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Speaker 1: Come in welcome.

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Speaker 2: I'm g marshall.

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Speaker 1: What is your pleasure this time?

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Speaker 2: How about a little murder with mystic overtones? Not to

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mention a.

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Speaker 1: Most unusual motive?

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Speaker 2: Why do men kill in the ordinary way? For money,

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for power, for women?

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Speaker 1: And then we have those who kill full revenge, or

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out of jealousy, or because they are consumed with hatred

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or driven insane by emotions.

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Speaker 2: Moving along, we.

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Speaker 1: Even have those idealistic spirits who.

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Speaker 3: Will kill you for your own goods, because you are

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too opt to accept their religion or their way of life,

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which they insist is better than yours.

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Speaker 1: With all of.

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Speaker 2: These we are more or less familiar. But did you

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ever hear of a man who was killed because the

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murderer wanted his talent?

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Speaker 1: You're about to? Don't kill me.

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Speaker 2: I'm sorry, fred I I really don't want to.

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Speaker 1: I have money to take my money, and I don't

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want your money.

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Speaker 2: You can have my job, you can have a great career,

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and I was already.

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Speaker 1: I'll give you everything I own. It's not enough, it's

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not enough, but I am rich. It's not enough. But

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what do you want? I want everything? You are, everything

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you are.

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Speaker 2: Our mystery drama, a death of Kings was written especially

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for the mystery theater IF by Bam Dan and Sars Mercedes,

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my Cambridge.

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Speaker 1: His name is Frederick Quarling, and you've never noticed them

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in the crowd.

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Speaker 2: He's not much to look at, middle aged, stoop shouldered, nearsighted.

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He spends his days in a science laboratory at one

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of our great state universities, teaching serious younger versions of himself,

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men and women who in twenty years will become what

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he is now. Of the estimated three billion people who

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inhabit this planet, less than a thousand would possess even

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a glimmer of an understanding of what he's talking about.

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It's an almost metaphysical mixture of physics, chemistry, mathematics and biology. Well,

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that's how he spends his days lecturing. However, he spends

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his nights listening to a lecture, and it's usually a

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variation on the same theme.

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Speaker 1: Well, that the sense is over, wasn't he We knew

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all along Contart would be made head of the department. Well, Emma,

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after all, after all, class.

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Speaker 4: The second time in twelve years you've been passed over.

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But that you good old patients plotting. Frederick Quarling nobody

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ever has to worry about fearful Freddie.

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Speaker 1: He won't get mad, he won't quit, So I accuse him,

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abuse him. Now, my dear, I'm not aware that I've

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abused or abused. Indeed, in the department everyone is the

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whole could to promote Clontarf, who doesn't have.

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Speaker 5: Half your seniority, Emma, dear, seniority every Oh no.

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Speaker 1: No, well then there must be something new. I see.

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Speaker 4: In the early days you said you were passed over

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because you had no seniority, and now that you have

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more than anybody else, suddenly seniority doesn't matter, am I?

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Speaker 1: It's complicated? Oh it isn't it very simple? You know

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as well as I do that to be the department

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heads you have to be a full professor. Oh, let's

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not start rubbing salt him that wound. But am I

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the most brilliant man in the field, and you're only

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an associate professor? Amare? We go through this again and again,

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and really you know why I'm not a full professor? Well,

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maybe you're satisfied being pushed around. His sudden furious outbursts

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have been known to create such serious imbalance. Well, I'm right,

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you know, I'm right. It's pure and plain and simple

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justice chemically, who wished death from oxygen deprivation?

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Speaker 4: Oh, I'll die and it's going to be the perfect

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crime if you'll kill me.

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Speaker 1: But who could prove it? What's the district attorney going

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to say, your honor? He willed art it death? He

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got hurt so mad. There is a logical, reasonable explanation

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why I cannot be head of the department. Well, I

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don't want to hear it. I can't be head of

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the department unless I'm a full professor. And I won't

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be appointed full professor because well, I haven't published anything,

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and why not? Because why not? Look at the trite

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those other men.

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Speaker 5: Right precisely, And I won't publish unless it's something meaningful, meaningful.

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Speaker 1: Why the work you're doing I refuse to publish, to

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set forth certain? Why? Why? I'll tell you why I've

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been conducting experiments that I but I would never say

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that except in the privacy of my own home and

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to my own wife. I realize how this might sound

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to venge it, but I am now at a point

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gone beyond the limits of present science city knowledge. Well,

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aren't you going to say anything? What do you want

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me to say I know how that's so?

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Speaker 6: Is it?

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Speaker 1: If I'm insane? How can any man presume to say

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that he knows more than if it's true? Why shouldn't

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he say it? Is it true? Ah? Yes, yes, I'm afraid. True,

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you're afraid. Why are you afraid? Because no man should

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know but I But you do know it, and that's

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why you should publish. No, no, never, I'm afraid that

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if I publish what I know now, it could very

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well mean the end of the world. I don't care. Oh,

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you scient you always talk like that. It's so ridiculous.

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The world goes on. But see here's that you'll have paid.

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You can destroy the world. Don't let that stop it?

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Oh what is the world to me? What do you?

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Speaker 4: The way things are now, You're becoming the laughing talk

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of the college, and I'm becoming a taudy old hag.

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Speaker 1: And I'm not even forty. No, my dear, what you're

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the world's.

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Speaker 4: Most brilliant SCIENTI I wouldn't say you should have recognition.

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Speaker 1: You should be internationally faithful. There are people who know

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about me, more about me.

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Speaker 4: I want some fun in my life, some excitement. I

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want to stop squeezing dollars and hoarding pennies. I don't want

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to be interesting and important threatful. I want if you

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just start publishing.

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Speaker 1: Is it possible that you don't understand? I told you

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if I were to publish my findings, it could very

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well mean the end of the world. Who cares, as

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long as you get credit for it. But what's this?

