WEBVTT

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<v Speaker 1>Welcome Friendsis Podcasts podcast is done.

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<v Speaker 2>Show Jack again by the Talking does brub mom Down

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<v Speaker 2>podcast on Baby.

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<v Speaker 1>Your town is being quarantined.

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<v Speaker 2>We got nineteen dead, you got a hundred more infected.

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<v Speaker 2>It's spreading on a brush fire. What are you talking about.

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<v Speaker 2>If one of them's got it, then ten of them

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<v Speaker 2>got it now, and if one of them gets out

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<v Speaker 2>of Cedar Creek, we have a very interesting problem from

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<v Speaker 2>the heart of a small California town to the inner

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<v Speaker 2>circle of power in Washington. The greatest medical crisis of

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<v Speaker 2>all time. We can't stop Him begins. There will be

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<v Speaker 2>panic the likes of which we have never seen. Dustin Hoffman,

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<v Speaker 2>Renee Russo, Morgan Freeman. We can't stop Him. Outbreak Rated

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<v Speaker 2>R starts Friday, March tenth at a theater New You.

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<v Speaker 2>Welcome to a movie film commentary Trek. My name is

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<v Speaker 2>Zachi Hassain. I'm here in my has meat content ad

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<v Speaker 2>mint suit in an uncontaminated zone alongside Brian Hall. Hey.

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<v Speaker 2>How's it going, Zachi? I'm doing pretty well. I guess

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<v Speaker 2>I should have put the helmet on. Yeah, let me

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<v Speaker 2>take my.

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<v Speaker 1>Hey, how's it going? Man? Apparently it's not airborne?

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<v Speaker 2>Oh? Well that's a relief. Yeah, so we're good. You

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<v Speaker 2>know what has been out in the wild for thirty

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<v Speaker 2>years now, it's the movie Outbreak thirty.

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<v Speaker 1>Years Yes, Outbreak, this was this is one of those

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<v Speaker 1>movies that was such a thing in the moment, but

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<v Speaker 1>it really was. I don't know that I've seen it

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<v Speaker 1>literally in thirty years.

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<v Speaker 2>Wow. So your first time revisiting it was for this track,

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<v Speaker 2>I think.

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<v Speaker 1>So, I think I I remember renting it and yeah,

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<v Speaker 1>I don't know that I've seen it since.

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<v Speaker 2>Yeah, this was definitely a phenomenon at the time it

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<v Speaker 2>came out. It was number one at the box office

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<v Speaker 2>for three consecutive weeks. Wow, which is no small thing.

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<v Speaker 2>And you know, I think the last time I saw

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<v Speaker 2>it was exactly five years ago, in the lead up

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<v Speaker 2>to you know, all the COVID sheltern play stuff.

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<v Speaker 1>Yeah, this movie entered the Netflix Top ten in that moment,

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<v Speaker 1>and you can understand why. Actually, it is very interesting

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<v Speaker 1>to rewatch this movie.

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<v Speaker 2>Now having lived through that. Yeah, there's a whole.

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<v Speaker 1>Different sensation that's really true watching some of these scenes.

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<v Speaker 2>Yeah, so we thought, you know, we like to do

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<v Speaker 2>this sometimes, just dip into nineties action cinema. Yeah, yeah, right,

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<v Speaker 2>and and we have been kind of just working through,

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<v Speaker 2>you know, the the catalog of Wolfgang Peterson. That's true. Yeah,

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<v Speaker 2>so I thought, hey, you know, let's celebrate thirty years

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<v Speaker 2>of Outbreak. Let's suit up. Let's suit up. Let's let's

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<v Speaker 2>dive into the hot zone or not the hot zone.

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<v Speaker 1>They will get into that, yeah, I'm sure we'll.

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<v Speaker 2>Be talking about that as we watch this. This I

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<v Speaker 2>was gonna say classic, it's just I would call you

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<v Speaker 2>know what I would call it, Brian, I would call

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<v Speaker 2>it a forgotten little gem.

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<v Speaker 1>Yeah, yeah, yeah, I would Yeah. Yeah, we'll get into

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<v Speaker 1>that too. My memory of this. The tone of this

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<v Speaker 1>movie is very different, right, and I would say it vacillates.

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<v Speaker 2>I agree with that. Yeah, yeah, but but definitely a

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<v Speaker 2>nostalgia trip for you and I. Yeah. Uh, and and hey,

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<v Speaker 2>maybe it'll be a nostalgia trip for the people listening

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<v Speaker 2>to us. So if you want to watch along with us,

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<v Speaker 2>you can certainly do that. We are watching the one

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<v Speaker 2>and only cut of the film. But you know, if not,

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<v Speaker 2>we'll try to keep this conversation gaging enough that you

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<v Speaker 2>won't feel like you're catching a cold, well or something

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<v Speaker 2>worse while listening so with are you are you cute

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<v Speaker 2>up on your end, Brian, Yeah, I'm ready to go. Okay,

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<v Speaker 2>so we will hit play on three. We'll do the

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<v Speaker 2>usual thing. So one two three play, and here we go,

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<v Speaker 2>one two three play.

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<v Speaker 1>You know, this is just on a personal note, but

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<v Speaker 1>I was watching the movie last night that had the

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<v Speaker 1>more updated Warner Shield, not the most recent one, but

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<v Speaker 1>the one that we've had for a long time, where

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<v Speaker 1>you see the reflection to the studio, you know, and

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<v Speaker 1>you could see stage sixteen, which made me think of

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<v Speaker 1>the last time you visited. And we went and saw

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<v Speaker 1>a TV tapings a lot and we were staring at

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<v Speaker 1>stage sixteen.

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<v Speaker 2>Wow, how funny.

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<v Speaker 1>Oh that's where Zachie and I were. And I actually thought,

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<v Speaker 1>every time I see that now I'm going to think

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<v Speaker 1>about Zachie and I walked past that stage.

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<v Speaker 2>That's a nice memory. Yeah. As of this recording, that

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<v Speaker 2>episode is not aired yet, so I'm still I'm still waiting.

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<v Speaker 2>I've been keeping tabs.

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<v Speaker 1>Also, well, we should say we went and saw a

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<v Speaker 1>TV taping of Night.

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<v Speaker 2>Court Night Court season three. Yeah, but so so do

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<v Speaker 2>you go did you watch this movie in the theater

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<v Speaker 2>when it came out? I don't think so.

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<v Speaker 1>This was ninety five. I wasn't seventeen yet and seeing

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<v Speaker 1>R rated movies was a little trickier okay at the time,

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<v Speaker 1>and so probably I saw this. I think I rented it. You, Yeah,

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<v Speaker 1>I saw it in the Cheap Show.

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<v Speaker 2>But I did see it. I saw it with my

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<v Speaker 2>brother downtown. Glen Ellen. I believe oh Ogden Ogden six No, no, no,

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<v Speaker 2>it was oh Glen Ellen, sorry, yeah, and Glen Ellen yeah, yeah, yeah, yeah,

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<v Speaker 2>I can picture it. Yeah. So a little point of trivia,

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<v Speaker 2>it says here in nineteen sixty seven Zaire. Just in

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<v Speaker 2>terms of historical correctness, in nineteen sixty seven, this was

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<v Speaker 2>known as the Democratic Republic of Congo, and it's known

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<v Speaker 2>as that again. By the ways, I think it was

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<v Speaker 2>only known as Zaire from seventy one to the late nineties.

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<v Speaker 1>Interesting, speaking of it's our rating, I didn't realize this

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<v Speaker 1>was rated R. It was one of those things where

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<v Speaker 1>the movie went on for about thirty some minutes or something,

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<v Speaker 1>and then every now and then there'd be like, oh,

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<v Speaker 1>I was like, that's.

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<v Speaker 2>Three f words. Like I was like, I was this

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<v Speaker 2>rated are? Like I didn't even realize. I would guess

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<v Speaker 2>it got the R rating more for sort of the

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<v Speaker 2>horrific nature of the virus, like they didn't want little

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<v Speaker 2>kids going and seeing the what happens.

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<v Speaker 1>You know, honestly, that makes a lot of sense, because

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<v Speaker 1>I think in my mind this just did feel like

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<v Speaker 1>a weirdly like a nineties summer blockbuster that like, I

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<v Speaker 1>you know what I mean, like a PG thirteen big

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<v Speaker 1>summer movie or something. Yeah, but yeah, no, it's definitely

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<v Speaker 1>pretty grotesque at times here.

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<v Speaker 2>Very much. So. Yeah, And and what's what's fascinating is

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<v Speaker 2>that I think I think the in terms of the situation.

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<v Speaker 2>First of all, the situation that the movie depicts is

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<v Speaker 2>complete fantasy, right in terms of how quickly the virus

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<v Speaker 2>adapts and everything else. But what I do think it

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<v Speaker 2>highlights and it's relevant nowadays because we or there there

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<v Speaker 2>does seem to be sort of an anti science pushback

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<v Speaker 2>in the world at large, right. I was watching the

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<v Speaker 2>town react later. Yeah, I did have a wow.

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<v Speaker 1>The more things change, it really, you know, it really

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<v Speaker 1>is in a moment.

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<v Speaker 2>Yeah, but I mean it it points out, you know,

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<v Speaker 2>there's people who work in these fields who are who

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<v Speaker 2>are unheralded but doing really important stuff, you know, like

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<v Speaker 2>like the you know, General McClintock dropping this bomb here.

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<v Speaker 2>You know, that's that's important work that he just did

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<v Speaker 2>to wipe out this village. That's horrible. That's a that's

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<v Speaker 2>a real bomb. By the way, isn't that terrifying?

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<v Speaker 1>Like, oh, the type of bomb.

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<v Speaker 2>That it uses oxygen to sort of create this it

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<v Speaker 2>basically lights the air on fire. Wow, this is horrific.

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<v Speaker 2>You know, we we we we seem to excel more

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<v Speaker 2>at finding new ways to kill each other. Yeah, they

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<v Speaker 2>to save each other's lives.

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<v Speaker 1>And I had that very thought when you said that.

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<v Speaker 1>It's like, we just use our imaginations and creativity and

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<v Speaker 1>brilliance to find new ways to destroy. Yeah, really, you know,

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<v Speaker 1>but this, I mean it came at an interesting time

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<v Speaker 1>where I remember viruses were kind of like a lot.

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<v Speaker 1>It featured a lot in the news. There was that

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<v Speaker 1>best selling book The Hot Zone, that's right, which I

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<v Speaker 1>remember there was like this sort of handful of books

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<v Speaker 1>in the nineties that were these best selling true stories.

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<v Speaker 1>It made me think of into thin Air about the

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<v Speaker 1>ninety six Mount Everest disaster. Like I remember a lot

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<v Speaker 1>of people reading The Hot Zone, and I knew it

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<v Speaker 1>was a true story. About viruses. I remember Into Thin

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<v Speaker 1>Air being a big one, which.

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<v Speaker 2>That served as the basis for the movie Everest, which you.

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<v Speaker 1>Know, which yeah, yeah, yeah, I actually I went and

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<v Speaker 1>googled that because I thought, wait a minute, is this

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<v Speaker 1>the same thing we just watched that? But yeah, so

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<v Speaker 1>this movie began as an attempt to adapt The Hot Zone, right,

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<v Speaker 1>I mean, the idea of making this film in the

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<v Speaker 1>first place.

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<v Speaker 2>Yeah, well, there was a bidding war with Regardless before

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<v Speaker 2>The Hot Zone even became a book. So by way

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<v Speaker 2>of context, the Hot Zone is a fact based story

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<v Speaker 2>about a near outbreak of abola that happened the state side.

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<v Speaker 2>It started as an article in the New Yorker, I think,

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<v Speaker 2>and at that stage there was you know, the studios

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<v Speaker 2>were fighting it out.

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<v Speaker 1>Like how to adapt this into a movie because this

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<v Speaker 1>was a huge selling book.

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<v Speaker 2>Yeah, so so Arnold Copolson, who produced The Fugitive, which,

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<v Speaker 2>by the way, look look at the font here you

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<v Speaker 2>can do this is Fugitive font.

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<v Speaker 1>The font and the score and the score. I thought, wow,

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<v Speaker 1>this feels I noticed the font and I noticed this

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<v Speaker 1>sounds exactly like the score from The Fugitive. And then

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<v Speaker 1>the credit, you know, James Newton Howard comes up, and

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<v Speaker 1>I was like.

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<v Speaker 2>Yeah, you have to imagine they tempt it with the

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<v Speaker 2>fugitive probably in right. So, so Arnold Copelson got out

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<v Speaker 2>bid by by Linda Oapst, who who put together a

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<v Speaker 2>package for The Hot Zone with Ridley Scott attached and

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<v Speaker 2>Robert Redford was gonna star, Jody Foster was attached. Kind

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<v Speaker 2>of a big deal. Yeah, and so Coppelsen was like, well,

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<v Speaker 2>I'm just gonna make my own virus movie. And and

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<v Speaker 2>you know, you can't copyright a virus, uh, and so

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<v Speaker 2>they just or the idea of a virus. I should say,

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<v Speaker 2>I would assume Motaba is TM and copyright you know

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<v Speaker 2>Warren Brothers. Sure, yeah, but you can't copyright the idea.

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<v Speaker 2>And so they just kind of, you know, just did

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<v Speaker 2>it faster. And and I remember at the time, because

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<v Speaker 2>I was that nerdy film film buff kid, I was

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<v Speaker 2>following like the the the race to get both virus

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<v Speaker 2>movies into production. I remember when Crisis in the Hot Zone,

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<v Speaker 2>which is what that film was, was gonna be called

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<v Speaker 2>just they they they threw in the towel. Oh really, yeah, yeah,

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<v Speaker 2>I remember, I remember all of that happening, you know,

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<v Speaker 2>roughly in real time. How did you follow those sorts

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<v Speaker 2>of stories in the mid nineties, primarily through Entertainment Weekly

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<v Speaker 2>Time magazine. I would read the entertainment section in Time Magazine. Yeah,

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<v Speaker 2>but I would Yeah. This was before even I had

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<v Speaker 2>internet access. Yeah. I was going to say, yeah, yeah,

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<v Speaker 2>so I would go. I would go to the jewel

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<v Speaker 2>Osco right near my house. I would walk over there

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<v Speaker 2>and I would read the Entertainment Weekly almost from cover

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<v Speaker 2>to cover, just standing there.

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<v Speaker 1>Wow, that was like a Memories a weekly thing.

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<v Speaker 2>Yeah, yeah, yep.

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<v Speaker 1>I subscribed to that too, and you know Starlog and

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<v Speaker 1>all those.

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<v Speaker 2>Yeah. I had a subscription to Entertainment Weekly once I

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<v Speaker 2>could do that on my own, from like ninety seven, no, no,

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<v Speaker 2>ninety eight, early ninety eight until probably twenty twelve something

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<v Speaker 2>like that. Wow, right, And then I realized, wait a minute,

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<v Speaker 2>why am I I don't need to read this magazine.

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<v Speaker 1>Like I know, I know well, and then it ceased

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<v Speaker 1>being Entertainment Weekly and now that's right early and yeah, yeah,

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<v Speaker 1>I think it went monthly first and then online only, so.

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<v Speaker 2>It's not published at all anymore.

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<v Speaker 1>Well, as I say that, I'm not sure because you know,

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<v Speaker 1>I don't know why I'm telling this story. But I

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<v Speaker 1>got one in the mail with my name on it

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<v Speaker 1>two years ago and thought, what, like, I did subscribe

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<v Speaker 1>to this and then I never got another one again.

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<v Speaker 1>And I don't know if there was some glitch in

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<v Speaker 1>their system where they saw my name was in there

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<v Speaker 1>from fifteen years ago, or look at that.

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<v Speaker 2>It's a metaphor for something. One day you received an

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<v Speaker 2>entertainment weekly, never realizing it was the last entertainment weekly

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<v Speaker 2>you'd ever received. That's right, it's very deep.

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<v Speaker 1>But no, I was reading this interview with the screenwriters

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<v Speaker 1>Lawrence Dwrett and Robert Roy Poole, and they said that, yeah,

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<v Speaker 1>Warner Brothers was enlisting writers to adapt Crisis in the

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<v Speaker 1>Hot Zone.

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<v Speaker 2>Yeah, and they came back.

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<v Speaker 1>The writers came back to Warner Brothers and said, this

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<v Speaker 1>article won't make a good motion picture because the end

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<v Speaker 1>of the article is hundreds of monkeys being put to

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<v Speaker 1>sleep and the disease never affecting human beings. So Dworet

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<v Speaker 1>was a former emergency room doctor, and he said, you

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<v Speaker 1>know what really scares me is somebody's going to come

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<v Speaker 1>in with a particular disease and I'm not going to

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<v Speaker 1>recognize it. And they're going to spread it to me

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<v Speaker 1>and all the medical staff, and we're going to have

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<v Speaker 1>to go home, or we're going to go home and

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<v Speaker 1>spread it to our families. So they're like, let's have

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<v Speaker 1>a movie where a virus spreads out of control, and

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<v Speaker 1>you know, it has to be a bigger movie. People

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<v Speaker 1>have to get sick and die, and it has to

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<v Speaker 1>be a threat to the world. Otherwise it's not a

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<v Speaker 1>major studio feature. And Warner Brothers.

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<v Speaker 2>Agreed, Well, I think that's very apt because because The

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<v Speaker 2>Hot Zone was eventually adapted into a TV mini series

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<v Speaker 2>and it was very compelling television interesting, And I had

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<v Speaker 2>that exact thought. I was like, I don't think this

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<v Speaker 2>would have worked as a movie. It was. It ended

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<v Speaker 2>up in the exact format it should have been in.

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<v Speaker 1>It was like a dramatic narrative or was it a documentary.

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<v Speaker 2>No, it's a mini It was a mini series. Yeah,

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<v Speaker 2>it was a show. It starred Juliana Marghley's Oh interesting. Yeah,

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<v Speaker 2>and really remained attached as EP from the time it

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<v Speaker 2>fell apart. I think that this this movie, it has

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<v Speaker 2>kind of pulpy energy.

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<v Speaker 1>He surprisingly, so, I didn't remember it that way. Yeah,

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<v Speaker 1>And I especially when you get into the third.

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<v Speaker 2>Act, very much like a nineties popcorn yeah exactly. Anyway, Yeah, no,

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<v Speaker 2>I well, I I personally like the fact that they

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<v Speaker 2>went with Dustin Hoffman. I think that's really interesting and

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<v Speaker 2>it makes the movie kind of stand out because he's

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<v Speaker 2>never done other movies like this.

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<v Speaker 1>I agree, and he brings sort of a oh well,

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<v Speaker 1>he's this type of guy. You know, if you just

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<v Speaker 1>put someone who's got I mean, forgive me Dustin, but

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<v Speaker 1>like more muscles and you know, perhaps some more traditionally

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<v Speaker 1>movie star handsome face, you know, Harrison Ford type who

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<v Speaker 1>they were looking at. That's a different type of character.

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<v Speaker 1>Like this guy seems like someone who devoted his life

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<v Speaker 1>to the study of this thing, and he's put into

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<v Speaker 1>an extraordinary situation and seeing him fight against the system

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<v Speaker 1>to do what's right feels different in the way that

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<v Speaker 1>it's gonna be yeah right, versus like if you put Schwarzeneggers, you.

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<v Speaker 2>Know, yeah, well to that point. You know, this is

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<v Speaker 2>something Linda Obst talked about. You know, she was the

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<v Speaker 2>Hot Zone producer. How Wolfgang Peterson was trying to like

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<v Speaker 2>get Redford to come over to his virus movie. Mm hmmm,

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<v Speaker 2>and She talked about how that was like a pretty

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<v Speaker 2>shitty thing to do, which which I would agree with. However, Redford,

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<v Speaker 2>to his credit, he told he told Linda Opst, I'm

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<v Speaker 2>sticking with you to is that true? That is a

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<v Speaker 2>true sort which is either endearing or sexist.

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<v Speaker 1>I don't know, kind of depends on.

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<v Speaker 2>But but yeah, they are. They they wrote Sam Daniels

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<v Speaker 2>with Harrison Ford in mind, which I can imagine that movie.

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<v Speaker 2>I can absolutely see that he turned it down. Then

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<v Speaker 2>they went to Mel Gibson, they went to Sliced Alone.

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<v Speaker 1>You know what's so funny. I didn't imagine I would

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<v Speaker 1>say this, but this movie does.

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<v Speaker 2>Have daylight or daybreak or whatever.

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<v Speaker 1>That movie was called ye energy, oh totally, which I

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<v Speaker 1>was not expecting. I thought this was like a real

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<v Speaker 1>more like high minded, serious dramatic sort of piece, but

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<v Speaker 1>it was, no, No, it's not.

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<v Speaker 2>Yeah. Well, and and that's where I think, honestly, Hoffman

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<v Speaker 2>elevates it a little bit just via his presence. Yes,

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<v Speaker 2>because because again going back to what I was saying,

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<v Speaker 2>like he he was not known for your big blockbuster movies.

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<v Speaker 2>And I think I think there is a relatability and

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<v Speaker 2>a reality and I think he knows the assignment here,

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<v Speaker 2>you know, uh, and I think that helps you know.

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<v Speaker 1>Yeah, absolutely, Actually I was kind of and we just

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<v Speaker 1>saw the scene where they're on the helicopter and you

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<v Speaker 1>have Kevin Spacey, Dustin Hoffman, Cuba Gooding Junior together, we

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<v Speaker 1>just saw Morgan Freeman, and I was kind of interested

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<v Speaker 1>in where these people were at in their careers because

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<v Speaker 1>we know them now, is right, I mean major stars.

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<v Speaker 1>I'm specifically really talking about Kevin Spacey. Well you know,

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<v Speaker 1>we can talk about that, but like in Cuba Gooding Junior.

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<v Speaker 1>But this is sort of we're getting kind of introduced

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<v Speaker 1>to them, like Jerry McGuire hasn't happened yet, right, the

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00:17:25.319 --> 00:17:30.039
<v Speaker 1>usual suspects happens this year. I think for Kevin Spacey, sod.

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<v Speaker 2>Of Cuba Gooding from Lightning Jack. No, That's what I

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00:17:34.480 --> 00:17:35.359
<v Speaker 2>knew him from. Actually.

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<v Speaker 1>But when you look at Dustin Hoffman, I mean obviously

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<v Speaker 1>you have like rain Man and I'm grading all those things.

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<v Speaker 2>Five years after his Rainman Oscar. Yeah.

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<v Speaker 1>Well you have Dick Tracy in ninety Simpson's Mister Bergstrom

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<v Speaker 1>ninety one, Billy Bathgate, Hook something else, Hero, and then

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<v Speaker 1>this in ninety five, so it's not like a ton

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<v Speaker 1>of huge movies, honestly.

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<v Speaker 2>Yeah a minute there, Yeah, Yeah, that's that's different. Yeah.

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<v Speaker 1>And then Kevin Spacey, of course it's interesting too. I mean,

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<v Speaker 1>obviously we can apply what we know about him now,

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<v Speaker 1>but I did feel like, how am I supposed to

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<v Speaker 1>feel about this character? He seems like kind of a weirdo.

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<v Speaker 2>See. I was like, oh, it's likable, doomed partner. Yeah.

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<v Speaker 1>I mean he's got like a sense of humor, which probably, again,

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<v Speaker 1>if I could remove what I know about him now,

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<v Speaker 1>I think he might seem a little less creepy. But

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<v Speaker 1>he does have I think he's supposed to be like

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<v Speaker 1>sarcastic yeah, or something like he's the funny, sarcastic yeah counterpart.

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<v Speaker 1>But he just seems like, I don't know, like the

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<v Speaker 1>way he talks to Cuba Gooding Junior and like, oh yeah,

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00:18:42.960 --> 00:18:46.880
<v Speaker 1>liquefies to your eyeballs, And it's like, is he like

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<v Speaker 1>the guy who's a little obsessed with how the virus works?

351
00:18:50.200 --> 00:18:51.960
<v Speaker 1>Like he could like like lean into that with the

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<v Speaker 1>tone that I think he's doing, you know, right, or

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<v Speaker 1>he like I almost admire its simplicity.

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<v Speaker 2>He's Ian Holme and the alien. Yeah, yeah, exactly. See.

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<v Speaker 2>I remember this is this is I'm gonna take the

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<v Speaker 2>bow for this. And I remember watching this in the

357
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<v Speaker 2>theater and being like, that's the guy who's gonna die sure,

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<v Speaker 2>Kevin Spacey. Yeah, and it was I was doing the

359
00:19:15.920 --> 00:19:19.720
<v Speaker 2>movie Math. I was like, I was like, it's not

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<v Speaker 2>going to be the It's not going to be the

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<v Speaker 2>black guy m like I was doing. I was doing

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<v Speaker 2>all this, He's he's the math. Yeah. I was like,

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<v Speaker 2>he's the young you know. And and I I was

364
00:19:29.079 --> 00:19:30.200
<v Speaker 2>kind of pegging it. I was like, well, they're not

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00:19:30.240 --> 00:19:33.880
<v Speaker 2>going to kill Rene Russo. So that's why I and

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<v Speaker 2>I I had because this is Wolfgan Peterson and I

367
00:19:37.799 --> 00:19:41.079
<v Speaker 2>knew he was the guy who did in the Line

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<v Speaker 2>of Fire. And when Dylan McDermott dies in that movie,

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<v Speaker 2>that was That was my first time with the doom

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<v Speaker 2>partner trope. You know, wow, that really was.

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<v Speaker 1>I mean, it continues, I'm sure to this day, but

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<v Speaker 1>maybe audiences expect it more so you don't see it

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<v Speaker 1>as often. But now Speed was a year before this.

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<v Speaker 2>I think Jeff.

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<v Speaker 1>Daniel is one of the most affecting Doomed partners, at

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<v Speaker 1>least in my experience.

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<v Speaker 2>Yeah, well, and I love that that in Copycat, Dermott

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<v Speaker 2>mulroney is the likable doomed partner Copycat. Wow. Yeah, so

379
00:20:16.079 --> 00:20:19.519
<v Speaker 2>Pulan McDermott and Dermott mulroney have both been the likable

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<v Speaker 2>doomed partner.

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<v Speaker 1>I've said it before. I don't know why Copycat keeps

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00:20:25.400 --> 00:20:27.599
<v Speaker 1>coming up on this podcast, but like, I feel like

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00:20:27.680 --> 00:20:30.039
<v Speaker 1>that one's been forgotten to time, but I will never

384
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<v Speaker 1>forget the killer in that movie Licks a Knife, and

385
00:20:34.240 --> 00:20:40.119
<v Speaker 1>I thirty plus years later, it still haunts me. I'm like, eh,

386
00:20:40.359 --> 00:20:42.119
<v Speaker 1>it really really disturbed me.

387
00:20:47.240 --> 00:20:47.680
<v Speaker 2>Anyway.

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00:20:47.759 --> 00:20:51.079
<v Speaker 1>So, yeah, you got Cuba Gooding Junior on the chopper

389
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<v Speaker 1>being like he's being prepped, like, look, man, what you're

390
00:20:54.640 --> 00:20:56.519
<v Speaker 1>about to see is pretty intense. We need to know

391
00:20:56.559 --> 00:20:57.720
<v Speaker 1>that you can handle it if you're going to be

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<v Speaker 1>a part of our team. He's like, you can count

393
00:20:59.640 --> 00:21:01.759
<v Speaker 1>on me, so you obviously know he's gonna barf.

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00:21:01.880 --> 00:21:04.240
<v Speaker 2>And then he up checks in his suit in his suit,

395
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<v Speaker 2>which is very horrifying.

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00:21:05.519 --> 00:21:08.079
<v Speaker 1>And then there's that moment too, I mean that's the

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00:21:08.200 --> 00:21:12.319
<v Speaker 1>reveal that this virus is not airborne. Yea, They're like,

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<v Speaker 1>don't take off your helmet. But then he lifts it up.

399
00:21:15.240 --> 00:21:18.200
<v Speaker 2>Yeah, and yeah, again I.

400
00:21:18.119 --> 00:21:20.400
<v Speaker 1>Don't know if this is a post COVID kind of thing,

401
00:21:20.839 --> 00:21:24.920
<v Speaker 1>but just having lived through that moment where well in

402
00:21:24.960 --> 00:21:28.079
<v Speaker 1>this movie, later you'll see someone coughing in a movie theater. Yeah,

403
00:21:28.079 --> 00:21:30.640
<v Speaker 1>and I'm like, oh, please stop, please stop please, you

404
00:21:30.640 --> 00:21:32.519
<v Speaker 1>know kind of that seeing.

405
00:21:32.200 --> 00:21:34.119
<v Speaker 2>That as a kid was a traumatic moment.

406
00:21:35.240 --> 00:21:38.000
<v Speaker 1>Yeah, yeah, it really gets and of course would work

407
00:21:38.279 --> 00:21:41.400
<v Speaker 1>in ninety five with this film. But again having lived

408
00:21:41.440 --> 00:21:43.519
<v Speaker 1>through that moment where you hear someone coughing in the

409
00:21:43.519 --> 00:21:44.319
<v Speaker 1>theater and you're like.

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00:21:44.480 --> 00:21:49.680
<v Speaker 2>Dude, yeah, like right or leave, just leave. Yeah.

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00:21:49.720 --> 00:21:52.519
<v Speaker 1>And so then you know, wearing the masks and then

412
00:21:53.480 --> 00:21:55.599
<v Speaker 1>being in a target or something with a mask on

413
00:21:55.799 --> 00:21:58.079
<v Speaker 1>and feeling like if I lift it, is that okay?

414
00:21:58.160 --> 00:21:59.480
<v Speaker 1>And then if I put it back down, did I

415
00:21:59.599 --> 00:22:02.880
<v Speaker 1>just you know, create a situation for myself. So seeing

416
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<v Speaker 1>Cuba Gooding Junior lift the helmet in that area, I

417
00:22:08.799 --> 00:22:11.799
<v Speaker 1>really felt that, oh, don't breathe, don't breathe. You don't know,

418
00:22:11.920 --> 00:22:15.400
<v Speaker 1>you know, it felt more even more palpable to me

419
00:22:15.480 --> 00:22:16.519
<v Speaker 1>now post twenty twenty.

420
00:22:16.880 --> 00:22:21.200
<v Speaker 2>Yeah, which it is so crazy to be five years

421
00:22:22.160 --> 00:22:23.240
<v Speaker 2>out from that, you.

422
00:22:23.200 --> 00:22:26.440
<v Speaker 1>Know, It's so funny. I mean, yeah, I mean does

423
00:22:26.440 --> 00:22:28.519
<v Speaker 1>it feel close or like, does it feel a million

424
00:22:28.599 --> 00:22:30.559
<v Speaker 1>miles away or does it feel like it was yesterday?

425
00:22:30.680 --> 00:22:33.920
<v Speaker 1>You know, yeah, both, definitely both.

426
00:22:34.119 --> 00:22:38.960
<v Speaker 2>Yeah. Yeah.

427
00:22:39.000 --> 00:22:42.400
<v Speaker 1>It's interesting too that in that moment, and maybe because

428
00:22:42.400 --> 00:22:45.640
<v Speaker 1>it was early on where it almost felt like a novelty,

429
00:22:45.759 --> 00:22:47.680
<v Speaker 1>Hey you got to stay at home, you don't have

430
00:22:47.759 --> 00:22:50.599
<v Speaker 1>to go to work, Yeah, that people were in droves

431
00:22:50.640 --> 00:22:55.240
<v Speaker 1>going to outbreak and Contagion, right, yeah, you know, because

432
00:22:55.240 --> 00:22:56.480
<v Speaker 1>I remember that one got picked up.

433
00:22:57.119 --> 00:23:00.559
<v Speaker 2>Yeah, Contagion is like a hard one to watch, Like,

434
00:23:00.640 --> 00:23:03.960
<v Speaker 2>I think this one benefits from sort of the fact

435
00:23:03.960 --> 00:23:08.200
<v Speaker 2>that it is escapism, you know. Yeah, yeah, Contagion. That's

436
00:23:08.319 --> 00:23:09.359
<v Speaker 2>that's a rough one, you know.

437
00:23:10.119 --> 00:23:12.440
<v Speaker 1>Yeah, yeah, I haven't seen that one in a while,

438
00:23:12.480 --> 00:23:14.960
<v Speaker 1>but I remember the whole thing about like the butcher

439
00:23:15.119 --> 00:23:17.480
<v Speaker 1>and the pig and like, you know, the way it

440
00:23:17.599 --> 00:23:22.680
<v Speaker 1>spreads the market. Yeah, by the way I was reading,

441
00:23:23.440 --> 00:23:24.880
<v Speaker 1>I always try to like look at a lot of

442
00:23:24.920 --> 00:23:27.640
<v Speaker 1>trivia about these movies because that's what I'm really interested in.

