WEBVTT

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<v Speaker 1>Tired of the everyday routine.

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<v Speaker 2>Ever dream of a life of romantic adventure, want to

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<v Speaker 2>get away from it all?

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<v Speaker 3>We offer you Escape.

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<v Speaker 4>Escape Transcribe to free you from the four walls of

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<v Speaker 4>today for a half hour of high adventure.

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<v Speaker 2>You are standing outside a room horror gripping you, or

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<v Speaker 2>before your eyes, seen through the trendsome window, the most

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<v Speaker 2>beautiful girl in the world is about to die because

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<v Speaker 2>of you.

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<v Speaker 4>Today we escape from reality with the fascinating story of

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<v Speaker 4>a girl who lived a weird second life. As John

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<v Speaker 4>Jessel told it in his gripping story The Adaptive Ultimate.

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<v Speaker 1>No, Daniel, I can't do it. You have a very

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<v Speaker 1>interesting theory.

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<v Speaker 5>It's more than a theory, doctor back. I've proved it

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<v Speaker 5>it works. I tried my serum in tubricular guinea pigs

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<v Speaker 5>and it cured them. They adapted themselves to the tubercular

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<v Speaker 5>basillisen live. I tried my ceramon, a dog with rabies.

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<v Speaker 5>He adapted himself too. I tried it on a cat

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<v Speaker 5>the broken spine. The cat instantly adapted itself to its injury,

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<v Speaker 5>so that the spine had time to knit and heal.

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<v Speaker 5>Don't you see what a tremendous discovery this is. But

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<v Speaker 5>think what that would mean in accident cases. There'd be

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<v Speaker 5>no further need for emergency surgery. Don't you see that,

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<v Speaker 5>no matter what the condition, the injury to the body are,

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<v Speaker 5>a mere injection of my serum would permit the patient

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<v Speaker 5>instantly to adapt himself to his condition and live.

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<v Speaker 1>No matter what his injury. Exactly a serum made from

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<v Speaker 1>insect from.

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<v Speaker 5>A common fruit fly, the most adaptable of living organisms.

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<v Speaker 5>Tear off a wing and it grows a new one.

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<v Speaker 5>Tear off its head, even stick on a new head,

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<v Speaker 5>and that too will adhere in time. Think of imparting

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<v Speaker 5>that same adaptability to human.

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<v Speaker 1>Beings to grow new heads. It has merital I'll please

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<v Speaker 1>doctor back, all right, all right, No, seriously, I know

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<v Speaker 1>this may be a great thing, but to permit you

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<v Speaker 1>to experiment on a human being.

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<v Speaker 5>The most hopeless case you can find, doctor Buck, someone

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<v Speaker 5>already doomed.

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<v Speaker 1>Well, if some day I discover in the hospital a

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<v Speaker 1>hopeless case, understand it will be a hope lilist. And

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<v Speaker 1>if the patient shall consent, then you will have your

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<v Speaker 1>human guinea pig. Doctor Scott, your requisition for yourself a

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<v Speaker 1>hopeless case? Omit me, here is your guinea pig.

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<v Speaker 6>What is it?

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<v Speaker 5>Doctor back tb Yeah, final.

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<v Speaker 1>Stage, a matter of hours at most. She might have

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<v Speaker 1>been attractive once, but now hair like string, skinny like

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<v Speaker 1>a skeleton, and flesh like wax.

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<v Speaker 5>Doctor Bark, you call us a fair test. I said hopeless,

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<v Speaker 5>but I didn't say a corpse.

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<v Speaker 1>The lady is returning to life such as it is. Well,

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<v Speaker 1>Doctor Scott, I regret I have not a more palatable

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<v Speaker 1>subject for your experiment. But this is what I promised,

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<v Speaker 1>a hopeless kay.

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<v Speaker 5>Sorright, I'll try it. Oh, what's your name?

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<v Speaker 1>Let me see it's on the chart here, Zealous?

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<v Speaker 5>How is i?

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<v Speaker 1>Her name is Kira Zealas, young lady, permit me. I

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<v Speaker 1>am doctor hermann Bach, chief of the staff, and I

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<v Speaker 1>would like to introduce one of our promising young doctors.

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<v Speaker 5>He wants it, dad, I suppose miss Zealous?

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<v Speaker 7>Hello? Brown eyes? What your eyes are? Brown? Aren't they?

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<v Speaker 5>Miss Ails? You see, I've perfected a syrup.

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<v Speaker 7>Brown eyes.

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<v Speaker 5>This, this serruh, might help you, but it has never

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<v Speaker 5>been tried on a human being before. Well, I thought,

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<v Speaker 5>if you have no objection, what.

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<v Speaker 7>Are the odds?

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<v Speaker 5>Odds? Well, actually you've everything to gain and.

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<v Speaker 7>Nothing to lose.

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<v Speaker 8>Well, how right you are? Okay, I'm all yours brown eyes.

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<v Speaker 8>Go ahead, he spare a man away.

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<v Speaker 5>Doctor Bach prepare her arm.

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<v Speaker 1>Twenty four hours and she is yet alive. I would

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<v Speaker 1>have said yesterday it would be impossible she should survive

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<v Speaker 1>the night. So it is now forty eight hours and

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<v Speaker 1>she actually seems better. But miracles such as this have

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<v Speaker 1>happened before, and without serums a week and she still lives.

