WEBVTT

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<v Speaker 1>Hey, I'm Auntie and I'm right and we're spirals. So

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<v Speaker 1>welcome to episode ninety seven. I've been fighting a stomach

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<v Speaker 1>bug all week, but I'm going to do my best

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<v Speaker 1>here today. Finally starting to fill like myself.

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<v Speaker 2>Like that's good.

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<v Speaker 1>Yeah. So anyways, the big, big, big news is of

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<v Speaker 1>course that we have a new single.

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<v Speaker 2>Now. Yeah, it's been out for right now, a little

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<v Speaker 2>over a week by the time bridges you at least

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<v Speaker 2>a week and a half or so. It's entitled Okay,

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<v Speaker 2>and hopefully you guys have already seen it. We've been

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<v Speaker 2>promoted Andie's been promoted it. We have the videos, the visualizer,

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<v Speaker 2>lyric videos out.

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<v Speaker 1>Oh yeah, we'll go through all of that one by one, okay. Yeah.

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<v Speaker 1>So the crazy thing was we really had to rush

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<v Speaker 1>to get this song completed to fulfill that one single

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<v Speaker 1>per month promise that we had made.

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<v Speaker 2>Yeah, I came out right at the end of the month.

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<v Speaker 1>We barely made it so that we didn't have our

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<v Speaker 1>normal two week rollout.

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<v Speaker 2>We you guys wouldn't notice that, Yeah, no, probably not.

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<v Speaker 1>But so like, technically we should give the digital distributor

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<v Speaker 1>two weeks to get the single out, you know, to

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<v Speaker 1>like Spotify and Apple and all those things. But we

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<v Speaker 1>only gave him just barely a week, so we were

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<v Speaker 1>not even totally sure that it was going to happen.

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<v Speaker 2>On the day that we checked. Well, you could select

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<v Speaker 2>what date. We took the soonest one, and it kind

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<v Speaker 2>of slowly rolled out that day.

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<v Speaker 1>Well, we took the soonest Friday.

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<v Speaker 2>Yeah, the soon as Friday.

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<v Speaker 1>Soon it's Friday. And like you also may not know this,

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<v Speaker 1>but when things are coming out on Friday, generally you'll

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<v Speaker 1>actually see him pop up on Thursday nights.

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<v Speaker 2>For US West Coast, that would be nine pm Pacific time,

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<v Speaker 2>which is midnight on the East Coast. Technically Friday.

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<v Speaker 1>There totally so on Thursdays, So on Thursday night, Thursday. See,

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<v Speaker 1>it was supposed to come out the twenty six, so

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<v Speaker 1>on the twenty fifth, and even the twenty fifth, we

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<v Speaker 1>we clicked over to Apple. Wasn't there yet?

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<v Speaker 2>Yeah?

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<v Speaker 1>I found it on Spotify. They were prompt yeat, like, oh,

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<v Speaker 1>is it not going to come out on Apple?

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<v Speaker 2>How long will it take? Will it take a week?

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<v Speaker 2>We'll take a day.

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<v Speaker 1>We had no idea, so weirdly I woke up at

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<v Speaker 1>like four a.

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<v Speaker 2>Yeah, random, this doesn't usually happen.

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<v Speaker 1>I started at four am on on Friday, and I

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<v Speaker 1>and we have Apple TV in our bedroom, so I

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<v Speaker 1>went and I clicked it on and I found it

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<v Speaker 1>so Apple Music.

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<v Speaker 2>Go back to sleep and sleep a little bit better now,

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<v Speaker 2>yeh know. We we like listened to it three times.

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<v Speaker 1>We did, yeah, I don't fully remember. And we even

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<v Speaker 1>went over we went onto to YouTube too and also

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<v Speaker 1>listen to it on there, like you were like comparing

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<v Speaker 1>it for a Yeah, it's funny. And also that was

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<v Speaker 1>I think it was the first time I went ahead

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<v Speaker 1>and pushed the band camp page live on Thursday night,

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<v Speaker 1>like before we went to bed. I was like, you

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<v Speaker 1>know what, I'm just gonna go ahead and push it

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<v Speaker 1>live so that when people wake up, like even if

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<v Speaker 1>they wake up, say in Australia or whatever, they'll have

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<v Speaker 1>it on Friday morning. So that was kind of fun.

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<v Speaker 1>That was a little bit different. I don't have like

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<v Speaker 1>a ton of news this time.

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<v Speaker 2>That means we'll have a slightly less than long episode.

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<v Speaker 1>Probably maybe we have a lot of a listener commerce Yeah, yeah,

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<v Speaker 1>I guess first should we should we talk a little

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<v Speaker 1>bit about like our influences and stuff that went into.

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<v Speaker 2>Okay, like yeah. Once we were finishing up Boss Mode,

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<v Speaker 2>I was looking into my little our little cachet of

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<v Speaker 2>songs I kind of got started and Logic Pro and

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<v Speaker 2>I went through a few months ago and kind of

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<v Speaker 2>color code rank them which ones I thought their most promising.

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<v Speaker 2>This one was like second tier. Okay, But when I

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<v Speaker 2>heard it again, like more recently, because we're probably the

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<v Speaker 2>last listener and worked on it like a year or

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<v Speaker 2>so ago. Anyway, I heard it this time, like like

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<v Speaker 2>a month and a half or so ago, I go, oh, well,

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<v Speaker 2>I heard a lot of promise with this one. I

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<v Speaker 2>hear something really magical in the song. It was my

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<v Speaker 2>quest to like fulfill that promise that I saw and

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<v Speaker 2>the rough demo. So that's the one we went for.

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<v Speaker 2>And I'm glad we waited on this one too, rather

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<v Speaker 2>than released it last year. It would have been half

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<v Speaker 2>as good. I think every time we make a new song, go, yeah,

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<v Speaker 2>this one's awesome, this one's amazing.

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<v Speaker 1>I know, it's kind of embarrassing when we look back

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<v Speaker 1>on I really.

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<v Speaker 2>Think on this one, okay, I think this might be

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<v Speaker 2>one of our finest productions.

