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<v Speaker 1>Something's going to happen. What's going to happen?

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<v Speaker 2>I welcome to the Occult Rejects.

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<v Speaker 3>This episode, we got a very very special guest, somebody

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<v Speaker 3>that we're all excited about getting on. But before we

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<v Speaker 3>introduce him, going to introduce the other rejects of joining us.

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<v Speaker 1>Uh.

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<v Speaker 2>First, we're going to start off.

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<v Speaker 3>We've got the lovely Lisa could reject MADA scientists joining

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<v Speaker 3>us today.

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<v Speaker 2>How are you, Lisa? What is going on?

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<v Speaker 1>I'm good?

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<v Speaker 4>Thank you for having me on. I'm very very excited

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<v Speaker 4>to talk to Gary today. I've read through a little

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<v Speaker 4>bit of his excerpts and stuff like that. I've also

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<v Speaker 4>watched some of his interviews that he's out over the years,

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<v Speaker 4>So very excited to kind of hear what he has

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<v Speaker 4>to say, you know, be in the discussion. So thank

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<v Speaker 4>you for having me on with the fellow rechecks. And

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<v Speaker 4>the only thing I'd like to plug is the whole

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<v Speaker 4>Research Institute dot org check us out.

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<v Speaker 2>Awesome. Thank you very much and I appreciate you making

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<v Speaker 2>and we got Jin the Ninja. What is going on? Sir?

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<v Speaker 5>Hey boss, thank you so much for inviting me on.

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<v Speaker 5>I'm really excited for this. I listened to as you know,

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<v Speaker 5>preparatory episode with Gary on the Mage as the Mage

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<v Speaker 5>of the podcast, which was really fascinating and incredible interview.

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<v Speaker 5>I've got also questions for him, obviously I'll save some

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<v Speaker 5>of them, but so if you want to follow me,

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<v Speaker 5>you can on Twitter at woucong Reborn, w uk O

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<v Speaker 5>and g Reborn or.

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<v Speaker 1>The show at Threshold Saints.

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<v Speaker 5>Also for ig at Threshold Saints and for The Gray Lodge,

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<v Speaker 5>which is the show that I co host with four

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<v Speaker 5>other three other boys on Friday nights. You can follow

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<v Speaker 5>us at The True Gray Lodge with a V not

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<v Speaker 5>a you, the True Late Gray Lodge dot com, as

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<v Speaker 5>well as our YouTube channel, The Great Lodge. So thank

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<v Speaker 5>you guys so much and I'm really excited.

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<v Speaker 3>Awesome, thank you very much for making it. And we

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<v Speaker 3>got Robbie Marks himself. What is going on, sir?

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<v Speaker 2>How are you? Oh? It might be.

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<v Speaker 6>Muted, Yeah, basically, I've just been working on a piece

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<v Speaker 6>of art all day for a local event. In regard

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<v Speaker 6>to the whole rock and roll thing, Gary, I'm a

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<v Speaker 6>big fan of you know, traditional everything. Leading up I

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<v Speaker 6>do a lot of concert and festival posters for various

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<v Speaker 6>bands and also you know, miscellaneous mom and pop shops.

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<v Speaker 6>If anybody wants to check out my other stuff, you

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<v Speaker 6>can go to my link tree which is r M

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<v Speaker 6>A r X and that'll pull up all my links

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<v Speaker 6>as far as my artwork, my podcast, The metamind Cast,

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<v Speaker 6>and very much like you, I was very enthusiastic about

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<v Speaker 6>this stuff, and as time has progressed, I've become much

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<v Speaker 6>more interested in the historical aspect and the arcs and

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<v Speaker 6>all the different things associated with it, as it's kind of,

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<v Speaker 6>you know, fractalized through the whole. But yeah, thanks for

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<v Speaker 6>having me on, Nick, Yeah.

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<v Speaker 2>Of course, of course.

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<v Speaker 3>And finally the guest himself again, we have a very

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<v Speaker 3>special guest, Gary Lackman, who was an American writer and

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<v Speaker 3>a musician. He was Blondie's original bassist and songwriter who

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<v Speaker 3>went by Gary Valentine. We are having him on today

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<v Speaker 3>to talk about a book that will be coming out

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<v Speaker 3>called Touched by Presence From Blondie's Bowery and Rock and Roll.

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<v Speaker 2>To Magic in the Occult.

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<v Speaker 3>But I will say I highly suggest to go check

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<v Speaker 3>out some of the stuff he's already done, already in

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<v Speaker 3>a written form. He has a Dark Star Rising, which

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<v Speaker 3>I think our listeners might be interested in because you know,

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<v Speaker 3>I always loved showing Trump and the occult, so I

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<v Speaker 3>think you guys would be very entertained by that. And

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<v Speaker 3>he has done stuff on Crowley and you know, you

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<v Speaker 3>guys talk about Crole and I talk about the Lima,

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<v Speaker 3>So go check that out. But enough out of me, Gary,

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<v Speaker 3>please introduce yourself and let everybody know what your deal

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<v Speaker 3>is and plug anything that you'd like to plug.

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<v Speaker 1>All right, Well, Hi, I'm Gary Lachman. I'm a Yank

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<v Speaker 1>living in London. I've been living here for nearly thirty

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<v Speaker 1>years now. And actually the book that Nick mentioned touched

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<v Speaker 1>by the presence, It ends with my leaving Los Angeles

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<v Speaker 1>at the end of nineteen ninety five and getting on

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<v Speaker 1>a plane to arrive here in London in the beginning

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<v Speaker 1>of nineteen ninety six. In my second or third fourth

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<v Speaker 1>kind of career. There was like two careers I started.

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<v Speaker 1>I was in Musician Asians Ago, I played in Blondie

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<v Speaker 1>and I had my own band for a while, and

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<v Speaker 1>then I played with Icky Pop and all those people

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<v Speaker 1>turn out in the book turned up in the book

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<v Speaker 1>I'm plugging. This is what I'm plugging, and plugging in

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<v Speaker 1>the books. I'm doing that right now. They're all in there,

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<v Speaker 1>a bunch of other folk. But also I transitioned, as

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<v Speaker 1>people say, from while I was playing rock to getting

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<v Speaker 1>interested in magic and the occult and Crowley and all

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<v Speaker 1>that sort of thing. Yes, and I did write book

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<v Speaker 1>about Crowley many years later. It's Alista Crowley, Magic, Rock

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<v Speaker 1>and Roll in the what is it? The Wickedest Man

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<v Speaker 1>in the World, And that came out about ten years ago.

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<v Speaker 1>So but I've written quite a few other books as well.

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<v Speaker 1>We'll get onto that. So, yeah, this is fun. Yeah,

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<v Speaker 1>I haven't been on this program before, so let's go

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<v Speaker 1>for it.

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<v Speaker 3>Yeah. Well, I guess does anybody have a question before

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<v Speaker 3>I start getting into it?

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<v Speaker 5>O quick, I'll ask my question if you don't mind, neck,

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<v Speaker 5>just because I think it starts a little bit before

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<v Speaker 5>Gary starts his autobiography, is that I'm really fascinated, as

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<v Speaker 5>Robbie mentioned, I'm also fascinated by the history of modern

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<v Speaker 5>American magic and sort of its nexus points. And I

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<v Speaker 5>think Gilbert's in LA was one of those places. And

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<v Speaker 5>it's a place that you touched on in the in

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<v Speaker 5>the aforementioned interview, And I'm just wondering if you could

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<v Speaker 5>explain to people who are maybe unfamiliar with that history

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<v Speaker 5>and like how important those kinds of places were in

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<v Speaker 5>the Los Angeles scene.

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<v Speaker 1>I think I would be interested to hear, and I

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<v Speaker 1>think everyone else would also. Well. Gilberts was a great

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<v Speaker 1>old bookshop on Holleyoo Boulevard east of Vine And I

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<v Speaker 1>first found out about it probably the summer of nineteen

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<v Speaker 1>seventy seven or something like that, or late summer or

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<v Speaker 1>early fall. I had moved out to LA with my

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<v Speaker 1>girlfriend at the time, Lisa Jane Persky, who was an

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<v Speaker 1>actress and photographer and writer. She was on the scene

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<v Speaker 1>as well, and by this point had become quite interested

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<v Speaker 1>in Crowley and Gilberts was one of these great places.

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<v Speaker 1>It wasn't completely or solely a cult bookshop, but it

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<v Speaker 1>had a very hefty collection and people like Kenneth Anger,

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<v Speaker 1>you know, the avant garde Curley filmmaker, and he used

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<v Speaker 1>to go there, and David Bowie went there, and Jimmy Page,

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<v Speaker 1>and I don't know if it's that bookshop. There was

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<v Speaker 1>another one I think was called Cherokee on Hollywood Boulevard

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<v Speaker 1>that the guy who ran it have a story of

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<v Speaker 1>and the anger, you know, stiffing him on a check

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<v Speaker 1>or something like that for some you know, rare addition

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<v Speaker 1>of some Croley item. But it was at that time

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<v Speaker 1>in when I lived there then, so it would have

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<v Speaker 1>been seventy seven to about eighty, and I was going

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<v Speaker 1>back and forth between LA and New York. It's my

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<v Speaker 1>own band, the No And yeah, there was just so

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<v Speaker 1>many good bookshops there and Gilberts was one of them.

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<v Speaker 1>And in my own experience, I used to go there

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<v Speaker 1>quite a bit and one time and I this is

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<v Speaker 1>how I got involved with this Crole group. Back then,

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<v Speaker 1>it was the OTO, I mean, but they book This

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<v Speaker 1>is well before the Internet, well before anything that we

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<v Speaker 1>take for granted these days. But they had a physical

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<v Speaker 1>bulletin board and there were people putting notices up on

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<v Speaker 1>and I saw a notice for a Croley group something

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<v Speaker 1>like that. So I thought, okay, well, I've been reading

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<v Speaker 1>about this stuff for the past couple of years. I

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<v Speaker 1>first got interested in nineteen seventy five in New York,

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<v Speaker 1>living on the Bowery with Christein and Debbie Harry. I

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<v Speaker 1>mentioned this crazy gay biker artist who was totally into

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<v Speaker 1>Crowley but also into the Hill's Angels and all of

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<v Speaker 1>that sort of thing. And he used to do these

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<v Speaker 1>impromptu tarot readings with the Crawley staff Taro deck, and

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<v Speaker 1>he did these paintings based on the figures I modeled

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<v Speaker 1>for one of them. I don't know whatever happened to it.

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<v Speaker 1>And that's how I got interested and all this sort

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<v Speaker 1>of stuff. So I had been reading about it for

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<v Speaker 1>a couple of years and I thought, Okay, let's see

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<v Speaker 1>what happens. So I just answered them, and a couple

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<v Speaker 1>of days later, there's a knock at my door and

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<v Speaker 1>this very unprepossessing guy is standing out there and he's

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<v Speaker 1>asking me if I'm ready to devote myself to achieving

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<v Speaker 1>the knowledge and conversation of my holy Guardian Angel. And

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<v Speaker 1>I had to think about that for a second, you know,

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<v Speaker 1>because I was like standing outside Jehovah's witches. Well, this

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<v Speaker 1>is exactly how I refer to it in the book.

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<v Speaker 1>It says if somebody at Jehovah's witness said, are you ready?

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<v Speaker 1>And I always wonder why do they want people to join?

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<v Speaker 1>Because there's there's a certain number of them. I forget

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<v Speaker 1>how many it is, there's an exact number it's going

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<v Speaker 1>to be saying, so if you keep people joined, I know,

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<v Speaker 1>people die, Okay, fine, but somebody's got to get pushed

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<v Speaker 1>off the bench, right if they keep they keep kind

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<v Speaker 1>of joining new people somebody, what do you keep? You know?

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<v Speaker 1>So I know, I never knew why they kept.

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<v Speaker 2>You know, we have two hundred thousand members that aren't

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<v Speaker 2>being saved. What do we do? Oh?

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<v Speaker 1>There there there you go. Well, I guess any case,

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<v Speaker 1>So I thought, okay, let me think about this, and

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<v Speaker 1>I said, well, you know, never the armchair magician. Okay,

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<v Speaker 1>let's go for it. So I I said, sure, why not?

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<v Speaker 1>And then I signed. I still have the document somewhere

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<v Speaker 1>among my files. And I took a magical name, which

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<v Speaker 1>is Amorphati and a more Fati is Latin for love

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<v Speaker 1>of fate. And that was actually the title of one

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<v Speaker 1>of the songs I did in my band, the No

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<v Speaker 1>and the band was called the No ken O W

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<v Speaker 1>because my interest in narcissism and nosis and that kind

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<v Speaker 1>of a you know, a cult knowledge or you know,

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<v Speaker 1>immediate kind of direct knowledge, not not episteme, not not

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<v Speaker 1>knowledge through the left brain as it were. And you know,

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<v Speaker 1>so I just went for it and h got the robe,

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<v Speaker 1>started doing practicing different you know I had already read

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<v Speaker 1>magic and Theory and Practice on the Bowery amazing, and

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<v Speaker 1>a bunch of other crowly stuff I'm rambling on. That's

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<v Speaker 1>just somebody should answer.

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<v Speaker 3>All right, well, since you brought up I guess like

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<v Speaker 3>the robe and stuff. I mean I would assume, like,

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<v Speaker 3>what was your all right when I used to practice

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<v Speaker 3>my every day like I guess magical regimen, you know,

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<v Speaker 3>I would get up and meditate, maybe sometimes do the

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<v Speaker 3>l B r P, maybe even do the lesser banishing

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<v Speaker 3>ritual of the Hextagram if I felt like it, and

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<v Speaker 3>stuff like was that part of your like daily.

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<v Speaker 1>Normal banishing virtually? I mean, no one thing drove but

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<v Speaker 1>my girl from Lisa's crazy because you know, the adorations

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<v Speaker 1>during the day.

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<v Speaker 2>So the dawn oh rash, yeah, yeah, rash.

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<v Speaker 1>Sunset at midnight, so all that stuff. It was like

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<v Speaker 1>the I think the noon was the difficult one because

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<v Speaker 1>we'd be out having breakfast. Oh okay, I'll breck back.

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<v Speaker 2>Yeah, I gotta go pray to I got to do this.

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<v Speaker 1>And she's looking at me Jesus Christ. But okay, but

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<v Speaker 1>you know that was that was tough. And the civet,

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<v Speaker 1>you know, the Albert maline oil. At least that's what

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<v Speaker 1>they told me.

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<v Speaker 2>It was.

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<v Speaker 1>It was this civot was and it was like it burned,

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<v Speaker 1>you know, you put it on. But all that kind

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<v Speaker 1>of stuff. And that's you know that I had had

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<v Speaker 1>the you know, the robe da Matria I picked, which

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<v Speaker 1>you know, uh, divindatory practice I wanted to and that

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<v Speaker 1>was in keeping with my Capricorn sign of the Earth,

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<v Speaker 1>and apparently Curly at one point preferred it and all

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<v Speaker 1>that kind of stuff, and yeah, I did you know,

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<v Speaker 1>the you know, the various different at the various.

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<v Speaker 2>If you want to use them, all that kind of stuff.

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<v Speaker 1>So I was, I was doing that and then it

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<v Speaker 1>was kind of like weekly meetings. But the the thing

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<v Speaker 1>that one thing that side, well two things put me off.

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<v Speaker 1>And one of the guy that I got involved with it,

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<v Speaker 1>he turned out to be a little you know, Curly himself,

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<v Speaker 1>and he was, you know, kind of a nasty character.

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<v Speaker 1>And I in an earlier memoir, New York Rocker, which

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<v Speaker 1>I wrote about little more than twenty a bit more

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<v Speaker 1>than twenty years ago, which is that's all the rock

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<v Speaker 1>and roll stuff. This new one coming out in no

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<v Speaker 1>memorical touch by the presence, and the title is a

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<v Speaker 1>reference to a blondie soul and called called them always

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<v Speaker 1>Touched by Your Presence Dear, which was a big hit

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<v Speaker 1>in the UK and Europe, not in the States, but

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<v Speaker 1>top ten UK Europe. It's in nineteen seventy eight, Long

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<v Speaker 1>time ago, kids, but it's a song about the telepathic

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<v Speaker 1>experiences and shared dream experiences Lisa and I were having

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<v Speaker 1>at the time. So that was my first foray into

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<v Speaker 1>any of this sort of stuff because I was living

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<v Speaker 1>on the Bowery with Christen Derby, reading Proley, hanging out

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<v Speaker 1>with this guy Benton, who's a remarkable character, and talking

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<v Speaker 1>about magic and all this kind of stuff, and then

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<v Speaker 1>I started having we started having these experiences and so

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<v Speaker 1>on and so and so I wrote that song. So

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<v Speaker 1>that's the reference to that. That's where the title of

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<v Speaker 1>the book comes from. But in this earlier memoir, New

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<v Speaker 1>York Rocker, it's all just the rock and roll stuff,

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<v Speaker 1>and I go into detail about this character in La

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<v Speaker 1>but he you know, he just turned out to be

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<v Speaker 1>a little bad. That was the bad kind to do

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<v Speaker 1>what you liked kind rather than to do without wilt kind,

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<v Speaker 1>if you know what I mean. In any case, but

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<v Speaker 1>I mean that was how so I just did that,

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<v Speaker 1>and I got into it and all that kind of

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<v Speaker 1>thing in practice. But after a while it became clear

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<v Speaker 1>that this guy was kind of a free loader. And

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<v Speaker 1>then after a while I just got Crowley. Is all

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<v Speaker 1>roads lead to Crowley? I mean, so I just started

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<v Speaker 1>to feel sort of claustrophobic about it because it seemed

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<v Speaker 1>to be you know, and I became more I said,

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<v Speaker 1>I started out interested in nineteen. By the time I'm

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<v Speaker 1>in la I'm about twenty two. The book that really

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<v Speaker 1>got me into what I'm doing now is a book

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<v Speaker 1>by the British writer Colin Wilson, and it's just called

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<v Speaker 1>The Occult, and it came out in seventy one. I

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<v Speaker 1>read it in seventy five. I borrowed Tommy Ramone's copy

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<v Speaker 1>The Drummer and then manager of the Ramones his cop

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<v Speaker 1>I borrowed it. I mentioned that and the book I

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<v Speaker 1>wrote about Crowley, and I say in that book that

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<v Speaker 1>other Ramones, he's original Ramones. He was the only one

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<v Speaker 1>who's still a lot And sadly he passed away after

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<v Speaker 1>the after the book came out, it would have been

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<v Speaker 1>about twenty fifteen, about ten years ago. But yeah, in

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<v Speaker 1>that book, I go into like all the But that

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<v Speaker 1>was the thing with Croley. I just got kind of

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<v Speaker 1>the old roads led to him, and I became more

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<v Speaker 1>interested in basically consciousness, you know, And I was more

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<v Speaker 1>interested in the effects. I never got into wanting to

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<v Speaker 1>contact you know, some you know, interdimensional being and talk

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<v Speaker 1>to them, And I thought, why would they know anything

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<v Speaker 1>more than I do? No, I just wondered, why would

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<v Speaker 1>they know anything more than I? For their perspective, I'm

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<v Speaker 1>an interdimensional being, I'm from some other play as well,

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<v Speaker 1>maybe I know things la. So I was more interested

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<v Speaker 1>in finding out about consciousness. And this is this is

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<v Speaker 1>from reading Colin Wilson because at the time and I

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<v Speaker 1>first read him, I didn't know that he had a

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<v Speaker 1>previous career writing about existentialism, phenomenology and all this sort

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<v Speaker 1>of thing. So we had this whole approach to the

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<v Speaker 1>It wasn't the magic, let's wear the capes and do

300
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<v Speaker 1>all the weird stuff, like, well, what's actually going on

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<v Speaker 1>in consciousness? What are the potentials of consciousness? What does

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<v Speaker 1>this tell us about that? And it was through reading

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<v Speaker 1>that book that that took me on the beginning of

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<v Speaker 1>that so it broke, you know, drifted away from Crowley

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<v Speaker 1>because it just became kind of I just outgrew it

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<v Speaker 1>and then I got interested in other things.