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<v Speaker 1>Each day she becomes better. It is miraculous. The spots

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<v Speaker 1>on her lungs are disappearing, her coughing is stopped. There

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<v Speaker 1>is no sign of basilus in the culture. But even

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<v Speaker 1>more amazing a reaction to abrasion skin punctures. Yesterday I

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<v Speaker 1>took a blood specimen before I had once a sea.

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<v Speaker 1>The puncture in her skin had closed, Yes, in thirty seconds.

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<v Speaker 1>The ordinary person it takes a day two days for

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<v Speaker 1>it to heal. With miss Kira Zelas thirty seconds. It

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<v Speaker 1>is amazing. Ah, then I I will not dispute it.

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<v Speaker 1>Your Sarum has worked a miracle. She is cured, and

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<v Speaker 1>now I must just discharge her from the hospital.

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<v Speaker 5>For doctor Bark.

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<v Speaker 1>I had forgotten that time must come sometime. But you see,

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<v Speaker 1>I must she is cured and we need the room.

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<v Speaker 5>Yes, yes, I know, but well, well she should be

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<v Speaker 5>under observation. We don't know what effects will show up.

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<v Speaker 1>I think, Daniel, you have an extraordinary interest in Miss Zellas.

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<v Speaker 1>I have asked her to come here. She is outside.

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<v Speaker 1>Shall we invite her in?

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<v Speaker 5>Why? Yes, of course?

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<v Speaker 1>Send in Miss Eras. Please now observe well your miracle,

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<v Speaker 1>Miss Zellers, come in, Come in, sit down.

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<v Speaker 7>Thanks. Oh hello brown eyes.

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<v Speaker 5>Hello Kira.

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<v Speaker 1>I have sent for you, Miss Zellas, because I have

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<v Speaker 1>good news today. I am discharging you from the hospital.

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<v Speaker 1>Oh yeah, today you are free to go. That pleases

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<v Speaker 1>you madly, killer.

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<v Speaker 5>You have people, perhaps a family.

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<v Speaker 9>Aren't we all brothers and sisters under the skin?

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<v Speaker 1>Misszillas. I will come to the point. I wish to

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<v Speaker 1>make you a proposition. I mean purely scientific.

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<v Speaker 7>As I know, an experiment.

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<v Speaker 1>Precisely we are interested Doctor Scott and I to observe

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<v Speaker 1>the further effects of the serum he gave you. Ye,

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<v Speaker 1>I will pay you board and room and thirty dollars

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<v Speaker 1>a week. You will live at my house. I have

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<v Speaker 1>a housekeeper, missus Getz. She will look after you. Is

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<v Speaker 1>that satisfactor.

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<v Speaker 7>Wouldn't I be a fool? Say no?

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<v Speaker 1>Excellent? Excellent?

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<v Speaker 7>Does brown Eyes live there too?

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<v Speaker 10>No?

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<v Speaker 1>But doctor Scott will continue to have a clinical interest

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<v Speaker 1>in the experiment. Miss Zillas have no fear.

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<v Speaker 5>Good.

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<v Speaker 1>Yes, well it is now almost time for dinner. I

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<v Speaker 1>will take you, Misszillas. You will join us, doctor Scott?

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<v Speaker 5>Oh, yes fine, doctor barkmery, Well.

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<v Speaker 1>We shall meet outside in what ten minutes? Misszill as,

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<v Speaker 1>you wish to wait here or maybe outside a little

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<v Speaker 1>fresh air?

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<v Speaker 7>I think I could use a little a.

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<v Speaker 1>Good There is a little park across the street. You

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<v Speaker 1>will find benches there at the rest. We will meet

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<v Speaker 1>at the front entrance in ten minutes.

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<v Speaker 5>Kuck a back, nuck a buck? What is it? What's

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<v Speaker 5>the matter?

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<v Speaker 1>Some sort of commotion across the street from the park.

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<v Speaker 1>Where is Kido?

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<v Speaker 5>I thought you'd be here with you?

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<v Speaker 1>Perhaps she is still over there in the par What.

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<v Speaker 5>Do you support?

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<v Speaker 1>Come on, huck a back?

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<v Speaker 3>It is Terra.

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<v Speaker 5>Let me throw please turra, let us prove me? Officer,

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<v Speaker 5>what's happened? What is this? Why are you holding this?

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<v Speaker 2>Later now?

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<v Speaker 5>This woman? Yes, of course, what is it? What's the matter?

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<v Speaker 3>Lenny, your lady friend here?

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<v Speaker 11>Merely walks up to an old gent about six years so,

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<v Speaker 11>picks up a nice hefty rock and beats his brains.

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<v Speaker 5>Officer, there must be some awful mistake.

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<v Speaker 3>Yeah, her mistake, cold blooded murder. I'm my sister.

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<v Speaker 5>There's the wagon.

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<v Speaker 3>Officer. You'd better come along too.

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<v Speaker 11>Mister Monna Lisa here don't seem to be much in

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<v Speaker 11>the mood for talking.

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<v Speaker 3>We'll need someone to tell it.

