WEBVTT

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<v Speaker 1>Gary, I got your message and came over as soon

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<v Speaker 1>as I could. Did you get me that audition for

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<v Speaker 1>Sailor Moon on Ice?

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<v Speaker 2>Better?

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<v Speaker 3>Bowden?

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<v Speaker 4>Baby, I'm about to introduce you to the newest sensation

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<v Speaker 4>in the entertainment industry. Moveover TV, say bye bye motion pictures.

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<v Speaker 4>Here comes the podcast.

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<v Speaker 1>The podcast.

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<v Speaker 3>These things are incredible, bo real boff osako. It's exactly

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<v Speaker 3>like radio, but better. Coco invented the whole concept.

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<v Speaker 1>Conan O'Brien did not invent the podcast, Gerry. I've been

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<v Speaker 1>pitching Binging Benson with Boden for years.

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<v Speaker 3>Not Conan O'Brien, the Barbarian guy.

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<v Speaker 1>Coco the Barbarian is not a real person.

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<v Speaker 4>If being a character on a podcast doesn't make you real,

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<v Speaker 4>then I don't know what does?

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<v Speaker 3>All right? Well what am I booked for? Well you're not.

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<v Speaker 3>But maybe when your vampire movie comes out and you've

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<v Speaker 3>got a little.

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<v Speaker 1>Heat, then why did you have me come over here.

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<v Speaker 3>So you can listen to it with me? Here?

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<v Speaker 4>I'll tune the old podcast dial last is not how

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<v Speaker 4>podcasts work.

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<v Speaker 1>Is big and scary.

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<v Speaker 5>Even when you're extraordinary, when life won't.

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<v Speaker 2>Go as planned, we all can.

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<v Speaker 1>Use a hand, But Coco doesn't talk to me.

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<v Speaker 3>Coco doesn't seem to see that he needs a friend.

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<v Speaker 2>Hello everyone, and welcome once again to Coco the Barbarian

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<v Speaker 2>needs a friend. I'm your producer, Matt Curley, and with me,

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<v Speaker 2>as always, our Warrior leader and host, Coco the Barbarian.

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<v Speaker 3>Thank you, Curly. Curly, you shouldn't interrupt me, Mad, I'm sorry,

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<v Speaker 3>as you said, I am Coco the Barbelian. This is

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<v Speaker 3>my show. It's a good show, very you know, it's

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<v Speaker 3>people come on and they want to be my friend,

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<v Speaker 3>so it's very nice.

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<v Speaker 2>And with us as always, of course, Coco's erstwhile sidekick

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<v Speaker 2>and assistant, Red.

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<v Speaker 5>Sona very happy to be here.

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<v Speaker 3>Well, Coco.

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<v Speaker 2>I was reading in a variety today that the podcast

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<v Speaker 2>is starting to make a bit of a mark, make

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<v Speaker 2>a bit of a splash. I don't want to imply

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<v Speaker 2>that you've ever been away, but the headline does read,

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<v Speaker 2>is this Coco's big comeback?

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<v Speaker 3>But yes, a minute's silly. First of all, I don't

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<v Speaker 3>like that I'm in a magazine that is just various things.

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<v Speaker 3>It's just a random sort of variety. They like that

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<v Speaker 3>it should be called maybe like fear some Warrior magazine

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<v Speaker 3>in or magazine for shiny musclemen. That is do Maybe

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<v Speaker 3>they could change.

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<v Speaker 2>It play girl, play girl.

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<v Speaker 3>I think that's what you're thinking of, DearS.

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<v Speaker 5>That's right, but you're not a girl.

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<v Speaker 3>No, but it doesn't make any sense.

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<v Speaker 2>It's a never mind, you know what print is dead anyway.

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<v Speaker 2>But we are very excited because you know, if this

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<v Speaker 2>podcast continues to gain traction, perhaps we'll be seeing you

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<v Speaker 2>again on the big screen or perhaps a streaming service.

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<v Speaker 3>That's all right. Of course. I sometimes climb big screens

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<v Speaker 3>so that I can make it up to the rafters.

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<v Speaker 3>You know, when you are a hero, you need to

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<v Speaker 3>do that sometimes, and so maybe I would be on

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<v Speaker 3>the big screen. I've never climbed the streaming service before,

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<v Speaker 3>but I would do it.

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<v Speaker 5>Are a very strong swimmer, that's true.

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<v Speaker 3>I could. I could swim in the video stream. But yeah,

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<v Speaker 3>so I haven't gone away everybody. I've been around, and

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<v Speaker 3>I would be coming to a stream near you to swim.

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<v Speaker 2>Do you recognize that when I say streaming service, I

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<v Speaker 2>don't mean a body of water, but I mean like Netflix.

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<v Speaker 3>Well, I haven't heard of that. Is it a river?

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<v Speaker 2>No, it's a how do you get your entertainment Coco.

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<v Speaker 3>Well, what I do is I get my sword and

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<v Speaker 3>then put it on my back, and then I go out,

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<v Speaker 3>and then I go and I raid the villages and

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<v Speaker 3>I destroyed the things that they don't like in the villages.

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<v Speaker 2>You know, we're in North Hollywood right now.

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<v Speaker 3>And now it's really hard to find them.

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<v Speaker 2>A village. Yeah, there's not a ton of it.

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<v Speaker 3>It's really not.

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<v Speaker 5>Very few gestures too.

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<v Speaker 3>I heard of one across on the other side of

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<v Speaker 3>the country. It's called Greenwich Village, and I went there,

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<v Speaker 3>but they couldn't find any thatch roofed houses or you.

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<v Speaker 2>Know, you met a lot of other sweaty musclemen though.

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<v Speaker 3>Well, yes I did, Yes, didn't We saw on the

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<v Speaker 3>wind with me.

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<v Speaker 5>It was. It was a very very sweaty place.

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<v Speaker 3>Not very productive though I brought.

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<v Speaker 5>MyoD, very little stabbing.

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<v Speaker 3>Hardly any at all. Maybe only like two or three

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<v Speaker 3>times did I do stab?

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<v Speaker 2>Yeah. I think you know we've tried to talk about

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<v Speaker 2>this before. You know, you are very reluctant to give

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<v Speaker 2>up your sword. Max Security here really and says we

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<v Speaker 2>have to lock them up.

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<v Speaker 3>It's ridiculous.

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<v Speaker 2>It's just that you know, you were in the news recently.

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<v Speaker 2>It's how you came to my attention. I have to

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<v Speaker 2>admit I didn't realize you were still out there doing

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<v Speaker 2>the barbarian thing. And when I.

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<v Speaker 3>Probably don't talk about it. Then if it doesn't come

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<v Speaker 3>up in the variety.

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<v Speaker 2>Well exactly, it had not. It had not been in

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<v Speaker 2>variety until I saw there was an incident with you

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<v Speaker 2>and your sword at the NoHo. In and out.

