Speaker 1: W m N ChRI the nomos.
Speaker 2: See me but please don't it.
Speaker 3: By me?
Speaker 4: When's time? Quass Jones love you always, Chris Jones.
Speaker 5: Is their lasting love.
Speaker 2: Down the floor sup that form.
Speaker 6: The it's always what losing It's always what.
Speaker 7: Peacecing requietly waiting, head lights up the drive.
Speaker 3: Take me we please job.
Speaker 1: Me good bye.
Speaker 8: When it's time, this is out the floor still be
back forward.
Speaker 2: Losing game?
Speaker 5: It always what she bla me saying it's waye what she.
Speaker 3: This is how so.
Speaker 2: Sping f f.
Speaker 9: The no saying it's aways what you the music game
just aways?
Speaker 3: What se musing game?
Speaker 2: It's aways?
Speaker 10: What the music games? Aways?
Speaker 3: What sees?
Speaker 11: That is losing game? That is from twenty twenty.
Speaker 12: That is Brooks Young and that song is a personal
favorite of mine of his. If you are just joining
us on this Saturday morning, as we enter the third
hour of Matt Connorton Unleashed on this Saturday, we are
going to spend this hour devoted to Brooks Young, remembering
Brooks Young. If you don't know, Brooks Young was fatally
killed in a car accident in Alton on Route eleven.
Speaker 11: I believe earlier this week.
Speaker 12: I was quite shocked when I saw the news, and
Brooks is someone who had been on the show quite
a number of times over the years, I had the
honor of interviewing him.
Speaker 11: And what I would like to do with this hour
so a couple things.
Speaker 12: I want to share some of his music, of course,
in memory of Brooks and such a talented musician and
just a really really good person too, just such a
great guy. So you know, we'll play some of some
of his music, and I might even I have it
queued up. The last interview that I did with Brooks, uh,
the last time that he was on. Uh not not
too many months ago. Actually, uh, we might we might
revisit some of that too. But another thing that I
would really like to do with this hour, again, this
is for those of you listening live, if you are
listening live on Saturday morning, uh, because there is a
replay during the week. So, but if anyone would like
to call into the show, the studio line is open,
uh six O three two five oh six oh seven, Uh,
if you'd like to call, and if you have memories
of Brooks that you would like to share, either personal
memories or or maybe you didn't know him but you
were a fan of his music, whatever it may be.
If you have anything that you would like to say, Uh,
six o three two five oh six o seven is
the studio line six o three two five oh six
oh seven. I'm also keeping an eye on my email
if anyone wants to email me anything. If if you
don't want to be on the air, but you have
something that you'd like to share, Matt at mattconnorton dot com.
We also have a text line you can instant message me.
You can say something in the chat room if you
go to mattconnorton dot com slash live. All those options
are listed there so you can instant message me through
the website. That way, you can click my email that
way send me something, or again, of course, you know,
in the Facebook chatroom or the YouTube chat room or
wherever you know, feel free to chime in as well,
you know, if you'd like to participate in what we're
doing with this hour of the program. You know, I'd
love to hear from you, but the best thing, ideally
would be to give us a call at six oh
three two five oh six oh seven if you have
anything you'd like to share about Brooks Young. I did
hear from a lot of people over the course of
the week, so I know people are tuned in, and
I know people are grieving, So I I'll just tell
you I first interviewed Brooks quite a few years ago.
The first time that I interviewed him, it was not
on this show. It was on another show that I
do that aris elsewhere, but it was my first time
meeting him, and I actually went to I brought a
portable setup with me and I went to Strings and
Things and conquered because Brooks was actually working there at
the time. So, you know, while pursuing his you know,
you know, very early in his career, but his quickly
it was accelerating fast. His music career, it was taken off.
I think he had just played with BB King when
I interviewed him. I think that had just happened. That
either just happened or it was about to happen, but
I feel like it had just happened. And so you know,
he had plenty to talk about. But even just meeting
him that first day, going to Strings and Things to
meet him, and he just you know, right away way
you know, he he just had such a positive attitude
as well he should have. You know, some some wonderful
things were happening.
Speaker 2: But uh, but.
