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Speaker 1: Welcome to the Great Detectives of Old Time Radio from Boise, Idaho.

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This is your host, Adam Graham. In a moment, we're

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going to bring you this week's episode of The Saint.

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But first I want to encourage you. If you're enjoying

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the podcast, please follow us using your favorite podcast software.

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Today's program is brought you in part by the financial

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support of our listeners. You can support the show on

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a one time basis at support dot Great Detectives dot

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net and become one of our ongoing Patreon supporters for

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his little ass two dollars per month at Patreon dot

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Great Detectives dot net. Now from August twentieth, nineteen fifty,

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here is Cupid and the Corpse.

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Speaker 2: The Adventures of the Saints starring Vincent Price. The Saints

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based on characters greeted by Leslie Troubles and non provisions

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from books, magazines, and motion pictures. The Robinhood of Modern

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Crime now comes transcribed a radio starring Hollywood Billiams and

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telling the doctor Vincent.

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Speaker 3: Price as.

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Speaker 4: The Saint, you know something, simon learning something and among

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them the fact that you're a very disturbing person. Perhaps

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that's my answer answer to what may I ask.

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Speaker 5: Why you phoned me the moment I returned from Bermuda.

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I've been wondering why you're gonna plan me with a

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football game, a dinner.

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Speaker 6: And a play.

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Speaker 3: Oh why not just relax and enjoy it?

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Speaker 5: I'd like to, particularly when I remember that last evening

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we spent together in Bermuda.

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Speaker 6: Before you had to fly back to the States on

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some nasty murder business or other.

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Speaker 3: Yes, there was quite an evening, wasn't it.

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Speaker 4: White. Do you know you're very beautiful?

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Speaker 6: I've always enjoyed your thinking.

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Speaker 4: So Simon, Well, inasmuch as I have a tremendous distaste

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form are interfering with moonlight, I now intend.

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Speaker 3: To take up where we left off.

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Speaker 6: Little football game.

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Speaker 4: Oh well, it'll be a good game. As a matter

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of fact, it had better be the trouble I had

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digging up tickets for it. Well, here we are, anne, My, how.

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Speaker 6: Things have changed since I was in Bermuda.

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Speaker 5: Imagine then holding football games and cigar stores instead of stadium.

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Speaker 4: It happens to be Tony Kartago's little establishment. There's an

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office inside where Tony conducts his main business, which consists

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of handling bets and scalping tickets.

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Speaker 6: Oh you do know the loveliest people, Simon, for which

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you should offer thanks.

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Speaker 4: We couldn't get any seats to today's game otherwise, Tony has.

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Speaker 3: A couple of points. Oh well, didn't your mother ever tell.

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Speaker 4: You there's not polite to go running into people.

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Speaker 6: That well, I'm terribly sorry I didn't see you.

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Speaker 4: My apology not bad nice manners too. Wonderfhy she came

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tearing out of Tony's that way?

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Speaker 6: If you're interested, Tony can probably tell you. I wonder

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where I've seen that girl before?

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Speaker 4: Some harpies, how while I am, oh, someplace?

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Speaker 5: I bet you couldn't buy cigars in here for love

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of money.

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Speaker 4: And I'm not sucking enough to layouts against that. And

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the real business is conducted right in here?

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Speaker 6: Are you?

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Speaker 3: Tony?

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Speaker 4: I want you to hey, you let me stand back in?

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My old grandmother would often say.

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Speaker 5: Yes, I see he's been shot, hasn't be.

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Speaker 4: Afraid, so he's still alive, though, Tony, Tony, who did it?

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Speaker 3: Can you hear me? Tony? Who guns you?

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Speaker 4: No?

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Speaker 3: I didn't Duke.

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Speaker 4: He knows it's me, Tony Temper who shot you? Don't know?

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Bun's affect when that uh uh.

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Speaker 6: Oh, Simon, he is, well.

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Speaker 4: There's nothing to do but call the police.

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Speaker 5: Why Simon, the saint calling in the police on a case?

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Speaker 6: What's happened to you?

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Speaker 4: It's very simple, and I'm much more interested in the

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beautiful woman.

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Speaker 5: Oh thank you? Well, why don't you call them?

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Speaker 6: Oh a visiting?

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Speaker 4: Two visitors, darling, A man and a gun.

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Speaker 3: That won's getting kind of heavy and mister.

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Speaker 4: The phone, yes, he has, come to think of it,

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he is kind of heavy at that.

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Speaker 3: I'll take care of it better.

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Speaker 4: You know, you're the second person we've met today who

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should read Emily post.

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Speaker 3: Don't you know?

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Speaker 4: It isn't polite to point at people, particularly with a gun.

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And it's also been polite to.

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Speaker 5: Tell you you see what he means, Darling, he wants

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you to shut up?

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Speaker 4: Is that I wondered what he was driving? That's very fun.

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So glad you liked it, so I have a better routine.

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Speaker 7: It goes im, Get up, Simon, you killed him just sleeping.

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Speaker 4: Maybe that gun over his head will learn him a

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thing or two.

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Speaker 3: And if you're a smart you won't kick up any fuss.

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They just as soon kiss you too.

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Speaker 4: Kiss me yeah, with the butt of my gun.

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Speaker 8: No lives baby, Simon, wake up, Simon, Wake.

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Speaker 3: Simon, wake d Let's leave it later. Call Simon all right, man, Hey,

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what goes on here?

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Speaker 5: We're tired of Yes, he thought would be more tractable

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that way.

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Speaker 3: You know something, He's right? Where are we? How'd we

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get here? Uh?

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Speaker 6: Pete.

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Speaker 5: He's a guy who counked you, and a buddy of

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his named Louis brought us here. It's a warehouse of

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some kind. We're in one of the storage bins on

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the first floor.

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Speaker 4: I'm nice.

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Speaker 3: We stored away for the window. No.

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Speaker 5: No, with a little luck, we'll be out of here

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in five minutes.

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Speaker 3: Mistaken identity. And I'm not superman.

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Speaker 4: And these ropes are pretty tight and.

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Speaker 5: Strong, darling yours maybe, but mine I I've had them

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loose enough to throw off of fifteen minutes. I was

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just waiting for you to wake up.

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Speaker 3: No, don't tell me you're a superwoman.

