that Parker and Stone were doing

1707
01:29:25.319 --> 01:29:28.600
<v Speaker 2>right around the same time, I think, where they were

1708
01:29:28.800 --> 01:29:33.880
<v Speaker 2>providing much longer cuts to the MPAA knowing that a

1709
01:29:33.960 --> 01:29:36.199
<v Speaker 2>lot of stuff was going to get cut out, so

1710
01:29:36.279 --> 01:29:38.600
<v Speaker 2>they would basically have things where they're like, we are

1711
01:29:38.720 --> 01:29:41.439
<v Speaker 2>almost including this in the movie, knowing that it's going

1712
01:29:41.479 --> 01:29:43.399
<v Speaker 2>to get cut out, so that we can sneak another

1713
01:29:43.520 --> 01:29:46.600
<v Speaker 2>joke in that won't get cut out. But it's really

1714
01:29:46.680 --> 01:29:50.600
<v Speaker 2>interesting to look at the deleted scenes and then kind

1715
01:29:50.600 --> 01:29:53.960
<v Speaker 2>of piecing things together via There was a behind the

1716
01:29:54.039 --> 01:29:58.880
<v Speaker 2>scenes special. It's on the DVD. There were previews obviously,

1717
01:29:59.560 --> 01:30:02.039
<v Speaker 2>and you get to see these bits and trying to

1718
01:30:02.159 --> 01:30:05.039
<v Speaker 2>kind of reform what this movie was, because it sounds

1719
01:30:05.079 --> 01:30:07.640
<v Speaker 2>like he turned in a two hour version of the film,

1720
01:30:08.319 --> 01:30:11.520
<v Speaker 2>and what we get is what one hour and twenty

1721
01:30:11.640 --> 01:30:12.359
<v Speaker 2>three minutes.

1722
01:30:12.720 --> 01:30:17.079
<v Speaker 12>No, it's a short, especially in this age where popcorn

1723
01:30:17.119 --> 01:30:19.840
<v Speaker 12>movies or almost three hours long. This film, I was like, God,

1724
01:30:19.880 --> 01:30:21.880
<v Speaker 12>it's not even ninety I don't even think it's quite

1725
01:30:21.920 --> 01:30:22.399
<v Speaker 12>ninety minutes.

1726
01:30:22.399 --> 01:30:23.439
<v Speaker 7>I think it's eighty seven.

1727
01:30:23.960 --> 01:30:27.880
<v Speaker 1>It's quick. I'm actually glad that it's not two hours,

1728
01:30:28.039 --> 01:30:31.680
<v Speaker 1>because I'm a firm believer of John Waters maxim that

1729
01:30:31.800 --> 01:30:36.760
<v Speaker 1>all comedies should be ninety minutes or less because one

1730
01:30:36.760 --> 01:30:38.720
<v Speaker 1>of the most painful things, and I love this guy.

1731
01:30:38.800 --> 01:30:41.199
<v Speaker 1>I went and saw Mark Marin when he was like

1732
01:30:41.600 --> 01:30:45.159
<v Speaker 1>testing stuff for a new special, and it was like

1733
01:30:45.239 --> 01:30:47.520
<v Speaker 1>a two hour stand up set and it was getting

1734
01:30:48.000 --> 01:30:50.600
<v Speaker 1>hard to sit there and try to laugh. It was

1735
01:30:50.680 --> 01:30:54.319
<v Speaker 1>like I was laughed out. So I like, there's part

1736
01:30:54.359 --> 01:30:57.960
<v Speaker 1>of me that realized from that experience. While it was good,

1737
01:30:58.039 --> 01:31:00.399
<v Speaker 1>it wasn't. I was like, man, this thing, well, this

1738
01:31:00.560 --> 01:31:02.439
<v Speaker 1>is going on too long, so I'm glad that it

1739
01:31:02.840 --> 01:31:05.560
<v Speaker 1>got condensed, but there is a lot of stuff in

1740
01:31:05.680 --> 01:31:09.840
<v Speaker 1>here that feels choppy. But then again, I'm the guy

1741
01:31:09.880 --> 01:31:12.359
<v Speaker 1>who said, you can't really watch this is a straight narrative,

1742
01:31:12.479 --> 01:31:13.840
<v Speaker 1>So what do I know.

1743
01:31:14.239 --> 01:31:17.159
<v Speaker 2>Yeah, like the stuff at the farm, you get to

1744
01:31:17.199 --> 01:31:21.800
<v Speaker 2>see more of that, like him suckling milk right out

1745
01:31:21.840 --> 01:31:24.279
<v Speaker 2>of a teat of a cow. Again, I think was

1746
01:31:24.600 --> 01:31:27.560
<v Speaker 2>part of the show as well. I talked about how

1747
01:31:27.640 --> 01:31:31.079
<v Speaker 2>abbreviated the beginning of this movie was, and that's because

1748
01:31:31.800 --> 01:31:37.960
<v Speaker 2>when Gordon moves from Oregon to Oregon down to Hollywood,

1749
01:31:38.760 --> 01:31:42.039
<v Speaker 2>not California, about Hollywood. He is staying with his uncle,

1750
01:31:42.560 --> 01:31:45.439
<v Speaker 2>and his uncle is played by Stephen Tobolowski, and there's

1751
01:31:45.520 --> 01:31:49.119
<v Speaker 2>like a whole subplot of stuff. And that was another

1752
01:31:49.159 --> 01:31:52.239
<v Speaker 2>thing on the DVD was deleted scenes. Unfortunately, Tom talks

1753
01:31:52.359 --> 01:31:55.279
<v Speaker 2>over the deleted scenes. You don't get them just with

1754
01:31:55.479 --> 01:31:59.079
<v Speaker 2>the natural audio and the ability to toggle on. As

1755
01:31:59.119 --> 01:32:01.680
<v Speaker 2>far as I know, maybe I just ripped it incorrectly,

1756
01:32:01.880 --> 01:32:04.960
<v Speaker 2>but I had him talking over those scenes, and it

1757
01:32:05.079 --> 01:32:08.760
<v Speaker 2>was interesting to see Tobolowski. He's this gay uncle and

1758
01:32:09.800 --> 01:32:14.239
<v Speaker 2>uncle Neil, and he's there with this Native American gentleman.

1759
01:32:15.119 --> 01:32:17.640
<v Speaker 2>I think he's called Big Bear. And there's just a

1760
01:32:17.760 --> 01:32:20.079
<v Speaker 2>lot too. We were talking about gay jokes. That's where

1761
01:32:20.119 --> 01:32:23.319
<v Speaker 2>the gay jokes were. That was all him, like oh yeah, well,

1762
01:32:23.319 --> 01:32:26.760
<v Speaker 2>and it was basically treated very respectfully. It was just like, okay,

1763
01:32:26.960 --> 01:32:29.439
<v Speaker 2>you know, Ford, you gotta go now, like you gotta

1764
01:32:29.840 --> 01:32:32.479
<v Speaker 2>you can sleep in my room. I'm gonna make love

1765
01:32:32.520 --> 01:32:34.880
<v Speaker 2>with this man right now. And he's the one who

1766
01:32:34.960 --> 01:32:39.279
<v Speaker 2>runs the cheese factory, cheese sandwich factory, so he is

1767
01:32:39.359 --> 01:32:42.039
<v Speaker 2>the one that got him his job. He's at the

1768
01:32:42.159 --> 01:32:45.560
<v Speaker 2>cheese factory and another scene and Gord comes in. He's

1769
01:32:45.600 --> 01:32:47.720
<v Speaker 2>just like, oh, Gord, I'm so glad you can make it.

1770
01:32:48.199 --> 01:32:51.079
<v Speaker 2>You know, it's noon. You really should have been here earlier.

1771
01:32:51.119 --> 01:32:55.319
<v Speaker 2>That's why you see all the people leaving from their job,

1772
01:32:55.479 --> 01:32:58.359
<v Speaker 2>because I think like the shift is over for them.

1773
01:32:58.399 --> 01:33:00.960
<v Speaker 2>It's pretty much just starting for him and he's losing

1774
01:33:01.039 --> 01:33:03.840
<v Speaker 2>his mind. Also, in the deleted scenes, you see two

1775
01:33:03.920 --> 01:33:06.439
<v Speaker 2>people coming up from a cheese vat. I'm not exactly

1776
01:33:06.560 --> 01:33:09.239
<v Speaker 2>sure where that plays into the narrative, but that was

1777
01:33:09.279 --> 01:33:12.880
<v Speaker 2>another thing going on with the cheese factory. He talks

1778
01:33:13.000 --> 01:33:17.159
<v Speaker 2>on the commentary that you actually saw he shot the

1779
01:33:17.239 --> 01:33:19.800
<v Speaker 2>scene of him going to a costume shop and picking

1780
01:33:19.880 --> 01:33:23.920
<v Speaker 2>up the Bobby uniform. Again, we don't need that stuff

1781
01:33:24.000 --> 01:33:26.640
<v Speaker 2>for that, it can just go past that. But then

1782
01:33:26.720 --> 01:33:30.000
<v Speaker 2>you also see him coming back to the factory after

1783
01:33:30.520 --> 01:33:33.760
<v Speaker 2>Anthony Michael Hall gives him his advice and he's super sad.

1784
01:33:34.600 --> 01:33:37.000
<v Speaker 2>And that's also where he quits his job at the

1785
01:33:37.119 --> 01:33:39.960
<v Speaker 2>cheese sandwich factory and decides he's going to go back

1786
01:33:39.960 --> 01:33:43.520
<v Speaker 2>to Portland. So that stuff, and also there's one more

1787
01:33:43.600 --> 01:33:46.720
<v Speaker 2>scene that ties into another deleted scene I'll talk about later,

1788
01:33:46.840 --> 01:33:52.439
<v Speaker 2>which is Neil. Uncle Neil calls Gord's dad and you

1789
01:33:52.560 --> 01:33:55.239
<v Speaker 2>see rip Torn on a boat. He's got a boat

1790
01:33:55.279 --> 01:33:58.000
<v Speaker 2>and he's out on a lake and that boat comes

1791
01:33:58.079 --> 01:34:00.960
<v Speaker 2>back in another deleted scene. Just get a little bit

1792
01:34:01.039 --> 01:34:04.760
<v Speaker 2>of that. So by eliminating well, they eliminated the boat

1793
01:34:04.960 --> 01:34:08.039
<v Speaker 2>and they eliminated Uncle Neil. So like that is a

1794
01:34:08.199 --> 01:34:11.840
<v Speaker 2>very clean subplot to have removed, and I don't feel

1795
01:34:11.920 --> 01:34:15.039
<v Speaker 2>like it's missing that much. There's a lot more with

1796
01:34:15.199 --> 01:34:17.319
<v Speaker 2>his cheese helmet, and I don't even know if you

1797
01:34:17.399 --> 01:34:19.359
<v Speaker 2>get the I think you get the cheese helmet just

1798
01:34:19.479 --> 01:34:22.159
<v Speaker 2>in the deleted scene, but you see him like take

1799
01:34:22.239 --> 01:34:25.159
<v Speaker 2>off the cheese helmet when all the old ladies, the

1800
01:34:25.359 --> 01:34:28.560
<v Speaker 2>dour old ladies who were instructed to not smile at

1801
01:34:28.640 --> 01:34:30.800
<v Speaker 2>all when they're leaving their shift.

1802
01:34:31.159 --> 01:34:33.399
<v Speaker 1>That explains why he didn't get fired for all of

1803
01:34:33.520 --> 01:34:36.399
<v Speaker 1>his standing up on the conveyor belt with the salami

1804
01:34:36.520 --> 01:34:41.079
<v Speaker 1>going I'm his sexy boy ding dong. I'm like, yeah,

1805
01:34:41.479 --> 01:34:44.479
<v Speaker 1>hr would be on you faster than flies on a

1806
01:34:44.520 --> 01:34:45.600
<v Speaker 1>picnic today.

1807
01:34:45.680 --> 01:34:49.760
<v Speaker 12>Yeah, we were robbed the Joe Flaherty that and get

1808
01:34:49.880 --> 01:34:54.000
<v Speaker 12>Domra I agree completely. This film does that did not

1809
01:34:54.079 --> 01:34:55.880
<v Speaker 12>need to be any longer than it is. It's a

1810
01:34:55.920 --> 01:34:59.000
<v Speaker 12>perfect It should be more comedies need to be this short.

1811
01:34:59.560 --> 01:35:00.600
<v Speaker 7>John Wall, what is right?

