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Speaker 1: Hello, everybody, Welcome to That's Not Metal and welcome back

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here to another dition of hyperblasts or we are here

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every single Friday letting you know everything that you need

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to know that has happened in the world of news

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of heavy music, heavy metal, hardcore rock, whatever you want

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to call it, we are going to talk about it here.

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And it has been quite a fun week to admire

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the news and the discussion of said news. We're gonna

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have the release round up for you as well as

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we always do, letting you know what's coming out this week,

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and that is our purpose here today. My name is

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parent Haish across from me rejoining me. I didn't see

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you last week, Sam Digna, how you doing.

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Speaker 2: Yes, I'm good. Yeah, not a hell of a lot

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to report in my absence.

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Speaker 3: But news this week is very kind of like toded

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towards me some of the stories, and I'm quite excited

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sort of get into I'd say it's been a fun one.

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Speaker 1: Yeah. I went along to a cheeky little black metal

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show at the weekend. I went to see Black Braid

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with Winter Philith as well. It was a funny little

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package in terms of Black Braid, the headliner, but they

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are the newest of the three bands that were playing.

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It's just that they have this you know, swell of

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popularity behind them. The opening band were a band called Noctam,

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who I think are from Spain and they are like

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a you know, corpse painted like imagine a black metal

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band that's Noctom right, like you know, corpse painted, blasty Satan,

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that's the vibe. And then you had Winter Philip as

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the main support who are the most like, you know,

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I guess at this stage, almost the heritage band of

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the bunch in terms of they've got like nine albums

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out long, running like twenty years into the game UK

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black metal band, but their whole thing is very kind

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of grounded in kind of comparison, like you know, no

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theatrics or anything, just like guys on stage, but one

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of the great black metal bands that certainly this country's

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ever produced, and they've got a real you know, strength

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and depth of the catalog. At this stage, I've seen

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them so many times, but every time, I mean this,

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I'm now at the stage where, you know, again, you

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get to that stage with bands you've loved for years

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and years where you go, oh man, all those songs

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that I used to see all the time aren't in

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the set anymore, you know. But you know, the new

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stuff that they're doing is strong as well, some you know,

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some classics in there as well. And then Black Braid

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as the headline. Like I said, the newest fan of

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the bunch was a sold out show. So I think,

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as you can imagine, you know, a lot of interest

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in Blackbird at the moment. And this is my third

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time seeing Blackbraid live and I continue to very much

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enjoy them. Certainly the just the vibe and the energy

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and the big power stances on stage and all that

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kind of stuff. Didn't talk to the crowd at all,

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I don't think literally, just you know, occasionally getting the

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flute out, but otherwise, you know, big powerful black metal vibes.

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I think that they're the best material, Like their highlight

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songs are absolutely fantastic. It's a question of in comparison

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to a band like Winterfilith, who have, like like I said,

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so much strength and depth that they play for an

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hour and you want so many more songs they didn't do.

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Black Braids is a little more. They play the best

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songs often quite early, and then go do you quite

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have the strength and depth the same degree for like

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a you know, hour or so headline set, but I

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think eventually they'll be getting there. There's a song on

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the latest Black Birth three album called the Dying Breath

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of a Sacred Stag, and that's a really great song.

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It's probably the best song on the last album. And

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i'm seeing it live you realize that it's actually a

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very popular song of theirs because they play the intro,

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which is this very like epic acoustic building intro, and

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the entire crowd like for the first in I guess

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a couple of songs at that stage, you know, kind

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of blurs together a little bit, but really big responds

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to it like clapping along, even though there are parts

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of it which are so bathery. A Fine Day to

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Die essentially, which is a song they've already covered, as

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any black belt bands are there. But I was with

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a friend of mine and he was like, wait, is

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this their Bathy cover? Like what do you mean? It's

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not the bathycover the cheek of it, but otherwise still

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very good night for again, like you know, epic wild

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black metal. Let us get into the news today and

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the thing that we are going to start off with

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I'm sure everybody has seen this at this stage, but

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you know, let's let's have the chat about it to

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take it back to the beginning. Very shortly after we

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started recording last week, I guess, billboards appeared in Manchester,

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a specific choice of city, in what very much appeared

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to be the Outbreak festival font that just said pray

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for plagues on it. And you don't have to be

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you know, fucking Abbert Einstein to work to out and

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you know, put those clues together, but it's still seemed

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so bizarrely unlikely that even when having it essentially handed

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to you like that what the news is going to be,

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that it seemed so bizarre that essentially what it suggested

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is bring you the horizon. We're going to be playing

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count your Blessings type material at Outbreak Festival. Where you

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get that sounds fucking mental. What what do you mean

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that is what's going to happen?

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Speaker 3: It was one of the things I saw the video

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of it. I was like, I remember, I was like,

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that's the Outbreak font, that's the Outbreak branding. That stuff,

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that white font on a black background is Outbreaks current branding.

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Speaker 1: In Manchester where Outbreak takes place, and it was I.

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Speaker 2: Was like, is this in the other cities? No, it's

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only Manchester.

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Speaker 3: Okay, So either this is like the craziest coincidence that

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brings and that city and that branding and font to

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market prey for plagues or something is going down and

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is this Are they going to be doing secret set

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at Outbreak festival? Is this going to be an Outbreak

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London type deal where you know it's it's a another

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eventum by Outbreak. Outbreak themselves are promoted like the sort

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branding is now promoting and putting on shows up and

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down the sort of the Northern Leeds and Manchester like

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they it's not uncommon. So it was kind of like

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there was a whole lot of questions, but it did

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just kind of lead to oh, count Your Blessing, Zerra.

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Count Blessings is twenty years old this year, bring me

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our doing something for this album that they have not

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touched properly in a long while.

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Speaker 1: Yes, and what has been announced is that bring me

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the Horizon. This I think is generally the most mental

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bit of it and will break out this news, I suppose.

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But they have re recorded Count Your Blessings. It's called

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Count Your Blessings Repented. It's going to becoming later in

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the year, and there are some shows attached to it

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as well. Let's talk first of all about the re

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recording news, because I think the thing maybe to get

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most excited about if you are going to one of

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these shows is you know, the big event. But I

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think for me, actually the most surreal part of this

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is the fact that they have re recorded Count Your Blessings,

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because it's this is mental is it like? This is

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an absolutely insane thing to do, because you know, we've

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got the freedom to say what. You know, a lot

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of the places reporting this aren't going to quite lay

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out in as you know, blatant terms. Count Your Blessings

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is not, shall we say, a widely recognized classic, unfuckable

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with debut album. This is the elephant in the room

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here right Counter Blessings is an album that I guarantee

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many people listen to this right now. Many of you

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will love it and will hold a very strong attachment

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to it. Many of you will go, what that's the

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worst thing? Bring me the horison ever did? What's even

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the point of going back and revisiting that thing? Count

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Your Blessings at the time and into you know, part

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of the whole legend of Bringing the Horizon suppose and

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that they eventually became this like absolutely game changing, pivotal,

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most important metal band of their generation band is that

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when they first were appearing, many and many people viewed

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them as essentially a joke, and the idea that they

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have become definitive is like actively laughable. And this isn't

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a case of like, I don't know, it's not John

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Carpenter's the thing right where it came out and just

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inexplicably got negative reviews and then everyone years went, oh, yeah,

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that's clearly one of the best things I ever made.

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What you want about count Your Blessings is a product

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of a time, and it has become a very cult

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thing because of what Bring Me the Horizon then became.

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But in its own right, this is what's different to

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shall we say, like you know, when in Flames recorded

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Claim Out or whatever, it's like, yeah, that's a game

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changing album. You've gone back and you're obviously just gonna

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make it worse whatever. This is them re recording an

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album that has in various circles for a long time,

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largely been a punchline, and I don't know where that

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came from.

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Speaker 3: So I mean, for me, Count Your Blessings is now

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my I hold so dearly because it's the first album

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with no singing that I loved. It is like no, no,

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but it is that like when when I was getting

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into heavier music. You know, I'd got into you know,

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slipknot and heavy bands by that point, but they you know,

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they stied singing. Count Your Blessings is the first time

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You're like, that is the first time Michael of that

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has no clean vocals. This is this is extreme music

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of the moat, like kind of the heaviest kind. It

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was a game changing record for me. I didn't get

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into it bang on like two thousand and six. It

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was like a year or so later to about about

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two thousand and seven, because I was like I'd got into,

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you know, the bigger heavy bands.

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Speaker 2: I was getting into a lot.

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Speaker 3: What was going in an emo like the that' sort period.

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I was like, wait, what's going on in the UK?

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What's the heavy shit in the UK? And all the

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chatter was this like super controversial, super divisive band, like

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they were the hottest new thing. They were hated bringing

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the Horison count Your Blessings and like I heard this album,

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I heard Pray for Playing, because I was like, Yo,

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that's the heaviest shit I'm ever gonna hear.

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Speaker 2: Like it was, it was game change for me.

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Speaker 3: But at the same time, Counting Your Blessings is such

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a product of mid Noughti's deaf cores.

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Speaker 2: It could only exist then, it should only exist.

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Speaker 3: Then the idea of this, this this relic being excavated

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and not just kind of like given a re release.

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You know, I would have understood if they'd gone here

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the twentieth anniverse and we're gonna repress it on Vine

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something like that, like just something to like acknowledge it.

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Speaker 2: But the idea that they've.

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Speaker 3: Gone there, we are re recording, and we are doing

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a whole roll out on a whole campaign, and a

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new era of this band is going to be going

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back to the beginning. And again this isn't you know.

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Speaker 2: The pivot happened.

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Speaker 3: Pretty quickly Bring Pass and it was like suicide season.

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Speaker 2: Suddenly the sounded change.

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Speaker 3: They weren't deafinitly, they were metalcore, and everyone was kind

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of excited to see that, oh this this is the

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band whore I'm gonna shape heavy music in the mainstream

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for the next for years to come, and they have

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and so you can understand more with like those future albums,

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but can your blessings because it's such a cult, niche

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album and this is you know, like in my head

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I was thinking about this would be like, you know,

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if Sebaltura had gone on to be, you know, one

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of the biggest bands in the world. They were they

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you know, you're setting out arenas and they're like, we're

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gonna do an anniversary for Morbid Visions, like like like

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do the like these really early stuff like when they

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were like a huge band. It would be like that

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because there'd be a whole oer of people who like,

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never I heard this, this record, this this cult debut

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album though there was a huge huge sports bring fans

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who don't like this or have never heard it, And

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now they're kind of like having to embrace it because

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bringing the wires and are making it their identity for

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this cycle.

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Speaker 2: And it is fascinating how that is going to go

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for so many reasons.

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Speaker 3: Again, like I always want to work out what purpose

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does re recording this album have, Like what can you

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do to it?

239
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Speaker 2: Because it is so of its area.

240
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Speaker 1: Yeah, what you were just saying about, you know, kind

241
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of current fans and stuff like that is I don't

242
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want to say any of this in a gatekeeper sort

243
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of way, but because I think there's enough of that,

244
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you know, going around.

245
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Speaker 2: On I'm not doing that.

246
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Speaker 1: No, no, no, there's enough of that going around on

247
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the you know Internet right now at the moment. But

248
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it is objectively fascinating to see, you know, that Sepultury

249
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example you just use that's a very vague approximation, but

250
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even though it doesn't work at all because Sepultura would

251
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have to become a pop band from.

252
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Speaker 2: If they had gone to be like a huge ring

253
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a pop band and then went to do that.

254
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Speaker 1: Yeah, So I mean because of the I don't know,

255
00:12:00,840 --> 00:12:03,279
the kind of the culture of like you know, online

256
00:12:03,320 --> 00:12:05,080
fandom and stuff like that. You just get forward to

257
00:12:05,120 --> 00:12:07,879
the show a second. You're seeing people like you know,

258
00:12:08,279 --> 00:12:09,879
essentially being like, oh my god, I have to go

259
00:12:09,919 --> 00:12:11,360
to the Brim and the Horizon show because they are

260
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like hardcore Bramy the Horizon fans or whatever, even if

261
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they're not actually a fan of like this specific object

262
00:12:17,399 --> 00:12:19,639
and era, and it's a totally it's a completely different

263
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proposition and alien things. Yeah, and of all of these,

264
00:12:23,679 --> 00:12:26,039
like you know, nostalgia type moves again re recording an

265
00:12:26,039 --> 00:12:28,799
album or whatever in a weird sort of way, this

266
00:12:28,919 --> 00:12:31,399
is one of the ones I like respect the decision

267
00:12:31,440 --> 00:12:34,960
of the most because it's a nostalgia move that isn't

268
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even appealing to the largest majority of your fan base,

269
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right I know there obviously there will be people out

270
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there who have been piling for Brammey to return to

271
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the days of two thousand and six or whatever, but

272
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that's not what they are like actually popular for like

273
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the point of their you know that the huge point

274
00:12:50,879 --> 00:12:54,519
of their fan base has arrived at, not clamoring for

275
00:12:54,600 --> 00:12:56,879
anything like this to then go and do it Like Bremma,

276
00:12:56,879 --> 00:12:58,720
the Rizon have just had a film out in cinemas,

277
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like a concert film of their currently next gen era.