Speaker 12: He just he was positive and very humble. He obviously
enormously talented, that was apparent and clear, hell of a
guitar player and a and a great voice to kind
of a unique voice. I can't think of anyone who
sounds quite like him. But it was such a pleasure
to just sit and talk with him. And I was
thinking about this yesterday actually, as I was kind of
in my mind, just sort of mentally preparing for today,
I was thinking about how when when we lose somebody
who is a musician, it's it's at least in my experience,
it's interesting how you don't necessarily have to have known
them that well personal personally to feel such a connection
with him. So when I first realized it was actually uh,
Mike from h Mike g from Strings and Things, when
he had posted on Facebook what had happened, that was
when I first became aware of it, and you know,
I just felt like I'd been punched in the gut.
Speaker 11: It was.
Speaker 12: It was such a terrible feeling. It was just such
a shock to see that Brooks had passed away. And
at that point, there wasn't a lot of information other
than it was a car accident. But it's interesting how
so I never I didn't really get to know Brooks
other than professionally, in the sense that I'd never spent
any time with him.
Speaker 11: Socially.
Speaker 12: I'd seen him play live, of course, and I got
to interview him a number of times through the years.
Speaker 11: But but.
Speaker 12: When you are a fan of someone's music, you feel
connected to them in a way that transcends sort of
traditional friendship, if that makes sense. That's why, For example,
if you're a big fan, you know, if it's someone
you know really famous, and Brooks had a lot of success.
But if it's you know, a famous musician or a
famous actor, or a famous author, anyone who's created any
kind of art, if their art connects with you in
some way and makes you feel something, then you also
feel something for that person, even if you've never met them,
and you never will meet them because they're famous and
they're sort of out of reach.
Speaker 11: But you feel a connection.
Speaker 12: And then if they pass away, you go, oh, no,
I feel a sense of loss, even though it's someone
you may have never met. And I think that with Brooks.
Obviously I had met him because i'd interviewed him quite
a few times, but again, i'd never spend any time
with him socially, not really, but but being a fan
of his music, but also over the course of interviewing him.
Speaker 11: And this is something I was thinking about.
Speaker 12: I was thinking about this yesterday and I never really
quite thought of it this way before, but in reflecting
on Brooks.
Speaker 11: When and I assume this is.
Speaker 12: True for other people too who do this, where you
interview people, it's sort of like it's a form of
getting to know someone. So like I said, I never
spend any time with them socially, but when I'm interviewing
someone and I'm trying to learn, it's like getting to
know someone, but in a very compressed period of time,
if that makes sense. If I sit down with someone
and I do a one hour segment where we're going
to play some of their music, and I'm going to
ask them a lot of questions because I'm curious. I
want to I want to know about their music, but
I also want to know about them as a person.
I want to learn, and I have a natural curiosity
which helps to.
Speaker 11: Do this right.
Speaker 12: I want to learn as much about that person as
I can and try to get as much of a
sense of that as I can. So it's kind of
like a different version of getting to know someone over
the course of years socially, because you get to know
them personally. But what I'm doing, I'm also getting to
know them, but in a very compressed period of time,
because I'm asking them questions about things that I'm specifically
curious about, and I'm trying to learn as much about
that individual as possible. And I think that that's part
of why, even though I didn't know Brooks that well
outside of all of this, I think that's part of
why it was such a shock when I saw that
he had passed away, because again being a fan of
his music, that's part of it, but also just having
sat down with him and having those conversations where I'm
trying to learn as much about him as a person
as possible. I think that contributes to that sense of loss,
where it's like I feel like I'm I just lost
a good friend, even though I didn't know him that
well socially and I'd never quite it was. You know,
there are other people have interviewed who've left us, and
there's of course, you know, people I've been fans of
who you know passed away and they say, oh, that's terrible.
I'm a fan of their work. But I'd never really
thought of it that way, in terms of, you know,
getting to know someone over the course of an interview.
I'd never thought about it in quite this context until
this week, until I was thinking about Brooks and kind
of analyzing that sense of terrible loss that I'm feeling,
and that I know many of you who are listening
are feeling as well. And you didn't have to be
around him very long to be drawn to him anyway.
I strongly suspect that most people who met Brooks young
liked him very much immediately, and we're drawn in by
his his positivity and his charisma and and of course
his immense talent. So so it was quite a shock
to me. But again, if anyone would like to join
us today, and and you know, it might be hard,
I mean, it's it's a fresh wound, so it might
it might actually be hard for people to really even
you know, some some people might not.
Speaker 11: Might not be ready h to talk about it.
Speaker 12: But but if you would like to share anything, the
studio line is open six O three two five O
six oh seven. But I'm going to play a song
in the meantime. I'm going to play another Brooks Young song,
and this one seems appropriate. This is from h fifteen.
