1
00:00:08,160 --> 00:00:11,359
Speaker 1: Jingle Mel Jingle Mal jingle mel rock.

2
00:00:11,640 --> 00:00:14,480
Speaker 2: All Right, everybody, welcome back to the Surely You Can't

3
00:00:14,519 --> 00:00:18,399
Be Serious Podcast? Jason, is this the episode that we

4
00:00:18,559 --> 00:00:21,559
start with someone plummeting off of the tall building? Or

5
00:00:21,640 --> 00:00:24,399
is this the episode that we end with someone plummeting

6
00:00:24,519 --> 00:00:25,800
off of the tall building?

7
00:00:26,320 --> 00:00:28,320
Speaker 1: Well? I guess we can talk about both today, So

8
00:00:29,120 --> 00:00:31,039
I guess if you're ready, let's do this.

9
00:00:31,079 --> 00:00:37,479
Speaker 2: Okay, ready? One? Two? Is it one? Two? Three? And

10
00:00:37,520 --> 00:00:42,039
then go? Or do we go on three? Welcome back, everybody.

11
00:00:42,119 --> 00:00:43,119
We are so excited.

12
00:00:43,159 --> 00:00:46,719
Speaker 1: This is episode three of the Diehard versus Lethal Weapon.

13
00:00:47,200 --> 00:00:50,320
Speaker 2: This is the last episode of our movie comparisons of

14
00:00:50,359 --> 00:00:53,600
the year. But we may have something special in store

15
00:00:54,159 --> 00:00:57,320
just before Christmas. Which will that be a surprise.

16
00:00:57,000 --> 00:01:00,960
Speaker 1: That's right coming Christmas Eve? Or maybe twenty third We're

17
00:01:01,000 --> 00:01:01,560
not sure yet.

18
00:01:01,640 --> 00:01:01,840
Speaker 2: Yeah.

19
00:01:01,920 --> 00:01:05,799
Speaker 1: Quick shout out to our new Patreon member Brad Moore.

20
00:01:05,879 --> 00:01:08,400
He is the executive producer of today's show.

21
00:01:08,560 --> 00:01:12,359
Speaker 2: Brad, Thank you so much for donating through Patreon. It

22
00:01:12,400 --> 00:01:15,200
means so much to us we can't express it. If

23
00:01:15,400 --> 00:01:18,319
anybody else would like to be an executive producer, it's

24
00:01:18,480 --> 00:01:21,319
super easy. Just go to our Patreon page. If you

25
00:01:21,400 --> 00:01:23,480
wanted to buy us a cup of coffee each month

26
00:01:23,480 --> 00:01:25,560
that costs about five bucks, and that's what you can

27
00:01:25,599 --> 00:01:28,799
get in on for these Patreon pages. And then there

28
00:01:28,840 --> 00:01:32,120
are more prizes and exciting things that come as you

29
00:01:32,200 --> 00:01:37,159
step up the contributions. But anybody who contributes is going

30
00:01:37,200 --> 00:01:39,560
to become one of our executive producers.

31
00:01:39,840 --> 00:01:42,200
Speaker 1: Thank you guys so much. And here we go with

32
00:01:42,239 --> 00:01:42,920
episode three.

33
00:01:44,560 --> 00:01:49,400
Speaker 2: Ingle Heart pick all of the tales in Western Civilization

34
00:01:49,719 --> 00:01:53,159
that have a love story and component have a guy

35
00:01:53,760 --> 00:01:57,200
saving a princess, right, yeah, absolutely part of it, so absolutely.

36
00:01:57,439 --> 00:02:00,959
And then we've got Death of Number two and lethal

37
00:02:01,000 --> 00:02:04,760
Weapon mister Joshua Mister Joshua, which is preceded by a

38
00:02:04,799 --> 00:02:09,719
fight scene, yes, which is really dumb. It's a little absurd,

39
00:02:09,879 --> 00:02:16,240
It's yes, it is. It's incredibly incredibly dumb, and I

40
00:02:16,319 --> 00:02:19,800
love watching it. It's every single time. It is like

41
00:02:20,479 --> 00:02:25,639
the oxygen tank in the mouth of Jaws. That's just absurd.

42
00:02:26,319 --> 00:02:29,639
But if you've come along this far along in the ride,

43
00:02:29,919 --> 00:02:32,280
you want that payoff, You're ready for it, and you

44
00:02:32,400 --> 00:02:37,000
buy in full tilt. You got Marta refusing refusing to

45
00:02:37,039 --> 00:02:40,400
follow the rules just so that Riggs can have his

46
00:02:40,680 --> 00:02:43,120
fisticuffs with mister Joshua.

47
00:02:43,280 --> 00:02:45,639
Speaker 1: Yes, but can you imagine coming to end of that movie,

48
00:02:45,680 --> 00:02:49,719
you have Special Forces Killer one, Special Forces Killer two

49
00:02:50,439 --> 00:02:53,840
and they arrest him and take him without a fight.

50
00:02:54,039 --> 00:02:55,840
Speaker 2: No way, right, right?

51
00:02:56,080 --> 00:02:59,759
Speaker 1: So Riggs asking for if he wants to shot the title.

52
00:03:01,840 --> 00:03:05,680
Speaker 2: So cowboy, it is so cowboy, so amazing, and the

53
00:03:05,800 --> 00:03:08,919
entire LA Police Department along with the helicopter say yeah,

54
00:03:08,919 --> 00:03:09,520
heck yeah.

55
00:03:09,360 --> 00:03:10,439
Speaker 1: Let's let these guys fight.

56
00:03:10,719 --> 00:03:13,199
Speaker 2: Yes, and then, of course it can't end with just

57
00:03:13,319 --> 00:03:16,319
a beat up. It's got to end with bullets, right, absolutely,

58
00:03:16,479 --> 00:03:19,479
bullets from both of our heroes. Yes, And then we

59
00:03:19,560 --> 00:03:24,919
have and die Hard, the twist ending the surprise return

60
00:03:25,000 --> 00:03:31,319
and resurrection of what we thought was the dead villain. Yes, Carl,

61
00:03:31,599 --> 00:03:34,960
And who is it that saves the day? Not Roy, No,

62
00:03:35,039 --> 00:03:35,719
absolutely not.

63
00:03:35,919 --> 00:03:37,520
Speaker 1: It's it's Al Palell.

64
00:03:37,759 --> 00:03:41,759
Speaker 2: Yeah, he has made his transition to he has become

65
00:03:41,840 --> 00:03:45,800
that thing that he was afraid of becoming again. Yep.

66
00:03:48,560 --> 00:03:51,479
Speaker 1: Listen, when I saw die Hard in the theater. Yeah,

67
00:03:51,680 --> 00:03:56,199
and I'm not exaggerating, people stood and cheered, Yeah, stood

68
00:03:56,240 --> 00:03:56,759
and cheered.

69
00:03:57,000 --> 00:03:57,879
Speaker 2: Yeah in a movie.

70
00:03:58,080 --> 00:03:59,919
Speaker 1: Yeah, when Al Powell pulled.

71
00:03:59,680 --> 00:04:02,400
Speaker 2: His guy yep, because it's freaking awesome. Right.

72
00:04:02,800 --> 00:04:05,280
Speaker 1: Oh, the guy.

73
00:04:05,120 --> 00:04:08,159
Speaker 2: Who you just think is the fat twinkie eating can't

74
00:04:08,199 --> 00:04:12,759
drive a car cop is ultimately the guy who saves

75
00:04:13,319 --> 00:04:17,120
the hero in the movie without a doubt. I love it. Yeah,

76
00:04:17,160 --> 00:04:19,279
I mean too. And that brings us to the end.

77
00:04:19,399 --> 00:04:24,759
Happy endings in both movies. Happy ending for die Hard.

78
00:04:24,879 --> 00:04:27,360
You get kiss in the window of the limo as

79
00:04:27,399 --> 00:04:30,759
they drive away into the sunset. I realize it's not

80
00:04:30,800 --> 00:04:32,360
into the sunset, but it looks like.

81
00:04:32,279 --> 00:04:35,480
Speaker 1: It, right, it could be, And you get that great

82
00:04:35,480 --> 00:04:38,279
line from Argyle. This is their idea of Christmas. I

83
00:04:38,439 --> 00:04:42,399
got to be here for New Year's right, while it's snowing, bear.

84
00:04:42,360 --> 00:04:44,480
Speaker 2: Bonds right because it doesn't snow in La.

85
00:04:44,480 --> 00:04:48,439
Speaker 1: No fantast it's fantastic now.

86
00:04:48,519 --> 00:04:52,800
Speaker 2: The ending for Leith a Weapon, unsurprisingly by Shane Black,

87
00:04:52,920 --> 00:04:54,759
was not supposed to be a happy ending. It was

88
00:04:55,040 --> 00:04:57,040
a parting of ways, we're not going to see each

89
00:04:57,079 --> 00:05:00,759
other anymore. But by the end of the movie they said,

90
00:05:01,160 --> 00:05:03,959
now we can't do that. We have to have we

91
00:05:04,040 --> 00:05:05,519
have to have the Hollywood ending.

92
00:05:05,759 --> 00:05:07,240
Speaker 1: They filled it. Did you see that scene?

93
00:05:07,279 --> 00:05:12,439
Speaker 2: Absolutely so. Yeah, it's depressing. It's depressing, yes, now, and

94
00:05:12,920 --> 00:05:15,759
Shane Shane Black is kind of big on this. You know,

95
00:05:15,920 --> 00:05:18,959
doesn't like the Hollywood endings, which is why Riggs dies

96
00:05:19,000 --> 00:05:20,920
at the end of his Lethal Weapon two script that

97
00:05:20,959 --> 00:05:21,439
he wrote.

