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Speaker 1: And right now joining us alive in studio for first time,

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first time in a long time. Glenn R. J. Wilett,

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also known as Oh let me get that mic on

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the People's Mayor, is here with us. But that's not

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why he's here today. Today, you are not here as

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Glenn r J. Will Let the People's Marrior. You're you're

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here as will Let Glenn the artist. Is that correct? Glenn?

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Speaker 2: Thanks for having me.

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Speaker 1: Do I have to call you for the purposes of

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this conversation? Do I have to? Should I call you?

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Address you as Wallette or can I still call you Glenn?

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I should call you Wilette.

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Speaker 2: It doesn't really matter because I have.

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Speaker 1: To be honest with you. That's going to take some

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getting used to.

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Speaker 2: It's just on my name that I was required to

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take because your supports have a station name. Yeah, and uh,

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I wanted something simple. How much you can't go more

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simple than that?

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Speaker 1: Yes? Well, you could have gone with an unpronounceable symbol

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like Prince had for a while, you know, maybe like uh,

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maybe like an O for Wallett. But do something make

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it in like a weird font or something.

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Speaker 2: If someone wanted me to call it Glenn.

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Speaker 1: Oh, Glenn. I like that. I like that. That's got

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a nice ring. Well that's why, that's what the diehards

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could call you, right, like you're die hard fans. They

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could be like, yeah, you go into the Oak Glenn show.

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Who's OA Glenn? You know we'll let Glenn. Oh yeah

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that guy. Of course. Of course I'm going You've been

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playing out a lot, right, you've been performing a lot.

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Speaker 2: Live, Yes, and now I'm I'm coming home.

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Speaker 1: You're coming home.

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Speaker 2: Well, I started in area that nobody knew me because I'm

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well known here and uh as who I am? So yes,

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I didn't want people who doesn't know what to tell

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you the truth they like you or not. So I'm

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going to start in a strange city.

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Speaker 1: Not to correct you, but who I Am is coming

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on in the second hour today along with tracks. Really,

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you're not who I am? You're will let Glenn. Just

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to be clear for the audience, I don't want it.

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I don't want anyone to be confused. Yeah I agree, yes, yes, so,

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and you're going to be performing live for us today. Correct, Yes,

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We've got we've got several uh, several songs skewed up. Now,

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how do you choose the songs, Uh that that you perform?

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What is it? What is it about these songs selections?

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Uh that that make you say, uh, this is a

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song that will let Glenn be performing live?

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Speaker 2: When I when I, when I choose my songs for

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a complete concert, which they last about two hours, two hours, Well,

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there's it in between, and I do a half hour

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of comedy.

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Speaker 1: You do, I'd see. I didn't know this.

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Speaker 2: You do a half hour of in French?

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Speaker 1: Yes, you do comedy in English and French.

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Speaker 2: Yes, and it's ethnic humor, yeah, because well but it's

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not it's not it's not planned. Okay, I look at

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the audience.

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Speaker 1: Oh, you do crowd work, yes, Oh, no offense, but

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the crowd work, don't don't you have any actual jokes?

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Speaker 2: Or I do, and I'll put him in there.

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Speaker 1: But terror I love I love Jenny. Jenny knows how

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I feel about because I tell him to.

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Speaker 2: Be careful if I picked you, because you may be

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embarrassed in front of the lot of people.

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Speaker 1: Oh so there's a little bit of danger to the show.

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There's a little bit of danger. Well, like when is dangerous?

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Speaker 2: I wouldn't say I'm dangerous.

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Speaker 1: Well, I don't mean like physically dangerous, like you've heard anybody,

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I just mean in terms of your performance and and wow,

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this is this is great now.

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Speaker 2: The songs that I've chosen, some of them are very powerful,

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some are very meaningful. I choose my songs to the

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mood that I am, and I like to have a

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variety because I do everything except for raps. So I

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do any artists pretty much, any artists, as long as

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it's a song that I want to air. Uh my, my,

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My concerts are are totally family oriented.

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Speaker 1: Okay.

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Speaker 2: I don't want no swearing in front of a five

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year old or something.

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Speaker 1: You know, right right, so you don't do like you

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don't cover straight out of Compton by nw A is

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what you're saying.

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Speaker 2: No, but I do a lot of uh, rock and

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roll and hard rock. I do a lot of prints,

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and I do a lot of Yeah, I do, I

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do Chair, I do, I do Adam Lamberg, I do.

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I do a lot of I do a lot of Queen.

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For example, you do hard rock and I love journey.

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Speaker 1: Yes. Oh wow, Yes, I think I saw a video

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of you performing. Don't stop believing. Yeah, at where have you?

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Where have you been performing?

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Speaker 3: Like?

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Speaker 1: Where can people see you.

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Speaker 2: Well, you can see me on a weekly basis. I'm

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at on Mondays, I'm at the Breezeway. This is all karaoke,

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which is all coming to an end. By the way, Oh,

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karaoke is coming to an end. Has there been an

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I don't know if maybe there's been executive order. No,

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I'm going professional now.

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Speaker 1: Oh, yes, you're going professional. So this is like you're

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coming out as well when the professional.

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Speaker 2: So I do the Briezebae on Monday. On Tuesday, I

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do the Goat. On Wednesday, I do uh Stock Brewery,

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which I've had a concert there last month's, this past

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this past Mothers Day, I did my first concert in Manchester, Okay.

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And then I on Thursday, I do the Farm Restaurant.

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And on Friday, I do the Rival casino.

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Speaker 1: The Ripple Casino.

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Speaker 2: The Rival.

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Speaker 1: Oh oh, I thought you said Ripple. I was like

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the gotcha, gotcha?

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Speaker 2: And on Saturdays when I'm when I have a my

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concert is basically on Saturdays and Sundays.

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Speaker 1: Playing a casino. Are you concerned that you're promoting gambling.

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Speaker 2: Because I don't gamble?

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Speaker 1: Okay? Good, good, because you know you got to think

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about the kids. Yeah, you don't want parents to turn

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against you and start telling their kids, Hey, don't listen

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to that. We'll let Glenn. He promotes bad things.

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Speaker 2: I don't gamble, I don't drink. I don't take drugs

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other than medications. I don't smoke. Yeah, it's pure family.

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Speaker 1: Your straight edge is what you're saying.

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Speaker 2: I am. Yes, my wild times are gone.

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Speaker 1: Yes. No, you're a good You're a good inspiration for

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the youth. What is your demographic? Would you say, like,

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are you are you going for that eighteen to forty

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nine demographic or what's your what's your demo?

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Speaker 2: I'm really shocked. I'm very big with the college crowd. Yes,

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soon I understand that. But maybe it's because of the

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music that I'm playing and I'm in tune with them. Yes,

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I do have a following with the young people who

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go to Emthince for example. Oh so I always they

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always come to the Goat and it's very encouraging. Yes,

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and I but my my range is from you can

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be from five years old to ninety nine.

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Speaker 1: That's quite arranged, Glenn, that's quite a range.

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Speaker 2: And the songs that I do are from nineteen twenty

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to twenty twenty four.

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Speaker 1: Although I don't think you're your typical ninety nine year

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old probably can't hear you. Well, they have ear ring,

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they do well, they do have they can do implants.

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Iniars now, I guess, but.

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Speaker 2: I don't think I see people that old that are there, right,

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But I do see a lot of seniors.

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Speaker 1: You, but you don't see ninet nine year old people

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at the goat No, I no, okay, now the goat? Right?

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And you do meet and greets too, right.

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Speaker 2: Yes, act to well, not when I do careok, when

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I after my concerts.

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Speaker 1: Yes, after your concerts. So is there like a fee

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for that?

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Speaker 2: No? Oh okay, no, and I haven't. I don't sign

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in autographs yet. I'm not there yet. I don't want

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my picture on a postcard. Really they want me to

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do that or T shirt. It's coming, but yeah, it's

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just not me. I'm a simple guy. I'm a regular citizen.