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We'll call a hut?

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Speaker 5: Listen as if we wish somebody Now, Now, Emma, we

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are important.

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Speaker 1: Everyone thinks highly. Are you kidding? Well? Are you even

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curious about what I've pose? Who's at the door?

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Speaker 2: Oh?

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Speaker 5: Oh, yes, I know who's at the door, you do.

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It's Eric Ali Alexander Thorn here.

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Speaker 1: You never heard of me. He's one of my students,

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one of my graduate students. Bridget celebrity. Uh yes, And

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he's having some financial difficulties, so I told him he

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could stay here for a while. You what, but we

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do have a spare room. Well, you just tell him

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he should have no place to say? What am I

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running here a hotel? He has to leave college. A

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brilliant mind will be lost to time. The science has

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so many brilliant minds. Now you just tell him you

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made a mistake.

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Speaker 7: Am I, you go ahead take me to Villain to

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tell him that your wife hits approve.

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Speaker 1: But Emma, this young man must have a play.

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Speaker 6: You won't tell him?

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Speaker 1: Oh right, I'll tell him. I'm coming where out the bell?

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Look here, I missus Farling, and I'm want to tell

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you that it's goodn't think I'm so happy to meet you.

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It's a pleasure.

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Speaker 2: I thought Doctor Sparling had told me all about you,

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But I see now he's he's really told me. Not.

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Speaker 1: Is that Alex thorn Hill?

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Speaker 2: El, yes, it's uh, it's Alex, professor.

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Speaker 1: I. Emma, mister Alex Thornhill, Alex, my wife. How do

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you do? Have you uh had your supper? Frankly?

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Speaker 2: No, am I we should have quite a bit of

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the rose glass.

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Speaker 1: Why don't you fix the Vypralex for lights into the

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stair room?

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Speaker 2: Well, Alex, I thought you were bringing all of your things.

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I did everything I own in the world.

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Speaker 1: In that little sax. Let me get your room ready,

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and meanwhile you jusn get acquainted.

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Speaker 2: Excuse me, Yeah, he didn't ask you.

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Speaker 1: Uh huh, what do you mean?

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Speaker 5: Oh?

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Speaker 1: Well, I can tell you're not over joyed to have

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me stay here. Oh do you say that? Are you

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sure I won't feel the way? Why would you see

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in the way?

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Speaker 2: Or has the feeling?

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Speaker 1: No? Actually, we have a big house here and we

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should share it with Well, you must be hungry. I'm starved.

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I'm sorry because I don't think you'll enjoy a dinner.

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Oh why not?

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Speaker 7: Or the professor has all kinds of quirky dayas things.

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He has a peculiar nervous system. He can't have dogs,

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or spices or anything that's good. We have a pretty

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tasteless squeezing around here.

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Speaker 1: And besides, I'm a terrible cook.

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Speaker 2: I admire women who can't cook, You do sure, because

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they've been putting their time to better use.

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Speaker 8: I have a feeling that I've been standing in a

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peat bog for the past fifteen years.

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Speaker 1: Why did I say that? Probably because it's true. Of

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course it's true. It has no reason to flirt it

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out to a perfect stranger. Am I really a stranger?

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I don't know what's the matter with me. I met

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you just a couple.

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Speaker 4: Of minutes ago, and here I am just about ready

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to tell you the story of my life.

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Speaker 2: Oh I'd love to hear it.

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Speaker 1: You probably know it dating caging wife as an obscure

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prophetic I'll forget it. Do you take half of your king?

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May I call you Emma? You can stand it. Emma

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happened to be my favorite name?

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Speaker 2: How could Emma be anybody's favorite name?

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Speaker 1: It has such a school teacher made a nant sort

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of ringto it.

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Speaker 2: Emma was the name of my favorite English queen. Am

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I yes, forget Elizabeth and Victoria. Emma was the most

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spectacular of them all. Oh what a woman, wife, two kings,

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mother of two kings, seductive William wants them. Emma the

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last great Saxon Queen of England. And you remind me

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of Emma, you seek to It's she we a friend

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of yours. There are times when I actually feel close

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to her now, for instance, do you suppose that you

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could be the reincarnation of Emma's impossible? Why every one

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of us is the reincarnation of someone else.

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Speaker 1: You can't be serious. I'm always serious. Now, don't let

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Fred hear you talk? And I can't. Why not?

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Speaker 2: What do you think the good Professor Sparling is really

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talking about in his advanced feminar reincarnation?

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Speaker 1: You can't be serious? Fred? A believer in reincarnation.

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Speaker 2: Oh, he wouldn't call it that. He ties it behind

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formula and equations. But it's just the form of reincarnation.

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Speaker 1: Why jute and his.

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Speaker 2: Purposeful reincarnation instead of the hit and mishap hazard thing

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that exists in nation?

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Speaker 4: And I could be the reincarnation of Queen Emma.

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Speaker 1: Oh yeah, uh huh. How would you know come here? No, don't.

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Speaker 2: It's because because.

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Speaker 1: It's because he might come downstairs. Really listen, I love

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and besides, I hardly even know you know me? You

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knew me? Thank you, Thank you. No, I don't believe

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a word of what you're saying. I need you. I

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always mean. What are you're talking about?

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Speaker 2: I wished you last time. I didn't realize what you

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could do for me.

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Speaker 1: You must be crazy. Are you listening to what you say?

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It was a thousand years ago.

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Speaker 2: I was ignorant, I was arrogant. I wanted to own

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the world, but I didn't know how.

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Speaker 1: And much do you want with me? You're hardly more

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than a boy.

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Speaker 2: I'm older than I look, and you're not as old

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as you look. Thank you, Robert. I have a secret

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magic formula make you look younger.

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Speaker 1: You're younger.

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Speaker 2: Come here, and you don't have to talk.

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Speaker 1: Ali Ah, No, look at yourself.

