Speaker 1: Welcome to the Great Detectives of Old Time Radio from Boise, Idaho.
This is your host, Adam Graham. In a moment, we're
going to bring you this week's episode of The Saint.
But first I want to encourage you. If you're enjoying
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his little ass two dollars per month at Patreon dot
Great Detectives dot net. Now from August twentieth, nineteen fifty,
here is Cupid and the Corpse.
Speaker 2: The Adventures of the Saints starring Vincent Price. The Saints
based on characters greeted by Leslie Troubles and non provisions
from books, magazines, and motion pictures. The Robinhood of Modern
Crime now comes transcribed a radio starring Hollywood Billiams and
telling the doctor Vincent.
Speaker 3: Price as.
Speaker 4: The Saint, you know something, simon learning something and among
them the fact that you're a very disturbing person. Perhaps
that's my answer answer to what may I ask.
Speaker 5: Why you phoned me the moment I returned from Bermuda.
I've been wondering why you're gonna plan me with a
football game, a dinner.
Speaker 6: And a play.
Speaker 3: Oh why not just relax and enjoy it?
Speaker 5: I'd like to, particularly when I remember that last evening
we spent together in Bermuda.
Speaker 6: Before you had to fly back to the States on
some nasty murder business or other.
Speaker 3: Yes, there was quite an evening, wasn't it.
Speaker 4: White. Do you know you're very beautiful?
Speaker 6: I've always enjoyed your thinking.
Speaker 4: So Simon, Well, inasmuch as I have a tremendous distaste
form are interfering with moonlight, I now intend.
Speaker 3: To take up where we left off.
Speaker 6: Little football game.
Speaker 4: Oh well, it'll be a good game. As a matter
of fact, it had better be the trouble I had
digging up tickets for it. Well, here we are, anne, My, how.
Speaker 6: Things have changed since I was in Bermuda.
Speaker 5: Imagine then holding football games and cigar stores instead of stadium.
Speaker 4: It happens to be Tony Kartago's little establishment. There's an
office inside where Tony conducts his main business, which consists
of handling bets and scalping tickets.
Speaker 6: Oh you do know the loveliest people, Simon, for which
you should offer thanks.
Speaker 4: We couldn't get any seats to today's game otherwise, Tony has.
Speaker 3: A couple of points. Oh well, didn't your mother ever tell.
Speaker 4: You there's not polite to go running into people.
Speaker 6: That well, I'm terribly sorry I didn't see you.
Speaker 4: My apology not bad nice manners too. Wonderfhy she came
tearing out of Tony's that way?
Speaker 6: If you're interested, Tony can probably tell you. I wonder
where I've seen that girl before?
Speaker 4: Some harpies, how while I am, oh, someplace?
Speaker 5: I bet you couldn't buy cigars in here for love
of money.
Speaker 4: And I'm not sucking enough to layouts against that. And
the real business is conducted right in here?
Speaker 6: Are you?
Speaker 3: Tony?
Speaker 4: I want you to hey, you let me stand back in?
My old grandmother would often say.
Speaker 5: Yes, I see he's been shot, hasn't be.
Speaker 4: Afraid, so he's still alive, though, Tony, Tony, who did it?
Speaker 3: Can you hear me? Tony? Who guns you?
Speaker 4: No?
Speaker 3: I didn't Duke.
Speaker 4: He knows it's me, Tony Temper who shot you? Don't know?
Bun's affect when that uh uh.
Speaker 6: Oh, Simon, he is, well.
Speaker 4: There's nothing to do but call the police.
Speaker 5: Why Simon, the saint calling in the police on a case?
Speaker 6: What's happened to you?
Speaker 4: It's very simple, and I'm much more interested in the
beautiful woman.
Speaker 5: Oh thank you? Well, why don't you call them?
Speaker 6: Oh a visiting?
Speaker 4: Two visitors, darling, A man and a gun.
