1 00:00:05,280 --> 00:00:08,359 Speaker 1: Good morning from Hell. I'm Chris and I'm dead, and 2 00:00:08,439 --> 00:00:11,519 my eternal punishment is to do this podcast where we 3 00:00:11,640 --> 00:00:15,080 interview everyone in Hell, and I'm joined as always by 4 00:00:15,240 --> 00:00:17,079 the younger brother of Satan Clayton. 5 00:00:17,320 --> 00:00:20,239 Speaker 2: Yo, yo, yo, what's up, Pappy? Uh, there's really no 6 00:00:20,399 --> 00:00:21,920 holidays left. Christmas is over. 7 00:00:22,039 --> 00:00:23,719 Speaker 1: Well, do we celebrate Boxing Day? Chris? 8 00:00:23,760 --> 00:00:27,960 Speaker 3: We can put them up Yeah, yeah, Boxing Day? 9 00:00:28,120 --> 00:00:30,440 Speaker 1: Yeah, this is Boxing Day, right, Yeah, yeah, I think 10 00:00:30,440 --> 00:00:31,440 that's celebrated. 11 00:00:31,480 --> 00:00:33,240 Speaker 2: Yeah, well that's how we do it down here at least. Yeah. 12 00:00:33,320 --> 00:00:35,039 Speaker 1: Last year, you just put me in a box and 13 00:00:35,679 --> 00:00:36,039 left me. 14 00:00:36,960 --> 00:00:38,960 Speaker 3: I love those little you know, those holiday traditions that 15 00:00:39,000 --> 00:00:40,719 we do, Chris, we should do that again. Remind me 16 00:00:40,759 --> 00:00:42,280 after the end of the episode. I'll put you in 17 00:00:42,280 --> 00:00:45,759 another box, smaller this year. The next year lea is smaller, 18 00:00:45,799 --> 00:00:47,560 and then it's smaller. 19 00:00:47,280 --> 00:00:49,039 Speaker 1: One year where you just put me in a bunch 20 00:00:49,039 --> 00:00:51,359 of smaller, like a different piece in a different box. 21 00:00:51,479 --> 00:00:51,719 Speaker 2: Yeah. 22 00:00:51,840 --> 00:00:54,079 Speaker 3: Those are nesting dolls. We don't call them Russian nesting 23 00:00:54,079 --> 00:00:55,960 dolls anymore though, because you know. 24 00:00:56,119 --> 00:01:02,159 Speaker 1: But yeah, anyway, I noticed you've got some bling and 25 00:01:02,280 --> 00:01:05,959 you've got like a DJ turntable. Turntable, Oh my god, Chris. Yeah, 26 00:01:05,959 --> 00:01:06,799 I know these old things. 27 00:01:06,879 --> 00:01:08,840 Speaker 3: Yeah, I'm just dusting them off and whipping them out, 28 00:01:08,920 --> 00:01:11,040 you know, trying off some new things. You know. I'm 29 00:01:11,079 --> 00:01:13,079 just like a while ago, you know, I was going 30 00:01:13,079 --> 00:01:15,040 through my like midlife crisis thing, and then we kind 31 00:01:15,040 --> 00:01:17,159 of dropped that whole narrative. But we're gonna bring it 32 00:01:17,239 --> 00:01:19,920 back for this episode because I'm gonna try my hands 33 00:01:20,000 --> 00:01:20,640 at music. 34 00:01:20,799 --> 00:01:21,959 Speaker 1: I'm feeling really good about it. 35 00:01:22,079 --> 00:01:23,760 Speaker 3: Yeah, and I think I got a good avenue for 36 00:01:23,799 --> 00:01:25,799 how I can get into the big leagues, be up 37 00:01:25,840 --> 00:01:28,159 with the big guys, you know, P Diddy and such. Well, 38 00:01:28,159 --> 00:01:31,599 maybe not P Diddy, but you know, you know, so 39 00:01:31,640 --> 00:01:32,840 oh you definitely go to. 40 00:01:32,840 --> 00:01:34,640 Speaker 1: Be down with the big guys. Yeah. 41 00:01:34,680 --> 00:01:37,359 Speaker 2: But anyways, yeah, man, music career, You're gonna be a DJ. 42 00:01:37,719 --> 00:01:40,159 Speaker 3: You know, I'm experimenting with all sorts of genres and 43 00:01:40,159 --> 00:01:41,599 stuff like that. Here, let me whip you up a 44 00:01:41,680 --> 00:01:45,719 quick beat. Here you go, and there was What do 45 00:01:45,760 --> 00:01:46,200 you think of that? 46 00:01:46,799 --> 00:01:48,719 Speaker 1: Wow? Quick? You always quick? 47 00:01:48,760 --> 00:01:50,959 Speaker 3: But you know it's got to start somewhere, and I 48 00:01:50,959 --> 00:01:52,480 think I'm off to a strong start. 49 00:01:52,680 --> 00:01:54,680 Speaker 1: Off to a start, certainly. So you said you have 50 00:01:54,719 --> 00:01:57,280 an n Yeah, yeah, I actually I don't know why 51 00:01:57,319 --> 00:01:59,079 he's down here, so we're about to find out. 52 00:01:59,079 --> 00:02:01,319 Speaker 3: But I've got like one of the biggest musicians you 53 00:02:01,319 --> 00:02:01,920 can imagine. 54 00:02:02,040 --> 00:02:04,640 Speaker 1: Who's the biggest musician you can think of? Oh man 55 00:02:05,000 --> 00:02:05,439 meat Love. 56 00:02:05,640 --> 00:02:07,200 Speaker 3: No, No, a little bit bigger than that, a little 57 00:02:07,239 --> 00:02:09,080 bit bigger than meat loaf. He is down here though, 58 00:02:09,080 --> 00:02:12,400 but no, uh Kenny Loggins, No, I don't even think 59 00:02:12,400 --> 00:02:12,840 he's dead. 60 00:02:12,919 --> 00:02:18,520 Speaker 1: No, Moby no again not probably no Matchbox twenty. Oh 61 00:02:18,560 --> 00:02:19,360 my god, Oh. 62 00:02:19,199 --> 00:02:20,400 Speaker 2: My god, Chris. 63 00:02:21,000 --> 00:02:23,400 Speaker 3: No, I'm talking about the biggest of the big I'm 64 00:02:23,439 --> 00:02:24,680 talking about Beethoven. 65 00:02:24,800 --> 00:02:28,719 Speaker 2: Come on in here, Guden Morgan. Oh, this is me, 66 00:02:29,120 --> 00:02:30,560 Ludwig bon Beethoven. 67 00:02:30,759 --> 00:02:33,240 Speaker 3: Oh wow, I didn't expect the accident. But of course 68 00:02:33,280 --> 00:02:36,080 you're from where are you from? Beethoven, Germany? 69 00:02:36,199 --> 00:02:36,639 Speaker 1: Of course? 70 00:02:36,879 --> 00:02:39,360 Speaker 2: Yeah? Oh god, yeah, a place that is known for 71 00:02:39,479 --> 00:02:42,879 not being problematic at all, Yes, not at all, only. 72 00:02:42,599 --> 00:02:46,000 Speaker 1: Known for their music. Yes, that's right. Yeah, I am Strudel. 73 00:02:46,159 --> 00:02:48,759 Speaker 2: Yes, I'm not sure why I'm down here either. Perhaps 74 00:02:48,800 --> 00:02:51,000 because people found out that I put the lud bat 75 00:02:51,000 --> 00:02:51,639 in Ludwig. 76 00:02:51,719 --> 00:02:56,759 Speaker 1: You know, Beethoven. Yeah, classic Beethoven. 77 00:02:56,840 --> 00:02:59,560 Speaker 2: I don't hear that. Welse I'd like to watch very much. 78 00:02:59,680 --> 00:03:03,159 Speaker 3: Oh yea, yeah, I read that you're partially your fully deaf? 79 00:03:03,280 --> 00:03:03,879 Speaker 1: Is that the case? 80 00:03:03,919 --> 00:03:06,719 Speaker 2: I mean, how do you do music? I'm sorry? You 81 00:03:06,800 --> 00:03:07,680 talking to me? Yeah? 82 00:03:07,719 --> 00:03:10,520 Speaker 1: Yes, yes, Oh it might be a difficult podcast. 83 00:03:10,599 --> 00:03:12,719 Speaker 2: So I had to read lips sometimes because I just 84 00:03:12,759 --> 00:03:14,080 don't pay attention anymore. 85 00:03:14,199 --> 00:03:16,360 Speaker 3: Oh, you'd have a total hearing loss or how does 86 00:03:16,400 --> 00:03:18,719 that work? Oh you're talking to me again? 87 00:03:18,759 --> 00:03:20,719 Speaker 1: Okay, yeah, yeah, that's how this works. 88 00:03:21,000 --> 00:03:24,080 Speaker 2: Sometimes people would think I was deaf because I just 89 00:03:24,120 --> 00:03:26,879 stopped paying attention to people. I have no time for 90 00:03:27,000 --> 00:03:30,879 little minions out in ze world. You just people unless 91 00:03:30,919 --> 00:03:33,319 they're fans. I love fans, they're my favorites. 92 00:03:33,479 --> 00:03:37,240 Speaker 1: Well we're fans down here. Oh great, ye yes, so 93 00:03:37,360 --> 00:03:37,840 please listen. 94 00:03:37,960 --> 00:03:39,879 Speaker 2: Which of my pieces is your favorite? 