98
00:05:21,519 --> 00:05:24,240
Speaker 1: Riggs gets shot nineteen times at the end of leath

99
00:05:24,319 --> 00:05:29,160
Weapon two and lives and worries about, you know, throw

100
00:05:29,160 --> 00:05:30,040
those cigarettes away.

101
00:05:30,319 --> 00:05:34,279
Speaker 2: What we do get is the moment where he hands

102
00:05:34,279 --> 00:05:38,519
the bullet over. Right, we realize that he does. He

103
00:05:38,560 --> 00:05:41,639
says it he doesn't need it anymore because at the

104
00:05:41,639 --> 00:05:44,800
beginning of the movie he was alone. He meets this guy.

105
00:05:44,879 --> 00:05:47,920
They're obviously at odds. They're bickering the whole movie, but

106
00:05:47,959 --> 00:05:50,399
by the end he has a new family.

107
00:05:50,519 --> 00:05:53,360
Speaker 1: He does, He's been adopted into the murtav family. He says,

108
00:05:53,360 --> 00:05:54,959
if you think I'm gonna eat the world's worst Christmas

109
00:05:55,000 --> 00:05:57,639
dinner by myself, you're crazy. And Rick says, I'll tell

110
00:05:57,639 --> 00:06:01,279
you a little secret. I'm not crazy. Yeah, it's great,

111
00:06:01,600 --> 00:06:05,000
love it. It's an ending with a Christmas bow on top.

112
00:06:05,160 --> 00:06:09,600
Speaker 2: Yeah. As a kid of the eighties, I like Hollywood endings,

113
00:06:09,959 --> 00:06:12,480
absolutely right. I don't want my hero to die at

114
00:06:12,480 --> 00:06:12,800
the end.

115
00:06:13,000 --> 00:06:16,279
Speaker 1: No, no, which is why we hated the Last Jedi.

116
00:06:18,600 --> 00:06:20,920
Speaker 2: Okay, so that does it for me. For the plot.

117
00:06:20,959 --> 00:06:21,680
You got anything else?

118
00:06:21,800 --> 00:06:23,240
Speaker 1: I mean, I got tia, but it's coming out of

119
00:06:23,240 --> 00:06:26,279
my mouth. Come all right, So here's a few things

120
00:06:26,279 --> 00:06:26,519
for you.

121
00:06:26,600 --> 00:06:27,199
Speaker 2: Okay. Yeah.

122
00:06:27,240 --> 00:06:30,639
Speaker 1: Did you know that Leonard Nimoy was originally supposed to

123
00:06:30,680 --> 00:06:31,879
direct weapon?

124
00:06:32,040 --> 00:06:32,279
Speaker 2: No?

125
00:06:32,519 --> 00:06:35,879
Speaker 1: Yeah, okay, so Leonard Nimoy ended up doing three minutes

126
00:06:35,920 --> 00:06:37,639
a baby instead of leth a weapon.

127
00:06:37,879 --> 00:06:39,720
Speaker 2: Oh okay, kind of interesting.

128
00:06:39,920 --> 00:06:40,120
Speaker 3: Right.

129
00:06:40,360 --> 00:06:40,839
Speaker 2: Yeah.

130
00:06:40,879 --> 00:06:44,439
Speaker 1: There's a point in the movie at the beginning Murta

131
00:06:44,560 --> 00:06:47,959
tells Riggs that Huntsacker saved his life in a certain

132
00:06:48,079 --> 00:06:49,160
battle in Vietnam.

133
00:06:49,480 --> 00:06:49,720
Speaker 2: Right.

134
00:06:49,800 --> 00:06:53,120
Speaker 1: Bill Gibson portrays this exact battle, and we were soldiers.

135
00:06:53,199 --> 00:06:54,439
Speaker 2: Yeah, that was it. We were soldiers.

136
00:06:54,639 --> 00:06:57,120
Speaker 1: Yeah, okay, I got something that's going to blow away.

137
00:06:57,319 --> 00:06:58,600
Speaker 2: Okay, Okay, here you go.

138
00:06:58,800 --> 00:07:01,639
Speaker 1: This is gonna blow you No, no, no, I got

139
00:07:01,639 --> 00:07:04,480
something that's gonna blow you a d Okay, this will

140
00:07:04,519 --> 00:07:06,079
blow your doors off.

141
00:07:06,360 --> 00:07:06,639
Speaker 2: Okay.

142
00:07:06,959 --> 00:07:10,639
Speaker 1: The burretta that Mel Gibson uses in this film is

143
00:07:10,680 --> 00:07:15,319
the same prop gun used in Die Hard that Bruce

144
00:07:15,319 --> 00:07:16,879
Willis tapes to his back.

145
00:07:17,120 --> 00:07:18,399
Speaker 2: What same gun?

146
00:07:18,839 --> 00:07:25,240
Speaker 1: No, same gun? Okay, according to my extensive internet research,

147
00:07:26,079 --> 00:07:26,680
same gun.

148
00:07:26,839 --> 00:07:30,160
Speaker 2: According to an obscure webs law.

149
00:07:32,839 --> 00:07:35,360
Speaker 1: Okay. A running gag in the Lethal Weapon movies, is

150
00:07:35,399 --> 00:07:41,720
the one two wait wait wait wait heys one, two,

151
00:07:41,959 --> 00:07:43,920
three and then go or one dude like three?

152
00:07:44,120 --> 00:07:45,360
Speaker 2: Right this running gag?

153
00:07:45,439 --> 00:07:48,160
Speaker 1: Part two, Yes, but it starts between Rigs and Merta

154
00:07:48,279 --> 00:07:51,279
and part two Yes, when Myrta is on the toilet, Yes,

155
00:07:51,360 --> 00:07:54,279
toilet bomb. But if you'll, if you'll go back to

156
00:07:54,319 --> 00:07:57,480
the beginning of Lethal Weapon, when they are singing Silent Night,

157
00:07:57,519 --> 00:08:00,480
when the cops are singing in Silent Night so bad

158
00:08:01,839 --> 00:08:04,480
they can't they can't figure out when they're going to start.

159
00:08:04,639 --> 00:08:08,519
Speaker 2: That's right, Yeah, that's right. I forgot I noticed that

160
00:08:08,600 --> 00:08:10,720
as I was watching it this most recent time. It

161
00:08:10,759 --> 00:08:13,480
wasn't until this most recent time. But they're like, wait, wait, wait.

162
00:08:13,399 --> 00:08:15,920
Speaker 1: Wait, the cops keep starting too soon.

163
00:08:16,000 --> 00:08:18,680
Speaker 2: Yeah right. A couple of things on Diehard that you

164
00:08:18,839 --> 00:08:26,839
may not know. Yes, Hans Booby, Hans Booby, I'm your

165
00:08:26,879 --> 00:08:35,039
White Knight improvised line by ellis totally so when you

166
00:08:35,120 --> 00:08:39,120
see Hans's reaction, when you see Alan Rickman's reaction, it's

167
00:08:39,240 --> 00:08:41,039
genuine because he was not expecting that.

168
00:08:41,720 --> 00:08:43,440
Speaker 1: I must have missed sixty minutes.

169
00:08:43,919 --> 00:08:44,639
Speaker 3: What are you saying?

170
00:08:46,120 --> 00:08:48,240
Speaker 1: Can we let's talk about Elis for one second Okay,

171
00:08:48,720 --> 00:08:54,240
he is the biggest sleeves ball. Huh cokehead, yep, scumbag. Right,

172
00:08:54,519 --> 00:08:56,519
here's something that I have a theory on. You ready

173
00:08:56,519 --> 00:08:59,720
for this? Yes, they make this big to do about

174
00:08:59,759 --> 00:09:03,399
elle us have. I mean they they crack open a coke,

175
00:09:03,480 --> 00:09:07,399
can pour it, fill it up, he's drinking it.

176
00:09:07,559 --> 00:09:07,879
Speaker 3: Uh huh.

177
00:09:07,879 --> 00:09:11,440
Speaker 1: Okay, yeah, here's what I'm thinking. Yeah, I think Ellis

178
00:09:11,480 --> 00:09:14,440
asked somebody there if they had any coke.

179
00:09:17,879 --> 00:09:20,639
Speaker 2: Probably right, that's probably.

180
00:09:20,200 --> 00:09:23,279
Speaker 1: Right, and they went and got him Coca cola.

181
00:09:23,519 --> 00:09:27,039
Speaker 2: Here's one for you. Okay, Okay. So they brought in

182
00:09:27,159 --> 00:09:30,960
Stephen Desuza to add additional lines, try to get some

183
00:09:31,080 --> 00:09:34,440
humor in there. Yep. He first meets Bruce Willis. They're

184
00:09:34,480 --> 00:09:37,159
only five years age difference. Stephens Desuza is five years

185
00:09:37,200 --> 00:09:40,440
older than Bruce Willis. Okay, and they start talking and

186
00:09:40,480 --> 00:09:43,600
they realized that they grew up in the same area. Oh,

187
00:09:43,639 --> 00:09:47,559
by the way, most German actor in this movie Bruce

188
00:09:47,600 --> 00:09:51,679
Willis because he was born in Germany, but he was

189
00:09:51,840 --> 00:09:55,399
raised in New Jersey, which is where Stephen de Seuzan

190
00:09:55,519 --> 00:09:58,679
was raised. They knew some of the same hangouts. They're

191
00:09:58,720 --> 00:10:01,200
having a good time. They start talking about old TV

192
00:10:01,279 --> 00:10:02,919
shows that they liked, and one of the old TV

193
00:10:03,000 --> 00:10:07,799
shows that they liked was Roy Rogers Call Me Roy. Yeah,

194
00:10:07,840 --> 00:10:10,279
and they both start talking about Yippi Kaya and how

195
00:10:10,360 --> 00:10:12,960
much they like that line, and the Susan says, I'm

196
00:10:12,960 --> 00:10:14,799
going to get that in the movie somehow. I want

197
00:10:14,799 --> 00:10:16,320
to get that in the movie. And so that's how

198
00:10:16,320 --> 00:10:21,559
you get the yep kya in the line that is fantastic. Yes,

199
00:10:21,679 --> 00:10:23,120
let's talk about that line for a second.

