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<v Speaker 1>Joe Ascalante Live from Hollywood. By Hollywood, you mean Burbank.

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<v Speaker 1>I am here with engineer Sam and producer NICKI.

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<v Speaker 2>We are going to talk.

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<v Speaker 1>About the entertainment industry. This is two hours of the

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<v Speaker 1>business end of show business. But since this is a

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<v Speaker 1>podcast episode, because we're preempted once again by the National

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<v Speaker 1>Football League, we are just going straight through the stories

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<v Speaker 1>and your podcast company might add a commercial.

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<v Speaker 2>I don't know, Sam, can you hear me?

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<v Speaker 3>Yep, loud and clear.

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<v Speaker 1>How you doing, Joe, I'm good, good. I saw a

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<v Speaker 1>lot of movies. Nick Key's here too, she's saying movies.

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<v Speaker 1>And first, before we get to the movies, let's talk

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<v Speaker 1>a little bit about a couple of legal cases that

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<v Speaker 1>are going on right now. The one is very exciting

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<v Speaker 1>to me. It is the guy named M. Knight Chamalan Shamalayan.

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<v Speaker 1>How do you say that, Niki?

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<v Speaker 4>I think it's.

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<v Speaker 2>Did you really?

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<v Speaker 3>Yeah? M Knight Shamalama ding dong?

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<v Speaker 2>How old are you like seventy?

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<v Speaker 3>Yeah? Totally.

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<v Speaker 2>Well, he's getting I.

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<v Speaker 1>Have so many stories I'm gonna have to scroll around.

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<v Speaker 2>For this one. He's getting sued now.

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<v Speaker 1>I mean a lot of people get sued when someone

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<v Speaker 1>steals their movie or movie idea or a television idea.

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<v Speaker 1>But very rarely, almost never do these things go very far.

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<v Speaker 1>Someone throws it out or they settle. In this case,

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<v Speaker 1>the guy has they're in trial right now. They're in

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<v Speaker 1>riverside on. There's a trial going on. It is a trial.

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<v Speaker 1>It's from the plaintiff, this woman, filmmaker, Francesca Gregorini. That's

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<v Speaker 1>a pretty good name, right, Francesca Gregorini. She alleges that

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<v Speaker 1>the psychological horror series Servant copies elements from her twenty

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<v Speaker 1>thirteenth film The Truth About Immanuel. Both works feature narratives

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<v Speaker 1>where a grieving mother cares for a lifelike doll as

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<v Speaker 1>if it were a real child apple where Shyamalamaj Shyamalan

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<v Speaker 1>has his servant. They say that their project was independently

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<v Speaker 1>created by a guy named Tony Bascallap, who began developing

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<v Speaker 1>it in two thousand and five, pre dating Gregorini's film Okay,

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<v Speaker 1>this isn't aside. This guy starts this in two thousand

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<v Speaker 1>and five. It is now twenty twenty four and he's

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<v Speaker 1>barely got it off the ground, and then he gets

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<v Speaker 1>a big lawsuit. That is the entertainment business in a nutshell? Okay,

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<v Speaker 1>what was what was this guy bascalop doing that whole time,

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<v Speaker 1>just running around with this and other projects that are

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<v Speaker 1>going nowhere, and he finally got a break here and

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<v Speaker 1>then someone says, you stole.

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<v Speaker 2>It from me.

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<v Speaker 1>And they're also suing the director because he's famous m

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<v Speaker 1>Night Shayamalan. And the trial started on Tuesday. Okay, that's

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<v Speaker 1>guess where it is. It's in Riverside. Why I haven't

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<v Speaker 1>been not able to figure out. But Francesca Gregrini is

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<v Speaker 1>suing him an Apple for eighty one million dollars, a

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<v Speaker 1>legend that they stole key elements and that there would

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<v Speaker 1>be no servant without the truth about Emmanuel. Her attorney

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<v Speaker 1>is like, are showing you know clips of the of

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<v Speaker 1>her movie and his movie and this courthouse and Riverside.

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<v Speaker 2>These people are probably thrilled.

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<v Speaker 1>It's the biggest thing to happen in Riverside since that

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<v Speaker 1>new in and out. Now here's a problem. We've talked

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<v Speaker 1>about these cases. What do you need for an infringement case? Well,

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<v Speaker 1>I'll tell you you need substantial similarity and you need

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<v Speaker 1>one other thing.

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<v Speaker 2>What is it? Geis? Do you know I really don't

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<v Speaker 2>you need access something you find access access would be.

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<v Speaker 1>Let's say Francisca Gregorini wrote this film and then produced it,

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<v Speaker 1>but it never came out or it only showed in

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<v Speaker 1>Italian cinemas. Then he would have no access. These people

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<v Speaker 1>would know, they wouldn't know it existed. So if they

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<v Speaker 1>don't know it existed, we never charged someone infringement. It

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<v Speaker 1>would have to be a complete copy. And even then,

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<v Speaker 1>you know, it's like the room full of monkeys in

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<v Speaker 1>a with typewriters and eventually though bash out of Shakespeare

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<v Speaker 1>and drama. But it'll take millions of years by accident.

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<v Speaker 1>So did it happen by accident? Well we don't, you know,

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<v Speaker 1>we don't want. We don't live in a society that

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<v Speaker 1>wants to penalize someone if they came up with the

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<v Speaker 1>exact same thing, So they have to have access.

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<v Speaker 2>You can't.

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<v Speaker 1>But the more access you have, like if you were

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<v Speaker 1>like looking over the shoulder of Francesca Gregorini and you

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<v Speaker 1>put out something that's kind of similar, you would you

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<v Speaker 1>would be in trouble. But if you never ever, if

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<v Speaker 1>you came from another planet and you made something similar,

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<v Speaker 1>people would just say, that's just a coincidence. Now, have

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<v Speaker 1>you guys ever seen a movie about a reborn doll?

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<v Speaker 2>Yes, yeah, you've seen a few.

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<v Speaker 1>Okay, so that's the defense that m night Yamielan is saying. Look,

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<v Speaker 1>this is a movie about a reborn doll. Happens all

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<v Speaker 1>the time. You can't own that. You can't own facts.

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<v Speaker 2>I don't know.

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<v Speaker 1>I don't really know why they call it a fact,

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<v Speaker 1>but it's just like, but they're trying to, you know,

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<v Speaker 1>throw a copyright excuses into the mix.

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<v Speaker 2>Here, but it's it's not really a fact.

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<v Speaker 1>It's just like, well, I guess they're saying, dolls are

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<v Speaker 1>reborn in literature, all in all kinds of literature, and

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<v Speaker 1>she can't own that forever, and just say, I made

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<v Speaker 1>a movie in twenty thirteen about a reborn doll, so

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<v Speaker 1>no one can.

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<v Speaker 2>Ever do it.

