1 00:00:00,800 --> 00:00:03,799 Speaker 1: W m N ChRI the nomos. 2 00:00:17,679 --> 00:00:21,879 Speaker 2: See me but please don't it. 3 00:00:26,000 --> 00:00:26,800 Speaker 3: By me? 4 00:00:29,039 --> 00:00:41,320 Speaker 4: When's time? Quass Jones love you always, Chris Jones. 5 00:00:44,679 --> 00:00:46,880 Speaker 5: Is their lasting love. 6 00:00:51,600 --> 00:00:57,280 Speaker 2: Down the floor sup that form. 7 00:00:58,799 --> 00:01:10,920 Speaker 6: The it's always what losing It's always what. 8 00:01:15,680 --> 00:01:28,439 Speaker 7: Peacecing requietly waiting, head lights up the drive. 9 00:01:32,239 --> 00:01:36,280 Speaker 3: Take me we please job. 10 00:01:38,120 --> 00:01:40,840 Speaker 1: Me good bye. 11 00:01:43,519 --> 00:01:53,239 Speaker 8: When it's time, this is out the floor still be 12 00:01:53,680 --> 00:01:55,560 back forward. 13 00:01:57,000 --> 00:01:58,079 Speaker 2: Losing game? 14 00:01:58,560 --> 00:02:09,240 Speaker 5: It always what she bla me saying it's waye what she. 15 00:02:46,680 --> 00:02:48,479 Speaker 3: This is how so. 16 00:02:50,759 --> 00:02:52,159 Speaker 2: Sping f f. 17 00:02:54,680 --> 00:03:04,319 Speaker 9: The no saying it's aways what you the music game 18 00:03:04,800 --> 00:03:06,159 just aways? 19 00:03:06,560 --> 00:03:20,759 Speaker 3: What se musing game? 20 00:03:21,280 --> 00:03:22,759 Speaker 2: It's aways? 21 00:03:23,120 --> 00:03:39,120 Speaker 10: What the music games? Aways? 22 00:03:39,639 --> 00:03:40,520 Speaker 3: What sees? 23 00:04:00,120 --> 00:04:03,240 Speaker 11: That is losing game? That is from twenty twenty. 24 00:04:03,319 --> 00:04:07,599 Speaker 12: That is Brooks Young and that song is a personal 25 00:04:07,599 --> 00:04:10,560 favorite of mine of his. If you are just joining 26 00:04:10,639 --> 00:04:14,360 us on this Saturday morning, as we enter the third 27 00:04:14,400 --> 00:04:21,199 hour of Matt Connorton Unleashed on this Saturday, we are 28 00:04:21,600 --> 00:04:25,839 going to spend this hour devoted to Brooks Young, remembering 29 00:04:25,879 --> 00:04:30,439 Brooks Young. If you don't know, Brooks Young was fatally 30 00:04:30,519 --> 00:04:34,000 killed in a car accident in Alton on Route eleven. 31 00:04:34,040 --> 00:04:35,399 Speaker 11: I believe earlier this week. 32 00:04:36,160 --> 00:04:38,639 Speaker 12: I was quite shocked when I saw the news, and 33 00:04:39,360 --> 00:04:42,600 Brooks is someone who had been on the show quite 34 00:04:42,639 --> 00:04:44,199 a number of times over the years, I had the 35 00:04:44,199 --> 00:04:46,079 honor of interviewing him. 36 00:04:46,560 --> 00:04:48,439 Speaker 11: And what I would like to do with this hour 37 00:04:48,759 --> 00:04:49,959 so a couple things. 38 00:04:50,079 --> 00:04:51,920 Speaker 12: I want to share some of his music, of course, 39 00:04:52,759 --> 00:04:56,240 in memory of Brooks and such a talented musician and 40 00:04:56,480 --> 00:04:58,800 just a really really good person too, just such a 41 00:04:58,800 --> 00:05:02,199 great guy. So you know, we'll play some of some 42 00:05:02,279 --> 00:05:04,160 of his music, and I might even I have it 43 00:05:04,319 --> 00:05:09,920 queued up. The last interview that I did with Brooks, uh, 44 00:05:09,959 --> 00:05:12,519 the last time that he was on. Uh not not 45 00:05:12,600 --> 00:05:15,639 too many months ago. Actually, uh, we might we might 46 00:05:15,680 --> 00:05:19,240 revisit some of that too. But another thing that I 47 00:05:19,279 --> 00:05:21,199 would really like to do with this hour, again, this 48 00:05:21,319 --> 00:05:23,240 is for those of you listening live, if you are 49 00:05:23,319 --> 00:05:26,360 listening live on Saturday morning, uh, because there is a 50 00:05:26,399 --> 00:05:30,240 replay during the week. So, but if anyone would like 51 00:05:30,279 --> 00:05:33,240 to call into the show, the studio line is open, 52 00:05:33,639 --> 00:05:37,279 uh six O three two five oh six oh seven, Uh, 53 00:05:37,319 --> 00:05:39,680 if you'd like to call, and if you have memories 54 00:05:39,680 --> 00:05:42,199 of Brooks that you would like to share, either personal 55 00:05:42,240 --> 00:05:44,920 memories or or maybe you didn't know him but you 56 00:05:44,959 --> 00:05:47,759 were a fan of his music, whatever it may be. 57 00:05:47,800 --> 00:05:50,079 If you have anything that you would like to say, Uh, 58 00:05:50,199 --> 00:05:53,079 six o three two five oh six o seven is 59 00:05:53,120 --> 00:05:56,279 the studio line six o three two five oh six 60 00:05:56,439 --> 00:05:59,399 oh seven. I'm also keeping an eye on my email 61 00:05:59,480 --> 00:06:01,480 if anyone wants to email me anything. If if you 62 00:06:01,480 --> 00:06:02,759 don't want to be on the air, but you have 63 00:06:02,800 --> 00:06:06,959 something that you'd like to share, Matt at mattconnorton dot com. 64 00:06:07,079 --> 00:06:09,959 We also have a text line you can instant message me. 65 00:06:10,120 --> 00:06:12,439 You can say something in the chat room if you 66 00:06:12,519 --> 00:06:17,439 go to mattconnorton dot com slash live. All those options 67 00:06:17,480 --> 00:06:20,879 are listed there so you can instant message me through 68 00:06:20,879 --> 00:06:24,959 the website. That way, you can click my email that 69 00:06:25,000 --> 00:06:29,480 way send me something, or again, of course, you know, 70 00:06:29,480 --> 00:06:31,639 in the Facebook chatroom or the YouTube chat room or 71 00:06:31,639 --> 00:06:34,759 wherever you know, feel free to chime in as well, 72 00:06:35,920 --> 00:06:38,240 you know, if you'd like to participate in what we're 73 00:06:38,240 --> 00:06:41,160 doing with this hour of the program. You know, I'd 74 00:06:41,160 --> 00:06:43,319 love to hear from you, but the best thing, ideally 75 00:06:43,319 --> 00:06:45,199 would be to give us a call at six oh 76 00:06:45,240 --> 00:06:48,920 three two five oh six oh seven if you have 77 00:06:48,920 --> 00:06:51,360 anything you'd like to share about Brooks Young. I did 78 00:06:51,360 --> 00:06:52,959 hear from a lot of people over the course of 79 00:06:53,000 --> 00:06:55,680 the week, so I know people are tuned in, and 80 00:06:55,720 --> 00:07:00,759 I know people are grieving, So I I'll just tell 81 00:07:00,800 --> 00:07:06,079 you I first interviewed Brooks quite a few years ago. 82 00:07:07,680 --> 00:07:09,560 The first time that I interviewed him, it was not 83 00:07:09,800 --> 00:07:12,000 on this show. It was on another show that I 84 00:07:12,079 --> 00:07:15,800 do that aris elsewhere, but it was my first time 85 00:07:15,839 --> 00:07:19,519 meeting him, and I actually went to I brought a 86 00:07:19,560 --> 00:07:22,120 portable setup with me and I went to Strings and 87 00:07:22,199 --> 00:07:25,639 Things and conquered because Brooks was actually working there at 88 00:07:25,639 --> 00:07:29,839 the time. So, you know, while pursuing his you know, 89 00:07:30,000 --> 00:07:32,959 you know, very early in his career, but his quickly 90 00:07:34,800 --> 00:07:39,800 it was accelerating fast. His music career, it was taken off. 91 00:07:39,839 --> 00:07:42,199 I think he had just played with BB King when 92 00:07:42,240 --> 00:07:44,600 I interviewed him. I think that had just happened. That 93 00:07:44,759 --> 00:07:47,160 either just happened or it was about to happen, but 94 00:07:47,600 --> 00:07:50,879 I feel like it had just happened. And so you know, 95 00:07:51,040 --> 00:07:54,199 he had plenty to talk about. But even just meeting 96 00:07:54,279 --> 00:07:57,360 him that first day, going to Strings and Things to 97 00:07:57,399 --> 00:08:00,319 meet him, and he just you know, right away way 98 00:08:01,120 --> 00:08:04,120 you know, he he just had such a positive attitude 99 00:08:05,279 --> 00:08:07,120 as well he should have. You know, some some wonderful 100 00:08:07,120 --> 00:08:07,920 things were happening. 101 00:08:07,920 --> 00:08:09,839 Speaker 2: But uh, but. 102 00:08:09,920 --> 00:08:16,000 Speaker 12: He just he was positive and very humble. He obviously 103 00:08:16,160 --> 00:08:21,680 enormously talented, that was apparent and clear, hell of a 104 00:08:21,720 --> 00:08:25,759 guitar player and a and a great voice to kind 105 00:08:25,759 --> 00:08:27,399 of a unique voice. I can't think of anyone who 106 00:08:27,439 --> 00:08:31,319 sounds quite like him. But it was such a pleasure 107 00:08:31,399 --> 00:08:33,960 to just sit and talk with him. And I was 108 00:08:34,000 --> 00:08:37,320 thinking about this yesterday actually, as I was kind of 109 00:08:37,320 --> 00:08:40,440 in my mind, just sort of mentally preparing for today, 110 00:08:41,320 --> 00:08:45,559 I was thinking about how when when we lose somebody 111 00:08:46,879 --> 00:08:52,440 who is a musician, it's it's at least in my experience, 112 00:08:53,759 --> 00:08:56,799 it's interesting how you don't necessarily have to have known 113 00:08:56,840 --> 00:09:00,440 them that well personal personally to feel such a connection 114 00:09:00,559 --> 00:09:05,120 with him. So when I first realized it was actually uh, 115 00:09:05,960 --> 00:09:09,279 Mike from h Mike g from Strings and Things, when 116 00:09:09,279 --> 00:09:11,960 he had posted on Facebook what had happened, that was 117 00:09:12,200 --> 00:09:15,360 when I first became aware of it, and you know, 118 00:09:15,399 --> 00:09:17,200 I just felt like I'd been punched in the gut. 119 00:09:17,279 --> 00:09:17,559 Speaker 11: It was. 120 00:09:17,639 --> 00:09:19,600 Speaker 12: It was such a terrible feeling. It was just such 121 00:09:19,639 --> 00:09:22,879 a shock to see that Brooks had passed away. And 122 00:09:23,159 --> 00:09:25,679 at that point, there wasn't a lot of information other 123 00:09:25,720 --> 00:09:30,240 than it was a car accident. But it's interesting how 124 00:09:31,799 --> 00:09:35,480 so I never I didn't really get to know Brooks 125 00:09:36,080 --> 00:09:39,120 other than professionally, in the sense that I'd never spent 126 00:09:39,200 --> 00:09:39,960 any time with him. 127 00:09:39,960 --> 00:09:40,399 Speaker 11: Socially. 128 00:09:41,320 --> 00:09:43,879 Speaker 12: I'd seen him play live, of course, and I got 129 00:09:43,879 --> 00:09:47,519 to interview him a number of times through the years. 130 00:09:48,039 --> 00:09:49,279 Speaker 11: But but. 131 00:09:50,759 --> 00:09:54,679 Speaker 12: When you are a fan of someone's music, you feel 132 00:09:54,720 --> 00:09:59,159 connected to them in a way that transcends sort of 133 00:09:59,399 --> 00:10:03,000 traditional friendship, if that makes sense. That's why, For example, 134 00:10:03,000 --> 00:10:05,559 if you're a big fan, you know, if it's someone 135 00:10:05,639 --> 00:10:08,559 you know really famous, and Brooks had a lot of success. 136 00:10:08,639 --> 00:10:12,480 But if it's you know, a famous musician or a 137 00:10:12,519 --> 00:10:15,320 famous actor, or a famous author, anyone who's created any 138 00:10:15,399 --> 00:10:19,399 kind of art, if their art connects with you in 139 00:10:19,480 --> 00:10:21,919 some way and makes you feel something, then you also 140 00:10:22,240 --> 00:10:24,879 feel something for that person, even if you've never met them, 141 00:10:24,919 --> 00:10:28,200 and you never will meet them because they're famous and 142 00:10:27,879 --> 00:10:29,399 they're sort of out of reach. 143 00:10:30,159 --> 00:10:31,200 Speaker 11: But you feel a connection. 144 00:10:31,240 --> 00:10:33,120 Speaker 12: And then if they pass away, you go, oh, no, 145 00:10:33,399 --> 00:10:35,159 I feel a sense of loss, even though it's someone 146 00:10:35,200 --> 00:10:39,519 you may have never met. And I think that with Brooks. 147 00:10:39,559 --> 00:10:41,879 Obviously I had met him because i'd interviewed him quite 148 00:10:41,919 --> 00:10:45,759 a few times, but again, i'd never spend any time 149 00:10:45,759 --> 00:10:51,399 with him socially, not really, but but being a fan 150 00:10:51,440 --> 00:10:55,879 of his music, but also over the course of interviewing him. 151 00:10:55,879 --> 00:10:57,200 Speaker 11: And this is something I was thinking about. 