1 00:00:01,679 --> 00:00:41,479 Speaker 1: You're listening to w U n H World Premiere. It's live. 2 00:00:42,880 --> 00:00:44,200 Speaker 2: It seems like a song. 3 00:00:44,399 --> 00:00:49,640 Speaker 3: Sometimes it's loud, caddie, what's going Also, can't be skipping 4 00:00:51,039 --> 00:00:52,079 what P saying. 5 00:00:51,880 --> 00:01:01,119 Speaker 4: Is sounding sound, So it's like. 6 00:01:01,200 --> 00:01:05,920 Speaker 5: Can eight joke Never you men don't beat no strange 7 00:01:05,959 --> 00:01:10,159 eyes singing my enter and sing me high. 8 00:01:09,959 --> 00:01:22,599 Speaker 4: Up high, asking me in when your side shid wound 9 00:01:22,799 --> 00:01:24,959 b sing sound where rock all. 10 00:01:25,120 --> 00:01:27,480 Speaker 2: It's like jaw song as. 11 00:01:27,439 --> 00:01:32,319 Speaker 4: Me, How round that found b sing your sound and 12 00:01:32,799 --> 00:01:33,079 rock on. 13 00:01:33,239 --> 00:01:35,640 Speaker 2: It's like jaw song as me. 14 00:01:35,879 --> 00:01:40,239 Speaker 5: If the growl at beside you know, round and sing loud, 15 00:01:40,400 --> 00:01:41,840 ou P saying. 16 00:01:41,680 --> 00:01:58,799 Speaker 2: Inside shine shine, So do you get it? 17 00:02:00,040 --> 00:02:04,799 Speaker 5: I'm in loving you style. It's like a magic out 18 00:02:04,879 --> 00:02:07,280 of the high you bud rabbit. 19 00:02:08,560 --> 00:02:19,439 Speaker 6: Feeling the sky just so majestic, decent, beery sound east sound, soun. 20 00:02:23,319 --> 00:02:25,960 Speaker 4: Foul be sing you sounding round. 21 00:02:26,120 --> 00:02:28,319 Speaker 2: It's like your song. 22 00:02:28,199 --> 00:02:34,479 Speaker 5: As Me crowned foul be saying you sounding loud. It's 23 00:02:34,599 --> 00:02:39,240 like your song as me eye and crown every tide 24 00:02:39,560 --> 00:02:43,639 and around the same lone P say your side. 25 00:02:47,199 --> 00:03:08,280 Speaker 7: Shide shine, foul pacing sound and round. It's like your 26 00:03:08,520 --> 00:03:12,520 song as me high off the growl and uh found 27 00:03:12,639 --> 00:03:17,319 pacing sound and round. It's like your song as me 28 00:03:17,560 --> 00:03:22,039 high off the growl every time around to sing loud 29 00:03:22,800 --> 00:03:24,360 PC sound. 30 00:03:27,919 --> 00:03:32,319 Speaker 2: Sound sound. 31 00:03:53,879 --> 00:03:56,639 Speaker 8: I love it so much. That was the world radio 32 00:03:56,840 --> 00:04:00,240 premiere of the brand new track from Jamie Higgs from 33 00:04:00,280 --> 00:04:02,280 the UK that is called Piece in Your Sound. What 34 00:04:02,439 --> 00:04:05,000 a great, great song and you have just heard it 35 00:04:05,039 --> 00:04:07,560 for the first time on the radio here on Matt 36 00:04:07,599 --> 00:04:10,680 Connorton Unleashed on WMNH ninety five point three FM. And 37 00:04:10,759 --> 00:04:13,120 by the way, that comes out July eighteen, so it's 38 00:04:13,159 --> 00:04:15,680 not out yet on the streaming platforms coming soon. But 39 00:04:15,759 --> 00:04:17,560 that is the world radio premiere a Piece in Your 40 00:04:17,639 --> 00:04:20,120 Sound by the great Jamie Higgs. And we'll play that 41 00:04:20,160 --> 00:04:21,759 again of course in the second and third hour of 42 00:04:21,759 --> 00:04:23,800 today's show as well. I love that song so much. 43 00:04:24,079 --> 00:04:27,160 Welcome everybody. This is Matt Connorton Unleashed. We are live 44 00:04:27,639 --> 00:04:30,439 from the studios of wm NH ninety five point three 45 00:04:30,560 --> 00:04:33,680 FM and Glorious Manchester, New Hampshire, of course, streaming everywhere 46 00:04:33,720 --> 00:04:38,439 at Matt connorton dot com. Slash Live. Today is let's see. 47 00:04:38,519 --> 00:04:43,360 Today is Saturday July twelfth, twenty twenty five, and I'm 48 00:04:43,399 --> 00:04:43,879 not alone. 49 00:04:51,040 --> 00:04:56,439 Speaker 9: Jenny Good morning Sunshine. 50 00:04:56,680 --> 00:04:58,839 Speaker 8: Yes, Jenny is here with us in the studio of course, 51 00:04:58,920 --> 00:04:59,800 at the news table. 52 00:05:00,040 --> 00:05:02,560 Speaker 9: Yes, yes, I am here, I am present, I am awake. 53 00:05:02,759 --> 00:05:04,480 Speaker 8: What a great track, a lot. I love it. 54 00:05:05,160 --> 00:05:06,199 Speaker 10: I want to again already. 55 00:05:06,279 --> 00:05:07,519 Speaker 8: And he's going to be I don't think I mentioned it. 56 00:05:07,560 --> 00:05:09,079 He's going to be a guest on the show soon too. 57 00:05:09,199 --> 00:05:11,680 I think in August he's coming on. I believe so, 58 00:05:11,920 --> 00:05:13,720 going to be join us, I believe so. 59 00:05:13,879 --> 00:05:15,319 Speaker 10: But yes, I'm excited to hear more. 60 00:05:15,519 --> 00:05:17,199 Speaker 8: Yeah, yeah, what a great track. And he's got other 61 00:05:17,279 --> 00:05:20,279 music online too, But that song comes out July eighteen, 62 00:05:20,839 --> 00:05:25,279 and right now joining us alive in studio for first time, 63 00:05:25,680 --> 00:05:26,800 first time in a long time. 64 00:05:27,199 --> 00:05:27,720 Speaker 9: Glenn R. J. 65 00:05:27,839 --> 00:05:30,319 Speaker 8: Wilett, also known as Oh let Me get that mic 66 00:05:30,360 --> 00:05:33,639 on the People's Mayor, is here with us. But that's 67 00:05:33,680 --> 00:05:34,879 not why he's here today. 68 00:05:35,040 --> 00:05:35,319 Speaker 1: Today. 69 00:05:35,360 --> 00:05:36,879 Speaker 8: You are not here as Glenn r J. Will Let 70 00:05:36,920 --> 00:05:39,519 the People's Marrior. You're you're here as will Let Glenn 71 00:05:39,720 --> 00:05:41,560 the artist. Is that correct? Glenn? 72 00:05:41,720 --> 00:05:42,399 Speaker 9: Thanks for having me. 73 00:05:42,600 --> 00:05:44,160 Speaker 8: Do I have to call you for the purposes of 74 00:05:44,279 --> 00:05:44,879 this conversation? 75 00:05:45,000 --> 00:05:45,319 Speaker 4: Do I have to? 76 00:05:45,399 --> 00:05:48,079 Speaker 8: Should I call you address you as Wallette or can 77 00:05:48,120 --> 00:05:49,920 I still call you Glenn. I should call you Willlette. 78 00:05:50,680 --> 00:05:52,519 It doesn't really matter, because I have to be honest 79 00:05:52,560 --> 00:05:54,040 with you. That's going to take some getting used to. 80 00:05:54,079 --> 00:05:56,959 Speaker 9: It's just on my name that I was required to 81 00:05:57,079 --> 00:05:59,199 take because your, of course have a taking name. Yeah, 82 00:05:59,360 --> 00:06:03,319 and I wanted something simple. How much you can't go 83 00:06:03,439 --> 00:06:04,160 more simple than that? 84 00:06:04,399 --> 00:06:06,759 Speaker 8: Yes? Well you could have gone with an unpronounceable symbol 85 00:06:06,839 --> 00:06:09,199 like Prince had for a while, you know, maybe like 86 00:06:09,399 --> 00:06:12,199 uh maybe like an O for will Let but do 87 00:06:12,399 --> 00:06:14,439 something make it in like a weird font or something. 