95 00:03:40,240 --> 00:03:45,560 Speaker 1: Oh gosh, so many great ones. I think the symphony number, 96 00:03:46,159 --> 00:03:48,080 but bum yeah yeah. 97 00:03:50,840 --> 00:03:54,120 Speaker 2: That one, you know. Oh okay, great, So glad the 98 00:03:54,199 --> 00:03:56,840 names of my tracks are hitting the top billboards. Well, 99 00:03:56,879 --> 00:03:57,479 you didn't have. 100 00:03:57,560 --> 00:04:00,319 Speaker 3: Very good search engine optimization with the track, you know, 101 00:04:00,439 --> 00:04:00,879 the meta? 102 00:04:01,120 --> 00:04:02,719 Speaker 2: Right? Yeah? Yes, the meta. 103 00:04:02,800 --> 00:04:06,919 Speaker 3: Yeah, it was a lot of like symphony number, movement number, 104 00:04:07,479 --> 00:04:07,680 you know. 105 00:04:07,800 --> 00:04:09,680 Speaker 1: So yeah, you really need to like name them. Did 106 00:04:09,759 --> 00:04:11,479 anyone else write symphonies. 107 00:04:11,039 --> 00:04:14,280 Speaker 2: Like, yes, lots of other people wrote symphonies. I wasn't 108 00:04:14,280 --> 00:04:16,040 the first, though, I think I should have been. 109 00:04:16,120 --> 00:04:18,439 Speaker 1: So then yeah, why just symphony number nine? 110 00:04:18,600 --> 00:04:21,680 Speaker 3: Why don't you mix it up like distrack forty years? 111 00:04:21,680 --> 00:04:22,720 I don't know, trust me. 112 00:04:22,800 --> 00:04:24,839 Speaker 2: I tried to put names out there that were cat 113 00:04:24,879 --> 00:04:27,439 sheetings in all the things that people are interested in, 114 00:04:27,519 --> 00:04:29,839 like the plague, you know, like people just didn't want 115 00:04:29,879 --> 00:04:32,560 that for some reason, or you know, like my nephew's name. 116 00:04:32,680 --> 00:04:33,800 Speaker 1: What was your nephew's name? 117 00:04:34,759 --> 00:04:35,160 Speaker 2: George? 118 00:04:35,480 --> 00:04:37,319 Speaker 3: Oh okay, for a second, I thought you were listening 119 00:04:37,360 --> 00:04:40,000 to me again, but no, George. Okay, all right, I'm sorry. 120 00:04:40,040 --> 00:04:42,560 Go back to the hearing thing. You can hear fully, right, 121 00:04:42,639 --> 00:04:45,079 you're just choosing not to. You just have selective hearing. 122 00:04:45,199 --> 00:04:45,879 Is that what you're saying? 123 00:04:46,839 --> 00:04:50,399 Speaker 2: Beethoven? Oh yes, yes, yes, yeah. Oh sorry, unless you're 124 00:04:50,399 --> 00:04:52,720 waving at me and like talking about how great I am, 125 00:04:52,759 --> 00:04:54,120 I just don't pay attention very. 126 00:04:54,079 --> 00:04:57,360 Speaker 1: Much, okay, okay, yeah, so you're less hard of hearing 127 00:04:57,439 --> 00:04:58,519 and more just a dick. 128 00:04:58,959 --> 00:04:59,959 Speaker 2: Yeah, what's about? 129 00:05:01,079 --> 00:05:01,399 Speaker 1: Okay? 130 00:05:01,439 --> 00:05:03,680 Speaker 2: Are you talking about my verst my brat first? 131 00:05:03,959 --> 00:05:06,959 Speaker 3: No, no, Betho, We're gonna move on. So Moonlight Sonata, 132 00:05:06,959 --> 00:05:08,000 that's one of yours. 133 00:05:07,800 --> 00:05:10,920 Speaker 2: Right, Hey, great job, excellent, Yes, that that is one 134 00:05:10,920 --> 00:05:12,439 of my most advertised ones. 135 00:05:12,600 --> 00:05:13,680 Speaker 1: I'm gonna out myself here. 136 00:05:13,720 --> 00:05:16,720 Speaker 3: I thought Moonlight Sonata was like a car, like a 137 00:05:16,759 --> 00:05:17,680 Toyota Corolla. 138 00:05:17,800 --> 00:05:19,360 Speaker 1: I just I was way off on that. 139 00:05:19,439 --> 00:05:21,920 Speaker 2: So it's amazing how much of my music was used 140 00:05:21,920 --> 00:05:23,279 for the commercials. 141 00:05:23,360 --> 00:05:26,199 Speaker 3: Yes, oh yeah, because of the royalty free of it all. 142 00:05:26,319 --> 00:05:28,040 So you're not collecting royalties anymore. 143 00:05:28,079 --> 00:05:29,360 Speaker 2: You're not getting any of the money anymore. 144 00:05:29,399 --> 00:05:29,600 Speaker 1: Huh. 145 00:05:29,680 --> 00:05:32,240 Speaker 2: You know, people used to think that I was von Beethoven, 146 00:05:32,279 --> 00:05:35,360 which definitely royal name, right like no One and stuff. 147 00:05:35,399 --> 00:05:38,319 But now as van van Beethoven's not as cool, I 148 00:05:38,319 --> 00:05:41,079 guess any connection to van Halen are they down here? 149 00:05:41,319 --> 00:05:41,680 Speaker 1: Could be? 150 00:05:42,600 --> 00:05:44,439 Speaker 2: Oh, I would love to cook up with them. I'm 151 00:05:44,439 --> 00:05:47,079 trying myself to like put out some new tracks in 152 00:05:47,120 --> 00:05:48,959 the world, so I want to get some opinions from 153 00:05:48,959 --> 00:05:50,920 people that actually make music nowadays. 154 00:05:51,000 --> 00:05:53,160 Speaker 1: Oh oh, you're doing a comeback. 155 00:05:53,279 --> 00:05:57,120 Speaker 2: I mean, I'm trying. It's very difficult to advertise ludvigas back, 156 00:05:57,199 --> 00:05:59,120 but like people aren't as interested for some reason. 157 00:05:59,160 --> 00:05:59,800 Speaker 1: I don't know why. 158 00:06:00,040 --> 00:06:02,360 Speaker 3: Well, Ludwig is also isn't that like a new artist. 159 00:06:02,480 --> 00:06:04,319 He's like Elie Eilish something or another. 160 00:06:04,399 --> 00:06:06,040 Speaker 2: I don't know, I should have copyrighted. 161 00:06:06,199 --> 00:06:08,040 Speaker 1: I thought it was like a streamer. I think he 162 00:06:08,040 --> 00:06:10,360 plays the League of Legends. So maybe that's where the 163 00:06:10,360 --> 00:06:12,240 people are getting confused by. 164 00:06:12,199 --> 00:06:15,560 Speaker 3: Yah, sorry Beethoven. Someone a little bit more popular than 165 00:06:15,600 --> 00:06:18,639 you has arisen. Basically he's a streamer, so he plays 166 00:06:18,680 --> 00:06:22,959 games for people's entertainment. Yeah, like a jestu Yeah kind of, 167 00:06:23,120 --> 00:06:25,480 But like I would say, skill level is pretty comparable 168 00:06:25,519 --> 00:06:27,720 to what you did. You know, yeah, really, yeah, I 169 00:06:27,759 --> 00:06:30,519 know he's like a bit of a savant, but at 170 00:06:31,000 --> 00:06:32,079 playing video games. 171 00:06:32,120 --> 00:06:33,560 Speaker 1: He talked about video games a lot. 172 00:06:33,680 --> 00:06:35,759 Speaker 2: Yeah. So I've heard of this new game out there 173 00:06:35,759 --> 00:06:38,279 in the world called Guitar Hero. Was it like a 174 00:06:38,279 --> 00:06:40,279 piano Hero? I feel like I would kill. 175 00:06:40,079 --> 00:06:43,160 Speaker 1: It that No, just drums. 176 00:06:43,160 --> 00:06:45,040 Speaker 2: There's a drum kit like a rock band. 177 00:06:45,240 --> 00:06:46,279 Speaker 1: There's a rock band. 178 00:06:46,360 --> 00:06:49,120 Speaker 2: So yeah, yeah, how many stones must you throw at 179 00:06:49,120 --> 00:06:49,839 the rock band? 180 00:06:51,120 --> 00:06:53,480 Speaker 3: Okay, moving on, so you mentioned you were wanting to 181 00:06:53,519 --> 00:06:55,519 do a comeback. Does this have anything to do with 182 00:06:55,560 --> 00:06:58,279 the fact that Mozart had a new track released. 183 00:06:58,439 --> 00:07:00,720 Speaker 1: Yeah, because Mozart had new me use it come out 184 00:07:00,759 --> 00:07:03,560 in like twenty twenty two. I mean that's crazy. Yeah, 185 00:07:03,560 --> 00:07:03,879 this is. 186 00:07:03,839 --> 00:07:06,639 Speaker 2: Real classic old person wanted to come back. Am I right? 187 00:07:07,000 --> 00:07:08,879 So much older than me? I don't approve. 