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<v Speaker 1>I mean, at the risk of being Crims again, but

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<v Speaker 1>we were like, wow, Bossmo is so great, like how

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<v Speaker 1>were we gonna do something like at Mossmo quality? But

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<v Speaker 1>then like kind of Newmanon has been like our.

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<v Speaker 2>Kind of gold standard, yeah, our high production value of

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<v Speaker 2>where we've been in recent times.

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<v Speaker 1>Yeah yeah, because like every time we go to work,

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<v Speaker 1>it's like, oh, is it gonna end up being as

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<v Speaker 1>good as Numanon? But this time after we you know,

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<v Speaker 1>when we were doing the listening on Apple, I think

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<v Speaker 1>I think even that night maybe we also listened to

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<v Speaker 1>Newmanon after we you know, heard okay a couple of

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<v Speaker 1>times and we're like, oh.

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<v Speaker 2>Shoot, I think we top Numana.

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<v Speaker 1>I know, like you know, not even talking about like

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<v Speaker 1>songwriting or whatever, but just like the way the over

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<v Speaker 1>all production and the masters and stuff sound.

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<v Speaker 2>About the whole thing holistically.

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<v Speaker 1>Yeah yeah, Like okay, it's just like it is lush.

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<v Speaker 2>Yeah great. I really went for the lush af on

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<v Speaker 2>this one noon like restrained lushness, but this one we

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<v Speaker 2>just wanted like lush and sexy, you know, total highest

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<v Speaker 2>degrees of both of those out.

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<v Speaker 1>Yeah, so funny. I all I really remember is that

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<v Speaker 1>we started once again, we started with recording the chorus.

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<v Speaker 2>Yeah, we got that.

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<v Speaker 1>To where we wanted it and like trying to figure out,

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<v Speaker 1>you know, which is the main which is the main

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<v Speaker 1>top line vocal, and which is the backing vocal.

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<v Speaker 2>Yeah.

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<v Speaker 1>Once we had that established, it seemed like it was

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<v Speaker 1>easier to go forward from there.

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<v Speaker 2>Yeah.

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<v Speaker 1>Yeah. Normally we would track like the main vocal, like

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<v Speaker 1>which is generally like my natural tone. Normally we would

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<v Speaker 1>track that all the way through and then like on

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<v Speaker 1>another day, come back into the high harmonies. This time

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<v Speaker 1>we did both and the same. It was like a

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<v Speaker 1>writing and recording session like I had, I had the

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<v Speaker 1>poet tree, but I really didn't know what my melodies

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<v Speaker 1>were going to be, and we like we really cramped

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<v Speaker 1>and did the whole thing.

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<v Speaker 2>That's kind of weird. Like a lot of our we

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<v Speaker 2>were writing songs, the production and songwriting are kind of

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<v Speaker 2>often one and the same, meaning that very rarely for us.

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<v Speaker 2>As a song like rehearsed, you know, like we practiced it.

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<v Speaker 2>We know, it's just a matter of going to the

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<v Speaker 2>studio and just doing it, you know, for the in

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<v Speaker 2>front of the microphone and getting all down.

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<v Speaker 1>I don't think that's exactly true. It depends. Like when

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<v Speaker 1>we're doing albums, I end up having a lot of time,

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<v Speaker 1>like to learn a song. These you're kind of writing

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<v Speaker 1>all these singles, you're.

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<v Speaker 2>Kind of coming up with the melodies and how you're

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<v Speaker 2>going to deliver it as we're just kind of put

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<v Speaker 2>you in front of and hearing it for the first time.

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<v Speaker 1>For sure. Yeah, I did end up coming with something

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<v Speaker 1>a little bit, a little bit on the fly that

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<v Speaker 1>there's like a little spoken part, oh yeah, yeah, and

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<v Speaker 1>the bridge.

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<v Speaker 2>Yeah yeah, not melodic word wrap.

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<v Speaker 1>It's not exactly a rabbit.

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<v Speaker 2>Listen for if you think Angie's voice is particularly like

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<v Speaker 2>warm and sexy on this one, which I think it is.

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<v Speaker 2>Part of it was your performance or delivery and parts.

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<v Speaker 2>We switched back to an older PREMP pre amp microphone

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<v Speaker 2>PREMP that we haven't used in a long time. But yeah,

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<v Speaker 2>I've made some adjustments on how I mic you up

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<v Speaker 2>so that we can go back to using this pramp.

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<v Speaker 2>Before it was just it was too warm and before,

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<v Speaker 2>but now I think we got it so we can

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<v Speaker 2>use it. And I think we're gonna keep using this

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<v Speaker 2>one from now because your voice sounds like hot on

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<v Speaker 2>this song, so we're gonna roll with the vitas for

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<v Speaker 2>a while.

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<v Speaker 1>Yeah, that was one of the things that we're working on,

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<v Speaker 1>like what, you know, what what should the vulbal sound

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<v Speaker 1>like on this? And it's like, you know, I just

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<v Speaker 1>I want it to be like very intimate, very sexy.

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<v Speaker 1>Didn't you also change something about the microphone the.

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<v Speaker 2>Directional Yeah, that's a basic day, okay for a nerd

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<v Speaker 2>tip here. Yeah, when we were first using the vitas

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<v Speaker 2>Fi preamp with her mic, we're using the mic. It's

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<v Speaker 2>a multi pattern mic. We're using it in cardioid, probably

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<v Speaker 2>the most common mic pattern for microphones anyway, Carter. It

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<v Speaker 2>has a a when you're up close to it, there's

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<v Speaker 2>a what's called proximity effect, which means a base is

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<v Speaker 2>you know, the lower frequencies are louder than the higher ones.

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<v Speaker 2>It's kind of boomy. If you flip it into omni,

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<v Speaker 2>most of that proximity effect is gone. Still there, but

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<v Speaker 2>just like maybe ten. So that's the secret to recording

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<v Speaker 2>you close up with that mic is put it on

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<v Speaker 2>an omni. But for omni you need to excuse me.

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<v Speaker 2>Your room can't sound like crap because it picks up

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<v Speaker 2>all directions. So it's got to have a quiet room.

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<v Speaker 2>And that was the secret there.