Speaker 3: That won's getting kind of heavy and mister.
Speaker 4: The phone, yes, he has, come to think of it,
he is kind of heavy at that.
Speaker 3: I'll take care of it better.
Speaker 4: You know, you're the second person we've met today who
should read Emily post.
Speaker 3: Don't you know?
Speaker 4: It isn't polite to point at people, particularly with a gun.
And it's also been polite to.
Speaker 5: Tell you you see what he means, Darling, he wants
you to shut up?
Speaker 4: Is that I wondered what he was driving? That's very fun.
So glad you liked it, so I have a better routine.
Speaker 7: It goes im, Get up, Simon, you killed him just sleeping.
Speaker 4: Maybe that gun over his head will learn him a
thing or two.
Speaker 3: And if you're a smart you won't kick up any fuss.
They just as soon kiss you too.
Speaker 4: Kiss me yeah, with the butt of my gun.
Speaker 8: No lives baby, Simon, wake up, Simon, Wake.
Speaker 3: Simon, wake d Let's leave it later. Call Simon all right, man, Hey,
what goes on here?
Speaker 5: We're tired of Yes, he thought would be more tractable
that way.
Speaker 3: You know something, He's right? Where are we? How'd we
get here? Uh?
Speaker 6: Pete.
Speaker 5: He's a guy who counked you, and a buddy of
his named Louis brought us here. It's a warehouse of
some kind. We're in one of the storage bins on
the first floor.
Speaker 4: I'm nice.
Speaker 3: We stored away for the window. No.
Speaker 5: No, with a little luck, we'll be out of here
in five minutes.
Speaker 3: Mistaken identity. And I'm not superman.
Speaker 4: And these ropes are pretty tight and.
Speaker 5: Strong, darling yours maybe, but mine I I've had them
loose enough to throw off of fifteen minutes. I was
just waiting for you to wake up.
Speaker 3: No, don't tell me you're a superwoman.
Speaker 5: No, no, I owed all to dear sweet Louis. Well.
I looked at him piteously out of my big blue eyes.
He just couldn't tie me up too tightly. I worked
myself free while you were sleeping soundly in the corner.
Speaker 4: Never again, Will I underestimate the persuasive powers of women?
Speaker 3: And see what you can do about getting me loose.
Speaker 4: Hi, there's a little knife in my vest pocket that
might help this a right.
Speaker 5: I've got it, you know, Simon. I just remember who
that girl was we saw running out of Tony's place.
Speaker 3: Yeah?
Speaker 4: Who is she?
Speaker 6: Betty Streeter?
Speaker 5: She ah, there, I fixed up your hands.
Speaker 4: Thanks, let's have the nice I'll get my legs loose myself.
Betty's Streeter, the luscious lollipop, who's picture has been in
the newspapers lately over an engagements home.
Speaker 5: Yes, that's right, she's engaged to Jack Lynn as an
old boyfriend of mine.
Speaker 6: Oh, lucky girl. Jack is so handsome, and.
Speaker 4: That's very interesting.
Speaker 3: There the legs loose. Now, let's see if I can
stand up there?
Speaker 4: How do you feel outside of.
Speaker 3: That bomb burst in my head and.
Speaker 4: The fact that my legs are apparently cut off of
the Kia?
Speaker 6: Simon, someone's coming.
Speaker 4: Spit those ropes over you. Lie down the floor quick
when he comes in, make with those baby blues and
attract his attention for a minute. I'll be behind the door. Well,
I won't be dealing a hand of cannastic.
Speaker 6: Whoa, hello, Pee? How do you feel?
Speaker 4: Just come back?
Speaker 3: I had a boyfriend worthy here.
Speaker 4: I am Pete with a peachy pea.
Speaker 6: Now that's what I call more like it.
Speaker 4: Yeah, better pick up pop. I know it's got here.
Speaker 6: That's the first sensible thing you've said today. Let's what's
that noise, Sona?