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Speaker 5: No, no, I owed all to dear sweet Louis. Well.

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I looked at him piteously out of my big blue eyes.

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He just couldn't tie me up too tightly. I worked

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myself free while you were sleeping soundly in the corner.

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Speaker 4: Never again, Will I underestimate the persuasive powers of women?

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Speaker 3: And see what you can do about getting me loose.

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Speaker 4: Hi, there's a little knife in my vest pocket that

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might help this a right.

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Speaker 5: I've got it, you know, Simon. I just remember who

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that girl was we saw running out of Tony's place.

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Speaker 3: Yeah?

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Speaker 4: Who is she?

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Speaker 6: Betty Streeter?

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Speaker 5: She ah, there, I fixed up your hands.

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Speaker 4: Thanks, let's have the nice I'll get my legs loose myself.

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Betty's Streeter, the luscious lollipop, who's picture has been in

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the newspapers lately over an engagements home.

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Speaker 5: Yes, that's right, she's engaged to Jack Lynn as an

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old boyfriend of mine.

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Speaker 6: Oh, lucky girl. Jack is so handsome, and.

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Speaker 4: That's very interesting.

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Speaker 3: There the legs loose. Now, let's see if I can

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stand up there?

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Speaker 4: How do you feel outside of.

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Speaker 3: That bomb burst in my head and.

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Speaker 4: The fact that my legs are apparently cut off of

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the Kia?

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Speaker 6: Simon, someone's coming.

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Speaker 4: Spit those ropes over you. Lie down the floor quick

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when he comes in, make with those baby blues and

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attract his attention for a minute. I'll be behind the door. Well,

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I won't be dealing a hand of cannastic.

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Speaker 6: Whoa, hello, Pee? How do you feel?

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Speaker 4: Just come back?

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Speaker 3: I had a boyfriend worthy here.

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Speaker 4: I am Pete with a peachy pea.

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Speaker 6: Now that's what I call more like it.

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Speaker 4: Yeah, better pick up pop. I know it's got here.

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Speaker 6: That's the first sensible thing you've said today. Let's what's

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that noise, Sona?

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Speaker 4: I don't know, but it sounds like my head feels.

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There's no time to delve into strange noises. Now, come on,

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let's go quiet.

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Speaker 3: And I wonder if louis the other mug is hanging around.

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Speaker 5: No no, After Pete searched you and didn't find anything.

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Speaker 6: I heard him say he was going to report to

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the boss.

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Speaker 4: Because he's still reporting, then he seems deserted. Oh look

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there's the front door, and let's head for it.

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Speaker 6: Well, it's certainly nice to be out of there.

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Speaker 3: What was the name of that girl again?

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Speaker 5: Girl?

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Speaker 6: Oh Betty Streeter.

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Speaker 4: Why look at the sign on this building?

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Speaker 5: Sign Simon, it says Streeters ware House.

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Speaker 4: Yeah that's what it says, doesn't it. Come on, man,

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let's find out what this is all about.

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Speaker 5: Simon Darling, I thought you were going to call the police.

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Speaker 4: And Darling, that was before Pete hit me over the

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head with his gun bow.

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Speaker 5: Oh, I was afraid of that. Okay, what's our first stop?

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Speaker 3: First we find ourselves a nice telephone directory.

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Speaker 6: Yeah, I ask why?

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Speaker 3: To find out what street the streeters live on? Yess?

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Speaker 6: Hello Jack? Remember me?

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Speaker 3: Remember you?

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Speaker 4: Oh?

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Speaker 3: And sweetheart, if you don't think so, get a load.

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Speaker 6: Of this.

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Speaker 1: Jack.

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Speaker 5: That's her rather warm greeting after all these years. Oh oh, yes, Simon,

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I want you to meet an old friend of mine, Jack, Landers. Jack,

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this is Simon template.

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Speaker 4: Glad to see a template, but not as glad as

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you are to see Yeah, well not quite. Come on in,

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thank you?

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Speaker 3: What are you folks doing here? Anyhow?

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Speaker 6: We came to see Betty Street here.

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Speaker 4: This is where she lives, isn't it, Belly, Yes, remember

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the girl you're engaged to. Sure, but along she's in

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the living room with her father. Say, by the way, Landers,

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you got a handkerchief you here?

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Speaker 3: Of course? What well? I have heard that miss placed

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lipstick is.

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Speaker 4: A better detonator for atomic blast than plutonium and before

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the two balls?

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Speaker 3: Maybe all right? Template? Well Betty Simon, hell smoke?

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Speaker 4: What was that?

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Speaker 3: Malither? Betty's involved in a premature explorsion that they were

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shot to.

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Speaker 4: Come on and see the living room tublets to the

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left time, which is way back at Betty Kelly, what.

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Speaker 7: Jack shot through the windows?

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Speaker 3: Look after mister Streeter. Jack, I'll take care of the

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guy at the window.

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Speaker 6: To be careful.

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Speaker 5: Simony may still be out of here.

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Speaker 4: How he tells what they got a crack on the template?

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Speaker 6: Did you get him Jack?

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Speaker 3: I think I got him in the leg.

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Speaker 4: He stumbled after the first shop, but he got away

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in that car. And now that quiet has descended once again,

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it might be pertinent to inquire as to the state

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of mister Streeter's health.

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Speaker 5: Oh, it's nothing serious, just a slight flash woods like wood.

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Speaker 9: He was like my whole Dad rested, arm has been

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torn off.

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Speaker 4: Any idea who was so interested in perforating the street

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of skin?

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Speaker 3: Mister Streeter, I'll say I have.

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Speaker 6: He was one of Dad's. No need to talk like.

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Speaker 4: That now, brested, Betty, there's no reason for me to

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hide things. That crook's been trying to chisel in on

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my warehouse business for over a year.

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Speaker 3: He's taking one of them over already. You couldn't possibly

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be talking about Duke Raymond, could you? That's right? Templon.

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Speaker 4: He's threatened mister Streeter before books has aw He sent

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one of his gunman around and forced that spot.

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Speaker 6: Oh you've got to give in to him. Next time

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you won't be so lucky.

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Speaker 5: You ought to realize now that he won't stop at anything.