200
00:10:23,120 --> 00:10:26,200
Speaker 1: Okay, go ahead, Okay, we are a PG thirteen podcast.

201
00:10:26,240 --> 00:10:27,960
We're not going to say the big MF firs, so

202
00:10:28,000 --> 00:10:32,840
don't turn us off. But that line, Yeah, Bruce Willis

203
00:10:33,200 --> 00:10:36,159
drops it like a freaking atomic bomb.

204
00:10:36,240 --> 00:10:40,879
Speaker 2: Okay, so like whispered subtle brilliance.

205
00:10:42,519 --> 00:10:45,919
Speaker 1: He sprinkles f words throughout Diehard. Okay, they're all over

206
00:10:45,960 --> 00:10:48,919
the place, but this one is a freaking cruise missile, right,

207
00:10:49,519 --> 00:10:53,120
And he says it was such cool and such style. Yes,

208
00:10:53,639 --> 00:10:56,039
and it's one of the greatest movie lines of all

209
00:10:56,159 --> 00:11:04,320
time that I can't say on this podcast. Yes, Yippi kaye. Yeah,

210
00:11:04,480 --> 00:11:05,279
it's so good.

211
00:11:05,960 --> 00:11:08,480
Speaker 2: So at one point they had been filming all day,

212
00:11:08,720 --> 00:11:11,799
all day long. De Susan goes home as soon as

213
00:11:11,799 --> 00:11:13,320
he walks in the doors two o'clock in the morning.

214
00:11:13,360 --> 00:11:15,039
Soon as he walks in the door, Joel Silver calls

215
00:11:15,120 --> 00:11:17,600
him up and says, you got to come back. He's

216
00:11:17,639 --> 00:11:22,679
like what why? He goes These morons built the vents

217
00:11:22,840 --> 00:11:27,440
to spec so they had this whole plan that Bruce

218
00:11:27,440 --> 00:11:30,279
Willis is supposed to crawl through the vents, but instead

219
00:11:30,279 --> 00:11:32,600
of building them big enough for him to go through,

220
00:11:32,919 --> 00:11:35,840
they build them as normal size vents, which is why

221
00:11:35,879 --> 00:11:41,240
you have this tight enclosed moment. And so Desusa comes back,

222
00:11:41,440 --> 00:11:44,240
and that's where you get the line of come out

223
00:11:44,279 --> 00:11:47,279
to the coast. We'll get together, we'll have a few less.

224
00:11:48,000 --> 00:11:50,440
That one was Desusa and then the now I know

225
00:11:50,440 --> 00:11:52,200
what it feels like to be a TV dinner. That

226
00:11:52,320 --> 00:11:52,960
was Bruce.

227
00:11:52,679 --> 00:11:54,799
Speaker 1: Willis improv Wow, that's awesome.

228
00:11:55,559 --> 00:11:58,159
Speaker 2: Oh and and him getting into the vent that was

229
00:11:58,679 --> 00:12:01,360
I mean I watched that scene. There's no freaking way

230
00:12:01,360 --> 00:12:05,679
that any human being can fall that far and catch him.

231
00:12:06,039 --> 00:12:08,559
The stuntman was supposed to catch the vent before it

232
00:12:09,200 --> 00:12:09,879
he missed.

233
00:12:10,200 --> 00:12:14,080
Speaker 1: Here's the deal. The stuntman was supposed to grab that ledge. Yes,

234
00:12:14,399 --> 00:12:17,360
he slipped, fell hit the air bag like four stories down.

235
00:12:17,679 --> 00:12:18,879
Speaker 2: Oh, but they.

236
00:12:18,759 --> 00:12:21,799
Speaker 1: Cut in that quick.

237
00:12:20,960 --> 00:12:23,720
Speaker 2: Oh where he barely misses, like he hits it. But

238
00:12:23,759 --> 00:12:24,960
then you can tell.

239
00:12:24,759 --> 00:12:27,039
Speaker 1: That guy false. You can see it clears that he

240
00:12:27,120 --> 00:12:29,679
is plummeting. Yeah, and but they're like, no, we can

241
00:12:29,679 --> 00:12:30,279
still use that.

242
00:12:30,799 --> 00:12:33,480
Speaker 2: We'll just cut it that it. Yeah, cut to his fingers,

243
00:12:33,720 --> 00:12:35,559
to his fingers. Yeah, okay, that makes sense.

244
00:12:35,679 --> 00:12:38,879
Speaker 1: Hey, did you know there's one scene in particular Bruce

245
00:12:38,879 --> 00:12:41,559
Willis wears fake rubber feet.

246
00:12:42,279 --> 00:12:44,639
Speaker 2: Oh yeah, so that he can run across the glass.

247
00:12:44,759 --> 00:12:47,360
Speaker 1: Yeah, shoot the glass.

248
00:12:47,559 --> 00:12:50,600
Speaker 2: Why does he speak to him in English? They're both

249
00:12:50,720 --> 00:12:53,639
supposed to be German. He says something in German, Carl

250
00:12:53,759 --> 00:12:58,320
doesn't understand, and so then he says in English, shoot

251
00:12:58,320 --> 00:13:01,360
the glass. Because he's not talking to us. He's not talking,

252
00:13:01,639 --> 00:13:03,799
he's talking to the audience. Right, So good. I got

253
00:13:03,840 --> 00:13:06,639
to say that I love in both of these movies

254
00:13:06,960 --> 00:13:11,559
that you get your exposition through the arguments of the characters. Okay,

255
00:13:12,080 --> 00:13:14,600
Like that's an amazing thing. Like we talked about how

256
00:13:14,840 --> 00:13:17,679
in you know, we had a great exposition moment in

257
00:13:17,759 --> 00:13:22,600
Raiders because he's teaching the government guys about the arc, right,

258
00:13:22,799 --> 00:13:25,519
and so it's this opportunity, but he's I mean, it's

259
00:13:25,559 --> 00:13:28,559
an obvious exposition. He's telling a long story, it's not

260
00:13:28,600 --> 00:13:32,039
an argument. And the same thing with Back to the Future.

261
00:13:32,159 --> 00:13:37,039
You've got doc explaining time travel because they're document documenting

262
00:13:37,159 --> 00:13:40,759
everything with the TV. But with both of these movies,

263
00:13:40,799 --> 00:13:43,519
you don't have any of that one character telling a

264
00:13:43,559 --> 00:13:47,840
long exposition type of thing. It's all just an exchange,

265
00:13:48,080 --> 00:13:50,720
like them trying to you know, paper thin, right, this

266
00:13:50,960 --> 00:13:53,919
idea that there's something more going on than just a

267
00:13:53,960 --> 00:13:57,039
bad drug deal until the paper thin pays off. But

268
00:13:57,080 --> 00:14:01,360
it's always arguments between them. Yes, same thing in Diard.

269
00:14:01,720 --> 00:14:07,919
It's the arguments between Hans and John Roy or whatever.

270
00:14:08,480 --> 00:14:12,720
It's the arguments between Dwayne t. Robinson and John or

271
00:14:12,759 --> 00:14:17,320
Al Powell or those conversations that really informs the audience

272
00:14:17,360 --> 00:14:19,360
about what's going on. I just I thought that was

273
00:14:19,600 --> 00:14:21,440
a great way to write a script.

274
00:14:21,240 --> 00:14:22,840
Speaker 1: Skillful both circumstances.

275
00:14:22,960 --> 00:14:23,840
Speaker 2: Yes, okay.

276
00:14:24,039 --> 00:14:26,480
Speaker 1: A couple of little tidbits on Lethal Weapon. Danny Glever

277
00:14:26,600 --> 00:14:32,320
and Gary Busey appear again together in Predator two. Ye okay,

278
00:14:32,679 --> 00:14:34,159
here's one of the things I wanted to mention to you.

279
00:14:34,480 --> 00:14:39,600
There's a couple of setups in Lethal Weapon one that

280
00:14:39,679 --> 00:14:42,000
come to fruition and lethal Weapon two that I want

281
00:14:42,000 --> 00:14:43,639
to mention briefly and then maybe we can get into

282
00:14:43,639 --> 00:14:46,960
sequels a little bit. Yeah, there is a bumper sticker

283
00:14:47,000 --> 00:14:51,440
that's taped to the Murtaz refrigerator that says in apartheid

284
00:14:51,679 --> 00:14:56,000
in part two, the bad guys are South African. Also

285
00:14:56,279 --> 00:14:58,639
Riggs's wife Vicky Riggs.

286
00:14:58,799 --> 00:14:59,799
Speaker 2: Yes, Victoria Riggs.

287
00:14:59,840 --> 00:15:02,919
Speaker 1: Yeah, she was killed by the South African bad guys

288
00:15:03,159 --> 00:15:06,960
that you find out that far too, Yes, So yeah, okay,

289
00:15:07,240 --> 00:15:08,600
do we want to talk about sequels real quick?