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And I'll have to get I'll have to grow out

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of it, I guess, but I'll never forget who I am,

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and I'll always think of the people first.

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Speaker 1: Always think of the people first. Remember your roots. You know,

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you see the same people on your way down that

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you saw the way up. Yeah, So that's important.

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Speaker 2: Here's a question for the audience. Yes, when I do

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the dance, the last dance, it's by Daniel BETTIPETI I

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don't know if I'm pronouncing that right, but uh, and

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I do it in English, parts of it in French,

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and then the last paragraph is done in a different language,

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and no one's figured out which language it is yet.

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At the end of the show, I will tell.

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Speaker 1: You so you but you saved that part for the

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last paragraph of the song.

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Speaker 2: Yes, yes, it's specific.

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Speaker 1: Yes, I understand. Okay, So what would you like to perform? First?

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For us, We'll let Glenn.

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Speaker 2: Come what may from from the uge.

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Speaker 1: Now, for people watching the video, I should explain because

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they're about to see something unusual that they don't see

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typically on the program. I'm going to actually turn this

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monitor toward you so they I believe it's pronounce mulan rouge.

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Speaker 2: Correct. Yes, I'm French.

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Speaker 1: Yes, because you said it like like some people, you

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know lame is that they pronounce it less miserables because they.

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Speaker 2: Don't know is it up? Yes, French.

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Speaker 1: Yes, you're French, so you know you know the right

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way to and.

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Speaker 2: You'll find that I really am French. At the point

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that they say, oh, he really rolls his ours.

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Speaker 1: Yeah, people, I can't roll my rs.

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Speaker 4: Yeah.

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Speaker 1: I don't know any any French really, I know like

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we we, I know like uh we we.

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Speaker 2: Uh pepee pooh pooh, oh my god.

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Speaker 1: That's about it. Okay. So so what we're gonna do is,

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so I'm gonna start the song and then going to

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as quickly as I can. I'm going to turn the

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monitor towards you so that you can read the lyrics.

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Do you are are any of the songs that you

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do live? Have you memorized the paragraphs as you say?

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Speaker 2: Yes, some of them?

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Speaker 1: Okay.

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Speaker 2: The thing is is that right now in my right

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eyes eight line oh and uh and I uh and

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I know about a thousand songs, and at my age,

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you're not going to know a thousand songs by heart.

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Speaker 1: That's true.

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Speaker 2: So that's a handicap for me, and so I'm using

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it as my benefit for me to perform I need

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in case if I get the words, they're there.

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Speaker 1: I was recently reading a study about neurology and memory

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and so forth, and apparently the uh, it's estimated the

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average musician is able to memorize somewhere between nine hundred

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and fifty and nine hundred and seventy five songs. So

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if you're going for a thousand, yeah, you're kind of

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you're you're over the you're over the cap. I read

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that online somewhere, so obviously it's true. Okay, let me

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get the volume up here. So I'm going to start

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the song, and as quickly as I can, I'm gonna turn.

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I'm gonna turn this monitor, and then we'll be ready

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to go. If you are just joining us, we have

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will let Glenn the artist, am I said? Is it?

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Is it the artist will let Glenn? Or is it

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will let Glenn the artist? Or does it matter?

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Speaker 2: Well, Glend the artist is fine.

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Speaker 1: And is there a comma involved or a dash or

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how do you? Okay, just will let lend the artists?

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Speaker 2: Okay, I will tell you that I do my own

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special effects.

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Speaker 1: You do special effects?

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Speaker 2: Yes, you'll hear.

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Speaker 1: It like like like you make noises?

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Speaker 2: Yeah, oh I do like instruments, Oh uh I I do.

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I do an opening, a closing.

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Speaker 5: What they do?

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Speaker 4: Wow?

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Speaker 2: But they do what a normal artist has for the music,

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for the for the for the openings in that the

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middle when it's just music. Yes, I do something, Oh

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you do. I'll need to continue singing, adding my own

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words all my songs at cover songs, okay, which makes

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them my song?

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Speaker 1: Right? How do you what's your logic behind that? How

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does that make your song?

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Speaker 2: If I ever chose to do an album, m I

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can't use every word it's in that song. That's plasury.

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Oh so I have to use.

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Speaker 1: You don't want to commit pleasuring?

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Speaker 2: No, I have to do. I have to do a

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cover song.

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Speaker 1: Yes, okay, first reality, right, I understand. Have you ever

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considered writing your own songs, your own music? You're a

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creative guy.

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Speaker 2: Yes, I have. I now have a software that was

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installed two weeks ago and I'm learning how to use it,

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and I'll actually be able to do my own album

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at home. I have my own studio with the house.

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Oh very good, very good, own mix and everything.

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Speaker 1: So yeah, yeah, right, I was gonna sugget. I mean,

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someone of your caliber you might want to consider, you

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know well, but it costs a lot of money to

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actually recorded.

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Speaker 2: Everything's digital today, yes, so you don't see no more

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tapes than CDs that much? Right, right, my music would

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become out digital. I'm now talking with Spotify. If I

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could get on Spotify, that would be great.

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Speaker 1: Oh yeah, who are you talking with at Spotify? Or

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he's talking to the head guy there, mister Spotify himself.

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Speaker 2: Probably not they they said they they they sign me.

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Someone need to go right to the top.

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Speaker 1: Glenn, Okay, talk to mister Spotify. I think his first

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name is Bill.

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Speaker 4: Bill.

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Speaker 1: All right, so I'm gonna I'm gonna start this. I'm

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gonna turn the monitor and uh come, what may come?

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What may as performed by We'll let Glenn the artist. Okay,

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here we go, pressing.

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Speaker 2: Play and make it big?

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Speaker 4: Oh do to do?

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Speaker 5: Enjoy?

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Speaker 2: Come with me? What I never knew that I could

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feel like these My I've never seen that sky high before.

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I want to then deep inside your dream.

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Speaker 4: Every day I love you more and more. Listen to

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my heart.

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Speaker 1: Can you hear it?

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Speaker 4: A scene telling me to give you everything?

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Speaker 2: Sees may change, winter to spring and summer.

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Speaker 4: Ooh, but I love you until the end of time?

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Speaker 5: Home? What may? Oh come?

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Speaker 4: What the guys will love you? So until my die.

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Speaker 2: Day. Suddenly the world see that shop perfect place. Suddenly

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it moves with that job her a grace. Suddenly my

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life doesn't seem such a wasting anymore in all evils

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around you, my darling dear, And there's no mountain to hide,

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the river to wide see it's sunny, and I'll be

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there by your side. Storm clouds may gather and starts

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me cool lo ooh, but I love you.

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Speaker 4: Until the end all time?

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Speaker 5: Poll?

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Speaker 6: What made.

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Speaker 5: Oh? Come? What made.

304
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Speaker 4: Old? I will love you so? Kill my die?

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Speaker 5: Day?

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Speaker 2: Come?

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Speaker 4: What maybe.

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Speaker 5: Come? What may.

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Speaker 4: Base? I will love you so? I love you, so

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love you so.

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Speaker 2: Suddenly the world seems such a perfect.

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Speaker 5: What may come? What made um?

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Speaker 7: What?

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Speaker 5: Oh die?

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Speaker 2: I will love you, kill my die?

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Speaker 6: Come?

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Speaker 7: What may?

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Speaker 4: Thank you?

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Speaker 1: Wow? Glenn r. J. Will let the people's mayor. I'm sorry,

320
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We'll let Glenn the artist.

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Speaker 2: Neathan'm getting used to.

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Speaker 1: Yes, yes, I gotta swing that monitor back here. Good thing.

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I have long arms, Jenny calls me long arms because

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at the grocery store I can reach things.

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Speaker 2: So for those of you who follow these songs and

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you know them by heart, yes, you'll notice that there

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is a big difference in the words. I did know.