443
00:23:27.680 --> 00:23:31.480
<v Speaker 1>And yeah, half the trivia of this movie is like,

444
00:23:32.200 --> 00:23:34.880
<v Speaker 1>so to get the monkey to do this, you know,

445
00:23:34.960 --> 00:23:36.640
<v Speaker 1>just how difficult it was to get the monkey to

446
00:23:36.680 --> 00:23:39.279
<v Speaker 1>do the certain sorts of things. That's and apparently in

447
00:23:39.319 --> 00:23:41.119
<v Speaker 1>that scene we just saw where it gets captured with

448
00:23:41.160 --> 00:23:43.799
<v Speaker 1>the net, they had to train the monkey to feel

449
00:23:43.839 --> 00:23:46.400
<v Speaker 1>like it was a game. Yes, that's right, like it

450
00:23:46.440 --> 00:23:48.240
<v Speaker 1>was fun to be in the net, and so they

451
00:23:48.319 --> 00:23:48.759
<v Speaker 1>got it.

452
00:23:48.680 --> 00:23:50.119
<v Speaker 2>To to to do that.

453
00:23:50.160 --> 00:23:52.680
<v Speaker 1>And so it's you know, it's always hard seeing a

454
00:23:52.680 --> 00:23:55.400
<v Speaker 1>real animal on screen screen.

455
00:23:55.440 --> 00:23:58.000
<v Speaker 2>The monkey. The monkey, by the way, that's that's Betsy,

456
00:23:58.079 --> 00:24:01.920
<v Speaker 2>the same monkey who played Marcel on Friends. That's right,

457
00:24:02.880 --> 00:24:03.319
<v Speaker 2>that's right.

458
00:24:03.680 --> 00:24:06.920
<v Speaker 1>And apparently they had a difficult experience with that monkey.

459
00:24:07.000 --> 00:24:10.640
<v Speaker 2>Right. Well, well, monkeys are pains in the ass, I

460
00:24:10.680 --> 00:24:13.319
<v Speaker 2>would imagine, just yeah, in general, trying to get monkeys

461
00:24:13.319 --> 00:24:15.359
<v Speaker 2>to do stuff. Well, as we say, I mean, you know,

462
00:24:15.599 --> 00:24:18.440
<v Speaker 2>does an animal know they're in a movie? You know?

463
00:24:18.480 --> 00:24:20.680
<v Speaker 1>I think that all the time. I was watching something

464
00:24:20.720 --> 00:24:23.160
<v Speaker 1>the other day and like a horse fell over and

465
00:24:23.200 --> 00:24:24.440
<v Speaker 1>it was an older movie. So I'm like, you know,

466
00:24:24.480 --> 00:24:27.480
<v Speaker 1>they tripped that horse, and I'm like, that poor horse

467
00:24:27.480 --> 00:24:29.160
<v Speaker 1>doesn't know what's going on. It's just living its life,

468
00:24:29.680 --> 00:24:34.200
<v Speaker 1>you know, and animals don't know. But but didn't they

469
00:24:35.079 --> 00:24:38.440
<v Speaker 1>make a joke about outbreak in Friends like Outbreak two?

470
00:24:39.240 --> 00:24:41.720
<v Speaker 2>Yeah? Yeah, Well, they they had a thing where where

471
00:24:41.799 --> 00:24:46.559
<v Speaker 2>the movie. They were filming Outbreak too, and so Ross

472
00:24:46.599 --> 00:24:53.079
<v Speaker 2>goes to visit Marcel and the movie stars Van dam Yeah,

473
00:24:53.200 --> 00:24:54.240
<v Speaker 2>oh that's right. I see.

474
00:24:54.240 --> 00:24:56.400
<v Speaker 1>I've only seen the series once and I remember the

475
00:24:56.480 --> 00:24:58.200
<v Speaker 1>Van Damn thing and I remember the Outbreak too.

476
00:24:58.240 --> 00:25:01.720
<v Speaker 2>I forgot those were connected. Yeah, yeah, that's funny.

477
00:25:04.799 --> 00:25:07.759
<v Speaker 1>But I should mention that ship that we just saw,

478
00:25:07.839 --> 00:25:13.279
<v Speaker 1>the Tyguck Seattle. I guess it's called okay, that brings

479
00:25:13.279 --> 00:25:14.319
<v Speaker 1>the Monkey to the US.

480
00:25:14.480 --> 00:25:15.319
<v Speaker 2>That's actually the S.

481
00:25:15.400 --> 00:25:19.200
<v Speaker 1>S Lane Victory, which is a ship from World War Two,

482
00:25:20.240 --> 00:25:25.240
<v Speaker 1>and you can visit that in San Pedro, California. And

483
00:25:25.279 --> 00:25:27.319
<v Speaker 1>I actually had relatives out here and I was looking

484
00:25:27.319 --> 00:25:29.319
<v Speaker 1>for things to do and I saw that you could

485
00:25:29.400 --> 00:25:33.079
<v Speaker 1>visit that that ship, that battleship, and it's actually really fun.

486
00:25:33.119 --> 00:25:35.279
<v Speaker 1>So if anyone's looking for something to do, you can

487
00:25:35.799 --> 00:25:37.640
<v Speaker 1>go into the bowels of the ship and see all

488
00:25:37.680 --> 00:25:41.480
<v Speaker 1>sorts of you know, like gunner positions. That's amazing, huge

489
00:25:41.519 --> 00:25:44.880
<v Speaker 1>cannons and yeah, I was actually I didn't realize that

490
00:25:44.920 --> 00:25:46.599
<v Speaker 1>they still had it afloat and they were using it

491
00:25:46.599 --> 00:25:49.880
<v Speaker 1>in films, okay, thirty years ago, but now it's I

492
00:25:49.880 --> 00:25:52.720
<v Speaker 1>think permanently docked and you can go visit it. It's

493
00:25:52.759 --> 00:25:57.440
<v Speaker 1>like a museum. So okay, yeah, point.

494
00:25:57.160 --> 00:26:00.400
<v Speaker 2>Of fact, Yeah, no, that's I love that of going

495
00:26:00.400 --> 00:26:04.039
<v Speaker 2>back and looking at old timey ships and things.

496
00:26:04.119 --> 00:26:06.400
<v Speaker 1>You know, it is weird to think that. Yeah, people

497
00:26:06.799 --> 00:26:10.079
<v Speaker 1>you talk about that all the time, like history all

498
00:26:10.160 --> 00:26:12.440
<v Speaker 1>living at once. In the moment you're standing in, you know,

499
00:26:12.480 --> 00:26:14.319
<v Speaker 1>think about the people that stood in that very spot,

500
00:26:14.640 --> 00:26:16.799
<v Speaker 1>and you just think about a bunch of people running

501
00:26:16.799 --> 00:26:19.440
<v Speaker 1>around that ship and what they probably experienced.

502
00:26:19.440 --> 00:26:24.880
<v Speaker 2>It's yeah, it kind of kind of cool. So at

503
00:26:24.920 --> 00:26:28.200
<v Speaker 2>the time this movie was made, Rene Russo was forty

504
00:26:28.279 --> 00:26:33.279
<v Speaker 2>one and Dustin Hoffan was fifty seven. I did the

505
00:26:33.319 --> 00:26:36.279
<v Speaker 2>math too. Yeah.

506
00:26:36.480 --> 00:26:39.039
<v Speaker 1>So they're playing a married couple on the verge of

507
00:26:39.119 --> 00:26:39.920
<v Speaker 1>divorce here.

508
00:26:40.079 --> 00:26:42.680
<v Speaker 2>Yeah, and or they are divorced, but they're.

509
00:26:42.720 --> 00:26:45.000
<v Speaker 1>Divorced, yes, yeah, and he's going to pick up his things.

510
00:26:45.079 --> 00:26:48.559
<v Speaker 1>It was funny because I thought it sort of feels

511
00:26:48.559 --> 00:26:51.000
<v Speaker 1>like from that spin the wheel of issues to give

512
00:26:51.039 --> 00:26:51.559
<v Speaker 1>your character.

513
00:26:53.359 --> 00:26:54.880
<v Speaker 2>It's true.

514
00:26:55.759 --> 00:26:57.880
<v Speaker 1>I mean, it doesn't totally work though, because it's like

515
00:26:58.920 --> 00:27:02.000
<v Speaker 1>I think specific with these characters. These are people who

516
00:27:02.000 --> 00:27:05.279
<v Speaker 1>do the same job, and they're dedicated to their jobs

517
00:27:05.279 --> 00:27:07.960
<v Speaker 1>and they're equally I liked that it's not like one is.

518
00:27:07.960 --> 00:27:08.680
<v Speaker 2>Above the other.

519
00:27:09.160 --> 00:27:12.279
<v Speaker 1>Yeah, you know, they're they're both very good at their jobs,

520
00:27:12.279 --> 00:27:16.359
<v Speaker 1>and they're both very important and and so I then

521
00:27:16.400 --> 00:27:21.119
<v Speaker 1>when this thing kicks in, they're sort of forced, well

522
00:27:21.279 --> 00:27:23.359
<v Speaker 1>both of them are thrust into the issue. But then

523
00:27:23.400 --> 00:27:26.000
<v Speaker 1>they're sort of brought together in one spot and they

524
00:27:26.000 --> 00:27:28.079
<v Speaker 1>have to work together, and it brings them closer together.

525
00:27:28.119 --> 00:27:31.640
<v Speaker 1>And actually thought then it worked pretty pretty well, like narratively.

526
00:27:31.759 --> 00:27:36.240
<v Speaker 2>I agree. Yeah. I think I think I mentioned before.

527
00:27:36.440 --> 00:27:38.279
<v Speaker 2>You know, I had a pretty big crush on Rene

528
00:27:38.400 --> 00:27:43.799
<v Speaker 2>Russo throughout the nineties. Oh yeah, and you know, even here,

529
00:27:43.799 --> 00:27:47.240
<v Speaker 2>as as she's withering away from the Motaba virus, I'm like,

530
00:27:48.680 --> 00:27:49.880
<v Speaker 2>I'd risk get in the virus.

531
00:27:50.640 --> 00:27:52.759
<v Speaker 1>It's a very I mean, it happens later, but it's

532
00:27:52.799 --> 00:27:55.759
<v Speaker 1>a really sweet moment when he takes his helmet off.

533
00:27:55.839 --> 00:28:00.960
<v Speaker 1>I agree, yeah, yeah, around her. So this whole thing,

534
00:28:02.359 --> 00:28:04.920
<v Speaker 1>you know, where we're seeing them suit up and they

535
00:28:04.960 --> 00:28:07.759
<v Speaker 1>put the duct tape over the cuffs of their outfits

536
00:28:07.759 --> 00:28:10.839
<v Speaker 1>and the gloves, and I mean it's good because we

537
00:28:10.960 --> 00:28:14.960
<v Speaker 1>later see issues with this, so we're sort of being

538
00:28:15.000 --> 00:28:18.119
<v Speaker 1>introduced to the concept of this. But I don't know, man,

539
00:28:18.160 --> 00:28:19.680
<v Speaker 1>I'm looking at that duct tape. I'm like, does that

540
00:28:19.720 --> 00:28:22.519
<v Speaker 1>feel for as many precautions as they need to take,

541
00:28:22.559 --> 00:28:26.519
<v Speaker 1>it feels a little precarious. Yeah, right, doesn't it like

542
00:28:26.559 --> 00:28:28.759
<v Speaker 1>it doesn't even look like all that tape is tamped down.

543
00:28:30.720 --> 00:28:33.240
<v Speaker 2>Well, it could be Scotch tape, So I guess just

544
00:28:33.279 --> 00:28:35.759
<v Speaker 2>look at it that way. No duct table could always

545
00:28:35.759 --> 00:28:36.160
<v Speaker 2>be worse.

546
00:28:36.480 --> 00:28:38.640
<v Speaker 1>But it's nerve wrecking too, because then we have this

547
00:28:38.720 --> 00:28:41.160
<v Speaker 1>moment of tension where it's like, well, you were about

548
00:28:41.200 --> 00:28:43.680
<v Speaker 1>to walk in there, but there's a little little tear

549
00:28:43.759 --> 00:28:47.480
<v Speaker 1>in your We cannot have that, right, And so you're like, well,

550
00:28:47.480 --> 00:28:49.279
<v Speaker 1>why are these suits so easily terrible?

551
00:28:50.039 --> 00:28:53.119
<v Speaker 2>Right? Well, and I think some of that, it will

552
00:28:53.160 --> 00:28:55.599
<v Speaker 2>a lot of that probably is is sort of a

553
00:28:55.680 --> 00:29:00.079
<v Speaker 2>cinematic license. That's a good point, right, because we know

554
00:29:00.200 --> 00:29:03.839
<v Speaker 2>later on there's a scene where Casey's air hose is

555
00:29:03.880 --> 00:29:06.319
<v Speaker 2>disconnected and oops, caught the virus. And I'm like, well,

556
00:29:06.480 --> 00:29:07.920
<v Speaker 2>even as I was watching it, I was like, that

557
00:29:08.039 --> 00:29:12.559
<v Speaker 2>seems really stupid if it's that easy. Yeah, yeah, yeah exactly.

558
00:29:12.759 --> 00:29:16.160
<v Speaker 2>And apparently there's there's like a failsafe built in where

559
00:29:16.200 --> 00:29:18.640
<v Speaker 2>it can only push air out, it can't take anything in.

560
00:29:18.720 --> 00:29:21.319
<v Speaker 2>If something like that happens. Yeah, that makes a lot

561
00:29:21.359 --> 00:29:23.759
<v Speaker 2>of sense because these suits, by the way, you know,

562
00:29:24.079 --> 00:29:26.559
<v Speaker 2>if you look at real hazmat suits, they're made in

563
00:29:26.559 --> 00:29:29.839
<v Speaker 2>such a way where you can't see the person's face. Yeah,

564
00:29:29.880 --> 00:29:31.319
<v Speaker 2>you hear that a lot in movies.

565
00:29:31.359 --> 00:29:33.799
<v Speaker 1>I can't think of a particular one off top of

566
00:29:33.799 --> 00:29:36.640
<v Speaker 1>my head, but it's like space suits or space helmets.

567
00:29:36.640 --> 00:29:39.000
<v Speaker 1>They're sort of redesigned so you can see the actor's

568
00:29:39.039 --> 00:29:41.559
<v Speaker 1>face where exactly life they don't, and you can also

569
00:29:41.559 --> 00:29:43.880
<v Speaker 1>stick lights in there and microphones and also.

570
00:29:43.880 --> 00:29:46.920
<v Speaker 2>Right, right, So that's with this, you know, it's like

571
00:29:46.960 --> 00:29:50.920
<v Speaker 2>they had they've kind of finessed something that's not entirely

572
00:29:51.559 --> 00:29:55.480
<v Speaker 2>real life, right, but realistic enough that you roll with it.

573
00:29:55.519 --> 00:29:59.000
<v Speaker 2>I think that's the thing, Yeah, is right, because because

574
00:29:59.039 --> 00:30:01.359
<v Speaker 2>when you watch a movie like this, right, we are

575
00:30:01.400 --> 00:30:04.960
<v Speaker 2>not experts. We're not epidemiologists or virologist or anything like that,

576
00:30:05.200 --> 00:30:07.960
<v Speaker 2>and so what we need is to see characters act

577
00:30:08.079 --> 00:30:13.440
<v Speaker 2>in a way that is apparently credible, and then we'll

578
00:30:13.519 --> 00:30:20.279
<v Speaker 2>roll with whatever. Hugger, mugger they're saying, that's so true. Yeah, right, yeah,

579
00:30:20.400 --> 00:30:23.200
<v Speaker 2>you know, it's sort of they have to perform credibility

580
00:30:25.240 --> 00:30:27.960
<v Speaker 2>and we go with it. Because the movie lays out

581
00:30:28.000 --> 00:30:30.559
<v Speaker 2>those markers. You know, my understanding is that image there

582
00:30:30.559 --> 00:30:33.160
<v Speaker 2>of the Motaba virus, that's just the Ebola strain, And

583
00:30:33.200 --> 00:30:36.279
<v Speaker 2>I think they just kind of photoshopped a little a

584
00:30:36.319 --> 00:30:38.240
<v Speaker 2>little flint flam here and there, you know.

585
00:30:38.279 --> 00:30:42.599
<v Speaker 1>Right right, I mean, I remember Abola goes all the

586
00:30:42.640 --> 00:30:44.519
<v Speaker 1>way back to the seventies, but I well, you know what,

587
00:30:44.559 --> 00:30:46.160
<v Speaker 1>it's probably due to the book. I was going to say,

588
00:30:46.160 --> 00:30:48.480
<v Speaker 1>I remember sort of a flare up in stories about

589
00:30:48.519 --> 00:30:49.319
<v Speaker 1>it in the nineties.

590
00:30:49.440 --> 00:30:52.519
<v Speaker 2>Yep, that's right. And I can't say.

591
00:30:52.519 --> 00:30:54.880
<v Speaker 1>I mean, I was kind of I was a teenager then,

592
00:30:54.920 --> 00:30:57.640
<v Speaker 1>so it's not like I have a really solid understanding

593
00:30:57.680 --> 00:31:00.640
<v Speaker 1>of what was going on. It's probably just headlines I

594
00:31:00.680 --> 00:31:03.400
<v Speaker 1>was seeing over and over versus real knowing what the

595
00:31:03.440 --> 00:31:04.160
<v Speaker 1>situation was.

596
00:31:06.680 --> 00:31:10.400
<v Speaker 2>Yeah. Well, I was enough of a hypochondriac that that

597
00:31:11.440 --> 00:31:14.119
<v Speaker 2>whenever I would read those types of stories, I just,

598
00:31:14.200 --> 00:31:16.200
<v Speaker 2>you know, curl up in the fetal position under my bed,

599
00:31:16.279 --> 00:31:16.440
<v Speaker 2>you know.

600
00:31:16.839 --> 00:31:24.480
<v Speaker 1>Yeah, Yeah, that's funny. Yeah, I see, And I've I've

601
00:31:24.480 --> 00:31:25.880
<v Speaker 1>always been I think I get it from my mom

602
00:31:25.880 --> 00:31:28.160
<v Speaker 1>a little bit, like a little bit of a germophobe. Yeah,

603
00:31:28.200 --> 00:31:30.880
<v Speaker 1>like even pre COVID, like when someone coughs near me, I'm.

604
00:31:30.759 --> 00:31:33.359
<v Speaker 2>Like, dude, yeah, yeah, you know.

605
00:31:33.880 --> 00:31:35.559
<v Speaker 1>Or if someone shows up to work and they're like, oh,

606
00:31:35.839 --> 00:31:38.039
<v Speaker 1>I got a cold, don't mind me. I'm like, I'm

607
00:31:38.119 --> 00:31:40.920
<v Speaker 1>very much minding you. I don't want to be sick

608
00:31:41.039 --> 00:31:41.559
<v Speaker 1>next week.

609
00:31:41.680 --> 00:31:44.720
<v Speaker 2>Yeah. Yeah. You know what's funny is is I've had

610
00:31:44.759 --> 00:31:47.519
<v Speaker 2>this discussion with my wife because because you know, she'll

611
00:31:47.559 --> 00:31:53.119
<v Speaker 2>eat my kids leftovers, and I'm like, nope, not doing that. Sorry,

612
00:31:53.559 --> 00:31:55.400
<v Speaker 2>but there are your kids. I'm like, don't care, not

613
00:31:55.519 --> 00:31:58.680
<v Speaker 2>doing that. That's so interesting. Yeah.

614
00:31:58.880 --> 00:32:02.039
<v Speaker 1>No, But I mean so after COVID happened, I mean

615
00:32:03.000 --> 00:32:05.599
<v Speaker 1>I wish it had never happened, but when people were

616
00:32:05.640 --> 00:32:08.839
<v Speaker 1>a little more heightened and being a little more mindful,

617
00:32:08.839 --> 00:32:10.319
<v Speaker 1>like you know what, maybe I shouldn't come into the

618
00:32:10.319 --> 00:32:12.599
<v Speaker 1>office today, or you know, don't shake my hand. I've

619
00:32:12.599 --> 00:32:14.839
<v Speaker 1>been having a cough this morning. I was like, now,

620
00:32:14.880 --> 00:32:16.759
<v Speaker 1>this is the world I want to live in, you know,

621
00:32:16.799 --> 00:32:21.200
<v Speaker 1>everyone sort of respects one another as well being you know,

622
00:32:21.319 --> 00:32:24.920
<v Speaker 1>or even like I visited Japan in like twenty seventeen

623
00:32:25.000 --> 00:32:26.920
<v Speaker 1>or eighteen or something, and of course masks were part

624
00:32:26.960 --> 00:32:28.960
<v Speaker 1>of the culture over there, and I was like, if

625
00:32:29.000 --> 00:32:31.359
<v Speaker 1>only this would catch on you know, if you're not

626
00:32:31.440 --> 00:32:33.240
<v Speaker 1>that you have to wear it every day. But if

627
00:32:33.240 --> 00:32:35.160
<v Speaker 1>you're not feeling well, or if you're going to be

628
00:32:35.160 --> 00:32:37.160
<v Speaker 1>in a public space and you're a little concerned about

629
00:32:37.279 --> 00:32:41.240
<v Speaker 1>the people around you, let's make it normal, you know,

630
00:32:41.319 --> 00:32:44.119
<v Speaker 1>to take the precaution and not bad an eye. And

631
00:32:44.920 --> 00:32:47.759
<v Speaker 1>so again when masks, you know, obviously I don't think

632
00:32:47.799 --> 00:32:50.039
<v Speaker 1>anyone enjoyed having to wear masks all the time in

633
00:32:50.119 --> 00:32:53.079
<v Speaker 1>every place, but I was sort of hoping that it

634
00:32:53.079 --> 00:32:55.319
<v Speaker 1>would normalize a little bit, like, well, but if you

635
00:32:55.359 --> 00:32:58.079
<v Speaker 1>aren't feeling well, the least you can do is this

636
00:32:58.160 --> 00:33:02.200
<v Speaker 1>sort of thing or not made to feel weird. If

637
00:33:02.240 --> 00:33:04.319
<v Speaker 1>you get on an airplane and you're going to visit

638
00:33:04.359 --> 00:33:07.440
<v Speaker 1>an elderly person, which I've it's happened for me, and

639
00:33:07.480 --> 00:33:09.079
<v Speaker 1>it's like, well, I'm gonna put on a mask because

640
00:33:09.119 --> 00:33:11.000
<v Speaker 1>I I'm going to be hanging out with this person

641
00:33:11.000 --> 00:33:13.240
<v Speaker 1>in the nineties for a week. And I would say

642
00:33:14.640 --> 00:33:15.319
<v Speaker 1>kind of got there.

643
00:33:16.680 --> 00:33:19.880
<v Speaker 2>Well, there is sort of the the dickishness that we

644
00:33:19.920 --> 00:33:23.480
<v Speaker 2>see of people pulling off the masks of other people.

645
00:33:24.319 --> 00:33:27.559
<v Speaker 1>See you now that yeah exactly, And I'm like, you don't,

646
00:33:28.279 --> 00:33:31.400
<v Speaker 1>just yeah exactly, Just don't don't here's an idea.

647
00:33:31.480 --> 00:33:34.480
<v Speaker 2>Just mind your own effing business, Mind your own fing business. Yep,

648
00:33:35.440 --> 00:33:36.480
<v Speaker 2>I completely agree.

649
00:33:38.599 --> 00:33:43.759
<v Speaker 1>I do enjoy this uh kind of like respect slash

650
00:33:43.880 --> 00:33:47.440
<v Speaker 1>adversarial relationship between Morgan Freeman and Dustin Hoffman just because

651
00:33:47.480 --> 00:33:49.799
<v Speaker 1>they're great actors and they have great voices.

652
00:33:49.680 --> 00:33:51.559
<v Speaker 2>That's right, and starting intentive.

653
00:33:52.200 --> 00:33:54.000
<v Speaker 1>Yeah, like hearing them go toe to toe is just

654
00:33:54.079 --> 00:33:55.000
<v Speaker 1>pleasing to listen to.

655
00:33:55.799 --> 00:33:57.759
<v Speaker 2>A great comedian could make a meal out of a

656
00:33:57.839 --> 00:34:04.319
<v Speaker 2>Dustin Hoffman Morgan Freeman conversation, just playing both sides of that. Yeah.

657
00:34:04.359 --> 00:34:07.000
<v Speaker 1>But yeah, But so going back into the story here

658
00:34:07.359 --> 00:34:12.039
<v Speaker 1>the opening sequence, we see two characters. There's that ship again.

659
00:34:13.360 --> 00:34:15.320
<v Speaker 1>It's weird to think I've like stomped around that thing

660
00:34:17.159 --> 00:34:21.239
<v Speaker 1>two characters in the sixties in these hazmat suits.

661
00:34:21.039 --> 00:34:22.400
<v Speaker 2>Where you do not see the faces.

662
00:34:23.679 --> 00:34:25.920
<v Speaker 1>Yes, that's right, and that's supposed to be the Donald

663
00:34:26.000 --> 00:34:27.599
<v Speaker 1>Sutherland and Morgan Freeman characters.

664
00:34:27.599 --> 00:34:29.119
<v Speaker 2>Correct, that's right.

665
00:34:29.199 --> 00:34:31.239
<v Speaker 1>Yeah, yeah, yeah, which is funny because now you would

666
00:34:31.239 --> 00:34:33.760
<v Speaker 1>just dage them or something, right, but maybe they could.

667
00:34:34.679 --> 00:34:39.159
<v Speaker 2>I think the idea was to keep it somewhat opaque,

668
00:34:39.159 --> 00:34:42.840
<v Speaker 2>whether it was them or not, like, yeah, possibly see

669
00:34:42.840 --> 00:34:46.519
<v Speaker 2>you look at McDreamy is the guy who fs everything up. Yeah,

670
00:34:47.440 --> 00:34:50.119
<v Speaker 2>it's causing trouble even back then. This is here, right

671
00:34:50.159 --> 00:34:51.960
<v Speaker 2>here in the Bay Area is where where all this

672
00:34:52.039 --> 00:34:54.639
<v Speaker 2>ship starts. Yep, San Jose.

673
00:34:55.199 --> 00:34:58.920
<v Speaker 1>What an interesting car to give that character. It's like

674
00:34:58.960 --> 00:35:04.039
<v Speaker 1>a nineteen four already's you know, like total classic classic

675
00:35:04.320 --> 00:35:11.079
<v Speaker 1>kind of car, Like what's the story there? But yeah,

676
00:35:11.119 --> 00:35:13.599
<v Speaker 1>you know, you watch a movie like this and everything

677
00:35:13.960 --> 00:35:18.000
<v Speaker 1>goes south because of a chain of stupid events, right,

678
00:35:18.400 --> 00:35:21.599
<v Speaker 1>And it's hard to watch those events in a movie

679
00:35:21.639 --> 00:35:24.559
<v Speaker 1>where you know they're going to be bad. But then

680
00:35:24.639 --> 00:35:27.000
<v Speaker 1>you just think about, like, I don't know, this dude

681
00:35:27.079 --> 00:35:28.920
<v Speaker 1>just kind of made a buck couple bucks on the

682
00:35:28.960 --> 00:35:32.559
<v Speaker 1>side doing one little gnarly thing, not realizing he was

683
00:35:32.599 --> 00:35:34.559
<v Speaker 1>doing himself and potentially the world.

684
00:35:34.920 --> 00:35:37.960
<v Speaker 2>Yeah, I mean that's that's kind of the thing, right

685
00:35:38.079 --> 00:35:41.480
<v Speaker 2>is as I actually appreciated that the Dempsey character Jimbo,

686
00:35:41.679 --> 00:35:43.760
<v Speaker 2>who in my head canon is the adult version of

687
00:35:43.800 --> 00:35:48.960
<v Speaker 2>the kid from The Simpsons, I could see that he's

688
00:35:49.000 --> 00:35:52.800
<v Speaker 2>he's not like malevolent, you know exactly, like he's not

689
00:35:52.920 --> 00:35:57.159
<v Speaker 2>like you stupid monkeys and you know doing that. Yeah,

690
00:35:57.280 --> 00:36:00.440
<v Speaker 2>he's just an idiot, He's he's he's an absor rribably

691
00:36:00.519 --> 00:36:05.280
<v Speaker 2>stupid person, no doubt. Yeah, but not not a malicious force.

692
00:36:05.320 --> 00:36:07.719
<v Speaker 2>You know. Yeah, I like that too.

693
00:36:08.000 --> 00:36:10.719
<v Speaker 1>It's just again, it's a series of events that you

694
00:36:11.239 --> 00:36:13.679
<v Speaker 1>I mean, they're never okay, what he's doing, this is bad,

695
00:36:13.800 --> 00:36:16.880
<v Speaker 1>but like, all right, I can believe that might happen,

696
00:36:17.079 --> 00:36:20.079
<v Speaker 1>you know, but due to these things.

697
00:36:21.480 --> 00:36:23.840
<v Speaker 2>You know, as soon as the monkey sits in his

698
00:36:23.880 --> 00:36:26.480
<v Speaker 2>mouth over here by the way that you're like, oh,

699
00:36:27.639 --> 00:36:35.280
<v Speaker 2>that's not good. It's so gross.

700
00:36:36.719 --> 00:36:38.519
<v Speaker 1>Sorry you were saying, no, no, it's just you know

701
00:36:38.559 --> 00:36:41.320
<v Speaker 1>what I'm saying, Like, you just think about the decisions

702
00:36:41.360 --> 00:36:43.480
<v Speaker 1>you make in your life, and every now and then

703
00:36:43.559 --> 00:36:45.679
<v Speaker 1>you make like one maybe I shouldn't have done that.

704
00:36:46.840 --> 00:36:48.880
<v Speaker 1>But then you like you watch a movie like this

705
00:36:49.000 --> 00:36:50.880
<v Speaker 1>and you're like, what if that one little thing that

706
00:36:50.960 --> 00:36:53.159
<v Speaker 1>you felt bad about for five seconds but then moved

707
00:36:53.199 --> 00:36:56.320
<v Speaker 1>on from, like possibly meant the end of the world.

708
00:36:57.239 --> 00:37:00.400
<v Speaker 2>Well that's you know, this is so random. I was

709
00:37:00.400 --> 00:37:02.239
<v Speaker 2>having a discussion with somebody where I was like, you know,

710
00:37:02.760 --> 00:37:07.679
<v Speaker 2>it's a real blessing that we don't have nonlinear awareness

711
00:37:07.719 --> 00:37:12.360
<v Speaker 2>of time, you know, oh man, yeah, right, Like all

712
00:37:12.360 --> 00:37:14.480
<v Speaker 2>we can do is experience things in the moment, and

713
00:37:14.519 --> 00:37:19.000
<v Speaker 2>we we can't look back at the sea of choices

714
00:37:19.039 --> 00:37:20.440
<v Speaker 2>that we might have made and everything. It's just it

715
00:37:20.480 --> 00:37:22.840
<v Speaker 2>happens and we move on, and like, what a gift

716
00:37:22.960 --> 00:37:24.159
<v Speaker 2>that is. I know.

717
00:37:24.199 --> 00:37:27.280
<v Speaker 1>It's like that scene in The Matrix right where the

718
00:37:27.320 --> 00:37:29.679
<v Speaker 1>oracle is like, it's okay about the vase, don't worry

719
00:37:29.679 --> 00:37:31.360
<v Speaker 1>about it. Yeah, and he knocks over the vase and

720
00:37:31.400 --> 00:37:33.760
<v Speaker 1>she's like, would you have done it if I hadn't

721
00:37:33.760 --> 00:37:34.239
<v Speaker 1>said anything?

722
00:37:34.360 --> 00:37:35.000
<v Speaker 2>Yeah? You know.

723
00:37:35.639 --> 00:37:37.599
<v Speaker 1>So it's like, yeah, your brain would be twist into

724
00:37:37.800 --> 00:37:40.480
<v Speaker 1>like a pretzel just trying to undo and think about

725
00:37:40.480 --> 00:37:47.000
<v Speaker 1>the decisions. So now the Patrick Dempsey character, he is

726
00:37:47.079 --> 00:37:50.960
<v Speaker 1>basically just in cohoots with that pet store owner.

727
00:37:51.000 --> 00:37:51.119
<v Speaker 2>Right.

728
00:37:51.159 --> 00:37:53.159
<v Speaker 1>He wants to breed monkeys. Is that what's happening?

729
00:37:53.239 --> 00:37:55.920
<v Speaker 2>He's like, he's selling rare, rare animals. Yeah, and so

730
00:37:55.960 --> 00:37:59.079
<v Speaker 2>the pets, right, he wanted a male to breed with

731
00:37:59.119 --> 00:37:59.719
<v Speaker 2>the female.

732
00:38:00.119 --> 00:38:02.519
<v Speaker 1>Yeah, so he could make more monkeys and sell them.

733
00:38:02.559 --> 00:38:04.239
<v Speaker 2>I guess that's right. Yeah.

734
00:38:04.280 --> 00:38:06.880
<v Speaker 1>So this isn't something that this guy Dempsey's doing all

735
00:38:06.920 --> 00:38:08.960
<v Speaker 1>the time. He's not just stealing monkeys. This was like

736
00:38:08.960 --> 00:38:12.559
<v Speaker 1>a one time I'll bring you this. I mean, I would.

