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<v Speaker 1>We're Tarmin Lorenzo and this is the Pop Style Opinion Fest.

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<v Speaker 1>Hello get and welcome back to another edition of the PSO.

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<v Speaker 1>I am the teen, you'r Tilo Tom Fitzgerald, and I'm

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<v Speaker 1>here with the Low and your til Lorens. My love husband,

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<v Speaker 1>are your lovely husband?

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<v Speaker 2>Wonderfully fantastic.

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<v Speaker 1>We have so much to talk about this topic heavy podcast.

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<v Speaker 1>We have matters of style to discuss, matters of celebrity

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<v Speaker 1>to discuss, and then we're going to talk about two

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<v Speaker 1>TV shows. So it is living up to its name,

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<v Speaker 1>The Pop Style Opinion Fest. Anything else you want any

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<v Speaker 1>happy talking, you want to get out of your system?

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<v Speaker 2>Oh no, it's just beautiful out, sunny, beautiful out.

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<v Speaker 1>All the tourists are here in Philadelphia, and.

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<v Speaker 2>I know you actually took a picture of.

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<v Speaker 1>The line for the Liberty Bill this morning was just insane.

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<v Speaker 1>So it's that time of year. And also it's the

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<v Speaker 1>two hundred and fiftieth anniversary, but we won't be here

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<v Speaker 1>for it anyway. Yeah, we're traveling to Europe, so we

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<v Speaker 1>want this.

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<v Speaker 2>It wasn't planned that way, We just happened to.

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<v Speaker 1>It just happened to be. Well, we're going for a wedding.

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<v Speaker 1>We're going to Ireland for a wedding and then we're

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<v Speaker 1>going to We said we were going to tell people

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<v Speaker 1>we're going to Edinburgh. After that we're.

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<v Speaker 2>Going to Scotland. Yeah, so that's buh, very very I'm

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<v Speaker 2>so excited. Looks like, oh my god, the most beautiful place.

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<v Speaker 1>It's gonna be so hot though. Yes, all right, so

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<v Speaker 1>that's our little happy talk. The cats are fine. Everything's good.

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<v Speaker 2>Yeah, everything's fine.

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<v Speaker 1>Everything's fine, everything's everything.

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<v Speaker 2>Tab is coming.

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<v Speaker 1>Tab is going to jump up on the table any second,

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<v Speaker 1>any second, anyway with a big thump. All right, So

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<v Speaker 1>right out the gate, let's talk about matters of fashion,

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<v Speaker 1>which is Olivia Rodrigo, the pop singer, is embroiled in

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<v Speaker 1>a silly little controversy. It's not really a controversy at all,

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<v Speaker 1>but she has brought I guess single hand because I

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<v Speaker 1>guarantee this is now going to become a fashion item.

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<v Speaker 1>So probably single handedly has brought the baby doll dress

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<v Speaker 1>back into style. She last month wore one on stage

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<v Speaker 1>to perform her late.

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<v Speaker 2>Well, it's on the cover of the new album, so

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<v Speaker 2>it's all part of her branding of the whole package

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<v Speaker 2>for the new album. Called you Look Pretty Sad for

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<v Speaker 2>a growing love.

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<v Speaker 1>Right, and then the single she wore on stage like

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<v Speaker 1>in the video or something drop dead, which.

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<v Speaker 2>Is amazing song I love is it okay?

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<v Speaker 1>You know?

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<v Speaker 2>Make me laugh? Cor Tom said that in terms of

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<v Speaker 2>pop music, I have the dates of a sixteen year

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<v Speaker 2>old girl, does I do? But that song is amazing. Anyway,

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<v Speaker 2>I think she's very talented.

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<v Speaker 1>To be honest, I think she's very talented, and I

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<v Speaker 1>think she's very naive about baby doll dress. So let's

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<v Speaker 1>start off with this. So she wore a baby doll dress,

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<v Speaker 1>and let's define this baby doll dresses. It is a

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<v Speaker 1>specific style of dress which is meant to mimic juvenile dresses,

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<v Speaker 1>dresses for little girls. So it's a very short skirt,

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<v Speaker 1>like very micro short skirt, like if she raised her arms,

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<v Speaker 1>you would see her pante like you. That's usually she's

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<v Speaker 1>built in feature of it.

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<v Speaker 2>But she's also wearing bloomers, so it's the whole combo.

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<v Speaker 1>Right, Usually puppy sleeves, and it doesn't have a defined waist.

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<v Speaker 1>It's usually like triangle shaped. It's very much what little

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<v Speaker 1>girls wear. When you put a little girl in a dress,

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<v Speaker 1>it has a specific etymology. It has been called the

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<v Speaker 1>baby doll dress because of the film Baby Doll in

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<v Speaker 1>nineteen fifty six, which the lead character wore played by

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<v Speaker 1>Carol Baker, wore a baby doll dress. And you know,

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<v Speaker 1>Baby Doll was about a baby doll. Well, I mean,

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<v Speaker 1>I don't know if cless why that is pedophilia, because

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<v Speaker 1>I think she was playing a teenager, but it was.

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<v Speaker 1>It's something it was about underage sex, and it was

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<v Speaker 1>about about infantilizing women and as a form of sexualizing it.

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<v Speaker 1>So this is not something that just got imposed on

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<v Speaker 1>Olivia Rodrigo. This is a seventy year old term referring

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<v Speaker 1>to a specific style of dress that was specifically designed

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<v Speaker 1>to evoke childhood and sexuality. So that is a very

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<v Speaker 1>very volatile combination. And in nineteen fifty six you could

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<v Speaker 1>get away with that. But even then it was a

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<v Speaker 1>controversial style. And then in the nineteen sixties that style

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<v Speaker 1>of dress actually became popular among adult women, and it

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<v Speaker 1>was popularized a lot by the sex kittens of the

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<v Speaker 1>nineteen sixties, these screensiren's, big hair, winged eyes, you know,

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<v Speaker 1>coquettish sexuality. The Bridgie Bardouz of that era and then

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<v Speaker 1>in the nineties it was repurposed again by you know,

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<v Speaker 1>riot girl singers like Courtney Love.

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<v Speaker 2>Yes, uh, And it was part.

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<v Speaker 1>Of that whole Kinderhorr movement in the nineties, which in

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<v Speaker 1>that instance it was a sort of post feminist punk

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<v Speaker 1>take on the baby doll because they weren't sexualizing the dress.

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<v Speaker 1>They were removing the sexualization of it, the undertones, and

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<v Speaker 1>they were adding all of this sort of violent punk imagery,

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<v Speaker 1>messy hair slash, you know, messy makeup, that sort of thing, grungy,

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<v Speaker 1>you know, adding grungy items on top of it. In

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<v Speaker 1>all in order to take it away from its juvenile

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<v Speaker 1>undertones and from its sexual undertones. It was more about

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<v Speaker 1>defying those things, defying femininity, defying coquettish, and being more

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<v Speaker 1>in your face about it. That is not what Olivia

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<v Speaker 1>Rodrigo is doing. She's embracing it completely.

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<v Speaker 2>Go all right. She made a statement, and I think

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<v Speaker 2>that's what they her team had in mind to go

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<v Speaker 2>with the court Love, because she actually mentioned I'm glad

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<v Speaker 2>you mentioned Courton Love, because she actually said that I

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<v Speaker 2>wanted to go with sort of like a court and

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<v Speaker 2>Love kind of Look, if you watch the video, I

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<v Speaker 2>don't know about the cover, can't remember, but the video

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<v Speaker 2>she's wearing boots, you know.

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<v Speaker 1>I know she does wear nihil black leather boots with it,

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<v Speaker 1>which does go against the baby dolls.

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<v Speaker 2>So it exploded everywhere with all of the social media

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<v Speaker 2>TikTok and et cetera. And she she was kind of

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<v Speaker 2>shocked that because you know, she's young, she's twenty three three,

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<v Speaker 2>she's twenty three. I don't know what the team was thinking.

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<v Speaker 2>The thing is that I wish they had an argument

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<v Speaker 2>why they chose that dress, you know, because usually like

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<v Speaker 2>look look at Taylor Swift for example, when she did

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<v Speaker 2>the whole you know Vegas thing, right you show girl,

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<v Speaker 2>she went with a showgirl look. So I wish they

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<v Speaker 2>had a better explanation why they chose to that look

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<v Speaker 2>for this particular album.

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<v Speaker 1>Can I yeah, sure, I just want to I want

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<v Speaker 1>to say here, there's no there's no real scandal here.

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<v Speaker 1>A young woman is allowed to dress however she wants

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<v Speaker 1>to dress, and I don't think she should be criticized

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<v Speaker 1>for wearing baby doll dresses if that's what she wants

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<v Speaker 1>to wear. However, those dresses are not without implications, and

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<v Speaker 1>she is she seemed very ignorant of what the implications

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<v Speaker 1>of those dresses are. And that's fine, All of it's fine.

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<v Speaker 1>This is not a criticism of her, But it's more

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<v Speaker 1>we're unpacking the fact that because she did this thing

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<v Speaker 1>where she said, you know, in defense of herself, she

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<v Speaker 1>was like, well, if you look at it that way,

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<v Speaker 1>I think you're normalizing pedophilia, which is shows a complete

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<v Speaker 1>lack of understanding about what that's Also.

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<v Speaker 2>That the whole dress is rooted in female liberation, which

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<v Speaker 2>I don't know.

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<v Speaker 1>I don't think that's true either. The baby doll dress

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<v Speaker 1>was it was a pedophile dream. I mean, that's how

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<v Speaker 1>it has evolved. I get it. And she should not

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<v Speaker 1>be criticized, right, and no woman actually should be criticized

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<v Speaker 1>for wearing those dresses. But they do have implications to them,

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<v Speaker 1>and pretending that they don't, right is And she did

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<v Speaker 1>this thing where she said, you know where she fell

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<v Speaker 1>back on I get it. She fell back on the

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<v Speaker 1>whole we're policing what women wear kind of thing. And

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<v Speaker 1>and you know that tends to get my back up

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<v Speaker 1>because I've been hearing that for twenty years, for as

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<v Speaker 1>long as we've been doing what we do because we're

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<v Speaker 1>not policing what women wear. We're discussing what fashion does,

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<v Speaker 1>what meanings and aesthetics and messages and fashion send out.

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<v Speaker 1>And I think.

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<v Speaker 2>There's a crowd out there to do what you just

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<v Speaker 2>said we don't do. But again, and she's responding to that,

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<v Speaker 2>and I understand that. I'm sure people called her a

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<v Speaker 2>whore or whatever. I'm sure they called her a slut.

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<v Speaker 2>And she made the point that she she said, as

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<v Speaker 2>you know, like for example, I've I've worn more revealing outfits.

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<v Speaker 2>It's not about a And I think that's that's that's

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<v Speaker 2>when she missed a point. It's not about you what

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<v Speaker 2>you wear. It's you choosing a certain item that has

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<v Speaker 2>a whole history of a lot of things.

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<v Speaker 1>So again, TikTok generation is so uh. Their antenna are

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<v Speaker 1>so up for like pedophile and age gap and all

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<v Speaker 1>that I can't even mention the words, Yeah, you can't.

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<v Speaker 1>So it's not surprising that this abrupted among fans among

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<v Speaker 1>young people. But they aren't wrong to point out like

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<v Speaker 1>that is what the implication it is juvenile dresses that

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<v Speaker 1>are made to make adult women look sexy.

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<v Speaker 2>Also, we have to point out that someone likely we

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<v Speaker 2>were doing her fans are.

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<v Speaker 1>Very young, and she's very young, so I catty.

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<v Speaker 2>Young and you know, anyway, I think she was shocked, honestly,

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<v Speaker 2>but you know, I understand that. But at the same time,

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<v Speaker 2>you have forty p people around your creating a package

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<v Speaker 2>here to promote your album. Uh, and nobody discussed that baby.

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<v Speaker 1>Well yeah, okay, but I think that, like I said,

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<v Speaker 1>to wear baby do all dresses on stage, there's no

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<v Speaker 1>scan career, but I think there probably should have been

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<v Speaker 1>a prepared understand why. That's what it goes to what

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<v Speaker 1>you said about, well, why are you wearing for.

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<v Speaker 2>This specific album? Yeah? Why? I mean because usually you

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<v Speaker 2>choose a whole package. You know, at least that's most

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<v Speaker 2>people do. Sabrina Corbet or Taylor Swift, they all do,

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<v Speaker 2>so I don't know. Yeah, So anyway, we're still talking

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<v Speaker 2>about it and magazines are writing articles about it.

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<v Speaker 1>They're gonna be on the Runway next season. Yeah, I

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<v Speaker 1>mean probably pretty much brought them back. And you know,

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<v Speaker 1>we've been doing style commentary for twenty years now and

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<v Speaker 1>they they were in style during that period, so it

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<v Speaker 1>hasn't been that long since baby doll dresses were last

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<v Speaker 1>in style. Probably I don't know, circa two thousand and

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<v Speaker 1>eight or so, it's probably been about fifteen.

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<v Speaker 2>As a queer man, queer man, I think it's a

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<v Speaker 2>great look.