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Speaker 2: Look in the mirror, look at your eyes, your face.

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Speaker 1: Fred trying.

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Speaker 2: It looks sure in my mom my darling. But it's

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necessary for him to die.

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Speaker 1: In any of that die. Fred has to die. Why

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why did you have to die?

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Speaker 2: Because you shall be depelled to kill him?

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Speaker 1: Yeh have to do Fred, Yes, but I see you

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do it, getting along famously. Well, your room is ready

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for you, Alex. Thank you, you know, Amma dolling. I

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was sure you're approve of Alex. I was convinced you

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like him.

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Speaker 2: The amenities, the nice it is the small talk that

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makes up so much of the ritual of our lives.

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Speaker 1: I was sure you to prove him.

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Speaker 2: I was convinced you like Alix. If the good Professor

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only knew how much Emma approved of and liked Alix,

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you may find out when I come back shortly with

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that too. I suppose it's the story of the world

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who genius is often overlooked and must labor in obscurity,

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while Sam and Fraud receive the rewards of the genuine article. However,

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as they say, virtue is its own reward and its

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usual enough for.

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Speaker 1: The truly virtuous.

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Speaker 2: For Professor Frederick Sparling, enough is as good as a feast.

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He has his works, he has his wife, he has

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his home, and he even.

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Speaker 1: Has his disciples.

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Speaker 2: Can the true man of learning ask for more?

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Speaker 9: I have read.

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Speaker 10: Him?

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Speaker 1: No, no, no, sisit me, my lady, his me? What

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hastity to do with the line of success? And please

273
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my lady?

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Speaker 6: Please?

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Speaker 1: Oh hu kill him?

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Speaker 6: So no killing him?

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Speaker 1: My dear wake up here? What what he wants? Wake up?

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But what do you want? What's the mary? Are you

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you were having a nightmare? I was, Oh, yes, it

280
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was so real. I know, you know, until he became disturbed,

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it was. It must have been a splendid dream. I

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could hear what you were saying?

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Speaker 5: What was I saying? You seem to be a famous

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namesake of yours, Emma, of Normandy, who married first King

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Ethelred and then King Canooth.

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Speaker 1: Yes, yes, that was a dream.

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Speaker 2: Well, now what could possibly cause you to have such

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a dream?

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Speaker 1: Friend? How long is Alex going to stay with us?

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I don't know what, because I don't think it's a

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good idea. Don't you like Alex? I do? A young

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00:19:02,920 --> 00:19:07,319
person about the house seems to make things more cheerful,

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young person. It isn't as if we were ready for

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our social security? Who are matured, settled fit? How long

295
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do you want him to stay? But he practically pays

296
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his way, He makes herself useful about the house. He

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kicks this thing said, I would rather that he left her.

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Why what objections can you make against me, Alex? I

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don't think he's coming to a place like this is

300
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such a good idea? Why not? Well, really we shouldn't

301
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be seen together. Who's going to see it? When is

302
00:19:52,920 --> 00:19:55,440
the last time he went out there? I don't remember.

303
00:19:55,480 --> 00:19:56,960
Speaker 2: When is the last time you had a Oh?

304
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Speaker 1: I can't remember a I want to tell you something.

305
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Do you want me to leave her house? How did

306
00:20:05,400 --> 00:20:09,759
you know? Because you're being Emma queen, Emma Elly, don't.

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00:20:09,559 --> 00:20:12,160
Speaker 2: You see how your life runs parallel? She was also

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married to a friend's falling, except his name was Ethel.

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Speaker 1: Ethel read the well, how can it be anything else?

310
00:20:19,000 --> 00:20:21,880
His world's telaboy about her. She knew what to do,

311
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She prepared for the future, and so when her husband

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died providentially, they say she may have had a hand here.

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Why are we talking about this?

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Speaker 2: Is it painful people don't die.

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Speaker 1: Oh, now I know you're crazy.

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00:20:38,920 --> 00:20:42,279
Speaker 2: Outer shell, the hull, the husk that wears us, But

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what's inside can never be destroyed.

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Speaker 11: Me.

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Speaker 1: It's me taking the.

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Speaker 2: Genie or the Vincia Beethoven, the evil of a themetic shee.

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Speaker 1: What happened? It goes on living, It finds itself another shell,

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00:20:52,799 --> 00:20:58,119
another husk, another covering, another contemporary shelter. You can't do that?

323
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Why have to? Doesn't it make you? Could have been ever?

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00:21:02,440 --> 00:21:06,920
Emma of Normandy. I am not the kind of woman

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who leaves her husband. Even if you're unhappy. I'm more

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than just unhappy. I'm frustrated and I'm bitter and I oh,

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what's the difference. I made a vow, so did Emma.

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00:21:19,000 --> 00:21:22,240
If I hear one more word about Emma of Normandy, I'll.

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Speaker 2: Walk out of this place.

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00:21:23,039 --> 00:21:26,440
Speaker 1: Oh I'm asking. Here's your look around. You will look

331
00:21:26,480 --> 00:21:30,599
at all these really attractive girls, some of them are

332
00:21:30,640 --> 00:21:32,799
half my age. Look at how they're looking at you

333
00:21:33,000 --> 00:21:37,039
so boldly. You're inviting me. Why do you want me?

334
00:21:37,319 --> 00:21:38,000
Speaker 6: Oh?

335
00:21:38,119 --> 00:21:40,799
Speaker 1: I know you're a problem. You're afraid. This is just

336
00:21:40,839 --> 00:21:43,240
a lark for me, And when it's over, I'll walk

337
00:21:43,279 --> 00:21:47,960
out on twelve, won't you? No, I couldn't, because after

338
00:21:47,960 --> 00:21:51,279
Fred is gone, I'll need you more than ever. Why

339
00:21:51,279 --> 00:21:56,960
do you keep saying after he's gone? Because he has

340
00:21:57,160 --> 00:22:13,880
gom I demand the corona of the castle and the advocation.