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<v Speaker 3>Well, sure, I mean it's it says in and out,

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<v Speaker 3>and so you know. Son suggested that you know.

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<v Speaker 5>Are you put the sword in, you put the sort out.

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<v Speaker 3>That's correct. Yeah, that's what I thought.

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<v Speaker 5>And you put it in and then out again, and

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<v Speaker 5>then you get your burger.

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<v Speaker 3>That's what I figured, especially since it is a place

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<v Speaker 3>where people go to eat burgers. I figured that the

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<v Speaker 3>burghers had to be killed somehow with his sword. And

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<v Speaker 3>so I was looking around.

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<v Speaker 5>There were no cows.

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<v Speaker 3>There were no cows there.

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<v Speaker 2>But right into the regional manager.

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<v Speaker 3>Well he would sort of out, his back turned and

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<v Speaker 3>he was wearing a shirt that had like a black

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<v Speaker 3>spot here and the black spot there. I really thought

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<v Speaker 3>that this is just.

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<v Speaker 2>A bipedal cow, Hollywood cow.

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<v Speaker 3>Yeah.

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<v Speaker 2>Well, I mean on the plus side, you missed all

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<v Speaker 2>his major orderies, and he he has survived. I know

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<v Speaker 2>there's a pending lawsuit that we're not allowed to discuss.

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<v Speaker 5>Yes, and he never got a burger.

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<v Speaker 3>That's right. I was really upset about it. I mean,

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<v Speaker 3>he's all upset you stabbed me, But I'm the one

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<v Speaker 3>who didn't get the burger. That's true.

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<v Speaker 2>I suppose that is not cons not the greatest customer service.

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<v Speaker 2>I suppose no.

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<v Speaker 3>It's a terrible customer service.

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<v Speaker 2>Now, Couco you you you you know you you fancy

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<v Speaker 2>yourself a king.

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<v Speaker 3>That's why, of course I am.

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<v Speaker 2>I'm I'm curious your in your search for burgers. Have

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<v Speaker 2>you considered burger king?

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<v Speaker 3>I have thought about it, but you know, I've just

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<v Speaker 3>thought it brings up too many questions, such as, well,

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<v Speaker 3>you know, is the burger king? Who are the burger

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<v Speaker 3>king subjects? Is the burger king? The king of burgers?

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<v Speaker 3>It's not very king, No, not a good king, just

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<v Speaker 3>being the king of burgars. Burgers cannot do anything for you.

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<v Speaker 3>They can, you can collect taxes from burgars.

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<v Speaker 5>They won't bout.

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<v Speaker 3>Yes, that's right, that they don't even genuflect.

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<v Speaker 2>I suppose that's true. And so what would the alternative

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<v Speaker 2>be a king made of burgers.

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<v Speaker 3>Well that I thought of that too, But I don't

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<v Speaker 3>really want to be made of burgers right now. I

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<v Speaker 3>am made of muscle, and you know, skin and bones

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<v Speaker 3>and Arthuris and hell and various things. I like being

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<v Speaker 3>made of those things. I don't want to be made

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<v Speaker 3>of burgers because if I'm made of burgers, then how

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<v Speaker 3>I swing my sword?

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<v Speaker 5>You would be too greasy?

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<v Speaker 3>That's correct.

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<v Speaker 2>I mean you're already kind of great. I mean, I

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<v Speaker 2>don't get don't take it the wrong way, but you

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<v Speaker 2>you g listen, you listen what I'm trying to say.

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<v Speaker 3>It's the grease, of course, I do you not know?

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<v Speaker 3>This is a very big difference between the.

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<v Speaker 5>Bad greasy and the good grease.

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<v Speaker 3>Exactly, being of course in the bad Great Viad sometimes yummy,

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<v Speaker 3>but mostly when compared to the king. No, it's not

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<v Speaker 3>a groase for king.

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<v Speaker 2>I don't. I mean, I'm not that familiar with good greecesus.

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<v Speaker 2>I mean Greece one good, Greece two not good.

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<v Speaker 3>Well, that's true, you know, because the kings over the years,

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<v Speaker 3>if they were made with grease too, that's the bad.

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<v Speaker 3>It doesn't go very well, that's true Bog that was

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<v Speaker 3>made had.

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<v Speaker 5>The bad grease King Bog, King.

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<v Speaker 3>Bog of Bogland.

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<v Speaker 2>I'm really I'm not familiar.

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<v Speaker 3>Well, you probably never heard of King Bag because he's

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<v Speaker 3>but I did. Didn't show up in the random list

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<v Speaker 3>of various things. And also because King Bog was always

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<v Speaker 3>coded in bad grease. No one wants to remember King

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<v Speaker 3>Bog smelled bad and was he swings his sword and

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<v Speaker 3>it just we go right out of his hands.

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<v Speaker 2>Yes, hard to hold onto your kingdom that way.

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<v Speaker 5>Yeah, that's exactly the problem.

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<v Speaker 3>It's yes, girl of mine, it's it's good.

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<v Speaker 2>Never mind, Well, for those of you who are tuning

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<v Speaker 2>in for the first time, our hope on this show

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<v Speaker 2>is that Coco will be returning to the big screen

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<v Speaker 2>or perhaps the streaming service, even if he doesn't.

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<v Speaker 3>Know what that is.

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<v Speaker 2>So we're bringing different guests onto the show, getting to

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<v Speaker 2>know them and maybe uh Coco and red Sona will

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<v Speaker 2>invite them to be a part of their new franchise

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<v Speaker 2>plans depends.

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<v Speaker 3>We're a very tough duel over here.

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<v Speaker 2>It's true, so far you've you've not selected anyone at all.

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<v Speaker 3>And uh, Matt, are you talking about yourself again? We

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<v Speaker 3>told you Matt. We kind of have a girl man

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<v Speaker 3>on the table.

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<v Speaker 2>It's girly and I just want the producer credit. I've

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<v Speaker 2>said that many times. I don't need to go on

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<v Speaker 2>the adventures. I don't need to be in the adventures,

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<v Speaker 2>but a producer credit would.

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<v Speaker 5>Really do you keep talking about produce? Wet all is

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<v Speaker 5>meat and bread, Yes, and liquor.

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<v Speaker 3>That's true.

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<v Speaker 5>We don't need.

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<v Speaker 3>Pro we always have. We already have a meat mongo,

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<v Speaker 3>we already have a liquor mango, and we already have

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<v Speaker 3>well the in and out.

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<v Speaker 5>Maybe we need news, that's true.

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<v Speaker 3>I hadn't thought of that. In and out what's going

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<v Speaker 3>to be?

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<v Speaker 2>But we don't need you, don't you know what. I'm

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<v Speaker 2>not going to bring any protos to the table, but

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<v Speaker 2>let's see what our guest for today brings to the table.