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Speaker 1: I did notice that, Glene Funny, you mentioned that, Yes.

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Speaker 2: That's what makes it.

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Speaker 1: Yes, Yes, I have to say I mean of all

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the Uh, of all the performances I've heard of, that

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song that is by far the most the most recent. Definitely, Yes, yes,

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well done. If you are just joining us, we'll let

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Glenn the artist is here with us. What's your favorite

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song you perform? Putting you on the spot here.

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Speaker 2: I like to perform. I have a few, I have unforgettable.

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I also have the power of love. I do a

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lot of Hairy Style and Sam Adams. I love a

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lot of the powerful song. That's why I like come

340
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what May do a lot of theater songs. Yeah, Disney songs. Oh,

341
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I do it all, you do it all. I do

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it all. It takes practice. I practice. I get up

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in the morning and take my shower, get dressed, go

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to my studio. And I practiced three hours a day, Yes,

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in the morning, and then I go to work and

346
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not to work, I perform an Now there's three or

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four hours, depending where I am.

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Speaker 1: Wow. Now have you ever had any formal vocal training.

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Speaker 2: Other than I used to? I I talked, I say

350
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oh wow, not necessarily words about I used to humble

351
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lot when I was a kid. Yes, and Uh. I

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belonged to a lot of choirs school choirs, college choirs,

353
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church choirs. Yeah, and that's where I got my formal training. Okay,

354
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my creativity, it's just it just comes within me. I'm

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very creative.

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Speaker 1: Yes you are, Yes, you are, absolutely Well what would

357
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you like to perform next? I'm dying to hear more.

358
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Speaker 7: Actually, the next song is we Have We have many

359
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things like the Impossible Dream, The Impossible Dream, and it's

360
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an arrangement by Azar van Rose.

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Speaker 2: Another very powerful song.

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Speaker 1: Yes, all right, let me find that one. Okay, here

363
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we go. I've got that cueued up. Are you ready, Glenn?

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Speaker 2: I am ready.

365
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Speaker 1: All right, I'm going to uh gonna play this and

366
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you have it on large turn this, uh, I will

367
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let's see here. Let me put that full screen for you, okay,

368
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and I'm gonna hit play a click play rather and

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this around and here we go.

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Speaker 2: Oh that's good.

371
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Speaker 1: There we go.

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Speaker 4: The raaa.

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Speaker 8: Do do do do do do do do do doo?

374
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Speaker 2: Oh uh enjoy hope sees the invisible, feel the intangible,

375
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and it cheese the impossible. Helen Keller said this, Enjoy

376
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the impossible dream. Do do do do do do do

377
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do do Do do do do do do.

378
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Speaker 9: Do do do do do do do do do do

379
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do do do do do?

380
00:19:55,400 --> 00:20:05,240
Speaker 2: Dream how that impossible dream, And to fight.

381
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Speaker 4: All that unbeatable fool, too.

382
00:20:14,640 --> 00:20:27,519
Speaker 2: Bare with that unbearable sorrow, and to run, oh where

383
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the grave do not go, to right that unrightable wrong,

384
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And to love pure and chest from a fall, to try,

385
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when your arms are too weary, to reach that unreachable star.

386
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Because this is my quest, to follow that star, no

387
00:21:21,720 --> 00:21:32,000
matter I hopeless, Oh, no matter how pror to fight

388
00:21:32,279 --> 00:21:42,039
for that right without questioning, or Oh, to be willing

389
00:21:42,480 --> 00:21:47,599
to much much into hell without heaven leak.

390
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Speaker 5: And I know.

391
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Speaker 4: That if I'll tru.

392
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Speaker 8: Leav true to this glorious quest, that my heart.

393
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Speaker 4: Will be peaceful and calm.

394
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Speaker 2: When I'm late to my ridest and this world.

395
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Speaker 4: Will it be better for these that one man.

396
00:22:35,960 --> 00:22:47,200
Speaker 2: Scorning, covered with scars, still strove with his last ounce

397
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of courage to read of that unreachable, that unreachable, that

398
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unreachable storm.

399
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Speaker 5: Oh do do do do Do Do do do?

400
00:23:29,359 --> 00:23:39,720
Speaker 2: And I love with dream of that impossible dream. Yes,

401
00:23:39,799 --> 00:23:47,240
and I'll reach old to that unreachable storm.

402
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Speaker 9: That on reach boo storm, thank you.

403
00:24:12,000 --> 00:24:12,680
Speaker 1: No, thank you.

404
00:24:12,880 --> 00:24:16,599
Speaker 2: We'll let Glenn the artist that when I roll a

405
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lot of my rs, don't I.

406
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Speaker 1: You do you roll a lot of your rs, which

407
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is not how I'm used to hearing it.

408
00:24:23,400 --> 00:24:25,440
Speaker 2: It's it's a signature sgnature.

409
00:24:25,759 --> 00:24:27,359
Speaker 1: Yeah, so that's that's how you make it your own.

410
00:24:27,799 --> 00:24:29,160
Speaker 2: Your artist has to make it their own.

411
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Speaker 1: Okay. I was afraid maybe you were mocking me because

412
00:24:32,400 --> 00:24:34,319
you know I can't roll my rs. No, no, I

413
00:24:34,359 --> 00:24:36,240
can't roll my rs. You knew that right.

414
00:24:36,359 --> 00:24:39,160
Speaker 2: Yeah, I'm French and I'm using my ability to I

415
00:24:39,160 --> 00:24:41,200
still I still speak and write and refriends.

416
00:24:41,319 --> 00:24:44,559
Speaker 1: So yes, yes, yeah, if I try to roll my rs,

417
00:24:44,599 --> 00:24:48,160
nothing happens like I'm like urber, I sound like I'm

418
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having a stroke or something. I can't do it.

419
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Speaker 7: D R.

420
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Speaker 1: See, I can't do it, never been able to do it. Well,

421
00:24:56,319 --> 00:24:58,279
very good. Uh and I see what you mean about

422
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the the uh the extra Uh you kind of enhance

423
00:25:01,799 --> 00:25:02,319
it a little bit.

424
00:25:02,920 --> 00:25:04,400
Speaker 2: Yeah, I make it my own.

425
00:25:04,640 --> 00:25:07,000
Speaker 1: Yes, yes, you do. I think that's very fair to

426
00:25:07,000 --> 00:25:09,680
say if you are just joining us. Well, what Glenn

427
00:25:09,920 --> 00:25:12,920
the artist is here with us? You have a logo yet?

428
00:25:12,960 --> 00:25:13,200
Speaker 9: Have you?

429
00:25:13,759 --> 00:25:15,400
Speaker 1: Do you have any kind of a logo or anything.

430
00:25:15,519 --> 00:25:18,880
Speaker 2: No, I'm working on it. You know I I am.

431
00:25:20,119 --> 00:25:23,039
This is new to me. Oh you know, and uh.

432
00:25:22,799 --> 00:25:24,240
Speaker 1: Well you've been You've been at this for a long

433
00:25:24,240 --> 00:25:25,960
time though, really, I mean it's not that new.

434
00:25:26,279 --> 00:25:28,720
Speaker 2: Well, but in front of crowds it is.

435
00:25:28,920 --> 00:25:29,160
Speaker 1: Yeah.

436
00:25:29,240 --> 00:25:31,039
Speaker 2: Yeah, that's why I did some That's why I had

437
00:25:31,160 --> 00:25:33,599
been doing a lot of karaoke. Oh, get rid of

438
00:25:33,599 --> 00:25:36,640
the stage fright, which didn't take long because I'm I'm

439
00:25:36,680 --> 00:25:38,720
not I'm not the shy kid that I used to

440
00:25:38,759 --> 00:25:39,640
be when I was a kid.

441
00:25:39,799 --> 00:25:41,759
Speaker 1: Yes, yes, I didn't know you when you were a kid,

442
00:25:41,759 --> 00:25:43,200
but it's hard to imagine you shy.

