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Speaker 1: W m n H rip the novels.

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Speaker 2: You're listening to Matt Connorton Unleashed on w M n

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H ninety five point three.

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Speaker 3: If the skies are gray when the day is night,

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I can't find my way. If the day is night

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as homely and let me shine your eyes part of me.

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Speaker 4: I still don't understand we hitting.

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Speaker 5: That every night. We need to turn up all these

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shiven time.

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Speaker 6: We don't always get it right.

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Speaker 7: And not tall No.

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Speaker 6: My doll fall, she shows me.

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Speaker 4: I sho't chose face.

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Speaker 3: If you're far away when the day is nine, I

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remain the say just like black and white.

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Speaker 4: We should not assume just why I mean to you.

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Speaker 8: A part of me.

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Speaker 4: I still don't understand.

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Speaker 3: We hide in bed at me night, no need to

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turn up the life, always share it in my time.

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Speaker 1: We don't always get it right. I just wanna get

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it right.

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Speaker 6: Why no, no, no, she's just SnO, she's speaking.

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Speaker 9: Doug Sad, sackage, bus bog so cock sid buck, suckag.

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Speaker 4: Hop side b side.

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Speaker 10: That is she Chose Me by Kyle Gordon. I love

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everything about that song. That is a perfect song. I

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think we have Kyle on the line.

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Speaker 11: Kyle are you there, can you hear me? Yes, Yes,

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welcome to the show, my friend. That is so good.

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I love that song so much. I love everything about

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it absolutely.

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Speaker 3: Yeah.

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Speaker 8: I haven't heard it in a whole it'sunding good.

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Speaker 11: Yeah.

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Speaker 10: Yeah, you got a little bit of a like in

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the chorus there. You got a little bit of a

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motown thing there. I love the so that guitar solo

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is perfect. Everything about it. It's just it's a perfect

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song because there's nothing you could do to that to

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make it better. It's it's perfect.

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Speaker 11: I love it well.

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Speaker 8: It means a lot, thank you. I had very little

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to do with that solo. I was I was blissfully

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out of the room when that happened. Yeah, yeah, I'm not.

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I'm not like a I'm not a great musician. I'm

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just more of a songwriter.

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Speaker 11: Yeah.

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Speaker 8: So when we were in the studio, that was this

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is this this album that this is the first song

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off the album. Is the first time that I ever

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got out of my own way to not do all

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the instrumentation on a song. All I'm doing on that

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song is the drums and the guitars. I'm sorry, the

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acoustic guitars. I'm doing all the singing, but my very

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good friend Nick Whitson is doing the bass and the guitar,

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and then Chris, my friend Chris Simpson, is also doing

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some bass. So a lot of that instrumentation is just

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so beautiful and I'm I'm proud of it because I

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had absolutely nothing to do with it. Yeah, man, I

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think that's that's when collaboration, you know, is at its finest.

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So yeah, thank you so much for playing it, and

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I haven't heard it in a little while, and I

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really enjoyed it.

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Speaker 7: Yeah.

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Speaker 11: Good, it's really good. Do you uh do you perform

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that live? Do you play out?

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Speaker 8: Yeah? I play out, but not as not as Kyle

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Bordon yet. My career has kind of been a weird. Yeah.

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As of right now, I'm playing under two names, Mama

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Bear and Anthems. This new Yeah, this new project Anthems

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is is it. It's fantastic. It's a rock project. But

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the Kyle Gordon stuff kind of represents songs that I

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write that that don't see the light of the day,

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my rock and roll projects. Okay, so because I write

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all kinds of music, man, so this to me what

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I like about the Kyle Gordon project. It's a lot

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slicker and a lot more refined than all my other projects.

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And a lot of that, again has to do with

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the fact that I'm not doing mostly instrumentation anymore. Okay,

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I just yeah, I come into a studio with a

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song idea, I record what I think is the song,

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and then when we're done with it, it's almost it's

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almost unrecognizable. And I know you and I have never

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really spoken. You don't really know anything about me, but

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I've been making music for twenty five years. I'm super yeah,

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and I'm super proud of this album because it represents

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something I've never done before. And the whole maximum is

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the only rule was we can't do what we've done

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in the past, right, you know, Like there's like no big, huge,

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booming electric guitars, you know, or so I'm not screaming

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every point. I have to make a lot more crooning

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and stuff like that, and just trying to flex muscles

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that I've never flexed on a studio before. So yeah, man,

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it's a I got a lot of really cool songs

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to show y'all. This is just the first one, and

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I'm so excited. It's nice to meet you. How's your day?

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Speaker 9: One.

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Speaker 11: Yeah, very well, very well, thank you.

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Speaker 10: No, I've been looking forward to talking about them because,

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like I said, I love that song so much. Is

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it important to you to because you've got other projects too,

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Is it important to you to have multiple things where

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you can kind of explore different genres or different different

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approaches to creating music.

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Speaker 8: Yeah. Yeah, I like to compartmentalize things, like Mama Bear

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is my little indie project. Okay, I'll always I'll stick

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like two artistic songs on it, but the rest of

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it's just like a very indie garage rock project. And

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then Anthems I'm creating with my very good friend Houston B,

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who was in a band called Heavy Mojo and they

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were very popular, kind of like this rap rock thing.

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And B is such a good songwriter, So he and

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I are doing stuff with Anthems, and it's like we

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call it industrial strength R and B interested kind of

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like punk and R and B mixed together. And so

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and I grew up in Atlanta.

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Speaker 11: I'm sorry, Oh, I just said, Really that sounds interesting.

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I want to hear some of that. Definitely.

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Speaker 8: Yeah, it's really good. In the middle of finishing an

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album and an EP, we put out an EP last

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summer and we're torn around. We're going to go to

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England next year with it, and I'm super stoked about that.

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Speaker 11: Excellent.

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Speaker 8: But yeah, man, so I compartmentalize my music so that

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so the Kyle Gordon stuff is kind of like it's

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like an indie pop thing, I guess you could call it. Yeah,

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And I like, I like making pop music, you knew?

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Speaker 10: Yeah, what's the music scene like? I mean, obviously, so

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you're in Atlanta? Now, did you grow up there?

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Speaker 2: I did?

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Speaker 8: Yeah, Yeah, I did all my formative views here in Ato.

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Speaker 10: Okay, Okay, what's the music scene like there? I would imagine.

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I would imagine it's a lot of different kinds of things,

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which which is probably why you're into, uh, you know,

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making different kinds of music and compartmentalizing it.

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Speaker 11: I assume, yeah.

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Speaker 8: Is that? Yeah, Well, growing up in Atlanta, you know,

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hip hop is very pervasive. I grew up in the

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early nineties, so I remember, I remember hip hop, I

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remember R and B, and then I remember Nirvana.

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Speaker 11: Yep.

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Speaker 8: My mom raised me with the Beatles, and so I

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think all those like the the aggressiveness and the accessibility

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of Nirvana coupled with the brilliance of the Beatles, and

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then like this, the rhythm, the rhythm heaviness of hip

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hop was a huge influence on me. I think if

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you're writing a song and people aren't moving around to it,

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then you did you did? You missed the point, right,

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you know, Like it's it's great to connect with people

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through lyrics, it's it's awesome to do all that, but

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if they're not moving their body like that's unless it's

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unless it's classical, or it's not just to do that. Sure,

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but you know, I think that's what's cool about music

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is it's it just gets inside you and you don't

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know why you're moving, but you're just moving and it

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feels city. I'm good to do it. So yeah, like Atlanta,

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the music scene in Atlanta has always been very vibrant,

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like you're talking about, and I'm sure every town could

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say the same thing. I don't think that Atlanta is

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better than the other town, but I do think Atlanta

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is very unique in the sense that when I was

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going up, like all kinds of bands blew up on

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a national level that I knew personally, you know, they

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were doing their thing. And so Atlanta has a very vibrant,

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rich scene. I'm currently I'm raising two little kids, so

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I'm kind of not in the scene anymore. Okay, yeah, yeah,

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I'm mainly just recording and playing shows these days. But

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I mean there's those kids are still there on there

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messing stuff up and breaking things in the right way. Yeah,

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you're supposed to, and God bless them, you know. Yeah,

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like you're only you're only in your in twenties, first

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short amount of times out there and find out who

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you are and make your name, you know, to find

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out who you are and do your thing. So yeah, man,

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music is in Atlanta. It's it's very important here. Yeah,

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and a lot of a lot of people in the

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world listen to Atlanta musicians. They may not even know it,

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but right, and Atlanta's cool because it sucks. It sucks

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everyone in from Ah. You know, you could say, there's

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a there's a cup around the map of Atlanta, and

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if you didn't move to Nashville, you came to Atlanta.