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<v Speaker 2>I'm really I don't know if excited is the word,

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<v Speaker 2>but with us today is the legendary understudy Larry Hastings. Larry, Yes, sir, Hello,

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<v Speaker 2>thank you. This is Larry Hastings, a base baritone, and

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<v Speaker 2>I am effervescent to be Coco the Barbarians. Uh oh line, friend, yeah, yes, friend, friend,

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<v Speaker 2>I am effervescent to be Coco, The Barbarians Friend.

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<v Speaker 3>Hello, Well, effervescence seems pretty good. There's any any Is

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<v Speaker 3>that related to Greece in any way?

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<v Speaker 2>I once, very controversially I played Frenchy in a dinner

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<v Speaker 2>theater production of Grease. I thought it was very good.

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<v Speaker 3>That was it the good grease or the bad grease?

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<v Speaker 5>Well, he said French, So he must have been a

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<v Speaker 5>French fry.

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<v Speaker 3>That's oh okay, that's a good you know. I don't know.

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<v Speaker 3>That's a little on the fence in terms of good

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<v Speaker 3>or bad grease, could go either way.

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<v Speaker 2>I've never played a French fry. I did want spend

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<v Speaker 2>an entire summer playing mister Pibb at a children's amusement park.

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<v Speaker 3>And mister pib is mister Evangela. Then mister pib carry

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<v Speaker 3>an axe or a flell.

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<v Speaker 2>He had a straw coming out of his head.

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<v Speaker 3>He's a cup of soda. It doesn't sound.

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<v Speaker 5>Very very good for stabbing.

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<v Speaker 2>Well, stabbing the children was frowned upon. They made that

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<v Speaker 2>very clean.

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<v Speaker 3>Well, I suppose you don't usually stab the children, but

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<v Speaker 3>sometimes you need to stab the children.

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<v Speaker 5>Misters baritone, we will not hinder your creative energy.

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<v Speaker 2>Well, I can't tell you how refreshing that is to hear. Yes,

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<v Speaker 2>because I I've made most of my career as an understudy,

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<v Speaker 2>meaning I sort of have to copy what other people

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<v Speaker 2>have done, and I really feel that it's limited my

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<v Speaker 2>range range.

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<v Speaker 3>And I suppose you have to do it underneath something.

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<v Speaker 3>You do it under a table where you do the

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<v Speaker 3>studying that is underneath, make.

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<v Speaker 5>It harder to fit with the straw coming out of

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<v Speaker 5>your head.

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<v Speaker 2>The straw, Well, that is a rare case. While I

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<v Speaker 2>was not understanding, but I indeed originated that role as mister.

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<v Speaker 2>But when I'm understudying, well, sometimes I'm under a table,

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<v Speaker 2>I must admit. But other times I'm on the couch

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<v Speaker 2>or walking or standing. Sometimes I'm pretending to be in

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<v Speaker 2>a car. I once did Oklahoma on a pantomime horse.

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<v Speaker 3>That interesting. I like to get on a horse myself. Sometimes,

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<v Speaker 3>very rarely do.

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<v Speaker 2>They let you work with live animals such as a

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<v Speaker 2>horse on the stage, maybe a dog. If you're lucky,

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<v Speaker 2>you'll do Gypsy with a sheep.

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<v Speaker 3>I understand how you feel that. Won't even let me

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<v Speaker 3>bring my sword in here.

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<v Speaker 2>Well, that's that's a front, sir, That is yes, who

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<v Speaker 2>is preventing this man from his his props.

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<v Speaker 3>I don't know, Matt girly man, who is preventing me?

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<v Speaker 3>If I'm bringing in here.

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<v Speaker 2>It's building security, Coco. You can't bring actual These are

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<v Speaker 2>not prop weapons, these are actual sharp.

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<v Speaker 5>Wat's his sword. We will all be more secure.

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<v Speaker 2>Trouble he'll just I always say, look for the good

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<v Speaker 2>guy with the swords.

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<v Speaker 3>That's good. The eyes, I mean sometimes you have to

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<v Speaker 3>look for them so that you can fight them.

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<v Speaker 2>You have to fight the other good guys.

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<v Speaker 3>Sometimes, you know, you gotta be fo I've been there.

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<v Speaker 5>Let me tell you, how else will you get to

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<v Speaker 5>the top.

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<v Speaker 2>I've played Laertes seventeen times.

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<v Speaker 3>Oh, what did you play with Lealtes?

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<v Speaker 2>No? I well, I inhabited the role. I became Leartes. Ah.

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<v Speaker 3>I once did that with the bear a bear. Yes,

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<v Speaker 3>I killed it and then I wore it's cold, and

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<v Speaker 3>I inhabited the bear.

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<v Speaker 2>My goodness. Ah, you know I've been pitching for many

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<v Speaker 2>years a stage production of the Revenant. I think I

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<v Speaker 2>would be great as the bear.

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<v Speaker 3>Ah. Yes, very good. Well, you have to kill a

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<v Speaker 3>bear first and then you can wear it skin.

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<v Speaker 2>I'm not much of a hunter, I must admit.

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<v Speaker 3>Will you know that's okay. There's many different raw os

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<v Speaker 3>that can be played in an adventuring parties that rights on.

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<v Speaker 5>The Yes, there's a hunter, but there's also hmm, the

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00:17:15.319 --> 00:17:18.720
<v Speaker 5>car carry our stuff so that we can.

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<v Speaker 2>Do stabic have a lot. I'm sorry, I must, I

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00:17:21.920 --> 00:17:24.279
<v Speaker 2>must draw the line there. I am no gopher. I

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00:17:24.960 --> 00:17:26.920
<v Speaker 2>have well passed the point.

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<v Speaker 5>Will stab all the gophers if they bother you?

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<v Speaker 2>No, I I am no one's carry boy.

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<v Speaker 3>Ah. That's what I said before too, when they told

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<v Speaker 3>me in the in and outs that I should take

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<v Speaker 3>my stuff and live, I said, I'm not the carry boy.

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<v Speaker 3>They're not carrying my own stuff except for my sword

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<v Speaker 3>that carry that.

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<v Speaker 2>See. I think your mistake there was you just should

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<v Speaker 2>have specified that you wanted to dine in. Ah. Yes,

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00:17:53.359 --> 00:17:57.640
<v Speaker 2>Otherwise they they assume you wanted to go. And let

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<v Speaker 2>me tell you, I don't know if this is how

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00:17:59.240 --> 00:18:01.000
<v Speaker 2>happened to you, but I've been in many and in

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<v Speaker 2>and out and you forget to say this is for here,

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00:18:04.680 --> 00:18:06.000
<v Speaker 2>and they give it to you in a bag, and

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<v Speaker 2>you're like, well, I don't have anywhere to go. I

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00:18:08.880 --> 00:18:13.119
<v Speaker 2>don't have a car or a house or a horse,

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00:18:13.440 --> 00:18:15.680
<v Speaker 2>and so I want to eat here. So I take

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<v Speaker 2>my to go bag and I sit at one of

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00:18:17.319 --> 00:18:20.799
<v Speaker 2>the many booths, and then the manager comes sir, this

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00:18:20.960 --> 00:18:23.319
<v Speaker 2>is for dining only. Well, I want to dine in,

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00:18:23.640 --> 00:18:25.920
<v Speaker 2>but you've got it to go bag, you must go.