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Speaker 4: Give in. I hate to sound mercenary, mister Streeter, but

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how much would it be worth to you to get

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your skirts cleared of Duke Raymond? How much would it

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be worth? Who are you?

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Speaker 3: My name is Simon Templar.

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Speaker 4: If that means anything to the saint, confess it?

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Speaker 3: Has that started in, Miss Streeter?

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Speaker 4: Oh?

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Speaker 1: Why why? I know not at all?

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Speaker 6: I just didn't expect of.

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Speaker 4: Course, after all, only sinners need be frightened by saints.

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Speaker 3: From mister Streeter, what do you say? All right?

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00:13:33,360 --> 00:13:36,039
Speaker 4: I'll make you an offer ten thousand dollars if you

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get Duke Raymond out of the way. Nothing If you don't,

257
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You've just made yourself a deal, Simon.

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Speaker 6: You taking money for a case.

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Speaker 4: The jury's award damages for broken hearts, and and you

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have no idea how badly I feel about letting Cupid down? Well,

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Miss Morley, this is our famous riverfront.

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Speaker 3: How do you like it I do. Now there's the

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spot we're heading for.

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Speaker 5: You see, well, I see some speedboats more than a dock, if.

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Speaker 6: That's what you're talking about. Any particular reason for coming.

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00:14:18,759 --> 00:14:21,639
Speaker 4: Here, the usual reason. We're going for a little boat ride.

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Speaker 3: How much for the ride, buddy?

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Speaker 4: Two miles four mars?

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Speaker 3: That's fair enough? Come on, then let's get it.

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Speaker 9: You tell them more.

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Speaker 5: I think about this, Simon the crazier, I think you are.

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Why would anyone want to travel twelve miles out into

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the ocean to see Duke Raymond?

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Speaker 3: Of course?

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Speaker 5: Oh I see, Hey, he's playing far the Neptune on

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top of the weight.

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Speaker 3: I presume not exactly.

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Speaker 4: You'll see when we get out there, and I'll expect

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00:14:48,559 --> 00:14:51,080
a great big apology for those words when we get back.

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You mean, if you get back. I see that.

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Speaker 3: Man's here again. Tell me pe D, my friend, what

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00:14:58,200 --> 00:14:59,960
are you doing here? You're coming along for a ye?

283
00:15:00,279 --> 00:15:04,279
That's right? Uh? You know, after paying a buck for

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twelve miles out and twelve.

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Speaker 4: Miles back, I think I've got a right to be

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00:15:07,799 --> 00:15:10,720
particular about the kind of company I have. Well, don't

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00:15:10,799 --> 00:15:13,279
let a body fella's gun in my hand makes us

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00:15:13,320 --> 00:15:16,399
equals besides, you better pen me half a buck.

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Speaker 6: Why only half a dollar, peach.

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Speaker 4: Because it's cheaper by the dozen. Right, Yeah, you'll get

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the idea. Now, you may be going twelve miles out,

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but I don't think you're ever coming back, you know, Pete,

293
00:15:42,480 --> 00:15:45,639
this ride hasn't been very comfortable so far. That gun's

294
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sticking in my back irritations. Yeah, it's too bad and sympathetic,

295
00:15:50,440 --> 00:15:51,799
so aren't you. Well?

296
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Speaker 3: The ride's nearly over and there's Duke Raymond up ahead.

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00:15:55,240 --> 00:15:57,600
Speaker 6: That's funny. I don't see anything but an old freighter

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out there.

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Speaker 4: That said letting the black dude's the black juice weighting

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00:16:04,240 --> 00:16:07,120
the quaint ship. Gambling is a special thing.

301
00:16:07,240 --> 00:16:09,360
Speaker 6: And I always thought that was against.

302
00:16:09,120 --> 00:16:11,240
Speaker 4: The law, that when you're twelve miles out and your

303
00:16:11,320 --> 00:16:13,360
Duke Raymond, it isn't you see.

304
00:16:14,759 --> 00:16:16,759
Speaker 6: There's not a cabin cruiser coming up behind it.

305
00:16:17,000 --> 00:16:19,039
Speaker 3: It's coming up fast too, and no lights on. I

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00:16:19,080 --> 00:16:20,679
don't like it. I don't like it at all.

307
00:16:20,720 --> 00:16:23,000
Speaker 5: Oh, don't worry, Pete, it's just pulling ahead of us.

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00:16:23,559 --> 00:16:26,840
Speaker 3: I guess, hey, hey, what do you think of doing.

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00:16:27,159 --> 00:16:28,120
Speaker 6: The botch hardest?

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Speaker 4: Go into it?

311
00:16:30,120 --> 00:16:31,000
Speaker 3: It's gonna rabbit?

312
00:16:44,240 --> 00:16:46,480
Speaker 4: How are you doing it all right?

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00:16:47,080 --> 00:16:52,159
Speaker 9: So far not much, just a couple of mores, you'll

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00:16:52,200 --> 00:16:57,240
do it and a girl just two more?

315
00:16:57,360 --> 00:17:02,600
Speaker 4: Now, oh, I thought.

316
00:17:04,759 --> 00:17:05,279
Speaker 3: Must have been.

317
00:17:07,920 --> 00:17:14,599
Speaker 4: Climb on board. Okay, now that does it? Okay, give

318
00:17:14,640 --> 00:17:17,279
me your hand. He does it.

319
00:17:22,400 --> 00:17:24,279
Speaker 6: Quite an experience, I'd say.

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00:17:25,000 --> 00:17:29,640
Speaker 4: Where are We're in a speedboat more to the Black Deuse,

321
00:17:30,519 --> 00:17:32,759
which reminds me it's time to go to work.

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00:17:33,880 --> 00:17:35,880
Speaker 6: You're not actually going aboard that ship, are you?

323
00:17:36,039 --> 00:17:37,920
Speaker 3: That was my original intention, wasn't it.

324
00:17:38,200 --> 00:17:40,799
Speaker 4: Besides Keat and his boyfriend will drowned if I don't

325
00:17:40,799 --> 00:17:41,839
get help out to him.

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00:17:41,880 --> 00:17:44,279
Speaker 6: And you've got to earn that ten thousand.