152 00:10:57,840 --> 00:10:59,519 Speaker 12: I was thinking about this yesterday and I never really 153 00:10:59,600 --> 00:11:02,720 quite thought of it this way before, but in reflecting 154 00:11:02,759 --> 00:11:03,720 on Brooks. 155 00:11:05,000 --> 00:11:06,519 Speaker 11: When and I assume this is. 156 00:11:06,440 --> 00:11:09,639 Speaker 12: True for other people too who do this, where you 157 00:11:09,919 --> 00:11:17,480 interview people, it's sort of like it's a form of 158 00:11:17,519 --> 00:11:19,679 getting to know someone. So like I said, I never 159 00:11:19,679 --> 00:11:22,799 spend any time with them socially, but when I'm interviewing 160 00:11:22,840 --> 00:11:26,120 someone and I'm trying to learn, it's like getting to 161 00:11:26,200 --> 00:11:30,519 know someone, but in a very compressed period of time, 162 00:11:31,080 --> 00:11:33,759 if that makes sense. If I sit down with someone 163 00:11:33,799 --> 00:11:37,799 and I do a one hour segment where we're going 164 00:11:37,879 --> 00:11:40,039 to play some of their music, and I'm going to 165 00:11:40,080 --> 00:11:43,519 ask them a lot of questions because I'm curious. I 166 00:11:43,600 --> 00:11:45,799 want to I want to know about their music, but 167 00:11:45,840 --> 00:11:47,679 I also want to know about them as a person. 168 00:11:47,840 --> 00:11:50,320 I want to learn, and I have a natural curiosity 169 00:11:50,799 --> 00:11:52,440 which helps to. 170 00:11:52,440 --> 00:11:53,080 Speaker 11: Do this right. 171 00:11:53,519 --> 00:11:55,960 Speaker 12: I want to learn as much about that person as 172 00:11:56,000 --> 00:11:58,360 I can and try to get as much of a 173 00:11:58,519 --> 00:12:03,039 sense of that as I can. So it's kind of 174 00:12:03,159 --> 00:12:07,639 like a different version of getting to know someone over 175 00:12:07,679 --> 00:12:12,080 the course of years socially, because you get to know 176 00:12:12,159 --> 00:12:16,080 them personally. But what I'm doing, I'm also getting to 177 00:12:16,120 --> 00:12:18,480 know them, but in a very compressed period of time, 178 00:12:18,559 --> 00:12:21,519 because I'm asking them questions about things that I'm specifically 179 00:12:21,559 --> 00:12:24,200 curious about, and I'm trying to learn as much about 180 00:12:24,240 --> 00:12:27,679 that individual as possible. And I think that that's part 181 00:12:27,720 --> 00:12:32,639 of why, even though I didn't know Brooks that well 182 00:12:32,799 --> 00:12:35,759 outside of all of this, I think that's part of 183 00:12:35,840 --> 00:12:39,480 why it was such a shock when I saw that 184 00:12:39,519 --> 00:12:43,279 he had passed away, because again being a fan of 185 00:12:43,279 --> 00:12:46,600 his music, that's part of it, but also just having 186 00:12:47,200 --> 00:12:51,480 sat down with him and having those conversations where I'm 187 00:12:51,519 --> 00:12:53,840 trying to learn as much about him as a person 188 00:12:53,879 --> 00:12:57,639 as possible. I think that contributes to that sense of loss, 189 00:12:57,679 --> 00:13:01,000 where it's like I feel like I'm I just lost 190 00:13:01,039 --> 00:13:03,519 a good friend, even though I didn't know him that 191 00:13:03,600 --> 00:13:09,039 well socially and I'd never quite it was. You know, 192 00:13:10,559 --> 00:13:14,639 there are other people have interviewed who've left us, and 193 00:13:15,000 --> 00:13:19,000 there's of course, you know, people I've been fans of 194 00:13:19,080 --> 00:13:21,639 who you know passed away and they say, oh, that's terrible. 195 00:13:21,759 --> 00:13:24,200 I'm a fan of their work. But I'd never really 196 00:13:24,200 --> 00:13:26,320 thought of it that way, in terms of, you know, 197 00:13:26,360 --> 00:13:28,159 getting to know someone over the course of an interview. 198 00:13:28,159 --> 00:13:31,639 I'd never thought about it in quite this context until 199 00:13:31,639 --> 00:13:36,120 this week, until I was thinking about Brooks and kind 200 00:13:36,120 --> 00:13:41,080 of analyzing that sense of terrible loss that I'm feeling, 201 00:13:41,960 --> 00:13:44,519 and that I know many of you who are listening 202 00:13:44,519 --> 00:13:50,039 are feeling as well. And you didn't have to be 203 00:13:50,080 --> 00:13:53,039 around him very long to be drawn to him anyway. 204 00:13:53,720 --> 00:13:59,039 I strongly suspect that most people who met Brooks young 205 00:14:00,720 --> 00:14:04,399 liked him very much immediately, and we're drawn in by 206 00:14:04,480 --> 00:14:11,480 his his positivity and his charisma and and of course 207 00:14:11,559 --> 00:14:20,279 his immense talent. So so it was quite a shock 208 00:14:20,360 --> 00:14:26,039 to me. But again, if anyone would like to join 209 00:14:26,120 --> 00:14:28,200 us today, and and you know, it might be hard, 210 00:14:28,240 --> 00:14:32,879 I mean, it's it's a fresh wound, so it might 211 00:14:33,039 --> 00:14:35,159 it might actually be hard for people to really even 212 00:14:35,279 --> 00:14:37,759 you know, some some people might not. 213 00:14:39,639 --> 00:14:42,000 Speaker 11: Might not be ready h to talk about it. 214 00:14:42,039 --> 00:14:44,320 Speaker 12: But but if you would like to share anything, the 215 00:14:44,360 --> 00:14:47,159 studio line is open six O three two five O 216 00:14:47,440 --> 00:14:52,600 six oh seven. But I'm going to play a song 217 00:14:52,679 --> 00:14:54,960 in the meantime. I'm going to play another Brooks Young song, 218 00:14:55,120 --> 00:15:00,480 and this one seems appropriate. This is from h fifteen. 219 00:15:00,519 --> 00:15:09,639 This is called silver Wings. 220 00:15:05,480 --> 00:15:19,279 Speaker 13: Silver wins, shining in the sun lights, rowing jumps, and 221 00:15:19,559 --> 00:15:21,720 it's somewhere in flight. 222 00:15:24,320 --> 00:15:25,399 Speaker 1: They're taking you. 223 00:15:29,200 --> 00:15:35,320 Speaker 2: And leaving me loose, silver. 224 00:15:38,399 --> 00:15:49,519 Speaker 14: Snowly faded out of sight. A joy, a cry, don't 225 00:15:49,799 --> 00:15:52,480 take that a blue n. 226 00:15:54,039 --> 00:15:59,639 Speaker 1: But you loved you out of your mind and left 227 00:15:59,759 --> 00:16:12,039 me stepping behind, silver shining in the sun. 228 00:16:12,720 --> 00:16:21,759 Speaker 13: Light, rolling it jumps, It is so well in the flame. 