WEBVTT

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<v Speaker 1>Tired of the everyday routine, ever dream of a life

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<v Speaker 1>of romantic adventure. I want to get away from it all.

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<v Speaker 1>We offer you escape.

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<v Speaker 2>Escape designed to free you from the four walls of

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<v Speaker 2>to day for a half hour of high adventures.

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<v Speaker 1>That happened well at time, yes, but we did not

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<v Speaker 1>make contact. Will happen all the gold h Look you

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<v Speaker 1>have the tickets have a h third class, so all

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<v Speaker 1>I can get So then who do Oh no, if

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<v Speaker 1>they had a kid. This is mister Gallander. He will

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<v Speaker 1>take you to Hanover.

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<v Speaker 2>Where you are you.

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<v Speaker 1>Bruce better enough to get on the train.

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<v Speaker 3>Now no, well, wait for the whistle.

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<v Speaker 1>Oh why here's.

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<v Speaker 3>The crowd for cover?

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<v Speaker 1>Smsterhurrek, turn your face to me. Might to keep you

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<v Speaker 1>back to the train. Now wait all right now, Eric,

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<v Speaker 1>He's not gonna felize that. As the British Zone terminus

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<v Speaker 1>of the East German Underground, I'd had my share of surprises,

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<v Speaker 1>but none of the match finding Lawton.

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<v Speaker 3>Herrick in my custody.

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<v Speaker 1>This was the man who had disappeared behind the iron

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<v Speaker 1>curtain of a year ago, voluntarily brilliant nuclear physicist and

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<v Speaker 1>authority on thermonuclear reaction even swallowed up in the gigantic

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<v Speaker 1>red maub of Eastern Europe's highest bider for his brain,

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<v Speaker 1>and now he was back. It was up to me

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<v Speaker 1>who escort him safely to Hanover to British intelligence. And

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<v Speaker 1>as we rode, I speculated on why he had come back.

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<v Speaker 2>I suppose you are wondering why I came back?

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<v Speaker 1>Why did you? Very simple?

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<v Speaker 2>I had finally realized I'd picked the wrong side, so I

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<v Speaker 2>touched the whole show and came home.

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<v Speaker 1>Just like that. As you say, just like that, you

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<v Speaker 1>sounds pretty casual. How else should I be? I don't know.

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<v Speaker 2>It is my conscience you're concerned with. Don't bother.

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<v Speaker 1>I got more from them than they got from me.

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<v Speaker 2>Oh yes, I know every installation they've set up, what

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<v Speaker 2>the christionable material output is per day, and of what

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<v Speaker 2>their potentially is for producing the hydrogen bombing quantity.

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<v Speaker 1>Uh huh? Where are your records notes?

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<v Speaker 2>That's sort of I memorized paper and pencil were too risky.

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<v Speaker 2>I had a security guard with me constantly.

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<v Speaker 1>How did you get away? He walked out of Magdeburgh.

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<v Speaker 1>What about the garden?

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<v Speaker 2>I imagine they'll bury him with full military honors.

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<v Speaker 1>As I imagine alone.

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<v Speaker 2>Tery but we're here now, and I am safe, and

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<v Speaker 2>that's all that really matters, isn't it.

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<v Speaker 1>Well? I won't feel safe until they got fast Tala's labor.

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<v Speaker 1>It ain't there? Oh about uh?

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<v Speaker 3>About two hours?

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<v Speaker 2>Do we stop there?

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<v Speaker 1>That's for a few minutes where mine?

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<v Speaker 2>Did I take a nap?

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<v Speaker 1>Such yourself?

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<v Speaker 2>Wake me and tell his labor? Will you?

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<v Speaker 1>Right now? He went to sleep, and I thought about

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<v Speaker 1>how easy is that? Escape had been too easy? This

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<v Speaker 1>was no ordinary defection to the camp of the free world.

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<v Speaker 1>This man was important, important enough that his safe arrival

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<v Speaker 1>could cause him considerable embarrassment of those from Whomi's escape.