341
00:22:13,400 --> 00:22:14,119
Speaker 6: Of the throne.

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00:22:14,960 --> 00:22:20,319
Speaker 1: Well, isn't your antic hurled on heavy boulders, pour a

343
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boiling pitch from the battles, and Emma fees silent.

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Speaker 4: I will not be silent while the blood thirsting fighting pirates.

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That's what he is, that's all he is. He will

346
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not take away my kingdom. Beeful, guess I am the king?

347
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Then act like a king.

348
00:22:39,079 --> 00:22:42,960
Speaker 1: But what am I to do? Mont your horse, lead

349
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your troops through the gates and conquer attacks.

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Speaker 10: He's a king, attack like, yes, what I shall have

351
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to consult with my conqueror, and meanwhile we shall lose

352
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the kingdom.

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Speaker 1: No, we shall consult and discuss and hold a party.

354
00:23:02,920 --> 00:23:05,440
What a good answer that some care.

355
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Speaker 5: Let your sword answer him, Let your sword find his

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hot blood.

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Speaker 1: Emma, I must listen to.

358
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Speaker 4: My counsel, and our counsel that is ignorant half with

359
00:23:17,559 --> 00:23:18,680
his Straitoress.

360
00:23:18,680 --> 00:23:22,000
Speaker 1: Now, Emma, really you have said too much?

361
00:23:22,079 --> 00:23:23,039
Speaker 6: What a your answer?

362
00:23:23,680 --> 00:23:25,359
Speaker 1: Without storm again.

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Speaker 5: We answer, But, my dear, Emma, one simply does not

364
00:23:42,759 --> 00:23:44,079
make a sharp one hundred.

365
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Speaker 1: NAT's a great turn and change the direction of one's life.

366
00:23:48,680 --> 00:23:53,359
Of one does if one's life depends on it. Emma,

367
00:23:53,559 --> 00:23:57,039
my dear, I think you've put some salt into the

368
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soup of fred. We have to break out of here

369
00:24:01,720 --> 00:24:05,880
this house. But this house is our home, it's our castle.

370
00:24:05,960 --> 00:24:10,279
Don't take cattle, but we simply cannot pick up and live?

371
00:24:10,359 --> 00:24:14,640
Why not? For one thing? I would have to consult

372
00:24:14,720 --> 00:24:15,400
with some people?

373
00:24:15,599 --> 00:24:20,000
Speaker 4: Consult Why whose business is it but ours? And I

374
00:24:20,119 --> 00:24:24,720
want you to stop teaching? Stop teaching?

375
00:24:26,079 --> 00:24:29,160
Speaker 1: How would I do that? Very simply to resigns. I'll

376
00:24:29,200 --> 00:24:31,279
try the lyric for you? And what would I do

377
00:24:31,319 --> 00:24:34,799
to earn a living? You could write about the things

378
00:24:34,799 --> 00:24:40,720
you know, things no one else does. Those are dangerous

379
00:24:40,839 --> 00:24:44,119
thing good in the whole world of how to read them?

380
00:24:44,720 --> 00:24:48,720
What I know? In the hands of an unscrupulous man

381
00:24:48,880 --> 00:24:56,480
could uh he could own the world. How he could

382
00:24:56,480 --> 00:25:01,920
simply say, obey me, or you will cease to exist?

383
00:25:03,400 --> 00:25:05,359
Then why don't you say it?

384
00:25:07,000 --> 00:25:10,640
Speaker 4: Because I I can't fly, can't you?

385
00:25:11,839 --> 00:25:16,960
Speaker 1: Because I can't even explain this? Try it's not don't

386
00:25:16,960 --> 00:25:21,680
you see a man isn't just what he knows. What

387
00:25:21,720 --> 00:25:22,640
he knows is a.

388
00:25:22,680 --> 00:25:27,640
Speaker 5: Part, dynamic, part of everything that combines to make his personality.

389
00:25:28,240 --> 00:25:31,960
Speaker 1: This knowledge is only a part of me. There's the

390
00:25:32,079 --> 00:25:38,200
rest of me. And what I am prevents me from

391
00:25:38,240 --> 00:25:43,599
being ruthless when I can do it for you? Fred? Oh, Fred,

392
00:25:43,880 --> 00:25:47,680
aren't you sick of seeing nobody? Well? I don't feel

393
00:25:47,720 --> 00:25:51,160
that I'm wo that character at the collegue. Oh, sure

394
00:25:51,240 --> 00:25:56,599
there's old Fred Farling. Oh you're hardly forty five harmless.

395
00:25:56,640 --> 00:25:57,680
The old Fred.

396
00:25:57,759 --> 00:26:00,440
Speaker 4: Teaches our seminars, play up in the clouds, all that

397
00:26:00,599 --> 00:26:01,559
theoretical stuff.

398
00:26:01,640 --> 00:26:03,440
Speaker 1: There's no practical appetite.

399
00:26:03,039 --> 00:26:05,839
Speaker 5: Now, am I your beginning to secret a dregaline? I

400
00:26:05,880 --> 00:26:09,960
know that's too much what you teck. It's eas enough

401
00:26:09,960 --> 00:26:13,680
for two yours. Never closed your heart, eat your post,

402
00:26:13,759 --> 00:26:17,960
your respiration, Oh damn that thread. Those are the vital

403
00:26:18,039 --> 00:26:21,519
signs of life. Don't you ever get mad?

404
00:26:21,839 --> 00:26:22,160
Speaker 1: No?

405
00:26:22,680 --> 00:26:22,839
Speaker 2: Right?

406
00:26:23,119 --> 00:26:27,039
Speaker 1: See more points your anger? Well maybe's it will make

407
00:26:27,119 --> 00:26:32,599
him had nor stop pupil alick, Oh, brilliant man.