229 00:16:24,320 --> 00:16:26,080 Speaker 1: They're taking you away. 230 00:16:29,240 --> 00:16:31,919 Speaker 2: Believe in me though me. 231 00:16:34,279 --> 00:16:40,679 Speaker 1: Sill the way, slowly fanny out of sight. 232 00:17:22,839 --> 00:17:28,440 Speaker 10: Jo I cried, don't. 233 00:17:28,240 --> 00:17:33,799 Speaker 2: Take that a blame rime, but you loved. 234 00:17:33,640 --> 00:17:38,799 Speaker 8: Me out of your mind, lifting. 235 00:17:38,680 --> 00:17:45,200 Speaker 1: Steading me behind. Still the we. 236 00:17:48,599 --> 00:17:59,319 Speaker 15: Shining in the sun light, ruving gun is somewhere in 237 00:17:59,519 --> 00:17:59,920 the fla. 238 00:18:02,759 --> 00:18:06,720 Speaker 10: They're taking you away. 239 00:18:07,559 --> 00:18:15,759 Speaker 16: I leave in me old, still away. 240 00:18:16,799 --> 00:18:27,359 Speaker 1: Slowly faine outside, still love me to be slowly fain 241 00:18:27,960 --> 00:18:28,920 out of sight. 242 00:18:57,480 --> 00:19:07,240 Speaker 2: We would and free. 243 00:19:07,960 --> 00:19:28,319 Speaker 17: We non doing a way lest on me ol Now. 244 00:19:28,359 --> 00:19:29,240 Speaker 2: It's out light. 245 00:19:33,440 --> 00:19:44,000 Speaker 18: It's hard I see. You can't let the gold to 246 00:19:44,200 --> 00:19:47,039 something that you don't. 247 00:19:47,160 --> 00:19:48,680 Speaker 2: Know hom yet. 248 00:19:51,039 --> 00:19:57,480 Speaker 19: Falling down and be so hard? 249 00:20:00,880 --> 00:20:02,279 Speaker 2: Would you catch me? 250 00:20:03,640 --> 00:20:20,160 Speaker 20: Get that fuel, take the bag. 251 00:20:24,000 --> 00:20:35,319 Speaker 2: Just one whole time. You can't let you just something 252 00:20:35,960 --> 00:20:43,759 that you don't know. Following you town, you can be 253 00:20:44,480 --> 00:20:52,400 so hard? Would you wi you catch me? 254 00:20:53,599 --> 00:20:53,720 Speaker 3: Then? 255 00:20:53,759 --> 00:21:11,200 Speaker 2: Get that fine? Falling down? Be so hard? Would you 256 00:21:11,519 --> 00:21:11,920 catch me? 257 00:21:13,279 --> 00:21:23,559 Speaker 19: If my father fall all that? 258 00:21:23,960 --> 00:21:24,119 Speaker 3: Now? 259 00:21:27,319 --> 00:21:31,960 Speaker 21: Oh wait, take my back, take me back, take me back, 260 00:21:32,200 --> 00:21:40,359 take my back on you take me back, take my back, 261 00:21:41,079 --> 00:21:47,359 take my back, take my back to that room, yell. 262 00:21:49,599 --> 00:21:51,319 Speaker 2: Following me down? 263 00:21:52,240 --> 00:21:53,839 Speaker 10: Be so hard? 264 00:21:59,119 --> 00:22:10,559 Speaker 2: Would you you catch men? It's that frond falling down again? 265 00:22:11,400 --> 00:22:22,279 Be so hard? Sorry you don catch me? It's that sound, 266 00:22:23,039 --> 00:23:23,279 so don't wake me in the morning. 267 00:23:24,079 --> 00:23:28,039 Speaker 5: Don't believe me At last. 268 00:23:32,640 --> 00:23:36,599 Speaker 22: When the day comes in the ill said, who've been 269 00:23:36,599 --> 00:23:37,400 making it? 270 00:23:38,400 --> 00:23:39,319 Speaker 10: Oh mad? 271 00:23:44,240 --> 00:23:49,960 Speaker 19: I saw you'll know on the teable, y'all keys's on 272 00:23:49,960 --> 00:23:50,440 the floor. 273 00:23:55,799 --> 00:23:57,839 Speaker 5: What if I want to walk away? 274 00:23:58,359 --> 00:24:09,119 Speaker 2: Baby? What if I what to go on? We can 275 00:24:09,480 --> 00:24:10,279 make it. 276 00:24:11,160 --> 00:24:12,880 Speaker 3: We can make it. 277 00:24:14,039 --> 00:24:19,400 Speaker 2: We can make it. Week can make it the last 278 00:24:29,960 --> 00:24:35,720 who ass listen out of the way, Wait till all. 279 00:24:35,559 --> 00:24:42,119 Speaker 5: Your car holiday. 280 00:24:42,599 --> 00:24:44,160 Speaker 2: This isn't what I feel. 281 00:24:45,400 --> 00:24:45,599 Speaker 3: Good? 282 00:24:45,680 --> 00:24:48,000 Speaker 5: Ratchett wa. 283 00:24:52,799 --> 00:24:56,599 Speaker 2: I saw your note on the table, your kids. 284 00:24:58,079 --> 00:24:59,039 Speaker 3: I saw the fo. 285 00:25:04,440 --> 00:25:10,880 Speaker 2: What a fast want to walk away? What I find word? Still, 286 00:25:16,920 --> 00:25:24,119 we can't we can't make it. We can't make. 287 00:25:25,559 --> 00:25:27,000 Speaker 10: We can't make. 288 00:26:48,559 --> 00:26:51,920 Speaker 11: Oh, that's such a great track. That is Restless, that 289 00:26:52,079 --> 00:26:53,839 is Brooks Young. And if you are just. 290 00:26:53,920 --> 00:26:57,759 Speaker 12: Joining us, uh this hour, we are remembering our departed 291 00:26:57,839 --> 00:27:02,200 friend of Brooks Young, enormously talented musician and a spectacular 292 00:27:02,319 --> 00:27:05,960 human being who just passed away in a car accident 293 00:27:06,039 --> 00:27:10,519 earlier this week. And studio line is open if you 294 00:27:10,519 --> 00:27:13,319 would like to, if you have anything to contribute, six 295 00:27:13,440 --> 00:27:17,119 oh three, two five, six oh seven. But again, I 296 00:27:17,200 --> 00:27:19,960 know it's hard. Like I said earlier, it's a fresh wound. 297 00:27:20,119 --> 00:27:24,599 So but if anyone would like to call in with 298 00:27:24,720 --> 00:27:27,279 any thoughts or stories or memories about Brooks, you are 299 00:27:27,480 --> 00:27:29,599 welcome to. And if we're in the middle of a song, 300 00:27:29,640 --> 00:27:31,519 you know, I'll just you might be on hold for 301 00:27:31,599 --> 00:27:33,160 a moment. But I think what I'm. 302 00:27:33,000 --> 00:27:36,160 Speaker 11: Gonna do now actually is I'm going to play. I'm 303 00:27:36,160 --> 00:27:37,200 gonna share a little bit. 304 00:27:37,160 --> 00:27:39,559 Speaker 12: With you, not the whole thing, obviously, because we won't 305 00:27:39,599 --> 00:27:41,559 have time and I do want to get some more 306 00:27:41,640 --> 00:27:43,519 songs into but I'm gonna share a little bit with 307 00:27:43,640 --> 00:27:47,599 you of Brook's final appearance on the show, the last 308 00:27:47,640 --> 00:27:48,599 time that I interviewed him. 309 00:27:49,039 --> 00:27:52,079 Speaker 11: So here it is. This is from earlier this year, 310 00:27:53,599 --> 00:27:56,359 and we enjoy having a year. But also you, uh 311 00:27:56,880 --> 00:27:57,680 you brought your guitar. 