737
00:38:12.360 --> 00:38:15.039
<v Speaker 2>Assume this is not the first time he's done this, right,

738
00:38:15.079 --> 00:38:16.920
<v Speaker 2>I mean, yeah, yeah, yeah, yeah.

739
00:38:16.960 --> 00:38:19.519
<v Speaker 1>I mean it's not like he's taking one every month

740
00:38:19.519 --> 00:38:21.480
<v Speaker 1>and that guy's just selling them. It seems like there's

741
00:38:21.519 --> 00:38:23.119
<v Speaker 1>like an even bigger plot here.

742
00:38:25.000 --> 00:38:28.639
<v Speaker 2>Yeah. Well, I guess it's like vague enough that you know,

743
00:38:28.719 --> 00:38:31.559
<v Speaker 2>one presumes they have some kind of an ongoing relationship, you.

744
00:38:31.519 --> 00:38:35.920
<v Speaker 1>Know, yeah, yeah, this is and this is just so ominous, right,

745
00:38:36.000 --> 00:38:38.760
<v Speaker 1>like you know, this monkey is carrying something, and just

746
00:38:38.800 --> 00:38:41.320
<v Speaker 1>the way the camera even cranes up watching him just

747
00:38:41.360 --> 00:38:44.920
<v Speaker 1>like skidaddle into the woods, like well, into the world.

748
00:38:44.960 --> 00:38:45.280
<v Speaker 2>You go.

749
00:38:45.920 --> 00:38:49.519
<v Speaker 1>Yeah, yeap, now here, this is going to back you

750
00:38:49.639 --> 00:38:51.360
<v Speaker 1>up where you're not eating the leftovers.

751
00:38:52.159 --> 00:38:54.960
<v Speaker 2>Yeah right, okay, well a couple of quick Number one,

752
00:38:55.400 --> 00:38:58.400
<v Speaker 2>dumb ass here is feeling like shit and he doesn't

753
00:38:58.400 --> 00:39:02.239
<v Speaker 2>say to the kid, hey, no, I'm not feeling well, right, yes,

754
00:39:02.679 --> 00:39:05.079
<v Speaker 2>so that's weird. Number two, this kid, look, obviously it's

755
00:39:05.079 --> 00:39:07.360
<v Speaker 2>good he doesn't like eat it. But also, I'm just

756
00:39:07.360 --> 00:39:09.519
<v Speaker 2>gonna put this out there. I'm not saying I don't

757
00:39:09.519 --> 00:39:11.000
<v Speaker 2>think it would have hurt the gene pool if he

758
00:39:11.039 --> 00:39:14.920
<v Speaker 2>did get it, because this kid's not not a smart kid,

759
00:39:15.440 --> 00:39:15.559
<v Speaker 2>you know.

760
00:39:15.599 --> 00:39:17.119
<v Speaker 1>And I love to by the way, I love that

761
00:39:17.199 --> 00:39:21.760
<v Speaker 1>the mom is like, dude, you look terrible. Like she

762
00:39:21.800 --> 00:39:23.519
<v Speaker 1>didn't say it, but you see it on her face.

763
00:39:24.039 --> 00:39:25.719
<v Speaker 1>Like a lot of times in movies like this, you

764
00:39:25.760 --> 00:39:27.719
<v Speaker 1>see a character and we know they're sick and they

765
00:39:27.800 --> 00:39:30.360
<v Speaker 1>have to overdo it, so we you got it, this

766
00:39:30.480 --> 00:39:33.360
<v Speaker 1>character's sick. But other characters will be like, hey, you

767
00:39:33.400 --> 00:39:36.000
<v Speaker 1>want to open mouth kiss, you know, with that person,

768
00:39:36.039 --> 00:39:38.119
<v Speaker 1>and you're like, what are you thinking? They're bleeding from

769
00:39:38.119 --> 00:39:39.320
<v Speaker 1>their eyeballs. Can't you see that?

770
00:39:39.599 --> 00:39:42.280
<v Speaker 2>I like this right here, Yeah, you.

771
00:39:42.320 --> 00:39:43.639
<v Speaker 1>See she does the stupid thing.

772
00:39:43.760 --> 00:39:47.519
<v Speaker 2>Yeah, she sees how he looks, and then she swaps

773
00:39:47.719 --> 00:39:51.159
<v Speaker 2>spit with him for about a minute and a half. Yeah,

774
00:39:51.360 --> 00:39:53.840
<v Speaker 2>I'm like again, but I'm just gonna put this out there.

775
00:39:54.840 --> 00:39:59.880
<v Speaker 2>Gene Pool not affected, probably doing the species of favor.

776
00:40:02.360 --> 00:40:04.519
<v Speaker 1>This is pretty effective though, by the way, this spinny

777
00:40:04.559 --> 00:40:07.239
<v Speaker 1>camera thing, oh no, it's great. Yeah, sometimes that can

778
00:40:07.280 --> 00:40:10.360
<v Speaker 1>kind of annoy me, but this feels very effective how

779
00:40:10.360 --> 00:40:14.400
<v Speaker 1>he's feeling. Oh this is crazy too. Anytimes someone falls

780
00:40:14.400 --> 00:40:17.960
<v Speaker 1>over a like a wall full of glass or whatever,

781
00:40:18.000 --> 00:40:19.559
<v Speaker 1>it's always I.

782
00:40:19.480 --> 00:40:22.440
<v Speaker 2>Read a thing on I think this is IMDb trivia

783
00:40:22.480 --> 00:40:24.960
<v Speaker 2>where it's like when he falls over the fish tanks

784
00:40:25.400 --> 00:40:28.840
<v Speaker 2>they had plastic fish instead of real fish. I'm like, no, shit, really,

785
00:40:28.880 --> 00:40:31.280
<v Speaker 2>thanks for putting that in there. I mean they didn't

786
00:40:31.360 --> 00:40:33.679
<v Speaker 2>kill actual fish while making it, you know, like come on,

787
00:40:34.679 --> 00:40:36.440
<v Speaker 2>well in the seventies, maybe they would have. I don't know.

788
00:40:36.480 --> 00:40:37.320
<v Speaker 2>That's a good point.

789
00:40:38.119 --> 00:40:38.760
<v Speaker 1>You know, it's funny.

790
00:40:38.800 --> 00:40:40.559
<v Speaker 2>Oh this is so gross. Okay now now hold on,

791
00:40:42.679 --> 00:40:45.360
<v Speaker 2>Now let's think about this for a second. Okay again,

792
00:40:46.280 --> 00:40:49.400
<v Speaker 2>helping the gene pool in my opinion, yes, think about this.

793
00:40:49.440 --> 00:40:54.440
<v Speaker 2>He's doing. Think about this. Now, hold on, Brian. He

794
00:40:54.519 --> 00:40:58.280
<v Speaker 2>is distracted by the game, right, Yes, he's listening to

795
00:40:58.360 --> 00:41:02.320
<v Speaker 2>it on the radio, right right. He doesn't need to

796
00:41:02.360 --> 00:41:04.840
<v Speaker 2>look away. What was he distracted by? Yes?

797
00:41:05.119 --> 00:41:06.400
<v Speaker 1>Yes, so basically, I.

798
00:41:06.320 --> 00:41:08.039
<v Speaker 2>Mean for people who aren't watching along.

799
00:41:07.800 --> 00:41:09.800
<v Speaker 1>There's what do you call those things where you put

800
00:41:09.800 --> 00:41:12.679
<v Speaker 1>those tubes of blood or plasma or whatever and they

801
00:41:12.719 --> 00:41:15.639
<v Speaker 1>spin really fast. Yeah, and you see them in laboratories.

802
00:41:15.760 --> 00:41:17.840
<v Speaker 1>And this guy, like what Zaki is saying is he's

803
00:41:17.840 --> 00:41:20.840
<v Speaker 1>not like looking away at a television, there's nothing distracting

804
00:41:20.920 --> 00:41:25.199
<v Speaker 1>him visually, but he looks toward this radio and just

805
00:41:25.440 --> 00:41:30.000
<v Speaker 1>randomly or not randomly, he's purposefully sticks his hand into

806
00:41:30.039 --> 00:41:32.679
<v Speaker 1>that thing as it's still spinning. Breaks the vials and

807
00:41:32.719 --> 00:41:36.039
<v Speaker 1>blood splatters everywhere like a horror movie. And then he

808
00:41:36.079 --> 00:41:37.480
<v Speaker 1>starts rubbing his eyes.

809
00:41:38.000 --> 00:41:42.480
<v Speaker 2>Yeah yeah, I know, just just the absolute worst.

810
00:41:43.239 --> 00:41:45.320
<v Speaker 1>Going back real quick, this is so stupid, but you

811
00:41:45.320 --> 00:41:46.719
<v Speaker 1>know this movie's over two hours.

812
00:41:47.199 --> 00:41:50.760
<v Speaker 2>Real quick before you. Yeah, the real the centrifugias that

813
00:41:50.800 --> 00:41:55.840
<v Speaker 2>actually do that. They lock so if a hand no,

814
00:41:55.960 --> 00:41:58.320
<v Speaker 2>if it's spinning, like you can't just stick your hand

815
00:41:58.320 --> 00:41:59.719
<v Speaker 2>in there. Right. Oh, I see what you're saying, Like

816
00:41:59.880 --> 00:42:03.360
<v Speaker 2>like like a laundry machine exactly, there's like a mechanism.

817
00:42:03.679 --> 00:42:05.480
<v Speaker 2>It can't be opened if it's not so again, this

818
00:42:05.559 --> 00:42:06.599
<v Speaker 2>is a contrivance of the movie.

819
00:42:06.599 --> 00:42:09.079
<v Speaker 1>Anyway, go on, well, like the suits, like you were saying,

820
00:42:09.119 --> 00:42:11.440
<v Speaker 1>they're only going one way. No, I was just gonna

821
00:42:11.440 --> 00:42:13.239
<v Speaker 1>point out again the boy who tries to grab the

822
00:42:13.280 --> 00:42:15.639
<v Speaker 1>cookie on the airplane. It's kind of funny how he's

823
00:42:15.679 --> 00:42:19.079
<v Speaker 1>dressed up in this like old timey cowboy outfit, which

824
00:42:19.199 --> 00:42:20.800
<v Speaker 1>I don't know about you, but I don't think any

825
00:42:20.840 --> 00:42:22.719
<v Speaker 1>of us were dressed like that in the nineteen nineties.

826
00:42:22.719 --> 00:42:25.599
<v Speaker 1>Doesn't it feel like someone who was like forty plus

827
00:42:25.679 --> 00:42:27.679
<v Speaker 1>years old in the nineties, Like, Yeah, when I was

828
00:42:27.719 --> 00:42:29.400
<v Speaker 1>a kid, I used to dress up like a cowboy,

829
00:42:29.440 --> 00:42:29.760
<v Speaker 1>when I was like.

830
00:42:30.239 --> 00:42:33.920
<v Speaker 2>He's dressed like Woody in anticipation of that movie's release,

831
00:42:34.199 --> 00:42:38.760
<v Speaker 2>in anticipation. Yes, he's a big fan of Pixar, even

832
00:42:38.800 --> 00:42:40.360
<v Speaker 2>though that was their first movie.

833
00:42:40.239 --> 00:42:43.880
<v Speaker 1>Right, But like, that's that funny phenomenon sometimes where you're like,

834
00:42:44.400 --> 00:42:47.679
<v Speaker 1>we grew up aware of that being a thing for kids,

835
00:42:47.960 --> 00:42:50.559
<v Speaker 1>because everything we watched was written by people who were kids,

836
00:42:50.679 --> 00:42:51.800
<v Speaker 1>you know, thirty years in the past.

837
00:42:51.880 --> 00:42:55.480
<v Speaker 2>That's that's so true, you know. I had that thought yesterday.

838
00:42:56.440 --> 00:42:59.880
<v Speaker 2>I was watching something. Oh, I was watching Superman, the

839
00:43:00.079 --> 00:43:03.039
<v Speaker 2>first of the original movie, and it's the scene it's

840
00:43:03.079 --> 00:43:06.119
<v Speaker 2>like Clark Kent pulls up in the taxi to the

841
00:43:06.199 --> 00:43:09.199
<v Speaker 2>Daily Planet and the cab driver goes Daily Planet Mac

842
00:43:09.400 --> 00:43:11.719
<v Speaker 2>or something like that, and I was like, did people

843
00:43:11.800 --> 00:43:15.679
<v Speaker 2>ever actually call each other mac? Yes, that's right, And

844
00:43:15.719 --> 00:43:17.559
<v Speaker 2>I just kind of got lost in that, like that's

845
00:43:17.599 --> 00:43:20.039
<v Speaker 2>a thing that like we accept as a as a

846
00:43:20.079 --> 00:43:23.960
<v Speaker 2>shorthand refer but I'm like, no one in my life

847
00:43:24.000 --> 00:43:28.440
<v Speaker 2>has ever said mac to somebody unless their name was Mac.

848
00:43:28.559 --> 00:43:28.760
<v Speaker 2>You know.

849
00:43:29.000 --> 00:43:32.119
<v Speaker 1>Yeah, that was like I've told this story before, but

850
00:43:32.159 --> 00:43:34.559
<v Speaker 1>when I worked on Puppy Dog Pals, I pitched an

851
00:43:34.559 --> 00:43:38.039
<v Speaker 1>episode that involved a sock hop, okay, And I was like,

852
00:43:39.000 --> 00:43:43.159
<v Speaker 1>I mean, that is just entirely irrelevant now in the

853
00:43:43.199 --> 00:43:46.599
<v Speaker 1>twenty twenties, but like, that's something I grew up aware

854
00:43:46.639 --> 00:43:48.639
<v Speaker 1>of because the people writing the things that I was

855
00:43:48.679 --> 00:43:51.360
<v Speaker 1>watching as a kid knew about sock ops, you know,

856
00:43:51.400 --> 00:43:54.119
<v Speaker 1>but somehow it carries on. And actually I was like,

857
00:43:54.159 --> 00:43:56.719
<v Speaker 1>I hope, I'm I'm keeping it alive in some way.

858
00:43:57.079 --> 00:44:00.800
<v Speaker 2>I think you've given it oxygen. Somebody somewhere watch that show,

859
00:44:01.920 --> 00:44:04.159
<v Speaker 2>will make a movie involving a sock cop, and it'll

860
00:44:04.199 --> 00:44:07.360
<v Speaker 2>be because of you. Yep. Let's hope that's your contribution

861
00:44:07.519 --> 00:44:13.800
<v Speaker 2>to our literary lineage. So this is gross.

862
00:44:13.880 --> 00:44:18.960
<v Speaker 1>So Rene Russo just opened up a guy and basically

863
00:44:19.039 --> 00:44:23.000
<v Speaker 1>said his insides are liquefied, which I guess is kind

864
00:44:23.000 --> 00:44:24.760
<v Speaker 1>of what happened with Ebola, right.

865
00:44:25.119 --> 00:44:29.559
<v Speaker 2>That's right, yeah, I mean it's it's the Motaba virus

866
00:44:29.599 --> 00:44:33.320
<v Speaker 2>in this film is like Ebola on steroids, right right, right,

867
00:44:33.639 --> 00:44:40.599
<v Speaker 2>because because you're you're given like instant exposure, one hundred

868
00:44:40.599 --> 00:44:45.480
<v Speaker 2>percent death within you know, forty eight hours or something ridiculous, which,

869
00:44:45.760 --> 00:44:49.039
<v Speaker 2>thank goodness, knock on wood, we're not there yet in

870
00:44:49.119 --> 00:44:55.480
<v Speaker 2>terms of Vira viruses whatever I feel like. Me saying

871
00:44:55.519 --> 00:44:59.760
<v Speaker 2>that is like jinxing the world. Yeah. God's like, oh

872
00:44:59.800 --> 00:45:05.159
<v Speaker 2>you're yeah. But you know, it works in terms of

873
00:45:05.199 --> 00:45:09.199
<v Speaker 2>the drama for the movie because it creates the sense

874
00:45:09.199 --> 00:45:12.440
<v Speaker 2>in the audience of just like, well, okay, so the

875
00:45:12.440 --> 00:45:15.000
<v Speaker 2>guy's in the movie theater, dumb ass with the centrifuge

876
00:45:15.960 --> 00:45:18.440
<v Speaker 2>yep is in the Now this scene here where his

877
00:45:19.440 --> 00:45:22.800
<v Speaker 2>germs are just going out in the way that stays

878
00:45:22.840 --> 00:45:26.199
<v Speaker 2>with you. That's a formative movie watching moment for me.

879
00:45:26.280 --> 00:45:30.199
<v Speaker 1>The concept of this, yes, because you're watching the spittle Yeah,

880
00:45:30.280 --> 00:45:34.039
<v Speaker 1>I mean like very very small, small small bits of it, Yeah,

881
00:45:34.159 --> 00:45:36.519
<v Speaker 1>go out of his mouth and the camera follows it,

882
00:45:36.639 --> 00:45:38.480
<v Speaker 1>and then it goes into the mouth of a woman

883
00:45:38.719 --> 00:45:42.079
<v Speaker 1>rows away from him with her mouth open. So yeah,

884
00:45:42.079 --> 00:45:44.599
<v Speaker 1>the concept then thinking of someone coughing in a theater

885
00:45:44.719 --> 00:45:49.119
<v Speaker 1>and now you can imagine this in the air. And actually,

886
00:45:49.320 --> 00:45:51.440
<v Speaker 1>when I saw Conclave a couple of weeks ago, there's

887
00:45:51.440 --> 00:45:53.599
<v Speaker 1>a guy behind me coughing through the whole movie, and

888
00:45:53.639 --> 00:45:56.000
<v Speaker 1>I was like, I was literally like, of all the

889
00:45:56.039 --> 00:45:58.760
<v Speaker 1>seats I had to pick in this theater, and I

890
00:45:58.840 --> 00:46:01.280
<v Speaker 1>just kept thinking about him, Yeah, And I was like,

891
00:46:01.559 --> 00:46:02.800
<v Speaker 1>why do you want to be here.

892
00:46:03.960 --> 00:46:07.239
<v Speaker 2>Yeah. See, that's that's the weird thing. Yeah, I mean

893
00:46:07.320 --> 00:46:10.239
<v Speaker 2>with this, the guy in the movie, this in this

894
00:46:10.320 --> 00:46:13.480
<v Speaker 2>in the film, who's at the movies. I'm willing to

895
00:46:13.519 --> 00:46:17.480
<v Speaker 2>presume that he didn't feel that bad when he went

896
00:46:17.519 --> 00:46:18.000
<v Speaker 2>to the theater.

897
00:46:18.559 --> 00:46:20.320
<v Speaker 1>Yeah, it's it's advancing quickly.

898
00:46:20.800 --> 00:46:23.880
<v Speaker 2>Yeah. Yeah, so that that's that's my that's what makes

899
00:46:23.960 --> 00:46:29.360
<v Speaker 2>it make sense for me. Yeah, I'll buy that. There

900
00:46:29.360 --> 00:46:33.480
<v Speaker 2>you go, where's my no price? You know. It's funny.

901
00:46:33.519 --> 00:46:35.760
<v Speaker 1>And the way I rationalized it away was like with

902
00:46:35.840 --> 00:46:37.840
<v Speaker 1>the guy at conclave, or at least tried to comfort myself.

903
00:46:37.880 --> 00:46:41.239
<v Speaker 1>I was like, well, typically coughing happens after you've been

904
00:46:41.320 --> 00:46:44.480
<v Speaker 1>hit and it's like the result of what you went.

905
00:46:44.400 --> 00:46:46.159
<v Speaker 2>Through and draining and whatnot. So hopefully he's on the

906
00:46:46.199 --> 00:46:50.559
<v Speaker 2>other end of it. Yeah, yeah, there you go. And

907
00:46:50.639 --> 00:46:54.480
<v Speaker 2>I didn't get sick so appy ending.

908
00:46:54.679 --> 00:46:56.679
<v Speaker 1>Yeah, but this is like this is horrifying, man. So

909
00:46:56.719 --> 00:47:01.119
<v Speaker 1>it's like, yeah, you have, you know, dozens and dozens

910
00:47:01.119 --> 00:47:07.199
<v Speaker 1>of people pouring into the er here all sick, like

911
00:47:07.440 --> 00:47:09.239
<v Speaker 1>this has got to be I mean, watching this movie

912
00:47:09.280 --> 00:47:11.599
<v Speaker 1>as a doctor, well you think about one of the

913
00:47:11.639 --> 00:47:13.760
<v Speaker 1>writers being a doctor, and that's what he said. This

914
00:47:13.880 --> 00:47:16.199
<v Speaker 1>was his worst case scenario. What if there's someone in

915
00:47:16.239 --> 00:47:19.320
<v Speaker 1>there spreading something I'm not aware of and don't understand,

916
00:47:19.320 --> 00:47:21.880
<v Speaker 1>and they could be giving it to me. Right, That's

917
00:47:21.920 --> 00:47:23.960
<v Speaker 1>what we're seeing, And it's kind of a scary image

918
00:47:24.000 --> 00:47:28.079
<v Speaker 1>imagining that room and just people pouring in with something

919
00:47:28.119 --> 00:47:29.800
<v Speaker 1>you don't understand in droves.

920
00:47:31.840 --> 00:47:34.639
<v Speaker 2>Yeah, I mean that, And that's what was happening, you know,

921
00:47:34.719 --> 00:47:41.360
<v Speaker 2>when when the rona first first kicked up. Yeah. Yeah.

922
00:47:41.440 --> 00:47:44.920
<v Speaker 1>By the way, so we see this Renee Russo and

923
00:47:44.920 --> 00:47:47.400
<v Speaker 1>her peeps in this office and they're just celebrating here

924
00:47:47.480 --> 00:47:49.280
<v Speaker 1>for a second and everyone throws papers in the air.

925
00:47:50.119 --> 00:47:52.320
<v Speaker 2>Looks good on film, but does that make a lot

926
00:47:52.320 --> 00:47:57.639
<v Speaker 2>of sense. I was just thinking, like, A, you're losing track.

927
00:47:57.440 --> 00:47:59.159
<v Speaker 1>Of whatever it was you were holding in your hands,

928
00:47:59.519 --> 00:48:02.639
<v Speaker 1>and b there's like a moment after Yay, we're high

929
00:48:02.639 --> 00:48:04.599
<v Speaker 1>fiving and hugging where everyone has to bend over and

930
00:48:04.639 --> 00:48:07.440
<v Speaker 1>like and like pick up everything off the ground.

931
00:48:12.239 --> 00:48:17.199
<v Speaker 2>I don't know, I I kind of I do like

932
00:48:17.320 --> 00:48:20.480
<v Speaker 2>that what you were talking to with regards to the

933
00:48:20.519 --> 00:48:25.840
<v Speaker 2>relationship between Freeman and Hoffman's characters, that we're not entirely

934
00:48:25.880 --> 00:48:30.280
<v Speaker 2>sure where Billy is on the on the you know,

935
00:48:30.920 --> 00:48:35.119
<v Speaker 2>on the on the gray shade spectrum, right, And I

936
00:48:35.159 --> 00:48:37.360
<v Speaker 2>think that that creates some drama. I think on some level,

937
00:48:37.400 --> 00:48:39.119
<v Speaker 2>you're like, yeah, it is Morgan Freeman. He's not gonna

938
00:48:39.119 --> 00:48:43.719
<v Speaker 2>be the right, you know. I I also I was thinking.

939
00:48:43.760 --> 00:48:45.280
<v Speaker 2>I was as I was watching it, I was like,

940
00:48:45.360 --> 00:48:51.639
<v Speaker 2>do we did we need the military bioweapon plot line? Like?

941
00:48:51.840 --> 00:48:56.559
<v Speaker 2>Is that is that necessary for the movie to have drama?

942
00:48:57.679 --> 00:48:57.840
<v Speaker 2>You know?

943
00:48:57.880 --> 00:49:01.199
<v Speaker 1>It's so funny. That is one of the factors that

944
00:49:01.360 --> 00:49:06.599
<v Speaker 1>sort of makes it feel a little less real world. Yes,

945
00:49:06.880 --> 00:49:10.719
<v Speaker 1>like more heightened action film, right, kind of a thing.

946
00:49:11.760 --> 00:49:14.320
<v Speaker 1>I don't know, Yeah, I mean like a cover up

947
00:49:14.480 --> 00:49:16.320
<v Speaker 1>trying to protect a cover up would be enough for

948
00:49:16.360 --> 00:49:17.000
<v Speaker 1>me personally.

949
00:49:17.440 --> 00:49:23.400
<v Speaker 2>Yeah, like like the whole, the whole Donald Sutherland of

950
00:49:23.440 --> 00:49:27.000
<v Speaker 2>it all, with the you know he he his black

951
00:49:27.039 --> 00:49:30.880
<v Speaker 2>hat is wearing a black hat, you know. Yeah, yeah, yeah,

952
00:49:30.960 --> 00:49:34.079
<v Speaker 2>I do kind of love that that. Donald Sutherland plays

953
00:49:34.119 --> 00:49:40.400
<v Speaker 2>like the kindest medical military doctor you could want, Hawkeye Piers,

954
00:49:41.159 --> 00:49:43.880
<v Speaker 2>and then he plays like the most evil military doctor

955
00:49:43.960 --> 00:49:47.960
<v Speaker 2>ever in this true. Yeah, that's true. The man had range,

956
00:49:48.000 --> 00:49:51.079
<v Speaker 2>That's what I'm saying. Yeah, it's funny. I had to

957
00:49:51.119 --> 00:49:52.719
<v Speaker 2>do some gymnastics in my mind because I was like,

958
00:49:52.719 --> 00:49:59.920
<v Speaker 2>Hawkeye's that's Alan Alda, Yeah, in in our multiversal mash.

959
00:50:00.079 --> 00:50:04.960
<v Speaker 3>Yeah, yeah, but I do.

960
00:50:05.000 --> 00:50:08.280
<v Speaker 1>There's something really compelling that you almost like fill in

961
00:50:08.320 --> 00:50:10.519
<v Speaker 1>your chest when you're watching a movie about someone who's

962
00:50:10.519 --> 00:50:13.760
<v Speaker 1>smart and you know they're right, but they're facing all

963
00:50:13.760 --> 00:50:16.960
<v Speaker 1>this opposition, and it's like you want to think you'd

964
00:50:17.000 --> 00:50:19.239
<v Speaker 1>be the guy who'd go the extra mile that's right,

965
00:50:20.159 --> 00:50:23.000
<v Speaker 1>because we know that if he doesn't, you know, all

966
00:50:23.039 --> 00:50:26.559
<v Speaker 1>these lives could be lost. Like, there's something really compelling.

967
00:50:26.199 --> 00:50:28.719
<v Speaker 2>About that well and in that vein, right. I think

968
00:50:28.760 --> 00:50:31.440
<v Speaker 2>that's what I like about having Hoffman in this movie

969
00:50:31.639 --> 00:50:36.519
<v Speaker 2>is like when you say Sylvester Stallone rights, like, you know,

970
00:50:36.639 --> 00:50:39.360
<v Speaker 2>I think I think Stallone is good at what he does,

971
00:50:39.400 --> 00:50:41.199
<v Speaker 2>and at this time there were I just I have

972
00:50:41.239 --> 00:50:46.119
<v Speaker 2>a hard time seeing him in this role and and

973
00:50:46.159 --> 00:50:50.239
<v Speaker 2>not making it seem like, well, his success is inevitable.

974
00:50:50.840 --> 00:50:53.599
<v Speaker 2>That's a really good point. Yeah. Yeah.

975
00:50:53.719 --> 00:50:56.360
<v Speaker 1>You imagine him sort of like knocking out someone standing

976
00:50:56.360 --> 00:51:00.760
<v Speaker 1>in his way and being like, that's my final diagnosis.

977
00:51:01.760 --> 00:51:03.480
<v Speaker 2>Yeah, yeah, I totally agree.

978
00:51:03.480 --> 00:51:07.239
<v Speaker 1>I think Hoffman's perfect for this to carry a different

979
00:51:07.960 --> 00:51:08.920
<v Speaker 1>sort of dramatic weight.

980
00:51:09.480 --> 00:51:13.679
<v Speaker 2>Although you know what's interesting is he was very self

981
00:51:13.719 --> 00:51:17.599
<v Speaker 2>conscious about how he like Wolf King Peterson talked about

982
00:51:17.599 --> 00:51:19.639
<v Speaker 2>how like there would be scenes where it's like he's

983
00:51:19.639 --> 00:51:21.039
<v Speaker 2>got to go here and he's got to turn like this,

984
00:51:21.119 --> 00:51:22.320
<v Speaker 2>and he's like, well, I don't know how it's gonna

985
00:51:22.360 --> 00:51:24.280
<v Speaker 2>look and doing all this and I don't know which

986
00:51:24.360 --> 00:51:26.440
<v Speaker 2>you know, it really kind of just stuck in his

987
00:51:26.480 --> 00:51:28.199
<v Speaker 2>own head, you know, because he doesn't do these types

988
00:51:28.239 --> 00:51:33.320
<v Speaker 2>of movies, and so there were literally moments where he's

989
00:51:33.400 --> 00:51:35.639
<v Speaker 2>telling Wolf Computerson, look to show me how you want

990
00:51:35.639 --> 00:51:37.760
<v Speaker 2>me to do it, and he's like, turn like this.

991
00:51:37.880 --> 00:51:42.559
<v Speaker 2>Like so he's acting for Dustin Hoffman. Isn't that fascinating? Right?

992
00:51:43.039 --> 00:51:45.360
<v Speaker 2>And just feeling good. But here's the thing, because he

993
00:51:45.440 --> 00:51:47.800
<v Speaker 2>knew that he was like the third choice, right or

994
00:51:47.800 --> 00:51:50.400
<v Speaker 2>the fourth choice. So he literally would say, like I

995
00:51:50.440 --> 00:51:53.239
<v Speaker 2>bet Harrison Ford could have done that. You know, that's

996
00:51:53.280 --> 00:51:54.800
<v Speaker 2>really fascinating. You know.

997
00:51:54.800 --> 00:51:56.519
<v Speaker 1>I have a story I can't I can tell you

998
00:51:56.599 --> 00:51:59.360
<v Speaker 1>off air, but I was working on a movie and

999
00:51:59.760 --> 00:52:03.559
<v Speaker 1>it was in near the offices of the studio and

1000
00:52:03.599 --> 00:52:06.519
<v Speaker 1>we were waiting on this guy, okay, one of the executives,

1001
00:52:06.559 --> 00:52:09.880
<v Speaker 1>and everyone's like where is He's like, well, pretty famous

1002
00:52:09.880 --> 00:52:15.000
<v Speaker 1>actor is freaking out on set just basically in his

1003
00:52:15.039 --> 00:52:17.800
<v Speaker 1>own head thinks he's not good, can't finish this movie.

1004
00:52:18.039 --> 00:52:19.639
<v Speaker 1>And so the guy was up there talking him off

1005
00:52:19.639 --> 00:52:22.360
<v Speaker 1>a ledge and I was like really, yeah, like it's

1006
00:52:22.440 --> 00:52:25.800
<v Speaker 1>just fascinating, it is, you know. I mean, they're the

1007
00:52:25.840 --> 00:52:27.800
<v Speaker 1>end of the day. You think they're confident, and you

1008
00:52:27.880 --> 00:52:29.920
<v Speaker 1>know they have all the accolades, but there's still just

1009
00:52:30.000 --> 00:52:32.320
<v Speaker 1>human beings, you know, and there's a lot of weight,

1010
00:52:32.800 --> 00:52:36.159
<v Speaker 1>a lot of you know, big budgeted movie and they're

1011
00:52:36.239 --> 00:52:37.280
<v Speaker 1>the face of it.

1012
00:52:38.280 --> 00:52:40.360
<v Speaker 2>Well and to that point, I mean, this movie costs

1013
00:52:40.360 --> 00:52:44.800
<v Speaker 2>fifty million, which you know, that's that's like the craft

1014
00:52:44.840 --> 00:52:47.360
<v Speaker 2>services budget on Hollywood movies these days, or.

1015
00:52:47.360 --> 00:52:49.719
<v Speaker 1>At least the Russo Brothers Netflix movies.

1016
00:52:49.840 --> 00:52:54.239
<v Speaker 2>Yeah it's good, lord, Yeah, the Russo Brothers latest movie.

1017
00:52:54.320 --> 00:52:57.320
<v Speaker 2>I saw, I saw the budget. You're gonna this is crazy.

1018
00:52:57.400 --> 00:53:01.679
<v Speaker 2>It was infinity dollars. I didn't know that was a number,

1019
00:53:01.719 --> 00:53:06.480
<v Speaker 2>but the Russo spent it. Yeah, no, but fifty million.