88 00:06:14,560 --> 00:06:16,519 Speaker 9: If someone wanted me to call it Glenn. 89 00:06:16,879 --> 00:06:18,240 Speaker 8: Oh, Glenn, I like that. 90 00:06:18,680 --> 00:06:19,040 Speaker 2: I like that. 91 00:06:19,199 --> 00:06:21,199 Speaker 8: That's got a nice ring. Well that's what you That's 92 00:06:21,240 --> 00:06:23,720 what the diehards could call you, right, like you're die 93 00:06:23,800 --> 00:06:26,120 hard fans. They could be like, yeah, you go into 94 00:06:26,160 --> 00:06:28,279 the OA Glenn show. Who's OA Glenn? You know we'll 95 00:06:28,319 --> 00:06:30,639 let Glenn. Oh yeah that guy. Of course. Of course 96 00:06:30,680 --> 00:06:32,680 I'm going You've been playing out a lot, right, You've 97 00:06:32,680 --> 00:06:33,600 been performing. 98 00:06:33,199 --> 00:06:37,000 Speaker 9: A lot live, yes, and now I'm I'm coming home. 99 00:06:37,639 --> 00:06:38,360 Speaker 8: You're coming home? 100 00:06:38,480 --> 00:06:41,199 Speaker 9: Well, I started in areas that nobody knew me because 101 00:06:41,240 --> 00:06:43,839 I'm well known here and uh as who I am? 102 00:06:44,000 --> 00:06:46,720 So yes, I didn't want people who doesn't know what 103 00:06:46,800 --> 00:06:48,040 to tell you the truth they like you or not, 104 00:06:48,439 --> 00:06:50,439 so I won't start in a strange city. 105 00:06:50,639 --> 00:06:52,199 Speaker 8: Not to correct you, but Who I Am is coming 106 00:06:52,279 --> 00:06:55,160 on in the second hour today along with tracks. Really, 107 00:06:55,240 --> 00:06:57,680 you're not who I am, You're will let Glenn. Just 108 00:06:57,720 --> 00:06:59,079 to be clear for the audience, I don't want it. 109 00:06:59,079 --> 00:07:03,360 I don't want anyone to be used. I agree, yes, yes, so, 110 00:07:03,680 --> 00:07:06,879 And you're going to be performing live for us today? Correct, Yes, 111 00:07:07,240 --> 00:07:10,319 we've got we've got several uh, several songs skewed up. Now, 112 00:07:10,439 --> 00:07:13,600 how do you choose the songs that that you perform? 113 00:07:13,720 --> 00:07:14,040 Speaker 4: What is it? 114 00:07:14,160 --> 00:07:16,279 Speaker 8: What is it about these songs selections? 115 00:07:16,879 --> 00:07:17,000 Speaker 1: Uh? 116 00:07:17,120 --> 00:07:19,720 Speaker 8: That that make you say, uh, this is a song 117 00:07:19,800 --> 00:07:21,720 that will let Glenn should be performing live? 118 00:07:23,160 --> 00:07:25,639 Speaker 9: When I when I, when I choose my songs for 119 00:07:25,720 --> 00:07:28,160 a complete concert, which they last about two hours? 120 00:07:28,279 --> 00:07:28,839 Speaker 8: Two hours? 121 00:07:29,000 --> 00:07:31,120 Speaker 9: Well does it in between? And I do a half 122 00:07:31,240 --> 00:07:32,079 hour of comedy? 123 00:07:32,560 --> 00:07:32,759 Speaker 2: You do? 124 00:07:32,879 --> 00:07:33,879 Speaker 8: I'd see I didn't know this. 125 00:07:34,000 --> 00:07:35,720 Speaker 9: You do a half hour of con in French? 126 00:07:35,800 --> 00:07:38,279 Speaker 8: Yes, you do comedy in English and French. Yes, and 127 00:07:39,240 --> 00:07:41,120 it's ethnic humor yeah. 128 00:07:41,480 --> 00:07:45,040 Speaker 9: Because well I don't but it's not it's not it's 129 00:07:45,120 --> 00:07:47,879 not planned. Okay, I look at the audience. Oh you 130 00:07:47,920 --> 00:07:49,120 do crowd work, yes. 131 00:07:49,040 --> 00:07:51,959 Speaker 8: Oh, no offense, but the crowd work don't. Don't you 132 00:07:52,000 --> 00:07:52,959 have any actual jokes? 133 00:07:53,199 --> 00:07:53,639 Speaker 1: Oh I do. 134 00:07:54,519 --> 00:07:56,199 Speaker 9: I'll put him in there, but terrible. 135 00:07:56,399 --> 00:08:00,199 Speaker 8: I love I love Jenny. Jenny knows how I feel 136 00:08:00,199 --> 00:08:00,680 about because I. 137 00:08:00,680 --> 00:08:02,560 Speaker 9: Tell them to be careful if I picked you, because 138 00:08:02,600 --> 00:08:05,040 you may be embarrassed in front of the lot of people. 139 00:08:05,160 --> 00:08:07,079 Speaker 8: Oh so there's a little bit of danger to the show. 140 00:08:08,000 --> 00:08:10,360 There's a little bit of danger. Well, like Whene is dangerous. 141 00:08:10,680 --> 00:08:11,879 Speaker 9: I wouldn't say I'm dangerous. 142 00:08:11,920 --> 00:08:14,600 Speaker 8: Well, I don't mean like physically dangerous, like you've heard anybody. 143 00:08:14,600 --> 00:08:17,399 I just mean in terms of your performance and and wow, 144 00:08:17,480 --> 00:08:18,920 this is this is great. Now. 145 00:08:19,240 --> 00:08:23,399 Speaker 9: The songs that I've chosen, huh. Some of them are 146 00:08:23,560 --> 00:08:27,639 very powerful, some are very meaningful. I choose my songs 147 00:08:28,519 --> 00:08:30,240 to the mood that I am, and I like to 148 00:08:30,319 --> 00:08:33,039 have a variety because I do everything except for raps. 149 00:08:33,080 --> 00:08:36,000 So I do any artists pretty much, any artists, as 150 00:08:36,039 --> 00:08:37,720 long as it's a song that I want to air. 151 00:08:38,559 --> 00:08:44,279 Uh my, my, My concerts are are totally family oriented. Okay, 152 00:08:44,480 --> 00:08:46,080 I don't want no swearing in front of a five 153 00:08:46,200 --> 00:08:46,919 year old or something you. 154 00:08:46,960 --> 00:08:49,519 Speaker 8: Know right right, So you don't do like you don't 155 00:08:49,559 --> 00:08:51,720 cover straight out of Compton by nw A is what 156 00:08:51,759 --> 00:08:52,159 you're saying. 157 00:08:52,440 --> 00:08:54,639 Speaker 9: No, but I do a lot of uh rock and 158 00:08:54,759 --> 00:08:56,879 roll and hard rock. I do a lot of prints, 159 00:08:56,960 --> 00:08:59,080 and I do a lot of Yeah, I do, I 160 00:09:00,120 --> 00:09:03,399 do chair, I do, I do Adam Lamberg, I do. 161 00:09:04,399 --> 00:09:06,720 I do a lot of I do a lot of Queen. 162 00:09:06,799 --> 00:09:09,480 For example, you do hard rock and I love journey. 163 00:09:09,840 --> 00:09:12,120 Speaker 8: Yes, oh wow, yes, I think I saw a video 164 00:09:12,159 --> 00:09:14,919 of you performing. Don't stop believing. Yeah, at where have you? 165 00:09:15,120 --> 00:09:16,000 Where have you been performing? 166 00:09:16,080 --> 00:09:16,120 Speaker 2: Like? 167 00:09:16,120 --> 00:09:16,960 Speaker 8: Where can people see you? 168 00:09:17,919 --> 00:09:20,320 Speaker 9: Well, you can see me on a weekly basis. I'm 169 00:09:20,360 --> 00:09:24,320 at on Mondays, I'm at the Breezeway. This is all karaoke, 170 00:09:24,440 --> 00:09:25,519 which is all coming to an end. 171 00:09:25,559 --> 00:09:27,440 Speaker 8: By the way, Oh, karaoke is coming to an end. 172 00:09:27,960 --> 00:09:29,960 Has there been an I don't know if maybe there's 173 00:09:30,000 --> 00:09:33,759 been executive order. No, I'm going professional now, Oh, yes, 174 00:09:34,000 --> 00:09:36,279 you're going professional. So this is like you're coming out 175 00:09:36,480 --> 00:09:38,399 as well when the professional. 