290
00:15:08,639 --> 00:15:11,240
Speaker 2: Yeah, go ahead, let's talk about Seaquls. Here's an interesting thing,

291
00:15:11,279 --> 00:15:13,759
you know. I talked about how Bill and Ted face

292
00:15:13,799 --> 00:15:16,559
the music starts off kind of slow. Yes, I don't

293
00:15:16,600 --> 00:15:18,399
really think about it, but that kind of was the

294
00:15:18,440 --> 00:15:22,960
way movies started out until Leith A Weapon Too. Lethal

295
00:15:23,039 --> 00:15:25,679
Weapon Too is really if I'm looking back, it's the

296
00:15:25,840 --> 00:15:28,720
first movie that I can think of where you start

297
00:15:28,799 --> 00:15:31,559
in the middle of the action and it's fantastic.

298
00:15:31,639 --> 00:15:34,440
Speaker 1: It's not like you just start at adventure. You're in

299
00:15:34,480 --> 00:15:38,440
the middle of a car chase. Like the opening title sequence,

300
00:15:38,480 --> 00:15:42,720
Rigs is pounding the ceiling. I love this job. It's

301
00:15:43,279 --> 00:15:46,720
full throttle right out of the Gate. Leath the Weapon two.

302
00:15:46,559 --> 00:15:47,720
Speaker 2: Has a lot more humor.

303
00:15:48,320 --> 00:15:51,600
Speaker 1: It's it's leaning on that chemistry between those two actors,

304
00:15:52,240 --> 00:15:56,320
and it's absolutely fun. You still have Crazy Rigs. It's

305
00:15:56,320 --> 00:15:57,000
way more funny.

306
00:15:57,120 --> 00:15:59,600
Speaker 2: It's funny. It's certainly got its way. It's way dark

307
00:15:59,639 --> 00:16:02,120
in spot, you know. Yeah, I mean you've got got

308
00:16:02,159 --> 00:16:05,039
the death of the hot South African girl. Yeah. I

309
00:16:05,080 --> 00:16:06,840
can't remember her name. But anyway, which I.

310
00:16:06,840 --> 00:16:08,279
Speaker 1: Don't know if you know this or not, you can

311
00:16:08,519 --> 00:16:10,480
google deleted scenes for Leath Weapon.

312
00:16:10,279 --> 00:16:12,080
Speaker 2: Two show her mispronouncing her name.

313
00:16:14,039 --> 00:16:17,720
Speaker 1: Yes, it is her name, like five yes.

314
00:16:18,000 --> 00:16:18,320
Speaker 2: Yeah.

315
00:16:18,440 --> 00:16:22,080
Speaker 1: You could also see a original ending where she's having

316
00:16:22,320 --> 00:16:26,639
Thanksgiving dinner with Riggs and mertas she lived the first

317
00:16:26,639 --> 00:16:29,559
time through Oh Wow, but they changed it because they

318
00:16:29,600 --> 00:16:31,039
wanted Crazy Rigs to come out.

319
00:16:30,919 --> 00:16:32,919
Speaker 2: So I get great. Yeah, that's right, that's right.

320
00:16:33,000 --> 00:16:37,559
Speaker 1: Anyway, Leith the Weapon two, love it. Yeah, Leith Weapon three.

321
00:16:38,480 --> 00:16:42,279
Speaker 2: Fun with the one on gently No, that's four okay,

322
00:16:42,759 --> 00:16:44,519
that's the one where we get Renee Russo for the

323
00:16:44,519 --> 00:16:44,879
first time.

324
00:16:44,919 --> 00:16:48,080
Speaker 1: You get Renee Russo in part three she's introduced, but

325
00:16:48,440 --> 00:16:51,480
part two you get Leo gets introduced.

326
00:16:51,039 --> 00:16:55,240
Speaker 2: Which is Joe Pesci fantastic fantastic. Yeah.

327
00:16:55,240 --> 00:16:56,960
Speaker 1: When I asked my wife what her favorite part of

328
00:16:57,039 --> 00:16:59,120
Leith the Weapon was, yes, all she could tell me

329
00:16:59,200 --> 00:17:03,519
was Leo gets line. Right, okay, No, they have you

330
00:17:03,679 --> 00:17:07,599
in the drive through, yeah, okay, and then it progresses.

331
00:17:07,680 --> 00:17:11,240
So two three four you have jet Lee and.

332
00:17:11,160 --> 00:17:13,000
Speaker 2: You by the way, sorry before we go too far.

333
00:17:13,200 --> 00:17:16,920
That Leo Getz part was originally written for John Lovetts.

334
00:17:17,559 --> 00:17:21,240
I think character was based on something they saw on

335
00:17:21,279 --> 00:17:24,799
Three Amigos, John Lovett's part and Three Amigos. They saw

336
00:17:24,880 --> 00:17:27,799
that and that was the inspiration for Leo gets part.

337
00:17:28,160 --> 00:17:31,119
They wrote it for John Lovettz. Joe Eshy is edged indoor, I.

338
00:17:31,079 --> 00:17:33,720
Speaker 1: Remember love love love that character.

339
00:17:33,839 --> 00:17:34,160
Speaker 2: Yeah.

340
00:17:34,200 --> 00:17:38,160
Speaker 1: So two three four of Leeth Weapon, you yourself just said

341
00:17:38,200 --> 00:17:40,720
you can kind of missmash them because they're all great, right,

342
00:17:41,000 --> 00:17:42,799
I mean great is a strong, They're all fun.

343
00:17:42,920 --> 00:17:44,000
Speaker 2: Are we going to talk about five?

344
00:17:44,119 --> 00:17:44,920
Speaker 1: Let's talk about five.

345
00:17:45,119 --> 00:17:49,359
Speaker 2: Five is in the works. It's twenty twenty. Mel Gibson

346
00:17:49,440 --> 00:17:50,720
is sixty four years old.

347
00:17:51,200 --> 00:17:53,759
Speaker 1: What's Danny Glover? If he was fifty and eighty seven,

348
00:17:53,799 --> 00:17:55,000
that means he's eighty three.

349
00:17:55,200 --> 00:17:58,759
Speaker 2: Dick Donner is ninety and he's doing it.

350
00:17:58,880 --> 00:17:59,480
Speaker 1: Good for him.

351
00:18:00,119 --> 00:18:02,720
Speaker 2: For ear least web in five. Sure, I don't know

352
00:18:02,720 --> 00:18:04,920
what they're gonna do with it, but sure, let's do it.

353
00:18:05,000 --> 00:18:10,160
Speaker 1: Heck yeah, yeah, yes, more old. He was too old

354
00:18:10,160 --> 00:18:12,000
for it in eighty seven, and he's not too old

355
00:18:12,000 --> 00:18:15,839
for anym It's great. Yeah, okay die Hard sequels.

356
00:18:16,039 --> 00:18:18,240
Speaker 2: Okay, die Hard Part.

357
00:18:18,079 --> 00:18:21,920
Speaker 1: One one of the greatest action movies of all time.

358
00:18:22,240 --> 00:18:23,839
Speaker 2: Ar you believe the perfect action movie.

359
00:18:23,880 --> 00:18:24,960
Speaker 1: I'm not gonna argue against that.

360
00:18:25,079 --> 00:18:30,039
Speaker 2: Yeah. Part two good, good, very good. Again. You trade

361
00:18:30,039 --> 00:18:33,720
in your German mercenaries for your American mercenaries. You got

362
00:18:33,759 --> 00:18:36,519
a couple of bad guys to be concerned about. You've

363
00:18:36,559 --> 00:18:39,880
got the confined space again. It is right, Yes, I

364
00:18:39,920 --> 00:18:43,440
mean it is. It is another die Hard. It for

365
00:18:43,519 --> 00:18:44,079
sure is.

366
00:18:44,559 --> 00:18:47,319
Speaker 1: Yes, a step down, but who wouldn't step down from

367
00:18:47,359 --> 00:18:51,759
a ten? I mean it's it's still a very good movie. Yes, okay.

368
00:18:52,480 --> 00:18:54,640
Speaker 2: Part three, Diehard with the Vengeance.

369
00:18:55,200 --> 00:18:59,279
Speaker 1: It's good, and it's good. It's okay, it's okay. He's

370
00:18:59,319 --> 00:19:02,000
running around New York City trying to figure out clues.

371
00:19:02,319 --> 00:19:05,319
Simon says, this, do that and this that was written

372
00:19:05,440 --> 00:19:09,480
as a lethal weapon sequel. What Diehard with a Vengeance

373
00:19:09,559 --> 00:19:14,759
was originally written as a Lethal Weapons sequel. Oh my gosh, wow,

374
00:19:15,000 --> 00:19:17,880
So there you go. So Shane Black tells a story

375
00:19:17,960 --> 00:19:21,599
about going to he did the rewrites for Last Action.

376
00:19:21,720 --> 00:19:25,799
He wrote, okay, right, last movie that I walk out of, right, Yes.

377
00:19:25,880 --> 00:19:31,000
Speaker 2: And what I understand is John McTurnan rewrote the rewrites,

378
00:19:31,519 --> 00:19:34,160
which is why you have such a terrible movie. And

379
00:19:34,200 --> 00:19:37,359
so it comes out and obviously everybody felt about the

380
00:19:37,400 --> 00:19:39,920
same way that you did. Yeah, it was not a

381
00:19:39,960 --> 00:19:42,960
well received movie at all. And so they have their

382
00:19:42,960 --> 00:19:47,920
after party where everybody can't talk about the movie, like, well,

383
00:19:48,880 --> 00:19:55,160
food sure is good. So and so she Black tells

384
00:19:55,200 --> 00:19:58,519
the story of how he like after that is over,

385
00:19:58,599 --> 00:20:02,680
He and Arnold and John mcdernan are sitting there having

386
00:20:02,720 --> 00:20:05,079
a beer together. I just can't even imagine that, but

387
00:20:05,759 --> 00:20:09,440
talking about it, and basically they changed the subject to

388
00:20:09,559 --> 00:20:12,680
Diehard with a Vengeance and John mcnernon starts smiling again

389
00:20:12,720 --> 00:20:16,279
because he was totally defeated after Last Action. Hero did

390
00:20:16,319 --> 00:20:19,720
so badly, but he was he came back to direct

391
00:20:19,720 --> 00:20:20,759
Diehard with a Vengeance.