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<v Speaker 2>Nice. Uh, something I did want to ask you.

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<v Speaker 3>I hate to go back while It's just I don't

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<v Speaker 3>have people on the show too often that actually admit

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<v Speaker 3>to like being a thom might of practicing that stuff.

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<v Speaker 3>So I just want to like nerd out a little

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<v Speaker 3>bit and ask you some more stuff about that. You know,

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00:15:40.000 --> 00:15:42.399
<v Speaker 3>most people have on our and have.

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<v Speaker 1>To remember this is nineteen seventy eight, so it's a

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00:15:45.960 --> 00:15:46.480
<v Speaker 1>while ago.

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<v Speaker 3>No, you had mentioned something about a areta were you

317
00:15:50.159 --> 00:15:52.480
<v Speaker 3>were you getting out instead of saying arita, you can

318
00:15:52.519 --> 00:15:54.200
<v Speaker 3>actually say the letters like each.

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<v Speaker 1>Well, I mean the reason that that just popped into my.

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<v Speaker 2>Head, okay, right, because there was a different way.

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00:16:00.360 --> 00:16:03.120
<v Speaker 1>I mean, I did all the visualization sort of thing,

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<v Speaker 1>and you know, we see the pentagram and all of

323
00:16:05.440 --> 00:16:08.159
<v Speaker 1>that and when you you know, you know, and in

324
00:16:08.240 --> 00:16:12.279
<v Speaker 1>the center stands the sixth rade star. I mean, I

325
00:16:13.080 --> 00:16:14.919
<v Speaker 1>did all that sort of thing. But the one thing

326
00:16:14.919 --> 00:16:18.200
<v Speaker 1>I should mention about getting involved with the OTO at

327
00:16:18.240 --> 00:16:21.919
<v Speaker 1>that time. So I think Grady McMurtry initiated me. So

328
00:16:22.080 --> 00:16:25.200
<v Speaker 1>I think he was at this initiation because he would

329
00:16:25.200 --> 00:16:28.519
<v Speaker 1>have still been around it was I don't know for sure,

330
00:16:28.720 --> 00:16:31.639
<v Speaker 1>and I'm never been in touch with anybody ever again,

331
00:16:31.679 --> 00:16:35.559
<v Speaker 1>and I don't want to be. But I wondered because

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00:16:35.600 --> 00:16:37.879
<v Speaker 1>he this was seventy eight, he was still around. He

333
00:16:37.919 --> 00:16:41.720
<v Speaker 1>had started it up again in the seventies. And what

334
00:16:41.879 --> 00:16:43.879
<v Speaker 1>I remember it and I write about it in the book,

335
00:16:43.960 --> 00:16:46.919
<v Speaker 1>is it took place. It's been in Orange County, somewhere

336
00:16:46.960 --> 00:16:49.799
<v Speaker 1>outside of LA That's what I remember. And it must

337
00:16:49.840 --> 00:16:51.960
<v Speaker 1>have been near I don't know. It must have been

338
00:16:52.000 --> 00:16:54.639
<v Speaker 1>near a marino some kind. And it was around Christmas

339
00:16:54.639 --> 00:16:58.279
<v Speaker 1>time because I remember boats going by. I could see

340
00:16:58.279 --> 00:17:01.519
<v Speaker 1>out the window, boats going by, you know, little you know, uh,

341
00:17:02.039 --> 00:17:05.519
<v Speaker 1>with lights on them saying for last Navi DoD. So

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00:17:05.799 --> 00:17:09.279
<v Speaker 1>I'm I have this memory of that happening, and I'm

343
00:17:09.319 --> 00:17:15.119
<v Speaker 1>in this kind of tent where this probablistic ritual Crowley

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00:17:15.599 --> 00:17:19.759
<v Speaker 1>cablistic ritual. I forget exactly. There was a kind of

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00:17:19.799 --> 00:17:21.759
<v Speaker 1>tent that was put they had put up in the

346
00:17:21.799 --> 00:17:24.839
<v Speaker 1>living room, so it looked like you know, Midnight on

347
00:17:24.920 --> 00:17:28.200
<v Speaker 1>the Oasis or something like that. Oh, and and you're

348
00:17:28.200 --> 00:17:31.960
<v Speaker 1>you're that's what I mean. I kind of like not

349
00:17:31.960 --> 00:17:34.839
<v Speaker 1>not not like you know, a tent growing camping.

350
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<v Speaker 2>No, no, no, The reason why, the reason why I'm saying.

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<v Speaker 1>More something oriental or out in the desert kind of

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00:17:40.319 --> 00:17:42.480
<v Speaker 1>kind of thing. And this was like a sacred space.

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<v Speaker 1>I guess where the initiation took place.

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<v Speaker 2>Reason I'm saying.

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<v Speaker 1>I was asked a few questions and it was I

356
00:17:48.119 --> 00:17:50.359
<v Speaker 1>was actually, now what I think about. It reminded me

357
00:17:50.400 --> 00:17:52.279
<v Speaker 1>when I grew up Catholic. It reminded me of like

358
00:17:52.319 --> 00:17:55.279
<v Speaker 1>making my confirmation, because I remember, like the bishop asked

359
00:17:55.319 --> 00:17:58.039
<v Speaker 1>me a question, Oh I had the answers to and

360
00:17:58.119 --> 00:18:00.599
<v Speaker 1>so at this thing, they asked me some questions about

361
00:18:00.640 --> 00:18:04.400
<v Speaker 1>cobble lot and I'm a diligent study and I you know,

362
00:18:04.519 --> 00:18:07.519
<v Speaker 1>and somebody said, oh, he knows his stuff or something

363
00:18:07.599 --> 00:18:12.240
<v Speaker 1>like that. So I thought, oh, gee, any case. And

364
00:18:12.279 --> 00:18:16.079
<v Speaker 1>then the other thing I remember is that a kitten

365
00:18:17.119 --> 00:18:21.200
<v Speaker 1>died that night and somehow and someone had said, ah,

366
00:18:21.240 --> 00:18:25.079
<v Speaker 1>you know, one life ends as a another begins or

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00:18:25.079 --> 00:18:29.240
<v Speaker 1>something like that. That I mean that that that that

368
00:18:29.240 --> 00:18:31.319
<v Speaker 1>that happened, and then I was in it and then

369
00:18:31.519 --> 00:18:35.480
<v Speaker 1>sorted of doing the thing. And the other thing I

370
00:18:35.480 --> 00:18:40.759
<v Speaker 1>remember is attending a Gnostic mass and uh in ingesting

371
00:18:40.799 --> 00:18:43.119
<v Speaker 1>a communion wafer that had been spiked with menstrual blood.

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<v Speaker 1>Oh yeah, well all the my uh Lisa asked me

373
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<v Speaker 1>whose blood it was, and I said I did. But

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00:18:53.759 --> 00:18:55.799
<v Speaker 1>you know, I mean, I'm I'm making light of it now,

375
00:18:55.839 --> 00:18:59.039
<v Speaker 1>and I don't mean in any way to detegrate or

376
00:18:59.200 --> 00:19:02.960
<v Speaker 1>you know, suspersions on or diminished you know, people that

377
00:19:03.920 --> 00:19:05.880
<v Speaker 1>are into this and do this and all that kind

378
00:19:05.920 --> 00:19:07.759
<v Speaker 1>of stuff. But I I I have a kind of

379
00:19:07.839 --> 00:19:11.400
<v Speaker 1>you know, fond but sort of Okay, I did that

380
00:19:11.559 --> 00:19:15.240
<v Speaker 1>and time to move on, you know, memory of it.

381
00:19:16.400 --> 00:19:18.039
<v Speaker 3>I know, I was just h yeah, I was just

382
00:19:18.079 --> 00:19:21.160
<v Speaker 3>wondering about somebody. Did you some of your experience. Did

383
00:19:21.160 --> 00:19:23.039
<v Speaker 3>you ever get into like the star Ruby at all?

384
00:19:23.480 --> 00:19:24.240
<v Speaker 3>Was that like a ritual?

385
00:19:24.279 --> 00:19:27.480
<v Speaker 1>That? This is ages Ago? I mean I I what

386
00:19:27.559 --> 00:19:32.480
<v Speaker 1>I mostly did was read the books. I practice some

387
00:19:32.559 --> 00:19:37.960
<v Speaker 1>rituals on my own. I remember fasting for a few

388
00:19:38.039 --> 00:19:42.759
<v Speaker 1>days and strange life like that. But I specific kinds

389
00:19:42.759 --> 00:19:47.599
<v Speaker 1>of things I can't say, you know right now remembering that. Yeah,

390
00:19:48.000 --> 00:19:49.200
<v Speaker 1>I mean again it's ages Ago.

391
00:19:50.000 --> 00:19:51.759
<v Speaker 3>I thought it was interesting you said the tent and

392
00:19:52.079 --> 00:19:55.240
<v Speaker 3>what I was trying to get at in av there's

393
00:19:55.279 --> 00:19:57.039
<v Speaker 3>a tent in the room anyway, so I'm wondering if

394
00:19:57.039 --> 00:19:58.519
<v Speaker 3>that's what you were talking about. There's a big tent

395
00:19:58.559 --> 00:20:00.799
<v Speaker 3>in where you're taking the initiat, so I think maybe

396
00:20:00.839 --> 00:20:01.880
<v Speaker 3>that's a tent you were talking about.

397
00:20:01.920 --> 00:20:04.000
<v Speaker 1>So it's something something that I'm saying.

398
00:20:04.079 --> 00:20:07.359
<v Speaker 2>Yeah, it looks yeah, it's not like what you're saying now.

399
00:20:11.000 --> 00:20:13.039
<v Speaker 1>I mean it came back to me I was writing

400
00:20:13.039 --> 00:20:15.599
<v Speaker 1>about it. So, but I do. The thing that I

401
00:20:15.599 --> 00:20:17.880
<v Speaker 1>think is funny is the felice I be Dodd going by,

402
00:20:18.000 --> 00:20:20.079
<v Speaker 1>you know, I just remember, like that's a strong memory,

403
00:20:20.240 --> 00:20:25.799
<v Speaker 1>Like I'm being initiated into this weird magical cult claims

404
00:20:26.000 --> 00:20:28.000
<v Speaker 1>to go back to the you know, the Templars, but

405
00:20:28.039 --> 00:20:29.279
<v Speaker 1>you know who doesn't you know.

406
00:20:30.400 --> 00:20:32.759
<v Speaker 2>That the Rosa Cristians is always a good one to claim.

407
00:20:32.920 --> 00:20:33.519
<v Speaker 1>And there you go.

408
00:20:34.960 --> 00:20:36.720
<v Speaker 2>All right, does anybody else have questions?

409
00:20:37.720 --> 00:20:39.920
<v Speaker 6>Yeah, I was going to bring it. I've been into

410
00:20:40.599 --> 00:20:43.359
<v Speaker 6>I was just talking with Nick about in regard to

411
00:20:43.839 --> 00:20:46.960
<v Speaker 6>working to remember my dreams, and I have a dream journal,

412
00:20:47.240 --> 00:20:51.240
<v Speaker 6>and you're talking about the shared dreams now I've had

413
00:20:51.519 --> 00:20:54.440
<v Speaker 6>with my brother. We had some shared dreams at one

414
00:20:54.440 --> 00:20:56.880
<v Speaker 6>point in my youth. And then I've also had cases

415
00:20:56.920 --> 00:21:01.279
<v Speaker 6>where I've had like etheric entities coming and have teachings

416
00:21:01.319 --> 00:21:05.559
<v Speaker 6>for me while I'm sleeping. Have you like I'm interested

417
00:21:05.640 --> 00:21:08.920
<v Speaker 6>more in these these shared dreams that you're speaking of.

418
00:21:09.039 --> 00:21:11.319
<v Speaker 6>If you're willing to open up about that.

419
00:21:11.599 --> 00:21:13.759
<v Speaker 1>Well, I mean no, I wrote a song about it.

420
00:21:15.160 --> 00:21:17.000
<v Speaker 1>It was a big hit and it paid my rent

421
00:21:17.039 --> 00:21:20.960
<v Speaker 1>for quite a few years. But no, again, I don't

422
00:21:21.000 --> 00:21:24.200
<v Speaker 1>remember exactly again that this this was. Let's see, I

423
00:21:24.200 --> 00:21:28.839
<v Speaker 1>would have written the song in nineteen seventy seven and

424
00:21:29.839 --> 00:21:34.119
<v Speaker 1>it was premiered in the UK tour because what had

425
00:21:34.160 --> 00:21:40.119
<v Speaker 1>happened is the first Blondie North American tour. We would

426
00:21:40.160 --> 00:21:44.920
<v Speaker 1>support act for Iggy Pop, and David Bowie was his

427
00:21:45.839 --> 00:21:50.039
<v Speaker 1>keyboard player, but incognito. He wasn't announced, And this was

428
00:21:50.079 --> 00:21:52.559
<v Speaker 1>well before well my phone was the internet, so it

429
00:21:52.640 --> 00:21:55.119
<v Speaker 1>was actually, wow, man, did you hear the actual old

430
00:21:55.440 --> 00:21:59.359
<v Speaker 1>fashion grapevine whatever? Nice? Yeah, yeah, it's Bowie. It's Bowie, man,

431
00:21:59.359 --> 00:22:03.079
<v Speaker 1>it's Boie. Okay and okay. So and on this tour,

432
00:22:05.480 --> 00:22:07.680
<v Speaker 1>whenever I wanted to call Lisa, she wanted to call me.

433
00:22:08.279 --> 00:22:12.519
<v Speaker 1>We were at the phone. Each of us are at

434
00:22:12.519 --> 00:22:15.559
<v Speaker 1>the phone, right, So had I called her and she

435
00:22:15.599 --> 00:22:17.839
<v Speaker 1>picked it up, it would have been busy, yeah, because

436
00:22:17.839 --> 00:22:19.880
<v Speaker 1>she was trying to call me, so that that happened.

437
00:22:19.880 --> 00:22:23.359
<v Speaker 1>And again this is long before, so you had to

438
00:22:23.400 --> 00:22:27.359
<v Speaker 1>be back before we were constrained by time and space.

439
00:22:27.680 --> 00:22:30.279
<v Speaker 1>You had to be at a certain place at a

440
00:22:30.319 --> 00:22:32.839
<v Speaker 1>certain time in order to do that. This is one

441
00:22:32.839 --> 00:22:34.640
<v Speaker 1>of the things that we take for granted. But to me,

442
00:22:34.759 --> 00:22:37.079
<v Speaker 1>this says something about our reality now we're not so

443
00:22:37.240 --> 00:22:40.519
<v Speaker 1>constrained by time and space anymore. And just parenthetically, this

444
00:22:40.680 --> 00:22:44.119
<v Speaker 1>was something that the Swiss German philosopher Jehan Gebster said

445
00:22:44.759 --> 00:22:49.759
<v Speaker 1>was indicative of our time now, that our relationship with

446
00:22:49.839 --> 00:22:53.400
<v Speaker 1>time would be radically different. And it is not in

447
00:22:53.480 --> 00:22:58.720
<v Speaker 1>some weird, you know, Terrence McKenna's singularity kind of way,

448
00:22:58.759 --> 00:23:01.640
<v Speaker 1>but in ordinary, stupid, boring ways, but in the sense

449
00:23:01.759 --> 00:23:05.440
<v Speaker 1>like my kids, what you had to be weird what

450
00:23:06.359 --> 00:23:08.880
<v Speaker 1>to get it and to watch something on television, So

451
00:23:08.880 --> 00:23:13.400
<v Speaker 1>any case, parathetically, so nineteen seventy seven, I'm in Chicago,

452
00:23:14.079 --> 00:23:18.359
<v Speaker 1>leases in wherever or someplace, and we were calling each

453
00:23:18.359 --> 00:23:20.359
<v Speaker 1>other at the same time and then talking to each

454
00:23:20.359 --> 00:23:24.119
<v Speaker 1>other where we realized we have similar dreams. So that's

455
00:23:24.599 --> 00:23:26.720
<v Speaker 1>I mean, it's vague like that. I don't remember the

456
00:23:26.759 --> 00:23:29.559
<v Speaker 1>exact dreams, but that was like the beginning. And then

457
00:23:30.039 --> 00:23:34.599
<v Speaker 1>subsequent to that, I read a book called An Experiment

458
00:23:34.680 --> 00:23:38.240
<v Speaker 1>with Time by a fellow co J. W. Dunn, who

459
00:23:38.279 --> 00:23:40.759
<v Speaker 1>was an aeronautics engineer, and he was written in the

460
00:23:40.839 --> 00:23:44.480
<v Speaker 1>nineteen twenties and he had discovered just by accident that

461
00:23:44.519 --> 00:23:47.599
<v Speaker 1>he had dreamt bits and pieces of his own future

462
00:23:48.480 --> 00:23:52.359
<v Speaker 1>ahead of time. And I read this is again. But

463
00:23:52.480 --> 00:23:56.200
<v Speaker 1>I was in New York musician and I was indiscriminately

464
00:23:56.240 --> 00:23:58.759
<v Speaker 1>reading all this stuff about the paranormal and magic and

465
00:23:58.799 --> 00:24:01.920
<v Speaker 1>everything like that, and so I thought, Okay, I'll just

466
00:24:01.960 --> 00:24:03.759
<v Speaker 1>start writing down my dream. So I did, and then

467
00:24:03.880 --> 00:24:06.759
<v Speaker 1>boom it happened, right, And I've written a book about it.

468
00:24:06.759 --> 00:24:08.799
<v Speaker 1>I wrote a book about this during the first COVID

469
00:24:08.880 --> 00:24:12.599
<v Speaker 1>nineteen lockdown here in London in twenty twenty. It's called

470
00:24:12.680 --> 00:24:17.440
<v Speaker 1>dreaming ahead of Time Experiences with precognitive dreams, Synchronicities and coincidence.

471
00:24:18.240 --> 00:24:21.680
<v Speaker 1>And I just have been recording precognitive dreams since then,

472
00:24:21.799 --> 00:24:28.799
<v Speaker 1>so forty plus years years. Wow. Yeah, And so it's

473
00:24:28.839 --> 00:24:31.559
<v Speaker 1>like that and then very very powerful, kind of vivid,

474
00:24:31.640 --> 00:24:35.119
<v Speaker 1>lucid dreams and things. But I haven't had any entities

475
00:24:35.240 --> 00:24:37.799
<v Speaker 1>kind of thing. The one time I felt that I

476
00:24:37.880 --> 00:24:40.119
<v Speaker 1>had some kind of thing like that was I was

477
00:24:40.119 --> 00:24:43.440
<v Speaker 1>actually during a fever, and I remember feeling something was

478
00:24:43.480 --> 00:24:46.880
<v Speaker 1>on my back and I had been reading about you know,

479
00:24:47.119 --> 00:24:51.480
<v Speaker 1>the incubus or yeah, and I kind of said, look,

480
00:24:51.519 --> 00:24:53.559
<v Speaker 1>you know, I'm interested in all this stuff, but my

481
00:24:53.640 --> 00:24:58.599
<v Speaker 1>life's complicated already. I I don't really need this, and

482
00:24:59.039 --> 00:25:02.720
<v Speaker 1>please can you guys go please go away? And it

483
00:25:02.920 --> 00:25:04.480
<v Speaker 1>kind of did. So I was in a fever. I

484
00:25:04.519 --> 00:25:06.480
<v Speaker 1>don't know, it could have been a weird, but I

485
00:25:06.519 --> 00:25:09.279
<v Speaker 1>In that book, I also talk about hypnagogia, which is

486
00:25:09.400 --> 00:25:12.319
<v Speaker 1>you know, very strange in between state, the limital state,

487
00:25:13.279 --> 00:25:17.319
<v Speaker 1>and also sleep paralysis, which not so much in recent years,

488
00:25:17.319 --> 00:25:18.799
<v Speaker 1>but I used to be quite prone to that, and

489
00:25:18.839 --> 00:25:23.960
<v Speaker 1>that that's related to you know, abduction experiences and things

490
00:25:24.039 --> 00:25:25.880
<v Speaker 1>of that sort. So I'm not I'm not reducing it

491
00:25:25.880 --> 00:25:27.359
<v Speaker 1>to that, but I know that's related to and so

492
00:25:27.359 --> 00:25:30.240
<v Speaker 1>that's kind of the area BIB. But I I've not

493
00:25:30.400 --> 00:25:33.559
<v Speaker 1>had any kind of powerful dreams where I felt like

494
00:25:33.599 --> 00:25:37.599
<v Speaker 1>there's an intelligence there it's more than mine. And that's

495
00:25:37.640 --> 00:25:42.160
<v Speaker 1>how I feel about the synchronicities I've had like that.