408
00:26:33,200 --> 00:26:36,960
Speaker 2: It's more than my STARp Pupil. He's my decisi so much.

409
00:26:36,799 --> 00:26:41,720
Speaker 4: The worse Alex his life depends on your generosity.

410
00:26:41,759 --> 00:26:44,319
Speaker 1: Without you, his education would be finished. Now, please, em

411
00:26:44,319 --> 00:26:47,000
My one doesn't flam shot because out you, he wouldn't

412
00:26:47,039 --> 00:26:49,880
have a face to sleep. We are commanded by a

413
00:26:50,119 --> 00:26:53,599
higher power than ourselves to share what we have.

414
00:26:54,759 --> 00:26:56,319
Speaker 2: It's our beauty to share.

415
00:26:56,319 --> 00:27:04,240
Speaker 1: Is it, of course? Everything? Yes, we must share everything

416
00:27:04,319 --> 00:27:13,720
we have, even our wives. What what did you say?

417
00:27:14,200 --> 00:27:17,880
I want to know if a man is required to

418
00:27:18,039 --> 00:27:24,720
share his wife? Golly, what does this have to do

419
00:27:24,799 --> 00:27:25,599
with everything?

420
00:27:27,720 --> 00:27:31,359
Speaker 4: From the charitable goodness of your heart, you have given

421
00:27:31,480 --> 00:27:35,200
Alex the place to sleep, and from the moment he

422
00:27:35,319 --> 00:27:40,279
crossed your threshold, he has been trying to sleep with me.

423
00:27:41,880 --> 00:27:45,519
Speaker 1: Now, Fred, what do you say to that?

424
00:27:51,240 --> 00:27:54,359
Speaker 2: There are an infinite number of replies a man can

425
00:27:54,400 --> 00:27:57,480
make from his wife. Says what we just heard Emma say.

426
00:27:58,200 --> 00:28:03,440
While killing would say I was congratulating, He could say,

427
00:28:03,960 --> 00:28:08,480
well that's gratitude. Or he could say, you must admit

428
00:28:08,759 --> 00:28:14,480
my friend has excellent taste. Who knows we all will

429
00:28:14,680 --> 00:28:31,200
when I returned shortly with a three. While certain primitive

430
00:28:31,319 --> 00:28:36,519
tribes consider women as communal property and the greatest.

431
00:28:36,000 --> 00:28:38,759
Speaker 1: Honor you can show a man is to accept his wife,

432
00:28:39,519 --> 00:28:41,960
this custom is not true of our.

433
00:28:41,880 --> 00:28:45,400
Speaker 2: Own society, or at least we.

434
00:28:45,400 --> 00:28:50,160
Speaker 1: Don't think so. Therefore, when Emma suggested to Fred that

435
00:28:50,319 --> 00:28:54,160
Alex was attempting to create what the French, who always

436
00:28:54,200 --> 00:28:57,599
have a charming name for these things, call a managatois,

437
00:28:58,079 --> 00:29:02,599
Fred's first reaction was, Amma, my dear, I was aware

438
00:29:02,640 --> 00:29:08,160
of it. You were You knew that. I'm a scientist.

439
00:29:09,279 --> 00:29:15,839
And what after all, the science is observation, observation and deduction,

440
00:29:16,599 --> 00:29:20,160
and you can just sit there and eat your tooth.

441
00:29:20,799 --> 00:29:26,799
Why not, delicious suit, Alex is trying to get me

442
00:29:27,119 --> 00:29:33,119
to betray you. That's a charming, old fashioned term.

443
00:29:33,240 --> 00:29:35,960
Speaker 4: Oh, I can't believe for having a conversation. Why because

444
00:29:36,000 --> 00:29:36,720
you're incredible?

445
00:29:37,720 --> 00:29:41,920
Speaker 1: Would you feel better if I commanded Alex to leave

446
00:29:42,000 --> 00:29:46,000
the house and you should do something?

447
00:29:47,319 --> 00:29:54,839
Speaker 5: Now, you should do something. You should either discourage him

448
00:29:55,799 --> 00:30:01,720
or what? Well, my dear, you medium k that's a lie?

449
00:30:02,160 --> 00:30:06,079
Speaker 1: If you want it, does it matter where you haven't

450
00:30:06,599 --> 00:30:10,279
here or somewhere else. I want to do something about

451
00:30:10,559 --> 00:30:13,519
us if he's telling me you can be.

452
00:30:13,599 --> 00:30:15,960
Speaker 4: The most powerful man in the world, and how can

453
00:30:16,000 --> 00:30:19,640
I be satisfied just to get to tell you do nothing?

454
00:30:20,000 --> 00:30:24,240
Speaker 5: Tell your home grud Emma let me tell you that

455
00:30:24,599 --> 00:30:31,000
scientists labor in the darkness. Now, then faith, providence, the

456
00:30:31,160 --> 00:30:36,440
higher power gives us a sudden, searing flash of insight

457
00:30:37,240 --> 00:30:40,680
for a brief, awful moment, the curtain is drawn and the.

458
00:30:40,640 --> 00:30:45,839
Speaker 1: Brilliant light of knowledge is burned into the soul. Perhaps

459
00:30:46,960 --> 00:30:53,480
it was a joke, a joke, the less your joke to.

460
00:30:53,480 --> 00:30:56,240
Speaker 2: Make that revelation to me.

461
00:30:58,240 --> 00:31:04,160
Speaker 1: Perhaps it was known that I that I wouldn't. I

462
00:31:04,160 --> 00:31:18,920
couldn't excuse it beautiful saying you're convinced me. You know

463
00:31:18,960 --> 00:31:21,720
what the one needs to make a beautiful she has

464
00:31:21,799 --> 00:31:24,119
to be secure in the knowledge that a man loves her.

