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Speaker 1: Hi, this is Bobby Brown and welcome to another fucking podcast.

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Speaker 2: Kids with your loud music and your Dan Fogelberg, your Zeema,

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hula hoops and pac Man video games.

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Speaker 1: Don't you see? People today have attention spans that can

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only be measured in Namo seconds. He got old legends.

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They just do great like a legend and an Adam

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work problem with a lot of like Hello, by Yes,

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good day, Hello Las Vegas, Hello world, Hello, my loyal minions.

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It is good to see you, and it's always good

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to be seen. And I am is he Presley? This

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is another refering podcast. I'm the host of the program.

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It is good to see you, it is always good

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to be seen, and uh, I got some stuff to

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talk about tonight. It is Monday, Happy Monday, everybody. Before

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we move on, I must, I must do what is

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he does and the words my close personal friends don't go.

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Steve Austin, who is going to be in town this weekend,

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doesn't mean I'm going to see him or he even

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knows that I'm here, because we are so tight crack

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going for the working man. Oh yeah, that is such

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a beautiful song. It's such a beautiful taste as well,

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make sure you guys check out the Loss of Vegas

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Guitar Show dot com, Guitartrade Show dot com, Las Vegas

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Guitar Trade Show dot com. You can find that link

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down there. Click on that. Come to Vegas end of May,

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May thirty, first June first June second. It is at

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the Silver Tank Casino and it is a guitar trade show.

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It is like NAM except you can actually buy stuff.

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I know it's an interesting concept, so I highly suggest

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you come down and buy stuff. I will be hosting

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the event. I'll be m seeing the event. I'll be

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em seeing the rock Gods Hall of Fame, just like

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I did six months ago. Isy all suited up hosting

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an award show. Kind of like it should be. You know,

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it kind of fit. It kind of fit very very well.

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So come on down. It is not expensive to get

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tickets to. It's Vegas really hot. You want to be

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in the air conditioning. You can be in the air

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conditioning at the Las Vegas Guitar Trade Show. Hit up

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that website, Las Vegas Guitar Trade Show dot com. Yes,

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I know all you Patreon folks, you're like, no ads, Well,

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it's an ad that you have to hear. I have

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to read it because I don't have it canned. Kind

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of need to read it just to tell you about

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it because I'm hosting. But while I'm at that, I

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would like to let you guys know where I am

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going to be. I just have an updated schedule, folks,

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So May tenth, May tenth, I will be in Saint Cloud, Minnesota.

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Trying to think if I can say it or not. No,

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I better not. I better not because if this leaks

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out this privileged information, what the hell act is playing

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at the Red Carpet Long as Slow Children And there's

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a Passion reunion, a Passion Miniset. They haven't played together

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in thirty years, so that should be pretty cool. And

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slave reader jam, I mean all you Minnesota folks will

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know what I'm talking about. There is a Press Bar

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memorial show that we are going to be performing at,

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and I am going to be hosting because I of

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course worked at the Press Bar and Parlor. I was

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a drunk there as well before that. And then then

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five years ago that some bitch abought it, burned it down.

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That motherfucker burnt down our house, burnt down the home

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of rock and roll Saint Cloud's home of rock and

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roll horseshit so dumb, so dumb, but uh yeah, hopefully

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this information will be out there by Saturday when the

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rest of the world hears this. Because yes, I know

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that I'm going to give like special shows to my

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Patreon folks, but this one, this one I want to

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give to the world because everybody's just waiting for it,

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just waiting for the next another fucking podcast to drop

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because nobody cares it's podcast. You know, we give us

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a fuck. So May tenth, I'm in Sant Cloud, Minnesota.

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I'm driving and driving back. If you see the dates

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on the Websitezzypresley dot com, it just says to be

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details TBA May thirty first through June second. As I

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just told you, Las Vegas Guitar Trade Show, I am

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hosting that on the Blue Cruise. August twenty ninth is

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the end date. It starts August twenty second. That's going

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out of Boston, going up north up there in Canada.

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A I'm hosting karaoke and I'm one of the general

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hosts on that as well, Alan Parsons and Ambrosia. That

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kind of stuff. Fucking rules. August thirtieth, there is possibly,

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well not possibly, it's gonna happen, and I think think

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it's gonna be the Easy Presley Band. The show has

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not been announced yet, but it will be August thirtieth

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here in Las Vegas, opening up for a band that

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I'm very very good friends with. But I cannot tell

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you who that band is yet because it is privileged

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information that only I and the club owner know, and

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people that I told because we're at the bar, you know,

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told them. So there is that. And then November thirteenth, folks,

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if you are coming for kiss Tard Fest, and I

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say that laughingly because I am a full blown kiss Tard.

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If anybody knows me, you guys know that I'm a

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full blown kiss start I mean I have an ace

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fairly tribute band. Of course, I'm a full blown fucking

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kiss TRD. And no, I can't go to the thing

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because it's out of my tax bracket. But that's fine.