1020
00:53:06.559 --> 00:53:10.599
<v Speaker 2>So like, certainly up to that time, it was the

1021
00:53:11.519 --> 00:53:18.719
<v Speaker 2>biggest budget movie that Dustin Hoffman appeared in, maybe maybe

1022
00:53:18.760 --> 00:53:22.039
<v Speaker 2>barring hook well, but that but you didn't there was

1023
00:53:22.760 --> 00:53:25.000
<v Speaker 2>in there that I was not sorry that was relying

1024
00:53:25.039 --> 00:53:29.519
<v Speaker 2>on him like he was the guy. Sure right, because

1025
00:53:29.719 --> 00:53:31.320
<v Speaker 2>hook is like a two hander, right, I mean people

1026
00:53:31.320 --> 00:53:33.480
<v Speaker 2>are going to show up for Robin Williams, sure, sure, sure, yeah,

1027
00:53:33.519 --> 00:53:38.599
<v Speaker 2>yeah that's right. But like this, this is a Hoffman joint, right. Yeah.

1028
00:53:38.760 --> 00:53:40.960
<v Speaker 2>People weren't like, oh, the guy from Lightning Jack is

1029
00:53:41.000 --> 00:53:43.920
<v Speaker 2>in this. Yeah yeah, that was just.

1030
00:53:43.920 --> 00:53:52.239
<v Speaker 1>Me in that little theater in Glen Ellen. But it

1031
00:53:52.320 --> 00:53:56.079
<v Speaker 1>did okay. In the US it did sixty seven million,

1032
00:53:56.480 --> 00:53:58.880
<v Speaker 1>but worldwide it did one hundred and ninety million.

1033
00:53:59.679 --> 00:54:03.159
<v Speaker 2>Yeah. Yeah, I mean, you know, look, this is let's

1034
00:54:03.199 --> 00:54:06.920
<v Speaker 2>normalize moderate budgets that allow for moderate success.

1035
00:54:07.800 --> 00:54:11.760
<v Speaker 1>Absolutely, absolutely, But you can see why this would translate worldwide,

1036
00:54:12.119 --> 00:54:14.719
<v Speaker 1>just the concept of this, You could it could be

1037
00:54:14.840 --> 00:54:15.920
<v Speaker 1>anywhere in the world.

1038
00:54:16.000 --> 00:54:16.280
<v Speaker 2>Really.

1039
00:54:16.679 --> 00:54:24.480
<v Speaker 3>Yeah, I feel like it's gonna say something that I

1040
00:54:24.480 --> 00:54:33.039
<v Speaker 3>totally forget never mind, but yeah, this is like, I

1041
00:54:33.039 --> 00:54:34.559
<v Speaker 3>don't know, almost feels like science fiction.

1042
00:54:34.840 --> 00:54:38.119
<v Speaker 1>Well at least I'm you know, this very obnoxious of

1043
00:54:38.159 --> 00:54:40.360
<v Speaker 1>me to say as someone living in the US in

1044
00:54:40.400 --> 00:54:46.760
<v Speaker 1>the nineties, you know, picturing like small town USA and

1045
00:54:46.800 --> 00:54:49.880
<v Speaker 1>the whole town coming down with something. Yeah, you know

1046
00:54:49.920 --> 00:54:52.760
<v Speaker 1>what I mean, Like it's kind of a scary. We

1047
00:54:52.800 --> 00:54:55.480
<v Speaker 1>always talk about fantasy in your backyard. Usually that has

1048
00:54:55.519 --> 00:54:59.679
<v Speaker 1>to do with something, you know, like positive, you know,

1049
00:54:59.719 --> 00:55:01.840
<v Speaker 1>like tea lands in your backyard. What would that be

1050
00:55:01.960 --> 00:55:05.400
<v Speaker 1>like in my suburban neighborhood. But this is like the

1051
00:55:05.440 --> 00:55:10.079
<v Speaker 1>whole you know, what if this crazy epidemic happened in

1052
00:55:10.159 --> 00:55:12.519
<v Speaker 1>my neighborhood, what would that look like? You know, it

1053
00:55:12.559 --> 00:55:14.800
<v Speaker 1>could happen at you're a movie theater. Hey, you're in

1054
00:55:14.880 --> 00:55:17.519
<v Speaker 1>a movie theater right now watching this, Like that guy

1055
00:55:17.559 --> 00:55:19.840
<v Speaker 1>that just coughed five seconds ago, that could lead to

1056
00:55:20.639 --> 00:55:25.800
<v Speaker 1>you know, everyone in your neighborhood being in Gurney's.

1057
00:55:27.159 --> 00:55:30.239
<v Speaker 2>I'm imagining like people watching this in the theater, and

1058
00:55:30.280 --> 00:55:33.920
<v Speaker 2>there's that one guy who actually has a legitimate cough,

1059
00:55:34.000 --> 00:55:36.400
<v Speaker 2>like a corn colonel stuck in his throat or something, right,

1060
00:55:36.440 --> 00:55:39.519
<v Speaker 2>and he's suppressing that because he doesn't want to get murdered,

1061
00:55:39.639 --> 00:55:47.559
<v Speaker 2>right exactly. You know, we got like a CG shot there, right, Yeah,

1062
00:55:47.599 --> 00:55:49.639
<v Speaker 2>that's right. It looks like this is going terrible where

1063
00:55:49.639 --> 00:55:50.719
<v Speaker 2>it was going through the vent.

1064
00:55:51.079 --> 00:55:55.760
<v Speaker 1>Yeah, So this is Hoffman realizing that the virus is airborne, right,

1065
00:55:55.760 --> 00:55:58.360
<v Speaker 1>because he looks up at the vent and then we

1066
00:55:58.760 --> 00:56:01.880
<v Speaker 1>take the camera through the vent going to another room

1067
00:56:01.960 --> 00:56:05.639
<v Speaker 1>and see like everyone's catching it, like, oh, I.

1068
00:56:05.679 --> 00:56:06.519
<v Speaker 2>Like the arc of this guy.

1069
00:56:06.519 --> 00:56:08.199
<v Speaker 1>By the way, I don't know his name, but the

1070
00:56:08.239 --> 00:56:10.400
<v Speaker 1>guy with the white hair and the mustle yes.

1071
00:56:10.480 --> 00:56:14.039
<v Speaker 2>Yes, oh, I actually do know his name. It's uh oh,

1072
00:56:14.159 --> 00:56:16.480
<v Speaker 2>damn it. I had it pulled up. I had the

1073
00:56:16.480 --> 00:56:19.920
<v Speaker 2>whole castle's pulled up. But anyway, on well, he just

1074
00:56:19.920 --> 00:56:21.480
<v Speaker 2>seems like a guy doing his job.

1075
00:56:21.519 --> 00:56:24.360
<v Speaker 1>And then Donald Sutherland's basically bulling him around and he

1076
00:56:24.360 --> 00:56:25.880
<v Speaker 1>gets that moment at the end where he gets to

1077
00:56:25.960 --> 00:56:26.440
<v Speaker 1>arrest him.

1078
00:56:27.239 --> 00:56:30.840
<v Speaker 2>That's the thing is is Sutherland treats him like such

1079
00:56:30.920 --> 00:56:34.519
<v Speaker 2>a piece of shit. You're like, oh, man, his uppus

1080
00:56:34.599 --> 00:56:39.119
<v Speaker 2>is coming. Yeah. Dale Die that's the actor's name, Dale

1081
00:56:39.119 --> 00:56:45.079
<v Speaker 2>de Die Wow. Yeah. And he's you know, he's a

1082
00:56:45.119 --> 00:56:50.280
<v Speaker 2>famous like technical advisor for you know, like military, like

1083
00:56:50.760 --> 00:56:53.360
<v Speaker 2>you know, Band of Brothers and that stuff. So he

1084
00:56:53.480 --> 00:56:56.760
<v Speaker 2>certainly looks it. He's got the looks. He's got a haircut,

1085
00:56:56.800 --> 00:57:00.039
<v Speaker 2>Brian that you could set your watch too. That's right.

1086
00:57:02.880 --> 00:57:05.079
<v Speaker 1>For people who don't know. That's a quote from The Simpsons.

1087
00:57:06.760 --> 00:57:11.480
<v Speaker 1>Homer's dad says Johnny Unitas as a he has a

1088
00:57:11.559 --> 00:57:13.079
<v Speaker 1>like a crew cut, and he's like, that's a haircut.

1089
00:57:13.079 --> 00:57:15.320
<v Speaker 1>You can set your watch too. And I believed that

1090
00:57:15.559 --> 00:57:19.039
<v Speaker 1>was an actual expression after watching that, and I was

1091
00:57:19.079 --> 00:57:22.000
<v Speaker 1>in a writer's room and I said it, and everyone

1092
00:57:22.079 --> 00:57:23.719
<v Speaker 1>was like, what what does that mean? And I was

1093
00:57:23.760 --> 00:57:26.119
<v Speaker 1>trying to convince him it was an actual expression, and

1094
00:57:26.159 --> 00:57:27.800
<v Speaker 1>I had to go on Google and be like, oh,

1095
00:57:27.920 --> 00:57:29.360
<v Speaker 1>I guess that's made that up.

1096
00:57:31.719 --> 00:57:35.239
<v Speaker 2>But doesn't it just make sense? It absolutely does anyway,

1097
00:57:35.239 --> 00:57:38.679
<v Speaker 2>you know exactly what he's saying. Yeah, So this scene here,

1098
00:57:38.719 --> 00:57:44.639
<v Speaker 2>I was watching this, and I was appreciating the idea

1099
00:57:44.760 --> 00:57:48.679
<v Speaker 2>that this is what specialists in this field do, right,

1100
00:57:48.719 --> 00:57:51.519
<v Speaker 2>they have this, you know that they are driven and

1101
00:57:51.800 --> 00:57:54.639
<v Speaker 2>and they're trying to lay out in a methodical fashion.

1102
00:57:54.679 --> 00:57:57.719
<v Speaker 2>And we want to believe that that there are people

1103
00:57:57.760 --> 00:58:01.920
<v Speaker 2>who are truly selfless who care about stopping this type

1104
00:58:01.920 --> 00:58:04.199
<v Speaker 2>of stuff. And I believe that is the case in fact,

1105
00:58:04.239 --> 00:58:06.920
<v Speaker 2>you know, absolutely, Yeah, And you know, I mean that's

1106
00:58:07.000 --> 00:58:10.039
<v Speaker 2>that's the thing is is, you know, over the last

1107
00:58:10.079 --> 00:58:13.480
<v Speaker 2>several decades, we've really there's there's a there has been

1108
00:58:13.679 --> 00:58:20.280
<v Speaker 2>a robust international apparatus set up to monitor and combat

1109
00:58:20.599 --> 00:58:23.800
<v Speaker 2>viruses and new viruses, and you know, I think, again,

1110
00:58:23.880 --> 00:58:25.360
<v Speaker 2>just going back to what we were saying, earlier. You know,

1111
00:58:25.440 --> 00:58:28.199
<v Speaker 2>this sort of this anti science moment that we're in

1112
00:58:28.639 --> 00:58:34.000
<v Speaker 2>risks knocking down these really foundational pillars that are going

1113
00:58:34.039 --> 00:58:36.440
<v Speaker 2>to end up redounding back to us in ways that

1114
00:58:36.480 --> 00:58:41.079
<v Speaker 2>we haven't fully reckoned with because we rely on knowing

1115
00:58:41.119 --> 00:58:43.239
<v Speaker 2>what the World Health Organization is saying and what and

1116
00:58:43.519 --> 00:58:46.119
<v Speaker 2>you know all of this stuff. I mean, it's it's

1117
00:58:46.239 --> 00:58:49.760
<v Speaker 2>it's we are a truly interconnected world in a way

1118
00:58:49.840 --> 00:58:54.519
<v Speaker 2>that we we need the expertise of scientists all over

1119
00:58:54.559 --> 00:58:55.039
<v Speaker 2>the planet.

1120
00:58:56.280 --> 00:58:59.400
<v Speaker 1>Yeah, don't we want people who are smart and understand

1121
00:58:59.400 --> 00:59:01.159
<v Speaker 1>this stuff to be on top of it so we

1122
00:59:01.239 --> 00:59:02.440
<v Speaker 1>don't have to worry about it.

1123
00:59:02.800 --> 00:59:06.039
<v Speaker 2>Yeah, exactly right. Like when when you look at things

1124
00:59:06.079 --> 00:59:09.320
<v Speaker 2>such as a bola and even even HIV for that matter,

1125
00:59:09.400 --> 00:59:13.280
<v Speaker 2>that are you know, that are epidemics in in Africa

1126
00:59:13.320 --> 00:59:15.239
<v Speaker 2>and other parts of the world, It's like, you know,

1127
00:59:15.360 --> 00:59:19.960
<v Speaker 2>part of what our country has done is give resources

1128
00:59:20.000 --> 00:59:22.760
<v Speaker 2>and expertise to combat those there so that they don't

1129
00:59:22.800 --> 00:59:28.360
<v Speaker 2>become problems here. Yeah, you know, and so in in

1130
00:59:28.400 --> 00:59:30.880
<v Speaker 2>that vein this is what I like about scenes like

1131
00:59:30.960 --> 00:59:37.639
<v Speaker 2>this where Hoffman's character he's he's showing his dedication and

1132
00:59:37.719 --> 00:59:39.960
<v Speaker 2>his passion. Why because it's about saving lives. You know,

1133
00:59:40.000 --> 00:59:43.559
<v Speaker 2>we talk about this a lot, right, expertise in service

1134
00:59:43.679 --> 00:59:48.280
<v Speaker 2>of of something noble, you know, And and I love

1135
00:59:48.440 --> 00:59:53.599
<v Speaker 2>he has this line here where where Freeman's like, you

1136
00:59:53.679 --> 00:59:57.119
<v Speaker 2>were never here and right now and he says, no,

1137
00:59:57.199 --> 01:00:00.320
<v Speaker 2>I was here. I followed the bug here, I've always

1138
01:00:00.360 --> 01:00:03.679
<v Speaker 2>been here. Yeah, you know, like that's what you want,

1139
01:00:03.920 --> 01:00:05.199
<v Speaker 2>That's what you want.

1140
01:00:05.239 --> 01:00:11.559
<v Speaker 1>Absolutely yeah, yeah, driven smart people, you know, working hard

1141
01:00:11.559 --> 01:00:13.719
<v Speaker 1>on something. It's it's compelling to watch. I mean, we're

1142
01:00:13.760 --> 01:00:17.039
<v Speaker 1>just talking about that with that movie September fifth. We're

1143
01:00:17.079 --> 01:00:20.559
<v Speaker 1>big fans of, you know, competence porn, watching people who

1144
01:00:20.559 --> 01:00:25.119
<v Speaker 1>are smart, who are stymied in the moment but are

1145
01:00:25.480 --> 01:00:28.519
<v Speaker 1>putting their smarts to use. And we're watching them like

1146
01:00:28.559 --> 01:00:30.280
<v Speaker 1>you were saying when we were seeing spacing in front

1147
01:00:30.280 --> 01:00:34.400
<v Speaker 1>of that whiteboard, you know, just all right, like I

1148
01:00:34.440 --> 01:00:36.639
<v Speaker 1>got a marker on a whiteboard and we're gonna figure

1149
01:00:36.639 --> 01:00:36.960
<v Speaker 1>this out.

1150
01:00:37.000 --> 01:00:40.400
<v Speaker 2>And it's very satisfying and complete. It really is, it

1151
01:00:40.440 --> 01:00:41.920
<v Speaker 2>really is, you know, Yeah.

1152
01:00:41.800 --> 01:00:43.440
<v Speaker 1>And you want to believe that we've got people like

1153
01:00:43.480 --> 01:00:46.039
<v Speaker 1>that in the real world, you know, on top of

1154
01:00:46.079 --> 01:00:46.480
<v Speaker 1>things for.

1155
01:00:46.480 --> 01:00:48.480
<v Speaker 2>Us, I think we do, you know, I mean, when

1156
01:00:48.519 --> 01:00:54.280
<v Speaker 2>we talk about COVID, right, like the fact that this

1157
01:00:54.519 --> 01:00:58.000
<v Speaker 2>amazing group of scientists all over the world were able

1158
01:00:58.000 --> 01:01:02.039
<v Speaker 2>to come up with a vaccine in in such a

1159
01:01:02.039 --> 01:01:05.400
<v Speaker 2>short window. It's remarkable, it really is. I mean it

1160
01:01:05.440 --> 01:01:11.039
<v Speaker 2>was like a year. Yeah, it's amazing, incredible. I mean

1161
01:01:11.079 --> 01:01:13.719
<v Speaker 2>that whole process it was literally called Operation Warp Speed

1162
01:01:15.519 --> 01:01:17.599
<v Speaker 2>and they did it, you know, And and it's weird.

1163
01:01:17.639 --> 01:01:21.239
<v Speaker 2>I mean, I'm sorry, the only tangentially connected to the movie,

1164
01:01:21.280 --> 01:01:25.519
<v Speaker 2>But I'm like, what an achievement that people don't want

1165
01:01:25.559 --> 01:01:26.280
<v Speaker 2>to acknowledge.

1166
01:01:26.840 --> 01:01:28.880
<v Speaker 1>I was just gonna say, you're making me think, well,

1167
01:01:28.920 --> 01:01:31.000
<v Speaker 1>I want the book on that. Yeah, I want to

1168
01:01:31.000 --> 01:01:32.320
<v Speaker 1>read that Race around the Clock.

1169
01:01:32.559 --> 01:01:33.760
<v Speaker 2>That's right story.

1170
01:01:34.960 --> 01:01:36.800
<v Speaker 1>And the people who were involved in what they went

1171
01:01:36.800 --> 01:01:41.639
<v Speaker 1>through and sacrificed, and the revelations you know that happened,

1172
01:01:41.679 --> 01:01:43.199
<v Speaker 1>and the Eureka moments.

1173
01:01:43.400 --> 01:01:45.599
<v Speaker 2>It's got to be some kind of a great mini

1174
01:01:45.679 --> 01:01:46.760
<v Speaker 2>series out of that at least.

1175
01:01:46.840 --> 01:01:50.119
<v Speaker 1>Yeah, definitely, it's weird to think that would be politically

1176
01:01:50.199 --> 01:01:51.679
<v Speaker 1>charged in this moment, which is.

1177
01:01:51.599 --> 01:01:55.719
<v Speaker 2>That which is so unfortunate it really is, you know, yeah, yeah,

1178
01:01:56.079 --> 01:02:02.559
<v Speaker 2>I mean knowledge should not be a partisan position, you know,

1179
01:02:03.119 --> 01:02:10.039
<v Speaker 2>the having or not having of knowledge, it's not you know, yeah,

1180
01:02:10.400 --> 01:02:13.079
<v Speaker 2>I just I think, yeah, I was no good. Sorry, yeah, no, Well,

1181
01:02:13.239 --> 01:02:17.960
<v Speaker 2>I think this scene here is reflective of what likely

1182
01:02:18.039 --> 01:02:22.320
<v Speaker 2>would happen in terms of these folks who are trying

1183
01:02:22.360 --> 01:02:26.280
<v Speaker 2>to to you know, ram their way out of a barricade.

1184
01:02:26.280 --> 01:02:30.199
<v Speaker 2>I mean, that's like you were saying earlier in our conversation, like, hey,

1185
01:02:31.719 --> 01:02:35.079
<v Speaker 2>you know, the same as always seems like you know it.

1186
01:02:35.000 --> 01:02:36.760
<v Speaker 1>Is, isn't it funny? I mean it almost. I mean,

1187
01:02:36.760 --> 01:02:41.559
<v Speaker 1>obviously this is a very heightened version, but it I'm

1188
01:02:41.559 --> 01:02:44.159
<v Speaker 1>sure some people felt this way, you know.

1189
01:02:44.199 --> 01:02:46.360
<v Speaker 2>But here, okay, hold on a second. So so this

1190
01:02:46.519 --> 01:02:49.960
<v Speaker 2>helicopter is shooting like machine guns at you, and so

1191
01:02:50.239 --> 01:02:52.960
<v Speaker 2>dumbass is gonna shoot at them with a rifle.

1192
01:02:53.360 --> 01:02:57.400
<v Speaker 1>I know, I know, I mean I I almost hesitate

1193
01:02:57.440 --> 01:02:58.800
<v Speaker 1>to even admit it. But when I was watching and

1194
01:02:58.880 --> 01:03:00.480
<v Speaker 1>I was like, what'd.

1195
01:03:00.239 --> 01:03:01.760
<v Speaker 2>You think was gonna happen? Yeah, Like I didn't even

1196
01:03:01.800 --> 01:03:02.320
<v Speaker 2>feel bad.

1197
01:03:02.599 --> 01:03:07.199
<v Speaker 1>I was like, you know, like, dot, don't fire at

1198
01:03:07.199 --> 01:03:09.119
<v Speaker 1>a military helicopter that's firing at you.

1199
01:03:09.639 --> 01:03:11.280
<v Speaker 2>How do you think that story ends? You know?

1200
01:03:11.400 --> 01:03:17.559
<v Speaker 1>Yeah, but it's just the sentiment. Like I said, obviously

1201
01:03:17.559 --> 01:03:20.880
<v Speaker 1>this is very heightened scenario, but the sentiment of feeling

1202
01:03:21.000 --> 01:03:22.920
<v Speaker 1>like you're being locked into a place.

1203
01:03:23.280 --> 01:03:23.519
<v Speaker 2>Yeah.

1204
01:03:23.639 --> 01:03:26.000
<v Speaker 1>I was like, Wow, how weird that we would have

1205
01:03:26.039 --> 01:03:29.480
<v Speaker 1>a whole different sort of experience of that feeling thirty

1206
01:03:29.559 --> 01:03:32.920
<v Speaker 1>years after this movie came out, But then also putting

1207
01:03:32.920 --> 01:03:34.880
<v Speaker 1>myself in a movie theater in nineteen ninety five. What

1208
01:03:34.920 --> 01:03:37.760
<v Speaker 1>a scary when I say, like the fantasy in your backyard,

1209
01:03:37.800 --> 01:03:40.400
<v Speaker 1>What a scary situation to think there could be a

1210
01:03:40.400 --> 01:03:43.760
<v Speaker 1>situation where I'm locked into my town and literally, you know,

1211
01:03:43.800 --> 01:03:46.880
<v Speaker 1>a barricade could be put up and if I left, helicopters.

1212
01:03:46.400 --> 01:03:49.119
<v Speaker 2>Would fire at me. Yeah.

1213
01:03:49.159 --> 01:03:51.280
<v Speaker 1>But you can imagine too. I mean, this isn't sort

1214
01:03:51.320 --> 01:03:53.679
<v Speaker 1>of like a flu like virus. I mean this is

1215
01:03:53.760 --> 01:03:57.119
<v Speaker 1>like a really turn your insides into.

1216
01:03:57.679 --> 01:03:58.800
<v Speaker 2>A hemorrhagic fever.

1217
01:03:59.079 --> 01:04:01.320
<v Speaker 1>Yeah, like you you cannot let this get out of

1218
01:04:01.400 --> 01:04:02.400
<v Speaker 1>this barrier.

1219
01:04:03.039 --> 01:04:07.119
<v Speaker 2>Yeah. And and what's scary is that again this is

1220
01:04:07.159 --> 01:04:09.960
<v Speaker 2>this is on steroids, but it's based in the reality

1221
01:04:10.119 --> 01:04:13.800
<v Speaker 2>of a whole family of viruses that do exist, correct, right,

1222
01:04:14.599 --> 01:04:17.079
<v Speaker 2>which is I mean that's terrifying to think about, right, Like,

1223
01:04:17.079 --> 01:04:19.000
<v Speaker 2>like you look at it, Bola and there's one hundred

1224
01:04:19.000 --> 01:04:28.599
<v Speaker 2>percent fatality rate. You know, I can imagine that, you know. Yeah, Yeah,

1225
01:04:28.960 --> 01:04:34.639
<v Speaker 2>the whole the whole notion. By the way, this town

1226
01:04:35.079 --> 01:04:37.199
<v Speaker 2>it's Cedar Creek in the movie. I forget what it

1227
01:04:37.239 --> 01:04:39.039
<v Speaker 2>was called in real life, but it's it's a northern

1228
01:04:39.079 --> 01:04:44.360
<v Speaker 2>California town. It's about like up near Sacramento. I think

1229
01:04:44.400 --> 01:04:47.840
<v Speaker 2>they shot like Salem's Lot here, hm, which tell me

1230
01:04:47.880 --> 01:04:53.199
<v Speaker 2>this doesn't look like the town that would be Salem's Lot. Yeah.

1231
01:04:53.920 --> 01:04:56.599
<v Speaker 2>But but the whole, the whole concept of executing a

1232
01:04:56.679 --> 01:05:01.119
<v Speaker 2>lockdown to this degree, like you realize, like we did

1233
01:05:01.119 --> 01:05:05.079
<v Speaker 2>not have lockdowns during COVID, right, right, and that sort

1234
01:05:05.119 --> 01:05:07.320
<v Speaker 2>of became the shorthand right oh, lockdown. It's like, no,

1235
01:05:07.360 --> 01:05:10.559
<v Speaker 2>we were just asked very politely, like just stay away

1236
01:05:10.559 --> 01:05:11.360
<v Speaker 2>from people, you know.

1237
01:05:11.480 --> 01:05:15.880
<v Speaker 1>Yeah, yeah, yeah, and we were able to go to

1238
01:05:16.119 --> 01:05:18.360
<v Speaker 1>target and we were able to do the things.

1239
01:05:18.360 --> 01:05:20.920
<v Speaker 2>We needed to do. That's right, Yeah, that's exactly right.

1240
01:05:27.639 --> 01:05:31.880
<v Speaker 1>I wondered seeing all those helicopters in the sky. I

1241
01:05:31.880 --> 01:05:35.639
<v Speaker 1>imagine those were probably like CG is some certain I

1242
01:05:35.639 --> 01:05:37.719
<v Speaker 1>thought for the ninety five it looked pretty good.

1243
01:05:38.800 --> 01:05:40.800
<v Speaker 2>That I didn't even think about that. Yeah, I must

1244
01:05:40.800 --> 01:05:42.320
<v Speaker 2>have been CG right, Well not I mean, not all

1245
01:05:42.320 --> 01:05:44.440
<v Speaker 2>of them, but at least a few, yeah, yeah, making

1246
01:05:44.440 --> 01:05:48.400
<v Speaker 2>it look like much more. I think that Wolfgang Peterson

1247
01:05:48.760 --> 01:05:53.199
<v Speaker 2>was a very talented director, and I think he was

1248
01:05:53.320 --> 01:05:56.239
<v Speaker 2>good at these types of thrillers.

1249
01:05:56.679 --> 01:05:59.719
<v Speaker 1>You know what's funny, I'm going to agree with you,

1250
01:05:59.760 --> 01:06:02.199
<v Speaker 1>but I feel like by the way that woman that's

1251
01:06:02.239 --> 01:06:04.880
<v Speaker 1>so so horrifying image like blood coming out of the eyes,

1252
01:06:07.760 --> 01:06:10.320
<v Speaker 1>I think I might have had him in my mind

1253
01:06:11.199 --> 01:06:14.840
<v Speaker 1>as a different sort of director. Oh that's interesting, because

1254
01:06:15.000 --> 01:06:17.280
<v Speaker 1>I feel like he was this person who I mean,

1255
01:06:17.320 --> 01:06:21.840
<v Speaker 1>Doss Boot sure is much celebrated, and so in my

1256
01:06:21.920 --> 01:06:25.039
<v Speaker 1>mind it was like, oh, Wolfgang Peterson, like he does

1257
01:06:25.079 --> 01:06:27.000
<v Speaker 1>these sort of elevated well.

1258
01:06:26.800 --> 01:06:29.840
<v Speaker 2>He also did the never Ending Story, so you know, true.

1259
01:06:29.840 --> 01:06:32.320
<v Speaker 1>Well, I was gonna say, but I'm realizing that, No,

1260
01:06:32.400 --> 01:06:35.400
<v Speaker 1>he really was just kind of a talented blockbuster director.

1261
01:06:35.679 --> 01:06:40.880
<v Speaker 2>Yeah, just a pulpy yeah, pulpy mid level thrillers.

1262
01:06:40.400 --> 01:06:42.559
<v Speaker 1>You know, totally totally air force one.

1263
01:06:42.760 --> 01:06:44.280
<v Speaker 2>This in the Line of Fire.

1264
01:06:44.920 --> 01:06:47.480
<v Speaker 1>In Line of Fire, of course, which I think maybe

1265
01:06:47.519 --> 01:06:49.440
<v Speaker 1>in my mind might be my favorite of his.

1266
01:06:49.679 --> 01:06:51.639
<v Speaker 2>I definitely agree with that. Yeah.

1267
01:06:51.840 --> 01:06:54.039
<v Speaker 1>Yeah, like, have you ever seen Doss Boot by the way,

1268
01:06:54.039 --> 01:06:55.360
<v Speaker 1>have you I have seen.

1269
01:06:55.239 --> 01:06:57.559
<v Speaker 2>Us put Yeah it's good. Yeah, it's a good movie. Yeah,

1270
01:06:57.559 --> 01:07:02.599
<v Speaker 2>you're you're gonna procnew Okay, he of we just saw

1271
01:07:02.679 --> 01:07:05.800
<v Speaker 2>him in a bunch of movies last year. I feel like, yeah,

1272
01:07:06.320 --> 01:07:08.800
<v Speaker 2>oh he was yeah, because we did the Dune commentary.

1273
01:07:08.840 --> 01:07:10.960
<v Speaker 2>He was lado A Tredees in the Oh right, that's right,

1274
01:07:11.000 --> 01:07:14.280
<v Speaker 2>that's right. And he's he's the guy in Air Force one,

1275
01:07:14.400 --> 01:07:20.880
<v Speaker 2>you know, the general who like the bad guys want released. Yes, right,

1276
01:07:20.920 --> 01:07:23.599
<v Speaker 2>and you see him like walking out of the prison. Yes,

1277
01:07:23.639 --> 01:07:26.480
<v Speaker 2>and that's that's Urgen Prognous. I assume he just he

1278
01:07:26.599 --> 01:07:28.320
<v Speaker 2>just it's like a non speaking rold Hey, probably just

1279
01:07:28.320 --> 01:07:30.559
<v Speaker 2>did it as a favor for Peterson. Yeah, okay.

1280
01:07:33.239 --> 01:07:35.599
<v Speaker 1>By the way, did you know that Never Ending Story

1281
01:07:35.800 --> 01:07:39.639
<v Speaker 1>was like re edited for American audiences by Steven Spielberg.

1282
01:07:40.840 --> 01:07:44.519
<v Speaker 2>Wow, I did not know. That's a German film. Wow.

1283
01:07:44.840 --> 01:07:50.519
<v Speaker 1>I would be very curious to see what the original was. Like, yeah, wow, yeah,

1284
01:07:52.119 --> 01:07:52.639
<v Speaker 1>I like this.

1285
01:07:53.039 --> 01:07:55.800
<v Speaker 2>Oh yeah, so this is the storyline. I kind of

1286
01:07:55.880 --> 01:07:58.159
<v Speaker 2>like that they use this woman as a way to

1287
01:07:58.199 --> 01:08:03.119
<v Speaker 2>sort of individualize what the is going through. Exactly, yeah, exactly.

1288
01:08:03.400 --> 01:08:05.320
<v Speaker 2>And her story is kind of a runner because if

1289
01:08:05.320 --> 01:08:10.360
<v Speaker 2>you're paying attention, she dies m because I think, you know,

1290
01:08:10.400 --> 01:08:13.039
<v Speaker 2>we see what her like sample number is or whatever.

1291
01:08:13.880 --> 01:08:17.000
<v Speaker 2>Oh and and so we find out that her and

1292
01:08:17.000 --> 01:08:19.399
<v Speaker 2>then we see her in a body bag later. Yes,

1293
01:08:19.920 --> 01:08:22.039
<v Speaker 2>and it's just like this if you're like paying attention,

1294
01:08:22.279 --> 01:08:22.560
<v Speaker 2>you know.

1295
01:08:23.239 --> 01:08:27.319
<v Speaker 1>It's funny because yeah, the movie just completely you know,

1296
01:08:27.439 --> 01:08:29.560
<v Speaker 1>does it turn into this yeah, like you say, more

1297
01:08:29.560 --> 01:08:33.319
<v Speaker 1>individual story. Yes, And I really loved immediately. I don't

1298
01:08:33.319 --> 01:08:35.880
<v Speaker 1>know what it was like she's cast very perfectly or

1299
01:08:35.920 --> 01:08:40.119
<v Speaker 1>something where she seems sweet but brave, scared but brave

1300
01:08:40.199 --> 01:08:43.199
<v Speaker 1>or something. And like, because I didn't remember the movie,

1301
01:08:43.279 --> 01:08:45.079
<v Speaker 1>I was like, oh, wait, does she like have something

1302
01:08:45.119 --> 01:08:46.079
<v Speaker 1>to do with the cure?

1303
01:08:46.800 --> 01:08:47.000
<v Speaker 3>Right?

1304
01:08:47.439 --> 01:08:48.079
<v Speaker 2>Is it? But kind?

1305
01:08:49.159 --> 01:08:49.560
<v Speaker 1>Yeah?