This is called silver Wings.
Speaker 13: Silver wins, shining in the sun lights, rowing jumps, and
it's somewhere in flight.
Speaker 1: They're taking you.
Speaker 2: And leaving me loose, silver.
Speaker 14: Snowly faded out of sight. A joy, a cry, don't
take that a blue n.
Speaker 1: But you loved you out of your mind and left
me stepping behind, silver shining in the sun.
Speaker 13: Light, rolling it jumps, It is so well in the flame.
Speaker 1: They're taking you away.
Speaker 2: Believe in me though me.
Speaker 1: Sill the way, slowly fanny out of sight.
Speaker 10: Jo I cried, don't.
Speaker 2: Take that a blame rime, but you loved.
Speaker 8: Me out of your mind, lifting.
Speaker 1: Steading me behind. Still the we.
Speaker 15: Shining in the sun light, ruving gun is somewhere in
the fla.
Speaker 10: They're taking you away.
Speaker 16: I leave in me old, still away.
Speaker 1: Slowly faine outside, still love me to be slowly fain
out of sight.
Speaker 2: We would and free.
Speaker 17: We non doing a way lest on me ol Now.
Speaker 2: It's out light.
Speaker 18: It's hard I see. You can't let the gold to
something that you don't.
Speaker 2: Know hom yet.
Speaker 19: Falling down and be so hard?
Speaker 2: Would you catch me?
Speaker 20: Get that fuel, take the bag.
Speaker 2: Just one whole time. You can't let you just something
that you don't know. Following you town, you can be
so hard? Would you wi you catch me?
Speaker 3: Then?
Speaker 2: Get that fine? Falling down? Be so hard? Would you
catch me?
Speaker 19: If my father fall all that?
Speaker 3: Now?
Speaker 21: Oh wait, take my back, take me back, take me back,
take my back on you take me back, take my back,
take my back, take my back to that room, yell.
Speaker 2: Following me down?
Speaker 10: Be so hard?
Speaker 2: Would you you catch men? It's that frond falling down again?
Be so hard? Sorry you don catch me? It's that sound,
so don't wake me in the morning.
Speaker 5: Don't believe me At last.
Speaker 22: When the day comes in the ill said, who've been
making it?
Speaker 10: Oh mad?
Speaker 19: I saw you'll know on the teable, y'all keys's on
the floor.
Speaker 5: What if I want to walk away?
Speaker 2: Baby? What if I what to go on? We can
make it.
Speaker 3: We can make it.
Speaker 2: We can make it. Week can make it the last
who ass listen out of the way, Wait till all.
Speaker 5: Your car holiday.
Speaker 2: This isn't what I feel.
Speaker 3: Good?
Speaker 5: Ratchett wa.
Speaker 2: I saw your note on the table, your kids.
Speaker 3: I saw the fo.
Speaker 2: What a fast want to walk away? What I find word? Still,
we can't we can't make it. We can't make.
Speaker 10: We can't make.
Speaker 11: Oh, that's such a great track. That is Restless, that
is Brooks Young. And if you are just.
Speaker 12: Joining us, uh this hour, we are remembering our departed
friend of Brooks Young, enormously talented musician and a spectacular
human being who just passed away in a car accident
earlier this week. And studio line is open if you
would like to, if you have anything to contribute, six
oh three, two five, six oh seven. But again, I
know it's hard. Like I said earlier, it's a fresh wound.
So but if anyone would like to call in with
any thoughts or stories or memories about Brooks, you are
welcome to. And if we're in the middle of a song,
you know, I'll just you might be on hold for
a moment. But I think what I'm.
Speaker 11: Gonna do now actually is I'm going to play. I'm
gonna share a little bit.
Speaker 12: With you, not the whole thing, obviously, because we won't
have time and I do want to get some more
songs into but I'm gonna share a little bit with
you of Brook's final appearance on the show, the last
time that I interviewed him.
Speaker 11: So here it is. This is from earlier this year,
and we enjoy having a year. But also you, uh
you brought your guitar.
Speaker 12: Oh that's a beautiful Now I'm bummed our videos now
working because that's a beautiful guitar.
Speaker 2: But we'll thank you.
Speaker 11: We will take uh, we will take pictures while you're playing.
That's uh wow, yeah, thank you. That's really nice.
Speaker 1: Yeah, it's.
Speaker 23: My love of guitars has drove over and so this
is a Gibson D two hundred.
Speaker 1: Yeah.
