Speaker 1: This is a clip from Raised by Giants. You can
Speaker 1: access the entire episode now on our website and all
Speaker 1: podcast platforms.
Speaker 2: And one of those boards does the horn thing.
Speaker 1: Real? Me too? I want to get one so I
Speaker 1: can have dolphins. I don't know, that's not the horse.
Speaker 1: I'll be studying all the different animals.
Speaker 2: You know, they got Illuminati animals everywhere.
Speaker 1: Then they are all over the place. I mean, look
Speaker 1: at like the grove. It's the owl, right, so you
Speaker 1: definitely got the owl connection. Even the emblem of the
Speaker 1: illuminatus is the owl.
Speaker 2: So yeah, then you got bluecifer d I a brown.
Speaker 1: Bro the blue sifer. You know, the blue is all
Speaker 1: over the place right now. My thoughts are just at
Speaker 1: a twenty four page report on the blue light frequency
Speaker 1: of the television set from the nineties leading it all
Speaker 1: the way up to twenty ten in the collapse of intimacy.
Speaker 1: So my brain is really focused right now on the blue.
Speaker 1: And it has been like, why all the blue lights?
Speaker 1: And now we need blue chew for or we need
Speaker 1: freaking blue drip, the blue stuff, the methylane blue, you
Speaker 1: know for what? Why why do we need all these things?
Speaker 1: From this deep, deep fatigue? And I think it's not
Speaker 1: what we're told. I think it runs deeper psychologically.
Speaker 2: Well, not only that, isn't it a lot of the
Speaker 2: things that you eat that are like colored blue. Doesn't
Speaker 2: it make your mouth blue? Like fruit by the foot?
Speaker 2: You remember those as a kid, whenever we put it
Speaker 2: out and do the circles, and it looked like we
Speaker 2: were doing like headbangs or whatever. Remember those old commercials
Speaker 2: always stain your tongue blue, dude.
Speaker 1: That's interesting. Yeah, and the blue stuff, Yeah, I've been
Speaker 1: looking at for a while. But when it comes to
Speaker 1: those product placements of when we were younger and kids,
Speaker 1: those commercials were like MTV music videos.
Speaker 2: Well, it's weird because really nothing else that isn't blue
Speaker 2: besides like red, Like even blue gatorade kind of like
Speaker 2: stains your mouth and turns your tongue blue like, but
Speaker 2: nothing else really does. I mean, the red will make
Speaker 2: your mouth and tongue a little bit more red, but
Speaker 2: nothing really stains your mouth like the blue collaring us.
Speaker 1: Yeah, so back in the day the ancients, like the
Speaker 1: movie Apocalypto by the head of Hollywood, Mel Gibson. He
Speaker 1: made that movie about everyone being painted blue, which is
Speaker 1: actually true symbol of the Aztecs to use as a
Speaker 1: ritual sacrifice for the rain, like the rain god chalk
Speaker 1: is blue, or even the Cali's got the blue tongue.
Speaker 1: I think maybe not the blue tongue, maybe it's just blue.
Speaker 1: But yeah, there's symbolism too that even when it comes
Speaker 1: to the food that we eat. Shout out to paranoid American.
Speaker 1: He was just showing like how Capri sun is the
Speaker 1: sun god Capri. So there's like tons of ancient, subconscious
Speaker 1: symbols for us to purchase these products. And the reason
Speaker 1: why is a psychological reason because it leaves us sort
Speaker 1: of empty. That's what all the parading is about. When
Speaker 1: you see a commercial of bud light or whatever commercial,
Speaker 1: there's always a parade full of people as we are
Speaker 1: in this lifeliness epidemic, where this product is going to
Speaker 1: fix all that, not only like spiritually, well, it's gonna
Speaker 1: fix it spiritually. Like you see the KFC commercial where
Speaker 1: they put a chicken on an altar and sacrifice it
Speaker 1: and then baptize a man and then he turns into
Speaker 1: a chicken leg Like this.
Speaker 2: Bro, that whole thing was wild, And I'm convinced that
Speaker 2: I and not to make myself seem like I start
Speaker 2: trends and start things because people always get mad at
Speaker 2: me and say, oh, bro, you you act like you're
Speaker 2: too full of yourself. You didn't do all this, And
Speaker 2: I'm just making a statement, that's all that I'm doing.