1812
01:35:01.239 --> 01:35:04.039
<v Speaker 12>Joe Flaherty I think is one of our greatest unsung

1813
01:35:05.039 --> 01:35:08.159
<v Speaker 12>comedic actors. And it's it's weird to sandsung because he

1814
01:35:08.880 --> 01:35:10.920
<v Speaker 12>he got so much. He did so much great work

1815
01:35:11.039 --> 01:35:14.119
<v Speaker 12>and was always very much active until kind of towards

1816
01:35:14.159 --> 01:35:16.399
<v Speaker 12>the end that I just I feel like he's always

1817
01:35:16.800 --> 01:35:20.439
<v Speaker 12>really underrated. I think people took Joe Flerty for granted.

1818
01:35:20.239 --> 01:35:23.079
<v Speaker 1>You know, out of the whole SETV crew, he seems

1819
01:35:23.119 --> 01:35:25.319
<v Speaker 1>to be the one that didn't hit as well as

1820
01:35:25.359 --> 01:35:28.159
<v Speaker 1>the rest of them. Martin Short and John Candy and

1821
01:35:28.239 --> 01:35:33.159
<v Speaker 1>then I'd say, Eugene Levy really has beens when the

1822
01:35:33.199 --> 01:35:35.680
<v Speaker 1>past ten years has gotten his respect.

1823
01:35:35.760 --> 01:35:40.000
<v Speaker 2>But yeah, I mean really again since American Pie and

1824
01:35:40.399 --> 01:35:42.439
<v Speaker 2>that just sent him into the stratosphere.

1825
01:35:42.840 --> 01:35:46.319
<v Speaker 1>It seemed like most of them on SETV, you know,

1826
01:35:46.560 --> 01:35:50.439
<v Speaker 1>except for Flarity blew up. And I don't know really

1827
01:35:50.479 --> 01:35:53.479
<v Speaker 1>what held him back or most of my friends who

1828
01:35:53.600 --> 01:35:55.680
<v Speaker 1>did not know SCTV like I knew it as a

1829
01:35:55.760 --> 01:35:58.479
<v Speaker 1>kid growing up in Detroit Channel nine. We got CBC

1830
01:35:58.640 --> 01:36:00.840
<v Speaker 1>and Detroit so we would get the sec TV reruns.

1831
01:36:01.640 --> 01:36:03.760
<v Speaker 1>I always loved him as Count Floyd and you know,

1832
01:36:04.720 --> 01:36:07.720
<v Speaker 1>Guy Cavaliero and all the other characters that he had

1833
01:36:07.760 --> 01:36:11.239
<v Speaker 1>on there, Sammy Maudlin. But the thing was, it's like

1834
01:36:11.359 --> 01:36:13.319
<v Speaker 1>most of my friends only knew him as the guy

1835
01:36:13.359 --> 01:36:15.319
<v Speaker 1>who heckels Happy Gilmore.

1836
01:36:15.880 --> 01:36:18.439
<v Speaker 3>You will not make this Putt Jackass.

1837
01:36:19.319 --> 01:36:20.680
<v Speaker 7>Oh weird, weird.

1838
01:36:20.800 --> 01:36:23.479
<v Speaker 12>They didn't even know him because he was on Freaks

1839
01:36:23.520 --> 01:36:26.239
<v Speaker 12>and Geeks one crazy summer.

1840
01:36:26.319 --> 01:36:29.239
<v Speaker 7>You mentioned that he's even followed that Bird, the Big

1841
01:36:29.359 --> 01:36:30.000
<v Speaker 7>Bird movie.

1842
01:36:31.119 --> 01:36:34.720
<v Speaker 12>I got exposed to him. Do you guys remember there

1843
01:36:34.760 --> 01:36:38.159
<v Speaker 12>being a cartoon on Oh God, what is that character?

1844
01:36:38.199 --> 01:36:40.960
<v Speaker 12>I must say that Martin Shirke find my blanking on

1845
01:36:41.039 --> 01:36:43.800
<v Speaker 12>that Thank you. There was an Ed Grimley cartoon from

1846
01:36:43.920 --> 01:36:46.439
<v Speaker 12>a Hot Minute in the eighties and I loved it.

1847
01:36:46.760 --> 01:36:49.760
<v Speaker 12>I was probably the only kid watching it. They had

1848
01:36:49.880 --> 01:36:53.680
<v Speaker 12>live bits where Flaherty would come into Count Floyd and

1849
01:36:54.039 --> 01:36:56.359
<v Speaker 12>I just was like, oh my god, it was just

1850
01:36:56.479 --> 01:36:59.600
<v Speaker 12>some athing edit and just from there it's always been

1851
01:36:59.720 --> 01:37:00.720
<v Speaker 12>just great love. Yeah.

1852
01:37:00.840 --> 01:37:03.439
<v Speaker 7>Him and Dave Thomas, I feel like Burke, but.

1853
01:37:03.880 --> 01:37:06.600
<v Speaker 12>Always steady work. Dave Thomas was on that Brett Butler

1854
01:37:06.720 --> 01:37:10.880
<v Speaker 12>Show and got a lot of TV work. Flerity got

1855
01:37:10.960 --> 01:37:11.800
<v Speaker 12>movies and TV.

1856
01:37:12.319 --> 01:37:15.399
<v Speaker 7>He's in Blue Monkey with Steve Railsbag, which is a

1857
01:37:15.479 --> 01:37:15.960
<v Speaker 7>lot fun.

1858
01:37:16.359 --> 01:37:18.840
<v Speaker 2>I think between those two that you mentioned, and then

1859
01:37:18.960 --> 01:37:22.520
<v Speaker 2>probably Andre and Martin, she definitely shows up in things,

1860
01:37:22.560 --> 01:37:25.359
<v Speaker 2>you know, Dwick and The Angry and My Big Factory Wedding.

1861
01:37:26.720 --> 01:37:29.800
<v Speaker 2>I keep seeing a clip on Instagram from a TV

1862
01:37:29.880 --> 01:37:33.319
<v Speaker 2>show she did called Evil, but like, yeah, she was

1863
01:37:33.439 --> 01:37:36.399
<v Speaker 2>hilarious as well, and just kind of like she's more

1864
01:37:36.560 --> 01:37:39.920
<v Speaker 2>behind the stuff, you know, like you don't see her

1865
01:37:40.119 --> 01:37:44.279
<v Speaker 2>as much, which is a little sad. I think for

1866
01:37:44.399 --> 01:37:47.159
<v Speaker 2>a whole generation of people, Joe Flaherty was just simply

1867
01:37:47.279 --> 01:37:50.079
<v Speaker 2>the Western Union guy that brings Marty the message at

1868
01:37:50.119 --> 01:37:51.399
<v Speaker 2>the end of Back to the Future.

1869
01:37:52.279 --> 01:37:55.000
<v Speaker 1>I mean, it was always just that line. Hey, Gilmore,

1870
01:37:55.319 --> 01:37:55.880
<v Speaker 1>you just.

1871
01:37:56.920 --> 01:38:00.720
<v Speaker 2>Going back to that documentary again. I wasn't sure at

1872
01:38:00.840 --> 01:38:03.399
<v Speaker 2>first when I saw Flarity on I think it was

1873
01:38:03.600 --> 01:38:05.600
<v Speaker 2>by that time it was the new Tom Green Show,

1874
01:38:06.159 --> 01:38:09.279
<v Speaker 2>because they were playing like they hated each other, at

1875
01:38:09.359 --> 01:38:12.399
<v Speaker 2>least that Flarerty hated Green. And I was like, is

1876
01:38:12.560 --> 01:38:17.319
<v Speaker 2>this real or is this not real? It was so uncomfortable.

1877
01:38:17.520 --> 01:38:19.399
<v Speaker 1>Those days must be Oh yeah, they were great. They're

1878
01:38:19.479 --> 01:38:21.199
<v Speaker 1>just great. Yes, it must have been nuts for you.

1879
01:38:21.560 --> 01:38:25.720
<v Speaker 8>Oh yeah, nuts, Dave Thomas, Yes, yes, sure, du Gene Levy,

1880
01:38:25.760 --> 01:38:26.800
<v Speaker 8>of course we're seeing all the time.

1881
01:38:26.840 --> 01:38:27.960
<v Speaker 3>That's right. What is your point?

1882
01:38:29.119 --> 01:38:30.560
<v Speaker 2>Are you saying I'm not doing well?

1883
01:38:30.760 --> 01:38:31.279
<v Speaker 7>What are you up to?

1884
01:38:31.319 --> 01:38:31.439
<v Speaker 12>These?

1885
01:38:31.520 --> 01:38:33.840
<v Speaker 1>I mean movies, big movies he tell us about.

1886
01:38:34.720 --> 01:38:36.880
<v Speaker 3>All right, how about Speed?

1887
01:38:37.399 --> 01:38:40.279
<v Speaker 1>I was in the movie, well, piano, piano.

1888
01:38:40.920 --> 01:38:43.439
<v Speaker 3>We didn't see you in that what anywhere?

1889
01:38:43.479 --> 01:38:45.279
<v Speaker 1>And I don't want to call you a liar? Wait,

1890
01:38:45.279 --> 01:38:46.199
<v Speaker 1>but don't go there at Green.

1891
01:38:46.359 --> 01:38:47.680
<v Speaker 3>This is my first you know, big show.

1892
01:38:48.439 --> 01:38:49.479
<v Speaker 13>Okay, I was cut out.

1893
01:38:49.319 --> 01:38:49.720
<v Speaker 1>Of the movie.

1894
01:38:49.880 --> 01:38:51.000
<v Speaker 7>Yeah, well, you're calling me a liar.

1895
01:38:51.079 --> 01:38:53.359
<v Speaker 1>I don't think that's a good idea. You're not very experienced.

1896
01:38:53.760 --> 01:38:54.279
<v Speaker 3>You're Green.

1897
01:38:56.279 --> 01:38:59.520
<v Speaker 1>It's so uncomfortable but fun to watch. You're like, oh God,

1898
01:39:00.000 --> 01:39:01.359
<v Speaker 1>because Joe Flaerity.

1899
01:39:01.119 --> 01:39:03.800
<v Speaker 12>Just seem like an interview is like the nicest, just

1900
01:39:03.880 --> 01:39:07.319
<v Speaker 12>totally just amiable guy. I have one of the DANCTV

1901
01:39:07.399 --> 01:39:11.279
<v Speaker 12>box sets and some of the commentaries with him, and

1902
01:39:11.760 --> 01:39:15.600
<v Speaker 12>particularly there's one with him and Eugene Levy and Joe.

1903
01:39:15.640 --> 01:39:17.479
<v Speaker 12>I can't like what it is Joe says, but Joe's

1904
01:39:17.479 --> 01:39:20.359
<v Speaker 12>totally makes some joke that's like a slightly off color

1905
01:39:20.439 --> 01:39:25.000
<v Speaker 12>and Eugene Levy gets uptightened, and Flarity just no selling

1906
01:39:25.079 --> 01:39:28.560
<v Speaker 12>the uptight as he's just reveling in it. I just

1907
01:39:28.640 --> 01:39:31.880
<v Speaker 12>love him so much, and I hate I love Tom Green,

1908
01:39:31.920 --> 01:39:33.720
<v Speaker 12>but I'm like, Tom, what the fuck did you do? Man?

1909
01:39:34.039 --> 01:39:36.520
<v Speaker 7>What did you do to make make it Joe Flarity mad?

1910
01:39:36.640 --> 01:39:37.920
<v Speaker 7>We'd love Joe bum.

1911
01:39:38.279 --> 01:39:40.399
<v Speaker 2>Since he shows up in this, I imagine it was

1912
01:39:40.479 --> 01:39:43.600
<v Speaker 2>all a bit. Does he show up in the deleted

1913
01:39:43.800 --> 01:39:46.239
<v Speaker 2>scenes at the end. I know for sure he's on

1914
01:39:46.439 --> 01:39:49.079
<v Speaker 2>some of this documentary stuff and he basically he works

1915
01:39:49.119 --> 01:39:51.880
<v Speaker 2>with Jim's dad or sorry, he works with Gordon's dad.

1916
01:39:52.680 --> 01:39:56.239
<v Speaker 2>And again this kind of like how did they give

1917
01:39:56.319 --> 01:39:58.760
<v Speaker 2>him all this money? Because you see some of these

1918
01:39:58.920 --> 01:40:02.680
<v Speaker 2>deleted scenes. And so I mentioned the boat that we

1919
01:40:02.840 --> 01:40:06.319
<v Speaker 2>saw Gord's dad on earlier, Well, that boat comes back

1920
01:40:06.399 --> 01:40:10.720
<v Speaker 2>when he hires the helicopter pilot. He takes his dad's boat,

1921
01:40:11.399 --> 01:40:14.760
<v Speaker 2>takes it to the construction site or the mill that's

1922
01:40:14.800 --> 01:40:19.119
<v Speaker 2>what it is, where Flaherty and hint rip Torn are

1923
01:40:19.159 --> 01:40:23.880
<v Speaker 2>working and drops the boat into this massive like shredder. Basically,

1924
01:40:24.640 --> 01:40:27.760
<v Speaker 2>so you get like how much did that cost? I'm

1925
01:40:27.800 --> 01:40:29.359
<v Speaker 2>sure it wasn't a real boat, but it was like

1926
01:40:29.399 --> 01:40:32.159
<v Speaker 2>how much did that cost to do that particular thing?