176 00:09:38,519 --> 00:09:40,440 Speaker 9: So I do the Briezebae on Monday. On Tuesday, I 177 00:09:40,519 --> 00:09:44,799 do the Goat On Wednesday, I do uh Stock Brewery, 178 00:09:44,799 --> 00:09:47,440 which I've had a concert there last month's this past 179 00:09:49,320 --> 00:09:52,120 this past Mother's Day, I did my first concert in Manchester. 180 00:09:52,320 --> 00:09:52,639 Speaker 8: Okay. 181 00:09:53,039 --> 00:09:56,399 Speaker 9: And then I on Thursday I do the Farm restaurant. 182 00:09:57,480 --> 00:10:00,879 And on Friday, I do the Ripple Casino. 183 00:10:01,600 --> 00:10:04,720 Speaker 8: The Ripple Casino, the Rival. Oh oh, I thought you 184 00:10:04,759 --> 00:10:05,279 said Ripple. 185 00:10:05,360 --> 00:10:07,440 Speaker 1: I was like, what the casino? 186 00:10:07,600 --> 00:10:08,360 Speaker 8: Gotcha? Gotcha? 187 00:10:08,399 --> 00:10:10,440 Speaker 9: And on Saturdays when I'm when I have a my 188 00:10:10,519 --> 00:10:13,240 content is basically on Saturdays and Sundays. 189 00:10:14,480 --> 00:10:16,919 Speaker 8: Playing a casino. Are you concerned that you're promoting gambling? 190 00:10:17,039 --> 00:10:17,960 Speaker 9: No, because I don't gamble. 191 00:10:18,039 --> 00:10:19,960 Speaker 8: Okay, good? Good, because you know, you got to think 192 00:10:19,960 --> 00:10:22,279 about the kids. Yeah, you don't want parents to turn 193 00:10:22,320 --> 00:10:24,720 against you and start telling their kids, hey, don't listen 194 00:10:24,799 --> 00:10:26,720 to that. We'll let Glenn. He promotes bad things. 195 00:10:26,879 --> 00:10:29,360 Speaker 9: I don't gamble, I don't drink. I don't take drugs 196 00:10:29,440 --> 00:10:33,000 other than medications. I don't smoke. Yeah, it's pure family. 197 00:10:33,080 --> 00:10:34,600 Speaker 8: Your straight edge is what you're saying. 198 00:10:34,679 --> 00:10:35,000 Speaker 1: I am. 199 00:10:35,240 --> 00:10:37,399 Speaker 9: Yes, my wild times are gone. 200 00:10:37,559 --> 00:10:39,519 Speaker 8: Yes. No, you're a good You're a good inspiration for 201 00:10:39,600 --> 00:10:42,600 the youth. What is your demographic? Would you say, like, 202 00:10:43,000 --> 00:10:44,879 are you are you going for that eighteen to forty 203 00:10:45,000 --> 00:10:47,519 nine demographic or what's your what's your demo. 204 00:10:47,679 --> 00:10:53,039 Speaker 9: I'm really shocked. I'm very big with the college crowd. Yes, soon, 205 00:10:53,080 --> 00:10:54,840 I understand that, but maybe its because of the music 206 00:10:54,879 --> 00:10:56,960 that I'm playing and I'm in tune with them. Yes, 207 00:10:58,279 --> 00:11:01,559 I do have a following with But the young people 208 00:11:01,679 --> 00:11:04,360 who go to st Emsince for example, Oh so I 209 00:11:04,360 --> 00:11:08,480 always they always come to the Goat and that's very encouraging. Yes, 210 00:11:08,720 --> 00:11:13,200 uh and and I but my my range is from 211 00:11:13,279 --> 00:11:15,279 you can be from five years old to ninety nine. 212 00:11:16,480 --> 00:11:18,679 Speaker 8: That's quite arranged, Glen, that's quite a range. 213 00:11:18,720 --> 00:11:22,000 Speaker 9: And the songs that I do are from nineteen twenty 214 00:11:22,279 --> 00:11:23,240 to twenty twenty four. 215 00:11:23,600 --> 00:11:25,600 Speaker 8: Although I don't think you're your typical ninet nine year old. 216 00:11:25,639 --> 00:11:27,080 Probably can't he hear you? 217 00:11:28,039 --> 00:11:31,120 Speaker 9: Well, they have, they have ear ringe, they do well, 218 00:11:31,120 --> 00:11:31,440 they do have. 219 00:11:31,559 --> 00:11:33,320 Speaker 8: Uh, they can do implants and years now, I guess. 220 00:11:33,360 --> 00:11:36,360 Speaker 9: But I don't think I see people that old that 221 00:11:36,440 --> 00:11:38,919 are there, right, But I do see a lot of seniors. 222 00:11:39,000 --> 00:11:40,399 Speaker 8: You don't, but you don't se ninety nine year old 223 00:11:40,399 --> 00:11:43,879 peoplet the Goat. No, I no, okay, now the Goat right? 224 00:11:43,960 --> 00:11:45,840 And you do meet and greets too, right, yes? 225 00:11:46,000 --> 00:11:48,759 Speaker 9: After well not when I do Careyoko, when I after 226 00:11:48,840 --> 00:11:49,440 my concerts. 227 00:11:49,519 --> 00:11:51,559 Speaker 8: Yes, after your concerts. So is there like a fee 228 00:11:51,639 --> 00:11:51,799 for that? 229 00:11:52,240 --> 00:11:55,960 Speaker 9: No? Oh, okay, no, and I haven't. I don't sign 230 00:11:56,039 --> 00:11:58,240 autographs yet. I'm not there yet. I don't want my 231 00:11:58,360 --> 00:12:01,120 picture on a postcard. Really they want me to do 232 00:12:01,240 --> 00:12:03,080 that or T shirt. It's coming. 233 00:12:03,320 --> 00:12:04,720 Speaker 8: But yeah, it's just not me. 234 00:12:05,799 --> 00:12:09,440 Speaker 9: I'm a simple guy. I'm a regular citizen and I'll 235 00:12:09,480 --> 00:12:11,600 have to get I'll have to grow out of it, 236 00:12:11,679 --> 00:12:14,080 I guess. But I'll never forget who I am, and 237 00:12:14,159 --> 00:12:15,879 I'll always think of the people first. 238 00:12:16,120 --> 00:12:18,519 Speaker 8: Always think of the people first. Remember your roots. You know, 239 00:12:18,600 --> 00:12:20,360 you see the same people on your way down that 240 00:12:20,399 --> 00:12:22,519 you saw on the way up. Yeah, so that's important. 241 00:12:22,799 --> 00:12:25,159 Speaker 9: Here's a question for the audience. Yes, when I do 242 00:12:25,320 --> 00:12:31,519 the dance, the last dance, it's by Daniel BETTEPETI I 243 00:12:31,519 --> 00:12:34,799 don't know if I'm noting that right, but and I 244 00:12:34,919 --> 00:12:37,600 do it in English, parts of it in French, and 245 00:12:37,720 --> 00:12:40,919 then the last paragraph is done in a different language, 246 00:12:41,080 --> 00:12:43,960 and no one's figured out which language it is yet. 247 00:12:44,399 --> 00:12:46,440 At the end of the show, I will tell. 248 00:12:46,320 --> 00:12:49,279 Speaker 8: You so you but you save that part for the 249 00:12:49,399 --> 00:12:51,000 last paragraph of the song? 250 00:12:51,240 --> 00:12:52,799 Speaker 9: Yes, yes, it's specific. 251 00:12:53,080 --> 00:12:56,519 Speaker 8: Yes, I understand okay, so what would you like to perform? 252 00:12:56,639 --> 00:12:59,200 First for us, we'll let Glenn come with me from 253 00:13:00,080 --> 00:13:01,559 uh from the. 254 00:13:04,720 --> 00:13:04,879 Speaker 4: Now. 255 00:13:05,000 --> 00:13:08,080 Speaker 8: For people watching the video, I should explain because they're 256 00:13:08,080 --> 00:13:12,159 about to see something unusual that they don't see typically 257 00:13:12,240 --> 00:13:14,720 on the program. I'm going to actually turn this monitor 258 00:13:14,840 --> 00:13:18,159 toward you so they I believe it's pronound mulan rouge. Correct. 