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<v Speaker 2>It's very frustrating.

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00:18:27.799 --> 00:18:31.359
<v Speaker 3>That does sounds very frustrating. I myself had issues within

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<v Speaker 3>and out. I feel that they do not like people

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<v Speaker 3>do things that they want to do. They're like the cows, go.

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<v Speaker 5>In and go out.

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<v Speaker 2>Honestly, if they're going to be that strict about it

332
00:18:41.480 --> 00:18:43.839
<v Speaker 2>should be called in or out.

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00:18:44.640 --> 00:18:45.640
<v Speaker 3>That's what I should call it.

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<v Speaker 5>And swords only out.

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00:18:49.279 --> 00:18:51.599
<v Speaker 3>Matthew, look like you had something you wanted to say

336
00:18:51.640 --> 00:18:52.079
<v Speaker 3>about this.

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00:18:54.119 --> 00:18:59.279
<v Speaker 2>Well, I mean I think that one. I think bringing

338
00:18:59.359 --> 00:19:01.759
<v Speaker 2>swords in to in in and out or really any

339
00:19:01.839 --> 00:19:07.000
<v Speaker 2>fast food chain not a great idea. Not a great idea.

340
00:19:07.160 --> 00:19:09.680
<v Speaker 5>I find that they tend to serve much faster.

341
00:19:10.319 --> 00:19:12.720
<v Speaker 2>Well that might be the case, but I think you know,

342
00:19:14.200 --> 00:19:17.559
<v Speaker 2>the people in the in and out typically not your enemies.

343
00:19:17.640 --> 00:19:20.319
<v Speaker 2>No need to slaughter them. They just want to give

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00:19:20.319 --> 00:19:23.599
<v Speaker 2>you a burger and a shake. And I by shake

345
00:19:23.720 --> 00:19:27.400
<v Speaker 2>I mean a frosty beverage, not They don't actually want

346
00:19:27.400 --> 00:19:28.119
<v Speaker 2>to physically shake you.

347
00:19:28.200 --> 00:19:30.119
<v Speaker 3>Well, that's good because I wouldn't.

348
00:19:29.720 --> 00:19:32.400
<v Speaker 2>Let I believe me. I know they would have.

349
00:19:32.359 --> 00:19:33.960
<v Speaker 3>A hard time. I'm very greasy.

350
00:19:36.720 --> 00:19:42.160
<v Speaker 2>Yes, now let me ask you because I have to say, Coco.

351
00:19:42.480 --> 00:19:46.279
<v Speaker 2>Seeing you in person, you remind me of a young

352
00:19:46.440 --> 00:19:51.240
<v Speaker 2>bed middler, and she taught me a great secret. I

353
00:19:51.279 --> 00:19:53.599
<v Speaker 2>wonder if the secret is one that you have as well.

354
00:19:54.720 --> 00:19:57.960
<v Speaker 2>Peanut oil head to toe before you go on stage.

355
00:19:58.599 --> 00:20:00.599
<v Speaker 2>Just it just gives you.

356
00:19:59.880 --> 00:20:04.720
<v Speaker 3>A glisten Peanut oil is in fact, what is that

357
00:20:04.759 --> 00:20:07.240
<v Speaker 3>on your list, sona of the good oils?

358
00:20:07.400 --> 00:20:13.400
<v Speaker 5>It's on the list of the okay oils. Some places

359
00:20:13.599 --> 00:20:15.799
<v Speaker 5>say you can't have peanuts.

360
00:20:16.559 --> 00:20:19.160
<v Speaker 2>Oh, it's true. You must be careful as so many

361
00:20:19.160 --> 00:20:20.839
<v Speaker 2>people are allergic nowadays.

362
00:20:21.680 --> 00:20:24.160
<v Speaker 5>And you know, if we're going to pick peanut oil

363
00:20:24.519 --> 00:20:27.599
<v Speaker 5>or swords, obviously we're choosing the sword.

364
00:20:27.799 --> 00:20:30.880
<v Speaker 3>Well that's true. Yes, sometimes you have to choose one

365
00:20:30.960 --> 00:20:32.839
<v Speaker 3>of the other. But I'll give you my list of

366
00:20:32.920 --> 00:20:37.400
<v Speaker 3>good oils. You can not. The oil might be towards

367
00:20:37.440 --> 00:20:39.200
<v Speaker 3>the bottom, but it's there.

368
00:20:39.079 --> 00:20:41.240
<v Speaker 5>But it's still good, just not just not.

369
00:20:42.880 --> 00:20:45.160
<v Speaker 3>Right. And I don't know what kind of sword and

370
00:20:45.240 --> 00:20:48.000
<v Speaker 3>Love was carrying. Maybe there was a you know, one

371
00:20:48.039 --> 00:20:50.880
<v Speaker 3>that the peanut oil goes well with But you know,

372
00:20:51.039 --> 00:20:55.759
<v Speaker 3>sometimes people have sort sword allergies that they have to

373
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<v Speaker 3>have a certain kind of.

374
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<v Speaker 5>Accidents.

375
00:21:00.160 --> 00:21:02.920
<v Speaker 2>Seem to recall she was deathly allergic to the rapier.

376
00:21:03.119 --> 00:21:11.480
<v Speaker 2>I do seem, yes, then I could. But the other

377
00:21:11.519 --> 00:21:13.960
<v Speaker 2>thing about Bet, and let me tell you, I can

378
00:21:14.000 --> 00:21:17.119
<v Speaker 2>tell this is absolutely you must have Bet on the show.

379
00:21:17.680 --> 00:21:19.960
<v Speaker 2>You must have Bet on the show, because when I

380
00:21:20.119 --> 00:21:24.839
<v Speaker 2>was touring with Beth back in the day, I think

381
00:21:24.920 --> 00:21:28.480
<v Speaker 2>not not a performance went by that she didn't slit someone,

382
00:21:28.720 --> 00:21:33.480
<v Speaker 2>you know, uh, navel to head and just wear the skin.

383
00:21:34.920 --> 00:21:38.000
<v Speaker 5>Girly man. Why have we not had her on the

384
00:21:38.039 --> 00:21:38.640
<v Speaker 5>show yet?

385
00:21:38.920 --> 00:21:42.359
<v Speaker 2>Well, she's she's very she's a difficult book, as they say.