188 00:07:09,000 --> 00:07:10,759 Speaker 1: Did Mozart die when he was like in his thirties 189 00:07:10,879 --> 00:07:11,519 or something, if. 190 00:07:11,399 --> 00:07:13,480 Speaker 2: We want to be technical about it. Yes, but the 191 00:07:13,600 --> 00:07:16,959 old soul, you know, just really boring individual. Never went 192 00:07:17,040 --> 00:07:20,160 out and had parties or had sexual escapades, nothing of 193 00:07:20,160 --> 00:07:23,959 that nature. Never drank. No, Mozart was totally boring, totally boring, 194 00:07:24,279 --> 00:07:27,000 unlike me. Yeah, it was very life of the party. 195 00:07:27,120 --> 00:07:28,839 Speaker 1: Yeah, you party a lot, Like what do you do 196 00:07:29,000 --> 00:07:30,480 on a night out? Yeah? 197 00:07:30,639 --> 00:07:34,079 Speaker 2: Sometimes I would count the beans of my coffee before 198 00:07:34,120 --> 00:07:36,519 I put it in the gritter. Oh it's very fun. 199 00:07:36,600 --> 00:07:37,519 We could do it together. 200 00:07:37,800 --> 00:07:40,639 Speaker 1: Ah, we're not really much of bean counters. 201 00:07:40,759 --> 00:07:42,600 Speaker 2: Yeah, that sounds a little too extreme for us. 202 00:07:42,839 --> 00:07:43,160 Speaker 1: Yeah. 203 00:07:43,199 --> 00:07:47,319 Speaker 3: So then the movie on the dais about Mozart's crazy life. 204 00:07:47,439 --> 00:07:47,920 Speaker 1: Are you in that? 205 00:07:48,319 --> 00:07:52,079 Speaker 2: Yeah? I think I was booked already for another film. 206 00:07:52,199 --> 00:07:53,680 Speaker 1: Oh yeah, the one with the dog. 207 00:07:53,959 --> 00:07:56,040 Speaker 2: Yoh that's right, you were a dog, that's right? 208 00:07:56,160 --> 00:07:57,759 Speaker 1: What was it like being a giant dog? 209 00:07:57,800 --> 00:08:00,920 Speaker 2: Beethoven very hard to get into characters. I really did 210 00:08:00,959 --> 00:08:02,639 have to like plug my ears most of the time 211 00:08:02,639 --> 00:08:04,759 because I didn't want to listen to people's lines. I 212 00:08:04,800 --> 00:08:05,800 just wanted to bock at them. 213 00:08:06,000 --> 00:08:06,839 Speaker 1: Oh wow, I. 214 00:08:06,879 --> 00:08:08,560 Speaker 2: Wish they played more of my music. For some reason, 215 00:08:08,560 --> 00:08:10,680 they didn't choose me as the soundtrack composer. 216 00:08:10,879 --> 00:08:12,839 Speaker 1: Interesting, well, you were a dog then, so did you 217 00:08:12,879 --> 00:08:15,560 just like manifest into a dog? Like how'd that work out? 218 00:08:15,720 --> 00:08:15,959 Speaker 3: Yeah? 219 00:08:16,199 --> 00:08:19,480 Speaker 2: Usually costuming and like lots of fur and trying to 220 00:08:19,680 --> 00:08:22,480 spend time in the wild to get into the mindset 221 00:08:22,639 --> 00:08:23,800 of a K niney. 222 00:08:23,920 --> 00:08:26,839 Speaker 1: Oh, well, you were already a wild animal with the beans. 223 00:08:27,079 --> 00:08:29,399 Speaker 2: That's rights. Thank you so much. Here's some Kendy for you. 224 00:08:29,519 --> 00:08:30,319 Speaker 1: Oh, thank you. 225 00:08:30,399 --> 00:08:30,879 Speaker 2: That's cool. 226 00:08:30,959 --> 00:08:33,039 Speaker 3: Also, I didn't realize you worked with Stanley Tucci and 227 00:08:33,080 --> 00:08:34,919 David Tocopany in that film or were they doing in 228 00:08:34,919 --> 00:08:35,200 that movie? 229 00:08:35,279 --> 00:08:36,399 Speaker 2: Totally forgot about that. 230 00:08:36,639 --> 00:08:40,000 Speaker 3: Well, to be honest, tell us about this comeback that 231 00:08:40,159 --> 00:08:42,399 you're gonna have, because, honestly, Beethove and I see a 232 00:08:42,399 --> 00:08:44,120 bit of an opportunity here. 233 00:08:44,039 --> 00:08:46,399 Speaker 1: For maybe some collaboration, you know, like you and me 234 00:08:46,639 --> 00:08:50,240 team up. Wait, make some great tunes. Stop what collaborate 235 00:08:50,600 --> 00:08:51,320 and listen. 236 00:08:51,039 --> 00:08:54,360 Speaker 2: And listen I know that one. Yes, very catchy. Yeah, yeah, 237 00:08:54,360 --> 00:08:56,080 I feel like that was stolen as well. 238 00:08:57,720 --> 00:08:57,919 Speaker 1: Yeah. 239 00:08:58,320 --> 00:09:00,879 Speaker 2: Well yeah, it sounds a little bit like my song too. 240 00:09:04,039 --> 00:09:04,799 It's very close. 241 00:09:04,879 --> 00:09:09,120 Speaker 1: You know, well interesting because you know dud dude. Yeah, 242 00:09:09,200 --> 00:09:10,799 who did that first? Wasn't that? 243 00:09:10,840 --> 00:09:14,519 Speaker 2: I think that was the Freddy the Freddie Mercury, Freddy Mercury, right, 244 00:09:14,559 --> 00:09:15,679 and the Bowie Man. 245 00:09:15,559 --> 00:09:17,360 Speaker 1: And Bowie Vanilla Oh that's right. 246 00:09:17,519 --> 00:09:21,039 Speaker 3: Yeah, so then it went Beethoven, Freddy Mercury, Bowie, then 247 00:09:21,320 --> 00:09:23,240 Vanilla Ice or whatever the hell that guy's name was. 248 00:09:23,399 --> 00:09:25,720 Speaker 2: Yeah, what did they end up? Bowie's up in heaven. 249 00:09:25,879 --> 00:09:29,080 Speaker 1: Well, actually not exactly. He's up in space, that's right. 250 00:09:29,240 --> 00:09:31,600 Speaker 2: Yeah, yeah, he kind of like shot past heaven as 251 00:09:31,639 --> 00:09:32,320 what I understand. 252 00:09:32,519 --> 00:09:35,000 Speaker 1: Yeah, I just went straight to the stars in space. 253 00:09:35,080 --> 00:09:38,279 So Starman's in space. Oh that's great. 254 00:09:38,320 --> 00:09:41,159 Speaker 3: For a second, you know, you could book him going 255 00:09:41,159 --> 00:09:43,080 back to the collaboration, like, what are we gonna do? 256 00:09:43,120 --> 00:09:43,600 Speaker 2: Beethoven? 257 00:09:43,639 --> 00:09:44,879 Speaker 1: What kind of music are we going to make? 258 00:09:45,000 --> 00:09:47,279 Speaker 2: I was thinking that most of my music didn't have 259 00:09:47,320 --> 00:09:49,919 too many lyrics in it only wrote like an opera. 260 00:09:50,000 --> 00:09:52,000 One time, people didn't like it. I tried to call 261 00:09:52,039 --> 00:09:54,759 it Falatio, but my agent was like, no, Fedelio was like, 262 00:09:54,799 --> 00:09:57,159 okay that that was sound bad. I guess, oh okay, 263 00:09:57,159 --> 00:09:59,519 but yeah, most of my music it doesn't have the lyrics. 264 00:09:59,600 --> 00:10:01,840 I'm thinking we should add some lyrics and like snap 265 00:10:01,919 --> 00:10:04,360 some charismatic on it, you know, like get some new 266 00:10:04,480 --> 00:10:08,240 fresh takes on it. Okay, Yeah, should try laying some down. 267 00:10:08,240 --> 00:10:12,080 Speaker 1: Right, Yeah for sure, So like oh to Joy, just 268 00:10:12,159 --> 00:10:16,720 like oh oh oh oh to Joy Joy. 269 00:10:16,759 --> 00:10:21,840 Speaker 2: Actually already yeah, but I'm good with like a remix 270 00:10:21,919 --> 00:10:25,679 of the song altogether. Anything to get number one on streaming. 271 00:10:25,720 --> 00:10:28,600 You know. Apparently these streams are important. Now, all this 272 00:10:28,720 --> 00:10:31,679 water I don't understand. Yeah, yeah, it's a complex thing. 273 00:10:31,919 --> 00:10:33,559 Speaker 1: We're still figuring it out ourselves. 274 00:10:33,639 --> 00:10:35,799 Speaker 2: I heard this one song that made it down here 275 00:10:35,879 --> 00:10:38,720 one time. People really like it or hate it. It 276 00:10:38,960 --> 00:10:41,320 goes like baby Shock, to Do, to. 277 00:10:41,360 --> 00:10:41,840 Speaker 1: Do to Do? 278 00:10:42,240 --> 00:10:42,960 Speaker 2: Is that catchy? 279 00:10:43,240 --> 00:10:46,919 Speaker 1: Yeah that was a big one. Yeah, very popular with 280 00:10:46,960 --> 00:10:48,080 the young crowd. Yeah. 281 00:10:48,200 --> 00:10:53,240 Speaker 3: Sometimes it's important to make something so mesmerizing and terrible. 282 00:10:53,480 --> 00:10:56,600 Speaker 2: In repeating that, you just kind of brainwash. 