259 00:13:18,960 --> 00:13:19,879 Speaker 9: Yes, I'm French. 260 00:13:20,120 --> 00:13:22,960 Speaker 8: Yes, because you said it like like some people, you know, 261 00:13:23,120 --> 00:13:25,480 lame is that they pronounce it less miserables because they 262 00:13:25,480 --> 00:13:25,720 don't know. 263 00:13:26,919 --> 00:13:27,840 Speaker 9: Yes French. 264 00:13:28,039 --> 00:13:30,000 Speaker 8: Yes, you're French, so you know, you know the right 265 00:13:30,000 --> 00:13:30,399 way to say. 266 00:13:30,399 --> 00:13:32,679 Speaker 9: And you'll find that I really am French to the 267 00:13:32,720 --> 00:13:35,519 point that they say, oh he really rolls his ours. 268 00:13:35,720 --> 00:13:38,759 Speaker 8: Yes, people, I can't roll my rs. Yeah, I don't 269 00:13:38,759 --> 00:13:41,399 know any any French really, I know, like I know. 270 00:13:41,519 --> 00:13:45,080 Speaker 9: Like uh we we uh pepe pooh poo, oh my god. 271 00:13:46,200 --> 00:13:48,159 Speaker 8: That's about it. Okay. So so what we're gonna do is, 272 00:13:48,200 --> 00:13:49,600 so I'm gonna start the song and then I'm going 273 00:13:49,639 --> 00:13:51,039 to as quickly as I can, I'm going to turn 274 00:13:51,080 --> 00:13:54,000 the monitor towards you so that you can read the lyrics. 275 00:13:55,639 --> 00:13:58,000 Do you are are any of the songs that you 276 00:13:58,080 --> 00:14:00,480 do live. Have you memorized the pair of raps as 277 00:14:00,519 --> 00:14:00,799 you say? 278 00:14:01,360 --> 00:14:02,080 Speaker 9: Yes, some of them? 279 00:14:02,159 --> 00:14:02,399 Speaker 8: Okay. 280 00:14:02,399 --> 00:14:04,919 Speaker 9: The thing is that right now in my right eyes 281 00:14:05,000 --> 00:14:09,879 eight line oh and uh and I uh, and I 282 00:14:10,039 --> 00:14:12,399 know about a thousand songs, and at my age, you're 283 00:14:12,399 --> 00:14:14,559 not gonna know a thousand songs by heart. 284 00:14:15,240 --> 00:14:16,039 Speaker 8: That's true. 285 00:14:16,279 --> 00:14:20,000 Speaker 9: So that's a handicap for me, and so I'm using 286 00:14:20,039 --> 00:14:22,039 it as my benefit for me to perform I need 287 00:14:22,279 --> 00:14:23,799 in case I forget the words, they're there. 288 00:14:24,080 --> 00:14:28,399 Speaker 8: I was recently reading a study about neurology and memory 289 00:14:28,440 --> 00:14:31,159 and so forth, and apparently the uh, it's estimated the 290 00:14:31,200 --> 00:14:35,120 average musician is able to memorize somewhere between nine hundred 291 00:14:35,120 --> 00:14:37,240 and fifty and nine hundred and seventy five songs. You're young, 292 00:14:37,360 --> 00:14:39,200 so if you're going for a thousand, yeah, you're kind 293 00:14:39,240 --> 00:14:41,639 of you're you're over the you're over the cap. I 294 00:14:41,720 --> 00:14:45,000 read that online somewhere, so obviously it's true. Okay, let 295 00:14:45,039 --> 00:14:46,960 me get the volume up here. So I'm going to 296 00:14:47,000 --> 00:14:48,799 start the song, and as quickly as I can, I'm 297 00:14:48,799 --> 00:14:51,840 gonna turn. I'm gonna turn this monitor, and then we'll 298 00:14:51,840 --> 00:14:53,559 be ready to go. If you are just joining us, 299 00:14:53,639 --> 00:14:57,080 we have will let Glenn the artist. If I said, 300 00:14:57,159 --> 00:14:59,080 is it is it the artist will let Glenn or 301 00:14:59,159 --> 00:15:00,759 is it will let Glenn the the artist? Or does 302 00:15:00,799 --> 00:15:01,120 it matter? 303 00:15:01,200 --> 00:15:02,639 Speaker 9: Well, like lend the artist is fine? 304 00:15:02,759 --> 00:15:05,559 Speaker 8: And is there a comma involved or a dash? 305 00:15:05,879 --> 00:15:06,600 Speaker 9: How do you? 306 00:15:06,759 --> 00:15:08,840 Speaker 8: Okay? You just will let lend the artists? 307 00:15:08,840 --> 00:15:11,360 Speaker 9: Okay, I will tell you that I do my own 308 00:15:11,399 --> 00:15:12,159 special effects. 309 00:15:12,519 --> 00:15:16,200 Speaker 8: You do special effects? Yes, you'll hear it like like 310 00:15:16,519 --> 00:15:18,399 like you make noises? Yeah? 311 00:15:18,879 --> 00:15:21,559 Speaker 9: Oh with the I do like some instruments. 312 00:15:21,960 --> 00:15:23,879 Speaker 1: Oh uh I I do. 313 00:15:24,159 --> 00:15:25,759 Speaker 9: I do an opening, a closing. 314 00:15:27,039 --> 00:15:27,960 Speaker 1: What they do? Wow? 315 00:15:28,120 --> 00:15:31,279 Speaker 9: But they do what a normal artist has for the music, 316 00:15:31,360 --> 00:15:33,720 for the for the for the openings, in that in 317 00:15:33,759 --> 00:15:36,840 the middle when it's just music. Yes, I do something, 318 00:15:36,960 --> 00:15:39,559 Oh you do. I'll need to continue singing adding my 319 00:15:39,639 --> 00:15:42,879 own words. All my songs at cover songs, okay, which 320 00:15:42,960 --> 00:15:43,799 makes them my song? 321 00:15:44,480 --> 00:15:46,559 Speaker 8: Right? How do you what's your logic behind that? How 322 00:15:46,600 --> 00:15:47,519 does that make your song? 323 00:15:48,360 --> 00:15:50,919 Speaker 9: If I ever ever chose to do an album, I 324 00:15:51,080 --> 00:15:53,639 can't use every word it's in that song that's pleasury. 325 00:15:53,879 --> 00:15:55,759 Speaker 8: Oh so I have to use You don't want to 326 00:15:55,799 --> 00:15:56,440 commit pleasuring? 327 00:15:56,559 --> 00:15:58,879 Speaker 9: No, I have to do. I have to do a 328 00:15:59,000 --> 00:16:01,519 cover song, yes, Okay, that's reality. 329 00:16:01,840 --> 00:16:04,799 Speaker 8: Right, I understand. Have you ever considered writing your own songs, 330 00:16:04,840 --> 00:16:05,360 your own music? 331 00:16:05,399 --> 00:16:08,600 Speaker 9: You're a creative guy, Yes, I have. I now have 332 00:16:08,679 --> 00:16:11,080 a software that was installed two weeks ago and I'm 333 00:16:11,159 --> 00:16:13,320 learning how to use it and I'll actually be able 334 00:16:13,399 --> 00:16:16,000 to do my own album at home. I had my 335 00:16:16,080 --> 00:16:18,240 own studio with the house. Oh very good, very good, 336 00:16:18,360 --> 00:16:19,240 own nix and everything. 337 00:16:19,360 --> 00:16:22,039 Speaker 8: So yeah, yeah, all right, I was gonna sugget I mean, 338 00:16:22,120 --> 00:16:24,200 someone of your caliber you might want to consider, you know, well, 339 00:16:24,399 --> 00:16:25,600 but it costs a lot of money. 340 00:16:25,440 --> 00:16:26,480 Speaker 10: To it actually recorded. 341 00:16:26,840 --> 00:16:30,080 Speaker 9: Everything's digital today, yes, so you don't see no more 342 00:16:30,120 --> 00:16:33,879 tapes than CDs that much, right, right, my music would 343 00:16:33,879 --> 00:16:37,440 become out digital. I'm now talking with Spotify. If I 344 00:16:37,480 --> 00:16:39,039 could get on Spotify, that would be great. 