1927
01:40:32.720 --> 01:40:35.279
<v Speaker 2>And then you also get a little bit of the

1928
01:40:35.439 --> 01:40:40.000
<v Speaker 2>house for whatever reason that he brings to Pakistan, which

1929
01:40:40.039 --> 01:40:42.479
<v Speaker 2>I love, by the way, just that he chooses to

1930
01:40:42.560 --> 01:40:45.600
<v Speaker 2>take the house to Pakistan, just because of his dad saying,

1931
01:40:46.079 --> 01:40:50.079
<v Speaker 2>you know, you should, you'd be sewing soccer balls in Pakistan.

1932
01:40:50.800 --> 01:40:53.319
<v Speaker 2>It's like such a nice you know, poetic It's like

1933
01:40:53.399 --> 01:40:56.720
<v Speaker 2>poetry rhymes. You see the house explode, and I'm just like,

1934
01:40:57.199 --> 01:40:59.880
<v Speaker 2>you exploded a house, But yet you cut away from

1935
01:41:00.319 --> 01:41:03.159
<v Speaker 2>you cut from them running from the you know, like

1936
01:41:04.279 --> 01:41:07.880
<v Speaker 2>him laying there with tapioca pudding all over him, aka

1937
01:41:08.039 --> 01:41:10.680
<v Speaker 2>Elephant Come, and then Tom Green laying next to him.

1938
01:41:10.880 --> 01:41:13.560
<v Speaker 2>You cut from that to basically them running and then

1939
01:41:13.640 --> 01:41:18.079
<v Speaker 2>getting captured and stuff, and apparently there's a very brief

1940
01:41:18.159 --> 01:41:20.520
<v Speaker 2>bit where you see Tom Green with a gun and

1941
01:41:20.640 --> 01:41:23.520
<v Speaker 2>they're like playing this drinking game. I think there's gonna

1942
01:41:23.560 --> 01:41:28.039
<v Speaker 2>be a real deer Hunter recreation, which is funny because

1943
01:41:28.039 --> 01:41:30.359
<v Speaker 2>he does Deer Hunter in that or was going to,

1944
01:41:30.560 --> 01:41:32.720
<v Speaker 2>and I think they chopped that down. And then he

1945
01:41:32.840 --> 01:41:34.960
<v Speaker 2>was also we're talking about the music, he was also

1946
01:41:35.079 --> 01:41:38.479
<v Speaker 2>going to do a whole Apocalypse Now thing. You get

1947
01:41:38.560 --> 01:41:42.680
<v Speaker 2>to see that deleted scene of him as he's drawing,

1948
01:41:42.920 --> 01:41:45.359
<v Speaker 2>trying to come up with drawings, and it's the New

1949
01:41:45.439 --> 01:41:48.199
<v Speaker 2>York Doll song playing. That was supposed to be the

1950
01:41:48.399 --> 01:41:50.359
<v Speaker 2>end by the doors, but they were going to charge

1951
01:41:50.439 --> 01:41:53.319
<v Speaker 2>him like an insane amount of money, so he dropped

1952
01:41:53.319 --> 01:41:56.319
<v Speaker 2>the whole thing. But it was all shot of him,

1953
01:41:56.840 --> 01:41:59.960
<v Speaker 2>and you see the ceiling fan in the final film still,

1954
01:42:00.159 --> 01:42:03.159
<v Speaker 2>but that was him, and he gets like, he stands

1955
01:42:03.239 --> 01:42:06.119
<v Speaker 2>up and he starts doing kung fu, and he bashes

1956
01:42:06.239 --> 01:42:08.399
<v Speaker 2>the mirror that's in front of him and he you know,

1957
01:42:09.680 --> 01:42:12.399
<v Speaker 2>slices his hand open and all this. So there was

1958
01:42:12.479 --> 01:42:16.039
<v Speaker 2>a whole Apocalypse Now reference that was supposed to be

1959
01:42:16.119 --> 01:42:18.039
<v Speaker 2>in this and then I think that plays into when

1960
01:42:18.079 --> 01:42:21.359
<v Speaker 2>you first see him in the helicopter they play right

1961
01:42:21.439 --> 01:42:22.239
<v Speaker 2>at the Valkyrize.

1962
01:42:22.960 --> 01:42:25.399
<v Speaker 1>I'm just thinking about the fact that he would have

1963
01:42:25.439 --> 01:42:28.039
<v Speaker 1>picked up his dad's boat, because the whole point is

1964
01:42:28.239 --> 01:42:30.760
<v Speaker 1>like rip Torn's character is like he's finally out of

1965
01:42:30.800 --> 01:42:33.560
<v Speaker 1>the house, Thank fucking God. Like it's just he's got

1966
01:42:33.640 --> 01:42:36.920
<v Speaker 1>to get him out of the house. And so there's

1967
01:42:37.000 --> 01:42:39.119
<v Speaker 1>this battle of the wills between the two of them,

1968
01:42:39.239 --> 01:42:42.520
<v Speaker 1>and the idea that he would pick up the boat,

1969
01:42:42.560 --> 01:42:45.600
<v Speaker 1>which is probably would have been this priced thing. It's like,

1970
01:42:45.760 --> 01:42:48.840
<v Speaker 1>oh my boat, especially coming from Michigan where we have

1971
01:42:48.920 --> 01:42:51.159
<v Speaker 1>so much boat culture, it would just be like and

1972
01:42:51.279 --> 01:42:53.039
<v Speaker 1>then to destroy it like that, it is just one

1973
01:42:53.119 --> 01:42:56.680
<v Speaker 1>more fuck you to dad. Watching the Tom Green documentary,

1974
01:42:57.159 --> 01:42:58.720
<v Speaker 1>I get the feeling that him and his dad are

1975
01:42:58.760 --> 01:43:01.720
<v Speaker 1>pretty good with each other. But if you were to

1976
01:43:01.840 --> 01:43:04.439
<v Speaker 1>like give this to I don't know, some Freudian analysis guy,

1977
01:43:04.479 --> 01:43:06.800
<v Speaker 1>they would be like, who, this guy's got some serious

1978
01:43:06.880 --> 01:43:10.039
<v Speaker 1>dad issues. He wants to kill his dad. And then

1979
01:43:10.439 --> 01:43:12.640
<v Speaker 1>and then the fact that he would put the end

1980
01:43:12.720 --> 01:43:16.960
<v Speaker 1>in there obviously now reference, but with the reference in

1981
01:43:17.039 --> 01:43:19.760
<v Speaker 1>the end to father, I want to kill you and mother.

1982
01:43:19.880 --> 01:43:20.520
<v Speaker 7>I want.

1983
01:43:22.399 --> 01:43:25.199
<v Speaker 12>It's been a minute since I've still out last watched

1984
01:43:25.239 --> 01:43:28.079
<v Speaker 12>the Tom Green Show proper, but I remember both spirits

1985
01:43:28.119 --> 01:43:30.640
<v Speaker 12>seem like really nice people, which made it even more

1986
01:43:30.840 --> 01:43:34.239
<v Speaker 12>just like he would do he would house it for

1987
01:43:34.399 --> 01:43:36.520
<v Speaker 12>them and they come back and he had somebody paint

1988
01:43:36.640 --> 01:43:38.920
<v Speaker 12>like two women making love on top of their like

1989
01:43:39.520 --> 01:43:40.399
<v Speaker 12>like sedan.

1990
01:43:40.800 --> 01:43:44.279
<v Speaker 2>Yeah, oh yeah, it was the slopmobile. They do the

1991
01:43:44.640 --> 01:43:50.560
<v Speaker 2>whole slupmobile in the documentary. That was fucking hilarious. And yeah,

1992
01:43:51.159 --> 01:43:54.119
<v Speaker 2>I like Tom Green's dad has a cameo in this movie,

1993
01:43:54.199 --> 01:43:56.840
<v Speaker 2>but it's the animated version of him. He's the guy

1994
01:43:56.920 --> 01:44:00.520
<v Speaker 2>that refuses to give Jim Zebra Jim a job. That's

1995
01:44:01.520 --> 01:44:04.720
<v Speaker 2>the caricature of his dad. That documentary is just like

1996
01:44:04.840 --> 01:44:07.399
<v Speaker 2>did you think it was funny? He's like, I did

1997
01:44:07.520 --> 01:44:09.359
<v Speaker 2>think it was funny, but I couldn't admit it.

1998
01:44:10.159 --> 01:44:12.279
<v Speaker 1>I have a partner right now. She can't handle like

1999
01:44:12.720 --> 01:44:15.800
<v Speaker 1>cruelty humor, which is what I feel like some of

2000
01:44:15.880 --> 01:44:18.560
<v Speaker 1>this is related to. And I don't know if that

2001
01:44:18.960 --> 01:44:22.039
<v Speaker 1>is this particularly gen X thing. Is that just us?

2002
01:44:22.399 --> 01:44:25.880
<v Speaker 1>Is that like punk rock humor? Because I think like

2003
01:44:26.000 --> 01:44:28.439
<v Speaker 1>younger kids, like when I talk to people like, oh,

2004
01:44:28.920 --> 01:44:33.079
<v Speaker 1>that's cruel or that's cringey, or there's these attitudes around

2005
01:44:33.319 --> 01:44:36.760
<v Speaker 1>what's funny. And I know, like humor changes goes through.

2006
01:44:37.119 --> 01:44:40.439
<v Speaker 1>Nobody's laughing at Chaucer, even though Terry Jones tried to

2007
01:44:40.479 --> 01:44:43.399
<v Speaker 1>tell us that fucking Chaucer was hilarious. Nobody's laughing at

2008
01:44:43.479 --> 01:44:47.439
<v Speaker 1>him five hundred years now, But humor changes. But I

2009
01:44:47.560 --> 01:44:49.800
<v Speaker 1>was just wondering, and you, guys, do you feel that

2010
01:44:49.880 --> 01:44:53.000
<v Speaker 1>there's just something innate about I don't know if cruelty

2011
01:44:53.159 --> 01:44:57.800
<v Speaker 1>is right, but there's a certain sense of taking the

2012
01:44:57.840 --> 01:45:00.680
<v Speaker 1>piss out of people or something, and that's in here

2013
01:45:00.800 --> 01:45:01.640
<v Speaker 1>that I don't know.

2014
01:45:02.600 --> 01:45:04.880
<v Speaker 12>I never know which generational stuff because I don't really

2015
01:45:05.520 --> 01:45:07.159
<v Speaker 12>I have to met I don't really fully understand it,

2016
01:45:07.199 --> 01:45:08.479
<v Speaker 12>and I think a lot of it's marketing.

2017
01:45:09.279 --> 01:45:12.159
<v Speaker 7>I think we're bargaining bates that it really is like cultural.

2018
01:45:13.039 --> 01:45:15.560
<v Speaker 12>But I'm also like, I don't even know which generation

2019
01:45:15.640 --> 01:45:19.479
<v Speaker 12>I'm a part of, because I'm like a cusp. I'm

2020
01:45:19.560 --> 01:45:23.840
<v Speaker 12>kind of like I'm millennial technically, but I'm just on

2021
01:45:23.960 --> 01:45:27.199
<v Speaker 12>the tail end of gen X. I saw one, say,

2022
01:45:27.359 --> 01:45:31.199
<v Speaker 12>elderly millennial, which you can gladly suck my left one

2023
01:45:31.319 --> 01:45:33.439
<v Speaker 12>on that elderly my ass.

2024
01:45:33.840 --> 01:45:35.840
<v Speaker 7>I will say this, I am not and I've never

2025
01:45:35.920 --> 01:45:38.479
<v Speaker 7>been a fan. I'm sure there's exceptions.