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<v Speaker 1>I know, I always thought it was a disturbing I did.

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<v Speaker 1>It's especially when they really embraced the little girls.

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<v Speaker 2>It depends on how you style it the way she

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<v Speaker 2>did the way she did it, I.

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<v Speaker 1>Thought it was confusing. The black boots just kind of

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<v Speaker 1>like now. I mean, if you want to wear like

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<v Speaker 1>high top sneakers or something, that's fine, but I don't

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<v Speaker 1>I didn't think the black boots went all right. Moving

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<v Speaker 1>on Billy Eichner, comic Billy Eigner, he God bless him.

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<v Speaker 1>I've always been a fan of Billy as a loud

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<v Speaker 1>mouth gay man with a lot of opinions. I feel

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<v Speaker 1>like very simpatico with him. I also feel that he

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<v Speaker 1>like certain gay men in the public eye who have

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<v Speaker 1>made their careers on being loud and obnoxious gay men.

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<v Speaker 1>And again there's a certain sympathy there, like, Okay, we

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<v Speaker 1>we sort of did the same thing, although we're bloggers

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<v Speaker 1>not not actors. There's a certain sympathy because I could

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<v Speaker 1>I could tell for years that he was struggling against

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<v Speaker 1>the image of himself that he had put out in

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<v Speaker 1>the world of this screaming, screaming.

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<v Speaker 2>Homosexuallyrand and he didn't like it. He didn't like it.

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<v Speaker 2>He actually said that he didn't like that everyone associated

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<v Speaker 2>him with the Billy on the Street type of you know,

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<v Speaker 2>screaming you know, persona asking questions, blah blah blah. But

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<v Speaker 2>you know, I don't know, you know what you got.

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<v Speaker 1>Really, let's let's talk about why we're talking about Billy.

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<v Speaker 1>There was a big splashy New York Times article this week,

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<v Speaker 1>of course, of course, for his new memoir, And I

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<v Speaker 1>could not roll my eyes at this hard enough because

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<v Speaker 1>first off, it's Billy on Billy is the name of

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<v Speaker 1>the Let me just say I do like Billy. He's

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<v Speaker 1>carved out and knits for himself that he seems intent

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<v Speaker 1>on destroying. But I also think in recent years his

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<v Speaker 1>sense of self is very inflated, like you're just not

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<v Speaker 1>that big a deal, Billy Eichner, You're not that big

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<v Speaker 1>a comedian, You're not that big a celebrity, and like

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<v Speaker 1>Billy on Billy, Like, okay, well, are there a lot

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<v Speaker 1>of people that were asking for that? I know this

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<v Speaker 1>sounds meaner than I wanted. At least Madonna, I mean

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<v Speaker 1>Barbara and Barbara, that makes sense, Liza, Unliza, but come on,

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<v Speaker 1>And it's also I'm being really mean here. But it's

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<v Speaker 1>an audio only memoir. Yes, it's a sad podcast, which

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<v Speaker 1>which to me was like what he didn't write it.

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<v Speaker 2>His explanation was that because he's always creamy and people

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<v Speaker 2>assist with Billy on the street, he wanted to have

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<v Speaker 2>a soft because he talks about his mother, who story

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<v Speaker 2>I know, and his mother his father they both passed.

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<v Speaker 1>But ostensibly the point of the book, like he adds

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<v Speaker 1>all the mom and dad stuff in there, But the point,

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<v Speaker 1>the central point of the book, and the point of

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<v Speaker 1>the piece in the in the New York Times, was

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<v Speaker 1>that he how painful it was that his movie flopped, right,

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<v Speaker 1>Christ So we talked about Bros. When it first came out,

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<v Speaker 1>and we did a podcast about it. I should have

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<v Speaker 1>gone back to listen to it. And I don't think

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<v Speaker 1>we trashed the film.

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<v Speaker 2>No, we didn't.

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<v Speaker 1>It was a it was you know, it was okay,

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<v Speaker 1>but we kind of trashed him for how he was

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<v Speaker 1>acting during that period.

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<v Speaker 2>But the thing is that I don't know what he

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<v Speaker 2>was Wait, I mean expecting look at this movie now

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<v Speaker 2>with Jennifer Lopez office roommate. I mean, we're gonna forget

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<v Speaker 2>about this movie five minutes. My point is that people

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<v Speaker 2>do shit and they don't become huge successful.

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<v Speaker 1>He so Bros. Was a gay romantic comedy, and from

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<v Speaker 1>the jump he couldn't just let this be like, here's

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<v Speaker 1>my gay romantic comedy. It became this big like issue

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<v Speaker 1>where we all needed to support this because and straight

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<v Speaker 1>people needed to support this. And I remember he made

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<v Speaker 1>such a big deal out of the fact that literally

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<v Speaker 1>not every single member of the cast was some form

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<v Speaker 1>of queer and I was like, well, why, that's that's

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<v Speaker 1>just goofy gimmickry. That's just if you don't need to

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<v Speaker 1>make sure there are no straight people on your set

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<v Speaker 1>when you make a gay film, that sort of gimmicky

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<v Speaker 1>short of nonsense. That's that actually put a pall over

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<v Speaker 1>the film before it even came out. I remember he

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<v Speaker 1>was on I think the VMA's or something one of

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<v Speaker 1>the MTV shows. It might have been the Movie Awards,

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<v Speaker 1>and he did this big riff about America needs to

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<v Speaker 1>come out like he did into his microphone America needs

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<v Speaker 1>to come out and support gay blah blah blah.

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<v Speaker 2>I think we came a long way when it comes

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<v Speaker 2>to queer entertainment TV shows, but we're not there yet.

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<v Speaker 2>I mean, look, even Heated Rivalry is a huge success

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<v Speaker 2>right now, but it's not like across the board. I mean,

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<v Speaker 2>it's not for everybody.

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<v Speaker 1>No, but it is the kind of success that he

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<v Speaker 1>wanted for pros.

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<v Speaker 2>But well they're both young, and yeah, that's a whole

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<v Speaker 2>different story. But anyway, my point is that we're not

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<v Speaker 2>there yet. I have watched so many great things that

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<v Speaker 2>you know, it's not for everybody. It doesn't interest everybody

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<v Speaker 2>because we're still very much you know, white straight society.

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<v Speaker 1>Not only that. I mean, and I remember saying this

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<v Speaker 1>at the time with Bros. Bros was every bit a

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<v Speaker 1>classic rom com in style, all the in the character types,

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<v Speaker 1>in the plot points. And I don't like rom coms,

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<v Speaker 1>and I would wager that a significant portion of gay

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<v Speaker 1>men are just not into Heated Rivalry. Well, I said

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<v Speaker 1>this before he did. Rivalry wasn't for gay man. It

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<v Speaker 1>was the straight win. That's why it's so But gay

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<v Speaker 1>men generally, and I know there is a gay romance

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<v Speaker 1>its fandom, and a significant portion of those are gay men.

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<v Speaker 1>But generally, as a group, I don't think we're especially

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<v Speaker 1>when you get into like elder millennials and above. We

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00:17:11.920 --> 00:17:15.160
<v Speaker 1>were not socialized to embrace that sort of thing. So

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<v Speaker 1>the whole point of that movie, I was like, all right,

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<v Speaker 1>I'll watch it, but I'm not into these kinds of stories.

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<v Speaker 2>Right, and yeah, I can only speak for experience. I mean,

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<v Speaker 2>when we talk about rum coms in general, iro at

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<v Speaker 2>that this is not for me. There's not for me.

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<v Speaker 2>And I remember having conversation with my queer friends and

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<v Speaker 2>even queer rum they were just like, oh what now.

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<v Speaker 1>The only one I ever liked was Fire Island. Yeah, right,

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<v Speaker 1>and again Billy. Both of those films came out in

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<v Speaker 1>the same year, and Billy kind of accidentally or he

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<v Speaker 1>made some rather dismissive commentary about it. She didn't go well,

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<v Speaker 1>which didn't got I mean, the whole everything about how

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<v Speaker 1>he handled that film. He was expecting too much, the

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<v Speaker 1>thing is, and then he had a public Milton when

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<v Speaker 1>you know, he blamed straight people for a right for

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<v Speaker 1>some reason, he thought that you know, straight people owe

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<v Speaker 1>that to him, you know, like that they would have

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<v Speaker 1>to like, support this movie because whatever, it doesn't work

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<v Speaker 1>that way, it doesn't it doesn't work. I mean, you know,

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<v Speaker 1>I've you look at someone like Ben Wishaw, for example,

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<v Speaker 1>amazing actor.

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<v Speaker 2>He pretty much plays a gay character in everything.

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<v Speaker 1>Because he can't. I mean, he has it'd be very

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<v Speaker 1>hard to cast that guy as a straight man, right, And.

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<v Speaker 2>He talks about that. But he's so talented and look,

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<v Speaker 2>you know, I mean, I mean, he finds interesting roles,

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<v Speaker 2>but he's not like, you know, very very famous, you know,

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<v Speaker 2>like that everybody is running to see his movies or

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<v Speaker 2>TV shows. That's what that's my point.

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<v Speaker 1>Yeah, that's I just wanted to bring it up because

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<v Speaker 1>I do feel bad for him. He really can't let

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<v Speaker 1>this go, and I think he's destroying his brand. To

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<v Speaker 1>be perfectly honest, like, if your whole thing is I

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<v Speaker 1>want to be soft spoken Billy, well okay, good luck

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<v Speaker 1>with that, but that that's not what people want from you.

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<v Speaker 1>I mean, I understand if you don't want to be

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<v Speaker 1>screaming at total strangers on the street for the rest

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<v Speaker 1>of your career, I get it. But this complete one

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<v Speaker 1>eighty into I'm going to write a memoir about my

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<v Speaker 1>mother and my feelings like, all right, well, I don't

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<v Speaker 1>really think this is what people want from you, much

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<v Speaker 1>like Bros Was not what people wanted from you.

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<v Speaker 2>I understand wanting to expand your career and do other things,

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<v Speaker 2>but sometimes it doesn't work and you just have to

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<v Speaker 2>face it.

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<v Speaker 1>Yeah, all right, we've rambled a bit too long here.

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<v Speaker 1>Let's go for a break and then we'll come back

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<v Speaker 1>and talk about one more bit of celebrity gossip before

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<v Speaker 1>we jump into the TV stuff. We'll be right back.

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<v Speaker 1>We're back in our final final bit of celebrity gossip

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<v Speaker 1>before we launch into our TV talk. Is actually about

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<v Speaker 1>a TV show mob Land, starring Pierce President and Helen

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<v Speaker 1>Mirren and maybe Tom Hardy for the next season. Who knows.

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<v Speaker 1>It came out this week. I'm going to toss to

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<v Speaker 1>Lorenzo on this because he actually want you watched the

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<v Speaker 1>full season, right, I watched both seasons. All right, let

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<v Speaker 1>me just do the setup and then I'm tossing to

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<v Speaker 1>you for all the details. So it came out this

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<v Speaker 1>week that Tom Hardy was being fired from the show

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<v Speaker 1>where he wasn't coming back for the second season, and

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<v Speaker 1>then there was a flurry of reports that he and

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<v Speaker 1>Helen Mirren had clash and that some of the classes

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<v Speaker 1>were about Palestine, which I didn't think was really likely.

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<v Speaker 1>It just sounded like a lot of publicists were trying

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<v Speaker 1>to get their version of the story out, and ultimately

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<v Speaker 1>I think Miron made a statement and the producers made

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<v Speaker 1>a statement, and it doesn't look like he's fired, but

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<v Speaker 1>it sure sounds like that is one messy as hell set.

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<v Speaker 1>All right, you fill all the rest in well, it just.

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<v Speaker 2>I've got to figure out what magazine on what site

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<v Speaker 2>came out with an art of saying that, you know,

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<v Speaker 2>Tom Hardy was fired from Moblin. That's how the whole

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<v Speaker 2>thing started, right, And then everyone was like what wow,

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<v Speaker 2>And then all these stories came out and well, apparently,

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<v Speaker 2>and that part is true. I believe allegedly he was

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<v Speaker 2>always late, but he's famous for that, and Helen Mirren specifically,

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<v Speaker 2>not so much Pierce Prosen, but Halen mireor specific was

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<v Speaker 2>complaining about it that you know that they wait for

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<v Speaker 2>hours for him to come out and do the scene,

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<v Speaker 2>so apparently he he was late. He was getting to

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<v Speaker 2>fights with the show's creator and producer, presenting like script

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<v Speaker 2>notes at the last minute, and you know, fighting for

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<v Speaker 2>them at the last minute, that kind of stuff, so

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<v Speaker 2>causing a lot of trouble on set. And you guys

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<v Speaker 2>might have read in the past that Charlie then had

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<v Speaker 2>kind of the same complaints about him on The Man Max.

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<v Speaker 2>Apparently she was a very stressful set. They were on

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<v Speaker 2>the it was very hot desert, and apparently the director

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<v Speaker 2>was kind of an asshole too, That's that's what I read.

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<v Speaker 2>And things were very tense, and he was always late,

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<v Speaker 2>he wouldn't take forever to come out of trailer, and

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<v Speaker 2>so she complained about him, and she Yeah, there's like

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<v Speaker 2>a book. There's a whole book written.