Speaker 2: But I think that I kind of started the hole
Speaker 2: where the meat isn't meat thing because I did it
Speaker 2: a long time ago, and then all of a sudden
Speaker 2: it just kind of took off. And then I started
Speaker 2: and everyone talking about this, like how there's not enough
Speaker 2: cows to supply all of the meat in the United States,
Speaker 2: and it went on and on and on, and I
Speaker 2: did the math. None of it adds up. It doesn't
Speaker 2: add up. You would have to be slaughtering thousands upon
Speaker 2: thousands of cows and then also bringing in new calves
Speaker 2: and raising them every single day in order to keep
Speaker 2: up with demand. So it's like, what are what are these?
Speaker 2: And then that KFC commercial comes out and has basically
Speaker 2: showing you they're turning people into chicken, like what is
Speaker 2: going on here? But also with the blue thing, you
Speaker 2: have the avatar as well, James Cameron, all those people
Speaker 2: are blue. Then Raye just brought up blue bloods, which
Speaker 2: is another really interesting aspect of this because I don't
Speaker 2: know whenever you were growing up or not, Donut, but
Speaker 2: I distinctly remember being taught that our bloodlood is blue
Speaker 2: until it hits the surface and then it turns red.
Speaker 2: But that's not true. It's always red. It's even red
Speaker 2: inside of your body. But I was kind of shocked
Speaker 2: whenever I found that out because I was always told
Speaker 2: and a lot of other people I'm not the only one,
Speaker 2: have believed that our blood inside of our veins is
Speaker 2: blue until it hits oxygen and then it turns red.
Speaker 2: But apparently that's not true. It's always been.
Speaker 1: I mean it was in Las Vegas and I heard
Speaker 1: that too. Now talk about conspiracy.
Speaker 2: I don't know if that's with these concepts, Yeah, exactly, Yeah.
Speaker 1: And it's not only something like that that's all over
Speaker 1: the you know, at least America where we believe this.
Speaker 1: I believe that too, But even peopleeople that we want
Speaker 1: to research or look into academia shies away. And the
Speaker 1: truth or collective that's my new coin term for the
Speaker 1: truth or movement who does not care about the truth whatsoever.
Speaker 1: The truth or collective, the collective conscience of mass hysteria,
Speaker 1: because you got the mass hysteria of the world, right
Speaker 1: that be freaking out. The same thing happens as well
Speaker 1: in this like truth or collective as well, where we're
Speaker 1: not allowed to look into certain psychologists or whatever, and
Speaker 1: academia banishing a lot of these different psychologists and whatnot.
Speaker 1: So there's something going on. There's something strange going on.
Speaker 2: Yeah, And speaking of a strange, what's the deal with
Speaker 2: this uh to seventeen stuff. I've seen a lot of
Speaker 2: people posting about the two seventeen and immediately what kind
Speaker 2: of stood out to me was, of course Stanley Kubrick
Speaker 2: and Stephen King's novel The Shining in the Room, And
Speaker 2: I think you already have it in your presentation, but
Speaker 2: don't mean to stop on that, but just uh, that's
Speaker 2: what it reminded me of was the two seventeen. It
Speaker 2: was in Stephen King's novel of the Shining, and then
Speaker 2: Stanley Kubrick, whenever he was directing the Shining, he then
Speaker 2: changed the name of the number of the hotel room
Speaker 2: to two three seven instead of two seventeen, and then
Speaker 2: all this, uh, this two seventeen stuff kind of starts
Speaker 2: popping up again, So what's going on there?
Speaker 1: Well, it's that two seventeen code. Uh, there's a new
Speaker 1: film that was released that I was very excited to
Speaker 1: see because of the marketing around it. They released this
Speaker 1: new movie called Weapon, and the whole thing is about
Speaker 1: the number two seventeen where you got seventeen kids go
Speaker 1: missing from this classroom at two seventeen in the morning.
Speaker 1: So when I saw the movie, we did this big
Speaker 1: breakdown on the two seventeen and all that with anyasaru
Speaker 1: Ana Nicole Wordsmith. So a lot of the stuff I'll
Speaker 1: bring to the table. Shout out to them because they
Speaker 1: connected a lot of these dots. And right there's the
Speaker 1: movie Weapons. I saw somebody show how the symbol is
Speaker 1: the compass and square, so I kind of just drew
Speaker 1: it myself because I didn't see that until someone else
Speaker 1: shared it. But it is there. But this is that
Speaker 1: movie which seems to be very symbolic in a lot
Speaker 1: of ways.