2026
01:45:38.520 --> 01:45:42.560
<v Speaker 12>I'm the biggest fan of like tension comedy with like

2027
01:45:42.680 --> 01:45:46.760
<v Speaker 12>misunderstandings or stuff. Like anytime I'd see a trailer for say,

2028
01:45:47.560 --> 01:45:49.560
<v Speaker 12>what was the was it Meet the Parents? The one

2029
01:45:49.600 --> 01:45:53.720
<v Speaker 12>with de Niro, and still it made me ringe so hard,

2030
01:45:53.960 --> 01:45:56.920
<v Speaker 12>like I can't that kind of shit. Even when I

2031
01:45:57.039 --> 01:45:59.600
<v Speaker 12>was real little, I remember like anything with the Flintstones

2032
01:45:59.760 --> 01:46:02.359
<v Speaker 12>is like a lot of the Funstones was like misunderstandings,

2033
01:46:02.399 --> 01:46:04.319
<v Speaker 12>and it would just give me the hives I could

2034
01:46:04.359 --> 01:46:06.760
<v Speaker 12>not deal with. I mean, that's a kind of cruelty

2035
01:46:07.119 --> 01:46:09.359
<v Speaker 12>that's very real life based, and I like it. It

2036
01:46:09.560 --> 01:46:13.439
<v Speaker 12>makes me deeply, deeply uncomfortable. I feel like this kind

2037
01:46:13.479 --> 01:46:17.079
<v Speaker 12>of stuff and what Tom Green does is so bananas

2038
01:46:17.520 --> 01:46:20.359
<v Speaker 12>that it's not real. There's no reality kind of base

2039
01:46:20.479 --> 01:46:23.520
<v Speaker 12>to this. So I don't think if it was cool,

2040
01:46:23.560 --> 01:46:25.359
<v Speaker 12>but it's I don't know, what do you guys?

2041
01:46:26.399 --> 01:46:30.479
<v Speaker 2>The common Stiffler's beer always hit me wrong, you know,

2042
01:46:30.800 --> 01:46:35.199
<v Speaker 2>just like that's crossing a line kind of thing. Honestly,

2043
01:46:35.479 --> 01:46:38.119
<v Speaker 2>one of my least favorite things in the entire world

2044
01:46:38.279 --> 01:46:43.319
<v Speaker 2>was Three's Company just because every episode hinged upon a misunderstanding,

2045
01:46:44.479 --> 01:46:47.319
<v Speaker 2>and they were all misunderstandings that probably could have gotten

2046
01:46:47.399 --> 01:46:50.079
<v Speaker 2>explained away, And so much of it was just because

2047
01:46:50.119 --> 01:46:53.479
<v Speaker 2>of was it just good Rent? Why was Why did

2048
01:46:53.520 --> 01:46:56.680
<v Speaker 2>he have to stay with jan and Chrissy or whoever

2049
01:46:56.800 --> 01:46:58.000
<v Speaker 2>these women were?

2050
01:46:58.159 --> 01:46:58.600
<v Speaker 3>Was it just that?

2051
01:46:58.880 --> 01:46:59.760
<v Speaker 7>Was it wacky?

2052
01:47:00.000 --> 01:47:00.319
<v Speaker 11>Okay?

2053
01:47:00.560 --> 01:47:03.119
<v Speaker 7>All right, it's a Sims.

2054
01:47:03.199 --> 01:47:06.800
<v Speaker 2>The gay panic on that show was just so intense.

2055
01:47:07.119 --> 01:47:08.720
<v Speaker 2>Oh god, Okay.

2056
01:47:08.840 --> 01:47:12.840
<v Speaker 7>Also, what is mister Furley? Not mister Furley? Which one was?

2057
01:47:12.880 --> 01:47:15.560
<v Speaker 7>Norman Fell's character was see Roper?

2058
01:47:15.720 --> 01:47:20.600
<v Speaker 12>Mister Roper, mister Roper's problem with this beautiful Why she

2059
01:47:20.840 --> 01:47:24.680
<v Speaker 12>was always wanting to get some beautiful woman lovely captains?

2060
01:47:25.239 --> 01:47:29.960
<v Speaker 2>And you don't eat oh Bundy, I mean, peg is gorgeous?

2061
01:47:30.159 --> 01:47:33.840
<v Speaker 7>What the hell? Heeck is a goddess? Yes she is.

2062
01:47:33.920 --> 01:47:36.000
<v Speaker 7>They just don't eat he don't eat her cooking. But

2063
01:47:36.279 --> 01:47:37.680
<v Speaker 7>she is a goddess. I love.

2064
01:47:37.920 --> 01:47:38.119
<v Speaker 2>Yeah.

2065
01:47:39.279 --> 01:47:41.000
<v Speaker 1>I just have that line that goes through my head,

2066
01:47:41.039 --> 01:47:42.439
<v Speaker 1>and I think I've used it a couple of times

2067
01:47:42.479 --> 01:47:47.840
<v Speaker 1>from Fish called Wanda, where when Kevin Klein's auto is

2068
01:47:48.319 --> 01:47:52.840
<v Speaker 1>torturing Michael Palin, he's asking him the philosophy questions. He

2069
01:47:52.960 --> 01:47:55.560
<v Speaker 1>goes and which book didn'ts you claim that all higher

2070
01:47:55.640 --> 01:47:59.680
<v Speaker 1>art is based on cruelty, So I just think about that,

2071
01:48:00.319 --> 01:48:03.279
<v Speaker 1>in which you know, yeah, I'm like, all Shakespeare is cruelty.

2072
01:48:04.159 --> 01:48:07.960
<v Speaker 1>A lot of great painting and art and it's cruelty.

2073
01:48:08.479 --> 01:48:10.319
<v Speaker 1>I'm like, they're just we just seem to have this

2074
01:48:10.439 --> 01:48:14.319
<v Speaker 1>thing with cruelty. I don't necessarily consider this cruel because

2075
01:48:14.439 --> 01:48:17.399
<v Speaker 1>it's cartoonish, it's over the top. One thing I wanted

2076
01:48:17.399 --> 01:48:20.279
<v Speaker 1>to talk about in terms of like more recent Canadian

2077
01:48:20.359 --> 01:48:23.840
<v Speaker 1>Man on the Street humor that is morphed into a film,

2078
01:48:24.520 --> 01:48:27.760
<v Speaker 1>and how they handle this versus something else. And I

2079
01:48:27.800 --> 01:48:30.560
<v Speaker 1>don't know if you're familiar with this. Nirvana, the band

2080
01:48:30.640 --> 01:48:31.079
<v Speaker 1>of the show.

2081
01:48:32.159 --> 01:48:32.800
<v Speaker 7>I've seen the.

2082
01:48:32.960 --> 01:48:36.800
<v Speaker 2>Poster and I don't know. I've downloaded the movie. I

2083
01:48:36.800 --> 01:48:37.840
<v Speaker 2>haven't watched it yet.

2084
01:48:38.880 --> 01:48:41.399
<v Speaker 1>Those guys are from Toronto, and the whole concept is

2085
01:48:41.560 --> 01:48:43.640
<v Speaker 1>is they're like two guys who want to make it big.

2086
01:48:43.800 --> 01:48:46.439
<v Speaker 1>So it's got like this, As I explained the movie,

2087
01:48:47.760 --> 01:48:49.800
<v Speaker 1>it's like Bill and Ted meets back in the future,

2088
01:48:49.960 --> 01:48:52.600
<v Speaker 1>Like it has this kind of time travel piece, but

2089
01:48:52.680 --> 01:48:55.079
<v Speaker 1>they're like diluted and they want to be they want

2090
01:48:55.119 --> 01:48:57.920
<v Speaker 1>to play at the RIVALI, which is where the Kids

2091
01:48:58.000 --> 01:49:00.600
<v Speaker 1>in the Hall started. They did shows at the Rivalie Toronto.

2092
01:49:01.439 --> 01:49:04.960
<v Speaker 1>So anyway, their whole man on the street bit isn't

2093
01:49:05.000 --> 01:49:07.720
<v Speaker 1>so much like getting people to attack them or making

2094
01:49:07.720 --> 01:49:10.399
<v Speaker 1>them uncomfortable, which is what Green does. It's more like

2095
01:49:10.520 --> 01:49:14.680
<v Speaker 1>making themselves the butt of the joke. I'm diluted and

2096
01:49:14.960 --> 01:49:19.159
<v Speaker 1>this person thinks getting them to conspire with you to

2097
01:49:19.279 --> 01:49:22.159
<v Speaker 1>do something. And so I just found it interesting in

2098
01:49:22.279 --> 01:49:25.880
<v Speaker 1>terms of how not all sort of man on the

2099
01:49:25.920 --> 01:49:29.680
<v Speaker 1>street bits, which I think Green's humor also connects to

2100
01:49:29.760 --> 01:49:31.800
<v Speaker 1>something like I really loved I don't know if you

2101
01:49:31.840 --> 01:49:34.279
<v Speaker 1>guys ever saw Wonder shows and they send the kids

2102
01:49:34.319 --> 01:49:38.000
<v Speaker 1>out and ask inappropriate questions of people, Like that's all

2103
01:49:38.079 --> 01:49:42.760
<v Speaker 1>about making people uncomfortable and getting their reaction to inappropriateness.

2104
01:49:43.720 --> 01:49:46.039
<v Speaker 1>And I felt that the guys who do Nirvana the band,

2105
01:49:47.159 --> 01:49:51.319
<v Speaker 1>the show the movie was more about like how how

2106
01:49:51.399 --> 01:49:53.359
<v Speaker 1>can I bring you into my world kind of thing

2107
01:49:53.399 --> 01:49:57.199
<v Speaker 1>as opposed to this uncomfortableness in that way. So it's

2108
01:49:57.279 --> 01:49:57.960
<v Speaker 1>just interesting.

2109
01:49:58.800 --> 01:50:02.000
<v Speaker 12>The whole Beat Kids, the Beat Reporter, and it's like

2110
01:50:02.239 --> 01:50:04.439
<v Speaker 12>kids on the Street, Kids on the Beat, Beat Kids.

2111
01:50:04.560 --> 01:50:08.279
<v Speaker 12>There's these little cartoons with the title Beat Kids, like

2112
01:50:08.439 --> 01:50:09.479
<v Speaker 12>that Wonder ships.

2113
01:50:09.479 --> 01:50:10.119
<v Speaker 7>One was great.

2114
01:50:10.560 --> 01:50:13.439
<v Speaker 1>Oh, especially like they send them to Wall Street and

2115
01:50:13.560 --> 01:50:15.920
<v Speaker 1>it's like, how many people did you exploit today? And

2116
01:50:16.039 --> 01:50:18.600
<v Speaker 1>it's like a little eight year old girl asking some

2117
01:50:18.720 --> 01:50:21.079
<v Speaker 1>Wall Street chatteries like a lot a lot of people. Yeah,

2118
01:50:21.079 --> 01:50:22.159
<v Speaker 1>I did, I did really well.

2119
01:50:23.079 --> 01:50:24.640
<v Speaker 7>There's like a little redheaded boy.

2120
01:50:24.840 --> 01:50:28.119
<v Speaker 12>I was like, God, if I had ever spawned, this

2121
01:50:28.239 --> 01:50:31.000
<v Speaker 12>would have been my child. And then a little suit

2122
01:50:31.039 --> 01:50:32.800
<v Speaker 12>and he goes up to a pig head and he's like.

2123
01:50:32.920 --> 01:50:36.159
<v Speaker 7>How are you doing today, officer. I literally thought in

2124
01:50:36.279 --> 01:50:38.319
<v Speaker 7>terms of I think of cruelty with art.

2125
01:50:38.359 --> 01:50:41.600
<v Speaker 12>I always tend to think more like ore tow that

2126
01:50:41.760 --> 01:50:44.680
<v Speaker 12>I do like comedy, but that's a really now.

2127
01:50:44.720 --> 01:50:47.119
<v Speaker 7>I mean, there's a cruelty in comedy.

2128
01:50:47.399 --> 01:50:49.479
<v Speaker 12>I always just think of cruelty and comedy as being like, yeah,

2129
01:50:49.479 --> 01:50:51.640
<v Speaker 12>I don't want to watch my meet the Fokkers or whatever.

2130
01:50:52.079 --> 01:50:53.960
<v Speaker 7>I don't know, I'm good. I don't want to see that.

2131
01:50:54.319 --> 01:50:57.680
<v Speaker 12>I want to see just oh, it's wacky misunderstandings and

2132
01:50:57.840 --> 01:51:00.439
<v Speaker 12>it's just hate it and it's just seeing people deeply.

2133
01:51:01.039 --> 01:51:03.640
<v Speaker 7>It makes me deeply uncomfortable. Seeing people that uncomfortable.

2134
01:51:03.840 --> 01:51:06.880
<v Speaker 12>I don't think it's funny, but it's also yeah, I'm

2135
01:51:06.880 --> 01:51:08.239
<v Speaker 12>having to see you like, why wou don't want to

2136
01:51:08.239 --> 01:51:09.079
<v Speaker 12>see DeNiro do this?

2137
01:51:09.239 --> 01:51:11.760
<v Speaker 7>I'll just I'll just remember when he was in Good Boe.