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Speaker 4: Dollars I know, right as usually angels now listening closely,

328
00:17:49,200 --> 00:17:51,200
Do you know how to run a speedboat? Yes? Yes

329
00:17:51,240 --> 00:17:53,440
I do, and I've got a funny idea. You're going

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00:17:53,519 --> 00:17:55,640
to have to run one in a very few minutes.

331
00:18:10,359 --> 00:18:12,240
Speaker 3: I do, Oh you.

332
00:18:12,599 --> 00:18:15,920
Speaker 4: I'm Simon Temple, the man Pete was supposed to bring

333
00:18:16,039 --> 00:18:17,119
in part in the wet.

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Speaker 3: Clothes this damn sea air, you know, worsh pate.

335
00:18:20,319 --> 00:18:22,079
Speaker 4: The last time I saw him, he was hanging on

336
00:18:22,160 --> 00:18:24,680
to a wrecked speedboat a couple of hundred yards away,

337
00:18:24,880 --> 00:18:28,119
hanging on, or come on, get out of the cases,

338
00:18:28,200 --> 00:18:31,079
templer watch the racket, said, Duke, I have a funny

339
00:18:31,160 --> 00:18:35,759
hunch you're gonna lay off Streeter's business, am I What

340
00:18:35,960 --> 00:18:39,559
makes you think so? It's a possible murder? Rap kids talking?

341
00:18:40,119 --> 00:18:44,440
Tony Kataker was bumped off. Why you're so smart you

342
00:18:44,519 --> 00:18:48,119
wouldn't know? Maybe I do. I guess it was because

343
00:18:48,119 --> 00:18:53,000
he knew too much about bonds. Yeah, you know, securities,

344
00:18:53,119 --> 00:18:54,839
negotiable ones with a lot of dough.

345
00:18:55,319 --> 00:18:58,079
Speaker 3: Well, dice you get that idea from Tony? He talked

346
00:18:58,119 --> 00:18:58,920
before he died.

347
00:18:59,039 --> 00:19:03,400
Speaker 4: He mentioned you and barn Tony always talk too much.

348
00:19:04,119 --> 00:19:07,920
You talk too much too beginning to get what you mean?

349
00:19:08,480 --> 00:19:10,880
I thought you would, you know, Duke, there you are

350
00:19:11,039 --> 00:19:13,559
sitting behind that desk with a gun in your hand.

351
00:19:14,559 --> 00:19:18,039
I wonder you wonder what I wonder how you'd look

352
00:19:18,119 --> 00:19:22,480
with that desk on top of you. Too bad, Duke,

353
00:19:22,559 --> 00:19:27,839
you miss me? Sorry, I can't do the same. Imagine that,

354
00:19:28,720 --> 00:19:32,440
Duke Raymond sleeping during business hours. You're never going ahead

355
00:19:32,480 --> 00:19:35,920
that way, Oh boy, Horatio Algae would positively frowl upon you.

356
00:19:47,480 --> 00:19:49,920
Nice going, Anne, thank you kindly for picking me up

357
00:19:49,960 --> 00:19:50,519
out of the water.

358
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Speaker 5: Might know what was gonna happen. I wouldn't have when

359
00:19:53,119 --> 00:19:55,440
I saw you dive off that rail and all those

360
00:19:55,480 --> 00:19:56,880
people started shooting at me.

361
00:19:56,960 --> 00:19:59,920
Speaker 3: Oh, just a necessary unpleasantness. Nice weeet, I had to get.

362
00:20:00,000 --> 00:20:03,079
Speaker 4: It's an information from Duke about bonds box.

363
00:20:03,279 --> 00:20:05,000
Speaker 3: You're going to play the market right now.

364
00:20:05,039 --> 00:20:07,680
Speaker 4: I'm playing the field and there's a murderer in it,

365
00:20:08,480 --> 00:20:11,000
and I'm going to start at mister Streeter's.

366
00:20:10,519 --> 00:20:32,119
Speaker 3: Warehouse that way.

367
00:20:32,640 --> 00:20:34,400
Speaker 6: The warehouse is over to the left side.

368
00:20:34,400 --> 00:20:35,599
Speaker 3: Sure, but we're going next door.

369
00:20:35,799 --> 00:20:38,319
Speaker 6: And just what do you expect to find the issue?

370
00:20:38,599 --> 00:20:39,839
Speaker 3: A printing press? Of course?

371
00:20:41,200 --> 00:20:43,759
Speaker 4: There you see the Travers Printing Company.

372
00:20:43,839 --> 00:20:46,279
Speaker 6: Well, I see it, but I can't understand it. How

373
00:20:46,319 --> 00:20:46,880
did you know this.

374
00:20:46,960 --> 00:20:47,640
Speaker 5: Place was here?

375
00:20:47,720 --> 00:20:48,440
Speaker 6: And why I look for?

376
00:20:49,079 --> 00:20:51,279
Speaker 3: Tony Cartaker told me to look for one just before

377
00:20:51,359 --> 00:20:51,839
he died.

378
00:20:52,079 --> 00:20:55,079
Speaker 4: And as for this place, you remember the thumping noise

379
00:20:55,160 --> 00:20:56,759
we heard as we were leaving the warehouse.

380
00:20:56,759 --> 00:20:59,680
Speaker 6: Why, of course it was made by a printing press.

381
00:21:00,000 --> 00:21:00,720
Speaker 4: That's what I thought.

382
00:21:00,880 --> 00:21:04,200
Speaker 6: Well, shall we go in this ho it's so dark,

383
00:21:04,400 --> 00:21:05,440
nobody'll be in there.

384
00:21:05,559 --> 00:21:08,440
Speaker 4: Two facts would impress me no end. Now let me

385
00:21:08,559 --> 00:21:10,559
see I should have some keys in my pocket.

386
00:21:10,599 --> 00:21:13,559
Speaker 6: Why bother that door is already partially open.

387
00:21:14,599 --> 00:21:25,000
Speaker 4: Right, Oh, this is blackest pitch in here. You can't

388
00:21:25,079 --> 00:21:26,839
risk a light until we're sure it's empty.

389
00:21:27,079 --> 00:21:28,440
Speaker 6: There's a crack of light over.

390
00:21:28,319 --> 00:21:31,240
Speaker 5: There, seemed to come from a doorway into another room.