465
00:31:24,799 --> 00:31:27,519
I always knew that Fred loves me. He doesn't count,

466
00:31:28,319 --> 00:31:32,599
I said, a man. I know what you're saying, and

467
00:31:32,720 --> 00:31:37,920
I know what you mean, and I believe you. You sure,

468
00:31:37,920 --> 00:31:42,480
It isn't the wine talking, It's me talking. Emma's Sparling,

469
00:31:42,960 --> 00:31:47,759
formerly Emma of Normandy. Do you really believe you were

470
00:31:48,480 --> 00:31:49,640
Emma of Normandy?

471
00:31:50,359 --> 00:31:52,799
Speaker 8: You were the one who convinced me of it originally?

472
00:31:54,440 --> 00:31:58,559
But does it matter if it's true or not? I

473
00:31:58,839 --> 00:32:01,279
feel like a Normandy.

474
00:32:02,000 --> 00:32:04,000
Speaker 1: Then you know what we have to do with Fred?

475
00:32:05,240 --> 00:32:09,079
Leave him, break out his Yeah, right, We can go

476
00:32:09,119 --> 00:32:13,559
anywhere in the world anyway, you say, wonderful, not that.

477
00:32:13,720 --> 00:32:17,920
I ask the question money. What do we do for money?

478
00:32:18,039 --> 00:32:20,440
Like the pirates of old who will demand tribute, to

479
00:32:20,799 --> 00:32:23,119
pay or be destroyed? And then how can that be?

480
00:32:23,359 --> 00:32:26,880
Speaker 2: A fread can do that for it, Fred, That's part

481
00:32:26,920 --> 00:32:28,599
of Fred that knows how to do it.

482
00:32:29,480 --> 00:32:31,480
Speaker 1: Fred told, I know what freads cold.

483
00:32:32,559 --> 00:32:37,440
Speaker 2: I know Fred's problem, his mal his ethical his personal problem.

484
00:32:37,839 --> 00:32:40,519
He refuses to use the knowledge that would in one

485
00:32:40,640 --> 00:32:43,519
favor I seek, but I can't help.

486
00:32:44,680 --> 00:32:47,720
Speaker 1: How would it do? Is it in a formula or

487
00:32:47,759 --> 00:32:51,960
something like that? Owner, No, it's nothing like that. It

488
00:32:52,079 --> 00:32:54,359
exists in his consciousness.

489
00:32:54,799 --> 00:32:55,200
Speaker 2: I don't know.

490
00:32:55,519 --> 00:33:00,680
Speaker 1: It's just his personality. I need to take those from him.

491
00:33:01,000 --> 00:33:05,880
I'm not hearing you. Why we can transpland the heart

492
00:33:06,359 --> 00:33:10,160
from one body to another, a kidney, other organs? Why not?

493
00:33:10,920 --> 00:33:17,039
My talent? Talent is what? It's a quality. If people

494
00:33:17,079 --> 00:33:19,839
have it, it exists, it can be removed. How do

495
00:33:19,880 --> 00:33:24,680
you know? Bread toast? Fred showed me he should. Yes.

496
00:33:24,880 --> 00:33:29,759
In the laugh. On animals, I don't believe. Listen, we

497
00:33:29,839 --> 00:33:31,319
have made vicious.

498
00:33:30,960 --> 00:33:34,400
Speaker 2: Dogs out of calm dogs, smart dogs out of stupid dogs,

499
00:33:34,440 --> 00:33:35,359
and the other way around.

500
00:33:35,440 --> 00:33:38,359
Speaker 1: But that some legal the mentality, the personality.

501
00:33:38,440 --> 00:33:41,640
Speaker 2: He knows how to isolate those forces and transplant them.

502
00:33:41,640 --> 00:33:45,480
Speaker 1: How have my surgery? How could you ever perform an operations?

503
00:33:47,640 --> 00:33:53,359
I don't believe it. What will happen to Fred after

504
00:33:53,480 --> 00:33:58,640
you fill be dead? But that's mad, that's freedom, freedom

505
00:33:58,680 --> 00:33:59,160
for you and me.

506
00:33:59,559 --> 00:34:03,880
Speaker 12: He has unbelievable powers. This psychic surgery is the least

507
00:34:03,880 --> 00:34:06,759
of them. He could rule the world. He has scoop.

508
00:34:08,320 --> 00:34:10,199
I have no scooples.

509
00:34:10,679 --> 00:34:30,039
Speaker 1: No, what are you saying? I I say, when more coffee? Darling? Oh, yes, yes,

510
00:34:30,079 --> 00:34:35,519
I think so. Uh. I don't understand why I said

511
00:34:36,280 --> 00:34:40,679
the drowsy I maybe maybe you will wake me up?

512
00:34:41,440 --> 00:34:47,360
Speaker 2: Here you are, sir? I have some papers they should

513
00:34:47,400 --> 00:34:49,119
go over this evening.

514
00:34:50,199 --> 00:34:58,199
Speaker 1: Uh yeah, yes, professor. We really should check the results

515
00:34:58,199 --> 00:35:03,400
of us experiment. And if you're feeling up to it. Oh,

516
00:35:04,519 --> 00:35:11,719
I'll be perfectly all right as soon as I oh

517
00:35:11,880 --> 00:35:19,920
he and uh m, duct yes, but a bit too deeply,

518
00:35:20,960 --> 00:35:23,440
too much of that? What should we do? It's all right,

519
00:35:23,639 --> 00:35:24,400
you'll come around.

520
00:35:25,039 --> 00:35:27,239
Speaker 2: We only need him to be semi conscious.