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<v Speaker 1>We waised them to Talus Laban. A few passengers got out,

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<v Speaker 1>some came aboard, and we started off again. Did you

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<v Speaker 1>sleep well, reverdy? Where we're leaving Talis Laban? Use it? No? I? Yes?

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<v Speaker 1>Who is it? Oh? Come in now? Will you please

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<v Speaker 1>tell this stupid the honeymoment. If you flee, there is

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<v Speaker 1>no time. Go ahead, identify me, but hurry. It's all right, conductor.

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<v Speaker 1>I know what a well, I'll take care of it

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<v Speaker 1>later now if you please.

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<v Speaker 2>Of course, I forgive me, but my job and I

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<v Speaker 2>have a wife, and yes, yes, we know all that.

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<v Speaker 1>Now will you go please? Yes, Bruce, Now.

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<v Speaker 3>We are in trouble.

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<v Speaker 1>Oh, what's the matter? They know where we are, but

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<v Speaker 1>they have an agent aboard this train. Or when did

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<v Speaker 1>we get on just now as Collor's leaving or we

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<v Speaker 1>just left talents?

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<v Speaker 3>Well, yes I know, and that's.

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<v Speaker 1>Idiot of a conductor. Would not let me find you

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<v Speaker 1>in time to get you off? Well, and we stay

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<v Speaker 1>here in this compartment till we get a handle. Now

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<v Speaker 1>that is the problem. We won't get too hard over

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<v Speaker 1>Why there is a bomb on board? A bomb, yes,

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<v Speaker 1>in a suitcase, and the plan is to destroy a

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<v Speaker 1>train with me get on the old Caribe bridge. Well,

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<v Speaker 1>then we'll stop the train. No, I thought of that,

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<v Speaker 1>And that's no good because whoever it is has orders

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<v Speaker 1>to explode it if the train stops for any reason

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<v Speaker 1>before we reach the river. When did you learn this?

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<v Speaker 1>An hour after you left, I received a message from

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<v Speaker 1>the Merrimakey boards they found body of that god soon

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<v Speaker 1>after Harry lived. They missed you in Herbitsfielder, and they

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<v Speaker 1>arranged this hour of sleep and interception. But how did

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<v Speaker 1>Jui roll? And when I got here the train was

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<v Speaker 1>pulling out of the station. Jot if it had not

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<v Speaker 1>been but a stupid conduct, it's so late for that. Now, Yes,

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<v Speaker 1>we've got to find a bond. It's the agent of

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<v Speaker 1>man or a woman, though I don't know, Bruce, how

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<v Speaker 1>soon before we reached the ocre river. But from now

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<v Speaker 1>about an hour and a half hour.

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<v Speaker 2>And a half between the career verse we should.

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<v Speaker 1>Be Now, Herrick, you stay here, but at least I

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<v Speaker 1>s Erick. Yes, we know nothing of a tomic reactions.

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<v Speaker 1>That is your field, this is ours. Just do as

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<v Speaker 1>you're told, will you please? I'm sorry? All right, and yes,

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<v Speaker 1>get the conductor, yes, and hurry.

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<v Speaker 2>But why we are not at all?

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<v Speaker 1>Why should they want to do this to me? It's

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<v Speaker 1>not Joe, it's us start doing it. So but what

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<v Speaker 1>can I do?

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<v Speaker 2>Or shall I? Look?

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<v Speaker 1>We'll do the looking. All we want from you is cooperation,

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<v Speaker 1>that will cooperate.

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<v Speaker 2>What isn't there for me to do?

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<v Speaker 1>Not much? Now? First, do you have a list of

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<v Speaker 1>the passengers that got on the tours were here? Good? Second,

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<v Speaker 1>can we get into the baggage car while the trainers

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<v Speaker 1>in motion? On this train?

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<v Speaker 2>You can some of the first and segment right.

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<v Speaker 1>That's enough. As long as we can get on this.

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<v Speaker 2>One, no way.