1306
01:08:51.359 --> 01:08:55.600
<v Speaker 2>It's yeah, really sad, really effective, I think so, and

1307
01:08:55.920 --> 01:08:58.600
<v Speaker 2>that you know it it gets to sort of like

1308
01:08:59.239 --> 01:09:04.640
<v Speaker 2>there's a similar beat with the with JT. Wallsh you know,

1309
01:09:04.680 --> 01:09:08.439
<v Speaker 2>in the White House, like as they're mulling, you know

1310
01:09:08.720 --> 01:09:11.000
<v Speaker 2>what they're you know, and what they want to do,

1311
01:09:11.079 --> 01:09:14.039
<v Speaker 2>and you know Sutherland's characters like, oh, we'ch just you know,

1312
01:09:15.000 --> 01:09:17.640
<v Speaker 2>firebombed the town or whatever, and he's like, look at

1313
01:09:17.640 --> 01:09:21.520
<v Speaker 2>these pictures, look at these faces. Yeah.

1314
01:09:21.560 --> 01:09:22.960
<v Speaker 1>I didn't know if I should wait or not, but

1315
01:09:23.000 --> 01:09:24.359
<v Speaker 1>I'll just say it because you brought it up. I

1316
01:09:24.399 --> 01:09:26.680
<v Speaker 1>was like, can a guy get an Oscar nomination for

1317
01:09:26.680 --> 01:09:27.640
<v Speaker 1>forty five seconds.

1318
01:09:27.880 --> 01:09:30.520
<v Speaker 2>Right, that's a great moment.

1319
01:09:30.760 --> 01:09:36.680
<v Speaker 1>He crushes that scene. Yeah, yeah, so good. And I

1320
01:09:36.760 --> 01:09:39.479
<v Speaker 1>was feeling it, like sort of emotions in my chest

1321
01:09:39.479 --> 01:09:41.520
<v Speaker 1>as he was doing that and throwing the pictures down.

1322
01:09:42.640 --> 01:09:45.520
<v Speaker 2>Yeah, and that too, Like I think J. T. Walsh

1323
01:09:45.560 --> 01:09:47.079
<v Speaker 2>is like uncredited in the movie. I think he just

1324
01:09:47.079 --> 01:09:50.720
<v Speaker 2>showed up. Wow, just walked in, did his thing, walked out.

1325
01:09:50.760 --> 01:09:52.640
<v Speaker 2>They gave him his bag with the dollar sign on it.

1326
01:09:53.439 --> 01:09:55.319
<v Speaker 2>I mean, he was that guy in this era. He

1327
01:09:56.039 --> 01:10:01.640
<v Speaker 2>was so consistently good and he was an archetype all

1328
01:10:01.840 --> 01:10:07.000
<v Speaker 2>all his own you know, hmm, yeah, sadly passed away. Yeah, yeah,

1329
01:10:07.399 --> 01:10:13.760
<v Speaker 2>he was in shoot, what was that KR Russell movie? Breakdown? Breakdown?

1330
01:10:13.800 --> 01:10:15.720
<v Speaker 2>Here's the bad guy in that, And he was in

1331
01:10:16.640 --> 01:10:19.079
<v Speaker 2>Oh he's in the Negotiator. He's really good in that. Yep.

1332
01:10:19.880 --> 01:10:23.920
<v Speaker 2>You know. Yeah, I'm so smart. Sorry sorry go ahead, no, no,

1333
01:10:23.920 --> 01:10:24.319
<v Speaker 2>go ahead.

1334
01:10:24.479 --> 01:10:27.319
<v Speaker 1>Not just so smart following that woman because like if

1335
01:10:27.319 --> 01:10:28.920
<v Speaker 1>we were to just see this shot of all these

1336
01:10:28.920 --> 01:10:34.640
<v Speaker 1>town folk walking into a building, yeah, it just wouldn't

1337
01:10:34.960 --> 01:10:37.439
<v Speaker 1>play the same. We wouldn't be identifying with anyone. But

1338
01:10:37.479 --> 01:10:39.840
<v Speaker 1>seeing her, Yeah, now that we kind of know her,

1339
01:10:39.880 --> 01:10:43.199
<v Speaker 1>We've seen an his story. Yep, we're watching her have

1340
01:10:43.279 --> 01:10:45.079
<v Speaker 1>to go. So now it's in a weird way, it's

1341
01:10:45.079 --> 01:10:46.680
<v Speaker 1>almost like she can be a cipher for us. And

1342
01:10:46.680 --> 01:10:48.640
<v Speaker 1>it's like, what if that was you walking through here

1343
01:10:48.680 --> 01:10:51.000
<v Speaker 1>and you were taking all this in and seeing these

1344
01:10:51.760 --> 01:10:54.880
<v Speaker 1>pop up tents in your neighborhood and being like, what

1345
01:10:55.000 --> 01:10:55.439
<v Speaker 1>is going on?

1346
01:10:56.079 --> 01:10:56.319
<v Speaker 2>Yep?

1347
01:10:56.880 --> 01:11:00.159
<v Speaker 1>Really really great choice she is, so something about it

1348
01:11:00.199 --> 01:11:02.720
<v Speaker 1>is just really you really sympathize with it. It looks

1349
01:11:02.800 --> 01:11:05.439
<v Speaker 1>very familiar, though, doesn't she Like I'm trying to I've

1350
01:11:05.439 --> 01:11:07.680
<v Speaker 1>seen her in something not sure.

1351
01:11:13.279 --> 01:11:16.000
<v Speaker 2>See spacey here. I mean, this is definitely the first

1352
01:11:16.000 --> 01:11:19.840
<v Speaker 2>time I saw him. Yeah, I didn't know him by

1353
01:11:19.920 --> 01:11:23.880
<v Speaker 2>name or anything, you know, because the Usual Suspects was

1354
01:11:23.880 --> 01:11:28.640
<v Speaker 2>was after this, right, yeah? Or same year maybe? Okay, yeah,

1355
01:11:28.880 --> 01:11:31.600
<v Speaker 2>so that I became aware of him via Usual Suspects.

1356
01:11:31.640 --> 01:11:34.800
<v Speaker 2>But my point is the character was likable enough that

1357
01:11:34.880 --> 01:11:36.399
<v Speaker 2>I was like, oh, dude's got a bull's eye on

1358
01:11:36.399 --> 01:11:38.279
<v Speaker 2>his forehead. You know, that's funny.

1359
01:11:38.359 --> 01:11:41.760
<v Speaker 1>Yeah, this is what happens after seven A Time to

1360
01:11:41.840 --> 01:11:45.079
<v Speaker 1>Kill la Confidential Midnight in the Garden of Good and Evil.

1361
01:11:45.520 --> 01:11:48.640
<v Speaker 1>So like he's, you know, a bug's life obviously American

1362
01:11:48.640 --> 01:11:51.319
<v Speaker 1>beauty all that, Like, this is this is kind of

1363
01:11:51.359 --> 01:11:53.600
<v Speaker 1>the beginning for him, really yeah, yeah, I mean.

1364
01:11:53.479 --> 01:11:57.239
<v Speaker 2>It isn't, literally, but feah, there's a whole bitch of

1365
01:11:57.239 --> 01:12:00.239
<v Speaker 2>other shit coming. Well no, no, no, I just mean yeah.

1366
01:12:00.239 --> 01:12:01.920
<v Speaker 1>I mean he was in a movie called Swimming with

1367
01:12:02.000 --> 01:12:04.720
<v Speaker 1>Sharks that I'm sure people listening to the show might

1368
01:12:04.720 --> 01:12:06.119
<v Speaker 1>be familiar with, but I don't think that was a

1369
01:12:06.159 --> 01:12:11.159
<v Speaker 1>mainstream hit, right. Likewise, the ref oh Glengarry Glenn Ross.

1370
01:12:11.199 --> 01:12:11.920
<v Speaker 1>That was ninety two.

1371
01:12:12.359 --> 01:12:14.319
<v Speaker 2>Yeah, so that that would have put him on the

1372
01:12:14.359 --> 01:12:20.079
<v Speaker 2>map for a lot of people. Yeah, this, uh.

1373
01:12:19.760 --> 01:12:24.359
<v Speaker 1>This is like a real like what would you do scenario?

1374
01:12:25.119 --> 01:12:29.000
<v Speaker 1>You know, so he's he's in the room and gets

1375
01:12:29.000 --> 01:12:32.600
<v Speaker 1>a tear in his suit and races out and doesn't

1376
01:12:32.720 --> 01:12:36.279
<v Speaker 1>tell Renee Russo, I know, what would you would you think?

1377
01:12:36.319 --> 01:12:43.000
<v Speaker 2>It was? Okay, that's the thing. An instantaneous infection like that,

1378
01:12:44.000 --> 01:12:47.239
<v Speaker 2>there's no hope of stopping a virus like that. Yeah, right,

1379
01:12:48.399 --> 01:12:51.000
<v Speaker 2>but yeah, above and beyond that, it's as we said,

1380
01:12:51.000 --> 01:12:52.760
<v Speaker 2>like there were there's fail safes built in like that

1381
01:12:52.800 --> 01:12:55.680
<v Speaker 2>would be very piss poor technology if a single tear

1382
01:12:57.159 --> 01:12:58.600
<v Speaker 2>would get you instantly infected.

1383
01:12:59.640 --> 01:13:02.079
<v Speaker 1>Oh yeah, definitely right, definitely.

1384
01:13:02.479 --> 01:13:04.039
<v Speaker 2>Yeah. So this is the scene we were talking about

1385
01:13:04.039 --> 01:13:06.199
<v Speaker 2>here with with Walsh as the I'm assuming he's a

1386
01:13:06.279 --> 01:13:08.359
<v Speaker 2>chief of staff. Yeah.

1387
01:13:08.680 --> 01:13:11.359
<v Speaker 1>I mean he's just so like in command in this scene.

1388
01:13:11.920 --> 01:13:14.439
<v Speaker 2>Yeah.

1389
01:13:14.920 --> 01:13:18.920
<v Speaker 1>His performances, voice and and to credit the writers, I

1390
01:13:18.920 --> 01:13:24.039
<v Speaker 1>mean everything he's saying, Yeah, that's right, making his case

1391
01:13:24.079 --> 01:13:27.920
<v Speaker 1>why you shouldn't blow up an entire town of people.

1392
01:13:28.880 --> 01:13:30.720
<v Speaker 2>What a concept. I know.

1393
01:13:32.479 --> 01:13:33.840
<v Speaker 1>Well he convinced me, Zachi.

1394
01:13:39.000 --> 01:13:43.359
<v Speaker 2>Yeah, I think the original Originally Jodn Baker was going

1395
01:13:43.439 --> 01:13:51.039
<v Speaker 2>to play the McClintock character, okay, and Andy, they switched

1396
01:13:51.039 --> 01:13:53.560
<v Speaker 2>it up. They went with with Sutherland. I'm glad they did.

1397
01:13:53.640 --> 01:13:57.039
<v Speaker 2>Like I can, I can see Jodn Baker, I guess.

1398
01:13:58.600 --> 01:14:02.359
<v Speaker 2>But you know what I like about Sutherland is he

1399
01:14:02.479 --> 01:14:07.640
<v Speaker 2>there's this there's this sinister quality to him. Mm hm,

1400
01:14:07.760 --> 01:14:10.199
<v Speaker 2>you know, sort of just under the surface. You know

1401
01:14:10.319 --> 01:14:14.439
<v Speaker 2>that that's very I think that the you know, the

1402
01:14:14.479 --> 01:14:18.279
<v Speaker 2>producers wanted somebody with with an Oliver North quality mm hmmmm,

1403
01:14:18.680 --> 01:14:23.760
<v Speaker 2>which Oliver North might disagree with the characterization.

1404
01:14:23.920 --> 01:14:27.640
<v Speaker 1>You know, he's like on a treadmill right now, going hey.

1405
01:14:27.880 --> 01:14:31.439
<v Speaker 2>Yeah, yeah, this right here lives. It's a great and

1406
01:14:31.479 --> 01:14:38.039
<v Speaker 2>to see there's the woman who we saw. Yeah, it's

1407
01:14:38.119 --> 01:14:41.600
<v Speaker 2>it's it's a great performance, great, great scene. Yeah, it's funny.

1408
01:14:41.600 --> 01:14:48.680
<v Speaker 1>I'm captivated by it looking at the subtitles on Silent Yeah,

1409
01:14:48.760 --> 01:14:50.840
<v Speaker 1>made those images haunt us till the day we die.

1410
01:14:51.359 --> 01:14:55.800
<v Speaker 2>Right, great, I mean you'd like to believe that people

1411
01:14:55.880 --> 01:15:00.000
<v Speaker 2>who are in charge think in those terms. Yeah, right,

1412
01:15:00.159 --> 01:15:02.920
<v Speaker 2>Maybe maybe that's a fool's hope.

1413
01:15:03.159 --> 01:15:08.159
<v Speaker 1>Yep, you hope, you you hope at least, uh, there

1414
01:15:08.159 --> 01:15:12.640
<v Speaker 1>are some Yeah, it's it's harder and harder to believe it,

1415
01:15:12.880 --> 01:15:13.880
<v Speaker 1>but yeah.

1416
01:15:13.680 --> 01:15:17.079
<v Speaker 2>It's I you know, I I just I I believe

1417
01:15:17.119 --> 01:15:20.159
<v Speaker 2>that people are at their core decent. I do too,

1418
01:15:20.439 --> 01:15:23.760
<v Speaker 2>you know. And and you know government work or this

1419
01:15:23.880 --> 01:15:26.319
<v Speaker 2>type of work. You know, it's like you're doing it

1420
01:15:26.359 --> 01:15:30.560
<v Speaker 2>because you believe in service in some capacity. Yeah, or

1421
01:15:30.600 --> 01:15:34.000
<v Speaker 2>at least you did at some point, right, Yeah, exactly.

1422
01:15:34.079 --> 01:15:37.760
<v Speaker 2>You know this is a horrifying concept by the way, too, right,

1423
01:15:38.119 --> 01:15:41.279
<v Speaker 2>like taking all the dead bodies, throwing them in a

1424
01:15:41.319 --> 01:15:45.880
<v Speaker 2>barn and just torching the barn. It's scary. Yeah, And

1425
01:15:45.880 --> 01:15:48.920
<v Speaker 2>and to that point, I think, I think that's why

1426
01:15:49.960 --> 01:15:53.279
<v Speaker 2>we follow that woman through her whole journey, That's why

1427
01:15:53.319 --> 01:15:56.640
<v Speaker 2>we get that JT. Walsh scene because it lends weight

1428
01:15:57.039 --> 01:15:59.880
<v Speaker 2>to that moment of all the bodies being burned in

1429
01:16:00.239 --> 01:16:04.880
<v Speaker 2>they're not just statistics right right right, you know, because

1430
01:16:04.920 --> 01:16:07.359
<v Speaker 2>because here's the thing, because we see that that you know,

1431
01:16:07.439 --> 01:16:09.760
<v Speaker 2>infographic or whatever that shows in forty eight hours and

1432
01:16:09.800 --> 01:16:13.640
<v Speaker 2>it's all just you know, the whole country's infected or

1433
01:16:13.680 --> 01:16:16.600
<v Speaker 2>whatever like, and and it's so big it doesn't it

1434
01:16:16.600 --> 01:16:21.039
<v Speaker 2>stops meaning anything, right, And I think the third act,

1435
01:16:21.039 --> 01:16:23.680
<v Speaker 2>which culminates in this whole thing about about you know,

1436
01:16:23.960 --> 01:16:27.159
<v Speaker 2>destroying this town, we need to be invested in the

1437
01:16:27.159 --> 01:16:29.319
<v Speaker 2>people who live there, right, you know.

1438
01:16:29.840 --> 01:16:35.680
<v Speaker 1>Yeah, you know what this movie does well also is

1439
01:16:35.760 --> 01:16:39.960
<v Speaker 1>it keeps introducing new threads that are intriguing. So the woman,

1440
01:16:40.000 --> 01:16:41.840
<v Speaker 1>when we see her saying good bye her family, we're like, oh,

1441
01:16:41.880 --> 01:16:43.960
<v Speaker 1>what's gonna happen with her? And then just now when

1442
01:16:43.960 --> 01:16:46.800
<v Speaker 1>we see the monkey show up at that little girl's window, Yep,

1443
01:16:47.000 --> 01:16:49.680
<v Speaker 1>you're like, uh, oh, you know what I mean. Like

1444
01:16:49.720 --> 01:16:56.319
<v Speaker 1>it keeps introducing new like something that could possibly you

1445
01:16:56.359 --> 01:16:59.119
<v Speaker 1>can relate to, but like it's the worst version of it,

1446
01:16:59.119 --> 01:17:01.800
<v Speaker 1>Like what if something were was happening, like your daughter

1447
01:17:01.880 --> 01:17:04.279
<v Speaker 1>is sleeping in her bed and this monkey that's infected

1448
01:17:04.279 --> 01:17:06.159
<v Speaker 1>with this virus just shows up at her window. What

1449
01:17:06.239 --> 01:17:10.000
<v Speaker 1>a horrifying scenario. Yeah yeah, but it like you can

1450
01:17:10.039 --> 01:17:13.560
<v Speaker 1>picture it because it's just a normal looking house. And

1451
01:17:13.640 --> 01:17:15.119
<v Speaker 1>so then you're like, well what now, Like you know,

1452
01:17:15.159 --> 01:17:16.760
<v Speaker 1>I'm like, now we've we've cut away from that, but

1453
01:17:16.800 --> 01:17:18.319
<v Speaker 1>I'm like, wait, what's gonna happen? Is the girl she

1454
01:17:18.359 --> 01:17:19.319
<v Speaker 1>can open the window? Is it?

1455
01:17:19.359 --> 01:17:22.000
<v Speaker 2>You know, like a lot of great threads keep getting

1456
01:17:22.039 --> 01:17:29.199
<v Speaker 2>introduced throughout this movie. Yeah, you're right now, I read

1457
01:17:29.680 --> 01:17:33.479
<v Speaker 2>that Maya Angelou did a rewrite on this.

1458
01:17:33.600 --> 01:17:34.439
<v Speaker 1>I was going to bring that up.

1459
01:17:34.520 --> 01:17:36.079
<v Speaker 2>Yeah, right, And that's one of those things where you

1460
01:17:36.119 --> 01:17:37.920
<v Speaker 2>read it because I read it in the IMDb trivia

1461
01:17:38.119 --> 01:17:40.079
<v Speaker 2>m h and I'm like, is that one of those

1462
01:17:40.159 --> 01:17:43.239
<v Speaker 2>bullshit things that somebody just put there to mess with people?

1463
01:17:43.479 --> 01:17:45.439
<v Speaker 2>Mm hmm right, because you read that and you're like

1464
01:17:45.479 --> 01:17:47.840
<v Speaker 2>that sounds ridiculous. But then you're also like, but who

1465
01:17:47.880 --> 01:17:50.520
<v Speaker 2>would make that up? Well? Did you? Did you look

1466
01:17:50.520 --> 01:17:53.199
<v Speaker 2>it up? Apparently it is true. It is true.

1467
01:17:53.479 --> 01:17:56.680
<v Speaker 1>The writers talk about it and they said it's during

1468
01:17:56.760 --> 01:18:00.000
<v Speaker 1>the ending she was she was brought into.

1469
01:18:01.159 --> 01:18:01.399
<v Speaker 2>Punch.

1470
01:18:01.560 --> 01:18:03.920
<v Speaker 1>I feel weird saying that she's trying to punch up dialogue.

1471
01:18:03.920 --> 01:18:05.600
<v Speaker 2>I don't know why, but.

1472
01:18:07.119 --> 01:18:09.239
<v Speaker 1>Their understanding. They said they didn't meet her, but they

1473
01:18:09.239 --> 01:18:13.720
<v Speaker 1>were told that she uh wrote all sorts of dialogue

1474
01:18:13.840 --> 01:18:17.079
<v Speaker 1>for the scene at the end the standoff in the

1475
01:18:17.079 --> 01:18:21.960
<v Speaker 1>helicopter between Hoffman and Yeah, I guess Southerland and Freeman.

1476
01:18:22.560 --> 01:18:24.880
<v Speaker 2>Well, I guess she and Dustin Hoffman collaborated, So I

1477
01:18:24.880 --> 01:18:29.119
<v Speaker 2>would assume it was his dialogue primarily. But I just

1478
01:18:29.199 --> 01:18:31.640
<v Speaker 2>kind of loved that data point my Angelou, author of

1479
01:18:31.760 --> 01:18:35.359
<v Speaker 2>I Know Why the Caged Bird Sings and Outbreak.

1480
01:18:34.880 --> 01:18:42.359
<v Speaker 1>And Outbreak, I know, kind of wild. Yeah, you just

1481
01:18:42.560 --> 01:18:46.520
<v Speaker 1>like suddenly Dustin Hoffman is just like, you know, a

1482
01:18:46.600 --> 01:18:56.520
<v Speaker 1>crescent moon illuminates and you're like, what, like, wow, I mean,

1483
01:18:56.560 --> 01:18:58.880
<v Speaker 1>it's beautiful what he's saying. I just just doesn't seem

1484
01:18:58.960 --> 01:19:01.000
<v Speaker 1>like it seems like it's in the different movie.

1485
01:19:01.239 --> 01:19:03.039
<v Speaker 2>Yeah, but I guess I read.

1486
01:19:03.039 --> 01:19:06.840
<v Speaker 1>Something else the writers were saying was that Dustin Hoffman

1487
01:19:07.640 --> 01:19:10.720
<v Speaker 1>had a habit of rewriting his own dialogue while he

1488
01:19:10.760 --> 01:19:13.439
<v Speaker 1>was filming. And what he would do is he would

1489
01:19:13.520 --> 01:19:15.319
<v Speaker 1>come up with these things he wanted to say, and

1490
01:19:15.359 --> 01:19:17.760
<v Speaker 1>he would have them written out on a dry erase

1491
01:19:17.760 --> 01:19:21.279
<v Speaker 1>board so he could look at them off screen and

1492
01:19:22.399 --> 01:19:24.079
<v Speaker 1>he would do the take and then as soon as

1493
01:19:24.079 --> 01:19:27.039
<v Speaker 1>the take was over, he'd go, oh, no, no, I'm sorry,

1494
01:19:27.079 --> 01:19:31.359
<v Speaker 1>I'm sorry, and the writers were like people would be

1495
01:19:31.359 --> 01:19:34.439
<v Speaker 1>looking around, like, what's going on with this guy? The

1496
01:19:34.520 --> 01:19:37.319
<v Speaker 1>article I read, that's all it said, but adding what

1497
01:19:37.359 --> 01:19:40.000
<v Speaker 1>you said earlier about how insecure he was feeling, that

1498
01:19:40.079 --> 01:19:47.079
<v Speaker 1>makes complete sense. Fascinating, right, like he's having some instincts, yeah,

1499
01:19:47.199 --> 01:19:49.119
<v Speaker 1>or at least feeling like I need to bring something

1500
01:19:49.159 --> 01:19:52.119
<v Speaker 1>to this, but he's not feeling confidence in it. I'd

1501
01:19:52.159 --> 01:19:54.359
<v Speaker 1>be curious what did stay that he did, because obviously

1502
01:19:54.399 --> 01:19:56.720
<v Speaker 1>he's a great actor, and I'm sure he has good instincts.

1503
01:19:57.199 --> 01:20:01.479
<v Speaker 2>Well, that's kind of because like, certainly now in twenty

1504
01:20:01.520 --> 01:20:03.840
<v Speaker 2>twenty five we look at Dustin Hoffmann, he's well, he's

1505
01:20:03.880 --> 01:20:06.600
<v Speaker 2>one of the best to ever do it, right, but

1506
01:20:06.720 --> 01:20:10.560
<v Speaker 2>he was very well regarded even back then. Right, So

1507
01:20:10.600 --> 01:20:14.239
<v Speaker 2>in a weird it's like weirdly comforting to know that

1508
01:20:14.279 --> 01:20:16.920
<v Speaker 2>even somebody like Dustin Hoffman, it just deals with like

1509
01:20:17.399 --> 01:20:18.319
<v Speaker 2>do people like me?

1510
01:20:19.520 --> 01:20:21.600
<v Speaker 1>Yeah, Well, there's this whole thing that gets said a

1511
01:20:21.640 --> 01:20:24.920
<v Speaker 1>lot in writers' rooms where when you're pitching an idea,

1512
01:20:25.000 --> 01:20:27.399
<v Speaker 1>and every room I've been In every writer I've ever

1513
01:20:27.439 --> 01:20:30.960
<v Speaker 1>talked to, everyone goes, Okay, this is terrible, but or

1514
01:20:30.960 --> 01:20:32.600
<v Speaker 1>they'll go, Okay, this is like a this is a

1515
01:20:32.720 --> 01:20:34.000
<v Speaker 1>really bad idea, but.

1516
01:20:34.039 --> 01:20:35.079
<v Speaker 2>This is the bad version.

1517
01:20:35.199 --> 01:20:37.479
<v Speaker 1>This is the bad version. Yeah, like that sort of

1518
01:20:37.560 --> 01:20:41.760
<v Speaker 1>everybody does it, and so it is encouraging to know that, Yeah,

1519
01:20:41.800 --> 01:20:43.720
<v Speaker 1>even people who you would think of like, oh well yeah,

1520
01:20:43.880 --> 01:20:46.560
<v Speaker 1>but you're brilliant, they're even like, Okay, well this is

1521
01:20:46.560 --> 01:20:49.039
<v Speaker 1>the bad version, but like we all do it.

1522
01:20:49.680 --> 01:20:55.319
<v Speaker 2>That is comforting. Yeah. So here we go Kevin space

1523
01:20:55.359 --> 01:20:59.439
<v Speaker 2>So here's well, this is the thing. I what seems

1524
01:20:59.439 --> 01:21:04.039
<v Speaker 2>odd to me is we never actually see Spacey die. Hmmm.

1525
01:21:05.359 --> 01:21:08.640
<v Speaker 2>And that seems like he seems like an important enough

1526
01:21:08.720 --> 01:21:12.760
<v Speaker 2>character that you want to have that, right. That's interesting.

1527
01:21:12.800 --> 01:21:15.199
<v Speaker 2>I didn't think about it, right, but you're right, yes,

1528
01:21:16.039 --> 01:21:18.960
<v Speaker 2>he presumably he is dead, you know. I don't think that,

1529
01:21:19.279 --> 01:21:22.479
<v Speaker 2>you know. Yeah, and yet we never get that death moment.

1530
01:21:22.520 --> 01:21:24.000
<v Speaker 2>I just I was like, did they maybe shoot it

1531
01:21:24.000 --> 01:21:26.479
<v Speaker 2>and just like it didn't work or something, you know.

1532
01:21:26.720 --> 01:21:29.039
<v Speaker 1>Or just to I mean, the movie is over two hours,

1533
01:21:29.079 --> 01:21:31.960
<v Speaker 1>so yeah, I felt like they needed to save time.

1534
01:21:32.000 --> 01:21:35.000
<v Speaker 1>But we do get this moment here where he's convulsing. Yeah,

1535
01:21:35.039 --> 01:21:38.000
<v Speaker 1>and Rene Russo accidentally pricks her finger, yes, a needle

1536
01:21:38.039 --> 01:21:40.720
<v Speaker 1>that had been used on him, and.

1537
01:21:41.439 --> 01:21:43.960
<v Speaker 2>So not for nothing, Robbie, but maybe like, wait till

1538
01:21:44.000 --> 01:21:48.279
<v Speaker 2>he stops spasming before you have the sharp object next

1539
01:21:48.319 --> 01:21:48.800
<v Speaker 2>to him, you know.

1540
01:21:49.800 --> 01:21:51.399
<v Speaker 1>And I know it's a movie and you have to

1541
01:21:51.399 --> 01:21:54.199
<v Speaker 1>have these sorts of things happen. But I mean, going

1542
01:21:54.239 --> 01:21:56.640
<v Speaker 1>back to what we were saying about writers and or

1543
01:21:56.680 --> 01:22:00.359
<v Speaker 1>creative types and confidence, I mean, these people are human too,

1544
01:22:01.239 --> 01:22:04.479
<v Speaker 1>you know, like smart doctors and scientists and whatnot, and

1545
01:22:04.520 --> 01:22:07.720
<v Speaker 1>they can have get caught up in moments and things

1546
01:22:07.760 --> 01:22:10.039
<v Speaker 1>that seem obvious in hindsight. It's like, well, on the

1547
01:22:10.039 --> 01:22:12.560
<v Speaker 1>heat of the moment, maybe you might make one dumb decision.

1548
01:22:12.720 --> 01:22:17.159
<v Speaker 2>One dumb decision. That's gonna be my that's gonna be

1549
01:22:17.159 --> 01:22:18.359
<v Speaker 2>the title of my autobiography.

1550
01:22:18.840 --> 01:22:19.840
<v Speaker 1>One dumb decision.

1551
01:22:20.119 --> 01:22:22.159
<v Speaker 2>Yeah, it'll be me against a white background with my

1552
01:22:22.199 --> 01:22:26.399
<v Speaker 2>sleeves rolled up, with your arms crossed, or or are

1553
01:22:26.399 --> 01:22:30.079
<v Speaker 2>you shrugging like well no, I see myself like looking

1554
01:22:30.119 --> 01:22:35.600
<v Speaker 2>sternly at camera. Dum decision? What one didn't dumb decision?

1555
01:22:36.239 --> 01:22:40.359
<v Speaker 2>I like it. I'll read it. Did you watch the

1556
01:22:40.479 --> 01:22:44.279
<v Speaker 2>Siskel and Eber review of this. No, I didn't, which

1557
01:22:44.279 --> 01:22:46.359
<v Speaker 2>I know you tend to do that, right, Yeah, what

1558
01:22:46.520 --> 01:22:49.239
<v Speaker 2>what would they say? Oh? Many were they were going

1559
01:22:49.319 --> 01:22:54.079
<v Speaker 2>at it? Oh? Really they vehemently disagreed on this one.

1560
01:22:54.279 --> 01:22:57.159
<v Speaker 1>Oh what what were the talking points?

1561
01:22:58.199 --> 01:23:04.279
<v Speaker 2>Well, uh, Cisco was not a fan. Okay, Ebert had

1562
01:23:04.279 --> 01:23:05.119
<v Speaker 2>a grand old time.

1563
01:23:05.159 --> 01:23:06.079
<v Speaker 1>I can kind of see that.

1564
01:23:06.159 --> 01:23:09.760
<v Speaker 2>Actually, yeah, that that tracks. Yeah, And it was very

1565
01:23:09.760 --> 01:23:12.520
<v Speaker 2>funny because Ciskel got really hung up on the fact

1566
01:23:12.600 --> 01:23:16.000
<v Speaker 2>that he's like, Dustin Hoffman looks ridiculous in this you know,

1567
01:23:16.119 --> 01:23:18.319
<v Speaker 2>the has Matt suit or whatever. And he's like, and

1568
01:23:18.319 --> 01:23:22.199
<v Speaker 2>he's married to this bombshell, Renee Russo, and it's like,

1569
01:23:22.279 --> 01:23:25.520
<v Speaker 2>really like, Ebert's like, you know, you called her a bombshell.

1570
01:23:25.560 --> 01:23:27.600
<v Speaker 2>You know, she's a mature, talented actress. It's like, well,

1571
01:23:27.640 --> 01:23:30.000
<v Speaker 2>she's a bombshell. It's like and he's like, and you know,

1572
01:23:30.720 --> 01:23:32.760
<v Speaker 2>he's like, Geene, how else do you he's wearing the hessemensuit.

1573
01:23:32.760 --> 01:23:33.880
<v Speaker 2>How else do you want to be? Like, I don't know,

1574
01:23:33.920 --> 01:23:35.399
<v Speaker 2>I'm just saying it looks like, you know, that's how

1575
01:23:35.439 --> 01:23:38.119
<v Speaker 2>I feel. And I'm telling you, man, Roger was was

1576
01:23:38.159 --> 01:23:41.439
<v Speaker 2>gonna put Gene in a headlock. I'm gonna watch it

1577
01:23:41.520 --> 01:23:44.199
<v Speaker 2>sinsor done. Yeah, it felt they were on the cusp.

1578
01:23:44.840 --> 01:23:47.399
<v Speaker 2>It wasn't quite Benji the hunted level, but it was

1579
01:23:47.439 --> 01:23:48.560
<v Speaker 2>getting there. Yeah.

1580
01:23:48.640 --> 01:23:53.399
<v Speaker 1>Yeah, you know, but but that actually tried. Yeah, that's right, that's.

1581
01:23:53.359 --> 01:23:57.760
<v Speaker 2>Right, that's legendary. Yeah. The if you look at Rotten Tomatoes, right,

1582
01:23:57.800 --> 01:24:00.279
<v Speaker 2>this sits at like fifty five fifty six on that

1583
01:24:01.239 --> 01:24:03.199
<v Speaker 2>and that about tracks. If you look at like the

1584
01:24:03.520 --> 01:24:06.039
<v Speaker 2>major critics split right down the middle.

1585
01:24:06.600 --> 01:24:09.159
<v Speaker 1>I can see that. Yeah, I can see that because

1586
01:24:09.159 --> 01:24:12.439
<v Speaker 1>it's you have to go in. I can see going in.