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You know. If you're in the Midwest, you go to

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Chicago or Nashville, but everyone in the South coalesces into Atlanta.

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I was the same way. I was a suburban kid.

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I didn't grow up in Atlanta. I moved down to

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Atlanta to be cool and be seen C and BC

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and et cetera.

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Speaker 5: Know.

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Speaker 8: Yeah, so yeah, Atlanta, Atlanta. Love Atlanta. Yeah, you're up

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in New Hampshire.

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Speaker 11: We're in New Hampshire.

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Speaker 10: Yeah, Manchester, New Hampshire where it's a little little chillier

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was by bear.

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Speaker 8: In the White Mountains of New Hampshire when I was thirteen.

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Speaker 11: Okay, please please sell it. Please yeah, please tell that

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story because I'm very, very interested to hear this. Yikes.

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Speaker 8: My dad, My dad was like, I got a man,

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this boy up and was like he live in New

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Jersey my whole life. Yeah, He's like, man, this boy up,

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take him out of the mountains. So we go hiking.

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It's like six days and I'm like the most tenderfooted

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person you ever met. I'm so soft and so you know,

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I'm like a mess the whole time. We have a

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water filter, we've got this dry free food. We're like

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legit camping, right, yeah, and so on. Like the sixth

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day we land at this three walled cabin and I'll

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just never forget it was the White Mountains of New Hampshire.

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God knows where I guess that means something to you,

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yeah and or yeah. So anyway, this bear named Brutus.

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He was a black bear, and there was a little

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polaroid of him above this clipboard. And I'm imagine the

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clipboard was there just to kind of you could leave

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a note for someone that you saw. Oh hey, I remember,

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I remember specific like Jim, I beat you summer in

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ninety five. Oh yeah, you know whatever. And then I

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saw things there's no Brutus. Good.

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Speaker 11: Oh.

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Speaker 8: I was like, what does that mean? I look up,

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there's a picture of a black bear in this a

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little note saying this is Brutus. He's the predominant black

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bear in this area. He's never hurt anyone, don't see him. YadA, YadA, yadda.

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Later that day, he chased three campers up onto that

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three walled cabin I mentioned earlier. And then he came

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right into our campsite, ate our lemonade, chased me into

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a tent, almost collapsed the tent. My dad's trying to

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scare him off with these two little POTSI brought to

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boil water. And so I've never camped since, not once.

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Speaker 11: Wow, that's intense.

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Speaker 8: I mean, yeah, it was really intense. And the way

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I look at it now is like the bears, like

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they live in the woods. That's there, Atlanta, Ya, they

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get that, Like I don't. I don't go there anymore.

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Like that's theirs. They they deserve it, they should have that,

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And I don't go there anymore. Exactly, I don't want

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to travel with a gun, right, I ain't gonna get.

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Speaker 5: No.

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Speaker 7: I like that.

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Speaker 11: I can kind of relate.

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Speaker 10: I mean, I've never had an intense experience like that,

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But the lack of interest in camping I can relate to.

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I grew up here, but I've never But people are

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surprised when I tell them this. I've never been camping

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in my life, and I'm never going to go. I

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don't want to go out. I don't want to be

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in the woods. I don't want to. I don't want

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to risk encountering something that could eat me.

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Speaker 8: Uh.

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Speaker 11: I'm terrified of deer ticks. Deer you know, deer ticks

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are very common.

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Speaker 8: Oh yeah, you don't want that. Lime disease, man, No way, exactly.

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Speaker 11: Oh, I've not. I know so many.

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Speaker 10: I've met so many people who have lime disease because

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they went out in the woods and came into contact

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with a deer.

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Speaker 8: Tick.

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Speaker 11: Yeah, so I'm with you on that.

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Speaker 8: Yeah. No, I like hot showers and uh, you know,

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like take out food.

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Speaker 11: Yeah.

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Speaker 10: Oh yeah, concrete and steel, concrete and steel. That's right,

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that's the way to go.

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Speaker 8: But I will say this, I do recall the White

264
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Mountain of New Hampshire and if I referred to it

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being gorgeous.

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Speaker 11: Oh very much.

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Speaker 8: So yeah, it was absolutely beautiful. But there's bears, so yeah, brutish.

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I wonder British is still alive. I don't know. I mean,

269
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this is like like thirty years ago. Man, I don't

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know how long it was thirty years ago. It was

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nineteen ninety five.

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Speaker 10: Man, oh, just be just be careful with the We're

273
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on FM terrestrial radio, so just be careful with what

274
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you say.

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Speaker 11: Oh that's okay. We're on an eight second delay. So

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I caught it, no, no problem, but yeah, gotcha. Yeah yeah,

277
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but uh yeah, so I don't yeah, I don't go

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into the woods.

279
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Speaker 10: But did you always did you always live in Atlanta

280
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or did you live anywhere else in the US at

281
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any point?

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Speaker 8: Was born in Texas, Oh, in Texas. My mother and

283
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father split when I was one so my dad moved

284
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in Jersey, my mom moved to Atlanta where she had

285
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like a family.

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Speaker 11: Yeah.

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Speaker 8: So I was either in Atlanta or New Jersey my

288
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whole life, okay, but mainly Atlanta. I did all my

289
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schooling down here, So I consider myself with Georgia.

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Speaker 11: Boy, gotcha? Gotcha?

291
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Speaker 8: Now?

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Speaker 10: So what is you know, you've got multiple projects going.

293
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Is there one that's kind of the biggest priority for

294
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you right now? Is it the Kyle Gordon project? Or

295
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I mean, you know, because you've got Mama Bear and

296
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you've got Anthems, and I mean it sounds like you're

297
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doing a lot.

298
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Speaker 11: Is there a hierarchy?

299
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Speaker 8: Toth is the most important to me?

300
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Speaker 11: Okay?

301
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Speaker 8: Yeah, Anthems is the most important because it's a functioning band. Yeah,

302
00:17:20,119 --> 00:17:22,759
you know, there's four of us, were all writing for it,

303
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like we all creator in parts for it. Whereas like

304
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Mama Bear is Mama Bear. I created Mama Bear in

305
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twenty thirteen after yet another one of my bands, I

306
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believe in broke up right. Oh, and that back then

307
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there wasn't Internet radio, if you you know, if you

308
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didn't other than my Space in early Facebook, you know,

309
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so these bands I'd be in this band for two years,

310
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we'd make an album that we all really believed in.

311
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It was frankly really good because I have I like

312
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to think of myself as artistically integ like, and there's

313
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integrity in it, Like I'm not just banging out stuff

314
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to be heard, because that's not the point, like I

315
00:18:02,240 --> 00:18:05,799
want to. I want to enjoy it myself. So like,

316
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I'd make an album with these guys and then the

317
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band would break up and it was like it never happened.

318
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And so after a while, after like the third band

319
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breaking up, and this is like seven eight years of

320
00:18:15,880 --> 00:18:17,119
my life, I was like, you know what, I'm just

321
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going to make albums by myself the way I want

322
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because I can play every instrument to some degree already.

323
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So I formed Mama Bear to just be an outlet

324
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for my songs.

325
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Speaker 5: Yeah, And.