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<v Speaker 1>What about the baggage? Did we take much aboard? The

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<v Speaker 1>tellers slam only the baggage clerk knows that you'll go

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<v Speaker 1>with me? When I got to the baggage cart, Yes,

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<v Speaker 1>go through the cars claimingness, you've lost the bag? You understand? Yes,

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<v Speaker 1>you match up every bag with an honor right, mark

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<v Speaker 1>the location of any oddist that you may find. He

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<v Speaker 1>may have put it on one of the baggage shells

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<v Speaker 1>and left the train. Where will you be baggage car?

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<v Speaker 3>Yes?

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<v Speaker 2>But after that back here the challenger?

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<v Speaker 1>Yes, Eric, it won't be easy staying yes, you didn't

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<v Speaker 1>expect it to be the do I suppose?

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<v Speaker 2>Not?

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<v Speaker 1>Well?

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<v Speaker 3>Good nothing, good luck.

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<v Speaker 1>But if he's not a policeman and not a soldier,

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<v Speaker 1>why should I let him in this baggage carries?

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<v Speaker 2>Now, do not argue with us.

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<v Speaker 1>There's no time. Why should let me let me? Carl?

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<v Speaker 1>This is an emergency. I must be permitted inside to

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<v Speaker 1>check the baggage. But where did you permit badge prudentials,

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<v Speaker 1>anything that I may locate.

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<v Speaker 2>Jobs are hard to get. My wife and children.

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<v Speaker 1>Were all right? All right? Then I'll side you. Someone

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<v Speaker 1>has planted a bomb on board that's gonna go on.

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<v Speaker 1>I'm yes, I'm bombed. And if I don't find it,

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<v Speaker 1>and well, let me say an hour and fifteen minutes,

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<v Speaker 1>none of us will be able to hold a job anymore. Now,

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<v Speaker 1>may we come in? Yes, come in? All right? What

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<v Speaker 1>do you want to know? How many pieces of baggage

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<v Speaker 1>came about it? Teleslap? Not many? Five suitcases, A thrunk

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<v Speaker 1>and that's create the crates.

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<v Speaker 3>But then the crate I.

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<v Speaker 1>Don't know, it's rooted true to hanover all right? Have

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<v Speaker 1>you got a hammer? But I hate no story at

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<v Speaker 1>me a hammer? All right?

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<v Speaker 2>Okay, careful piece, careful.

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<v Speaker 1>Watch us furniture. Okay, Now the suitcases over here? Have

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<v Speaker 1>you a sharp knife?

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<v Speaker 2>Yes?

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<v Speaker 1>But why I must set the bags open? Cut? But

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<v Speaker 1>the onlyest way I'll take the responsibility I get the knife.

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<v Speaker 1>It was the only thing to do. The bag to

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<v Speaker 1>be cut open and affected by hand. Opening a catch

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<v Speaker 1>might set the bomb off, even if the debt, or

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<v Speaker 1>if it wasn't wise.

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<v Speaker 3>To it, which in all likelihood it was.

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<v Speaker 1>As I cut into the first bag, I was a

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<v Speaker 1>hard knock forming in the seat of my stomach. I

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<v Speaker 1>reached inside the bag.

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<v Speaker 3>Clothes.

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<v Speaker 1>The second case clothes, the third to the fourth and

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<v Speaker 1>the fist. Then we broke up in the truck.

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<v Speaker 3>Uh, no bomb.

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<v Speaker 1>I wiped my face. I left the conductor and Carl

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<v Speaker 1>and went back to the compartment.

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<v Speaker 2>Nothing. No, nothing, Where is that st checking bags? I

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<v Speaker 2>suppose how much time do we have?

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<v Speaker 1>Not quite an hour? Time enough? I don't know.

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<v Speaker 2>You're sure the bomb is a book?

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<v Speaker 1>Yes, I'm sure that doesn't make mistakes. What do we

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<v Speaker 1>do now? Or you do just what you've been doing.

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<v Speaker 1>Stay here, I'm going out and check the passengers that

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<v Speaker 1>came about it.