Speaker 23: And I used this guitar on the George thorough Good tour.
Speaker 11: Yeah, as well as.
Speaker 23: My electrics when I sat and played with tourg got
this right before I left on tour and uh, guitars
beautiful ghost with me everywhere.
Speaker 5: So it's gorgeous, it really is.
Speaker 23: Yeah, it's fairly new to me. I I just picked
it up right before I left on tour, and so
I've only had it for a few months. And oh really,
I haven't even recorded or done anything like that with
it yet. So this is its first like not on
stage performance.
Speaker 11: Yeah, yeah, oh wow, very cool, very cool works. I'm
down to here.
Speaker 24: You play sure and let me let me get that
other mic up, So there we are. While you're doing that,
tell a little story about this song real quick, yeah
go fin. So funny thing is is this song is
called I Believe And.
Speaker 23: You know, me and the guys in the band, we
wrote this song fourteen years ago and just recently, I
was at home, I had a day off. And if
anyone's followed the band over the years, you know, I'm
a big NASCAR fan, you know, and we've performed for
NASCAR to track many times, the band. So on Netflix,
there's a new NASCAR documentary and I'm a huge fan
of Hendrick Motorsports Nascar.
Speaker 2: I'm on Netflix.
Speaker 23: I am sitting on the couch eating some lunch, and
I'm watching this big moment where Hendrick Motorsports gets their
three hundredth wins, a really big moment in the episode,
and Jeff Gordon's up there, and all of a sudden,
I'm hearing a song that I'm like, geez, I must
have left a speaker on or my phone's on playing
one of my songs.
Speaker 1: And no, it wasn't.
Speaker 23: It was in the Netflix documentary for NASCAR car nodding, Yeah,
this big moment and Jeff Gordon's on the screen and
this is just recently and I was like no, I
was like, wow, this is so.
Speaker 2: I'm on the phone.
Speaker 23: I'm like calling everybody and I'm like hey, you know,
and it was just a really cool moment because I
grew up as a NASCAR fan and like, Jeff Gordon
was my favorite driver, and and to have one of
our songs in this big moment on this NASCAR documentary
on Netflix and it just came out. It's very hot shot.
Everyone is watching it and it's just I like, I
had to sit back for him. I was like, wow,
this is great and uh yeah, so I'll play it
for you. It's a song called I Believe. Seeing that
we just played restless, something new, I'll play something a
little Uh.
Speaker 25: Yeah, yeah, I've got a got that other mic up.
So what's young is with us live? I believe all right,
m h.
Speaker 2: I believe that some things aren't true.
Speaker 16: It's just me that you're gonna try and talk to you.
The closer you get, the harder I fire. I would
do anything, any thing that side. I would swim across
the ocean, fly to the moon. I would walk a
thousand miles just or get to you. I would walk
a thousand.
Speaker 2: Miles just to get to you. The amoralism to hear
your name, the same old stories. Nothing else has changed.
A piggin love.
Speaker 16: Well we left eye. It seems like forever since we've
been up, Barn, I would swim across the ocean, fly
to the moon. I would balk thousand masks just to
get to you. I would balk thousand miles just to
get to you. I would walk thousand masks or just
a be with you here. I would balk thousand miles
just to be with you.
Speaker 11: So there you have it.
Speaker 3: That is uh.
Speaker 12: That is from the final appearance of Brooks Young on
the show, when I got to interview him and he
played live. Of course, the entire thing is available online
if you want to hear it. But if you are
just joining us today, we are remembering Brooks Young and
I think I'm gonna play this is another personal favorite
of mine, great great track. We'll play a couple more here,
a couple more studio tracks. This is called Ventilator by
the great Brooks Young.
Speaker 26: Whell this back, he shakes.
Speaker 2: I'm gonna break.
Speaker 10: You woman's coussin that you can't hear her scream.
Speaker 2: A feels like murder in the first degree.
Speaker 26: Le norma showing down, it's a bad stepping all day.
Speaker 2: Showing now only where you are, let your moody w
go ventilater year.
Speaker 19: Chap didn't circled with no sacking chance.
Speaker 10: A cold, don't live.
Speaker 2: In miss you're a gun in hand. We can't be
no ba eat it.
Speaker 10: We can't be calling by words nice bat sheet and.
Speaker 19: Ain't gonna everybody is walking around.
Speaker 2: Ebody tron step on.
Speaker 3: It down created, So now.
Speaker 2: Let your about it.
Speaker 3: Let nobody's do.