326
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Speaker 8: The reason I chose Mama Bear was because it's it's

327
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a it's a it's a it's a word or a

328
00:18:36,480 --> 00:18:39,759
phrase in the lexicon of every Western speaking person. Everyone's

329
00:18:39,799 --> 00:18:41,960
heard the term mama bear. It was easy to remember.

330
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And then two, it was also kind of cheeky and

331
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sarcastic because I'm not making soft music, right, so I

332
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but I also think it was kind of it kind

333
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of worked against me too, because like even my father

334
00:18:53,680 --> 00:18:55,640
would be like, there's a terrible names, but like you

335
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just don't get it. But so anthems means the most

336
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to me because it's an the functioning living organism where

337
00:19:02,880 --> 00:19:05,960
Mama Bear. I haven't really recorded anything under the name

338
00:19:06,000 --> 00:19:08,079
Mama Bear since I got back from England in twenty

339
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three and so the Kyle Gordon project is kind of

340
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I'm just like, I've been sitting on these songs for

341
00:19:15,680 --> 00:19:18,480
a little while because I really liked them and I

342
00:19:18,559 --> 00:19:20,799
wanted to do it right. I wanted to promote them correctly,

343
00:19:21,839 --> 00:19:24,880
and I hooked up with some people in Wales, Ian

344
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and Ange of we believe they're a husband wife's team

345
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and they are just the salt of the earth's best people.

346
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Ian's Ian's one of my best friends in the whole world,

347
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and they're they're the one the reason you and I

348
00:19:38,039 --> 00:19:39,119
are talking is because of them.

349
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Speaker 11: Yeah.

350
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Speaker 8: So they They've been a huge Mama Bear fan. They've

351
00:19:43,759 --> 00:19:47,880
toured me around the UK twice wow. And then they

352
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hooked me up with Big pr which hook me up

353
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with you. So I'm just I'm just thankful, man Like

354
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I just I don't even remember your question. I think

355
00:19:56,279 --> 00:19:57,680
I've just been wandering off.

356
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Speaker 11: No, no, that's my words. No, that's no.

357
00:20:00,319 --> 00:20:02,000
Speaker 10: I was curious if there was a sort of a

358
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priority or a hierarchy in terms of what is most

359
00:20:05,400 --> 00:20:06,400
most important right now.

360
00:20:06,480 --> 00:20:10,160
Speaker 8: But I just following the success if I see, you know,

361
00:20:11,200 --> 00:20:13,599
all the projects have something cool about them. Yeah, and

362
00:20:14,480 --> 00:20:17,160
I believe in all three of them. And the Kyle

363
00:20:17,240 --> 00:20:21,240
Gordon project is is the newest in terms of just

364
00:20:21,400 --> 00:20:23,960
like in my world, the sexy thing because it's new

365
00:20:24,440 --> 00:20:28,200
and outside of my wheelhouse. But one thing, I want

366
00:20:28,240 --> 00:20:30,160
to make a piano while I'm next. Oh really, I

367
00:20:30,200 --> 00:20:32,680
think that'd be really fun. Yeah, make like a piano

368
00:20:32,799 --> 00:20:36,599
like Sunday afternoon music. And then I met this guy

369
00:20:36,680 --> 00:20:40,039
that plays really awesome jazz in Atlanta and were kind

370
00:20:40,039 --> 00:20:41,599
of mess around, like, Okay, I got to make a

371
00:20:41,599 --> 00:20:45,480
good job. It's just while I'm alive, I want to

372
00:20:45,519 --> 00:20:47,960
make as much music as I can before I'm gone.

373
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Speaker 11: Yeah, that's a good policy, definitely.

374
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Speaker 8: Yeah. I get I get morbid like that. I'm like, no,

375
00:20:54,240 --> 00:20:55,480
I got this idea in my head. I got to

376
00:20:55,480 --> 00:20:57,640
get out. What if I die? You know, I just

377
00:20:58,000 --> 00:20:59,440
may not be the best idea in the world. But

378
00:20:59,480 --> 00:21:02,759
I believe, I believe in it's that. That's beautiful. I'll

379
00:21:02,799 --> 00:21:03,200
be done in that.

380
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Speaker 11: Okay, Oh, that's okay, no worries.

381
00:21:07,119 --> 00:21:09,640
Speaker 10: I'm curious what was your first instrument, because you mentioned,

382
00:21:09,680 --> 00:21:11,440
because obviously you play multiple instruments.

383
00:21:11,480 --> 00:21:12,200
Speaker 11: What did you start with?

384
00:21:13,960 --> 00:21:17,680
Speaker 8: I started with the trumpet in really sixth grade class,

385
00:21:18,480 --> 00:21:21,880
and I wasn't I wasn't inspired or very good. It's

386
00:21:21,920 --> 00:21:24,440
just it was what I started with. Yeah, I grew

387
00:21:24,519 --> 00:21:28,400
up listening to music with my mother, and I remember,

388
00:21:28,559 --> 00:21:32,319
like it's kinda step outside. I remember like listening to

389
00:21:32,440 --> 00:21:34,759
music with her, and you know, now we call it

390
00:21:34,839 --> 00:21:36,920
the hook or whatever that part of the song is

391
00:21:36,960 --> 00:21:40,200
they grab you. I remember as a little kid, I

392
00:21:40,319 --> 00:21:45,160
I couldn't wrap my head around music, and whenever the

393
00:21:45,400 --> 00:21:49,480
songs felt really good, I would I'd feel it really deep,

394
00:21:50,039 --> 00:21:53,640
and I asked my mom, like, what is that? Why

395
00:21:53,680 --> 00:21:55,799
does that feel so good? Yeah, and I thought that

396
00:21:56,720 --> 00:21:59,200
every song utilized the same thing. Oh, it's just that

397
00:21:59,400 --> 00:22:02,440
feel good art. So I think music just kind of

398
00:22:02,440 --> 00:22:05,160
struck me like it was intriguing. I couldn't wrap my

399
00:22:05,200 --> 00:22:12,440
head around it, and in particular, twelve spilverhammer when I

400
00:22:12,480 --> 00:22:14,039
would listen to that song as a kid, I was like,

401
00:22:14,359 --> 00:22:17,359
this sounds like a cartoon. It sounds like, you know,

402
00:22:17,559 --> 00:22:22,519
like Saturday morning cartoon music, right, And so you know,

403
00:22:22,720 --> 00:22:28,079
just this idea that something you can't hold, taste, feel

404
00:22:28,279 --> 00:22:31,200
or see it has such an impact on you, like

405
00:22:31,359 --> 00:22:36,759
never really left me. Yeah, And eventually, I guess I

406
00:22:36,799 --> 00:22:39,880
started playing trumpet just as an extracurricular thing from school.

407
00:22:39,920 --> 00:22:41,720
It wasn't like, oh, I'm going to be the neck

408
00:22:42,000 --> 00:22:44,240
where the big trumpet guy is at I'm showing my

409
00:22:44,240 --> 00:22:47,200
ignorance right now. It wasn't like that. It's more like

410
00:22:47,279 --> 00:22:52,160
something to do. But my real first instrument was a guitar,

411
00:22:52,400 --> 00:22:57,160
like every other jerk, just figuring it out. And I

412
00:22:57,319 --> 00:23:01,119
was terrible for a long time, and to this day

413
00:23:01,160 --> 00:23:04,519
I'm just I'm kind of okay at it. Okay, it's

414
00:23:04,599 --> 00:23:07,680
insane how I've been playing guitar for a million years now,

415
00:23:07,759 --> 00:23:11,799
and I'm I consider myself a very middle guitar player.