278
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There is no overall career benefit to them going Hey,

279
00:13:05,559 --> 00:13:08,960
remember I used to make out with Medusa. Like, No,

280
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there's risk.

281
00:13:10,279 --> 00:13:12,879
Speaker 3: There is a risk if they if they don't change

282
00:13:12,919 --> 00:13:15,840
up certain parts of this album. There are lyrics like

283
00:13:16,279 --> 00:13:18,360
this album. The first line on the album is she

284
00:13:18,399 --> 00:13:20,799
starts her new diar of liquor and dick like that

285
00:13:20,960 --> 00:13:23,679
is how the album begins, and they and they are

286
00:13:23,840 --> 00:13:26,679
real like they are putting that back at the forefront,

287
00:13:26,720 --> 00:13:27,919
and I am fascin at how this is.

288
00:13:27,919 --> 00:13:32,440
Speaker 1: Going to go. There is no like commercial purpose to this. Essentially, Yeah,

289
00:13:32,440 --> 00:13:35,480
obviously they will sell you know, these re recorded records

290
00:13:35,559 --> 00:13:37,799
or whatever. They'll sell out the shows that they're going

291
00:13:37,840 --> 00:13:41,840
to talk about, but it's not any more financial interest

292
00:13:41,879 --> 00:13:43,720
than they would have already had just doing what Bing

293
00:13:43,799 --> 00:13:47,399
the Horizon does anyway, So there is it's a nostalgia

294
00:13:47,480 --> 00:13:49,600
move that I can only imagine coming from their own

295
00:13:49,679 --> 00:13:53,960
personal nostalgia, because there is no commercial purpose for doing this.

296
00:13:54,080 --> 00:13:56,840
If anything, it is commercial risk, like we're saying, and

297
00:13:57,159 --> 00:13:59,120
the idea of like of all re recordings again you

298
00:13:59,159 --> 00:14:01,279
know Matts Cabala or a nical Cavalira have gone back

299
00:14:01,279 --> 00:14:03,559
and done the early sepulturist stuff. I mentioned the Inflames

300
00:14:03,600 --> 00:14:07,519
one whatever. But is there any so drastic a departure

301
00:14:07,840 --> 00:14:10,159
of bringing the Horizon the band that we know now

302
00:14:11,080 --> 00:14:14,559
going like I cannot fathom unless it's just a beat

303
00:14:14,600 --> 00:14:17,279
for beat recreation with a better production, which is the

304
00:14:17,279 --> 00:14:19,200
only thing that logically makes sense. But like you can't

305
00:14:19,559 --> 00:14:22,200
you know, the way Olie as a vocalist is a

306
00:14:22,320 --> 00:14:24,879
completely different guy to what he was doing in two

307
00:14:24,879 --> 00:14:28,360
thousand and six. It's one of the most I don't

308
00:14:28,519 --> 00:14:31,279
understand why you've even had the idea to do this

309
00:14:31,559 --> 00:14:36,200
re record concepts that could ever be suggested. I think

310
00:14:36,720 --> 00:14:40,159
it's so fucking bizarre, and I, you know, I put

311
00:14:40,159 --> 00:14:42,159
it on earlier just again to you know, sort of

312
00:14:42,200 --> 00:14:44,200
a check how I feel about it at the moment,

313
00:14:44,240 --> 00:14:45,639
and I am, you know, I am a fan of it,

314
00:14:45,840 --> 00:14:48,000
even though it is essentially a pile up of the

315
00:14:48,080 --> 00:14:50,240
black Dery Murder and Attle the Gates riffs with horrendously

316
00:14:50,279 --> 00:14:52,559
misogynistic lyrics. But like you know, the vibe and the

317
00:14:53,919 --> 00:14:57,039
sound and everything is something that you know does tickle

318
00:14:57,120 --> 00:14:58,720
me in the same way it might tickle you Sam.

319
00:14:58,799 --> 00:15:02,879
But like I said, it's a because of the fetishization

320
00:15:02,960 --> 00:15:04,519
of all things bring me the Horizon, because of how

321
00:15:04,879 --> 00:15:08,679
pivotal they have been. It's a classic item. I'm not

322
00:15:08,759 --> 00:15:11,240
sure it's an entirely classic album, you know. And the

323
00:15:11,320 --> 00:15:13,159
idea of you know, them doing the show and everything,

324
00:15:13,480 --> 00:15:15,320
I can't help but imagine that they'll open with pray

325
00:15:15,399 --> 00:15:17,440
for plays as the album does, and that is you know,

326
00:15:17,840 --> 00:15:21,360
will be complete fucking bedlam because people have a really

327
00:15:21,360 --> 00:15:25,480
strong attachment to that particular song. But then mandating playing

328
00:15:25,519 --> 00:15:28,879
the remaining half hour of the album and see people

329
00:15:29,039 --> 00:15:32,600
go like, yeah, do you know exactly how like every

330
00:15:32,679 --> 00:15:36,080
single song and every riff on this album goes is

331
00:15:36,159 --> 00:15:37,399
a very strange proposition.

332
00:15:38,279 --> 00:15:40,000
Speaker 3: So I think the thing is is there is a

333
00:15:40,159 --> 00:15:42,639
portion like there is that there is a cult of

334
00:15:42,720 --> 00:15:46,080
count Bess now that that will be like oh my god,

335
00:15:46,240 --> 00:15:48,159
Braille and oh my God, tell us later not towards

336
00:15:48,159 --> 00:15:50,519
you did, like those sort of songs, like those people

337
00:15:50,759 --> 00:15:53,399
exist and they are gonna be all over this, But

338
00:15:53,600 --> 00:15:57,240
is that gonna be the entirety of that show? Like

339
00:15:57,320 --> 00:15:59,440
and just gip me head to that because there are

340
00:15:59,480 --> 00:16:01,159
gonna be a lot of bands who are buying out

341
00:16:01,200 --> 00:16:03,360
and pray for plays because they've seen prey for plagues.

342
00:16:03,399 --> 00:16:06,480
They know to you know, latch onto that. Do they

343
00:16:06,559 --> 00:16:09,200
know to latch onto everything else that's going on with

344
00:16:09,320 --> 00:16:11,000
this album. It's going to be a really kind of

345
00:16:11,080 --> 00:16:14,960
like interesting thing because these songs, they are a collection

346
00:16:15,080 --> 00:16:17,799
of it, as you say, mellow death riffs and just

347
00:16:17,879 --> 00:16:21,279
kind of like and really really hard mosh parts, and

348
00:16:21,519 --> 00:16:23,879
the people love those songs will go mental for every

349
00:16:23,919 --> 00:16:26,000
mosh part, the amount of fist flying through the air

350
00:16:26,080 --> 00:16:28,399
on this this show will carry for a.

351
00:16:28,399 --> 00:16:29,080
Speaker 2: Lot of these songs.

352
00:16:29,600 --> 00:16:32,519
Speaker 3: But then there aren't you know, the shout along hooks

353
00:16:32,559 --> 00:16:36,240
that that are renowned for, like the other early Bring

354
00:16:36,360 --> 00:16:38,000
Tide stuff that like Chelsea smiles like that.

355
00:16:38,120 --> 00:16:40,840
Speaker 2: So is this kind of them going to just wash

356
00:16:40,919 --> 00:16:43,720
over a huge boards of that crowd's head. It's a

357
00:16:43,840 --> 00:16:45,320
really just fascinating prospect.

358
00:16:45,840 --> 00:16:48,639
Speaker 1: Yeah, because if this was for you know, suicide season

359
00:16:48,799 --> 00:16:50,320
or there as a Hell, which would be you know,

360
00:16:50,399 --> 00:16:52,919
like old school bringing the Horizon records at this stage,

361
00:16:53,200 --> 00:16:56,440
but they are widely seen as like legitimate classics, right

362
00:16:56,559 --> 00:17:00,320
with like tons of past pray for plagues. There aren't

363
00:17:00,360 --> 00:17:04,680
really many anthems on Count Your Blessings because it is

364
00:17:04,880 --> 00:17:09,039
just like an absolute onslaught of mid two thousands deathcore

365
00:17:09,440 --> 00:17:13,519
aggression essentially is what it is. So yeah, the shows

366
00:17:13,599 --> 00:17:16,000
that we've we've mentioned the fact that it's been put

367
00:17:16,079 --> 00:17:18,519
on through Outbreak. It's not on the main Outbreak weekend,

368
00:17:18,599 --> 00:17:21,759
but it's a couple weekends later, it's on July the tenth,

369
00:17:21,839 --> 00:17:23,519
and then it's sold out so quickly that they added

370
00:17:23,519 --> 00:17:25,920
a second date on July the eleventh, but in the

371
00:17:26,400 --> 00:17:30,359
BC where you know Outbreak and dam Nish also happen.

372
00:17:30,640 --> 00:17:33,240
It's it's been labeled as a no barrier show, as

373
00:17:33,319 --> 00:17:36,480
Outbreak is, but because Bring Me the Horizon will not

374
00:17:36,599 --> 00:17:40,039
have played a no barrier show since around this era.

375
00:17:40,400 --> 00:17:43,119
I imagine there's a whole discourse that has you know,

376
00:17:43,599 --> 00:17:46,119
summoned up out of that because again it's different worlds colliding.

377
00:17:46,160 --> 00:17:48,519
It's worlds that aren't really in the modern day meant

378
00:17:48,559 --> 00:17:52,200
to be together. And also the bill for it, the

379
00:17:52,559 --> 00:17:54,839
it's essentially it's an all day festival type thing. And

380
00:17:55,000 --> 00:17:57,559
the support on these shows for the rise and playing

381
00:17:58,160 --> 00:18:01,680
County Blessings, Our Static Dress, Dying Wish Herriot, Rollout to

382
00:18:01,799 --> 00:18:05,359
Massy Cart, Underwater and Still in Love, which again speaking

383
00:18:05,440 --> 00:18:09,920
of right not having to you know, no commercial gain

384
00:18:10,039 --> 00:18:13,440
to this, right, Brimy Horizons support acts when they play

385
00:18:13,599 --> 00:18:18,319
normally are suiting moments. Yeah, it's suiting for what brimiy

386
00:18:18,400 --> 00:18:20,359
Riison is now on. You know what kind of fan

387
00:18:20,400 --> 00:18:22,079
base I appealing to and that sort of thing. There's

388
00:18:22,279 --> 00:18:27,359
no bonus to them for getting Harriet's and you know,

389
00:18:27,519 --> 00:18:29,160
Still in Love, which isn't that the band that has

390
00:18:29,680 --> 00:18:30,319
Curtis Ward.

391
00:18:30,880 --> 00:18:33,400
Speaker 3: Okay, well, Still in Love are like a super group

392
00:18:33,480 --> 00:18:36,640
of like naughties twenty tens UK hardcore. If you've seen

393
00:18:36,640 --> 00:18:38,200
any hardk bands about the time, you've probably seen the

394
00:18:38,200 --> 00:18:41,119
members of this band, and that does include yes, Curtis Ward,

395
00:18:41,200 --> 00:18:43,240
so that's kind of got like people iron up. The

396
00:18:43,279 --> 00:18:45,640
possibility of is he going to join them for the set,

397
00:18:45,680 --> 00:18:47,440
which I haven't, would be really fucking call if he does.

398
00:18:47,640 --> 00:18:49,519
Speaker 1: Yeah, But again, the fact that the support bill is

399
00:18:49,559 --> 00:18:51,200
what this is is this is like the most just

400
00:18:51,319 --> 00:18:55,119
I don't know, unashamedly I can admire something from Brimith

401
00:18:55,160 --> 00:18:57,640
Horizon in a little while, because it is putting on

402
00:18:58,079 --> 00:19:01,279
a bunch of bands that suit the bills, suit the vibe,

403
00:19:01,319 --> 00:19:04,039
but it's legitimately putting them on to, you know, maybe

404
00:19:04,119 --> 00:19:07,359
people who will see this poster who don't normally interactly

405
00:19:07,359 --> 00:19:09,200
these kind of worlds. You've got new bands like Harrier

406
00:19:09,440 --> 00:19:12,000
and Static Dress and Dying Wish. The fact that Rolo

407
00:19:12,079 --> 00:19:14,200
Tamassi are on there makes me smile so much because

408
00:19:14,240 --> 00:19:16,279
that's a band who said the only other band.

409
00:19:16,240 --> 00:19:18,359
Speaker 2: From that ear Yeah that's on there.