2138
01:51:12.800 --> 01:51:16.000
<v Speaker 2>If you want uncomfortableness and you want to Nero, it's

2139
01:51:16.119 --> 01:51:18.640
<v Speaker 2>King of comedy. You know, that's where you can stop

2140
01:51:18.760 --> 01:51:22.880
<v Speaker 2>right there, or maybe Midnight Run, you know. I mean,

2141
01:51:22.920 --> 01:51:27.560
<v Speaker 2>because God, Charles Groden, I could see asking Grodin as

2142
01:51:27.800 --> 01:51:31.760
<v Speaker 2>Gordon's dead would be an interesting choice. Obviously totally different

2143
01:51:31.920 --> 01:51:36.159
<v Speaker 2>vibe coming to it, but just that disappointed because Croden

2144
01:51:36.239 --> 01:51:39.880
<v Speaker 2>could do disappointed so well. But yeah, to get back

2145
01:51:39.960 --> 01:51:44.680
<v Speaker 2>to mister Torn, I mean just yeah. The mania that

2146
01:51:44.840 --> 01:51:49.239
<v Speaker 2>he approaches this role with is just oh. And that's

2147
01:51:49.319 --> 01:51:53.279
<v Speaker 2>the only thing I really regret about not having more

2148
01:51:53.319 --> 01:51:56.600
<v Speaker 2>of these deleted scenes is to have more of rip Torn,

2149
01:51:56.680 --> 01:51:59.279
<v Speaker 2>because he steals the movie.

2150
01:51:59.159 --> 01:52:01.399
<v Speaker 7>Oh Metock and Barrel.

2151
01:52:01.479 --> 01:52:05.119
<v Speaker 12>When he starts kicking at Arlan Williams leg cat, It's

2152
01:52:05.199 --> 01:52:08.960
<v Speaker 12>is like such a maniac and I, oh my god,

2153
01:52:09.760 --> 01:52:12.279
<v Speaker 12>ripped Torn. And I love the beauty of rip Torn

2154
01:52:12.319 --> 01:52:15.920
<v Speaker 12>because he could be unhinged and be your heart's breaking

2155
01:52:16.039 --> 01:52:18.159
<v Speaker 12>unhinged like Got like Coming Apart, which is such a

2156
01:52:18.199 --> 01:52:20.279
<v Speaker 12>brilliant movie, like that movie.

2157
01:52:20.359 --> 01:52:22.399
<v Speaker 7>And he can do like these serious dramas.

2158
01:52:22.520 --> 01:52:25.880
<v Speaker 12>He could do got Man who Fill to Earth And

2159
01:52:26.359 --> 01:52:28.640
<v Speaker 12>there's a great scene where he's yelling in that he's naked.

2160
01:52:28.680 --> 01:52:29.520
<v Speaker 7>It's fantastic.

2161
01:52:30.479 --> 01:52:33.600
<v Speaker 12>But then he can do like these unhinged comedies and

2162
01:52:34.119 --> 01:52:36.000
<v Speaker 12>which kind of what he became more known for in

2163
01:52:36.079 --> 01:52:37.439
<v Speaker 12>his later stage of his life.

2164
01:52:38.319 --> 01:52:40.039
<v Speaker 2>Fuck Naked is that his character's name.

2165
01:52:40.439 --> 01:52:43.239
<v Speaker 1>I'm just thinking about how you say that, like in

2166
01:52:43.279 --> 01:52:45.079
<v Speaker 1>a lot of movies, he has a tendency to yell,

2167
01:52:46.119 --> 01:52:48.720
<v Speaker 1>and I'm wondering if he was the archetype for John

2168
01:52:48.760 --> 01:52:50.640
<v Speaker 1>Goodman and the Coen Brothers movies, who.

2169
01:52:51.039 --> 01:52:54.720
<v Speaker 7>Oh my god, have they never used to rip torn,

2170
01:52:54.960 --> 01:52:58.920
<v Speaker 7>ripped whatever? At the Cohens come on? He would have

2171
01:52:58.960 --> 01:52:59.319
<v Speaker 7>a burt.

2172
01:53:00.239 --> 01:53:02.079
<v Speaker 2>I think we would be a little remissed. And I

2173
01:53:02.199 --> 01:53:05.359
<v Speaker 2>talk about some of the reaction to this movie. First,

2174
01:53:05.359 --> 01:53:08.159
<v Speaker 2>I want to just start talking about the poster because

2175
01:53:08.479 --> 01:53:12.319
<v Speaker 2>it's a very interesting I mean, Heather, you were talking

2176
01:53:12.359 --> 01:53:16.000
<v Speaker 2>about the marketing and just how bad the trailer was

2177
01:53:16.119 --> 01:53:18.359
<v Speaker 2>for this, and there's a lot of trailers out there,

2178
01:53:18.399 --> 01:53:21.920
<v Speaker 2>but yes, they are pretty much all bad. This whole

2179
01:53:22.359 --> 01:53:28.399
<v Speaker 2>poster thing where it's just green on the poster in

2180
01:53:28.600 --> 01:53:31.720
<v Speaker 2>front of what would you say, like one hundred little

2181
01:53:31.840 --> 01:53:34.720
<v Speaker 2>pictures all from this movie. And then you've got him

2182
01:53:34.800 --> 01:53:37.319
<v Speaker 2>front and center and he's doing the whole like it's

2183
01:53:37.399 --> 01:53:39.640
<v Speaker 2>not really the framing thing with the hands, but it's

2184
01:53:39.720 --> 01:53:41.680
<v Speaker 2>as close as you're going to get from Tom Green.

2185
01:53:42.520 --> 01:53:45.359
<v Speaker 2>And that's the movie poster. It's not a scene from

2186
01:53:45.399 --> 01:53:49.119
<v Speaker 2>the movie. It's not a representation of Freddy getting fingered,

2187
01:53:49.239 --> 01:53:53.159
<v Speaker 2>which I was kind of disappointed about. It's just Green

2188
01:53:53.520 --> 01:53:57.680
<v Speaker 2>front and center and just making himself. You know, obviously

2189
01:53:57.920 --> 01:54:00.279
<v Speaker 2>the studio knows what they're doing. They're just like, yeah, no,

2190
01:54:00.319 --> 01:54:03.000
<v Speaker 2>we're gonna put this guy on here. All blame will

2191
01:54:03.039 --> 01:54:06.439
<v Speaker 2>go to him. But no, really, like he was the

2192
01:54:06.600 --> 01:54:10.159
<v Speaker 2>draw for so many people. And also, you know we're

2193
01:54:10.199 --> 01:54:12.359
<v Speaker 2>talking about you know, I pulled himself up by his

2194
01:54:12.439 --> 01:54:15.359
<v Speaker 2>bootstraps and everything. He fucking directed this movie. It's not like,

2195
01:54:15.840 --> 01:54:17.760
<v Speaker 2>you know, he hired Tom Shadik or some of these

2196
01:54:17.800 --> 01:54:19.840
<v Speaker 2>other guys to be like, yoh, no, come on in

2197
01:54:20.000 --> 01:54:23.239
<v Speaker 2>and direct this. No, he directed this movie, and so

2198
01:54:23.399 --> 01:54:27.079
<v Speaker 2>then he puts this, unfortunately, this big fucking target on

2199
01:54:27.199 --> 01:54:31.000
<v Speaker 2>his head, and so many people went after this. I mean,

2200
01:54:31.239 --> 01:54:34.439
<v Speaker 2>Robbie mentioned the I think it was Ebert and roper

2201
01:54:34.520 --> 01:54:37.439
<v Speaker 2>By that time, I think Cisco. I don't know if

2202
01:54:37.479 --> 01:54:39.800
<v Speaker 2>he was passed away or if he just was sick

2203
01:54:39.880 --> 01:54:43.520
<v Speaker 2>at the time, but just like all these people just

2204
01:54:43.640 --> 01:54:47.479
<v Speaker 2>smelled blood in the water, and people piled onto this

2205
01:54:47.760 --> 01:54:53.199
<v Speaker 2>movie more than like snow White, the musical remake live

2206
01:54:53.279 --> 01:54:56.359
<v Speaker 2>action version from last year. I think it was or

2207
01:54:56.439 --> 01:54:59.920
<v Speaker 2>like any of these other disasters, this one. I mean,

2208
01:55:00.079 --> 01:55:03.920
<v Speaker 2>I kind of watch this because it was reported to

2209
01:55:04.000 --> 01:55:05.880
<v Speaker 2>be such a car crash, and I was frankly a

2210
01:55:05.920 --> 01:55:08.119
<v Speaker 2>little disappointed because I was like, yeah, it was actually

2211
01:55:08.199 --> 01:55:10.079
<v Speaker 2>kind of good, you know, but it's it's not my

2212
01:55:10.159 --> 01:55:13.520
<v Speaker 2>style of humor. But it was nowhere near as bad

2213
01:55:13.640 --> 01:55:18.279
<v Speaker 2>as the people had reported. And just how disgusting this

2214
01:55:18.479 --> 01:55:21.640
<v Speaker 2>movie was. It's like, yeah, Okay, like I said, I

2215
01:55:21.680 --> 01:55:23.640
<v Speaker 2>don't really care to see you close up of a

2216
01:55:23.720 --> 01:55:26.479
<v Speaker 2>horse cock. Maybe it's just me, Maybe I'm uptight, Maybe

2217
01:55:26.520 --> 01:55:28.920
<v Speaker 2>I'm the wrong generation for that, you know, maybe a

2218
01:55:28.960 --> 01:55:33.800
<v Speaker 2>lot of people love horsecock on screen. But but they

2219
01:55:33.880 --> 01:55:36.880
<v Speaker 2>went after this poor guy so hard, and he really

2220
01:55:37.000 --> 01:55:37.800
<v Speaker 2>didn't deserve it.

2221
01:55:38.920 --> 01:55:41.520
<v Speaker 12>No, no, And that cover is a charcious. It looks

2222
01:55:41.600 --> 01:55:44.279
<v Speaker 12>like a mountain dew ad. It looks like it could

2223
01:55:44.279 --> 01:55:47.720
<v Speaker 12>be an ad for like an Xbox System. It doesn't

2224
01:55:47.720 --> 01:55:50.359
<v Speaker 12>look like a movie poster at all. What they should

2225
01:55:50.399 --> 01:55:53.279
<v Speaker 12>have done is there's an artist in Kirk Demris who

2226
01:55:54.079 --> 01:55:57.319
<v Speaker 12>does all these great where it like paint it like

2227
01:55:57.399 --> 01:56:00.000
<v Speaker 12>all like seventy style paint, like family portraits, but it's

2228
01:56:00.800 --> 01:56:04.640
<v Speaker 12>like Jack and Wendy Torret's and they were the Golden Girls,

2229
01:56:04.680 --> 01:56:07.920
<v Speaker 12>like the very He's such a cool artist. And if

2230
01:56:07.960 --> 01:56:10.680
<v Speaker 12>they did, like a family, sell portrait of that with

2231
01:56:10.840 --> 01:56:14.199
<v Speaker 12>the family, do something irreverent because this movie's.

2232
01:56:13.840 --> 01:56:16.920
<v Speaker 7>A reverent like it should have been promoted like that,

2233
01:56:17.239 --> 01:56:19.560
<v Speaker 7>like what it was, what it really is now.

2234
01:56:19.680 --> 01:56:22.439
<v Speaker 12>This won a bunch of Razzies, and I read that

2235
01:56:22.640 --> 01:56:26.439
<v Speaker 12>Tom Green was the second filmmaker to show up in person,

2236
01:56:27.520 --> 01:56:30.159
<v Speaker 12>the first being Paul Verhoven for I can't live like

2237
01:56:30.279 --> 01:56:30.840
<v Speaker 12>the Razzies.

2238
01:56:30.840 --> 01:56:34.279
<v Speaker 7>Okay, why do you show girls? This is a good movie.

2239
01:56:34.399 --> 01:56:36.439
<v Speaker 7>We've talked about it on the show, which is great.

2240
01:56:36.920 --> 01:56:38.520
<v Speaker 2>Your famous line.

2241
01:56:38.319 --> 01:56:42.279
<v Speaker 12>Of Yosemite Sam with titty but she does act like

2242
01:56:42.359 --> 01:56:45.039
<v Speaker 12>that and might defense she completely x like Yosemite stamp

2243
01:56:45.079 --> 01:56:48.119
<v Speaker 12>with titties and like throwing up the French fries in

2244
01:56:48.199 --> 01:56:48.520
<v Speaker 12>the air.

2245
01:56:48.960 --> 01:56:49.239
<v Speaker 1>Girl.

2246
01:56:49.520 --> 01:56:50.840
<v Speaker 7>They're kids starving and.

2247
01:56:50.880 --> 01:56:55.439
<v Speaker 12>You're just like Willly nearly throwing taters whatever versas, but

2248
01:56:56.119 --> 01:56:59.039
<v Speaker 12>top grade apparently, and this is I love him for this.