345 00:16:39,120 --> 00:16:41,159 Speaker 8: Oh yeah, who are you talking with at Spotify? Or 346 00:16:41,519 --> 00:16:43,879 you're talking to the head guy there, mister Spotify himself? 347 00:16:44,720 --> 00:16:49,240 Speaker 9: Probably not they they said they they they signed me somewhere. 348 00:16:49,279 --> 00:16:51,639 Speaker 8: Need to go right to the top, Glen. Okay, talk 349 00:16:51,720 --> 00:16:53,720 to mister Spotify. I think his first name is Bill. 350 00:16:55,000 --> 00:16:56,960 All right, so I'm gonna I'm gonna start this. I'm 351 00:16:57,000 --> 00:16:59,720 gonna turn the monitor and uh, come, what may come 352 00:16:59,799 --> 00:17:04,319 what may as performed by We'll let Glenn the artist. Okay, 353 00:17:04,359 --> 00:17:06,160 here we go. I'm pressing play. 354 00:17:09,279 --> 00:17:10,000 Speaker 9: And make it big? 355 00:17:12,240 --> 00:17:32,599 Speaker 1: Oh do you to do enjoy? I'm with me what. 356 00:17:38,119 --> 00:17:44,880 Speaker 9: I never knew that I could feel like these, Like 357 00:17:45,200 --> 00:17:52,519 I've never seen that sky high before. I want to 358 00:17:52,920 --> 00:18:01,519 venge deep inside your keys. Every day I love you. 359 00:18:02,000 --> 00:18:09,640 Speaker 1: More and more. Listen to my heart. Can you hear 360 00:18:09,839 --> 00:18:12,000 it a singing. 361 00:18:13,359 --> 00:18:24,200 Speaker 11: Telling me to give you everything? Seasons may change, winter 362 00:18:24,680 --> 00:18:26,680 to spring and summer. 363 00:18:29,599 --> 00:18:31,599 Speaker 9: Ooh, but I love you. 364 00:18:33,599 --> 00:18:48,119 Speaker 1: Until the end. Time ome what may hope from what. 365 00:18:53,839 --> 00:18:56,640 Speaker 9: My guys will love you so. 366 00:18:58,160 --> 00:19:00,480 Speaker 1: Until my die ah. 367 00:19:02,799 --> 00:19:03,000 Speaker 2: Day. 368 00:19:10,920 --> 00:19:18,880 Speaker 9: Suddenly the world seems such a perfect plea. Suddenly it 369 00:19:19,119 --> 00:19:27,079 moves with such a perect grace. Suddenly my life doesn't 370 00:19:27,119 --> 00:19:35,000 seem such a wasting anymore. It' all evils around you, 371 00:19:35,200 --> 00:19:37,319 my darling. 372 00:19:36,799 --> 00:19:43,200 Speaker 1: Dear, And there's no mountain to hide, the river. 373 00:19:43,559 --> 00:19:45,079 Speaker 4: To wide. 374 00:19:46,759 --> 00:19:51,680 Speaker 9: Seeing it's sun, and I'll be there by your side. 375 00:19:53,880 --> 00:20:02,000 Storm clouds may gather and starts me cool lie, Oh, 376 00:20:03,680 --> 00:20:08,720 but I love you until the end. 377 00:20:10,079 --> 00:20:12,319 Speaker 4: All time. 378 00:20:13,599 --> 00:20:22,839 Speaker 1: Pour what made oh come? What made. 379 00:20:27,119 --> 00:20:29,920 Speaker 9: Good? I will love you so. 380 00:20:31,440 --> 00:20:36,400 Speaker 1: Until my die day? 381 00:20:37,880 --> 00:20:39,960 Speaker 9: Come, what may. 382 00:20:44,440 --> 00:20:44,759 Speaker 1: Come? 383 00:20:45,200 --> 00:20:47,400 Speaker 4: What made. 384 00:20:52,079 --> 00:20:56,319 Speaker 1: Good? I will love you so I love you so 385 00:20:57,319 --> 00:20:58,279 love you so. 386 00:21:00,039 --> 00:21:05,759 Speaker 9: Oh suddenly the world scenes such a perfect. 387 00:21:11,720 --> 00:21:11,880 Speaker 2: Um? 388 00:21:12,039 --> 00:21:22,599 Speaker 1: What may come? What made um? 389 00:21:23,079 --> 00:21:24,279 Speaker 2: What? Mad? 390 00:21:29,440 --> 00:21:29,640 Speaker 4: Oh? 391 00:21:29,960 --> 00:21:36,160 Speaker 9: Die will love you? Go kill my die? 392 00:21:39,759 --> 00:21:45,720 Speaker 1: Da come? What made thank you? 393 00:21:47,240 --> 00:21:49,400 Speaker 8: Wow? Glenn R. J. Will let the People's mayor. Oh, 394 00:21:49,519 --> 00:21:51,039 I'm sorry, We'll let Glenn the artist. 395 00:21:52,559 --> 00:21:53,480 Speaker 9: Neathanm getting used to. 396 00:21:53,799 --> 00:21:56,759 Speaker 8: Yes, yes, I gotta swing that monitor back here. Good thing. 397 00:21:56,759 --> 00:21:59,519 I have long arms, Jenny calls me long arms because 398 00:21:59,559 --> 00:22:01,000 at the grocery story I can reach things. 399 00:22:01,119 --> 00:22:02,960 Speaker 9: So for those of you who follow these songs and 400 00:22:03,039 --> 00:22:05,720 you know them by heart, yes, you'll notice that there 401 00:22:05,839 --> 00:22:07,160 is a big difference in the words. 402 00:22:07,400 --> 00:22:09,839 Speaker 8: I did know, I did notice that line. Funny you 403 00:22:09,880 --> 00:22:10,240 mentioned that. 404 00:22:10,359 --> 00:22:12,480 Speaker 9: Yes, that's what makes it so? 405 00:22:12,799 --> 00:22:15,440 Speaker 8: Yes, yes, I have to say, I mean, of all 406 00:22:15,480 --> 00:22:18,599 the of all the performances I've heard of that song 407 00:22:18,680 --> 00:22:20,799 that is by far the most the most recent. 408 00:22:22,119 --> 00:22:23,920 Speaker 9: Definitely, Yes, yes, well done. 409 00:22:23,960 --> 00:22:25,839 Speaker 8: If you are just joining us, we'll let Glenn the 410 00:22:26,079 --> 00:22:29,319 Artist is here with us. What's your favorite song you perform? 411 00:22:30,640 --> 00:22:33,799 Putting you on the spot here, I like to perform. 412 00:22:35,640 --> 00:22:41,200 Speaker 9: I have a few, I have unforgettable. I also have 413 00:22:42,319 --> 00:22:45,799 the power of love. I do a lot of Harry 414 00:22:45,839 --> 00:22:47,839 style and Sam Adams. 415 00:22:50,400 --> 00:22:51,279 Speaker 2: Uh I. 416 00:22:51,720 --> 00:22:53,599 Speaker 9: I love a lot of the powerful song. That's why 417 00:22:53,599 --> 00:22:56,759 I like come what May do, a lot of theater songs. Yeah, 418 00:22:56,920 --> 00:23:00,640 Disney songs. Oh, I do it all, you do it all. 419 00:23:00,839 --> 00:23:04,079 I do it. It takes practice. I practice. I get 420 00:23:04,160 --> 00:23:05,599 up in the morning and take my shower, get dress, 421 00:23:05,640 --> 00:23:08,599 go to my studio. And I practiced three hours a day, yes, 422 00:23:08,680 --> 00:23:10,559 in the morning, and then I go to work, and 423 00:23:10,680 --> 00:23:13,400 not to work, I perform. And now there's three or 424 00:23:13,440 --> 00:23:14,680 four hours depending where I am. 425 00:23:14,880 --> 00:23:18,160 Speaker 8: Wow. Now, have you ever had any formal vocal training. 426 00:23:18,359 --> 00:23:22,839 Speaker 9: Other than I used to I before I talked, I say, 427 00:23:23,160 --> 00:23:25,359 oh wow, not necessarily words, but I used to hummel 428 00:23:25,400 --> 00:23:28,519 lout when I was a kid. Yes, and I belonged 429 00:23:28,599 --> 00:23:32,559 to a lot of choirs, school choirs, college choirs, church choirs. 