Speaker 1: Weird wad.
Speaker 2: Welcome MAC midnight viewers to find them Alone's weekly round up.
Speaker 2: Wipe away those cobwebs, dust off those post Halloween blues.
Speaker 2: It's a new week and it needs a rounding up,
Speaker 2: and I've got the perfect co host to do just that.
Speaker 2: She tried to steal all my candy. Damn right, I
Speaker 2: foiled you. There's tricks and then there's capital offenses. Don't
Speaker 2: steal candy candy. People are nice, ask we'll share. Yes,
Speaker 2: sharing the hosting duties with me is the delightful missus
Speaker 2: ripley jeans. Okay, I know I've been going first a
Speaker 2: lot lately. Jesus you her hp K, Thank you hp
Speaker 2: You are a much lovelier guest than Harvey Peacar, Harvey
Speaker 2: peak Car. What's your guy going on? Dog? That should
Speaker 2: help ease us out of the all hallows with drolls. Finally,
Speaker 2: time to talk the MCU here on the round up. Now,
Speaker 2: if you listen with any regularity to Anthology's attack, you'll
Speaker 2: know I am a big old comic book fiend from
Speaker 2: back in the day the seventies. Y'all. You could buy
Speaker 2: stacks of old comics at any shop. Random titles from
Speaker 2: random characters, completely out of sequence, if you were lucky
Speaker 2: to get any consecutive issues of anything. The regular titles
Speaker 2: were still being pumped out regularly, but there was forty
Speaker 2: years of accumulation of comic books that most people thought
Speaker 2: were worthless. I didn't care about the condition of the
Speaker 2: book or the genre. It was all sustenance. But the
Speaker 2: older I got, the more refined my palette. And while
Speaker 2: I still read a lot of Batman Captain America, as
Speaker 2: the years went on, the comics I was reading had
Speaker 2: very little to do with traditional superherism. My guys were
Speaker 2: John Constantine, though the comic He Sprang from Swamp Thing
Speaker 2: is my true blue favorite over there at Detective Comics.
Speaker 2: But at Marvel, oh baby. Ever since the dit code
Speaker 2: nominated sixties, Marvel had a weird tributary branching off from
Speaker 2: the usual fair First and foremost, they have Ghostwriter. Oh yes,
Speaker 2: and they also have Blade, who first appeared in Tomb
Speaker 2: of Dracula. I have that issue framed on my wall.
Speaker 2: But you heard right, Dracula had his own series. Actually
Speaker 2: he had a few series. Not to mention Morbius, I
Speaker 2: know it was a terrible movie, but the point being
Speaker 2: there were two vampires with their own titles. Doctor Strange
Speaker 2: obviously spent some time in the underworld, and they've got
Speaker 2: Mephisto and Man Thing and Monster of Frankenstein. You have
Speaker 2: superhero fatigue. Fuck you. I have been waiting for the
Speaker 2: supernatural this whole time. Finally, finally we got were Wolf
Speaker 2: by Night, which, if you've only seen that horrible black
Speaker 2: and white version, they released it the last second, I'm
Speaker 2: assuming because they were in a slump and didn't want
Speaker 2: this to be another wrung down the ladder, so they
Speaker 2: tried to play up the campier aspects of the story.
Speaker 2: Watch it in color. It is remarkably better. I mean
Speaker 2: it shouldn't be, except, of course, it was conceived of
Speaker 2: and shot to be a color film. What is this
Speaker 2: trend about desaturating film down to black and white? It's
Speaker 2: always forced and always a gimmick. But before we got
Speaker 2: to an honest to god were Wolf and proper monsters
Speaker 2: and monster hunters in the Marvel universe, Wanda Vision introduced
Speaker 2: us again finally to the use of magic in Wanda's arsenal.
Speaker 2: She started out a mutant, which she always was, but
Speaker 2: Wanda is so pale a character when you snack her
Speaker 2: up against the Scarlet Witch. The standout of that show
Speaker 2: was its antagonist, although really Wanda was the hero and
Speaker 2: the villain, a little known and seldom front and center
Speaker 2: character that debuted back in nineteen sixty nine in a
Speaker 2: run of Fantastic Four of All Titles. She was a
Speaker 2: governess to Sue Storm and read Richard's kid Franklin. Her
Speaker 2: name is Agatha Harkness, and this is Agatha all along, Nagatha.
Speaker 1: Everything, the covernless Witch. Agatha No, what really happened to you?