283 00:10:56,080 --> 00:10:59,320 Speaker 3: A baby and then they're gonna repeat it forever and ever, 284 00:10:59,360 --> 00:11:01,200 and then the parents going to have to listen to it. 285 00:11:01,240 --> 00:11:01,879 Speaker 1: That's a method. 286 00:11:02,120 --> 00:11:04,639 Speaker 2: So we should go with animals for all of my songs, 287 00:11:04,639 --> 00:11:05,399 then I mean. 288 00:11:05,399 --> 00:11:08,159 Speaker 1: Okay, yeah, what does the fox say? There's lots of 289 00:11:08,200 --> 00:11:10,240 animals that has been addressed. 290 00:11:10,519 --> 00:11:12,279 Speaker 2: I've often asked that question myself. 291 00:11:12,360 --> 00:11:14,360 Speaker 1: What song would you want to put lyrics to? 292 00:11:14,600 --> 00:11:16,799 Speaker 2: That is my fifth symphony, like we've been talking about that, 293 00:11:17,879 --> 00:11:20,200 or we could do the Moonlight Snada or the Fury. 294 00:11:20,279 --> 00:11:25,639 Speaker 3: Least I see potential with that one because for a least, 295 00:11:25,679 --> 00:11:27,840 you know talking about animals. 296 00:11:27,879 --> 00:11:30,919 Speaker 1: So let's talk like a big bear or something furry. 297 00:11:30,639 --> 00:11:33,120 Speaker 2: Or fairies themselves. Maybe you could play into it in 298 00:11:33,159 --> 00:11:36,720 the music video. That's something we can do that. Yeah, 299 00:11:36,799 --> 00:11:38,759 I talked to them a lot when I did Beethoven 300 00:11:38,840 --> 00:11:39,399 the film. 301 00:11:39,440 --> 00:11:42,240 Speaker 3: You know, big furry community. Yeah, well, and Chris is 302 00:11:42,240 --> 00:11:43,679 also a huge, huge fan of furries. 303 00:11:43,720 --> 00:11:43,919 Speaker 1: Yeah. 304 00:11:43,960 --> 00:11:45,360 Speaker 2: What is that thing you do on the weekends called 305 00:11:45,480 --> 00:11:46,120 if yiffing? 306 00:11:46,799 --> 00:11:49,519 Speaker 1: It's more like when I'm celebrating, I go yef yef hourray. 307 00:11:49,720 --> 00:11:51,720 Speaker 3: You're not going to deny it, okay, stick it to 308 00:11:51,759 --> 00:11:54,120 the guns cold. Yeah, So if you're release, let's throw 309 00:11:54,159 --> 00:11:55,679 some lyrics down, Like what are you thinking? 310 00:11:55,840 --> 00:11:58,480 Speaker 2: Let me look at butts all day long? Do you 311 00:11:58,559 --> 00:12:00,159 think that would catch? Because I heard like the you 312 00:12:00,159 --> 00:12:02,240 get to the butts of things that people get really 313 00:12:02,320 --> 00:12:04,360 interested in. Yeah, because that's not so much of an 314 00:12:04,320 --> 00:12:05,639 animal's at this point, but. 315 00:12:05,519 --> 00:12:08,039 Speaker 3: It could be maybe if we did something like tying 316 00:12:08,080 --> 00:12:10,679 it in with a sponsor for like a commercial, so 317 00:12:10,759 --> 00:12:13,639 like Baby Backwards, Yeah, I don't know. 318 00:12:13,840 --> 00:12:18,159 Speaker 1: Yeah, like I'm loving it, okay, okay, yeah, sure, I 319 00:12:18,159 --> 00:12:20,000 guess they already have a song. Yeah, well, I mean 320 00:12:20,039 --> 00:12:21,039 so does Baby back Robs. 321 00:12:21,200 --> 00:12:23,120 Speaker 2: You could try something out hot right now? 322 00:12:23,279 --> 00:12:24,600 Speaker 1: Broccoli? 323 00:12:26,600 --> 00:12:28,480 Speaker 2: Yeah, we need to get a sponsor, right. 324 00:12:28,759 --> 00:12:29,320 Speaker 1: It helps. 325 00:12:29,559 --> 00:12:32,600 Speaker 3: Yeah, who's a brand that needs some help. I haven't 326 00:12:32,600 --> 00:12:34,840 seen them in the mainstream that would really connect with you. 327 00:12:35,000 --> 00:12:38,840 Speaker 1: Wiener Schitzel. Oh yes, I love them, Yes, yes, yes, 328 00:12:39,120 --> 00:12:44,399 maybe Oven companies. Okay, go on, explain Beethoven Oven. It's 329 00:12:44,399 --> 00:12:48,879 your name. It's like I could say Bakethoven, you know, 330 00:12:49,039 --> 00:12:52,080 beef Oven, Beethoven. It's a bit of a stretch, but yeah, 331 00:12:52,080 --> 00:12:53,240 I can see where you're going with it. Yeah. 332 00:12:53,320 --> 00:12:55,480 Speaker 2: Sure, they've get hooked on the bait and then they 333 00:12:55,559 --> 00:12:56,480 go on the oven. 334 00:12:56,279 --> 00:12:59,080 Speaker 1: Right, yeah, exactly, and then you'd be like, oh, these 335 00:12:59,120 --> 00:13:00,000 beats are five. 336 00:13:00,519 --> 00:13:02,879 Speaker 2: I mean it kind of writes itself there, Beethoven. If 337 00:13:02,879 --> 00:13:05,039 you're saying I should rebrand and be like B. E. A. 338 00:13:05,240 --> 00:13:06,120 T instead of B. 339 00:13:07,039 --> 00:13:09,799 Speaker 1: Beethoven. That's pretty good Hoven. 340 00:13:10,240 --> 00:13:12,679 Speaker 3: Yeah, yeah, yeah, you could be like what was that 341 00:13:12,759 --> 00:13:14,559 guy who was like an old boxer and he had 342 00:13:14,559 --> 00:13:15,879 the grills George Foreman. 343 00:13:16,720 --> 00:13:18,639 Speaker 1: Yeah, you can be like George Forman. Yeah. 344 00:13:18,720 --> 00:13:20,559 Speaker 2: Yeah, I've been wanting to get into the grill the 345 00:13:20,559 --> 00:13:23,039 industry myself anyway, with the worst. 346 00:13:23,159 --> 00:13:25,600 Speaker 1: You know, I'm gonna actually say that since you're German, 347 00:13:25,720 --> 00:13:30,159 maybe we don't go with the affiliation, you know, like 348 00:13:30,279 --> 00:13:33,679 it's already kind of this is my good edited out 349 00:13:35,480 --> 00:13:37,960 moving on, so it might be a touchy subject. 350 00:13:37,960 --> 00:13:40,080 Speaker 2: Don't ask because they like baking. They like baking. 351 00:13:40,159 --> 00:13:46,559 Speaker 1: Yes, a lot of stuff happened after that cutting motion. 352 00:13:46,759 --> 00:13:47,519 That cutting motion. 353 00:13:47,720 --> 00:13:49,879 Speaker 3: Hey, you know, this is a perfect opportunity to take 354 00:13:49,879 --> 00:13:52,320 a word from some Patreon followers. 355 00:13:52,399 --> 00:13:53,559 Speaker 2: Huh you already do that? 356 00:13:53,720 --> 00:13:55,360 Speaker 1: Yeah, you know how you used to have patron of 357 00:13:55,399 --> 00:13:57,919 the arts used to well, okay, I don't know if 358 00:13:57,919 --> 00:13:58,120 you do. 359 00:13:58,240 --> 00:13:59,279 Speaker 2: I don't have fans anymore. 360 00:13:59,440 --> 00:14:01,360 Speaker 1: My fans got or are they paying you for it? 361 00:14:01,440 --> 00:14:03,039 You don't get royalties. 362 00:14:02,679 --> 00:14:05,440 Speaker 2: Actually talked about agents about it. Yeah, it's all royalty 363 00:14:05,480 --> 00:14:07,519 for you. Did you have fans, not many. 364 00:14:07,679 --> 00:14:09,639 Speaker 3: You were talking about the streams earlier, and I think 365 00:14:09,679 --> 00:14:10,799 our stream is a little bit. 366 00:14:10,759 --> 00:14:11,720 Speaker 1: Damned up right now. 367 00:14:12,799 --> 00:14:15,039 Speaker 2: What if you've repranted as well and be like Guten 368 00:14:15,080 --> 00:14:17,320 Morgan from Hell here, that would sell really well. 369 00:14:17,360 --> 00:14:19,120 Speaker 1: Oh, Guten Morgan from Hell. 370 00:14:19,240 --> 00:14:21,720 Speaker 2: That's something Guten Morio international crowd. 371 00:14:21,879 --> 00:14:22,720 Speaker 1: Yeah, yeah, yeah. 372 00:14:22,759 --> 00:14:25,200 Speaker 3: We have been going after that European audience and we 373 00:14:25,279 --> 00:14:27,279 just can't seem to break in there. So maybe that's 374 00:14:27,279 --> 00:14:30,200 what we do. Yeah, Guten Morgan from Hell. Yeah, Guten 375 00:14:30,320 --> 00:14:32,799 Dog from Hell. Yeah, Guten Talk from Hell and then 376 00:14:32,840 --> 00:14:34,840 Guten knocked. It could be like the Afterpatti. 