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<v Speaker 1>About Buchanan, who is a mutual on social media and

400
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<v Speaker 1>writes for The New York Times. He wrote a book, Blood,

401
00:22:12.839 --> 00:22:14.759
<v Speaker 1>Sweat and Crown, The Wild and True Story of Mad

402
00:22:14.799 --> 00:22:15.839
<v Speaker 1>Max Fierry wrote.

403
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<v Speaker 2>A couple of years ago.

404
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<v Speaker 1>The set was brutal, and it was a legendarily a

405
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<v Speaker 1>contentious set, and it made it sound like it was

406
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<v Speaker 1>mostly him. I mean, I don't think Charlie's has a

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<v Speaker 1>reputation for being difficult, but Tom Hardy absolutely does.

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<v Speaker 2>And the thing is that Charlie theren is she is tough.

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<v Speaker 2>She's a tough woman.

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<v Speaker 1>She was scared, but she says that's my point.

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<v Speaker 2>I mean, if she complained about it and said she

412
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<v Speaker 2>was kind of like worried and it's you know, scared,

413
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<v Speaker 2>I mean that something happened. I mean, but apparently he

414
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<v Speaker 2>was in character being an asshole the whole time and

415
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<v Speaker 2>even want to come out of histrailia blah blah blah

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<v Speaker 2>blah blah. So anyway, so the same thing apparently was

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<v Speaker 2>happening again with Moblin. And the thing is that these

418
00:22:56.279 --> 00:22:58.319
<v Speaker 2>three actors are a main.

419
00:22:58.240 --> 00:22:59.519
<v Speaker 1>Character, central character.

420
00:22:59.640 --> 00:23:03.519
<v Speaker 2>So take Tom Hardy. How are you gonna explain that? Right?

421
00:23:03.720 --> 00:23:04.759
<v Speaker 1>I guess I could kill him off?

422
00:23:04.799 --> 00:23:06.480
<v Speaker 2>Why now? But even so then you don't have a

423
00:23:06.480 --> 00:23:12.079
<v Speaker 2>show anymore certain way anyway, So I think that's why

424
00:23:12.079 --> 00:23:15.480
<v Speaker 2>he's not getting fired because they can't. They can't fire

425
00:23:15.559 --> 00:23:18.400
<v Speaker 2>him because otherwise they don't have a show. They don't

426
00:23:18.400 --> 00:23:20.400
<v Speaker 2>have a third season. That's my take.

427
00:23:20.559 --> 00:23:23.880
<v Speaker 1>There's not gonna be They're gonna have one really right,

428
00:23:24.039 --> 00:23:27.799
<v Speaker 1>gritted teeth season. Now obvious that everybody in the cast

429
00:23:27.839 --> 00:23:30.039
<v Speaker 1>hates each other, and then they're not coming back. That's

430
00:23:30.039 --> 00:23:31.000
<v Speaker 1>what's probably gonna happen.

431
00:23:31.000 --> 00:23:33.359
<v Speaker 2>The thing is that I think Helen Muhraan wasn't liking.

432
00:23:34.000 --> 00:23:37.640
<v Speaker 2>She didn't like the whole narrative about her, you know,

433
00:23:37.920 --> 00:23:41.000
<v Speaker 2>because then on social media and TikTok specifically, they were

434
00:23:41.000 --> 00:23:43.519
<v Speaker 2>talking about, well, she's pro Israel and he's propoust to

435
00:23:43.799 --> 00:23:47.319
<v Speaker 2>and that's why, you know, she probably told them to fight.

436
00:23:47.400 --> 00:23:48.079
<v Speaker 1>I don't think so.

437
00:23:48.599 --> 00:23:51.119
<v Speaker 2>I don't think that any of that happened. Yeah, I know,

438
00:23:51.279 --> 00:23:53.359
<v Speaker 2>and I think she didn't like that. That's why she

439
00:23:53.880 --> 00:23:56.920
<v Speaker 2>posted something on Instagram about him, saying, you know, like,

440
00:23:57.319 --> 00:23:58.359
<v Speaker 2>I don't know, I love you, but.

441
00:23:58.599 --> 00:24:02.160
<v Speaker 1>Some some but it sounded like he was difficult on seting.

442
00:24:02.160 --> 00:24:05.039
<v Speaker 2>I think he was just difficult, and you know, and

443
00:24:05.759 --> 00:24:09.119
<v Speaker 2>that's something I never understood. I read stories about that,

444
00:24:09.240 --> 00:24:12.279
<v Speaker 2>and I'm like, all right, you very famous, but come on,

445
00:24:12.319 --> 00:24:13.200
<v Speaker 2>that's not professional.

446
00:24:13.279 --> 00:24:14.799
<v Speaker 1>You know, like that the whole not coming out of

447
00:24:14.799 --> 00:24:15.640
<v Speaker 1>your trailer thing.

448
00:24:15.759 --> 00:24:18.799
<v Speaker 2>I now, wow, you I still still do that. I know.

449
00:24:18.960 --> 00:24:20.759
<v Speaker 2>I don't think that kind of depth my point. I

450
00:24:20.759 --> 00:24:22.640
<v Speaker 2>don't think that kind of behavior should be accepted.

451
00:24:22.720 --> 00:24:25.319
<v Speaker 1>I don't think it is as accepted as it once was.

452
00:24:25.559 --> 00:24:29.400
<v Speaker 1>So that's why this is coming out. But that whole

453
00:24:29.599 --> 00:24:32.519
<v Speaker 1>you know, abusing the crew, make wasting hours a time,

454
00:24:34.519 --> 00:24:37.119
<v Speaker 1>you know, the industry is not flush with cash at

455
00:24:37.119 --> 00:24:39.039
<v Speaker 1>the moment, so we can't put up with that sort

456
00:24:39.079 --> 00:24:41.079
<v Speaker 1>of ship. You can't put up with stars, you know,

457
00:24:41.559 --> 00:24:43.279
<v Speaker 1>wasting hamp a day or whatever.

458
00:24:43.519 --> 00:24:45.200
<v Speaker 2>You lose the light, you lose something.

459
00:24:45.359 --> 00:24:48.119
<v Speaker 1>You're paying union wages to everyone to stand around.

460
00:24:48.240 --> 00:24:50.119
<v Speaker 2>So I think I was.

461
00:24:50.079 --> 00:24:52.279
<v Speaker 1>Actually a little surprised to hear those whole Oh he

462
00:24:52.400 --> 00:24:53.759
<v Speaker 1>spent hours in his trailer.

463
00:24:53.759 --> 00:24:56.000
<v Speaker 2>I was like, Wow, they still do that. Huh they do,

464
00:24:56.599 --> 00:24:59.039
<v Speaker 2>And I think that's why he hasn't been fired, because

465
00:24:59.279 --> 00:24:59.880
<v Speaker 2>they need it.

466
00:25:00.279 --> 00:25:02.839
<v Speaker 1>Yeah, but I always thought he was an asshole. Yeah,

467
00:25:02.920 --> 00:25:04.440
<v Speaker 1>I always thought he was an asshole.

468
00:25:04.480 --> 00:25:06.759
<v Speaker 2>I know, I don't know. He's so great in the show.

469
00:25:06.920 --> 00:25:09.839
<v Speaker 1>I think he's a great actor, but a person, I'm like,

470
00:25:10.400 --> 00:25:12.200
<v Speaker 1>I can just tell that's not someone you'd want to work.

471
00:25:12.519 --> 00:25:16.200
<v Speaker 2>Yes, yes, I mean he looks and sounds difficult.

472
00:25:16.440 --> 00:25:22.640
<v Speaker 1>Yeah, he sounds difficult. All right, let's just lead into

473
00:25:22.640 --> 00:25:25.799
<v Speaker 1>the next and we'll start talking about Hacks.

474
00:25:25.920 --> 00:25:27.240
<v Speaker 2>Oh my god. Yes, Well, we.

475
00:25:27.279 --> 00:25:29.119
<v Speaker 1>Have two shows to talk about this week, one of

476
00:25:29.160 --> 00:25:30.920
<v Speaker 1>which we're saying goodbye to and the other one we're

477
00:25:30.920 --> 00:25:33.720
<v Speaker 1>saying hello too. So we're going to talk about Hacks,

478
00:25:33.839 --> 00:25:37.480
<v Speaker 1>which had its finale series finale last night, and we're

479
00:25:37.519 --> 00:25:41.680
<v Speaker 1>just gonna talk about the entire series and the final season,

480
00:25:42.200 --> 00:25:44.079
<v Speaker 1>and then after that, we're going to talk about Widow's

481
00:25:44.119 --> 00:25:48.119
<v Speaker 1>Bay on Apple TV, which is our new favorite show

482
00:25:48.200 --> 00:25:50.599
<v Speaker 1>and you absolutely need to watch it, and we're going

483
00:25:50.680 --> 00:25:53.720
<v Speaker 1>to talk about that after Hacks, and the beginning of

484
00:25:53.759 --> 00:25:57.240
<v Speaker 1>that convo will be spoiler free, but the end of

485
00:25:57.279 --> 00:26:00.680
<v Speaker 1>that conversation, which we will give you warnings, we're going

486
00:26:00.759 --> 00:26:03.519
<v Speaker 1>to get into spoilers because I know some of you

487
00:26:03.559 --> 00:26:05.640
<v Speaker 1>have already watched it and we need to talk about

488
00:26:05.640 --> 00:26:06.480
<v Speaker 1>some of these episodes.

489
00:26:06.599 --> 00:26:08.839
<v Speaker 2>All right, So Hacks Hecks, I have to start by

490
00:26:08.880 --> 00:26:10.559
<v Speaker 2>saying that I'm glad it's gone.

491
00:26:11.440 --> 00:26:15.680
<v Speaker 1>Yeah, I love it. I love that show. But and

492
00:26:15.720 --> 00:26:19.079
<v Speaker 1>we checked in on it early in this season for

493
00:26:19.160 --> 00:26:20.880
<v Speaker 1>our podcast, but we said we weren't going to be

494
00:26:20.880 --> 00:26:24.319
<v Speaker 1>doing like recaps of it, and I'm I'm happy with that.

495
00:26:25.559 --> 00:26:27.920
<v Speaker 1>I went. I had to sort of binge to get

496
00:26:27.920 --> 00:26:29.960
<v Speaker 1>through the rest of the season in time to watch

497
00:26:30.039 --> 00:26:32.599
<v Speaker 1>the because I really let it fall off my viewing schedule.

498
00:26:33.480 --> 00:26:36.400
<v Speaker 1>So I watched like six episodes in a row. I

499
00:26:36.440 --> 00:26:42.000
<v Speaker 1>got like a shot of it. And it wasn't a

500
00:26:42.000 --> 00:26:45.480
<v Speaker 1>bad season of television at all. It had some real highlights.

501
00:26:45.200 --> 00:26:47.799
<v Speaker 1>It was actually, I think better than the poor season

502
00:26:47.799 --> 00:26:49.519
<v Speaker 1>which almost ruined the show.

503
00:26:49.680 --> 00:26:50.359
<v Speaker 2>I agree.

504
00:26:50.799 --> 00:26:53.480
<v Speaker 1>So they got back into their vibe, they got back

505
00:26:53.519 --> 00:26:56.839
<v Speaker 1>into their groove, and then it became okay, let's wrap

506
00:26:56.880 --> 00:26:59.160
<v Speaker 1>this up. Like there was just a bunch of episodes

507
00:26:59.160 --> 00:27:01.519
<v Speaker 1>where I was like, well, why are we still here?

508
00:27:01.799 --> 00:27:03.960
<v Speaker 1>What are we doing? Like, what's going on here?

509
00:27:05.240 --> 00:27:07.000
<v Speaker 2>Why do we have to write lines for these people?

510
00:27:08.359 --> 00:27:13.759
<v Speaker 2>Sort of? I mean, like the daughter never came back?

511
00:27:13.799 --> 00:27:14.160
<v Speaker 2>Why not?

512
00:27:14.759 --> 00:27:16.839
<v Speaker 1>You know, she has her own show. She has two shows.

513
00:27:16.880 --> 00:27:20.119
<v Speaker 2>Actually know it is like, you know, that's she's so.

514
00:27:20.240 --> 00:27:24.079
<v Speaker 1>Funny too, and they're so funny together, I know, but

515
00:27:24.359 --> 00:27:27.599
<v Speaker 1>she actually has two other shows. She's got It's always sunny,

516
00:27:27.640 --> 00:27:30.880
<v Speaker 1>and she has that other like it's like a procedural

517
00:27:30.920 --> 00:27:31.920
<v Speaker 1>on ABC or whatever.

518
00:27:32.000 --> 00:27:33.640
<v Speaker 2>But she was hysteric with with her body.