Speaker 1: Seekest tho the road to all that's fall and face.
Speaker 1: She took every little bit of power I had.
Speaker 2: Gathers sisters, fun, I'm something a covered water.
Speaker 1: We gotta get back on top.
Speaker 2: I'm gonna walk the road.
Speaker 1: Join me, dok you so wake?
Speaker 2: Thy power of.
Speaker 1: The Witch's road will give you the thing you want
Speaker 1: most if you make it to the end of the cover.
Speaker 1: The road is a death wish shine.
Speaker 2: Heard you guys were having a party?
Speaker 1: Hey, shall I down?
Speaker 2: It will test us wit and our knowledge of the craft.
Speaker 1: We don't even know what we're up against. Our worst nightmares.
Speaker 1: How do we have this trial without any power?
Speaker 2: We survive like witches have been doing for centuries. What
Speaker 2: happens next?
Speaker 1: I just need these witches to give me to the end.
Speaker 2: The bodies are really piling up.
Speaker 1: Why do you let them believe those things about you?
Speaker 1: Because the truth is too awful.
Speaker 2: Time to finish the road, last one. There is a
Speaker 2: nice person.
Speaker 1: Follow me, my friends too.
Speaker 2: This is Thede, the Witch's road that Marvel needs to
Speaker 2: be following. Stop trying to replace your heroes with similar heroes.
Speaker 2: There are other genres, and horror being the best of
Speaker 2: them means that that's the way they should be. Headache,
Speaker 2: see I don't care, it's my podcast. WandaVision left Agatha
Speaker 2: powerless and banished, ultimately another of the Scarlet Witch's victim. Here,
Speaker 2: she's pulled back to the world of reality and lack
Speaker 2: thereof by a young man who needs to find the
Speaker 2: Witch's Road, a path made famous through song, and the
Speaker 2: song is good. It's gonna get stuck in your head.
Speaker 2: The young man is referred to as the Team throughout
Speaker 2: the entire series. Any attempts to speak his name becomes
Speaker 2: scrambled by magic, keeping his secret throughout. It's kind of
Speaker 2: like kill Bill, Remember and Kill Bill. Anytime the bride
Speaker 2: said her name, they'd throw up a censor bar and
Speaker 2: have this horrible bleeping sound, and then you find out
Speaker 2: her name is Beatrix Kiddo, and who the fuck cares
Speaker 2: because it has no impact on anything else in those
Speaker 2: and those films useless, and as we know, nothing useless
Speaker 2: can be truly beautiful. It's a lot more purposeful here,
Speaker 2: and it actually serves the story, the story concerning Agatha
Speaker 2: assembling a coven and taking to the Witch's Road in
Speaker 2: an attempt to regain her powers. It's very Wizard of Oz,
Speaker 2: which they actually play with here pretty delightfully. Speaking of delights,
Speaker 2: the entirety of this fucking cast, Catherine Hahn is worth
Speaker 2: her weight in Disney Stock. She absolutely destroys in anything
Speaker 2: she's in. Here's some extra credit homework for you. Check
Speaker 2: out Parks and rec season four campaign Shakeup. That's her
Speaker 2: first appearance as Jennifer Barclay. She'd end up doing ten
Speaker 2: episodes and they're all fucking killer. As a contrast, check
Speaker 2: out her performance in A Revolutionary Road from two thousand
Speaker 2: and eight. That's the film starring Leonardo DiCaprio and Kate Winslet.
Speaker 2: It's a romantic follow up to Titanic. No, it really isn't,
Speaker 2: but Catherine Han is fantastic here, probing so much heart
Speaker 2: out of a heartless character, and they keep her as
Speaker 2: heartless as when we left her, which is refreshing. I'm
Speaker 2: gonna withhold my waterfall of praise for Patty Lapone when
Speaker 2: we cover Penny Dreadful. Deborah Joe, repped from that seventy show,
Speaker 2: does her usual solid work. Ali On shows up as
Speaker 2: Alice Wu Gulliver, who feels like an original character but
Speaker 2: actually debuted back in twenty seventeen in Doctor Strange. She's
Speaker 2: known as the Wu Usually. The standout I want to
Speaker 2: say is Ombrey Plaza. She is consistently surprising with her
Speaker 2: range and depth of characterizations, and there are scenes in
Speaker 2: this series where Plaza, a character even darker than Agatha,
Speaker 2: absolutely broke my heart. I wanted to say she's the standout,
Speaker 2: but that title goes to ssher Za Meta. She was
Speaker 2: on SNL for four seasons where they never managed to
Speaker 2: lean into her strengths. At the time, I thought that
Speaker 2: strength was comedy, but after this it's pretty much everything.