377 00:14:35,240 --> 00:14:37,240 Speaker 2: Oh yeah, yeah, yeah, there's something there. 378 00:14:37,399 --> 00:14:40,600 Speaker 1: Yeah. But so we have our patrons. When they support 379 00:14:40,679 --> 00:14:43,080 us at Good Morning from Hell dot com, they get 380 00:14:43,240 --> 00:14:47,080 the amazing benefit of getting roasted on the show. They 381 00:14:47,120 --> 00:14:49,559 sent in some information and then we make fun of them. 382 00:14:49,639 --> 00:14:52,240 Speaker 2: Yeah that sounds great. Yeah, I love making fun of 383 00:14:52,279 --> 00:14:52,720 my fence. 384 00:14:53,000 --> 00:14:53,879 Speaker 1: Yeah, I bet you did. 385 00:14:53,960 --> 00:14:55,960 Speaker 2: They seem to like it too, They seem to enjoy it. 386 00:14:56,000 --> 00:15:00,360 Speaker 3: We got someone called Nicholas, when asked to describe themselves, 387 00:15:00,399 --> 00:15:03,279 said I'm a bald, thirty two year old married guy 388 00:15:03,320 --> 00:15:06,279 with classes. Great start. I bet he loves D and D. Oh, 389 00:15:06,480 --> 00:15:08,480 I love D and D in a podcast called Tales 390 00:15:08,480 --> 00:15:10,600 from the Steaking Dragon that I've really listened to, probably 391 00:15:10,600 --> 00:15:11,080 too much. 392 00:15:11,240 --> 00:15:12,759 Speaker 1: Wow, that's a shocker. 393 00:15:13,360 --> 00:15:15,559 Speaker 2: So I'm confused. Did his parents not like the name 394 00:15:15,639 --> 00:15:18,320 nick Soa? They thought nick less? They need less of it? 395 00:15:18,519 --> 00:15:20,320 Speaker 3: Well, I don't know, but I'm sure that they're very 396 00:15:20,320 --> 00:15:22,200 proud of him for loving Dungeons of Dragons. 397 00:15:22,320 --> 00:15:25,799 Speaker 1: Yeah. What parent wouldn't be proud of offspring that just 398 00:15:25,960 --> 00:15:28,120 played games? I could think of a couple. I could 399 00:15:28,159 --> 00:15:29,840 name a few. I can think of some parents that 400 00:15:29,879 --> 00:15:30,399 aren't proud. 401 00:15:30,519 --> 00:15:33,279 Speaker 3: When asked to give a story that's a little embarrassing, 402 00:15:33,320 --> 00:15:34,360 they said two stories. 403 00:15:34,440 --> 00:15:36,559 Speaker 2: Okay, well that's not the prompt, but that's fine all right. 404 00:15:36,879 --> 00:15:39,120 Speaker 3: Once, when I was younger, my brother was able to 405 00:15:39,200 --> 00:15:42,000 jump over people standing up. I wanted to show I 406 00:15:42,039 --> 00:15:44,639 could do the same, but the person and sorry they're 407 00:15:44,639 --> 00:15:47,360 spelling satrocious. I wanted to show I could do the same, 408 00:15:47,399 --> 00:15:49,960 but the person instead bent over and I face planted 409 00:15:50,039 --> 00:15:50,679 into the ground. 410 00:15:50,919 --> 00:15:52,519 Speaker 1: The second story, I was. 411 00:15:52,559 --> 00:15:54,720 Speaker 3: At a retail job and while joking with the coworker, 412 00:15:54,759 --> 00:15:56,879 I put a shovel down and did a stripper pole 413 00:15:56,960 --> 00:15:59,279 grind and realized there was a customer who saw the 414 00:15:59,279 --> 00:16:00,519 whole thing giggling. 415 00:16:00,559 --> 00:16:03,279 Speaker 2: But did you set something afterwards because of the show? 416 00:16:03,559 --> 00:16:03,879 Speaker 1: Yeah? 417 00:16:03,960 --> 00:16:05,840 Speaker 3: Yeah, you should have been able to flip that. If 418 00:16:05,840 --> 00:16:07,159 you're any good, they would have paid. 419 00:16:07,159 --> 00:16:09,200 Speaker 2: I'm gonna be also honest in that first story when 420 00:16:09,200 --> 00:16:11,200 you said bend dover, I thought it was going somewhere 421 00:16:11,200 --> 00:16:12,080 else for a second. 422 00:16:12,440 --> 00:16:14,320 Speaker 1: Well, you don't know what happened afterwards. Could have been 423 00:16:14,360 --> 00:16:14,879 a meat cute. 424 00:16:14,919 --> 00:16:16,840 Speaker 3: Yeah, it seemed to the face planet. It seems like 425 00:16:16,919 --> 00:16:19,120 the face plant might have affected his brain, and that 426 00:16:19,200 --> 00:16:21,039 is why he is a sneaky Dragon fan. Moving on, 427 00:16:21,240 --> 00:16:24,759 there was less and less of Nick afterwards. Nick next 428 00:16:24,759 --> 00:16:28,159 person is Kyle H. Kyle says, I'm at the time 429 00:16:28,200 --> 00:16:30,759 of this writing, a thirty four year old dad with 430 00:16:30,840 --> 00:16:32,120 two year old daughters. 431 00:16:32,399 --> 00:16:34,639 Speaker 1: Uh wait, two year old daughter? 432 00:16:34,759 --> 00:16:36,720 Speaker 2: Are there two year old daughters or two year old 433 00:16:36,799 --> 00:16:38,200 daughters that are both two years old? 434 00:16:38,320 --> 00:16:41,600 Speaker 1: Two year old daughter with a two year old daughter? Oh? 435 00:16:41,639 --> 00:16:44,320 Speaker 3: Oh, he has a singular two year old daughter. We thought, 436 00:16:44,440 --> 00:16:46,120 are those very confused? Math is difficult? 437 00:16:46,320 --> 00:16:46,519 Speaker 1: Yeah. 438 00:16:46,559 --> 00:16:49,399 Speaker 3: I live in Washington State, hiding in the woods, occasionally 439 00:16:49,440 --> 00:16:51,480 emerging to watch the sounders play. 440 00:16:51,559 --> 00:16:53,480 Speaker 1: Who are the Sounders Sounders play? What are you a 441 00:16:53,519 --> 00:16:54,919 sasquatch or bigfoot? 442 00:16:55,039 --> 00:16:55,279 Speaker 2: Yeah? 443 00:16:55,279 --> 00:16:57,399 Speaker 3: I mean I've got to look up what a sounder is. 444 00:16:57,679 --> 00:17:00,399 Sounders so like a fish? 445 00:17:00,440 --> 00:17:03,080 Speaker 1: Oh okay, yeah, No, it is not in fact a 446 00:17:03,159 --> 00:17:07,119 play or music. It's soccer team. Oh today I learned. 447 00:17:07,160 --> 00:17:09,000 Speaker 3: I didn't know that Washington State had a soccer team 448 00:17:09,000 --> 00:17:10,680 called the Sounders. 449 00:17:10,160 --> 00:17:13,279 Speaker 1: Looking for a sponsor. The Sounders make sense. 450 00:17:13,359 --> 00:17:15,880 Speaker 2: Maybe they need a jingle. Yeah, this is the perfect 451 00:17:15,920 --> 00:17:17,640 music to bring this up. Thank you, Kyle. 452 00:17:17,839 --> 00:17:20,559 Speaker 3: H Anyways, he said found artie content back when RBB 453 00:17:20,680 --> 00:17:21,160 season two. 454 00:17:21,559 --> 00:17:23,200 Speaker 1: Glad how much it is still going? 455 00:17:23,440 --> 00:17:27,240 Speaker 3: This isn't rooster teeth all right, Kyle Age, stop writing 456 00:17:27,240 --> 00:17:28,519 in about your rooster tee stuff. 457 00:17:28,559 --> 00:17:33,319 Speaker 2: I'm Clayton, I'm not Bernie. His job accountant. No other story, 458 00:17:33,400 --> 00:17:34,720 just isn't accountant. 459 00:17:34,279 --> 00:17:35,519 Speaker 1: Talk about counting beans? 460 00:17:35,720 --> 00:17:39,640 Speaker 3: Yeah, any embarrassing stories or confessions. I think circus peanuts 461 00:17:39,680 --> 00:17:40,640 are top tier candy. 462 00:17:40,720 --> 00:17:43,200 Speaker 1: Oh my god, Kyle, what are we doing here, Kyle? 463 00:17:43,440 --> 00:17:46,920 They're just the worst candy. Yeah, you're definitely gonna go 464 00:17:46,920 --> 00:17:47,200 to hell. 465 00:17:47,240 --> 00:17:48,839 Speaker 2: I was thinking, like at a carnival. Is that the 466 00:17:48,880 --> 00:17:50,160 orange peanuts we're talking about? 467 00:17:50,319 --> 00:17:53,960 Speaker 1: Yeah, they're basically just sugar trash. Yeah, it's garbage. Kyle. 468 00:17:54,000 --> 00:17:55,319 Speaker 2: You had all the opportunity of the world. 