410
00:19:18,480 --> 00:19:20,400
Speaker 3: But it's just really cool to still see them and

411
00:19:20,480 --> 00:19:23,319
that's what I'm excited for, like that again, the post

412
00:19:23,440 --> 00:19:26,839
human nextion that that's what improves bands. They're gonna see

413
00:19:26,920 --> 00:19:29,079
Rolo Tamassi and I think that's just that's wonderful. I

414
00:19:29,119 --> 00:19:29,880
mean that's really great.

415
00:19:30,000 --> 00:19:31,720
Speaker 1: Yeah, And you do wonder with you know, how this

416
00:19:31,920 --> 00:19:33,319
is like are they going to turn up and be

417
00:19:34,200 --> 00:19:35,759
you know, twenty twenty six to RelA to MASSI or

418
00:19:35,759 --> 00:19:37,160
are they going to dial it back and go, yeah,

419
00:19:37,160 --> 00:19:41,160
it's hysterics, you know, I can go the possibilities are endless.

420
00:19:41,200 --> 00:19:42,640
Speaker 2: Have that fought in my head? And I hope they

421
00:19:42,720 --> 00:19:45,160
do it because that would be really fucking cool. Yeah.

422
00:19:45,440 --> 00:19:47,559
Speaker 1: And the way that even like it's labeled on the poster,

423
00:19:47,680 --> 00:19:50,759
each band has their own little like descriptor underneath them,

424
00:19:50,799 --> 00:19:53,359
which is such a like marker of like this is

425
00:19:53,400 --> 00:19:55,960
how UK hardcore posters in two thousand and eight look

426
00:19:56,240 --> 00:19:57,759
used to be, you know. And the little I mean

427
00:19:57,839 --> 00:20:00,960
relative massy art grained from Sheffield, UK, bringing the Horizon's

428
00:20:01,000 --> 00:20:03,200
own one scrappy death Corps played by a bunch of

429
00:20:03,279 --> 00:20:07,240
hair farmers from Sheffield, The UK. Still in love UK

430
00:20:07,480 --> 00:20:11,160
hc that suplexity repeatedly. It's so you kind of give

431
00:20:11,200 --> 00:20:15,480
it to them. The entire presentation of this like understands

432
00:20:15,519 --> 00:20:18,240
the assignment. You know, they're really leaning all into it.

433
00:20:19,319 --> 00:20:22,119
Speaker 3: It's nostalgia indulgence I can get behind because again, it

434
00:20:22,200 --> 00:20:23,200
doesn't feel cynically.

435
00:20:23,359 --> 00:20:24,960
Speaker 2: It's it's celebratory.

436
00:20:25,039 --> 00:20:27,480
Speaker 3: It's kind of like embracing something that has been long

437
00:20:27,599 --> 00:20:29,799
left behind and just kind of giving you a chance

438
00:20:29,799 --> 00:20:31,480
to shn There's been just so many things. I saw

439
00:20:31,519 --> 00:20:34,480
that post. I was like, that's the best fake post ever.

440
00:20:34,799 --> 00:20:37,240
That's somehow real, Like, yeah, it's such an.

441
00:20:37,160 --> 00:20:38,039
Speaker 2: Insane one to read.

442
00:20:38,759 --> 00:20:39,240
Speaker 1: You look at that.

443
00:20:39,279 --> 00:20:42,039
Speaker 3: And I saw someone mentioned like the only thing that

444
00:20:42,119 --> 00:20:44,000
kind of gives it away that this isn't a like

445
00:20:44,359 --> 00:20:46,599
two thousand and six, thousand and seven death core hardcore

446
00:20:46,599 --> 00:20:49,160
show is that there's like most of the bands.

447
00:20:48,920 --> 00:20:52,279
Speaker 1: Have a woman in them, Like I guess that's true. Yeah,

448
00:20:53,519 --> 00:20:54,559
that was that was what I was like.

449
00:20:54,640 --> 00:20:56,039
Speaker 2: But that's that's again, that's really cool.

450
00:20:56,079 --> 00:20:58,680
Speaker 3: It's a nice diverse BILK and showing the growth of

451
00:20:58,720 --> 00:21:00,559
where this music has gone to and how come and

452
00:21:00,680 --> 00:21:02,480
like I mean, like I look at that line up

453
00:21:02,519 --> 00:21:04,200
and this is why, like I had to get a

454
00:21:04,240 --> 00:21:06,839
ticket because it's like, not only is it that the

455
00:21:06,920 --> 00:21:09,240
counter Bessing show, but that I like, there is a

456
00:21:09,319 --> 00:21:11,039
whole load of bands on there that I love, and

457
00:21:11,119 --> 00:21:12,960
I would what I've wanted to see in an outbreak

458
00:21:13,000 --> 00:21:14,759
setting like Dying Wish, I've wanted to see him in

459
00:21:14,759 --> 00:21:17,079
that no barrier setting, And that's really excited for me.

460
00:21:17,440 --> 00:21:19,920
And again, like from my I Gavitt's still it's happening

461
00:21:19,960 --> 00:21:22,279
on the outdoor stage outbreak, which is about you know,

462
00:21:22,480 --> 00:21:25,440
ten k I think maximum capacity. So again that's less

463
00:21:25,440 --> 00:21:28,160
than what bringing the visor normally do now still and

464
00:21:28,400 --> 00:21:31,799
so like the financial gain is is minimal. It's such

465
00:21:31,839 --> 00:21:34,319
a just interesting kind of like for the love of

466
00:21:34,400 --> 00:21:38,160
the game kind of like show, and like that World's

467
00:21:38,160 --> 00:21:39,920
Tide thing you mentioned is gonna be the most like

468
00:21:40,359 --> 00:21:43,359
interesting thing. I like, I'm almost excited as excited for

469
00:21:43,400 --> 00:21:45,599
the discourse on the days these shows happening as I

470
00:21:45,599 --> 00:21:49,440
am for the shows themselves, because Moss discourse people trying

471
00:21:49,440 --> 00:21:51,319
to get barrier. When there's no barrier, there's gonna be

472
00:21:51,319 --> 00:21:53,359
stage diving. The kind of like oh my god, is

473
00:21:53,480 --> 00:21:56,480
this safe? Like and it's like it happens at outbreak

474
00:21:56,480 --> 00:21:58,480
all the time. It's perfectly safe, like as long as

475
00:21:58,480 --> 00:22:01,440
you're not an idiot, like it's are those are those

476
00:22:01,480 --> 00:22:02,680
bring fans you want to be down the front?

477
00:22:02,680 --> 00:22:03,319
Speaker 2: Are they going to be.

478
00:22:03,359 --> 00:22:07,440
Speaker 3: Ready to have you know, a bunch of Mosher's headwalk

479
00:22:07,519 --> 00:22:10,880
in it and like running across that catwalk and flipping

480
00:22:10,920 --> 00:22:13,480
off onto them, Like it really is gonna be interesting

481
00:22:13,920 --> 00:22:15,359
crowd killing discourse.

482
00:22:14,960 --> 00:22:15,680
Speaker 1: That's going to come from it.

483
00:22:15,720 --> 00:22:18,279
Speaker 3: I love like Outbreak, if I had to specify that, no,

484
00:22:18,480 --> 00:22:21,079
there's no camping, there's no number to sign Q things,

485
00:22:21,119 --> 00:22:23,839
because that's the whole cult. That's why Bringing the Rising exists.

486
00:22:23,839 --> 00:22:27,519
Now exist in that kind of like fandom culture where

487
00:22:27,519 --> 00:22:29,799
everyone has their numbered QUE systems that are designed by

488
00:22:29,799 --> 00:22:32,079
a Q leader and stuff that and Outbreaker, like I

489
00:22:32,160 --> 00:22:35,000
mean the idea people going to camp outside Bowlers, which

490
00:22:35,039 --> 00:22:36,400
is in the middle of fucking nowhere.

491
00:22:36,559 --> 00:22:39,799
Speaker 2: It is like an industrialist state, Like like it's just.

492
00:22:39,880 --> 00:22:43,079
Speaker 3: So fascinating that this show shouldn't be happening but it is,

493
00:22:43,240 --> 00:22:46,359
and it's just it is going to be a whole

494
00:22:46,400 --> 00:22:49,680
hot topic that like that weekend is crazy stacked anyway,

495
00:22:50,400 --> 00:22:53,119
but like the the kind of when this show is

496
00:22:53,160 --> 00:22:55,359
playing out, watching it happen, like I'm going to be

497
00:22:55,400 --> 00:22:57,400
there seeing it in real time, and even I'm just

498
00:22:57,400 --> 00:23:00,000
gonna be like, this is weird at points, but I'm excited.

499
00:23:00,400 --> 00:23:03,759
Speaker 1: Yeah, I'm I'm covering all things Outbreak for another publication

500
00:23:03,839 --> 00:23:06,559
and I'm like trying to work out essentially if that

501
00:23:06,680 --> 00:23:09,799
will include this or not, because I do really fancy it,

502
00:23:09,920 --> 00:23:13,599
not only in the surrealness of seeing you know, the

503
00:23:13,839 --> 00:23:15,960
entire Count Your Blessings album, which, like I said, even

504
00:23:15,960 --> 00:23:19,359
when they have done you know, once in a blue

505
00:23:19,400 --> 00:23:20,880
moon they will do pray for plagues, right, but the

506
00:23:21,119 --> 00:23:24,039
entire thing and just seeing how that even lands in

507
00:23:24,119 --> 00:23:26,039
twenty twenty six is going to be so fascinating. But

508
00:23:26,160 --> 00:23:27,880
then also, as we say, the strength and depth of

509
00:23:27,880 --> 00:23:29,920
the line up, which does really make it a treat,

510
00:23:30,400 --> 00:23:33,480
but also bring the horizon you Count Your Blessings and

511
00:23:33,720 --> 00:23:35,839
other bangers is what it's also listed as, and like

512
00:23:35,880 --> 00:23:37,920
what does that mean, you know, because surely with this

513
00:23:38,160 --> 00:23:40,119
bill they're not going to come out and do medicine

514
00:23:40,440 --> 00:23:41,039
at the end of it.

515
00:23:41,680 --> 00:23:44,000
Speaker 2: Do you imagine die for you after doing Pay for Play,

516
00:23:44,559 --> 00:23:46,599
Carry Your Blessings? I would, I would kind of admire

517
00:23:46,680 --> 00:23:47,279
that as a bit of shit.

518
00:23:47,359 --> 00:23:52,160
Speaker 1: Ho is There's so much surreal potential to this, but like,

519
00:23:52,240 --> 00:23:54,440
you know, does that mean you know, for example, suicide

520
00:23:54,480 --> 00:23:56,599
season or there is a Hell Songs potentially does it

521
00:23:56,720 --> 00:23:58,440
mean this is what the edge of your seat was?

522
00:24:00,079 --> 00:24:01,279
Did you really go up?

523
00:24:01,440 --> 00:24:05,039
Speaker 2: Like genuine do we get that you don't know.

524
00:24:05,039 --> 00:24:07,519
Speaker 1: What's gonna happen with this? Genuinely anything could happen and

525
00:24:07,720 --> 00:24:11,160
that just yeah, it makes it as far as bits

526
00:24:11,200 --> 00:24:13,119
of nostalgia go. It makes it one of the most

527
00:24:13,160 --> 00:24:18,519
weirdly unpredictable and fascinating nostalgia propositions, both the re recorded

528
00:24:18,559 --> 00:24:21,640
album and the show itself that we could cook up

529
00:24:21,680 --> 00:24:24,480
of like and just the fact that it exists and

530
00:24:24,519 --> 00:24:26,599
again does seem to be completely coming from a genuine

531
00:24:26,599 --> 00:24:28,440
place of just like, yeah, this would be cool and different.

532
00:24:28,759 --> 00:24:32,279
Then I'm long for it. I'm really really like, look,

533
00:24:32,359 --> 00:24:34,000
whether I'm there or not, I'm really looking forward to

534
00:24:34,000 --> 00:24:37,279
seeing how the entire thing goes down essentially, So yeah,

535
00:24:37,359 --> 00:24:40,519
fucking mad news. Let us move on in the news

536
00:24:40,640 --> 00:24:44,359
to nine Inch Noise Who Are You Know? Today? As

537
00:24:44,440 --> 00:24:47,200
this is out releasing the nine Inch Noise collaborative nine

538
00:24:47,200 --> 00:24:49,319
Inch Nails and Boys Noise album that we you know

539
00:24:49,559 --> 00:24:54,039
learned was being announced last week in lieu of us like, actually,

540
00:24:54,119 --> 00:24:56,039
we're not going to review this album next week, because

541
00:24:56,039 --> 00:24:57,880
it has been confirmed that the track list is essentially

542
00:24:58,079 --> 00:25:00,480
lots of you know, it's the remixed type things, and

543
00:25:00,920 --> 00:25:03,480
April was you know, stacked enough for new releases for

544
00:25:03,599 --> 00:25:05,720
us without having to go into essentially are and its album.