1587
01:24:12.800 --> 01:24:16.760
<v Speaker 1>I did with certain expectations of its I don't know

1588
01:24:16.760 --> 01:24:20.319
<v Speaker 1>what you want to call it intelligence or something or

1589
01:24:20.439 --> 01:24:24.960
<v Speaker 1>like how seriously it takes the material. But this isn't

1590
01:24:25.039 --> 01:24:27.800
<v Speaker 1>exactly that movie. This is really this is a is

1591
01:24:27.800 --> 01:24:31.560
<v Speaker 1>a popcorn thriller. It is using real world ideas.

1592
01:24:32.279 --> 01:24:32.840
<v Speaker 2>Yeah.

1593
01:24:32.880 --> 01:24:35.600
<v Speaker 1>So if you go in knowing that, then maybe you

1594
01:24:35.640 --> 01:24:37.840
<v Speaker 1>can kick back and switch your brain off and have

1595
01:24:37.880 --> 01:24:38.520
<v Speaker 1>a fun time.

1596
01:24:38.920 --> 01:24:39.279
<v Speaker 2>Yeah.

1597
01:24:39.279 --> 01:24:41.560
<v Speaker 1>But if you go in thinking that this is going

1598
01:24:41.640 --> 01:24:46.000
<v Speaker 1>to actually sort of get into nitty gritty details and truly,

1599
01:24:46.039 --> 01:24:51.079
<v Speaker 1>what would these types do? This ain't that Yeah.

1600
01:24:51.119 --> 01:24:55.079
<v Speaker 2>Well, you know, the at the time, as we mentioned,

1601
01:24:55.079 --> 01:24:57.039
<v Speaker 2>you know, they were they were rushing to get this

1602
01:24:57.319 --> 01:25:00.399
<v Speaker 2>out or into production, you know, before christ in the

1603
01:25:00.399 --> 01:25:03.680
<v Speaker 2>Hot Zone. And you know that producer Linda opes to

1604
01:25:03.720 --> 01:25:06.239
<v Speaker 2>this day, she's like, we had the better, uh, we

1605
01:25:06.279 --> 01:25:09.920
<v Speaker 2>had the better project. We had the better uh, better package,

1606
01:25:09.960 --> 01:25:11.199
<v Speaker 2>you know, in terms of all the people involvement, and

1607
01:25:11.239 --> 01:25:13.800
<v Speaker 2>she's saying, we had the better script, right. And I

1608
01:25:13.880 --> 01:25:18.199
<v Speaker 2>always like I look at like, you know, had that

1609
01:25:18.319 --> 01:25:22.520
<v Speaker 2>come out, which of the two, would this be thought

1610
01:25:22.560 --> 01:25:25.960
<v Speaker 2>of as the dumb one or the good one? You know?

1611
01:25:27.079 --> 01:25:29.600
<v Speaker 2>You know, because like it's like, oh, Dante's Peak and

1612
01:25:29.680 --> 01:25:33.319
<v Speaker 2>Volcano and you know, Deep Impact and Armageddon, and it's like, well,

1613
01:25:33.359 --> 01:25:36.000
<v Speaker 2>this is this one and this is this one? You know,

1614
01:25:36.520 --> 01:25:38.560
<v Speaker 2>like like if you look at Deep Impact and Armageddon,

1615
01:25:39.039 --> 01:25:41.479
<v Speaker 2>you know, I think both movies have issues, but like

1616
01:25:42.079 --> 01:25:44.520
<v Speaker 2>Deep Impact is the one that's kind of like more

1617
01:25:46.880 --> 01:25:51.039
<v Speaker 2>I don't know, thoughtful, thoughtful. Yeah, I was gonna say cerebral.

1618
01:25:51.079 --> 01:25:52.760
<v Speaker 2>So yeah, you know, even though it's you know it

1619
01:25:52.920 --> 01:25:58.439
<v Speaker 2>it's not exactly you know, the magnificsen namebers since right.

1620
01:25:58.560 --> 01:26:02.319
<v Speaker 2>But then there's Armageddon, which is just it's what that

1621
01:26:02.439 --> 01:26:05.319
<v Speaker 2>movie is, right, right, And so I'm like, which of

1622
01:26:05.359 --> 01:26:07.279
<v Speaker 2>those was would this one have been.

1623
01:26:09.359 --> 01:26:12.039
<v Speaker 1>You know, probably in my mind the Armageddon.

1624
01:26:11.560 --> 01:26:13.760
<v Speaker 2>Probably probably right, that was my thought.

1625
01:26:13.840 --> 01:26:17.119
<v Speaker 1>Yeah, yeah, yeah, which isn't a bad thing.

1626
01:26:18.039 --> 01:26:22.520
<v Speaker 2>No, I think Armageddon, Armageddon. That's a movie that I

1627
01:26:22.560 --> 01:26:25.840
<v Speaker 2>have not revisited a ton, but I feel like we

1628
01:26:25.920 --> 01:26:28.119
<v Speaker 2>will probably end up talking through that at some point, right.

1629
01:26:29.479 --> 01:26:31.319
<v Speaker 1>Oh yeah, And I haven't seen it in a long time,

1630
01:26:31.359 --> 01:26:33.840
<v Speaker 1>but if I had to guess, I'd be willing to guess.

1631
01:26:33.880 --> 01:26:36.560
<v Speaker 1>It was hugely popular when it came out. Yeah, then

1632
01:26:36.600 --> 01:26:39.359
<v Speaker 1>everybody kind of turned on it and said it was

1633
01:26:39.399 --> 01:26:41.920
<v Speaker 1>really stupid. But I think it's probably at a moment

1634
01:26:42.000 --> 01:26:44.039
<v Speaker 1>now where you could watch it and go, well, yeah,

1635
01:26:44.039 --> 01:26:47.800
<v Speaker 1>it's dumb, but I enjoyed it. Yeah, you know, it's

1636
01:26:47.800 --> 01:26:49.640
<v Speaker 1>funny how some movies have that life cycle.

1637
01:26:49.920 --> 01:26:52.960
<v Speaker 2>Yeah, right, Armageddon is definitely that. Although I mean I

1638
01:26:53.000 --> 01:26:55.680
<v Speaker 2>remember seeing it and being like, this movie is pretty dumb.

1639
01:26:56.439 --> 01:26:59.600
<v Speaker 2>I mean it is. It's an opening day in the theater. Yeah,

1640
01:26:59.640 --> 01:27:02.720
<v Speaker 2>but it's saw, so I don't know, it's easy to get.

1641
01:27:03.159 --> 01:27:03.560
<v Speaker 2>I don't know.

1642
01:27:03.800 --> 01:27:05.520
<v Speaker 1>And it feels very much of its time too, like

1643
01:27:05.760 --> 01:27:07.039
<v Speaker 1>humor very much.

1644
01:27:07.079 --> 01:27:14.119
<v Speaker 2>So yeah. Yeah, so this here is where we sort

1645
01:27:14.119 --> 01:27:16.840
<v Speaker 2>of like the movie, which is on track as this

1646
01:27:17.000 --> 01:27:23.000
<v Speaker 2>semi grounded, you know, investigative thriller kind of like goes

1647
01:27:23.159 --> 01:27:26.319
<v Speaker 2>it goes off roading a little bit. Yes, yes, and

1648
01:27:26.359 --> 01:27:29.640
<v Speaker 2>it's like, no, we're just gonna do like we're gonna

1649
01:27:29.640 --> 01:27:34.199
<v Speaker 2>cycle through some action movie tropes. Yes, and so that's

1650
01:27:34.399 --> 01:27:35.640
<v Speaker 2>that's a jarring.

1651
01:27:35.600 --> 01:27:42.359
<v Speaker 1>Shift, yes, like almost like hijinks. Yes, right, and then

1652
01:27:42.399 --> 01:27:44.800
<v Speaker 1>we all we get into almost you know, buddy cop

1653
01:27:44.920 --> 01:27:49.800
<v Speaker 1>style banter between Cuba Gooding and Dustin Hoffman and humor,

1654
01:27:50.000 --> 01:27:53.640
<v Speaker 1>and yeah, I was a little not thrown, but I

1655
01:27:53.720 --> 01:27:56.239
<v Speaker 1>was like, oh, oh I didn't. This is not how

1656
01:27:56.279 --> 01:27:57.279
<v Speaker 1>I remember this movie.

1657
01:27:57.319 --> 01:27:58.199
<v Speaker 2>I guess we're doing this.

1658
01:27:58.520 --> 01:28:01.159
<v Speaker 1>Yeah, yeah, yeah, it's just like I say, like the

1659
01:28:01.239 --> 01:28:04.000
<v Speaker 1>high jinks of stealing this helicopter, it's not like it's

1660
01:28:04.000 --> 01:28:06.119
<v Speaker 1>handled in a very silly.

1661
01:28:05.840 --> 01:28:07.479
<v Speaker 2>Action movie kind of way. Mm hmm.

1662
01:28:11.680 --> 01:28:13.640
<v Speaker 1>But then you also get the moment that's coming up

1663
01:28:13.680 --> 01:28:17.640
<v Speaker 1>where they're going to try to locate the monkey and

1664
01:28:18.159 --> 01:28:22.439
<v Speaker 1>or draw it out, and that feels like that could

1665
01:28:22.439 --> 01:28:24.279
<v Speaker 1>come from a more serious movie too, where it's like

1666
01:28:24.319 --> 01:28:26.319
<v Speaker 1>what the realities of like we need that thing, we

1667
01:28:26.359 --> 01:28:26.680
<v Speaker 1>need to.

1668
01:28:26.640 --> 01:28:27.119
<v Speaker 2>Get the shot.

1669
01:28:27.199 --> 01:28:29.760
<v Speaker 1>This is very tricky, which I really enjoy.

1670
01:28:30.159 --> 01:28:33.560
<v Speaker 2>See that stuff. I'm all on board with, but you know,

1671
01:28:33.680 --> 01:28:38.920
<v Speaker 2>and once we're dog fighting or whatever, like, you know,

1672
01:28:40.239 --> 01:28:42.199
<v Speaker 2>it turns into something a little different.

1673
01:28:42.319 --> 01:28:44.199
<v Speaker 1>Well that and I keep saying I'm getting ahead of it,

1674
01:28:44.199 --> 01:28:45.840
<v Speaker 1>but as long as we're talking about it, Yeah, the

1675
01:28:45.840 --> 01:28:48.039
<v Speaker 1>whole thing where Morgan Freeman gets on the line with

1676
01:28:48.119 --> 01:28:51.159
<v Speaker 1>him and it's just like, whatever you do, don't do

1677
01:28:51.279 --> 01:28:53.199
<v Speaker 1>this thing that could save the day.

1678
01:28:53.520 --> 01:28:55.760
<v Speaker 2>Because that would not be good for us.

1679
01:28:56.479 --> 01:28:59.239
<v Speaker 1>And then you literally get a line from Donald Sutherland

1680
01:28:59.239 --> 01:29:01.359
<v Speaker 1>who's like, wait a minute, that you're telling them how

1681
01:29:01.399 --> 01:29:04.720
<v Speaker 1>they can save the day. And I seriously was like,

1682
01:29:05.079 --> 01:29:11.039
<v Speaker 1>you've got to be kidding me. I mean, I gotta

1683
01:29:11.079 --> 01:29:12.880
<v Speaker 1>be honest, Like the last act of this movie kind

1684
01:29:12.880 --> 01:29:18.279
<v Speaker 1>of feels like it was written by twelve year olds.

1685
01:29:19.079 --> 01:29:20.640
<v Speaker 1>But then you kind of wonder, I mean, we don't

1686
01:29:20.680 --> 01:29:22.600
<v Speaker 1>know the story. It's easy to say that, and we

1687
01:29:22.640 --> 01:29:24.079
<v Speaker 1>don't know the story of the making of this movie.

1688
01:29:24.119 --> 01:29:25.840
<v Speaker 1>I mean, the writers could have turned in some draft

1689
01:29:26.239 --> 01:29:28.319
<v Speaker 1>and been very happy with it, and Warner Brothers is like.

1690
01:29:28.600 --> 01:29:33.800
<v Speaker 2>Not enough action, And I'm willing to bet every cent

1691
01:29:34.000 --> 01:29:37.680
<v Speaker 2>in my savings account that that's what happened. Yes, yes, right,

1692
01:29:37.720 --> 01:29:45.000
<v Speaker 2>because because it's such a clear like digression for everything else,

1693
01:29:45.199 --> 01:29:46.960
<v Speaker 2>Like I think you could have hit most of the

1694
01:29:47.000 --> 01:29:51.159
<v Speaker 2>same dramatic beats, but I think Warner Execs, We're probably like,

1695
01:29:51.199 --> 01:29:56.079
<v Speaker 2>we need some applause moments. And one thing I will

1696
01:29:56.119 --> 01:30:00.800
<v Speaker 2>say is when I watch this isn't granted it was

1697
01:30:00.840 --> 01:30:02.479
<v Speaker 2>at a second run theater, but it was a fairly

1698
01:30:02.680 --> 01:30:05.960
<v Speaker 2>decent sized crowd. I remember, you know when when Morgan

1699
01:30:06.000 --> 01:30:07.520
<v Speaker 2>Freeman does that thing that you're referring to, you had

1700
01:30:07.560 --> 01:30:12.800
<v Speaker 2>people in the card like, oh yeah, yeah, yeah, so

1701
01:30:13.159 --> 01:30:18.960
<v Speaker 2>you know we can we can view things cynically, me

1702
01:30:19.520 --> 01:30:23.159
<v Speaker 2>like you, Brian, like such as you, well, such as

1703
01:30:23.159 --> 01:30:26.640
<v Speaker 2>both of us. But I'm like, the movie proved successful

1704
01:30:26.680 --> 01:30:31.079
<v Speaker 2>at the box office, so clearly they weren't entirely off

1705
01:30:31.079 --> 01:30:34.199
<v Speaker 2>their rockers for wanting something, you know, more crowd pleasing.

1706
01:30:34.479 --> 01:30:36.199
<v Speaker 1>No, I mean, you just need to know what you're

1707
01:30:36.359 --> 01:30:37.039
<v Speaker 1>signing up for.

1708
01:30:37.159 --> 01:30:39.720
<v Speaker 2>What you're signing up for you Yeah. And also this

1709
01:30:39.760 --> 01:30:43.239
<v Speaker 2>feels very of that moment that that very much so,

1710
01:30:43.279 --> 01:30:45.199
<v Speaker 2>and so I think that's part of it is that's

1711
01:30:45.239 --> 01:30:48.199
<v Speaker 2>part of why I watched this movie. Uh, and again

1712
01:30:48.239 --> 01:30:52.399
<v Speaker 2>I haven't seen a ton, but I can feel nostalgic

1713
01:30:52.479 --> 01:30:55.520
<v Speaker 2>for when movies were like this m M, because it

1714
01:30:55.720 --> 01:30:59.560
<v Speaker 2>really it does feel like an artifact, you know, totally, totally,

1715
01:31:00.119 --> 01:31:01.960
<v Speaker 2>and you know you had that funny it's funny bit

1716
01:31:02.039 --> 01:31:04.000
<v Speaker 2>right here where he's like, should I should I cough

1717
01:31:04.039 --> 01:31:06.119
<v Speaker 2>on you? In right right.

1718
01:31:10.319 --> 01:31:11.800
<v Speaker 1>Saranda to this one, and in.

1719
01:31:11.720 --> 01:31:13.520
<v Speaker 2>My mind I choose to believe that was a Maya

1720
01:31:13.560 --> 01:31:16.399
<v Speaker 2>Angelou line where he's like, shall I cough on you? George?

1721
01:31:17.479 --> 01:31:19.840
<v Speaker 1>Actually, I was just thinking of a similar joke where

1722
01:31:19.880 --> 01:31:21.399
<v Speaker 1>it was like at the end where it's like, wait

1723
01:31:21.439 --> 01:31:23.560
<v Speaker 1>a minute, you just told them how to save the day.

1724
01:31:24.560 --> 01:31:25.279
<v Speaker 1>What are you doing?

1725
01:31:25.399 --> 01:31:30.319
<v Speaker 2>Billy? Maya Angelou cut to her like, you know, hitting

1726
01:31:30.359 --> 01:31:34.000
<v Speaker 2>save on the computer had given herself a high five. Yeah, exactly,

1727
01:31:34.119 --> 01:31:34.680
<v Speaker 2>nailed it.

1728
01:31:39.520 --> 01:31:41.359
<v Speaker 1>I just thought this was a funny bit of business

1729
01:31:41.359 --> 01:31:43.960
<v Speaker 1>of this woman here in the coast Guard. I can

1730
01:31:44.000 --> 01:31:49.079
<v Speaker 1>make a call oh close closer than his wife would like,

1731
01:31:49.079 --> 01:32:01.319
<v Speaker 1>like what now, she's just an open book. But yeah,

1732
01:32:01.359 --> 01:32:03.479
<v Speaker 1>because I'll probably forget to say it later. But you

1733
01:32:03.520 --> 01:32:07.000
<v Speaker 1>have like a similar moment where you have someone well

1734
01:32:07.000 --> 01:32:09.800
<v Speaker 1>maybe it's not similar, but where you're talking to the

1735
01:32:09.800 --> 01:32:13.159
<v Speaker 1>pilots of that airplane with the bomb and trying to

1736
01:32:13.159 --> 01:32:14.399
<v Speaker 1>reason with them and you're.

1737
01:32:14.239 --> 01:32:17.640
<v Speaker 2>Like, man, what would what do you do? You're that pilot.

1738
01:32:17.680 --> 01:32:20.920
<v Speaker 1>You got your orders, but you also could possibly, you know,

1739
01:32:21.000 --> 01:32:23.239
<v Speaker 1>do the right thing. The history will remember is the

1740
01:32:23.279 --> 01:32:25.119
<v Speaker 1>right thing, even if it means you get court martials

1741
01:32:25.199 --> 01:32:27.720
<v Speaker 1>or something. Yeah, and it kind of reminds me, at

1742
01:32:27.800 --> 01:32:30.600
<v Speaker 1>least in feeling of that moment of the two boats

1743
01:32:30.600 --> 01:32:33.880
<v Speaker 1>at the end of The Dark Night, which feels a

1744
01:32:33.880 --> 01:32:36.600
<v Speaker 1>little more weirdly, even though that's a superhero movie, like

1745
01:32:37.359 --> 01:32:43.439
<v Speaker 1>serious or something, or like real human beings and what

1746
01:32:43.439 --> 01:32:45.000
<v Speaker 1>do you do. You're looking at the people and you

1747
01:32:45.119 --> 01:32:46.560
<v Speaker 1>you were the guy who said we should do this,

1748
01:32:46.640 --> 01:32:49.079
<v Speaker 1>but now it's up to you and maybe you won't

1749
01:32:49.119 --> 01:32:51.279
<v Speaker 1>do it. Like, but this, you know what I'm saying,

1750
01:32:51.319 --> 01:32:54.000
<v Speaker 1>Like the tone. It's funny the same sort of thing

1751
01:32:54.039 --> 01:32:55.840
<v Speaker 1>can be carried out in two different movies and feel

1752
01:32:55.840 --> 01:32:57.159
<v Speaker 1>like they have two different tones to them.

1753
01:32:57.279 --> 01:33:01.840
<v Speaker 2>That's so interesting. Well, you know worth mentioning that. You know,

1754
01:33:01.960 --> 01:33:06.119
<v Speaker 2>in its early earliest incarnation, the Batman Versus Superman movie

1755
01:33:06.199 --> 01:33:08.399
<v Speaker 2>was going to be directed by Wolfgang Peterson. That's right.

1756
01:33:08.439 --> 01:33:10.640
<v Speaker 1>I have that script, but I've never read it, have you?

1757
01:33:11.159 --> 01:33:14.720
<v Speaker 2>I have not read it. Yeah, I should do that. Yeah,

1758
01:33:14.760 --> 01:33:17.439
<v Speaker 2>he was you know, I think we've said this before,

1759
01:33:17.479 --> 01:33:19.600
<v Speaker 2>but I mean, you know he did he did Troy,

1760
01:33:19.640 --> 01:33:23.279
<v Speaker 2>which was a pretty big hit, and then he did Poseidon,

1761
01:33:23.279 --> 01:33:27.279
<v Speaker 2>which tanked. Yeah. I never saw that. I didn't see

1762
01:33:27.279 --> 01:33:31.239
<v Speaker 2>it either, but I I for however bad it may

1763
01:33:31.239 --> 01:33:32.840
<v Speaker 2>have been or how bad it may have done, I'm like,

1764
01:33:32.920 --> 01:33:37.920
<v Speaker 2>I would think that Wolfgang Peterson could have continued directing. Yeah, right,

1765
01:33:38.000 --> 01:33:39.760
<v Speaker 2>But it's like he just like called it a career

1766
01:33:39.800 --> 01:33:43.600
<v Speaker 2>basically in terms of American movies anyway, and that's what

1767
01:33:43.640 --> 01:33:46.560
<v Speaker 2>he wants, I guess. Yeah. And then yeah, you know,

1768
01:33:46.600 --> 01:33:48.840
<v Speaker 2>and then he passed away. When was it like two

1769
01:33:48.880 --> 01:33:53.960
<v Speaker 2>years ago? Oh yeah, it was like twenty It was

1770
01:33:54.520 --> 01:34:00.880
<v Speaker 2>after we did our track for Air Force one. Mm hm.

1771
01:34:04.520 --> 01:34:06.239
<v Speaker 1>It is interesting, though, I mean I think about that

1772
01:34:06.319 --> 01:34:09.600
<v Speaker 1>a lot, especially in entertainment. I mean, you have Juror

1773
01:34:09.720 --> 01:34:12.319
<v Speaker 1>Number two, which just came out, a movie directed by

1774
01:34:12.319 --> 01:34:15.760
<v Speaker 1>Clint Eastwood, who's in his freaking nineties, crazy right, and

1775
01:34:15.800 --> 01:34:18.279
<v Speaker 1>you have Morgan Freeman and is I think late eighties

1776
01:34:18.319 --> 01:34:19.680
<v Speaker 1>now still I mean he's in.

1777
01:34:19.720 --> 01:34:21.119
<v Speaker 2>Well, him and Dustin Offen both.

1778
01:34:21.279 --> 01:34:23.920
<v Speaker 1>Yeah, but there's still Freeman especially, I mean he's in

1779
01:34:24.039 --> 01:34:27.199
<v Speaker 1>lots of movies. Yeah, you know, it's like they just

1780
01:34:27.520 --> 01:34:29.119
<v Speaker 1>keep going for the love of the game. And it

1781
01:34:29.680 --> 01:34:33.800
<v Speaker 1>when most people kind of retire, you know, yeah, you know,

1782
01:34:34.479 --> 01:34:36.119
<v Speaker 1>at some point in their seventies. So it's just kind

1783
01:34:36.119 --> 01:34:40.600
<v Speaker 1>of interesting, you know that it seems more rare when

1784
01:34:40.640 --> 01:34:42.439
<v Speaker 1>we look at it as someone who's in their seventies

1785
01:34:42.479 --> 01:34:44.359
<v Speaker 1>and entertainment and they retire, we go, oh, I wonder

1786
01:34:44.359 --> 01:34:46.479
<v Speaker 1>why they did that, you know, because we're so used

1787
01:34:46.479 --> 01:34:48.159
<v Speaker 1>to seeing so many people just at a good point

1788
01:34:48.279 --> 01:34:50.079
<v Speaker 1>going until they die.

1789
01:34:50.640 --> 01:34:56.479
<v Speaker 2>I mean, Harrison Ford is in his mid eighties, right, yeah, yeah,

1790
01:34:56.840 --> 01:35:01.000
<v Speaker 2>he's still doing his thing. You know. Sorry, I'm having

1791
01:35:01.039 --> 01:35:01.920
<v Speaker 2>a thought here. I was.

1792
01:35:01.960 --> 01:35:05.520
<v Speaker 1>I was wondering, why, Wow, it's really foggy as there

1793
01:35:05.760 --> 01:35:07.720
<v Speaker 1>he's on this ship, and I'm thinking, oh, it's probably

1794
01:35:07.800 --> 01:35:10.840
<v Speaker 1>because the ship is parked in real life and they

1795
01:35:10.840 --> 01:35:12.199
<v Speaker 1>don't want to deal with it, so they had to

1796
01:35:12.239 --> 01:35:13.880
<v Speaker 1>throw in a line like damn, it's foggy.

1797
01:35:15.680 --> 01:35:16.800
<v Speaker 2>That's really funny.

1798
01:35:16.920 --> 01:35:20.760
<v Speaker 1>My Angelou hit save and said, uh, well, I just

1799
01:35:21.399 --> 01:35:23.920
<v Speaker 1>save them the deal of having to make that ship move.

1800
01:35:28.000 --> 01:35:33.159
<v Speaker 2>So funny. I'm just picturing my Andrew, you know, smoking

1801
01:35:34.119 --> 01:35:37.640
<v Speaker 2>chain smoking as she's like cranking out rewrites for Outbreak.

1802
01:35:37.680 --> 01:35:46.560
<v Speaker 2>You know, you're uh, but yeah, anyway, but I like that.

1803
01:35:46.680 --> 01:35:48.680
<v Speaker 1>Oh, it's kind of funny too, And not to pick

1804
01:35:48.720 --> 01:35:51.840
<v Speaker 1>on it, but just you know, his movies get bigger

1805
01:35:51.840 --> 01:35:54.159
<v Speaker 1>and bigger, Like the whole jump from the helicopter to

1806
01:35:54.239 --> 01:35:57.279
<v Speaker 1>the boat, which is a really exciting thing on paper,

1807
01:35:57.760 --> 01:36:00.279
<v Speaker 1>just does not look very exciting in this movie.

1808
01:36:00.920 --> 01:36:04.000
<v Speaker 2>That's well in like there's a way to stage it

1809
01:36:04.039 --> 01:36:07.039
<v Speaker 2>in a way that would I completely agree.

1810
01:36:07.079 --> 01:36:12.479
<v Speaker 1>You're right. I think it's staging. Very lucky that this

1811
01:36:12.520 --> 01:36:15.039
<v Speaker 1>guy took so many polaroids of thinking.

1812
01:36:15.079 --> 01:36:17.640
<v Speaker 2>I thought it would be really funny if the picture

1813
01:36:17.760 --> 01:36:20.119
<v Speaker 2>he's got just a ton of pictures of him doing

1814
01:36:20.199 --> 01:36:23.800
<v Speaker 2>every possible thing with the monkey, Like they're blowing out

1815
01:36:23.840 --> 01:36:28.560
<v Speaker 2>birthday candles together, they're in the bathtub together with boats

1816
01:36:28.640 --> 01:36:29.119
<v Speaker 2>and like.

1817
01:36:29.079 --> 01:36:31.239
<v Speaker 1>Just yeah with like bubble beards.

1818
01:36:31.640 --> 01:36:35.479
<v Speaker 2>Yeah exactly, And we just we just get this thing

1819
01:36:35.479 --> 01:36:37.720
<v Speaker 2>where Hoffman is just flipping through these pictures and the

1820
01:36:37.840 --> 01:36:43.119
<v Speaker 2>music just gets more and more dramatic. He's just good lord.

1821
01:36:52.800 --> 01:36:53.920
<v Speaker 2>Oh yeah, yeah, yeah.

1822
01:36:54.000 --> 01:36:55.640
<v Speaker 1>I was just having a moment where I was like,

1823
01:36:55.680 --> 01:36:56.960
<v Speaker 1>oh man, she shouldn't be around him.

1824
01:36:56.960 --> 01:36:59.479
<v Speaker 2>But she's sick too. Yeah, she's already sick. Although it

1825
01:36:59.520 --> 01:37:03.479
<v Speaker 2>is it is very like very Hollywood that like she

1826
01:37:03.640 --> 01:37:06.359
<v Speaker 2>goes through the same gestation process for the virus. As

1827
01:37:07.520 --> 01:37:11.199
<v Speaker 2>he looks like a goddamn walking dead refugee, she looks.

1828
01:37:11.079 --> 01:37:11.960
<v Speaker 1>Like a bombshell.

1829
01:37:14.560 --> 01:37:18.800
<v Speaker 2>It's so funny because, like I think Renee russo very attractive,

1830
01:37:18.920 --> 01:37:22.479
<v Speaker 2>very sexy. I would not call her a bombshell. No,

1831
01:37:22.600 --> 01:37:23.479
<v Speaker 2>that's not what I would.

1832
01:37:23.600 --> 01:37:27.439
<v Speaker 1>Yeah, exactly right, although, yeah, I know I think she's gorgeous.

1833
01:37:28.119 --> 01:37:30.560
<v Speaker 2>Yeah, but it was very funny because it felt like

1834
01:37:30.640 --> 01:37:36.800
<v Speaker 2>that was that was one of Roger's buttons. I think

1835
01:37:36.800 --> 01:37:38.600
<v Speaker 2>he was right, he was, he was on the correct

1836
01:37:38.600 --> 01:37:41.920
<v Speaker 2>side of that, Yeah, right, right, that that is I

1837
01:37:42.039 --> 01:37:44.479
<v Speaker 2>Jean had a tendency to find these weird things and

1838
01:37:44.520 --> 01:37:45.760
<v Speaker 2>he just get hung up on them.

1839
01:37:45.920 --> 01:37:47.439
<v Speaker 1>I was almost gonna say that when you were talking

1840
01:37:47.439 --> 01:37:49.720
<v Speaker 1>about it, when I said that, that tracks their feelings

1841
01:37:49.760 --> 01:37:52.960
<v Speaker 1>about this. Yeah, Ebert seemed to be able. He was

1842
01:37:52.960 --> 01:37:55.600
<v Speaker 1>more easily swept up in things, that's right. Where yes,

1843
01:37:55.640 --> 01:37:57.279
<v Speaker 1>Ciscol would get hung up on certain.

1844
01:37:57.520 --> 01:37:59.840
<v Speaker 2>Hebert's approach was always like I'm going to meet the

1845
01:37:59.840 --> 01:38:01.479
<v Speaker 2>movie be where it is, and I'm gonna judge it

1846
01:38:01.520 --> 01:38:04.119
<v Speaker 2>based on that, Like I'm not going to compare this

1847
01:38:04.239 --> 01:38:07.199
<v Speaker 2>to you know, some some other movie that's of a

1848
01:38:07.199 --> 01:38:10.000
<v Speaker 2>different genre. You know, so the great Benji the Hunted

1849
01:38:10.119 --> 01:38:15.479
<v Speaker 2>versus full metal jacket thing, right, Uh, And I I'm biased.

1850
01:38:15.520 --> 01:38:17.680
<v Speaker 2>I mean I grew up reading Roger and so that's

1851
01:38:17.720 --> 01:38:20.680
<v Speaker 2>just sort of what what took root in my mind.

1852
01:38:20.840 --> 01:38:26.279
<v Speaker 2>But like I remember, Ciskel gave it thumbs down to,

1853
01:38:27.439 --> 01:38:33.520
<v Speaker 2>uh not Austin parers ace Ventura, which I'm actually I'm

1854
01:38:33.520 --> 01:38:36.520
<v Speaker 2>pretty sure Ebert that thumbs down to. I checked, but

1855
01:38:36.600 --> 01:38:39.680
<v Speaker 2>he got real hung up on Jim Carrey having this overbite,

1856
01:38:41.920 --> 01:38:44.760
<v Speaker 2>with this Jim Carrey with this overbyte, and he kept

1857
01:38:44.840 --> 01:38:47.680
<v Speaker 2>doing this. I want to watch that too.

1858
01:38:50.920 --> 01:38:53.680
<v Speaker 1>By the way, I love this, Like this is a

1859
01:38:53.720 --> 01:38:57.520
<v Speaker 1>scenario I really enjoy where it's like someone taking over

1860
01:38:57.560 --> 01:39:02.800
<v Speaker 1>the news because there's this potential catastrophe about that could

1861
01:39:02.840 --> 01:39:05.039
<v Speaker 1>happen in your town, and like holding up a picture

1862
01:39:05.119 --> 01:39:08.119
<v Speaker 1>like have you seen this thing called this number? Like

1863
01:39:08.199 --> 01:39:10.279
<v Speaker 1>that scenario, If I saw that on TV, I would

1864
01:39:10.279 --> 01:39:11.039
<v Speaker 1>find that frightening.

1865
01:39:11.279 --> 01:39:12.960
<v Speaker 2>Oh absolutely, you know I love that.

1866
01:39:14.840 --> 01:39:16.680
<v Speaker 1>And then I mean in this in particular right where

1867
01:39:16.680 --> 01:39:21.560
<v Speaker 1>it's like if you see this monkey that looks exactly

1868
01:39:21.640 --> 01:39:23.479
<v Speaker 1>like this, and you have this mom look over at

1869
01:39:23.479 --> 01:39:26.000
<v Speaker 1>the refrigerator and this drawing that her daughter's made of

1870
01:39:26.039 --> 01:39:30.640
<v Speaker 1>that monkey with Kranz, It's like, ah, I love it.

1871
01:39:34.079 --> 01:39:37.039
<v Speaker 2>See. I think we needed the slow motion dish drop

1872
01:39:37.680 --> 01:39:39.239
<v Speaker 2>to really emphasize.