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<v Speaker 11>This sergeant her name.

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<v Speaker 5>Kiu. This is terrible seeing you here like this. I've

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<v Speaker 5>got to get you out of here. I've got to

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<v Speaker 5>help you.

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<v Speaker 7>When you were here.

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<v Speaker 5>Listen, this is all a terrible mistake. If you'll tell me, well, yes,

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<v Speaker 5>of course you Kurrie, you didn't kill that man.

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<v Speaker 7>If I said yes, what would you do.

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<v Speaker 5>Why I I'd tell him you weren't responsible. I'd tell

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<v Speaker 5>him about the serum.

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<v Speaker 9>Man.

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<v Speaker 5>I'd tell him I was my fault, that that somehow

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<v Speaker 5>the seruma gave you caused your mind to snap something.

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<v Speaker 5>That that would be the only explanation.

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<v Speaker 9>You'd do this ruin your career, no doubt.

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<v Speaker 7>Just to save me.

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<v Speaker 5>Oh, yes, of course I would.

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<v Speaker 7>And what would they do to me?

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<v Speaker 5>I don't know exactly? Put you away? Under observation. Something

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<v Speaker 5>in my answers no.

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<v Speaker 9>Oh, I did not kill the man.

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<v Speaker 7>Oh, don't worry. I won't be convicted.

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<v Speaker 9>I'll take care of myself very well. I'll, as you say,

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<v Speaker 9>adapt myself to the situation.

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<v Speaker 1>All right now, mister Salvatory, continue, tell the card in

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<v Speaker 1>your own words, precisely what happened This old.

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<v Speaker 12>Man he sees by circus of peanuts from me every

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<v Speaker 12>day for months, every day, and in this one day

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<v Speaker 12>pull out is a pocket book. It's a bill fall,

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<v Speaker 12>and I'm a look, it's the stuff with the bills,

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<v Speaker 12>a big money. He's a salvatory. Can I make a

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<v Speaker 12>change for twenty dollars? And I'm gonna laugh, I may say, mister,

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<v Speaker 12>I'm a peanut the man. You take it the pinut

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<v Speaker 12>till you pay me tomorrow. He said, thank you very much.

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<v Speaker 12>You turn around, and then here's this name. As she

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<v Speaker 12>picked up was a great, biggest stone and a cons him.

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<v Speaker 5>It's a murder.

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<v Speaker 1>I object, your honner, objections continue, mister Salvatory.

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<v Speaker 12>She has nothing more to say.

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<v Speaker 1>This is dame.

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<v Speaker 12>She bend over and she reached in a pocket to

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<v Speaker 12>take the money. I'm a grab of people who come

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<v Speaker 12>police come.

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<v Speaker 1>Mister Salvatory, can you describe this young lady to us?

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<v Speaker 6>Oh?

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<v Speaker 7>She I remember her very well.

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<v Speaker 1>She's s she's a skinny, she's no beauty.

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<v Speaker 12>You know you got the black suit, the brown hair, eyes,

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<v Speaker 12>she don't know dark you know, maybe brown or blue?

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<v Speaker 1>Thank you, mister Salvatory. You're witness.

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<v Speaker 13>Mister Salvatory, you say the young lady the assailant had

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<v Speaker 13>brown hair and dark eyes.

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<v Speaker 12>See brown hair, dark blue eyes.

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<v Speaker 13>And do you see the young lady in the courtroom?

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<v Speaker 13>Oh see, she's a shit right to what's the matter,

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<v Speaker 13>mister Salvatory. Are you pointing at missus Alis?

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<v Speaker 3>See?

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<v Speaker 13>May I ask the defendant to write? Please, missus Alis,

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<v Speaker 13>will you kindly remove your hat?

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<v Speaker 3>Please?

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<v Speaker 5>Doctor barcler her hairs, it's become the color of aluminum.

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<v Speaker 3>Your honor.

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<v Speaker 13>I submit that this defendant does not possess dark hair,

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<v Speaker 13>nor if you will observe dark eyes. I am prepared

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<v Speaker 13>therefore to submit a lock of her hair to be

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<v Speaker 13>tested by any chemist the court may appoint to prove

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<v Speaker 13>that the pigmentation is entirely natural. Now, mister Salvatory, do

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<v Speaker 13>you still say that this is the young lady you

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<v Speaker 13>saw in the park?

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<v Speaker 1>I think she s ain't she?

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<v Speaker 5>Good? Lord? Doctor Bark That hair of hers, did you

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<v Speaker 5>see it? It was the color of aluminum. Sheautiful?

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<v Speaker 1>Yeah, yeah, beautiful. And so she has been acquitted. They

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<v Speaker 1>call her innocent, and you I am a convict to

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<v Speaker 1>your great principle of adaptability. But where will it end?

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<v Speaker 1>You start with an idea if you wake up to

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<v Speaker 1>discover you have created a monster.

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<v Speaker 5>But she was acquitted. It was all a mistake.

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<v Speaker 1>You really believe that? Yes, missus, she is heeled.

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<v Speaker 9>Doctor she that woman in the newspaper cures here. You

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<v Speaker 9>said she was so poor, such a church mouth. Oh

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<v Speaker 9>you should see her.