469 00:17:55,319 --> 00:17:58,400 Speaker 3: You had tens of people listening to this show, and 470 00:17:58,440 --> 00:17:59,480 you could have said anything you. 471 00:17:59,400 --> 00:18:01,359 Speaker 2: Wanted to talk about circus peanuts Kyle. 472 00:18:01,480 --> 00:18:03,039 Speaker 1: Yeah, I'm worried about your children. 473 00:18:03,240 --> 00:18:06,559 Speaker 3: Yeah, all two of them or yeah, one of them unclear. 474 00:18:06,680 --> 00:18:08,440 Speaker 1: Maybe there's two that are one year old, so it 475 00:18:08,440 --> 00:18:10,480 adds up to two years old. Go back to the 476 00:18:10,720 --> 00:18:13,079 Washington State forest, Kyle. Yeah. 477 00:18:13,160 --> 00:18:16,440 Speaker 2: I don't understand why circus peanuts don't taste anything like 478 00:18:16,480 --> 00:18:18,599 peanuts and have any relation other than how they look. 479 00:18:18,720 --> 00:18:19,559 Speaker 1: Well ask Kyle. 480 00:18:19,759 --> 00:18:21,480 Speaker 2: He seems to be the expert on him that an 481 00:18:21,519 --> 00:18:24,319 accounting I left school when I was eleven, so boo 482 00:18:24,400 --> 00:18:26,240 on school, right, it's not cool. 483 00:18:26,519 --> 00:18:27,480 Speaker 1: Yeah, it's for fool. 484 00:18:27,480 --> 00:18:29,880 Speaker 2: See. I'm already writing lyrics. I'm slapping down rhymes. 485 00:18:29,920 --> 00:18:30,599 Speaker 1: Oh man, oh man. 486 00:18:30,640 --> 00:18:32,359 Speaker 3: He can't stop the guy. All right, Well we're gonna 487 00:18:32,359 --> 00:18:34,319 get back into that. But thank you so much, Kyle. 488 00:18:34,680 --> 00:18:37,599 H And who's the other guy? Nicholas Yeah, nickel Moore, 489 00:18:37,799 --> 00:18:41,319 nickel Moore, Hey, Nicholas, stop putting yourself down from now on, 490 00:18:41,480 --> 00:18:42,519 go buy nickel Moore. 491 00:18:42,759 --> 00:18:45,160 Speaker 2: Yeah, and then when you retire and then you want 492 00:18:45,160 --> 00:18:46,960 to like have a comeback, you go nickel Back, and 493 00:18:47,000 --> 00:18:49,680 I feel like that's it will sell really easily. 494 00:18:49,799 --> 00:18:52,160 Speaker 3: Yeah yeah, look at this photograph. Oh, speaking of Nickelback, 495 00:18:52,200 --> 00:18:54,519 you know that'd be a great collab. That'd be something. Yes, 496 00:18:54,640 --> 00:18:58,079 what is their number one hits again? Oh so one 497 00:18:58,079 --> 00:19:02,640 way they go, Oh, I could do that her. 498 00:19:03,720 --> 00:19:04,960 Speaker 1: You already better than Nickelback. 499 00:19:05,000 --> 00:19:07,039 Speaker 2: Look at you go with legs white open. 500 00:19:07,400 --> 00:19:10,480 Speaker 1: Yeah, that's good. That's Creed. Oh is it? 501 00:19:10,599 --> 00:19:12,839 Speaker 2: Or is that pearl jam that's your Creed? Like that's 502 00:19:12,839 --> 00:19:13,480 what you live by? 503 00:19:13,519 --> 00:19:15,680 Speaker 1: Oh? No, I don't live by certainly not Creed. 504 00:19:15,960 --> 00:19:21,200 Speaker 2: Even her. That's Nickelback, right, I heard that in the 505 00:19:21,240 --> 00:19:22,599 elevator on the way down here. 506 00:19:22,640 --> 00:19:24,680 Speaker 3: I think you get them all confused, you know, hold on, 507 00:19:24,799 --> 00:19:27,960 nickel nickel Back, I want my nickel Back. 508 00:19:28,039 --> 00:19:30,039 Speaker 1: Nickelback uses her you. 509 00:19:30,599 --> 00:19:33,720 Speaker 3: I'm sorry, this episode has just come's just singing in 510 00:19:33,799 --> 00:19:34,319 a bad. 511 00:19:34,200 --> 00:19:37,240 Speaker 1: Voice, so motes. Sorry. I just called you mo Sorry, 512 00:19:37,640 --> 00:19:40,200 got sorry, it just slipped out of the tongue. I mean, 513 00:19:40,200 --> 00:19:43,119 people know Mozart is like such a big deal. I'm sorry. 514 00:19:43,279 --> 00:19:46,559 Speaker 2: Yeah, so cool, Mozart. I have a wolf in the name. 515 00:19:46,599 --> 00:19:47,720 I'm an animal already. 516 00:19:47,920 --> 00:19:50,000 Speaker 1: Yeah, I mean he didn't need to rebrain. It's got 517 00:19:50,000 --> 00:19:53,319 a badass name. Yeah, it's true and art. It's like wow, 518 00:19:53,440 --> 00:19:54,200 the wolf artist. 519 00:19:54,279 --> 00:19:56,799 Speaker 3: It's like, god, damn, have you ever considered you know, 520 00:19:56,960 --> 00:20:00,799 Liken Ninja turtles? Right, you got like Leonardo d'antell Raphael 521 00:20:01,240 --> 00:20:02,559 the other one, Michaelangelo. 522 00:20:02,680 --> 00:20:04,599 Speaker 2: Great artists? Yes, yeah, yeah. 523 00:20:04,720 --> 00:20:06,880 Speaker 1: Why didn't they ever do like a team. 524 00:20:06,720 --> 00:20:10,279 Speaker 3: Of like mutant animals that were named after like Mozart, 525 00:20:10,400 --> 00:20:11,559 Beethoven Bach. 526 00:20:11,799 --> 00:20:13,799 Speaker 2: I think it starts right now. I think that's what 527 00:20:13,920 --> 00:20:15,759 happens right now, is that we come up with the 528 00:20:15,759 --> 00:20:19,440 best animal that mutates into humanoid form, and then pick 529 00:20:19,480 --> 00:20:21,920 a martial art of sorts, and then we pick out 530 00:20:21,960 --> 00:20:24,079 our composers, and they would all be named Beethoven. 531 00:20:24,119 --> 00:20:25,880 Speaker 3: I think, right, there could be other ones. Who's the 532 00:20:25,920 --> 00:20:28,039 fourth member I want? Yeah, if you were picking out 533 00:20:28,079 --> 00:20:28,880 your ninja team. 534 00:20:29,000 --> 00:20:31,480 Speaker 2: I think Heiden is pretty fun, like hide and seek 535 00:20:31,519 --> 00:20:32,000 all the time. 536 00:20:32,079 --> 00:20:34,839 Speaker 1: Oh yeah, a sneaky one. He's like the stealth guy. 537 00:20:35,000 --> 00:20:35,279 I hear. 538 00:20:35,400 --> 00:20:39,000 Speaker 2: Broms is pretty fun. Sometimes they're ice cream great ice cream. 539 00:20:39,200 --> 00:20:41,960 Broms makes everything better. That's a very regional joke by 540 00:20:42,000 --> 00:20:46,559 the way, so be Beethoven. We got Hiden Brohms, and 541 00:20:46,599 --> 00:20:50,079 then we were talking about baby got back, so Bach Johangs, Beshimbaca. 542 00:20:50,119 --> 00:20:52,079 They gave me bock box. Okay, yeah, that's good. 543 00:20:52,119 --> 00:20:55,759 Speaker 1: So would Mozart be like your sense, like your master 544 00:20:56,079 --> 00:20:56,720 master Splinter. 545 00:20:56,799 --> 00:20:59,319 Speaker 2: He'd be like the April character. Oh doesn't really do 546 00:20:59,400 --> 00:21:02,160 all this stuff, be like does news reporteen on us? 547 00:21:02,200 --> 00:21:03,559 And looks like a fool and yellow? 548 00:21:03,599 --> 00:21:06,079 Speaker 1: You don't think he'd be like teaching the ways of 549 00:21:06,200 --> 00:21:08,119 the Ninja or music No. 550 00:21:08,640 --> 00:21:08,920 Speaker 2: Nine. 551 00:21:09,240 --> 00:21:10,839 Speaker 3: I mean he's like a big guy, you know, he's 552 00:21:10,880 --> 00:21:12,559 like you know, before your time. You know, he's like 553 00:21:12,599 --> 00:21:15,440 the guy he was famous when he was like a kid. Yeah, 554 00:21:15,519 --> 00:21:16,720 were you famous when you were a kid? 555 00:21:16,839 --> 00:21:19,319 Speaker 2: I was famous. To my father, just lied about my 556 00:21:19,400 --> 00:21:23,880 age to make me seem younger. He really, that's very true. 557 00:21:24,279 --> 00:21:26,279 It doesn't make sense. I was like seven at the 558 00:21:26,319 --> 00:21:27,960 time and he was like, you're six years old? 559 00:21:28,039 --> 00:21:28,680 Speaker 1: Was like, yes, that. 560 00:21:28,640 --> 00:21:30,519 Speaker 2: Will sell well. 561 00:21:30,559 --> 00:21:33,680 Speaker 3: People loved six year olds back then. Classic age that 562 00:21:33,680 --> 00:21:36,319 everyone likes. What's up with these other guys' names? Or 563 00:21:36,480 --> 00:21:39,119 the composers always got crazy names. We got Claude Dubussy. 