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<v Speaker 1>So there has to be more than that. So now

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<v Speaker 1>they're going over in front of the jury, going through

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<v Speaker 1>all the programs and saying, is there more than just

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<v Speaker 1>the reborn doll here? Did they steal something like maybe

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<v Speaker 1>a character's name, or maybe a character's job or something

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<v Speaker 1>like that that could give evidence that they really stole it?

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<v Speaker 1>But how hard would it be to change those things

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<v Speaker 1>if you were really stealing it. So that's why these

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<v Speaker 1>things really never go anywhere, and they really only go somewhere.

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<v Speaker 1>If it's like maybe they were partners back in history

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<v Speaker 1>and they broke up and then one guy released it

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<v Speaker 1>and I says to mine and you were in my

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<v Speaker 1>office the whole time.

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<v Speaker 2>But in this one they are.

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<v Speaker 1>I don't think she's going to win. I'm surprised it

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<v Speaker 1>went this far. The reason why it went this far

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<v Speaker 1>is probably because Apple and SHAMAI Alon have terrible attorneys.

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<v Speaker 2>That's my guess.

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<v Speaker 1>And now that I've been, you know, in the high

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<v Speaker 1>stakes world of music for the last year, I've seen

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<v Speaker 1>some bad attorneys.

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<v Speaker 2>There's one other thing. Both sides. This is the interesting

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<v Speaker 2>thing about this case.

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<v Speaker 1>They're trying to both sides say that they came from

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<v Speaker 1>humble beginnings and the other people came from wealth. As

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<v Speaker 1>some part of the equation here, the one attorney noted

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<v Speaker 1>that Shayamalan's attorney said he was born in India and

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<v Speaker 1>raised in Philadelphia without any entertainment industry connections, and then

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<v Speaker 1>noted that Gregrini's father was an Italian count more privileged

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<v Speaker 1>than an Italian count, and count Shacula I think was

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<v Speaker 1>his name here. I don't know how to pronounce Chocula. Yeah,

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<v Speaker 1>and her mother was a bond girl. That's pretty elite

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<v Speaker 1>right there. And her stepfather, oh Ringo Starr, one of

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<v Speaker 1>the Beatles. That's a band. And uh, Emmanuel was partly

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<v Speaker 1>financed by a German princess, Tatiana von Furstenberg.

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<v Speaker 3>Yeah, I'm just picturing. I'm just picturing a count there

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<v Speaker 3>going one Lassu coming ah ah ah blah.

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<v Speaker 1>Cola Furstenberg is a fixture in New York. She's been around.

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<v Speaker 1>We have mutual friends. But this is gonna This is

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<v Speaker 1>great because they're gonna reach a verdict and this verdict

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<v Speaker 1>will will serve to clarify copyright cases infringement cases in

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<v Speaker 1>the future. We almost never get them, so that's why

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<v Speaker 1>this is kind of exciting. I'm going to go over

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<v Speaker 1>one more thing.

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<v Speaker 4>Well, actually, just to to add on to that really quick.

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<v Speaker 5>I don't know if you guys heard about the I

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<v Speaker 5>think it's the lawsuit happening because of Molana too. There

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<v Speaker 5>was someone who I guess had shown or shared parts

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<v Speaker 5>of their script with Disney before even Molana one, and

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<v Speaker 5>now they're suing for I think what ten billion dollars

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<v Speaker 5>over Mowana two similarities to I guess this film that

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<v Speaker 5>they were going to title Bucky the Wave Warrior that

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<v Speaker 5>has some.

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<v Speaker 4>Unique connections to Polynesian culture.

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<v Speaker 5>Now he didn't, I'm sure he did not invent Polynesian culture.

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<v Speaker 5>But I would be really curious to see how like

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<v Speaker 5>kind of an animated adventure style heartwarming Disney film script

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<v Speaker 5>would have similarities between you know that and Molana.

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<v Speaker 4>Well, that will be an interesting one to see.

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<v Speaker 1>I will be surprised if it goes anywhere, because they

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<v Speaker 1>never do. That's why this one is going somewhere. Now, Yeah,

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<v Speaker 1>I haven't heard of them Molana to one, but we'll

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<v Speaker 1>follow that. And then there's a couple of people came

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<v Speaker 1>to me, Oh yeah, I see them Mona two one. Yeah,

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<v Speaker 1>it's five days ago. This guy is like run around

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<v Speaker 1>ten billion. I mean that's just like irresponsible shooting for

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<v Speaker 1>ten billion. But there's the Disney movie read not just yeah,

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<v Speaker 1>I think it's well as Park Disney. Who's a pixel

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<v Speaker 1>Christmas movie, the Christmas movie about Red one or whatever,

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<v Speaker 1>Santa Claus gets kidnapped, whatever like that. They have to

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<v Speaker 1>bring in the government. That one someone came to me

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<v Speaker 1>and said, hey, look they stole my script. So if

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<v Speaker 1>a movie's success, but that was before the movie was successful.

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<v Speaker 1>It turned out to be pretty successful movie. Now, the

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<v Speaker 1>problem with the fun Furstenberg film financed film is that

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<v Speaker 1>they produced evidence of how much that it that it played,

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<v Speaker 1>you know, in theaters and it and it earned like

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<v Speaker 1>nine dollars.

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<v Speaker 4>Awesome. Yeah, I think the source that I found they

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<v Speaker 4>were sharing said nine dollars from one viewer.

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<v Speaker 1>Movie and it was probably the counts is I think

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<v Speaker 1>I got to watch this thing my money.

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<v Speaker 2>Okay.

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<v Speaker 1>So here's another story that I like, I want to

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<v Speaker 1>get to before we get to the movies. There's this

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<v Speaker 1>guy named James Dolan. He owns Madison Square Gardens, and

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<v Speaker 1>he's my new hero. He's the owner of the New

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<v Speaker 1>York Knicks and the Rangers. And he's under scrutiny for

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<v Speaker 1>using facial recognition technology at Madison Square Garden to ban

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<v Speaker 1>attorneys from firms engaged in lawsuits against his companies. This

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<v Speaker 1>policy has led to legal challenges and debates over its

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<v Speaker 1>ethical implications. Dolan's tenure has been marked by controversies. A

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<v Speaker 1>lot of people don't like him for various reasons. It's sports.

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<v Speaker 1>People hate people for whatever reasons. But what he's doing

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<v Speaker 1>is this lawyer said, there's a lawyer named Barbara Hart,

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<v Speaker 1>and she's part of a law firm called Grant and Eisenhoffer,

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<v Speaker 1>and they are suing MSG over some overpaid somebody overpaid

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<v Speaker 1>for the MSG cable network or whatever, and saying that

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<v Speaker 1>Dolan received unique benefits from the acquisition to the detriment

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<v Speaker 1>of stockholders. That's like a shareholder, sir, that's a nuisance

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<v Speaker 1>lawsuit if you ask me, from a disgruntled shareholders.

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<v Speaker 2>And he said that.