443
00:25:43,319 --> 00:25:44,839
Speaker 2: I was very shy you were you?

444
00:25:44,960 --> 00:25:47,160
Speaker 1: Yeah? Oh yeah, oh me too, I can relate to that.

445
00:25:49,200 --> 00:25:50,119
You want to do another one?

446
00:25:50,400 --> 00:25:53,200
Speaker 2: Sure, the next song will be different, it's uh, I'm

447
00:25:53,200 --> 00:25:57,200
already there by I'm raising by Life by West Life.

448
00:25:56,960 --> 00:26:00,799
Speaker 1: West Life, Yes, uh I remember West Life. Now why

449
00:26:00,880 --> 00:26:03,640
this song? Now, this song stands out. It's beautiful in

450
00:26:03,720 --> 00:26:06,559
that it's it's unlike the other songs, which are sort

451
00:26:06,599 --> 00:26:10,400
of standards or classics. One might say this is West Life,

452
00:26:10,599 --> 00:26:11,640
a much younger group.

453
00:26:12,000 --> 00:26:15,759
Speaker 2: Yes, and they they it's a very meaningful song. Oh

454
00:26:15,799 --> 00:26:19,000
it's about losing a loved one. Oh yeah, it looks

455
00:26:19,000 --> 00:26:21,119
like a love song with the past.

456
00:26:21,759 --> 00:26:23,759
Speaker 1: Yes, yes, a love song with the past.

457
00:26:23,839 --> 00:26:25,799
Speaker 2: You lost your wife where you lost a husband.

458
00:26:25,960 --> 00:26:30,200
Speaker 1: M Okay, yeah, I think I know this song. I

459
00:26:30,200 --> 00:26:33,319
think I remember the song all right, So I'm going

460
00:26:33,359 --> 00:26:36,440
to uh, I'm gonna do same deal. I'm gonna out

461
00:26:36,519 --> 00:26:39,160
here this time. I will remember to make it full screen.

462
00:26:39,279 --> 00:26:41,200
Speaker 2: You lost to find that I use a lot of

463
00:26:41,200 --> 00:26:43,400
my religious bringing in my songs.

464
00:26:43,480 --> 00:26:43,880
Speaker 4: You do.

465
00:26:44,400 --> 00:26:49,839
Speaker 2: Yes, it's important to me. Ah fakes as run my life,

466
00:26:49,880 --> 00:26:50,799
so it's very important.

467
00:26:50,799 --> 00:26:52,519
Speaker 1: But do you do any actual religious songs?

468
00:26:52,640 --> 00:26:52,920
Speaker 2: I do?

469
00:26:53,000 --> 00:26:53,400
Speaker 1: Oh, you do?

470
00:26:53,519 --> 00:26:53,759
Speaker 5: I do?

471
00:26:53,920 --> 00:26:57,319
Speaker 2: Like like what I'm pretty much do them all the

472
00:26:57,359 --> 00:26:58,599
old ones and new ones.

473
00:26:59,240 --> 00:27:02,000
Speaker 1: When I was a kid at Saint John's going to

474
00:27:02,039 --> 00:27:05,799
Saint John's School and we would go on Sundays when

475
00:27:05,839 --> 00:27:08,400
my dad would take me to church, they would do

476
00:27:08,480 --> 00:27:11,200
songs at Saint John's, but they weren't like instead of

477
00:27:11,400 --> 00:27:13,519
I mean they would they would be there would be

478
00:27:13,559 --> 00:27:15,920
some religiou hymns, but there was also you know, the

479
00:27:16,160 --> 00:27:18,559
ones you're used to hearing, but there would also be

480
00:27:18,640 --> 00:27:24,440
these other songs that like because they had a band

481
00:27:24,599 --> 00:27:26,359
that they would play live, and they would do these

482
00:27:26,400 --> 00:27:29,799
songs that were not like classic religious hymns like share

483
00:27:29,839 --> 00:27:31,440
a little bit of your love. You ever hear that one?

484
00:27:31,640 --> 00:27:31,880
Speaker 4: Share?

485
00:27:32,240 --> 00:27:34,440
Speaker 1: I actually still remember these, like share a little bit

486
00:27:34,480 --> 00:27:36,799
of your love, my friends, share a little bit of

487
00:27:36,839 --> 00:27:37,240
your love.

488
00:27:37,519 --> 00:27:41,079
Speaker 2: I do a lot of I'm Roman Catholic and how

489
00:27:41,079 --> 00:27:43,920
it was raised. Yes, I do a lot of Seth

490
00:27:43,960 --> 00:27:47,839
and Baptist songs. Oh okay, very deep. Yeah, you know

491
00:27:47,880 --> 00:27:48,799
it has a lot of meaning.

492
00:27:48,960 --> 00:27:50,759
Speaker 1: Now do you know have you heard from the Vatican

493
00:27:50,839 --> 00:27:52,720
at all about that? Do they approve of you as

494
00:27:52,759 --> 00:27:55,000
a Roman Catholic doing Southern Baptist songs?

495
00:27:55,119 --> 00:27:56,559
Speaker 2: I don't think I need their approval.

496
00:27:56,599 --> 00:27:58,799
Speaker 1: You're like a cross denominational performer.

497
00:27:58,920 --> 00:28:02,160
Speaker 2: I am an independent yes artists, and I sing what

498
00:28:02,359 --> 00:28:03,039
I want to say.

499
00:28:03,160 --> 00:28:04,920
Speaker 1: So if the Pope, if the new Pope, he comes

500
00:28:04,920 --> 00:28:07,359
in and says, Glenn, I'll sing a song, you'll sing,

501
00:28:07,519 --> 00:28:10,720
You'll sing em a song? All right? Well, very good? Okay,

502
00:28:10,920 --> 00:28:12,839
So uh, I'll go ahead and click play on this

503
00:28:12,880 --> 00:28:14,880
and I'll turn the monitor around. So this is well,

504
00:28:14,960 --> 00:28:19,119
let Glenn the artist performing, I'm already there, all right,

505
00:28:19,160 --> 00:28:19,680
here we go.

506
00:28:19,880 --> 00:28:21,240
Speaker 2: This is a relatively new song for me.

507
00:28:21,640 --> 00:28:24,400
Speaker 1: Oh really okay, Oh, I don't hear anything and I

508
00:28:24,559 --> 00:28:24,960
think I know.

509
00:28:25,039 --> 00:28:26,559
Speaker 2: Whoops, I'm gonna make it takes time.

510
00:28:26,640 --> 00:28:28,759
Speaker 1: You think you start that over Let's start.

511
00:28:28,559 --> 00:28:29,240
Speaker 2: That over here we go?

512
00:28:31,960 --> 00:28:35,279
Speaker 1: All right? Oh yeah, here we go.

513
00:28:44,359 --> 00:28:52,480
Speaker 2: And enjoy. He called her on that road from a

514
00:28:52,559 --> 00:28:58,240
lonely cole hotel room, just to hear her say I

515
00:28:58,359 --> 00:29:05,160
love you one more time. And when he heard that

516
00:29:05,480 --> 00:29:11,359
sound are the kids laughing in the background, he had

517
00:29:11,440 --> 00:29:18,599
to wipe away a tear from his eyes. A little

518
00:29:18,799 --> 00:29:23,079
voice came on that boone said, Daddy, when are you

519
00:29:23,240 --> 00:29:27,839
coming home? He said the first thing that came to

520
00:29:28,319 --> 00:29:34,960
his mind, because I'm all already there. Just take a look,

521
00:29:35,160 --> 00:29:40,599
take a look around. I'm that sunshine in your hair.

522
00:29:41,400 --> 00:29:46,920
I'm that shadow on that ground. I'm your whisper in

523
00:29:47,079 --> 00:29:51,559
the wind. I'm your imaginary friend.

524
00:29:53,519 --> 00:29:54,559
Speaker 7: And I know.