564 00:21:40,839 --> 00:21:42,400 What's up with that guy? He could be on your 565 00:21:42,480 --> 00:21:45,559 ninja team. Yeah, why not to bussy throw that Dubussy back. 566 00:21:46,759 --> 00:21:50,400 I like to ride Dubussy to work sometimes. Yeah, we 567 00:21:50,400 --> 00:21:52,960 could also do like a chopping. Chopping would be good 568 00:21:53,000 --> 00:21:54,039 for a ninja. 569 00:21:53,799 --> 00:21:56,720 Speaker 1: Chopping Yeah, yeah, he'd have a sword. What would your 570 00:21:56,799 --> 00:21:57,319 weapon be? 571 00:21:57,640 --> 00:22:01,039 Speaker 2: Yeah, beats. I think I have a big oven full 572 00:22:01,079 --> 00:22:02,839 of beats and I throw it at my enemies. 573 00:22:03,039 --> 00:22:05,440 Speaker 3: Oh oh, beats, got it because it's in your name? 574 00:22:05,599 --> 00:22:07,079 Yeah yeah, I thought you were talking about like you 575 00:22:07,119 --> 00:22:07,720 lay them down. 576 00:22:07,920 --> 00:22:10,200 Speaker 2: I think both. I need to spread my arms wide 577 00:22:10,240 --> 00:22:13,480 and get these beats like red beats and like actually yeah, 578 00:22:13,519 --> 00:22:15,839 wide open and make like beats out of them. I 579 00:22:15,960 --> 00:22:17,880 just really want to dig down anything that relates to 580 00:22:17,920 --> 00:22:18,480 my name at all. 581 00:22:18,839 --> 00:22:22,000 Speaker 3: Okay, cool Debussy. Sorry, I can't stop thinking about that name. 582 00:22:22,200 --> 00:22:24,640 Speaker 1: Looking in here about like why you might be in hell. 583 00:22:24,920 --> 00:22:26,079 Speaker 2: Oh yes, I'm interested. 584 00:22:26,279 --> 00:22:29,680 Speaker 1: It says you did use real cannons in your music. 585 00:22:29,960 --> 00:22:33,039 Oh yeah, how many people died because you know, crowd 586 00:22:33,079 --> 00:22:36,079 a concert hall you're firing off cannons, which, for the record, 587 00:22:36,240 --> 00:22:37,000 kind of badass. 588 00:22:37,079 --> 00:22:39,039 Speaker 2: Yeah. They went for the music that was so much 589 00:22:39,039 --> 00:22:41,279 for the people that would talk to in my concerts. 590 00:22:41,440 --> 00:22:43,880 You know, just like if I heard concert, just light 591 00:22:43,960 --> 00:22:46,000 the fuse, baby, and to see what happens, I would 592 00:22:46,119 --> 00:22:48,160 not even turn to face them. I just wanted to 593 00:22:48,200 --> 00:22:49,440 like focus on the music, you know. 594 00:22:49,640 --> 00:22:52,319 Speaker 3: So originally it was for like keeping the audience in line, 595 00:22:52,319 --> 00:22:54,119 but then it became part of the song, is what 596 00:22:54,119 --> 00:22:54,599 you're saying. 597 00:22:54,640 --> 00:22:56,960 Speaker 2: It just happened too often, so I needed to incorporate 598 00:22:57,000 --> 00:22:58,319 it into my music, you know. 599 00:22:58,519 --> 00:23:00,319 Speaker 1: Wow, So like was the goal. 600 00:23:00,440 --> 00:23:02,400 Speaker 3: Everybody thought you were deaf, so then you were just 601 00:23:02,480 --> 00:23:04,920 gonna in turn make everybody else deaf with the cannons, 602 00:23:05,000 --> 00:23:06,200 just like blasting them. 603 00:23:06,240 --> 00:23:08,880 Speaker 2: If you're not listening to my music, you listen to nothing, right, 604 00:23:09,240 --> 00:23:10,359 yeah all right. 605 00:23:10,400 --> 00:23:12,920 Speaker 3: Yeah, god one bad apple, and then it ruins the 606 00:23:12,920 --> 00:23:15,039 whole batch of the whole concert because then everyone's airs 607 00:23:15,039 --> 00:23:15,559 are bleeding. 608 00:23:15,680 --> 00:23:18,839 Speaker 2: Yeah, I'm assuming this whole episode has my music in 609 00:23:18,880 --> 00:23:21,160 the background right now. That's why I came on this, 610 00:23:21,200 --> 00:23:22,960 because I want to put my tunes out there. 611 00:23:23,240 --> 00:23:25,440 Speaker 1: Yeah, we were gonna do that, but we couldn't get 612 00:23:25,480 --> 00:23:28,880 the rights to it. I know it is public domain. 613 00:23:28,640 --> 00:23:31,480 Speaker 2: Loyalty free in public DOMAINIA. Yes, we understand. It's free 614 00:23:31,480 --> 00:23:33,559 of royalsty I know. I'm not No, we need to 615 00:23:33,599 --> 00:23:34,240 rub it in again. 616 00:23:34,359 --> 00:23:37,559 Speaker 1: Sorry, I'm sorry, Bete. Y'all are gonna do a collab? Yeah, 617 00:23:37,599 --> 00:23:40,799 what's your first song gonna be? What are the instruments 618 00:23:40,799 --> 00:23:42,920 in it? And what's it called? Take it Away? 619 00:23:42,960 --> 00:23:44,960 Speaker 3: We could kind of do like you start the sentence 620 00:23:44,960 --> 00:23:46,079 and all finish it kind of thing. 621 00:23:46,160 --> 00:23:50,480 Speaker 2: Uh huh, got you? Okay? Kangaroos yeah, oh I need 622 00:23:50,480 --> 00:23:50,920 to keep going. 623 00:23:50,960 --> 00:23:51,920 Speaker 1: Okay, kangaroos. 624 00:23:52,119 --> 00:23:55,279 Speaker 3: Oh no, no, kangaroos, cagars yeah yeah, and no, no, no kangaroos. 625 00:23:55,400 --> 00:23:56,680 Speaker 1: Yeah that's the song. 626 00:23:56,759 --> 00:23:59,519 Speaker 2: Okay, Yes, I love it when they do that kangaroo's Yeah. 627 00:23:59,599 --> 00:24:00,839 Speaker 1: Yeah, that's the name of the song. 628 00:24:01,039 --> 00:24:03,359 Speaker 3: And then as far as the instruments go, I mean, 629 00:24:03,400 --> 00:24:05,480 I'm really lit up by those cannons. I think that 630 00:24:05,480 --> 00:24:07,400 that's a great idea. So I think we definitely need 631 00:24:07,440 --> 00:24:11,079 to do more like artillery based instruments, you know, yeah 632 00:24:11,119 --> 00:24:11,559 for sure. 633 00:24:11,759 --> 00:24:15,400 Speaker 1: Yeah, why stop at cannons? Why not just blow dots? Well, 634 00:24:15,440 --> 00:24:17,799 I was gonna say something, go bigger, go home. Why 635 00:24:17,839 --> 00:24:20,480 not like T and T TNT tanks. 636 00:24:20,759 --> 00:24:23,000 Speaker 3: Yeah, we could do something where it's just the entire 637 00:24:23,160 --> 00:24:25,440 instrumentation is just explosives. 638 00:24:25,559 --> 00:24:28,559 Speaker 2: Yeah, because because yes, I love that it's so sUAS 639 00:24:28,759 --> 00:24:33,720 big and bombastic. Yeah, literally bombast kangaroo yeat? 640 00:24:33,839 --> 00:24:36,960 Speaker 1: Is it like a number like number eight or something, 641 00:24:37,119 --> 00:24:38,400 you know, because you always numbered your. 642 00:24:38,279 --> 00:24:40,920 Speaker 2: Stuff, like the symphonies, I understand. Yes, yeah, yeah, we 643 00:24:41,000 --> 00:24:42,559 gotta throw in that shit. It makes it look more 644 00:24:42,599 --> 00:24:43,000 pro fresh. 645 00:24:43,200 --> 00:24:43,440 Speaker 1: Yeah. 646 00:24:43,480 --> 00:24:46,799 Speaker 2: Yeah, sure, it's a really good number sixty nine. There 647 00:24:46,839 --> 00:24:50,119 we go, so like kangaroo, Yeah, number sixty nine. 648 00:24:50,200 --> 00:24:50,920 Speaker 1: That's pretty good. 649 00:24:51,039 --> 00:24:54,079 Speaker 3: Okay, Yeah, I'm thinking platinum on this one. This is 650 00:24:54,119 --> 00:24:56,319 gonna be a great launch to my career and a 651 00:24:56,400 --> 00:24:58,480 launch to like possibly a couple of missiles. 652 00:24:58,519 --> 00:25:00,759 Speaker 2: You know who's saying, Yeah, so are you applying is 653 00:25:00,799 --> 00:25:03,079 the weaponry? Yeah? I think we have some, you know, 654 00:25:03,279 --> 00:25:04,440 like I can source it. 655 00:25:04,519 --> 00:25:04,720 Speaker 1: Yeah. 656 00:25:04,759 --> 00:25:06,559 Speaker 2: Sure, I see a lot of bear traps around here, 657 00:25:06,559 --> 00:25:07,279 so I'm curious. 