416
00:23:12,799 --> 00:23:15,680
I don't make it scream. That ain't my job. My

417
00:23:15,839 --> 00:23:18,079
job is to I was always really intrigued with the

418
00:23:18,119 --> 00:23:21,839
songwriter of the band. You know, it wasn't the it

419
00:23:21,960 --> 00:23:24,759
wasn't the front man or it wasn't the good looking

420
00:23:24,839 --> 00:23:27,160
girl that could sell it, which God bless her. We

421
00:23:27,279 --> 00:23:30,119
need her, we need him. But I was always intrigued,

422
00:23:30,160 --> 00:23:33,400
like I love Oasis, but I'm the no guy, Okay,

423
00:23:33,960 --> 00:23:37,680
who wrote the song that makes you that changed your world?

424
00:23:38,000 --> 00:23:41,039
Forget who sung it, but who wrote it? Right, I'm

425
00:23:41,079 --> 00:23:42,599
a big I'm a big fan of the writer at

426
00:23:42,640 --> 00:23:43,000
the bands.

427
00:23:43,519 --> 00:23:45,799
Speaker 11: Yeah, no, that makes sense, that makes sense.

428
00:23:46,119 --> 00:23:47,880
Speaker 10: And then so you also play it turns me on

429
00:23:48,359 --> 00:23:50,920
you mentioned too you played drums, and I assume.

430
00:23:50,680 --> 00:23:53,880
Speaker 11: You play bass. Yeah, yeah, I play all I play

431
00:23:53,880 --> 00:23:57,559
all that and keyboard, I assume, right, yes I do.

432
00:23:57,720 --> 00:23:59,599
Speaker 8: I bought it. I didn't buy I got a piano

433
00:23:59,680 --> 00:24:01,799
off Eggs list about three years ago. It's sending in

434
00:24:01,839 --> 00:24:04,720
my sun room. I sit around and I'm yeah, and

435
00:24:04,839 --> 00:24:08,759
I knew how to play, you know, first position, major

436
00:24:08,799 --> 00:24:10,720
and minor chords up and down the keyboards because it's

437
00:24:10,759 --> 00:24:14,920
just twelve notes, right, But now I'm learning second third position.

438
00:24:15,119 --> 00:24:17,279
I'm trying to get some separation between my right and

439
00:24:17,319 --> 00:24:22,279
my left hands. Yeah, while they had their hand and

440
00:24:22,440 --> 00:24:25,000
so I'm trying to learn all that, and it's a

441
00:24:25,079 --> 00:24:26,960
lot of fun. I love to just sit there and

442
00:24:27,000 --> 00:24:30,160
tinker on the piano. It is. It is very liberating.

443
00:24:30,440 --> 00:24:33,680
Speaker 10: I've heard so many, uh so many music professors and

444
00:24:33,799 --> 00:24:38,200
instructors say that whether you're just starting out or whether

445
00:24:38,240 --> 00:24:41,440
you already play other instruments, you know, being at least

446
00:24:41,480 --> 00:24:44,960
somewhat proficient on the keyboard will help you with literally

447
00:24:45,079 --> 00:24:46,279
everything else that you play.

448
00:24:46,920 --> 00:24:49,519
Speaker 8: Oh dude, Yeah, Well it's so linear, you know, Like

449
00:24:49,599 --> 00:24:53,359
with the guitar, it's slightly metaphorical. You've got half steps,

450
00:24:53,400 --> 00:24:56,920
a fret, whole steps, two frets. Okay, my mind's already

451
00:24:56,960 --> 00:24:59,720
kind of bobbled by that, and then the B string

452
00:24:59,799 --> 00:25:02,160
is step off, and then you got that wonky little string.

453
00:25:02,240 --> 00:25:05,640
Now the keyboard it's just abcdes all the way down

454
00:25:05,680 --> 00:25:08,240
the line, repeat, repeat, repeat. And so yeah, it's very linear.

455
00:25:08,559 --> 00:25:11,359
And when I play the piano, i play it much

456
00:25:11,440 --> 00:25:14,880
differently than I played the guitar. Yeah, and it's just

457
00:25:14,920 --> 00:25:16,799
because I've developed the style of the guitar and so

458
00:25:16,920 --> 00:25:18,519
now I'm trying to figure out what's my style on

459
00:25:18,559 --> 00:25:21,559
the piano. Yes, And it's intriguing and it's fun, and

460
00:25:21,599 --> 00:25:24,680
I wish I had learned twenty years ago. I had

461
00:25:25,240 --> 00:25:28,839
taken it way more seriously because I'm way more artistic

462
00:25:28,920 --> 00:25:30,839
on the piano than I won a guitar. Okay, So

463
00:25:31,480 --> 00:25:33,599
the good news is I hopefully I still got some

464
00:25:33,680 --> 00:25:35,839
life left in me and we'll get something out of

465
00:25:35,839 --> 00:25:37,519
it sooner or later. But I said I want to

466
00:25:37,559 --> 00:25:39,799
make a piano album. I'm just I got to learn

467
00:25:39,839 --> 00:25:40,839
how to play the piano.

468
00:25:41,400 --> 00:25:43,720
Speaker 11: Right, right, of course, of course.

469
00:25:45,160 --> 00:25:46,799
Speaker 8: I guess I got to learn to walk before I've run.

470
00:25:48,160 --> 00:25:50,200
Speaker 11: Now, what is the So you mentioned an album.

471
00:25:50,279 --> 00:25:52,640
Speaker 10: So you're going to do a full album of Kyle Gordon,

472
00:25:52,920 --> 00:25:54,440
of that project specifically.

473
00:25:54,720 --> 00:25:57,440
Speaker 8: Okay, it's already made. It's done.

474
00:25:57,519 --> 00:25:59,920
Speaker 11: Oh, it's done, I can oh, excellent done.

475
00:26:00,440 --> 00:26:02,000
Speaker 8: Do you have any kind of a going to put

476
00:26:02,000 --> 00:26:05,119
out each song individually? I don't know if you're aware

477
00:26:05,119 --> 00:26:08,039
of this, but people don't buy music anymore. So I'm

478
00:26:08,079 --> 00:26:11,680
just going to put out singles and then eventually I'll

479
00:26:11,759 --> 00:26:14,200
just put them all out under the name, under a name,

480
00:26:14,279 --> 00:26:17,279
and the goal is to get back in the studio.

481
00:26:17,359 --> 00:26:20,480
I've already got a my Buddy, and I've already got

482
00:26:20,559 --> 00:26:23,319
a follow up song, a couple of follow up songs

483
00:26:23,359 --> 00:26:28,160
to the album. So it's mainly just like governing what

484
00:26:28,359 --> 00:26:32,480
project gets what very few finances I have at the time. Sure,

485
00:26:32,559 --> 00:26:36,440
and as of right now, Anthems is a functioning band.

486
00:26:36,480 --> 00:26:38,359
We just played a show last week that went really

487
00:26:38,400 --> 00:26:43,599
well and and uh we're recording that, so kind of

488
00:26:43,680 --> 00:26:45,680
like my my, what I have financially right now is

489
00:26:45,720 --> 00:26:46,599
going into Anthems.

490
00:26:46,960 --> 00:26:50,599
Speaker 10: Yeah, yeah, understood, understood, But uh, but I do look

491
00:26:50,599 --> 00:26:52,519
forward to hearing more of the well, I'll check out

492
00:26:52,519 --> 00:26:53,839
the other stuff too, but I'll look forward to hearing

493
00:26:53,920 --> 00:26:56,000
more of of the Kyle Gordon project.

494
00:26:56,319 --> 00:26:58,920
Speaker 8: Yeah, man, it's it's I mean, I really believe in it, dude.

495
00:26:58,960 --> 00:27:00,920
I've been sitting on it for a few years because

496
00:27:02,000 --> 00:27:02,559
I've wanted to.

497
00:27:02,839 --> 00:27:02,960
Speaker 2: Uh.