Speaker 4: I don't know, but it sounds like my head feels.
There's no time to delve into strange noises. Now, come on,
let's go quiet.
Speaker 3: And I wonder if louis the other mug is hanging around.
Speaker 5: No no, After Pete searched you and didn't find anything.
Speaker 6: I heard him say he was going to report to
the boss.
Speaker 4: Because he's still reporting, then he seems deserted. Oh look
there's the front door, and let's head for it.
Speaker 6: Well, it's certainly nice to be out of there.
Speaker 3: What was the name of that girl again?
Speaker 5: Girl?
Speaker 6: Oh Betty Streeter.
Speaker 4: Why look at the sign on this building?
Speaker 5: Sign Simon, it says Streeters ware House.
Speaker 4: Yeah that's what it says, doesn't it. Come on, man,
let's find out what this is all about.
Speaker 5: Simon Darling, I thought you were going to call the police.
Speaker 4: And Darling, that was before Pete hit me over the
head with his gun bow.
Speaker 5: Oh, I was afraid of that. Okay, what's our first stop?
Speaker 3: First we find ourselves a nice telephone directory.
Speaker 6: Yeah, I ask why?
Speaker 3: To find out what street the streeters live on? Yess?
Speaker 6: Hello Jack? Remember me?
Speaker 3: Remember you?
Speaker 4: Oh?
Speaker 3: And sweetheart, if you don't think so, get a load.
Speaker 6: Of this.
Speaker 1: Jack.
Speaker 5: That's her rather warm greeting after all these years. Oh oh, yes, Simon,
I want you to meet an old friend of mine, Jack, Landers. Jack,
this is Simon template.
Speaker 4: Glad to see a template, but not as glad as
you are to see Yeah, well not quite. Come on in,
thank you?
Speaker 3: What are you folks doing here? Anyhow?
Speaker 6: We came to see Betty Street here.
Speaker 4: This is where she lives, isn't it, Belly, Yes, remember
the girl you're engaged to. Sure, but along she's in
the living room with her father. Say, by the way, Landers,
you got a handkerchief you here?
Speaker 3: Of course? What well? I have heard that miss placed
lipstick is.
Speaker 4: A better detonator for atomic blast than plutonium and before
the two balls?
Speaker 3: Maybe all right? Template? Well Betty Simon, hell smoke?
Speaker 4: What was that?
Speaker 3: Malither? Betty's involved in a premature explorsion that they were
shot to.
Speaker 4: Come on and see the living room tublets to the
left time, which is way back at Betty Kelly, what.
Speaker 7: Jack shot through the windows?
Speaker 3: Look after mister Streeter. Jack, I'll take care of the
guy at the window.
Speaker 6: To be careful.
Speaker 5: Simony may still be out of here.
Speaker 4: How he tells what they got a crack on the template?
Speaker 6: Did you get him Jack?
Speaker 3: I think I got him in the leg.
Speaker 4: He stumbled after the first shop, but he got away
in that car. And now that quiet has descended once again,
it might be pertinent to inquire as to the state
of mister Streeter's health.
Speaker 5: Oh, it's nothing serious, just a slight flash woods like wood.
Speaker 9: He was like my whole Dad rested, arm has been
torn off.
Speaker 4: Any idea who was so interested in perforating the street
of skin?
Speaker 3: Mister Streeter, I'll say I have.
Speaker 6: He was one of Dad's. No need to talk like.
Speaker 4: That now, brested, Betty, there's no reason for me to
hide things. That crook's been trying to chisel in on
my warehouse business for over a year.
Speaker 3: He's taking one of them over already. You couldn't possibly
be talking about Duke Raymond, could you? That's right? Templon.
Speaker 4: He's threatened mister Streeter before books has aw He sent
one of his gunman around and forced that spot.
Speaker 6: Oh you've got to give in to him. Next time
you won't be so lucky.