386
00:21:43.160 --> 00:21:45.880
<v Speaker 2>Really she only you know, Bets sort of done what

387
00:21:45.920 --> 00:21:48.000
<v Speaker 2>Bet needs to do, and you know.

388
00:21:48.079 --> 00:21:51.799
<v Speaker 5>She then let her come and join a new quest.

389
00:21:51.880 --> 00:21:55.880
<v Speaker 3>That's true. Slitting someone's from the navel up into the mouth.

390
00:21:55.920 --> 00:22:00.720
<v Speaker 3>That checks off like ten things on our list, looking like.

391
00:22:02.039 --> 00:22:08.039
<v Speaker 2>I'll see, but you know her and straisand sort of reclusive,

392
00:22:08.200 --> 00:22:09.960
<v Speaker 2>but I'll do my best, I promise.

393
00:22:10.480 --> 00:22:14.000
<v Speaker 3>And allergic Danny swords.

394
00:22:12.839 --> 00:22:16.880
<v Speaker 2>Probably all of them. Probably maybe you're not going to

395
00:22:16.960 --> 00:22:18.559
<v Speaker 2>get her to leave the house. You're gonna have to

396
00:22:18.599 --> 00:22:19.400
<v Speaker 2>go to her anywhere.

397
00:22:19.640 --> 00:22:21.839
<v Speaker 3>Yes, But you know what you know the.

398
00:22:21.799 --> 00:22:26.039
<v Speaker 2>Interesting about Strisand she has a whole underground city under

399
00:22:26.039 --> 00:22:31.720
<v Speaker 2>her house. Yes it's it's a private shopping mall.

400
00:22:32.119 --> 00:22:35.480
<v Speaker 3>The private shopping mall underneath the house.

401
00:22:35.680 --> 00:22:39.759
<v Speaker 2>Oh, yes, it's quite legendary. And also she clones.

402
00:22:39.279 --> 00:22:44.400
<v Speaker 3>All her dogs to eat them.

403
00:22:44.920 --> 00:22:47.559
<v Speaker 2>No, I think just to cuddle them.

404
00:22:47.839 --> 00:22:51.079
<v Speaker 3>I don't think we need the house, but I would

405
00:22:51.119 --> 00:22:55.240
<v Speaker 3>like to inquire about the underground layer. You know, any

406
00:22:55.359 --> 00:22:56.359
<v Speaker 3>dungeons in there?

407
00:22:57.519 --> 00:22:59.519
<v Speaker 2>I think. I think all you have to do is

408
00:22:59.559 --> 00:23:02.200
<v Speaker 2>ask Jane rolling about that, if you know what I mean?

409
00:23:04.720 --> 00:23:07.319
<v Speaker 2>Oh need do? I really?

410
00:23:08.000 --> 00:23:11.000
<v Speaker 3>So? Lali? I want to Now you know why there

411
00:23:11.000 --> 00:23:14.960
<v Speaker 3>are the sort of projects that you're working on these days?

412
00:23:15.240 --> 00:23:17.119
<v Speaker 3>What's exciting in your life?

413
00:23:17.880 --> 00:23:23.200
<v Speaker 2>Well, the truth is I've not worked in some time.

414
00:23:24.000 --> 00:23:27.960
<v Speaker 2>There was a incident with one of the Ulsen twins

415
00:23:28.160 --> 00:23:32.880
<v Speaker 2>that's sort of gotten me banned from around down But

416
00:23:33.880 --> 00:23:38.119
<v Speaker 2>I am. I have got a couple of engagements coming up.

417
00:23:38.640 --> 00:23:40.359
<v Speaker 3>I will be uh.

418
00:23:40.799 --> 00:23:45.000
<v Speaker 2>I will be reprising my role of mister Pibb once

419
00:23:45.039 --> 00:23:51.160
<v Speaker 2>again this summer at Dorney Park and Wildwater Kingdom in Allentown. Pennsylvania.

420
00:23:51.480 --> 00:23:56.720
<v Speaker 2>You can find me at the Freshman stand by steel Force.

421
00:23:57.599 --> 00:24:01.240
<v Speaker 3>Ah, steel Force was the name of a previous sword

422
00:24:01.319 --> 00:24:01.960
<v Speaker 3>that I had.

423
00:24:02.599 --> 00:24:07.720
<v Speaker 2>Really, Yes, perhaps it's this roller coaster forged from the steel.

424
00:24:07.400 --> 00:24:10.279
<v Speaker 3>Of your steel force. Well, it might be I lost

425
00:24:10.359 --> 00:24:13.160
<v Speaker 3>steel Force when I was slaying a wild boar.

426
00:24:13.599 --> 00:24:15.839
<v Speaker 5>What was this kingdom you were talking.

427
00:24:15.599 --> 00:24:17.599
<v Speaker 2>About, the wild Water Kingdom.

428
00:24:18.440 --> 00:24:22.359
<v Speaker 3>That sounds like maybe it's the same wild boar wild war.

429
00:24:22.720 --> 00:24:23.880
<v Speaker 3>I bet that's what it wins.

430
00:24:25.240 --> 00:24:28.799
<v Speaker 2>You did say you wanted to conquer streaming coincidence, this

431
00:24:28.960 --> 00:24:32.799
<v Speaker 2>might be the place to start.

432
00:24:30.759 --> 00:24:33.799
<v Speaker 5>The wild Water Kingdom.

433
00:24:34.079 --> 00:24:36.000
<v Speaker 2>It's more of a wavepool.

434
00:24:37.000 --> 00:24:37.720
<v Speaker 3>Interesting.

435
00:24:38.799 --> 00:24:40.039
<v Speaker 5>I think there's something here though.

436
00:24:40.319 --> 00:24:43.960
<v Speaker 3>Yes, I'll go to the people and I'll wave with them,

437
00:24:44.279 --> 00:24:46.519
<v Speaker 3>you know, I pool and maybe they would tell me

438
00:24:46.559 --> 00:24:47.160
<v Speaker 3>of my sword.

439
00:24:47.359 --> 00:24:50.039
<v Speaker 2>Well, if you're looking for a good time, I do

440
00:24:50.279 --> 00:24:54.279
<v Speaker 2>get two guest passes per week. They're only good after

441
00:24:54.279 --> 00:24:56.960
<v Speaker 2>five o'clock. But please let's let me know. I'd be

442
00:24:57.000 --> 00:24:58.079
<v Speaker 2>happy to pass you in.

443
00:24:58.119 --> 00:25:00.240
<v Speaker 3>Well, this is good that we like people who have

444
00:25:00.440 --> 00:25:02.759
<v Speaker 3>resources and power.

445
00:25:03.039 --> 00:25:08.720
<v Speaker 5>You can be are are entranceman.

446
00:25:08.960 --> 00:25:12.240
<v Speaker 3>That's true. We do need an entrance man. And I

447
00:25:12.279 --> 00:25:14.759
<v Speaker 3>was just saying that when we walked into the in and.