545
00:25:05,799 --> 00:25:09,440
But it's been all the talk and the craze because

546
00:25:09,880 --> 00:25:13,319
of the nine inch Noise performance at Coachella this past weekend,

547
00:25:13,599 --> 00:25:16,720
which has just seemingly, you know, spread around the internet

548
00:25:17,119 --> 00:25:21,160
through being very clearly and obviously the coolest fucking thing

549
00:25:21,240 --> 00:25:23,960
that anyone in that festival has ever seen. It's like, yeah,

550
00:25:24,000 --> 00:25:27,680
pretty blazon, It's way cooler than everything else there. The

551
00:25:28,079 --> 00:25:30,440
entire set has been like hard to track down. It's

552
00:25:30,480 --> 00:25:32,440
gone up and then been taken down Coachella, you know,

553
00:25:33,000 --> 00:25:34,160
a bit of a stamp and that kind of thing.

554
00:25:34,279 --> 00:25:35,519
Speaker 2: Very protective of their copyright.

555
00:25:35,680 --> 00:25:39,079
Speaker 1: Yeah, but there are you know a handful of songs

556
00:25:39,119 --> 00:25:41,400
that are you know, like available in full over on

557
00:25:41,440 --> 00:25:44,359
the Coachella YouTube channel. There's Closer, Heresy and as Alive

558
00:25:44,400 --> 00:25:46,920
as you need Me to be, and so clips from

559
00:25:47,279 --> 00:25:50,319
you know, those songs of that set have been made

560
00:25:50,359 --> 00:25:52,279
the waves of just being like, wow, this is awesome,

561
00:25:52,599 --> 00:25:54,319
and like I said in lieu of us actually reviewing

562
00:25:54,319 --> 00:25:58,039
the album next week talking about a little bit about

563
00:25:58,039 --> 00:25:59,640
what we can see of this nine Inch Noise set.

564
00:26:00,440 --> 00:26:02,920
We said this when we saw the Pilic backtur last year,

565
00:26:02,960 --> 00:26:04,680
and you know, the Ninich Noise thing was a part

566
00:26:04,799 --> 00:26:06,920
of that. But along with all these other stage productions

567
00:26:06,960 --> 00:26:10,880
and whatnot, there is no band of nine inch Nails

568
00:26:10,880 --> 00:26:15,000
as vintage that is so regularly at this stage, just

569
00:26:15,039 --> 00:26:17,839
a year on from last time, reinventing what they are

570
00:26:17,920 --> 00:26:22,319
both musically but particularly in the live environment. And this set,

571
00:26:22,440 --> 00:26:24,920
these songs that we can see is one of the

572
00:26:25,079 --> 00:26:28,359
coolest fucking things that you could imagine seeing at a festival.

573
00:26:28,440 --> 00:26:31,920
Like the set itself, the stage looks like a piece

574
00:26:31,960 --> 00:26:34,720
of production design out of June or something like. It's

575
00:26:34,759 --> 00:26:38,559
this insane industrial kind of like, you know, a piece

576
00:26:38,599 --> 00:26:42,240
of architecture essentially that they're standing on. You've got Atticus

577
00:26:42,359 --> 00:26:44,319
and the Boy's Noise guy, both with the you know,

578
00:26:44,440 --> 00:26:47,640
the the you know the the I said, a fucking

579
00:26:47,640 --> 00:26:54,319
complete fucking old moths the computers. You know, that's the

580
00:26:54,359 --> 00:26:56,079
word I was I was looking for. And then you

581
00:26:56,200 --> 00:26:59,279
have Trent and also his wife Maraquin from How to

582
00:26:59,319 --> 00:27:01,960
Destroy Angel that banding together are both standing at the

583
00:27:02,000 --> 00:27:04,880
back like as this insane like you know, dual microphone

584
00:27:04,960 --> 00:27:08,519
kind of power couple, and this entire stage is just

585
00:27:08,680 --> 00:27:10,839
bathed in red lighting. There's smoke coming out of it.

586
00:27:11,039 --> 00:27:15,559
And then there's these weird fucking like like the Left

587
00:27:15,559 --> 00:27:19,240
for Dead zombie people who are like rolling around all

588
00:27:19,319 --> 00:27:22,880
over the stage. And the reinvention of the songs these

589
00:27:22,920 --> 00:27:26,720
again like hard, you know, even harder the usual electronic

590
00:27:26,880 --> 00:27:30,759
versions of these these songs. With this stage makeup that's

591
00:27:30,920 --> 00:27:34,000
just evolving and moving from song to song, it looks

592
00:27:34,039 --> 00:27:34,799
fucking unreal.

593
00:27:35,160 --> 00:27:38,079
Speaker 3: I think the heresy and as I as you, but

594
00:27:38,160 --> 00:27:40,240
those ones are cool, like they look fucking cool like

595
00:27:40,559 --> 00:27:42,640
and again I know you've you've said them before. You're

596
00:27:42,680 --> 00:27:45,519
not a fan of backup backing dancers in a kind

597
00:27:45,519 --> 00:27:47,480
of like all terms of in like rock and melo context,

598
00:27:47,559 --> 00:27:50,079
You've said four this is the best example I've ever

599
00:27:50,119 --> 00:27:52,079
seen of it, because they're doing something really fucking cool

600
00:27:52,119 --> 00:27:53,880
with it, and it's not just kind of like throwing

601
00:27:53,920 --> 00:27:56,000
them some backing dancing there, because they are the parts

602
00:27:56,039 --> 00:27:58,400
where they are doing kind of like contemporary interpretive dance

603
00:27:58,480 --> 00:28:01,240
or stuff. And then there's close Sir and what happens

604
00:28:01,319 --> 00:28:03,319
during that is some of the best use of those

605
00:28:03,400 --> 00:28:05,160
kind of like stage extras.

606
00:28:05,200 --> 00:28:07,920
Speaker 2: I mean, I've ever seen where Trent is ascending, like

607
00:28:08,000 --> 00:28:09,480
I say, the stage.

608
00:28:09,599 --> 00:28:12,359
Speaker 3: They've got this like staircase at the back and then

609
00:28:12,400 --> 00:28:15,039
when they are like crawling up that at him and

610
00:28:15,240 --> 00:28:17,440
by the end of it, like he is getting dragged

611
00:28:17,559 --> 00:28:20,319
down by these like I say, like these Gaul dancers.

612
00:28:20,880 --> 00:28:24,359
Speaker 2: It is one of the coolest kind of like live visuals.

613
00:28:24,839 --> 00:28:27,839
Speaker 3: As again as Attica and Boys Noise are going at

614
00:28:27,880 --> 00:28:29,799
it in the middle in their Evil Cube they still

615
00:28:29,799 --> 00:28:31,279
got like the cube light and they kind of like

616
00:28:31,720 --> 00:28:35,160
creates that It's like they've built on the ideas of

617
00:28:35,200 --> 00:28:36,680
what they had on the Pelic Back tour.

618
00:28:36,720 --> 00:28:39,000
Speaker 2: And I was just kind of like, this is unbelievable.

619
00:28:39,079 --> 00:28:42,200
Speaker 3: Trent Reznor, he is the coolest sixty year old ever

620
00:28:42,480 --> 00:28:44,640
right like he is and like I said, the parent

621
00:28:44,680 --> 00:28:46,559
fam and his wife and they're singing heresy together.

622
00:28:47,680 --> 00:28:48,240
Speaker 2: So good.

623
00:28:48,440 --> 00:28:49,960
Speaker 3: This is one of those things are like obviously I

624
00:28:50,000 --> 00:28:52,079
saw Nunnistars last year and they did the Boys the

625
00:28:52,200 --> 00:28:54,319
Nineich Noise bit in the middle. If we get a

626
00:28:54,359 --> 00:28:56,400
proper nine Itch Noise tour, I think I might have

627
00:28:56,480 --> 00:28:59,000
to try and get on that again because based on

628
00:28:59,160 --> 00:29:01,000
this it is just one of the colches and like

629
00:29:01,279 --> 00:29:03,599
Coach had a few like really cool looking sets this year,

630
00:29:03,640 --> 00:29:05,839
but there was just the one where like there's a photo,

631
00:29:05,839 --> 00:29:08,079
like I said, there's the photo of Trent getting like

632
00:29:08,279 --> 00:29:09,599
dragged down by the zombies.

633
00:29:09,640 --> 00:29:11,440
Speaker 2: I was like, that is that again?

634
00:29:11,519 --> 00:29:14,920
Speaker 3: That is why nine Nails Trent Reznor has creative mind.

635
00:29:15,599 --> 00:29:17,079
He is one of the best to ever do it

636
00:29:17,119 --> 00:29:19,519
because he is this is so his vision like and

637
00:29:19,599 --> 00:29:21,119
that he's built so much of this around it and

638
00:29:21,200 --> 00:29:25,559
it just feels so so like creative and original and

639
00:29:25,880 --> 00:29:28,480
the end results are just the best.

640
00:29:28,480 --> 00:29:31,519
Speaker 1: Ship. Yeah, I mean the photo that you mentioned there.

641
00:29:32,079 --> 00:29:34,440
Nine inch Nails are no you know, stranger to having

642
00:29:34,680 --> 00:29:38,519
iconic live concert photography, yes, right, but that one is

643
00:29:38,599 --> 00:29:40,359
like that's I saw that photo and I just had

644
00:29:40,400 --> 00:29:42,440
to share it on social media. Like this is like

645
00:29:43,039 --> 00:29:45,079
when you see photos of like Woodstock, like E four

646
00:29:45,160 --> 00:29:46,400
or whatever and he's covered in the mud and all

647
00:29:46,440 --> 00:29:48,359
that stuff. It's like, this is like, you know, fucking however,

648
00:29:48,440 --> 00:29:50,799
many decades later and you're still getting photos are essentially

649
00:29:50,920 --> 00:29:52,759
that cool. That photo it looks like the end of

650
00:29:52,839 --> 00:29:55,839
shin Godzilla when all the fucking like like reptiles are

651
00:29:55,920 --> 00:29:59,480
like crawling up. It's a itos like ewer gma or something.

652
00:29:59,519 --> 00:30:01,839
It's a fucking unbelievable sort of like it's like the

653
00:30:02,000 --> 00:30:05,160
sickest piece of just like you know, live concert photography.

654
00:30:05,160 --> 00:30:07,319
I've seen god knows how long and it is this

655
00:30:07,400 --> 00:30:09,119
band who again have been you know, doing it for

656
00:30:09,240 --> 00:30:11,400
so many years and excelling, and it's it's so good.

657
00:30:11,559 --> 00:30:13,839
I'm really looking forward to, you know, hearing even though

658
00:30:13,839 --> 00:30:16,759
again it is just essentially remixes. I'm really looking forward

659
00:30:16,799 --> 00:30:19,160
to hearing the actual you know, the record together.

660
00:30:19,200 --> 00:30:20,799
Speaker 2: I mean they sound good though as well.

661
00:30:21,160 --> 00:30:23,559
Speaker 3: Yeah, based on the lovers and they sound like good,

662
00:30:23,680 --> 00:30:27,480
like did the increased for the real throbbing bas and

663
00:30:27,640 --> 00:30:30,240
amplaying that sort side of it or just on like closer.

664
00:30:30,359 --> 00:30:32,519
Speaker 2: It's such a kind of like natural that that feels

665
00:30:32,519 --> 00:30:33,359
something that's not even.

666
00:30:33,240 --> 00:30:37,119
Speaker 3: Been reworked too drastically, but it just it amplifies that

667
00:30:37,200 --> 00:30:39,200
aspect of it that just sounds really cool.

668
00:30:39,599 --> 00:30:40,880
Speaker 1: Yeah, I mean as a live as you need me

669
00:30:40,960 --> 00:30:43,079
to be. I'm glad that that is. You know, Tron

670
00:30:43,240 --> 00:30:45,440
promotional season is over, right, there's no reason for that

671
00:30:45,519 --> 00:30:47,839
song to stick around if it was just that, but

672
00:30:47,920 --> 00:30:51,359
it's not actually like, you know, as good as any

673
00:30:51,400 --> 00:30:53,640
other you want to want to mention nich Nail song,

674
00:30:53,640 --> 00:30:55,359
and I'm glad that that is continuing to again get

675
00:30:55,440 --> 00:30:57,240
this kind of treatment and be deemed as you know,

676
00:30:57,480 --> 00:31:00,400
as worthy as the others. There's like some supper stuff

677
00:31:00,400 --> 00:31:02,240
in here which again I've not seen yet, but there's

678
00:31:02,279 --> 00:31:05,759
a soft cell cover in the in the set list

679
00:31:05,960 --> 00:31:09,240
again how to Stray Angel song as well Heresy. Of

680
00:31:09,400 --> 00:31:11,400
the three songs that they do, I mean, closer has

681
00:31:11,440 --> 00:31:15,039
again as amazing bit with the again the dancers like

682
00:31:15,079 --> 00:31:17,960
claiming up on top of trets essentially but actually like

683
00:31:18,160 --> 00:31:22,680
sonically Heresy, which is already one of the most scathing,

684
00:31:23,160 --> 00:31:27,319
evil sounding Knights Nails song, This version again with the

685
00:31:27,359 --> 00:31:28,759
red lighting and everything, it's like this is.