Speaker 5: You ought to realize now that he won't stop at anything.
Speaker 4: Give in. I hate to sound mercenary, mister Streeter, but
how much would it be worth to you to get
your skirts cleared of Duke Raymond? How much would it
be worth? Who are you?
Speaker 3: My name is Simon Templar.
Speaker 4: If that means anything to the saint, confess it?
Speaker 3: Has that started in, Miss Streeter?
Speaker 4: Oh?
Speaker 1: Why why? I know not at all?
Speaker 6: I just didn't expect of.
Speaker 4: Course, after all, only sinners need be frightened by saints.
Speaker 3: From mister Streeter, what do you say? All right?
Speaker 4: I'll make you an offer ten thousand dollars if you
get Duke Raymond out of the way. Nothing If you don't,
You've just made yourself a deal, Simon.
Speaker 6: You taking money for a case.
Speaker 4: The jury's award damages for broken hearts, and and you
have no idea how badly I feel about letting Cupid down? Well,
Miss Morley, this is our famous riverfront.
Speaker 3: How do you like it I do. Now there's the
spot we're heading for.
Speaker 5: You see, well, I see some speedboats more than a dock, if.
Speaker 6: That's what you're talking about. Any particular reason for coming.
Speaker 4: Here, the usual reason. We're going for a little boat ride.
Speaker 3: How much for the ride, buddy?
Speaker 4: Two miles four mars?
Speaker 3: That's fair enough? Come on, then let's get it.
Speaker 9: You tell them more.
Speaker 5: I think about this, Simon the crazier, I think you are.
Why would anyone want to travel twelve miles out into
the ocean to see Duke Raymond?
Speaker 3: Of course?
Speaker 5: Oh I see, Hey, he's playing far the Neptune on
top of the weight.
Speaker 3: I presume not exactly.
Speaker 4: You'll see when we get out there, and I'll expect
a great big apology for those words when we get back.
You mean, if you get back. I see that.
Speaker 3: Man's here again. Tell me pe D, my friend, what
are you doing here? You're coming along for a ye?
That's right? Uh? You know, after paying a buck for
twelve miles out and twelve.
Speaker 4: Miles back, I think I've got a right to be
particular about the kind of company I have. Well, don't
let a body fella's gun in my hand makes us
equals besides, you better pen me half a buck.
Speaker 6: Why only half a dollar, peach.
Speaker 4: Because it's cheaper by the dozen. Right, Yeah, you'll get
the idea. Now, you may be going twelve miles out,
but I don't think you're ever coming back, you know, Pete,
this ride hasn't been very comfortable so far. That gun's
sticking in my back irritations. Yeah, it's too bad and sympathetic,
so aren't you. Well?
Speaker 3: The ride's nearly over and there's Duke Raymond up ahead.
Speaker 6: That's funny. I don't see anything but an old freighter
out there.
Speaker 4: That said letting the black dude's the black juice weighting
the quaint ship. Gambling is a special thing.
Speaker 6: And I always thought that was against.
Speaker 4: The law, that when you're twelve miles out and your
Duke Raymond, it isn't you see.
Speaker 6: There's not a cabin cruiser coming up behind it.
Speaker 3: It's coming up fast too, and no lights on. I
don't like it. I don't like it at all.
Speaker 5: Oh, don't worry, Pete, it's just pulling ahead of us.
Speaker 3: I guess, hey, hey, what do you think of doing.
Speaker 6: The botch hardest?
Speaker 4: Go into it?
Speaker 3: It's gonna rabbit?
Speaker 4: How are you doing it all right?
Speaker 9: So far not much, just a couple of mores, you'll
do it and a girl just two more?
Speaker 4: Now, oh, I thought.
Speaker 3: Must have been.
Speaker 4: Climb on board. Okay, now that does it? Okay, give
me your hand. He does it.
Speaker 6: Quite an experience, I'd say.