391
00:21:31,920 --> 00:21:40,200
Speaker 6: I'm wondering. I hit my foot against something. It's something soft.

392
00:21:40,640 --> 00:21:43,720
Speaker 4: You don't say. Suppose you look up at this evening

393
00:21:43,799 --> 00:21:49,680
while I shine this pencil? Flash down? Oh, Sime perfectly expressed.

394
00:21:50,400 --> 00:21:51,240
Speaker 6: He's dead, isn't he?

395
00:21:51,720 --> 00:21:54,720
Speaker 4: If he's not, he's been tied up, gagged, strangled and

396
00:21:54,799 --> 00:21:57,200
shot in the leg. Who is he? I think he's

397
00:21:57,240 --> 00:21:59,759
the gentleman who tried to kill mister Street. How do

398
00:21:59,839 --> 00:22:03,519
you because Jack shot him in the leg. Remember he's

399
00:22:03,640 --> 00:22:05,839
probably mister Travers, the printer.

400
00:22:06,960 --> 00:22:09,160
Speaker 6: What is it silent? Why did you turn off the light?

401
00:22:09,599 --> 00:22:11,599
Speaker 4: Because that light in the other room just went out?

402
00:22:11,640 --> 00:22:15,039
And I hate to be a non conformist. Where are

403
00:22:15,079 --> 00:22:17,559
you going going to step over there and see what's up?

404
00:22:17,839 --> 00:22:25,240
Be careful? You all right? I'm not sure, but I'll

405
00:22:25,319 --> 00:22:25,599
risk it.

406
00:22:25,680 --> 00:22:26,559
Speaker 3: I'm going after him.

407
00:22:26,880 --> 00:22:32,799
Speaker 6: Look what's wrong?

408
00:22:32,920 --> 00:22:34,960
Speaker 3: Whoever it was locked and bolted this door, I'll have

409
00:22:35,079 --> 00:22:35,799
to pick it down.

410
00:22:39,440 --> 00:22:40,960
Speaker 6: Someone may still be in there, and you.

411
00:22:41,000 --> 00:22:45,200
Speaker 4: Have the most pessimistic thoughts. May not find the light switching.

412
00:22:48,160 --> 00:22:51,720
Speaker 6: Wow, nobody's here. He must have gone out that window.

413
00:22:51,759 --> 00:22:53,799
Speaker 4: And if I hadn't been idiot enough to bump into

414
00:22:53,839 --> 00:22:56,160
something in the darkest case, might have been over by now.

415
00:22:56,279 --> 00:23:01,000
Speaker 6: Either that or you'd have been danced. When are you using?

416
00:23:01,119 --> 00:23:04,480
Speaker 4: So that's the frame under that lead pot over there?

417
00:23:04,799 --> 00:23:06,279
What's cookie prints?

418
00:23:06,359 --> 00:23:08,839
Speaker 3: Used them to melt their old line type slugs in?

419
00:23:09,559 --> 00:23:10,759
Speaker 6: But why would that be going?

420
00:23:10,880 --> 00:23:11,039
Speaker 3: Now?

421
00:23:11,720 --> 00:23:12,960
Speaker 6: Do you think the killer left?

422
00:23:13,000 --> 00:23:15,039
Speaker 4: There was a reason I wanted you along tonight?

423
00:23:15,119 --> 00:23:15,839
Speaker 3: You've just hit it.

424
00:23:17,279 --> 00:23:20,359
Speaker 4: There's the types, And see those engraved copper and zinc

425
00:23:20,440 --> 00:23:22,720
plates on that work table. If we'd come in a

426
00:23:22,759 --> 00:23:24,599
few minutes later, they'd have been in that lead pot.

427
00:23:26,119 --> 00:23:29,640
Speaker 3: I'm not so good at reading upside down and backwards.

428
00:23:29,680 --> 00:23:40,240
Speaker 4: But uh, six percent the venturous state of secured highway taxes.

429
00:23:41,359 --> 00:23:42,039
Speaker 3: So that's it.

430
00:23:42,200 --> 00:23:45,160
Speaker 6: What would you mind explaining, so, Dada darling.

431
00:23:45,519 --> 00:23:48,160
Speaker 4: First, I've got a little surprise party to prepare.

432
00:23:48,400 --> 00:23:49,519
Speaker 6: Surprise party.

433
00:23:49,640 --> 00:23:52,119
Speaker 4: Yeah, as soon as I removed the handkerchief gag from

434
00:23:52,160 --> 00:23:55,039
mister Travis, send a message to Duke Raymond and make

435
00:23:55,079 --> 00:23:56,160
a few phone calls.

436
00:23:56,200 --> 00:23:57,640
Speaker 3: We'll go to the scene of the party.

437
00:23:57,960 --> 00:24:00,359
Speaker 6: How nice. Now, what's gonna happen from there?

438
00:24:00,519 --> 00:24:02,480
Speaker 3: What usually happens at a surprise party?

439
00:24:02,680 --> 00:24:03,799
Speaker 6: Oh, don't tell me.

440
00:24:03,960 --> 00:24:07,319
Speaker 5: I know one very foxy murderer is going to get

441
00:24:07,359 --> 00:24:23,200
a great, big surprise. So the surprise party is going

442
00:24:23,279 --> 00:24:24,880
to be at Tony Carteko's place.

443
00:24:25,039 --> 00:24:26,440
Speaker 3: Right, you are in there, it is?

444
00:24:26,519 --> 00:24:29,400
Speaker 6: Now what's gonna happen? Simon? All I know is that

445
00:24:29,519 --> 00:24:30,319
you call a lot of.

446
00:24:30,319 --> 00:24:32,839
Speaker 5: People in a disguised voice and told them something about

447
00:24:32,960 --> 00:24:34,480
bonds and Tony's why.

448
00:24:35,160 --> 00:24:37,559
Speaker 3: And if you look inside the Sagar store, what do

449
00:24:37,680 --> 00:24:38,079
you think?

450
00:24:38,559 --> 00:24:39,680
Speaker 5: There's a light inside?

451
00:24:39,799 --> 00:24:40,119
Speaker 4: Correct?

452
00:24:40,519 --> 00:24:42,720
Speaker 3: That must mean one of the guests is arrived.