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<v Speaker 2>Thomas Leaping, So anything you want me to tell ends

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<v Speaker 2>when he.

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<v Speaker 1>Gets back, Yes, if you get back.

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<v Speaker 2>We assumed we are doomed.

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<v Speaker 1>I tell him what's the matter of diffrac?

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<v Speaker 2>The engineers going to stop the train stop?

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<v Speaker 1>What do you mean stop? He can't? I told you

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<v Speaker 1>what would happen if we stop before we reached the Oka?

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<v Speaker 2>Nevertheless, engineers going to stop?

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<v Speaker 1>Or why?

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<v Speaker 2>He says he has a bad coupling and the courtender.

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<v Speaker 1>Did you tell him why we couldn't stop?

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<v Speaker 2>Yes? He says he can keep the bad coupling, and

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<v Speaker 2>the courtender the bomb. He cannot sleep.

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<v Speaker 1>Oh no, therefore the bad coupling must take precedence, and

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<v Speaker 1>he's going to stop the train. Mm hmm, Dietrich, the

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<v Speaker 1>conductor had justin formed me that dud with affective coupling.

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<v Speaker 1>The engineer was about to stop the train. And under

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<v Speaker 1>these circumstances. It was a horrifying thot because we knew

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<v Speaker 1>that the train was to be blown up, and it

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<v Speaker 1>stopped for any reason before we reached the Yoca ripper.

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<v Speaker 1>I thought you stod being for the matter. The engineer

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<v Speaker 1>is going to stop the train, No he can't. I

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<v Speaker 1>pause you what I know? I know, Ditric told And

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<v Speaker 1>what more can I do?

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<v Speaker 2>It out of my hands?

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<v Speaker 1>Well, there's one thing more, ye, And what mister Color,

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<v Speaker 1>and go back to the engineer, tell him we want

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<v Speaker 1>fifteen minutes and tell him that if he refuses, I

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<v Speaker 1>will personally kill him. What's the coupling? What about it?

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<v Speaker 1>I don't care about the coupling. If it breaks, we're dead. Anyway,

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<v Speaker 1>Let's at least try to find the bomb. Yes, mister Color,

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<v Speaker 1>and I'll told him Bruce. What shall we do if

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<v Speaker 1>that engineer refuse and I will kill him or at

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<v Speaker 1>least get him out of the cabin. Let's the fireman

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<v Speaker 1>run on the train. You know, there is still the

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<v Speaker 1>possibility there that agents may have planted the bomb and

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<v Speaker 1>himself then led the train. I might, but we don't know, No,

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<v Speaker 1>that we don't. What about that baggage car high screened

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<v Speaker 1>the passenger's luggage, John, Every piece matched up?

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<v Speaker 2>Yeah?

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<v Speaker 1>Now there there can we go? Now? Did you give

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<v Speaker 1>you a list of passengers that boarded at SPA Sentinens?

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<v Speaker 3>Yes, yes, all right, giving.

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<v Speaker 1>Me all right? Yes, but they are all Jeck Bruce,

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<v Speaker 1>they said, one couple in second class? Well, one couple. Couple, Yes,

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<v Speaker 1>it's married couple, knew event it could not possibly be

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<v Speaker 1>the one that would be very clever of them, wouldn't

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<v Speaker 1>its very Where are they in this car? The compartment

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<v Speaker 1>third from the end of your pistol? Yes, I might

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<v Speaker 1>give it to me here. Do you want me to

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<v Speaker 1>come with you? Now? Give me five minutes?

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<v Speaker 2>Right?

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<v Speaker 1>This was infinitely worse than fighting in the dark dark

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<v Speaker 1>fighting terrified me. Here Miami was unseen, unknown, and out

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<v Speaker 1>of reach. That he was close enough to mark us

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<v Speaker 1>all for that. At a specific time, as I hurried

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<v Speaker 1>along the corridor, I granted at my watch if the

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<v Speaker 1>engineer gave us the fifteen minutes I'd asked for it,

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<v Speaker 1>and we had already used three of those.