392
00:20:21,079 --> 00:20:22,359
Speaker 1: What about Diehard four and five?

393
00:20:22,480 --> 00:20:23,799
Speaker 2: I didn't even watch their crap.

394
00:20:24,240 --> 00:20:25,039
Speaker 1: Yeah they're crap.

395
00:20:25,279 --> 00:20:29,640
Speaker 2: Yeah, Well, here's what happens. He turns into the invincible hero. Right. Yeah,

396
00:20:29,279 --> 00:20:32,359
he went from a flawed hero which we love and

397
00:20:32,400 --> 00:20:37,599
can identify with, to Superman who it's it's not interesting.

398
00:20:37,680 --> 00:20:41,599
Speaker 1: The action was a sirt so sequels I definitely. Oh

399
00:20:41,680 --> 00:20:44,519
and Lethal Weapon has a TV show that was well

400
00:20:44,599 --> 00:20:47,039
received until the guy played Martin.

401
00:20:46,839 --> 00:20:50,000
Speaker 2: Riggs got fired. Yeah, that's that's the story for another day.

402
00:20:50,279 --> 00:20:53,960
Speaker 1: Right, But the sequels for Lethal Weapon are definitely stronger

403
00:20:54,000 --> 00:20:55,160
than the sequels for Diehard.

404
00:20:55,240 --> 00:20:58,720
Speaker 2: I think maybe my favorite sequel to die Hard right

405
00:20:58,759 --> 00:21:03,039
now is the Diehard commercial. That is where he crashes

406
00:21:03,079 --> 00:21:04,920
through the window and says, I'm gonna need one of

407
00:21:04,920 --> 00:21:10,640
those and then hops into the Great Man. It's great. Yes, Okay,

408
00:21:11,200 --> 00:21:14,279
little note on John mctarne. Did you know that he

409
00:21:14,440 --> 00:21:18,599
was arrested and then went to prison. So we're talking

410
00:21:18,640 --> 00:21:22,000
about one of the biggest directors of the eighties and nineties.

411
00:21:22,440 --> 00:21:26,559
He is potentially a guy who can call his own shot, right, Yeah,

412
00:21:26,599 --> 00:21:27,039
for sure.

413
00:21:27,359 --> 00:21:31,079
Speaker 1: So there's even after the last Action, even after.

414
00:21:30,920 --> 00:21:33,519
Speaker 2: The last Action Hero, he still got tired with a vengeance.

415
00:21:33,839 --> 00:21:36,200
He's still got a ton of movies to his credit.

416
00:21:36,920 --> 00:21:43,039
And then he hires this guy named Anthony Pelicano. He

417
00:21:43,640 --> 00:21:47,279
was a private investigator, also a fixer, also a really

418
00:21:47,319 --> 00:21:51,519
slimy guy, and was used by a lot of Hollywood

419
00:21:51,519 --> 00:21:53,599
folks and basically got a lot of dirt on aho

420
00:21:53,640 --> 00:21:56,519
lot of Hollywood folks as well. So he used him

421
00:21:56,640 --> 00:21:59,799
to spy on his wife whenever they were getting a divorce,

422
00:22:00,240 --> 00:22:02,440
and then he also called him back up again whenever

423
00:22:02,519 --> 00:22:06,119
he was directing the movie Rollerball, because he was worried

424
00:22:06,119 --> 00:22:09,480
that this producer on Rollerball was trying to sabotage him,

425
00:22:09,480 --> 00:22:11,839
and so he wanted to have this guy check and

426
00:22:12,039 --> 00:22:15,319
make sure he wasn't sabotaging him. Well, this guy's tactics

427
00:22:15,400 --> 00:22:20,279
were not legal in the strictest sense of the word,

428
00:22:20,799 --> 00:22:22,880
and he got in some big trouble with the FEDS,

429
00:22:22,920 --> 00:22:26,039
and so an FBI agent calls John mcturnaon and says, hey,

430
00:22:26,079 --> 00:22:29,200
have you ever used this Anthony Pelicana as a private investigator?

431
00:22:29,279 --> 00:22:32,119
John mcturn and says, yeah, I used him whenever I

432
00:22:32,279 --> 00:22:34,119
was going through my divorce. So I had him, you know,

433
00:22:34,160 --> 00:22:36,279
do some investigation of my wife. And they have the

434
00:22:36,519 --> 00:22:39,799
investigators like anything else, and John mturn says, no, that's

435
00:22:39,799 --> 00:22:43,640
a lie. That would be lying, that would be lying

436
00:22:43,680 --> 00:22:47,720
to a federal officer, which is a felony offense, and

437
00:22:47,799 --> 00:22:50,000
so ultimately I don't want to go into the big

438
00:22:50,079 --> 00:22:52,200
story of it, but you know, he agreed to do

439
00:22:52,279 --> 00:22:54,839
four months and then he withdrew it and then ended

440
00:22:54,920 --> 00:22:58,759
up doing twelve months in prison, filed for bankruptcy while

441
00:22:58,759 --> 00:23:01,920
he was in prison, and lost everything. I mean, it's gosh, huge,

442
00:23:02,039 --> 00:23:04,640
huge deal for this guy who's like at the top

443
00:23:04,640 --> 00:23:07,119
of the wave. I mean, it's just crazy that somebody

444
00:23:07,119 --> 00:23:09,400
at that position could lose it all. Its tragic.

445
00:23:09,559 --> 00:23:11,599
Speaker 1: It is the guy who directed Predator, the guy who

446
00:23:11,640 --> 00:23:14,960
directed Diehard, last Action Hero Huntred October. This guy went

447
00:23:14,960 --> 00:23:16,000
to jail and lost it all.

448
00:23:16,359 --> 00:23:18,920
Speaker 2: Okay, let's talk composers. Okay, before you do that.

449
00:23:18,960 --> 00:23:20,880
Speaker 1: I got one little titbit that I wanted to throw

450
00:23:20,880 --> 00:23:22,720
in and that I forgot to do it. The other day,

451
00:23:22,759 --> 00:23:26,720
when John is plucking glass out of his feet, al

452
00:23:26,759 --> 00:23:29,079
Pal is like, how you doing, and he makes the

453
00:23:29,079 --> 00:23:32,079
comment he says, all things being equal, I'd rather be

454
00:23:32,119 --> 00:23:35,319
in Philadelphia. Yes, okay, this I've heard this quote my

455
00:23:35,440 --> 00:23:38,279
entire life. I knew it was referencing something, but I

456
00:23:38,319 --> 00:23:40,039
didn't know until I started looking.

457
00:23:40,160 --> 00:23:41,799
Speaker 2: I know it. Okay, this is one of those things.

458
00:23:41,799 --> 00:23:43,839
This is the trivia card I would get. I know this.

459
00:23:43,839 --> 00:23:46,720
This is the last words a W. C. Fields. Yeah, yes,

460
00:23:47,000 --> 00:23:48,720
it's fantastic. So. W. C.

461
00:23:48,799 --> 00:23:52,039
Speaker 1: Fields was born and raised in Philadelphia and would often

462
00:23:52,079 --> 00:23:55,240
poke fun at his hometown. And basically the reference was

463
00:23:55,359 --> 00:23:59,640
the grave was just slightly worse than being in Philadelphia.

464
00:23:59,720 --> 00:24:02,599
But the interesting thing. So this is a famous W. C.

465
00:24:02,720 --> 00:24:06,559
Fields quote President Reagan. After he was shot, he wrote

466
00:24:06,599 --> 00:24:08,119
on a note they said how are you feel? And

467
00:24:08,160 --> 00:24:10,319
he said, all in all, I'd rather be in Philadelphia.

468
00:24:10,400 --> 00:24:14,160
Speaker 2: That fantastic. Okay, So let's talk composers. Okay, except that

469
00:24:14,240 --> 00:24:16,559
we're not going to talk composers. We're going to talk

470
00:24:17,039 --> 00:24:20,480
composer because it's the same guy for both movies. So

471
00:24:20,759 --> 00:24:26,599
Michael Kaman is a guy who has a huge library

472
00:24:26,680 --> 00:24:29,960
of film work. I mean, it's amazing. And he's not

473
00:24:30,000 --> 00:24:32,319
one of those ones that pops up like Con Zimmer

474
00:24:32,440 --> 00:24:35,359
or John Williams or any of those guys that I

475
00:24:35,400 --> 00:24:35,759
did not.

476
00:24:35,799 --> 00:24:37,799
Speaker 1: Know his name before we started looking into.

477
00:24:37,640 --> 00:24:40,240
Speaker 2: This, but it's huge. He's I mean, his music work

478
00:24:40,279 --> 00:24:43,359
is huge. And he was a guy who was classically

479
00:24:43,400 --> 00:24:46,160
trained but also just had a love for all kinds

480
00:24:46,160 --> 00:24:49,920
of music, and he did stuff with so many rock

481
00:24:49,960 --> 00:24:52,799
and roll artists. I don't think I could possibly list

482
00:24:52,880 --> 00:24:55,200
them all. Wanted to be a composer's whole life. But

483
00:24:55,279 --> 00:24:59,200
he started off arranging music with Pink Floyd for the

484
00:24:59,359 --> 00:25:05,039
movie The Wall. But he worked with Roger Waters, David Gilmore, Queen.