2249
01:56:59.279 --> 01:57:04.079
<v Speaker 12>Apparely played a harmonic solo and he would stop playing,

2250
01:57:04.239 --> 01:57:06.159
<v Speaker 12>and they like he had to pull up off stage

2251
01:57:06.199 --> 01:57:08.479
<v Speaker 12>like he did like some Mike Patt and shit like

2252
01:57:08.600 --> 01:57:10.760
<v Speaker 12>this only was a Mike Patt and Andy Coffin level

2253
01:57:11.199 --> 01:57:12.439
<v Speaker 12>antics And I am.

2254
01:57:12.520 --> 01:57:14.159
<v Speaker 7>So for it because stuff like that.

2255
01:57:14.840 --> 01:57:17.680
<v Speaker 12>This movie, I'm saying, eber seeing the worst movie of

2256
01:57:17.760 --> 01:57:21.079
<v Speaker 12>this year, I highly doubt that this was the worst

2257
01:57:21.119 --> 01:57:22.319
<v Speaker 12>movie of.

2258
01:57:22.720 --> 01:57:26.159
<v Speaker 7>Two thousand and one. It's not for everybody, but sheesus.

2259
01:57:26.239 --> 01:57:28.800
<v Speaker 12>If something's for everybody, then it's going to be something

2260
01:57:28.840 --> 01:57:32.159
<v Speaker 12>that nobody remembers because it's gonna be so bland and

2261
01:57:32.319 --> 01:57:34.359
<v Speaker 12>so neutered and diluted.

2262
01:57:35.439 --> 01:57:37.760
<v Speaker 2>Yeah, the movie studio didn't know what the fuck to

2263
01:57:37.880 --> 01:57:40.119
<v Speaker 2>do with this, but people were talking about it and

2264
01:57:40.319 --> 01:57:43.680
<v Speaker 2>it became really big on DVD once it came out.

2265
01:57:44.239 --> 01:57:46.159
<v Speaker 7>That's right, and that's how it got the cult, and

2266
01:57:46.279 --> 01:57:46.840
<v Speaker 7>I love that.

2267
01:57:46.920 --> 01:57:48.840
<v Speaker 12>That's always sort of like I think a thread with

2268
01:57:48.920 --> 01:57:52.960
<v Speaker 12>a lot of especially newer cult movies, is this Nobody

2269
01:57:53.000 --> 01:57:56.319
<v Speaker 12>knew what to do with them originally, but they find

2270
01:57:56.399 --> 01:58:00.840
<v Speaker 12>this new life on physical media and gosh, think about

2271
01:58:00.840 --> 01:58:01.439
<v Speaker 12>shock treatment.

2272
01:58:01.680 --> 01:58:04.159
<v Speaker 7>God, you would talk about terrible trailers. The US trailer

2273
01:58:04.199 --> 01:58:05.880
<v Speaker 7>for that film horrible.

2274
01:58:06.640 --> 01:58:09.560
<v Speaker 1>I'm gonna go back and I'm gonna pull up what

2275
01:58:09.760 --> 01:58:12.560
<v Speaker 1>the best picture was, and I'm gonna ask you, would

2276
01:58:12.600 --> 01:58:15.239
<v Speaker 1>you rather watch that or would you rather watch this?

2277
01:58:16.399 --> 01:58:19.000
<v Speaker 1>Are you ready a beautiful mind?

2278
01:58:19.279 --> 01:58:19.479
<v Speaker 7>Oh?

2279
01:58:19.960 --> 01:58:20.760
<v Speaker 6>Good lord?

2280
01:58:21.439 --> 01:58:23.960
<v Speaker 2>I cannot stand that movie.

2281
01:58:25.159 --> 01:58:29.399
<v Speaker 12>This is why I hate stuff like the Oscars. I'm

2282
01:58:29.439 --> 01:58:31.560
<v Speaker 12>not a fan of that shit in general, because there's

2283
01:58:31.600 --> 01:58:38.239
<v Speaker 12>a certain type of film. There's especially where it's like Oscar.

2284
01:58:39.000 --> 01:58:41.199
<v Speaker 12>It's just good to get to Oscar. Oh, the critics

2285
01:58:41.279 --> 01:58:43.920
<v Speaker 12>are good to love it, and it's it's not good.

2286
01:58:44.600 --> 01:58:49.680
<v Speaker 12>How many great, genuinely great movies and artists never get mentioned.

2287
01:58:49.920 --> 01:58:53.520
<v Speaker 12>And I know it's subjective, that's fair, but still, I

2288
01:58:53.600 --> 01:58:55.359
<v Speaker 12>once said, the guy yell at me because I made

2289
01:58:55.399 --> 01:58:58.279
<v Speaker 12>a this is serious, by way, This is some comedy

2290
01:58:58.319 --> 01:59:01.239
<v Speaker 12>because it happened for real. A guy yell at me

2291
01:59:01.239 --> 01:59:03.800
<v Speaker 12>because I made fun of the Starland Was it Starlight

2292
01:59:04.039 --> 01:59:08.319
<v Speaker 12>Vocal band? Starland vocal band that did after Julight? I'm serious,

2293
01:59:08.840 --> 01:59:11.760
<v Speaker 12>Eddie said, oh you. He called me the ladist and

2294
01:59:11.800 --> 01:59:14.520
<v Speaker 12>said they want to grier me, and it is who

2295
01:59:14.840 --> 01:59:16.479
<v Speaker 12>fuck cares who wanted Grammy?

2296
01:59:16.479 --> 01:59:18.880
<v Speaker 7>You how many great artists haven't won a Grammy? Does

2297
01:59:18.960 --> 01:59:21.960
<v Speaker 7>Janis Joplin when she was alive? Won a Grammy? Has

2298
01:59:22.119 --> 01:59:26.319
<v Speaker 7>band Hawk when won a Grammy? Does Ornett? Ornette Coleman? Grammy?

2299
01:59:27.199 --> 01:59:27.720
<v Speaker 7>Fuck off?

2300
01:59:28.039 --> 01:59:28.319
<v Speaker 3>Come on?

2301
01:59:28.560 --> 01:59:32.439
<v Speaker 12>All of that is horseshit, the Grammys, Oscars, all of it.

2302
01:59:32.760 --> 01:59:35.920
<v Speaker 12>It's just people. Just it's a circle jerk of ego

2303
01:59:36.840 --> 01:59:41.800
<v Speaker 12>and pretension. Beautiful Mind, and that's another movie. I know,

2304
01:59:41.960 --> 01:59:44.800
<v Speaker 12>I thought, I remember. It just made me think of

2305
01:59:44.960 --> 01:59:47.760
<v Speaker 12>like indigestion. It just really didn't do much for me.

2306
01:59:47.800 --> 01:59:52.119
<v Speaker 12>I'm just like mildly bloated, like except without the fun

2307
01:59:52.199 --> 01:59:56.840
<v Speaker 12>of eating horrible food. That is, yes, I had it inshurrito.

2308
01:59:56.920 --> 01:59:59.600
<v Speaker 12>I should not have eaten that, but it tasted good.

2309
02:00:00.039 --> 02:00:00.520
<v Speaker 7>I'm bloated.

2310
02:00:00.560 --> 02:00:02.119
<v Speaker 12>I didn't get that with a Beautiful Mind. I just

2311
02:00:02.199 --> 02:00:06.600
<v Speaker 12>got the bloating and a really rustle curls. An actor

2312
02:00:06.640 --> 02:00:08.279
<v Speaker 12>who can do really great work. I've seen him and

2313
02:00:08.279 --> 02:00:10.359
<v Speaker 12>stuff where I really enjoyed him. That was not the

2314
02:00:10.399 --> 02:00:13.439
<v Speaker 12>flavor of the Maybe if they would be like let's

2315
02:00:13.479 --> 02:00:15.520
<v Speaker 12>show Let's Star a history film where we show this

2316
02:00:15.640 --> 02:00:19.199
<v Speaker 12>character from being the complete flight fucking hot mess he

2317
02:00:19.439 --> 02:00:21.800
<v Speaker 12>is and give us some honesty.

2318
02:00:22.239 --> 02:00:25.840
<v Speaker 7>It's the truth. Do a Cassavetti's baby. Then we got art,

2319
02:00:25.920 --> 02:00:26.680
<v Speaker 7>then we got action.

2320
02:00:27.760 --> 02:00:31.640
<v Speaker 12>Yeah, it's ridiculous, and Tom Green definitely didn't deserve I

2321
02:00:31.760 --> 02:00:33.399
<v Speaker 12>think that's often the case with a lot of these

2322
02:00:33.439 --> 02:00:34.960
<v Speaker 12>films that get maligned, is being.

2323
02:00:34.880 --> 02:00:37.960
<v Speaker 7>Like, oh, this is the worst, the worst film. Didn't marry,

2324
02:00:38.000 --> 02:00:39.760
<v Speaker 7>didn't American Beauty? What a bunch of shit?

2325
02:00:39.840 --> 02:00:40.000
<v Speaker 3>Too.

2326
02:00:40.920 --> 02:00:44.920
<v Speaker 2>Well, it's basically it was Oscar Bait fight Club because

2327
02:00:44.960 --> 02:00:48.880
<v Speaker 2>it's all about Russell Crowe and his imaginary friend and.

2328
02:00:48.960 --> 02:00:52.039
<v Speaker 1>A lot of math. It's all I remember. All I

2329
02:00:52.159 --> 02:00:55.359
<v Speaker 1>remember is that image. It's it's like the the meme

2330
02:00:55.399 --> 02:00:58.840
<v Speaker 1>of the lady looking around with the math around her,

2331
02:00:59.319 --> 02:01:01.880
<v Speaker 1>you know, like that's all I remember is just the

2332
02:01:02.000 --> 02:01:06.079
<v Speaker 1>math comes on the screen. But the point that I'm

2333
02:01:06.119 --> 02:01:09.000
<v Speaker 1>trying to make is I've seen that once. I have

2334
02:01:09.479 --> 02:01:11.760
<v Speaker 1>no desire to go out of my way to see

2335
02:01:11.800 --> 02:01:16.600
<v Speaker 1>that again. This movie I saw once on Criterion streaming.

2336
02:01:16.680 --> 02:01:18.279
<v Speaker 1>I told you, I go, we should do this on

2337
02:01:18.359 --> 02:01:21.039
<v Speaker 1>the show. I have now watched it three times and

2338
02:01:21.159 --> 02:01:23.159
<v Speaker 1>I will likely watch it again at least one more

2339
02:01:23.199 --> 02:01:26.840
<v Speaker 1>time before I'm probably in the ground. Congratulations, Tom Green,

2340
02:01:26.880 --> 02:01:27.439
<v Speaker 1>you have won.

2341
02:01:28.119 --> 02:01:31.239
<v Speaker 12>I own a physical copy of Right Your Finger, so

2342
02:01:31.720 --> 02:01:34.399
<v Speaker 12>it made enough an impressure on me to where it

2343
02:01:34.479 --> 02:01:35.520
<v Speaker 12>is part of the collection.

2344
02:01:36.760 --> 02:01:41.960
<v Speaker 2>I mean, I read two college thesis about Freddy Gottfinger.

2345
02:01:42.199 --> 02:01:45.840
<v Speaker 2>That was the reading for this, because I didn't want

2346
02:01:45.920 --> 02:01:49.960
<v Speaker 2>to go out and just have bad review after bad review.

2347
02:01:50.039 --> 02:01:53.279
<v Speaker 2>I mean, of course the AO Scott review is out there,

2348
02:01:53.359 --> 02:01:55.680
<v Speaker 2>which he seemed to really like this and did kind

2349
02:01:55.720 --> 02:01:58.119
<v Speaker 2>of predict like, hey, people are going to be talking

2350
02:01:58.159 --> 02:02:01.239
<v Speaker 2>about this in twenty five years and bloila, here we are.