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<v Speaker 5>What do you mean, missus?

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<v Speaker 7>So fine, so great.

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<v Speaker 5>I'll go and talk to her, doctor Bark.

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<v Speaker 7>Hello, brown eyes, Hello, Kira. Aren't you glad to see him?

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<v Speaker 5>Oh? Yes, yes, of course. Oh, congratulations on your acquittal

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00:13:51.919 --> 00:13:52.720
<v Speaker 5>today we were there.

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<v Speaker 7>I know I sensed it.

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<v Speaker 9>I was hurt that you didn't come up and congratulated.

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<v Speaker 5>Well there were photographersh Curra. You're hair it's black again,

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<v Speaker 5>isn't it always?

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<v Speaker 7>Don't you like him?

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<v Speaker 5>Oh? Yes, yes, of course it's beautiful and I beautiful

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00:14:12.279 --> 00:14:18.360
<v Speaker 5>brown eyes, very very beautiful, And are you happy to

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00:14:18.399 --> 00:14:27.039
<v Speaker 5>have me back. Yes, m M, I always did like

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<v Speaker 5>brown Eyes, Cura.

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<v Speaker 9>Tell me, how do you like my new clothes?

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<v Speaker 13>My guy?

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<v Speaker 5>It's very nice, nice, it's exquisite.

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<v Speaker 7>I have a whole new wardrobe, hat, shoes.

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<v Speaker 5>Kira, where did you get the money? Money? You only

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<v Speaker 5>had three dollars when you left the hospital.

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<v Speaker 7>So I did, Kira.

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<v Speaker 5>Kurry, you did take that wallet from the old man.

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<v Speaker 5>Naturally you you did murder him, certainly.

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<v Speaker 9>Oh, calm, don't look so shocked.

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<v Speaker 7>I'm tired, brown Eyes.

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<v Speaker 9>You'll excuse me if I appropriate doctor Bark's room.

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<v Speaker 5>Good night, doctor Bark. We've got to do something, Yes, ten,

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<v Speaker 5>you we do. I haven't slept a wink all night

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<v Speaker 5>trying to think of what we can do.

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<v Speaker 1>I've been here in the laboratory all night. I think

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<v Speaker 1>I know what this sum of yours it has accomplished.

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<v Speaker 1>A miracle. Yeah, it is the adaptive ultimate changes that

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<v Speaker 1>take the ordinary person days or months. She accomplishes instantly.

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<v Speaker 1>She walks into the sunlight. She is ten, she walks out.

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<v Speaker 1>She is pale again. When she is in danger, she adapts.

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<v Speaker 1>She could survive the electric chair of the hangman's noose.

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<v Speaker 1>She was in danger in the courtroom. She adapted, She

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<v Speaker 1>changed her whole appearance at will, so she could not

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<v Speaker 1>be identified. I know, I know, you must not blame yourself.

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<v Speaker 1>You could not know what you were creating. Now, this morning,

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<v Speaker 1>I operated on one of your guinea pigs. I've found this.

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<v Speaker 1>The pinnial blend hypertrophied. That is what causes it.

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<v Speaker 5>But then then we could operate and and maybe change

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<v Speaker 5>her back.

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<v Speaker 1>Yeah, but she can adapt to anything, anesthesia included. How

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<v Speaker 1>can we operate unless we get her consent? Well, perhaps

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<v Speaker 1>you are dreaming, Daniel. Do you really think she will

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<v Speaker 1>consent now now that she has power, perhaps more power

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00:16:39.600 --> 00:16:43.919
<v Speaker 1>than any human being ever possessed before, aw for evil,

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00:16:44.919 --> 00:16:48.159
<v Speaker 1>and she has already killed one man remembered.

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<v Speaker 5>But if we watched, the doctor kept her on the guard.

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<v Speaker 1>Yeah again Pigmalion falls in love with his Galateea. No, Daniel, no,

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<v Speaker 1>she must be destroyed. We must perform surgery at once.

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<v Speaker 1>She'll die, she will go back to what she was with,

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<v Speaker 1>but a few hours to live. It is best than you.

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<v Speaker 10>Yes, I suppose, so, yes, yes, missus Gatz mm h okay,

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00:17:15.799 --> 00:17:16.720
<v Speaker 10>what is it, doctor bark?

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00:17:17.880 --> 00:17:21.119
<v Speaker 1>And so perhaps she is also telepathic? She sensed what

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00:17:21.160 --> 00:17:23.480
<v Speaker 1>we were about to do, and now it is too late.

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00:17:23.480 --> 00:17:27.440
<v Speaker 1>What do you mean, missus Zelas is gone, disappeared.

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00:17:36.440 --> 00:17:38.160
<v Speaker 5>Doctor Bark Did you call for me?

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00:17:38.640 --> 00:17:42.319
<v Speaker 1>Yeah? Daniel, have you seen the evening paper yet?

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00:17:42.559 --> 00:17:43.240
<v Speaker 5>No? Not yet?

307
00:17:43.319 --> 00:17:46.799
<v Speaker 1>Then here, after two months there is news of our

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00:17:46.839 --> 00:17:48.119
<v Speaker 1>miss Kira Zellas.