498
00:27:03,519 --> 00:27:04,960
Speaker 8: I wanted to be in a mental place where I

499
00:27:05,000 --> 00:27:08,599
could just focus on it. And I guess that doesn't

500
00:27:08,599 --> 00:27:12,400
make much sense, But what I mean is, uh, like

501
00:27:12,480 --> 00:27:15,680
I just knew I had something kind of cool and different,

502
00:27:16,359 --> 00:27:19,720
and I'm not And to answer your question earlier, I'm

503
00:27:19,759 --> 00:27:23,319
not playing it live because I would need like eight people,

504
00:27:23,720 --> 00:27:27,960
you know, to reproduce that sound on stage. So I

505
00:27:28,119 --> 00:27:30,880
have done a few solo Kyle Gordon shows where I

506
00:27:30,920 --> 00:27:32,839
just show up with an electric guitar and I was

507
00:27:32,880 --> 00:27:35,759
saying and all that, Yeah, and it's cool it's cool.

508
00:27:35,839 --> 00:27:37,880
But I'm not like a I'm not like a super

509
00:27:38,000 --> 00:27:40,440
stellar solo guy. You know, I have a lot of

510
00:27:40,480 --> 00:27:44,240
respect for Ed Sheeran, for example. I don't like his music,

511
00:27:44,279 --> 00:27:46,079
but damn if I don't respect darn. If I don't

512
00:27:46,079 --> 00:27:50,920
respect him, I could say the D word. That was okay,

513
00:27:51,000 --> 00:27:55,559
so because yeah, he can sell it. I don't like

514
00:27:55,640 --> 00:27:58,319
what he's saying, but but man, I got respect because

515
00:27:58,359 --> 00:28:01,160
I've tried to do it and it ain't easy. So yeah, yeah,

516
00:28:01,200 --> 00:28:03,119
it's not my bread and butter. I'm much better with

517
00:28:03,200 --> 00:28:06,960
an ensemble. I can lean into stronger musicians than myself.

518
00:28:07,319 --> 00:28:09,559
In fact, I have a maximum and so if I'm

519
00:28:09,599 --> 00:28:11,880
on stage, I have to be the least talented person.

520
00:28:12,799 --> 00:28:14,920
And if I'm the least talented person on stage, We're

521
00:28:14,920 --> 00:28:15,839
gonna have a great show.

522
00:28:16,039 --> 00:28:16,400
Speaker 11: There you go.

523
00:28:16,839 --> 00:28:17,240
Speaker 7: I like that.

524
00:28:17,400 --> 00:28:18,079
Speaker 11: I like that a lot.

525
00:28:18,279 --> 00:28:19,480
Speaker 10: And by the way, I agree with you on Ed

526
00:28:19,559 --> 00:28:21,079
Share and I feel the same way about him. You know,

527
00:28:21,119 --> 00:28:23,519
I respect him. I respect the hell out of him.

528
00:28:23,519 --> 00:28:25,640
You can say hell too, but but I don't.

529
00:28:27,160 --> 00:28:28,119
Speaker 11: But I don't know.

530
00:28:28,240 --> 00:28:30,160
Speaker 8: I don't like what he says, but yeaham, if he's

531
00:28:30,240 --> 00:28:34,200
not really good at doing it, I don't buy and

532
00:28:34,279 --> 00:28:36,079
though the whole Oh he's not cool. I mean, screw

533
00:28:36,200 --> 00:28:39,279
that stuff like that. I don't I dipped out on

534
00:28:39,359 --> 00:28:41,799
that whole like cool scene a long time ago, because

535
00:28:41,960 --> 00:28:45,119
cool just means insecure, you know, it just means you're

536
00:28:45,200 --> 00:28:48,839
so insecure, you're gonna let everyone know how insecure you. So.

537
00:28:49,960 --> 00:28:52,799
Let Ed Sharon be Ed, whatever the hell's name is.

538
00:28:52,880 --> 00:28:55,559
Let him be him. He's not in your way, he's

539
00:28:55,640 --> 00:28:58,920
not hurting you. He's just crushing his short life. You

540
00:28:59,000 --> 00:29:00,960
have a problem with that because you a problem with yourself.

541
00:29:01,240 --> 00:29:04,519
Speaker 11: Yeah whatever, yep, well said, I agree.

542
00:29:05,200 --> 00:29:07,640
Speaker 8: I don't care about the cool stuff like that. To me,

543
00:29:07,960 --> 00:29:11,000
it's I've got two kids right now, and I'm and

544
00:29:11,039 --> 00:29:13,359
they're very young. They don't understand anything I say yet,

545
00:29:13,400 --> 00:29:17,039
but I'm teaching them that like cool is actually just

546
00:29:17,240 --> 00:29:23,160
understanding quiet, wisdom and acceptance. That's what makes you cool.

547
00:29:23,559 --> 00:29:26,440
Not saying a bad word because you think bad words

548
00:29:26,480 --> 00:29:27,880
are cool. Big kids say bad word. You know what

549
00:29:27,920 --> 00:29:29,799
I'm saying, Like, I know, I'm kind of breaking it down,

550
00:29:29,839 --> 00:29:32,640
But it's the same with music and the whole identity

551
00:29:32,720 --> 00:29:35,720
people put into music. I feel kind of diminishes the

552
00:29:35,880 --> 00:29:39,400
power of the music, Like forget your suit. You know.

553
00:29:39,599 --> 00:29:42,319
Oh you're a metal guy, so you Jessica metal guy? Okay, cool,

554
00:29:42,359 --> 00:29:45,319
I get it. What you only listen to metal or

555
00:29:46,039 --> 00:29:47,039
this or that? And right?

556
00:29:47,480 --> 00:29:47,640
Speaker 3: You know.

557
00:29:47,720 --> 00:29:49,880
Speaker 8: And another reason I really don't like pop is because

558
00:29:49,880 --> 00:29:55,279
it's so unreal. No one's cool. Everyone, everyone smells bad,

559
00:29:55,400 --> 00:29:58,400
everyone wakes up feeling weird, Like, no one is cool, right.

560
00:30:00,160 --> 00:30:02,799
This image we're pushed on with pop music and the

561
00:30:02,920 --> 00:30:06,160
sleek side of music is so false and so fake.

562
00:30:06,400 --> 00:30:09,359
Speaker 11: Sure, so yeah, absolutely, yeah.

563
00:30:09,240 --> 00:30:11,200
Speaker 8: Okay, I'm gonna get off my soapbox. I'm sorry.

564
00:30:11,400 --> 00:30:13,240
Speaker 11: No, No, it's good though, No, No, it's good though.

565
00:30:13,279 --> 00:30:13,440
Speaker 8: I like.

566
00:30:13,559 --> 00:30:14,480
Speaker 11: I like what you're saying.

567
00:30:14,640 --> 00:30:20,640
Speaker 10: Absolutely in terms of in terms of the Kyle Gordon project,

568
00:30:20,680 --> 00:30:23,880
I mean, are you does is there an image that

569
00:30:24,000 --> 00:30:25,960
will that will take shape with this or.

570
00:30:27,640 --> 00:30:28,160
Speaker 8: Or or are you?

571
00:30:28,400 --> 00:30:30,319
Speaker 10: Are you just completely not worried about that part and

572
00:30:30,559 --> 00:30:33,160
it's more just about just putting out the songs, putting

573
00:30:33,200 --> 00:30:33,759
out the music.

574
00:30:35,079 --> 00:30:38,079
Speaker 8: Okay. When I heard your question, when I heard was I,

575
00:30:38,200 --> 00:30:41,680
I pictured like, am I gonna go full ziggy star?

576
00:30:41,759 --> 00:30:46,119
Does this or something like? I don't have any plans? Yeah,

577
00:30:46,319 --> 00:30:49,720
Like at this point, I'm very comfortable with who I am. Yeah,

578
00:30:49,880 --> 00:30:54,400
I'm a very flawed person, and I bring those flaws

579
00:30:54,400 --> 00:30:56,400
onto the stage. Yeah, and I think that's what makes

580
00:30:56,440 --> 00:30:57,519
me relatable.

581
00:30:57,720 --> 00:30:58,400
Speaker 11: Yeah. Yeah.