453
00:24:43,680 --> 00:24:45,880
Speaker 4: Not quiet as we go in, I want to see

454
00:24:45,920 --> 00:24:48,200
if that's an early bird or a word.

455
00:24:54,559 --> 00:24:56,960
Speaker 5: Seems to be awfully busy looking for something.

456
00:24:57,920 --> 00:24:59,160
Speaker 4: The poor soul find you?

457
00:25:01,799 --> 00:25:04,119
Speaker 3: Hello, Betty? Hello, what's the matter?

458
00:25:04,279 --> 00:25:04,559
Speaker 4: Betty?

459
00:25:04,759 --> 00:25:05,960
Speaker 3: Looking for some bonds?

460
00:25:07,079 --> 00:25:07,400
Speaker 4: Bond?

461
00:25:07,599 --> 00:25:09,400
Speaker 3: So the ones you were called about this morning?

462
00:25:10,839 --> 00:25:12,720
Speaker 6: I don't know what you're talking about at.

463
00:25:12,559 --> 00:25:15,400
Speaker 4: Betty, that'll never do. However, I wasn't the one who

464
00:25:15,519 --> 00:25:16,440
called you this morning.

465
00:25:17,079 --> 00:25:18,039
Speaker 6: What did you know about that?

466
00:25:19,319 --> 00:25:19,480
Speaker 4: Hey?

467
00:25:19,640 --> 00:25:23,599
Speaker 3: Wait, tell the body jeff Hello there, all right, Jeffery.

468
00:25:23,319 --> 00:25:26,000
Speaker 4: What's just short about? Hello, gentlemen, nice of you to come,

469
00:25:26,079 --> 00:25:29,039
mister Steeter, Jack, I was just talking to Betty about

470
00:25:29,079 --> 00:25:30,400
that phone call of this morning.

471
00:25:31,119 --> 00:25:31,880
Speaker 3: What did you call her?

472
00:25:31,960 --> 00:25:35,400
Speaker 4: Say, Betty, something about your father's life being endangered over

473
00:25:35,480 --> 00:25:37,720
some bonds and that you better get down here fast

474
00:25:37,759 --> 00:25:39,559
to save him. My life in danger?

475
00:25:40,240 --> 00:25:42,599
Speaker 3: Kind of nonsense? Is that? It wasn't nonsense to Betty?

476
00:25:43,039 --> 00:25:44,400
She came down here all right.

477
00:25:44,759 --> 00:25:47,400
Speaker 4: We walked in right after Betty left and found Tony

478
00:25:47,480 --> 00:25:50,400
Cortego dead. Now just a minute, you're making a pretty

479
00:25:50,480 --> 00:25:54,240
dangerous accusation. There temp weapons to be true, mister Streeter.

480
00:25:54,640 --> 00:25:57,319
Duke Raymond forced you to sell him that warehouse next

481
00:25:57,359 --> 00:26:00,839
to the Travis Printing Company, didn't he, Yeah, and it

482
00:26:00,920 --> 00:26:03,640
took a lot of force. You ruined the business by

483
00:26:03,680 --> 00:26:07,839
destroying merchandise, wrecking trucks, usual racketeering message.

484
00:26:08,480 --> 00:26:10,240
Speaker 3: I had to sell stop losing money.

485
00:26:10,720 --> 00:26:14,240
Speaker 4: Maybe you better not talk so much straight, Yeah, maybe

486
00:26:14,240 --> 00:26:18,119
you won't be healthy well more, guess Duke Raymond and Pete. Yeah,

487
00:26:18,359 --> 00:26:20,359
that's right, Zapper. What gives here?

488
00:26:20,440 --> 00:26:23,319
Speaker 3: And that's a rather silly questioned duke. You came here

489
00:26:23,359 --> 00:26:24,599
looking for bonds, didn't you?

490
00:26:25,680 --> 00:26:28,000
Speaker 4: So your message was a frame at them only in

491
00:26:28,079 --> 00:26:30,799
a manner of speaking. Chum, someone in this room mode

492
00:26:30,839 --> 00:26:33,640
you money from gambling, didn't they do? And promised to

493
00:26:33,680 --> 00:26:36,880
pay negotiable securities to be left until called for Here

494
00:26:36,920 --> 00:26:38,799
at Tony Corka goes sure.

495
00:26:38,960 --> 00:26:40,440
Speaker 3: Story template keeps talking.

496
00:26:40,480 --> 00:26:42,759
Speaker 4: But when Pete came to pick up the bonds for you,

497
00:26:42,839 --> 00:26:44,559
they were missing and Tony was dead.

498
00:26:44,599 --> 00:26:45,640
Speaker 3: It's lucky for you too.

499
00:26:46,160 --> 00:26:47,440
Speaker 4: If you tried to sell those.

500
00:26:47,319 --> 00:26:51,319
Speaker 3: Bonds, you'd have been arrested. They were forgeries, follies. You're

501
00:26:51,400 --> 00:26:53,519
sure about that. I know it, and I can prove it.

502
00:26:53,759 --> 00:26:55,079
Speaker 6: I surprise, surprise.

503
00:26:55,240 --> 00:26:57,799
Speaker 3: What do you think of your gambling friend now, Duke.

504
00:26:58,319 --> 00:27:02,160
Speaker 4: A dirty jubble for with all that doe in the

505
00:27:02,240 --> 00:27:05,200
family too? Oh, lon gonna.

506
00:27:05,240 --> 00:27:07,640
Speaker 3: You don't do it? Stop right there, he's got a gun.

507
00:27:08,799 --> 00:27:11,160
Speaker 6: I was thinking, Jack, Oh.

508
00:27:11,119 --> 00:27:14,279
Speaker 4: No, Jack, not you pretty sharp bunch of tepler got

509
00:27:14,319 --> 00:27:15,160
it all figured out.

510
00:27:15,240 --> 00:27:17,839
Speaker 3: Oh, I've been known to get around landers anyway. It

511
00:27:17,960 --> 00:27:22,119
was rather obvious to take it. After you kissed Anne, after.

512
00:27:22,039 --> 00:27:24,200
Speaker 6: He kissed me? What did that have to do with it?

513
00:27:24,359 --> 00:27:27,119
Speaker 4: Well, you see, and I get something to safe first.