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00:17:48.319 --> 00:17:53.480
<v Speaker 5>What let me see there where? Oh? The surprise of

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00:17:53.519 --> 00:17:56.599
<v Speaker 5>the evening was the appearance of John Callen, Ambassador at large,

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00:17:56.680 --> 00:17:59.799
<v Speaker 5>diplomat extraordinary, the man slaated to head the forth coming

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00:18:01.039 --> 00:18:05.279
<v Speaker 5>World Atomic Energy Control Commission. Mister Callen, one of Washington's

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<v Speaker 5>confirmed bachelor's squire, the gorgeous cur Zales.

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<v Speaker 1>You see she has become gorgeous. I have little etching.

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<v Speaker 5>Miss ailis the dazzling beauty who affects a dark wig

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00:18:16.880 --> 00:18:18.599
<v Speaker 5>by day and a white one at night, a.

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00:18:18.559 --> 00:18:22.279
<v Speaker 1>Great power of adaptability courtesy of doctor Daniel Scott. Dark

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00:18:22.359 --> 00:18:23.400
<v Speaker 1>by day, white by night.

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00:18:23.519 --> 00:18:26.079
<v Speaker 5>Or what are we going to do? Doctor? The World

320
00:18:26.079 --> 00:18:29.119
<v Speaker 5>Atomic Energy Control the one real hope of world peace?

321
00:18:29.240 --> 00:18:30.559
<v Speaker 5>Curia isn't interested in peace?

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<v Speaker 1>What can we do? Surgery? I know the politics. We

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00:18:34.359 --> 00:18:38.000
<v Speaker 1>must wait and see. You must wait and see how

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00:18:38.160 --> 00:18:40.079
<v Speaker 1>fie your mad woman will go.

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00:18:45.200 --> 00:18:47.839
<v Speaker 13>Washington is a gog with rumors about the romance between

326
00:18:47.880 --> 00:18:51.279
<v Speaker 13>glamorous Key Razales and John Callen, the newly appointed head

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<v Speaker 13>of the World Atomic Energy Control. One of the most

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00:18:53.880 --> 00:18:55.359
<v Speaker 13>powerful political figures on.

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00:18:55.359 --> 00:19:01.720
<v Speaker 14>The globe, John Callen leaves tomorrow for the crucial atomic

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<v Speaker 14>energy conferences at Genevas, whitson and sailing on the same

331
00:19:05.640 --> 00:19:08.839
<v Speaker 14>boat as the exotic miss Kirazalies, with whom his name

332
00:19:08.880 --> 00:19:12.480
<v Speaker 14>has been frequently linked. Rumor has it miss Ailis acts

333
00:19:12.519 --> 00:19:16.279
<v Speaker 14>as a sort of unofficial assistant to mister Callen, thus

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00:19:16.319 --> 00:19:18.519
<v Speaker 14>making how one of the most important women in.

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00:19:18.480 --> 00:19:19.200
<v Speaker 9>The work.

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00:19:23.759 --> 00:19:28.920
<v Speaker 1>Lamorous exotic of such fragile stuff as world peace fashion

337
00:19:28.960 --> 00:19:31.359
<v Speaker 1>these days, Daniel, I wonder what she intends to do

338
00:19:32.039 --> 00:19:33.720
<v Speaker 1>some of the calling it dinner time.

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00:19:33.759 --> 00:19:35.759
<v Speaker 5>Oh, shit's still, doctor Buck. I don't see who it is.

340
00:19:39.359 --> 00:19:43.039
<v Speaker 7>Yes, Curra, hello, brown eyes, there I come in.

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00:19:44.000 --> 00:19:48.759
<v Speaker 10>Yes, of course, Oh, an exotic guinea pig.

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00:19:49.079 --> 00:19:52.079
<v Speaker 9>Good evening, doctor Bob. I'm not intruding, of course not.

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<v Speaker 9>You're very kind John and I you read about mister Callen. Yes, yes,

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<v Speaker 9>we're leaving for Europe tomorrow for the conference is in Switzerland.

345
00:20:00.319 --> 00:20:02.119
<v Speaker 9>He had a series of meetings to attend to night,

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00:20:02.160 --> 00:20:04.240
<v Speaker 9>so I told him I would stay here. Staying here,

347
00:20:04.359 --> 00:20:06.720
<v Speaker 9>I took the liberty of saying you were my uncle,

348
00:20:06.759 --> 00:20:09.680
<v Speaker 9>doctor Buck. John will call for me in the morning

349
00:20:09.680 --> 00:20:12.000
<v Speaker 9>on his way to the airport. We're leaving it eat.

350
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<v Speaker 9>I do hope I'm not too late for dinner.

351
00:20:14.799 --> 00:20:18.039
<v Speaker 1>Not at all. In fact, we're very happy to have

352
00:20:18.160 --> 00:20:20.240
<v Speaker 1>you here, Aunt be doctor Scott.

353
00:20:30.400 --> 00:20:33.839
<v Speaker 5>Kira, Hello, brown Eyes? What are you doing out here

354
00:20:33.839 --> 00:20:36.240
<v Speaker 5>in the garden waiting for you? You knew i'd follow you,

355
00:20:36.359 --> 00:20:36.839
<v Speaker 5>of course?