582
00:30:59,359 --> 00:31:02,839
Speaker 8: And so no, I don't really have any plans with

583
00:31:02,880 --> 00:31:06,880
the Kyle Gordon project because I'm not even sure it's

584
00:31:06,920 --> 00:31:09,400
ever anything that heard, you know what I mean. But

585
00:31:09,519 --> 00:31:12,039
at this point, like I stopped making music videos about

586
00:31:12,039 --> 00:31:15,440
five years ago, just for one, yeah, I for one,

587
00:31:15,519 --> 00:31:19,359
I hate making them. Two it's a lot of work,

588
00:31:19,400 --> 00:31:21,480
a lot of time. And then three, no one really cares.

589
00:31:21,599 --> 00:31:24,880
And that's fine, Like, you know, I get it. You know,

590
00:31:24,960 --> 00:31:27,319
they upload like seven million things a day on YouTube.

591
00:31:27,400 --> 00:31:29,519
We're just going to get lost in that. And if

592
00:31:29,519 --> 00:31:32,640
you're not willing to give a billionaire a few extra bucks,

593
00:31:33,039 --> 00:31:34,240
you're just going to get buried in the oar. And

594
00:31:34,279 --> 00:31:36,799
then so once I realized that there's a gatekeeper society

595
00:31:36,839 --> 00:31:39,920
with music, it's all been monetized to the point where

596
00:31:40,200 --> 00:31:44,039
you can't even do anything anymore. No, I don't have

597
00:31:44,240 --> 00:31:46,720
any projects and any idea on how I'm gonna sell

598
00:31:46,759 --> 00:31:48,880
this thing other than the fact that I'm just going

599
00:31:48,960 --> 00:31:52,119
to slap my face on it and be honest. Yeah,

600
00:31:52,960 --> 00:31:56,400
I've got a really good friend named Ben Underwood that

601
00:31:56,559 --> 00:32:02,440
lives in Asheville, North Carolina, and he's the most delicious

602
00:32:02,640 --> 00:32:05,720
creative collages. Like the stuff he comes up with is

603
00:32:05,839 --> 00:32:09,440
so cool, and he's been so nice to create two

604
00:32:09,559 --> 00:32:12,880
covers for me. Yeah, I just sent him a batch

605
00:32:12,960 --> 00:32:14,960
of like selfies I took oh my hair looks good

606
00:32:14,960 --> 00:32:18,519
today clip, So I send him that and he just

607
00:32:18,599 --> 00:32:21,160
laps my face onto one of his collages and that's

608
00:32:21,240 --> 00:32:25,319
what she chose me as one of his collages. And yeah,

609
00:32:25,519 --> 00:32:29,119
so in terms of the presentation, I'm gonna go with

610
00:32:29,240 --> 00:32:33,680
that kind of look. Yeah, man, no, no star on

611
00:32:33,799 --> 00:32:37,240
the eye. I'm not gonna stuff a stock in my pants.

612
00:32:37,759 --> 00:32:41,880
I'm just gonna go out and and I don't even

613
00:32:41,920 --> 00:32:44,720
have any plans to play it live. It's w want

614
00:32:44,759 --> 00:32:46,519
to and there's a demand, then I'll figure that out,

615
00:32:48,920 --> 00:32:52,400
you know. Like, uh, the like she chose me as

616
00:32:52,400 --> 00:32:54,559
actually getting more radio play than I've gotten in years.

617
00:32:54,839 --> 00:32:56,880
But my day to day hasn't changed in the least.

618
00:32:57,039 --> 00:33:00,720
I mean, like, yah, it's it's it's still just a

619
00:33:00,799 --> 00:33:04,200
wonderful It's Saturday, right, It's a wonderful Saturday, you know,

620
00:33:04,400 --> 00:33:07,279
And so if something comes of it, then yeah, I'll

621
00:33:07,279 --> 00:33:09,359
put a little more effort into it. But yeah, in

622
00:33:09,559 --> 00:33:11,759
terms of the way I look at it is I

623
00:33:11,880 --> 00:33:14,400
just I really want to make a follow up to it,

624
00:33:14,519 --> 00:33:18,240
to be honest with you. Yeah, So right now I'm

625
00:33:18,279 --> 00:33:22,000
just kind of like writing songs with anthems, coming up

626
00:33:22,000 --> 00:33:24,319
with ideas of my own and just kind of dreaming.

627
00:33:24,599 --> 00:33:26,720
You know, this is like the this is the part

628
00:33:26,720 --> 00:33:28,799
where things are slow and you're just kind of figuring

629
00:33:28,799 --> 00:33:32,119
out what's next. Sure, and then get in the studio,

630
00:33:32,200 --> 00:33:35,359
and then that's the real magic is just watching a

631
00:33:35,440 --> 00:33:39,160
song evolve in the studio. Is is an intoxicating feeling.

632
00:33:39,200 --> 00:33:40,200
I've never gotten tired of.

633
00:33:40,720 --> 00:33:43,319
Speaker 10: It's cool that you like that, though, because not everyone does,

634
00:33:43,640 --> 00:33:45,559
you know. I mean a lot of musicians love being

635
00:33:45,599 --> 00:33:47,440
in the studio, but a lot of musicians too, as

636
00:33:47,599 --> 00:33:50,400
as you know, are like, oh, I just want to

637
00:33:50,440 --> 00:33:53,119
be on stage and they and they actually dread being

638
00:33:53,200 --> 00:33:54,759
in the studio, you know. So it's cool that you're

639
00:33:54,759 --> 00:33:57,680
able to embrace that, because not everyone can embrace.

640
00:33:57,400 --> 00:34:01,720
Speaker 8: That kind of like well, that's that's that's your Sorry.

641
00:34:01,880 --> 00:34:03,279
Speaker 11: I was just gonna say, it's kind of like camping,

642
00:34:03,400 --> 00:34:04,799
you know, not everyone can embrace it.

643
00:34:05,440 --> 00:34:07,799
Speaker 10: And right you and I do not embrace that, and

644
00:34:07,920 --> 00:34:10,400
people probably think we're weird for not embracing that.

645
00:34:10,559 --> 00:34:13,480
Speaker 8: But I've worked with a I worked with a really

646
00:34:13,480 --> 00:34:15,079
great guy down here Land. I mentioned him earlier. His

647
00:34:15,159 --> 00:34:18,000
name is Chris Sampson. Yeah, and he's worked with everyone

648
00:34:18,079 --> 00:34:19,639
from the be fifty two's to me.

649
00:34:20,000 --> 00:34:21,039
Speaker 11: Oh and nice.

650
00:34:21,599 --> 00:34:25,480
Speaker 8: He's very well known, he's extremely talented, and he's like,

651
00:34:26,480 --> 00:34:28,199
he's not gonna lie to you. And he and I

652
00:34:28,280 --> 00:34:30,199
have known each other for a long time, so we're

653
00:34:30,280 --> 00:34:33,159
very close friends as well. So yeah, when we're recording,

654
00:34:33,199 --> 00:34:34,920
he'll be like, that was terrible. You can do better,

655
00:34:35,000 --> 00:34:36,360
and just shoot it straight at me.

656
00:34:36,599 --> 00:34:36,960
Speaker 11: Yeah, and.

657
00:34:39,079 --> 00:34:42,840
Speaker 8: I really have learned to embrace like the vagueness of

658
00:34:42,920 --> 00:34:43,440
the studio.

659
00:34:43,760 --> 00:34:44,000
Speaker 11: Yeah.

660
00:34:45,559 --> 00:34:47,719
Speaker 8: The songs I can't stand that I wrote the most

661
00:34:47,800 --> 00:34:51,000
are the ones that I had all planned out and

662
00:34:51,079 --> 00:34:54,519
then I executed them exactly how I planned and then

663
00:34:54,559 --> 00:34:56,400
I got exactly what I wanted and I hate it.

664
00:34:56,639 --> 00:34:57,199
Speaker 11: Oh wow.