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<v Speaker 1>Yeah, Yeah, gotta pick the right hour to record.

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<v Speaker 2>At That's that's always true here in this home. Stood,

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<v Speaker 2>it's a crazy nonsense going on. I'm surprised not going

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<v Speaker 2>on right now as we recording.

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<v Speaker 1>I know we really liked that. Yeah, but you know,

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<v Speaker 1>we couldn't have done this yesterday on fourth of July

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<v Speaker 1>sort of a way too many explosions. Yeah, but today,

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<v Speaker 1>so yeah, that was that was. That was a fun

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<v Speaker 1>song to track and to mix, and it came together

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<v Speaker 1>like quickly and in a way that we really enjoyed.

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<v Speaker 1>And so yeah. So, like I said, I didn't have

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<v Speaker 1>as much time to roll out, but I tried to

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<v Speaker 1>do all the same things I normally do, Like I

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<v Speaker 1>made like a little teaser clip and got that on

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<v Speaker 1>Instagram and YouTube.

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<v Speaker 2>Excited.

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<v Speaker 1>Yeah, people got really excited. So I was gonna share

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<v Speaker 1>a couple of the comments for Funzi.

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<v Speaker 2>From the teaser clip. Yeah, I do it.

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<v Speaker 1>I don't know if you remember last time Crystal had

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<v Speaker 1>said st Crystal comment again also another fire track. Income Yes,

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<v Speaker 1>and let's see.

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<v Speaker 2>That we love hearing stuff like this. These are the

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<v Speaker 2>first comments we hear, you know, from the teasers. Exactly.

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<v Speaker 1>I know this is just a teaser.

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<v Speaker 3>Damn.

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<v Speaker 1>I am looking forward to this one that's Sheen and Cuckoo. Oh.

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<v Speaker 1>This guy, Moustafa Faris, This guy is awesome. He said

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<v Speaker 1>this song is gonna rule. I remember he is actually

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<v Speaker 1>the guy that had said on Boss Mode that we

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<v Speaker 1>needed to do more and you need to do more

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<v Speaker 1>at Grapped and I said, I'll see what I can do. Yeah,

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<v Speaker 1>I did kind of think of when I was doing

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<v Speaker 1>that spoken let's see. Oh and this guy be really excited.

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<v Speaker 1>Big Sonic Heavin Radio said we're so looking forward to it,

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<v Speaker 1>and that was on the YouTube teaser and then over

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<v Speaker 1>on the Instagram one, I saw this sounds absolutely amazing

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<v Speaker 1>Big Sonic Jim, Oh cool. Yeah that was so hopefully

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<v Speaker 1>we'll end up on Big Sonic Radio at some point.

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<v Speaker 1>So yeah. So then when the full track came out,

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<v Speaker 1>Oh yeah, okay, so remember.

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<v Speaker 2>Mastofa Yeha made a comment on the full track. Yeah,

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<v Speaker 2>how was his review with the final.

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<v Speaker 1>Song, This is the best thing I've ever heard, the.

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<v Speaker 2>Best thing he's ever hed. Awesome, it might be the

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<v Speaker 2>best Love Spirals song I've ever heard. Let's say the

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<v Speaker 2>whole thing.

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<v Speaker 1>Okay, Yeah, so I told him this is the best

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<v Speaker 1>comment I've ever read.

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<v Speaker 2>Yeah, awesome, indeed.

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<v Speaker 1>Okay's over over on Instagram, and I guess they didn't

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<v Speaker 1>get the full track. It was like, you know, I

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<v Speaker 1>give them the links so they can go check it

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<v Speaker 1>out band camp or whatever.

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<v Speaker 2>Yeah.

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<v Speaker 1>So this is the first time I've ever seen people

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<v Speaker 1>responding with gifts.

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<v Speaker 2>Okay.

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<v Speaker 1>Yeah, so the very first comment was a gift of

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<v Speaker 1>a girl driving in the rain, and I was like, oh,

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<v Speaker 1>it's so accurate. Another person posted a guy with headphones on.

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<v Speaker 1>He appeared to be having what I would call him eargalzo. Oh.

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<v Speaker 2>Yes, she was awesome.

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<v Speaker 1>Sexy Missus Belgrave said love the vibe. Oh and fallon

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<v Speaker 1>Marie Yeah she said, Look, she said, love the new song.

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<v Speaker 1>Been playing it all day? Okay, yeah. Chris Patterson said

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<v Speaker 1>love it and have it on a couple of my playlists.

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<v Speaker 1>That was awesome, I know. And Medea's Systema said so

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<v Speaker 1>deep and wonderful. I love it, And that was over

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<v Speaker 1>on the the LSD official YouTube account, and someone else

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<v Speaker 1>over there said this is nostalgic in super curious what

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<v Speaker 1>it was nostalgic of their name was like Luma's abaton.

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<v Speaker 2>Yeah, I mean stylistically, it doesn't like anything that we

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<v Speaker 2>like from my nineties era or anything like that. But

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<v Speaker 2>it's still comes from the same emotional place more or less.

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<v Speaker 2>You know, that hasn't changed too much. I mean, like

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<v Speaker 2>I've learned, you know, new production, technically, got new gear,

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<v Speaker 2>all that stuff, but the same heart is still here.

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<v Speaker 2>You know.

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<v Speaker 1>I think the fact that you've got like that super

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<v Speaker 1>dream pop guitar and like that shoegazory emo, yeah, mixed

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<v Speaker 1>with a modern electronica framework, that's.

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<v Speaker 2>A great way to describe it. Yeah, that is.

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<v Speaker 1>I mean, if that's not a direct line from Flux,

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<v Speaker 1>I don't know what is.

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<v Speaker 2>You know, it has brand Brandon from Restless Mosaics, and

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<v Speaker 2>you try to describe her sound dream pop plus yeah plus,

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<v Speaker 2>and that plus can be whatever we're into that at that. Yeah,

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<v Speaker 2>but usually yeah, like trapper or something. Who knows.

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<v Speaker 1>Yeah, I don't know exactly how it would describe the

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<v Speaker 1>electronica beats and stuff on this one. You know, it's

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<v Speaker 1>I think it is kind of like the kind of

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<v Speaker 1>chill up but also kind of like the more chill

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<v Speaker 1>K pop electronica that we like.