519
00:27:34.799 --> 00:27:39.240
<v Speaker 1>Yeah mma husband, And then the the Amazing Rays episode

520
00:27:39.279 --> 00:27:44.599
<v Speaker 1>was really funny. But I don't I don't have a

521
00:27:44.640 --> 00:27:47.519
<v Speaker 1>lot of critiques of the season. I just felt like,

522
00:27:47.720 --> 00:27:50.599
<v Speaker 1>it's we need to wrap it up. It's time this

523
00:27:51.400 --> 00:27:53.839
<v Speaker 1>we're just sort of spinning our wheels on a lot

524
00:27:53.880 --> 00:27:58.400
<v Speaker 1>of this stuff. So let's talk about some of the

525
00:27:58.559 --> 00:28:03.000
<v Speaker 1>arcs of the season. I one of the things I

526
00:28:03.039 --> 00:28:05.640
<v Speaker 1>had a problem with the show since the previous season,

527
00:28:05.920 --> 00:28:08.680
<v Speaker 1>and we talked about it last year, was that some

528
00:28:08.720 --> 00:28:12.839
<v Speaker 1>of the plotting on this show, it's very lazy, and

529
00:28:12.880 --> 00:28:15.119
<v Speaker 1>they don't it doesn't actually make a lot of sense

530
00:28:15.160 --> 00:28:18.519
<v Speaker 1>if you know anything about the world. So, for instance,

531
00:28:18.599 --> 00:28:23.440
<v Speaker 1>last season, the entire season was based on an idea

532
00:28:23.720 --> 00:28:26.599
<v Speaker 1>of late night television that simply it does not reflect

533
00:28:26.640 --> 00:28:30.759
<v Speaker 1>reality at all. Like, first off, no one's getting new shows. Secondly,

534
00:28:30.759 --> 00:28:33.640
<v Speaker 1>no women are getting shows, and third no one in

535
00:28:33.680 --> 00:28:36.559
<v Speaker 1>their seventies is getting a show. So she gets this

536
00:28:36.680 --> 00:28:39.279
<v Speaker 1>show and I'm like, all right, you're already this doesn't

537
00:28:39.359 --> 00:28:46.359
<v Speaker 1>reflect anything about the current world. And prior to that happening,

538
00:28:46.720 --> 00:28:49.079
<v Speaker 1>the first three seasons of Hacks, it felt like we

539
00:28:49.079 --> 00:28:51.039
<v Speaker 1>were looking at real people in the real world, and

540
00:28:51.079 --> 00:28:54.960
<v Speaker 1>now it's like, okay, you're going off into fantasy. And

541
00:28:55.000 --> 00:28:57.279
<v Speaker 1>it was the same thing with this season, which with

542
00:28:57.359 --> 00:29:02.119
<v Speaker 1>the whole Madison Square Garden thing, I did not like

543
00:29:02.160 --> 00:29:05.799
<v Speaker 1>that idea at all. As soon as it was announced,

544
00:29:06.200 --> 00:29:08.079
<v Speaker 1>I was like, Oh, the whole fucking season is going

545
00:29:08.160 --> 00:29:11.079
<v Speaker 1>to be about this show, about preparing for this show,

546
00:29:11.680 --> 00:29:14.200
<v Speaker 1>And I even thought the whole I'm like, preparing for

547
00:29:14.240 --> 00:29:16.519
<v Speaker 1>this show that is not going to happen.

548
00:29:17.359 --> 00:29:17.640
<v Speaker 2>I did.

549
00:29:17.880 --> 00:29:21.680
<v Speaker 1>I never thought that show was going to happen. So

550
00:29:21.799 --> 00:29:25.359
<v Speaker 1>it felt like a lot of wheel spinning, like it was.

551
00:29:26.000 --> 00:29:31.119
<v Speaker 1>It was nine episodes of preparing for this and it

552
00:29:31.240 --> 00:29:33.079
<v Speaker 1>was a thing, and it was done in such a

553
00:29:33.119 --> 00:29:37.039
<v Speaker 1>way like I'm pretty sure you can't trick someone into

554
00:29:37.039 --> 00:29:40.039
<v Speaker 1>giving you a date for and I don't think you

555
00:29:40.039 --> 00:29:43.480
<v Speaker 1>can trick people into buying tickets. And then later like

556
00:29:43.559 --> 00:29:46.480
<v Speaker 1>the penultimate episode, I don't really think you can get

557
00:29:46.519 --> 00:29:48.839
<v Speaker 1>thirty thousand people to show up in Central Portagram three

558
00:29:48.880 --> 00:29:50.960
<v Speaker 1>days notice with no planning.

559
00:29:50.599 --> 00:29:54.519
<v Speaker 2>Right, the whole license to get a license thing, She like, Oh,

560
00:29:54.559 --> 00:29:56.160
<v Speaker 2>I'm taking my break now, I'm not going to listen

561
00:29:56.160 --> 00:29:58.799
<v Speaker 2>to my favorite book cast. Oh that happens to be produced.

562
00:29:58.839 --> 00:30:01.240
<v Speaker 1>I rolled my eyes at that so hard. That's the

563
00:30:01.240 --> 00:30:03.519
<v Speaker 1>thing about lazy, crazy writing.

564
00:30:03.599 --> 00:30:06.119
<v Speaker 2>That's what I don't like about these writers, the writers

565
00:30:06.119 --> 00:30:08.720
<v Speaker 2>for the show, is that they they want to make

566
00:30:08.960 --> 00:30:11.920
<v Speaker 2>certain points, they want to make about certain things in.

567
00:30:12.279 --> 00:30:14.359
<v Speaker 1>So they just sort of rush past. So they just

568
00:30:14.400 --> 00:30:17.599
<v Speaker 1>sprinkle them all over and they rush past explaining anything.

569
00:30:17.720 --> 00:30:20.599
<v Speaker 1>So and yes, that scene with oh my god, you

570
00:30:20.640 --> 00:30:24.039
<v Speaker 1>produced my favorite podcast and what Okay, you get a light,

571
00:30:24.240 --> 00:30:25.880
<v Speaker 1>you get yeah, you get a permit?

572
00:30:26.359 --> 00:30:27.319
<v Speaker 2>Oh yeah, permit.

573
00:30:27.799 --> 00:30:30.319
<v Speaker 1>All of that is just and there's so much of

574
00:30:30.319 --> 00:30:33.519
<v Speaker 1>that where it just doesn't describe a real world. It

575
00:30:33.519 --> 00:30:36.440
<v Speaker 1>doesn't describe people who act in real ways, it doesn't

576
00:30:36.440 --> 00:30:40.559
<v Speaker 1>describe the entertainment industry. None of this is realistic.

577
00:30:40.960 --> 00:30:44.319
<v Speaker 2>I watched the show. I have watched the show because

578
00:30:44.359 --> 00:30:48.680
<v Speaker 2>of those two main amazing women, Jeane Smart and Hannah

579
00:30:48.720 --> 00:30:51.880
<v Speaker 2>ein Bend. I think they are phenomenal and those two

580
00:30:51.960 --> 00:30:56.119
<v Speaker 2>characters were great. It was about two different women having

581
00:30:56.160 --> 00:30:58.799
<v Speaker 2>to go through a lot of stuff together. Yeah, kind

582
00:30:58.839 --> 00:31:01.519
<v Speaker 2>of they beginning to being forced be together and kind

583
00:31:01.519 --> 00:31:04.839
<v Speaker 2>of developed developing a relationship. I think it's awesome. In fact,

584
00:31:05.039 --> 00:31:09.200
<v Speaker 2>the episode the lesbian I call it the episode they

585
00:31:09.200 --> 00:31:10.920
<v Speaker 2>make a point about that, well, you too are in

586
00:31:10.960 --> 00:31:11.640
<v Speaker 2>a relationship.

587
00:31:11.880 --> 00:31:14.680
<v Speaker 1>They are in a relationship. I had heard about that

588
00:31:14.759 --> 00:31:17.279
<v Speaker 1>episode before I actually saw it, and some of the

589
00:31:17.279 --> 00:31:19.799
<v Speaker 1>headlines made it sound like they actually were a couple,

590
00:31:20.119 --> 00:31:22.279
<v Speaker 1>and I was like, oh God, no, that's not worth

591
00:31:22.319 --> 00:31:27.000
<v Speaker 1>that's not They didn't do that today, And I would

592
00:31:27.000 --> 00:31:30.000
<v Speaker 1>not have been furious if they had made those two

593
00:31:30.000 --> 00:31:31.839
<v Speaker 1>a couple. At the end of the Actually, I would

594
00:31:31.880 --> 00:31:35.480
<v Speaker 1>have found it dumb. I'm not opposed to queer storylines

595
00:31:36.079 --> 00:31:39.759
<v Speaker 1>or people discovering their queerness late in life. It happens, but.

596
00:31:41.480 --> 00:31:43.279
<v Speaker 2>There's nothing wrong. It was too easy.

597
00:31:43.480 --> 00:31:48.079
<v Speaker 1>There's nothing wrong with depicting an unusual friendship, unusual and

598
00:31:48.119 --> 00:31:51.440
<v Speaker 1>a deep friendship between two people, and you don't have

599
00:31:51.519 --> 00:31:53.960
<v Speaker 1>to make it sexual or romantic. In fact, I think

600
00:31:54.000 --> 00:31:57.519
<v Speaker 1>sometimes we don't have enough depictions of that in the culture.

601
00:31:58.000 --> 00:32:03.920
<v Speaker 1>Deep deep, deep friendships and you know, cross generational friendships.

602
00:32:03.960 --> 00:32:05.119
<v Speaker 1>You never see that sort of.

603
00:32:05.039 --> 00:32:09.680
<v Speaker 2>Thing, especially you know, among women, because yeah, because most

604
00:32:09.960 --> 00:32:12.640
<v Speaker 2>shows about women are there they're fighting, right.

605
00:32:13.079 --> 00:32:15.000
<v Speaker 1>Well, there was quite a bit of that, and I

606
00:32:15.039 --> 00:32:21.079
<v Speaker 1>didn't mind that, but I that's my main critique. Well

607
00:32:21.079 --> 00:32:24.599
<v Speaker 1>we'll get into uh, the finale and all that, but

608
00:32:24.640 --> 00:32:28.200
<v Speaker 1>my main critique is that the show creates scenarios that

609
00:32:28.240 --> 00:32:31.759
<v Speaker 1>are so far removed from reality that it just kind

610
00:32:31.759 --> 00:32:33.599
<v Speaker 1>of annoys me. And I'm like, why couldn't you have

611
00:32:33.680 --> 00:32:36.000
<v Speaker 1>filled in some more details a little bit better?

612
00:32:36.400 --> 00:32:38.279
<v Speaker 2>I mean, And it's just the things that they do,

613
00:32:38.440 --> 00:32:41.480
<v Speaker 2>like the whole thing with a company with well yeah, okay.

614
00:32:42.160 --> 00:32:45.440
<v Speaker 1>Yeah, God, I don't hate Jimmy and Kala the way

615
00:32:45.480 --> 00:32:47.160
<v Speaker 1>you do, Yes, I do. I don't hate them the

616
00:32:47.160 --> 00:32:49.440
<v Speaker 1>way you do. I feel that there's a place for

617
00:32:49.519 --> 00:32:53.920
<v Speaker 1>them in the story. Okay, go ahead. But these last

618
00:32:53.960 --> 00:33:00.880
<v Speaker 1>few episodes were everything that was going on with them

619
00:33:00.920 --> 00:33:03.599
<v Speaker 1>was happening separate from from the main story, and I

620
00:33:03.759 --> 00:33:08.319
<v Speaker 1>really I didn't care. And again, it was insanely unrealistic.

621
00:33:08.680 --> 00:33:12.640
<v Speaker 1>The idea that he would be first off, the idea

622
00:33:12.680 --> 00:33:14.279
<v Speaker 1>that he would even wind up in the mail room.

623
00:33:14.359 --> 00:33:17.920
<v Speaker 1>I didn't find that believable at all. He is well connected,

624
00:33:18.000 --> 00:33:21.079
<v Speaker 1>he does you know, he would not have put up

625
00:33:21.079 --> 00:33:24.519
<v Speaker 1>with that, and you know, no, I just didn't agree

626
00:33:24.519 --> 00:33:27.559
<v Speaker 1>with that at all. And then his whole oh well,

627
00:33:27.599 --> 00:33:29.920
<v Speaker 1>I found some things and I opened some envelopes, and

628
00:33:29.960 --> 00:33:32.240
<v Speaker 1>now you have to give me control of the company. Okay, fine,

629
00:33:32.279 --> 00:33:34.000
<v Speaker 1>fuck you. You control the company.

630
00:33:34.279 --> 00:33:37.720
<v Speaker 2>What I know? I know everything. The mother is happy

631
00:33:37.759 --> 00:33:41.880
<v Speaker 2>now with a partner, you know, and you know, Marty

632
00:33:41.960 --> 00:33:42.599
<v Speaker 2>comes back.

633
00:33:42.759 --> 00:33:47.000
<v Speaker 1>It's just like and I actually wish they had gotten together.

634
00:33:47.079 --> 00:33:49.559
<v Speaker 2>But my point is, everything is like, okay, we have

635
00:33:49.640 --> 00:33:51.200
<v Speaker 2>to take care of all the characters.