525
00:29:56,400 --> 00:30:02,400
Speaker 2: That I'm in your prayers. Oh, I'm all already there.

526
00:30:07,480 --> 00:30:08,759
Speaker 4: I'm already there.

527
00:30:09,759 --> 00:30:14,480
Speaker 2: She got back on that telephone, said I really miss you,

528
00:30:14,599 --> 00:30:18,880
my darling. Don't worry about the kids.

529
00:30:19,000 --> 00:30:20,559
Speaker 4: They'll be all right.

530
00:30:23,759 --> 00:30:27,839
Speaker 2: I wish I was in your arms tonight, laying right

531
00:30:27,960 --> 00:30:33,319
there beside you, But I know that I'll be in

532
00:30:33,359 --> 00:30:40,200
your dreams tonight, right and I'll gently kiss your lips,

533
00:30:41,680 --> 00:30:46,559
touch you with your fingertips. So turn out the light

534
00:30:47,400 --> 00:30:54,240
and close your eyes, because I'm all already there. Don't

535
00:30:54,279 --> 00:30:59,880
you make a sound tonight on the beat in your heart,

536
00:31:00,880 --> 00:31:03,480
on that wond light shining down.

537
00:31:04,559 --> 00:31:06,960
Speaker 4: I'm your whispering.

538
00:31:06,400 --> 00:31:14,279
Speaker 2: The wind, and I'll be there until the end. Can

539
00:31:14,359 --> 00:31:21,000
you see that love that we shod? But I'm all

540
00:31:21,160 --> 00:31:29,559
already there. We may be a thousand, a thousand miles

541
00:31:29,640 --> 00:31:37,240
of aw but I'll be with you wherever you are.

542
00:31:41,799 --> 00:31:46,480
I'm all already there to take a look.

543
00:31:46,680 --> 00:31:49,359
Speaker 4: Take a look around, on.

544
00:31:49,559 --> 00:31:54,440
Speaker 2: That shun shining your hair, on the shadow.

545
00:31:54,240 --> 00:31:55,680
Speaker 5: On that ground.

546
00:31:56,720 --> 00:32:01,160
Speaker 2: I'm your whisper in the wind, and I'll be there

547
00:32:01,400 --> 00:32:08,759
and until the end. Can you be the love that

548
00:32:09,039 --> 00:32:31,799
reach I'm already there yet, I'm all already because I'm

549
00:32:31,839 --> 00:32:37,480
already there. Yes, I'm already there.

550
00:32:41,480 --> 00:32:41,880
Speaker 4: Thank you.

551
00:32:42,880 --> 00:32:46,599
Speaker 1: Wow. Well let Glenn the artist. But that song you know,

552
00:32:46,640 --> 00:32:48,960
I never really paid much attention to the lyrics before.

553
00:32:49,319 --> 00:32:52,799
I feel like it's about uh, it's about the supernatural,

554
00:32:52,880 --> 00:32:55,759
Like he's threatening to be a ghost and haunt this person.

555
00:32:55,920 --> 00:32:58,279
You know, I'm the shadow on the ground. I mean

556
00:32:58,319 --> 00:32:58,880
that's creepy.

557
00:32:59,039 --> 00:33:03,039
Speaker 2: Yeah, what about the part of about don't make a sound. Yeah,

558
00:33:03,160 --> 00:33:04,319
that kind of creeped me out a bit.

559
00:33:04,400 --> 00:33:06,279
Speaker 1: Yeah, that'd be a good Halloween SONGA I.

560
00:33:06,200 --> 00:33:08,680
Speaker 2: Added that, Oh you had it. It came right behind

561
00:33:08,680 --> 00:33:10,039
the shadow things, so it made sense.

562
00:33:10,079 --> 00:33:13,799
Speaker 1: Oh that, yes, shadow on the ground don't make a sound.

563
00:33:14,039 --> 00:33:17,000
Speaker 2: Remember I make these songs in my own spooky.

564
00:33:17,480 --> 00:33:19,599
Speaker 1: You made the song spooky. I like that a little,

565
00:33:19,680 --> 00:33:21,200
a little halloween swist.

566
00:33:21,119 --> 00:33:23,200
Speaker 2: Known that I also need it a little bit spiritual

567
00:33:23,279 --> 00:33:24,799
that you've lost someone.

568
00:33:24,880 --> 00:33:26,000
Speaker 1: I may have taken it the wrong way.

569
00:33:26,119 --> 00:33:26,920
Speaker 2: I'm still there.

570
00:33:27,160 --> 00:33:29,640
Speaker 1: Oh okay, I'm sorry. Sometimes I misinterpret thing, but that's

571
00:33:29,680 --> 00:33:31,960
something about art, right, you know, you can you can

572
00:33:32,000 --> 00:33:35,799
interpret it different ways, you know. And I uh choose

573
00:33:35,839 --> 00:33:38,720
to interpret that as somebody dies and they come back

574
00:33:38,720 --> 00:33:42,160
as a ghost and they're haunting the person doing scary things,

575
00:33:42,240 --> 00:33:44,880
and it's like it turns into like an Amityville horror

576
00:33:44,960 --> 00:33:46,160
kind of situation.

577
00:33:46,240 --> 00:33:47,599
Speaker 2: Created than I guess.

578
00:33:47,680 --> 00:33:50,240
Speaker 1: So oh, by the way, so speaking of creativity, So

579
00:33:50,319 --> 00:33:53,359
our friend, you know Dan Dan Randlett also known as

580
00:33:53,440 --> 00:33:55,599
Dan Randall of Dan Randall and the Randlets. He also

581
00:33:55,680 --> 00:33:58,599
has a stage name. Yes, he says in the chat room,

582
00:33:58,839 --> 00:34:03,079
this is a masterclass vocal control reminiscent of later Sinatra

583
00:34:03,319 --> 00:34:06,519
or even Tony Bennett, amazingly beautiful in a style we

584
00:34:06,519 --> 00:34:09,199
don't necessarily hear in this day and age, all without

585
00:34:09,280 --> 00:34:12,239
auto tune and other overprocessing.

586
00:34:12,480 --> 00:34:14,679
Speaker 2: And I do both those artists very well.

587
00:34:14,880 --> 00:34:17,559
Speaker 1: Yes, you do, and you're humble about it.

588
00:34:18,000 --> 00:34:20,559
Speaker 2: Now why shouldn't I be? I was raised with that music.

589
00:34:20,599 --> 00:34:21,559
I was born in pitchy two.

590
00:34:21,880 --> 00:34:25,280
Speaker 1: Yes, yes, so all right, well, very good? You want

591
00:34:25,280 --> 00:34:27,480
to do another one. I don't know if we're going

592
00:34:27,519 --> 00:34:30,079
to get through all of these necessarily, but I know

593
00:34:30,119 --> 00:34:31,280
the audience wants to hear more.

594
00:34:31,400 --> 00:34:31,840
Speaker 4: One is.

595
00:34:33,800 --> 00:34:37,480
Speaker 2: Actually it's better Roses, it's ben Jovi.

596
00:34:37,800 --> 00:34:39,800
Speaker 1: Oh, this song makes me blush when I hear it.

597
00:34:39,800 --> 00:34:41,840
I wonder if I'll have that reaction when you sing it.

598
00:34:41,840 --> 00:34:43,000
Speaker 2: It's a long song.

599
00:34:43,159 --> 00:34:46,320
Speaker 1: This is a long song, probably bon Jovi's longest song.

600
00:34:46,440 --> 00:34:47,320
Is that why you chose it?

601
00:34:47,360 --> 00:34:48,400
Speaker 2: Probably my longest?

602
00:34:48,440 --> 00:34:48,639
Speaker 4: Well?

603
00:34:48,840 --> 00:34:51,519
Speaker 2: I like this song? Yes, yes, every song I do

604
00:34:51,679 --> 00:34:53,519
is a challenge, and I love a challenge.