496
00:25:42.279 --> 00:25:44.559
<v Speaker 1>So I think there's a gradient, you know, there's the

497
00:25:45.079 --> 00:25:48.200
<v Speaker 1>intelligence that I come encounter in my dreams, and then

498
00:25:48.799 --> 00:25:53.039
<v Speaker 1>the ones that somehow arrange these synchronicities. It's the same,

499
00:25:53.519 --> 00:25:56.119
<v Speaker 1>I would say, and the one again we're rambling on.

500
00:25:56.200 --> 00:25:58.519
<v Speaker 1>But the other thing is like, you know the eaching.

501
00:25:58.559 --> 00:26:02.200
<v Speaker 1>I've been using the EA ching for since nineteen seventy eight,

502
00:26:02.920 --> 00:26:07.119
<v Speaker 1>and if you know number four Mang beautiful folly, that's

503
00:26:07.160 --> 00:26:09.519
<v Speaker 1>the one you get if you ask the same question twice.

504
00:26:11.119 --> 00:26:14.759
<v Speaker 1>So how does a book I bought a secondhand bookshop

505
00:26:14.759 --> 00:26:18.160
<v Speaker 1>in Santum Barbara in nineteen seventy eight, and these Chinese

506
00:26:18.160 --> 00:26:21.759
<v Speaker 1>coins I got in Chinatown in Jula sometime, how does

507
00:26:21.799 --> 00:26:26.720
<v Speaker 1>it know? I'm asking the same question twice because it says,

508
00:26:26.720 --> 00:26:29.839
<v Speaker 1>you know, the first time you asked the oracle, it's okay,

509
00:26:29.920 --> 00:26:33.279
<v Speaker 1>But if you importune a second time, it's basically you know,

510
00:26:33.400 --> 00:26:36.119
<v Speaker 1>you got.

511
00:26:35.039 --> 00:26:39.400
<v Speaker 6>Some strange time space algorithm that some sort of way

512
00:26:39.480 --> 00:26:42.240
<v Speaker 6>precipitates into this well. And as far as that hit

513
00:26:42.279 --> 00:26:46.160
<v Speaker 6>in the gogic state, in between waking and sleeping, I

514
00:26:46.200 --> 00:26:49.160
<v Speaker 6>was reading the Spanish monks used to sit with a key,

515
00:26:49.640 --> 00:26:51.599
<v Speaker 6>and as soon as they would drop off, that dropped

516
00:26:51.640 --> 00:26:53.519
<v Speaker 6>the key, and that would wait so that they could

517
00:26:53.599 --> 00:26:56.960
<v Speaker 6>have this etheric state where it would be prone to

518
00:26:56.960 --> 00:26:58.200
<v Speaker 6>bring the visions you know.

519
00:26:59.559 --> 00:27:02.960
<v Speaker 1>Well also, yeah, I mean there's a story about it

520
00:27:03.119 --> 00:27:06.519
<v Speaker 1>was that Thomas Edison, the scientist or the inventor. He

521
00:27:06.599 --> 00:27:10.880
<v Speaker 1>used to keep bull bearings in his hand and lean

522
00:27:10.960 --> 00:27:12.880
<v Speaker 1>back in the chair and he would have a metal

523
00:27:12.960 --> 00:27:17.759
<v Speaker 1>kind of plate below. He would drift off and then

524
00:27:17.880 --> 00:27:21.440
<v Speaker 1>bang it would wake him up, and then the light

525
00:27:21.480 --> 00:27:24.480
<v Speaker 1>bulb as it were. Yeah, yeah, I mean, oh, there's

526
00:27:24.519 --> 00:27:26.000
<v Speaker 1>a whole you no, I mean that that's no, it's

527
00:27:26.039 --> 00:27:28.079
<v Speaker 1>a remarkable I mean, and we go through it every day.

528
00:27:28.160 --> 00:27:30.920
<v Speaker 1>You know, there's a hypnagogic when you go into sleep,

529
00:27:30.960 --> 00:27:32.480
<v Speaker 1>and then if you want to split hairs, its hipping

530
00:27:32.519 --> 00:27:34.920
<v Speaker 1>the pompic when you're coming back up. And if you

531
00:27:34.960 --> 00:27:39.319
<v Speaker 1>want to explore this area, I suggest you concentrate on

532
00:27:39.799 --> 00:27:41.960
<v Speaker 1>waking up a bit earlier in the day rather than

533
00:27:42.000 --> 00:27:45.160
<v Speaker 1>trying to catch it as you fall asleep, because if

534
00:27:45.200 --> 00:27:48.000
<v Speaker 1>you do that you usually initially just wind up with

535
00:27:48.079 --> 00:27:49.839
<v Speaker 1>the bad night's sleep after you you know, you have

536
00:27:49.920 --> 00:27:51.480
<v Speaker 1>to you have to work a lot to master it.

537
00:27:51.519 --> 00:27:53.039
<v Speaker 1>But if you do the other one in the morning,

538
00:27:53.079 --> 00:27:54.880
<v Speaker 1>if you can arrange to wake up a little earlier

539
00:27:55.160 --> 00:27:58.240
<v Speaker 1>and then drift back. That's how those that's when I

540
00:27:58.599 --> 00:28:03.119
<v Speaker 1>most I have the most sort of vivid and dreams

541
00:28:03.119 --> 00:28:04.720
<v Speaker 1>that I remember the most is when I do that.

542
00:28:04.839 --> 00:28:06.079
<v Speaker 1>So I generally wake up.

543
00:28:06.039 --> 00:28:10.039
<v Speaker 6>Early then and then something that have a second second

544
00:28:10.359 --> 00:28:13.759
<v Speaker 6>momentary sleep. Yeah, I found that as well.

545
00:28:13.880 --> 00:28:17.559
<v Speaker 1>Yes, yeah, yeah, Carrie.

546
00:28:17.839 --> 00:28:20.119
<v Speaker 4>Was this when you were having these dreams with Lisa,

547
00:28:20.200 --> 00:28:20.960
<v Speaker 4>which is weird because my.

548
00:28:21.000 --> 00:28:21.680
<v Speaker 1>Name is Lisa.

549
00:28:22.640 --> 00:28:26.359
<v Speaker 4>That were you doing rush at the time? And I'm

550
00:28:26.400 --> 00:28:28.839
<v Speaker 4>not trying to promote rush?

551
00:28:29.039 --> 00:28:30.119
<v Speaker 1>Well what? Sorry?

552
00:28:30.759 --> 00:28:35.160
<v Speaker 4>Sorry that when you were having these dreams with Lisa,

553
00:28:35.400 --> 00:28:37.880
<v Speaker 4>were you also practicing rush?

554
00:28:38.880 --> 00:28:42.920
<v Speaker 1>Practicing rush or leave rush rush? What?

555
00:28:43.559 --> 00:28:45.319
<v Speaker 2>That was a prayer that you mentioned before you did

556
00:28:45.319 --> 00:28:47.839
<v Speaker 2>four times a day?

557
00:28:48.599 --> 00:28:50.839
<v Speaker 1>Oh you mean the oh, the adorations kind of thing.

558
00:28:51.160 --> 00:28:54.799
<v Speaker 1>I'm sorry, Yes, well I would have uh no, no,

559
00:28:54.920 --> 00:28:57.079
<v Speaker 1>that was earlier. That was early that, I'm sorry, that

560
00:28:57.119 --> 00:28:59.480
<v Speaker 1>was all. I was still living in New York, so

561
00:28:59.559 --> 00:29:02.119
<v Speaker 1>I I I hadn't I hadn't joined, you know, and

562
00:29:02.160 --> 00:29:05.680
<v Speaker 1>doing the thing. We just discovered that this was but

563
00:29:05.839 --> 00:29:08.119
<v Speaker 1>I mean, she she she was interested in this stuff,

564
00:29:08.160 --> 00:29:09.720
<v Speaker 1>and then because I was interested in it, you know,

565
00:29:10.000 --> 00:29:14.440
<v Speaker 1>we were both reading this kind of thing. So and

566
00:29:14.480 --> 00:29:17.519
<v Speaker 1>we were young and in love, which is one of

567
00:29:17.559 --> 00:29:20.319
<v Speaker 1>the things that well, being in love. Being young helps too,

568
00:29:20.359 --> 00:29:27.640
<v Speaker 1>I think you get older. I'm sorry, no, no, no, no. Oh.

569
00:29:27.799 --> 00:29:29.799
<v Speaker 4>So the reason I say that is because there is

570
00:29:29.880 --> 00:29:36.799
<v Speaker 4>a lot of hypothesis and theories that watching the sun

571
00:29:37.440 --> 00:29:43.240
<v Speaker 4>during the morning, midday, night, and midnight allows for the

572
00:29:43.279 --> 00:29:47.000
<v Speaker 4>ability to download the algorithm from the sun, you know,

573
00:29:47.079 --> 00:29:53.160
<v Speaker 4>with the spectrum charging your pineal priming it as well

574
00:29:53.599 --> 00:29:59.160
<v Speaker 4>to not only be aware of I guess, not only

575
00:29:59.160 --> 00:30:03.000
<v Speaker 4>your surroundings or whatever, but also tap into that quantum

576
00:30:03.759 --> 00:30:08.680
<v Speaker 4>ability to channel or to be in touch with people

577
00:30:08.720 --> 00:30:13.000
<v Speaker 4>at a distance their feeling or thinking, as well as

578
00:30:13.119 --> 00:30:17.400
<v Speaker 4>having very vivid dreams as well. And so that's why

579
00:30:17.440 --> 00:30:22.240
<v Speaker 4>I was asking if that was also going on at

580
00:30:22.279 --> 00:30:24.440
<v Speaker 4>the time. That was not that.

581
00:30:24.640 --> 00:30:29.279
<v Speaker 1>No, no, I didn't know that, so thanks thanks to

582
00:30:29.359 --> 00:30:31.680
<v Speaker 1>mentioning it. But no, I mean it was. That was

583
00:30:31.720 --> 00:30:33.839
<v Speaker 1>the kind of thing that led me later on, you know,

584
00:30:33.960 --> 00:30:36.519
<v Speaker 1>to to do it.

585
00:30:36.599 --> 00:30:40.839
<v Speaker 2>Yeah, listen, did you want to ask anything about the

586
00:30:40.839 --> 00:30:41.440
<v Speaker 2>Colin Wilson.

587
00:30:42.319 --> 00:30:47.279
<v Speaker 4>I did. I had read Mind Parasites a while back

588
00:30:48.079 --> 00:30:50.839
<v Speaker 4>and I was given it. I was given that book

589
00:30:50.880 --> 00:30:54.279
<v Speaker 4>as a recommendation, and it was to me it was

590
00:30:54.359 --> 00:30:57.680
<v Speaker 4>very transformative. I had never read Colin Wilson before I

591
00:30:57.720 --> 00:31:01.440
<v Speaker 4>had never even thought of some of that type of

592
00:31:02.480 --> 00:31:07.400
<v Speaker 4>I guess spin On. I mean the way that one,

593
00:31:07.480 --> 00:31:09.839
<v Speaker 4>the way he writes was amazing. I had never read

594
00:31:09.839 --> 00:31:14.200
<v Speaker 4>anybody like that. But the main thing was that how

595
00:31:14.240 --> 00:31:19.839
<v Speaker 4>he kind of literalized like physical dysfunction as an actual

596
00:31:20.599 --> 00:31:27.359
<v Speaker 4>like well parasite really, but actually like something that you

597
00:31:27.440 --> 00:31:32.640
<v Speaker 4>can treat or something that you can potentially work through

598
00:31:33.200 --> 00:31:37.759
<v Speaker 4>and maybe even evolve out of, like through discipline or

599
00:31:37.759 --> 00:31:40.359
<v Speaker 4>anything like that, to enhance kind of like consciousness and

600
00:31:40.359 --> 00:31:44.000
<v Speaker 4>stuff like that. And I'm I'm a biologist by trade,

601
00:31:44.000 --> 00:31:46.119
<v Speaker 4>and so I deal with the diseases and everything. So

602
00:31:46.160 --> 00:31:48.559
<v Speaker 4>this was like right up my alley. But to actually

603
00:31:48.799 --> 00:31:53.480
<v Speaker 4>have that analogy, to speak to it through or at

604
00:31:53.559 --> 00:31:58.880
<v Speaker 4>least give it more of a personification through that way,

605
00:31:59.039 --> 00:32:04.160
<v Speaker 4>to me was was mind blowing for sure. And that

606
00:32:04.240 --> 00:32:06.920
<v Speaker 4>you have had you spoke about Colin Wilson and how

607
00:32:07.279 --> 00:32:11.480
<v Speaker 4>his book kind of was impactful to you, and I

608
00:32:11.519 --> 00:32:13.440
<v Speaker 4>kind of wanted to ask you about that a little bit.

609
00:32:15.319 --> 00:32:18.039
<v Speaker 1>Yeah, I know, mind power sites. That's a one of

610
00:32:17.759 --> 00:32:21.839
<v Speaker 1>the ones I read after I'd read The Occult and

611
00:32:23.759 --> 00:32:26.920
<v Speaker 1>I was living in Los Angeles, and actually an edition

612
00:32:27.039 --> 00:32:29.440
<v Speaker 1>of It came out some years back when I wrote

613
00:32:29.480 --> 00:32:34.960
<v Speaker 1>an introduction to it, and it's it's sort of a

614
00:32:35.000 --> 00:32:39.480
<v Speaker 1>science fiction Lovecraftian novel, kind of more of a fable.

615
00:32:39.519 --> 00:32:41.640
<v Speaker 1>I mean his novels are sort of fables. I mean

616
00:32:41.680 --> 00:32:44.720
<v Speaker 1>he uses he uses he uses a lot of different

617
00:32:44.720 --> 00:32:48.559
<v Speaker 1>genre for his philosophical purposes. So he uses science fiction

618
00:32:48.759 --> 00:32:52.279
<v Speaker 1>or that fantasy or crime novels, things of that sort.

619
00:32:52.839 --> 00:32:56.079
<v Speaker 1>And in this one he's trying to well you're saying

620
00:32:56.079 --> 00:33:01.960
<v Speaker 1>he's literalizing or fictionalizing what he wrote about and earlier.

621
00:33:02.000 --> 00:33:03.359
<v Speaker 1>I mean, this is this is I think he wrote

622
00:33:03.359 --> 00:33:05.599
<v Speaker 1>this in nineteen sixty six, so this is before he

623
00:33:05.640 --> 00:33:08.200
<v Speaker 1>was writing about the occult. So this is during his

624
00:33:08.279 --> 00:33:13.519
<v Speaker 1>sort of existential phenomenological period. But his first book, The Outsider,

625
00:33:15.559 --> 00:33:17.799
<v Speaker 1>came out in nineteen fifty six, and he was twenty four,

626
00:33:18.119 --> 00:33:20.960
<v Speaker 1>and he had spent like the previous ten years learning

627
00:33:21.000 --> 00:33:26.039
<v Speaker 1>how to write and keeping faith in the conviction of

628
00:33:26.079 --> 00:33:28.440
<v Speaker 1>his genius. And then this very first book comes out

629
00:33:28.440 --> 00:33:31.759
<v Speaker 1>and he was like he was overnight success. He was

630
00:33:31.759 --> 00:33:33.960
<v Speaker 1>a bestseller and all this kind of stuff. Sadly, the

631
00:33:33.960 --> 00:33:37.000
<v Speaker 1>British turned against him because they don't like people who

632
00:33:37.000 --> 00:33:39.519
<v Speaker 1>are smart. But don't go to university, so it's his

633
00:33:39.559 --> 00:33:43.200
<v Speaker 1>class kind of thing. But his first book, The Outsider,

634
00:33:43.279 --> 00:33:48.920
<v Speaker 1>it's basically about these people who individuals, creative individuals who

635
00:33:49.079 --> 00:33:54.119
<v Speaker 1>have a strong appetitor need for meaning and purpose and

636
00:33:54.160 --> 00:33:59.319
<v Speaker 1>in the increasingly secular, comfort oriented I mean again, this

637
00:33:59.359 --> 00:34:02.519
<v Speaker 1>is nineteen fifty, so it's you know, seventy years ago.

638
00:34:03.920 --> 00:34:08.800
<v Speaker 1>Now you can't find it. You can't find so it's

639
00:34:08.800 --> 00:34:11.280
<v Speaker 1>like basically kind of existential religious kind of questions. And

640
00:34:11.280 --> 00:34:14.320
<v Speaker 1>he was considered like Britain's own homegrown interesstentialist, but he

641
00:34:14.400 --> 00:34:17.400
<v Speaker 1>was he he was fascinating like people like say Nietzsche

642
00:34:17.679 --> 00:34:22.960
<v Speaker 1>and van go and Strindberg and all these others who

643
00:34:23.599 --> 00:34:27.079
<v Speaker 1>kind of blew up or went insane or died early.

644
00:34:27.440 --> 00:34:31.880
<v Speaker 1>And he said they were these people had this kind

645
00:34:31.920 --> 00:34:33.800
<v Speaker 1>of appetite for meaning and purpose, and they also had

646
00:34:33.840 --> 00:34:36.840
<v Speaker 1>these visions of kind of you know, transformed of all

647
00:34:36.920 --> 00:34:39.840
<v Speaker 1>his good you know, absolutely redemptive vision of meaning and

648
00:34:39.880 --> 00:34:42.199
<v Speaker 1>purpose in the face of everything and all this kind

649
00:34:42.199 --> 00:34:45.199
<v Speaker 1>of stuff in variety of ways. But why did they

650
00:34:45.199 --> 00:34:49.519
<v Speaker 1>wind up either blowing up in some way, cracking smashing,

651
00:34:49.599 --> 00:34:52.599
<v Speaker 1>you know, dying young, or you know, committing suicide of

652
00:34:52.679 --> 00:34:58.519
<v Speaker 1>going insane. So he explores that question through the series

653
00:34:58.519 --> 00:35:01.000
<v Speaker 1>of books that he called The Outside, and he applies

654
00:35:01.320 --> 00:35:03.159
<v Speaker 1>I can't come into it in any depth, but he

655
00:35:03.199 --> 00:35:06.280
<v Speaker 1>applies essential analysis to and but they're all page turners.

656
00:35:06.280 --> 00:35:08.639
<v Speaker 1>I mean, it's existential. It's not. Sorry, who's like really

657
00:35:08.679 --> 00:35:11.199
<v Speaker 1>tough to get through. It's like thick, you know, turgid stuff.

658
00:35:11.239 --> 00:35:14.199
<v Speaker 1>But no, Wilson's Wilson's a writer. So it's it goes.

659
00:35:15.480 --> 00:35:22.519
<v Speaker 1>But in in the novel The Mind Parasites he he he,

660
00:35:22.519 --> 00:35:26.360
<v Speaker 1>he invents this notion of a kind of parasite that's

661
00:35:26.400 --> 00:35:29.280
<v Speaker 1>actually it's not it's not it's not a micro parasite

662
00:35:29.280 --> 00:35:31.639
<v Speaker 1>that gets into the body. It's actually in the psyche.