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Everybody else should go and have fun. But the thirteenth,

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the unofficial Kiss Army Taker pre party is at Dive

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Bar here in Las Vegas, is just a couple of

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blocks from the venue and uh from the Virgin where

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they're having the Kiss trdfest, I mean the Kiss Army

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takeover the uh one last Kiss is playing. It's got

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a couple of guys from my band, my Ace Freely

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Tribute band, My Campion and Keith Robert woar Mery Birthday

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Pali and what does he care? He's not on the

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fucking Patreon. Only fourteen of you find folks are I

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mean we should grow that. Tell your friends, tell your

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friends Patreon dot com. Slash real Iszy Presley. It's worth

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five dollars a month. It's just five dollars a month.

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That's all. That's it. It's less than a cup of coffee.

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It's less than a fucking beer depending on where you

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are or what you drink. Five dollars a month, kids,

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I uh, I think you should get on it. I

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think you should get on it. And look, the rest

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of the world is going to hear this this weekend anyways.

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I mean, this would be like one of the shows

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I just give two my Patreon folks only because there

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are special shows like that. That's why you should be

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on it. Seriously, get on it. And uh yeah, more

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dates are going to be added as well that I

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am working on as we speak. So there is that

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that is what is going on? Of course hit up

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all the socials Real Ezy Presley, Twitter, Instagram and Facebook

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and of course the show page and other ref and

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podcast on the Facebook and the venmo is Reel Lizzy Presley.

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It's called a dramatic pause, ladies and gentlemen. But the

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people watching on the YouTube, on the YouTube which you

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should subscribe to as well, I think it's just the

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is He Presley Network or something fucking like that. I

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suppose I can find out, just have to click on it.

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Oh yeah, the is He Presley Network at is He

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Presley oneh one, which is a nod to rock and

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one oh one in Saint claud Minnesota, where I got

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my start in radio and what I grew up listening

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to in the radio world speaking of rock and one

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oh one, And this is actually very very important, and

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this is what I want to start off with today.

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It's a little immemorium section one of the jocks part

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of me while I take a sip of delicious natty light.

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One of the jocks that I grew up listening to

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on Rock and one on one was also on KQ

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in Minnesota, w DG Y KD w B Stereo one

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on one before they went all pop or maybe they

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were pop. I think KDWB had k C KSE on it.

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Pretty sure they did, because I think Casey was also

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on k COLD one of four point seven in Saint

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Cloud in my hometown. But yeah, he was on KDWB

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because I remember a I remember one of the long

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distance dedications or one of the questions came from KDWB.

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Comey listening, dude, kd WB Stereo one oh one, Minneapolis, Minnesota,

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Johnny would like to know. And then of course Hot

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Rockin' one oh four KJJO, which was in Saint Louis Park,

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if I believe, which is a suburb of the Twin

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Cities metropolitan area. Hel Hoover is gone. Hel Hoover. It

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doesn't say how old he was though he died on

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April eighth, and is kind of just getting out there

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now that he passed away, or today because I was

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texting with my good friends over at Rock on one

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one who I still keep in touch with. I mean,

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they got me into radio and then I left him

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for Rah for Hollywood. So their their morning show guy

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did a tribute to him this morning, which I did

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not hear, but I'm working on getting the getting the tape.

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I'm old. We still say tape. But it's weird, man.

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It's like we're getting to that age. And we've talked

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about this before. We're getting to that age where people

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are dying. People are dying. We're old. But of course

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Hal was much older than I. I'm fifty two. I

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look pretty good for fifty two, don't I. Yeah, I

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do so by the time he was on he had

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to have been at least God, he had to have

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been in his thirties by the time he was on

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Rocking one to one, and that was the mid eighties,

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mid to late eighties, early nineties. Nah, he was old. Well,

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I mean it wasn't like ancient. I don't know. I

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mean I could google it. I could, I should google it.

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I should just fucking google it. This is what we

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call producing on the fly, folks. And if you're just

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listening to this, you're not getting the visual of me

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doing this and reading it and typing and all. Right.

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Hell Hoover died. Hal Hoover died, Hal Thomas Hoover fifth No,

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that's not him. Hal Hoover Bituary, twenty sixteen, Jesus Christ

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hal Hoover. Does it say his fucking real name or

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does he just have his radio gimmick name? Remembering hal Hoover? Okay,

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now hal Hoover Radio KQRS. There's okay, wow, so it

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was getting out five days ago? Where is okay? Radio tapes?

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That's where I saw it. Let me click on this.

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See what this says? Oh, Tom Bernard hal Hoover has died.

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How was that ki qrs back in the day, back

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in the underground music days? Wow? Okay, well there's that. Boy.