Speaker 5: Some kind of that need it to.
Speaker 2: Know you're gonna do abound the world. What you're gonna
to A bad one?
Speaker 10: You're gonna to.
Speaker 2: You're gonna fight.
Speaker 1: In, We're gonna tie in.
Speaker 19: Got that bad?
Speaker 2: Let me let me boy go.
Speaker 10: So that later.
Speaker 2: So let them later.
Speaker 3: What's gonna to bad? What are you gonna try? What
you're going to? God? What are you gonna do?
Speaker 2: What you gonna do a bad what's gonna.
Speaker 10: Go's?
Speaker 3: Got it?
Speaker 2: You're gone fade look bad? A crazy little me think
we've gon a.
Speaker 3: So broad?
Speaker 1: Where did we go?
Speaker 2: Where did we have jams getting too, but we're making.
Speaker 3: This time.
Speaker 10: A change.
Speaker 2: Man hand and made this time.
Speaker 3: Hold out, hold out, hold out to hold out to the.
Speaker 2: Jams had a change in the main.
Speaker 27: So Straw, where did you go?
Speaker 2: And which did we had Chad get your children.
Speaker 10: And we've made it.
Speaker 2: This time.
Speaker 10: Take matter head.
Speaker 3: Way with.
Speaker 2: Lady, hold lauds, launch to.
Speaker 3: Hold lots of.
Speaker 1: It's gonna be.
Speaker 10: A lie, Lord, it's gonna be a lie. Hold on to.
Speaker 27: Your hold on to your lad, hold on to luck,
hold on.
Speaker 2: You luck.
Speaker 3: All the.
Speaker 28: Allo Allow.
Speaker 11: What a cool song.
Speaker 1: I like the.
Speaker 12: There's a little bit of a fake out at the
end too, where it sounds like it's fading out and
it sort of is but not quite and then it
fades out. It kind of like you kind of think
it's fading out sooner than it does.
Speaker 3: I like that. I like that.
Speaker 12: That is hold on to Your Heart by Brooks Young.
That song, by the way, had escaped me. I had
not heard that one, but I found it online and
I was like, ah, one I haven't heard. And the
thing with Brooks too is, you know, doing a show
like this, I always have to screen the music. But
Brooks never had any bad words in any of his songs,
so I knew that I could play that without pre
screening it and it would not be a problem. But
if you are just joining us, we are spending this
hour remembering our friend Brooks Young who was taken from
us earlier this week in a tragic car accident. And
such a talented person, and love his music and and
loved him. He was just a great, great guy.
Speaker 3: You know.
Speaker 12: It was interesting, As I said, I'd interviewed him so
many times over the years, and but the when I
interviewed him in twenty twenty three, I interviewed him earlier
this year. I'd also interviewed him in twenty twenty three,
and but I think it was the first time I'd
seen him in quite a few years, at least the
last time I had seen him, definitely pre pandemic. So
but it's it's you know. And his hair had pretty
much turned completely gray, you know, he's prematurely gray. He
was only forty two when he passed away. But but
it was it was I hadn't seen him since his
hair would turn completely gray. But it kind of suited him,
it worked for him. But yeah, such a such a
great guy. I think we should Uh, I think we
should continue. I you know, I hate to say it's
such a cliche. I think we should let the music
do the talking. But I think we should. I do
think that's probably the best way to honor Brooks uh
and his memory. So let's play another one.
Speaker 11: Why not? This is called same old blues Brooks Young.
Speaker 2: Morning may.
Speaker 10: Keeps the phone. That's of tears that fall from my ass.
That's that sit.
Speaker 5: In my room.
Speaker 2: Steering Now, that's the gloom. That's the way.
Speaker 10: In the same.
Speaker 2: Sable blues.
Speaker 20: Ra can hell.
Speaker 2: Racking as thinking.
Speaker 10: When the sun.
Speaker 29: Used the sund my back door. Now the sun it's
turns away. Oh my lavedad, it turned to the pay.
Speaker 10: It's the pay.
Speaker 2: Lo the same.
Speaker 30: Sunshine, sunshine, so you see now, but it all.
Speaker 2: Looks like clowns to me.
Speaker 1: Who has that.
Speaker 3: In my room?
Speaker 1: Staring up.
Speaker 10: The flue?
Speaker 2: It's the ray. It's the same.
Speaker 31: Yeah, it's the ray. It's the same who blue, yay,
it's the rain. It's the same ooh blue.