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<v Speaker 2>Yeah, it's kind of a blend of that chill out

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<v Speaker 2>and chill K pop electronica. Yeah, is that the last comment,

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<v Speaker 2>I have one more.

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<v Speaker 1>Someone said just as good as Boss Mode. You killed it.

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<v Speaker 2>Awesome. This is cool, guys, So thanks for sharing your comments.

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<v Speaker 2>Really it's yeah, I don't know if I said it before,

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<v Speaker 2>but yeah, making music here is a very just, you know,

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<v Speaker 2>just you and me experience. There's not other people here.

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<v Speaker 2>There's no like other musicians. There's no like solitary audio

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<v Speaker 2>engineers or producers besides me and her. Yeah. So it's

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<v Speaker 2>it's so weird, like we've spent like, we spend so

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<v Speaker 2>much time, you know, hours, months, sometimes years on a

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<v Speaker 2>song and it's just it's just us and finally it

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<v Speaker 2>gets out to the world and other people are experiencing it.

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<v Speaker 2>It's just it's just so like awesome and just I

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<v Speaker 2>don't know what the right word is, almost exhilarating to

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<v Speaker 2>hear that it's doing cool things to other people.

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<v Speaker 1>Yeah, yeah, absolutely.

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<v Speaker 2>So that's part of the reward there. You know, we're

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<v Speaker 2>not like a top forty band. You know, we're not

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<v Speaker 2>writing songs for Beyonce or Taylor Swift or something like that.

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<v Speaker 2>You know, we're not getting rich off this is what

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<v Speaker 2>I'm saying. So part of the riches for us, like

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<v Speaker 2>internal rewards rather than external things, you know, So getting

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<v Speaker 2>that eternal now, what's that called, like adrenaline hit? Like

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<v Speaker 2>this is best?

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<v Speaker 1>Yeah, in fact, like just to show how different we

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<v Speaker 1>are from someone like you know, what'd you say, Beyonce? Yeah,

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<v Speaker 1>we're we're knocking on six thousand streams of okay, rights.

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<v Speaker 2>That's great. I usually have the rule of thumb, and

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<v Speaker 2>you know, we usually do about ten k in a

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<v Speaker 2>four week period or something like that. So I just

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<v Speaker 2>turned on silence all notifications in case you heard a beat. Great.

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<v Speaker 1>Oh yeah, I was gonna say. I think I don't

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<v Speaker 1>know for sure, but I think it's possible that only

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<v Speaker 1>having that you know, that quick run time to it

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<v Speaker 1>coming out on Spotify, that may have contributed to like

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<v Speaker 1>the kind of a slower take. Like I noticed that it

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<v Speaker 1>was like sixty five percent of the streams in that

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<v Speaker 1>first week we're coming directly from like our what do

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<v Speaker 1>they call it? Come from our profile and and like

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<v Speaker 1>there was barely any coming from the algorithm playlist. But

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<v Speaker 1>as of this weekend now it's up to twenty seven

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<v Speaker 1>percents coming from the algorithm. So finally, the algorithm's kind

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<v Speaker 1>of starting to.

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<v Speaker 2>So as being like people like to tweak and be scientific. Yeah,

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<v Speaker 2>maybe next times we won't do the quick worldout. We'll

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<v Speaker 2>let it have the full two weeks. Yeah, helps, it's

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<v Speaker 2>algorithm out somehow, we don't know.

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<v Speaker 1>It wouldn't kill us to have it come out in July.

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<v Speaker 1>Then it would have come out this week where even

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00:15:39.919 --> 00:15:41.600
<v Speaker 1>more people are on vacation.

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<v Speaker 2>To get out. Yeah, that came out yes of last Friday. Useless. Yeah,

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<v Speaker 2>so I had to come out when it did basically

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<v Speaker 2>kind of did.

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<v Speaker 1>Yeah, that's why we just because we had, you know,

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00:15:52.120 --> 00:15:54.639
<v Speaker 1>and like we could have cout remixing the song over

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<v Speaker 1>and over, but I don't think we needed to. When

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<v Speaker 1>we did everything we wanted to do.

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<v Speaker 2>Yeah, I don't know if it could have been that

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<v Speaker 2>much better. I mean, it's the thing. Once you hit it,

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<v Speaker 2>Once your mix hits a certain level of greatness, you

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<v Speaker 2>can I mean that's I'm not saying it smoothness, you

347
00:16:08.960 --> 00:16:10.639
<v Speaker 2>know what I'm saying. You can keep working. You could

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<v Speaker 2>spend another like say another week, like a forty hour

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00:16:14.000 --> 00:16:16.559
<v Speaker 2>week of mixing it, and you might get maybe one

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00:16:16.600 --> 00:16:19.720
<v Speaker 2>to two percent of improvement. It's like diminishing returns at

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<v Speaker 2>that point. And then sometimes you can start overthinking it

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<v Speaker 2>and maybe sometimes make it even worse, you know, I'm sure.

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<v Speaker 2>So we try to get that spot where we quit

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<v Speaker 2>when we know it's a really good mix and all

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00:16:30.960 --> 00:16:33.120
<v Speaker 2>the problems. Like we have a little list of things

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<v Speaker 2>we want to hit up, you know, and we hit

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<v Speaker 2>those all and and once we were satisfied, then we

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<v Speaker 2>all right, that's when you're done.

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<v Speaker 1>Sort of totally. Yeah. Yeah, so you know, people are

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<v Speaker 1>starting to listen to it. It's getting into like silver

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<v Speaker 1>seven hundred playlists blah blah blah. I saw when we

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<v Speaker 1>get like nine streams in South Korea this time.

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<v Speaker 2>So far we're getting there that Boss was up to

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<v Speaker 2>like fifty or so. Yeah, that's where our big goals

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<v Speaker 2>in South Korea to really discover our music. So if

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<v Speaker 2>you happen to be one of the rare South Korean listeners, no,

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<v Speaker 2>I want to know who the word Let them know.

