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<v Speaker 1>This is a clip from Raised by Giants. You can

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<v Speaker 1>access the entire episode now on our website and all

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<v Speaker 1>podcast platforms.

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<v Speaker 2>And one of those boards does the horn thing.

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<v Speaker 1>Real? Me too? I want to get one so I

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<v Speaker 1>can have dolphins. I don't know, that's not the horse.

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<v Speaker 1>I'll be studying all the different animals.

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<v Speaker 2>You know, they got Illuminati animals everywhere.

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<v Speaker 1>Then they are all over the place. I mean, look

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<v Speaker 1>at like the grove. It's the owl, right, so you

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<v Speaker 1>definitely got the owl connection. Even the emblem of the

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<v Speaker 1>illuminatus is the owl.

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<v Speaker 2>So yeah, then you got bluecifer d I a brown.

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<v Speaker 1>Bro the blue sifer. You know, the blue is all

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<v Speaker 1>over the place right now. My thoughts are just at

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<v Speaker 1>a twenty four page report on the blue light frequency

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<v Speaker 1>of the television set from the nineties leading it all

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<v Speaker 1>the way up to twenty ten in the collapse of intimacy.

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<v Speaker 1>So my brain is really focused right now on the blue.

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<v Speaker 1>And it has been like, why all the blue lights?

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<v Speaker 1>And now we need blue chew for or we need

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<v Speaker 1>freaking blue drip, the blue stuff, the methylane blue, you

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<v Speaker 1>know for what? Why why do we need all these things?

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<v Speaker 1>From this deep, deep fatigue? And I think it's not

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<v Speaker 1>what we're told. I think it runs deeper psychologically.

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<v Speaker 2>Well, not only that, isn't it a lot of the

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<v Speaker 2>things that you eat that are like colored blue. Doesn't

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<v Speaker 2>it make your mouth blue? Like fruit by the foot?

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<v Speaker 2>You remember those as a kid, whenever we put it

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<v Speaker 2>out and do the circles, and it looked like we

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<v Speaker 2>were doing like headbangs or whatever. Remember those old commercials

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<v Speaker 2>always stain your tongue blue, dude.

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<v Speaker 1>That's interesting. Yeah, and the blue stuff, Yeah, I've been

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<v Speaker 1>looking at for a while. But when it comes to

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<v Speaker 1>those product placements of when we were younger and kids,

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<v Speaker 1>those commercials were like MTV music videos.

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<v Speaker 2>Well, it's weird because really nothing else that isn't blue

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<v Speaker 2>besides like red, Like even blue gatorade kind of like

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<v Speaker 2>stains your mouth and turns your tongue blue like, but

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<v Speaker 2>nothing else really does. I mean, the red will make

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<v Speaker 2>your mouth and tongue a little bit more red, but

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<v Speaker 2>nothing really stains your mouth like the blue collaring us.

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<v Speaker 1>Yeah, so back in the day the ancients, like the

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<v Speaker 1>movie Apocalypto by the head of Hollywood, Mel Gibson. He

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<v Speaker 1>made that movie about everyone being painted blue, which is

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<v Speaker 1>actually true symbol of the Aztecs to use as a

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<v Speaker 1>ritual sacrifice for the rain, like the rain god chalk

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<v Speaker 1>is blue, or even the Cali's got the blue tongue.

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<v Speaker 1>I think maybe not the blue tongue, maybe it's just blue.

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<v Speaker 1>But yeah, there's symbolism too that even when it comes

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<v Speaker 1>to the food that we eat. Shout out to paranoid American.

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<v Speaker 1>He was just showing like how Capri sun is the

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<v Speaker 1>sun god Capri. So there's like tons of ancient, subconscious

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<v Speaker 1>symbols for us to purchase these products. And the reason

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<v Speaker 1>why is a psychological reason because it leaves us sort

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<v Speaker 1>of empty. That's what all the parading is about. When

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<v Speaker 1>you see a commercial of bud light or whatever commercial,

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<v Speaker 1>there's always a parade full of people as we are

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<v Speaker 1>in this lifeliness epidemic, where this product is going to

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<v Speaker 1>fix all that, not only like spiritually, well, it's gonna

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<v Speaker 1>fix it spiritually. Like you see the KFC commercial where

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<v Speaker 1>they put a chicken on an altar and sacrifice it

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<v Speaker 1>and then baptize a man and then he turns into

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<v Speaker 1>a chicken leg Like this.

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<v Speaker 2>Bro, that whole thing was wild, And I'm convinced that

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<v Speaker 2>I and not to make myself seem like I start

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<v Speaker 2>trends and start things because people always get mad at

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<v Speaker 2>me and say, oh, bro, you you act like you're

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<v Speaker 2>too full of yourself. You didn't do all this, And

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<v Speaker 2>I'm just making a statement, that's all that I'm doing.