Speaker 4: Where are We're in a speedboat more to the Black Deuse,
which reminds me it's time to go to work.
Speaker 6: You're not actually going aboard that ship, are you?
Speaker 3: That was my original intention, wasn't it.
Speaker 4: Besides Keat and his boyfriend will drowned if I don't
get help out to him.
Speaker 6: And you've got to earn that ten thousand.
Speaker 4: Dollars I know, right as usually angels now listening closely,
Do you know how to run a speedboat? Yes? Yes
I do, and I've got a funny idea. You're going
to have to run one in a very few minutes.
Speaker 3: I do, Oh you.
Speaker 4: I'm Simon Temple, the man Pete was supposed to bring
in part in the wet.
Speaker 3: Clothes this damn sea air, you know, worsh pate.
Speaker 4: The last time I saw him, he was hanging on
to a wrecked speedboat a couple of hundred yards away,
hanging on, or come on, get out of the cases,
templer watch the racket, said, Duke, I have a funny
hunch you're gonna lay off Streeter's business, am I What
makes you think so? It's a possible murder? Rap kids talking?
Tony Kataker was bumped off. Why you're so smart you
wouldn't know? Maybe I do. I guess it was because
he knew too much about bonds. Yeah, you know, securities,
negotiable ones with a lot of dough.
Speaker 3: Well, dice you get that idea from Tony? He talked
before he died.
Speaker 4: He mentioned you and barn Tony always talk too much.
You talk too much too beginning to get what you mean?
I thought you would, you know, Duke, there you are
sitting behind that desk with a gun in your hand.
I wonder you wonder what I wonder how you'd look
with that desk on top of you. Too bad, Duke,
you miss me? Sorry, I can't do the same. Imagine that,
Duke Raymond sleeping during business hours. You're never going ahead
that way, Oh boy, Horatio Algae would positively frowl upon you.
Nice going, Anne, thank you kindly for picking me up
out of the water.
Speaker 5: Might know what was gonna happen. I wouldn't have when
I saw you dive off that rail and all those
people started shooting at me.
Speaker 3: Oh, just a necessary unpleasantness. Nice weeet, I had to get.
Speaker 4: It's an information from Duke about bonds box.
Speaker 3: You're going to play the market right now.
Speaker 4: I'm playing the field and there's a murderer in it,
and I'm going to start at mister Streeter's.
Speaker 3: Warehouse that way.
Speaker 6: The warehouse is over to the left side.
Speaker 3: Sure, but we're going next door.
Speaker 6: And just what do you expect to find the issue?
Speaker 3: A printing press? Of course?
Speaker 4: There you see the Travers Printing Company.
Speaker 6: Well, I see it, but I can't understand it. How
did you know this.
Speaker 5: Place was here?
Speaker 6: And why I look for?
Speaker 3: Tony Cartaker told me to look for one just before
he died.
Speaker 4: And as for this place, you remember the thumping noise
we heard as we were leaving the warehouse.
Speaker 6: Why, of course it was made by a printing press.
Speaker 4: That's what I thought.
Speaker 6: Well, shall we go in this ho it's so dark,
nobody'll be in there.
Speaker 4: Two facts would impress me no end. Now let me
see I should have some keys in my pocket.
Speaker 6: Why bother that door is already partially open.
Speaker 4: Right, Oh, this is blackest pitch in here. You can't
risk a light until we're sure it's empty.
Speaker 6: There's a crack of light over.
Speaker 5: There, seemed to come from a doorway into another room.
Speaker 6: I'm wondering. I hit my foot against something. It's something soft.
Speaker 4: You don't say. Suppose you look up at this evening
while I shine this pencil? Flash down? Oh, Sime perfectly expressed.
Speaker 6: He's dead, isn't he?