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<v Speaker 2>We're into bands like like ex Monster x XO, stuff

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<v Speaker 2>like that, you know.

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<v Speaker 1>Definitely Jimmy Brown speaking of Cold Young Young we're gonna

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<v Speaker 1>go see tomorrow.

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<v Speaker 2>Yeah, we will already seen him by this time comes out.

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<v Speaker 1>Yeah, do you want to talk about the cover photo?

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<v Speaker 2>All's just another of my series, like we talked about

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<v Speaker 2>the last few episodes, you know of us when we

376
00:17:37.599 --> 00:17:41.000
<v Speaker 2>go out to some interesting places, they're already set up

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<v Speaker 2>all nice, and I do my weird color smearing.

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<v Speaker 1>Yeah, this time, that seemed to be the only photo

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<v Speaker 1>in the set that looked precisely like them. I was like,

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<v Speaker 1>no before and after shot.

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<v Speaker 2>I had high helpes when I took that photo. That's

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<v Speaker 2>why I put it in a little We have a

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<v Speaker 2>folder that we share of the ones I'm really stoked on,

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<v Speaker 2>and I thought that could one day end up being

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<v Speaker 2>an album.

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<v Speaker 1>So I love it. I think I tried to make

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<v Speaker 1>it a cover for I think I tried that one

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<v Speaker 1>on Boss Mode and then I'm glad we went with

389
00:18:06.279 --> 00:18:09.400
<v Speaker 1>the one that we did. Yeah, So anyways, Yeah, so

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<v Speaker 1>I really loved this photo and I was I just

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<v Speaker 1>couldn't wait to use it for a cover. I like

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<v Speaker 1>the song a lot, and it would have been cool

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00:18:16.279 --> 00:18:18.359
<v Speaker 1>to do like a full on music video like we

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<v Speaker 1>did for Newmanah. But that's just like it took so

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<v Speaker 1>much more time.

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<v Speaker 2>Post Rosso was kind of a longer song, knocking on

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<v Speaker 2>almost four minutes. That's long because it was like two

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<v Speaker 2>fifty eight or something like that.

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00:18:28.720 --> 00:18:29.720
<v Speaker 1>Yeah, that would have been easier.

400
00:18:30.039 --> 00:18:30.440
<v Speaker 2>Yeah.

401
00:18:30.519 --> 00:18:33.279
<v Speaker 1>Yeah, So I just tried to think of a new

402
00:18:33.319 --> 00:18:38.200
<v Speaker 1>way to use the the the art, like I've been

403
00:18:38.279 --> 00:18:42.160
<v Speaker 1>using kind of like the same liquidy looking effect for

404
00:18:42.279 --> 00:18:45.160
<v Speaker 1>quite a few and in the lyric visualizer yeah, and

405
00:18:45.160 --> 00:18:47.680
<v Speaker 1>the lyric visualizer yeah, and you know, I got a

406
00:18:47.759 --> 00:18:50.160
<v Speaker 1>kind of a different look for Bossmo. But yeah, so

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00:18:50.200 --> 00:18:52.519
<v Speaker 1>I played around with some different effects and I really like,

408
00:18:53.160 --> 00:18:55.279
<v Speaker 1>I really liked the ones I ended up coming up with,

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<v Speaker 1>Like the way that the that the photo was these

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<v Speaker 1>bands of color. I felt like, yeah, things I chose

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00:19:01.839 --> 00:19:04.519
<v Speaker 1>and the way that I had the graphics going back

412
00:19:04.559 --> 00:19:07.200
<v Speaker 1>and forth like and and I really like how it

413
00:19:07.240 --> 00:19:07.680
<v Speaker 1>turned out.

414
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<v Speaker 2>So he's got some ideas. We got to take some

415
00:19:10.799 --> 00:19:13.640
<v Speaker 2>new photos. I wonder if I could do something in

416
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<v Speaker 2>here with the lights all moody at night, Maybe have

417
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<v Speaker 2>a guitar and a stand and so you have like

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00:19:18.960 --> 00:19:21.480
<v Speaker 2>a guitar and lights getting all smared. I might try

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00:19:21.519 --> 00:19:22.079
<v Speaker 2>that out one day.

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00:19:22.519 --> 00:19:23.240
<v Speaker 1>Is that for the show?

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00:19:23.359 --> 00:19:23.799
<v Speaker 2>Yeah?

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00:19:23.640 --> 00:19:26.200
<v Speaker 1>Okay, Yeah, I was telling him the other day. I

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00:19:26.200 --> 00:19:27.920
<v Speaker 1>was like, Bro, we finally need to take some more

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00:19:27.920 --> 00:19:30.039
<v Speaker 1>bandag here.

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00:19:30.079 --> 00:19:32.680
<v Speaker 2>We have the advantage of props that we can't carry

426
00:19:32.720 --> 00:19:34.319
<v Speaker 2>with us to other places, and then we have some

427
00:19:34.319 --> 00:19:36.119
<v Speaker 2>cool lighting here. You know, I can make this room

428
00:19:36.680 --> 00:19:37.680
<v Speaker 2>way moodier than this.

429
00:19:37.680 --> 00:19:40.799
<v Speaker 1>Even so all as evidenced in the download video.

430
00:19:40.920 --> 00:19:44.039
<v Speaker 2>Yeah exactly. Yeah, so yeah, I might try that. You know,

431
00:19:44.720 --> 00:19:47.279
<v Speaker 2>I could lose. Really yeah, I think I could do

432
00:19:47.359 --> 00:19:48.960
<v Speaker 2>if I'm persistent and patient.