521
00:35:27,480 --> 00:35:31,000
Speaker 1: How are you going to hand me those needles? No? No, no, no, no,

522
00:35:31,159 --> 00:35:33,880
one at a time. All right, I'll cut away a

523
00:35:33,920 --> 00:35:40,760
sleep a careful, careful now, swathing on with the alcohol

524
00:35:41,840 --> 00:35:47,679
and let me just flunge home there, m and Creighton

525
00:35:47,840 --> 00:35:50,559
up please, it's right now. Hand me the needle on

526
00:35:50,599 --> 00:35:53,920
the other end of that wire. You did you did

527
00:35:54,039 --> 00:35:56,760
like a blood transfusion? No, no, how can it be

528
00:35:56,800 --> 00:35:59,719
a blood transfusion. It's not a pube, but it's a wire. Here.

529
00:36:00,079 --> 00:36:01,679
Speaker 2: Swap my arm with alcohol.

530
00:36:02,519 --> 00:36:05,679
Speaker 1: Yes, and to hand me the needle. Be careful.

531
00:36:05,760 --> 00:36:07,159
Speaker 2: I know how to do this.

532
00:36:08,280 --> 00:36:12,320
Speaker 1: And you told me that Fred will be dead afterwards.

533
00:36:12,639 --> 00:36:15,079
Speaker 2: Well, the police memory, the doctor will see only natural

534
00:36:15,159 --> 00:36:16,679
causes heart fad.

535
00:36:16,719 --> 00:36:17,119
Speaker 1: You're shot.

536
00:36:17,199 --> 00:36:19,840
Speaker 2: No way to prove murder. Now get that little box

537
00:36:19,880 --> 00:36:20,519
that I get on.

538
00:36:20,440 --> 00:36:21,199
Speaker 1: The shelf quickly.

539
00:36:22,280 --> 00:36:26,280
Speaker 2: Oh, I'm coming to glory about when this is over,

540
00:36:26,760 --> 00:36:27,920
I'll be unconscious.

541
00:36:28,280 --> 00:36:32,360
Speaker 1: You remember what you have to do. He's waking up. No, no, no,

542
00:36:32,400 --> 00:36:34,920
he's just coming around the way I want him. What

543
00:36:35,079 --> 00:36:36,679
do you have to do afterwards?

544
00:36:37,000 --> 00:36:40,400
Speaker 9: I have to remove the needles and take the box

545
00:36:40,599 --> 00:36:42,519
everything we're used and hide them.

546
00:36:42,679 --> 00:36:43,280
Speaker 1: And you got it?

547
00:36:43,360 --> 00:36:48,159
Speaker 9: Yes, Then I call the doctor because most of you

548
00:36:48,159 --> 00:36:49,079
will be unconscious.

549
00:36:49,119 --> 00:36:51,119
Speaker 2: You will tell the doctor that we collapse.

550
00:36:51,159 --> 00:36:54,119
Speaker 1: Ye, And that's all we will do until I become

551
00:36:54,480 --> 00:36:59,480
conscious again? Yes? No, how long will that take? A day?

552
00:36:59,639 --> 00:37:05,119
Two day? Yeah? I okay, what are you doing? I

553
00:37:05,119 --> 00:37:10,159
think you know Fred No, no, don't no. I turn

554
00:37:10,239 --> 00:37:12,400
up the volume, Memma, the middle knob on the box,

555
00:37:12,440 --> 00:37:14,960
the middle knob. That one can turn it up, Emma,

556
00:37:15,840 --> 00:37:22,639
don't turn it won't tell you any goods. Alex, don't

557
00:37:23,320 --> 00:37:30,480
kill me, Halle maybe who like Doolate. You'll have done.

558
00:37:30,280 --> 00:37:37,840
Speaker 13: It for nothing, for nothing, higher Alex sighting, Oh for.

559
00:37:38,119 --> 00:37:43,880
Speaker 1: Nothing, you're killing me for nothing? Is working?

560
00:37:44,280 --> 00:37:44,480
Speaker 9: Old?

561
00:37:44,719 --> 00:37:48,719
Speaker 1: I feel something, I see something, I know something. Oh good, Lord,

562
00:37:49,440 --> 00:37:55,519
would I see when I know nothing? It's enough you

563
00:37:55,840 --> 00:37:58,880
use it and you didn't use it. I don't know

564
00:37:59,119 --> 00:38:09,960
the world. No, no, Ali, he's he did, Emma, me

565
00:38:10,039 --> 00:38:12,320
an the world. I can make mad I just said

566
00:38:12,400 --> 00:38:14,719
great before we arrive. I can make it happen just

567
00:38:14,760 --> 00:38:16,880
by thinking. No one can stap me.

568
00:38:17,599 --> 00:38:41,239
Speaker 13: We will rule when we wanted at this time, however.

569
00:38:35,760 --> 00:38:43,920
Speaker 14: Alex, Alex Darling, you're coming out of it, Alex, Alex, speak.

570
00:38:43,719 --> 00:38:53,199
Speaker 11: To me, Emma, Emma, your voice, it's so different, it's

571
00:38:53,239 --> 00:38:53,880
so familiar.

572
00:38:54,079 --> 00:38:58,000
Speaker 1: Well, everything all right?

573
00:38:58,199 --> 00:39:04,760
Speaker 9: Oh yeah, the doctor king after you feel unconscious here, Yes,

574
00:39:04,800 --> 00:39:07,800
and I did everything you told me. I hit the

575
00:39:07,840 --> 00:39:11,280
apparatic and I said that you too. Him just collapsed

576
00:39:11,280 --> 00:39:13,800
at the table, and the doctor and the police had

577
00:39:13,800 --> 00:39:14,719
a fine time with all.

578
00:39:14,639 --> 00:39:19,960
Speaker 1: That, Emma. But it's over now, and no one suspects.

579
00:39:20,719 --> 00:39:24,239
We did it, my darling. We did it, and now

580
00:39:24,960 --> 00:39:28,400
let's live. Emma. Here, I brought you a couple of coffee,

581
00:39:29,159 --> 00:39:32,039
Come on, drink, did you feel better? And then I'll

582
00:39:32,079 --> 00:39:34,880
prepare you some dinny, you dear, thank you.