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<v Speaker 3>Precious minutes planning strategist.

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<v Speaker 1>One thing I knew for Seringa, the hand holding the

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<v Speaker 1>gun in my pocket, would not come out until I

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00:17:10.920 --> 00:17:14.799
<v Speaker 1>was completely satisfied as to the identity of the newly weds.

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<v Speaker 2>Here.

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<v Speaker 1>What can I do for it? My name is Bruce Calendar,

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<v Speaker 1>has been a bit of a stir aboard, and the

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<v Speaker 1>conductor made me a kind of deputy to make an inquiry.

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<v Speaker 1>May I come in? Of course? Thank you.

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<v Speaker 2>I'm looking talk and roll neighbors. This is my wife. Well,

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<v Speaker 2>this is the.

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<v Speaker 1>Calendar.

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<v Speaker 2>How do you do? Are you you're the melitor?

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<v Speaker 1>I'm sure no, no Canadian?

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<v Speaker 2>Good show, Good Joe, have a ring for the zoo?

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<v Speaker 1>Well not right now, thank you?

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<v Speaker 2>Oh what pull the fuss about, miss calenber Well?

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<v Speaker 1>It seems that there was a jewel robbery in Sala Slaven.

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<v Speaker 1>The thief was apprehended at the station, but not before

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<v Speaker 1>he'd managed to stow the loop somewhere. The authorities believe

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<v Speaker 1>that he may have put it in someone's baggage with

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<v Speaker 1>the view toward recovering it sometime during the journey.

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<v Speaker 4>Oh then you'll want to inspect the baggage.

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<v Speaker 1>Oh no, no, no, I have no authority to do that.

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<v Speaker 1>But if you will see for yourself so that I

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<v Speaker 1>can report it to the conductor, I had done very much?

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<v Speaker 2>Will it give be an eye of my belief?

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<v Speaker 1>Or gird?

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<v Speaker 2>And they haven't been out of our fight, survived at

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<v Speaker 2>the station.

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<v Speaker 1>But you won't mind making the inspection?

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<v Speaker 2>Oh no, not at all, my dear Ferda. But I'm

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<v Speaker 2>afraid you'll be wasting your time.

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<v Speaker 1>Oh look here, do you have a ring? Won't you

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<v Speaker 1>no facts? Anyway?

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<v Speaker 2>Oh we're on our honeymoon you know.

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00:18:53.039 --> 00:18:53.720
<v Speaker 1>Oh really?

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<v Speaker 2>Yes, I've been trying.

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<v Speaker 1>To get to Marry Mills for a long time now,

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00:18:59.759 --> 00:19:03.079
<v Speaker 1>well until yesterday that you've finally made.

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<v Speaker 2>Up her mind.

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<v Speaker 4>Yesterday, that's right, I finally wore down her resistance and

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<v Speaker 4>I got it.

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<v Speaker 1>Yes, question the bag? If you please put on the door?

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<v Speaker 4>Yes, the give me only two line girls, I'll get

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00:19:20.440 --> 00:19:31.960
<v Speaker 4>them done, shirts, fop ties.

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00:19:34.319 --> 00:19:34.680
<v Speaker 1>Wine?

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<v Speaker 2>Is the caramels having here?

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<v Speaker 1>Good now, missus Crapton, I'll do it. No, no, you

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<v Speaker 1>may not open it. Then? If you will open at yourself,

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00:19:47.000 --> 00:19:49.920
<v Speaker 1>I tell you why not? Better? Don't ask me why

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<v Speaker 1>I can't do it. That's all. You have to have

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00:19:52.599 --> 00:19:56.480
<v Speaker 1>a reason. Please please me alone. This is no time

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00:19:56.599 --> 00:19:57.359
<v Speaker 1>to this sublem.

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00:19:57.400 --> 00:19:59.319
<v Speaker 2>You can't obstruct below.