665
00:34:57,599 --> 00:35:01,559
Speaker 8: So yeah, with the ording project again, we just came

666
00:35:01,639 --> 00:35:03,119
up with a few rules. In the beginning. It was like,

667
00:35:03,239 --> 00:35:05,119
for one, we're just gonna try it. We're not gonna

668
00:35:05,119 --> 00:35:07,280
do anything we've done in the past. Yes, and that's

669
00:35:07,400 --> 00:35:11,000
very liberating. That means I'm no longer tied to the

670
00:35:11,119 --> 00:35:14,360
things that I didn't enjoy the past, which opens up

671
00:35:14,360 --> 00:35:17,880
the door to all kinds of cool opportunities and new ideas. Sure,

672
00:35:17,920 --> 00:35:21,079
but they never even like, never even fathomed. So with

673
00:35:21,239 --> 00:35:23,280
his push that oh you can do better, you can

674
00:35:23,320 --> 00:35:26,239
do better or and then then the happiest one went

675
00:35:26,360 --> 00:35:28,679
is like oh yeah, and he starts getting real excited.

676
00:35:28,719 --> 00:35:31,159
I'm like, okay, now I'm cooking, you know, yeah, and

677
00:35:31,440 --> 00:35:34,000
we're going to focus on this thing now. So No,

678
00:35:34,119 --> 00:35:36,519
I love being in the studio. I love being on stage.

679
00:35:37,239 --> 00:35:39,280
The one the only thing I don't like about being

680
00:35:39,320 --> 00:35:43,039
a musician is hanging around at venue for like five

681
00:35:43,119 --> 00:35:46,559
hours way into play. I hate that stuff. I hate it.

682
00:35:46,639 --> 00:35:48,199
I hate it. I hate it. I get so bored

683
00:35:49,159 --> 00:35:52,159
and it's like the whole hurry up and wait thing.

684
00:35:52,760 --> 00:35:55,559
That's that's one of my least favorite. But but when

685
00:35:55,599 --> 00:35:57,239
you're on tour, it's a little different because at least

686
00:35:57,239 --> 00:35:59,639
I'm in a place I've never run out and often

687
00:35:59,800 --> 00:36:02,800
or revisiting. I can walk around the neighborhood. Yeah, you know,

688
00:36:03,440 --> 00:36:04,199
like that's great.

689
00:36:04,239 --> 00:36:07,199
Speaker 11: I love that, But no, I can relate though, so

690
00:36:07,440 --> 00:36:09,480
I I don't play anymore, but I used to be.

691
00:36:09,599 --> 00:36:10,719
Speaker 10: You know, I was in a bunch of bands and

692
00:36:10,760 --> 00:36:13,119
whatnot before I decided to focus more on the radio

693
00:36:13,199 --> 00:36:16,159
and podcasting part of what I do. But yeah, I

694
00:36:16,239 --> 00:36:18,880
always I used to really struggle with that when you're

695
00:36:19,239 --> 00:36:21,880
when you're waiting for a really long time to play,

696
00:36:22,480 --> 00:36:23,480
it's like it's.

697
00:36:24,480 --> 00:36:27,239
Speaker 8: My least favorite thing, you know, absolutely, especially in my

698
00:36:27,280 --> 00:36:31,599
own hometown, you know, like, yeah, it's yeah, so yeah,

699
00:36:31,639 --> 00:36:34,360
that's that's that's that's to me, the least favorite part.

700
00:36:34,599 --> 00:36:37,320
But everything else is fun. I love the community, I

701
00:36:37,400 --> 00:36:41,320
love meeting people. I love the energy exchange between the

702
00:36:41,400 --> 00:36:46,039
crowd and the bands. And yeah, dude, it shows me.

703
00:36:46,159 --> 00:36:48,920
I didn't. I didn't. I had no idea this is

704
00:36:48,960 --> 00:36:50,920
gonna be my life. But as soon as I got

705
00:36:50,960 --> 00:36:52,920
into it, it's you know, it's the only thing I

706
00:36:53,000 --> 00:36:55,079
really stayed on too, you.

707
00:36:55,119 --> 00:37:01,239
Speaker 11: Know, yeah, young so well, uh wow, the time goes quickly.

708
00:37:01,280 --> 00:37:03,199
Speaker 10: We got to begin to wrap up, but before we do,

709
00:37:03,400 --> 00:37:05,360
and by the way, at the end of our conversation,

710
00:37:05,480 --> 00:37:07,760
I'm gonna play, I'm gonna cheat and play she shows

711
00:37:07,800 --> 00:37:10,679
me again because I love that song.

712
00:37:10,840 --> 00:37:11,400
Speaker 8: Day.

713
00:37:11,840 --> 00:37:13,920
Speaker 11: Like I said, it's perfect. It's just perfect.

714
00:37:14,239 --> 00:37:17,239
Speaker 10: But before we do that, let's make sure that I

715
00:37:17,320 --> 00:37:19,440
want our listeners to know where's the best where are

716
00:37:19,480 --> 00:37:21,039
the best places to go online to keep up with

717
00:37:21,079 --> 00:37:23,519
everything that you're doing, not just the Kyle Gordon project

718
00:37:23,679 --> 00:37:25,960
of course, Anthems and Mama Bear and everything.

719
00:37:27,239 --> 00:37:29,679
Speaker 8: Yeah, the only, the only, like social media. I really

720
00:37:29,719 --> 00:37:34,360
play with his Instagram, Okay, I don't you can find

721
00:37:34,800 --> 00:37:37,920
all the projects I think across the board you were

722
00:37:37,960 --> 00:37:42,239
streaming on Apple YouTube or all the things Spotify, all

723
00:37:42,280 --> 00:37:46,960
the things. Anthems is spelled A N, T H M

724
00:37:47,159 --> 00:37:51,280
Z okay. And then Mama Bear. I don't know if

725
00:37:51,280 --> 00:37:53,119
it's an Atlanta thing, but all my bands are spelled

726
00:37:53,239 --> 00:37:56,519
on purpose. Mama Bear is one word, M A M,

727
00:37:56,760 --> 00:37:59,960
m ad e A R. Okay there because Mama had

728
00:38:00,159 --> 00:38:02,320
two m's in it. I don't care who I'm Southern.

729
00:38:02,360 --> 00:38:04,719
I like to put in extra continents and sounds.

730
00:38:05,039 --> 00:38:05,239
Speaker 7: Yeah.

731
00:38:05,320 --> 00:38:07,239
Speaker 8: So, and then Kyle Gordon is just my name. So

732
00:38:07,400 --> 00:38:12,079
you can find me streaming down the musical rivers on

733
00:38:12,119 --> 00:38:15,199
the internet wherever you want to find me. And then

734
00:38:15,239 --> 00:38:16,800
if you want to stay hi or something, hit me

735
00:38:16,920 --> 00:38:20,480
up on Instagram. And I hope everyone has a great day,

736
00:38:20,480 --> 00:38:22,280
and I really appreciate your time. Thank you so much.

737
00:38:22,360 --> 00:38:23,800
Sorry for saying the word earlier.

738
00:38:24,159 --> 00:38:25,840
Speaker 11: That's okay. Like I said, we're on a delay. It's

739
00:38:25,880 --> 00:38:27,320
not even a big deal. I caught it. It's no

740
00:38:27,400 --> 00:38:33,760
big trust me. You are not the first. It's all good,

741
00:38:33,800 --> 00:38:34,119
my friend.

742
00:38:34,239 --> 00:38:36,719
Speaker 8: I didn't invent the word. That's cheers. Man.

743
00:38:36,800 --> 00:38:37,519
Speaker 11: There you go, there you go.

744
00:38:37,960 --> 00:38:40,239
Speaker 8: I really really appreciate your time, man, Yes, so much.

745
00:38:40,360 --> 00:38:40,880
Speaker 11: Thank you, Kyle.