514
00:27:33,640 --> 00:27:39,960
Speaker 2: He did, My dear, thanks for keeping him busy well,

515
00:27:40,000 --> 00:27:40,839
I went to my gun.

516
00:27:41,160 --> 00:27:43,920
Speaker 3: Oh, think nothing of it, Pete. And to show my appreciation.

517
00:27:44,119 --> 00:27:49,319
Speaker 4: Here, what's the big guy did, Duke. Let's not be hasty,

518
00:27:49,400 --> 00:27:51,400
shall we. I've got a gun too, the one I

519
00:27:51,519 --> 00:27:53,640
borrowed from you. Aboard your ship. Get on the phone

520
00:27:53,680 --> 00:27:56,799
and call the police for you, mister Streeter. Get out

521
00:27:56,799 --> 00:27:59,559
your check book. The amount is ten thousand payable to

522
00:27:59,640 --> 00:28:02,839
your face Favor charity, your friend, Duke Graymond won't bother

523
00:28:02,920 --> 00:28:17,799
you again for a long long time. It's like another

524
00:28:17,880 --> 00:28:18,759
drinking No.

525
00:28:18,960 --> 00:28:22,680
Speaker 5: Thank you, Simon, I suppose I should thank you for

526
00:28:22,799 --> 00:28:24,039
a lovely day.

527
00:28:24,480 --> 00:28:26,759
Speaker 4: It had its points, but the football game might have

528
00:28:26,799 --> 00:28:28,400
been more exciting. I doubt it.

529
00:28:28,799 --> 00:28:30,279
Speaker 6: But I still need some answers.

530
00:28:30,400 --> 00:28:31,160
Speaker 3: But don't you see?

531
00:28:31,279 --> 00:28:34,039
Speaker 4: And Jack was terrified when he couldn't pay Duke the

532
00:28:34,240 --> 00:28:37,000
huge gambling daddy Odin, so he hit on the idea

533
00:28:37,000 --> 00:28:39,799
of forging bonds. He had Travers print them.

534
00:28:39,920 --> 00:28:43,160
Speaker 6: But I still don't understand why he killed Trout.

535
00:28:43,279 --> 00:28:45,279
Speaker 4: He had to make sure the travers wouldn't talk, So

536
00:28:45,359 --> 00:28:47,359
when Jack went to the print shop to destroy the

537
00:28:47,400 --> 00:28:50,039
evidence of the forged plates, he destroyed Travers.

538
00:28:50,160 --> 00:28:52,319
Speaker 5: Duke, Yes, before I was Tony killed.

539
00:28:52,400 --> 00:28:55,680
Speaker 4: Tony held the bonds for Duke, but when he discovered

540
00:28:55,720 --> 00:28:58,240
they were forged, he called the streeter home that he

541
00:28:58,319 --> 00:29:00,039
got the message and hurried down to see what it

542
00:29:00,119 --> 00:29:00,640
was all about.

543
00:29:00,880 --> 00:29:02,400
Speaker 3: She thought Tony was talking about her.

544
00:29:02,359 --> 00:29:05,359
Speaker 5: Fun and Jack was there over to the conversation and

545
00:29:05,440 --> 00:29:07,880
beat her to Tony right, and he tried to kill

546
00:29:08,000 --> 00:29:09,799
us with the cruise that to stop us from getting

547
00:29:09,880 --> 00:29:14,759
dukestorem n oka after mind, I guess I've got it,

548
00:29:15,200 --> 00:29:15,680
except for.

549
00:29:15,759 --> 00:29:17,200
Speaker 6: That crack about the kiss.

550
00:29:18,119 --> 00:29:20,720
Speaker 5: How come you knew Jack Landers was guilty because he

551
00:29:20,920 --> 00:29:21,319
kissed me?

552
00:29:21,759 --> 00:29:23,559
Speaker 3: Lipstick? What?

553
00:29:24,039 --> 00:29:24,559
Speaker 6: Lipstick?

554
00:29:24,759 --> 00:29:28,240
Speaker 4: Yeah? Now you see after you kissed him, he had

555
00:29:28,359 --> 00:29:31,279
lipstick all over his face. When I called it to

556
00:29:31,359 --> 00:29:33,880
his attention, he wiped it off with his handkerchief. And

557
00:29:34,119 --> 00:29:37,240
the handkerchief that gag travers had lipstick on it too.

558
00:29:38,160 --> 00:29:42,599
Speaker 6: Oh, and to think that just because he kissed me

559
00:29:43,559 --> 00:29:44,200
he's dead.

560
00:29:45,440 --> 00:29:47,759
Speaker 4: I wouldn't feel that way about it if I were you.

561
00:29:48,640 --> 00:29:50,079
Your kisses wouldn't kill anyone.

562
00:29:50,119 --> 00:29:52,440
Speaker 6: And I can prove it, can you, Simon?

563
00:29:52,720 --> 00:29:57,559
Speaker 3: Sure? Why there?

564
00:29:57,680 --> 00:29:58,039
Speaker 4: You see?

565
00:29:58,519 --> 00:29:59,440
Speaker 6: I guess you're right.

566
00:30:00,000 --> 00:30:01,359
Speaker 3: Please don't agree so quickly?

567
00:30:01,839 --> 00:30:06,079
Speaker 4: Why not? I'm seriously considering making a lifetime work out

568
00:30:06,119 --> 00:30:06,720
of proving it.

569
00:30:20,559 --> 00:30:22,680
Speaker 2: You were listening to one other transcribed adventure of the

570
00:30:22,759 --> 00:30:24,319
Saint the robin Hood of Modern Crime.

571
00:30:24,400 --> 00:30:26,720
Speaker 3: Now here's our starbands and Price, ladies and gentlemen.

572
00:30:27,079 --> 00:30:31,200
Speaker 4: In tonight's cast, you heard Charley Mitchell, Barbara Eiler, Jack Moyles,

573
00:30:31,279 --> 00:30:35,200
Tom Brown, Edmund McDonald, and Anthony Barrett. This is Vincent

574
00:30:35,240 --> 00:30:37,440
Price inviting you to join us again next week at

575
00:30:37,440 --> 00:30:40,759
the same time for another exciting adventure of the Saint.

576
00:30:41,039 --> 00:30:52,000
Speaker 3: Good Night, Welcome Back.