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00:19:59.519 --> 00:20:02.680
<v Speaker 1>I don't about law. My belief will not be open

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00:20:03.039 --> 00:20:04.640
<v Speaker 1>it will I.

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00:20:04.759 --> 00:20:05.880
<v Speaker 2>Will not open it?

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00:20:06.039 --> 00:20:09.559
<v Speaker 1>Then I will. He snapped open the Catchers of God

306
00:20:09.680 --> 00:20:14.279
<v Speaker 1>as Valise, and then he saw it, a picture of

307
00:20:14.319 --> 00:20:18.079
<v Speaker 1>a rosy cheek boy in a loof buffer uniform, proud

308
00:20:18.400 --> 00:20:23.079
<v Speaker 1>arrogant who was super raced. Litana turned away. His face

309
00:20:23.119 --> 00:20:26.480
<v Speaker 1>looked like it had been slapped hard. I stood there

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<v Speaker 1>for a moment. It isn't very pleasant to see a

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00:20:29.400 --> 00:20:31.720
<v Speaker 1>man's world disintegrated.

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00:20:31.440 --> 00:20:42.599
<v Speaker 3>By the photograph.

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00:20:42.720 --> 00:20:46.319
<v Speaker 1>What happened? They're not the one? Oh now what? I

314
00:20:46.359 --> 00:20:46.680
<v Speaker 1>don't know?

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00:20:47.279 --> 00:20:50.240
<v Speaker 2>I do. I'm jumping off the train, but why?

316
00:20:50.680 --> 00:20:51.440
<v Speaker 1>But they're after me?

317
00:20:51.559 --> 00:20:54.079
<v Speaker 2>Not if I'm off the training state.

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<v Speaker 1>All set down? You're making a fool of yourself. How

319
00:20:56.599 --> 00:20:58.279
<v Speaker 1>do you propose to let him know you've jumped when

320
00:20:58.279 --> 00:21:04.480
<v Speaker 1>we can't even locate him? I can't even die, nobly?

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00:21:04.599 --> 00:21:07.640
<v Speaker 1>Can I wait here for me? And where you're going

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00:21:07.680 --> 00:21:15.960
<v Speaker 1>to find Ditri? Mister calendar, I was on my way way.

323
00:21:16.079 --> 00:21:18.480
<v Speaker 1>You know time the engineer must give us more time.

324
00:21:18.680 --> 00:21:20.920
<v Speaker 1>You've won, or they've had to can the fire and

325
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<v Speaker 1>run the train.

326
00:21:21.720 --> 00:21:23.799
<v Speaker 2>But if the complete could.

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00:21:26.039 --> 00:21:28.559
<v Speaker 1>Just can the home kitty living a dialect family.

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00:21:28.680 --> 00:21:30.599
<v Speaker 2>Let now, have we got on too long time from the.

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00:21:30.640 --> 00:21:34.720
<v Speaker 1>Will while a pretty well, just say, oh mama, it's

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<v Speaker 1>the calendar.

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00:21:35.799 --> 00:21:37.559
<v Speaker 2>The little woman at the end of the train would

332
00:21:37.559 --> 00:21:40.079
<v Speaker 2>has been locked toward this woman's says since we left

333
00:21:40.119 --> 00:21:44.440
<v Speaker 2>Connor play but did trick.

334
00:21:45.960 --> 00:21:49.039
<v Speaker 1>That's where it is. That's the only place that could be.

335
00:21:49.119 --> 00:21:52.359
<v Speaker 1>We've looked everywhere up here. That's rid of the woman.

336
00:21:53.640 --> 00:21:55.960
<v Speaker 1>Go on like a relevant Let's see here, look at

337
00:21:55.960 --> 00:21:58.880
<v Speaker 1>what you, madam for Let's see yeh, madam?

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00:21:59.279 --> 00:22:03.039
<v Speaker 2>You will play? Can see? Shall we cross the door?

339
00:22:03.319 --> 00:22:05.559
<v Speaker 1>No, he'd set the thing off before we cracked it.