658 00:25:07,359 --> 00:25:09,359 Speaker 3: Yeah, instead of like one of those little like colors 659 00:25:09,440 --> 00:25:13,720 spose like the like things castanets. Castanets always close with 660 00:25:13,759 --> 00:25:15,279 the clipso clypse. 661 00:25:15,359 --> 00:25:18,279 Speaker 1: Yes, yeah, yeah, the castanets. It's bear traps, it said 662 00:25:19,200 --> 00:25:23,279 another person. Maybe you could collaborate Mambo number five by 663 00:25:23,319 --> 00:25:26,640 lou Bega. Oh, it's got numbers in it, just like yours. 664 00:25:26,799 --> 00:25:29,279 Speaker 2: It's the same naming convention five. Is it number I 665 00:25:29,319 --> 00:25:31,279 can actually count up to? So, yes, that is good. 666 00:25:31,359 --> 00:25:32,799 Speaker 3: You teachers, you got to count. That's on is how 667 00:25:32,839 --> 00:25:35,079 I learned how to account two. 668 00:25:36,559 --> 00:25:40,039 Speaker 1: Maybe if you collaborated, you guys could do Mama number six. 669 00:25:39,960 --> 00:25:43,160 Speaker 2: Maybe Mama number sixty nine. Might you know who's gonna 670 00:25:43,160 --> 00:25:44,400 put a cap on the number numbers? 671 00:25:44,440 --> 00:25:47,039 Speaker 1: All right? Well, do you want to start this relaunch 672 00:25:47,079 --> 00:25:49,359 off with a bang and like play the opening lines? 673 00:25:49,440 --> 00:25:50,240 I want to hear it. 674 00:25:50,160 --> 00:25:52,599 Speaker 3: Bejo and I'm ready if you are totally ready to 675 00:25:52,640 --> 00:25:55,319 do this? Yeah, Chris, if you can stand over there 676 00:25:55,599 --> 00:25:57,680 against that wall, yeah, sure. 677 00:25:57,559 --> 00:26:00,400 Speaker 2: With the big targets behind it, Yeah, that big circle there. 678 00:26:00,480 --> 00:26:01,119 Yeah okay. 679 00:26:01,240 --> 00:26:01,440 Speaker 1: Yeah. 680 00:26:01,519 --> 00:26:04,559 Speaker 3: Do you want a blindfold or no, just so that 681 00:26:04,640 --> 00:26:06,200 you can like open up your other. 682 00:26:06,079 --> 00:26:07,680 Speaker 2: Senses immuss yourself. 683 00:26:07,799 --> 00:26:09,039 Speaker 1: Yeah, you close. 684 00:26:08,720 --> 00:26:11,200 Speaker 3: Your eyes so that you can really hear and pay 685 00:26:11,200 --> 00:26:12,240 attention with your ears. 686 00:26:12,319 --> 00:26:13,160 Speaker 1: You should put this on. 687 00:26:13,240 --> 00:26:15,880 Speaker 2: Yeah, okay, and here's some rope to be bound as well. 688 00:26:16,039 --> 00:26:16,839 That would be good too. 689 00:26:16,960 --> 00:26:20,359 Speaker 1: Yeah. I could just listen with my ears with you guys. 690 00:26:20,519 --> 00:26:22,880 Speaker 2: You could, but I think the acoustics of this room 691 00:26:23,079 --> 00:26:23,640 so true. 692 00:26:23,759 --> 00:26:26,079 Speaker 3: Yeah, it's very important that you're right there against that 693 00:26:26,240 --> 00:26:28,640 giant wall with red splatters. 694 00:26:29,359 --> 00:26:30,359 Speaker 1: Okay, all right. 695 00:26:30,240 --> 00:26:31,839 Speaker 2: I'm just gonna go ahead. Light this fuse now. 696 00:26:32,000 --> 00:26:32,680 Speaker 1: Okay, here we go. 697 00:26:32,880 --> 00:26:34,799 Speaker 3: Well, this has been another episode of good work from 698 00:26:34,799 --> 00:26:38,319 Hell Beethoven. Thanks for coming by, and yeah, enjoy our 699 00:26:38,359 --> 00:26:42,920 new track Kangaroo Yeah, Kangaroo Yeah, Kangaroo Yeah. 700 00:26:43,160 --> 00:26:48,960 Speaker 2: I'm sixty nine and Kangaroo Yeah. 701 00:26:49,079 --> 00:26:54,880 Speaker 1: Hell Clayton, thank you. Micah Reisinger, our good friend and 702 00:26:55,000 --> 00:26:58,799 collaborator from our other podcast, Tails from the Seki Dragon. 703 00:26:59,200 --> 00:27:00,519 Speaker 2: We've heard of that one. 704 00:27:01,119 --> 00:27:07,440 Speaker 1: Micah is the talented in all aspects of content creation, composing, writer. 705 00:27:07,680 --> 00:27:08,839 Speaker 2: Cooking, cooking. 706 00:27:09,559 --> 00:27:12,200 Speaker 3: We settled this when we were handing out titles, you know, 707 00:27:12,200 --> 00:27:15,559 for Stinky Dragon. Mike is the keeper of Lauren Scores. 708 00:27:16,119 --> 00:27:17,880 Speaker 2: I actually had to fill out a piece of paper 709 00:27:17,880 --> 00:27:20,559 the other day for business stuff and they asked my title, 710 00:27:20,640 --> 00:27:23,839 and I was like, I'm gonna put it down. It's 711 00:27:23,839 --> 00:27:26,119 like an official document that lives out in the world now. 712 00:27:26,200 --> 00:27:30,039 Speaker 1: And Micah, you compose so much music for Stinky Dragon, 713 00:27:30,279 --> 00:27:32,559 and it's all available for people to listen to. Right. 714 00:27:32,680 --> 00:27:34,839 Speaker 2: Yes, I'm grateful to those four people that listen to 715 00:27:34,839 --> 00:27:36,759 my music out in the universe, but yeah, all my 716 00:27:36,799 --> 00:27:39,640 stuff is where you stream music and soon even maybe 717 00:27:39,680 --> 00:27:42,920 having a physical medium, So stay tuned for that. Yeah, 718 00:27:43,000 --> 00:27:44,559 that's such a huge accomplishment. 719 00:27:44,640 --> 00:27:46,119 Speaker 3: Like I'm really proud of you, and I hope you're 720 00:27:46,119 --> 00:27:47,839 proud of yourself too, because that's that's crazy. 721 00:27:47,880 --> 00:27:48,440 Speaker 1: Also, I was. 722 00:27:48,400 --> 00:27:51,240 Speaker 2: Seeing people posting that you were in there wrapped you're 723 00:27:51,279 --> 00:27:54,440 like most listened to artists. Oh yeah, that's Spotify stuff. Yeah, 724 00:27:54,440 --> 00:27:55,720 that's huge, it's fun. 725 00:27:55,920 --> 00:27:58,000 Speaker 1: I love listening to that when like writing or doing 726 00:27:58,039 --> 00:28:00,400 work your music because you know, especially stuff with words, 727 00:28:00,519 --> 00:28:02,279 it helps me focus. It gets me like amped. 728 00:28:02,319 --> 00:28:04,680 Speaker 3: When Chris and I were writing Sneaky Dragon Adventures, we 729 00:28:04,960 --> 00:28:09,039 listened to the whole soundtrack for over and over and over. 730 00:28:09,200 --> 00:28:10,599 Speaker 2: Well, thanks for upping my numbers. 731 00:28:10,839 --> 00:28:13,839 Speaker 3: Yeah yeah, so really quick, where can people find you 732 00:28:14,039 --> 00:28:15,519 and what do you want to lead them to and 733 00:28:15,559 --> 00:28:15,960 stuff like that? 734 00:28:16,000 --> 00:28:16,759 Speaker 1: What do you what we're going on? 735 00:28:16,839 --> 00:28:18,839 Speaker 2: Yeah, find my music, just look for my name Micah 736 00:28:18,880 --> 00:28:21,440 Risinger on anything that EU stream music. Obviously go to 737 00:28:21,480 --> 00:28:23,680 tail some Sneaky Dragon to listen to that podcast. And 738 00:28:23,880 --> 00:28:25,599 I'm mostly on Instagram. It's kind of where you can 739 00:28:25,599 --> 00:28:27,880 find me on social media. A Micah dot Risinger awesome. 740 00:28:27,960 --> 00:28:30,559 Speaker 1: Nice, Well, thanks for coming on. We're gonna go talk 741 00:28:30,559 --> 00:28:32,599 about reasons why we might be going to Hell. We've 742 00:28:32,759 --> 00:28:35,319 talked about our music sense. Probably nice. If you want 743 00:28:35,319 --> 00:28:36,799 to listen to, go to Good Morning from Hell dot 744 00:28:36,799 --> 00:28:38,640 com and help support the show 745 00:28:39,319 --> 00:28:43,359 Speaker 2: And then stay tuned for Guten Morgan from Bye Bye