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<v Speaker 1>She said she attempted to do an attendant concert at

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<v Speaker 1>the garden in October twenty second, unaware that Madison Square

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<v Speaker 1>Garden had instituted a policy of banning lawyers at firms

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<v Speaker 1>currently suing the company.

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<v Speaker 2>While I'm at.

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<v Speaker 1>MSG, I was identified as a banned g and e.

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<v Speaker 1>Eisenhoffer attorney via facial recognition software. MSG employees stopped me

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<v Speaker 1>and asked for my ID. After I refuse to give

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<v Speaker 1>it to them, they correctly identified me as Miss Barbara Hart.

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<v Speaker 1>Come with me, please, yeap, escort it out of the

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<v Speaker 1>building where she belongs.

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<v Speaker 3>No Knicks basketball for you?

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<v Speaker 1>Wow?

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<v Speaker 2>Yeah, I mean to me, I don't know how you

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<v Speaker 2>guys feel. I like it.

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<v Speaker 4>I mean I feel like you know, parties have similar

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<v Speaker 4>door policies.

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<v Speaker 5>You know.

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<v Speaker 4>It's like, if you can't hang with me, you don't

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<v Speaker 4>get to come to my party.

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<v Speaker 5>So if the guy owns Madison Square Garden, I can

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<v Speaker 5>understand why he wouldn't want his haters to be uh

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<v Speaker 5>enjoying his awesome situation.

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<v Speaker 1>You know, he's using the only power he has as

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<v Speaker 1>a poor, humble arena owner to keep these people from dancing,

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<v Speaker 1>you know, just rubbing his face in these injunctions or

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<v Speaker 1>in these lawsuits. So he so it goes to court

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<v Speaker 1>and then one it's gone like back and forth through

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<v Speaker 1>the courts. But right now the courts are saying, all right,

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<v Speaker 1>you can't just those people. You can't throw them out

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<v Speaker 1>after you've already sold them tickets and use your facial

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<v Speaker 1>recognition stuff to throw them out, probably because they you know,

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<v Speaker 1>in the ticket, they had a right to it.

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<v Speaker 2>They bought the ticket. There was a right to attend.

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<v Speaker 1>It's kind of a license of a seat, and they

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<v Speaker 1>bought the license and they got to go in. But

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<v Speaker 1>the court said you could refuse to sell tickets. To

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<v Speaker 1>those people in the first place if you want, go ahead,

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<v Speaker 1>so you could tell them, hey, all you people suing me,

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<v Speaker 1>you're not coming to Madison Square Garden anymore. Now, someone

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<v Speaker 1>might say that has a chilling effect on those people's

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<v Speaker 1>right to sue, because it would hard to be hard

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<v Speaker 1>to get an attorney, because all those attorneys in New

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<v Speaker 1>York are they want to go to Knicks games.

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<v Speaker 2>So interesting. But still I like it.

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<v Speaker 4>Hey, I get it.

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<v Speaker 3>You know, that's a level of spite that I wish

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<v Speaker 3>I could achieve.

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<v Speaker 1>I I just I mean, there's I got a list

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<v Speaker 1>sam people that I would not let in my arena.

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<v Speaker 1>So and another thing before you get to the movies,

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<v Speaker 1>TikTok has been restored, so you can breathe a sigh

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<v Speaker 1>of relief.

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<v Speaker 2>Nikki.

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<v Speaker 1>It's very interesting that you was removed in the first place,

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<v Speaker 1>and both the President Biden and President Trump both wanted.

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<v Speaker 2>It not to be banned.

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<v Speaker 1>I remember we remember Trump used to say it's you know,

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<v Speaker 1>it's dangerous, but he now, I guess, wants it to

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<v Speaker 1>be sold to an American company. But he didn't want

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<v Speaker 1>to just take it off. I think nobody wants to

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<v Speaker 1>be the person that takes away young people's TikTok. So

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<v Speaker 1>but now Trump Yeah, it was.

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<v Speaker 4>Yeah exactly.

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<v Speaker 5>There's like a there's the I think the warning message

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<v Speaker 5>that announced that TikTok was being banned was changed. There

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<v Speaker 5>was one wording that came out first that was a

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<v Speaker 5>little bit more vague or just you know, just only

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<v Speaker 5>addressed the US ban.

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<v Speaker 4>And then the second.

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<v Speaker 5>Wording that was like an updated version of this band

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<v Speaker 5>message included President Trump in it.

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<v Speaker 1>You go to but he will be yeah, yeah, you

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<v Speaker 1>go to TikTok right now. It says President Trump did

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<v Speaker 1>this all a favor here, let's all celebrate him. So

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<v Speaker 1>President Trump is having quite a honeymoon even though his

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<v Speaker 1>term hasn't started. So people are hostages, are getting free

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<v Speaker 1>TikTok is back up, he's milking it. So, yeah, we

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<v Speaker 1>have There's one other thing that might that is a

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<v Speaker 1>little bit of an issue for some. I mean, any

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<v Speaker 1>issue with Trump is going to be an issue for

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<v Speaker 1>half the country. But it seems to me that it's

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<v Speaker 1>becoming less than half in a way, it just seems

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<v Speaker 1>like less than half. But there's still people that just

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<v Speaker 1>you know, hate this man and want to kill him.

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<v Speaker 1>As you know, when people you know tried already. Two

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<v Speaker 1>people tried to actually kill him. One got pretty close.

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<v Speaker 1>But there is some concern in the television world because

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<v Speaker 1>he has nineteen people that he has hired in his

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<v Speaker 1>new staff that are Fox News employees or formal employees.

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<v Speaker 1>So people are thinking, you know, how's this going to work.

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<v Speaker 1>They're preparing to cover for a government filled with former

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<v Speaker 1>network employees. Now the president and executive editor of Fox

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<v Speaker 1>News Media, He's emphasized the network's commitment to journalistic integrity,

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<v Speaker 1>stating that their newsroom operates independently of any political affiliations.

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<v Speaker 1>This development raises questions about the relationship between media organizations

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<v Speaker 1>and government, highlighting the movement of personnel between the two sectors.

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<v Speaker 1>And this has always been going on, Like the Biden spokesperson,

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<v Speaker 1>that one, that's Karine Jean Pierre. She came from MSNBC

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<v Speaker 1>and Jensaki is now in MSNBC.

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<v Speaker 2>So they both do it.

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<v Speaker 1>But it just seems like Trump really did it. I mean, everybody.

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<v Speaker 1>My Apello guy is now the Secretary of the Interior.

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<v Speaker 1>I heard.

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<v Speaker 2>You're not laughing at that. That's the best I have.

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<v Speaker 4>Sorry, you're you're who my Pello guy, the my pillow guy,

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<v Speaker 4>the Mypello guy.

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<v Speaker 2>Hey, come on, Nikki, Nikki, do you have a television?

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<v Speaker 2>You know I don't just watch movies. Yeah, okay, well

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<v Speaker 2>let me tell.