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<v Speaker 2>But I think that I kind of started the hole

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<v Speaker 2>where the meat isn't meat thing because I did it

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<v Speaker 2>a long time ago, and then all of a sudden

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<v Speaker 2>it just kind of took off. And then I started

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<v Speaker 2>and everyone talking about this, like how there's not enough

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<v Speaker 2>cows to supply all of the meat in the United States,

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<v Speaker 2>and it went on and on and on, and I

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<v Speaker 2>did the math. None of it adds up. It doesn't

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<v Speaker 2>add up. You would have to be slaughtering thousands upon

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<v Speaker 2>thousands of cows and then also bringing in new calves

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<v Speaker 2>and raising them every single day in order to keep

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<v Speaker 2>up with demand. So it's like, what are what are these?

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<v Speaker 2>And then that KFC commercial comes out and has basically

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<v Speaker 2>showing you they're turning people into chicken, like what is

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<v Speaker 2>going on here? But also with the blue thing, you

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<v Speaker 2>have the avatar as well, James Cameron, all those people

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<v Speaker 2>are blue. Then Raye just brought up blue bloods, which

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<v Speaker 2>is another really interesting aspect of this because I don't

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<v Speaker 2>know whenever you were growing up or not, Donut, but

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<v Speaker 2>I distinctly remember being taught that our bloodlood is blue

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<v Speaker 2>until it hits the surface and then it turns red.

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<v Speaker 2>But that's not true. It's always red. It's even red

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<v Speaker 2>inside of your body. But I was kind of shocked

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<v Speaker 2>whenever I found that out because I was always told

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<v Speaker 2>and a lot of other people I'm not the only one,

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<v Speaker 2>have believed that our blood inside of our veins is

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<v Speaker 2>blue until it hits oxygen and then it turns red.

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<v Speaker 2>But apparently that's not true. It's always been.

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<v Speaker 1>I mean it was in Las Vegas and I heard

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<v Speaker 1>that too. Now talk about conspiracy.

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<v Speaker 2>I don't know if that's with these concepts, Yeah, exactly, Yeah.

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<v Speaker 1>And it's not only something like that that's all over

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<v Speaker 1>the you know, at least America where we believe this.

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<v Speaker 1>I believe that too, But even peopleeople that we want

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<v Speaker 1>to research or look into academia shies away. And the

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<v Speaker 1>truth or collective that's my new coin term for the

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<v Speaker 1>truth or movement who does not care about the truth whatsoever.

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<v Speaker 1>The truth or collective, the collective conscience of mass hysteria,

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<v Speaker 1>because you got the mass hysteria of the world, right

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<v Speaker 1>that be freaking out. The same thing happens as well

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<v Speaker 1>in this like truth or collective as well, where we're

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<v Speaker 1>not allowed to look into certain psychologists or whatever, and

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<v Speaker 1>academia banishing a lot of these different psychologists and whatnot.

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<v Speaker 1>So there's something going on. There's something strange going on.

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<v Speaker 2>Yeah, And speaking of a strange, what's the deal with

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<v Speaker 2>this uh to seventeen stuff. I've seen a lot of

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<v Speaker 2>people posting about the two seventeen and immediately what kind

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<v Speaker 2>of stood out to me was, of course Stanley Kubrick

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<v Speaker 2>and Stephen King's novel The Shining in the Room, And

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<v Speaker 2>I think you already have it in your presentation, but

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<v Speaker 2>don't mean to stop on that, but just uh, that's

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<v Speaker 2>what it reminded me of was the two seventeen. It

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<v Speaker 2>was in Stephen King's novel of the Shining, and then

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<v Speaker 2>Stanley Kubrick, whenever he was directing the Shining, he then

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<v Speaker 2>changed the name of the number of the hotel room

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<v Speaker 2>to two three seven instead of two seventeen, and then

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<v Speaker 2>all this, uh, this two seventeen stuff kind of starts

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<v Speaker 2>popping up again, So what's going on there?

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<v Speaker 1>Well, it's that two seventeen code. Uh, there's a new

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<v Speaker 1>film that was released that I was very excited to

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<v Speaker 1>see because of the marketing around it. They released this

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<v Speaker 1>new movie called Weapon, and the whole thing is about

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<v Speaker 1>the number two seventeen where you got seventeen kids go

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<v Speaker 1>missing from this classroom at two seventeen in the morning.

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<v Speaker 1>So when I saw the movie, we did this big

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<v Speaker 1>breakdown on the two seventeen and all that with anyasaru

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<v Speaker 1>Ana Nicole Wordsmith. So a lot of the stuff I'll

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<v Speaker 1>bring to the table. Shout out to them because they

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<v Speaker 1>connected a lot of these dots. And right there's the

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<v Speaker 1>movie Weapons. I saw somebody show how the symbol is

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<v Speaker 1>the compass and square, so I kind of just drew

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<v Speaker 1>it myself because I didn't see that until someone else

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<v Speaker 1>shared it. But it is there. But this is that

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<v Speaker 1>movie which seems to be very symbolic in a lot

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<v Speaker 1>of ways.