448
00:25:14.680 --> 00:25:17.039
<v Speaker 5>Out somebody to open doors.

449
00:25:17.839 --> 00:25:21.440
<v Speaker 2>Well again, I feel like an actor of my stature

450
00:25:21.480 --> 00:25:26.000
<v Speaker 2>has doors opened for him. I don't open doors for others.

451
00:25:26.200 --> 00:25:30.680
<v Speaker 3>You already have an entry person, Well, typically it's the

452
00:25:30.680 --> 00:25:34.920
<v Speaker 3>stage manager, you know.

453
00:25:35.079 --> 00:25:38.599
<v Speaker 2>They they're very handy. If you don't have a stage

454
00:25:38.640 --> 00:25:41.319
<v Speaker 2>manager on your little party, I think that's something you

455
00:25:41.319 --> 00:25:44.720
<v Speaker 2>should look into right away. They're very good at giving

456
00:25:44.759 --> 00:25:47.519
<v Speaker 2>you your cues, telling who when to move, telling you

457
00:25:47.759 --> 00:25:49.960
<v Speaker 2>when a light's about to fall on your head when

458
00:25:50.000 --> 00:25:53.880
<v Speaker 2>that happens more often than I'd like to admit. And

459
00:25:53.960 --> 00:26:00.559
<v Speaker 2>of course they're very good at reminding you of your lines. Lines.

460
00:26:02.599 --> 00:26:05.440
<v Speaker 3>All right, Matt, write that down. We need a stage

461
00:26:05.519 --> 00:26:06.799
<v Speaker 3>manager for our group.

462
00:26:07.680 --> 00:26:11.759
<v Speaker 2>Well, yeah, it's definitely. It's on the list, Coco, It's

463
00:26:11.799 --> 00:26:12.559
<v Speaker 2>it's on the list.

464
00:26:12.680 --> 00:26:16.680
<v Speaker 3>Good, okay, okay. Song on. What questions do you have

465
00:26:16.839 --> 00:26:17.559
<v Speaker 3>for Larry?

466
00:26:18.440 --> 00:26:30.319
<v Speaker 5>Well, let's see, Larry, have you ever had to fight

467
00:26:30.880 --> 00:26:34.680
<v Speaker 5>a mountain goat with your bare hands once?

468
00:26:35.680 --> 00:26:36.039
<v Speaker 2>Once?

469
00:26:36.640 --> 00:26:37.359
<v Speaker 3>How did it go?

470
00:26:38.920 --> 00:26:39.400
<v Speaker 2>Not great?

471
00:26:40.319 --> 00:26:40.799
<v Speaker 3>Not great?

472
00:26:40.799 --> 00:26:41.880
<v Speaker 2>But let me tell you that was.

473
00:26:41.839 --> 00:26:43.359
<v Speaker 3>The mountain goat. It was you.

474
00:26:43.799 --> 00:26:46.440
<v Speaker 2>It was the wildest production of sound of music I've

475
00:26:46.480 --> 00:26:51.680
<v Speaker 2>ever been in. I was playing Captain von Trapp and

476
00:26:52.000 --> 00:26:56.039
<v Speaker 2>It was very experimental production. We were doing it on

477
00:26:56.200 --> 00:26:59.279
<v Speaker 2>location in Austria, and so there we were on the

478
00:26:59.400 --> 00:27:05.200
<v Speaker 2>hill with this lonely I've heard this lonely goat herd,

479
00:27:06.039 --> 00:27:09.960
<v Speaker 2>and let me tell you, you would think when the music starts,

480
00:27:10.000 --> 00:27:12.759
<v Speaker 2>the goats are going to be like all into it.

481
00:27:12.759 --> 00:27:16.680
<v Speaker 2>It really frightened them, and it kicked poor Julie Andrews

482
00:27:16.799 --> 00:27:17.759
<v Speaker 2>right in the gut.

483
00:27:18.440 --> 00:27:19.759
<v Speaker 3>And I dove in.

484
00:27:20.160 --> 00:27:22.920
<v Speaker 2>I dove in to protect my my dear Jules as

485
00:27:22.960 --> 00:27:25.359
<v Speaker 2>I call her. We go way back, Jules and I

486
00:27:25.960 --> 00:27:29.599
<v Speaker 2>and uh that goat herd and I we locked horns

487
00:27:29.599 --> 00:27:30.759
<v Speaker 2>and we we ran.

488
00:27:30.640 --> 00:27:31.480
<v Speaker 5>The entire horn.

489
00:27:33.440 --> 00:27:34.519
<v Speaker 2>Well I wouldn't know.

490
00:27:34.599 --> 00:27:36.000
<v Speaker 3>It was just me and the leader.

491
00:27:36.039 --> 00:27:37.839
<v Speaker 2>You could tell he was the leader to get the

492
00:27:37.880 --> 00:27:38.480
<v Speaker 2>biggest horn.

493
00:27:38.559 --> 00:27:39.160
<v Speaker 3>That's smart.

494
00:27:40.640 --> 00:27:45.759
<v Speaker 2>And unfortunately I don't remember much. About six months later,

495
00:27:45.799 --> 00:27:49.759
<v Speaker 2>I woke up in the hospital. Julie Andrews by the way,

496
00:27:50.640 --> 00:27:53.519
<v Speaker 2>nowhere to be seen there. I oh, she was here,

497
00:27:53.920 --> 00:27:56.160
<v Speaker 2>but then you know, she had to go make a movie.

498
00:27:56.319 --> 00:28:00.400
<v Speaker 2>And I was like, oh, sure, sure, Jules. It's all

499
00:28:00.759 --> 00:28:04.039
<v Speaker 2>it's all peaches and cream when it's late at night

500
00:28:04.079 --> 00:28:07.480
<v Speaker 2>in a lonely Austrian hotel. But when things get tough

501
00:28:07.519 --> 00:28:10.160
<v Speaker 2>and old Larry's in a coma for six months.

502
00:28:11.039 --> 00:28:18.480
<v Speaker 3>Off your pop is Juliangelo's alert Danny Swords. You know,

503
00:28:18.559 --> 00:28:22.079
<v Speaker 3>I've never asked, now, did you get the goat skin to?

504
00:28:22.319 --> 00:28:23.279
<v Speaker 2>Did you do Camelot?

505
00:28:23.640 --> 00:28:25.640
<v Speaker 5>Did you make a crown with his horns?

506
00:28:26.960 --> 00:28:28.359
<v Speaker 2>Well, I don't really know.

507
00:28:28.480 --> 00:28:30.680
<v Speaker 5>Did you make a goblet from his skull?

508
00:28:30.880 --> 00:28:31.240
<v Speaker 3>Well?

509
00:28:31.319 --> 00:28:35.079
<v Speaker 2>Again, I none of it. I'm not. I'm sad to

510
00:28:35.119 --> 00:28:37.480
<v Speaker 2>say I was not the victor in this story.