433
00:19:49.319 --> 00:19:52.079
<v Speaker 1>Susan Jennings lives even much further from us now than

434
00:19:52.119 --> 00:19:54.240
<v Speaker 1>she did when she was in San Francisco, so it's

435
00:19:54.279 --> 00:19:59.839
<v Speaker 1>up to us take Yeah. Oh, okay, I remember some

436
00:20:00.119 --> 00:20:03.519
<v Speaker 1>I wanted to address, So this is going back to

437
00:20:03.680 --> 00:20:08.359
<v Speaker 1>boss mode. I had a couple of comments that was like, all, okay,

438
00:20:08.440 --> 00:20:10.880
<v Speaker 1>I'm just going to answer this on the show. Okaym

439
00:20:11.400 --> 00:20:16.680
<v Speaker 1>the videos or yeah comment yeah. So the first comment

440
00:20:17.039 --> 00:20:21.039
<v Speaker 1>was so smooth, great job. I just hope the lyrics

441
00:20:21.039 --> 00:20:24.200
<v Speaker 1>are not about you two from tom Lee. And then

442
00:20:24.240 --> 00:20:27.160
<v Speaker 1>another person popped up like a week later. Let's hope

443
00:20:27.160 --> 00:20:31.920
<v Speaker 1>Angie is not directing these lyrics to Ryan Veggie mckiela's I.

444
00:20:31.880 --> 00:20:34.519
<v Speaker 2>Guess because one of the first words you say, this

445
00:20:34.599 --> 00:20:40.200
<v Speaker 2>is the last song, and there's other things too. It

446
00:20:40.240 --> 00:20:42.759
<v Speaker 2>just starts off like that, Well, they write songs together.

447
00:20:42.799 --> 00:20:44.240
<v Speaker 2>I hope that's not about.

448
00:20:43.960 --> 00:20:47.839
<v Speaker 1>Them or it's not like a rumor's fleetor mac situation,

449
00:20:48.359 --> 00:20:50.440
<v Speaker 1>or or like I.

450
00:20:50.359 --> 00:20:53.839
<v Speaker 2>Love some of the moods on that album. It's amazing.

451
00:20:53.880 --> 00:20:56.200
<v Speaker 2>But yeah, this is not that as far as the

452
00:20:56.279 --> 00:20:57.599
<v Speaker 2>lyrics and stuff go.

453
00:20:57.720 --> 00:21:02.160
<v Speaker 1>Yeah, I have written some songs very specifically about Ryan,

454
00:21:02.559 --> 00:21:06.640
<v Speaker 1>but these these two songs are not. And then you know,

455
00:21:06.680 --> 00:21:09.160
<v Speaker 1>and I tried to explain this when I did an

456
00:21:09.200 --> 00:21:16.359
<v Speaker 1>interview with the legendary Echoes radio guy. He really wanted

457
00:21:16.359 --> 00:21:18.799
<v Speaker 1>that song I wrote I wrote for a following You

458
00:21:18.880 --> 00:21:21.319
<v Speaker 1>album to be about you. He even went on records

459
00:21:21.359 --> 00:21:23.480
<v Speaker 1>saying that I had written in about you. When I

460
00:21:23.519 --> 00:21:24.559
<v Speaker 1>told him that I.

461
00:21:24.359 --> 00:21:26.119
<v Speaker 2>Had what an unethical thing.

462
00:21:26.119 --> 00:21:28.519
<v Speaker 1>I know, I said I hadn't and I didn't really

463
00:21:28.559 --> 00:21:31.200
<v Speaker 1>remember writing the song, but it wasn't that about you

464
00:21:31.319 --> 00:21:31.960
<v Speaker 1>and be able.

465
00:21:31.920 --> 00:21:35.200
<v Speaker 2>Just imagine what they want. Unfortunately, some have like a

466
00:21:35.240 --> 00:21:40.000
<v Speaker 2>bigger media presence to say incorrect thing. No. Fortunately, I

467
00:21:40.000 --> 00:21:43.119
<v Speaker 2>don't think any real harm was done by that fault.

468
00:21:43.720 --> 00:21:47.759
<v Speaker 1>Probably the other following You song I wrote, called Blessed,

469
00:21:48.039 --> 00:21:51.759
<v Speaker 1>was one about Ryan. I am so blessed to have

470
00:21:51.839 --> 00:21:54.799
<v Speaker 1>you here with me and blah blah blah, but we

471
00:21:54.920 --> 00:21:59.000
<v Speaker 1>okay for about it, I said, I will never be okay.

472
00:21:59.319 --> 00:22:03.119
<v Speaker 2>I mean, we're okay in the sense of us that

473
00:22:03.400 --> 00:22:05.720
<v Speaker 2>we're good, we're so solid.

474
00:22:06.319 --> 00:22:08.359
<v Speaker 1>Not the last song I'll ever write.

475
00:22:08.160 --> 00:22:12.119
<v Speaker 2>About navigating the world and other crowd maybe not so much, okay,

476
00:22:12.319 --> 00:22:15.200
<v Speaker 2>but as far as we are concerned, Yeah, no worries.

477
00:22:15.599 --> 00:22:19.119
<v Speaker 1>It has been an extremely depressing year. Like we're in

478
00:22:19.160 --> 00:22:21.519
<v Speaker 1>a really troubling time. So I think it's easier than

479
00:22:21.519 --> 00:22:24.799
<v Speaker 1>ever to tap into that certain emotion. Yeah, and to

480
00:22:24.880 --> 00:22:28.160
<v Speaker 1>really milk it. And you know, like the lyrics Okay,

481
00:22:28.240 --> 00:22:31.680
<v Speaker 1>I honestly do not remember the origin of writing it,

482
00:22:31.759 --> 00:22:34.640
<v Speaker 1>but it was very easy to connect to that, and

483
00:22:34.839 --> 00:22:37.960
<v Speaker 1>you know, to bring that forward through through your music

484
00:22:38.079 --> 00:22:41.920
<v Speaker 1>and and like you know, my my lyrics and vocals

485
00:22:41.960 --> 00:22:44.559
<v Speaker 1>playoff of the emotion and your music, and then you

486
00:22:44.720 --> 00:22:48.559
<v Speaker 1>come back in and your guitar often plays off of mine,

487
00:22:48.599 --> 00:22:53.000
<v Speaker 1>and so you know, it really really kind of get this, like.