663
00:35:31.760 --> 00:35:35.320
<v Speaker 1>It's we. We we exist in the physical realm, right,

664
00:35:35.599 --> 00:35:37.840
<v Speaker 1>and we tend to think there's a little blob of

665
00:35:37.960 --> 00:35:40.320
<v Speaker 1>consciousness in our heads, but actually that little blob is

666
00:35:40.320 --> 00:35:45.119
<v Speaker 1>connected to a larger, objective psychic realm that's within us,

667
00:35:45.159 --> 00:35:48.039
<v Speaker 1>and we're all a variety of different ways everything trying

668
00:35:48.079 --> 00:35:53.119
<v Speaker 1>to explore that. Uh. And what he says is that, oh,

669
00:35:53.400 --> 00:35:57.039
<v Speaker 1>for centuries, there's been a kind of mental parasite in

670
00:35:57.360 --> 00:36:02.280
<v Speaker 1>the psychic realms, living, sucking life energy off from human beings.

671
00:36:02.639 --> 00:36:06.320
<v Speaker 1>And then sometime in the nineteenth century, these these Titanic figures,

672
00:36:06.400 --> 00:36:09.519
<v Speaker 1>these romantics, and then great, you know, powerful figures like

673
00:36:09.599 --> 00:36:13.280
<v Speaker 1>Nietzsche and Strenberg and whatever. So the early ones could

674
00:36:13.280 --> 00:36:15.639
<v Speaker 1>overcome them, Beethoven and Gerta. But then they got tougher

675
00:36:15.679 --> 00:36:18.280
<v Speaker 1>and tougher, and then he said, the parasites realizing that

676
00:36:18.440 --> 00:36:21.639
<v Speaker 1>humanity is learning its own strength and power, and then

677
00:36:21.639 --> 00:36:24.679
<v Speaker 1>we won't be able to you know, suck a dry anymore.

678
00:36:24.760 --> 00:36:27.000
<v Speaker 1>We have to get rid of these guys. And so

679
00:36:27.960 --> 00:36:31.079
<v Speaker 1>he says, the mind parasites drove them all mad, you know,

680
00:36:31.159 --> 00:36:34.400
<v Speaker 1>drove them crazy because they you know, they were getting

681
00:36:34.400 --> 00:36:37.960
<v Speaker 1>too close to the secret. And so characters a spoiler

682
00:36:38.079 --> 00:36:41.599
<v Speaker 1>character and actually it takes place well, it was written

683
00:36:41.599 --> 00:36:43.559
<v Speaker 1>in sixty six, I think it takes place in I

684
00:36:43.599 --> 00:36:46.119
<v Speaker 1>don't know, nineteen something or other. So it was the

685
00:36:46.119 --> 00:36:50.159
<v Speaker 1>future when it was written. Now it's the past. But

686
00:36:51.360 --> 00:36:55.000
<v Speaker 1>characters in the book learn about this and learn about

687
00:36:55.039 --> 00:36:58.360
<v Speaker 1>them and learn methods to be able to overcome them.

688
00:36:58.480 --> 00:37:01.400
<v Speaker 1>And there's a fantastic I'm going but there's a I

689
00:37:01.400 --> 00:37:03.960
<v Speaker 1>think one of the most remarkable things Wilson did in

690
00:37:04.000 --> 00:37:08.880
<v Speaker 1>this genre where he's using genre writing for philosophical means.

691
00:37:09.360 --> 00:37:12.280
<v Speaker 1>Is that he has this incredible cosmic battle going on

692
00:37:13.000 --> 00:37:16.440
<v Speaker 1>between this one character who's learned about the parasites and

693
00:37:16.800 --> 00:37:22.440
<v Speaker 1>has developed he's learned about phenomenology, which is this philosophical

694
00:37:22.480 --> 00:37:26.360
<v Speaker 1>methodology of understanding consciousness. It's tough to pronounce and it's

695
00:37:26.360 --> 00:37:29.920
<v Speaker 1>even tougher to practice, but he's learned how to do this,

696
00:37:30.119 --> 00:37:33.880
<v Speaker 1>and he's able to ward off the parasites, but it's

697
00:37:33.880 --> 00:37:36.639
<v Speaker 1>all going on inside his head. So it's the most

698
00:37:36.679 --> 00:37:40.039
<v Speaker 1>remarkable battle ever taking place. Is some guy's sitting in

699
00:37:40.039 --> 00:37:44.079
<v Speaker 1>a chair and he's sweating because it's all well doing

700
00:37:44.159 --> 00:37:47.000
<v Speaker 1>like that. So it's just incredible, and yeah, if you

701
00:37:47.039 --> 00:37:48.679
<v Speaker 1>ever get a chance, it's really a great it's a

702
00:37:48.679 --> 00:37:52.920
<v Speaker 1>great read. Unfortunately, one of his novels called The Space Vampires,

703
00:37:53.239 --> 00:37:55.679
<v Speaker 1>written in late seventies, was turned into one of the

704
00:37:55.719 --> 00:38:00.559
<v Speaker 1>worst films ever made called Life Force Toby Hooper effect eighties,

705
00:38:01.000 --> 00:38:03.360
<v Speaker 1>and it's I mean, my joke about that film is

706
00:38:03.400 --> 00:38:05.880
<v Speaker 1>that there are there are two good things in that movie,

707
00:38:06.280 --> 00:38:09.519
<v Speaker 1>and the lead actress has both of them.

708
00:38:09.840 --> 00:38:12.760
<v Speaker 5>I actually liked that movie. Sorry again, I do enjoy it.

709
00:38:12.840 --> 00:38:15.920
<v Speaker 5>I think it's a great you know, it's it's weird.

710
00:38:15.960 --> 00:38:19.000
<v Speaker 5>It's kind of like a o cult sci fi I

711
00:38:19.000 --> 00:38:21.719
<v Speaker 5>think they did with it something. It's weird, and so

712
00:38:21.760 --> 00:38:24.679
<v Speaker 5>it takes someone of a particular you know, it's not

713
00:38:24.760 --> 00:38:27.840
<v Speaker 5>true keno, but perhaps there's something interesting in it.

714
00:38:28.280 --> 00:38:30.840
<v Speaker 6>Yeah. I enjoyed this movie as a youngster as well,

715
00:38:30.920 --> 00:38:32.519
<v Speaker 6>So that's uh.

716
00:38:32.519 --> 00:38:34.880
<v Speaker 1>Well, Will Wilson has an interesting story because I don't know,

717
00:38:34.880 --> 00:38:37.320
<v Speaker 1>if you know the novelist John fowls The Magas and

718
00:38:37.360 --> 00:38:42.920
<v Speaker 1>the bench Liintendant's women, they knew each other. And if

719
00:38:42.920 --> 00:38:45.800
<v Speaker 1>you ever the John Fowl's novel The Magas is one

720
00:38:45.840 --> 00:38:49.119
<v Speaker 1>of these high literary works that came out during the

721
00:38:49.159 --> 00:38:52.360
<v Speaker 1>mystic sixties when cultism and magic and all this was

722
00:38:52.400 --> 00:38:54.599
<v Speaker 1>like my first book, turn Off Your Mind is all

723
00:38:54.639 --> 00:38:58.039
<v Speaker 1>about how like the occult and magic saturated not only

724
00:38:58.079 --> 00:38:59.960
<v Speaker 1>popular culture. But it's it's you know, it's fairly hot

725
00:39:00.360 --> 00:39:04.199
<v Speaker 1>high mind at high literary hygrow and it's a very

726
00:39:04.199 --> 00:39:07.519
<v Speaker 1>good novel. But the film is ridiculous with Michael Kaine

727
00:39:08.000 --> 00:39:09.880
<v Speaker 1>and Anthony Lewen, it's like one of the worst films

728
00:39:09.960 --> 00:39:14.920
<v Speaker 1>ever made. And John Fowl sent you know, Colin Wilson

729
00:39:14.920 --> 00:39:18.000
<v Speaker 1>of Postcard saying, you know, if you ever think of

730
00:39:18.039 --> 00:39:19.800
<v Speaker 1>seeing my film The makea Stone. It's one of the

731
00:39:19.840 --> 00:39:21.480
<v Speaker 1>worst things ever made in that kind of thing. And

732
00:39:21.519 --> 00:39:24.000
<v Speaker 1>then when Life Worst came out, Wilson wrote him back

733
00:39:24.039 --> 00:39:25.840
<v Speaker 1>and said, you know, John, I've done you one better.

734
00:39:27.679 --> 00:39:30.119
<v Speaker 1>But yeah, I mean again, I'm you know, it's a

735
00:39:30.119 --> 00:39:33.599
<v Speaker 1>different kind of thing. It's a different I tell you

736
00:39:33.719 --> 00:39:35.679
<v Speaker 1>one book I think should have been made of Wilson's

737
00:39:35.880 --> 00:39:38.039
<v Speaker 1>is his first novel. It's called Ritual in the Dark

738
00:39:39.199 --> 00:39:43.239
<v Speaker 1>and it came out in nineteen sixty and it's best

739
00:39:43.679 --> 00:39:48.519
<v Speaker 1>characterized as Jack the Ripper meets the brothers Karamtsov in

740
00:39:49.760 --> 00:39:54.679
<v Speaker 1>Duffel coded post war nineteen fifties London, and it's an

741
00:39:54.719 --> 00:39:59.840
<v Speaker 1>early serial killer novel with existential intent. And I think

742
00:39:59.840 --> 00:40:02.440
<v Speaker 1>that would make a great film, but I don't know.

743
00:40:02.519 --> 00:40:03.400
<v Speaker 1>No one's approached it.

744
00:40:03.440 --> 00:40:07.840
<v Speaker 4>So I guess I just drew parallels with my parasites

745
00:40:07.840 --> 00:40:13.039
<v Speaker 4>and the blip on your new book. That is this

746
00:40:13.199 --> 00:40:18.599
<v Speaker 4>lifelong pursuit of learning about consciousness and kind of trying

747
00:40:18.639 --> 00:40:22.679
<v Speaker 4>to rise above. So that's kind of why I brought in.

748
00:40:23.599 --> 00:40:26.800
<v Speaker 1>No No Do Please. Yeah, I know, he's he's been

749
00:40:26.840 --> 00:40:29.119
<v Speaker 1>the most I said, it's it's a cliche, but actually

750
00:40:29.400 --> 00:40:31.159
<v Speaker 1>reading that book if has changed my life. And then

751
00:40:31.400 --> 00:40:33.079
<v Speaker 1>I went on the pilgrimage and met him. That's I

752
00:40:33.119 --> 00:40:35.079
<v Speaker 1>talked about that in the book two in nineteen eighty three.

753
00:40:39.440 --> 00:40:42.880
<v Speaker 1>He's very well. He was very very warm, very very generous,

754
00:40:45.400 --> 00:40:48.480
<v Speaker 1>very busy. I mean, I let me say eighty three.

755
00:40:48.559 --> 00:40:50.840
<v Speaker 1>I was all of twenty seven, and I went on

756
00:40:51.519 --> 00:40:54.440
<v Speaker 1>at the time what I subsequently called the mini Search

757
00:40:54.480 --> 00:40:57.480
<v Speaker 1>of the Miraculous. And if you know the book In

758
00:40:57.480 --> 00:40:59.679
<v Speaker 1>Search of the Miraculous, this is a book by Russian

759
00:41:00.440 --> 00:41:03.079
<v Speaker 1>writer philosophy P. D Uspensky, and it was about his

760
00:41:03.960 --> 00:41:09.000
<v Speaker 1>time under the tutelage of the enigmatic Armenian Greco esoteric

761
00:41:09.039 --> 00:41:12.559
<v Speaker 1>teacher gi Gord Jeff. And after my time with the

762
00:41:12.639 --> 00:41:16.039
<v Speaker 1>Crowley group, the next kind of group I got involved

763
00:41:16.039 --> 00:41:18.760
<v Speaker 1>it was this Fourth Way Crowley excuse me for there

764
00:41:19.079 --> 00:41:22.199
<v Speaker 1>I was a YOUNGI and Croley thelemic slip Fourth Way

765
00:41:22.320 --> 00:41:29.760
<v Speaker 1>Gergy group. And part of this mini search to the

766
00:41:29.800 --> 00:41:35.719
<v Speaker 1>miraculous I was I visited the chateau outside of Paris

767
00:41:35.719 --> 00:41:40.599
<v Speaker 1>and Fontainebleau where Gerjev had his briefly had his Harmonious

768
00:41:41.199 --> 00:41:45.000
<v Speaker 1>Institute for Thermonious Development of Man. But on one leg of

769
00:41:45.039 --> 00:41:48.000
<v Speaker 1>this I was at I was into lay lines and

770
00:41:48.039 --> 00:41:49.599
<v Speaker 1>things like that, so I was going to lots of

771
00:41:49.639 --> 00:41:52.880
<v Speaker 1>like megalithic sites and I had the Ordinance Survey map

772
00:41:52.880 --> 00:41:54.920
<v Speaker 1>and trying to find ley lines. But one of the

773
00:41:54.920 --> 00:41:56.960
<v Speaker 1>things I did was making pilgrimage down to Cornwall, this

774
00:41:57.079 --> 00:42:02.159
<v Speaker 1>tiny place called goren Haven, Wilson escaped to in the

775
00:42:02.400 --> 00:42:06.599
<v Speaker 1>late fifties to escape the notoriety that he had as

776
00:42:06.639 --> 00:42:10.440
<v Speaker 1>an angry man in fifties. And yeah, I mean I

777
00:42:10.519 --> 00:42:12.519
<v Speaker 1>only spent one night there, but we got through a

778
00:42:12.559 --> 00:42:16.400
<v Speaker 1>couple of bottles and he explained to me his ideas

779
00:42:16.400 --> 00:42:19.480
<v Speaker 1>about philminology and consciousness, and I got it that night.

780
00:42:19.519 --> 00:42:21.239
<v Speaker 1>It was a little difficult to dredge it up the

781
00:42:21.280 --> 00:42:25.119
<v Speaker 1>next morning, but right then I think I nailed it. No,

782
00:42:25.239 --> 00:42:28.159
<v Speaker 1>he's very warm, and I mean a story about him

783
00:42:28.280 --> 00:42:32.320
<v Speaker 1>is like estimates on the number of books that he had.

784
00:42:32.440 --> 00:42:35.360
<v Speaker 1>It's somewhere between sixty and one hundred thousand. I mean,

785
00:42:35.400 --> 00:42:39.000
<v Speaker 1>he just had enormous amount of books. And I after

786
00:42:39.039 --> 00:42:43.639
<v Speaker 1>that visit, well, you know, lots of people visited him.

787
00:42:43.639 --> 00:42:46.360
<v Speaker 1>So I say I became friends, but it wasn't particularly close,

788
00:42:46.639 --> 00:42:49.320
<v Speaker 1>but I was someone who you know, they knew, and

789
00:42:49.920 --> 00:42:51.320
<v Speaker 1>the family got to know me, and I got to

790
00:42:51.360 --> 00:42:53.400
<v Speaker 1>know them and all that. I kept visiting him, and

791
00:42:53.880 --> 00:42:57.880
<v Speaker 1>he died in twenty thirteen, and I subsequently wrote a

792
00:42:57.920 --> 00:43:01.119
<v Speaker 1>book about him called On the Robot, The Life and

793
00:43:01.119 --> 00:43:06.199
<v Speaker 1>Work of Colin Wilson. So yeah, he was enormous, enormous, influential.

794
00:43:06.320 --> 00:43:08.840
<v Speaker 1>But I tell the story of the pilgrimage to his

795
00:43:08.920 --> 00:43:12.719
<v Speaker 1>place in the book and all that. And one thing

796
00:43:12.719 --> 00:43:16.880
<v Speaker 1>I do regret is in the late eighties, I worked

797
00:43:16.920 --> 00:43:21.559
<v Speaker 1>at a at the time famous metaphysical bookshop in Los

798
00:43:21.599 --> 00:43:25.480
<v Speaker 1>Angeles called the Bodi Tree, which doesn't exist anymore, but

799
00:43:25.599 --> 00:43:27.960
<v Speaker 1>Shirley maclain, the actual Shirley McClain, put it on the

800
00:43:28.000 --> 00:43:31.119
<v Speaker 1>map in the eighties because she had discovered her past

801
00:43:31.159 --> 00:43:33.039
<v Speaker 1>life and aura and all that kind of stuff there.

802
00:43:33.559 --> 00:43:38.880
<v Speaker 1>And Wilson was in town giving a lecture in Los Angeles,

803
00:43:39.079 --> 00:43:41.159
<v Speaker 1>and he was staying at a travel launch or something,

804
00:43:41.199 --> 00:43:43.679
<v Speaker 1>and I was house sitting for one of the owners

805
00:43:43.679 --> 00:43:46.199
<v Speaker 1>of the Bodie Tree, and they had and they were Buddhists.

806
00:43:46.440 --> 00:43:50.920
<v Speaker 1>They started out in aeronautics at Lockheed in the early

807
00:43:50.960 --> 00:43:53.320
<v Speaker 1>seventies and they decided they wanted to do something meaningful

808
00:43:53.360 --> 00:43:57.400
<v Speaker 1>in their lives that they opened up this this metaphysical bookshop,

809
00:43:58.119 --> 00:43:59.960
<v Speaker 1>and it was it was a success. So this was

810
00:44:00.199 --> 00:44:02.119
<v Speaker 1>been about I don't know eighty eight or something like that,

811
00:44:02.159 --> 00:44:06.159
<v Speaker 1>maybe eighty nine. Wilson was in London, excuse me, I'm

812
00:44:06.199 --> 00:44:09.840
<v Speaker 1>mixing it up in la giving a lecture, and I

813
00:44:10.199 --> 00:44:12.199
<v Speaker 1>was house sitting for one of the owners. And they

814
00:44:12.199 --> 00:44:15.239
<v Speaker 1>have this fantastic place in the Hollywood Hills and Laurel Canyon.

815
00:44:16.000 --> 00:44:18.320
<v Speaker 1>I called it a zen castle. So I said, why

816
00:44:18.320 --> 00:44:20.440
<v Speaker 1>don't you come and stay? So he and his wife

817
00:44:20.519 --> 00:44:23.480
<v Speaker 1>Joy stayed with us. And one of the things I

818
00:44:23.559 --> 00:44:28.159
<v Speaker 1>regret is that we got so slashed one night that

819
00:44:28.280 --> 00:44:31.280
<v Speaker 1>the next day he was having lunch with Robert Anton

820
00:44:31.320 --> 00:44:35.159
<v Speaker 1>Wilson and he invited me along, but I was so

821
00:44:35.280 --> 00:44:43.280
<v Speaker 1>hungover I couldn't go. So I absolutely regret that. So, yeah,

822
00:44:43.320 --> 00:44:44.159
<v Speaker 1>this is amazing.

823
00:44:44.360 --> 00:44:45.800
<v Speaker 4>You actually met the people we.

824
00:44:45.719 --> 00:44:48.400
<v Speaker 1>Talked about some of them.

825
00:44:48.480 --> 00:44:53.039
<v Speaker 4>Yeah, And it almost seems like with some of the

826
00:44:53.039 --> 00:44:56.199
<v Speaker 4>biographies that she's the list of biographies that you've written

827
00:44:56.239 --> 00:45:00.440
<v Speaker 4>about the same there's like this theme, and please correct

828
00:45:00.440 --> 00:45:04.440
<v Speaker 4>me if I'm wrong, like this biological resonance of sorts

829
00:45:04.960 --> 00:45:09.960
<v Speaker 4>in that like a thread that runs throughout all of

830
00:45:11.719 --> 00:45:13.559
<v Speaker 4>the people that you speak of or the people that

831
00:45:13.599 --> 00:45:16.400
<v Speaker 4>you wrote about, and then as well as some of

832
00:45:16.440 --> 00:45:21.880
<v Speaker 4>the interviews that I've listened to of you. Is that

833
00:45:22.039 --> 00:45:26.480
<v Speaker 4>something that that you were I guess like a topic

834
00:45:26.559 --> 00:45:28.400
<v Speaker 4>that you are interested.