Speaker 2: Where's her show? She deserves one, and she easily gives
Speaker 2: everyone a run for their money here. The time spent
Speaker 2: on the road is tremendous. It's like a glossy hammer
Speaker 2: horror film interior for exterior, and it fucking works. But
Speaker 2: nearly everything here does. First and foremost is its adherence
Speaker 2: to the occult a horror television show that loves horror,
Speaker 2: how novel, and it actually scared me. It was a
Speaker 2: jump scare, which ordinarily I would dismiss, but filmmakers have
Speaker 2: been playing with jump scare dynamics for the past twenty
Speaker 2: five years or so, all massive attempts at misdirect, so
Speaker 2: much so that they telegraph the scare as obviously as
Speaker 2: the ones they're trying to replace. So when a jump
Speaker 2: scare does work, I gotta give it credit. Oh In,
Speaker 2: the Salem's Seven make their flesh and Blood first appearance
Speaker 2: here on film. They're a group of villains created by Lenuen,
Speaker 2: co creator of Swamp Thing. They're a decent and dreadful
Speaker 2: menace here, and I'd like to see way more of them.
Speaker 2: Your opinion may vary on the current state of the MCU,
Speaker 2: but Agatha all along is a great step in the
Speaker 2: right direction. Can we get the Midnight suns up in
Speaker 2: active already. Oh you know what here, I'm going to
Speaker 2: weigh in on Blade where I think they're going to
Speaker 2: go with Blade. Whenever they get to that battle World
Speaker 2: plot line, we are not going to get a standalone
Speaker 2: Blade movie. He's going to appear in a big old
Speaker 2: Avengers movie, and when we get them, it's gonna be
Speaker 2: Wesley Snipes again. After that, we'll get a standalone Blade
Speaker 2: film with our new Blade. Hopefully they're writing that script
Speaker 2: right now, right now for us start paate years in
Speaker 2: the future. Think of how polished it could be. Think
Speaker 2: of all the weird references and other non starter properties
Speaker 2: you could layer in. Excellent choice, Mike ca nine Companion.
Speaker 2: I mean, we want nine straight hours of it, so
Speaker 2: I can't imagine you're choosing anything else.
Speaker 1: Me.
Speaker 2: Well, i'll tell you. Agatha got me thinking about other
Speaker 2: comic book adaptations that might make one say I was
Speaker 2: a comic book. So in that vein here's ghost World.
Speaker 1: What do you think you're doing? A noise rock and
Speaker 1: roll baby? Freedom of speech, that kid rule.
Speaker 2: They can't believe we made it.
Speaker 1: We graduated high school. How totally amazing. I can't help
Speaker 1: but feel I had some small part how you turned out.
Speaker 1: Sometimes I think I might be going crazy from sexual frustration.
Speaker 1: You just hate every single guy in the face of
Speaker 1: the earth. That's not true.
Speaker 2: I just hate all these extroverted, pseudo bohemian losers. You
Speaker 2: guys up for some reggae tonight? Do you have any
Speaker 2: other old records besides these?
Speaker 1: Who does him? He's the man with the records?
Speaker 2: What are we in slow motion here?
Speaker 1: What are you hypnotized? That's some more kids?
Speaker 2: Why don't you John who? Gina hasan who? I'm allowed
Speaker 2: to place one student from your graduating class for a
Speaker 2: full one year scholarship, and I took the liberty of
Speaker 2: submitting your name.
Speaker 1: This could be a really great thing for you. Would
Speaker 1: I have to take classes and stuff? Well, I'm just
Speaker 1: not the kind of guy who has a type.
Speaker 2: Every guy has a type.
Speaker 1: What about her?
Speaker 2: Who would you grow up with her?
Speaker 1: As small as she's breathing?
Speaker 2: Hey?
Speaker 1: Hey, you? How many times I tell you? No? Shut
Speaker 1: those ups? Get the head out of my store? What
Speaker 1: do you think this is? Commed? American? Dude? Learn the rules,
Speaker 1: loosen up?
Speaker 2: Heard the music?
Speaker 1: Ghost World the Underground comic book comes to life. We
Speaker 1: have to get together.