488
00:22:52.640 --> 00:22:55.960
<v Speaker 2>Like I start a new one since finishing, okay, and

489
00:22:56.319 --> 00:22:58.240
<v Speaker 2>that's what I'm thinking about, Like, Okay, I give you

490
00:22:58.279 --> 00:23:00.400
<v Speaker 2>a pretty well produced song. A lot of stuff is

491
00:23:00.400 --> 00:23:02.160
<v Speaker 2>already in there this song. I think I'm just gonna

492
00:23:02.160 --> 00:23:05.400
<v Speaker 2>give you the basics of what I got, get your vocals,

493
00:23:05.880 --> 00:23:08.680
<v Speaker 2>and then then I'll start filling out. So we have

494
00:23:08.759 --> 00:23:12.160
<v Speaker 2>different ways of approaching things too. We're both influenced by

495
00:23:12.200 --> 00:23:14.079
<v Speaker 2>what each other does. And I'm saying a lot, but

496
00:23:14.359 --> 00:23:17.119
<v Speaker 2>often in different ways and different amounts. But yeah, we

497
00:23:17.200 --> 00:23:18.680
<v Speaker 2>totally play off each other for sure.

498
00:23:18.920 --> 00:23:23.440
<v Speaker 1>Fun it's funny. I sometimes liking it to to Jimmy

499
00:23:23.480 --> 00:23:29.079
<v Speaker 1>Page and watch them live. Yeah, that's that's a good

500
00:23:29.079 --> 00:23:31.000
<v Speaker 1>one to go because you can see they really are

501
00:23:31.079 --> 00:23:35.240
<v Speaker 1>playing off each other's melodies and energy and stuff like that.

502
00:23:35.240 --> 00:23:37.359
<v Speaker 1>That's so we've we've always been like that. It's like

503
00:23:37.400 --> 00:23:39.039
<v Speaker 1>a thing that we do. We're lucky we.

504
00:23:39.000 --> 00:23:41.000
<v Speaker 2>Have that, yeah, true.

505
00:23:41.960 --> 00:23:44.359
<v Speaker 1>Yeah, so yeah, so now you know, we already are

506
00:23:44.440 --> 00:23:47.519
<v Speaker 1>working on another song. I feel like this song may

507
00:23:47.559 --> 00:23:51.319
<v Speaker 1>be a not happier and more upbeat than the last two.

508
00:23:51.440 --> 00:23:58.279
<v Speaker 2>But we'll see.

509
00:23:59.240 --> 00:24:03.200
<v Speaker 1>Yeah, yeah, you never really know. And uh yeah, you know,

510
00:24:03.279 --> 00:24:04.599
<v Speaker 1>people keep asking.

511
00:24:04.319 --> 00:24:07.119
<v Speaker 2>Us will be a new album? Yeah, And we're had

512
00:24:07.160 --> 00:24:09.519
<v Speaker 2>a point now where we've released so many singles where

513
00:24:09.559 --> 00:24:11.960
<v Speaker 2>if we just finish up with another song or two,

514
00:24:12.440 --> 00:24:15.079
<v Speaker 2>we might just instead of putting out a single or too,

515
00:24:15.119 --> 00:24:17.599
<v Speaker 2>maybe just put out a whole like ten song album

516
00:24:17.640 --> 00:24:20.279
<v Speaker 2>with everything the new, brand new stuff and all the

517
00:24:20.279 --> 00:24:22.240
<v Speaker 2>ones we've been doing over the past year or two.

518
00:24:22.519 --> 00:24:25.000
<v Speaker 2>We'll see. We've got some work to do and some

519
00:24:25.079 --> 00:24:27.119
<v Speaker 2>decisions to make, so we'll keep you up on that.

520
00:24:27.839 --> 00:24:31.960
<v Speaker 1>Yeah, absolutely do Hey do you remember last Fm?

521
00:24:32.359 --> 00:24:33.920
<v Speaker 2>Oh yeah, yeah, that old music site.

522
00:24:33.960 --> 00:24:36.160
<v Speaker 1>Yeah yeah, it's like it was connected to this thing

523
00:24:36.160 --> 00:24:37.559
<v Speaker 1>that was called Scrabbler.

524
00:24:38.799 --> 00:24:40.720
<v Speaker 2>Weird word to hear. I know Scrabbler.

525
00:24:40.799 --> 00:24:43.160
<v Speaker 1>You we talked about it on the show way back

526
00:24:43.200 --> 00:24:47.240
<v Speaker 1>in the day. Yeah, But like Scrobbler used to connect

527
00:24:47.319 --> 00:24:50.079
<v Speaker 1>iTunes to the last FM so that it would keep

528
00:24:50.079 --> 00:24:51.640
<v Speaker 1>track of what you're listening to. It looks like now

529
00:24:51.720 --> 00:24:56.359
<v Speaker 1>you can connect it to Apple Music or Spotify, and

530
00:24:56.559 --> 00:24:58.920
<v Speaker 1>it also seems they seem to have a close tie

531
00:24:58.960 --> 00:25:03.640
<v Speaker 1>to YouTube. Like I forget how but somehow I I

532
00:25:03.920 --> 00:25:05.599
<v Speaker 1>ended up on last FM. I think I was trying

533
00:25:05.599 --> 00:25:07.839
<v Speaker 1>to find out if anyone had like reviewed the song

534
00:25:08.039 --> 00:25:12.119
<v Speaker 1>of it anyways. Yeah, I saw even people on there

535
00:25:12.119 --> 00:25:15.640
<v Speaker 1>were like someone had said, yeah, I think it was

536
00:25:15.680 --> 00:25:19.079
<v Speaker 1>on not myself. So it's like, oh I love this

537
00:25:19.119 --> 00:25:20.960
<v Speaker 1>new song. Oh God, I hope they're going to do

538
00:25:21.039 --> 00:25:23.599
<v Speaker 1>an album. So it's good to know that people on

539
00:25:23.640 --> 00:25:26.920
<v Speaker 1>all these different sites wondered about I think.

540
00:25:26.839 --> 00:25:28.880
<v Speaker 2>It'd be cool to put an album out so yeah,

541
00:25:29.039 --> 00:25:29.759
<v Speaker 2>you probably should.

542
00:25:30.240 --> 00:25:32.319
<v Speaker 1>The whole question is what media or we're going to

543
00:25:32.400 --> 00:25:32.960
<v Speaker 1>release it.

544
00:25:32.880 --> 00:25:34.960
<v Speaker 2>On media like physical.