835
00:45:28.000 --> 00:45:31.199
<v Speaker 1>In or I'm not quite sure what you mean exactly.

836
00:45:32.280 --> 00:45:37.480
<v Speaker 4>Almost like there's this kind of connection to like in

837
00:45:37.760 --> 00:45:42.239
<v Speaker 4>like the the intellect itself to a metaphysical and it's

838
00:45:42.280 --> 00:45:46.719
<v Speaker 4>like this thread that that runs between everybody. That's almost

839
00:45:46.719 --> 00:45:55.079
<v Speaker 4>like this pursuit of transient trus transients that that it's

840
00:45:55.400 --> 00:45:59.480
<v Speaker 4>this pursuit of higher, higher intellectualism mixed in with a

841
00:45:59.519 --> 00:46:04.119
<v Speaker 4>metaphysic cool, but also kind of developing a personal relationship

842
00:46:04.280 --> 00:46:04.760
<v Speaker 4>with it.

843
00:46:06.159 --> 00:46:08.480
<v Speaker 1>Oh yeah, I mean, I'm I'm I'm I mean, I'm

844
00:46:08.519 --> 00:46:11.519
<v Speaker 1>interested in all these things, not well, you know, I'm

845
00:46:11.599 --> 00:46:14.199
<v Speaker 1>interested in them because they're fascinating, and I'm also interested because, well,

846
00:46:14.239 --> 00:46:15.639
<v Speaker 1>what can I get out of it? You know, I

847
00:46:15.679 --> 00:46:17.760
<v Speaker 1>mean for myself my own development. That's what I mean.

848
00:46:17.800 --> 00:46:18.559
<v Speaker 1>With Wilson, I.

849
00:46:18.559 --> 00:46:18.960
<v Speaker 3>Just was.

850
00:46:20.599 --> 00:46:24.599
<v Speaker 1>His idea struck me as the ones I could apply

851
00:46:24.719 --> 00:46:29.159
<v Speaker 1>myself to most profitably over time, and then it was

852
00:46:29.199 --> 00:46:32.000
<v Speaker 1>through reading his books. I mean, one of the theme

853
00:46:32.119 --> 00:46:35.039
<v Speaker 1>in Touched by the Presence is that I mean one

854
00:46:35.039 --> 00:46:37.320
<v Speaker 1>of the things. Okay, I used to be. It starts

855
00:46:37.360 --> 00:46:40.039
<v Speaker 1>out I'm often asked how I went from being a

856
00:46:40.119 --> 00:46:43.440
<v Speaker 1>rock star to writing the sort of books I do. Well,

857
00:46:43.519 --> 00:46:46.320
<v Speaker 1>let me tell you, And so there it is. It

858
00:46:46.320 --> 00:46:48.320
<v Speaker 1>starts when I'm five years old learning how to read

859
00:46:48.360 --> 00:46:51.800
<v Speaker 1>comic books. We're learning to read through comic books. And

860
00:46:51.840 --> 00:46:53.599
<v Speaker 1>then it ends when I'm getting on the plane at

861
00:46:53.719 --> 00:46:57.400
<v Speaker 1>Lax to come here, and in between I'm reading Her

862
00:46:57.480 --> 00:46:59.480
<v Speaker 1>and Hesse and I'm doing this and I'm going there,

863
00:46:59.519 --> 00:47:02.239
<v Speaker 1>and I'm I have an academic career during the early

864
00:47:02.360 --> 00:47:06.199
<v Speaker 1>PC days and I didn't want to deconstruct anything, and

865
00:47:06.239 --> 00:47:10.519
<v Speaker 1>so it's all. And then ten years after playing in

866
00:47:10.639 --> 00:47:13.880
<v Speaker 1>Blondie and my own band and iggy Pop and you know,

867
00:47:14.519 --> 00:47:17.000
<v Speaker 1>getting this a story where I'm kicked out of David

868
00:47:17.000 --> 00:47:22.039
<v Speaker 1>Bowie's loft in Manhattan sometime nineteen eighty because he tells

869
00:47:22.039 --> 00:47:26.599
<v Speaker 1>this ridiculous story. Excuse me, yes, yes, he told this

870
00:47:26.719 --> 00:47:31.880
<v Speaker 1>ridiculous story catch my drift about Colin Wilson heading a

871
00:47:31.960 --> 00:47:37.159
<v Speaker 1>coven in Cornwall, and I in all innocence and just

872
00:47:37.199 --> 00:47:39.920
<v Speaker 1>sitting there and a friend of mine says, oh yeah, Gary,

873
00:47:40.239 --> 00:47:43.159
<v Speaker 1>he reads Colin Wilson, what do you think, I said, well, actually,

874
00:47:43.199 --> 00:47:44.960
<v Speaker 1>as far as I know, that's not the case. Oh yes,

875
00:47:45.000 --> 00:47:46.920
<v Speaker 1>he does. And he goes on and on about this

876
00:47:47.079 --> 00:47:50.639
<v Speaker 1>and I'm not realizing that I'm causing a scene, and

877
00:47:50.760 --> 00:47:56.400
<v Speaker 1>you know, you know, you know, and I'm giving this

878
00:47:56.440 --> 00:48:00.440
<v Speaker 1>is the stuff that people should wait if you want

879
00:48:00.440 --> 00:48:02.119
<v Speaker 1>to know what happens next. Folks know, but I'll tell

880
00:48:02.159 --> 00:48:06.559
<v Speaker 1>you what happens next. What happens next is, uh, Bowie

881
00:48:06.639 --> 00:48:11.159
<v Speaker 1>has these two female bodyguards, and I think it's the

882
00:48:11.239 --> 00:48:13.639
<v Speaker 1>last and if it's never Diamonds Off, I think it's

883
00:48:13.679 --> 00:48:18.760
<v Speaker 1>time forever. I think the penultimate Sean Connery Bond film.

884
00:48:18.920 --> 00:48:23.039
<v Speaker 1>Again I'm dating myself, and like, there are these two

885
00:48:23.199 --> 00:48:27.480
<v Speaker 1>kind of female assassins named Thumper and Bambi. So his

886
00:48:27.880 --> 00:48:31.480
<v Speaker 1>Bowie's bodyguards are like these. And they come up to

887
00:48:31.519 --> 00:48:35.079
<v Speaker 1>me and they say, David's tired. We think it's time

888
00:48:35.159 --> 00:48:39.599
<v Speaker 1>you leave. And I said, okay, sorry to me, but

889
00:48:39.679 --> 00:48:42.920
<v Speaker 1>it just he was just And subsequently I realized what

890
00:48:43.079 --> 00:48:46.159
<v Speaker 1>had happened is he he was reading he was read what.

891
00:48:46.199 --> 00:48:48.360
<v Speaker 1>Wilson has a book called Mysteries and it's a follow

892
00:48:48.440 --> 00:48:50.519
<v Speaker 1>up to the Occult and it's it's came out in

893
00:48:50.559 --> 00:48:53.239
<v Speaker 1>the late seventies, but it's still a great read. It's

894
00:48:53.320 --> 00:48:56.199
<v Speaker 1>basically a compendium of all everything that was going on

895
00:48:56.239 --> 00:49:03.800
<v Speaker 1>at the time, but the paranormal everything. But he does

896
00:49:03.840 --> 00:49:08.440
<v Speaker 1>tell a story about not him, but someone else in

897
00:49:08.639 --> 00:49:12.239
<v Speaker 1>Cornwall who was telling a story about a witch going

898
00:49:12.280 --> 00:49:15.639
<v Speaker 1>around and like making like which he signs on the

899
00:49:15.920 --> 00:49:21.719
<v Speaker 1>you know, the front doors of people's cottages. But that

900
00:49:21.880 --> 00:49:25.679
<v Speaker 1>was a story that Wilson was telling about somebody else

901
00:49:25.679 --> 00:49:31.599
<v Speaker 1>in this book, but in his exalted state, Major Tom

902
00:49:32.000 --> 00:49:36.199
<v Speaker 1>had had had mixed it up, uh and if any case,

903
00:49:36.239 --> 00:49:38.000
<v Speaker 1>So that's you know, that was kind of the thing.

904
00:49:38.039 --> 00:49:40.199
<v Speaker 1>So I had these you know, run ins in that

905
00:49:40.239 --> 00:49:42.639
<v Speaker 1>with with that with Wilson. But I know, but I

906
00:49:43.079 --> 00:49:46.760
<v Speaker 1>got to know him, you know, very well, I uh said.

907
00:49:46.760 --> 00:49:48.559
<v Speaker 1>I wrote a book about him. I reviewed many of

908
00:49:48.559 --> 00:49:50.679
<v Speaker 1>his books for when they came out here in London,

909
00:49:52.119 --> 00:49:56.199
<v Speaker 1>visited in Cornwall quite a few times, and know the family.

910
00:49:56.440 --> 00:50:00.519
<v Speaker 1>And just recently this year there was a there's a

911
00:50:00.599 --> 00:50:03.280
<v Speaker 1>columnist and international conference that's been going on in the

912
00:50:03.280 --> 00:50:08.159
<v Speaker 1>past few years and I saw his sons there. So yeah,

913
00:50:08.159 --> 00:50:12.639
<v Speaker 1>we're trying to keep his legacy going. And actually the

914
00:50:12.760 --> 00:50:15.320
<v Speaker 1>book I wrote about him went out of print, but

915
00:50:15.559 --> 00:50:18.880
<v Speaker 1>my current publishers and traditions they're going to reissue it.

916
00:50:21.559 --> 00:50:24.599
<v Speaker 3>Oh So, going back to your book, I know you

917
00:50:24.679 --> 00:50:26.559
<v Speaker 3>kind of left off like a little bit about Gerjeff.

918
00:50:26.599 --> 00:50:27.880
<v Speaker 3>I don't know if you wanted to get into that

919
00:50:28.039 --> 00:50:29.840
<v Speaker 3>or maybe go forward a little bit more, because I

920
00:50:29.840 --> 00:50:31.960
<v Speaker 3>think you also get into like, besides Gurjeff, you also

921
00:50:32.000 --> 00:50:34.599
<v Speaker 3>get into like armatic Golden Dawn style stuff as well.

922
00:50:34.679 --> 00:50:37.760
<v Speaker 1>Right, well, I mean that was that was part of

923
00:50:37.800 --> 00:50:44.199
<v Speaker 1>the crowthy thing. Okay Dawn stuff. No, I got involved

924
00:50:44.239 --> 00:50:48.679
<v Speaker 1>in the Fourth Way, the Fourth Way Gurjef Society, which

925
00:50:48.760 --> 00:50:51.079
<v Speaker 1>is the real thing. There were quite quite a few

926
00:50:51.119 --> 00:50:54.679
<v Speaker 1>sort of bogus groups out there, or at least they

927
00:50:54.760 --> 00:50:57.159
<v Speaker 1>used to be so. But this would have been about

928
00:50:57.239 --> 00:51:05.639
<v Speaker 1>nineteen eighty one in New York first off, and I

929
00:51:05.840 --> 00:51:10.119
<v Speaker 1>had been reading about this stuff again, reading Colin Wilson

930
00:51:10.159 --> 00:51:13.400
<v Speaker 1>and other other people about it, and he spoke highly

931
00:51:13.440 --> 00:51:17.519
<v Speaker 1>of it out of all the kind of gurus and

932
00:51:17.559 --> 00:51:19.679
<v Speaker 1>teachings and things of that sort that he had written

933
00:51:19.679 --> 00:51:22.480
<v Speaker 1>about in the Occult and other books. He has a

934
00:51:22.519 --> 00:51:25.400
<v Speaker 1>long section on Crowley and Yates and the Golden Dawn

935
00:51:25.519 --> 00:51:29.239
<v Speaker 1>and Leovatsky and you know, it's still if you ever

936
00:51:29.360 --> 00:51:31.280
<v Speaker 1>find it, you know, it's still a great read. It's

937
00:51:31.280 --> 00:51:34.320
<v Speaker 1>just called the Ocult. It's still a great read. But

938
00:51:34.400 --> 00:51:36.760
<v Speaker 1>he had a good section on Gurjev and Uspensky in

939
00:51:36.760 --> 00:51:41.639
<v Speaker 1>the Fourth Way, and I always liked Duspensky's early stuff.

940
00:51:41.639 --> 00:51:45.360
<v Speaker 1>He has a book called Turchier Organum, which means the

941
00:51:45.400 --> 00:51:48.960
<v Speaker 1>Third organ of Thought, and something he wrote in the

942
00:51:49.000 --> 00:51:51.639
<v Speaker 1>early twentieth centuries in Russia, and it was all about

943
00:51:51.679 --> 00:51:56.800
<v Speaker 1>like higher space, higher dimensions, like sort of like chaos theory,

944
00:51:56.920 --> 00:51:59.719
<v Speaker 1>or I guess entanglement now is kind of like the craze,

945
00:51:59.719 --> 00:52:02.280
<v Speaker 1>and so this was like, you know, the time is

946
00:52:02.320 --> 00:52:04.960
<v Speaker 1>the fourth dimension, then five, fifth, sixth, seventh dimension, and

947
00:52:04.960 --> 00:52:08.320
<v Speaker 1>all this kind of stuff and a variety of different

948
00:52:08.679 --> 00:52:11.199
<v Speaker 1>ideas about consciousness and so on. Then another book called

949
00:52:11.199 --> 00:52:13.800
<v Speaker 1>New Model of the Universe, which is a great again

950
00:52:13.880 --> 00:52:17.920
<v Speaker 1>collection of different essays on dreams and hypnotism and at

951
00:52:17.960 --> 00:52:20.559
<v Speaker 1>the superman and the variety of other things. So I

952
00:52:20.639 --> 00:52:24.400
<v Speaker 1>liked reading all that stuff. And then I actually again,

953
00:52:24.920 --> 00:52:28.960
<v Speaker 1>as I had in La I had moved back to

954
00:52:29.000 --> 00:52:32.480
<v Speaker 1>New York at this point, and I had came across

955
00:52:32.519 --> 00:52:35.199
<v Speaker 1>a notice for a lecture about you know, the Courage

956
00:52:35.239 --> 00:52:39.199
<v Speaker 1>of Fourth wait at the Barberzan Hotel. So I thought, okay,

957
00:52:39.239 --> 00:52:43.760
<v Speaker 1>I'll go. And actually the lecture I went to. The

958
00:52:43.760 --> 00:52:46.719
<v Speaker 1>people doing it are one of these bogus groups. But

959
00:52:46.920 --> 00:52:49.119
<v Speaker 1>I and I had mentioned that I had gone to

960
00:52:49.159 --> 00:52:51.679
<v Speaker 1>a friend of mine with whom I had discussed this

961
00:52:51.760 --> 00:52:53.360
<v Speaker 1>sorts of stuff in my interest in you know, a

962
00:52:53.400 --> 00:52:57.280
<v Speaker 1>variety of different spiritual and esoteric ideas. And he said, yes,

963
00:52:58.360 --> 00:53:00.599
<v Speaker 1>well they're not the real thing. If you really interested,

964
00:53:01.039 --> 00:53:03.679
<v Speaker 1>I've been involved, you know, for a while. And oh,

965
00:53:03.880 --> 00:53:05.400
<v Speaker 1>he hadn't mentioned to me, and he was kind of

966
00:53:05.400 --> 00:53:07.199
<v Speaker 1>like he was checking me out, you know kind of thing.

967
00:53:07.239 --> 00:53:10.400
<v Speaker 1>And so then he said, if you're really interested, here

968
00:53:10.440 --> 00:53:14.360
<v Speaker 1>this is a phone number. Call it and I'll I'll

969
00:53:14.719 --> 00:53:18.480
<v Speaker 1>I've mentioned you to my the group leader, and I'll

970
00:53:18.519 --> 00:53:21.320
<v Speaker 1>tell him that I told you, and he expects you

971
00:53:21.400 --> 00:53:25.679
<v Speaker 1>to call. So I did, and this again I had

972
00:53:27.559 --> 00:53:31.800
<v Speaker 1>this is I my own I left Blondie, my own Bami.

973
00:53:31.800 --> 00:53:36.039
<v Speaker 1>We had failed to nail a record deal, and I

974
00:53:36.079 --> 00:53:38.920
<v Speaker 1>was kind of in between in New York and trying

975
00:53:38.920 --> 00:53:40.480
<v Speaker 1>to figure out what to do and all that sort

976
00:53:40.480 --> 00:53:45.039
<v Speaker 1>of stuff. And but I met this fellow and his

977
00:53:45.159 --> 00:53:48.800
<v Speaker 1>name is Paul Raynard, and he was an artist, and

978
00:53:48.840 --> 00:53:53.800
<v Speaker 1>he was also one of the principal instructors of what's

979
00:53:53.920 --> 00:53:57.519
<v Speaker 1>notice the Gerchef movements, which are these very very intricate

980
00:53:57.639 --> 00:54:00.920
<v Speaker 1>and strange and difficult sorts of dances. I don't know

981
00:54:00.920 --> 00:54:04.360
<v Speaker 1>if you've it was a film of Gurdjeff's book Meeting

982
00:54:04.400 --> 00:54:07.920
<v Speaker 1>with Remarkable Men, that came out in the late seventies.

983
00:54:07.960 --> 00:54:10.440
<v Speaker 1>It's done by Peter Brook. If you know Peter Brook,

984
00:54:10.480 --> 00:54:13.280
<v Speaker 1>he did the mahab Haka. There's different versions of that,

985
00:54:13.400 --> 00:54:15.920
<v Speaker 1>like an eight hour version and a sixteen hour version,

986
00:54:16.480 --> 00:54:19.079
<v Speaker 1>so it's very serious filmmaker and he tends to use

987
00:54:20.760 --> 00:54:25.840
<v Speaker 1>non professional actors in it. But in this film Meetings

988
00:54:25.840 --> 00:54:28.000
<v Speaker 1>with the Markable Man, he does use one professional actor,

989
00:54:28.079 --> 00:54:32.079
<v Speaker 1>the late Terrence Stamp who just passed away. But there's

990
00:54:32.159 --> 00:54:37.159
<v Speaker 1>a fantastic scene. If you know the Gurjeff story, like

991
00:54:37.199 --> 00:54:40.400
<v Speaker 1>Madame Vatsky, he went to the east and different you

992
00:54:40.440 --> 00:54:44.280
<v Speaker 1>know lands in search of hidden knowledge. For him, it

993
00:54:44.320 --> 00:54:47.719
<v Speaker 1>was more Central Asia, you know, it wasn't wasn't Indian Tibet.

994
00:54:47.800 --> 00:54:50.719
<v Speaker 1>It was like Central Asia. And among other things, he

995
00:54:50.760 --> 00:54:55.320
<v Speaker 1>tells the story of finding this hidden monastery, the Stomong

996
00:54:55.400 --> 00:54:59.480
<v Speaker 1>Brotherhood and this is where he learns these very intricate

997
00:54:59.480 --> 00:55:01.599
<v Speaker 1>and very very difficult and complex sort of dance. I

998
00:55:01.639 --> 00:55:03.639
<v Speaker 1>mean they're not you say they're dances, but they're they're

999
00:55:03.800 --> 00:55:07.840
<v Speaker 1>much more like kind of weird movements. Again, the thing is,

1000
00:55:07.840 --> 00:55:11.079
<v Speaker 1>if you know the old that sort of thing, rub

1001
00:55:11.119 --> 00:55:14.360
<v Speaker 1>your tommy, impat your head, it's like that to the

1002
00:55:14.400 --> 00:55:19.760
<v Speaker 1>tenth pour something. But in this film there are some

1003
00:55:19.840 --> 00:55:22.480
<v Speaker 1>scenes of these things, so I think they're on YouTube.