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I'm really giving you a lot of fucking great stuff

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on this. How is there no fucking news about hell

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Hoover radio death? This is just gonna give me a

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whole bunch of stories about oh seventy four okay, historic

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here we go four days wow, four days short of

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seven fourth birthday and Nate, Minneapolis, Helbigan's help began his

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career at k d A n. From there he worked

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at several stations K t OE and Mancano, ke STT

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Quad blah blah blah, Atlanta Twins City stations w HMH

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and k t c O uh HMH is not a

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country station there, big boy? Oh wow, he was working

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in the working in the auto industry for a time

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before retiring about nine years ago, so he was enjoying

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his retirement. I always used to hear stories from from

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my old boss about how how would go to McDonald's

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and stock up on Hamburger's and he would have them

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on the heater in the studio to keep them warm,

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and he would eat him while he was working. So

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there's an old radio story for you.

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Speaker 2: Who's in oz Ooh's and oz so rest in peace,

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Hal Hoover cheers, Thank you for the inspiration, say hi

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to run Striker for me.

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Speaker 1: Two of the guys that I listened to back in

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the day are gone sad. Like I said, we're getting

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How was seventy three years old? You would have been

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seventy four fifty two. I haven't done shit so dumb,

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all right. So one thing that the main reason I

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did want to do a show tonight is because I

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wanted to talk about something I wanted to talk about.

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I wanted to talk about a mentality, a mentality that

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I used to have. I used to be one of

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these people, and I don't like this mentality. I think

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it's dumb. I'm not calling this person dumb, But there

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was a post, and I'm not gonna say her name

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because I don't want to call her out. She's probably

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not gonna hear this anyways. It doesn't matter. Do you

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have the guts to make money with your own songs?

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I see cover bands with millions of followers, hype, et cetera. Congrats,

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you achieve nothing in this life. Tribute can work morally

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if someone is dead. I can accept this kind of approach,

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but still, you don't leave an impact in this world.

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You pay tribute to an artist you love because you

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can't see him or her anymore. People can't write songs anymore.

236
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Media promote shit. I don't know. I seldom hear a

237
00:18:02,880 --> 00:18:06,240
good song well played by good musicians. No wonder why

238
00:18:06,319 --> 00:18:12,440
gig sales are going down? High cost, mediocre music and performers.

239
00:18:13,319 --> 00:18:17,200
Is this the era I was waiting for the era

240
00:18:17,359 --> 00:18:20,359
of truth? I ponder, Let the real music play, all right?

241
00:18:20,440 --> 00:18:22,640
I have a lot of things to talk about I have,

242
00:18:23,200 --> 00:18:31,359
cause there's this. To be honest, this post pissed me off,

243
00:18:31,960 --> 00:18:33,880
and I didn't want to comment on it and get

244
00:18:33,880 --> 00:18:37,799
into it and YadA YadA YadA. But this post pissed

245
00:18:37,880 --> 00:18:41,279
me off, do you have the guts to make money

246
00:18:41,319 --> 00:18:46,039
with your own songs? Well, here's the deal, good fucking luck.

247
00:18:47,000 --> 00:18:56,799
Nobody buys music anymore. Nobody buys music anymore. You want

248
00:18:56,799 --> 00:18:59,599
to know why people aren't writing their own songs and

249
00:18:59,720 --> 00:19:03,680
just cover shows and doing tribute bands, because that's where

250
00:19:03,720 --> 00:19:06,359
the money is. That's where you can make a living

251
00:19:10,119 --> 00:19:14,160
being in an original band, being an original songwriter. Good

252
00:19:14,319 --> 00:19:20,960
fucking luck. I'm not saying don't do it. I'm saying

253
00:19:21,000 --> 00:19:28,480
good fucking luck. Now, in the age of the Internet, now,

254
00:19:28,519 --> 00:19:31,400
in the age of the YouTube, now, in the age

255
00:19:31,400 --> 00:19:37,400
of the SoundCloud now, in the age of the Spotify now,

256
00:19:37,440 --> 00:19:42,359
in the age of the Facebook, the Instagram, the Twitter,

257
00:19:44,000 --> 00:19:51,720
there is so much material out there. Good fucking luck.

258
00:19:52,720 --> 00:19:55,920
There are no gatekeepers anymore. Eddie Trunk has talked about

259
00:19:55,920 --> 00:19:59,599
this many many times. Absolutely personal. Sorrybar I really like

260
00:19:59,640 --> 00:20:03,599
how I that. By the way, I felt like I

261
00:20:03,640 --> 00:20:06,759
was having ah And that's the rest of the story.

262
00:20:06,799 --> 00:20:13,279
I thought I was having a Paul Harvey moment. I'm

263
00:20:13,279 --> 00:20:16,119
not going to say you're not going to be successful

264
00:20:16,160 --> 00:20:20,880
in life writing music, because you can be, but good

265
00:20:20,960 --> 00:20:24,839
fucking luck. I am fifty two years old, I am

266
00:20:24,920 --> 00:20:27,240
not going to be a rock star. I'm not going

267
00:20:27,240 --> 00:20:28,880
to be a pop star. I'm not going to be

268
00:20:28,920 --> 00:20:32,480
a country star. I have a better chance of hitting

269
00:20:32,559 --> 00:20:37,599
the fucking power ball than having a top ten song

270
00:20:37,759 --> 00:20:45,960
on the rock, country, or pop charts. It's not going

271
00:20:46,000 --> 00:20:51,160
to happen. The music industry is a young guy's game,

272
00:20:51,240 --> 00:20:59,079
a young man's game, a young gals game. Good fucking luck.