746
00:38:40,960 --> 00:38:42,960
Speaker 10: We appreciate you joining us. We will definitely do this

747
00:38:43,079 --> 00:38:44,719
in the future. And I can't wait to hear I

748
00:38:44,760 --> 00:38:46,639
can't wait to hear the next uh, the next Kyle

749
00:38:46,719 --> 00:38:48,880
Gordon song. Absolutely, but uh.

750
00:38:48,960 --> 00:38:49,480
Speaker 11: We'll let you go.

751
00:38:49,599 --> 00:38:51,719
Speaker 8: We're gonna hit me later today.

752
00:38:51,719 --> 00:38:53,679
Speaker 11: Okay, all right, you got it, my friend. All right, Kyle,

753
00:38:53,800 --> 00:38:54,159
take care.

754
00:38:55,559 --> 00:38:56,880
Speaker 8: I have a nice day. Everybody take care.

755
00:38:57,079 --> 00:38:58,599
Speaker 11: Ye bye bye. All right.

756
00:38:58,679 --> 00:39:01,320
Speaker 10: That was the great Kyle Gory And we're gonna play

757
00:39:01,360 --> 00:39:03,920
this again if you missed it, and if you didn't

758
00:39:03,960 --> 00:39:05,880
miss it, you probably want to hear it again because

759
00:39:06,199 --> 00:39:06,960
it's so good.

760
00:39:07,079 --> 00:39:09,480
Speaker 11: I love this song. She chose me and this is

761
00:39:09,559 --> 00:39:10,159
Kyle Gordon.

762
00:39:51,559 --> 00:39:56,079
Speaker 3: If the Skies are great with the day's name, I

763
00:39:56,280 --> 00:40:00,880
can't find my way if the day is not olmos

764
00:40:01,000 --> 00:40:04,360
home lad you let me shine your eyes.

765
00:40:05,440 --> 00:40:09,079
Speaker 4: Part of me I stood on the middle stand. We

766
00:40:09,400 --> 00:40:10,880
hid in bed every.

767
00:40:10,840 --> 00:40:14,880
Speaker 1: Night, step turn up.

768
00:40:18,000 --> 00:40:24,760
Speaker 5: All the shiving time, sweep, don't as gathered.

769
00:40:24,639 --> 00:40:27,119
Speaker 1: Rush doll.

770
00:40:29,880 --> 00:40:35,760
Speaker 9: No doll SnO, no doll.

771
00:40:36,280 --> 00:40:36,320
Speaker 5: No.

772
00:40:38,679 --> 00:40:39,679
Speaker 6: She chose me?

773
00:40:42,920 --> 00:40:44,079
Speaker 1: Why she chose me?

774
00:41:02,679 --> 00:41:07,199
Speaker 3: If you're far away when the day is nine, I

775
00:41:07,440 --> 00:41:12,000
remain the same, just like black and why we should

776
00:41:12,119 --> 00:41:16,760
not assume just why I mean to you the part

777
00:41:16,840 --> 00:41:20,719
of me I still don't know her stand We hide

778
00:41:20,800 --> 00:41:26,599
in bed every night, No need to turn out the light,

779
00:41:29,400 --> 00:41:31,119
always share it in my time.

780
00:41:34,039 --> 00:41:39,400
Speaker 1: We don't always get it right. I just want to

781
00:41:39,559 --> 00:41:40,360
get it right.

782
00:41:41,000 --> 00:41:45,519
Speaker 8: No, no.

783
00:41:47,880 --> 00:42:06,320
Speaker 6: Why shop men.

784
00:42:13,199 --> 00:43:14,079
Speaker 9: The stop speech speaking speak steppe M side from sude

785
00:43:21,440 --> 00:43:39,559
sbout side a frock side from the soup from side

786
00:43:39,800 --> 00:44:01,599
to side, m.

787
00:44:05,400 --> 00:44:05,840
Speaker 8: M m.

788
00:44:09,519 --> 00:44:21,239
Speaker 9: Yeah m.

789
00:44:25,840 --> 00:44:30,920
Speaker 5: H es.

790
00:44:38,320 --> 00:45:00,159
Speaker 7: Nice Yes, go.

791
00:45:01,920 --> 00:45:08,800
Speaker 6: By one boy, ride out.

792
00:45:12,800 --> 00:45:14,400
Speaker 7: Ball and.

793
00:45:20,480 --> 00:45:21,360
Speaker 4: Contents.

794
00:45:22,440 --> 00:45:26,239
Speaker 1: I'm doing any shape.

795
00:45:29,920 --> 00:45:32,920
Speaker 8: Car ball.

796
00:45:34,800 --> 00:45:37,320
Speaker 4: Done by John and.

797
00:45:43,519 --> 00:45:45,199
Speaker 8: To turn to.

798
00:45:47,280 --> 00:45:52,920
Speaker 7: Ride that don.

799
00:46:13,079 --> 00:46:14,519
Speaker 4: Tebut to.

800
00:46:21,559 --> 00:46:24,280
Speaker 1: You meant.

801
00:46:45,119 --> 00:46:51,159
Speaker 5: M and.

802
00:46:55,119 --> 00:47:09,760
Speaker 6: N jaws au.

803
00:47:15,320 --> 00:47:17,960
Speaker 12: Si sort.

804
00:47:22,480 --> 00:47:23,639
Speaker 8: Go wall.

805
00:47:25,840 --> 00:47:27,079
Speaker 11: The side.

806
00:47:30,440 --> 00:47:38,920
Speaker 4: B side.

807
00:47:40,559 --> 00:47:42,159
Speaker 13: Some got.

808
00:47:45,679 --> 00:47:48,400
Speaker 4: Blue as to.

809
00:47:53,320 --> 00:47:56,199
Speaker 5: Walting to a.

810
00:48:00,880 --> 00:48:15,239
Speaker 4: Son tour.

811
00:48:15,480 --> 00:48:16,519
Speaker 8: Ye want to.

812
00:48:25,079 --> 00:53:47,400
Speaker 7: See trees sign name.

813
00:52:25,960 --> 00:52:29,639
Speaker 14: This fall the ballpark isn't closing for the season. It's

814
00:52:29,719 --> 00:52:33,639
waking up, step beyond the gates and into Fright Nights

815
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at the Field, an immersive, haunted experience where the roar

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of the crowd has been replaced by whispers in the dark.

817
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Wander through twisted tunnels, ghosolate corridors, and the stadium itself

818
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now home to the things that never left live scare actors,

819
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movie quality sets, heart racing encounters around every corner.

820
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Speaker 11: The game is over, but.

821
00:52:54,880 --> 00:52:56,400
Speaker 13: The nightmare has just begun.

822
00:52:57,119 --> 00:52:59,800
Speaker 15: Fright Nights in the Field there to play after dark.

823
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Speaker 16: Luigi's Pizza Bar and Grill.

824
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Speaker 2: For every one.

825
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Speaker 6: Let's raise a Slyes hide with topics all the ground.

826
00:53:09,880 --> 00:53:11,840
Speaker 1: It's a pizza barr.

827
00:53:11,559 --> 00:53:16,760
Speaker 16: Mine Luigi's Pizza Bar and Grill, seven to twelve Valley Street, Manchester.

828
00:53:17,079 --> 00:53:19,920
Come on in or call six two two one zero

829
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two one Luigi, keeping the tradition alive since nineteen seventy five.

830
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Speaker 11: Pizza for every one.

831
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Speaker 2: Come join a beast to night with each Lye sense

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845
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Speaker 13: Queen Citycabinetry another proud sponsor of WMNH.

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and a whole lot of jazz. We have twelve craft

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Speaker 4: Dizze's Cafe when it comes.

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Speaker 18: To keeping WMNH on the air and your own personal

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886
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Speaker 2: Late Night to Light with DJ Midas right here on WMNH, Manchester.

887
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Speaker 8: You wonder because.

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Speaker 4: Saturdays and Sunday nights midnight to four am.

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of our license to wesnident w spet your missives did

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