1004
00:55:22.480 --> 00:55:25.880
<v Speaker 1>You can find it on YouTube, and they're just remarkable

1005
00:55:25.920 --> 00:55:31.519
<v Speaker 1>to see. And so the fellow I met was one

1006
00:55:31.559 --> 00:55:36.119
<v Speaker 1>of the teachers of these things, and I, you know,

1007
00:55:36.320 --> 00:55:39.559
<v Speaker 1>but this time, I you know, I a song of

1008
00:55:39.599 --> 00:55:41.519
<v Speaker 1>my was a hit song, top ten, I got a

1009
00:55:41.519 --> 00:55:44.960
<v Speaker 1>gold record. I played around. I are you know whatever?

1010
00:55:45.079 --> 00:55:46.519
<v Speaker 1>I told David Bowie you didn't know what he was

1011
00:55:46.559 --> 00:55:49.960
<v Speaker 1>talking about, and you know whatever. But this is the

1012
00:55:50.000 --> 00:55:55.920
<v Speaker 1>first This guy was the most solid present person I'd

1013
00:55:55.960 --> 00:55:58.119
<v Speaker 1>come upon. He was he was just there. He didn't

1014
00:55:58.119 --> 00:55:59.840
<v Speaker 1>have to do anything, He just was sitting there and

1015
00:56:00.079 --> 00:56:01.559
<v Speaker 1>I just felt what And he said, he said the

1016
00:56:01.599 --> 00:56:05.679
<v Speaker 1>simplest thing, why do you want to get involved in this?

1017
00:56:07.119 --> 00:56:09.760
<v Speaker 1>And it was like, ooh, that is a tough one.

1018
00:56:10.039 --> 00:56:13.280
<v Speaker 1>Why do I am. I just curious that I had

1019
00:56:13.320 --> 00:56:15.760
<v Speaker 1>been in this Crowley thing and it was I and

1020
00:56:15.800 --> 00:56:18.679
<v Speaker 1>I fumbled and I just, you know, lamely said I

1021
00:56:18.679 --> 00:56:20.599
<v Speaker 1>want to wake up, and said, well that will take

1022
00:56:20.679 --> 00:56:24.639
<v Speaker 1>some time. Uh, And then you know, here's here's the meeting.

1023
00:56:24.800 --> 00:56:27.519
<v Speaker 1>Go there. And so I started going to these things

1024
00:56:28.119 --> 00:56:32.320
<v Speaker 1>and it was very, very different than the Crowley.

1025
00:56:32.519 --> 00:56:32.719
<v Speaker 2>You know.

1026
00:56:32.920 --> 00:56:36.000
<v Speaker 1>It was saying, sit in these meetings and we've been

1027
00:56:36.199 --> 00:56:42.880
<v Speaker 1>given an exercise, and you'd go and nobody would talk.

1028
00:56:42.920 --> 00:56:46.519
<v Speaker 1>We'd sit in silence sometimes until somebody actually had a

1029
00:56:46.559 --> 00:56:50.079
<v Speaker 1>serious question about something. So it wasn't about and again

1030
00:56:50.119 --> 00:56:51.840
<v Speaker 1>I can't go into any great I mean I talked

1031
00:56:51.840 --> 00:56:53.360
<v Speaker 1>about in the book, but it was sort of like that.

1032
00:56:53.400 --> 00:56:57.480
<v Speaker 1>But on the whole, if you know the gurge of idea,

1033
00:56:57.480 --> 00:57:00.800
<v Speaker 1>it's this notion that we're mechanical or asleep, which doesn't

1034
00:57:00.800 --> 00:57:03.639
<v Speaker 1>sound like much these days because we tend to you know,

1035
00:57:03.679 --> 00:57:06.960
<v Speaker 1>we've heard it all very different New Age kind of ways,

1036
00:57:06.960 --> 00:57:09.280
<v Speaker 1>talking about similar sorts of things, mindfulness and so on

1037
00:57:09.360 --> 00:57:13.400
<v Speaker 1>and so on. But when he first came across to

1038
00:57:13.519 --> 00:57:15.880
<v Speaker 1>the West in the nineteen twenties, and by the way,

1039
00:57:15.880 --> 00:57:19.239
<v Speaker 1>I've written biography of Uspensky and I've also written a

1040
00:57:19.239 --> 00:57:24.519
<v Speaker 1>biography of hill named Morris Nicol, who was of Gusbensky's students,

1041
00:57:25.239 --> 00:57:28.320
<v Speaker 1>who originally started out as Jung's British lieutenant here in

1042
00:57:28.360 --> 00:57:31.000
<v Speaker 1>the nineteen twenties and the New Jump Ship and became

1043
00:57:31.039 --> 00:57:34.000
<v Speaker 1>a follower of grigory from Duspensky. So I've written in

1044
00:57:34.039 --> 00:57:37.519
<v Speaker 1>the background, that's my background in it. But it's this

1045
00:57:37.559 --> 00:57:41.599
<v Speaker 1>whole idea that we're mechanical, you know, we're just stimulus response,

1046
00:57:41.920 --> 00:57:48.159
<v Speaker 1>you know, machines, which pretty much straightforward behaviorism and pretty

1047
00:57:48.199 --> 00:57:52.760
<v Speaker 1>much straightforward you know, clinical psychology that we've been teaching

1048
00:57:52.880 --> 00:57:55.239
<v Speaker 1>in the academies at the time. But he said, there's

1049
00:57:55.239 --> 00:57:57.880
<v Speaker 1>a way not to be a machine, and so we had,

1050
00:57:57.960 --> 00:58:00.400
<v Speaker 1>you know, a whole technique of doing this. And one

1051
00:58:00.440 --> 00:58:04.239
<v Speaker 1>of the things that struck me, and again it's it's

1052
00:58:04.320 --> 00:58:08.119
<v Speaker 1>this about consciousness itself. We hate this notion what they

1053
00:58:08.119 --> 00:58:11.559
<v Speaker 1>call self remembering. And I've actually just been finished and

1054
00:58:11.719 --> 00:58:15.039
<v Speaker 1>just working on a book about the old the whole

1055
00:58:15.079 --> 00:58:18.880
<v Speaker 1>idea that we forget that we exist. We we if he,

1056
00:58:19.440 --> 00:58:21.880
<v Speaker 1>if he, of course I exist, but most of the

1057
00:58:21.920 --> 00:58:24.440
<v Speaker 1>time we actually don't. You know, we know the fact

1058
00:58:24.480 --> 00:58:26.360
<v Speaker 1>that we exist, but we don't know the reality that

1059
00:58:26.400 --> 00:58:29.039
<v Speaker 1>we exist. And this is something you can even find

1060
00:58:29.079 --> 00:58:32.519
<v Speaker 1>in you know, existential philosophy, like and Heidiger talks about

1061
00:58:32.599 --> 00:58:35.880
<v Speaker 1>zion but guess and height, you know, forgetfulness of being,

1062
00:58:37.000 --> 00:58:41.480
<v Speaker 1>and this is something and both Gurjeff and Heideger they

1063
00:58:41.559 --> 00:58:43.880
<v Speaker 1>both hit on this, say like, the one sure fire

1064
00:58:43.960 --> 00:58:47.440
<v Speaker 1>method of reawakening to being would be to have a

1065
00:58:47.519 --> 00:58:50.760
<v Speaker 1>vivid grasp of your own death. You know, So this

1066
00:58:50.760 --> 00:58:53.400
<v Speaker 1>this vivid grass of your own finitude that one day

1067
00:58:53.440 --> 00:58:55.039
<v Speaker 1>you're not going to be here. We all know that,

1068
00:58:55.119 --> 00:59:00.360
<v Speaker 1>we know that factually, but we don't know it experientially then,

1069
00:59:00.400 --> 00:59:03.079
<v Speaker 1>you know, and when we do grasp it generally, you know,

1070
00:59:03.199 --> 00:59:06.119
<v Speaker 1>strikes us pretty hard. All that. So any case, this

1071
00:59:06.239 --> 00:59:07.719
<v Speaker 1>was sort of the thing I was. I was getting

1072
00:59:07.719 --> 00:59:12.519
<v Speaker 1>into this, and I was doing, you know, very different

1073
00:59:12.559 --> 00:59:16.920
<v Speaker 1>exercises going to these meetings. But on the lights side,

1074
00:59:17.519 --> 00:59:21.440
<v Speaker 1>one of the things I did experience in this is

1075
00:59:22.480 --> 00:59:26.360
<v Speaker 1>the Gurd Jeff uh Gerjeff's birthday is generally celebrated on

1076
00:59:26.400 --> 00:59:32.639
<v Speaker 1>the thirteenth of January, and I was invited to a

1077
00:59:32.679 --> 00:59:38.360
<v Speaker 1>celebration uh in a mansion in upstate New York. And

1078
00:59:39.159 --> 00:59:42.039
<v Speaker 1>I the person who had got me in I met

1079
00:59:42.079 --> 00:59:43.760
<v Speaker 1>with him and some others. We all got in the car,

1080
00:59:43.840 --> 00:59:45.719
<v Speaker 1>didn't know the other people, and we drove and it

1081
00:59:45.840 --> 00:59:48.000
<v Speaker 1>was and we got there. And if you again, if

1082
00:59:48.000 --> 00:59:52.039
<v Speaker 1>you're familiar with the Gerd Jeff kind of uh millieu,

1083
00:59:52.280 --> 00:59:55.360
<v Speaker 1>there's what they call the toast to the idiots. And

1084
00:59:55.760 --> 00:59:57.440
<v Speaker 1>one of the things Gerd Jeff did was he used

1085
00:59:57.440 --> 00:59:59.760
<v Speaker 1>to get people to knock back several, you know, very

1086
01:00:02.239 --> 01:00:06.360
<v Speaker 1>strong shots of vodka, and the idiot, I mean, we

1087
01:00:06.400 --> 01:00:08.800
<v Speaker 1>tend to think of idiot meaning somebody who's stupid. Idiot

1088
01:00:08.840 --> 01:00:14.599
<v Speaker 1>actually means unique, like an idiosyncratic or idiosyncrasy. It's unique

1089
01:00:14.639 --> 01:00:17.840
<v Speaker 1>to you. So if you look just the etymology of

1090
01:00:17.880 --> 01:00:20.559
<v Speaker 1>it goes back to it just means unique. But an

1091
01:00:20.559 --> 01:00:22.920
<v Speaker 1>idiot now means, well, you know whatever, somebody who is stupid.

1092
01:00:23.400 --> 01:00:27.920
<v Speaker 1>But Gerjeff would say, there are different kinds of idiots.

1093
01:00:28.920 --> 01:00:31.320
<v Speaker 1>And after you had a few of these shots of

1094
01:00:31.320 --> 01:00:33.920
<v Speaker 1>the vodkas and you toast to the round idiot, you know,

1095
01:00:33.960 --> 01:00:37.480
<v Speaker 1>to the square idiot, whatever it might be, your particular

1096
01:00:37.599 --> 01:00:40.480
<v Speaker 1>kind of idiot would come come out and he would

1097
01:00:40.559 --> 01:00:44.000
<v Speaker 1>see you and he would and he would and this

1098
01:00:44.199 --> 01:00:47.000
<v Speaker 1>was well after I mean, he taught one thing to

1099
01:00:47.159 --> 01:00:49.079
<v Speaker 1>U Spensky, and U Spensky turns it into a kind

1100
01:00:49.079 --> 01:00:51.639
<v Speaker 1>of system, you know, kind of intellectual sort of system.

1101
01:00:51.639 --> 01:00:54.440
<v Speaker 1>But Gergie was more the shaman Maha. He just had

1102
01:00:54.440 --> 01:00:59.239
<v Speaker 1>the stuff and just to be around him. And what

1103
01:00:59.320 --> 01:01:01.280
<v Speaker 1>he used to doing is last days in this tiny

1104
01:01:01.320 --> 01:01:04.800
<v Speaker 1>flat he had in Paris. But he would cram as

1105
01:01:04.840 --> 01:01:07.519
<v Speaker 1>many people as he could possibly into the dining room,

1106
01:01:07.639 --> 01:01:11.119
<v Speaker 1>fifty people around a tiny little table where he prepared

1107
01:01:11.119 --> 01:01:16.119
<v Speaker 1>this sumptuous, fantastic meal. And by the way, ger Jeff

1108
01:01:16.199 --> 01:01:20.599
<v Speaker 1>Crowley and Young World good cooks. So someone should do

1109
01:01:20.599 --> 01:01:25.559
<v Speaker 1>a cookbook of those guys. And while you were eating

1110
01:01:25.599 --> 01:01:27.679
<v Speaker 1>all these meals and knocking back this vodka, he would

1111
01:01:27.719 --> 01:01:29.320
<v Speaker 1>sort of see you and point out who you were

1112
01:01:29.360 --> 01:01:31.239
<v Speaker 1>and all that kind of thing. So any case, that's

1113
01:01:31.239 --> 01:01:33.679
<v Speaker 1>the background to that. So I'm taking to this mansion

1114
01:01:33.760 --> 01:01:38.239
<v Speaker 1>up in upstate New York Gurjef celebration. We knocked back

1115
01:01:38.280 --> 01:01:42.519
<v Speaker 1>quite a few, you know, shots of vodka, and then

1116
01:01:43.000 --> 01:01:46.599
<v Speaker 1>we're told that we're going to be treated to a

1117
01:01:46.639 --> 01:01:51.679
<v Speaker 1>special performance performance of Gilgamesh and fine, and who do

1118
01:01:51.719 --> 01:01:54.800
<v Speaker 1>I see getting up on the stage. It's the comedian

1119
01:01:54.880 --> 01:01:59.119
<v Speaker 1>actor Bill Murray Oh from Saturday Night Live. And see

1120
01:01:59.119 --> 01:02:01.760
<v Speaker 1>he's up there, and I hadn't had anything to eat,

1121
01:02:01.800 --> 01:02:04.920
<v Speaker 1>but I had like three or four these fuckers, And

1122
01:02:05.000 --> 01:02:07.199
<v Speaker 1>every time he said, ank you do, I couldn't stop laughing.

1123
01:02:07.639 --> 01:02:12.920
<v Speaker 1>And but no, if you remember the film Groundhog Day,

1124
01:02:14.039 --> 01:02:18.320
<v Speaker 1>it's the eternal recurrence, It's the one day. But it's

1125
01:02:18.360 --> 01:02:20.480
<v Speaker 1>not not so much in the work. But Uspensky is

1126
01:02:20.519 --> 01:02:22.800
<v Speaker 1>one of Huspensky's pet ideas was this notion of rather

1127
01:02:22.840 --> 01:02:26.559
<v Speaker 1>than reincarnation, there's what he calls the eternal wheel, the

1128
01:02:26.559 --> 01:02:29.559
<v Speaker 1>eternal recurrence. You when you die, you were born again

1129
01:02:29.599 --> 01:02:34.679
<v Speaker 1>into the same life and what you know throughout life,

1130
01:02:34.679 --> 01:02:36.960
<v Speaker 1>there are opportunities for us to wake up and realize,

1131
01:02:37.000 --> 01:02:39.199
<v Speaker 1>you know, where we are and to make different decisions

1132
01:02:39.199 --> 01:02:41.480
<v Speaker 1>and all that. So that that was kind of But

1133
01:02:41.559 --> 01:02:44.360
<v Speaker 1>also an early an earlier film that Bill Memory was

1134
01:02:44.400 --> 01:02:48.000
<v Speaker 1>in was a remake of The Razor's Edge. That's the

1135
01:02:48.000 --> 01:02:50.599
<v Speaker 1>Somerset mone There was a film in the forties with

1136
01:02:50.719 --> 01:02:56.800
<v Speaker 1>Tyrone Power, and it's about somebody as like as a

1137
01:02:56.800 --> 01:03:00.000
<v Speaker 1>socialite who goes through the harr of World War One

1138
01:03:00.039 --> 01:03:02.440
<v Speaker 1>and then comes back and he realizes he can't he

1139
01:03:02.480 --> 01:03:05.079
<v Speaker 1>can't live the shallow life anymore, and he must go,

1140
01:03:05.239 --> 01:03:07.360
<v Speaker 1>you know, in search of the Truth. And it's supposally

1141
01:03:07.360 --> 01:03:10.039
<v Speaker 1>be based on Christopher Isherwood, who was the English novel

1142
01:03:10.039 --> 01:03:13.800
<v Speaker 1>who eventually got into Vedanta and things like that, but

1143
01:03:13.840 --> 01:03:16.480
<v Speaker 1>Bill Murray did a version of that as well. So

1144
01:03:17.519 --> 01:03:20.480
<v Speaker 1>and I knew people in Hollywood when when because I

1145
01:03:20.559 --> 01:03:22.079
<v Speaker 1>knew people in the acting world, and a lot of

1146
01:03:22.119 --> 01:03:24.079
<v Speaker 1>them are really into that kind of stuff because the

1147
01:03:24.079 --> 01:03:26.519
<v Speaker 1>Gerzia version of it, not the Uspensey, but the Gersia

1148
01:03:26.679 --> 01:03:29.800
<v Speaker 1>version does a lot of role playing and psychodrama and

1149
01:03:29.840 --> 01:03:32.280
<v Speaker 1>things of that sort. And that was one of the

1150
01:03:32.280 --> 01:03:34.360
<v Speaker 1>things that Spency couldn't deal with. It's just was too

1151
01:03:34.679 --> 01:03:36.280
<v Speaker 1>kind of crazy for him, and he wanted to like,

1152
01:03:36.320 --> 01:03:37.960
<v Speaker 1>it's a system, you know, you do it like that.

1153
01:03:42.440 --> 01:03:44.559
<v Speaker 3>I like that story with you said World War one

1154
01:03:44.599 --> 01:03:47.960
<v Speaker 3>and then came back, and it reminds me of I think.

1155
01:03:49.639 --> 01:03:49.880
<v Speaker 2>It is.

1156
01:03:49.920 --> 01:03:52.519
<v Speaker 3>The first Islamic alchemist has a story like that where

1157
01:03:52.559 --> 01:03:54.519
<v Speaker 3>I think he was a prince that went really yeah,

1158
01:03:54.559 --> 01:03:56.199
<v Speaker 3>and then afterwards he was like, oh, I give this

1159
01:03:56.199 --> 01:03:58.079
<v Speaker 3>ship up, and he sort of getting into alchemy and

1160
01:03:58.119 --> 01:04:00.360
<v Speaker 3>you know in the occult and stuff that's wanted to

1161
01:04:00.400 --> 01:04:02.199
<v Speaker 3>hear like you know, somebody else kind of like having.

1162
01:04:02.000 --> 01:04:03.639
<v Speaker 2>The same story.

1163
01:04:03.880 --> 01:04:05.639
<v Speaker 3>I can see that stuff making you change your you

1164
01:04:05.719 --> 01:04:07.639
<v Speaker 3>maybe change your ways, or making you look at the

1165
01:04:07.639 --> 01:04:13.719
<v Speaker 3>world differently. Sure, yeah, was there anything else on the

1166
01:04:13.760 --> 01:04:15.599
<v Speaker 3>book that you wanted to get into it?

1167
01:04:15.599 --> 01:04:17.119
<v Speaker 2>Again? Like I understand you also want people.

1168
01:04:18.280 --> 01:04:20.480
<v Speaker 1>It's just it's well, I mean, I could get all

1169
01:04:20.639 --> 01:04:24.559
<v Speaker 1>profound uh and say it's a book about how becoming

1170
01:04:24.599 --> 01:04:29.679
<v Speaker 1>who you are. I would say it's, Uh, that's Nietzsche

1171
01:04:29.679 --> 01:04:37.480
<v Speaker 1>says that become who you are. Young's psychology of individuation

1172
01:04:37.639 --> 01:04:42.239
<v Speaker 1>is about that, yeah, or Abram Maslow's psychology of self

1173
01:04:42.320 --> 01:04:44.400
<v Speaker 1>actualization is about that. So I talked about in the book.