273
00:21:00,960 --> 00:21:04,680
I see cover bands with millions of followers, hype, etc. Congrats.

274
00:21:04,759 --> 00:21:06,960
You achieve nothing in life. I think that's a real

275
00:21:07,160 --> 00:21:12,720
dick thing to say. Achieve nothing in life because you're

276
00:21:12,839 --> 00:21:18,119
enjoying what you're doing. You achieve nothing in life because

277
00:21:18,119 --> 00:21:22,680
you're up playing covers. You might have a job and

278
00:21:22,720 --> 00:21:25,599
then you play covers on the weekends. You might have

279
00:21:26,720 --> 00:21:28,920
that's all you do. Maybe you live in Las Vegas,

280
00:21:29,079 --> 00:21:32,559
maybe you live in Nashville and all you do is

281
00:21:32,599 --> 00:21:36,200
play music every day. Yeah, I'm sure you're playing songs

282
00:21:36,200 --> 00:21:43,599
that you don't want to play, but that's called making money.

283
00:21:44,359 --> 00:21:48,960
You're not going to get paid doing originals. That's a

284
00:21:49,000 --> 00:21:55,799
whole different industry. And look, I know, as an original artist,

285
00:21:55,839 --> 00:21:59,359
it is easy to sit there and look down your

286
00:21:59,519 --> 00:22:03,519
no at somebody in a fucking wig pretending to be

287
00:22:04,240 --> 00:22:10,359
Vince Neil. I know it's easy to sit there and

288
00:22:10,440 --> 00:22:15,880
go I am holier than thou because I perform original

289
00:22:16,119 --> 00:22:19,960
music and this guy in this cowboy hat has a

290
00:22:20,000 --> 00:22:29,799
fucking looping station playing songs for money. Well, here's the deal,

291
00:22:32,160 --> 00:22:36,759
Babo or whatever whatever name I'm using right now, here's

292
00:22:36,880 --> 00:22:42,000
the deal. Some of these musicians are a hell of

293
00:22:42,000 --> 00:22:44,960
a lot better than some people that you know of

294
00:22:45,400 --> 00:22:50,440
because they do original music. That's just their lot in life.

295
00:22:50,519 --> 00:22:54,839
That's just what they do, and there is nothing wrong

296
00:22:54,880 --> 00:22:58,160
with that. Do I have a tribute band? You're goddamn

297
00:22:58,400 --> 00:23:04,960
right I do. Why do I do it? Because I

298
00:23:05,000 --> 00:23:08,599
get to play kiss songs with my friends and get

299
00:23:08,640 --> 00:23:13,480
paid for it. I can go out and do the

300
00:23:13,519 --> 00:23:17,720
Izy prison van, which I am going to do. I

301
00:23:17,759 --> 00:23:21,519
am going to play original songs. Am I going to

302
00:23:21,640 --> 00:23:24,960
make that money that I make doing act a tribute

303
00:23:25,000 --> 00:23:28,000
to Ace? Freely? No? I am not. You know why,

304
00:23:28,240 --> 00:23:34,119
because nobody gives a fuck about your original music. I'm

305
00:23:34,119 --> 00:23:41,799
not talking you the person that wrote this. And this

306
00:23:41,880 --> 00:23:45,200
is a general statement. Obviously, there are people out there

307
00:23:45,240 --> 00:23:48,880
that you want to hear original music from, the people

308
00:23:49,039 --> 00:23:51,720
want to make it in the music industry. Of course,

309
00:23:51,759 --> 00:23:57,519
you gotta write original music. You have to have good songs.

310
00:23:59,319 --> 00:24:03,200
I have song. Are they good to me? Yeah? Are

311
00:24:03,240 --> 00:24:07,359
they good to somebody else? Probably not. That may be

312
00:24:07,440 --> 00:24:16,440
good to a few. But to sit there, what have

313
00:24:16,599 --> 00:24:22,720
you accomplished? That is a dick thing to say. I

314
00:24:22,759 --> 00:24:25,160
hate that mentality. Okay, let's see what else do they

315
00:24:25,200 --> 00:24:29,720
go on to say? I can accept this kind of approach.