1873
01:39:38.880 --> 01:39:42.760
<v Speaker 1>Yeah, you're right, you're right, Yeah, she drops a dish.

1874
01:39:42.800 --> 01:39:44.039
<v Speaker 1>But if you don't do it in slow mowe and

1875
01:39:44.039 --> 01:39:45.880
<v Speaker 1>see it break, did it ever? Do we have a

1876
01:39:45.920 --> 01:39:46.800
<v Speaker 1>dish moment at all?

1877
01:39:49.520 --> 01:39:50.279
<v Speaker 2>That's hilarious.

1878
01:39:50.760 --> 01:39:53.079
<v Speaker 1>By the way, I was looking at Rene and Russo

1879
01:39:53.119 --> 01:39:56.560
<v Speaker 1>as we were talking about her the movie after this

1880
01:39:57.039 --> 01:39:59.760
<v Speaker 1>Ransom talk about a movie that has just been completely

1881
01:39:59.840 --> 01:40:00.880
<v Speaker 1>for gotten.

1882
01:40:00.960 --> 01:40:03.800
<v Speaker 2>Dude, percent, I mean you can't watch it. It's not

1883
01:40:03.840 --> 01:40:08.239
<v Speaker 2>available on streaming or anything. Yeah. Yeah, uh. And my

1884
01:40:08.399 --> 01:40:10.920
<v Speaker 2>recollection is that it was a pretty damn good movie.

1885
01:40:10.960 --> 01:40:14.239
<v Speaker 2>I remember I reviewed that from my high school paper. Wow.

1886
01:40:14.880 --> 01:40:18.159
<v Speaker 1>Yeah, I would be willing to bet if you showed

1887
01:40:18.199 --> 01:40:22.640
<v Speaker 1>it to someone who's been conditioned mostly by more recent movies,

1888
01:40:23.000 --> 01:40:28.520
<v Speaker 1>it might feel not silly but broader, pulpy or or whatever.

1889
01:40:28.760 --> 01:40:31.199
<v Speaker 1>But going back to what we're saying about Outbreak in

1890
01:40:31.319 --> 01:40:34.479
<v Speaker 1>the moment, I'm sure it played like Gangbusters.

1891
01:40:34.600 --> 01:40:37.760
<v Speaker 2>In fact, I think I did that was I mean,

1892
01:40:37.800 --> 01:40:39.640
<v Speaker 2>that was a like you said, get me back by

1893
01:40:39.720 --> 01:40:40.840
<v Speaker 2>somedon like people would know.

1894
01:40:41.000 --> 01:40:43.800
<v Speaker 1>Yeah, I say that all the time weirdly, like it's

1895
01:40:43.840 --> 01:40:45.439
<v Speaker 1>just it's something that lives in my brain.

1896
01:40:46.680 --> 01:40:49.239
<v Speaker 2>Mel Gibson was really freaking good in that movie.

1897
01:40:49.800 --> 01:40:51.520
<v Speaker 1>Oh, that's like, Yeah, it's a really it's Ron Howard

1898
01:40:51.600 --> 01:40:53.640
<v Speaker 1>joint too, which doesn't feel like a Ron Howard movie.

1899
01:40:53.880 --> 01:40:59.159
<v Speaker 2>Yeah. And Delroy Lindo, Delroy Lindo, Yeah, that's help Has

1900
01:40:59.319 --> 01:41:05.840
<v Speaker 2>Garry Sez. Yeah, it's weird how that And again, that's

1901
01:41:05.880 --> 01:41:09.359
<v Speaker 2>this weird phenomenon where it's not available on any streaming platform.

1902
01:41:09.399 --> 01:41:13.159
<v Speaker 2>To the best of my knowledge, I wonder why that is. Yeah,

1903
01:41:13.199 --> 01:41:17.720
<v Speaker 2>and and well and Cocuon also or Cocoon two? Is

1904
01:41:17.720 --> 01:41:19.079
<v Speaker 2>it the first one or the second one?

1905
01:41:19.319 --> 01:41:22.279
<v Speaker 1>It might be the first. At least the first one

1906
01:41:22.279 --> 01:41:23.520
<v Speaker 1>I think is yeah, hard to find.

1907
01:41:23.800 --> 01:41:26.159
<v Speaker 2>So is it just Ron Howard movie? Wasn't that Ron Howard? Also?

1908
01:41:26.800 --> 01:41:29.079
<v Speaker 1>Yeah, I wonder if it's a matter of who owns

1909
01:41:29.119 --> 01:41:30.079
<v Speaker 1>them or hmmm.

1910
01:41:30.399 --> 01:41:33.800
<v Speaker 2>I have no idea. Well, Ransom is Disney, I know that,

1911
01:41:34.159 --> 01:41:34.760
<v Speaker 2>you know, it's funny.

1912
01:41:34.800 --> 01:41:37.560
<v Speaker 1>I I wanted to watch, you know, with David Lynch

1913
01:41:37.600 --> 01:41:39.960
<v Speaker 1>passing recently, I wanted to rewatch some of his movies,

1914
01:41:39.960 --> 01:41:42.399
<v Speaker 1>and so I was gonna watch Wild at Heart And

1915
01:41:42.439 --> 01:41:45.439
<v Speaker 1>that movie's really difficult to find. Oh wow, In fact,

1916
01:41:45.479 --> 01:41:47.119
<v Speaker 1>I don't know that it is available anywhere.

1917
01:41:47.479 --> 01:41:48.920
<v Speaker 2>Yeah, that's a lot of stuff like that.

1918
01:41:49.079 --> 01:41:52.000
<v Speaker 1>Yeah, and it's it gets held up with you know,

1919
01:41:52.039 --> 01:41:52.800
<v Speaker 1>whoever owns it.

1920
01:41:53.359 --> 01:41:57.399
<v Speaker 2>Yeah, yeah, there's well, you know George Romero's uh uh

1921
01:41:57.960 --> 01:42:02.359
<v Speaker 2>Down of the Dead the seventies one, that's no streaming platform.

1922
01:42:02.439 --> 01:42:04.880
<v Speaker 2>Like I got it on physical media. I had to

1923
01:42:05.000 --> 01:42:08.079
<v Speaker 2>order it from overseas in order to get it. And like,

1924
01:42:08.119 --> 01:42:11.640
<v Speaker 2>I think it's there's you know, somebody uploaded it to YouTube.

1925
01:42:11.640 --> 01:42:13.199
<v Speaker 2>But let's see how long that's up there, you know.

1926
01:42:13.439 --> 01:42:15.159
<v Speaker 1>Well, yeah, and you think of that, you associate that

1927
01:42:15.239 --> 01:42:18.079
<v Speaker 1>with more older films where it's like, oh, some complicated

1928
01:42:18.079 --> 01:42:20.920
<v Speaker 1>thing they can't work out now because there's been changing

1929
01:42:21.000 --> 01:42:23.279
<v Speaker 1>of the guards and whatever. Who owns these things. But

1930
01:42:24.000 --> 01:42:26.479
<v Speaker 1>I just read this morning that Francis Ford Coppola is

1931
01:42:26.520 --> 01:42:30.840
<v Speaker 1>Megalopolis as of right now, will not have a US

1932
01:42:31.600 --> 01:42:34.960
<v Speaker 1>hard copy release. So if you are interested in owning that,

1933
01:42:35.359 --> 01:42:38.520
<v Speaker 1>you have to buy the region free four K from

1934
01:42:38.640 --> 01:42:40.359
<v Speaker 1>you know, some other country, which is just.

1935
01:42:40.640 --> 01:42:42.479
<v Speaker 2>Well a lot of the time, just you lost me

1936
01:42:42.520 --> 01:42:45.079
<v Speaker 2>at ore. If you're interested in owning that, I.

1937
01:42:45.159 --> 01:42:48.439
<v Speaker 1>Understand, I understand, but I'm just saying like it it.

1938
01:42:48.439 --> 01:42:50.479
<v Speaker 2>Should have the option, the option should exist.

1939
01:42:50.680 --> 01:42:57.199
<v Speaker 1>Yeah, you know you would think that's hilarious. But no,

1940
01:42:57.680 --> 01:43:00.119
<v Speaker 1>going back what we just kind of talked over, but

1941
01:43:00.239 --> 01:43:04.279
<v Speaker 1>the uh, what an interesting scenario for this family, right,

1942
01:43:04.279 --> 01:43:06.800
<v Speaker 1>you know, some military guy shows up and is like, yeah,

1943
01:43:06.840 --> 01:43:10.359
<v Speaker 1>the monkey that is basically carrying some sort of virus

1944
01:43:10.760 --> 01:43:13.239
<v Speaker 1>that could wipe out humanity, I need your daughter to

1945
01:43:13.279 --> 01:43:16.479
<v Speaker 1>lure him out of the woods, right, you know, like

1946
01:43:16.560 --> 01:43:19.119
<v Speaker 1>that's I like that, that's a And then him having

1947
01:43:19.199 --> 01:43:21.520
<v Speaker 1>to talk to the girl Hoffmann and reason with her,

1948
01:43:21.600 --> 01:43:23.159
<v Speaker 1>and she's like.

1949
01:43:23.119 --> 01:43:24.800
<v Speaker 2>Is he is she gonna be hurt? And it's like no,

1950
01:43:24.840 --> 01:43:26.760
<v Speaker 2>We're gonna put her to sleep and take out all

1951
01:43:26.800 --> 01:43:38.079
<v Speaker 2>of her organs. She won't feel a thing though exactly yes, yeah, yeah,

1952
01:43:38.079 --> 01:43:38.600
<v Speaker 2>but I like that.

1953
01:43:38.840 --> 01:43:40.800
<v Speaker 1>You know what I do feel though, I feel like

1954
01:43:40.880 --> 01:43:45.520
<v Speaker 1>the parents are strangely calm with this scenario.

1955
01:43:46.239 --> 01:43:48.279
<v Speaker 2>I feel like they should. I mean, I know, you

1956
01:43:48.319 --> 01:43:48.840
<v Speaker 2>need your movie.

1957
01:43:48.840 --> 01:43:50.600
<v Speaker 1>It's like I said, it's already over two hours, but

1958
01:43:50.640 --> 01:43:52.840
<v Speaker 1>I feel like they needed the convincing more than the

1959
01:43:52.960 --> 01:43:54.920
<v Speaker 1>daughter in real life would be the situation.

1960
01:43:55.159 --> 01:43:56.079
<v Speaker 2>That's a great point.

1961
01:43:56.239 --> 01:44:00.159
<v Speaker 1>Yeah, because even watching the moms like oh gee, like

1962
01:44:00.199 --> 01:44:00.680
<v Speaker 1>I hope.

1963
01:44:01.680 --> 01:44:03.239
<v Speaker 2>Yeah, you know, just be careful.

1964
01:44:03.319 --> 01:44:05.119
<v Speaker 1>It's like, yeah, you're kidding me. If that's my child,

1965
01:44:05.199 --> 01:44:06.119
<v Speaker 1>i'd be freaking out.

1966
01:44:06.920 --> 01:44:12.319
<v Speaker 2>This like this the monkey equivalent of a nuclear bomb,

1967
01:44:12.560 --> 01:44:15.720
<v Speaker 2>and you're like, come, you know, hold it.

1968
01:44:16.880 --> 01:44:18.680
<v Speaker 1>Yeah, here, hold out some apples for it.

1969
01:44:18.720 --> 01:44:21.439
<v Speaker 2>But I love the tension in this scene, right, and

1970
01:44:21.720 --> 01:44:24.520
<v Speaker 2>it's it's kind of remarkable how you can you can

1971
01:44:24.560 --> 01:44:30.439
<v Speaker 2>find almost greater tension in smaller scenes. I completely agree, right, yep,

1972
01:44:30.800 --> 01:44:33.560
<v Speaker 2>Because I would offer that this is more tense than

1973
01:44:33.840 --> 01:44:36.680
<v Speaker 2>the the dogfight business that's about to come up.

1974
01:44:36.880 --> 01:44:40.039
<v Speaker 1>I agree, I agree. I think this is a little

1975
01:44:40.079 --> 01:44:45.800
<v Speaker 1>more relatable. Yeah, is part of it. You know, there's

1976
01:44:45.840 --> 01:44:48.720
<v Speaker 1>always something tense about someone needing to take a shot

1977
01:44:49.399 --> 01:44:51.880
<v Speaker 1>and then something steps in front of them and gets

1978
01:44:51.880 --> 01:44:53.159
<v Speaker 1>in the way, and there's you know.

1979
01:44:53.159 --> 01:44:57.359
<v Speaker 2>No, you gotta hurry. Yeah, no, this is this is

1980
01:44:57.640 --> 01:44:58.880
<v Speaker 2>I would say a standout scene.

1981
01:45:04.319 --> 01:45:05.960
<v Speaker 1>I know this is such a silly thought, but I

1982
01:45:06.039 --> 01:45:10.319
<v Speaker 1>was actually thinking with Cuba Gooding Junior, like show me

1983
01:45:10.399 --> 01:45:14.239
<v Speaker 1>the money. Everyone knows that, but like that didn't exist

1984
01:45:14.239 --> 01:45:18.039
<v Speaker 1>in this moment. But like if he were to look

1985
01:45:18.079 --> 01:45:20.399
<v Speaker 1>back on his career, that would be like a phrase

1986
01:45:20.439 --> 01:45:22.520
<v Speaker 1>that would almost like define him in sort of a way.

1987
01:45:23.079 --> 01:45:24.159
<v Speaker 1>It's just funny in this moment.

1988
01:45:24.199 --> 01:45:26.399
<v Speaker 2>He doesn't know that he doesn't he doesn't know what's

1989
01:45:26.399 --> 01:45:28.760
<v Speaker 2>coming as a young actor, you know, he doesn't know

1990
01:45:28.800 --> 01:45:30.479
<v Speaker 2>that snow Dogs is coming.

1991
01:45:32.560 --> 01:45:35.479
<v Speaker 1>Is that the movie where they don't talk? Is that

1992
01:45:35.520 --> 01:45:37.039
<v Speaker 1>the movie where the trailer made it look like the

1993
01:45:37.079 --> 01:45:39.720
<v Speaker 1>dogs talked, so everybody was excited. And then they saw

1994
01:45:39.760 --> 01:45:41.119
<v Speaker 1>the movie and the dogs didn't talk.

1995
01:45:42.079 --> 01:45:45.279
<v Speaker 2>I do not know, but that sounds correct.

1996
01:45:45.479 --> 01:45:48.119
<v Speaker 1>Yeah, it's like it's a dream sequence, but they or

1997
01:45:48.159 --> 01:45:50.439
<v Speaker 1>something in the film, but they made the trailer look

1998
01:45:50.560 --> 01:45:52.600
<v Speaker 1>like that was the movie, him dealing with these funny,

1999
01:45:52.600 --> 01:45:55.000
<v Speaker 1>sassy dogs, and then they showed up, and that's not

2000
01:45:55.199 --> 01:45:59.960
<v Speaker 1>the movie at all. He didn't know that. Zaki did

2001
01:46:00.119 --> 01:46:01.119
<v Speaker 1>know that was gonna happen.

2002
01:46:02.560 --> 01:46:04.279
<v Speaker 2>What was that I remember he was on. Was it

2003
01:46:04.279 --> 01:46:05.479
<v Speaker 2>called boat trip or something?

2004
01:46:05.760 --> 01:46:09.479
<v Speaker 1>Or wait? Am I thinking of kangaroo Jack? You may

2005
01:46:09.479 --> 01:46:11.199
<v Speaker 1>be okay anyway, Sorry, what were saying?

2006
01:46:12.079 --> 01:46:14.199
<v Speaker 2>It was a it was like boat trip?

2007
01:46:14.920 --> 01:46:18.680
<v Speaker 1>Yeah, or it's like, yeah, two guys accidentally go on

2008
01:46:18.720 --> 01:46:19.520
<v Speaker 1>a gay cruise?

2009
01:46:20.479 --> 01:46:22.239
<v Speaker 2>Was that what this one was? Boat trip? I just

2010
01:46:22.319 --> 01:46:24.159
<v Speaker 2>know the I remember the poster with him. It was

2011
01:46:24.239 --> 01:46:26.359
<v Speaker 2>him in Horatio Sands. Yeah, I think it's like a

2012
01:46:26.359 --> 01:46:27.960
<v Speaker 2>big gay panic movie or something.

2013
01:46:30.279 --> 01:46:32.000
<v Speaker 1>Yeah, he didn't know. He didn't know, Zach, he didn't

2014
01:46:32.039 --> 01:46:32.680
<v Speaker 1>know that was coming.

2015
01:46:36.399 --> 01:46:38.800
<v Speaker 2>Oh yeah, okay, yes see I just pulled it up

2016
01:46:38.840 --> 01:46:42.279
<v Speaker 2>on on on Wikipedia, and yes, it is indeed gay

2017
01:46:42.279 --> 01:46:50.359
<v Speaker 2>panic movie. You ever been in a you ever been

2018
01:46:50.399 --> 01:46:53.159
<v Speaker 2>in a helicopter like a huie like this a huie. Know.

2019
01:46:54.399 --> 01:46:56.079
<v Speaker 2>I have been in a helicopter, though, and it was

2020
01:46:56.279 --> 01:47:00.920
<v Speaker 2>really cool. Have you? I have not. I find it frightening.

2021
01:47:02.560 --> 01:47:09.039
<v Speaker 1>Understandable. Yeah, when you look at them, they seem very fragile. Yeah,

2022
01:47:09.319 --> 01:47:10.680
<v Speaker 1>and there's a lot of things that could go wrong.

2023
01:47:10.800 --> 01:47:14.479
<v Speaker 1>But I've just always thought helicopters were amazing and not

2024
01:47:14.600 --> 01:47:17.239
<v Speaker 1>like I went on some super exciting version. It was

2025
01:47:17.279 --> 01:47:20.199
<v Speaker 1>like Branson, Missouri or something, and you know, a tour

2026
01:47:20.239 --> 01:47:22.079
<v Speaker 1>over a lake or something. But you got to put

2027
01:47:22.119 --> 01:47:25.680
<v Speaker 1>the headset on and talk. And I remember my brother

2028
01:47:25.760 --> 01:47:28.279
<v Speaker 1>kept saying me and my brother kept being like, you

2029
01:47:28.279 --> 01:47:30.880
<v Speaker 1>see the lake over? You know, yes, I do see

2030
01:47:30.880 --> 01:47:33.560
<v Speaker 1>the lake over like a bunch of jackasses. And I'm

2031
01:47:33.560 --> 01:47:36.079
<v Speaker 1>sure the pilot was like, just kill me, kill me

2032
01:47:40.479 --> 01:47:47.199
<v Speaker 1>or copy. We're probably saying copy funny, but yeah, you know,

2033
01:47:47.319 --> 01:47:54.800
<v Speaker 1>something I I dig is seeing like the second unit

2034
01:47:54.840 --> 01:47:58.079
<v Speaker 1>of these real vehicles here. Yeah, you know, it feels

2035
01:47:58.079 --> 01:48:02.439
<v Speaker 1>like you might take a little more shortcuts when you

2036
01:48:02.520 --> 01:48:04.840
<v Speaker 1>can these days, because you can afford it, and effects

2037
01:48:04.840 --> 01:48:06.880
<v Speaker 1>look as good as they do. But there's just something

2038
01:48:06.920 --> 01:48:10.239
<v Speaker 1>about the lumbering weight of that big plane with the

2039
01:48:10.239 --> 01:48:12.560
<v Speaker 1>bomb on it and these helicopters where it just feels,

2040
01:48:14.039 --> 01:48:16.760
<v Speaker 1>I don't know, hard you like filming all of this,

2041
01:48:17.199 --> 01:48:18.159
<v Speaker 1>and there's something about that.

2042
01:48:18.079 --> 01:48:24.880
<v Speaker 2>I appreciate see all this stuff here. Yeah, appreciation of

2043
01:48:24.960 --> 01:48:27.239
<v Speaker 2>the second unit I outstanding, which I concur with you on.

2044
01:48:27.560 --> 01:48:31.239
<v Speaker 2>But it's such a weird diversion from what this movie

2045
01:48:31.319 --> 01:48:35.640
<v Speaker 2>is actually supposed to be about. Definitely right, And given

2046
01:48:35.680 --> 01:48:39.880
<v Speaker 2>that this movie is is, you know, twoh eight, you

2047
01:48:39.920 --> 01:48:43.000
<v Speaker 2>could have easily cut out all of this business with

2048
01:48:43.199 --> 01:48:47.800
<v Speaker 2>Daniels and Salt being chased by you know, McClintock's you know,

2049
01:48:47.880 --> 01:48:52.239
<v Speaker 2>helicopter whatever and just get right to the showdown with

2050
01:48:52.359 --> 01:48:54.359
<v Speaker 2>the bomber. I completely agree.

2051
01:48:54.399 --> 01:48:56.880
<v Speaker 1>I think honestly, what might be more effective is if

2052
01:48:56.920 --> 01:49:01.720
<v Speaker 1>you saw Dustin Hoffman in a dim lit room, sweat

2053
01:49:01.720 --> 01:49:07.960
<v Speaker 1>on his brow close ups trying to talk that plane down. Yeah, yeah,

2054
01:49:08.319 --> 01:49:11.399
<v Speaker 1>I think that, Yeah, so this is this. I mean,

2055
01:49:11.439 --> 01:49:14.119
<v Speaker 1>I do appreciate this because it's difficult, like when they

2056
01:49:14.159 --> 01:49:16.439
<v Speaker 1>put the plane going under the bridge kind of like

2057
01:49:16.560 --> 01:49:19.720
<v Speaker 1>Terminator or two. But I will say I'm going to

2058
01:49:19.760 --> 01:49:21.720
<v Speaker 1>speak out of both sides of my mouth. I also

2059
01:49:21.760 --> 01:49:23.159
<v Speaker 1>don't find this scene very exciting.

2060
01:49:23.520 --> 01:49:26.880
<v Speaker 2>No, I agree with you. Yeah, yeah, well, I think

2061
01:49:27.039 --> 01:49:30.760
<v Speaker 2>the reason for that is because it exists outside of

2062
01:49:31.239 --> 01:49:33.680
<v Speaker 2>the world the rest of the film has attempted to create.

2063
01:49:34.000 --> 01:49:37.159
<v Speaker 2>Mm hmm. Right, Like again we're talking about it. This

2064
01:49:37.199 --> 01:49:39.079
<v Speaker 2>is the whole movie is kind of heightened, and it is,

2065
01:49:39.119 --> 01:49:42.920
<v Speaker 2>and you know, but like there there's the appearance of

2066
01:49:42.960 --> 01:49:47.279
<v Speaker 2>being somewhat grounded, and then and then we get this

2067
01:49:47.560 --> 01:49:51.000
<v Speaker 2>very obvious rear projection and helicopters firing and stuff, and

2068
01:49:51.039 --> 01:49:53.479
<v Speaker 2>it's just kind of yeah, you're like, Okay, well, I

2069
01:49:53.520 --> 01:49:55.319
<v Speaker 2>know Dustin Hoffen is not gonna die here.

2070
01:49:55.960 --> 01:49:59.840
<v Speaker 1>Yeah, right, I don't know, going back to what you said,

2071
01:49:59.840 --> 01:50:01.640
<v Speaker 1>are I don't know that it's stage very.

2072
01:50:01.520 --> 01:50:04.319
<v Speaker 2>Well Yeah, no, I think I think that's part of it.

2073
01:50:04.199 --> 01:50:08.119
<v Speaker 1>Like I'm not really tracking what's happening or this the

2074
01:50:08.960 --> 01:50:10.840
<v Speaker 1>oh I don't want him to reach here or if

2075
01:50:10.880 --> 01:50:13.199
<v Speaker 1>that guy gets there, that's bad. Like, I'm not feeling

2076
01:50:13.239 --> 01:50:13.600
<v Speaker 1>any of that.

2077
01:50:13.720 --> 01:50:17.119
<v Speaker 2>I'm just watching second unit of Helicopters, you know, kind

2078
01:50:17.119 --> 01:50:22.119
<v Speaker 2>of cut together. Well, I think part okay, so we know,

2079
01:50:22.359 --> 01:50:26.000
<v Speaker 2>we know that our guys are not gonna get killed, right,

2080
01:50:26.079 --> 01:50:28.680
<v Speaker 2>So that that's one element of drama that's removed. So

2081
01:50:28.720 --> 01:50:30.399
<v Speaker 2>then you say, okay, well then we should have a

2082
01:50:30.399 --> 01:50:34.399
<v Speaker 2>ticking clock, right, and and that's where I think, like,

2083
01:50:34.600 --> 01:50:36.920
<v Speaker 2>you know, you could have maybe heightened this idea that

2084
01:50:36.920 --> 01:50:40.560
<v Speaker 2>that Renee Russo is dying and she's got this much

2085
01:50:40.600 --> 01:50:43.640
<v Speaker 2>time before a vaccine won't work or something, you know,

2086
01:50:43.680 --> 01:50:46.640
<v Speaker 2>something like that, totally right. And then and then we're

2087
01:50:46.640 --> 01:50:49.640
<v Speaker 2>in a situation where the clock is ticking, and so

2088
01:50:49.720 --> 01:50:53.319
<v Speaker 2>every every second of delay, that's what we're like, come on,

2089
01:50:53.159 --> 01:50:54.680
<v Speaker 2>come on, you know, hurry.

2090
01:50:54.840 --> 01:50:59.840
<v Speaker 1>That's a great, great point, Zachie. Yeah, because then you

2091
01:50:59.840 --> 01:51:02.800
<v Speaker 1>get this business here where they fake their they start

2092
01:51:02.800 --> 01:51:05.199
<v Speaker 1>the forest fire that ends up burning down all all

2093
01:51:05.239 --> 01:51:09.880
<v Speaker 1>of the northern California. They're really good at point I

2094
01:51:09.920 --> 01:51:12.399
<v Speaker 1>was like, hey, come on, we got enough problems in it.

2095
01:51:12.800 --> 01:51:15.800
<v Speaker 1>That should be the after credits sequence. You know, this

2096
01:51:15.840 --> 01:51:18.800
<v Speaker 1>blaze is getting out of control, it's a outbreak.

2097
01:51:19.520 --> 01:51:22.399
<v Speaker 2>Well, as a result, they burning down this fire. They

2098
01:51:22.479 --> 01:51:26.600
<v Speaker 2>unearthed some some hidden animal that has its own virus inside.

2099
01:51:26.760 --> 01:51:27.720
<v Speaker 2>There you go, that's even better.

2100
01:51:27.760 --> 01:51:29.239
<v Speaker 1>I was gonna just say, yeah, the second movie is

2101
01:51:29.239 --> 01:51:30.880
<v Speaker 1>about trying to put out the fire, but you're that's

2102
01:51:30.920 --> 01:51:32.359
<v Speaker 1>even better. That's on brand here.

2103
01:51:32.520 --> 01:51:35.359
<v Speaker 2>Yeah, that's that's the post credit scene, you know. Yeah,

2104
01:51:35.600 --> 01:51:41.159
<v Speaker 2>that's funny. Yeah. This whole thing, like with with the

2105
01:51:41.199 --> 01:51:45.199
<v Speaker 2>helicopter flying low and again, it's just it feels like

2106
01:51:45.239 --> 01:51:46.119
<v Speaker 2>it's in the wrong movie.

2107
01:51:46.199 --> 01:51:48.279
<v Speaker 1>You know, you're toltally that whole thing, You're right, that

2108
01:51:48.319 --> 01:51:50.399
<v Speaker 1>could all be lifted and we wouldn't ess.

2109
01:51:50.319 --> 01:51:54.880
<v Speaker 2>It like it wouldn't impact the drama, you know.

2110
01:51:55.199 --> 01:52:00.880
<v Speaker 1>No, no, yeah, you could literally do the exhale of

2111
01:52:00.920 --> 01:52:03.399
<v Speaker 1>the whole getting the dart and to the monkey and

2112
01:52:03.439 --> 01:52:05.159
<v Speaker 1>then cut to this shot we're seeing right here.

2113
01:52:05.520 --> 01:52:09.039
<v Speaker 2>Yeah, and and that's about five minutes that you could save.

2114
01:52:09.680 --> 01:52:11.520
<v Speaker 1>Yeah, and just like go go go, we don't have time.

2115
01:52:12.000 --> 01:52:13.439
<v Speaker 1>My wife is dying, you know.

2116
01:52:13.800 --> 01:52:17.039
<v Speaker 2>Yeah, yeah, and that's all be like your wife's air okay,

2117
01:52:17.079 --> 01:52:19.600
<v Speaker 2>ex wife, and then that would be you know yeah, yeah, exactly,

2118
01:52:24.319 --> 01:52:29.079
<v Speaker 2>m yeah, yeah, that could be our fan edit. Let's

2119
01:52:29.079 --> 01:52:33.640
<v Speaker 2>do like the tofer Grace version exactly. Yes, he's like

2120
01:52:33.720 --> 01:52:34.680
<v Speaker 2>lesser known movies.

2121
01:52:35.239 --> 01:52:38.399
<v Speaker 1>Yeah, which he did a fan at it of the

2122
01:52:38.439 --> 01:52:41.479
<v Speaker 1>first the prequels, right, he turned the three movies.

2123
01:52:41.239 --> 01:52:45.520
<v Speaker 2>Into one, yes? Or was that the Hobbit?

2124
01:52:46.720 --> 01:52:48.880
<v Speaker 1>I'm I know he did Star Wars for sure.

2125
01:52:49.039 --> 01:52:50.840
<v Speaker 2>He may have done the Hobbit also. I feel like

2126
01:52:50.880 --> 01:52:51.880
<v Speaker 2>he did the Hobbit also.

2127
01:52:53.479 --> 01:52:54.920
<v Speaker 1>But yeah, it was one of those things where he'd

2128
01:52:54.920 --> 01:52:57.039
<v Speaker 1>screen it for friends and stuff and people would talk

2129
01:52:57.079 --> 01:52:58.479
<v Speaker 1>about how brilliant it was and I'm like.

2130
01:52:58.399 --> 01:53:02.399
<v Speaker 2>Well, I want to see it. Yeah, seriously, this is

2131
01:53:02.439 --> 01:53:05.760
<v Speaker 2>a this is a good scene. This is I agree.

2132
01:53:05.880 --> 01:53:08.479
<v Speaker 1>You know, you got like a couple and the relationship

2133
01:53:08.600 --> 01:53:11.000
<v Speaker 1>is ending and they've been through all this together and

2134
01:53:11.039 --> 01:53:13.920
<v Speaker 1>she's dying and he's got you know, we know she's contagious,

2135
01:53:13.920 --> 01:53:16.560
<v Speaker 1>and he's got the has Matt suit on, but he

2136
01:53:16.640 --> 01:53:18.079
<v Speaker 1>takes the mask off.

2137
01:53:18.239 --> 01:53:21.319
<v Speaker 2>I love it. What a guy. Now there's a man, Brian,

2138
01:53:21.600 --> 01:53:22.479
<v Speaker 2>there's a man.

2139
01:53:27.119 --> 01:53:29.159
<v Speaker 1>That's like, you know, you hear that thing. It's like

2140
01:53:29.199 --> 01:53:33.239
<v Speaker 1>a meme basically where a girlfriend asks the boyfriend, would

2141
01:53:33.239 --> 01:53:34.399
<v Speaker 1>you love me if I was a worm?

2142
01:53:35.479 --> 01:53:37.960
<v Speaker 2>Do you know this? No? Like, would you still love

2143
01:53:38.000 --> 01:53:39.319
<v Speaker 2>me if I was a worm? You know?

2144
01:53:39.399 --> 01:53:42.960
<v Speaker 1>Kind of like these weird situations where it's like I, yeah,

2145
01:53:43.680 --> 01:53:46.720
<v Speaker 1>you know, kind of like answers. This is like would

2146
01:53:46.760 --> 01:53:48.960
<v Speaker 1>you love me if I had like a flesh eating

2147
01:53:49.159 --> 01:53:51.760
<v Speaker 1>virus and I was contagious and you wearing a hazmat suit?

2148
01:53:51.760 --> 01:53:56.039
<v Speaker 2>Would you take the helmet off? Uh? It's a note

2149
01:53:56.079 --> 01:54:01.199
<v Speaker 2>from me. As I lean forward into the Mike Simon

2150
01:54:01.279 --> 01:54:08.560
<v Speaker 2>Cowell style, that's a note from me. Yeah. See, I

2151
01:54:08.600 --> 01:54:17.079
<v Speaker 2>can easily see Harrison Ford playing this role, Yes, I could.

2152
01:54:17.479 --> 01:54:20.600
<v Speaker 2>I could even see mid nineties Mel Gibson playing this

2153
01:54:20.680 --> 01:54:25.720
<v Speaker 2>role definitely, So I can see that being the You know,

2154
01:54:26.079 --> 01:54:28.479
<v Speaker 2>it's harder for me to see stallone. You know, I

2155
01:54:28.479 --> 01:54:31.560
<v Speaker 2>feel bad, I'm like picking on stallone. He's good at

2156
01:54:31.560 --> 01:54:32.319
<v Speaker 2>what he's good at.