511
00:28:38.160 --> 00:28:42.039
<v Speaker 3>This is all remark for you and the Oh dear,

512
00:28:42.839 --> 00:28:45.480
<v Speaker 3>sorry to say it, but you know, goats are sort

513
00:28:45.519 --> 00:28:45.960
<v Speaker 3>of like.

514
00:28:46.000 --> 00:28:48.640
<v Speaker 2>The It's very basically.

515
00:28:48.480 --> 00:28:51.799
<v Speaker 3>The basic one. The sort of level one of killing

516
00:28:51.839 --> 00:28:53.880
<v Speaker 3>and wearing the skins is the goats.

517
00:28:53.960 --> 00:28:57.720
<v Speaker 2>Oh, this is beat Miller all over again. You know,

518
00:28:59.039 --> 00:29:02.880
<v Speaker 2>fighting goats not really my thing. Although have you had

519
00:29:02.880 --> 00:29:05.480
<v Speaker 2>Matthew McConaughey on, because I think that's his thing.

520
00:29:06.160 --> 00:29:08.440
<v Speaker 3>Well, I would have to get them on, girly man,

521
00:29:08.519 --> 00:29:11.960
<v Speaker 3>add him to the list. That's right. Anyone, anyone who

522
00:29:12.000 --> 00:29:14.799
<v Speaker 3>fights goats can come on the showers level one. So

523
00:29:14.920 --> 00:29:16.440
<v Speaker 3>if you can do it, you can come on.

524
00:29:16.880 --> 00:29:22.920
<v Speaker 2>But my many talents are theatrical nature. Perhaps you would

525
00:29:22.960 --> 00:29:27.160
<v Speaker 2>need a sluk. We done or a song sang something

526
00:29:27.200 --> 00:29:29.319
<v Speaker 2>in the bass baritone range.

527
00:29:29.359 --> 00:29:34.200
<v Speaker 3>Perhaps, well, we do have an opening for a fool.

528
00:29:34.599 --> 00:29:37.319
<v Speaker 5>Yes we do, we do a fool.

529
00:29:37.400 --> 00:29:40.039
<v Speaker 3>Eh that's why I sometimes you want.

530
00:29:39.880 --> 00:29:41.400
<v Speaker 5>To have one a gesture.

531
00:29:41.680 --> 00:29:45.640
<v Speaker 3>Yes, it's important for your party to have one, because

532
00:29:45.680 --> 00:29:49.599
<v Speaker 3>you what you do is when you are say you're

533
00:29:49.640 --> 00:29:53.119
<v Speaker 3>going to be attacking a number of goats, you have

534
00:29:53.200 --> 00:29:56.240
<v Speaker 3>the fool go stand on the other side and they

535
00:29:56.319 --> 00:30:00.920
<v Speaker 3>wave around, and the goats's tracked while you come out.

536
00:30:00.960 --> 00:30:02.960
<v Speaker 3>But you saw it. Then you cut the coats in half.

537
00:30:03.319 --> 00:30:06.960
<v Speaker 5>And then in the evening when you're drinking from your

538
00:30:07.039 --> 00:30:10.799
<v Speaker 5>new goat goblets, you need a little entertainment.

539
00:30:11.240 --> 00:30:15.079
<v Speaker 3>Oh I love it though, Remember that, remember that Jester

540
00:30:15.240 --> 00:30:21.480
<v Speaker 3>that we had Harelton Harton Harlton was great.

541
00:30:22.400 --> 00:30:23.960
<v Speaker 2>What what happened to this Harlton?

542
00:30:24.000 --> 00:30:24.240
<v Speaker 3>Did he?

543
00:30:24.400 --> 00:30:26.240
<v Speaker 2>Did he get a spin off? Did he get his

544
00:30:26.279 --> 00:30:26.799
<v Speaker 2>own show?

545
00:30:26.960 --> 00:30:30.359
<v Speaker 3>Harlton did get his spin off? It span his head

546
00:30:30.519 --> 00:30:34.759
<v Speaker 3>ride off his shoulders by accident. Yeah, he spawn. I

547
00:30:35.119 --> 00:30:38.440
<v Speaker 3>was swinging my sword around sort of showing Halt and

548
00:30:38.519 --> 00:30:41.759
<v Speaker 3>how it worked, and Halton stepped a little two claws.

549
00:30:42.559 --> 00:30:46.039
<v Speaker 2>So you would be both the star and director of

550
00:30:46.079 --> 00:30:47.119
<v Speaker 2>this little project.

551
00:30:47.200 --> 00:30:47.480
<v Speaker 3>Is that?

552
00:30:47.519 --> 00:30:48.359
<v Speaker 2>What I'm inferring.

553
00:30:48.680 --> 00:30:49.279
<v Speaker 5>He's the king.

554
00:30:49.640 --> 00:30:52.160
<v Speaker 3>That's all right. I'm the king, So I do direct people.

555
00:30:52.240 --> 00:30:54.720
<v Speaker 3>I tell him to go and get my pheasant, and

556
00:30:55.079 --> 00:30:58.240
<v Speaker 3>you know, different things. But I also what was the

557
00:30:58.279 --> 00:31:00.519
<v Speaker 3>other thing you said? Direct and something else?

558
00:31:00.640 --> 00:31:01.440
<v Speaker 2>A star? Oh?

559
00:31:01.519 --> 00:31:03.079
<v Speaker 3>Yes, well right, of.

560
00:31:02.920 --> 00:31:06.519
<v Speaker 5>Course the king is the son of his king.

561
00:31:06.839 --> 00:31:10.319
<v Speaker 3>That's why. Yes, so I shine very brightly.

562
00:31:10.640 --> 00:31:14.000
<v Speaker 2>Well, you certainly certainly listen.

563
00:31:14.240 --> 00:31:17.960
<v Speaker 3>That's what I do. It's a good grease. The first

564
00:31:18.000 --> 00:31:18.759
<v Speaker 3>thing in the now.

565
00:31:19.559 --> 00:31:22.480
<v Speaker 2>Well, I'm certainly glad to hear that Michelle Fiffer won't

566
00:31:22.480 --> 00:31:27.119
<v Speaker 2>be involved in this. We have a thing. Well, I

567
00:31:28.000 --> 00:31:32.079
<v Speaker 2>have played the fool once or twice, so if you

568
00:31:32.119 --> 00:31:35.359
<v Speaker 2>would be willing to have me, well, I would be

569
00:31:35.720 --> 00:31:37.480
<v Speaker 2>more than happy to come on board.

570
00:31:38.480 --> 00:31:41.519
<v Speaker 3>I think that. Well, the son and I are going

571
00:31:41.599 --> 00:31:42.720
<v Speaker 3>to quicker.

572
00:31:43.200 --> 00:31:43.880
<v Speaker 5>We'll think about it.