316
00:24:29,759 --> 00:24:31,599
You still don't leave an impact in the world. I

317
00:24:31,759 --> 00:24:37,359
call bullshit on that too. You paid tribute to an

318
00:24:37,400 --> 00:24:39,359
artist you love because you can't see them anymore. No,

319
00:24:39,440 --> 00:24:43,279
I paid tribute to Ace freely because I love Kiss

320
00:24:44,000 --> 00:24:46,720
and I can see him. But I want to play

321
00:24:46,720 --> 00:24:51,240
songs that he doesn't play live, and I get to

322
00:24:51,240 --> 00:24:53,200
play Kiss songs with my friends and get paid for it.

323
00:24:54,240 --> 00:24:56,839
That's why I do it. Because it's fun. Music is

324
00:24:56,880 --> 00:25:00,160
supposed to be fun. Let's forget about the business this

325
00:25:00,359 --> 00:25:03,680
part of the industry. Why do we start playing fucking

326
00:25:03,799 --> 00:25:08,880
music because it's fun? Because you love the response you

327
00:25:08,920 --> 00:25:12,279
get from people, You love jamming with your friends, you

328
00:25:12,440 --> 00:25:17,359
love learning songs, you love performing those songs. Why because

329
00:25:17,400 --> 00:25:22,319
it's fun. It is fun, and once you lose the

330
00:25:22,359 --> 00:25:27,039
mentality of music not being fun. Why the fuck are

331
00:25:27,079 --> 00:25:29,200
you in it for the first place? For the money?

332
00:25:29,359 --> 00:25:40,039
Good fucking luck, it's all about having fun. Yes, of course,

333
00:25:40,119 --> 00:25:42,880
it is the music business. It is the music industry.

334
00:25:43,480 --> 00:25:51,359
There is business involved. If you're all playing fucking cover

335
00:25:51,400 --> 00:25:53,240
songs and you hate those cover songs and you're not

336
00:25:53,319 --> 00:25:55,319
having fun playing those cover songs, okay, then you're just

337
00:25:55,359 --> 00:25:58,000
doing it to make a buck, which is fine too.

338
00:25:58,880 --> 00:26:02,599
There is nothing wrong with that. We'll step aside, let

339
00:26:02,640 --> 00:26:09,640
somebody else do it. Why why why? Why? Why why

340
00:26:09,640 --> 00:26:12,880
should they listen to you? Step aside and let somebody

341
00:26:12,920 --> 00:26:15,880
else do it? No? Why why should somebody give up

342
00:26:15,920 --> 00:26:21,480
their fucking gig just so you can go up and play.

343
00:26:22,119 --> 00:26:24,240
I don't know, It's just I just don't like that

344
00:26:24,279 --> 00:26:27,960
fucking mentality. All right, let's go on, let's go on.

345
00:26:30,599 --> 00:26:41,000
People can't write good songs anymore. Well, I disagree. I disagree.

346
00:26:42,079 --> 00:26:46,559
I hold on, hold on, hold on, Let me tell

347
00:26:46,599 --> 00:26:53,559
you this, let me show you this, This record right here,

348
00:26:54,559 --> 00:26:56,799
Mike Dawson and the Smoking Kills. Yes, I'm in the band.

349
00:26:56,960 --> 00:26:58,559
Did I write any of these songs? No? I did not.

350
00:26:59,599 --> 00:27:02,759
The record was done before I joined. This album is

351
00:27:02,799 --> 00:27:07,920
packed with good songs. Did it do anything? No, it didn't.

352
00:27:10,559 --> 00:27:13,039
Does that means there's not good songs on it? No

353
00:27:13,480 --> 00:27:17,559
it doesn't. You can pump the shit out of anything.

354
00:27:17,559 --> 00:27:19,400
If you do not have money behind it, you are

355
00:27:19,400 --> 00:27:22,359
not going to have a fucking success. You have to

356
00:27:22,480 --> 00:27:27,079
have money behind you. You could have the greatest fucking

357
00:27:27,119 --> 00:27:29,720
record in the world. You could have fucking you could

358
00:27:29,759 --> 00:27:33,200
have the next fucking Appetite for destruction, you could have

359
00:27:33,240 --> 00:27:35,519
the next Van Halen one, you could have the next

360
00:27:35,559 --> 00:27:42,000
Kiss destroyer. If you do not have something driving it

361
00:27:42,519 --> 00:27:47,039
behind you that has money, good fucking luck, because the

362
00:27:47,160 --> 00:27:53,160
chance of it organically getting found and getting heard not

363
00:27:53,240 --> 00:27:59,400
gonna happen. It's not. It's the fucking truth. Yes, there

364
00:27:59,400 --> 00:28:02,720
are going to be instances, but for the love of

365
00:28:02,799 --> 00:28:11,119
fucking Christ, can't write good songs? Fuck off? So dumb?

366
00:28:11,519 --> 00:28:17,160
All right, all right, let's move on, h or maybe

367
00:28:17,200 --> 00:28:22,799
media propotes shit. Well, of course we know, because the

368
00:28:22,839 --> 00:28:27,799
garbage that has the machine behind it is what you hear.