686
00:31:29,000 --> 00:31:30,000
Speaker 2: Bathed in red lighting.

687
00:31:30,200 --> 00:31:33,880
Speaker 1: Yeah, actual pure evil emanating from a Coachella stage. And

688
00:31:33,960 --> 00:31:36,720
that is just what I'm all for, what I love

689
00:31:36,759 --> 00:31:40,480
to see so fucking awesome stuffs, as is becoming annoyingly

690
00:31:40,559 --> 00:31:43,279
predictable essentially coming out of the Nights Nails camp with

691
00:31:43,359 --> 00:31:46,799
the Nine's noise material and their set of Coachella. Let

692
00:31:46,920 --> 00:31:49,000
us go through some new singles for the week, and

693
00:31:49,160 --> 00:31:51,720
the first one is a band close to both of

694
00:31:51,799 --> 00:31:52,319
our hearts.

695
00:31:52,759 --> 00:31:53,000
Speaker 2: Sam.

696
00:31:53,359 --> 00:31:57,599
Speaker 1: It's Evanescence who have announced their new album. It's coming

697
00:31:57,680 --> 00:32:00,200
out on June the fifth. It's called Sanctuary. Is the

698
00:32:00,319 --> 00:32:02,279
first out of them in five years. The Bit of

699
00:32:02,319 --> 00:32:05,039
Truth in twenty twenty one was the last one, and

700
00:32:05,119 --> 00:32:07,000
there is a single out from it called who Will

701
00:32:07,079 --> 00:32:11,480
You Follow? And the album is produced by none other

702
00:32:11,599 --> 00:32:18,640
than your friend and mine dog owner Jordan Fish and Sam.

703
00:32:18,880 --> 00:32:21,000
As we said, evan Essence a band you and I

704
00:32:21,160 --> 00:32:25,240
share a particular bond with and throw ourselves back five

705
00:32:25,279 --> 00:32:27,440
years when The Bitter Truth came out For me, that

706
00:32:27,599 --> 00:32:31,079
is the first essentially subpar Evernescence material, like everything that

707
00:32:31,200 --> 00:32:34,279
dance that stage in different realms, because the self titled

708
00:32:34,359 --> 00:32:36,559
is more of like a hard rock record, whereas you know,

709
00:32:36,640 --> 00:32:39,599
the Open Door is a more elaborate and layered kind

710
00:32:39,599 --> 00:32:41,640
of record. But in different ways. They had kept the

711
00:32:41,720 --> 00:32:43,440
standard up you know, didn't release a lot of material

712
00:32:43,480 --> 00:32:45,200
basically only again, this is only their fifth album in

713
00:32:45,279 --> 00:32:48,079
fucking you know, twenty five years or whatever, but the

714
00:32:48,359 --> 00:32:50,039
standard was kept up high, and then the Bit of

715
00:32:50,079 --> 00:32:52,480
Truth came along, and it's not a terrible album. There's

716
00:32:52,559 --> 00:32:54,559
the odd moment on it where you go like, oh, yeah,

717
00:32:54,599 --> 00:32:57,359
that's you know, that's why we like Evanescence so much.

718
00:32:57,640 --> 00:33:00,920
But as an album songwriting and particul the production wise,

719
00:33:01,119 --> 00:33:03,640
it was stodgy in a way that Evanescence are not

720
00:33:03,799 --> 00:33:07,880
usually stodgy. And you know, we still are endeared to

721
00:33:08,000 --> 00:33:11,119
Evanescence because you know, Amy Lee is so brilliant and

722
00:33:11,160 --> 00:33:13,880
all these other things. I'm seeing them live later in

723
00:33:13,920 --> 00:33:15,440
the year for the first time and again a good

724
00:33:15,480 --> 00:33:17,200
number of years this stage, and I'm really excited for it,

725
00:33:17,599 --> 00:33:22,519
but I'm kind of annoyed the Evanescence of all their

726
00:33:22,599 --> 00:33:26,559
generation of bands feel like one who you can imagine

727
00:33:26,599 --> 00:33:28,920
a world where they're aging really well because of what

728
00:33:28,960 --> 00:33:31,839
we're saying, like Amley is still a phenomenal singer. Particularly,

729
00:33:32,160 --> 00:33:33,720
I think about a record like The Open Door and

730
00:33:33,839 --> 00:33:36,640
how that is a you know, fallen is the record

731
00:33:36,640 --> 00:33:38,759
that it is because it is such a cast iron

732
00:33:38,839 --> 00:33:42,400
set of songs, but production wise and songwriting and arrangements

733
00:33:42,440 --> 00:33:47,000
and everything, the Open Door is a more ambitious and multifaceted,

734
00:33:47,079 --> 00:33:49,359
dynamic kind of record, and you can imagine the world

735
00:33:49,400 --> 00:33:51,680
if they had like followed that and were still applying

736
00:33:51,720 --> 00:33:55,240
that mindset to what they do. Evanescence don't have to

737
00:33:55,440 --> 00:33:58,440
be kind of you know, washed up or whatever. Evanescence

738
00:33:58,480 --> 00:34:01,640
could be aging incredibly well, and instead, because the creative

739
00:34:01,759 --> 00:34:04,480
choices they're making, it just seems like they're choosing not to.

740
00:34:05,039 --> 00:34:08,079
And this you know track from it, I will say

741
00:34:08,559 --> 00:34:10,679
it sounds a little bit better produced than the last

742
00:34:10,679 --> 00:34:12,760
album in terms of it doesn't sound like Amy is

743
00:34:12,800 --> 00:34:16,280
in a different room as it's being recorded. But I

744
00:34:16,440 --> 00:34:18,480
hear it and I go, ah, Yeah, it's just sort

745
00:34:18,519 --> 00:34:22,800
of a twenty twenty six radio you know, molded for

746
00:34:23,719 --> 00:34:28,280
contemporary production evanescent song. And it's not the worst thing

747
00:34:28,320 --> 00:34:30,760
I've ever heard. It's certainly not the worst Jordan Fish

748
00:34:30,800 --> 00:34:33,400
produced metal song I've heard in leaving the last couple

749
00:34:33,440 --> 00:34:37,400
of months, I imagine, but I don't get a very

750
00:34:37,480 --> 00:34:39,719
strong feeling from it. And like I said, it just

751
00:34:39,840 --> 00:34:42,199
makes me a little bit sad that I can imagine

752
00:34:42,239 --> 00:34:46,719
a world where evanescentce are thriving instead of merely existing.

753
00:34:47,679 --> 00:34:47,880
Speaker 2: Yeah.

754
00:34:47,960 --> 00:34:49,800
Speaker 3: So when I hit play on this, when I woke

755
00:34:49,920 --> 00:34:52,679
up with last Friday morning and I saw there was

756
00:34:52,719 --> 00:34:54,760
a new Evanescent song hit player, and I was like.

757
00:34:55,079 --> 00:34:57,480
Speaker 2: Okay, so the insuring feels very just traditionally evanessage.

758
00:34:57,519 --> 00:34:59,079
Speaker 3: So it's Amy and a piano, and I was kind

759
00:34:59,079 --> 00:35:01,159
of like, you know, blow me away, but this is

760
00:35:01,280 --> 00:35:04,199
del is quite comforting. And then a twenty seconds in

761
00:35:05,360 --> 00:35:07,239
that riff hit and I paused the song and I

762
00:35:07,360 --> 00:35:12,719
was like, looked like it so and genuinely I was

763
00:35:12,800 --> 00:35:15,320
kind of like, he's done it. And I saw the

764
00:35:15,440 --> 00:35:17,480
words produced by Jordan Fish and I was like, right

765
00:35:17,840 --> 00:35:20,719
here we go, and here's being like, I don't think

766
00:35:20,760 --> 00:35:22,679
this is the worst thing Jordan Fish has done because

767
00:35:22,800 --> 00:35:25,280
it is like modern day of an essence.

768
00:35:25,320 --> 00:35:26,960
Speaker 2: And he said they are producing radio.

769
00:35:26,800 --> 00:35:29,400
Speaker 3: Rock songs and that he's kind of sort of approached

770
00:35:29,440 --> 00:35:31,239
on them of kind of like quite kind of like

771
00:35:31,719 --> 00:35:35,599
safe radio rock stuff. Fine, like when it's not coming

772
00:35:35,719 --> 00:35:38,000
to that riff, I thank the song is fine. Yeah,

773
00:35:39,039 --> 00:35:42,119
it's kind of like a like decent chorus. Amy still

774
00:35:42,199 --> 00:35:44,719
sounds really good. I wish the production did kind of

775
00:35:44,800 --> 00:35:46,960
like allow for some more interesting things to go on.

776
00:35:47,519 --> 00:35:50,320
Every time that's what post chorus riff hits, and it's

777
00:35:50,360 --> 00:35:53,360
kind of like, why are you just shoehorning in the

778
00:35:53,559 --> 00:35:56,320
Jordan Fish gent riff that every one of these bands

779
00:35:56,360 --> 00:35:58,360
that poppy that he like, was all over the last

780
00:35:58,400 --> 00:36:00,480
couple of poppy albums. That's made us so much less

781
00:36:00,480 --> 00:36:02,840
interesting as an artist that was all over that Architects album.

782
00:36:03,280 --> 00:36:06,280
Why are you just like ugly shoehorning it in in

783
00:36:06,360 --> 00:36:08,320
a way that doesn't fit with the song? It's so

784
00:36:09,000 --> 00:36:12,159
bizarre that like there's this jump scare of a riff

785
00:36:12,199 --> 00:36:14,440
that comes in after every chorus because I'm just like,

786
00:36:14,920 --> 00:36:16,800
that's all Jordan Fish knows how to do. It seems

787
00:36:16,840 --> 00:36:19,719
it's a real odd one and like like like again,

788
00:36:20,039 --> 00:36:20,760
I don't hate the song.

789
00:36:20,800 --> 00:36:21,440
Speaker 2: I think that my past.

790
00:36:21,639 --> 00:36:24,360
Speaker 3: I'm like, it's perfectly pleasant. It's not again, by far,

791
00:36:24,880 --> 00:36:26,920
far from the worst thing Jordan Fish has done, because.

792
00:36:26,719 --> 00:36:28,079
Speaker 2: It just it lends up to that.

793
00:36:28,199 --> 00:36:30,679
Speaker 3: But its just he is everywhere and there is just

794
00:36:30,760 --> 00:36:33,920
a homogenization in his approach where it just it feels

795
00:36:34,000 --> 00:36:36,760
so hard to separate. And again, like there's always been,

796
00:36:36,800 --> 00:36:38,519
you know, a couple of Evanescent songs sort of popping

797
00:36:38,599 --> 00:36:39,159
up every now and then.

798
00:36:39,199 --> 00:36:40,599
Speaker 2: Of the last years. That was the song they did

799
00:36:40,719 --> 00:36:41,320
Deaver May Cry.

800
00:36:41,719 --> 00:36:45,119
Speaker 3: There was the collaborative Evanescence spirit Box Popy S song which.

801
00:36:44,920 --> 00:36:46,639
Speaker 2: Again like Amy Lee is doing a lot of the

802
00:36:46,719 --> 00:36:47,719
carrying in that song.

803
00:36:48,199 --> 00:36:50,840
Speaker 3: But again, like the widest thing of these songs, it

804
00:36:50,920 --> 00:36:53,599
does just feel like Evanescence are trying to sort of

805
00:36:54,119 --> 00:36:57,039
see what is the popular thing. You know, They're seeing

806
00:36:57,159 --> 00:36:59,159
Poppy in spear Box and they're kind of like, we're

807
00:36:59,199 --> 00:37:01,320
gonna take a bit of that melded into Evanescence.

808
00:37:01,400 --> 00:37:03,800
Speaker 2: I was like, I wish because my favorite Evanescence album

809
00:37:04,000 --> 00:37:04,679
is The Open Door.

810
00:37:05,119 --> 00:37:07,920
Speaker 3: I love that album because of that, those like those

811
00:37:08,079 --> 00:37:11,159
romantic gothic touches all over it, and that that feater

812
00:37:11,320 --> 00:37:11,559
to it.

813
00:37:12,119 --> 00:37:14,199
Speaker 2: And as you say, the world where they they they

814
00:37:14,360 --> 00:37:16,199
build on that and they go down that route.