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<v Speaker 4>You the movies and and tiktoks.

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<v Speaker 1>You know that, well, you know they You're lucky because

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<v Speaker 1>if you did watch cable like I do, you'd have

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<v Speaker 1>to you'd be bombarded with commercials form mypellow dot com.

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<v Speaker 1>And uh so it's con He's constantly on Fox selling

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<v Speaker 1>is my pellow dot com pillows?

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<v Speaker 4>Oh see cultural cultural divide here.

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<v Speaker 1>Yes, there's a cultural divide. The Mypello guy is uh

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<v Speaker 1>now in the cabinet. Hilarious, Joe, Okay, never mind, all right,

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<v Speaker 1>let's go to the movies.

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<v Speaker 2>Number one at the movies this week? Yes, do you

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<v Speaker 2>want want to guess?

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<v Speaker 4>Enlighten us?

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<v Speaker 2>What do you say? I said?

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<v Speaker 4>Enlighten us?

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<v Speaker 2>Oh, enlighten you? Okay?

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<v Speaker 1>Yeah, Sam, do you have a guest number one movie

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<v Speaker 1>of the week?

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<v Speaker 3>I have no guests whatsoever right now. I BET's probably

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<v Speaker 3>the same one as last week.

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<v Speaker 1>It isn't.

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<v Speaker 2>It's kind of a surprise. One of them days.

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<v Speaker 1>This comedy the best friends Drew and Alyssa are about

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<v Speaker 1>to have one of them days when they discover Alissa's

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<v Speaker 1>boyfriend has blown their rent money. The duo finds themselves

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<v Speaker 1>going to extremes in a comical race against the clock

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<v Speaker 1>to avoid eviction and keep their friendship intact. It's just

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<v Speaker 1>two black female comedies, just comedians, and they've they're tearing

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<v Speaker 1>up the box office. It must be hilarious. That's what

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<v Speaker 1>I'm saying.

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<v Speaker 4>Is that the one with Keiky Palmer?

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<v Speaker 3>And this is a yeah, it is yeah.

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<v Speaker 4>I do actually really want to see that one.

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<v Speaker 1>Palmer. How do you pronounce the other person? You know?

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<v Speaker 4>It's so funny.

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<v Speaker 5>I loved her music when I was in high school,

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<v Speaker 5>and I had no clue how to pronounce her name.

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<v Speaker 5>And then one night I had a dream where like

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<v Speaker 5>in the dream, she like sits me down and she

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<v Speaker 5>explains it's pronounced sizza, and then I woke up and

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<v Speaker 5>it was correct.

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<v Speaker 1>Okay, So there you go. That's the that's the only

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<v Speaker 1>girl's dream that's ever been told to me that actually

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<v Speaker 1>benefited me and didn't waste a good portion of it.

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<v Speaker 1>Thank you.

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<v Speaker 2>Okay.

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<v Speaker 1>So that's number one New movie Number one. Number two

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<v Speaker 1>Mufasa people Love It Making Money. Number three is Wolfman

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<v Speaker 1>from Universal four, Sonic The Hedgehog, Narber five, Dinneres Part two,

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<v Speaker 1>Pantera number six at Mohana two, which is now like

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<v Speaker 1>another billion dollar movie for Disney. So all the people

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<v Speaker 1>that are saying Disney's Studios going downhill and they're gonna

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<v Speaker 1>dry up, they're making money. They got Mufasa and they

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<v Speaker 1>got Mohana in the top ten right now. Noseratu from

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<v Speaker 1>Focused Features tried to see that, but it just didn't

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<v Speaker 1>work out. A complete unknown. I'm doing documentary number eight,

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<v Speaker 1>number nine, wicket number ten, Baby Girl, and then there's

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<v Speaker 1>a tie for number eleven and number twelve. Maybe we're

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<v Speaker 1>gonna call it flow. Let's talk about flow. Anyone see flow?

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<v Speaker 1>What is slow?

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<v Speaker 4>I had not?

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<v Speaker 2>Flow?

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<v Speaker 1>Is the movie about is a movie, an animated feature

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<v Speaker 1>about a cat from Janis Films that survives like an

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<v Speaker 1>apocalypse of some kind. They don't really explain it because

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<v Speaker 1>it's about animals and what happens. There's the kind of

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<v Speaker 1>a utopian situation going on and there's only animals left

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<v Speaker 1>and they don't talk. So the animals, it's a movie

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<v Speaker 1>cartoon of the animals that don't talk.

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<v Speaker 2>Have you ever seen that? It can't talk?

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<v Speaker 4>It looks really cute.

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<v Speaker 1>Oh, it's the best. It's a great movie. It's pretty short,

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<v Speaker 1>so it would be nice to see it in a theater,

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<v Speaker 1>but I don't think.

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<v Speaker 5>You have to.

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<v Speaker 2>I did.

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<v Speaker 1>I broke my rule and I left the cinemak world

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<v Speaker 1>and went to the AMC World in the Long Beach.

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<v Speaker 2>Have you ever been there?

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<v Speaker 1>Oh?

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<v Speaker 5>My god?

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<v Speaker 2>And it's wild and I saw it there.

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<v Speaker 1>It was super fun. Wild Robot still hanging in there

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<v Speaker 1>in the top fifteen. A couple other movies that I saw,

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<v Speaker 1>and we'll talk about like Conclave on Nora. We don't

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<v Speaker 1>need to talk about that, we already have and September five,

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<v Speaker 1>So Nikki, let's start with you. Let's start with Sam,

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<v Speaker 1>since we know he didn't see a movie because he's

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<v Speaker 1>got all these kids. Sam, what movies did you see

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<v Speaker 1>this week?

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<v Speaker 3>None? Thank you very much. I saw Ostriches yesterday. Actually

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<v Speaker 3>you saw what I saw Ostriches. I went to an

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<v Speaker 3>ostrich farm yesterday.

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<v Speaker 5>Oh, I was like, when did that come out?

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<v Speaker 1>Yeah? Actual actual animals and the outdoors.

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<v Speaker 2>You okay?

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<v Speaker 1>Where Nikki? What did you deprive yourself of Vitamin D

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00:24:03.880 --> 00:24:08.400
<v Speaker 1>this week by watching? So you usually watched like classic

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<v Speaker 1>movies and old movies and things like this.

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<v Speaker 4>Yeah, this week was a little This week was a

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<v Speaker 4>little busy.

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<v Speaker 5>So I only did a rewatch of The Substance with

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<v Speaker 5>a handful of my friends who all had not seen

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<v Speaker 5>it yet, and I went to the AMC at the

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<v Speaker 5>Glendale Galleria.

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<v Speaker 4>I have to say I was shocked at the audience.

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<v Speaker 4>They were so rowdy and ridiculous.

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<v Speaker 5>I I my friends and I I mean, hey, we're

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<v Speaker 5>all film students, so maybe we just have a little

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<v Speaker 5>more respect for the cinema than the average joe.