605
00:34:53,639 --> 00:34:56,159
Speaker 1: Yes. He also uses a stage name. Did you know that?

606
00:34:56,239 --> 00:34:56,599
Speaker 4: What is he?

607
00:34:57,000 --> 00:34:58,360
Speaker 1: John bon Jovi? Is not his real name?

608
00:34:58,719 --> 00:34:59,199
Speaker 4: Probably not.

609
00:34:59,280 --> 00:35:03,239
Speaker 1: I believe it's uh uh Bonjie of bon Giovi. I

610
00:35:03,239 --> 00:35:06,400
think it's bon Giovi, but uh but he made it

611
00:35:06,679 --> 00:35:09,760
bon Jovi. All right, So uh so this is Beat

612
00:35:09,800 --> 00:35:12,000
of Roses? And why this song, Glen? It's very romantic?

613
00:35:13,800 --> 00:35:15,159
Speaker 2: First of all, I am a romantic.

614
00:35:15,199 --> 00:35:15,960
Speaker 1: I've heard that about.

615
00:35:16,199 --> 00:35:19,440
Speaker 2: Yes again. The songs that I sing and what I

616
00:35:19,519 --> 00:35:23,280
injected them is my life. Okay, how I've lived my life?

617
00:35:23,400 --> 00:35:25,880
Speaker 1: All right, So you're going to inject some romance with

618
00:35:25,920 --> 00:35:26,360
this song?

619
00:35:26,519 --> 00:35:27,400
Speaker 2: I will all right?

620
00:35:27,559 --> 00:35:28,239
Speaker 1: Very good, very good.

621
00:35:28,519 --> 00:35:32,039
Speaker 2: This is a first on the radio on this one.

622
00:35:32,239 --> 00:35:34,360
I've done it on my TV show last week. Oh

623
00:35:34,400 --> 00:35:36,280
and I've been doing it for the last week now

624
00:35:36,840 --> 00:35:40,320
in karaoke, so it's I think I'm ready for it.

625
00:35:40,360 --> 00:35:43,599
Speaker 1: Wait, so this is the first time then that live

626
00:35:43,639 --> 00:35:46,159
read that this version of the song, that's one of

627
00:35:46,159 --> 00:35:48,800
my new songs that I'm doing. Your rendition of bet

628
00:35:48,800 --> 00:35:50,440
of Roses will be played on the radio.

629
00:35:50,599 --> 00:35:50,960
Speaker 2: That's right.

630
00:35:51,000 --> 00:35:53,199
Speaker 1: Well, in that case, you are listening.

631
00:35:52,800 --> 00:35:53,960
Speaker 2: To TUM and H.

632
00:35:56,039 --> 00:35:57,039
Speaker 4: World premiere.

633
00:35:59,519 --> 00:36:02,400
Speaker 1: That's right. It's the world premiere of glennar j Willlett

634
00:36:02,440 --> 00:36:03,920
performing that of Roses.

635
00:36:05,039 --> 00:36:12,880
Speaker 4: Here we go, okay, tee of you.

636
00:36:18,039 --> 00:36:21,639
Speaker 2: It will play, I hope, so there we go.

637
00:36:24,280 --> 00:36:42,199
Speaker 4: Oh, Oh the due do do a bed?

638
00:36:42,480 --> 00:36:56,960
Speaker 2: Of roses is enjoy oh hah ha ha, stitting here,

639
00:36:57,360 --> 00:37:06,719
wasted and wounded at this piano, trying hard to capture

640
00:37:06,920 --> 00:37:14,440
the moment. This morning, I don't know because a bottle

641
00:37:14,679 --> 00:37:17,960
of but are still logged in my head, and some

642
00:37:18,079 --> 00:37:22,119
blonde girl things that I'm that does. She's still in

643
00:37:22,159 --> 00:37:29,559
my bed as I dream about movies. They won't make

644
00:37:29,639 --> 00:37:37,840
me when I'm dead with an icon glade kiss, I

645
00:37:38,000 --> 00:37:45,280
wake up and French kiss that morning while some marching

646
00:37:45,519 --> 00:37:48,960
band keeps his sound beat in my head while I'm

647
00:37:49,119 --> 00:37:57,679
talking about the things that I long to believe about love,

648
00:37:58,199 --> 00:38:00,880
the truth, what you really mean to me?

649
00:38:01,440 --> 00:38:03,000
Speaker 4: And the truth is.

650
00:38:06,320 --> 00:38:13,840
Speaker 2: Maybe you're all that I need. Oh, I want to

651
00:38:14,000 --> 00:38:18,039
lay you down down in at the head of roses.

652
00:38:20,920 --> 00:38:25,039
What tonight, Tonight I sleep in a.

653
00:38:24,880 --> 00:38:27,199
Speaker 5: Bed of names.

654
00:38:28,840 --> 00:38:34,360
Speaker 2: Oh, I want to be just as close as the

655
00:38:34,400 --> 00:38:42,159
Holy ghost is. Oh Lord, and lay you down in

656
00:38:42,320 --> 00:38:44,239
a bead of roses.

657
00:38:49,480 --> 00:38:51,360
Speaker 4: Well, I'm so far away.

658
00:38:51,920 --> 00:38:55,719
Speaker 2: Each depth that I take is on my way home,

659
00:38:58,519 --> 00:39:02,599
and King's Renson dimes and I gave each night to

660
00:39:02,719 --> 00:39:08,599
see you on that telephone. Sall I run out of

661
00:39:08,800 --> 00:39:12,679
time for It's hard to get through till the bird

662
00:39:12,760 --> 00:39:17,440
of the wire flies back to you. I'll just close

663
00:39:17,519 --> 00:39:26,599
my eyes and whisper, baby whine, love is true. I

664
00:39:26,800 --> 00:39:30,880
want to lay you down down on a bed of

665
00:39:31,159 --> 00:39:38,519
roses for the night to night. I sleep in a

666
00:39:38,559 --> 00:39:39,960
bed of names.

667
00:39:43,320 --> 00:39:43,639
Speaker 9: Oh.

668
00:39:43,679 --> 00:39:49,039
Speaker 2: I want to be as close as the holy ghost is.

669
00:39:49,199 --> 00:39:56,920
Oh lord, Oh, and lay you down down in a.

670
00:39:57,119 --> 00:39:58,599
Speaker 5: Bed of roads.

671
00:40:04,119 --> 00:40:09,679
Speaker 2: Well, this hotel, bars hangover, whiskeys done dry, and the

672
00:40:09,719 --> 00:40:13,800
barkeepers with cook. She's giving me the eye. Well I

673
00:40:14,039 --> 00:40:19,239
might have said hi, but I laughed so hard I

674
00:40:19,400 --> 00:40:20,719
think I died.

675
00:40:22,400 --> 00:40:34,320
Speaker 6: Oh yeah, in a bed of roses. I lay you

676
00:40:34,480 --> 00:40:39,679
down in a bed, in that bed of roses.

677
00:40:41,559 --> 00:40:42,480
Speaker 4: Do do do do?

678
00:40:42,360 --> 00:40:42,400
Speaker 2: Do?

679
00:40:42,480 --> 00:40:43,000
Speaker 4: Do do do?

680
00:40:50,480 --> 00:40:54,920
Speaker 2: I want to lay you down down in that bed

681
00:40:54,960 --> 00:40:56,079
of roses.

682
00:40:57,000 --> 00:40:58,000
Speaker 5: Do do do do do?

683
00:41:01,880 --> 00:41:05,199
Speaker 2: Now, as you close your eyes, know that I'll be

684
00:41:05,360 --> 00:41:13,159
thinking about you while my mistress she calls me to

685
00:41:13,280 --> 00:41:20,599
stand in her spotlight again tonight. I won't be a

686
00:41:20,760 --> 00:41:24,599
long But you know I don't mean I'm not lonely.