356
00:20:38.240 --> 00:20:38.839
<v Speaker 7>Have you missed me?

357
00:20:38.920 --> 00:20:42.559
<v Speaker 5>You know I have? Or Kira listened to me? Do

358
00:20:42.599 --> 00:20:44.279
<v Speaker 5>you love this, John Callum?

359
00:20:44.400 --> 00:20:48.039
<v Speaker 7>When I want love, I'll come to you, brown Eyes.

360
00:20:48.720 --> 00:20:50.400
<v Speaker 5>Well, then, why what is it? Money?

361
00:20:50.559 --> 00:20:51.000
<v Speaker 6>Money?

362
00:20:51.559 --> 00:20:54.680
<v Speaker 7>I don't need money any more. What does an empress

363
00:20:54.720 --> 00:20:55.599
<v Speaker 7>need with money?

364
00:20:55.960 --> 00:20:56.440
<v Speaker 5>Empress?

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00:20:56.640 --> 00:20:59.480
<v Speaker 9>That's what you have made me the most powerful woman

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00:20:59.480 --> 00:21:03.559
<v Speaker 9>in the world ever known, John Callan. He's supposed to

367
00:21:03.599 --> 00:21:06.799
<v Speaker 9>be important, and in my hands he's clee to be

368
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<v Speaker 9>molded as I wish.

369
00:21:08.960 --> 00:21:10.119
<v Speaker 7>Do you see what that means?

370
00:21:10.640 --> 00:21:13.480
<v Speaker 5>Yes? I say, you're hold the fate of the world

371
00:21:13.480 --> 00:21:14.119
<v Speaker 5>in your head.

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<v Speaker 7>Exactly to do with as I want and I shall.

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<v Speaker 7>Would you like to rule the world with me? Brown eyes?

374
00:21:22.640 --> 00:21:25.200
<v Speaker 5>Cure you're evil? What is good?

375
00:21:25.400 --> 00:21:32.039
<v Speaker 7>What's evil? Come here, brown eyes, look at me and

376
00:21:32.160 --> 00:21:33.720
<v Speaker 7>forget such things?

377
00:21:42.039 --> 00:21:45.920
<v Speaker 5>Are you asleep? Doctor buck? Sleep? Who can sleep? Cura

378
00:21:46.000 --> 00:21:51.039
<v Speaker 5>is insane? Doctor? Do you know what she's planning to deadhead? Oh?

379
00:21:51.079 --> 00:21:53.680
<v Speaker 5>Maybe maybe we could get to this callon and then

380
00:21:53.720 --> 00:21:56.200
<v Speaker 5>what well, if we could talk to him, tell him,

381
00:21:56.279 --> 00:21:56.799
<v Speaker 5>tell him.

382
00:21:56.640 --> 00:21:56.960
<v Speaker 3>Tell him?

383
00:21:56.960 --> 00:21:58.680
<v Speaker 1>What didn't I talk to you? Would you listen?

384
00:22:00.079 --> 00:22:00.480
<v Speaker 6>Issue?

385
00:22:00.759 --> 00:22:02.039
<v Speaker 5>Oh she's gone asleep.

386
00:22:02.319 --> 00:22:04.880
<v Speaker 1>I tell you there's only one remedy of surgery. It

387
00:22:05.000 --> 00:22:05.920
<v Speaker 1>is the only hope.

388
00:22:06.000 --> 00:22:08.599
<v Speaker 5>But she'll never consent the surgery, doctor bark. And she's

389
00:22:08.640 --> 00:22:10.759
<v Speaker 5>probably immune to anesthesia.

390
00:22:10.200 --> 00:22:14.480
<v Speaker 1>Maybe not maybe not all anesthesia? Downstairs in my laboratory,

391
00:22:14.519 --> 00:22:16.160
<v Speaker 1>I have a tank of ethyl claudide.

392
00:22:16.279 --> 00:22:18.680
<v Speaker 5>You mean, operate here tonight.

393
00:22:19.359 --> 00:22:22.160
<v Speaker 1>Tonight, right here? And she sleeps?

394
00:22:29.440 --> 00:22:29.920
<v Speaker 5>All right?

395
00:22:30.119 --> 00:22:30.359
<v Speaker 9>Then?

396
00:22:30.839 --> 00:22:35.160
<v Speaker 1>Now stop staring down at her. Or the anesthesia onto

397
00:22:35.160 --> 00:22:40.200
<v Speaker 1>the corne hurry.

398
00:22:38.640 --> 00:22:41.880
<v Speaker 5>That ought to be enough to anesthetize an elephant onto.

399
00:22:41.559 --> 00:22:42.880
<v Speaker 1>The face quickly, all right?

400
00:22:43.839 --> 00:22:44.000
<v Speaker 6>Then?

401
00:22:44.559 --> 00:22:45.039
<v Speaker 1>Tightly?

402
00:22:48.119 --> 00:22:54.559
<v Speaker 5>She's forcing my hands, I clear, hold, she's two stark folds.

403
00:22:55.359 --> 00:23:00.240
<v Speaker 9>Did you think you could make me unconscious? You trying

404
00:23:00.279 --> 00:23:03.640
<v Speaker 9>to operate on me? Is that what you were planning?