312 00:27:57,720 --> 00:27:59,880 Speaker 12: Oh that's a beautiful Now I'm bummed our videos now 313 00:28:00,000 --> 00:28:01,240 working because that's a beautiful guitar. 314 00:28:01,319 --> 00:28:01,880 Speaker 2: But we'll thank you. 315 00:28:02,000 --> 00:28:04,079 Speaker 11: We will take uh, we will take pictures while you're playing. 316 00:28:04,119 --> 00:28:06,559 That's uh wow, yeah, thank you. That's really nice. 317 00:28:06,720 --> 00:28:07,319 Speaker 1: Yeah, it's. 318 00:28:08,680 --> 00:28:13,279 Speaker 23: My love of guitars has drove over and so this 319 00:28:13,440 --> 00:28:15,160 is a Gibson D two hundred. 320 00:28:15,519 --> 00:28:15,720 Speaker 1: Yeah. 321 00:28:15,880 --> 00:28:19,640 Speaker 23: And I used this guitar on the George thorough Good tour. 322 00:28:20,039 --> 00:28:21,519 Speaker 11: Yeah, as well as. 323 00:28:21,480 --> 00:28:25,079 Speaker 23: My electrics when I sat and played with tourg got 324 00:28:25,119 --> 00:28:28,079 this right before I left on tour and uh, guitars 325 00:28:28,119 --> 00:28:29,640 beautiful ghost with me everywhere. 326 00:28:29,799 --> 00:28:31,680 Speaker 5: So it's gorgeous, it really is. 327 00:28:31,920 --> 00:28:35,079 Speaker 23: Yeah, it's fairly new to me. I I just picked 328 00:28:35,079 --> 00:28:39,119 it up right before I left on tour, and so 329 00:28:39,200 --> 00:28:41,480 I've only had it for a few months. And oh really, 330 00:28:41,839 --> 00:28:43,920 I haven't even recorded or done anything like that with 331 00:28:44,079 --> 00:28:46,559 it yet. So this is its first like not on 332 00:28:46,720 --> 00:28:47,759 stage performance. 333 00:28:48,000 --> 00:28:50,920 Speaker 11: Yeah, yeah, oh wow, very cool, very cool works. I'm 334 00:28:50,960 --> 00:28:51,359 down to here. 335 00:28:51,400 --> 00:28:54,640 Speaker 24: You play sure and let me let me get that 336 00:28:54,759 --> 00:28:58,960 other mic up, So there we are. While you're doing that, 337 00:28:59,160 --> 00:29:01,400 tell a little story about this song real quick, yeah 338 00:29:01,440 --> 00:29:05,240 go fin. So funny thing is is this song is 339 00:29:05,279 --> 00:29:06,680 called I Believe And. 340 00:29:08,200 --> 00:29:10,200 Speaker 23: You know, me and the guys in the band, we 341 00:29:10,319 --> 00:29:15,200 wrote this song fourteen years ago and just recently, I 342 00:29:15,400 --> 00:29:19,079 was at home, I had a day off. And if 343 00:29:19,119 --> 00:29:21,839 anyone's followed the band over the years, you know, I'm 344 00:29:21,839 --> 00:29:25,039 a big NASCAR fan, you know, and we've performed for 345 00:29:25,160 --> 00:29:30,200 NASCAR to track many times, the band. So on Netflix, 346 00:29:30,599 --> 00:29:33,599 there's a new NASCAR documentary and I'm a huge fan 347 00:29:33,680 --> 00:29:35,200 of Hendrick Motorsports Nascar. 348 00:29:35,319 --> 00:29:36,160 Speaker 2: I'm on Netflix. 349 00:29:36,200 --> 00:29:38,599 Speaker 23: I am sitting on the couch eating some lunch, and 350 00:29:38,640 --> 00:29:41,680 I'm watching this big moment where Hendrick Motorsports gets their 351 00:29:41,759 --> 00:29:44,759 three hundredth wins, a really big moment in the episode, 352 00:29:45,440 --> 00:29:47,839 and Jeff Gordon's up there, and all of a sudden, 353 00:29:48,240 --> 00:29:51,079 I'm hearing a song that I'm like, geez, I must 354 00:29:51,119 --> 00:29:53,359 have left a speaker on or my phone's on playing 355 00:29:53,680 --> 00:29:55,000 one of my songs. 356 00:29:55,319 --> 00:29:56,519 Speaker 1: And no, it wasn't. 357 00:29:56,599 --> 00:30:01,559 Speaker 23: It was in the Netflix documentary for NASCAR car nodding, Yeah, 358 00:30:01,720 --> 00:30:04,640 this big moment and Jeff Gordon's on the screen and 359 00:30:06,000 --> 00:30:09,200 this is just recently and I was like no, I 360 00:30:09,279 --> 00:30:10,359 was like, wow, this is so. 361 00:30:10,359 --> 00:30:11,119 Speaker 2: I'm on the phone. 362 00:30:11,160 --> 00:30:13,680 Speaker 23: I'm like calling everybody and I'm like hey, you know, 363 00:30:14,359 --> 00:30:16,400 and it was just a really cool moment because I 364 00:30:16,519 --> 00:30:19,119 grew up as a NASCAR fan and like, Jeff Gordon 365 00:30:19,240 --> 00:30:22,240 was my favorite driver, and and to have one of 366 00:30:22,359 --> 00:30:26,279 our songs in this big moment on this NASCAR documentary 367 00:30:26,359 --> 00:30:29,440 on Netflix and it just came out. It's very hot shot. 368 00:30:29,519 --> 00:30:32,200 Everyone is watching it and it's just I like, I 369 00:30:32,279 --> 00:30:33,759 had to sit back for him. I was like, wow, 370 00:30:33,839 --> 00:30:37,039 this is great and uh yeah, so I'll play it 371 00:30:37,119 --> 00:30:39,519 for you. It's a song called I Believe. Seeing that 372 00:30:39,599 --> 00:30:41,920 we just played restless, something new, I'll play something a 373 00:30:41,960 --> 00:30:42,640 little Uh. 374 00:30:42,759 --> 00:30:46,160 Speaker 25: Yeah, yeah, I've got a got that other mic up. 375 00:30:46,240 --> 00:30:50,480 So what's young is with us live? I believe all right, 376 00:31:00,039 --> 00:31:00,279 m h. 377 00:31:04,799 --> 00:31:08,799 Speaker 2: I believe that some things aren't true. 378 00:31:10,799 --> 00:31:15,240 Speaker 16: It's just me that you're gonna try and talk to you. 379 00:31:17,240 --> 00:31:24,279 The closer you get, the harder I fire. I would 380 00:31:24,359 --> 00:31:31,440 do anything, any thing that side. I would swim across 381 00:31:31,559 --> 00:31:37,680 the ocean, fly to the moon. I would walk a 382 00:31:37,839 --> 00:31:44,240 thousand miles just or get to you. I would walk 383 00:31:44,319 --> 00:31:45,400 a thousand. 384 00:31:45,079 --> 00:32:06,119 Speaker 2: Miles just to get to you. The amoralism to hear 385 00:32:06,480 --> 00:32:14,039 your name, the same old stories. Nothing else has changed. 