369
00:28:30,240 --> 00:28:35,400
If the machine was behind good bands, good music, to me,

370
00:28:37,279 --> 00:28:39,759
I would love it. But it's not. It's behind shit

371
00:28:39,880 --> 00:28:43,359
that I don't like that I'm not a fan of

372
00:28:45,640 --> 00:28:49,200
and it's usually garbage except for the country. The country's good,

373
00:28:49,319 --> 00:28:53,279
even the bro country's good. At least hiss fucking songwriting,

374
00:28:53,279 --> 00:28:58,440
at least his storytelling. Lisa's fucking musicians. I seldom hear

375
00:28:58,480 --> 00:29:01,319
a good song well played by musicians. Get the fuck

376
00:29:01,359 --> 00:29:06,960
out of here. I no wonder why gig sales are

377
00:29:07,480 --> 00:29:14,440
high cost mediocre music and performance. Just stop, just stop.

378
00:29:16,279 --> 00:29:24,119
This is I'm sorry, I'm friends with this person. Just stop.

379
00:29:27,920 --> 00:29:30,160
Go tell that to Eli Guns, who keeps putting out

380
00:29:30,200 --> 00:29:34,319
fucking albums. Go tell that to uh fucking Elle Guns?

381
00:29:34,359 --> 00:29:37,599
Is putting out a record a year? You do that?

382
00:29:38,440 --> 00:29:44,400
Can you do that? You're not doing that? I know

383
00:29:44,480 --> 00:29:47,960
you're not doing that. Ellie Guns has put out a

384
00:29:47,960 --> 00:29:50,839
record a fucking year. And that's a band. That's not

385
00:29:50,880 --> 00:29:57,000
a solo artist. That is a band. Is their music.

386
00:29:57,359 --> 00:30:01,440
Is there money in the music industry? Yeah? There is.

387
00:30:01,440 --> 00:30:05,119
Is there money in record sales for La Guns? Probably not.

388
00:30:08,200 --> 00:30:09,799
A couple of my best friends are in the band

389
00:30:09,920 --> 00:30:15,680
La Guns. We know this not selling a ton of

390
00:30:15,720 --> 00:30:19,160
fucking record We know it's not selling five hundred thousand records.

391
00:30:20,000 --> 00:30:23,599
We know the world is in streaming. There are people

392
00:30:23,640 --> 00:30:27,359
like me that still want vinyl. That still want CDs? Yes,

393
00:30:27,400 --> 00:30:31,160
I still buy CDs. Hell I bought a fucking eight track. No,

394
00:30:31,200 --> 00:30:33,079
I didn't buy an a track. I about a couple

395
00:30:33,119 --> 00:30:35,279
of cassettes because I still have a fucking cassette player.

396
00:30:36,319 --> 00:30:38,519
Todd Latorre was on this show my good friend. Well,

397
00:30:38,599 --> 00:30:41,359
could my friend not my good friend? I wish I

398
00:30:41,400 --> 00:30:42,880
could say he was my good friend. But we know

399
00:30:43,000 --> 00:30:47,720
each other. I consider him a friend. His record came out,

400
00:30:47,720 --> 00:30:49,759
I bought it on fucking a track or not E track?

401
00:30:49,839 --> 00:30:53,319
Why do I keep saying eight track? Because you got

402
00:30:53,319 --> 00:31:00,519
me all in a tizzy? How about the cassette is?

403
00:31:00,559 --> 00:31:03,039
Why not do something different? And I bought it straight

404
00:31:03,079 --> 00:31:07,960
from him, so I'm contributing to him. I seldom hear

405
00:31:07,960 --> 00:31:10,039
a good song. What kind of music do you like?

406
00:31:10,079 --> 00:31:13,400
You're a rocket. I know you're a rock fan. I

407
00:31:13,440 --> 00:31:21,079
know you're a rock fan. Maybe it's just not good

408
00:31:21,240 --> 00:31:34,160
enough for you. Now I I'm worked up. Well, high cost,

409
00:31:34,319 --> 00:31:37,319
Well yeah, everything's fucking more expensive. Now you know why

410
00:31:37,359 --> 00:31:40,759
it's more expensive because there's no fucking money in record sales,

411
00:31:41,279 --> 00:31:45,519
That's why. And it has nothing to do with the

412
00:31:45,640 --> 00:31:48,519
quality of the product. It has to do with the

413
00:31:48,519 --> 00:31:51,319
fucking industry, and it's all streaming now. The only people

414
00:31:51,359 --> 00:31:53,480
that make start money make money on streaming is that

415
00:31:53,720 --> 00:32:00,559
is the record labels and the platforms are get shit.