485
00:25:05,440 --> 00:25:07,640
He did the orchestration for Who Wants to Live Forever

486
00:25:08,000 --> 00:25:11,400
from Highland, was the composer for Highlander, worked with Eric

487
00:25:11,440 --> 00:25:16,720
Clapton Aerosmith. He did the live orchestral part for Dreamson.

488
00:25:17,519 --> 00:25:21,640
He worked with Bond Jovie. He worked with the Arrhythmics,

489
00:25:22,000 --> 00:25:26,599
Metallica on the Nothing Else Matters and their whole that

490
00:25:26,680 --> 00:25:28,759
whole live album that he did the ES and M

491
00:25:29,160 --> 00:25:31,839
He was the s part. He was the symphony for

492
00:25:31,920 --> 00:25:34,839
their Metallica's That's Fantastic.

493
00:25:35,000 --> 00:25:36,240
Speaker 1: Why have we not heard of this guy?

494
00:25:36,319 --> 00:25:38,160
Speaker 2: I don't know. I don't know. He passed away like

495
00:25:38,200 --> 00:25:41,519
in November eighteenth, two thousand and three, of a heart attack.

496
00:25:41,680 --> 00:25:43,960
But he got called on to work on leth a weapon,

497
00:25:44,000 --> 00:25:46,599
and he said, no, I'm not interested in action movies.

498
00:25:46,640 --> 00:25:48,640
I don't like action movies. I don't want to do them.

499
00:25:48,720 --> 00:25:51,119
And I think it might have been Eric Clapton. That

500
00:25:51,279 --> 00:25:54,160
persuaded him to become involved with the movie, because you've

501
00:25:54,200 --> 00:25:56,680
got two themes going on with leth a Weapon. You've

502
00:25:56,720 --> 00:26:03,799
got the sex theme, Sexy Sax, and you've got the

503
00:26:03,839 --> 00:26:10,160
guitar theme. So the sas theme is Roger Marta, the

504
00:26:10,200 --> 00:26:13,319
guitar theme is Martin Riggs. And then he goes on

505
00:26:13,440 --> 00:26:16,279
to do action movie after action movie after action movie.

506
00:26:16,359 --> 00:26:20,720
So after Lethal Weapon, he did Adventures and Babysitting.

507
00:26:20,720 --> 00:26:22,480
Speaker 1: Nobody gets out of Here without playing the Blues.

508
00:26:23,640 --> 00:26:28,000
Speaker 2: He did Renegades, he did License to Kill, he did Roadhouse,

509
00:26:28,039 --> 00:26:31,000
he did Lethal Weapon two, he did Die Hard Too.

510
00:26:31,440 --> 00:26:33,079
He did Nothing but Trouble.

511
00:26:33,960 --> 00:26:37,599
Speaker 3: He did Hudson Hawk, he did Robin Hood, Prince of Thieves.

512
00:26:38,039 --> 00:26:40,519
He did The Last Boy Scout, he did Tales from

513
00:26:40,559 --> 00:26:43,599
the Crypt, he did Lethal Weapon three, he did Last

514
00:26:43,640 --> 00:26:47,559
Action Hero, he did The Three Musketeers, he did Don

515
00:26:47,640 --> 00:26:48,240
Juan de Marco.

516
00:26:48,319 --> 00:26:50,200
Speaker 2: I mean it just goes on and on and on.

517
00:26:50,279 --> 00:26:53,319
I mean it's and then he in ninety five he

518
00:26:53,359 --> 00:26:57,319
did Mister Holland's Opus and oh yeah, you're a fan, right, yeah. Yeah.

519
00:26:57,640 --> 00:27:01,839
So after that he started his own foundation called Mister

520
00:27:01,880 --> 00:27:08,480
Holland's Foundation, that would provide used musical equipment for underprivileged. Yeah,

521
00:27:08,480 --> 00:27:10,319
it's great. You mentioned Eric Clapton.

522
00:27:10,519 --> 00:27:13,279
Speaker 1: Eric Clapton actually does play the guitar for the Leath

523
00:27:13,319 --> 00:27:14,640
of Weapon rigs theme.

524
00:27:14,799 --> 00:27:17,240
Speaker 2: Obviously he's got the Leath of Weapon theme. And then

525
00:27:17,279 --> 00:27:19,720
of course he did the music for Diehard as well,

526
00:27:20,000 --> 00:27:23,319
and it is I mean, we know it's Beethoven, right,

527
00:27:23,359 --> 00:27:23,680
we know.

528
00:27:23,640 --> 00:27:26,319
Speaker 1: It's absolutely joy, yes.

529
00:27:26,079 --> 00:27:28,599
Speaker 2: But I mean in order to do that, you have

530
00:27:28,640 --> 00:27:31,440
to be able to take that and not only cut

531
00:27:31,480 --> 00:27:34,079
it down, but slip it in and make it relevant

532
00:27:34,160 --> 00:27:36,759
to what's going on in the film. And he did

533
00:27:36,799 --> 00:27:42,559
it so well. I mean that music is perfect throughout.

534
00:27:42,680 --> 00:27:45,359
He uses it throughout the movie along with the little

535
00:27:45,400 --> 00:27:47,559
jingle bells to make sure that we remember that this

536
00:27:47,599 --> 00:27:48,599
is a Christmas movie.

537
00:27:48,599 --> 00:27:51,160
Speaker 1: Absolutely, yes, you know you talked about it at the

538
00:27:51,200 --> 00:27:54,480
beginning at the Christmas party. Yeah, there is a four

539
00:27:54,559 --> 00:27:57,319
piece orchestra at the Christmas party playing Ode to Joy.

540
00:27:57,359 --> 00:28:01,039
That's diegetic music, diagetic music again, and he does slip

541
00:28:01,039 --> 00:28:04,119
it in. He teases you with it, and then when

542
00:28:04,160 --> 00:28:07,480
they open the vault and Hans and theo are raiding

543
00:28:07,519 --> 00:28:11,240
the place, you get Oh to Joy a full tilt, right, it's.

544
00:28:11,119 --> 00:28:29,720
Speaker 2: Peak, Yes, at that peak moment, and then what does

545
00:28:29,759 --> 00:28:31,559
he say? Merry Christmas?

546
00:28:32,799 --> 00:28:34,559
Speaker 1: It's time. Okay, we've been waiting.

547
00:28:34,720 --> 00:28:37,960
Speaker 2: Yeah, it's talk about it now. So here's the deal.

548
00:28:38,400 --> 00:28:41,359
Speaker 1: We've been teasing this. I have my own battles with

549
00:28:41,400 --> 00:28:43,640
my sister. She and I go back and forth on this.

550
00:28:44,039 --> 00:28:45,960
I have a friend, Dana Smith. She likes to poke

551
00:28:46,039 --> 00:28:48,920
the bear when she teases me about this. Are these

552
00:28:49,000 --> 00:28:51,720
Christmas movies, d let's go they.

553
00:28:51,599 --> 00:28:55,880
Speaker 2: Are definitely Christmas movies. That's not just an opinion. We

554
00:28:55,960 --> 00:29:00,559
can we can establish this through empirical and nowalysis of

555
00:29:00,599 --> 00:29:03,319
the evidence in front of us. So, okay, despite the

556
00:29:03,359 --> 00:29:07,480
fact that Bruce Willis caused a stir about three years

557
00:29:07,480 --> 00:29:11,200
ago whenever he during his roast, he made this point

558
00:29:11,240 --> 00:29:14,480
of I only did this to say that this that

559
00:29:14,599 --> 00:29:19,480
die Hard is not a Christmas movie. Okay, I'll due respect, Bruce.

560
00:29:19,799 --> 00:29:22,000
You didn't write the movie, that's right. You know who

561
00:29:22,000 --> 00:29:25,200
wrote the movie, Stephen Stephen Dejesusan. You know what Stephen j.

562
00:29:25,240 --> 00:29:26,079
Susan says.

563
00:29:26,519 --> 00:29:28,160
Speaker 1: It's the greatest Christmas movie of all time.

564
00:29:28,279 --> 00:29:32,480
Speaker 2: Yes, and he even created a chart. He created a

565
00:29:32,599 --> 00:29:35,079
chart to prove his point and we'll go through that,

566
00:29:35,160 --> 00:29:38,119
and he just obviously he just has die Hard that

567
00:29:38,160 --> 00:29:41,079
he's taken off these points on. But let's look at

568
00:29:41,160 --> 00:29:44,279
both Leath the Weapon and die Hard and the movie

569
00:29:44,640 --> 00:29:47,599
White Christmas. Who know one, no one would argue that

570
00:29:47,640 --> 00:29:51,000
White Christmas is not a Christmas movie. But let's look

571
00:29:51,000 --> 00:29:53,680
at them all side by side. And you tell us,

572
00:29:53,720 --> 00:29:56,359
after this empirical analysis of the evidence in front of us,

573
00:29:56,599 --> 00:29:59,319
what you think. All right, let's go all right side

574
00:29:59,359 --> 00:30:04,680
by side, here we go. Okay, takes place during Christmas holiday.

575
00:30:05,039 --> 00:30:10,480
Die Hard, yes, takes place entirely during Christmas Eve, right, absolutely, Okay.

576
00:30:10,599 --> 00:30:14,680
Lethal Weapon takes place week at the most but clearly

577
00:30:15,000 --> 00:30:19,599
first scene is him buying Christmas trees when he makes

578
00:30:19,599 --> 00:30:22,839
his drug bust. Last scene is You're not gonna make

579
00:30:22,839 --> 00:30:25,759
me eat the worst Christmas dinner by myself, and so

580
00:30:25,960 --> 00:30:30,160
obviously it the whole movie takes place during the Christmas holiday. Yep,

581
00:30:30,359 --> 00:30:33,640
White Christmas final reel, only the rest of the movie

582
00:30:33,680 --> 00:30:36,759
does not take place during the Christmas holiday a all

583
00:30:36,839 --> 00:30:42,480
right setting, okay, die Hard obviously yes, Christmas part right, yep.