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<v Speaker 4>But these people were like hooting and hollering and going like,

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<v Speaker 4>oh no, she didn't.

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00:24:46.119 --> 00:24:47.319
<v Speaker 2>At Oh no she did.

428
00:24:48.039 --> 00:24:49.960
<v Speaker 4>No. I'm like, yeah she did, like be quiet and

429
00:24:50.119 --> 00:24:52.680
<v Speaker 4>acknowledged that she did. Okay, what the hell?

430
00:24:54.240 --> 00:24:57.200
<v Speaker 5>So I was like, yeah, she did everything quiet, and

431
00:24:57.400 --> 00:25:02.079
<v Speaker 5>like they were being so ridiculous. If they're like especially

432
00:25:02.119 --> 00:25:05.400
<v Speaker 5>with the naked bodies, I'm like, can you please just

433
00:25:05.480 --> 00:25:08.559
<v Speaker 5>be chill about this and not make it some meme

434
00:25:08.680 --> 00:25:11.000
<v Speaker 5>or joke in your head because you just can't handle

435
00:25:11.359 --> 00:25:15.160
<v Speaker 5>a little bit of artistic, you know, expression that maybe

436
00:25:15.279 --> 00:25:16.960
<v Speaker 5>challenges you for a second, but you have to you

437
00:25:17.039 --> 00:25:17.400
<v Speaker 5>just have to.

438
00:25:17.400 --> 00:25:17.960
<v Speaker 4>Crack a joke.

439
00:25:18.160 --> 00:25:21.839
<v Speaker 5>And there were three people on their phones taking pictures

440
00:25:21.960 --> 00:25:24.519
<v Speaker 5>or videos of the screen, and people were yelling in

441
00:25:24.519 --> 00:25:26.880
<v Speaker 5>the audience, off your phone, we can see your phone.

442
00:25:27.759 --> 00:25:30.039
<v Speaker 4>I was like, if you, if you really need to

443
00:25:30.079 --> 00:25:32.079
<v Speaker 4>be addicted to that thing, like, get out of the theater.

444
00:25:32.160 --> 00:25:33.200
<v Speaker 4>This is so ridiculous.

445
00:25:33.640 --> 00:25:35.799
<v Speaker 5>There was even a guy next to me who was

446
00:25:35.880 --> 00:25:38.599
<v Speaker 5>going like not even just laughing at every scene, He's going,

447
00:25:38.920 --> 00:25:41.839
<v Speaker 5>oh my god, oh I can't believe it.

448
00:25:41.960 --> 00:25:42.480
<v Speaker 2>Ahahaha.

449
00:25:42.640 --> 00:25:44.720
<v Speaker 4>At every scene. I'm like, Okay, not only is it

450
00:25:44.799 --> 00:25:49.440
<v Speaker 4>a horror movie, but it's like I don't it's it's

451
00:25:49.480 --> 00:25:53.480
<v Speaker 4>too it's too good for this behavior. I was so displeased.

452
00:25:53.559 --> 00:25:55.279
<v Speaker 4>I felt like a sorry.

453
00:25:55.319 --> 00:25:57.480
<v Speaker 5>I felt like a boomer in this moment, a real

454
00:25:58.839 --> 00:26:01.240
<v Speaker 5>I felt like I was aging my I was like,

455
00:26:01.319 --> 00:26:02.880
<v Speaker 5>two young people don't know anything.

456
00:26:03.559 --> 00:26:04.000
<v Speaker 2>I don't.

457
00:26:05.880 --> 00:26:08.920
<v Speaker 1>I don't approve of that. And and that's why I

458
00:26:09.039 --> 00:26:11.720
<v Speaker 1>picked my theater. My theater doesn't have that a lot

459
00:26:11.799 --> 00:26:15.680
<v Speaker 1>of it. It's it's mostly if there was one group

460
00:26:16.160 --> 00:26:19.680
<v Speaker 1>that you could like identify that sees movies at my theater,

461
00:26:19.759 --> 00:26:24.640
<v Speaker 1>it's young Vietnamese kids, and they're you know, they're just

462
00:26:24.759 --> 00:26:28.039
<v Speaker 1>very quiet in general. They're quiet people. And then there's

463
00:26:28.079 --> 00:26:30.839
<v Speaker 1>some old people and they're quiet and there's not much

464
00:26:32.119 --> 00:26:36.960
<v Speaker 1>teenage routiness going on at the Beltara in Huntington Beach.

465
00:26:37.920 --> 00:26:43.160
<v Speaker 1>But in their defense, I'm going to say this, that

466
00:26:43.359 --> 00:26:47.880
<v Speaker 1>movie was very interesting. What do we call it, like

467
00:26:47.920 --> 00:26:49.000
<v Speaker 1>a psychological thriller?

468
00:26:49.160 --> 00:26:49.839
<v Speaker 4>Is that we were sure?

469
00:26:50.599 --> 00:26:52.920
<v Speaker 2>Okay, so it's a classic psychological.

470
00:26:52.440 --> 00:26:56.559
<v Speaker 1>Thriller until the last half hour when it becomes a

471
00:26:56.799 --> 00:27:01.359
<v Speaker 1>teenage gore horror movie that does attract people that are

472
00:27:01.400 --> 00:27:03.920
<v Speaker 1>gonna yell at the screen. So that was that guy's choice.

473
00:27:04.119 --> 00:27:06.200
<v Speaker 1>That was an amazing movie until that last part and

474
00:27:06.200 --> 00:27:09.759
<v Speaker 1>then you're like, what what am I watching? It got

475
00:27:09.799 --> 00:27:11.480
<v Speaker 1>it got over the top, and I think word got

476
00:27:11.519 --> 00:27:13.680
<v Speaker 1>out and said let's go see this movie and get crazy.

477
00:27:14.680 --> 00:27:17.359
<v Speaker 5>Yeah, I mean I understand during the last scene, like

478
00:27:17.480 --> 00:27:20.440
<v Speaker 5>the third act, where you know, it goes from being

479
00:27:20.480 --> 00:27:25.559
<v Speaker 5>kind of psychological and they're being suspenseful moments and some

480
00:27:25.759 --> 00:27:29.720
<v Speaker 5>stakes to just all out mayhem. That is okay to

481
00:27:29.839 --> 00:27:32.519
<v Speaker 5>laugh at because it is truly so bizarre that I

482
00:27:32.559 --> 00:27:36.480
<v Speaker 5>can understand the comedic element, okay, but like nothing else

483
00:27:36.839 --> 00:27:40.359
<v Speaker 5>until that point is worth really like lolling about, which

484
00:27:41.119 --> 00:27:43.559
<v Speaker 5>just I think I was like huffing and puffing, just

485
00:27:43.799 --> 00:27:45.400
<v Speaker 5>so irritated.

486
00:27:44.960 --> 00:27:49.400
<v Speaker 2>By the whole thing, come to come to adulthood.