583
00:39:36,639 --> 00:39:41,920
Speaker 2: Oh but he said, oh sugar, you put sugar in this.

584
00:39:42,840 --> 00:39:46,519
You know I can't tolerate sugar, Alie. I mean how

585
00:39:46,519 --> 00:39:49,159
many years if you cooked to me he had no sugar,

586
00:39:49,239 --> 00:39:53,280
no spices. I have a very delicate Alex.

587
00:39:53,400 --> 00:39:54,199
Speaker 1: What are you saying?

588
00:39:54,320 --> 00:39:59,039
Speaker 2: Oh, I must get up, I must the laboratory.

589
00:39:59,199 --> 00:40:05,000
Speaker 1: No, no, we're leaving. We're going to be rich. What

590
00:40:05,000 --> 00:40:09,960
are you saying, my dear? What does it give you?

591
00:40:08,239 --> 00:40:10,920
You are not Alex?

592
00:40:11,480 --> 00:40:11,960
Speaker 6: You good?

593
00:40:12,079 --> 00:40:16,039
Speaker 1: I I'm Alex. But you're talking like Red.

594
00:40:16,400 --> 00:40:19,599
Speaker 2: Well I must talk like Fred and then think like

595
00:40:19,719 --> 00:40:21,639
dress and act like Fred.

596
00:40:21,960 --> 00:40:26,000
Speaker 1: What you said if you transplanted his talent, Well.

597
00:40:25,920 --> 00:40:28,920
Speaker 2: Yes, yes, I have his talent, but I also have

598
00:40:29,760 --> 00:40:30,760
his personality.

599
00:40:31,440 --> 00:40:37,840
Speaker 1: You see, I am fress. Oh no, no, we'll.

600
00:40:37,559 --> 00:40:40,800
Speaker 2: Be happy here. They're very happy with our work at home.

601
00:40:41,400 --> 00:40:43,320
What more could we ask?

602
00:40:43,800 --> 00:40:49,519
Speaker 1: Emma, call your shelter king a king? What do you say?

603
00:40:49,719 --> 00:40:53,599
You are a pool and the coward? Emma, I never

604
00:40:53,639 --> 00:40:57,800
wanted to you again. I'm going to him. Let call

605
00:40:58,320 --> 00:41:00,960
em No, I must take you to it. I want

606
00:41:01,079 --> 00:41:06,920
the pirate, some Viking pirate. We could rule the world. Yeah,

607
00:41:07,039 --> 00:41:08,000
I understand.

608
00:41:08,119 --> 00:41:11,039
Speaker 15: Now, I'll take you to the doctor and you'll feel better.

609
00:41:11,239 --> 00:41:18,440
Help me find my Viking fi Yeah, of course I'll

610
00:41:18,599 --> 00:41:19,079
help you.

611
00:41:26,480 --> 00:41:30,199
Speaker 2: She started out a thousand years ago as Emma of Normandy.

612
00:41:31,119 --> 00:41:34,760
That was the first time she married Ethelred the Unready

613
00:41:35,400 --> 00:41:38,400
and left him for the Viking Canute.

614
00:41:38,760 --> 00:41:40,440
Speaker 1: And she's been leaving him ever since.

615
00:41:41,239 --> 00:41:45,400
Speaker 2: But this time, for the first time, she has both

616
00:41:45,440 --> 00:41:49,599
of them in the same body. Where can she go

617
00:41:49,679 --> 00:41:53,480
from here? We'll have to wait a couple of hundred

618
00:41:53,519 --> 00:41:54,440
years to find out.

619
00:41:55,800 --> 00:41:58,400
Speaker 1: You only have to wait a few moments, however, for

620
00:41:58,519 --> 00:42:13,760
me to return is more a poet says inside us,

621
00:42:13,840 --> 00:42:15,679
all saintly.

622
00:42:15,400 --> 00:42:20,760
Speaker 2: Echoed the softest notes of a forgotten melody. Where did

623
00:42:20,760 --> 00:42:23,559
we once hear it? And when did we sing it.

624
00:42:25,039 --> 00:42:27,679
Sometimes in the absolute loneliness of.

625
00:42:27,639 --> 00:42:30,000
Speaker 1: The darkest night, there is a whisper.

626
00:42:31,239 --> 00:42:36,400
Speaker 2: Is it a vagrant breeze, or someone calling out, reaching

627
00:42:36,440 --> 00:42:39,880
out from the bottomless well of the past, and saying,

628
00:42:40,760 --> 00:42:44,039
remember me once I was you.

629
00:42:45,760 --> 00:42:49,119
Speaker 1: But perhaps things are best less the way they are.

630
00:42:50,119 --> 00:42:56,199
Perhaps there are things best not remembered. Our cast included

631
00:42:56,320 --> 00:43:00,960
Mercedes mc cambridge, William Redfield and Robert Dryden. The entire

632
00:43:01,039 --> 00:43:03,480
production was under the direction of Hyman.

633
00:43:03,239 --> 00:43:10,280
Speaker 2: Brown and now a preview of our next tale.

634
00:43:10,599 --> 00:43:11,559
Speaker 1: I'm farisan.

635
00:43:11,840 --> 00:43:15,559
Speaker 2: I didn't understand those were the fixed words.

636
00:43:16,079 --> 00:43:18,599
Speaker 1: Sorry for what for remembering me?

637
00:43:19,320 --> 00:43:21,519
Speaker 2: I wouldn't expect her to forget immediately, of course that

638
00:43:21,559 --> 00:43:25,280
would be unreasonable. But as soon as possible to put

639
00:43:25,360 --> 00:43:25,920
me out.

640
00:43:25,760 --> 00:43:28,679
Speaker 1: Of her mind, my life on earth was over.

641
00:43:29,440 --> 00:43:32,639
Speaker 2: Sure, She meant, well, your mother as here here, Why

642
00:43:32,679 --> 00:43:33,239
are you