545
00:25:35.799 --> 00:25:37.480
<v Speaker 1>I think doubt some people want that.

546
00:25:37.880 --> 00:25:39.319
<v Speaker 2>I will think about that.

547
00:25:39.640 --> 00:25:41.319
<v Speaker 1>I might have to like do it like a fun

548
00:25:41.440 --> 00:25:42.720
<v Speaker 1>crazy okay, we'll think.

549
00:25:42.640 --> 00:25:44.160
<v Speaker 2>Of I just thought, get a new album out so

550
00:25:44.200 --> 00:25:45.640
<v Speaker 2>when you go to the streaming services you see an

551
00:25:45.640 --> 00:25:47.759
<v Speaker 2>album instead of just singles.

552
00:25:47.799 --> 00:25:49.039
<v Speaker 1>So badass would it be to have?

553
00:25:49.160 --> 00:25:52.680
<v Speaker 2>No way, there's no way I want to ship vinyl

554
00:25:52.720 --> 00:25:58.640
<v Speaker 2>out and stuff. You're well, think about a CD? Yeah,

555
00:25:58.680 --> 00:26:01.000
<v Speaker 2>don't hope for fine unless we work the third party

556
00:26:01.160 --> 00:26:02.799
<v Speaker 2>company like we did. I don't think they want to

557
00:26:02.839 --> 00:26:04.359
<v Speaker 2>do a new album. I guess anyway.

558
00:26:04.440 --> 00:26:07.599
<v Speaker 1>I don't know. But if you have a vinyl a

559
00:26:07.680 --> 00:26:10.000
<v Speaker 1>vinyl label and you want to work with us, email

560
00:26:10.200 --> 00:26:13.400
<v Speaker 1>up yeah us up for sure. CDs though even some

561
00:26:13.440 --> 00:26:16.000
<v Speaker 1>people ask for CDs weirdly, like some guy is really

562
00:26:16.079 --> 00:26:18.160
<v Speaker 1>lobbying for Flex to come out on CD. Again, I

563
00:26:18.200 --> 00:26:23.279
<v Speaker 1>was like, it's on a vinyl though, why, I know,

564
00:26:23.480 --> 00:26:25.519
<v Speaker 1>why not ask for cassette while you're at it?

565
00:26:27.480 --> 00:26:29.240
<v Speaker 2>That's what all the news this time? Really not a

566
00:26:29.279 --> 00:26:29.880
<v Speaker 2>lot of stuff.

567
00:26:30.160 --> 00:26:33.319
<v Speaker 1>Yeah yeah, because like like I said, I've been sick

568
00:26:33.359 --> 00:26:35.480
<v Speaker 1>all week, so I haven't really been setting stuff out

569
00:26:36.440 --> 00:26:39.839
<v Speaker 1>blah blah blah. But anyways, yeah, so anyways, I do

570
00:26:39.960 --> 00:26:41.759
<v Speaker 1>really want to thank those of you who have been

571
00:26:42.119 --> 00:26:45.559
<v Speaker 1>watching the show and those of you that have been

572
00:26:45.599 --> 00:26:49.480
<v Speaker 1>picking up the tracks over there on band camp Love

573
00:26:49.519 --> 00:26:52.240
<v Speaker 1>Sparls stopbandcamp dot com or Love Spells Downwards stop band

574
00:26:52.279 --> 00:26:55.880
<v Speaker 1>caamp dot com. Once again, this is like split release

575
00:26:55.920 --> 00:26:58.200
<v Speaker 1>on both of those, Plus you can find the single

576
00:26:58.920 --> 00:27:03.079
<v Speaker 1>on all digital media under Love Sprawls Downwards because we're

577
00:27:03.079 --> 00:27:06.440
<v Speaker 1>trying to work that algorithm and also just time to

578
00:27:06.519 --> 00:27:12.359
<v Speaker 1>just unify Bryan's catalog. We're slowly doing it. And yeah,

579
00:27:12.400 --> 00:27:16.359
<v Speaker 1>you can always leave a comment wherever you've listened to

580
00:27:16.400 --> 00:27:19.039
<v Speaker 1>this or watched this, because this is also an audio.

581
00:27:18.759 --> 00:27:21.559
<v Speaker 2>Podcast, Subscribe, follow up, and do whatever it takes to

582
00:27:21.599 --> 00:27:23.799
<v Speaker 2>make sure you know when new content from us here

583
00:27:23.880 --> 00:27:24.319
<v Speaker 2>comes out.

584
00:27:24.400 --> 00:27:26.599
<v Speaker 1>Yeah, feel free to come over to Lovesprolls dot calm

585
00:27:26.599 --> 00:27:28.680
<v Speaker 1>and leave a comment as well, because you know we

586
00:27:28.759 --> 00:27:29.440
<v Speaker 1>love those content.

587
00:27:29.519 --> 00:27:32.279
<v Speaker 2>Yeah, well, probably read them because we don't get a

588
00:27:32.359 --> 00:27:36.200
<v Speaker 2>million of them, so good chance you'll read your comment. Alright, guys,

589
00:27:36.359 --> 00:27:39.000
<v Speaker 2>so I will see you soon. I'm not sure exactly when,

590
00:27:39.039 --> 00:27:40.759
<v Speaker 2>but we'll see it. Not too long from now.

591
00:27:42.000 --> 00:27:43.359
<v Speaker 1>So, oh, should I take them out?

592
00:27:43.359 --> 00:27:44.759
<v Speaker 2>A little bit of the video. It's taken out a

593
00:27:44.759 --> 00:27:46.839
<v Speaker 2>little bit of the song. Yeah, here's a little bit

594
00:27:46.880 --> 00:28:06.119
<v Speaker 2>of okay.

595
00:27:56.720 --> 00:28:10.480
<v Speaker 3>Than feeling like I don't be, don't know, and when

596
00:28:10.720 --> 00:28:13.960
<v Speaker 3>that I'm going on kidding.

597
00:28:17.039 --> 00:28:21.759
<v Speaker 2>Now, everything has just come long.

598
00:28:26.039 --> 00:28:28.440
<v Speaker 1>It don't nest bel