1174
01:04:44.400 --> 01:04:45.599
<v Speaker 1>I mean that's what it is. I mean, that's I mean,

1175
01:04:45.599 --> 01:04:47.639
<v Speaker 1>I've been kind of you know, keeping the funny stories

1176
01:04:47.639 --> 01:04:50.000
<v Speaker 1>do here, but I mean, what happened. I'll tell you

1177
01:04:50.000 --> 01:04:52.519
<v Speaker 1>the truth. There's a story behind writing the book. And

1178
01:04:52.719 --> 01:04:55.159
<v Speaker 1>I say in the in the acknowledgments in the back

1179
01:04:55.280 --> 01:05:01.320
<v Speaker 1>that I wrote this book, you know, to stay sane basically.

1180
01:05:02.239 --> 01:05:06.000
<v Speaker 1>You know, whether it's achieved that or not, I don't know.

1181
01:05:06.039 --> 01:05:07.840
<v Speaker 1>But I was going through a very very difficult time

1182
01:05:07.880 --> 01:05:11.920
<v Speaker 1>in my life, and I'm going to details about it,

1183
01:05:12.000 --> 01:05:14.159
<v Speaker 1>but there was a time and this was let's see.

1184
01:05:14.639 --> 01:05:17.639
<v Speaker 1>I think I started reading writing at twenty twenty three,

1185
01:05:18.000 --> 01:05:21.239
<v Speaker 1>I think. And oddly enough, I said the book, the

1186
01:05:21.280 --> 01:05:25.239
<v Speaker 1>book ends with my leaving Los Angeles in coming here, okay,

1187
01:05:25.280 --> 01:05:27.760
<v Speaker 1>And that was the beginning of January nineteen ninety six.

1188
01:05:28.559 --> 01:05:33.159
<v Speaker 1>So at the beginning of January twenty twenty three, when

1189
01:05:33.159 --> 01:05:35.199
<v Speaker 1>I was going through this very very difficult time in

1190
01:05:35.239 --> 01:05:41.639
<v Speaker 1>my life, there's a place here in London called the

1191
01:05:41.679 --> 01:05:45.360
<v Speaker 1>British Library, which was a fantastic resource if you have

1192
01:05:45.440 --> 01:05:48.800
<v Speaker 1>a researcher. Everything published in the UK, there's a copy

1193
01:05:48.800 --> 01:05:50.440
<v Speaker 1>of it there in tons of other stuff as well,

1194
01:05:50.639 --> 01:05:53.239
<v Speaker 1>and you can bring your laptop and sit and get

1195
01:05:53.280 --> 01:05:57.360
<v Speaker 1>a desk and you can work there. So living conditions

1196
01:05:57.639 --> 01:06:00.239
<v Speaker 1>where I was living meant that I was spending quite

1197
01:06:00.239 --> 01:06:04.280
<v Speaker 1>a lot of time in this place, and and I

1198
01:06:04.320 --> 01:06:06.360
<v Speaker 1>didn't have any work. I just finished this book I

1199
01:06:06.400 --> 01:06:10.320
<v Speaker 1>was saying about this, Uh, this follower of Uspensky called

1200
01:06:10.360 --> 01:06:12.440
<v Speaker 1>Morris Nickel, who started out as a YOUNGI and then

1201
01:06:12.519 --> 01:06:14.840
<v Speaker 1>he became Musbensky and gerd chef and all that sort

1202
01:06:14.840 --> 01:06:17.760
<v Speaker 1>of thing. So I just finished the book about him,

1203
01:06:18.239 --> 01:06:20.280
<v Speaker 1>and he didn't have any work. And I'm the kind

1204
01:06:20.280 --> 01:06:21.639
<v Speaker 1>of guy if I don't have work. It's you know,

1205
01:06:21.679 --> 01:06:23.159
<v Speaker 1>I always say I need a break, and when I

1206
01:06:23.199 --> 01:06:25.559
<v Speaker 1>don't have work, I go out of my mind. Uh

1207
01:06:25.599 --> 01:06:30.519
<v Speaker 1>so I and and there you go, there you go,

1208
01:06:30.599 --> 01:06:34.559
<v Speaker 1>and and I'm I can't stay at home. So I

1209
01:06:34.599 --> 01:06:36.519
<v Speaker 1>just found myself in the library and I was just

1210
01:06:36.599 --> 01:06:38.719
<v Speaker 1>reading stuff, and I said, I'm spared to do something.

1211
01:06:40.039 --> 01:06:45.280
<v Speaker 1>And I think it just just an effort to assert

1212
01:06:45.360 --> 01:06:49.880
<v Speaker 1>my existential being, my actual being in presence on here

1213
01:06:49.920 --> 01:06:54.320
<v Speaker 1>on the planet. Because where what was happening I can't

1214
01:06:54.320 --> 01:06:56.159
<v Speaker 1>go into detail, but what was happening was such that

1215
01:06:56.199 --> 01:06:58.639
<v Speaker 1>I was feeling like, my god, this is this, This

1216
01:06:58.719 --> 01:07:01.199
<v Speaker 1>can't be happening to me. Just cannot be the case.

1217
01:07:01.719 --> 01:07:04.679
<v Speaker 1>So I have the mind parasites coming on me. So

1218
01:07:04.719 --> 01:07:07.039
<v Speaker 1>I had to fight them off. And so I sat

1219
01:07:07.079 --> 01:07:10.119
<v Speaker 1>down and said, just started, just just start writing. Just

1220
01:07:10.159 --> 01:07:12.519
<v Speaker 1>sit down and start writing. So I sat down, I said,

1221
01:07:12.719 --> 01:07:15.760
<v Speaker 1>I wrote, I am here. Yeah. Oh, on my sudden,

1222
01:07:16.159 --> 01:07:27.079
<v Speaker 1>I actually have a copy, and I wrote, yeah. I'm

1223
01:07:27.119 --> 01:07:30.400
<v Speaker 1>often asked how it went from being a rock star parentheses,

1224
01:07:30.480 --> 01:07:32.960
<v Speaker 1>although I never was a star, more of a satellite

1225
01:07:33.239 --> 01:07:35.800
<v Speaker 1>and one with an eccentric orbit, to a writer on

1226
01:07:36.000 --> 01:07:39.760
<v Speaker 1>esotericism and the history of consciousness. This memoir is an

1227
01:07:39.760 --> 01:07:45.360
<v Speaker 1>attempt to answer that question. So January twenty twenty three,

1228
01:07:45.519 --> 01:07:51.800
<v Speaker 1>the January twenty twenty four, I answered that question beautiful.

1229
01:07:51.800 --> 01:07:54.400
<v Speaker 1>Can I even have it? Yeah, I even have British

1230
01:07:54.440 --> 01:07:58.760
<v Speaker 1>Library January twenty twenty three. January twenty twenty four completed

1231
01:07:58.840 --> 01:08:01.480
<v Speaker 1>on the twenty eighth end of our of my relocation

1232
01:08:01.599 --> 01:08:04.480
<v Speaker 1>to London. So the book ends at my leaving La

1233
01:08:04.679 --> 01:08:09.440
<v Speaker 1>to come here. And I finished writing the book on

1234
01:08:09.599 --> 01:08:12.840
<v Speaker 1>the twentieth anniversary of my coming here, and it'll soon

1235
01:08:12.920 --> 01:08:16.039
<v Speaker 1>be the thirtieth later this year and knock on wood.

1236
01:08:16.840 --> 01:08:19.520
<v Speaker 1>So it had this kind of oraboric kind of thing,

1237
01:08:19.560 --> 01:08:21.840
<v Speaker 1>you know, the circle returning on itself in some way

1238
01:08:21.880 --> 01:08:24.800
<v Speaker 1>which I hadn't planned, but it just came out that way.

1239
01:08:26.359 --> 01:08:28.039
<v Speaker 1>So yeah, I mean, it's all the stuff about, you know,

1240
01:08:28.279 --> 01:08:32.279
<v Speaker 1>growing up reading comic books. And I think I can

1241
01:08:32.319 --> 01:08:34.680
<v Speaker 1>trace my interest in all this kind of stuff back

1242
01:08:34.720 --> 01:08:39.399
<v Speaker 1>to when I was about five years old and there

1243
01:08:39.439 --> 01:08:43.439
<v Speaker 1>was a comic strip in Adventure Comics DC Comics called

1244
01:08:43.439 --> 01:08:47.359
<v Speaker 1>the Legion of Superheroes. I'm sure there's whatever now movies

1245
01:08:47.359 --> 01:08:49.159
<v Speaker 1>about them now. I don't know if they were teenage

1246
01:08:49.920 --> 01:08:54.880
<v Speaker 1>teenagers with superpowers from different planets and the future and

1247
01:08:55.039 --> 01:08:58.520
<v Speaker 1>just weird stuff, and super Boy got involved with them.

1248
01:09:00.159 --> 01:09:04.680
<v Speaker 1>Remain ones. There was Lightning Lad, Saturn Girl, and Cosmic Boy.

1249
01:09:05.680 --> 01:09:08.119
<v Speaker 1>So I'm five years old. Lightning Lad makes sense, he

1250
01:09:08.159 --> 01:09:13.439
<v Speaker 1>shot Lightning bulls. Saturn Saturn Girl quite gets she had

1251
01:09:13.479 --> 01:09:17.680
<v Speaker 1>mental psychic powers, but there was a neat Saturn you know,

1252
01:09:17.840 --> 01:09:20.720
<v Speaker 1>on her, on her bosom, you know, with the rings

1253
01:09:20.720 --> 01:09:24.279
<v Speaker 1>and all that kind of thing. Cosmic Boy he had

1254
01:09:24.279 --> 01:09:27.439
<v Speaker 1>like pink, white and black kind of costume and that

1255
01:09:27.520 --> 01:09:29.560
<v Speaker 1>I don't know, if you know the British expression chav.

1256
01:09:30.000 --> 01:09:31.800
<v Speaker 1>That it was kind of like chav colors, like pink

1257
01:09:31.840 --> 01:09:37.520
<v Speaker 1>and black, real chav colors, and that he he had

1258
01:09:37.560 --> 01:09:42.079
<v Speaker 1>magnetic powers, And I thought, why don't they call them

1259
01:09:42.439 --> 01:09:46.880
<v Speaker 1>magnetic boy? What's what's cosmic got to do with it?

1260
01:09:47.560 --> 01:09:50.760
<v Speaker 1>What does cosmic mean? So that's my sisters? I don't know,

1261
01:09:51.760 --> 01:09:54.039
<v Speaker 1>yess my mother she didn't know. I didn't bother ask

1262
01:09:54.079 --> 01:09:58.159
<v Speaker 1>my father. So I thought, ever since then, I've been

1263
01:09:58.159 --> 01:10:01.800
<v Speaker 1>trying to figure that one out? So what does cosmic mean?

1264
01:10:02.000 --> 01:10:06.199
<v Speaker 1>So it all started all started back then. So yeah,

1265
01:10:06.199 --> 01:10:09.600
<v Speaker 1>so this comics influenced me. Then I got into Lovecraft

1266
01:10:09.640 --> 01:10:11.479
<v Speaker 1>and all that kind of stuff and the Conan you know,

1267
01:10:11.479 --> 01:10:15.239
<v Speaker 1>the rubberty Howard Conan stories. And I was a victim

1268
01:10:15.279 --> 01:10:18.159
<v Speaker 1>of all the all that paperback reissue of the pulp

1269
01:10:19.279 --> 01:10:21.680
<v Speaker 1>stuff from the thirties and the forties. And then a

1270
01:10:21.760 --> 01:10:25.640
<v Speaker 1>hippie girl about nineteen seventy when I was fourteen, whom

1271
01:10:25.640 --> 01:10:27.439
<v Speaker 1>I had a crush on. I can still remember the

1272
01:10:27.439 --> 01:10:31.520
<v Speaker 1>smell of the pe Julia oil she wore. She handed

1273
01:10:31.560 --> 01:10:38.119
<v Speaker 1>me a copy of hermann Hesse's novel, said Arthur, the

1274
01:10:38.439 --> 01:10:40.800
<v Speaker 1>Bantam paperback. It was all blue and there was like

1275
01:10:40.800 --> 01:10:43.000
<v Speaker 1>a stature of the Buddha on it, and that was

1276
01:10:43.039 --> 01:10:46.000
<v Speaker 1>like the first serious, you know, literature I read. And

1277
01:10:46.039 --> 01:10:47.600
<v Speaker 1>then that was at the beginning of my journey to

1278
01:10:47.640 --> 01:10:49.239
<v Speaker 1>the East and all that, and I became a hess,

1279
01:10:49.520 --> 01:10:53.199
<v Speaker 1>you know, one of the victims the many many early

1280
01:10:53.279 --> 01:10:56.199
<v Speaker 1>teens and in America then and yeah, so that was like, well,

1281
01:10:56.319 --> 01:10:58.840
<v Speaker 1>that's just that's drifted, that's who we went. And then

1282
01:10:58.880 --> 01:11:02.399
<v Speaker 1>read the Beats and all that kind of stuff. You know,

1283
01:11:03.640 --> 01:11:09.199
<v Speaker 1>found myself living in New York at eighteen, starving writing

1284
01:11:09.239 --> 01:11:13.159
<v Speaker 1>really bad poetry. Not purposely writing bad poetry, but subsequently

1285
01:11:13.159 --> 01:11:17.000
<v Speaker 1>I realized it was and this is before I joined

1286
01:11:17.039 --> 01:11:19.880
<v Speaker 1>blondie was I was living. I was sharing a storefront

1287
01:11:19.920 --> 01:11:22.800
<v Speaker 1>on East tenth Street between First Avenue and Avenue A.

1288
01:11:22.920 --> 01:11:24.800
<v Speaker 1>And if you know New York in nineteen seventy four

1289
01:11:24.920 --> 01:11:27.840
<v Speaker 1>seventy five, you didn't go It's Alphabet City. Now it's

1290
01:11:27.920 --> 01:11:30.079
<v Speaker 1>like it's overpriced. You can't afford the cappuccinos.

1291
01:11:30.079 --> 01:11:32.039
<v Speaker 2>Oh that was the hood back in the day, Alphabet City.

1292
01:11:32.199 --> 01:11:34.319
<v Speaker 1>Yeah, back then you didn't got you just did not

1293
01:11:34.399 --> 01:11:37.279
<v Speaker 1>go there. Yeah, you look tougher than I did. But

1294
01:11:38.439 --> 01:11:41.199
<v Speaker 1>you know, But and the guy who was living it

1295
01:11:41.399 --> 01:11:43.560
<v Speaker 1>was like a weird I tell these stories. This guy,

1296
01:11:43.600 --> 01:11:45.600
<v Speaker 1>he's the weirdest guy where I grew up in Bay,

1297
01:11:45.680 --> 01:11:48.640
<v Speaker 1>New Jersey. But then when we were sharing this place together,

1298
01:11:48.720 --> 01:11:51.680
<v Speaker 1>he became a born again Jesus freak and drove his

1299
01:11:51.760 --> 01:11:55.920
<v Speaker 1>witness and he wanted to start a rock band and

1300
01:11:56.159 --> 01:11:58.800
<v Speaker 1>go to Israel and join the Kibbitz because the end

1301
01:11:58.840 --> 01:12:02.760
<v Speaker 1>of the world was coming. That doesn't add up, Like

1302
01:12:03.159 --> 01:12:04.920
<v Speaker 1>why do you want to start a band at the

1303
01:12:04.960 --> 01:12:07.520
<v Speaker 1>end of the world's coming? And why an a kipp it?

1304
01:12:08.760 --> 01:12:12.199
<v Speaker 1>Are you gonna play and ship like this? He stuff

1305
01:12:12.239 --> 01:12:14.319
<v Speaker 1>like that, And this guy was gradually going off his

1306
01:12:14.479 --> 01:12:19.159
<v Speaker 1>nut and Clem Burke the Lake. Clem Burke, who just

1307
01:12:19.399 --> 01:12:24.600
<v Speaker 1>passed away earlier this year, one of the greatest drummers ever,

1308
01:12:24.600 --> 01:12:26.319
<v Speaker 1>whom I knew from high school. We went to high

1309
01:12:26.319 --> 01:12:31.199
<v Speaker 1>school together in Bayo, New Jersey, and he had only

1310
01:12:31.319 --> 01:12:36.039
<v Speaker 1>just joined Blondie because they kept losing musicians. They kept

1311
01:12:36.039 --> 01:12:38.359
<v Speaker 1>losing the drummer, the bass player, stuff like that. He

1312
01:12:38.399 --> 01:12:41.479
<v Speaker 1>had only just joined. And the first gig he did

1313
01:12:41.560 --> 01:12:44.720
<v Speaker 1>at CBGB, you know, the famous club where everybody came

1314
01:12:44.760 --> 01:12:49.359
<v Speaker 1>out of the bass player quit and I was I

1315
01:12:49.399 --> 01:12:51.239
<v Speaker 1>was not a musician. I was allowed to hang out

1316
01:12:51.239 --> 01:12:53.960
<v Speaker 1>with the musicians in New Jersey. I could kind of

1317
01:12:54.000 --> 01:12:56.640
<v Speaker 1>sort of almost maybe you know, play Johnny B. I

1318
01:12:56.720 --> 01:12:58.880
<v Speaker 1>didn't get up to good, but you know, you know

1319
01:12:58.960 --> 01:13:02.119
<v Speaker 1>so kind of kind of play. But that was what

1320
01:13:02.159 --> 01:13:04.079
<v Speaker 1>you needed, you know. And in this place I was

1321
01:13:04.079 --> 01:13:06.960
<v Speaker 1>living in the storefront and he's tent that there really was.

1322
01:13:06.960 --> 01:13:10.279
<v Speaker 1>There was a broken down, upright piano for almost every

1323
01:13:10.359 --> 01:13:13.920
<v Speaker 1>key was wrong. But I somehow learned how to, you know,

1324
01:13:14.479 --> 01:13:17.119
<v Speaker 1>write songs on this and Clem said, come come in audition.

1325
01:13:18.159 --> 01:13:21.119
<v Speaker 1>So I went and auditioned. What I remember is playing

1326
01:13:21.199 --> 01:13:24.399
<v Speaker 1>the Stone song lived with me for like forever. I

1327
01:13:24.479 --> 01:13:26.399
<v Speaker 1>kind of I could figure that one out. And then

1328
01:13:26.479 --> 01:13:29.279
<v Speaker 1>the end they said, that's it. What happened after that

1329
01:13:29.479 --> 01:13:35.079
<v Speaker 1>is that my roommate who he saw what was happening.

1330
01:13:35.239 --> 01:13:37.000
<v Speaker 1>So I was playing in them and all that kind

1331
01:13:37.000 --> 01:13:39.159
<v Speaker 1>of stuff, and he said, look it's it's either the

1332
01:13:39.239 --> 01:13:43.720
<v Speaker 1>kibbitz or out, so he kicked me out. I didn't.

1333
01:13:43.760 --> 01:13:45.199
<v Speaker 1>I was. I was on the street for a while,

1334
01:13:45.720 --> 01:13:49.279
<v Speaker 1>I was sleeping in the studio, and then Debbie Harry

1335
01:13:49.439 --> 01:13:52.680
<v Speaker 1>finally took me in. So she had a tiny one

1336
01:13:53.119 --> 01:13:58.039
<v Speaker 1>bedroom flat in little Italy on Thompson Street and you

1337
01:13:58.079 --> 01:14:01.000
<v Speaker 1>know where like there was an Italian social club below

1338
01:14:01.039 --> 01:14:04.000
<v Speaker 1>and the Massachue ladies are sitting outside, you know, smoking

1339
01:14:04.039 --> 01:14:09.960
<v Speaker 1>cigarettes and drinking their espressos. And I'm you know, she's

1340
01:14:10.000 --> 01:14:12.760
<v Speaker 1>already living there with Christine and her three cats, and

1341
01:14:12.800 --> 01:14:16.119
<v Speaker 1>all the all the guitars, the amps and stuff is

1342
01:14:16.159 --> 01:14:18.000
<v Speaker 1>in there, and then now the bass players there. So

1343
01:14:18.399 --> 01:14:21.920
<v Speaker 1>we crushed it. So from living in that tiny place,

1344
01:14:22.039 --> 01:14:24.880
<v Speaker 1>then we moved into this loft space on the Bowery

1345
01:14:24.920 --> 01:14:29.079
<v Speaker 1>and then my my life of magic began there. Sorry,

1346
01:14:29.119 --> 01:14:32.600
<v Speaker 1>that was that's half of those there. That's great, thank you.