687
00:41:27,960 --> 00:41:31,599
I've got nothing to prove for its you that I

688
00:41:31,840 --> 00:41:38,440
die too defend because I want to lay you down

689
00:41:39,239 --> 00:41:44,360
down in a bed of roses.

690
00:41:45,000 --> 00:41:48,559
Speaker 4: For to night to night. I sleep in.

691
00:41:48,599 --> 00:41:51,000
Speaker 5: A bed of nails.

692
00:41:52,800 --> 00:41:57,639
Speaker 2: Oh, I want to be just as close as the

693
00:41:57,840 --> 00:42:11,480
Holy Ghost is my lord, Lord, and lay you down down. Oh,

694
00:42:11,519 --> 00:42:16,159
I want to lay you down down in a bed

695
00:42:16,280 --> 00:42:24,119
of roses. Fortune Night Tune Night, I'll sleep on.

696
00:42:24,119 --> 00:42:25,639
Speaker 4: A bed of name.

697
00:42:28,840 --> 00:42:32,920
Speaker 2: I just want to be just as close as the

698
00:42:32,960 --> 00:42:34,239
Holy Ghost is.

699
00:42:34,199 --> 00:42:45,039
Speaker 4: My lord, and lay you down down on a bed

700
00:42:45,280 --> 00:42:46,840
of rosy.

701
00:42:49,119 --> 00:42:54,400
Speaker 1: Thank you, well, thank you. We'll let lend the artist.

702
00:42:55,280 --> 00:42:55,760
Speaker 2: How did I do?

703
00:42:56,000 --> 00:42:58,800
Speaker 1: Oh? That was that was great. I noticed it at.

704
00:42:58,679 --> 00:43:01,000
Speaker 2: The beginning of There's there's a couple of sentences that

705
00:43:01,039 --> 00:43:02,679
I'm still working on.

706
00:43:02,760 --> 00:43:04,920
Speaker 1: Like there was a line in there about a blond

707
00:43:05,000 --> 00:43:06,360
in your bed. You kind of stumbled on that a

708
00:43:06,400 --> 00:43:06,760
little bit.

709
00:43:06,840 --> 00:43:09,559
Speaker 2: Yeah, yeah, but uh having in my bed?

710
00:43:10,119 --> 00:43:13,639
Speaker 1: Whoa? Oh tm I Glenn, whoa, My goodness. All right,

711
00:43:13,679 --> 00:43:15,639
you want to do one more, We'll do one more

712
00:43:15,679 --> 00:43:19,360
to close out the segment. If you are just joining us, Uh,

713
00:43:19,679 --> 00:43:22,559
we'll let Glenn. The artist is here with us, alive

714
00:43:22,679 --> 00:43:23,320
in studio.

715
00:43:23,519 --> 00:43:26,480
Speaker 2: I'll do a share. So it's called believe, but it's enraging.

716
00:43:26,199 --> 00:43:29,440
Speaker 1: By h oh, I thought you wanted to do uh oh.

717
00:43:29,360 --> 00:43:30,000
Speaker 2: Yes, the dance.

718
00:43:30,239 --> 00:43:31,039
Speaker 4: Let's do the dance.

719
00:43:31,519 --> 00:43:33,159
Speaker 1: I don't have that one. For some reason, when but

720
00:43:34,159 --> 00:43:36,880
I thought I did too. Oh last dance, Oh you

721
00:43:36,880 --> 00:43:38,360
know what? Oh, I do have it. I'm sorry I

722
00:43:38,360 --> 00:43:40,559
close that Apparently I closed that tab out without meaning

723
00:43:40,599 --> 00:43:43,519
to the last dance. That's an appropriate uh song to

724
00:43:43,559 --> 00:43:46,280
finish the segment, is all right, very good? Let me

725
00:43:46,320 --> 00:43:47,480
get that radio.

726
00:43:47,559 --> 00:43:50,639
Speaker 2: Hey, if you can figure out that last paragraph, what language

727
00:43:50,639 --> 00:43:50,840
it is?

728
00:43:50,920 --> 00:43:53,760
Speaker 1: Yes, I'm very very curious to hear this. Okay, So

729
00:43:53,960 --> 00:43:55,920
because Glenn, when you do this song, you're going to

730
00:43:55,920 --> 00:43:58,960
do it. Explain again for people just joining us. There's

731
00:43:58,960 --> 00:44:00,920
a there's a twist with the song.

732
00:44:00,960 --> 00:44:02,480
Speaker 2: The way you do it, there is a choice. I

733
00:44:02,480 --> 00:44:04,440
do it in three languages, in three languages.

734
00:44:04,519 --> 00:44:07,000
Speaker 1: Okay, very good? All right, here he is performing in

735
00:44:07,039 --> 00:44:10,320
three languages, Glenn r J. Well, I'm sorry. We'll let

736
00:44:10,320 --> 00:44:12,559
Glenn the artist. Here we go.

737
00:44:14,960 --> 00:44:23,599
Speaker 2: The last dance La Danie dance, Do you do do do?

738
00:44:25,039 --> 00:44:27,159
Did you do do do?

739
00:44:27,599 --> 00:44:27,920
Speaker 4: Enjoy?

740
00:44:28,800 --> 00:44:37,119
Speaker 2: Last dance, lad dance, Pula moo, last dance for love.

741
00:44:41,480 --> 00:44:49,679
This is my last dance Ladanie chance poor lahmans tonight.

742
00:44:50,840 --> 00:45:01,360
So swa, I need you to ah that mo money

743
00:45:04,480 --> 00:45:12,679
beside me, to guide me, and you.

744
00:45:12,480 --> 00:45:13,159
Speaker 4: Hold me.

745
00:45:15,960 --> 00:45:16,920
Speaker 5: To scold me.

746
00:45:18,519 --> 00:45:27,639
Speaker 2: Because when I'm bad I'm allso so so sad enjoy

747
00:45:28,480 --> 00:45:38,679
oh lasting Ladie Dunce Lassense Ladonia Dance, commuting along the

748
00:45:38,880 --> 00:45:47,400
Lassense Ladonia Dance to night, the Swae lessons.

749
00:45:48,639 --> 00:45:53,519
Speaker 4: My that pool Lamo last that for love. This is

750
00:45:53,559 --> 00:45:57,079
my lasting for romance.

751
00:45:57,559 --> 00:46:03,679
Speaker 2: Tonight just swa. I need you that bore then that

752
00:46:05,079 --> 00:46:10,480
he's that you got me and to hold me.

753
00:46:10,719 --> 00:46:11,519
Speaker 5: You stole me.

754
00:46:12,199 --> 00:46:17,320
Speaker 3: So when I'm bad, I'm all to madhead go less

755
00:46:17,360 --> 00:46:22,800
dance that Dane down, the lesson that Dna downs come

756
00:46:22,880 --> 00:46:33,400
on a lesson that Danne down to night swa.

757
00:46:34,000 --> 00:46:38,079
Speaker 2: Yeah baby, yeah yeah, yeah, yeah yeah yeah, let John

758
00:46:38,119 --> 00:46:44,559
ye down. Let's dance that last dance. Let me be

759
00:46:44,760 --> 00:46:53,440
your mystery, right darling. Oh yeah, I can satisfy your

760
00:46:53,480 --> 00:46:54,239
appetite for.

761
00:46:54,400 --> 00:46:57,679
Speaker 8: Dancing, my baby.

762
00:46:59,119 --> 00:47:03,440
Speaker 2: I never you that you're the one for me, one

763
00:47:03,599 --> 00:47:07,559
for me. Well well well well well all that I

764
00:47:07,639 --> 00:47:14,000
asked is that you can with me, Darcy Avetmirday with

765
00:47:14,239 --> 00:47:24,199
me poor lesson Nadana downs who lah move who lasted

766
00:47:24,360 --> 00:47:24,920
for love?

767
00:47:25,679 --> 00:47:33,840
Speaker 4: This is my lasting for romance to nahhid fir Whi Oh.