Speaker 4: If he's not, he's been tied up, gagged, strangled and
shot in the leg. Who is he? I think he's
the gentleman who tried to kill mister Street. How do
you because Jack shot him in the leg. Remember he's
probably mister Travers, the printer.
Speaker 6: What is it silent? Why did you turn off the light?
Speaker 4: Because that light in the other room just went out?
And I hate to be a non conformist. Where are
you going going to step over there and see what's up?
Be careful? You all right? I'm not sure, but I'll
risk it.
Speaker 3: I'm going after him.
Speaker 6: Look what's wrong?
Speaker 3: Whoever it was locked and bolted this door, I'll have
to pick it down.
Speaker 6: Someone may still be in there, and you.
Speaker 4: Have the most pessimistic thoughts. May not find the light switching.
Speaker 6: Wow, nobody's here. He must have gone out that window.
Speaker 4: And if I hadn't been idiot enough to bump into
something in the darkest case, might have been over by now.
Speaker 6: Either that or you'd have been danced. When are you using?
Speaker 4: So that's the frame under that lead pot over there?
What's cookie prints?
Speaker 3: Used them to melt their old line type slugs in?
Speaker 6: But why would that be going?
Speaker 3: Now?
Speaker 6: Do you think the killer left?
Speaker 4: There was a reason I wanted you along tonight?
Speaker 3: You've just hit it.
Speaker 4: There's the types, And see those engraved copper and zinc
plates on that work table. If we'd come in a
few minutes later, they'd have been in that lead pot.
Speaker 3: I'm not so good at reading upside down and backwards.
Speaker 4: But uh, six percent the venturous state of secured highway taxes.
Speaker 3: So that's it.
Speaker 6: What would you mind explaining, so, Dada darling.
Speaker 4: First, I've got a little surprise party to prepare.
Speaker 6: Surprise party.
Speaker 4: Yeah, as soon as I removed the handkerchief gag from
mister Travis, send a message to Duke Raymond and make
a few phone calls.
Speaker 3: We'll go to the scene of the party.
Speaker 6: How nice. Now, what's gonna happen from there?
Speaker 3: What usually happens at a surprise party?
Speaker 6: Oh, don't tell me.
Speaker 5: I know one very foxy murderer is going to get
a great, big surprise. So the surprise party is going
to be at Tony Carteko's place.
Speaker 3: Right, you are in there, it is?
Speaker 6: Now what's gonna happen? Simon? All I know is that
you call a lot of.
Speaker 5: People in a disguised voice and told them something about
bonds and Tony's why.
Speaker 3: And if you look inside the Sagar store, what do
you think?
Speaker 5: There's a light inside?
Speaker 4: Correct?
Speaker 3: That must mean one of the guests is arrived.
Speaker 4: Not quiet as we go in, I want to see
if that's an early bird or a word.
Speaker 5: Seems to be awfully busy looking for something.
Speaker 4: The poor soul find you?
Speaker 3: Hello, Betty? Hello, what's the matter?
Speaker 4: Betty?
Speaker 3: Looking for some bonds?
Speaker 4: Bond?
Speaker 3: So the ones you were called about this morning?
Speaker 6: I don't know what you're talking about at.
Speaker 4: Betty, that'll never do. However, I wasn't the one who
called you this morning.
Speaker 6: What did you know about that?
Speaker 4: Hey?
Speaker 3: Wait, tell the body jeff Hello there, all right, Jeffery.
Speaker 4: What's just short about? Hello, gentlemen, nice of you to come,
mister Steeter, Jack, I was just talking to Betty about
that phone call of this morning.
Speaker 3: What did you call her?
Speaker 4: Say, Betty, something about your father's life being endangered over
some bonds and that you better get down here fast
to save him. My life in danger?
Speaker 3: Kind of nonsense? Is that? It wasn't nonsense to Betty?
She came down here all right.
Speaker 4: We walked in right after Betty left and found Tony
Cortego dead. Now just a minute, you're making a pretty
dangerous accusation. There temp weapons to be true, mister Streeter.