405
00:23:04.720 --> 00:23:07.200
<v Speaker 9>How are you going to slit my throat with that scalpel.

406
00:23:08.039 --> 00:23:12.319
<v Speaker 7>Look, I don't say you'll see I plunged your knife

407
00:23:12.359 --> 00:23:17.599
<v Speaker 7>into my heart. I withdraw it and the wound is healed.

408
00:23:19.640 --> 00:23:22.279
<v Speaker 7>Now go away, both of you. I want to sleep.

409
00:23:23.319 --> 00:23:24.640
<v Speaker 7>John will be calling for me at.

410
00:23:24.519 --> 00:23:37.759
<v Speaker 6>Eight I'm past five in the morning.

411
00:23:38.759 --> 00:23:42.319
<v Speaker 1>Two and a half hours month, she will leave and

412
00:23:42.400 --> 00:23:46.599
<v Speaker 1>the world will be one step near a chaos. We

413
00:23:46.720 --> 00:23:51.119
<v Speaker 1>are scientists, then we have a responsibility to civilization. We

414
00:23:51.240 --> 00:23:52.279
<v Speaker 1>must find a way.

415
00:23:52.119 --> 00:23:54.640
<v Speaker 5>To destroy the carbon dioxider.

416
00:23:55.480 --> 00:23:56.599
<v Speaker 1>Carbon dire It's a.

417
00:23:56.519 --> 00:23:59.319
<v Speaker 5>Fundamental biological law. No human can survive in its own

418
00:23:59.359 --> 00:24:03.119
<v Speaker 5>waste product. Carbon dioxide is a human waste, Doctor Bark.

419
00:24:03.160 --> 00:24:04.640
<v Speaker 5>If we could fill the room where she's sleeping with

420
00:24:04.640 --> 00:24:09.000
<v Speaker 5>carbon dioxide, she'd become unconscious. You could operate. And who you're.

421
00:24:08.880 --> 00:24:11.839
<v Speaker 1>Calling the hospital? Have you to have them send over

422
00:24:11.920 --> 00:24:13.599
<v Speaker 1>two tanks of carbon dioxide?

423
00:24:13.640 --> 00:24:14.680
<v Speaker 5>Do you think it should work?

424
00:24:14.720 --> 00:24:18.559
<v Speaker 1>Then we must try anything. Hello, this is doctor buch

425
00:24:18.759 --> 00:24:21.839
<v Speaker 1>Let me talk to surgery a hurry. It is an emergency.

426
00:24:32.279 --> 00:24:35.720
<v Speaker 1>The tube is ready. You've sealed the crack under the door.

427
00:24:36.759 --> 00:24:42.559
<v Speaker 1>You close the window, all right, let us start the gas.

428
00:24:49.240 --> 00:24:53.480
<v Speaker 1>Then through the transom above the bedroom door, you will

429
00:24:53.519 --> 00:24:57.000
<v Speaker 1>be able to observe her reactions. You placed the lighted

430
00:24:57.079 --> 00:24:57.880
<v Speaker 1>candle inside the.

431
00:24:57.920 --> 00:25:00.559
<v Speaker 5>Room, Yes, doctor, I lost the can on the table.

432
00:25:01.000 --> 00:25:05.359
<v Speaker 1>Observe it carefully, all right, when it goes out, you're

433
00:25:05.480 --> 00:25:14.279
<v Speaker 1>miss Kira's Alas should be unconscious. Then can you see

434
00:25:14.319 --> 00:25:15.599
<v Speaker 1>inside the room from up there?

435
00:25:16.160 --> 00:25:24.359
<v Speaker 5>Yes, doctor, candle is flickering. Doctor Wait, no, it's still flickering.

436
00:25:24.400 --> 00:25:26.759
<v Speaker 5>It's just gone out.

437
00:25:26.799 --> 00:25:30.480
<v Speaker 1>Doctor excellent. It means there is now a concentration of

438
00:25:30.599 --> 00:25:34.680
<v Speaker 1>eight or ten percent carbon dioxide. The average person would

439
00:25:34.720 --> 00:25:35.920
<v Speaker 1>long since be dead.

440
00:25:36.319 --> 00:25:41.039
<v Speaker 5>Doctor god Dan, what in just a minute. Yes, Yes,

441
00:25:42.359 --> 00:25:45.400
<v Speaker 5>she's breathing much more quickly now convulsively.

442
00:25:45.720 --> 00:25:47.079
<v Speaker 1>Eh Jan's stock breathing.

443
00:25:47.400 --> 00:25:54.519
<v Speaker 5>She she's opening her eyes now she's she's getting up,

444
00:25:54.640 --> 00:26:01.680
<v Speaker 5>getting up, She's staggering, holding her throat. Doctor, she's gasping,

445
00:26:03.319 --> 00:26:10.200
<v Speaker 5>moving towards the door. She's trying to unlock the So

446
00:26:10.240 --> 00:26:15.799
<v Speaker 5>she's seen me. She she's trying to try.

447
00:26:17.160 --> 00:26:17.680
<v Speaker 6>What is it?

448
00:26:19.000 --> 00:26:21.799
<v Speaker 5>She's collapsed, it's so.