386 00:32:15,559 --> 00:32:16,559 A piggin love. 387 00:32:18,440 --> 00:32:25,240 Speaker 16: Well we left eye. It seems like forever since we've 388 00:32:25,640 --> 00:32:31,400 been up, Barn, I would swim across the ocean, fly 389 00:32:32,359 --> 00:32:37,319 to the moon. I would balk thousand masks just to 390 00:32:37,799 --> 00:32:43,640 get to you. I would balk thousand miles just to 391 00:32:44,119 --> 00:32:49,759 get to you. I would walk thousand masks or just 392 00:32:50,240 --> 00:32:55,839 a be with you here. I would balk thousand miles 393 00:32:56,839 --> 00:32:58,160 just to be with you. 394 00:33:03,319 --> 00:33:04,200 Speaker 11: So there you have it. 395 00:33:04,319 --> 00:33:05,079 Speaker 3: That is uh. 396 00:33:05,519 --> 00:33:08,319 Speaker 12: That is from the final appearance of Brooks Young on 397 00:33:08,480 --> 00:33:11,519 the show, when I got to interview him and he 398 00:33:11,599 --> 00:33:15,000 played live. Of course, the entire thing is available online 399 00:33:15,039 --> 00:33:16,559 if you want to hear it. But if you are 400 00:33:16,680 --> 00:33:20,160 just joining us today, we are remembering Brooks Young and 401 00:33:20,519 --> 00:33:23,720 I think I'm gonna play this is another personal favorite 402 00:33:23,759 --> 00:33:27,799 of mine, great great track. We'll play a couple more here, 403 00:33:28,839 --> 00:33:33,359 a couple more studio tracks. This is called Ventilator by 404 00:33:33,400 --> 00:33:34,240 the great Brooks Young. 405 00:33:47,960 --> 00:33:57,799 Speaker 26: Whell this back, he shakes. 406 00:34:00,079 --> 00:34:01,480 Speaker 2: I'm gonna break. 407 00:34:03,000 --> 00:34:08,559 Speaker 10: You woman's coussin that you can't hear her scream. 408 00:34:09,840 --> 00:34:14,880 Speaker 2: A feels like murder in the first degree. 409 00:34:16,880 --> 00:34:28,480 Speaker 26: Le norma showing down, it's a bad stepping all day. 410 00:34:30,400 --> 00:34:35,159 Speaker 2: Showing now only where you are, let your moody w 411 00:34:35,559 --> 00:34:40,000 go ventilater year. 412 00:34:44,079 --> 00:34:49,599 Speaker 19: Chap didn't circled with no sacking chance. 413 00:34:50,760 --> 00:34:52,719 Speaker 10: A cold, don't live. 414 00:34:52,679 --> 00:34:58,239 Speaker 2: In miss you're a gun in hand. We can't be 415 00:34:58,639 --> 00:35:00,320 no ba eat it. 416 00:35:01,039 --> 00:35:06,599 Speaker 10: We can't be calling by words nice bat sheet and. 417 00:35:06,920 --> 00:35:14,239 Speaker 19: Ain't gonna everybody is walking around. 418 00:35:15,679 --> 00:35:18,039 Speaker 2: Ebody tron step on. 419 00:35:18,119 --> 00:35:26,320 Speaker 3: It down created, So now. 420 00:35:28,880 --> 00:35:29,760 Speaker 2: Let your about it. 421 00:35:30,519 --> 00:35:31,559 Speaker 3: Let nobody's do. 422 00:35:34,760 --> 00:35:36,920 Speaker 5: Some kind of that need it to. 423 00:35:39,199 --> 00:35:47,280 Speaker 2: Know you're gonna do abound the world. What you're gonna 424 00:35:47,400 --> 00:35:49,760 to A bad one? 425 00:35:50,199 --> 00:35:50,960 Speaker 10: You're gonna to. 426 00:35:52,800 --> 00:35:53,880 Speaker 2: You're gonna fight. 427 00:35:53,760 --> 00:35:57,400 Speaker 1: In, We're gonna tie in. 428 00:35:59,800 --> 00:36:13,760 Speaker 19: Got that bad? 429 00:36:24,159 --> 00:36:26,840 Speaker 2: Let me let me boy go. 430 00:36:30,000 --> 00:36:32,039 Speaker 10: So that later. 431 00:36:34,360 --> 00:36:41,880 Speaker 2: So let them later. 432 00:37:01,840 --> 00:37:08,760 Speaker 3: What's gonna to bad? What are you gonna try? What 433 00:37:09,400 --> 00:37:13,599 you're going to? God? What are you gonna do? 434 00:37:15,679 --> 00:37:20,840 Speaker 2: What you gonna do a bad what's gonna. 435 00:37:22,639 --> 00:37:22,960 Speaker 10: Go's? 436 00:37:23,119 --> 00:37:23,559 Speaker 3: Got it? 437 00:37:25,920 --> 00:37:57,840 Speaker 2: You're gone fade look bad? A crazy little me think 438 00:37:58,760 --> 00:37:59,559 we've gon a. 439 00:38:01,480 --> 00:38:02,239 Speaker 3: So broad? 440 00:38:05,760 --> 00:38:07,239 Speaker 1: Where did we go? 441 00:38:10,519 --> 00:38:19,440 Speaker 2: Where did we have jams getting too, but we're making. 442 00:38:20,679 --> 00:38:21,599 Speaker 3: This time. 443 00:38:24,599 --> 00:38:25,360 Speaker 10: A change. 444 00:38:25,880 --> 00:38:31,199 Speaker 2: Man hand and made this time. 445 00:38:34,199 --> 00:38:47,079 Speaker 3: Hold out, hold out, hold out to hold out to the. 446 00:38:53,719 --> 00:38:57,320 Speaker 2: Jams had a change in the main. 447 00:38:59,039 --> 00:39:04,880 Speaker 27: So Straw, where did you go? 448 00:39:07,880 --> 00:39:15,239 Speaker 2: And which did we had Chad get your children. 449 00:39:15,599 --> 00:39:16,679 Speaker 10: And we've made it. 450 00:39:18,320 --> 00:39:19,000 Speaker 2: This time. 451 00:39:22,599 --> 00:39:24,599 Speaker 10: Take matter head. 452 00:39:26,920 --> 00:39:27,679 Speaker 3: Way with. 453 00:39:32,119 --> 00:39:42,159 Speaker 2: Lady, hold lauds, launch to. 454 00:39:43,800 --> 00:39:44,480 Speaker 3: Hold lots of. 455 00:40:24,599 --> 00:40:25,360 Speaker 1: It's gonna be. 456 00:40:25,559 --> 00:40:44,519 Speaker 10: A lie, Lord, it's gonna be a lie. Hold on to. 457 00:40:44,639 --> 00:40:54,559 Speaker 27: Your hold on to your lad, hold on to luck, 458 00:40:55,800 --> 00:40:56,280 hold on. 459 00:40:56,440 --> 00:40:57,159 Speaker 2: You luck. 460 00:41:03,000 --> 00:41:03,360 Speaker 3: All the. 461 00:41:05,400 --> 00:43:01,840 Speaker 28: Allo Allow. 462 00:43:01,880 --> 00:43:02,679 Speaker 11: What a cool song. 463 00:43:03,119 --> 00:43:03,639 Speaker 1: I like the. 464 00:43:05,280 --> 00:43:06,960 Speaker 12: There's a little bit of a fake out at the 465 00:43:07,079 --> 00:43:09,480 end too, where it sounds like it's fading out and 466 00:43:09,599 --> 00:43:11,800 it sort of is but not quite and then it 467 00:43:11,880 --> 00:43:13,840 fades out. It kind of like you kind of think 468 00:43:13,840 --> 00:43:15,199 it's fading out sooner than it does. 469 00:43:15,280 --> 00:43:16,599 Speaker 3: I like that. I like that. 470 00:43:17,000 --> 00:43:19,960 Speaker 12: That is hold on to Your Heart by Brooks Young. 