2157
01:54:32.479 --> 01:54:35.520
<v Speaker 1>Yeah, but I agree with you, well, you at a

2158
01:54:35.520 --> 01:54:38.000
<v Speaker 1>great point where it's like we never think he could lose.

2159
01:54:39.520 --> 01:54:41.720
<v Speaker 1>I gotta admit I'm a little curious to see the

2160
01:54:42.319 --> 01:54:44.520
<v Speaker 1>Harrison Ford version, just to see the different kind of

2161
01:54:44.600 --> 01:54:49.159
<v Speaker 1>energy and what he brings. And but I think ultimately Hoffman.

2162
01:54:48.880 --> 01:54:51.119
<v Speaker 2>Is the right choice. Hoffman is the right choice. But

2163
01:54:51.159 --> 01:54:56.319
<v Speaker 2>I feel like Harrison Ford had had that unique presence

2164
01:54:57.039 --> 01:55:00.760
<v Speaker 2>where you believed he could throw up bunch. But you

2165
01:55:00.800 --> 01:55:04.000
<v Speaker 2>also believed he was sensitive and smart. Yeah, that's a

2166
01:55:04.039 --> 01:55:13.319
<v Speaker 2>trick man, like Harrison Ford was a unicorn. Yeah at

2167
01:55:13.319 --> 01:55:16.800
<v Speaker 2>his prime, what he was able to convey and why

2168
01:55:16.960 --> 01:55:20.800
<v Speaker 2>audiences wanted to see him. M hmm, it's amazing, you know.

2169
01:55:21.479 --> 01:55:23.119
<v Speaker 1>You know, it's so funny. I just saw a picture

2170
01:55:23.119 --> 01:55:27.000
<v Speaker 1>of him with Clista Flockhart on Reddit or something, and

2171
01:55:27.239 --> 01:55:29.439
<v Speaker 1>I think he was in his eighties, and I was like,

2172
01:55:30.000 --> 01:55:32.880
<v Speaker 1>damn it, that's a handsome guy. I'm telling I mean,

2173
01:55:32.880 --> 01:55:34.960
<v Speaker 1>he's just like you said. I mean, he's he's a unicorn.

2174
01:55:35.079 --> 01:55:36.760
<v Speaker 2>He's yeah, and he's one of those people.

2175
01:55:36.800 --> 01:55:38.680
<v Speaker 1>I mean, I don't think people say this very often.

2176
01:55:38.800 --> 01:55:42.720
<v Speaker 1>He he's a compelling actor, but is he an actor

2177
01:55:42.720 --> 01:55:45.239
<v Speaker 1>with a lot of range? I don't really know that

2178
01:55:45.279 --> 01:55:48.399
<v Speaker 1>he is, to be honest, but the thing he does,

2179
01:55:48.920 --> 01:55:49.840
<v Speaker 1>we all love it.

2180
01:55:50.760 --> 01:55:53.680
<v Speaker 2>Well, here's what we know. Wolfgang Peterson wouldn't have had

2181
01:55:53.720 --> 01:55:59.079
<v Speaker 2>to act out how to turn towards camera per Dustin Hoffman.

2182
01:55:59.119 --> 01:56:02.600
<v Speaker 2>Harrison Ford would have know how to do that. Like that.

2183
01:56:02.720 --> 01:56:06.800
<v Speaker 2>I find that interesting, right, Like Dustin Hoffman occupying a

2184
01:56:06.920 --> 01:56:09.039
<v Speaker 2>very different lane than Harrison Ford, but he felt very

2185
01:56:09.239 --> 01:56:12.800
<v Speaker 2>he felt self conscious enough to verbalize that.

2186
01:56:13.359 --> 01:56:15.920
<v Speaker 1>I mean that specific thing, like tell me how to

2187
01:56:15.920 --> 01:56:18.840
<v Speaker 1>turn That is just like clearly someone who's in their head.

2188
01:56:19.239 --> 01:56:22.520
<v Speaker 2>Yeah. You know what's interesting, by the way, is that

2189
01:56:22.840 --> 01:56:29.319
<v Speaker 2>originally Dustin Hoffman was gonna be in Blade Runner, and

2190
01:56:29.359 --> 01:56:33.039
<v Speaker 2>then he backed out and and it went to Harrison Ford. Wow,

2191
01:56:33.279 --> 01:56:36.720
<v Speaker 2>talk about different, Like what would that movie be?

2192
01:56:36.880 --> 01:56:41.039
<v Speaker 1>Like, you know, I can picture that, But like I

2193
01:56:41.119 --> 01:56:43.439
<v Speaker 1>just said about this movie, that's not the version I want.

2194
01:56:43.800 --> 01:56:46.960
<v Speaker 2>Yeah, right, I think things sort of went the way

2195
01:56:46.960 --> 01:56:49.760
<v Speaker 2>they needed to, by the way, So so yes, Dustin

2196
01:56:49.800 --> 01:56:53.760
<v Speaker 2>Hoffman did this grand romantic gesture exposing himself to his

2197
01:56:54.119 --> 01:56:58.479
<v Speaker 2>wife here, and then the vaccine or whatever it is

2198
01:56:58.520 --> 01:57:00.880
<v Speaker 2>you know, comes in and he holds her up to it.

2199
01:57:01.439 --> 01:57:03.640
<v Speaker 1>It would be kind of funny if he's like, I'll

2200
01:57:03.680 --> 01:57:08.880
<v Speaker 1>take that first. There's two bags, right, we have two.

2201
01:57:08.800 --> 01:57:12.520
<v Speaker 2>Bags of orse. They plug it in and she starts convulsing,

2202
01:57:12.520 --> 01:57:17.600
<v Speaker 2>and he's just like, oh, right, I made a mistake.

2203
01:57:18.600 --> 01:57:21.199
<v Speaker 2>Had he had a lot pinned on that vaccine working,

2204
01:57:21.239 --> 01:57:26.359
<v Speaker 2>you know he did? Yes, Now, what's funny about this

2205
01:57:26.359 --> 01:57:29.960
<v Speaker 2>this standoff scene with the with the bomber, which I

2206
01:57:30.000 --> 01:57:31.920
<v Speaker 2>think as as a piece of drama, I think it

2207
01:57:31.960 --> 01:57:35.439
<v Speaker 2>works for the most part, But there's an episode of

2208
01:57:35.479 --> 01:57:41.279
<v Speaker 2>the Clerk's animated series about an outbreak Okay that uses

2209
01:57:41.319 --> 01:57:46.000
<v Speaker 2>this exact thing. Oh really, where it's like Dante is

2210
01:57:46.039 --> 01:57:48.840
<v Speaker 2>trying to get through to the bombers before they bombed

2211
01:57:48.880 --> 01:57:52.239
<v Speaker 2>the town. And I'm pretty sure the pilot on the

2212
01:57:52.279 --> 01:57:55.399
<v Speaker 2>bomber is voiced by Brian Cranston, by the way, oh funny,

2213
01:57:55.800 --> 01:57:58.960
<v Speaker 2>and and uh, he's like we're all here, you know.

2214
01:57:59.479 --> 01:58:03.399
<v Speaker 2>He's like, uh, you know, we have a cure whatever. Uh.

2215
01:58:03.439 --> 01:58:05.640
<v Speaker 2>And he's like, my name is Dante, and then like

2216
01:58:05.760 --> 01:58:09.439
<v Speaker 2>Randall pipes up. He's like and he's gay. He's like, no,

2217
01:58:09.479 --> 01:58:11.239
<v Speaker 2>I'm not, you know. And then and then the bomber

2218
01:58:11.279 --> 01:58:15.279
<v Speaker 2>pilot voice by Brian Cranston's like, Dante, are you gay?

2219
01:58:15.399 --> 01:58:18.039
<v Speaker 2>If you are, you should feel willing to, you know,

2220
01:58:18.239 --> 01:58:21.600
<v Speaker 2>come out or whatever. Like is this whole thing that's

2221
01:58:21.640 --> 01:58:22.279
<v Speaker 2>so funny? He is it?

2222
01:58:22.279 --> 01:58:24.760
<v Speaker 1>Because I just watched DoD Day Afternoon for the first

2223
01:58:24.760 --> 01:58:26.920
<v Speaker 1>time last night, and there's that whole moment where they

2224
01:58:26.920 --> 01:58:29.640
<v Speaker 1>say that the police say, oh, yeah, there's two gay

2225
01:58:29.680 --> 01:58:32.239
<v Speaker 1>men inside the bank robbing, and the one guy's like what,

2226
01:58:32.840 --> 01:58:35.520
<v Speaker 1>like no, tell them, Like his whole thing becomes obsessed

2227
01:58:35.520 --> 01:58:38.520
<v Speaker 1>with telling them that he's not gay or whatever. That's weird.

2228
01:58:38.840 --> 01:58:41.640
<v Speaker 1>The overlap that's happening right now is very strange.

2229
01:58:41.239 --> 01:58:47.000
<v Speaker 2>To me, you know. But in that vein, I could

2230
01:58:47.039 --> 01:58:49.840
<v Speaker 2>I could have seen Pacino playing the Hoffman role in

2231
01:58:49.880 --> 01:58:52.640
<v Speaker 2>this movie. I can see that too. Very different energy,

2232
01:58:52.640 --> 01:58:56.720
<v Speaker 2>but I can see that. I could see that. Yeah,

2233
01:58:56.960 --> 01:59:05.760
<v Speaker 2>old Town gonna die. I gotta tell you, the helmet's

2234
01:59:05.760 --> 01:59:09.239
<v Speaker 2>coming off it. I'm here with you. Go shoot, what

2235
01:59:09.279 --> 01:59:13.680
<v Speaker 2>do you gotta say? Smack? I like that me too.

2236
01:59:15.199 --> 01:59:18.520
<v Speaker 2>So originally this movie is supposed to end with them

2237
01:59:18.600 --> 01:59:22.840
<v Speaker 2>dropping the bomb on the town. If this had been

2238
01:59:22.840 --> 01:59:25.920
<v Speaker 2>made in the seventies, that's the ending we would have gotten. See, Well,

2239
01:59:25.920 --> 01:59:28.680
<v Speaker 2>that's the point. I'm like, I don't even understand that,

2240
01:59:28.760 --> 01:59:31.800
<v Speaker 2>because I don't know how the movie that we've seen

2241
01:59:31.840 --> 01:59:33.279
<v Speaker 2>up to this point could end that way.

2242
01:59:34.279 --> 01:59:39.199
<v Speaker 1>No, I no, no, I can appreciate a movie that

2243
01:59:39.279 --> 01:59:39.880
<v Speaker 1>does that.

2244
01:59:40.199 --> 01:59:43.479
<v Speaker 2>If it had led to that.

2245
01:59:43.600 --> 01:59:46.720
<v Speaker 1>Type of an ending, that's the point. It's making a point.

2246
01:59:46.760 --> 01:59:49.199
<v Speaker 1>But here it would just feel like being subversive for

2247
01:59:49.319 --> 01:59:50.119
<v Speaker 1>subversive sake.

2248
01:59:50.680 --> 01:59:53.079
<v Speaker 2>Like what I read is that it was not only

2249
01:59:53.479 --> 01:59:58.079
<v Speaker 2>scripted that way, but the effects with the bomb detonating

2250
01:59:58.159 --> 02:00:01.840
<v Speaker 2>the water. It was originally showing that it was the

2251
02:00:01.880 --> 02:00:05.039
<v Speaker 2>town being destroyed, and after test screenings they changed it.

2252
02:00:05.840 --> 02:00:11.119
<v Speaker 2>What which I don't again I'm not understanding that. No, right,

2253
02:00:12.439 --> 02:00:15.960
<v Speaker 2>so what's the ending? Like, I mean, believe in nothing

2254
02:00:16.439 --> 02:00:20.279
<v Speaker 2>the everything this guy hero work for you, Like, it

2255
02:00:20.319 --> 02:00:23.560
<v Speaker 2>doesn't make sense to me. Like maybe maybe the town

2256
02:00:23.640 --> 02:00:27.560
<v Speaker 2>blows up and there's a like, you know, the word

2257
02:00:27.600 --> 02:00:30.800
<v Speaker 2>gets out and you know, McClintock goes to prison or

2258
02:00:30.840 --> 02:00:31.399
<v Speaker 2>something like that.

2259
02:00:32.239 --> 02:00:35.399
<v Speaker 1>Or I could maybe see then Dustin Hoffin being like

2260
02:00:35.600 --> 02:00:39.439
<v Speaker 1>damn it, you know, like they like it turns into

2261
02:00:39.479 --> 02:00:42.680
<v Speaker 1>a this is what could happen, you know kind of

2262
02:00:43.000 --> 02:00:45.079
<v Speaker 1>thing like if you know you don't you're not paying

2263
02:00:45.079 --> 02:00:48.880
<v Speaker 1>attention and if you don't listen to the doctor's telling you,

2264
02:00:48.880 --> 02:00:51.119
<v Speaker 1>you know, like they might blow up your town. Yeah,

2265
02:00:51.319 --> 02:00:54.199
<v Speaker 1>maybe I can kind of see that, Oh this is

2266
02:00:54.199 --> 02:00:55.960
<v Speaker 1>this that's like Billy.

2267
02:00:55.800 --> 02:00:58.520
<v Speaker 2>Just told him how to stop the Oh well, well

2268
02:00:58.560 --> 02:01:00.439
<v Speaker 2>then Billy, are you dumb or something?

2269
02:01:02.640 --> 02:01:04.159
<v Speaker 1>You just told him how to stop.

2270
02:01:03.920 --> 02:01:08.800
<v Speaker 2>The That's like for the audience, I feel like, for

2271
02:01:08.880 --> 02:01:12.520
<v Speaker 2>the for the for the slower on the uptake people

2272
02:01:12.560 --> 02:01:13.439
<v Speaker 2>in the audience, you know.

2273
02:01:13.680 --> 02:01:15.960
<v Speaker 1>Yeah, that feels like you kick the writers out of

2274
02:01:15.960 --> 02:01:18.439
<v Speaker 1>the room. You're like, look, this is what we need

2275
02:01:18.479 --> 02:01:21.239
<v Speaker 1>to happen. Just pay someone twenty thousand dollars to rewrite

2276
02:01:21.239 --> 02:01:26.359
<v Speaker 1>the third act. And some executive is like saying, like,

2277
02:01:26.439 --> 02:01:28.600
<v Speaker 1>all right, get this down, and he's like, you know,

2278
02:01:29.279 --> 02:01:30.520
<v Speaker 1>does a line.

2279
02:01:30.279 --> 02:01:33.079
<v Speaker 2>Like Billy, are you dumb or something? He almost blew

2280
02:01:33.159 --> 02:01:37.800
<v Speaker 2>up the oh and then he realizes and the guy

2281
02:01:37.960 --> 02:01:40.159
<v Speaker 2>just collecting the checks like huh huh, like writing it

2282
02:01:40.199 --> 02:01:47.000
<v Speaker 2>down to the leftop. But I think this idea of

2283
02:01:47.039 --> 02:01:54.199
<v Speaker 2>of the the moral contest here that's effective dramatically. Yes,

2284
02:01:54.560 --> 02:01:56.920
<v Speaker 2>I don't think you need Morgan Freeman to be like

2285
02:01:56.960 --> 02:01:59.840
<v Speaker 2>so definitely don't be rut in front of them, say

2286
02:02:00.159 --> 02:02:01.239
<v Speaker 2>me understand.

2287
02:02:00.840 --> 02:02:04.920
<v Speaker 1>You know, yeah we are you saying then sorry, because

2288
02:02:04.920 --> 02:02:08.039
<v Speaker 1>I was sort of half reading h if they just

2289
02:02:08.079 --> 02:02:11.680
<v Speaker 1>did it on their own volition yeah, or or we will.

2290
02:02:11.760 --> 02:02:13.960
<v Speaker 1>We are getting in your way. You are going to

2291
02:02:14.039 --> 02:02:16.159
<v Speaker 1>have to get through us first, instead of needing to

2292
02:02:16.159 --> 02:02:17.199
<v Speaker 1>be told that that was going.

2293
02:02:17.119 --> 02:02:21.000
<v Speaker 2>To have a conversation between Salt and Daniels. Assault is like, sir,

2294
02:02:21.359 --> 02:02:23.039
<v Speaker 2>if we're in their glide path, there's no way they

2295
02:02:23.079 --> 02:02:25.520
<v Speaker 2>can get around us. And then Hoffin's like, and then

2296
02:02:25.520 --> 02:02:28.880
<v Speaker 2>they can't drop the bomb. You know, yeah, do it. Yeah,

2297
02:02:28.960 --> 02:02:29.680
<v Speaker 2>that's what you're right.

2298
02:02:29.800 --> 02:02:31.600
<v Speaker 1>Like, it's like, yeah, but these guys have orders and

2299
02:02:31.600 --> 02:02:34.000
<v Speaker 1>there's a real chance that they might plow through us anyway, Like,

2300
02:02:34.079 --> 02:02:35.880
<v Speaker 1>do it. I don't care if there's a chance.

2301
02:02:37.000 --> 02:02:39.920
<v Speaker 2>See, I'm sure the filmmakers are like, we also need

2302
02:02:39.960 --> 02:02:43.279
<v Speaker 2>to really clarify that that, you know, Billy is on

2303
02:02:43.319 --> 02:02:45.680
<v Speaker 2>the side of the angels, right, mm hmm. But I

2304
02:02:45.720 --> 02:02:48.199
<v Speaker 2>think you could do that just as well by having

2305
02:02:48.479 --> 02:02:51.079
<v Speaker 2>the people in that bunker being like, sir, he's in

2306
02:02:51.159 --> 02:02:53.520
<v Speaker 2>the glidepath that they like they can't move, and you

2307
02:02:53.640 --> 02:02:56.920
<v Speaker 2>just cut to Billy and he's smiling, you know, exactly exactly.

2308
02:02:57.760 --> 02:02:58.119
<v Speaker 1>I see.

2309
02:02:58.119 --> 02:03:01.119
<v Speaker 2>I would like that. Yeah, I feel like that would.

2310
02:03:00.880 --> 02:03:03.880
<v Speaker 1>Work better, and that's probably more likely what they would do.

2311
02:03:03.920 --> 02:03:04.039
<v Speaker 2>Now.

2312
02:03:04.079 --> 02:03:08.600
<v Speaker 1>I feel like audiences scrutinize even harder as time marches on. Right,

2313
02:03:08.800 --> 02:03:14.000
<v Speaker 1>audiences are less willing to swallow like on the nose

2314
02:03:14.319 --> 02:03:15.239
<v Speaker 1>types of dialogue.

2315
02:03:15.239 --> 02:03:18.560
<v Speaker 2>And but again, I will say, I remember watching this

2316
02:03:18.680 --> 02:03:20.640
<v Speaker 2>and Theena and that Booley are you dumb or something?

2317
02:03:20.680 --> 02:03:26.039
<v Speaker 2>You just told him and people in the audience, so yeah,

2318
02:03:26.119 --> 02:03:28.680
<v Speaker 2>hey worked on that level.

2319
02:03:29.279 --> 02:03:32.760
<v Speaker 1>Yeah, you know what, But again, yeah, we're judging something

2320
02:03:32.800 --> 02:03:34.279
<v Speaker 1>that was made for nineteen ninety five.

2321
02:03:34.680 --> 02:03:40.479
<v Speaker 2>Yeah, a very dumb time. We were a stupid stupid people,

2322
02:03:40.479 --> 02:03:43.960
<v Speaker 2>weren't we, Brian, We know we were there, We lived it.

2323
02:03:44.159 --> 02:03:44.880
<v Speaker 2>We were dumb.

2324
02:03:50.560 --> 02:03:55.520
<v Speaker 1>Oh man, is there any like who could like rile

2325
02:03:55.640 --> 02:03:59.039
<v Speaker 1>more feelings inside of you? What actor taking a microphone

2326
02:03:59.079 --> 02:04:01.880
<v Speaker 1>and being like you will stand down? Yeah right, you know,

2327
02:04:01.920 --> 02:04:07.159
<v Speaker 1>like Margan Freeman saying that is like, yes, sir, you

2328
02:04:07.199 --> 02:04:10.760
<v Speaker 1>will place mclinn talk under arrest damn.

2329
02:04:13.119 --> 02:04:16.119
<v Speaker 2>And then and then our guy gets the satisfaction of

2330
02:04:16.199 --> 02:04:18.920
<v Speaker 2>arresting him. That's what I'm saying, Man, be careful who

2331
02:04:18.960 --> 02:04:20.479
<v Speaker 2>you piss off on the way up, because you gotta

2332
02:04:20.479 --> 02:04:22.640
<v Speaker 2>pass him on the way down. That's right, That's right.

2333
02:04:22.760 --> 02:04:25.119
<v Speaker 1>And I love the Sutherland even addresses it like you're

2334
02:04:25.159 --> 02:04:25.600
<v Speaker 1>loving this.

2335
02:04:25.600 --> 02:04:33.359
<v Speaker 2>Aren't you? He was you know, he was a singular presence.

2336
02:04:33.439 --> 02:04:35.720
<v Speaker 2>Donald Sotherland, you know we'll never see his kind again,

2337
02:04:35.800 --> 02:04:41.680
<v Speaker 2>you know, absolutely? Yeah, So Dale died that that actor.

2338
02:04:41.720 --> 02:04:46.399
<v Speaker 2>He's also in JFK in the sequence with with Donald,

2339
02:04:46.399 --> 02:04:50.439
<v Speaker 2>Like Donald Southerland has the flashback, you know, Oh funny,

2340
02:04:50.800 --> 02:04:54.399
<v Speaker 2>and he's the guy he's giving Sutherland orders. So it's just.

2341
02:04:56.319 --> 02:04:58.279
<v Speaker 1>You know, it's funny. I almost because that's the movie

2342
02:04:58.279 --> 02:05:00.399
<v Speaker 1>we're watching at the moment. Like I almost wish that

2343
02:05:00.520 --> 02:05:05.760
<v Speaker 1>the Dale Dye had had some sort of snarky lineback

2344
02:05:05.840 --> 02:05:08.720
<v Speaker 1>or repeated something ironically back to Sutherland.

2345
02:05:08.920 --> 02:05:11.960
<v Speaker 2>But it makes more sense that someone in his position

2346
02:05:13.640 --> 02:05:18.039
<v Speaker 2>wouldn't get more stoic. Yeah, and he's like a military advisor,

2347
02:05:18.079 --> 02:05:22.159
<v Speaker 2>so he would know, yeah, yeah, exactly, look at look

2348
02:05:22.159 --> 02:05:27.000
<v Speaker 2>at that bombshell, Rene Russo. Now again, bear in mind

2349
02:05:27.199 --> 02:05:30.920
<v Speaker 2>she she's, you know, more than twenty four hours into

2350
02:05:30.960 --> 02:05:34.520
<v Speaker 2>this thing, which is liquefying your organs. That's true.

2351
02:05:34.880 --> 02:05:37.239
<v Speaker 1>What is not being reversed inside of her?

2352
02:05:37.319 --> 02:05:37.680
<v Speaker 2>Right now?

2353
02:05:37.760 --> 02:05:42.279
<v Speaker 1>That's It's like, that is a really good point, Zachi.

2354
02:05:42.319 --> 02:05:47.880
<v Speaker 2>Right, Like the movie is really escalating the speed for

2355
02:05:48.760 --> 02:05:51.239
<v Speaker 2>the process of the virus and how quickly it can

2356
02:05:51.279 --> 02:05:53.960
<v Speaker 2>be undone, because I think I think once your organs

2357
02:05:53.960 --> 02:05:56.760
<v Speaker 2>are liquefied or that process has begun, I don't think

2358
02:05:56.800 --> 02:06:00.000
<v Speaker 2>you just caught a sort of you know, you can't

2359
02:06:00.119 --> 02:06:02.920
<v Speaker 2>do like the hit fifteen seconds back button.

2360
02:06:03.199 --> 02:06:04.600
<v Speaker 1>And you know what they should have done is they

2361
02:06:04.640 --> 02:06:06.960
<v Speaker 1>should have shown the insides kind of like Allah three

2362
02:06:07.000 --> 02:06:09.800
<v Speaker 1>kings and you see them melting. But then once she

2363
02:06:09.880 --> 02:06:12.680
<v Speaker 1>takes the stuff, it's like Terminator two with like the mercury,

2364
02:06:13.199 --> 02:06:16.479
<v Speaker 1>you know, liquid stuff like finding one another and reforming

2365
02:06:16.560 --> 02:06:17.479
<v Speaker 1>into a solid shape.

2366
02:06:17.520 --> 02:06:21.159
<v Speaker 2>And we see her heart like like I like the

2367
02:06:21.199 --> 02:06:25.319
<v Speaker 2>flowers from e te reblooming or whatever. You don't see that,

2368
02:06:25.520 --> 02:06:25.680
<v Speaker 2>you know.

2369
02:06:25.720 --> 02:06:28.359
<v Speaker 1>What I would have loved is like, uh, oh, thank god,

2370
02:06:28.399 --> 02:06:29.159
<v Speaker 1>you're doing all right?

2371
02:06:29.520 --> 02:06:30.600
<v Speaker 2>It worked? It worked?

2372
02:06:31.039 --> 02:06:33.359
<v Speaker 1>Did they get it in time to Kevin Spacey? And

2373
02:06:33.399 --> 02:06:37.119
<v Speaker 1>we just see in the foreground, like his gurney with

2374
02:06:37.199 --> 02:06:40.720
<v Speaker 1>him completely dead, like like being wheeled past. She's like,

2375
02:06:40.760 --> 02:06:52.119
<v Speaker 1>I sure, hope, So I'm sure they did credits with

2376
02:06:52.159 --> 02:06:53.720
<v Speaker 1>the machine. It's being wheeled past.

2377
02:06:56.960 --> 02:07:01.439
<v Speaker 2>Oh man, wow, it's over. Yeah, the credits are rolling

2378
02:07:01.680 --> 02:07:06.880
<v Speaker 2>all right. So outbreak thirty years later, what are we thinking? Uh?

2379
02:07:11.800 --> 02:07:16.039
<v Speaker 1>Sorry, I know what you're getting into. This is a

2380
02:07:16.119 --> 02:07:19.000
<v Speaker 1>complete mid nineties popcorn flick.

2381
02:07:19.359 --> 02:07:20.840
<v Speaker 2>Yeah.

2382
02:07:20.960 --> 02:07:22.840
<v Speaker 1>I didn't quite know that when I was getting back

2383
02:07:22.840 --> 02:07:26.439
<v Speaker 1>into it, and I was a little like, what but

2384
02:07:26.760 --> 02:07:29.239
<v Speaker 1>watching it now here with you and enjoying the parts

2385
02:07:29.239 --> 02:07:31.479
<v Speaker 1>that are enjoyable and kind of laughing at the parts

2386
02:07:31.479 --> 02:07:34.560
<v Speaker 1>that are laughable, like total fun throwback.

2387
02:07:35.359 --> 02:07:38.039
<v Speaker 2>It's very much of an era. And that's one thing

2388
02:07:38.079 --> 02:07:42.920
<v Speaker 2>that you know, I I am tickled whenever I get

2389
02:07:42.920 --> 02:07:44.960
<v Speaker 2>a chance to sort of dip back into the way

2390
02:07:46.000 --> 02:07:49.880
<v Speaker 2>blockbusters used to be. You know, and I say this

2391
02:07:49.960 --> 02:07:53.680
<v Speaker 2>all the time, like normalize mid budget movies with mid

2392
02:07:53.720 --> 02:07:59.399
<v Speaker 2>budget expectations. Totally and you know it. I think it

2393
02:07:59.800 --> 02:08:02.479
<v Speaker 2>hard arkens back to a time we're going to the

2394
02:08:02.479 --> 02:08:09.800
<v Speaker 2>movies was a primary, you know, source of entertainment, and

2395
02:08:09.880 --> 02:08:12.159
<v Speaker 2>so people would go and there was more of an

2396
02:08:12.199 --> 02:08:16.479
<v Speaker 2>opportunity for a diverse slate of things like this. Totally,

2397
02:08:16.640 --> 02:08:19.479
<v Speaker 2>totally right. I mean when we look at the type

2398
02:08:19.720 --> 02:08:24.319
<v Speaker 2>the movies that are turning thirty this year, there's only

2399
02:08:24.359 --> 02:08:30.520
<v Speaker 2>one superhero in the mix, and that's that's a Batman. Wow. Yeah,

2400
02:08:30.600 --> 02:08:32.399
<v Speaker 2>I guess judge dread. So let's say one and a

2401
02:08:32.439 --> 02:08:35.279
<v Speaker 2>half superheroes. Sure, sure, but you know you got your

2402
02:08:35.319 --> 02:08:38.119
<v Speaker 2>water World, you got your Apollo thirteen, you got your

2403
02:08:38.680 --> 02:08:41.640
<v Speaker 2>you know, you got your this right here mm hmmm hm,

2404
02:08:42.720 --> 02:08:48.119
<v Speaker 2>a lot of diverse, diverse and I appreciate that. Yep, yeah,

2405
02:08:48.159 --> 02:08:53.439
<v Speaker 2>definitely yes, but hey, you know this is this is

2406
02:08:54.359 --> 02:08:59.039
<v Speaker 2>definitely it has a different flavor now five years post pandemic,

2407
02:08:59.079 --> 02:09:00.439
<v Speaker 2>I will say that it's true.

2408
02:09:00.520 --> 02:09:06.840
<v Speaker 1>Yep, yep, it plays. You bring new things to it

2409
02:09:07.800 --> 02:09:10.000
<v Speaker 1>that maybe you would not have in twenty nineteen.

2410
02:09:11.119 --> 02:09:14.600
<v Speaker 2>That's very true. But hey, let us know. Let us

2411
02:09:14.600 --> 02:09:17.520
<v Speaker 2>know your thoughts about Outbreak. Is this your first time

2412
02:09:17.560 --> 02:09:20.239
<v Speaker 2>watching it, or are you revisiting it? Or just are

2413
02:09:20.279 --> 02:09:21.880
<v Speaker 2>you listening to our thoughts? What did you think? You

2414
02:09:21.880 --> 02:09:24.640
<v Speaker 2>can email us at moviefilm podcast at gmail dot com.

2415
02:09:24.640 --> 02:09:26.960
<v Speaker 2>You can also hit like on our Facebook page Facebook

2416
02:09:26.960 --> 02:09:30.600
<v Speaker 2>dot com slash moviefilm podcast and message us there. We

2417
02:09:30.640 --> 02:09:33.039
<v Speaker 2>also have a Patreon page Bran, Yes, sir.

2418
02:09:33.079 --> 02:09:35.920
<v Speaker 1>If you head over to patreon dot com slash moviefilm

2419
02:09:36.000 --> 02:09:39.359
<v Speaker 1>podcast and hit subscribe for only five dollars a month,

2420
02:09:39.520 --> 02:09:42.600
<v Speaker 1>you'll find every commentary we've ever done, and every episode

2421
02:09:42.640 --> 02:09:46.840
<v Speaker 1>and commentary we do moving forward, absolutely ad free. The

2422
02:09:46.840 --> 02:09:51.760
<v Speaker 1>money also helps support us and help sustain producing this show,

2423
02:09:51.880 --> 02:09:54.159
<v Speaker 1>So if you're interested in able, please head over to

2424
02:09:54.239 --> 02:09:57.680
<v Speaker 1>Patreon dot com slash moviefilm podcast and subscribe.

2425
02:09:57.840 --> 02:10:01.119
<v Speaker 2>We'd be very grateful, We certainly would. Yeah, And if

2426
02:10:01.119 --> 02:10:03.079
<v Speaker 2>you're looking for us outside of the show, you can

2427
02:10:03.079 --> 02:10:05.680
<v Speaker 2>find me on social media at Zaki's Corner. That's the

2428
02:10:05.840 --> 02:10:07.840
<v Speaker 2>a Ki S Corner. You can find me on Blue

2429
02:10:07.840 --> 02:10:11.479
<v Speaker 2>Sky and Threads and Instagram. I'm also right for the

2430
02:10:11.520 --> 02:10:14.119
<v Speaker 2>San Francisco Chronicle and The Rap and IGN and you

2431
02:10:14.119 --> 02:10:16.800
<v Speaker 2>can look for my reviews there. Brian, anything you want

2432
02:10:16.840 --> 02:10:17.319
<v Speaker 2>to hype up?

2433
02:10:17.560 --> 02:10:20.760
<v Speaker 1>Yeah, episodes I've written of Puppy Dog Pals and Young

2434
02:10:20.840 --> 02:10:23.840
<v Speaker 1>Jedi Adventures are available to stream on Disney Plus.

2435
02:10:25.279 --> 02:10:28.239
<v Speaker 2>Here we go, and with that on behalf of my

2436
02:10:28.279 --> 02:10:30.119
<v Speaker 2>partner Brian holl. My name is Zachie Hasa. This has

2437
02:10:30.119 --> 02:10:33.279
<v Speaker 2>been our movie film commentary for Outbreak. We'll catch you

2438
02:10:33.319 --> 02:10:34.439
<v Speaker 2>next time. Thanks folks,