2351
02:02:02.439 --> 02:02:05.640
<v Speaker 2>I'm reading these college thesies being like, yeah, this is

2352
02:02:05.720 --> 02:02:07.720
<v Speaker 2>an anti comedy and like take a look at this,

2353
02:02:07.960 --> 02:02:10.960
<v Speaker 2>and you know, and like defining you know what a

2354
02:02:11.119 --> 02:02:14.039
<v Speaker 2>comedian comedy, which was a weird term for me, a

2355
02:02:14.119 --> 02:02:16.920
<v Speaker 2>comedian comedy is all about, and you know, tying it

2356
02:02:17.039 --> 02:02:19.560
<v Speaker 2>back like you did Rob to Buster Keaton and just

2357
02:02:19.680 --> 02:02:22.399
<v Speaker 2>like how is Keaton and his movies and his whole

2358
02:02:22.479 --> 02:02:26.279
<v Speaker 2>sad sack persona versus Tom Green with you know, we've

2359
02:02:26.359 --> 02:02:29.159
<v Speaker 2>got that scene of him in slow motion as he's

2360
02:02:29.239 --> 02:02:31.800
<v Speaker 2>walking through the rain to go back into the Chief

2361
02:02:31.880 --> 02:02:36.720
<v Speaker 2>Sandwich Shop. You know, it's like just like his attempt

2362
02:02:36.800 --> 02:02:41.800
<v Speaker 2>at the super sad moment in the movie you know, like, Okay,

2363
02:02:42.039 --> 02:02:45.520
<v Speaker 2>Betty's you know, Betty's mad at him, and his dad's

2364
02:02:45.600 --> 02:02:48.800
<v Speaker 2>mad at him, and you know, his brother's mad at him,

2365
02:02:48.840 --> 02:02:51.279
<v Speaker 2>and he's got to suck it up and go back

2366
02:02:51.319 --> 02:02:53.680
<v Speaker 2>into the chief shop and just admit defeat, you know,

2367
02:02:53.800 --> 02:02:56.800
<v Speaker 2>and it's like that's the worst thing is working at

2368
02:02:56.880 --> 02:02:59.960
<v Speaker 2>this cheese shop or cheese sandwich shop. It was pretty great.

2369
02:03:00.239 --> 02:03:04.600
<v Speaker 2>So I have grown to appreciate this movie more by

2370
02:03:04.880 --> 02:03:08.840
<v Speaker 2>talking about it, more by reading about it. And I

2371
02:03:09.119 --> 02:03:12.279
<v Speaker 2>still am not a big Tom Green fan. I don't

2372
02:03:12.279 --> 02:03:15.800
<v Speaker 2>think I'll seek out his work necessarily, but if he

2373
02:03:15.960 --> 02:03:19.199
<v Speaker 2>did help pave the way for things like Jackass and

2374
02:03:19.279 --> 02:03:22.039
<v Speaker 2>some of these other anti comedy things that we've talked

2375
02:03:22.079 --> 02:03:24.520
<v Speaker 2>about like Wonder Shows and liked him and Eric, like

2376
02:03:25.600 --> 02:03:31.800
<v Speaker 2>who's the guy that you always see him shooting someone? Yes,

2377
02:03:32.720 --> 02:03:36.079
<v Speaker 2>like with all of those comedians. I mean, because I

2378
02:03:36.159 --> 02:03:39.119
<v Speaker 2>didn't tell my Jackass story, which was I never watched

2379
02:03:39.199 --> 02:03:42.520
<v Speaker 2>Jackass when it was on TV. But then when the

2380
02:03:42.560 --> 02:03:45.640
<v Speaker 2>first Jackass movie came out, my friend Diane was just like,

2381
02:03:46.199 --> 02:03:48.640
<v Speaker 2>you have to see this movie. It's fantastic, and we

2382
02:03:48.760 --> 02:03:51.239
<v Speaker 2>went to see it at a Dallas show. I couldn't

2383
02:03:51.239 --> 02:03:53.880
<v Speaker 2>stop laughing. It was so fucking funny. And I've seen

2384
02:03:54.000 --> 02:03:56.880
<v Speaker 2>all of the Jackass movies subsequent plus when they bring

2385
02:03:56.960 --> 02:03:59.840
<v Speaker 2>out like the version two point five or three point

2386
02:03:59.880 --> 02:04:02.680
<v Speaker 2>five or any of those things, I'm right there watching it.

2387
02:04:02.800 --> 02:04:04.439
<v Speaker 2>I want to see more of this stuff. I want

2388
02:04:04.479 --> 02:04:08.079
<v Speaker 2>to see Steve O snorting Wasabi. I want to see

2389
02:04:08.199 --> 02:04:11.680
<v Speaker 2>Wemen getting smacked by a giant hand. You know, these

2390
02:04:11.800 --> 02:04:14.520
<v Speaker 2>are great characters that these people are playing or real

2391
02:04:14.600 --> 02:04:17.680
<v Speaker 2>life versions. I mean, I'm pulling for Johnny Knoxville every

2392
02:04:17.720 --> 02:04:19.159
<v Speaker 2>single time I see him on TV.

2393
02:04:19.439 --> 02:04:22.399
<v Speaker 12>Same god you think about Knoxville. I loved him in

2394
02:04:22.520 --> 02:04:23.760
<v Speaker 12>a Dirty Shame.

2395
02:04:24.680 --> 02:04:30.079
<v Speaker 2>He was really good in the one with Arnold Schwarzenegger,

2396
02:04:30.279 --> 02:04:33.760
<v Speaker 2>and I think who else wasn't that? But yeah, whatever

2397
02:04:33.800 --> 02:04:36.479
<v Speaker 2>that Ernold schwart the Last Stand, I think it was called,

2398
02:04:36.760 --> 02:04:37.840
<v Speaker 2>He's fantastic in that.

2399
02:04:38.880 --> 02:04:41.039
<v Speaker 7>I love Jackass. I love all those guys.

2400
02:04:41.119 --> 02:04:42.960
<v Speaker 12>I've even to the point though, over like when we

2401
02:04:43.199 --> 02:04:46.000
<v Speaker 12>actually saw three D we did a date night, which

2402
02:04:46.720 --> 02:04:51.520
<v Speaker 12>being in a room full of teenagers who somehow teenage

2403
02:04:51.560 --> 02:04:55.960
<v Speaker 12>boys that conned their girlfriend who apparently did not know

2404
02:04:56.119 --> 02:04:57.840
<v Speaker 12>I don't know how. It's the third one at that

2405
02:04:57.960 --> 02:05:03.279
<v Speaker 12>point where they like the choir of eh, oh, maybe

2406
02:05:03.680 --> 02:05:05.960
<v Speaker 12>it was one of also my horrified a lady a Sephora.

2407
02:05:06.239 --> 02:05:08.439
<v Speaker 7>She was like, oh, you cat, you come on a date.

2408
02:05:08.560 --> 02:05:11.399
<v Speaker 12>That's wonderful where one movie and I was like, oh,

2409
02:05:11.560 --> 02:05:13.439
<v Speaker 12>Jackass right in and she's like, oh.

2410
02:05:14.159 --> 02:05:17.560
<v Speaker 1>It's interesting. Earlier this week, a chance to go see

2411
02:05:17.640 --> 02:05:20.840
<v Speaker 1>John Waters in person. I've seen him before, but it

2412
02:05:20.920 --> 02:05:23.159
<v Speaker 1>got me to think because I was recording this with

2413
02:05:23.239 --> 02:05:26.399
<v Speaker 1>you guys, we were just talking about Jackass. Here is

2414
02:05:27.119 --> 02:05:30.159
<v Speaker 1>when I first started the same with the same with me, Michael.

2415
02:05:30.319 --> 02:05:32.520
<v Speaker 1>I did not see Jackass when I was on TV.

2416
02:05:32.760 --> 02:05:35.880
<v Speaker 1>I only watched the movie and then got into all

2417
02:05:35.960 --> 02:05:38.079
<v Speaker 1>of them and I absolutely love them too. And there

2418
02:05:38.159 --> 02:05:40.239
<v Speaker 1>was a moment where I'm like, what is it, like

2419
02:05:40.319 --> 02:05:45.560
<v Speaker 1>why Like I love these like art films and foreign

2420
02:05:45.640 --> 02:05:47.920
<v Speaker 1>film and all of this stuff, and for some reason,

2421
02:05:48.079 --> 02:05:51.760
<v Speaker 1>like why do I why do I gravitate towards this too?

2422
02:05:52.079 --> 02:05:54.319
<v Speaker 1>And there was part of me that goes, That's why

2423
02:05:54.359 --> 02:05:56.520
<v Speaker 1>I love Waters and Waters is much the same way

2424
02:05:57.159 --> 02:06:06.720
<v Speaker 1>ooh four hour, Horrible, Miserable, awful, Norwegians. Everything is terrible film. Yes,

2425
02:06:07.680 --> 02:06:10.560
<v Speaker 1>and then show me something like she should have said no,

2426
02:06:10.960 --> 02:06:15.720
<v Speaker 1>or russ Meyer or something. Give me this range. I

2427
02:06:15.840 --> 02:06:18.880
<v Speaker 1>need this range. I always just a joke. People would

2428
02:06:18.920 --> 02:06:20.760
<v Speaker 1>ask me about this show when I was co hosting

2429
02:06:20.800 --> 02:06:22.479
<v Speaker 1>it all the time with you, and I said, it's great.

2430
02:06:22.680 --> 02:06:24.680
<v Speaker 1>We do everything from the art house to the outhouse.

2431
02:06:24.720 --> 02:06:27.960
<v Speaker 1>It's great. I love it because it is those that

2432
02:06:28.039 --> 02:06:31.039
<v Speaker 1>are in the middle. It's those a beautiful mind and

2433
02:06:31.079 --> 02:06:33.399
<v Speaker 1>stuff like that. It's like those will just be forgotten.

2434
02:06:34.279 --> 02:06:38.039
<v Speaker 1>People don't care about those. It's always the fringe ends.

2435
02:06:38.720 --> 02:06:42.159
<v Speaker 1>It's always the most it's the extremity that seems to

2436
02:06:42.239 --> 02:06:44.720
<v Speaker 1>be the stuff that has values. So let that be

2437
02:06:44.720 --> 02:06:48.199
<v Speaker 1>a lessed to you kids. If you're creative, create things

2438
02:06:48.239 --> 02:06:50.600
<v Speaker 1>that are on the edges, so that way, twenty five

2439
02:06:50.680 --> 02:06:52.880
<v Speaker 1>years after you make it, people still sit around talk

2440
02:06:52.920 --> 02:06:53.199
<v Speaker 1>about it.

2441
02:06:54.119 --> 02:06:55.960
<v Speaker 2>All right, We're going to take another break and play

2442
02:06:55.960 --> 02:06:59.000
<v Speaker 2>a preview for next week's show right after these brief messches.

2443
02:07:00.439 --> 02:07:02.920
<v Speaker 13>And then I still know Leeds As to the identity

2444
02:07:02.960 --> 02:07:06.800
<v Speaker 13>of the freaky folk hero remains at large, sir, what

2445
02:07:06.920 --> 02:07:07.920
<v Speaker 13>did you see last night?

2446
02:07:08.680 --> 02:07:11.680
<v Speaker 1>Her gunshots saw blood and the Sola had his arm

2447
02:07:11.800 --> 02:07:14.359
<v Speaker 1>tore off like wet bread, and the creature run off

2448
02:07:14.479 --> 02:07:14.800
<v Speaker 1>into them.

2449
02:07:14.880 --> 02:07:19.760
<v Speaker 3>Nine she was like a hot dog. Was very shocking.

2450
02:07:22.359 --> 02:07:22.880
<v Speaker 1>Can we put that.

2451
02:07:22.880 --> 02:07:27.119
<v Speaker 12>Out anyone that may have encountered the strange breaking news.

2452
02:07:27.640 --> 02:07:29.960
<v Speaker 1>A group of armed extremists.

2453
02:07:29.720 --> 02:07:30.920
<v Speaker 13>Nasty lads.

2454
02:07:31.319 --> 02:07:34.359
<v Speaker 5>They've taken hostages at a mismeat lunchet for hum Downtown.

2455
02:07:34.560 --> 02:07:35.159
<v Speaker 1>Let's go live.

2456
02:07:35.560 --> 02:08:08.399
<v Speaker 3>Who the fuck are you? The Toxic Avenger?

2457
02:08:08.840 --> 02:08:10.199
<v Speaker 12>That's what the kids are calling him.

2458
02:08:10.199 --> 02:08:15.439
<v Speaker 1>I think it's so well, that's right.

2459
02:08:15.520 --> 02:08:17.279
<v Speaker 2>We'll be back next week with a look at the

2460
02:08:17.479 --> 02:08:20.359
<v Speaker 2>Toxic Avenger twenty twenty three. Until then, I want to

2461
02:08:20.359 --> 02:08:23.279
<v Speaker 2>thank my co host Robin Heather. So, Rob, what's the

2462
02:08:23.359 --> 02:08:23.920
<v Speaker 2>latest with you?

2463
02:08:24.880 --> 02:08:27.640
<v Speaker 1>I have finished my second novel since I moved to

2464
02:08:27.640 --> 02:08:29.520
<v Speaker 1>the High Desert. I send it to you guys. Hopefully

2465
02:08:30.119 --> 02:08:32.720
<v Speaker 1>someone will give me some notes and if you don't

2466
02:08:32.800 --> 02:08:35.199
<v Speaker 1>like it, then I'll just feel stupid and I won't

2467
02:08:35.239 --> 02:08:38.000
<v Speaker 1>go any further with it. I'm just kidding. So I'm

2468
02:08:38.079 --> 02:08:40.159
<v Speaker 1>just working on the writing and enjoying my life.