Speaker 2: This summer. Yeah, that'll definitely happen.
Speaker 1: Written by Daniel Klaus and Terry's wy Goth. Directed by
Speaker 1: Terry's wyg Goth. Deserve beer any alcohol.
Speaker 2: After about five minutes of this movie, you're gonna wish
Speaker 2: she had ten beers. Ever see a film with a
Speaker 2: character you relate to a little too much? Now take
Speaker 2: that movie jump ahead a quarter of a century, and
Speaker 2: now you relate way too much to another character. That's
Speaker 2: ghost World for me. The film is loosely based on
Speaker 2: the Wildly Inventive in Wildly Indie eight Ball comics by
Speaker 2: Daniel Klaus. The plot for the film what Plot, Who Cares.
Speaker 2: The movie chronicles the adventures of Enid Coleslaw played by
Speaker 2: Thora Birch, and her best friend Rebecca played by Scarlett
Speaker 2: Johansson Johnson Joe Hanson. I get conflicting accounts as they
Speaker 2: graduate high school and are faced with the onrush of
Speaker 2: adulthood and responsibility. All set in the netherworld of every
Speaker 2: town America. A horizon crisscrossed with telephone and power lines,
Speaker 2: televisions flickering from every home and apartment window, and there
Speaker 2: are strip malls as far as the eye can see.
Speaker 2: This is the first feature film from Terry Zwygoff, who
Speaker 2: previously had only ever directed one documentary. Sure the documentary
Speaker 2: was the fucking masterpiece Crumb, about famed underground comics hero
Speaker 2: R Crumb. Hey remember in Return of the Jedi, Jaba
Speaker 2: had that little hairless bird demon that cackled at everyone.
Speaker 2: That character's name was Salacious B. Kram, after Robert Crumb.
Speaker 2: On the surface, it seems appropriate given the ogling of
Speaker 2: Princess Leah, but really, if you know the man's work,
Speaker 2: you know she was not his type at all. Anyway,
Speaker 2: zwygov makes every wrong step as a filmmaker if you're
Speaker 2: a studio exec. No stars, no plot, no early two
Speaker 2: thousands strung together collection of songs shout out as a soundtrack.
Speaker 2: The lead character's choices are painful and at times make
Speaker 2: you question their viability as a human, never mind a protagonist.
Speaker 2: Oh and the detachment and melancholy right down to the
Speaker 2: lilting spare piano score. It's also very, very funny, hilarious
Speaker 2: in places. Klaus and Swagoff Pepper the frame with the
Speaker 2: greatest collection of oddballs and weirdos since well Crumb. Honestly,
Speaker 2: there are characters who have maybe two minutes of screen
Speaker 2: time without any dialogue that I remember more vividly than
Speaker 2: anyone in the latest Joker movie. Incidentally, did you see
Speaker 2: Quentin Tarantino crowing that that's a masterpiece? Okay, Quenton, you're
Speaker 2: still edgy, irrelevant? We get it. I mentioned Birch and Johansen,
Speaker 2: but this is the indiest of indie films, so naturally
Speaker 2: it's also got Steve buscemi Ileana Douglas, Bob Balaban, and
Speaker 2: in an uncredited cameo, the Late and Aluminous Miss Terry
Speaker 2: Gar Klaus and Zwagoff would collaborate again on Art School Confidential,
Speaker 2: which we'll probably cover at some point. That was an
Speaker 2: original screenplay, though not based on a comic, so it
Speaker 2: doesn't qualify for tonight's show. Zwygoff is one of the
Speaker 2: cheap Suit Serenaders. That's our Crumb and the Cheapsuit Serenaders,
Speaker 2: a jazz combo that plays music from the twenties and thirties.
Speaker 2: As such, we get a lot of jazz and blues
Speaker 2: in the film, including the absolutely haunting Devil Got My
Speaker 2: Woman by Skip James.
Speaker 1: Here Go.
Speaker 2: Go Game. The soundtrack overall is spectacular, including the opening number.
Speaker 2: That was John Pei Chanho from the absolutely bonkers Indian
Speaker 2: film Gum Nam. You heard it in the trailer. I
Speaker 2: do want to point out that the lovely Olivia Jean
Speaker 2: did an incredible cover of it on her night owl LP. Yeah,
Speaker 2: Olivia Jean exactly like Ripley, gene your name for her,
Speaker 2: you know, because she's fucking awesome and you're fucking awesome. Oh,
Speaker 2: we finally agree on something, ghost World from two thousand
Speaker 2: and one. You'll immediately take to it or you will
Speaker 2: fucking hate it. Seems to be the way of things.