815
00:37:16,440 --> 00:37:17,920
Speaker 3: And then again you kind of got glimpse that where

816
00:37:17,920 --> 00:37:20,480
you know, when they did the orchestra that was kind

817
00:37:20,519 --> 00:37:22,559
of like like that was the kind of like the

818
00:37:22,639 --> 00:37:25,800
timeline where Evernescence could have like gone down that symphonic

819
00:37:25,840 --> 00:37:27,840
groupe but kind of kept it within the Evernescence thing,

820
00:37:27,880 --> 00:37:30,559
and it said they've just gone for doing the commercial

821
00:37:30,599 --> 00:37:33,320
radio rocking. And again, they're better than so many commercial

822
00:37:33,360 --> 00:37:35,719
radio rock bands. I would rather listen even even again,

823
00:37:35,840 --> 00:37:37,960
if this is not my favorite Essence material, give me

824
00:37:38,079 --> 00:37:41,599
this over Shine Down or Hailstorm any of those other

825
00:37:42,440 --> 00:37:44,960
US radio bands, because this is this has a vocalist

826
00:37:44,960 --> 00:37:48,679
who I believe, but it just it is just kind

827
00:37:48,679 --> 00:37:50,639
of like I kind of just have to accept now

828
00:37:50,719 --> 00:37:53,599
Evanescence are gonna just kind of like shuffle out these

829
00:37:53,599 --> 00:37:56,519
probably six out of ten albums that maybe have one

830
00:37:56,639 --> 00:37:59,119
or two songs that might be like really good and

831
00:37:59,199 --> 00:38:01,159
then as an album I'm not going to particularly care for.

832
00:38:01,360 --> 00:38:04,360
Speaker 2: But we have those first three albums, yes we do.

833
00:38:04,840 --> 00:38:07,079
Speaker 1: And then when you were feeling you know, maybe a

834
00:38:07,079 --> 00:38:10,400
little bit hurt by an Evanescent song, who comes to

835
00:38:10,519 --> 00:38:13,280
you in your hour of need? Sam who Comes to

836
00:38:13,360 --> 00:38:17,480
Rescue you? Electric Core Boy with their album tans Need,

837
00:38:17,639 --> 00:38:20,320
which is out in August. It's the follow up to

838
00:38:20,480 --> 00:38:22,800
Techno's but actually, you know, a couple of years now

839
00:38:22,840 --> 00:38:26,239
since the Techno record that you know, was such a

840
00:38:26,280 --> 00:38:30,039
big success for them, so you know, it does feel

841
00:38:30,079 --> 00:38:32,679
like a moment now, but trying to you know, continue

842
00:38:32,760 --> 00:38:34,960
up on the hyper hyper train if you like that

843
00:38:35,039 --> 00:38:37,480
they have been you know, they burst into the beginning

844
00:38:37,519 --> 00:38:40,760
of this decade with and yeah, there's a single out

845
00:38:40,800 --> 00:38:43,679
from it called Hypercharge and I don't have any again,

846
00:38:43,760 --> 00:38:47,599
while I do genuinely enjoy, you know, the singles and

847
00:38:47,679 --> 00:38:50,000
the tracks that CHOI come out with that do feel

848
00:38:50,079 --> 00:38:53,199
like just big festival, you know bouncers essentially, they're very

849
00:38:53,239 --> 00:38:54,639
good at it. Even you when you saw them live

850
00:38:54,679 --> 00:38:56,840
were like, yeah, you know the hits so that they

851
00:38:56,920 --> 00:38:59,079
do what they're meant to do in that environment. I

852
00:38:59,119 --> 00:39:02,960
don't necessarily have know, sky high expectations or even you know,

853
00:39:02,960 --> 00:39:05,079
I'm looking for electrically to reinvent themselves or anything. And

854
00:39:05,119 --> 00:39:06,599
I heard this track and it's an electric cor BOYD

855
00:39:06,639 --> 00:39:08,039
track and it bounces and it's got a kind of

856
00:39:08,320 --> 00:39:12,679
catchy you know European eurodance vocal chorus to it, and

857
00:39:12,719 --> 00:39:14,440
I go, that's all you need? Yeah, fair, I just

858
00:39:14,519 --> 00:39:16,440
did find it amusing that again, it was a week

859
00:39:16,440 --> 00:39:19,639
where you're here and we're immediately following up a band

860
00:39:19,679 --> 00:39:22,199
who you wish were singing to you a little bit

861
00:39:22,280 --> 00:39:26,440
more and who comes into the distance. But these guys.

862
00:39:28,079 --> 00:39:29,679
Speaker 3: When you said the Aulm's coming out in AUCT, she

863
00:39:29,800 --> 00:39:31,599
just terrified for me for a second because my birthday

864
00:39:31,679 --> 00:39:35,079
is on a Friday in August, Like, oh god, no,

865
00:39:35,800 --> 00:39:38,239
it's the week before I say that would have been

866
00:39:38,280 --> 00:39:39,800
the most cursed birthday ever.

867
00:39:40,679 --> 00:39:41,079
Speaker 2: Here's the thing.

868
00:39:41,280 --> 00:39:42,760
Speaker 3: I hit play on this and I was kind of like, yeah,

869
00:39:42,840 --> 00:39:46,119
it's an electrical way. I still don't particularly care to

870
00:39:46,159 --> 00:39:48,760
listen to them on record. I do see the appeal

871
00:39:48,800 --> 00:39:48,960
of it.

872
00:39:49,039 --> 00:39:51,440
Speaker 2: Live because it's music that, as you say, it's bouncement

873
00:39:51,440 --> 00:39:52,719
down to it. And this kind of serves up that.

874
00:39:53,519 --> 00:39:55,639
Speaker 3: I just I've been with Electric corway now as I'm like,

875
00:39:56,840 --> 00:39:58,880
at least you know, you have a bit of personality

876
00:39:59,320 --> 00:39:59,800
like that.

877
00:40:00,039 --> 00:40:02,119
Speaker 2: This is how bad the metal core thing has got that.

878
00:40:02,159 --> 00:40:05,360
Speaker 3: I'm kind of like fine of Electric Collboy existing now

879
00:40:05,440 --> 00:40:09,599
because they think it's so dour and unappealing. That Electric

880
00:40:09,639 --> 00:40:11,880
all Boy writing kind of like bouncy fun stuff is

881
00:40:12,920 --> 00:40:15,519
is less objectionable than the majority of metal hole going

882
00:40:15,559 --> 00:40:15,960
on right now.

883
00:40:16,199 --> 00:40:19,519
Speaker 1: Yeah, Tans need out August seventh, not on Sam's birthday.

884
00:40:19,840 --> 00:40:21,480
And then I don't know if this one, you know,

885
00:40:21,519 --> 00:40:23,480
sings you a little bit more. I don't know, sayasin

886
00:40:23,880 --> 00:40:27,760
the post hardcore, you know, iconic band of that scene

887
00:40:27,840 --> 00:40:30,079
in the you know, early two thousands, that kind of era.

888
00:40:30,480 --> 00:40:32,360
They have got a new song, and also it's a

889
00:40:32,719 --> 00:40:36,159
reuniting with a previous vocalist song and it's the first

890
00:40:36,440 --> 00:40:39,679
say Us in original material in over a decade, and Sam,

891
00:40:40,079 --> 00:40:42,760
I don't know if you are into say Us, And

892
00:40:42,800 --> 00:40:44,280
it seems like the kind of thing, you know, the

893
00:40:45,000 --> 00:40:49,119
post hardcore bands who you know, the MySpace generation, the

894
00:40:49,239 --> 00:40:50,920
sort of revised bands at the moment, like HARKing back

895
00:40:50,920 --> 00:40:52,840
to these bands and all those bands who have singers,

896
00:40:52,880 --> 00:40:56,519
it's tell like this say one of those, and that

897
00:40:56,559 --> 00:40:57,639
seems like the kind of thing that you would like.

898
00:40:57,719 --> 00:40:58,519
Sar chapped it in for you.

899
00:40:59,039 --> 00:41:01,559
Speaker 2: Yeah, No, I really like one seriousen album.

900
00:41:01,599 --> 00:41:03,360
Speaker 3: I think the other stuff is like rangers from like

901
00:41:03,480 --> 00:41:05,400
pretty Good, Like like I think that the debut is

902
00:41:05,480 --> 00:41:07,599
great because it is just the most kind of like

903
00:41:07,760 --> 00:41:10,719
mid noughtis post hardcore emo stuff. I put the song

904
00:41:10,880 --> 00:41:13,639
kind of like with very low expectations because I'm like,

905
00:41:14,199 --> 00:41:16,519
I know what under Oath sound like now and like

906
00:41:17,199 --> 00:41:19,679
that like Crusados are of that kind of silk, and

907
00:41:19,840 --> 00:41:22,800
like modern day under Oath is dogshit and I really

908
00:41:22,920 --> 00:41:25,079
like early Underwroath, so I'm kind of like half expecting

909
00:41:25,079 --> 00:41:25,639
that to be the case.

910
00:41:26,880 --> 00:41:27,360
Speaker 1: I like this.

911
00:41:27,639 --> 00:41:30,079
Speaker 3: It is it kind of hit that like two thousand

912
00:41:30,119 --> 00:41:33,519
and six warm fuzzy nostalgia thing but without sounding completely washed.

913
00:41:33,639 --> 00:41:35,079
Speaker 2: It's kind of got a bit of energy, It's got

914
00:41:35,119 --> 00:41:37,280
a bit of spark to it. I'm like, you know

915
00:41:37,360 --> 00:41:38,440
what cool I think this is.

916
00:41:38,519 --> 00:41:40,599
Speaker 3: This is good that the chorus is like quite catchy

917
00:41:40,639 --> 00:41:42,960
and like it has got the high pitched, whiny vocal

918
00:41:43,000 --> 00:41:45,280
thing that you did. And that's just what says new

919
00:41:45,280 --> 00:41:47,159
because they had their other vocals was like Anthony Green,

920
00:41:47,199 --> 00:41:49,639
who is also kind of like known for that kind

921
00:41:49,639 --> 00:41:52,320
of vocal approach, so they've never strayed too far from

922
00:41:52,400 --> 00:41:54,559
doing that sort of thing. I think of a kind

923
00:41:54,599 --> 00:41:58,280
of like Naughty's post hardcore kind of emo band coming

924
00:41:58,320 --> 00:41:59,960
back with a song of twenty tweens.

925
00:42:00,480 --> 00:42:01,880
Speaker 2: This is about as good you're gonna.

926
00:42:01,639 --> 00:42:02,800
Speaker 3: Get from a lot of them, And I think like

927
00:42:03,320 --> 00:42:05,760
sweet good Sayson for like having a bit of like

928
00:42:06,320 --> 00:42:08,840
kind of like I don't know, like just not sounding

929
00:42:08,880 --> 00:42:09,639
completely washed.

930
00:42:09,920 --> 00:42:10,079
Speaker 2: Yeah.

931
00:42:10,119 --> 00:42:11,719
Speaker 1: I didn't think it was too bad either, and so

932
00:42:11,840 --> 00:42:14,440
a rejoicement for the sayersin fans. They're eating the best

933
00:42:14,480 --> 00:42:15,960
out of us. I guess this week when it comes

934
00:42:16,000 --> 00:42:19,760
to the new singles, right, rock and Roll Hall of

935
00:42:19,880 --> 00:42:24,239
Fame time, what's it gonna be? Iron Maiden are being

936
00:42:24,320 --> 00:42:27,519
inducted into it. It's also the year where Phil Collins,

937
00:42:27,639 --> 00:42:31,760
Billie Idol, Joy Division and New Order Awasis, Sade, Luther

938
00:42:31,920 --> 00:42:33,840
Vandross and the Wu Tang Clan are all going into

939
00:42:33,840 --> 00:42:35,280
the Rock and Roll Hall of Fame. And the reason

940
00:42:35,320 --> 00:42:38,960
this struck me is Iron Maiden. The only thing I

941
00:42:39,039 --> 00:42:41,519
could have consistently told you about the Rock and Roll

942
00:42:41,559 --> 00:42:43,840
Hall of Fame is that Iron Maiden weren't in it,

943
00:42:44,119 --> 00:42:47,840
because it became a running headline, like uh, you know

944
00:42:47,920 --> 00:42:50,639
Leo DiCaprio's oscar for years until he got one right.

945
00:42:50,760 --> 00:42:53,079
It was like the running thing was it's another year

946
00:42:53,119 --> 00:42:55,400
where Iron Maiden aren't in the Rock and Roll Hall

947
00:42:55,440 --> 00:42:55,679
of Fame.

948
00:42:55,760 --> 00:42:57,519
Speaker 2: How dare they? That?

949
00:42:57,639 --> 00:43:00,360
Speaker 1: You know? Became the narrative that you would see about it.