340
00:22:05.680 --> 00:22:06.920
<v Speaker 2>But are you sure he's in there?

341
00:22:07.000 --> 00:22:08.920
<v Speaker 1>I'm not sure he isn't in there. How will you

342
00:22:09.000 --> 00:22:12.279
<v Speaker 1>find out? Well, I'm going to climb to the top

343
00:22:12.319 --> 00:22:15.839
<v Speaker 1>of the car, moved down to the laboratory, smashed the

344
00:22:15.920 --> 00:22:18.480
<v Speaker 1>window and shoot and I hope I hit him and

345
00:22:18.559 --> 00:22:19.079
<v Speaker 1>that's a bomb.

346
00:22:19.319 --> 00:22:21.519
<v Speaker 2>But if it does not, he then he will have

347
00:22:21.640 --> 00:22:22.559
<v Speaker 2>kids in innocent men.

348
00:22:22.640 --> 00:22:24.079
<v Speaker 1>And if it is and I don't shoot, over one

349
00:22:24.119 --> 00:22:26.119
<v Speaker 1>hundred innocent people will be dead in five minutes.

350
00:22:26.160 --> 00:22:27.759
<v Speaker 2>I don't know if I should permit it. After all,

351
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<v Speaker 2>I'm the chief.

352
00:22:28.480 --> 00:22:30.880
<v Speaker 1>Conducted, not five minutes. Digreg. Don't try to stop me.

353
00:22:31.200 --> 00:22:34.279
<v Speaker 2>The responsibility is here and I will do what I can.

354
00:22:34.279 --> 00:22:37.359
<v Speaker 1>To help Alad. Now get earned tell him what I'm

355
00:22:37.400 --> 00:22:39.440
<v Speaker 1>going to do. Tell him as soon as he there's

356
00:22:39.480 --> 00:22:42.319
<v Speaker 1>the shots to have you open the door, he'll disarm

357
00:22:42.400 --> 00:22:45.400
<v Speaker 1>the bomb. That was that clear. He has mister Colin

358
00:22:45.440 --> 00:22:52.480
<v Speaker 1>hurt and hurry. We only have four minutes. As they

359
00:22:52.559 --> 00:22:54.559
<v Speaker 1>ran down the corridor, I turned and went to the

360
00:22:54.680 --> 00:22:57.799
<v Speaker 1>door leading to the outside of the train, and there

361
00:22:57.839 --> 00:23:01.079
<v Speaker 1>I took off my shoes and checked the cystol arms

362
00:23:01.160 --> 00:23:05.000
<v Speaker 1>had given me. At any moment, I expected the train

363
00:23:05.079 --> 00:23:08.559
<v Speaker 1>to start slowing down, which I knew must be followed

364
00:23:08.559 --> 00:23:11.480
<v Speaker 1>by the glass. Until I got to the roof of

365
00:23:11.559 --> 00:23:13.519
<v Speaker 1>the car, I didn't quite know how I was going

366
00:23:13.559 --> 00:23:16.279
<v Speaker 1>to reach down and break the glass. But when I

367
00:23:16.319 --> 00:23:18.559
<v Speaker 1>got there, I saw that this time the brake had

368
00:23:18.640 --> 00:23:21.440
<v Speaker 1>come my way. This was an old relic that had

369
00:23:21.480 --> 00:23:25.240
<v Speaker 1>the light sentence at each end of the car. Carefully

370
00:23:25.519 --> 00:23:27.559
<v Speaker 1>so as not to betray any movement to the man,

371
00:23:27.680 --> 00:23:30.880
<v Speaker 1>believe me, I booked one leg around to stand it

372
00:23:30.960 --> 00:23:35.960
<v Speaker 1>and let myself ease down. That I hung there for

373
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<v Speaker 1>the second. I that the man inside was the man.

374
00:23:39.400 --> 00:23:41.960
<v Speaker 1>I thought this was my last chance.

375
00:23:42.000 --> 00:23:43.720
<v Speaker 3>He had to be that.