Speaker 2: But as one final enticement, it's one of my favorite
Speaker 2: endings of any film ever. All right, now, this was
Speaker 2: supposed to be the segment where we talked about Robert
Speaker 2: Semechis's new film here starring Tom Hanks. You know that
Speaker 2: gimmicky lockdown camera and we have to endure a family
Speaker 2: as they get old and die. Barring the quality, it
Speaker 2: is an unusual premise for a film, but even more
Speaker 2: so for a comic book. That's where that one came from.
Speaker 2: But I couldn't slep my weight to the cinema this weekend,
Speaker 2: so instead I have a different oddball comic book adaptation
Speaker 2: also starring Tom Hanks.
Speaker 1: Peter, I can't come to your concert tonight if I'm working.
Speaker 1: What what's Papa's job? He works for.
Speaker 2: Mister Rooney, who's got a hug for a lonely old man.
Speaker 1: Papa didn't have a father, so mister Rooney looked after him.
Speaker 1: You rule this town is God rules yours. I love
Speaker 1: mister Rooney. We had nothing. He gave us a home.
Speaker 1: He goes on missions for mister Rooney. Take enough, Paul,
Speaker 1: take Mike with you. They're very dangerous.
Speaker 2: That's why he brings his gun to wonder.
Speaker 1: How are your dream You sell everything? Can you keep
Speaker 1: a secret?
Speaker 2: He's my son, a man of honor, always keeps his word.
Speaker 1: I go tomorrow when they find out where God, they're
Speaker 1: gonna come after us.
Speaker 2: I have to protect you now. I'd like to apologize,
Speaker 2: especially to you.
Speaker 1: You would like to apologize. Sons are put on this
Speaker 1: earth to trouble their fathers. Natural. Uh, you gotta take
Speaker 1: him now. I know what to call. There's a guy
Speaker 1: who's done some more for us in the past. To
Speaker 1: be paid to do what you love and at the
Speaker 1: dream get out? Can I quite you band him? At
Speaker 1: the same time.
Speaker 2: Why did they dream myself? Far us?
Speaker 1: What for this happened? Was not your fault? Won't an?
Speaker 1: Now was a little boy? What are you gonna do?
Speaker 2: Just one last thing? And then it's.
Speaker 1: Done with that?
Speaker 2: For the tract mind.
Speaker 1: We need it? Oh yeah, yeah, wed it. This is
Speaker 1: the life we chose, the life we lead, and there
Speaker 1: is only one guarantee, none of us you'll see heaven.
Speaker 2: Michael Cutton Road to Perdition, the gangster movie. That was
Speaker 2: a comic book, you goddamn right, and a really good
Speaker 2: one by Max Allan Collins. Not only that, it's got
Speaker 2: Daniel Craig and Stanley Tucci and Tyler Hawklin and Jennifer
Speaker 2: Jason and Paul fucking Newman. And Sam mendes is behind
Speaker 2: the camera. Actually it's the phenomenal Conrad Hall behind the camera,
Speaker 2: who'd win an Academy Award for his work here. But
Speaker 2: Sam Mendy's is directing. You can't lose. It's too much talent.
Speaker 2: The source material is too good. I didn't like this movie.
Speaker 2: Hanks is miscast. He's great as your friend and neighbor.
Speaker 2: I believe him in a villainous role. But this guy, no,
Speaker 2: not Midwest contract killer Michael Sullivan shortened from Osullivan in
Speaker 2: the book for no particular purpose. Sullivan works for the
Speaker 2: Looney crime family, and when his son witnesses some of
Speaker 2: the family's activities, the entire Sullivan family is marked for execution.
Speaker 2: Solid premise, but for some reason the film just lacks momentum,
Speaker 2: which is odd because it's an on the lamb trying
Speaker 2: to evade capture story. It ought to be crackling along. Instead,
Speaker 2: it just kind of limps. It's like Sam Mendy's was
Speaker 2: afraid to spoil the overall sense of seriousness. These are
Speaker 2: serious men engaged in see is business. I wasn't expecting
Speaker 2: the untouchables, but would a few breathless action moments hurt?