950
00:43:00,760 --> 00:43:03,119
And I think they you know that they've been eligible

951
00:43:03,159 --> 00:43:04,480
for about twenty years or something like that, and now

952
00:43:04,480 --> 00:43:06,199
they're finally in. And that was the only thing I

953
00:43:06,280 --> 00:43:08,679
get I could have consistently told you about who was

954
00:43:08,800 --> 00:43:10,119
or wasn't in the Rocker Hall of Fame is that

955
00:43:10,159 --> 00:43:12,360
I knew Iron Made and weren't because it was the narrative.

956
00:43:13,000 --> 00:43:18,159
Now they're in, and I feel nothing. I think this

957
00:43:18,679 --> 00:43:22,119
really sums up the rock and Roll Hall of Fame.

958
00:43:22,280 --> 00:43:24,800
I think the only thing I consistently knew but about

959
00:43:24,840 --> 00:43:28,159
who weren't in they are and great. The only person

960
00:43:28,199 --> 00:43:30,440
I'm happy for in the scenario is Blaze Bailey is

961
00:43:30,440 --> 00:43:32,199
getting in and he seems quite pleased about it. So

962
00:43:32,960 --> 00:43:35,800
it's another good for Blaze Bailey moment this year. But

963
00:43:35,880 --> 00:43:37,760
otherwise that's it. Really.

964
00:43:39,719 --> 00:43:43,119
Speaker 3: Yeah, as far as institute's I have zero interest in

965
00:43:43,239 --> 00:43:45,000
rock and roll. Hall of Fame is up there as

966
00:43:45,039 --> 00:43:48,199
one of the top ones. Good for Iron Maiden, like like,

967
00:43:48,320 --> 00:43:50,760
I'm the same of you. I could not tell you

968
00:43:50,800 --> 00:43:53,599
anyone who's inducted any year for the past five years.

969
00:43:53,639 --> 00:43:55,239
I know it's a discourse every year, and I know

970
00:43:55,320 --> 00:43:57,159
there is the Iron may On in that, and I

971
00:43:57,239 --> 00:43:59,039
think it is like one of those things where they

972
00:43:59,039 --> 00:44:01,519
are such a pivotal band in the development of like

973
00:44:01,960 --> 00:44:04,079
heavy metal, and they are a legendary banning their own

974
00:44:04,119 --> 00:44:06,000
right that they probably should have been. You know, there

975
00:44:06,039 --> 00:44:07,440
are other bands that I've gone in there that are

976
00:44:07,519 --> 00:44:10,639
like questionable in terms of their sort of thing get

977
00:44:10,719 --> 00:44:13,320
in their pine men. I understand why that might is

978
00:44:13,400 --> 00:44:15,320
a bit wrong with someone, but I'm also like, who

979
00:44:15,480 --> 00:44:17,159
actually cares about the rock and Roll Hall of Fame.

980
00:44:17,280 --> 00:44:19,559
Speaker 2: What does it mean? What does it do? Do the

981
00:44:19,639 --> 00:44:21,480
bands get a little plaq? Is that kind of the

982
00:44:21,559 --> 00:44:22,039
extent of it?

983
00:44:22,400 --> 00:44:22,599
Speaker 1: Yeah?

984
00:44:22,679 --> 00:44:22,960
Speaker 2: Whatever.

985
00:44:23,079 --> 00:44:24,480
Speaker 1: The only interesting thing about it to me is that

986
00:44:24,519 --> 00:44:28,000
occasionally when someone is inducted, you get an interesting performance

987
00:44:28,079 --> 00:44:30,280
out of it, Like when Ozzie was inducted, there was

988
00:44:30,320 --> 00:44:32,920
that whole you know, almost like a tribute performance, you know,

989
00:44:34,199 --> 00:44:35,599
we people performing a song as that kind of thing. Well,

990
00:44:35,639 --> 00:44:38,440
sometimes might be the band themselves whatever, or an interesting speech,

991
00:44:38,599 --> 00:44:40,800
you know, or something like that. But I amazing, and

992
00:44:40,800 --> 00:44:42,119
I have been quite vocal in fact, they don't even

993
00:44:42,159 --> 00:44:43,480
like the rocker Roll Hall of Fame, so who knows

994
00:44:43,480 --> 00:44:45,199
if they're even a ten So like, I don't even

995
00:44:45,239 --> 00:44:47,760
know if that will happen. But yeah, the one consistent

996
00:44:47,880 --> 00:44:49,280
thing I knew about the Rock and Roll Hall of

997
00:44:49,320 --> 00:44:51,360
Fame is no longer true, and I guess I have

998
00:44:51,440 --> 00:44:55,639
to find a different fact to know about them. If

999
00:44:55,679 --> 00:44:57,079
you were a big fan of their album that we

1000
00:44:57,199 --> 00:44:59,599
reviewed at the start of this year, Setifires the Sky,

1001
00:44:59,719 --> 00:45:04,159
they are announcing a UK and Ireland headline tour that's

1002
00:45:04,159 --> 00:45:09,639
going around in November of this year with London, Bournemouth, Bristol, Manchester, Birmingham, Newcastle, Glasgow,

1003
00:45:09,719 --> 00:45:13,639
Dublin and Belfast. On the dates for that, the Gray

1004
00:45:13,760 --> 00:45:16,199
and Moon Reaper are supporting. So again you know, a

1005
00:45:16,440 --> 00:45:20,119
still very popular current day British metal band current over

1006
00:45:20,159 --> 00:45:21,840
a headline tour. So I get involved if you would

1007
00:45:22,039 --> 00:45:26,679
like to and down in London Behemoth and dmu Borgear,

1008
00:45:27,079 --> 00:45:30,159
who have teamed up for a number of dates through

1009
00:45:30,239 --> 00:45:32,119
this year. They go around various places in Europe and

1010
00:45:32,119 --> 00:45:34,679
stuff like that. They have added one in the UK

1011
00:45:34,920 --> 00:45:37,840
at London's Brixton Academy, a co headline date with two

1012
00:45:37,920 --> 00:45:40,199
of the biggest black met bands have ever been, Dark

1013
00:45:40,280 --> 00:45:42,199
Funeral who are you know, no Slatch in their own

1014
00:45:42,280 --> 00:45:46,000
right opening it. It's October seventeenth in London. I'm sad

1015
00:45:46,239 --> 00:45:49,320
because it seems like Behemoth's thing this at the moment

1016
00:45:49,400 --> 00:45:52,599
this year is doing these huge packages and then only

1017
00:45:52,679 --> 00:45:54,880
playing in London with it, because the same thing happened

1018
00:45:54,920 --> 00:45:57,119
with the Satiricon rotting christ one they did and I

1019
00:45:57,159 --> 00:45:59,320
think they played maybe Brixton again and I guess it's

1020
00:45:59,360 --> 00:46:01,199
because they're you know, they're putting a lot all their

1021
00:46:01,239 --> 00:46:03,800
eggs into like selling Brixton Academy, which for a black

1022
00:46:03,880 --> 00:46:07,800
metal band is you know, underdoubtedly a big, huge fucking deal,

1023
00:46:08,559 --> 00:46:10,599
but it means they're not taking it round to the

1024
00:46:10,679 --> 00:46:13,000
rest of the country. And I haven't actually seen behemothin

1025
00:46:13,039 --> 00:46:14,800
a couple of years at this stage, no normally seen

1026
00:46:14,920 --> 00:46:17,559
very regularly because they've only been playing one off London

1027
00:46:17,599 --> 00:46:19,280
shows at Brixton. But if you are in the area

1028
00:46:19,840 --> 00:46:21,960
to see Behemoth, Demu and Dark Funeral and that's obviously

1029
00:46:22,000 --> 00:46:24,159
a big fucking deal. And other people who are going

1030
00:46:24,199 --> 00:46:26,559
to get to Demi borg in not me in America.

1031
00:46:26,639 --> 00:46:29,880
Demi Borgan are taking a headline tour with a really

1032
00:46:29,960 --> 00:46:33,360
stacked bill of hypocrisy, suffocation and Holder Holder opening for

1033
00:46:33,440 --> 00:46:35,159
dem who seems like they're the cool thing. That's a

1034
00:46:35,800 --> 00:46:38,360
I'm sure many people who you know are on top

1035
00:46:38,400 --> 00:46:40,280
of Holder already, but you know, any Demu fans out

1036
00:46:40,280 --> 00:46:42,320
there who maybe haven't delved so far, and that's a

1037
00:46:42,360 --> 00:46:43,920
band putt in front of them that works, so yeah,

1038
00:46:44,119 --> 00:46:47,920
good right Patreon dot com slash that's not matter. This

1039
00:46:48,000 --> 00:46:49,920
week it was a big week for us because we

1040
00:46:50,239 --> 00:46:52,800
launched the first part of the beginnings of what is

1041
00:46:52,880 --> 00:46:55,920
going to be a very very big band special for us.

1042
00:46:56,000 --> 00:46:59,199
I announced it last week it's our Corn Special. Corn

1043
00:46:59,239 --> 00:47:01,880
a band who have been requested and you know, have

1044
00:47:02,000 --> 00:47:05,239
been on the slots for the slate even for having

1045
00:47:05,280 --> 00:47:07,519
a band special done for them for about ten years. Right,

1046
00:47:07,639 --> 00:47:11,000
We're finally getting to them, and you know, it's not

1047
00:47:11,159 --> 00:47:13,719
only are they Corn one of the most game changing

1048
00:47:13,800 --> 00:47:16,119
bands in our entire world, but they've also quite a

1049
00:47:16,159 --> 00:47:17,960
long running band with a very long catalog. So there

1050
00:47:18,039 --> 00:47:19,639
is a lot of work that's going to go into

1051
00:47:19,880 --> 00:47:22,559
completing the special for the next a handful of weeks, months,

1052
00:47:22,599 --> 00:47:24,800
whenever it turns out to be. The first part we

1053
00:47:24,920 --> 00:47:28,440
did was obviously all about the beginnings of it. We

1054
00:47:28,480 --> 00:47:31,800
spent about an hour talking about the world that Corn

1055
00:47:31,960 --> 00:47:34,239
came into, the bands that pay for way for them,

1056
00:47:34,960 --> 00:47:37,480
the bands that they were in before Corn, if you've

1057
00:47:37,519 --> 00:47:40,119
never heard those, the Corn demo, if you can imagine

1058
00:47:40,159 --> 00:47:44,440
such a thing. And then we went into the no

1059
00:47:44,559 --> 00:47:47,960
small matter of the Corn debut self titled album, and

1060
00:47:48,119 --> 00:47:51,039
we had to break down everything from the you know,

1061
00:47:51,119 --> 00:47:55,880
the technical innovations, the lyrical you know, content and subject matter,

1062
00:47:56,320 --> 00:48:01,679
the the presentation of the album, the album cover. Yeah,

1063
00:48:01,840 --> 00:48:04,320
like all of these individual things that make up the

1064
00:48:05,760 --> 00:48:07,639
recording of it, the place it was made, how it

1065
00:48:07,760 --> 00:48:09,679
was made, all of this stuff, all these little things

1066
00:48:09,719 --> 00:48:12,880
that make up the legend of that album in one

1067
00:48:13,079 --> 00:48:16,840
of the girthiest, most in depth chats on a particular

1068
00:48:16,880 --> 00:48:18,360
album that you are going to find in one of

1069
00:48:18,400 --> 00:48:21,400
our band specials. We also even found a little bit

1070
00:48:21,440 --> 00:48:23,039
of time to jump out of the linear timeline to

1071
00:48:23,079 --> 00:48:25,159
talk about whatever the hell Jonathan Davis has done in

1072
00:48:25,199 --> 00:48:28,920
his free time, which ranges from really bizarre solo performances

1073
00:48:29,119 --> 00:48:32,239
to buying really bizarre items and getting his fingers in

1074
00:48:32,280 --> 00:48:35,360
all sorts of strange pies. And then also another hour

1075
00:48:35,519 --> 00:48:38,920
or so on Life is Peachy, the second occasionally perhaps

1076
00:48:38,960 --> 00:48:43,360
sometimes underrated Corn album. So it was a very fulfilling

1077
00:48:43,400 --> 00:48:47,320
time to jump into all of that. We have several

1078
00:48:47,400 --> 00:48:49,519
parts ahead of us to go through again the entire

1079
00:48:49,679 --> 00:48:53,440
fourteen album strong Corn catalog. But if you have been

1080
00:48:53,440 --> 00:48:56,360
waiting for us to do this particular band special, then

1081
00:48:56,679 --> 00:48:59,039
the time is now. Get involved. Patriot dot com slash

1082
00:48:59,239 --> 00:49:01,519
That's not Metal. Your support there is also what just

1083
00:49:01,639 --> 00:49:03,960
generally keeps us podcast alive and keeps us funded and

1084
00:49:04,119 --> 00:49:06,599
still existing over all these years. So thank you, as

1085
00:49:06,719 --> 00:49:09,519
ever hugely to everybody who does get involved in you know,

1086
00:49:09,559 --> 00:49:11,679
pledge their support to that, but this time, right now,

1087
00:49:11,760 --> 00:49:13,639
you are getting out of it. The first part of

1088
00:49:13,760 --> 00:49:18,360
our massive Corn Special it was a lot of I

1089
00:49:18,400 --> 00:49:20,039
was gonna say fun. Parts of it were fun. Parts

1090
00:49:20,039 --> 00:49:22,400
of it were just you know, rewardingly, you know, kind

1091
00:49:22,400 --> 00:49:26,480
of intellectually whatever or emotionally. But there is a lot

1092
00:49:26,559 --> 00:49:29,239
more yet to come. So that is the place to

1093
00:49:29,360 --> 00:49:33,199
find it. Ending today's hyperblasts here with the releases for

1094
00:49:33,320 --> 00:49:36,760
the seventeenth of April. Obviously, first out there's the nine

1095
00:49:36,760 --> 00:49:39,440
Inch Noise album. We spoke about the performance earlier, the

1096
00:49:39,840 --> 00:49:42,920
nine inch Nails and Boys Noise collaborative you know, industrial

1097
00:49:42,960 --> 00:49:45,920
electronic remix record essentially, but as it's nine inch Nails,

1098
00:49:45,920 --> 00:49:47,400
you can imagine there's going to be some you know,

1099
00:49:47,719 --> 00:49:50,639
more compelling stuff to it than just your standard remixed records.