487
00:27:50.000 --> 00:27:53.079
<v Speaker 4>Yeah, but I could feel my prefrontal cortex just like hardening.

488
00:27:53.519 --> 00:27:54.119
<v Speaker 3>In that moment.

489
00:27:54.240 --> 00:27:57.839
<v Speaker 5>I was like, I'm really coming into myself here then

490
00:27:57.880 --> 00:27:59.039
<v Speaker 5>out of whatever the hell that was?

491
00:28:00.039 --> 00:28:00.519
<v Speaker 2>Did you see?

492
00:28:01.119 --> 00:28:03.400
<v Speaker 1>Did you see any So if you want to see

493
00:28:03.519 --> 00:28:07.119
<v Speaker 1>the substance, don't go to the Glendale Galleria. What's the

494
00:28:07.319 --> 00:28:08.200
<v Speaker 1>is that an AMC.

495
00:28:08.519 --> 00:28:10.640
<v Speaker 4>Or it was an AMC and the first time I

496
00:28:10.720 --> 00:28:10.960
<v Speaker 4>saw it.

497
00:28:11.079 --> 00:28:13.839
<v Speaker 5>This is actually I can recommend seeing it at the

498
00:28:13.920 --> 00:28:16.240
<v Speaker 5>Culver City Theater because that's where I saw it the

499
00:28:16.319 --> 00:28:20.039
<v Speaker 5>first time in October. It's right next to an arawon

500
00:28:20.480 --> 00:28:25.599
<v Speaker 5>and also a like skin or dermatology clinic that does

501
00:28:25.720 --> 00:28:29.680
<v Speaker 5>botox and other crazy facials and whatever. And so walking

502
00:28:29.799 --> 00:28:32.960
<v Speaker 5>by the Arawon and then also by that and by

503
00:28:33.000 --> 00:28:35.480
<v Speaker 5>the way, like that one skincare clinic looks a lot

504
00:28:35.640 --> 00:28:36.839
<v Speaker 5>like the bathroom in the substance.

505
00:28:37.279 --> 00:28:38.359
<v Speaker 4>So with my boyfriend and I.

506
00:28:38.839 --> 00:28:40.400
<v Speaker 5>When we went to go watch it, we like looked

507
00:28:40.440 --> 00:28:43.200
<v Speaker 5>at both of those buildings and had our fun poking

508
00:28:43.279 --> 00:28:46.200
<v Speaker 5>at them. Right, But after leaving the substance quite disturbed,

509
00:28:46.279 --> 00:28:48.759
<v Speaker 5>we had to pass by them again and that was

510
00:28:49.279 --> 00:28:51.799
<v Speaker 5>a nice little add on going like, oh no, get

511
00:28:51.839 --> 00:28:54.359
<v Speaker 5>out of there, you know, all.

512
00:28:54.279 --> 00:28:56.480
<v Speaker 1>Right, Well, I know you have to go soon, So

513
00:28:56.960 --> 00:28:59.920
<v Speaker 1>I want to rush through the rest in the movie,

514
00:29:01.200 --> 00:29:06.559
<v Speaker 1>or at least my letterboxed list, unless you have any

515
00:29:06.559 --> 00:29:07.880
<v Speaker 1>other ones you want to you want to say that

516
00:29:07.960 --> 00:29:10.200
<v Speaker 1>you saw it.

517
00:29:10.480 --> 00:29:12.480
<v Speaker 4>Yeah, I watched a lot of arrested development this week.

518
00:29:12.759 --> 00:29:13.559
<v Speaker 2>It's been okay.

519
00:29:15.160 --> 00:29:20.720
<v Speaker 1>So what I saw is I saw The Conclave, and uh,

520
00:29:20.880 --> 00:29:26.279
<v Speaker 1>you know, it's beautifully shot, beautifully directed, great actors in it,

521
00:29:26.720 --> 00:29:30.440
<v Speaker 1>but it's just as a Catholic, this is my domain, guys,

522
00:29:31.079 --> 00:29:35.519
<v Speaker 1>and you guys are just out of your minds, just

523
00:29:35.759 --> 00:29:38.720
<v Speaker 1>like you know, whenever it's somebody, if any movie makes

524
00:29:38.759 --> 00:29:41.200
<v Speaker 1>it to this level, these stars and this budget, and

525
00:29:41.279 --> 00:29:45.720
<v Speaker 1>it's about Catholicism, it's anti Catholic. So this was this

526
00:29:45.960 --> 00:29:49.640
<v Speaker 1>was no different. So it's just like it was embarrassing.

527
00:29:51.160 --> 00:29:55.759
<v Speaker 1>Uh still still like well crafted, but like such low

528
00:29:55.839 --> 00:30:01.519
<v Speaker 1>hanging fruit like that of their attack on the church.

529
00:30:01.839 --> 00:30:05.319
<v Speaker 1>And so I pity their souls, That's what I'm saying.

530
00:30:05.319 --> 00:30:07.519
<v Speaker 1>I pity their souls, everybody who made the con Club.

531
00:30:07.559 --> 00:30:10.480
<v Speaker 1>I'm gonna pray for you guys. A couple of days later,

532
00:30:10.519 --> 00:30:16.200
<v Speaker 1>I saw Better Man. Better Man is the I'll just

533
00:30:16.240 --> 00:30:20.599
<v Speaker 1>read my review. Not since Lancelot Link Secret Chimp went

534
00:30:20.640 --> 00:30:22.279
<v Speaker 1>off the air have I had such a good time

535
00:30:22.359 --> 00:30:25.559
<v Speaker 1>watching anything. All I can say, right, all I can

536
00:30:25.599 --> 00:30:27.599
<v Speaker 1>say is that if you're the guy that made the

537
00:30:27.640 --> 00:30:30.960
<v Speaker 1>Bob Dylan biopic or any biopic in the past five years,

538
00:30:31.480 --> 00:30:33.799
<v Speaker 1>you would just hide after seeing this movie and hope

539
00:30:33.839 --> 00:30:36.680
<v Speaker 1>nobody ever brings it up again. There's tons of genius

540
00:30:36.720 --> 00:30:39.279
<v Speaker 1>at work here that no one else ever thought of. However,

541
00:30:39.720 --> 00:30:43.799
<v Speaker 1>I always go back to my religion. His grandmother was

542
00:30:43.799 --> 00:30:45.559
<v Speaker 1>buried in a grave with a cross on it. I

543
00:30:45.720 --> 00:30:47.960
<v Speaker 1>bet she gave him some fear of God that they

544
00:30:48.119 --> 00:30:51.319
<v Speaker 1>left out of the script. But I'm gonna only ding

545
00:30:51.400 --> 00:30:52.440
<v Speaker 1>him a half a point of that. And I gave

546
00:30:52.480 --> 00:30:53.759
<v Speaker 1>it four and a half stars. I think that's my

547
00:30:53.839 --> 00:30:56.200
<v Speaker 1>first movie of the year with four and a half stars.