Speaker 2: In the book, the relationship between O'Sullivan and his wife
Speaker 2: Annie and their children is a sweet one that ends
Speaker 2: in unexpected tragedy. In the film, Annie might as well
Speaker 2: be wearing a sign that says put bullets here. The
Speaker 2: book like its inspiration the famed Japanese series Lone Wolf
Speaker 2: and Cub which was also the inspiration for the Mandalorians.
Speaker 2: But you know that, nerds, that's about the relationship between
Speaker 2: father and son more than it is a revenge tale.
Speaker 2: The film, however, is a slow grind toward an eye
Speaker 2: for an eye for an eye justice. Unfortunately, it doesn't
Speaker 2: have one new thing to bring to the table in
Speaker 2: its execution. Wait not true. Along the way, it does
Speaker 2: manage to come up with one innovation. A character created
Speaker 2: for the film, McGuire played by Jude Law. Oh how
Speaker 2: I love maguire like a grubby, psychotic Luigi, a freelance
Speaker 2: killer who shoots crime scene photos as his day job.
Speaker 2: A truly grotesque and disturbing individual. You can imagine him
Speaker 2: and Anton Shaguraz buddies. He's put on Sullivan's trail by
Speaker 2: Paul Newman, eventually catching up to him at a diner
Speaker 2: in the middle of the night, and it is everything
Speaker 2: I hoped the rest of the movie would be. Nobody
Speaker 2: cares if a screenwriter alters a book for the better,
Speaker 2: And this is the best scene in the film, Hanks
Speaker 2: in Law having a quiet conversation about nonsense, both fully
Speaker 2: aware of who the other is while they maintain their facades.
Speaker 2: Listen to the disdain and admiration in Law's voice as
Speaker 2: he takes stock of Sullivan's lives.
Speaker 1: To be paid to do what you'll love that the dream.
Speaker 1: I guess so yourself. You Selman, machine parts, machine parts.
Speaker 1: That's wonderful.
Speaker 2: No, that's wonderful. If it had been a two hour
Speaker 2: movie of Sullivan and Maguire sizing each other up and
Speaker 2: trying to get the upper hand while they're sitting in
Speaker 2: a diner, I would have been down. It's that good.
Speaker 2: I mentioned DP Conrad Hall, so you know. The whole
Speaker 2: thing looks beautiful, as do the locations and sets and
Speaker 2: props and costumes. It's gorgeous. It's just too busy being
Speaker 2: an important movie to deliver in an entertaining movie. The
Speaker 2: book is about breaking the cycle of violence in this
Speaker 2: family's life, maybe about breaking the cycle of violence in
Speaker 2: everyday life. It's open to interpretation, but the ending feels inevitable,
Speaker 2: as any great work should. The film also has the
Speaker 2: sense of inevitable, but not because there's no other way
Speaker 2: the story could have ended. It's more of a shrugging,
Speaker 2: well let's get this overworth kind of inevitability. Not a
Speaker 2: great place to present your film from. But what do
Speaker 2: I know. I'm just a fake Irish priest who talks
Speaker 2: to his dog all day. The fact that I understand
Speaker 2: your replies has no bearing on my credentials. If anything,
Speaker 2: it makes them worse. Anyway, thank you once again, midnight
Speaker 2: viewers for joining us here. Tune in at the end
Speaker 2: of the week. We're going to be diving back into
Speaker 2: the dark Side. That's Tales from the dark Side. We're
Speaker 2: taking a look at Comet Watch and a Dream Girl.
Speaker 2: That's a good episode of Midnight Viewing. I'm not vouching
Speaker 2: for the quality of the material reviewed. All I'm saying
Speaker 2: if you want to get in touch with me fatherm
Speaker 2: Alone seven to one at gmail dot com. If you
Speaker 2: want to support the show Patreon dot com, slash fatherom alone,
Speaker 2: or if you're feeling the sting of the lack of funds,
Speaker 2: you can do us a simple favor and simply like
Speaker 2: and subscribe to the show. If you're feeling verbose, you
Speaker 2: can leave us a review, hopefully positive, or just share
Speaker 2: it or tell someone to listen. Hell you just listening
Speaker 2: is greatly appreciated. For Ripley Gene, I'm father Alone. We're
Speaker 2: gonna leave you with a line from ghost World. Maybe
Speaker 2: now you can understand why I can't get a date, well,
Speaker 2: at least not.
Speaker 1: The only one I think only stupid people have good relationships.
Speaker 1: That's the spirit Na na no jumping the don hold
Speaker 1: na an shut sh sh sh