584
00:30:42,599 --> 00:30:47,000
But we know from the movie in Lethal Weapon that

585
00:30:47,279 --> 00:30:50,240
they are preparing for some sort of party, because they

586
00:30:50,240 --> 00:30:55,079
have the quartet of officers practicing singing Silent Nights, So

587
00:30:55,119 --> 00:30:57,839
there has to be some sort of event, which is

588
00:30:57,839 --> 00:31:00,799
why they're prepping for this, which, as you mentioned, was

589
00:31:00,920 --> 00:31:03,279
really the birth of is it do we go on

590
00:31:03,519 --> 00:31:05,480
three or do we go one two three? Then go?

591
00:31:05,720 --> 00:31:07,839
That's right, that was the birth of that. But still

592
00:31:08,119 --> 00:31:11,599
they're singing in preparation. They're practicing in preparation for something.

593
00:31:11,640 --> 00:31:15,440
So again, you have a Christmas party, White Christmas again

594
00:31:15,680 --> 00:31:16,599
only the final reel.

595
00:31:16,759 --> 00:31:18,880
Speaker 1: Okay, hold on one second before we move off from

596
00:31:18,880 --> 00:31:19,400
Silent Night.

597
00:31:19,519 --> 00:31:19,960
Speaker 2: Yeah.

598
00:31:20,039 --> 00:31:22,839
Speaker 1: Do you know the name of the composer of Silent Night?

599
00:31:23,039 --> 00:31:30,799
The original Austrian composer's name is Franz Gruber. No, yes,

600
00:31:31,400 --> 00:31:33,799
what Franz Gruber?

601
00:31:34,680 --> 00:31:38,480
Speaker 2: Wow? Oh my gosh.

602
00:31:38,799 --> 00:31:41,920
Speaker 1: That's the point, Diehard, that's really amazing.

603
00:31:42,000 --> 00:31:42,359
Speaker 3: All right.

604
00:31:42,559 --> 00:31:47,000
Speaker 2: So number of Christmas songs so far White Christmas is

605
00:31:47,039 --> 00:31:49,839
losing two out of two battles, right right, Okay, so

606
00:31:50,319 --> 00:31:54,960
number of Christmas songs in Lethal Weapon. We have the

607
00:31:55,000 --> 00:31:57,640
beginning song Jingle Rock, jing Bell Rock. We have the

608
00:31:57,759 --> 00:32:03,000
quartet of officers singing Silent Night. Yes, and we also.

609
00:32:03,319 --> 00:32:07,200
Speaker 1: Have what else you've got? The bugs Bunny Holiday special

610
00:32:07,400 --> 00:32:08,559
playing in the background.

611
00:32:08,640 --> 00:32:09,240
Speaker 2: That counts.

612
00:32:09,319 --> 00:32:11,680
Speaker 1: When Riggs is looking down the barrel of his own gun.

613
00:32:11,599 --> 00:32:15,799
Speaker 2: That counts. That counts. So die Hard has three. It

614
00:32:15,880 --> 00:32:19,519
has let it snow, It has Winter Wonderland, and it

615
00:32:19,559 --> 00:32:24,240
has Christmas in Hollis by run d MC and so

616
00:32:24,519 --> 00:32:28,000
three three, and what does White Christmas have? It has

617
00:32:28,359 --> 00:32:33,839
White Christmas and snow, and that's it again, three for three.

618
00:32:34,119 --> 00:32:37,920
White Christmas is losing to both die Hard and leave

619
00:32:37,960 --> 00:32:41,319
the Weapon as a Christmas movie. Now at this point,

620
00:32:41,680 --> 00:32:45,359
Steven DeSUS it gets a little bit weird. It gets

621
00:32:45,400 --> 00:32:47,759
like he's talking about the party venue being threatened and

622
00:32:47,839 --> 00:32:51,000
die Hard is by terrorists and White Christmas is by foreclosure.

623
00:32:51,319 --> 00:32:53,839
I think that just makes the point that Diehard's more exciting,

624
00:32:53,880 --> 00:32:56,359
not necessarily that it's a better movie. And then he

625
00:32:56,440 --> 00:32:58,640
mentions that, you know, the German ring leader is Hans

626
00:32:58,680 --> 00:33:01,400
Gruber and die Hard and a White Christmas is Hitler,

627
00:33:01,440 --> 00:33:03,720
And so the point goes to White Christmas on that one,

628
00:33:03,920 --> 00:33:08,559
again for weighty value, but not necessarily for Christmas. But

629
00:33:08,599 --> 00:33:11,640
if we're looking at Christmas stuff really, then what we

630
00:33:11,759 --> 00:33:14,200
have to look at this is the key christ like

631
00:33:14,279 --> 00:33:18,240
sacrifice leath a weapon. Mel Gibson is hanging by his

632
00:33:18,440 --> 00:33:23,200
hands after being tortured and refuses to talk in a

633
00:33:23,279 --> 00:33:27,519
sacrifice to save his partner and his daughter. Obviously at

634
00:33:27,559 --> 00:33:32,400
christ Like sacrifice for sure. John McLane, running barefoot across

635
00:33:32,440 --> 00:33:38,039
the glass, has his feet pierced in order to save

636
00:33:38,119 --> 00:33:41,400
his wife and the rest of the people. Again, obvious

637
00:33:41,920 --> 00:33:46,559
christ Like sacrifice. What's the sacrifice in White Christmas? Danny

638
00:33:46,640 --> 00:33:51,960
Kay has to upgrade Vera Ellen's train ticket. I'm going

639
00:33:52,039 --> 00:33:55,559
to say without question that both Leath a Weapon and

640
00:33:55,799 --> 00:34:01,319
die Hard beat White Christmas without any hesitation as Christmas movies.

641
00:34:01,400 --> 00:34:07,200
Speaker 1: This is not a fight, This is an execution. I've

642
00:34:07,200 --> 00:34:09,079
got a few other things to throw on the pile,

643
00:34:10,039 --> 00:34:14,159
all right. So die Hard is essentially about a husband

644
00:34:14,280 --> 00:34:17,400
and a wife desperate to get their family back together

645
00:34:17,519 --> 00:34:21,000
for Christmas. Yes, okay, Leath a Weapon, It's all about

646
00:34:21,039 --> 00:34:26,079
a family taking in someone without a family. It's an adoption, yep, Okay, Yeah,

647
00:34:26,320 --> 00:34:29,559
there are gifts given in Leath a Weapon. In Diehart, Okay,

648
00:34:29,840 --> 00:34:34,920
the gifts given in Diehart, the Rolex McLain gives his

649
00:34:35,079 --> 00:34:38,760
gun two hans Yeah okay, he then takes it immediately back.

650
00:34:38,840 --> 00:34:40,199
Speaker 2: Yeah. And no bullets.

651
00:34:40,320 --> 00:34:41,519
Speaker 1: Oh, no, bullets.

652
00:34:41,639 --> 00:34:43,239
Speaker 2: What do you think I'm having stupid hunks.

653
00:34:43,880 --> 00:34:47,639
Speaker 1: Okay, the bad guys give themselves the biggest Christmas present

654
00:34:47,719 --> 00:34:51,360
of the movie, and then McLain gives himself his own

655
00:34:51,400 --> 00:34:55,679
gun at the perfect time, wrapped with season greetings gift tape.

656
00:34:55,719 --> 00:34:58,800
Speaker 2: If that doesn't tell you Christmas, when when the camera

657
00:34:59,320 --> 00:35:03,239
pans back and you see a gun taped to his

658
00:35:03,400 --> 00:35:07,760
back with the tape saying seasons greetings on the tape

659
00:35:08,039 --> 00:35:12,199
and the music is going Jeans, it's fantastic. Yeah, tell

660
00:35:12,239 --> 00:35:15,119
me again, it's not a Christmas movie. Bruce Sleath a weapon.

661
00:35:15,159 --> 00:35:18,239
Speaker 1: At the end of Leath the weapon, Rigs gives Roger

662
00:35:18,519 --> 00:35:21,920
a gift wrapped hallow tip bullet, actually gives it's rheann.

663
00:35:22,079 --> 00:35:23,800
She's like, it's a bullet. He's like, yeah, it's a bullet.

664
00:35:23,840 --> 00:35:27,159
What he's saying is I'm not suicidal anymore, thanks to you. Right.

665
00:35:27,519 --> 00:35:28,840
That's Christmas spirit? Is it? Not?

666
00:35:29,079 --> 00:35:30,440
Speaker 2: Christmas? All over the place?

667
00:35:30,679 --> 00:35:33,119
Speaker 1: And then you have tons of Christmas reverences like twas

668
00:35:33,119 --> 00:35:36,159
the Night before Christmas, you know, THEO. Hans even says

669
00:35:36,400 --> 00:35:37,840
it's Christmas time, THEO it's the.

670
00:35:37,760 --> 00:35:38,599
Speaker 2: Time for miracles.

671
00:35:38,639 --> 00:35:40,920
Speaker 1: Yes, And then of course you have. Now I have

672
00:35:41,000 --> 00:35:45,440
a machine gun. Ho ho ho, with the Santa hat on,

673
00:35:45,519 --> 00:35:46,320
with the Santa hat on.

674
00:35:46,480 --> 00:35:48,480
Speaker 2: Absolutely, and then leath the weapon.

675
00:35:48,760 --> 00:35:51,960
Speaker 1: You've got Christmas lights, You've got the Christmas tree, You've

676
00:35:51,960 --> 00:35:53,079
got the Christmas.