376
00:23:43.839 --> 00:23:45.400
<v Speaker 1>Suddenly there was a ship of wind, and I was

377
00:23:45.440 --> 00:23:47.799
<v Speaker 1>almost blinded that the senders pouring out of the internal

378
00:23:51.759 --> 00:23:53.920
<v Speaker 1>I saw an impasceptible shut. I go through the train

379
00:23:53.960 --> 00:23:56.319
<v Speaker 1>as the brakes were a fire. The time was now.

380
00:23:57.039 --> 00:24:20.480
<v Speaker 1>I raised my gun and hello, di trick. Everything cleaned up, Yes, mister,

381
00:24:21.640 --> 00:24:24.920
<v Speaker 1>the passengers are still a little excited, and no doubt

382
00:24:25.279 --> 00:24:26.200
<v Speaker 1>you shoot very straight.

383
00:24:26.279 --> 00:24:28.920
<v Speaker 2>Mister calm, the body will be turned over to the

384
00:24:29.000 --> 00:24:30.279
<v Speaker 2>authorities and hanover.

385
00:24:30.200 --> 00:24:38.920
<v Speaker 1>Our judge the trick. I'll be right back. Uh, pardon me, Adam.

386
00:24:40.279 --> 00:24:47.920
<v Speaker 1>The door is opening to own ucop. Forgive me latport

387
00:24:48.440 --> 00:24:55.839
<v Speaker 1>a bet, Oh sir, next, You're quite welcome, I assure you.

388
00:25:09.720 --> 00:25:12.480
<v Speaker 1>Would you like to win a brand new nineteen fifty

389
00:25:12.519 --> 00:25:15.359
<v Speaker 1>four high style Plymouth convertible well, and be sure to

390
00:25:15.519 --> 00:25:18.480
<v Speaker 1>enter the Big Plymouth contest that starts this Thursday, twenty

391
00:25:18.559 --> 00:25:22.079
<v Speaker 1>five thousand dollars in prizes, including six new fifty four

392
00:25:22.160 --> 00:25:25.279
<v Speaker 1>Plymouths and hundreds of cash prizes. Your Plymouth dealer can

393
00:25:25.319 --> 00:25:27.680
<v Speaker 1>give you an entry blank next Thursday. You'll see it

394
00:25:27.759 --> 00:25:30.599
<v Speaker 1>contains a complete list of the prizes and the easy rules.

395
00:25:30.759 --> 00:25:34.000
<v Speaker 1>But don't put it off because the contest closes midnight Monday,

396
00:25:34.039 --> 00:25:36.960
<v Speaker 1>October nineteenth. So I'll about a big red circle on

397
00:25:37.039 --> 00:25:39.799
<v Speaker 1>the calendar around this coming Thursday. That's the day to

398
00:25:39.839 --> 00:25:42.839
<v Speaker 1>see the new fifty four Plymouth and enter the big contest.

399
00:25:43.200 --> 00:25:43.880
<v Speaker 2>Is it a date.

400
00:25:50.799 --> 00:26:00.960
<v Speaker 3>Fifty fifty.

401
00:25:58.039 --> 00:26:08.160
<v Speaker 1>For you? And the special music for Escape was composed

402
00:26:08.200 --> 00:26:11.759
<v Speaker 1>and conducted by Rex Cory. This is Roy Rowan speaking

403
00:26:24.480 --> 00:26:28.200
<v Speaker 1>Escape transcribed was brought to you by Plymouth, along with

404
00:26:28.279 --> 00:26:31.319
<v Speaker 1>the reminder that you visit your Plymouth dealer on Thursday.

405
00:26:31.880 --> 00:26:35.880
<v Speaker 1>Entered the twenty five thousand dollars contests and see the big, bright,

406
00:26:36.000 --> 00:26:54.599
<v Speaker 1>beautiful new fifty four Plymouth Thursday. This is the CBS

407
00:26:55.119 --> 00:27:03.599
<v Speaker 1>Radio Network is an