430 00:23:33,519 --> 00:23:37,319 And that's where I got my formal training. Okay, my creativity, 431 00:23:37,519 --> 00:23:40,640 it's just it just comes within me. I'm very creative. 432 00:23:40,759 --> 00:23:43,119 Speaker 8: Yes you are, Yes, you are, absolutely Well. What would 433 00:23:43,119 --> 00:23:47,359 you like to perform next? I'm dying to hear more. Actually, 434 00:23:48,720 --> 00:23:52,160 the next song is we have We have many things 435 00:23:52,240 --> 00:23:55,000 like the Impossible Dream, the Impossible Dream. 436 00:23:54,799 --> 00:24:00,839 Speaker 9: And it's an arrangement by azar Than Dross another powerful song. 437 00:24:01,400 --> 00:24:03,559 Speaker 8: Yes, all right, let me find that one. Okay, here 438 00:24:03,599 --> 00:24:06,799 we go. I've got that queued up. Are you ready, Glenn? 439 00:24:06,960 --> 00:24:08,720 Speaker 9: I am ready, all right, I'm going. 440 00:24:08,599 --> 00:24:12,559 Speaker 10: To H'm gonna play this and you have it on large? 441 00:24:12,680 --> 00:24:15,839 Speaker 8: Turn this, uh, I will. Let's see here. Let me 442 00:24:16,079 --> 00:24:18,480 put that full screen for you. Okay, and I'm gonna 443 00:24:18,559 --> 00:24:21,200 hit play a click play rather and turn this around 444 00:24:21,240 --> 00:24:28,000 and here we go. Oh that's good. There we go. 445 00:24:35,799 --> 00:24:41,039 Speaker 1: Dude, dude, dude, oh. 446 00:24:46,079 --> 00:24:56,440 Speaker 9: Oh, enjoy hope sees the invisible, seez the intangible, and 447 00:24:56,559 --> 00:25:00,640 it chee is the impossible. Helen Keller said this, Enjoy 448 00:25:01,160 --> 00:25:07,359 the impossible dream. Do do do do Do Do Do 449 00:25:07,559 --> 00:25:09,079 Do Do Do Do Do Do Do Do do do 450 00:25:09,240 --> 00:25:21,119 do do do do do do Dream how that impossible dream? 451 00:25:24,640 --> 00:25:37,680 And to fight how that unbeatable fool, to bear with 452 00:25:37,960 --> 00:25:49,079 that unbearable sorrow, and to run, oh where the brave 453 00:25:49,279 --> 00:26:03,720 did not go, to right that unrightable wrong, and to 454 00:26:04,200 --> 00:26:17,680 love pureing chest from a far to try, when your 455 00:26:18,000 --> 00:26:32,559 arms are too weary, to reach that unreachable star. Because 456 00:26:32,680 --> 00:26:42,839 this is my quest. To follow that star, no matter 457 00:26:43,279 --> 00:26:48,039 I hopeless, oh, no matter. 458 00:26:48,160 --> 00:26:49,039 Speaker 1: Of pr. 459 00:26:52,119 --> 00:27:02,200 Speaker 9: To fight for that right without questioning, or to be 460 00:27:02,440 --> 00:27:08,839 willing to much march into hell for that heavenly. 461 00:27:12,720 --> 00:27:13,599 Speaker 1: And I know. 462 00:27:15,960 --> 00:27:27,440 Speaker 9: That if i'll true, leavy, true to this glorious quest, that. 463 00:27:27,759 --> 00:27:28,880 Speaker 1: My heart. 464 00:27:31,039 --> 00:27:37,599 Speaker 9: Will be peaceful and calm when I'm late to my 465 00:27:38,039 --> 00:27:49,880 rastest and this world? Will it be better for these. 466 00:27:53,400 --> 00:27:54,759 Speaker 1: That one man. 467 00:27:56,720 --> 00:28:07,920 Speaker 9: Scorning covered with scars, steel stream, with his last ounce 468 00:28:08,000 --> 00:28:09,640 of courage. 469 00:28:12,799 --> 00:28:14,039 Speaker 1: To reach. 470 00:28:16,079 --> 00:28:23,039 Speaker 9: Of that unreachable, that unreachable, that unreachable storm. 471 00:28:31,039 --> 00:28:41,000 Speaker 1: Oh do. 472 00:28:42,759 --> 00:28:43,880 Speaker 2: Do do? Do? Do do? 473 00:28:44,160 --> 00:29:00,440 Speaker 9: Don on And I love with dream of that impossible dream. Yes, 474 00:29:00,559 --> 00:29:07,240 and I'll reach ould do that on reach able, sto 475 00:29:13,599 --> 00:29:33,759 that on reach stop? Thank you, no, thank you. We'll 476 00:29:33,839 --> 00:29:37,559 let Glenn the artist that when I roll out of 477 00:29:37,599 --> 00:29:38,279 my rs, don't I? 478 00:29:38,519 --> 00:29:38,720 Speaker 2: You do? 479 00:29:38,960 --> 00:29:42,880 Speaker 8: You roll a lot of your rs, which is not 480 00:29:43,000 --> 00:29:43,920 how I'm used to hearing it. 481 00:29:44,160 --> 00:29:46,200 Speaker 9: It's it's a signature snature. 482 00:29:46,480 --> 00:29:48,119 Speaker 8: Yeah, so that's that's how you make it your own. 483 00:29:48,559 --> 00:29:49,880 Speaker 9: Your artist has to make it their own. 484 00:29:51,279 --> 00:29:53,160 Speaker 8: I was afraid maybe you were mocking me, because you 485 00:29:53,240 --> 00:29:55,519 know I can't roll my rs. No, I can't roll 486 00:29:55,559 --> 00:29:56,960 my r You knew that, right. 487 00:29:57,119 --> 00:29:57,279 Speaker 4: Yeah. 488 00:29:57,400 --> 00:30:00,279 Speaker 9: I'm French and I'm using my ability to I I 489 00:30:00,400 --> 00:30:01,960 still speak and write and refriends. 490 00:30:02,039 --> 00:30:05,279 Speaker 8: So yes, yes, yeah. If I try to roll my rs, 491 00:30:05,359 --> 00:30:08,920 nothing happens like I'm like urber, I sound like I'm 492 00:30:08,920 --> 00:30:13,440 having a stroke or something. I can't do it. Urder See, 493 00:30:13,559 --> 00:30:16,920 I can't do it, never been able to do it. Well, 494 00:30:17,039 --> 00:30:19,000 very good. Uh and I see what you mean about 495 00:30:19,000 --> 00:30:22,599 the the uh the extra you kind of enhance it 496 00:30:22,599 --> 00:30:23,039 a little bit. 497 00:30:23,680 --> 00:30:25,119 Speaker 9: Yeah, I make it my own. 498 00:30:25,400 --> 00:30:27,920 Speaker 8: Yes, yes you do. I think that's very fair to say. 499 00:30:28,559 --> 00:30:30,720 If you are just joining us, we'll let Glenn the 500 00:30:30,960 --> 00:30:33,640 artist is here with us. You have a logo yet? 501 00:30:33,680 --> 00:30:33,880 Speaker 4: Have you? 502 00:30:34,039 --> 00:30:34,160 Speaker 9: Uh? 503 00:30:34,480 --> 00:30:36,119 Speaker 8: Do you have any kind of a logo or anything? 504 00:30:36,279 --> 00:30:39,640 Speaker 9: No, I'm working on it, you know, I I am. 505 00:30:40,880 --> 00:30:41,599 This is new to me. 506 00:30:42,200 --> 00:30:44,319 Speaker 8: Oh you know, and uh, well you've been You've been 507 00:30:44,359 --> 00:30:45,799 at this for a long time. Thought really, I mean 508 00:30:45,960 --> 00:30:46,680 it's not that new. 509 00:30:47,039 --> 00:30:49,440 Speaker 9: Well, but in front of crowds it is. 510 00:30:49,640 --> 00:30:49,839 Speaker 8: Yeah. 511 00:30:50,000 --> 00:30:51,759 Speaker 9: Yeah, that's why I did some That's why I had 512 00:30:51,880 --> 00:30:54,279 been doing a lot of karaoke. Oh, get rid of 513 00:30:54,359 --> 00:30:57,359 the stage fright, which didn't take long Because I'm I'm 514 00:30:57,400 --> 00:30:59,440 not I'm not the shy kid that I used to 515 00:30:59,480 --> 00:31:00,319 be when I was a kid. 516 00:31:00,559 --> 00:31:02,480 Speaker 8: Yes, yes, I didn't know you when you were a kid. 517 00:31:02,519 --> 00:31:05,119 But it's hard to imagine you shy. I was very shy, 518 00:31:05,200 --> 00:31:07,079 you were you? Yeah? Oh yeah, oh me too. I 519 00:31:07,119 --> 00:31:10,839 can relate to that. You want to do another one? 520 00:31:11,160 --> 00:31:13,920 Speaker 9: Sure the next song will be different. It's uh, I'm 521 00:31:13,960 --> 00:31:17,720 already there by I'm raising by Life by West Life. 522 00:31:17,680 --> 00:31:21,519 Speaker 8: West Life, Yes, uh, I remember West Life. Now why 523 00:31:21,640 --> 00:31:24,359 this song? Now, this song stands out. It's beautiful in 524 00:31:24,440 --> 00:31:27,319 that it's it's unlike the other songs, which are sort 525 00:31:27,359 --> 00:31:30,440 of standards or classics. One might say this is a 526 00:31:30,559 --> 00:31:32,359 West Life, a much younger group. 