636
00:33:50.799 --> 00:33:54.480
<v Speaker 1>Now, yeah, yeah, all right, let's take a short break

637
00:33:54.519 --> 00:33:56.519
<v Speaker 1>and then we'll get into the finale and all that.

638
00:33:56.599 --> 00:34:02.119
<v Speaker 1>All right, we'll be right back. We're back, and we're

639
00:34:02.160 --> 00:34:05.279
<v Speaker 1>gonna I do. I feel bad because so much of

640
00:34:05.319 --> 00:34:10.199
<v Speaker 1>my commentary today about Hacks is negative. I did not

641
00:34:10.360 --> 00:34:13.400
<v Speaker 1>like the finale. I didn't hate the finale, but I

642
00:34:13.440 --> 00:34:14.119
<v Speaker 1>didn't love it.

643
00:34:14.360 --> 00:34:16.519
<v Speaker 2>I thought it was a cheap shot as a mission

644
00:34:16.559 --> 00:34:17.920
<v Speaker 2>to you. When you bring in y.

645
00:34:19.480 --> 00:34:23.559
<v Speaker 1>As literally the last episode and assisted suicide literally the

646
00:34:23.599 --> 00:34:25.519
<v Speaker 1>last episode, I'm like, this is not what this show

647
00:34:25.639 --> 00:34:27.960
<v Speaker 1>was about. This is not what the vibe of the

648
00:34:28.000 --> 00:34:31.679
<v Speaker 1>show was about, and it doesn't seem like it's lovely.

649
00:34:32.159 --> 00:34:35.559
<v Speaker 1>In many ways, the scenes in Paris were actually lovely.

650
00:34:35.679 --> 00:34:41.039
<v Speaker 1>Those two actresses are insanely good together, so it was

651
00:34:41.320 --> 00:34:44.679
<v Speaker 1>somewhat enjoyable in that sense. But I kept thinking, like,

652
00:34:44.760 --> 00:34:46.960
<v Speaker 1>this is so weird that they decided to end it

653
00:34:47.119 --> 00:34:49.199
<v Speaker 1>this way, and I knew they weren't going to end

654
00:34:49.239 --> 00:34:52.480
<v Speaker 1>with her dying, so again, it was more it was

655
00:34:52.519 --> 00:34:54.559
<v Speaker 1>sort of like the same thing with the Madison Square Garden,

656
00:34:54.599 --> 00:34:56.480
<v Speaker 1>where it's like, well, I know that's not going to happen,

657
00:34:56.559 --> 00:34:58.239
<v Speaker 1>so we're just gonna waste a lot of time until

658
00:34:58.280 --> 00:35:01.840
<v Speaker 1>we get to why it's not happening, And that's exactly

659
00:35:01.840 --> 00:35:06.559
<v Speaker 1>how it played out. It's it was sweet don't get

660
00:35:06.559 --> 00:35:09.519
<v Speaker 1>me wrong, I'm not that cold hearted. It was very sweet.

661
00:35:09.559 --> 00:35:12.719
<v Speaker 1>It was very emotional having Barbara and Judy saying happy

662
00:35:12.800 --> 00:35:16.320
<v Speaker 1>days are here again at the end of it was genius.

663
00:35:16.360 --> 00:35:20.320
<v Speaker 1>Needle Drop could not have summed up the entire point

664
00:35:20.400 --> 00:35:22.920
<v Speaker 1>of that show better than with that one song, because

665
00:35:22.920 --> 00:35:27.000
<v Speaker 1>it's an old veteran and a young you know, young

666
00:35:27.079 --> 00:35:29.960
<v Speaker 1>upstart and they're harmonizing together. So it was such a

667
00:35:30.000 --> 00:35:33.760
<v Speaker 1>beautiful choice ended on a lovely note. But I just

668
00:35:33.920 --> 00:35:37.199
<v Speaker 1>really hated the whole I'm going to Switzerland to die.

669
00:35:37.440 --> 00:35:41.119
<v Speaker 2>What that's how you're doing this yet? Yeah? That that

670
00:35:41.280 --> 00:35:43.559
<v Speaker 2>made no sense to me. And I think, like I said,

671
00:35:43.719 --> 00:35:46.239
<v Speaker 2>it's just an easy way to you know, and add

672
00:35:46.360 --> 00:35:49.320
<v Speaker 2>some emotions. Yeah. Yeah. I feel like this is the

673
00:35:49.360 --> 00:35:52.159
<v Speaker 2>problem with shows like The East, that you have creators

674
00:35:52.199 --> 00:35:54.440
<v Speaker 2>like that and then they they're also characters.

675
00:35:54.480 --> 00:35:56.920
<v Speaker 1>In Down You, he's your enemy.

676
00:35:57.079 --> 00:35:59.000
<v Speaker 2>I can't stand it. Well, the fact that he's naked

677
00:35:59.159 --> 00:36:01.639
<v Speaker 2>in one of the scenes. This is a queer thing, right,

678
00:36:01.639 --> 00:36:03.880
<v Speaker 2>There no need for him to be naked, but he

679
00:36:03.920 --> 00:36:06.320
<v Speaker 2>has a great body. I'm the creator, so I'm gonna

680
00:36:06.320 --> 00:36:09.039
<v Speaker 2>be naked, right so people can talk about that kind

681
00:36:09.079 --> 00:36:11.679
<v Speaker 2>of stuff drives me crazy like her his friend. I mean,

682
00:36:11.719 --> 00:36:15.119
<v Speaker 2>that's how he found Megan Stelter. He found her, loved her,

683
00:36:15.239 --> 00:36:16.800
<v Speaker 2>and I was like, all right, you're gonna be a character.

684
00:36:17.079 --> 00:36:20.800
<v Speaker 2>I hate that kind of approach because you're forcing things

685
00:36:20.840 --> 00:36:25.719
<v Speaker 2>into it. The only thing that I find interesting and

686
00:36:25.760 --> 00:36:29.079
<v Speaker 2>deep and amazing is those two women aside from them,

687
00:36:29.119 --> 00:36:31.159
<v Speaker 2>and I know, and I know, you can't have a

688
00:36:31.159 --> 00:36:32.400
<v Speaker 2>show with just two people.

689
00:36:32.480 --> 00:36:35.280
<v Speaker 1>No, I agree, but they are the show and anytime

690
00:36:35.320 --> 00:36:38.360
<v Speaker 1>it gets away from them, there are I don't hate

691
00:36:39.039 --> 00:36:41.239
<v Speaker 1>any of the characters, but I do feel like I

692
00:36:41.280 --> 00:36:45.599
<v Speaker 1>don't even hate Kayla. I just feel like most of

693
00:36:45.639 --> 00:36:47.719
<v Speaker 1>the other characters they never knew what to do with.

694
00:36:47.880 --> 00:36:50.800
<v Speaker 1>I've always talked about Marcus, that guy. They never hated

695
00:36:50.800 --> 00:36:52.599
<v Speaker 1>the guy, but I was like, what is the point

696
00:36:52.639 --> 00:36:55.280
<v Speaker 1>of this character? He's just morose In every scene, he

697
00:36:55.280 --> 00:36:58.840
<v Speaker 1>always seems annoyed, and he never goes anywhere. Christopher McDonald

698
00:36:58.960 --> 00:37:01.320
<v Speaker 1>is Marty like, what do you you?

699
00:37:01.480 --> 00:37:01.719
<v Speaker 2>Never?

700
00:37:03.280 --> 00:37:06.679
<v Speaker 1>They have insane fucking chemistry together. There should have been

701
00:37:06.840 --> 00:37:10.239
<v Speaker 1>a whole on again, off again romance with those characters,

702
00:37:10.280 --> 00:37:13.519
<v Speaker 1>but they seemed like completely against it for some reason.

703
00:37:13.800 --> 00:37:16.000
<v Speaker 2>The lesbian I call it the lesbians.

704
00:37:15.840 --> 00:37:18.840
<v Speaker 1>One and one more thing. The blackjack dealer, Oh right,

705
00:37:19.280 --> 00:37:22.440
<v Speaker 1>fucking hilarious, and she's on We get to see her

706
00:37:22.480 --> 00:37:24.920
<v Speaker 1>for maybe three minutes a season. This is what I mean.

707
00:37:24.960 --> 00:37:27.840
<v Speaker 1>You never knew what to do and not to be mean.

708
00:37:27.920 --> 00:37:30.159
<v Speaker 1>But they spent too much time on the housekeeper and

709
00:37:30.199 --> 00:37:32.480
<v Speaker 1>the assistant. Yes, they're not that funny.

710
00:37:32.199 --> 00:37:37.480
<v Speaker 2>They weren't that interesting. Nothing nothing to the other assistant.

711
00:37:37.719 --> 00:37:40.920
<v Speaker 2>He's I mean, the actor's kind of funny. But those

712
00:37:41.039 --> 00:37:45.000
<v Speaker 2>characters never ever went anywhere. I totally agree that that

713
00:37:45.079 --> 00:37:46.679
<v Speaker 2>has always been the problem with the show, is that

714
00:37:46.719 --> 00:37:50.119
<v Speaker 2>you had two amazing central characters and then you had

715
00:37:50.119 --> 00:37:52.920
<v Speaker 2>all these colorful side characters that you didn't want to develop,

716
00:37:53.039 --> 00:37:56.039
<v Speaker 2>so they just sort of they they're not really people,

717
00:37:56.239 --> 00:37:59.960
<v Speaker 2>they're just there. And yeah, I agree. More Kiki more

718
00:38:00.480 --> 00:38:01.079
<v Speaker 2>was that her name.

719
00:38:03.320 --> 00:38:08.079
<v Speaker 1>Was hilarious, and she they almost never used her hilarious.

720
00:38:08.800 --> 00:38:10.960
<v Speaker 1>I do want to end on a nice note. I

721
00:38:10.960 --> 00:38:15.280
<v Speaker 1>do think, as much as I found it completely unrealistic,

722
00:38:15.440 --> 00:38:19.400
<v Speaker 1>the Central Park ending was I wish the season had

723
00:38:19.480 --> 00:38:24.039
<v Speaker 1>ended there there. It was triumphant, it was beautiful. I

724
00:38:24.039 --> 00:38:26.320
<v Speaker 1>don't think it made a ton of sense, but it

725
00:38:26.400 --> 00:38:29.480
<v Speaker 1>was mostly earned, like, okay, fine, but we're on a

726
00:38:29.559 --> 00:38:30.039
<v Speaker 1>show with.

727
00:38:30.079 --> 00:38:31.960
<v Speaker 2>A ton of things that don't make sense. That would

728
00:38:31.960 --> 00:38:32.760
<v Speaker 2>have been a nice one.

729
00:38:32.760 --> 00:38:35.039
<v Speaker 1>That would have been a nice one, And I just

730
00:38:35.440 --> 00:38:37.320
<v Speaker 1>I really wish it had ended on that. It would

731
00:38:37.320 --> 00:38:41.239
<v Speaker 1>have been such a perfect capper to this series, but

732
00:38:41.280 --> 00:38:44.079
<v Speaker 1>instead it turned into this please don't die thing at

733
00:38:44.119 --> 00:38:44.400
<v Speaker 1>the end.

734
00:38:46.400 --> 00:38:49.000
<v Speaker 2>I think when it's about them, like the episode where

735
00:38:49.039 --> 00:38:55.360
<v Speaker 2>they would Leslie uh Bess as a guest actress appearance guests,

736
00:38:55.559 --> 00:38:58.920
<v Speaker 2>she she was hill. She was so funny. The whole

737
00:38:58.920 --> 00:39:02.159
<v Speaker 2>thing about them pretending to be a couple. It was

738
00:39:02.400 --> 00:39:03.719
<v Speaker 2>freaking hilarious.

739
00:39:03.760 --> 00:39:05.639
<v Speaker 1>That was the best episode of the season because it

740
00:39:05.679 --> 00:39:07.360
<v Speaker 1>was funny. And that is the other thing about this

741
00:39:07.440 --> 00:39:12.519
<v Speaker 1>show is that for a show about two comedians, it

742
00:39:12.599 --> 00:39:14.480
<v Speaker 1>wasn't as funny as it should have been. And that's

743
00:39:14.599 --> 00:39:17.960
<v Speaker 1>a big complaint is in five seasons of the show,

744
00:39:17.960 --> 00:39:22.440
<v Speaker 1>we almost never saw one of Devors sets like someone

745
00:39:22.480 --> 00:39:25.719
<v Speaker 1>needed to write a killer set, a killer stand up set,

746
00:39:26.239 --> 00:39:28.679
<v Speaker 1>and we should have seen her deliver at least one

747
00:39:28.840 --> 00:39:31.840
<v Speaker 1>killer stand All we heard about was what a legend

748
00:39:31.920 --> 00:39:33.800
<v Speaker 1>she was, but we never got to see it, and

749
00:39:33.840 --> 00:39:37.880
<v Speaker 1>in fact, we had multiple scenes of her over the

750
00:39:37.960 --> 00:39:42.440
<v Speaker 1>series bombing terribly, So you kind of worked against your purposes.

751
00:39:42.519 --> 00:39:45.880
<v Speaker 1>You should have gotten some comics to write a killer

752
00:39:46.280 --> 00:39:48.960
<v Speaker 1>type five and have her deliver it just so the

753
00:39:49.039 --> 00:39:50.039
<v Speaker 1>audience could see it.