548
00:30:58.599 --> 00:31:00.599
<v Speaker 1>It's all about this guy and his grandma. I raised him,

549
00:31:01.920 --> 00:31:06.240
<v Speaker 1>uh and he he's he's Robbie Williams who's a huge

550
00:31:06.279 --> 00:31:09.240
<v Speaker 1>star in in a boy band, then becomes a star

551
00:31:09.319 --> 00:31:12.119
<v Speaker 1>in his own right. And his grandma's advice is always

552
00:31:13.240 --> 00:31:16.599
<v Speaker 1>you know what guides him. But he turns into a junkie.

553
00:31:16.640 --> 00:31:18.319
<v Speaker 1>So I don't know how great of a grandma she was,

554
00:31:18.400 --> 00:31:21.839
<v Speaker 1>because you know, my grandma gave me advice that that.

555
00:31:22.599 --> 00:31:26.519
<v Speaker 1>You know, Wait, did they grandma's better than his grandma?

556
00:31:26.599 --> 00:31:27.119
<v Speaker 2>Is what I'm saying.

557
00:31:27.200 --> 00:31:28.960
<v Speaker 3>Did they actually have to get a junkie monkey to

558
00:31:29.000 --> 00:31:29.400
<v Speaker 3>play him?

559
00:31:30.799 --> 00:31:33.319
<v Speaker 1>Yeah, they have a junkie that's high on coke and

560
00:31:33.720 --> 00:31:35.160
<v Speaker 1>uh as a sexual.

561
00:31:34.799 --> 00:31:37.480
<v Speaker 3>Addict like an actual monkey.

562
00:31:38.960 --> 00:31:40.400
<v Speaker 2>Well, I mean, you know, it's like a it's like

563
00:31:40.480 --> 00:31:41.720
<v Speaker 2>a Mufasa monkey, you know.

564
00:31:41.839 --> 00:31:45.720
<v Speaker 3>Okay, oh okay. So I was telling my wife it's

565
00:31:45.759 --> 00:31:48.720
<v Speaker 3>like kind of a computer generated kind of thing.

566
00:31:49.519 --> 00:31:51.079
<v Speaker 1>I was telling my wife, how can they How can

567
00:31:51.279 --> 00:31:53.079
<v Speaker 1>that lady do all these sex scenes with his monkey

568
00:31:53.079 --> 00:31:55.559
<v Speaker 1>because he must have really bad peanut butter breath.

569
00:31:58.799 --> 00:32:01.119
<v Speaker 2>Sammy, Sam gets that joke.

570
00:32:01.519 --> 00:32:03.119
<v Speaker 3>I get that joke very well.

571
00:32:04.240 --> 00:32:07.039
<v Speaker 1>In the old days, when we used to enslave chimpanzees

572
00:32:07.119 --> 00:32:10.119
<v Speaker 1>for our amusement in movies and TV, we would give

573
00:32:10.160 --> 00:32:12.119
<v Speaker 1>them a peanut butter and then they would try to

574
00:32:12.160 --> 00:32:13.799
<v Speaker 1>lick it out of their teeth, and then we could

575
00:32:13.839 --> 00:32:17.319
<v Speaker 1>dub in a dialogue while for that, because they look

576
00:32:17.400 --> 00:32:18.880
<v Speaker 1>like they're talking when they're trying to get the peanut

577
00:32:18.920 --> 00:32:19.720
<v Speaker 1>butter out of their teeth.

578
00:32:21.880 --> 00:32:28.200
<v Speaker 3>So seriously, Lancelot Link is just a classic. It's a

579
00:32:28.359 --> 00:32:32.440
<v Speaker 3>treasure that people just let slip by, and it's gone

580
00:32:32.480 --> 00:32:35.400
<v Speaker 3>off into obscurity. I'm sure we could find episodes of

581
00:32:35.480 --> 00:32:36.680
<v Speaker 3>it on YouTube or whatever.

582
00:32:36.759 --> 00:32:39.440
<v Speaker 2>Yeah, you can find it, but it'll never be made again. Okay.

583
00:32:39.559 --> 00:32:41.720
<v Speaker 1>So four and a half Stars three and a half

584
00:32:41.759 --> 00:32:45.119
<v Speaker 1>Stars to September five is the other movie I saw

585
00:32:45.920 --> 00:32:49.839
<v Speaker 1>about the Israeli kidnapping at the Olympics in nineteen seventy two,

586
00:32:51.640 --> 00:32:53.720
<v Speaker 1>old enough to remember this, and so it was really

587
00:32:53.799 --> 00:32:59.160
<v Speaker 1>cool to see this movie. It's controversial because it's told

588
00:32:59.279 --> 00:33:02.960
<v Speaker 1>only from the the point of view of these A

589
00:33:05.400 --> 00:33:10.359
<v Speaker 1>TV network employees and executives, you know, and so there's

590
00:33:10.400 --> 00:33:14.559
<v Speaker 1>no Palestinian TV executives.

591
00:33:14.799 --> 00:33:15.880
<v Speaker 2>Here's a sentence you never heard.

592
00:33:16.519 --> 00:33:19.200
<v Speaker 1>Oh, if these Palestinians didn't control Hollywood, I could maybe

593
00:33:19.680 --> 00:33:29.240
<v Speaker 1>get ahead. So it's not exactly a balanced treatment of

594
00:33:29.359 --> 00:33:33.960
<v Speaker 1>the of the topic of the Palestinians kidnapping the Jews.

595
00:33:34.359 --> 00:33:42.000
<v Speaker 1>But technically I loved it. The the vintage television hardware

596
00:33:42.279 --> 00:33:46.839
<v Speaker 1>and technical problem. It was like that movie apol Thard

597
00:33:46.839 --> 00:33:49.319
<v Speaker 1>Team where they're trying to put together the I think

598
00:33:49.359 --> 00:33:50.839
<v Speaker 1>that was the one they're trying to put together the

599
00:33:51.160 --> 00:33:56.599
<v Speaker 1>rocket and before it crashes or it disintegrates.

600
00:33:57.119 --> 00:33:57.960
<v Speaker 2>I mean it looks like that.

601
00:33:58.039 --> 00:33:59.279
<v Speaker 1>They go, we got a problem, and we got all

602
00:33:59.279 --> 00:34:04.680
<v Speaker 1>these big giants and weird technology to make Cairns and

603
00:34:05.240 --> 00:34:08.280
<v Speaker 1>and go over to the satellite. There's only one satellite

604
00:34:08.320 --> 00:34:09.960
<v Speaker 1>and they got to give it back to CBS at

605
00:34:09.960 --> 00:34:12.400
<v Speaker 1>three o'clock. And we're having a fight with CBSA we

606
00:34:12.480 --> 00:34:14.920
<v Speaker 1>have a world story here, and CBS is like, the

607
00:34:15.000 --> 00:34:18.360
<v Speaker 1>don't care. We got to show Days of our Lives whatever.