527 00:31:32,759 --> 00:31:36,440 Speaker 9: Yes, and they they it's a very meaningful song. Oh 528 00:31:36,519 --> 00:31:39,720 it's about losing a loved one. Oh yeah, it looks 529 00:31:39,720 --> 00:31:41,839 like a love song with the past. 530 00:31:42,480 --> 00:31:44,480 Speaker 8: Yes, yes, a love song with the past. 531 00:31:44,559 --> 00:31:46,519 Speaker 9: You lost your wife where you lost a husband? 532 00:31:46,680 --> 00:31:50,920 Speaker 8: M okay, yeah, I think I know this song. I 533 00:31:50,960 --> 00:31:54,000 think I remember the song all right, So I'm going 534 00:31:54,079 --> 00:31:57,200 to Uh, I'm gonna do same deal. I'm gonna out 535 00:31:57,240 --> 00:31:59,880 here this time I will remember to make it full screen. 536 00:32:00,039 --> 00:32:02,000 Speaker 9: You'll also find that I use a lot of my 537 00:32:02,079 --> 00:32:06,559 religious bringing in my songs. You do, Yes, it's important 538 00:32:06,559 --> 00:32:11,519 to me. Faith as run my life. So it's very important. 539 00:32:11,519 --> 00:32:13,559 Speaker 8: But do you do any actual religious songs? I do, 540 00:32:13,759 --> 00:32:14,079 Oh you do? 541 00:32:14,279 --> 00:32:14,440 Speaker 2: I do? 542 00:32:14,640 --> 00:32:18,319 Speaker 9: Like what I'm pretty much do them all the old 543 00:32:18,359 --> 00:32:19,240 ones and new ones. 544 00:32:20,039 --> 00:32:22,759 Speaker 8: When I was a kid at Saint John's going to 545 00:32:22,799 --> 00:32:26,559 Saint John's School and we would go on Sundays when 546 00:32:26,559 --> 00:32:29,119 my dad would take me to church, they would do 547 00:32:29,240 --> 00:32:31,880 songs at Saint John's, but they weren't like instead of 548 00:32:32,119 --> 00:32:34,279 I mean they would they would be there would be 549 00:32:34,319 --> 00:32:36,680 some religious hymns, but there was also you know, the 550 00:32:36,920 --> 00:32:39,279 ones you're used to hearing, but there would also be 551 00:32:39,400 --> 00:32:45,160 these other songs that like because they had a band 552 00:32:45,359 --> 00:32:47,079 that they would play live, and they would do these 553 00:32:47,119 --> 00:32:50,559 songs that were not like classic religious hymns, like share 554 00:32:50,559 --> 00:32:52,160 a little bit of your love. You ever hear that one? 555 00:32:52,359 --> 00:32:52,599 Speaker 9: Share? 556 00:32:52,960 --> 00:32:55,119 Speaker 8: I actually still remember these, like share a little bit 557 00:32:55,240 --> 00:32:57,480 of your love, my friends, share a little bit of 558 00:32:57,599 --> 00:32:57,920 your love. 559 00:32:58,279 --> 00:33:01,400 Speaker 9: I do a lot of I'm Roman Catholic and that's 560 00:33:01,720 --> 00:33:03,359 how it was raised. Yes, I do a lot of 561 00:33:03,720 --> 00:33:05,880 South South and Baptist songs. 562 00:33:06,279 --> 00:33:07,599 Speaker 8: Oh okay, very deep. 563 00:33:07,960 --> 00:33:09,519 Speaker 9: Yeah, you know it has a lot of meaning. 564 00:33:09,720 --> 00:33:11,519 Speaker 8: Now do you know have you heard from the Vatican 565 00:33:11,559 --> 00:33:13,480 at all about that? Do they approve of you as 566 00:33:13,480 --> 00:33:15,720 a Roman Catholic doing Southern Baptist songs. 567 00:33:15,839 --> 00:33:17,279 Speaker 9: I don't think I need their approval. 568 00:33:17,359 --> 00:33:19,519 Speaker 8: You're like a cross denominational performer. 569 00:33:19,640 --> 00:33:22,880 Speaker 9: I am an independent, yes artist, and I sing what 570 00:33:23,119 --> 00:33:23,799 I want to sing. 571 00:33:23,920 --> 00:33:25,640 Speaker 8: So if the Pope, if the new Pope, he comes 572 00:33:25,680 --> 00:33:28,160 in and says, Glenn, I'll sing a song, You'll say 573 00:33:28,240 --> 00:33:31,400 you'll sing em a song? All right, well, very good, okay, 574 00:33:31,640 --> 00:33:33,559 So uh, I'll go ahead and click play on this 575 00:33:33,640 --> 00:33:35,319 and I'll turn the monitor around. So this is a 576 00:33:35,480 --> 00:33:39,839 well let Glenn the artist performing. I'm already there, all right, 577 00:33:39,920 --> 00:33:40,319 here we go. 578 00:33:40,640 --> 00:33:41,960 Speaker 9: This is a relatively new song for me. 579 00:33:42,400 --> 00:33:45,079 Speaker 8: Oh really okay, Oh, I don't hear anything. And I 580 00:33:45,279 --> 00:33:45,640 think I know. 581 00:33:45,759 --> 00:33:47,319 Speaker 10: Whoops, I it takes time. 582 00:33:47,400 --> 00:33:49,559 Speaker 8: You think you start that over? Let's start that over 583 00:33:49,599 --> 00:33:50,000 here we go? 584 00:33:53,480 --> 00:33:53,599 Speaker 7: Right? 585 00:33:54,039 --> 00:33:55,839 Speaker 8: Oh, yeah, there we go. 586 00:34:05,160 --> 00:34:13,199 Speaker 9: Indeed enjoy. He called her on that road from a 587 00:34:13,320 --> 00:34:18,960 lonely cold hotel room, just to hear her say I 588 00:34:19,119 --> 00:34:25,880 love you one more time. And when he heard that 589 00:34:26,239 --> 00:34:32,039 sound all the kids laughing in the background, he had 590 00:34:32,199 --> 00:34:39,280 to wipe away a tear from his eyes. A little 591 00:34:39,559 --> 00:34:43,800 voice came on that phone said, Daddy, when are you 592 00:34:44,000 --> 00:34:44,679 coming home? 593 00:34:45,559 --> 00:34:46,119 Speaker 1: He said, the. 594 00:34:46,239 --> 00:34:52,119 Speaker 9: First thing that came to his mind because I'm all 595 00:34:52,400 --> 00:34:57,480 already there. Just take a look, take a look around. 596 00:34:58,559 --> 00:35:03,800 On that sunshine in your hair. I'm that shadow on 597 00:35:04,159 --> 00:35:09,800 that ground. I'm your whisper in the wind. I'm your 598 00:35:09,920 --> 00:35:20,639 imaginary friend, and I know that I'm in your prayer. Oh, 599 00:35:20,760 --> 00:35:31,159 I'm all already there. I'm already there. She got back 600 00:35:31,239 --> 00:35:35,920 on that telephone, said, I really miss you, my darling. 601 00:35:37,239 --> 00:35:39,559 Don't worry about the kids. 602 00:35:39,760 --> 00:35:41,320 Speaker 1: They'll be all right. 