449
00:26:34.960 --> 00:26:39.000
<v Speaker 11>Yes, now you do, doctor Buck. I'm John callow John. Yes, yes,

450
00:26:39.039 --> 00:26:41.960
<v Speaker 11>of course, I haven't taken you away from anything.

451
00:26:42.359 --> 00:26:45.960
<v Speaker 1>No, No, we were performing some surgery, my associated I

452
00:26:45.960 --> 00:26:48.839
<v Speaker 1>I have a miniature surgery here for emergencies, and we

453
00:26:48.920 --> 00:26:49.640
<v Speaker 1>have just finished.

454
00:26:49.839 --> 00:26:51.759
<v Speaker 3>Is at the patient on the table?

455
00:26:52.920 --> 00:26:56.880
<v Speaker 1>Yeah? Yes, is she? Yes? She is dead?

456
00:26:57.960 --> 00:27:01.640
<v Speaker 3>Too bad looking creature, wasn't she?

457
00:27:01.640 --> 00:27:03.799
<v Speaker 1>She was a charity case.

458
00:27:04.319 --> 00:27:06.680
<v Speaker 3>Well, I won't keep you as Kira here.

459
00:27:06.920 --> 00:27:10.000
<v Speaker 1>No, she changed her plans. She said there were some

460
00:27:10.039 --> 00:27:11.559
<v Speaker 1>things she wished to do when she would meet you

461
00:27:11.599 --> 00:27:12.240
<v Speaker 1>at the airport.

462
00:27:12.440 --> 00:27:15.640
<v Speaker 11>Well, that's a woman's prerogative business changing plans. I'd better

463
00:27:15.640 --> 00:27:16.119
<v Speaker 11>get a move on.

464
00:27:16.200 --> 00:27:16.359
<v Speaker 3>Then.

465
00:27:16.839 --> 00:27:19.200
<v Speaker 11>Nice to see you, doctor. I hope you'll meet again

466
00:27:19.240 --> 00:27:20.200
<v Speaker 11>when I return from Europe.

467
00:27:20.279 --> 00:27:22.799
<v Speaker 1>Yes, that will be nice, mister Callan, And good luck

468
00:27:22.839 --> 00:27:23.480
<v Speaker 1>on your mission.

469
00:27:23.480 --> 00:27:24.160
<v Speaker 3>And thank you sir.

470
00:27:24.480 --> 00:27:30.960
<v Speaker 1>Goodbye, Yeah, goodbye, Well Daniel, maybe we would get some

471
00:27:31.119 --> 00:27:31.920
<v Speaker 1>sleep now.

472
00:27:33.240 --> 00:27:40.519
<v Speaker 5>Then, huh, I'm sorry, doctor, I was daydreaming. She's lovely,

473
00:27:40.599 --> 00:27:44.480
<v Speaker 5>isn't she lovely? Yeah?

474
00:27:44.480 --> 00:27:49.839
<v Speaker 1>And then lovely? May she always be in your memory.

475
00:27:56.799 --> 00:28:02.720
<v Speaker 4>Escape is produced and directed by Norman McDonald. Today we

476
00:28:02.799 --> 00:28:07.160
<v Speaker 4>have presented transcribed the adaptive Ultimate by John Jessel, adapted

477
00:28:07.200 --> 00:28:11.240
<v Speaker 4>for radio by Chat Spurgeon and Herb Futrand, with editorial

478
00:28:11.279 --> 00:28:15.279
<v Speaker 4>supervision by John Duncle, starring Edgar Barrier as Doctor Bach

479
00:28:15.440 --> 00:28:18.759
<v Speaker 4>and Stacy Harris as Dan Scott. Feature in the cast

480
00:28:18.759 --> 00:28:22.799
<v Speaker 4>were Elsie Holmes, Frank Gerstel, Larry Dobkin, Tom Charlesworth and

481
00:28:22.880 --> 00:28:26.519
<v Speaker 4>Anne Morrison. Special music was arranged and played by Ivand

482
00:28:26.519 --> 00:28:27.000
<v Speaker 4>at Mars.

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00:28:28.839 --> 00:28:31.880
<v Speaker 2>Next week, you are trapped in a dark, empty house,

484
00:28:32.480 --> 00:28:35.799
<v Speaker 2>a girl lying dead at your feet, and surrounding you

485
00:28:36.000 --> 00:28:38.960
<v Speaker 2>closing in on you. Are the band of Killers, deadly

486
00:28:39.119 --> 00:28:43.119
<v Speaker 2>enemies of your country and yourself, and they are intent

487
00:28:43.319 --> 00:28:44.319
<v Speaker 2>on murdering you.

488
00:28:51.240 --> 00:28:55.200
<v Speaker 4>Next week we escape with a famous story Confidential Agent

489
00:28:55.359 --> 00:28:58.240
<v Speaker 4>by Graham Green. Be sure to tune in at the

490
00:28:58.279 --> 00:29:02.720
<v Speaker 4>same time next week, once again we offer you escape.

491
00:29:12.359 --> 00:29:17.000
<v Speaker 4>This is Roy Rowan speaking for CBS, the Columbia Broadcasting

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00:29:17.079 --> 00:29:30.720
<v Speaker 4>System