Speaker 2: That you guys called a gap leaving what we are thinking,
Oh oh, okna, ain't good mistake, because if we throw
it all away, we couldn't be love. Oh can't you
see that? No one? We never love you not. We'll
never touch you when I've got church you but one
left you find.
Speaker 3: No one.
Speaker 19: We'll never love you like an love you.
Speaker 3: We'll never give you what I give a dog wound
love love.
Speaker 32: You lacking child, your one, she'll take your keys A
close the door, tell me what you the kid for?
Speaker 27: Cau City?
Speaker 3: You know?
Speaker 2: And you going.
Speaker 16: There's something back of the saying, oh yeah me because
if we're going all the way, we're gonna be No.
Speaker 2: I gotta tell you no, we'll never love you that.
Speaker 10: We'll never kiss you.
Speaker 2: Not got pis know.
Speaker 19: Either it's your badnother no word, no.
Speaker 3: No one.
Speaker 2: Report we love it well, we're gonna do.
Speaker 10: You pack your bats call a.
Speaker 2: Can believe in what we have think is over.
Speaker 3: Word.
Speaker 2: We level love you like a love. We'll never tell
you like a cho No you bad, no one, we'll
level love you like that well. We'll never give you
a lucky love love luck at sound, No.
Speaker 11: One remembering Brooks young, Let's uh, let's play one more.
Speaker 2: I hear a voice.
Speaker 10: In sad my man telling me, but you listen to
my thoughts, your wand.
Speaker 2: Your wand sand shivers tell my span even though it's
not a.
Speaker 10: Hero out of the day.
Speaker 5: I guess that's what out.
Speaker 10: I guess that's what.
Speaker 1: Out lea.
Speaker 19: Whoa whoa whoa hero hout the day? Hero how the day.
Speaker 10: Going one way on a two way track ahead and
my way.
Speaker 22: But I'll never too bad. I hear you crying when
you call my name, I'll.
Speaker 1: Say your so, I'll say your soul.
Speaker 3: Whoa whoa whoa whoa hear on the day he of
the day.
Speaker 2: They had living in.
Speaker 19: Telling me about a day.
Speaker 2: The ready.
Speaker 3: Whoa whoa whoa whoa.
Speaker 2: Of the day.
Speaker 3: Of the day.
Speaker 12: That is hero of the day, Brooks Young taken much
too soon. But as music lives on, I suggest you,
if you're a fan, you should definitely go online and
check out such a prolific songwriter, such a great songwriter,
great voice, and one hell of a guitar player, Brooks Young.
Speaker 11: I'm honored to have known him. All Right, Well, we
will begin to wrap up.
Speaker 12: If you miss any part of today's show, it will
be up in just a little bit at wmnhradio dot
org and at my website Matt Connorton dot com. I
also want to remind you very quickly that next week
is a big, big weekend. Friday, November twenty second, it
is the pre Black Friday event and lighting of the
Yule Tree at the Sister Witch Company at eleven ninety
three Hooks At Road in Hooks It And if you
get there by seven for the lighting of the Yule Tree,
you do get a ticket for an exclusive pre shop
for their next event which will be November thirtieth at
the Magical Market and Small Business Psychic Fair at the
Manchester Masonic Temple. So they have a lot going on.
Sisterwitchcompany dot com is the website. You should definitely check
it out. Also next weekend I mentioned it's a big
weekend because on Sunday it is Spelfefest. It's an all
day event or doors open at one pm and goes
till one am, twelve hours. I will be there, Jenny
will be there, our friends Eleanor and Spelfe of course
and everyone from the Midnight Creatives Collective and we'll be there.
And it's a it's gonna be a fantastic event, so
much great music and it is for a very very
good cause. So that will be the twenty fourth and
that is a jewel right here in Manchester, so lots
going on again. Thank you all for joining me today.
Thank you to our friend Dennis Layton from the Gray
Curtain joining us in the first hour, and he's got
a great event going on tonight if you're in Connecticut,
of course, the No Masters Fest Night two, and that
is also for a great cause. And what a great
band that is, the Gray Curtain. And then of course
in the second hour we were joined by Liz Hannah
and Atlas from the Mosaic Art Collective and they are
doing great things as well, and we're gonna get out
of here. That's it for us for now.
Speaker 11: I'll talk to y'all a little bit later.
Speaker 2: Bye. Everybody you're listening to WUM and h.
Speaker 21: Command, don't get supremely.
Speaker 2: Oh Gobby
Speaker 3: Sh