608
00:34:18.280 --> 00:34:20.199
<v Speaker 3>A documentary or a dramatization.

609
00:34:21.119 --> 00:34:22.639
<v Speaker 1>Well, let me tell you that it's a good question.

610
00:34:22.960 --> 00:34:25.559
<v Speaker 1>It's a dramatization. It's a script with good actors like

611
00:34:25.679 --> 00:34:30.199
<v Speaker 1>Peter sarsgard. I think this is the day. But they

612
00:34:30.360 --> 00:34:34.639
<v Speaker 1>use a lot of actual stuff, like the ABC Wide

613
00:34:34.679 --> 00:34:39.000
<v Speaker 1>World of Sports. They use one guy, Jim I forget

614
00:34:39.039 --> 00:34:41.679
<v Speaker 1>his last name anyway, Jim, the main anchor.

615
00:34:42.000 --> 00:34:42.800
<v Speaker 2>They're using this the.

616
00:34:42.800 --> 00:34:45.440
<v Speaker 1>Regular film of him from a long time ago. Peter Jennings.

617
00:34:45.480 --> 00:34:46.960
<v Speaker 1>They use an actor and they don't use him, and

618
00:34:47.000 --> 00:34:48.639
<v Speaker 1>I think it might have to do with life story rights.

619
00:34:48.679 --> 00:34:52.079
<v Speaker 1>Maybe his family didn't want to give it up. Howard Cosell.

620
00:34:52.159 --> 00:34:54.719
<v Speaker 1>They never show Howard Cosell, and that was the tragedy

621
00:34:54.760 --> 00:34:58.039
<v Speaker 1>of this movie. Never showed but they play his voice,

622
00:34:58.079 --> 00:34:59.760
<v Speaker 1>his actual voice, because he was there and he was

623
00:35:00.480 --> 00:35:04.559
<v Speaker 1>help so very sad. And then to not see.

624
00:35:07.199 --> 00:35:08.320
<v Speaker 2>Howard cosell and I heard.

625
00:35:08.360 --> 00:35:09.679
<v Speaker 1>What the problem was is they were going to have

626
00:35:09.800 --> 00:35:12.920
<v Speaker 1>Hierd Coselle was going to be played by a chimpanzee,

627
00:35:13.400 --> 00:35:16.599
<v Speaker 1>and then when they found out about this Better Man movie,

628
00:35:17.039 --> 00:35:19.480
<v Speaker 1>they just abandoned that idea because they thought people would

629
00:35:19.519 --> 00:35:21.719
<v Speaker 1>think they were, you know, copying the Abby Williams thing,

630
00:35:21.719 --> 00:35:22.920
<v Speaker 1>and no one wanted to do that, so they just

631
00:35:23.000 --> 00:35:25.199
<v Speaker 1>showed his voice or you know, played his voice. Now

632
00:35:25.239 --> 00:35:27.440
<v Speaker 1>this movie is since it only tells you one side,

633
00:35:27.519 --> 00:35:29.119
<v Speaker 1>and it's just not not even just one side, but

634
00:35:29.199 --> 00:35:32.039
<v Speaker 1>it's a narrow vision of this thing. It's just whatever

635
00:35:32.199 --> 00:35:35.679
<v Speaker 1>these guys knew while they're in the TV station, because

636
00:35:35.679 --> 00:35:38.280
<v Speaker 1>they're like, oh my god, there's shoot, there's guns, there's shooting.

637
00:35:38.679 --> 00:35:40.280
<v Speaker 1>We got to go what are we gonna do? We

638
00:35:40.360 --> 00:35:41.760
<v Speaker 1>can't do this, we can't do that. Let's try this,

639
00:35:41.920 --> 00:35:45.559
<v Speaker 1>Let's try that. Very riveting, keep you on the edge

640
00:35:45.599 --> 00:35:49.840
<v Speaker 1>of your seat. But I wouldn't go see it unless

641
00:35:49.920 --> 00:35:53.360
<v Speaker 1>the next day you watch this other movie called A

642
00:35:53.519 --> 00:35:56.960
<v Speaker 1>Day in September, which is a documentary from nineteen ninety nine,

643
00:35:57.280 --> 00:36:00.960
<v Speaker 1>which won Best Documentary in the Oscars in the year

644
00:36:01.000 --> 00:36:05.599
<v Speaker 1>two thousand. You can see it on MGM Plus, which

645
00:36:05.679 --> 00:36:09.079
<v Speaker 1>is a faulty app because they make you stream.

646
00:36:08.880 --> 00:36:13.599
<v Speaker 2>It from your phone. Oh wow, it's true, but.

647
00:36:17.000 --> 00:36:21.159
<v Speaker 1>Still a fascinating documentary, and it's there on MGM plus.

648
00:36:21.239 --> 00:36:23.440
<v Speaker 1>You can get it, and then you can get a

649
00:36:23.519 --> 00:36:26.480
<v Speaker 1>free trial for seven days of MGM plus. Put on

650
00:36:26.519 --> 00:36:29.440
<v Speaker 1>your phone, stream it to your TV and there you go.

651
00:36:29.639 --> 00:36:32.320
<v Speaker 1>But if you're gonna watch September five, watch one day

652
00:36:32.360 --> 00:36:34.400
<v Speaker 1>in September the next day, and that's like a complete

653
00:36:34.480 --> 00:36:40.440
<v Speaker 1>picture of what happened, rather than the you know, the

654
00:36:40.920 --> 00:36:46.239
<v Speaker 1>half story, which is, you know, really wildly entertaining. But

655
00:36:47.280 --> 00:36:49.559
<v Speaker 1>it's not like a lot of people online were saying, now,

656
00:36:49.599 --> 00:36:52.360
<v Speaker 1>this is propaganda from only one side. No, it's telling

657
00:36:52.679 --> 00:36:55.760
<v Speaker 1>it's only telling you what these guys knew. It's only

658
00:36:55.840 --> 00:36:59.719
<v Speaker 1>what they knew. So that's the story. When in September

659
00:36:59.760 --> 00:37:04.599
<v Speaker 1>the commentary, I gave it four stars and September five

660
00:37:04.639 --> 00:37:07.840
<v Speaker 1>I gave three and a half stars. So that's it

661
00:37:07.920 --> 00:37:09.920
<v Speaker 1>for me and movies this week. And I think that's

662
00:37:09.960 --> 00:37:11.800
<v Speaker 1>it for us, right Nikki were getting you out on time,

663
00:37:13.000 --> 00:37:14.159
<v Speaker 1>I think so, thanks guys.

664
00:37:14.880 --> 00:37:18.239
<v Speaker 2>All right, okay, so that's for.

665
00:37:18.320 --> 00:37:24.199
<v Speaker 1>Joe Scalante live from Hollywood, and we'll now leave you

666
00:37:24.280 --> 00:37:26.960
<v Speaker 1>with just a taste of the greatest song ever written.