471 00:43:20,519 --> 00:43:23,280 That song, by the way, had escaped me. I had 472 00:43:23,400 --> 00:43:25,840 not heard that one, but I found it online and 473 00:43:26,400 --> 00:43:28,000 I was like, ah, one I haven't heard. And the 474 00:43:28,039 --> 00:43:30,039 thing with Brooks too is, you know, doing a show 475 00:43:30,159 --> 00:43:32,639 like this, I always have to screen the music. But 476 00:43:32,760 --> 00:43:35,239 Brooks never had any bad words in any of his songs, 477 00:43:35,440 --> 00:43:39,079 so I knew that I could play that without pre 478 00:43:39,199 --> 00:43:42,039 screening it and it would not be a problem. But 479 00:43:42,800 --> 00:43:44,840 if you are just joining us, we are spending this 480 00:43:45,039 --> 00:43:49,440 hour remembering our friend Brooks Young who was taken from 481 00:43:49,519 --> 00:43:53,320 us earlier this week in a tragic car accident. And 482 00:43:53,760 --> 00:43:58,360 such a talented person, and love his music and and 483 00:43:58,559 --> 00:44:01,000 loved him. He was just a great, great guy. 484 00:44:01,400 --> 00:44:01,559 Speaker 3: You know. 485 00:44:01,639 --> 00:44:04,440 Speaker 12: It was interesting, As I said, I'd interviewed him so 486 00:44:04,559 --> 00:44:08,119 many times over the years, and but the when I 487 00:44:08,199 --> 00:44:10,760 interviewed him in twenty twenty three, I interviewed him earlier 488 00:44:10,840 --> 00:44:13,039 this year. I'd also interviewed him in twenty twenty three, 489 00:44:14,039 --> 00:44:16,199 and but I think it was the first time I'd 490 00:44:16,239 --> 00:44:20,360 seen him in quite a few years, at least the 491 00:44:20,480 --> 00:44:24,440 last time I had seen him, definitely pre pandemic. So 492 00:44:25,800 --> 00:44:29,079 but it's it's you know. And his hair had pretty 493 00:44:29,159 --> 00:44:33,480 much turned completely gray, you know, he's prematurely gray. He 494 00:44:33,599 --> 00:44:36,679 was only forty two when he passed away. But but 495 00:44:36,840 --> 00:44:39,599 it was it was I hadn't seen him since his 496 00:44:39,679 --> 00:44:42,199 hair would turn completely gray. But it kind of suited him, 497 00:44:42,239 --> 00:44:46,639 it worked for him. But yeah, such a such a 498 00:44:46,719 --> 00:44:49,519 great guy. I think we should Uh, I think we 499 00:44:49,559 --> 00:44:54,599 should continue. I you know, I hate to say it's 500 00:44:54,599 --> 00:44:56,400 such a cliche. I think we should let the music 501 00:44:56,440 --> 00:44:57,800 do the talking. But I think we should. I do 502 00:44:57,880 --> 00:45:00,559 think that's probably the best way to honor Brooks uh 503 00:45:00,719 --> 00:45:02,360 and his memory. So let's play another one. 504 00:45:02,440 --> 00:45:05,559 Speaker 11: Why not? This is called same old blues Brooks Young. 505 00:45:32,440 --> 00:45:33,320 Speaker 2: Morning may. 506 00:45:34,880 --> 00:45:47,360 Speaker 10: Keeps the phone. That's of tears that fall from my ass. 507 00:45:50,559 --> 00:45:51,800 That's that sit. 508 00:45:53,239 --> 00:45:54,519 Speaker 5: In my room. 509 00:45:55,920 --> 00:46:02,239 Speaker 2: Steering Now, that's the gloom. That's the way. 510 00:46:03,760 --> 00:46:04,880 Speaker 10: In the same. 511 00:46:06,199 --> 00:46:08,119 Speaker 2: Sable blues. 512 00:46:14,079 --> 00:46:15,119 Speaker 20: Ra can hell. 513 00:46:16,599 --> 00:46:18,800 Speaker 2: Racking as thinking. 514 00:46:24,360 --> 00:46:25,480 Speaker 10: When the sun. 515 00:46:27,079 --> 00:46:34,760 Speaker 29: Used the sund my back door. Now the sun it's 516 00:46:34,960 --> 00:46:41,480 turns away. Oh my lavedad, it turned to the pay. 517 00:46:42,760 --> 00:46:43,840 Speaker 10: It's the pay. 518 00:46:45,199 --> 00:46:46,480 Speaker 2: Lo the same. 519 00:47:39,360 --> 00:47:50,280 Speaker 30: Sunshine, sunshine, so you see now, but it all. 520 00:47:51,880 --> 00:47:53,960 Speaker 2: Looks like clowns to me. 521 00:47:57,400 --> 00:47:58,039 Speaker 1: Who has that. 522 00:48:00,119 --> 00:48:00,920 Speaker 3: In my room? 523 00:48:02,599 --> 00:48:03,519 Speaker 1: Staring up. 524 00:48:05,599 --> 00:48:06,199 Speaker 10: The flue? 525 00:48:07,800 --> 00:48:11,280 Speaker 2: It's the ray. It's the same. 526 00:48:16,159 --> 00:48:26,599 Speaker 31: Yeah, it's the ray. It's the same who blue, yay, 527 00:48:28,199 --> 00:48:34,920 it's the rain. It's the same ooh blue. 528 00:48:47,559 --> 00:48:55,039 Speaker 2: That you guys called a gap leaving what we are thinking, 529 00:48:55,280 --> 00:49:03,440 Oh oh, okna, ain't good mistake, because if we throw 530 00:49:03,559 --> 00:49:10,760 it all away, we couldn't be love. Oh can't you 531 00:49:10,920 --> 00:49:18,039 see that? No one? We never love you not. We'll 532 00:49:18,119 --> 00:49:22,480 never touch you when I've got church you but one 533 00:49:23,880 --> 00:49:25,400 left you find. 534 00:49:26,800 --> 00:49:27,960 Speaker 3: No one. 535 00:49:28,880 --> 00:49:31,480 Speaker 19: We'll never love you like an love you. 536 00:49:32,599 --> 00:49:37,320 Speaker 3: We'll never give you what I give a dog wound 537 00:49:38,679 --> 00:49:40,199 love love. 538 00:49:40,119 --> 00:49:50,159 Speaker 32: You lacking child, your one, she'll take your keys A 539 00:49:50,320 --> 00:49:54,320 close the door, tell me what you the kid for? 540 00:49:55,239 --> 00:49:55,800 Speaker 27: Cau City? 541 00:49:55,960 --> 00:49:56,239 Speaker 3: You know? 542 00:49:57,519 --> 00:49:58,559 Speaker 2: And you going. 