577
00:30:52,440 --> 00:30:57,440
Speaker 1: Bess has to be considered an occupational hazard for dating

578
00:30:57,759 --> 00:31:00,880
a great detective that a case will come up, but

579
00:31:01,079 --> 00:31:04,400
I handed to Simon that overall it seemed like they

580
00:31:04,480 --> 00:31:07,160
had a fun time and a good date, which you know,

581
00:31:07,480 --> 00:31:09,839
when your life is in peril, that's kind of hard

582
00:31:09,920 --> 00:31:12,759
to do, so hats off to him, and I have

583
00:31:12,880 --> 00:31:15,319
to say this episode made me think back a little

584
00:31:15,359 --> 00:31:18,240
bit to The Falcon, which we were playing last year,

585
00:31:19,079 --> 00:31:23,000
about how it would have been interesting to have a case.

586
00:31:23,440 --> 00:31:26,799
You know, because at the start of each episode Michael

587
00:31:26,839 --> 00:31:30,440
Waring says, sorry, camp, go out on the date. It

588
00:31:30,480 --> 00:31:34,000
would have been interesting to have an episode with The

589
00:31:34,119 --> 00:31:39,440
Falcon actually on a date and having to solve the

590
00:31:39,519 --> 00:31:42,559
mystery around that. Don't know if one of those actually exists.

591
00:31:42,599 --> 00:31:45,240
A lot of lost episodes of that show, but I

592
00:31:45,319 --> 00:31:48,279
think that would be interesting to hear. All right, well,

593
00:31:48,319 --> 00:31:53,039
listener comments and feedback and a random Spotify user writes

594
00:31:53,279 --> 00:31:57,680
in regarding the reflection on murder being a child of

595
00:31:57,720 --> 00:32:00,799
the eighties, I can't believe you didn't mention Vincent Price

596
00:32:01,000 --> 00:32:04,000
and the thirteen Ghosts of Scooby Doo. At the time,

597
00:32:04,119 --> 00:32:06,119
that was the only thing I knew him for Now,

598
00:32:06,240 --> 00:32:10,400
looking back, I can't believe they were able to obtain him. Well,

599
00:32:10,640 --> 00:32:14,559
I will say that the series premiered back when I

600
00:32:14,799 --> 00:32:20,319
was four, just set out on the road and didn't

601
00:32:20,599 --> 00:32:24,200
have television, at least I don't remember having it, so

602
00:32:24,400 --> 00:32:28,559
I missed that series. And when I caught Scooby Doo

603
00:32:28,680 --> 00:32:33,200
when I was growing up, it was a pup named

604
00:32:33,240 --> 00:32:37,599
Scooby Doo towards the end of the eighties, and then

605
00:32:37,680 --> 00:32:42,720
I also saw some reruns of Scooby Do Where Are You?

606
00:32:43,440 --> 00:32:48,759
The original series over on USA. Price's character, Vincent vang

607
00:32:48,799 --> 00:32:53,440
Wool definitely left an impression on the franchise. Because there

608
00:32:53,559 --> 00:32:57,200
was a series in the twenty tens of Scooby Doo

609
00:32:57,279 --> 00:33:02,319
called Mystery Incorporating. I have to admit that I really

610
00:33:02,400 --> 00:33:05,839
had not thought about Scooby Doo much at all since

611
00:33:06,240 --> 00:33:09,960
I was I don't know, maybe eleven. There are franchises

612
00:33:10,079 --> 00:33:13,160
that I was into as a kid that I maintained

613
00:33:13,200 --> 00:33:15,400
some sort of interest in. This wasn't one of them.

614
00:33:15,440 --> 00:33:19,640
But I heard about Mystery Incorporated and it was a

615
00:33:19,880 --> 00:33:24,519
phenomenal series that had some fun with the original but

616
00:33:24,759 --> 00:33:29,920
really respected the source material. And they included Vincent van

617
00:33:30,039 --> 00:33:34,200
goul As a character voiced by the great Maurice Lamonche.

618
00:33:34,680 --> 00:33:38,200
Not quite Bencent Price, but he does do his best

619
00:33:38,279 --> 00:33:41,640
to create that effect. And I will added a bit

620
00:33:41,759 --> 00:33:45,200
off topic that while I'm not generally a fan of

621
00:33:45,400 --> 00:33:50,079
most twenty first century reboots, this was just a really

622
00:33:50,160 --> 00:33:55,519
good series. So if you wanted some sort of family

623
00:33:56,559 --> 00:34:00,599
based mystery with some good writing, some fun humor, and

624
00:34:00,960 --> 00:34:06,039
a pretty satisfying conclusion, I can't recommend Mystery Incorporated enough.

625
00:34:06,559 --> 00:34:09,480
All right, Well, now it's time to thank our Patreon

626
00:34:09,559 --> 00:34:11,639
supporter of the day, and I want to go ahead

627
00:34:11,639 --> 00:34:15,559
and think James, Patreon supporter since June twenty fifteen, currently

628
00:34:15,599 --> 00:34:19,039
supporting the podcast at the rookie level of two dollars

629
00:34:19,159 --> 00:34:21,760
or more per month. Thanks so much for your support, James,

630
00:34:21,840 --> 00:34:24,639
and that will do it for today. If you're enjoying

631
00:34:24,679 --> 00:34:28,800
the podcast, please follow us using your favorite podcast software

632
00:34:29,239 --> 00:34:31,760
and be sure to rate and review the podcast wherever

633
00:34:31,800 --> 00:34:36,000
you download this from. We will be back next Monday

634
00:34:36,079 --> 00:34:38,440
with another episode of The Saint, but join us back

635
00:34:38,480 --> 00:34:46,880
here tomorrow for the Big Story where Off You'll be

636
00:34:47,000 --> 00:34:49,880
with us then in the meantime. Sends your comments to

637
00:34:50,000 --> 00:34:54,360
Box thirteen at Great Defectives dot net, follow us on

638
00:34:54,519 --> 00:34:59,119
Twitter at Radio Detectives, and check us out on Instagram, Instagram,

639
00:34:59,280 --> 00:35:03,599
dot com, slash Great Detectives from Boise, Idaho. This is

640
00:35:03,679 --> 00:35:05,639
your host, Adam graham Son and Off