Duke Raymond forced you to sell him that warehouse next
to the Travis Printing Company, didn't he, Yeah, and it
took a lot of force. You ruined the business by
destroying merchandise, wrecking trucks, usual racketeering message.
Speaker 3: I had to sell stop losing money.
Speaker 4: Maybe you better not talk so much straight, Yeah, maybe
you won't be healthy well more, guess Duke Raymond and Pete. Yeah,
that's right, Zapper. What gives here?
Speaker 3: And that's a rather silly questioned duke. You came here
looking for bonds, didn't you?
Speaker 4: So your message was a frame at them only in
a manner of speaking. Chum, someone in this room mode
you money from gambling, didn't they do? And promised to
pay negotiable securities to be left until called for Here
at Tony Corka goes sure.
Speaker 3: Story template keeps talking.
Speaker 4: But when Pete came to pick up the bonds for you,
they were missing and Tony was dead.
Speaker 3: It's lucky for you too.
Speaker 4: If you tried to sell those.
Speaker 3: Bonds, you'd have been arrested. They were forgeries, follies. You're
sure about that. I know it, and I can prove it.
Speaker 6: I surprise, surprise.
Speaker 3: What do you think of your gambling friend now, Duke.
Speaker 4: A dirty jubble for with all that doe in the
family too? Oh, lon gonna.
Speaker 3: You don't do it? Stop right there, he's got a gun.
Speaker 6: I was thinking, Jack, Oh.
Speaker 4: No, Jack, not you pretty sharp bunch of tepler got
it all figured out.
Speaker 3: Oh, I've been known to get around landers anyway. It
was rather obvious to take it. After you kissed Anne, after.
Speaker 6: He kissed me? What did that have to do with it?
Speaker 4: Well, you see, and I get something to safe first.
Speaker 2: He did, My dear, thanks for keeping him busy well,
I went to my gun.
Speaker 3: Oh, think nothing of it, Pete. And to show my appreciation.
Speaker 4: Here, what's the big guy did, Duke. Let's not be hasty,
shall we. I've got a gun too, the one I
borrowed from you. Aboard your ship. Get on the phone
and call the police for you, mister Streeter. Get out
your check book. The amount is ten thousand payable to
your face Favor charity, your friend, Duke Graymond won't bother
you again for a long long time. It's like another
drinking No.
Speaker 5: Thank you, Simon, I suppose I should thank you for
a lovely day.
Speaker 4: It had its points, but the football game might have
been more exciting. I doubt it.
Speaker 6: But I still need some answers.
Speaker 3: But don't you see?
Speaker 4: And Jack was terrified when he couldn't pay Duke the
huge gambling daddy Odin, so he hit on the idea
of forging bonds. He had Travers print them.
Speaker 6: But I still don't understand why he killed Trout.
Speaker 4: He had to make sure the travers wouldn't talk, So
when Jack went to the print shop to destroy the
evidence of the forged plates, he destroyed Travers.
Speaker 5: Duke, Yes, before I was Tony killed.
Speaker 4: Tony held the bonds for Duke, but when he discovered
they were forged, he called the streeter home that he
got the message and hurried down to see what it
was all about.
Speaker 3: She thought Tony was talking about her.
Speaker 5: Fun and Jack was there over to the conversation and
beat her to Tony right, and he tried to kill
us with the cruise that to stop us from getting
dukestorem n oka after mind, I guess I've got it,
except for.
Speaker 6: That crack about the kiss.
Speaker 5: How come you knew Jack Landers was guilty because he
kissed me?
Speaker 3: Lipstick? What?
Speaker 6: Lipstick?
Speaker 4: Yeah? Now you see after you kissed him, he had
lipstick all over his face. When I called it to
his attention, he wiped it off with his handkerchief. And
the handkerchief that gag travers had lipstick on it too.