1100
00:49:50,639 --> 00:49:52,800
So I'm looking forward to getting into that. Then i'd

1101
00:49:52,840 --> 00:49:54,280
even know this was coming. This seems like kind of

1102
00:49:54,280 --> 00:49:57,000
out of the blue. Skindred, I've got an album called

1103
00:49:57,079 --> 00:49:59,239
you Got This. I don't know how many arms over

1104
00:49:59,280 --> 00:50:00,840
the stage, probably like eight or nine, I don't know

1105
00:50:00,960 --> 00:50:02,480
a lot, but Skindrid, you know, kind of out of

1106
00:50:02,519 --> 00:50:04,559
nowhere for me, that they have a new album out. Then,

1107
00:50:05,280 --> 00:50:08,239
in the worlds of you know, mathy chaotic hardcore, the

1108
00:50:08,360 --> 00:50:12,599
band Gift from God have got their album Dissimulation. In

1109
00:50:12,719 --> 00:50:15,079
the death core world, there is The Last Ten Seconds

1110
00:50:15,119 --> 00:50:17,159
of Life with the Dead Ones. Do you know the

1111
00:50:17,239 --> 00:50:18,719
Last ten Seconds of Life Sam.

1112
00:50:19,039 --> 00:50:20,599
Speaker 3: They're one of the death call bands I've never kind

1113
00:50:20,599 --> 00:50:23,119
of like massively got round to. I'll probably give this,

1114
00:50:23,159 --> 00:50:25,239
you know, a spin, because it's just that new death

1115
00:50:25,280 --> 00:50:27,719
gradmarar it go. But no one I've got the most

1116
00:50:27,760 --> 00:50:28,719
sort of informed opinion on.

1117
00:50:29,280 --> 00:50:32,559
Speaker 1: Yes, completely unrelated to the world death core. Prince Daddy

1118
00:50:32,599 --> 00:50:34,679
and the Hyena. This is a kind of indie emo

1119
00:50:34,840 --> 00:50:37,440
band whoever we have reviewed on the podcast once or

1120
00:50:37,480 --> 00:50:40,519
twice before. Their new album is called Hot Wire Trip Switch.

1121
00:50:41,239 --> 00:50:43,960
Then is we move into the world of hardcore. There

1122
00:50:44,039 --> 00:50:45,639
is a band called Hold My Own with an album

1123
00:50:45,719 --> 00:50:49,079
called payin No Mind Sam. Hold my Own, Yeah, so

1124
00:50:49,199 --> 00:50:49,559
this is one.

1125
00:50:49,880 --> 00:50:51,840
Speaker 3: They're made up of members of I think like New

1126
00:50:52,159 --> 00:50:55,440
Chicago and New Jersey hardcore bands from like the noughties

1127
00:50:55,719 --> 00:50:57,559
that just kind of come together to sort do a

1128
00:50:57,599 --> 00:50:59,559
new project. It's coming out on Days Records, which is

1129
00:50:59,559 --> 00:51:01,159
one of those like was that anything that's on there?

1130
00:51:01,480 --> 00:51:03,840
I'm kind of gonna pay attention to from the singles.

1131
00:51:03,840 --> 00:51:06,920
I've heard tough Guy hardcore like, it's not changing the world,

1132
00:51:07,000 --> 00:51:09,599
But if you want tough guy mo wash music, this

1133
00:51:09,760 --> 00:51:10,639
is kind of hitting that spot.

1134
00:51:10,679 --> 00:51:12,480
Speaker 2: So I will give this a spin. You'll see the

1135
00:51:12,519 --> 00:51:14,239
album cover and you'll know exactly what it sounds like.

1136
00:51:14,280 --> 00:51:17,039
Speaker 1: It's that sort of deal precisely. Yeah, variously the inverse

1137
00:51:17,079 --> 00:51:19,840
of tough Guy if you are a sensitive guy. Matt McNerney,

1138
00:51:19,920 --> 00:51:22,800
he of you know, Scorpion, Milk, Grave, Pleasures, X, Vessel Code,

1139
00:51:22,840 --> 00:51:26,119
every fucking band, right, he has a solo outing of sorts.

1140
00:51:26,760 --> 00:51:28,880
I checked out a little bit of what's currently available

1141
00:51:28,920 --> 00:51:31,000
from this, and it seems to be I think it's

1142
00:51:31,000 --> 00:51:33,559
a base around a lot of poetry. There's lots of orchestration,

1143
00:51:34,039 --> 00:51:35,639
that kind of thing, you know, one of his many

1144
00:51:35,719 --> 00:51:37,840
many side detours, right. I don't think this one's very

1145
00:51:37,920 --> 00:51:39,880
rock based, but if you're a fan of everything Matt does,

1146
00:51:39,920 --> 00:51:43,000
then I'm sure there'll be something interesting about it. Crippled

1147
00:51:43,000 --> 00:51:46,000
Black Phoenix this is kind of dark occult psychedelic rock,

1148
00:51:46,039 --> 00:51:49,159
I suppose, featuring Justin Greeves, the former drummer of Iron

1149
00:51:49,199 --> 00:51:52,679
Monkey and Electric wizard at times. They are long running

1150
00:51:52,679 --> 00:51:54,159
projects of the stage. But they've got an album called

1151
00:51:54,199 --> 00:51:57,519
a Ski dooler Helm. Maybe there you go.

1152
00:51:57,800 --> 00:51:58,400
Speaker 2: That one's out.

1153
00:51:59,159 --> 00:52:02,719
Speaker 1: Then another solo outing a Layla abdul Ralph. This is

1154
00:52:02,840 --> 00:52:06,280
she is the front woman of the fantastic and quite

1155
00:52:06,320 --> 00:52:09,320
influential in the underground old school death metal band Vastum,

1156
00:52:10,079 --> 00:52:13,800
but always has been, you know, they've had more interesting

1157
00:52:13,840 --> 00:52:16,159
strings to their boro musically and lyrically than your average

1158
00:52:16,159 --> 00:52:17,679
old school death metal band. And so she has got

1159
00:52:17,719 --> 00:52:22,440
a solar project called andros Insidium and this is like dark, occult,

1160
00:52:22,599 --> 00:52:26,360
ritualistic kind of folk world I suppose, and interesting to

1161
00:52:26,360 --> 00:52:28,039
see again spinning out the death metal band. I'm curious

1162
00:52:28,039 --> 00:52:30,039
to check out more of that. If you are in

1163
00:52:30,159 --> 00:52:31,559
going to the realms of death metal. That's a band

1164
00:52:31,559 --> 00:52:35,000
called Ord, which is like progressive kind of technical death metal,

1165
00:52:35,039 --> 00:52:37,000
but not like shiny technical death metal, more like, you know,

1166
00:52:37,119 --> 00:52:40,519
kind of strange, cosmic underground you know, progressive death metal,

1167
00:52:40,880 --> 00:52:43,960
blind in abiscle realms. Then we're gonna keep going on

1168
00:52:44,000 --> 00:52:46,440
the death metal front. There's Wreeking Aura with on the

1169
00:52:46,519 --> 00:52:48,320
Promise of the Moon, which is a profound law I think.

1170
00:52:48,320 --> 00:52:50,960
And then There's a band called piss Rot called Absolute Form,

1171
00:52:51,039 --> 00:52:52,320
and I checked out a bit of this and I

1172
00:52:52,360 --> 00:52:53,800
was like, yeah, that sounds like a band called piss Rock.

1173
00:52:53,840 --> 00:52:57,440
Great stuff in black metal, there's a band from Mexico

1174
00:52:57,960 --> 00:53:02,280
called Mueto with their album Eclipsed Realms and again very dark,

1175
00:53:02,400 --> 00:53:06,880
kind of dissonant, oppressive black metal. And then two EPs

1176
00:53:07,039 --> 00:53:10,239
for you. Necrogoblocon have got one called the Boiling Sea,

1177
00:53:10,519 --> 00:53:11,840
and the main point of interest in this one I

1178
00:53:11,840 --> 00:53:13,400
thought it was released a single little while ago. They

1179
00:53:13,400 --> 00:53:15,159
appear to have released a song featuring I think the

1180
00:53:15,199 --> 00:53:19,000
brass section of Real big Fish and Sam they get.

1181
00:53:18,840 --> 00:53:20,079
Speaker 2: About they do everything.

1182
00:53:21,280 --> 00:53:25,079
Speaker 1: Brass section the Real big Fish are there for you, Yeah,

1183
00:53:25,079 --> 00:53:27,079
I mean they were there when we saw eisnein Kills

1184
00:53:27,280 --> 00:53:30,719
covering that fucking my Boss tone song. They were involved

1185
00:53:30,719 --> 00:53:33,239
with that one, but like, yeah, Real big Fish necrogoblockin

1186
00:53:33,280 --> 00:53:36,079
colab involved on that particular EP. And then if you

1187
00:53:36,199 --> 00:53:38,960
just want some nasty Scottish sludge, was a band called

1188
00:53:39,079 --> 00:53:42,480
Gout with an EP called Actual Bastard, which I think

1189
00:53:42,639 --> 00:53:45,719
is the great place for this to leave off. Thank

1190
00:53:45,800 --> 00:53:48,440
you everybody for listening. We will be back next week

1191
00:53:48,519 --> 00:53:51,199
with our reviews. Show for April doesn't feel that long since.

1192
00:53:51,199 --> 00:53:53,000
We were talking about the new albums from Neurosis and

1193
00:53:53,079 --> 00:53:54,840
Poison Well and Lamb of God and everything that happened

1194
00:53:54,920 --> 00:53:57,760
last time. But we have big albums again to talk

1195
00:53:57,760 --> 00:54:00,239
about this time. We have you know, surprise release there's

1196
00:54:00,239 --> 00:54:03,880
a handful of them in fact again, but also albums

1197
00:54:03,880 --> 00:54:06,480
that we have been you know, mulling over and considering

1198
00:54:06,519 --> 00:54:08,679
and looking forward to for a long time as well.

1199
00:54:08,800 --> 00:54:11,000
Records from the likes of At the Gates are going

1200
00:54:11,079 --> 00:54:13,920
to be involved with this Poison Ruin. It's going to

1201
00:54:13,920 --> 00:54:16,719
be an interesting and rewarding reviews batch, I feel. So

1202
00:54:16,840 --> 00:54:19,320
we are going to be here with that next Friday.

1203
00:54:19,440 --> 00:54:22,239
After that, you know, hyper last resume as usual. Right now,

1204
00:54:22,599 --> 00:54:25,320
you can hear the first part of our epic length

1205
00:54:25,360 --> 00:54:28,519
Shorty B. Corn Special over at patron dot com slash

1206
00:54:28,639 --> 00:54:31,519
that's not now. Let us know. Are you excited to

1207
00:54:31,559 --> 00:54:34,960
hear bringing the Horizon re recording? Count your blessings? Are

1208
00:54:35,079 --> 00:54:36,880
you going to the show, what do you think is

1209
00:54:36,920 --> 00:54:39,039
going to go down with it? And any other subject

1210
00:54:39,039 --> 00:54:40,960
that we've touched on today as well. Give us your thoughts.

1211
00:54:41,000 --> 00:54:43,239
So yeah, jeers, everybody, see you next week. Bye.