416
00:32:03,599 --> 00:32:05,920
So you want to know why nobody's making fucking music,

417
00:32:06,200 --> 00:32:12,799
there you go plus plus. For the most part, ninety

418
00:32:12,839 --> 00:32:14,720
eight percent of the people that go to a show

419
00:32:14,799 --> 00:32:18,240
for a band that they love, when it's time for

420
00:32:18,319 --> 00:32:20,240
he We're gonna do a song off our new record,

421
00:32:21,079 --> 00:32:23,519
they go to the bathroom, they go to get a beer,

422
00:32:24,720 --> 00:32:27,519
no matter how great that song might be. I don't

423
00:32:27,559 --> 00:32:29,599
I like to listen to the new shit, but I

424
00:32:29,640 --> 00:32:33,119
am a rarety. There's people out there that still love it.

425
00:32:34,319 --> 00:32:42,839
There are. But that goes back to radio because what

426
00:32:43,039 --> 00:32:48,880
nobody listens to fucking radio anymore hardly? And two radio's

427
00:32:48,920 --> 00:32:54,079
not playing new songs by La guns. Radio is not

428
00:32:54,200 --> 00:32:57,839
playing new songs by the bands that you like that

429
00:32:57,880 --> 00:33:00,319
have been around for a while. They're playing newer bands,

430
00:33:00,400 --> 00:33:04,799
but not a lot of them. For the most part,

431
00:33:05,000 --> 00:33:09,720
rock radio is classic rock. And I hate to say it,

432
00:33:09,759 --> 00:33:12,400
even the early two thousands is considered classic rock now.

433
00:33:14,559 --> 00:33:20,559
It's true, It's damn true. And you know what they're

434
00:33:20,559 --> 00:33:25,160
not playing on those classic rock stations, new music from

435
00:33:25,200 --> 00:33:29,559
bands that you love. There's a lot of bands that

436
00:33:29,680 --> 00:33:33,079
just gave up putting out new music because one nobody

437
00:33:33,079 --> 00:33:37,400
buys it. Two nobody wants to hear it live. They

438
00:33:37,440 --> 00:33:40,319
just want to hear the hits. You know, we can

439
00:33:40,359 --> 00:33:45,039
thank for that fucking radio radio. But this has been

440
00:33:45,079 --> 00:33:54,319
going on forever. When Physical Graffiti came out, it was

441
00:33:54,359 --> 00:34:00,039
on the verge of coming out. Zeppelin played Kashmir. I

442
00:34:00,039 --> 00:34:02,480
know what people did, new song. They didn't know it.

443
00:34:02,519 --> 00:34:04,480
They went to the fucking pisser, they went to get

444
00:34:04,519 --> 00:34:12,039
a beer. It's been going on forever, So why make

445
00:34:12,119 --> 00:34:16,039
new music. Nobody's gonna buy it. Nobody wants to hear it,

446
00:34:16,119 --> 00:34:19,920
except for the hardcores. I'm a hardcore. I want to

447
00:34:19,920 --> 00:34:23,440
hear it. I'm excited to hear the new La Guns record.

448
00:34:24,679 --> 00:34:26,639
I can't wait to hear the new La Guns record.

449
00:34:26,639 --> 00:34:31,360
I haven't bought it yet, but I'm going to. Why

450
00:34:32,079 --> 00:34:36,199
because I love La Guns has nothing to do with

451
00:34:36,280 --> 00:34:39,800
the fact that I know the band, which is weird.

452
00:34:41,440 --> 00:34:43,400
It's still weird for me to say that I can

453
00:34:43,480 --> 00:34:47,519
text Phil Lewis that Tracy Gunns knows who I am.

454
00:34:50,280 --> 00:34:52,679
That as Von Johnson and Johnny Martin are two of

455
00:34:52,719 --> 00:34:59,880
my closest friends. It's weird. I don't take any of

456
00:34:59,880 --> 00:35:04,920
that shit for granted. And I'm just using Elle Guns

457
00:35:04,920 --> 00:35:08,360
as an example because they're a band that just put

458
00:35:08,360 --> 00:35:10,519
out a fucking brand new record again this year when

459
00:35:10,519 --> 00:35:17,159
they just put one out last year. Would it be

460
00:35:17,199 --> 00:35:19,800
great if we could all put out fucking new music

461
00:35:19,840 --> 00:35:21,639
and people would buy it and want to hear it. Yeah,

462
00:35:21,679 --> 00:35:27,920
it would be fucking awesome. But no, for the most part,

463
00:35:28,039 --> 00:35:34,559
nobody fucking cares. If people cared, you wouldn't have to

464
00:35:34,559 --> 00:35:38,639
do gofundmes. You wouldn't have to do uh ba bab

465
00:35:39,360 --> 00:35:41,440
what's that other pledge? One? You guys know what I'm

466
00:35:41,440 --> 00:35:45,039
talking about. You wouldn't have to do that because there

467
00:35:45,039 --> 00:35:47,079
would be an industry behind it. But there is not

468
00:35:49,480 --> 00:35:53,119
unless you're twenty two years old. You have great knockers

469
00:35:53,440 --> 00:35:55,599
can sing, but can't sing live. You have to lip

470
00:35:55,599 --> 00:35:59,400
sync because that's how the fucking industry is. God I

471
00:35:59,440 --> 00:36:07,480
love knockers. So there there's your fucking music music industry.