768
00:47:33,920 --> 00:47:40,400
Speaker 2: I need you by me besides these to guide thee

769
00:47:41,760 --> 00:47:45,840
and hold me, to stole me because when I'm bad,

770
00:47:46,039 --> 00:47:48,320
I'm so so so bad. Yeah.

771
00:47:48,400 --> 00:47:49,960
Speaker 4: Yeah, to let them.

772
00:47:50,519 --> 00:47:57,360
Speaker 2: Ladanie down, don't truly God last dance, To let them

773
00:47:58,079 --> 00:47:59,079
Nadianie downs.

774
00:48:00,599 --> 00:48:04,199
Speaker 4: Let us Ladanie dance to re.

775
00:48:04,519 --> 00:48:26,280
Speaker 2: Lie Swabru Corrido, Karamadi Hirapoo Jadabadindo ran Dandee to Roasta Kataki,

776
00:48:27,679 --> 00:48:39,519
Oh lad Grandaddy Dambo Bandi cours dudy Hirambari, do duce

777
00:48:39,679 --> 00:48:48,679
you need you body Olida. Oh, Let's dance, Ladanie dance bad,

778
00:48:49,599 --> 00:48:54,119
decide me, Oh you hold me?

779
00:48:55,199 --> 00:48:58,719
Speaker 4: You stole me? And when I'm there, I'm go bad.

780
00:48:59,679 --> 00:49:00,679
Speaker 5: Let dance.

781
00:49:05,079 --> 00:49:07,599
Speaker 4: Guide da the last day.

782
00:49:09,639 --> 00:49:10,079
Speaker 1: To night.

783
00:49:10,280 --> 00:49:11,280
Speaker 2: It's just why, thank you?

784
00:49:12,239 --> 00:49:13,639
Speaker 1: Wow, very nice, very nice.

785
00:49:13,760 --> 00:49:14,840
Speaker 2: So what was that language?

786
00:49:14,960 --> 00:49:18,000
Speaker 1: Well at glenn uh oh in the last verse there

787
00:49:18,239 --> 00:49:20,519
or the last paragraph, as you would say, I don't

788
00:49:20,559 --> 00:49:21,079
know what was that.

789
00:49:22,480 --> 00:49:26,679
Speaker 2: It was creative pigouatin Oh okay, so every time I

790
00:49:26,800 --> 00:49:28,159
do it, it's different.

791
00:49:28,440 --> 00:49:30,519
Speaker 1: See I wasn't sure. Okay, So I'm glad you clarified

792
00:49:30,519 --> 00:49:32,519
that for our listeners. I was getting a little bit concerned.

793
00:49:32,519 --> 00:49:34,320
I thought maybe I didn't know if that was a

794
00:49:34,480 --> 00:49:36,639
language or if you're having a tia. I didn't know

795
00:49:36,639 --> 00:49:38,159
if we had to call nine one one. I didn't

796
00:49:38,159 --> 00:49:41,280
know what was happening there. Okay, good, good, No, it

797
00:49:41,360 --> 00:49:41,880
sounded great.

798
00:49:42,000 --> 00:49:44,840
Speaker 2: It's it's the fun of music, the fun of us.

799
00:49:44,920 --> 00:49:46,119
Can't have fun music.

800
00:49:46,599 --> 00:49:47,320
Speaker 4: Why are you singing?

801
00:49:47,679 --> 00:49:47,880
Speaker 5: Yes?

802
00:49:48,599 --> 00:49:50,760
Speaker 1: Yes, I agree. Well, you clearly have a good time.

803
00:49:50,960 --> 00:49:53,320
Speaker 2: It's good for my heart, good for my soul, good

804
00:49:53,360 --> 00:49:57,039
for my brain. It calms me down and makes me happy.

805
00:49:57,280 --> 00:49:57,480
Speaker 4: Yes.

806
00:49:57,639 --> 00:49:58,719
Speaker 2: Why wouldn't I see.

807
00:49:58,639 --> 00:50:00,800
Speaker 1: Where can we see you live? Whereas when's your next show?

808
00:50:01,400 --> 00:50:03,320
Speaker 2: I don't know right now. I'm planning on one right

809
00:50:03,360 --> 00:50:06,199
now in Springfield at the end of the month, uh huh.

810
00:50:06,199 --> 00:50:08,360
And then in August I plan to go to Hartford

811
00:50:08,400 --> 00:50:11,480
for the first time and take it from there. I

812
00:50:11,559 --> 00:50:14,880
am planning a concert at the Rex Theater. I'm not

813
00:50:15,039 --> 00:50:17,719
talking with them, and they'll probably be August or September.

814
00:50:17,880 --> 00:50:21,280
Speaker 1: Oh so you're in negotiations with the Rex Theater. Yes, wow,

815
00:50:21,559 --> 00:50:21,960
very good.

816
00:50:22,159 --> 00:50:24,760
Speaker 2: It's a very stage. But he definitely wants me to sing.

817
00:50:24,880 --> 00:50:27,360
Speaker 1: Okay, so okay, excellent, excellent.

818
00:50:27,480 --> 00:50:29,400
Speaker 2: And then I'll probably be doing one in in the

819
00:50:29,599 --> 00:50:32,400
at the in the park where they have the fireworks.

820
00:50:32,920 --> 00:50:35,760
That will be uh with probably twenty other artists. Oh,

821
00:50:36,239 --> 00:50:40,039
all local. I like the local flare. Yes, and the

822
00:50:40,159 --> 00:50:44,079
culture and uh and that will be also a fundraiser

823
00:50:44,199 --> 00:50:46,480
for my campaign. As they're running from mayor. I'm excusing me.

824
00:50:46,480 --> 00:50:48,239
I'm not running from here. I'm running for all the

825
00:50:48,320 --> 00:50:49,119
men in Ward Street.

826
00:50:49,440 --> 00:50:51,119
Speaker 1: Very good. Oh, you should plug her. You have a

827
00:50:51,159 --> 00:50:52,480
television show too, you should plug that.

828
00:50:52,599 --> 00:50:54,480
Speaker 2: Yes, we'll let it Lodge go on Global. It airs

829
00:50:54,559 --> 00:50:57,880
ever reserves day at four to five pm. And I

830
00:50:57,960 --> 00:51:01,000
have a lot of guests that come, and it airs

831
00:51:01,039 --> 00:51:03,239
in the eighty five countries because I've networked in over

832
00:51:03,320 --> 00:51:05,960
twenty years. Wow, that's why it airs early in the

833
00:51:06,039 --> 00:51:08,280
morning and all through during the daytime and nighttime.

834
00:51:08,400 --> 00:51:09,239
Speaker 1: You've gone global.

835
00:51:09,840 --> 00:51:12,039
Speaker 2: Well that's why it's not call We'll let it lodge

836
00:51:12,159 --> 00:51:12,800
gone global.

837
00:51:12,960 --> 00:51:16,000
Speaker 1: Yes, yes, well, very good. Well Glenn, thank you so much.

838
00:51:16,079 --> 00:51:17,920
This is a pleasure. Thanks for having been a while

839
00:51:17,960 --> 00:51:19,679
since we've been able to do this, so I very

840
00:51:19,760 --> 00:51:20,360
much appreciate you.

841
00:51:20,599 --> 00:51:21,079
Speaker 2: What do you think?

842
00:51:21,760 --> 00:51:24,079
Speaker 1: Great? Great, it's but you know, I'm just happy to

843
00:51:24,119 --> 00:51:24,360
see you.

844
00:51:24,719 --> 00:51:28,760
Speaker 2: It's something in the work. Yes, it can only get better. Yes, yes,

845
00:51:28,880 --> 00:51:32,039
you will let it large gn Global or we'll let Glenn.

846
00:51:32,360 --> 00:51:35,480
Speaker 1: We'll let Glenn. Very good, very good, All right, well,

847
00:51:35,559 --> 00:51:36,599
thank you, thank you Glenn,