1347
01:14:34.039 --> 01:14:34.680
<v Speaker 1>That isn't me.

1348
01:14:35.199 --> 01:14:37.239
<v Speaker 2>That's an awesome story. Thank you very much.

1349
01:14:38.399 --> 01:14:41.359
<v Speaker 4>It's almost sorry I'm going to interject. It's almost like

1350
01:14:41.640 --> 01:14:45.159
<v Speaker 4>you had to you had to play for blinding in

1351
01:14:45.279 --> 01:14:49.760
<v Speaker 4>order to be placed in the actual space, in the

1352
01:14:49.800 --> 01:14:53.600
<v Speaker 4>actual space and time of these people to hand you

1353
01:14:53.640 --> 01:14:56.439
<v Speaker 4>a book, to hand you an information, to invite you

1354
01:14:56.520 --> 01:15:00.000
<v Speaker 4>to a party, to plant a seed in your brain.

1355
01:15:01.199 --> 01:15:01.840
<v Speaker 4>And then too.

1356
01:15:03.880 --> 01:15:05.079
<v Speaker 1>Well, I mean that's why I see it now. I

1357
01:15:05.079 --> 01:15:07.720
<v Speaker 1>mean's idea. You know, your actions in the future can

1358
01:15:07.800 --> 01:15:10.039
<v Speaker 1>regime your past, so everything up to the air could

1359
01:15:10.039 --> 01:15:12.239
<v Speaker 1>be just it's a big, big mistake. It's all horrible.

1360
01:15:12.279 --> 01:15:16.199
<v Speaker 1>Then oh you do some things. Oh yeah, it's all

1361
01:15:16.239 --> 01:15:18.439
<v Speaker 1>added up to that. So that's well, we all have

1362
01:15:18.520 --> 01:15:23.000
<v Speaker 1>that opportunity somewhere in life to kind of regime. And

1363
01:15:23.000 --> 01:15:25.399
<v Speaker 1>that's like you know, you turn. That's how chemical you turnub,

1364
01:15:26.479 --> 01:15:27.399
<v Speaker 1>That's what I was going to say.

1365
01:15:27.439 --> 01:15:29.520
<v Speaker 6>It's very alchemical in the sense that you have to

1366
01:15:29.920 --> 01:15:34.600
<v Speaker 6>u have this bottoming out basically to have the tabula

1367
01:15:34.720 --> 01:15:37.920
<v Speaker 6>rasa to be able to create the new thing that

1368
01:15:38.079 --> 01:15:38.720
<v Speaker 6>is becoming.

1369
01:15:39.399 --> 01:15:44.359
<v Speaker 1>And uh yeah yeah. And I think as an paras

1370
01:15:44.359 --> 01:15:46.319
<v Speaker 1>house is to kay is the mother of great things.

1371
01:15:46.560 --> 01:15:47.039
<v Speaker 1>There you go.

1372
01:15:47.319 --> 01:15:51.079
<v Speaker 6>And I think every artist in essence as you're working

1373
01:15:51.159 --> 01:15:55.920
<v Speaker 6>through these creative processes. You have to have these bottom

1374
01:15:56.000 --> 01:15:59.960
<v Speaker 6>times where you know you're able to have a larger

1375
01:16:00.079 --> 01:16:03.840
<v Speaker 6>perspective to be able to move into and make something grow.

1376
01:16:04.359 --> 01:16:06.680
<v Speaker 1>Yeah exactly, Yeah, yeah, that's true. True.

1377
01:16:06.800 --> 01:16:10.560
<v Speaker 2>Yeah very well, sir, well, thank you very much again.

1378
01:16:10.600 --> 01:16:10.880
<v Speaker 1>Gary.

1379
01:16:11.039 --> 01:16:14.640
<v Speaker 3>It's awesome show, tons of stuff, great stories. I definitely

1380
01:16:14.680 --> 01:16:16.159
<v Speaker 3>love to get you back on again, even to talk

1381
01:16:16.159 --> 01:16:20.079
<v Speaker 3>about when your older books. Is there anything that you

1382
01:16:20.079 --> 01:16:21.960
<v Speaker 3>would like to plug again, if you want to plug

1383
01:16:22.000 --> 01:16:22.680
<v Speaker 3>the book or anything.

1384
01:16:23.319 --> 01:16:25.239
<v Speaker 1>If you want to check me out. I've got a website.

1385
01:16:26.079 --> 01:16:30.159
<v Speaker 1>It's I think it's Gary dash Lockman dot com. But

1386
01:16:30.239 --> 01:16:31.760
<v Speaker 1>I think if you just, you know, put my name,

1387
01:16:31.880 --> 01:16:33.800
<v Speaker 1>I'm so famous. If you just put my name in Google,

1388
01:16:33.960 --> 01:16:36.800
<v Speaker 1>it'll take you right to it. And there's actually lots

1389
01:16:36.840 --> 01:16:40.920
<v Speaker 1>of stuff up on YouTube videos and stuff like that.

1390
01:16:41.119 --> 01:16:44.880
<v Speaker 1>And let's see. I'm trying to think what's coming up.

1391
01:16:46.960 --> 01:16:52.560
<v Speaker 1>I will be in December for the Philosophical Research Society

1392
01:16:52.600 --> 01:16:54.880
<v Speaker 1>and if you know them in LA. This was started

1393
01:16:54.880 --> 01:16:55.520
<v Speaker 1>by Manly P.

1394
01:16:55.760 --> 01:16:56.000
<v Speaker 3>Hall.

1395
01:16:56.199 --> 01:16:59.840
<v Speaker 1>He was one of the great occult and hermitic encyclopedia

1396
01:17:00.159 --> 01:17:03.399
<v Speaker 1>of the early twentieth century. Elvis Presley was one of

1397
01:17:03.399 --> 01:17:04.640
<v Speaker 1>his readers.

1398
01:17:05.279 --> 01:17:05.960
<v Speaker 2>Uh, and.

1399
01:17:07.920 --> 01:17:11.000
<v Speaker 1>They there's a wonderful building that's in the Lost Peelss

1400
01:17:11.479 --> 01:17:14.800
<v Speaker 1>area of LA and it's a weird Mayan Deco thing

1401
01:17:14.880 --> 01:17:19.319
<v Speaker 1>that was like, uh, it's fantastic building. But they they

1402
01:17:19.359 --> 01:17:21.359
<v Speaker 1>do online things and I'll be I'll be I'll be

1403
01:17:21.520 --> 01:17:23.800
<v Speaker 1>giving a talk about the book for them in December

1404
01:17:23.840 --> 01:17:25.840
<v Speaker 1>and all that. So I'll post that up on my

1405
01:17:25.920 --> 01:17:29.479
<v Speaker 1>website and I post stuff up on on YouTube and

1406
01:17:29.920 --> 01:17:32.279
<v Speaker 1>you know whatever it's called now Twister whatever it is

1407
01:17:32.319 --> 01:17:35.239
<v Speaker 1>now these days and stuff like that. So yeah, I

1408
01:17:35.239 --> 01:17:39.159
<v Speaker 1>mean god, I just have to say, it is so

1409
01:17:39.439 --> 01:17:45.000
<v Speaker 1>strange being over here seeing what's happening. Uh, over here

1410
01:17:45.319 --> 01:17:48.399
<v Speaker 1>sat side, it's it's it's my god. It's like it's

1411
01:17:48.479 --> 01:17:51.039
<v Speaker 1>I can't It's like a bad dystopian movie. That's, oh

1412
01:17:51.039 --> 01:17:53.520
<v Speaker 1>my god, this is like really happening, you know, So

1413
01:17:54.279 --> 01:17:55.560
<v Speaker 1>keep the faith, you know.

1414
01:17:58.880 --> 01:17:59.960
<v Speaker 6>That we're being sign opped.

1415
01:18:03.560 --> 01:18:05.960
<v Speaker 3>Yeah, definitely, Well, I'll agree, I definitely like in one

1416
01:18:06.000 --> 01:18:08.279
<v Speaker 3>of your books, I definitely think there's been a lot

1417
01:18:08.319 --> 01:18:10.239
<v Speaker 3>of magic and occultism involves this.

1418
01:18:11.560 --> 01:18:14.039
<v Speaker 1>Well. I mean again, I don't want to I didn't.

1419
01:18:14.119 --> 01:18:16.680
<v Speaker 1>I mean I kind of I say I saw this

1420
01:18:16.720 --> 01:18:21.439
<v Speaker 1>coming in Dark Star Arising magic compower in the age

1421
01:18:21.439 --> 01:18:24.119
<v Speaker 1>of Trump, just in the sense that if you know

1422
01:18:24.159 --> 01:18:26.079
<v Speaker 1>anything about him, you knew that this was. It's just

1423
01:18:26.119 --> 01:18:29.199
<v Speaker 1>incredible and all the kind of I mean, wait for

1424
01:18:29.279 --> 01:18:33.760
<v Speaker 1>the torchlight, you know, processions. I mean what I saw

1425
01:18:33.800 --> 01:18:37.359
<v Speaker 1>on the news here of that funeral service, you know,

1426
01:18:38.079 --> 01:18:40.720
<v Speaker 1>for the fellow Charlie.

1427
01:18:40.840 --> 01:18:41.000
<v Speaker 4>Uh.

1428
01:18:41.119 --> 01:18:43.680
<v Speaker 1>It just it's just it's in any case, you can't

1429
01:18:43.960 --> 01:18:49.960
<v Speaker 1>it just seems so stupidly cliched textbook exactly the same thing.

1430
01:18:50.479 --> 01:18:53.600
<v Speaker 1>And even Stephen Miller he looks like Gerbel's and he's

1431
01:18:53.800 --> 01:18:59.760
<v Speaker 1>he's he's plagiarizing. And you think, I don't know, I mean,

1432
01:19:00.640 --> 01:19:02.920
<v Speaker 1>they'll be after me after saying this. I know, I

1433
01:19:02.920 --> 01:19:05.119
<v Speaker 1>mean I just think, you know, it just seems it

1434
01:19:05.199 --> 01:19:11.439
<v Speaker 1>just seems how stupid, how obviously stupid. Can it gets

1435
01:19:11.880 --> 01:19:12.920
<v Speaker 1>to ask.

1436
01:19:14.880 --> 01:19:20.399
<v Speaker 6>The terminology, the colors they're using, the every it's yeah, yeah.

1437
01:19:19.920 --> 01:19:22.399
<v Speaker 1>Well he's a showman. That Trump is a showman. And

1438
01:19:22.439 --> 01:19:24.199
<v Speaker 1>this is one of the things I say in the book,

1439
01:19:24.279 --> 01:19:26.760
<v Speaker 1>where again there's the power positive thinking, that's the one

1440
01:19:27.000 --> 01:19:29.560
<v Speaker 1>magical side of him that Norman Vincent Peel, you know,

1441
01:19:30.720 --> 01:19:32.920
<v Speaker 1>focus on it, forget about the facts. But it's also

1442
01:19:33.000 --> 01:19:35.239
<v Speaker 1>the glamour. It's also the show. It's also the biggest

1443
01:19:35.560 --> 01:19:37.600
<v Speaker 1>spectacle kind of thing, and that's you know, he did

1444
01:19:37.640 --> 01:19:39.960
<v Speaker 1>you know, beauty pageants and all that kind of crap,

1445
01:19:40.000 --> 01:19:43.079
<v Speaker 1>and and I mean that's that's part of the magical

1446
01:19:43.119 --> 01:19:45.359
<v Speaker 1>side of it. It's glamor, you know, it's like, you know,

1447
01:19:45.479 --> 01:19:48.880
<v Speaker 1>it's definitely that kind of thing. And it's it's it's

1448
01:19:49.000 --> 01:19:50.560
<v Speaker 1>it's gone. I don't know, you know.

1449
01:19:51.279 --> 01:19:53.319
<v Speaker 6>And then when you let the vampire in your house,

1450
01:19:53.479 --> 01:19:54.920
<v Speaker 6>it's another story.

1451
01:19:55.199 --> 01:19:56.680
<v Speaker 1>I have to get him out, I'll tell you. Yeah,

1452
01:19:56.840 --> 01:19:59.319
<v Speaker 1>that's a good way to put it. Yeah, I like

1453
01:19:59.439 --> 01:20:02.239
<v Speaker 1>that's true. So sad. And it's like I did, It's like,

1454
01:20:02.359 --> 01:20:04.199
<v Speaker 1>are they waiting for him to keel over? So that

1455
01:20:04.399 --> 01:20:10.880
<v Speaker 1>you know, the the reason he was after the cat

1456
01:20:10.960 --> 01:20:13.600
<v Speaker 1>Ladies is he's a cat person. You just look at him.

1457
01:20:14.279 --> 01:20:16.439
<v Speaker 1>He's like that old movie cat People. You look at

1458
01:20:16.439 --> 01:20:21.079
<v Speaker 1>his eyes, he looks like a cat person. I mean,

1459
01:20:21.119 --> 01:20:22.960
<v Speaker 1>I really, I really think so that's why he was

1460
01:20:23.000 --> 01:20:25.039
<v Speaker 1>after the cat ladies because they would have they would

1461
01:20:25.319 --> 01:20:26.920
<v Speaker 1>they would have noticed, they would have found him out.

1462
01:20:27.000 --> 01:20:32.359
<v Speaker 2>So sorry, all right, uh but yes, thank you very much.

1463
01:20:32.479 --> 01:20:34.359
<v Speaker 3>Gary, Like I said, I'd probably like to have you

1464
01:20:34.399 --> 01:20:36.319
<v Speaker 3>on in the future to talk about that one very

1465
01:20:36.319 --> 01:20:39.640
<v Speaker 3>interesting stuff real quick before you wrap it up, I'll

1466
01:20:39.680 --> 01:20:42.479
<v Speaker 3>let the other rejects quickly plug themselves again or whatever

1467
01:20:42.479 --> 01:20:45.479
<v Speaker 3>they like to Lisa you call reject man scientist or what.

1468
01:20:45.399 --> 01:20:45.840
<v Speaker 2>Is going on?

1469
01:20:47.199 --> 01:20:49.600
<v Speaker 4>Thank you Nick for having me on asking me on.

1470
01:20:50.000 --> 01:20:52.840
<v Speaker 4>Thank you so much, Jerry for sharing your book with

1471
01:20:52.920 --> 01:20:56.359
<v Speaker 4>us and sharing all of those little anecdotal stories as

1472
01:20:56.359 --> 01:20:59.960
<v Speaker 4>well as kind of entertaining some of our questions. I

1473
01:21:00.520 --> 01:21:02.199
<v Speaker 4>the only thing I would like to plug is your

1474
01:21:02.199 --> 01:21:05.079
<v Speaker 4>cool research institute dot org where some of the other

1475
01:21:05.119 --> 01:21:10.000
<v Speaker 4>rejects have contributed to content on it. And check us

1476
01:21:10.039 --> 01:21:13.439
<v Speaker 4>out there and Gary again, thank you fellow rejects. Amazing

1477
01:21:13.520 --> 01:21:15.800
<v Speaker 4>to also have a discussion with you guys.

1478
01:21:15.960 --> 01:21:19.239
<v Speaker 2>Thank you awesome, thank you, and I appreciate you joining us.

1479
01:21:19.600 --> 01:21:22.000
<v Speaker 2>And mister Jin the ninja over here.

1480
01:21:22.880 --> 01:21:25.039
<v Speaker 5>Thank you so much, Boss, appreciate it. And thank you

1481
01:21:25.039 --> 01:21:27.039
<v Speaker 5>of course, Gary. That's an honor to be on a

1482
01:21:27.199 --> 01:21:31.560
<v Speaker 5>roundtable with you. Thank you for letting me fielding my questions,

1483
01:21:31.600 --> 01:21:33.920
<v Speaker 5>and of course the other rejects. If you want to

1484
01:21:34.079 --> 01:21:37.119
<v Speaker 5>check me out at Wukong Reborn, w uk O and

1485
01:21:37.159 --> 01:21:40.600
<v Speaker 5>g Reborn on nex Twitter or at Threshold Saints as

1486
01:21:40.600 --> 01:21:43.000
<v Speaker 5>well as on ig at Threshold Saints and if you're

1487
01:21:43.000 --> 01:21:45.760
<v Speaker 5>interested in The Gray Lodge, which is a speculative gnostic

1488
01:21:45.800 --> 01:21:48.680
<v Speaker 5>group Meta Magicians for a new and you can check

1489
01:21:48.760 --> 01:21:51.720
<v Speaker 5>us out at the True gray Lodge dot com. But

1490
01:21:51.880 --> 01:21:54.479
<v Speaker 5>True is with a V, not a you. So thank

1491
01:21:54.520 --> 01:21:57.640
<v Speaker 5>you guys so much, appreciate it and have a great

1492
01:21:57.840 --> 01:22:01.079
<v Speaker 5>uh you know, evening. Thank you, thank you, thank you.

1493
01:22:01.199 --> 01:22:01.359
<v Speaker 1>Jen.

1494
01:22:01.399 --> 01:22:04.760
<v Speaker 2>I appreciate you joining us man as always, and Robbie Marks.

1495
01:22:04.600 --> 01:22:04.680
<v Speaker 1>So.

1496
01:22:06.319 --> 01:22:08.439
<v Speaker 6>Yeah, I would like to say thank you to such

1497
01:22:08.479 --> 01:22:10.760
<v Speaker 6>a great crew. It's always good to come and talk

1498
01:22:10.760 --> 01:22:14.560
<v Speaker 6>with all you and Gary, I really appreciate your time

1499
01:22:14.640 --> 01:22:18.520
<v Speaker 6>and coming on and sharing the stories. As far as myself,

1500
01:22:18.600 --> 01:22:20.960
<v Speaker 6>if you'd like to check out, I'm gonna encourage you

1501
01:22:21.000 --> 01:22:23.560
<v Speaker 6>if you want to just you know, go view some artwork.

1502
01:22:23.880 --> 01:22:27.119
<v Speaker 6>Go check out my link tree r M A r

1503
01:22:27.359 --> 01:22:30.800
<v Speaker 6>X and that has my website, my Etsy, my Instagram

1504
01:22:30.880 --> 01:22:32.520
<v Speaker 6>is where you're going to get most of my art.

1505
01:22:33.319 --> 01:22:37.800
<v Speaker 6>Twitters where I talk most of my weirdness. But then

1506
01:22:38.000 --> 01:22:40.399
<v Speaker 6>uh yeah, you know, I just encourage you to go

1507
01:22:40.680 --> 01:22:44.560
<v Speaker 6>look and check out and let it play with your eyes.

1508
01:22:44.960 --> 01:22:49.479
<v Speaker 6>So and that's about it. Thanks for everything, and Nick,

1509
01:22:49.520 --> 01:22:50.840
<v Speaker 6>thanks for having me on for sure.

1510
01:22:51.239 --> 01:22:53.319
<v Speaker 2>Of course, Robbie, I'm glad you could make it.

1511
01:22:54.039 --> 01:22:56.479
<v Speaker 3>And again Gary, thank you very much for coming on,

1512
01:22:56.640 --> 01:22:58.760
<v Speaker 3>and the other rejectually appreciate you making the time and

1513
01:22:58.840 --> 01:23:01.680
<v Speaker 3>jumping on. And that that's the end of another recall rejects,

1514
01:23:01.720 --> 01:23:04.560
<v Speaker 3>and until the next one, everybody be well later