472
00:36:07,519 --> 00:36:13,079
One oh one. You could say I'm wrong, you can

473
00:36:13,119 --> 00:36:16,239
see all this kind of stuff, but you know deep

474
00:36:16,280 --> 00:36:19,639
down in your heart that I'm right. You know deep

475
00:36:19,760 --> 00:36:23,280
down inside that everything that I just told you is

476
00:36:23,360 --> 00:36:27,159
one hundred percent spot on. And to sit there and

477
00:36:27,199 --> 00:36:28,960
shit on somebody because they want to play in a

478
00:36:28,960 --> 00:36:33,280
fucking cover band and make some money, fuck you so dumb.

479
00:36:37,159 --> 00:36:45,880
It's a horrible mentality to have. Horrible. It's degrading to

480
00:36:45,920 --> 00:36:48,760
the people that are out there doing it. Look like

481
00:36:48,800 --> 00:36:51,239
I said, yeah, there's some people that make a living

482
00:36:51,639 --> 00:36:57,800
off of another person's name. Is that right? No? I

483
00:36:57,800 --> 00:37:01,159
don't make a living off of it. We played two

484
00:37:01,239 --> 00:37:04,719
or three times a year. Why to celebrate the music

485
00:37:04,760 --> 00:37:07,840
of my favorite band, and I get to play songs.

486
00:37:07,880 --> 00:37:09,639
I get to play kiss songs with my friends and

487
00:37:09,679 --> 00:37:15,719
get paid for it because you're performing. If you're playing

488
00:37:15,719 --> 00:37:18,599
at a bar, the bar's making money, so you should

489
00:37:18,599 --> 00:37:20,519
get paid. If you want to do it for free,

490
00:37:20,679 --> 00:37:28,119
God bless you go for it. To sit there and

491
00:37:28,159 --> 00:37:29,960
shit on somebody because they want to go out and

492
00:37:30,000 --> 00:37:33,039
fucking play it, be a weekend warrior and play covers

493
00:37:33,159 --> 00:37:35,760
because nobody gives a fuck about original music and they

494
00:37:35,800 --> 00:37:39,639
want to have fun and play fucking music and get paid.

495
00:37:41,760 --> 00:37:49,679
Not cool, all right. I could sit and I can

496
00:37:49,800 --> 00:37:52,400
keep yelling, and I can keep yelling, but I'm just

497
00:37:52,480 --> 00:37:56,400
running around in circles. If you like what they do,

498
00:37:56,480 --> 00:37:58,519
support them. If you don't like it, don't support them,

499
00:37:58,519 --> 00:38:01,880
that's fine, But don't there and shit on somebody because

500
00:38:02,039 --> 00:38:09,199
they're not playing original music. Oh well, there's my cue.

501
00:38:09,960 --> 00:38:13,920
It's like the hook at the Oscars. Is he shut up?

502
00:38:15,360 --> 00:38:20,840
Is he stop yelling? Is he stopped talking? It is

503
00:38:20,880 --> 00:38:27,559
time to go pushing? Forty minutes, which in these days

504
00:38:27,639 --> 00:38:32,440
is kind of long for this podcast unless I have

505
00:38:32,480 --> 00:38:35,440
a great guest in the studio or a great guest

506
00:38:35,480 --> 00:38:40,320
on the fucking on the blower or the zoomish. Well,

507
00:38:40,440 --> 00:38:42,320
thank you everybody for watching this, if you watch it,

508
00:38:42,519 --> 00:38:48,480
thank you everybody for listening. And uh, I'll get you guys.

509
00:38:48,800 --> 00:38:50,800
I'll get you guys on the Patreon on the video

510
00:38:51,400 --> 00:38:53,199
later this week if you want it. If you don't care,

511
00:38:53,239 --> 00:38:55,039
I don't give a fuck whatever, what do ever you

512
00:38:55,079 --> 00:39:00,400
guys want working on the first meet up And we

513
00:39:00,559 --> 00:39:04,480
see you in Saint Cloud May tenth for that great,

514
00:39:04,559 --> 00:39:09,599
great show. And so yeah, there's that. It's been another

515
00:39:09,599 --> 00:39:12,480
fucking podcast. I'm worked up. I'm gonna go have a

516
00:39:12,480 --> 00:39:16,039
beer because I shouldn't be this fucking worked up with

517
00:39:16,159 --> 00:39:19,239
that fucking post just got me fucking worked up. Anyways,

518
00:39:19,599 --> 00:39:23,199
I'm Mizzy Presley. It's another fucking podcast. I'm the host,

519
00:39:23,599 --> 00:39:26,679
Real Izzy Presley. Everywhere, Patreon, YadA, YadA, YadA where I

520
00:39:26,760 --> 00:39:28,880
lack of talent I make up for a cock