Speaker 6: Oh, and to think that just because he kissed me
he's dead.
Speaker 4: I wouldn't feel that way about it if I were you.
Your kisses wouldn't kill anyone.
Speaker 6: And I can prove it, can you, Simon?
Speaker 3: Sure? Why there?
Speaker 4: You see?
Speaker 6: I guess you're right.
Speaker 3: Please don't agree so quickly?
Speaker 4: Why not? I'm seriously considering making a lifetime work out
of proving it.
Speaker 2: You were listening to one other transcribed adventure of the
Saint the robin Hood of Modern Crime.
Speaker 3: Now here's our starbands and Price, ladies and gentlemen.
Speaker 4: In tonight's cast, you heard Charley Mitchell, Barbara Eiler, Jack Moyles,
Tom Brown, Edmund McDonald, and Anthony Barrett. This is Vincent
Price inviting you to join us again next week at
the same time for another exciting adventure of the Saint.
Speaker 3: Good Night, Welcome Back.
Speaker 1: Bess has to be considered an occupational hazard for dating
a great detective that a case will come up, but
I handed to Simon that overall it seemed like they
had a fun time and a good date, which you know,
when your life is in peril, that's kind of hard
to do, so hats off to him, and I have
to say this episode made me think back a little
bit to The Falcon, which we were playing last year,
about how it would have been interesting to have a case.
You know, because at the start of each episode Michael
Waring says, sorry, camp, go out on the date. It
would have been interesting to have an episode with The
Falcon actually on a date and having to solve the
mystery around that. Don't know if one of those actually exists.
A lot of lost episodes of that show, but I
think that would be interesting to hear. All right, well,
listener comments and feedback and a random Spotify user writes
in regarding the reflection on murder being a child of
the eighties, I can't believe you didn't mention Vincent Price
and the thirteen Ghosts of Scooby Doo. At the time,
that was the only thing I knew him for Now,
looking back, I can't believe they were able to obtain him. Well,
I will say that the series premiered back when I
was four, just set out on the road and didn't
have television, at least I don't remember having it, so
I missed that series. And when I caught Scooby Doo
when I was growing up, it was a pup named
Scooby Doo towards the end of the eighties, and then
I also saw some reruns of Scooby Do Where Are You?
The original series over on USA. Price's character, Vincent vang
Wool definitely left an impression on the franchise. Because there
was a series in the twenty tens of Scooby Doo
called Mystery Incorporating. I have to admit that I really
had not thought about Scooby Doo much at all since
I was I don't know, maybe eleven. There are franchises
that I was into as a kid that I maintained
some sort of interest in. This wasn't one of them.
But I heard about Mystery Incorporated and it was a
phenomenal series that had some fun with the original but
really respected the source material. And they included Vincent van
goul As a character voiced by the great Maurice Lamonche.
Not quite Bencent Price, but he does do his best
to create that effect. And I will added a bit
off topic that while I'm not generally a fan of
most twenty first century reboots, this was just a really
good series. So if you wanted some sort of family
based mystery with some good writing, some fun humor, and
a pretty satisfying conclusion, I can't recommend Mystery Incorporated enough.
All right, Well, now it's time to thank our Patreon
supporter of the day, and I want to go ahead
and think James, Patreon supporter since June twenty fifteen, currently
supporting the podcast at the rookie level of two dollars
or more per month. Thanks so much for your support, James,
and that will do it for today. If you're enjoying
the podcast, please follow us using your favorite podcast software
and be sure to rate and review the podcast wherever
you download this from. We will be back next Monday
with another episode of The Saint, but join us back
here tomorrow for the Big Story where Off You'll be
with us then in the meantime. Sends your comments to
Box thirteen at Great Defectives dot net, follow us on
Twitter at Radio Detectives, and check us out on Instagram, Instagram,
dot com, slash Great Detectives from Boise, Idaho. This is
your host, Adam graham Son and Off