543 00:50:00,320 --> 00:50:03,760 Speaker 16: There's something back of the saying, oh yeah me because 544 00:50:03,800 --> 00:50:07,360 if we're going all the way, we're gonna be No. 545 00:50:13,000 --> 00:50:18,199 Speaker 2: I gotta tell you no, we'll never love you that. 546 00:50:20,639 --> 00:50:21,679 Speaker 10: We'll never kiss you. 547 00:50:21,840 --> 00:50:24,199 Speaker 2: Not got pis know. 548 00:50:25,920 --> 00:50:32,760 Speaker 19: Either it's your badnother no word, no. 549 00:50:36,039 --> 00:50:36,599 Speaker 3: No one. 550 00:50:40,039 --> 00:50:47,760 Speaker 2: Report we love it well, we're gonna do. 551 00:50:52,880 --> 00:50:55,360 Speaker 10: You pack your bats call a. 552 00:50:55,519 --> 00:51:01,840 Speaker 2: Can believe in what we have think is over. 553 00:51:05,599 --> 00:51:05,880 Speaker 3: Word. 554 00:51:06,800 --> 00:51:11,360 Speaker 2: We level love you like a love. We'll never tell 555 00:51:11,440 --> 00:51:21,719 you like a cho No you bad, no one, we'll 556 00:51:21,840 --> 00:51:26,280 level love you like that well. We'll never give you 557 00:51:26,440 --> 00:51:39,159 a lucky love love luck at sound, No. 558 00:51:39,559 --> 00:51:51,559 Speaker 11: One remembering Brooks young, Let's uh, let's play one more. 559 00:52:15,199 --> 00:52:18,039 Speaker 2: I hear a voice. 560 00:52:22,199 --> 00:52:32,239 Speaker 10: In sad my man telling me, but you listen to 561 00:52:32,519 --> 00:52:37,800 my thoughts, your wand. 562 00:52:43,360 --> 00:52:58,960 Speaker 2: Your wand sand shivers tell my span even though it's 563 00:52:59,280 --> 00:53:00,199 not a. 564 00:53:04,119 --> 00:53:06,800 Speaker 10: Hero out of the day. 565 00:53:11,639 --> 00:53:13,760 Speaker 5: I guess that's what out. 566 00:53:18,800 --> 00:53:20,480 Speaker 10: I guess that's what. 567 00:53:20,679 --> 00:53:21,559 Speaker 1: Out lea. 568 00:53:25,239 --> 00:53:49,320 Speaker 19: Whoa whoa whoa hero hout the day? Hero how the day. 569 00:53:53,559 --> 00:54:01,039 Speaker 10: Going one way on a two way track ahead and 570 00:54:01,280 --> 00:54:01,719 my way. 571 00:54:02,719 --> 00:54:09,960 Speaker 22: But I'll never too bad. I hear you crying when 572 00:54:10,079 --> 00:54:15,719 you call my name, I'll. 573 00:54:15,840 --> 00:54:24,719 Speaker 1: Say your so, I'll say your soul. 574 00:54:28,760 --> 00:54:51,800 Speaker 3: Whoa whoa whoa whoa hear on the day he of 575 00:54:52,199 --> 00:54:53,000 the day. 576 00:55:02,320 --> 00:55:06,400 Speaker 2: They had living in. 577 00:55:12,000 --> 00:55:18,559 Speaker 19: Telling me about a day. 578 00:55:16,880 --> 00:55:18,159 Speaker 2: The ready. 579 00:55:32,320 --> 00:55:42,199 Speaker 3: Whoa whoa whoa whoa. 580 00:55:48,239 --> 00:55:49,440 Speaker 2: Of the day. 581 00:55:55,239 --> 00:55:56,199 Speaker 3: Of the day. 582 00:56:34,119 --> 00:56:38,199 Speaker 12: That is hero of the day, Brooks Young taken much 583 00:56:38,280 --> 00:56:42,440 too soon. But as music lives on, I suggest you, 584 00:56:42,840 --> 00:56:45,760 if you're a fan, you should definitely go online and 585 00:56:46,119 --> 00:56:49,320 check out such a prolific songwriter, such a great songwriter, 586 00:56:49,480 --> 00:56:52,800 great voice, and one hell of a guitar player, Brooks Young. 587 00:56:53,800 --> 00:56:56,800 Speaker 11: I'm honored to have known him. All Right, Well, we 588 00:56:56,960 --> 00:56:58,079 will begin to wrap up. 589 00:56:58,079 --> 00:56:59,679 Speaker 12: If you miss any part of today's show, it will 590 00:56:59,679 --> 00:57:02,239 be up in just a little bit at wmnhradio dot 591 00:57:02,400 --> 00:57:05,280 org and at my website Matt Connorton dot com. I 592 00:57:05,320 --> 00:57:07,559 also want to remind you very quickly that next week 593 00:57:07,679 --> 00:57:11,079 is a big, big weekend. Friday, November twenty second, it 594 00:57:11,199 --> 00:57:15,360 is the pre Black Friday event and lighting of the 595 00:57:15,519 --> 00:57:18,440 Yule Tree at the Sister Witch Company at eleven ninety 596 00:57:18,480 --> 00:57:20,880 three Hooks At Road in Hooks It And if you 597 00:57:20,920 --> 00:57:22,920 get there by seven for the lighting of the Yule Tree, 598 00:57:23,480 --> 00:57:26,360 you do get a ticket for an exclusive pre shop 599 00:57:26,480 --> 00:57:29,440 for their next event which will be November thirtieth at 600 00:57:29,480 --> 00:57:32,960 the Magical Market and Small Business Psychic Fair at the 601 00:57:33,400 --> 00:57:35,960 Manchester Masonic Temple. So they have a lot going on. 602 00:57:36,480 --> 00:57:40,119 Sisterwitchcompany dot com is the website. You should definitely check 603 00:57:40,199 --> 00:57:42,679 it out. Also next weekend I mentioned it's a big 604 00:57:42,760 --> 00:57:46,760 weekend because on Sunday it is Spelfefest. It's an all 605 00:57:46,840 --> 00:57:49,880 day event or doors open at one pm and goes 606 00:57:49,960 --> 00:57:52,880 till one am, twelve hours. I will be there, Jenny 607 00:57:52,960 --> 00:57:55,239 will be there, our friends Eleanor and Spelfe of course 608 00:57:55,280 --> 00:57:58,840 and everyone from the Midnight Creatives Collective and we'll be there. 609 00:57:58,920 --> 00:58:02,400 And it's a it's gonna be a fantastic event, so 610 00:58:02,559 --> 00:58:05,119 much great music and it is for a very very 611 00:58:05,199 --> 00:58:09,760 good cause. So that will be the twenty fourth and 612 00:58:10,239 --> 00:58:14,559 that is a jewel right here in Manchester, so lots 613 00:58:14,639 --> 00:58:17,800 going on again. Thank you all for joining me today. 614 00:58:17,840 --> 00:58:20,360 Thank you to our friend Dennis Layton from the Gray 615 00:58:20,480 --> 00:58:23,119 Curtain joining us in the first hour, and he's got 616 00:58:23,159 --> 00:58:25,320 a great event going on tonight if you're in Connecticut, 617 00:58:25,360 --> 00:58:30,440 of course, the No Masters Fest Night two, and that 618 00:58:30,599 --> 00:58:33,199 is also for a great cause. And what a great 619 00:58:33,239 --> 00:58:35,039 band that is, the Gray Curtain. And then of course 620 00:58:35,400 --> 00:58:37,840 in the second hour we were joined by Liz Hannah 621 00:58:38,280 --> 00:58:42,159 and Atlas from the Mosaic Art Collective and they are 622 00:58:42,199 --> 00:58:45,039 doing great things as well, and we're gonna get out 623 00:58:45,039 --> 00:58:46,519 of here. That's it for us for now. 624 00:58:47,159 --> 00:58:48,360 Speaker 11: I'll talk to y'all a little bit later. 625 00:58:48,400 --> 00:58:51,000 Speaker 2: Bye. Everybody you're listening to WUM and h. 626 00:58:55,880 --> 00:58:59,079 Speaker 21: Command, don't get supremely. 627 00:59:00,039 --> 00:59:00,920 Speaker 2: Oh Gobby 628 00:59:35,880 --> 00:59:36,199 Speaker 3: Sh