2469
02:08:40.720 --> 02:08:44.640
<v Speaker 2>You're stupid, You're stupid, you failed, you failed? Well, how

2470
02:08:44.680 --> 02:08:45.560
<v Speaker 2>does that make you feel?

2471
02:08:46.319 --> 02:08:49.880
<v Speaker 1>Pretty good? Actually, because as we were discussing, it's failures

2472
02:08:49.960 --> 02:08:52.279
<v Speaker 1>that people will talk about years from now, so that

2473
02:08:52.359 --> 02:08:55.000
<v Speaker 1>will be nice. Maybe my failures will be my retirement plan,

2474
02:08:55.079 --> 02:08:56.760
<v Speaker 1>because I sure as hell don't have any money in

2475
02:08:56.800 --> 02:08:59.840
<v Speaker 1>the bank right now. Anyway, moving right along. Things are

2476
02:09:00.680 --> 02:09:04.119
<v Speaker 1>enjoying my life and I hope y'all are doing well too.

2477
02:09:04.960 --> 02:09:05.960
<v Speaker 2>And Heather, what's new with you?

2478
02:09:07.039 --> 02:09:09.680
<v Speaker 12>Just wrap up being a guest on The Director's Club

2479
02:09:09.720 --> 02:09:14.079
<v Speaker 12>podcast hosted by Jim LECOWSKEI with Mike White. We talked

2480
02:09:14.119 --> 02:09:17.800
<v Speaker 12>about Horda Rowski, one of my absolute our heroes. Yeah,

2481
02:09:18.680 --> 02:09:20.640
<v Speaker 12>where you talking about Santa Song great and Holy Mountain

2482
02:09:20.720 --> 02:09:23.960
<v Speaker 12>that is up live so you can find that. I

2483
02:09:24.079 --> 02:09:27.479
<v Speaker 12>was also recently on an episode of In Film We

2484
02:09:27.560 --> 02:09:32.600
<v Speaker 12>Trust talking about Russ Meyer Supervixen's for all other Sundrys.

2485
02:09:32.760 --> 02:09:36.159
<v Speaker 12>I've always got something cooking and I'm actually currently working

2486
02:09:36.159 --> 02:09:38.399
<v Speaker 12>on a little thing for the youtubes right now. But

2487
02:09:38.600 --> 02:09:40.520
<v Speaker 12>you can go to my link tree linktree dot com

2488
02:09:40.640 --> 02:09:44.039
<v Speaker 12>forward slash Mondo Heather. You'll find my articles, my websites,

2489
02:09:44.119 --> 02:09:47.399
<v Speaker 12>my Patreon, whatch website, singular how don't know why make

2490
02:09:47.479 --> 02:09:50.920
<v Speaker 12>the plural wish we'll thinking, and all sort of other matters.

2491
02:09:51.239 --> 02:09:53.960
<v Speaker 12>But yes, linktree dot com for a slash Mondo Heather.

2492
02:09:54.800 --> 02:09:56.680
<v Speaker 2>Thanks again, folks for being on the show. Thanks to

2493
02:09:56.720 --> 02:09:59.000
<v Speaker 2>everybody for listening. Do you want to support physical media

2494
02:09:59.039 --> 02:10:01.319
<v Speaker 2>and get great movies in the head over to scarecrow

2495
02:10:01.359 --> 02:10:03.760
<v Speaker 2>dot com and try. Scarecrow Video is incredible rent by

2496
02:10:03.840 --> 02:10:07.079
<v Speaker 2>mail service, the largest publicly accessible collection.

2497
02:10:07.000 --> 02:10:07.720
<v Speaker 1>In the world.

2498
02:10:08.319 --> 02:10:11.399
<v Speaker 2>You'll find films. They are entirely unavailable elsewhere. Get what

2499
02:10:11.520 --> 02:10:14.039
<v Speaker 2>you want, when you want it, without the scrolling, and

2500
02:10:14.239 --> 02:10:17.479
<v Speaker 2>yes they have Freddy Got Fingered. If you want to

2501
02:10:17.520 --> 02:10:19.159
<v Speaker 2>hear more of me shooting off my mouth, check out

2502
02:10:19.199 --> 02:10:21.000
<v Speaker 2>some of the other shows that I work on. They

2503
02:10:21.079 --> 02:10:24.680
<v Speaker 2>are all available at Weirdingwaymedia dot com. Thanks especially to

2504
02:10:24.720 --> 02:10:27.239
<v Speaker 2>our Patreon community. If you want to join the community,

2505
02:10:27.399 --> 02:10:30.600
<v Speaker 2>visit patreon dot com. Slash projection booth. Every donation we

2506
02:10:30.720 --> 02:10:31.960
<v Speaker 2>get help some projection booth.

2507
02:10:32.039 --> 02:10:33.039
<v Speaker 1>Take over the world.

2508
02:10:50.159 --> 02:10:52.760
<v Speaker 3>On your lips. Pabama's on your lips and if you

2509
02:10:52.840 --> 02:10:54.680
<v Speaker 3>don't like it, you can suck my disk.

2510
02:10:54.760 --> 02:10:58.279
<v Speaker 5>I used to trip like Superman, go downtown, run around

2511
02:10:58.359 --> 02:11:01.720
<v Speaker 5>bike a asshole, fucking a man, a man on the sweet.

2512
02:11:01.800 --> 02:11:04.560
<v Speaker 3>He was sixty years old. He wanted to fight, so

2513
02:11:04.760 --> 02:11:06.680
<v Speaker 3>he punched me in the notes because I asked him

2514
02:11:06.680 --> 02:11:09.479
<v Speaker 3>wherever he's going? He said, nothing, your business, snap my

2515
02:11:09.600 --> 02:11:12.199
<v Speaker 3>mic in two. I said, what is this? My Bama's

2516
02:11:12.239 --> 02:11:12.800
<v Speaker 3>on your lips.

2517
02:11:12.960 --> 02:11:15.600
<v Speaker 5>Babama's on your lips hard to day you lose an

2518
02:11:15.640 --> 02:11:19.119
<v Speaker 5>EMPTV four cass to make people break out suckers to

2519
02:11:19.279 --> 02:11:22.279
<v Speaker 5>yell damn, madamn, talk about it in my favorite rap.

2520
02:11:22.399 --> 02:11:25.319
<v Speaker 3>I used to wake up my parents. Then Bam stole it.

2521
02:11:25.560 --> 02:11:27.600
<v Speaker 5>People dip it in the bag of tricks now they

2522
02:11:27.680 --> 02:11:31.199
<v Speaker 5>don't be surprised if Johnny starts to wrap bottle you

2523
02:11:31.319 --> 02:11:34.239
<v Speaker 5>with his style in a Von Dutch hat. My purpose

2524
02:11:34.319 --> 02:11:36.560
<v Speaker 5>on your tips, bapomas on your lips.

2525
02:11:36.479 --> 02:11:38.760
<v Speaker 3>And you, if you get lucky, you could suck my dish.

2526
02:11:38.840 --> 02:11:41.239
<v Speaker 3>Let me write my bamas on your tips, papomas on

2527
02:11:41.359 --> 02:11:43.520
<v Speaker 3>your lips, and if you don't like it, you could

2528
02:11:43.560 --> 02:11:44.359
<v Speaker 3>suck my dis.

2529
02:11:44.439 --> 02:11:47.319
<v Speaker 5>I used to fall down punches seeing what would happen,

2530
02:11:47.640 --> 02:11:49.279
<v Speaker 5>swam in the oceana sharks.

2531
02:11:49.359 --> 02:11:50.079
<v Speaker 3>Now I'm laughing.

2532
02:11:50.319 --> 02:11:53.359
<v Speaker 5>Execute your tips to gravitate to the PiZZ and if

2533
02:11:53.399 --> 02:11:55.279
<v Speaker 5>you don't like it, then you shot like Jim.

2534
02:11:55.399 --> 02:11:58.039
<v Speaker 3>Don't pay attention to your back, smile and shake.

2535
02:11:58.079 --> 02:12:01.039
<v Speaker 5>You can try to do something clever, goodness safe, like

2536
02:12:01.159 --> 02:12:03.880
<v Speaker 5>you were aerobics with a bunch of old ladies and

2537
02:12:04.000 --> 02:12:04.920
<v Speaker 5>wear pink.

2538
02:12:04.720 --> 02:12:07.319
<v Speaker 3>Tis like it is the Nie Dad. He's okay, not

2539
02:12:07.479 --> 02:12:09.159
<v Speaker 3>so clever. Look it for a laugh.

2540
02:12:09.279 --> 02:12:11.439
<v Speaker 5>But got stuck in handcuffs a couple of times in

2541
02:12:11.520 --> 02:12:13.520
<v Speaker 5>the past to open up bank account.

2542
02:12:13.760 --> 02:12:16.359
<v Speaker 3>And now it's I guess the critics and the media

2543
02:12:16.439 --> 02:12:19.760
<v Speaker 3>could save the pot. My pama's on your lips. Bapama's

2544
02:12:19.840 --> 02:12:20.439
<v Speaker 3>on your lips.

2545
02:12:20.640 --> 02:12:23.000
<v Speaker 5>I used to act tony and talk a lot of shit,

2546
02:12:23.079 --> 02:12:26.600
<v Speaker 5>and then I'm to Hollywood and got conservative. I didn't

2547
02:12:26.640 --> 02:12:29.399
<v Speaker 5>want to piss anyone off in the bitess the media

2548
02:12:29.560 --> 02:12:29.840
<v Speaker 5>could do.

2549
02:12:30.000 --> 02:12:32.479
<v Speaker 3>You up like a machine. But meles wobble around it.

2550
02:12:32.600 --> 02:12:34.880
<v Speaker 3>Don't fall down to what I mean. I used to

2551
02:12:34.960 --> 02:12:37.840
<v Speaker 3>have cancer. I just beat it. You want to try

2552
02:12:37.920 --> 02:12:39.760
<v Speaker 3>to take me out, you'll be defeated.

2553
02:12:39.960 --> 02:12:42.279
<v Speaker 5>I like to do things that have never been done,

2554
02:12:42.359 --> 02:12:45.479
<v Speaker 5>so if but kind of strange. That's the reason. My

2555
02:12:45.600 --> 02:12:48.560
<v Speaker 5>bamas on your lips. Papama's on your lips, And if

2556
02:12:48.600 --> 02:12:50.720
<v Speaker 5>you don't like it, I think they'll take a ship.

2557
02:12:50.920 --> 02:12:53.279
<v Speaker 5>Papamas on your lips, Babama's on your.

2558
02:12:53.239 --> 02:12:55.239
<v Speaker 3>Lips, and then if you don't like it, you could

2559
02:12:55.279 --> 02:12:56.000
<v Speaker 3>sup my dip.

2560
02:12:56.479 --> 02:12:59.000
<v Speaker 5>I went to Japan, told a monkey and my pan

2561
02:12:59.439 --> 02:13:02.760
<v Speaker 5>kicked up subway. But Charlie chan a pocket full of

2562
02:13:02.920 --> 02:13:06.359
<v Speaker 5>chicken feed for the chickens. Sat in my hotel read

2563
02:13:06.439 --> 02:13:07.399
<v Speaker 5>some shop chickens.

2564
02:13:07.680 --> 02:13:09.640
<v Speaker 3>Then I'll be back to the USA.

2565
02:13:09.920 --> 02:13:12.039
<v Speaker 5>I had a quickie rubber shamp with the boss to

2566
02:13:12.159 --> 02:13:15.079
<v Speaker 5>celebrate a took a ship into toilet, then I took

2567
02:13:15.119 --> 02:13:15.560
<v Speaker 5>the drink.

2568
02:13:15.920 --> 02:13:18.199
<v Speaker 3>Then I stopped worrying in about what you think. I

2569
02:13:18.319 --> 02:13:21.359
<v Speaker 3>put my face on the TV acting like a jackass.

2570
02:13:21.680 --> 02:13:24.760
<v Speaker 5>You couldn't brustle you bring a back draft. I'm glad

2571
02:13:24.800 --> 02:13:27.239
<v Speaker 5>you followed in my steps with that actress not on me.

2572
02:13:27.319 --> 02:13:29.399
<v Speaker 3>Then you're bikey. But now no one knows is wacky

2573
02:13:29.520 --> 02:13:30.760
<v Speaker 3>is my MoMA's on your lips.

2574
02:13:30.920 --> 02:13:33.479
<v Speaker 5>Paboma's on your lips, and if you don't like it,

2575
02:13:33.560 --> 02:13:36.319
<v Speaker 5>I think you'll take a ship the promise on your lips.

2576
02:13:36.439 --> 02:13:38.920
<v Speaker 5>Pa Boma's on your lips, and if you don't like it,

2577
02:13:39.039 --> 02:13:40.640
<v Speaker 5>you can suck my shop.