573
00:31:43.960 --> 00:31:48.160
<v Speaker 3>That's why I do think about it, decide, maybe.

574
00:31:48.039 --> 00:31:50.079
<v Speaker 5>Have some some burgers.

575
00:31:50.599 --> 00:31:53.160
<v Speaker 3>So the son and I are going to have a

576
00:31:53.200 --> 00:32:01.279
<v Speaker 3>quick conference to decide. Yeah, I think the out said, Oh, I.

577
00:32:01.240 --> 00:32:04.960
<v Speaker 5>Mean I think he won't even spend that much.

578
00:32:06.000 --> 00:32:09.079
<v Speaker 3>But that's true. I don't know, but but it would

579
00:32:09.119 --> 00:32:12.119
<v Speaker 3>be good to have a fool. I really miss how I.

580
00:32:12.039 --> 00:32:13.000
<v Speaker 5>Know, I know.

581
00:32:16.079 --> 00:32:16.599
<v Speaker 3>Mm hmmm.

582
00:32:18.920 --> 00:32:20.240
<v Speaker 5>He said he won't carry anything.

583
00:32:20.440 --> 00:32:23.160
<v Speaker 3>That's true. I do like to make the fool carry

584
00:32:23.240 --> 00:32:25.559
<v Speaker 3>things fall down sometimes.

585
00:32:25.839 --> 00:32:33.160
<v Speaker 2>Oh dear, my pants seem to have fallen down.

586
00:32:34.240 --> 00:32:39.079
<v Speaker 3>I tell you why, Larry, You're welcome to the team.

587
00:32:39.440 --> 00:32:48.519
<v Speaker 2>Call oh, this is a wonderful Shall we discuss my fee?

588
00:32:48.440 --> 00:32:50.039
<v Speaker 3>Yeh you mean feet?

589
00:32:50.880 --> 00:32:53.839
<v Speaker 5>We do you have two of them?

590
00:32:54.000 --> 00:32:54.200
<v Speaker 3>Yes?

591
00:32:54.319 --> 00:32:59.640
<v Speaker 2>It's my fools are so far forget what's on my

592
00:33:00.119 --> 00:33:04.839
<v Speaker 2>contractual fee? Will this be sag minimum? Perhaps a little

593
00:33:04.880 --> 00:33:07.640
<v Speaker 2>bit more? Larry hasn't worked in a while, could really

594
00:33:07.799 --> 00:33:08.960
<v Speaker 2>use that health insurance.

595
00:33:09.000 --> 00:33:11.480
<v Speaker 5>Well, if you feel like you're sagging, we can get

596
00:33:11.519 --> 00:33:12.279
<v Speaker 5>you a belt.

597
00:33:12.599 --> 00:33:13.400
<v Speaker 3>It's through Matt.

598
00:33:13.480 --> 00:33:16.799
<v Speaker 2>What do you think we can definitely get him a belt?

599
00:33:16.799 --> 00:33:23.359
<v Speaker 2>In fact, I insist on it, Larry obviously. If this

600
00:33:23.519 --> 00:33:27.680
<v Speaker 2>moved forward, will be in touch. Are you with CIA?

601
00:33:27.440 --> 00:33:32.920
<v Speaker 2>Are you with WMA? I represent myself currently, so just

602
00:33:33.559 --> 00:33:36.279
<v Speaker 2>give me a ring a ding? You have my number.

603
00:33:36.319 --> 00:33:40.000
<v Speaker 2>It's the it's the payphone outside, the in and out.

604
00:33:41.160 --> 00:33:43.839
<v Speaker 2>But no one ever said being an actor was easy.

605
00:33:43.839 --> 00:33:46.200
<v Speaker 2>And I'm out here trying to make it on my

606
00:33:46.240 --> 00:33:51.920
<v Speaker 2>own in Hollywood after many a theatrical exploit, and it's

607
00:33:52.079 --> 00:33:56.119
<v Speaker 2>not been the easiest time for old Larry, so I

608
00:33:56.160 --> 00:34:01.640
<v Speaker 2>would really I will work for a belt. True, well,

609
00:34:01.680 --> 00:34:02.680
<v Speaker 2>loud fantastic.

610
00:34:02.839 --> 00:34:04.920
<v Speaker 3>That's great that we're going to get you a belt

611
00:34:05.000 --> 00:34:08.280
<v Speaker 3>and also have some bells on it and saw.

612
00:34:08.679 --> 00:34:09.639
<v Speaker 5>Some shoes for his feet.

613
00:34:09.800 --> 00:34:13.239
<v Speaker 3>That's that you forgot about.

614
00:34:15.639 --> 00:34:19.000
<v Speaker 2>You too have made me the happiest man in the world.

615
00:34:19.880 --> 00:34:23.199
<v Speaker 3>That's of good fool, happy fool, happy life.

616
00:34:23.239 --> 00:34:27.239
<v Speaker 2>That's okay, sorry, just one uh one final question?

617
00:34:27.880 --> 00:34:33.880
<v Speaker 3>Yes, do you validate parking? Well? What did you think?

618
00:34:34.119 --> 00:34:39.559
<v Speaker 1>That was the most juvenile, nonsensical and base thing I

619
00:34:39.639 --> 00:34:43.719
<v Speaker 1>have ever heard? You have got to get me on

620
00:34:43.760 --> 00:34:44.599
<v Speaker 1>that podcast.

621
00:34:48.440 --> 00:34:51.840
<v Speaker 2>Cocoa the Barbarian Needs a Friend was created, produced and

622
00:34:51.960 --> 00:34:55.880
<v Speaker 2>edited by J. Michael DeAngelis, Music and sound effects by

623
00:34:55.920 --> 00:35:01.159
<v Speaker 2>Pete Barry. Executive producers Pete Barry, J Michael deangel John Dawkin,

624
00:35:01.280 --> 00:35:05.960
<v Speaker 2>and Paige Glenecki. This is a completely real celebrity interview podcast,

625
00:35:06.440 --> 00:35:09.960
<v Speaker 2>but if it weren't, then Cocoa the Barbarian and Gary

626
00:35:10.320 --> 00:35:14.079
<v Speaker 2>were played by Bob Killian red Sona was played by

627
00:35:14.119 --> 00:35:18.719
<v Speaker 2>Ashley Banks. Larry Hastings was played by J. Michael D'Angelis.

628
00:35:19.280 --> 00:35:24.440
<v Speaker 2>Special guest star Dave Stanger played Bowden Moncrief, I'm Matt

629
00:35:24.440 --> 00:35:28.480
<v Speaker 2>Gurley and definitely no one else. This has been a

630
00:35:28.519 --> 00:35:33.360
<v Speaker 2>port Room production. Copyright twenty twenty five Extraordinary Missions Limited.

631
00:35:42.360 --> 00:35:46.679
<v Speaker 3>Another quality podcast from the port Room.