677
00:35:52,760 --> 00:35:56,039
Speaker 2: Fight in the front yard. Oh wait, is that just

678
00:35:56,119 --> 00:35:58,960
my family? No, everybody has a Chris everybody has a

679
00:35:59,000 --> 00:36:00,119
front yard Christmas fight.

680
00:36:00,159 --> 00:36:06,400
Speaker 1: Everybody leave the weapon, has Christmas trees, caroling, presence, snow.

681
00:36:06,880 --> 00:36:08,639
Those girls were messing around with snow.

682
00:36:09,079 --> 00:36:13,079
Speaker 2: Yeah, and die Hard it's snowing the barons.

683
00:36:14,280 --> 00:36:18,039
Speaker 1: Absolutely music. As you said, John McLean's wife's name.

684
00:36:18,679 --> 00:36:19,360
Speaker 2: This is the key.

685
00:36:20,039 --> 00:36:20,599
Speaker 1: It's Holly.

686
00:36:20,880 --> 00:36:24,360
Speaker 2: It is so brilliant you you totally call that, and

687
00:36:24,400 --> 00:36:27,840
I can't believe I overlooked it. But knowing that you

688
00:36:28,000 --> 00:36:30,840
have to say, this is not only a Christmas movie,

689
00:36:30,920 --> 00:36:33,440
it is deliberately a Christmas movie.

690
00:36:33,719 --> 00:36:41,360
Speaker 1: Main themes of both movies family, love, joy, peace. Okay,

691
00:36:41,519 --> 00:36:42,960
are we ready to move to final judgment?

692
00:36:43,079 --> 00:36:44,159
Speaker 2: Let's do it? Okay?

693
00:36:44,559 --> 00:36:45,880
Speaker 1: Okay, am I going first?

694
00:36:46,079 --> 00:36:47,119
Speaker 2: You're going first?

695
00:36:47,239 --> 00:36:51,079
Speaker 1: All right, final judgment. I love both of these movies,

696
00:36:51,119 --> 00:36:53,239
and I can't stress that. I know I say that

697
00:36:53,320 --> 00:36:56,840
every time. Both of these movies are automatic watches. If

698
00:36:56,840 --> 00:36:58,800
I'm passing by the channel and I see Leath the Weapon,

699
00:36:58,800 --> 00:37:01,320
I'm stopping. If I see die Hard, I'm stopping. If

700
00:37:01,360 --> 00:37:03,639
I see die Hard, I'm stopping. I'm throwing my remote

701
00:37:03,679 --> 00:37:06,559
behind me. It's not I'm not changing the channel. Okay,

702
00:37:06,960 --> 00:37:10,559
it doesn't matter to me. Lethal Weapon is the best

703
00:37:10,800 --> 00:37:13,599
buddy cop and maybe the best movie of nineteen eighty seven,

704
00:37:13,719 --> 00:37:18,000
a movie packed full of Eighties gems. It's my favorite

705
00:37:18,039 --> 00:37:22,000
movie of nineteen eighty seven. Die Hard is in the

706
00:37:22,000 --> 00:37:26,400
conversation for best movie ever for me. Okay, so I

707
00:37:26,480 --> 00:37:30,119
do love wholeheartedly both of these movies. I love the

708
00:37:30,199 --> 00:37:34,239
Lethal Weapon franchise more, but I love die Hard as

709
00:37:34,280 --> 00:37:38,159
a standalone movie the most. For me, it's die Hard.

710
00:37:38,519 --> 00:37:39,920
Speaker 2: I feel like he kind of stole my thunder.

711
00:37:39,920 --> 00:37:43,559
Speaker 1: There's about time.

712
00:37:45,639 --> 00:37:47,360
Speaker 2: I just always wanted to say that. I mean, it's

713
00:37:47,400 --> 00:37:50,239
the end of the season here or done. I just

714
00:37:50,360 --> 00:37:56,519
wanted to be able to say it. Okay, Yeah, So

715
00:37:56,880 --> 00:38:02,400
two absolutely brilliant movies, without question. If they're on, I'm

716
00:38:02,440 --> 00:38:06,719
watching no hesitation. So the question is which one's better

717
00:38:06,800 --> 00:38:11,840
of these two amazing movies. Diehard is arguably the perfect

718
00:38:12,079 --> 00:38:16,880
action movie. It has little bits of action intermixed with

719
00:38:17,039 --> 00:38:22,159
comedy and story and struggles, and it is brilliant from

720
00:38:22,199 --> 00:38:26,559
beginning to end. Lethal Weapon is fantastic, but it has

721
00:38:26,599 --> 00:38:28,840
some flaws. The fight scene that you just mentioned, the

722
00:38:28,880 --> 00:38:33,079
holiday fight in the yard, that is ridiculous. That is

723
00:38:33,239 --> 00:38:38,320
just plain ridiculous. The suspense music as we're waiting and

724
00:38:38,559 --> 00:38:42,039
waiting and waiting for the cars to drive up in

725
00:38:42,079 --> 00:38:45,559
the desert is just unreal. I'm like, guys, I know

726
00:38:45,599 --> 00:38:47,280
you spend a lot of money on this shot, but

727
00:38:47,960 --> 00:38:49,800
you could have had this done about a minute and

728
00:38:49,840 --> 00:38:54,440
a half ago. Let's move on. And then the worst

729
00:38:54,480 --> 00:38:57,760
scene in the movie is at the very beginning where

730
00:38:58,679 --> 00:39:02,400
Roger Murtaz in the bathtub and his family comes in,

731
00:39:02,599 --> 00:39:05,599
and he doesn't hide the turtle head floating up out

732
00:39:05,639 --> 00:39:08,280
of the water. He just lets him sing Happy Birthday

733
00:39:08,719 --> 00:39:11,039
and gets a kiss from his daughter, and then sexy

734
00:39:11,119 --> 00:39:14,800
music starts playing. I don't know, that's just there are

735
00:39:14,840 --> 00:39:18,440
some things that just can't be excused in this movie,

736
00:39:18,599 --> 00:39:22,239
and so for that reason, I have to say Diehard

737
00:39:22,280 --> 00:39:25,400
wins as the better of these two movies. Now, you

738
00:39:25,480 --> 00:39:29,960
make an important point, franchise to franchise, Lethal Weapon wins

739
00:39:30,320 --> 00:39:34,599
hands down. Close. Leath the Weapon franchise is great. I

740
00:39:34,639 --> 00:39:37,280
can't wait to see what they do with five Richard

741
00:39:37,360 --> 00:39:41,119
Donners ninety and he's gonna do something amazing, I'm sure

742
00:39:41,119 --> 00:39:44,880
of it. Die Haard was pretty good after the second

743
00:39:44,880 --> 00:39:46,960
one was about the last good one. Really, I mean

744
00:39:47,440 --> 00:39:49,239
some people like the third one. I don't really care

745
00:39:49,320 --> 00:39:51,679
for it. And then he becomes this hero that you

746
00:39:51,719 --> 00:39:55,119
can't be, which was I mean, the whole reason we

747
00:39:55,159 --> 00:39:58,000
loved it was how human he was. And so I

748
00:39:58,039 --> 00:40:02,039
am disappointed with where die Hard wind So there, I

749
00:40:02,079 --> 00:40:04,960
am franchise the franchise. Lethal Weapon wins. But we're not

750
00:40:05,000 --> 00:40:08,519
comparing franchises. We're comparing the movies and moving to movie

751
00:40:08,719 --> 00:40:12,360
without question, die Hard wins today.

752
00:40:14,280 --> 00:40:20,679
Speaker 1: All the weather outside but the fire, so best Christmas

753
00:40:20,719 --> 00:40:21,360
movie of all time?

754
00:40:22,039 --> 00:40:23,559
Speaker 2: That might be pushing in a little bit.

755
00:40:24,079 --> 00:40:26,679
Speaker 1: Let us hear from you, guys, what is your favorite

756
00:40:26,719 --> 00:40:29,119
of these two die Hard versus Leath a Weapon. Tell

757
00:40:29,199 --> 00:40:30,119
us what your favorite.

758
00:40:29,920 --> 00:40:31,559
Speaker 2: Christmas movie is of all time? Yeah?

759
00:40:31,679 --> 00:40:33,719
Speaker 1: Maybe you're a Christmas vacation guy, or maybe you're an

760
00:40:33,719 --> 00:40:34,360
Elf guy.

761
00:40:34,360 --> 00:40:37,159
Speaker 2: Yeah or girl? Yeah, guys were at the end of

762
00:40:37,199 --> 00:40:41,639
season one, we've covered so many movies, so many albums,

763
00:40:41,679 --> 00:40:44,440
so much stuff. Write in and tell us what's your favorite.

764
00:40:44,519 --> 00:40:46,039
Right in and tell us what you want to see.

765
00:40:46,039 --> 00:40:48,039
We love hearing these things. We've got guys who have

766
00:40:48,079 --> 00:40:51,239
supported us on Patreon. We have got guys who communicate

767
00:40:51,280 --> 00:40:55,599
constantly with us via email, via Facebook, via Twitter, and

768
00:40:55,719 --> 00:40:58,559
we love it. Keep doing it. Come in, join the conversation.

769
00:40:59,039 --> 00:41:01,960
This is what we do for us to make connections

770
00:41:01,960 --> 00:41:02,679
with folks like you.

771
00:41:03,360 --> 00:41:07,639
Speaker 1: Jason, Merry Christmas, the Merry Christmas.

772
00:41:08,320 --> 00:41:11,559
Speaker 2: We will see you all next year. Let us know,

773
00:41:11,960 --> 00:41:17,880
let us know. We finally kiss good night. Oh I

774
00:41:18,000 --> 00:41:19,119
hate going out