754
00:39:50.119 --> 00:39:51.440
<v Speaker 2>I agree.

755
00:39:51.559 --> 00:39:52.519
<v Speaker 1>I do love the show.

756
00:39:52.559 --> 00:39:55.719
<v Speaker 2>Though I liked the idea of the show. I enjoyed

757
00:39:55.760 --> 00:39:59.480
<v Speaker 2>the show for the most part. But every time, as

758
00:39:59.480 --> 00:40:01.599
<v Speaker 2>you said, it felt like a different show when he

759
00:40:01.679 --> 00:40:03.599
<v Speaker 2>when it switched to the other characters. So it's like,

760
00:40:03.639 --> 00:40:05.960
<v Speaker 2>all right, like we're taking a break here and we're

761
00:40:05.960 --> 00:40:06.920
<v Speaker 2>watching something else.

762
00:40:07.000 --> 00:40:10.159
<v Speaker 1>Jimmy, We're like a total sitcom. God, it just happening

763
00:40:10.199 --> 00:40:11.800
<v Speaker 1>completely apart from everybody else.

764
00:40:11.960 --> 00:40:15.800
<v Speaker 2>So annoying because their lines were so like, oh my god,

765
00:40:16.199 --> 00:40:19.039
<v Speaker 2>not real, you know, like I just want to make

766
00:40:19.079 --> 00:40:21.280
<v Speaker 2>a pointee about something, so I'm giving you a line.

767
00:40:21.320 --> 00:40:24.360
<v Speaker 2>It was just it didn't felt it didn't feel like

768
00:40:24.519 --> 00:40:25.440
<v Speaker 2>organic at always.

769
00:40:25.440 --> 00:40:27.519
<v Speaker 1>Now, Well that's that's a good way of putting it.

770
00:40:27.480 --> 00:40:30.639
<v Speaker 1>It's so much of us just does not feel organic. Yeah,

771
00:40:30.679 --> 00:40:32.119
<v Speaker 1>it all felt very contrived.

772
00:40:32.519 --> 00:40:34.679
<v Speaker 2>Yes, I want to make a pointee about the industry,

773
00:40:34.760 --> 00:40:38.760
<v Speaker 2>about I don't know how offices work and how pitching

774
00:40:39.039 --> 00:40:40.960
<v Speaker 2>a show that's how it works. So I'm going to

775
00:40:41.000 --> 00:40:44.280
<v Speaker 2>create this scene here and you know, if you if

776
00:40:44.320 --> 00:40:47.320
<v Speaker 2>you understand the industry, like we're kind of doing a way.

777
00:40:47.360 --> 00:40:49.000
<v Speaker 2>I mean, then you find that kind of funny and

778
00:40:49.039 --> 00:40:51.519
<v Speaker 2>interesting and you see why they're doing it. But at

779
00:40:51.519 --> 00:40:53.360
<v Speaker 2>the same time, I'm like why it makes no sense?

780
00:40:53.519 --> 00:40:59.760
<v Speaker 1>Right, But listen, I salute those two ladies. Yes, I

781
00:41:00.039 --> 00:41:06.599
<v Speaker 1>think they're both up for Emmys again. And as much

782
00:41:06.639 --> 00:41:10.639
<v Speaker 1>as I think sometimes the Emmys get into a rut

783
00:41:10.639 --> 00:41:13.840
<v Speaker 1>and reward the same show, I would not be upset

784
00:41:13.880 --> 00:41:16.480
<v Speaker 1>if Jean Smart one another Emmy because I think she

785
00:41:16.559 --> 00:41:19.719
<v Speaker 1>really killed me. I think she's won three or four

786
00:41:20.760 --> 00:41:21.639
<v Speaker 1>every single season.

787
00:41:21.800 --> 00:41:24.719
<v Speaker 2>Yeah, but yeah, it.

788
00:41:24.679 --> 00:41:28.440
<v Speaker 1>Was lovely, but it was an imperfect show, and like

789
00:41:28.639 --> 00:41:31.599
<v Speaker 1>a lot of shows in the modern era, it probably

790
00:41:31.679 --> 00:41:33.400
<v Speaker 1>could have ended after three seasons.

791
00:41:33.480 --> 00:41:35.440
<v Speaker 2>I agree. It started very strong and then he got

792
00:41:35.480 --> 00:41:37.719
<v Speaker 2>lost and then he kind of like sort of like

793
00:41:38.320 --> 00:41:42.760
<v Speaker 2>you know, got better, sort of better. And then I

794
00:41:42.800 --> 00:41:46.440
<v Speaker 2>actually when I started watching this season, I watched like

795
00:41:46.480 --> 00:41:48.880
<v Speaker 2>three episodes and I stoppedcause like, I can't take this anymore.

796
00:41:48.880 --> 00:41:50.840
<v Speaker 2>And then I finished it, and I have to say

797
00:41:50.960 --> 00:41:52.559
<v Speaker 2>I was kind of like annoyed that I had to

798
00:41:52.599 --> 00:41:55.039
<v Speaker 2>watch it, but I actually enjoyed a lot of it.

799
00:41:55.480 --> 00:41:58.039
<v Speaker 2>A lot of it. I thought Paris was awesome, because

800
00:41:58.159 --> 00:42:01.840
<v Speaker 2>of course it's Paris and they're great. Yeah, a lot

801
00:42:01.840 --> 00:42:04.840
<v Speaker 2>of things were great. And I actually got very emotion

802
00:42:06.159 --> 00:42:08.440
<v Speaker 2>during the scene in Central Park, you know, like the

803
00:42:08.480 --> 00:42:12.400
<v Speaker 2>whole thing when they're when she thanking everyone for that moment.

804
00:42:12.440 --> 00:42:15.199
<v Speaker 2>Blah blah blah. I mean stuff like that. It's interesting,

805
00:42:15.440 --> 00:42:17.920
<v Speaker 2>I agree, and it goes with a character, goes with

806
00:42:17.960 --> 00:42:20.800
<v Speaker 2>a character's history. But everything else is just like, all right,

807
00:42:21.159 --> 00:42:24.519
<v Speaker 2>you're just giving lines to your friends. Agreed.

808
00:42:24.559 --> 00:42:25.880
<v Speaker 1>Do you want to take another break and we'll come

809
00:42:25.880 --> 00:42:27.400
<v Speaker 1>back and talk about Widow's Bay or do you want

810
00:42:27.400 --> 00:42:28.119
<v Speaker 1>to go right into it.

811
00:42:28.159 --> 00:42:29.000
<v Speaker 2>Sure, let's take a break.

812
00:42:29.039 --> 00:42:34.920
<v Speaker 1>All right, we're back and having said goodbye to Hacks,

813
00:42:34.960 --> 00:42:36.800
<v Speaker 1>we need to say hello to Widow's Bay.

814
00:42:36.880 --> 00:42:37.639
<v Speaker 2>Oh god, yes.

815
00:42:37.880 --> 00:42:42.360
<v Speaker 1>On Apple TV Plus. You know I was hearing buzz

816
00:42:42.400 --> 00:42:44.719
<v Speaker 1>about this show about a month before it dropped. We

817
00:42:45.280 --> 00:42:47.880
<v Speaker 1>I don't even ask for screeners anymore. I just figured

818
00:42:48.599 --> 00:42:50.840
<v Speaker 1>I'll talk about this show after it airs. It's not

819
00:42:50.960 --> 00:42:52.280
<v Speaker 1>worth it trying to get screeners.

820
00:42:52.360 --> 00:42:54.199
<v Speaker 2>No, because the thing is that there are so many

821
00:42:54.239 --> 00:42:56.800
<v Speaker 2>shows coming out all the time that it's hard to

822
00:42:56.840 --> 00:42:59.400
<v Speaker 2>keep up with him. I have to say someone I

823
00:42:59.440 --> 00:43:03.599
<v Speaker 2>can't remember one of our readers on Instagram maybe recommended

824
00:43:03.639 --> 00:43:06.159
<v Speaker 2>the show, So I want to thank you because I

825
00:43:06.199 --> 00:43:08.480
<v Speaker 2>was like, oh, maybe I should give it a shot. Yeah,

826
00:43:08.519 --> 00:43:10.719
<v Speaker 2>and I and I watched it and I loved it,

827
00:43:10.800 --> 00:43:11.559
<v Speaker 2>absolutely loved it.

828
00:43:11.599 --> 00:43:14.000
<v Speaker 1>I had heard about it and and some critics were like,

829
00:43:14.039 --> 00:43:15.920
<v Speaker 1>this is the best new show of the year, and

830
00:43:16.000 --> 00:43:19.199
<v Speaker 1>I was like, all right, And I did watch the

831
00:43:19.239 --> 00:43:23.719
<v Speaker 1>first episode the week it came out, and I wasn't.

832
00:43:24.480 --> 00:43:32.239
<v Speaker 1>It didn't grab me, mainly because the first episode is

833
00:43:32.400 --> 00:43:36.639
<v Speaker 1>really a wash in the sort of shit's Creak twin

834
00:43:36.719 --> 00:43:39.599
<v Speaker 1>Peaks vibe of like a year in a small town

835
00:43:39.639 --> 00:43:45.000
<v Speaker 1>and everyone's very colorful and weird and dysfunctional and it

836
00:43:45.400 --> 00:43:47.440
<v Speaker 1>I just didn't appeal to me in that first episode.

837
00:43:47.440 --> 00:43:49.599
<v Speaker 1>It just did not appeal to me because he is

838
00:43:49.960 --> 00:43:50.840
<v Speaker 1>so let's talk about this.

839
00:43:50.880 --> 00:43:52.000
<v Speaker 2>Widow's Bay is.

840
00:43:52.119 --> 00:43:54.760
<v Speaker 1>A comic horror series.

841
00:43:55.440 --> 00:43:55.960
<v Speaker 2>It is.

842
00:43:57.599 --> 00:44:00.400
<v Speaker 1>Set on a on an island in the Wing, England

843
00:44:01.039 --> 00:44:05.000
<v Speaker 1>that has a host of curses upon it and everything

844
00:44:05.119 --> 00:44:10.159
<v Speaker 1>like that. But it is a comic series and the

845
00:44:10.320 --> 00:44:13.320
<v Speaker 1>central character is the mayor played by Matthew Reese, and

846
00:44:13.400 --> 00:44:18.519
<v Speaker 1>it's all about his like his foibles and and and

847
00:44:18.599 --> 00:44:21.159
<v Speaker 1>Shenanigan says he tries to run this town and he

848
00:44:21.239 --> 00:44:25.119
<v Speaker 1>tries to get tourists to come to the turn it

849
00:44:25.159 --> 00:44:27.079
<v Speaker 1>into His whole goal is to turn it into the

850
00:44:27.119 --> 00:44:31.000
<v Speaker 1>next Martha's Vineyard, and he is thwarted by these locals

851
00:44:31.039 --> 00:44:34.280
<v Speaker 1>who are all, you know, very colorful, very strange, and

852
00:44:34.519 --> 00:44:37.599
<v Speaker 1>and and if if that was the only thing the

853
00:44:37.639 --> 00:44:40.079
<v Speaker 1>show was, I would have tapped out after one episode.

854
00:44:40.400 --> 00:44:47.239
<v Speaker 1>But I have to say and there's a part of

855
00:44:47.239 --> 00:44:50.159
<v Speaker 1>me that's almost reluctant to say this, because when someone

856
00:44:50.199 --> 00:44:53.039
<v Speaker 1>says this to me, I almost always tap out, Which

857
00:44:53.079 --> 00:44:55.800
<v Speaker 1>is it gets so much better after you if you

858
00:44:55.840 --> 00:44:56.480
<v Speaker 1>stick with it.

859
00:44:56.480 --> 00:44:57.360
<v Speaker 2>It does. It does.

860
00:44:57.519 --> 00:45:00.280
<v Speaker 1>But this is a thing that people always say in

861
00:45:00.320 --> 00:45:02.840
<v Speaker 1>the streaming era, and what it usually means is you

862
00:45:02.920 --> 00:45:05.400
<v Speaker 1>have to sit through six hours before there's some sort

863
00:45:05.400 --> 00:45:08.079
<v Speaker 1>of payoff, And I'm telling you now that's not the case.

864
00:45:07.960 --> 00:45:10.880
<v Speaker 2>Right or you force yourself into liking something which is

865
00:45:10.920 --> 00:45:14.159
<v Speaker 2>not the case. I love it from the beginning because

866
00:45:14.199 --> 00:45:16.199
<v Speaker 2>I watched so many this Cannaving shows about you know,

867
00:45:16.440 --> 00:45:19.400
<v Speaker 2>like dark islands and small towns and you know, people

868
00:45:19.480 --> 00:45:23.519
<v Speaker 2>in mar so I was. I loved it right from

869
00:45:23.559 --> 00:45:28.079
<v Speaker 2>the air. And Matthew, my god, Matthew Rees is just incredible.

870
00:45:28.159 --> 00:45:31.719
<v Speaker 1>It's a hell of a comedic performance. I did not

871
00:45:31.920 --> 00:45:34.079
<v Speaker 1>know he had it into him to be that much

872
00:45:34.119 --> 00:45:38.599
<v Speaker 1>of a clown expression. Yeah, I mean he's he's really giving,

873
00:45:38.679 --> 00:45:41.480
<v Speaker 1>like Don Knuts in a horror film kind of thing.

874
00:45:43.239 --> 00:45:46.159
<v Speaker 1>Just I didn't know he was like that. I didn't

875
00:45:46.199 --> 00:45:49.239
<v Speaker 1>know he could be like that on camera. I think

876
00:45:49.280 --> 00:45:51.480
<v Speaker 1>I tend to see him as someone who's a little

877
00:45:51.519 --> 00:45:54.760
<v Speaker 1>more serious all the time. It also stars Stephen Root,

878
00:45:54.880 --> 00:45:56.599
<v Speaker 1>who is killing it.

879
00:45:56.679 --> 00:45:57.400
<v Speaker 2>And then it's.

880
00:45:57.199 --> 00:46:00.199
<v Speaker 1>Got like these great character actresses like Dale Dicky and

881
00:46:00.280 --> 00:46:04.679
<v Speaker 1>Kay Callen and Katie o Flynn who plays Patricia.

882
00:46:04.920 --> 00:46:05.840
<v Speaker 2>She's just funny.

883
00:46:06.039 --> 00:46:10.440
<v Speaker 1>Yeah, she's really really funny. Oh and Jeff Hiller, but

884
00:46:10.559 --> 00:46:12.920
<v Speaker 1>he only has a small part. Jeff Hiller who won

885
00:46:12.960 --> 00:46:17.360
<v Speaker 1>the Emmy last year for what is it Somebody Somewhere?

886
00:46:18.760 --> 00:46:20.639
<v Speaker 2>So oh yeah, right, yeah.

887
00:46:20.679 --> 00:46:27.000
<v Speaker 1>So you know, there's like hauntings, and there's curses, and

888
00:46:27.039 --> 00:46:29.840
<v Speaker 1>there's witches and there's all this other stuff and I

889
00:46:29.920 --> 00:46:32.280
<v Speaker 1>have to say when it wants oh, and there's killer clowns.

890
00:46:32.960 --> 00:46:35.800
<v Speaker 1>That's the thing. It's sort of it pays homage to

891
00:46:36.079 --> 00:46:39.880
<v Speaker 1>so many things. One of the heaviest, heaviest influences on it,

892
00:46:39.920 --> 00:46:44.519
<v Speaker 1>and they're not shy about it. Is Jaws. You there's

893
00:46:44.639 --> 00:46:47.599
<v Speaker 1>all these allusions to Jaws, like the Mayor and and

894
00:46:47.719 --> 00:46:50.639
<v Speaker 1>you know, opening up the beaches and there's a scene

895
00:46:50.719 --> 00:46:55.559
<v Speaker 1>on a boat in the latest episode very much evokes Jaws.

896
00:46:56.960 --> 00:47:02.360
<v Speaker 1>But when it wants to be scary, it is legitimately scary.

897
00:47:02.639 --> 00:47:06.079
<v Speaker 1>The killer clown scene, I actually had a pause it.

898
00:47:06.119 --> 00:47:08.000
<v Speaker 1>I was like, Okay, this is a little too intense,

899
00:47:08.639 --> 00:47:12.559
<v Speaker 1>but I will say, if you're not into horror, it's

900
00:47:12.639 --> 00:47:16.199
<v Speaker 1>not it's not going to give you nightmares, and it's

901
00:47:16.239 --> 00:47:18.559
<v Speaker 1>not gory. It's not that kind of horror.

902
00:47:18.599 --> 00:47:20.599
<v Speaker 2>Yeah, I'm here to tell you that because I can't

903
00:47:20.639 --> 00:47:22.280
<v Speaker 2>stand it's not any of that.

904
00:47:22.599 --> 00:47:24.760
<v Speaker 1>And if you don't even have jump scaries, it's more

905
00:47:24.840 --> 00:47:28.760
<v Speaker 1>like high high tension. And it plays on what you

906
00:47:28.960 --> 00:47:32.039
<v Speaker 1>know about the stories that they're showing you because there's

907
00:47:32.079 --> 00:47:34.440
<v Speaker 1>so many illusions. Like I said, there's a killer clown,

908
00:47:35.440 --> 00:47:38.519
<v Speaker 1>they they dig up someone who's not dead, that sort

909
00:47:38.559 --> 00:47:38.960
<v Speaker 1>of thing.

910
00:47:38.880 --> 00:47:41.639
<v Speaker 2>The whole hotel thing, very you know, like all that

911
00:47:41.760 --> 00:47:42.559
<v Speaker 2>kind of pale.

912
00:47:42.559 --> 00:47:43.960
<v Speaker 1>I don't want to get into too right.

913
00:47:43.840 --> 00:47:46.719
<v Speaker 2>But pay much to all these great movies.

914
00:47:47.599 --> 00:47:53.559
<v Speaker 1>It's just clever and funny. And by the fourth episode

915
00:47:54.400 --> 00:47:58.800
<v Speaker 1>I was hooked and Like I said, I was mildly

916
00:47:58.840 --> 00:48:01.639
<v Speaker 1>interested up to that. I really didn't like the first

917
00:48:01.880 --> 00:48:04.079
<v Speaker 1>second and third I kind of okay, that's interesting, and

918
00:48:04.119 --> 00:48:06.800
<v Speaker 1>then fourth episode I was like, oh, okay, this is

919
00:48:06.840 --> 00:48:07.719
<v Speaker 1>creative as hell.

920
00:48:09.079 --> 00:48:12.280
<v Speaker 2>It is extremely creative. The writing is genius.

921
00:48:12.320 --> 00:48:16.199
<v Speaker 1>It's just so smart, yes, and well reserved. I don't

922
00:48:16.320 --> 00:48:19.239
<v Speaker 1>know if it's going to be if they're going to

923
00:48:19.239 --> 00:48:22.199
<v Speaker 1>wrap it up brilliantly. I do think the last two

924
00:48:22.239 --> 00:48:27.880
<v Speaker 1>episodes are showing an intelligence and maturity in the writing

925
00:48:27.920 --> 00:48:32.480
<v Speaker 1>that I wasn't quite getting in the first couple of episodes.

926
00:48:32.880 --> 00:48:35.719
<v Speaker 1>I do want to get into spoilery stuff, so I

927
00:48:35.760 --> 00:48:38.039
<v Speaker 1>think from here on out, you know, right, I just

928
00:48:38.039 --> 00:48:40.360
<v Speaker 1>want to mention to create the creatible.

929
00:48:40.599 --> 00:48:44.159
<v Speaker 2>Yes, she is really really good. The lines are hysterical,

930
00:48:44.760 --> 00:48:50.320
<v Speaker 2>delivered in such a brilliant way by Matthew specifically yea, yeah, yeah, God,

931
00:48:50.960 --> 00:48:53.280
<v Speaker 2>it's just funny, funny, funny, funny.

932
00:48:52.960 --> 00:48:55.360
<v Speaker 1>Funny, and then when it wants to be scary, it's

933
00:48:55.559 --> 00:49:00.239
<v Speaker 1>it's legitimately scary. But from this point on are going

934
00:49:00.280 --> 00:49:03.119
<v Speaker 1>to start doing a few spoilers. I mean, there weren't

935
00:49:03.119 --> 00:49:05.840
<v Speaker 1>that many twists and turns, and you know, but whatever,

936
00:49:06.320 --> 00:49:10.440
<v Speaker 1>if you if you haven't seen the show yet. Take

937
00:49:10.480 --> 00:49:12.480
<v Speaker 1>care of yourself, love you mean it, Bye bye, and

938
00:49:12.519 --> 00:49:14.480
<v Speaker 1>the rest of us are going to keep talking. Okay,

939
00:49:15.719 --> 00:49:21.159
<v Speaker 1>So Patricia's Sunset Cocktails party was when the show went

940
00:49:21.639 --> 00:49:25.199
<v Speaker 1>completely like, oh no, this is actually really really smart

941
00:49:25.199 --> 00:49:29.360
<v Speaker 1>filmmaking and smart writing because it was hilarious. It was

942
00:49:29.519 --> 00:49:32.239
<v Speaker 1>really really funny, and then it took a sharp turn

943
00:49:32.280 --> 00:49:34.599
<v Speaker 1>and you were like, oh no, this is horrifying. This

944
00:49:34.679 --> 00:49:36.360
<v Speaker 1>is kind of scary. Like when you saw all the

945
00:49:36.400 --> 00:49:37.960
<v Speaker 1>faces in the mirror, you know what I'm.

946
00:49:37.880 --> 00:49:40.239
<v Speaker 2>Talking about, looking at me kind of I'm just looking

947
00:49:40.280 --> 00:49:42.440
<v Speaker 2>at you because you love me, Yes, I love me

948
00:49:42.480 --> 00:49:44.239
<v Speaker 2>so much, and.

949
00:49:44.199 --> 00:49:46.639
<v Speaker 1>The antlers on her head and everything. I just just

950
00:49:46.960 --> 00:49:48.159
<v Speaker 1>really really well done.

951
00:49:49.360 --> 00:49:54.320
<v Speaker 2>The hotel scene was incredible, like the whole conversation. Yes,

952
00:49:54.440 --> 00:49:56.760
<v Speaker 2>and then he goes into basement. I mean that was scary.

953
00:49:56.880 --> 00:49:58.440
<v Speaker 1>It was scary, is That's what I mean? That was

954
00:49:58.480 --> 00:49:59.920
<v Speaker 1>the one I had a pause. I was like, all right,

955
00:50:00.039 --> 00:50:02.199
<v Speaker 1>that's a little that's a little freaky. When the first

956
00:50:02.199 --> 00:50:04.039
<v Speaker 1>time he went down in the basement and he saw

957
00:50:04.079 --> 00:50:06.599
<v Speaker 1>the crawl space that he was supposed to go into,

958
00:50:06.639 --> 00:50:08.400
<v Speaker 1>and he was like, not a chance. And I was like,

959
00:50:08.920 --> 00:50:11.360
<v Speaker 1>I love when people in horror stories act like people

960
00:50:11.400 --> 00:50:14.719
<v Speaker 1>I know, I know, and that is one of the

961
00:50:14.760 --> 00:50:16.840
<v Speaker 1>great things about him in this is that he acts

962
00:50:16.880 --> 00:50:20.559
<v Speaker 1>like a real person in this story. Uh, what else

963
00:50:20.599 --> 00:50:22.559
<v Speaker 1>did I want to talk about? I want to talk

964
00:50:22.599 --> 00:50:23.880
<v Speaker 1>about Betty Gilpin.

965
00:50:24.519 --> 00:50:27.079
<v Speaker 2>Yeah, well we need to explain why.

966
00:50:27.280 --> 00:50:30.679
<v Speaker 1>And well, if you're listening, you've probably seen because it's

967
00:50:30.719 --> 00:50:33.679
<v Speaker 1>a fantastic explanation of the whole curse, the whole thing

968
00:50:33.760 --> 00:50:36.480
<v Speaker 1>going on on the Acay. So Betty Gelpin comes in

969
00:50:36.480 --> 00:50:39.599
<v Speaker 1>in the latest episode and the entire or actually not

970
00:50:39.639 --> 00:50:46.000
<v Speaker 1>the latest the but the penultimate latest episode, and they

971
00:50:46.039 --> 00:50:49.719
<v Speaker 1>do a total shift and they go back a flashback

972
00:50:49.760 --> 00:50:52.840
<v Speaker 1>to seventeen oh two and she arrives in this village

973
00:50:52.880 --> 00:50:56.880
<v Speaker 1>and she's betrothed to the basically the sheriff or mayor

974
00:50:56.920 --> 00:50:59.920
<v Speaker 1>of the village is played by Hamish Link later it's Derek,

975
00:51:01.280 --> 00:51:04.320
<v Speaker 1>and they're both so good. The thing about Betty Gilben

976
00:51:04.480 --> 00:51:08.920
<v Speaker 1>is you can hand her a character like that who

977
00:51:09.320 --> 00:51:12.119
<v Speaker 1>doesn't have a lot of background to her, doesn't have

978
00:51:12.199 --> 00:51:15.840
<v Speaker 1>a lot of story to her, and it's a one off.

979
00:51:15.880 --> 00:51:18.800
<v Speaker 1>I'm pretty sure we're not going to see that character again. No,

980
00:51:18.840 --> 00:51:22.239
<v Speaker 1>I don't, And yet she imbus that character was so

981
00:51:22.440 --> 00:51:26.320
<v Speaker 1>alive and there was so much going on with her

982
00:51:26.519 --> 00:51:29.360
<v Speaker 1>in that forty minutes that she was on screen. Because

983
00:51:29.840 --> 00:51:31.719
<v Speaker 1>that's what you do. If you have a character like that,

984
00:51:31.760 --> 00:51:34.079
<v Speaker 1>you handed to an actress like Betty Gilben because she's

985
00:51:34.159 --> 00:51:37.840
<v Speaker 1>going to make that character come alive and become indelible.

986
00:51:37.920 --> 00:51:40.280
<v Speaker 1>She is like one of the most memorable characters on

987
00:51:40.320 --> 00:51:42.880
<v Speaker 1>the show right and she probably won't come back.

988
00:51:43.079 --> 00:51:47.559
<v Speaker 2>She is phenomenal. I'll watch anything, yeah, anything with Betty.

989
00:51:47.639 --> 00:51:51.719
<v Speaker 2>She is just incredible. And I read an interview with

990
00:51:51.760 --> 00:51:54.679
<v Speaker 2>her and she joked, she said, you know, I'd love

991
00:51:54.760 --> 00:51:58.000
<v Speaker 2>over the top acting in a bonnet. Yea, she said,

992
00:51:58.079 --> 00:52:00.239
<v Speaker 2>give me that now you know. You know I'm a

993
00:52:00.239 --> 00:52:03.119
<v Speaker 2>sucker for that. So anyway, she she loves that kind

994
00:52:03.119 --> 00:52:06.440
<v Speaker 2>of you know, over the top acting, and she does

995
00:52:06.519 --> 00:52:07.199
<v Speaker 2>such a great job.

996
00:52:07.320 --> 00:52:11.519
<v Speaker 1>And I want to a note that, like, for instance,

997
00:52:11.599 --> 00:52:16.119
<v Speaker 1>on her episode, which was directed by Ty West, the

998
00:52:16.159 --> 00:52:21.079
<v Speaker 1>horror filmmaker, the cinematography on that episode was stunning, all

999
00:52:21.079 --> 00:52:24.480
<v Speaker 1>that candle light and everything, all the nighttime scenes just

1000
00:52:25.159 --> 00:52:28.519
<v Speaker 1>absolutely stunning. And apparently they shot it at a a

1001
00:52:29.760 --> 00:52:34.239
<v Speaker 1>in a cabin that was owned by a condemned witch

1002
00:52:34.320 --> 00:52:34.679
<v Speaker 1>or something.

1003
00:52:34.920 --> 00:52:36.599
<v Speaker 2>Her name is Rebecca Nurse House.

1004
00:52:36.639 --> 00:52:37.599
<v Speaker 1>Yeah, I know Rebca Nurse.

1005
00:52:37.679 --> 00:52:41.920
<v Speaker 2>Yeah. Yeah, she was. She went through the whole Salem trial. Yeah,

1006
00:52:42.199 --> 00:52:47.039
<v Speaker 2>she was accused of witchcraft. Yeah, back in sixteen ninety something. Anyway,

1007
00:52:47.159 --> 00:52:49.000
<v Speaker 2>So yeah, they shot in her.

1008
00:52:49.559 --> 00:52:53.760
<v Speaker 1>Yeah, because Hamton later said it was like he didn't

1009
00:52:53.760 --> 00:52:55.480
<v Speaker 1>even realize it was on his bucket list to be

1010
00:52:55.519 --> 00:52:58.400
<v Speaker 1>buried in the grounds of a witch's house and dug

1011
00:52:58.480 --> 00:52:59.159
<v Speaker 1>up and you know.

1012
00:53:00.000 --> 00:53:02.960
<v Speaker 2>Barently they shot the whole thing and les separate. Yeah, yes,

1013
00:53:03.159 --> 00:53:05.800
<v Speaker 2>left that for the last part, and so the whole

1014
00:53:05.800 --> 00:53:08.320
<v Speaker 2>set was like kind of empty, right, Yeah.

1015
00:53:08.079 --> 00:53:11.079
<v Speaker 1>It was just a yeah, it was fascinating. And then

1016
00:53:11.719 --> 00:53:15.519
<v Speaker 1>then they the episode after that is set in the

1017
00:53:15.559 --> 00:53:17.840
<v Speaker 1>present day. But ha much Link later has to continue

1018
00:53:17.880 --> 00:53:18.840
<v Speaker 1>playing this character.

1019
00:53:19.039 --> 00:53:19.519
<v Speaker 2>Uh huh.

1020
00:53:19.559 --> 00:53:21.960
<v Speaker 1>And what I found out later was that those, as

1021
00:53:21.960 --> 00:53:24.199
<v Speaker 1>you said, they were shot in reverse. He played the

1022
00:53:24.239 --> 00:53:26.559
<v Speaker 1>old version of the character first. In fact, he didn't

1023
00:53:26.559 --> 00:53:29.920
<v Speaker 1>even know I believe he didn't even know who was

1024
00:53:29.920 --> 00:53:32.039
<v Speaker 1>going to play his wife, like Betty Gilpin hadn't even

1025
00:53:32.039 --> 00:53:34.519
<v Speaker 1>been cast, right, And then they had to go back

1026
00:53:34.559 --> 00:53:37.719
<v Speaker 1>and shoot, and he said that he actually modulated his

1027
00:53:37.840 --> 00:53:40.320
<v Speaker 1>voice so that it sounded like a younger version of

1028
00:53:40.400 --> 00:53:42.880
<v Speaker 1>the but It's just so strange to me that those

1029
00:53:42.920 --> 00:53:44.800
<v Speaker 1>were shot out of sequence because.

1030
00:53:44.800 --> 00:53:48.719
<v Speaker 2>That episode was so fucking funny, the whole part on

1031
00:53:48.760 --> 00:53:49.400
<v Speaker 2>the boat.

1032
00:53:49.199 --> 00:53:51.320
<v Speaker 1>The part on the boat. Yes, although I wanted to

1033
00:53:51.400 --> 00:53:53.960
<v Speaker 1>kill Matthew Reese because come on, how big of an

1034
00:53:53.960 --> 00:53:54.559
<v Speaker 1>idiot are you?

1035
00:53:54.840 --> 00:53:55.800
<v Speaker 2>Well, he is an idiot.

1036
00:53:56.079 --> 00:53:56.920
<v Speaker 1>He is an idiot.

1037
00:53:57.000 --> 00:54:00.719
<v Speaker 2>Yeah, but that was so funny when he's like.

1038
00:54:02.440 --> 00:54:04.679
<v Speaker 1>Everything about that scene was really really funny. And I

1039
00:54:04.679 --> 00:54:07.840
<v Speaker 1>actually thought Stephen Or was going to die that episode too.

1040
00:54:08.000 --> 00:54:10.719
<v Speaker 1>I really thought he was going to die. I still

1041
00:54:10.719 --> 00:54:12.679
<v Speaker 1>think he's going to die because he gave an episode,

1042
00:54:12.719 --> 00:54:15.679
<v Speaker 1>he gave an interview and they talked about a second season,

1043
00:54:15.719 --> 00:54:18.760
<v Speaker 1>and he gave answers that I was like, sounds like

1044
00:54:18.800 --> 00:54:21.960
<v Speaker 1>you don't make it out alive through this season. He's

1045
00:54:22.000 --> 00:54:25.559
<v Speaker 1>great in it, And no, what is not great in it?

1046
00:54:25.639 --> 00:54:26.760
<v Speaker 2>Was that the last episode?

1047
00:54:26.880 --> 00:54:30.360
<v Speaker 1>No, the last of the season. Yeah, no, no, I

1048
00:54:30.400 --> 00:54:34.880
<v Speaker 1>think there's three more or two more, I can't remember,

1049
00:54:34.960 --> 00:54:37.320
<v Speaker 1>but we're here to tell you to watch it. Yeah,

1050
00:54:37.320 --> 00:54:39.840
<v Speaker 1>it's really really good. It's it's smart.

1051
00:54:40.039 --> 00:54:40.599
<v Speaker 2>It's smart.

1052
00:54:40.719 --> 00:54:43.559
<v Speaker 1>Yes, I mean we we really like smart stuff.

1053
00:54:43.639 --> 00:54:48.920
<v Speaker 2>I do witty, Yeah, that be intellectual, but but well

1054
00:54:48.960 --> 00:54:52.599
<v Speaker 2>observed to be intelligent, right right, right, that's it's me.

1055
00:54:52.679 --> 00:54:56.360
<v Speaker 2>Even when it's supposed to be a silly humor, it

1056
00:54:56.440 --> 00:54:59.079
<v Speaker 2>has to be delivered in a witty, intelligent way.

1057
00:54:59.239 --> 00:55:01.760
<v Speaker 1>Yeah, I think, just to bring this back to our

1058
00:55:01.800 --> 00:55:06.320
<v Speaker 1>previous conversation, as much as I love Hacks, the last

1059
00:55:06.360 --> 00:55:08.360
<v Speaker 1>several seasons of the show, I just don't think it

1060
00:55:08.400 --> 00:55:10.599
<v Speaker 1>was smart. I don't think it was very smart writing.

1061
00:55:10.639 --> 00:55:13.280
<v Speaker 1>It was it all rested on those two actresses, who

1062
00:55:13.320 --> 00:55:14.039
<v Speaker 1>are amazing.

1063
00:55:14.960 --> 00:55:15.519
<v Speaker 2>But with.

1064
00:55:17.519 --> 00:55:20.400
<v Speaker 1>Widow's Bay as good as Matthew Reesays, as good as

1065
00:55:20.440 --> 00:55:22.840
<v Speaker 1>Stephen Rude is, it doesn't all rest on those actors.

1066
00:55:23.000 --> 00:55:25.320
<v Speaker 1>The writing is actually smart, well.

1067
00:55:25.159 --> 00:55:27.119
<v Speaker 2>Observed, awesome. Yeah.

1068
00:55:27.159 --> 00:55:31.440
<v Speaker 1>I cannot find a single, you know, weak point or

1069
00:55:31.599 --> 00:55:33.599
<v Speaker 1>there's never a point where I'm taken out of the story.

1070
00:55:33.599 --> 00:55:37.000
<v Speaker 1>And like what, I hate the Sun, I hate the teenagers.

1071
00:55:37.239 --> 00:55:39.079
<v Speaker 1>I can't stand him, but I mean he does.

1072
00:55:39.320 --> 00:55:40.440
<v Speaker 2>He's supposed to be annoying.

1073
00:55:40.480 --> 00:55:42.360
<v Speaker 1>He's supposed to be annoying, and he does have reason to

1074
00:55:42.360 --> 00:55:44.880
<v Speaker 1>be mad at his dad. But that's Psycho girl. Who

1075
00:55:44.920 --> 00:55:48.440
<v Speaker 1>was going does I kept waiting for, like what is

1076
00:55:48.480 --> 00:55:50.880
<v Speaker 1>she some sort of I know, curse or something because

1077
00:55:50.880 --> 00:55:52.119
<v Speaker 1>she was acting so strange.

1078
00:55:52.159 --> 00:55:54.519
<v Speaker 2>I know, I was so mad at her, But I

1079
00:55:54.559 --> 00:55:57.119
<v Speaker 2>love the secretary at the office, the old lady.

1080
00:55:57.159 --> 00:55:59.920
<v Speaker 1>The old lady. Yeah, I can't read her own hand.

1081
00:56:01.480 --> 00:56:01.880
<v Speaker 2>Yeah.

1082
00:56:01.960 --> 00:56:05.079
<v Speaker 1>It's just a lot of colorful characters. And then it's

1083
00:56:05.079 --> 00:56:08.880
<v Speaker 1>in the middle of a Stephen King novel. Basically, that's

1084
00:56:09.280 --> 00:56:13.199
<v Speaker 1>highly recommend highly recommend it. Yes, so Widow's Bay on

1085
00:56:13.920 --> 00:56:18.400
<v Speaker 1>Apple TV can't recommend it enough. And I believe we

1086
00:56:18.440 --> 00:56:21.280
<v Speaker 1>have exhausted our topics for the way, so we'll be

1087
00:56:21.320 --> 00:56:26.480
<v Speaker 1>back next week. We do have a new set of movies,

1088
00:56:26.719 --> 00:56:29.880
<v Speaker 1>movies for the Bitter Movie Club. We're taking this week off,

1089
00:56:30.360 --> 00:56:33.599
<v Speaker 1>but we have a whole set of movies for June.

1090
00:56:33.599 --> 00:56:36.079
<v Speaker 1>The first one we'll be doing next week is Atonement

1091
00:56:36.559 --> 00:56:39.719
<v Speaker 1>from two thousand and seven starring Kieran Nightly, So go

1092
00:56:39.719 --> 00:56:42.159
<v Speaker 1>ahead and watch that. I believe it's on both Netflix

1093
00:56:42.239 --> 00:56:43.119
<v Speaker 1>and HBO Max.

1094
00:56:43.280 --> 00:56:43.760
<v Speaker 2>Great movie.

1095
00:56:43.760 --> 00:56:45.800
<v Speaker 1>You should be able to catch it if you if

1096
00:56:45.840 --> 00:56:48.360
<v Speaker 1>you are so inclined, And we'll be back with whatever

1097
00:56:48.400 --> 00:56:50.960
<v Speaker 1>else you know across our eyes across our desk next week.

1098
00:56:51.000 --> 00:56:52.800
<v Speaker 1>Till then, take care of yourself, love you mean it.

1099
00:56:52.840 --> 00:56:53.760
<v Speaker 2>Bye bye bye.