603 00:35:44,480 --> 00:35:48,519 Speaker 9: I wish I was in your arms tonight, laying right 604 00:35:48,719 --> 00:35:53,920 there beside you, But I know that I'll be in 605 00:35:54,119 --> 00:35:56,159 your dreams tonight. 606 00:35:56,280 --> 00:35:56,519 Speaker 2: Right. 607 00:35:58,480 --> 00:36:04,639 Speaker 9: And I'll gently kiss your lips, touch you with your fingertips. 608 00:36:05,760 --> 00:36:11,280 So turn out the lights and close your eyes, because 609 00:36:11,280 --> 00:36:17,000 I'm all already there. Don't you make a sound to night? 610 00:36:18,239 --> 00:36:22,760 On the beat in your heart, on that moon light 611 00:36:22,960 --> 00:36:29,800 shining down. You're with her in the wind. Come and 612 00:36:29,920 --> 00:36:36,840 I'll be there until the end. Can you see that 613 00:36:37,239 --> 00:36:47,679 love that we see? But I'm all already there. We 614 00:36:47,880 --> 00:36:54,920 may be a thousand a thousand miles of how but 615 00:36:55,079 --> 00:37:04,880 I'll be with you wherever you are. I'm all already there. 616 00:37:06,360 --> 00:37:10,360 To take a look, Take a look around. I'm that 617 00:37:10,599 --> 00:37:16,400 shun shine in your hair. I'm the shadow on that ground. 618 00:37:17,480 --> 00:37:21,920 I'm your whisper in the wind, and I'll be there 619 00:37:22,320 --> 00:37:30,519 until the end. Can you keep the love that we share. 620 00:37:32,760 --> 00:37:55,719 I'm already there yet, I'm all already because I'm already there. Yes, 621 00:37:55,920 --> 00:38:02,519 I'm already there. Thank you. 622 00:38:03,599 --> 00:38:07,320 Speaker 8: Wow. Well, let Glenn the artist. But that song, you know, 623 00:38:07,360 --> 00:38:09,719 I never really paid much attention to the lyrics before. 624 00:38:10,039 --> 00:38:13,519 I feel like it's about Uh, it's about the supernatural, 625 00:38:13,639 --> 00:38:16,519 like he's threatening to be a ghost and haunt this person. 626 00:38:16,639 --> 00:38:19,000 You know, I'm the shadow on the ground. I mean 627 00:38:19,039 --> 00:38:19,599 that's creepy. 628 00:38:19,800 --> 00:38:19,960 Speaker 2: Yeah. 629 00:38:20,000 --> 00:38:23,639 Speaker 9: What about the part about don't make a sound? Yeah 630 00:38:23,880 --> 00:38:25,079 that kind of creeped me out a bit. 631 00:38:25,159 --> 00:38:26,559 Speaker 8: Yeah, that'd be a good Halloween song. 632 00:38:26,840 --> 00:38:29,119 Speaker 9: I added that, Oh you had it. It came right 633 00:38:29,159 --> 00:38:30,760 behind the shadow things, so it made sense. 634 00:38:30,840 --> 00:38:34,519 Speaker 8: Oh that, yes, shadow on the ground, don't make a sound. 635 00:38:34,800 --> 00:38:37,760 Speaker 9: Remember I make these songs on my own sooky. 636 00:38:38,239 --> 00:38:40,360 Speaker 8: You made the song spooky. I like that a little, 637 00:38:40,400 --> 00:38:41,559 a little Halloween swist. 638 00:38:41,880 --> 00:38:42,280 Speaker 1: Non need that. 639 00:38:42,320 --> 00:38:44,880 Speaker 9: I also need it a little bit spiritual that you've 640 00:38:44,920 --> 00:38:45,519 lost someone. 641 00:38:45,599 --> 00:38:46,719 Speaker 8: I may have taken it the wrong way. 642 00:38:46,880 --> 00:38:47,599 Speaker 9: I'm still there. 643 00:38:47,920 --> 00:38:50,400 Speaker 8: Oh okay, I'm sorry. Sometimes I misinterpret things. But that's 644 00:38:50,400 --> 00:38:52,679 something about art, right, you know, you can you can 645 00:38:52,719 --> 00:38:56,480 interpret it different ways, you know, And I uh choose 646 00:38:56,599 --> 00:38:59,440 to interpret that as somebody dies and they come back 647 00:38:59,440 --> 00:39:02,840 as a ghost and they're haunting the person doing scary things, 648 00:39:03,000 --> 00:39:05,559 and it's like it turns into like an Amityville horror 649 00:39:05,719 --> 00:39:09,280 kind of situation than I guess. So oh, by the way, 650 00:39:09,440 --> 00:39:12,119 So speaking of creativity, So our friend, you know, Dan 651 00:39:12,239 --> 00:39:15,280 Dan Randlett, also known as Dan Randall of Dan Randall 652 00:39:15,320 --> 00:39:17,800 and the Randletts. He also has a stage name. Yes, 653 00:39:18,199 --> 00:39:20,639 he says in the chat room, this is a masterclass 654 00:39:20,719 --> 00:39:25,239 of vocal control, reminiscent of later Sinatra or even Tony Bennett, 655 00:39:25,559 --> 00:39:28,400 amazingly beautiful in a style we don't necessarily hear in 656 00:39:28,480 --> 00:39:32,920 this day and age, all without auto tune and other overprocessing. 657 00:39:33,239 --> 00:39:35,360 Speaker 9: And I do both those artists very well. 658 00:39:35,639 --> 00:39:38,239 Speaker 8: Yes you do, and you're humble about it. 659 00:39:38,760 --> 00:39:41,280 Speaker 9: Now, why shouldn't I be? I was raised with that music. 660 00:39:41,320 --> 00:39:42,239 I was born in Pitty two. 661 00:39:42,639 --> 00:39:46,000 Speaker 8: Yes, yes, so all right, well, very good? You want 662 00:39:46,039 --> 00:39:48,199 to do another one. I don't know if we're going 663 00:39:48,280 --> 00:39:50,800 to get through all of these necessarily, but I know 664 00:39:50,880 --> 00:39:52,519 the audience wants to hear more one is. 665 00:39:54,559 --> 00:39:58,199 Speaker 9: Actually it's better Roses. It's ben Jovi. 666 00:39:58,559 --> 00:40:00,519 Speaker 8: Oh, this song makes me blush when I hear it. 667 00:40:00,559 --> 00:40:02,440 I wonder if I'll have that reaction when you sing it. 668 00:40:02,559 --> 00:40:03,719 Speaker 9: It's a long song. 669 00:40:03,920 --> 00:40:07,039 Speaker 8: This is a long song, probably bon Jovi's longest song. 670 00:40:07,199 --> 00:40:09,119 Speaker 9: Is that why you chose probably my longest? 671 00:40:09,159 --> 00:40:09,360 Speaker 1: Well? 672 00:40:09,599 --> 00:40:12,239 Speaker 9: I like this song? Yes, Yes, every song I do 673 00:40:12,440 --> 00:40:14,199 is a challenge, and I love a challenge. 674 00:40:14,400 --> 00:40:16,800 Speaker 8: Yes. He also uses a stage name. Did you know that? 675 00:40:16,960 --> 00:40:17,320 Speaker 6: What is he? 676 00:40:17,719 --> 00:40:19,119 Speaker 8: John bon Jovi? Is not his real name? 677 00:40:19,440 --> 00:40:19,880 Speaker 1: Probably not. 678 00:40:20,000 --> 00:40:24,280 Speaker 8: I believe it's Bonjee of bon gioviy. I think it's 679 00:40:24,320 --> 00:40:29,320 bon Giov but he made it bon Jovi. All right, 680 00:40:29,480 --> 00:40:31,840 So so this is beat of Roses? And why this song, Glen, 681 00:40:31,880 --> 00:40:32,760 It's very romantic. 682 00:40:34,360 --> 00:40:35,800 Speaker 9: First of all, I am a romantic. 683 00:40:35,920 --> 00:40:36,679 Speaker 8: I've heard that about. 684 00:40:36,960 --> 00:40:40,119 Speaker 9: Yes again, the songs that I sing and what I 685 00:40:40,280 --> 00:40:44,000 injected them is my life. Okay, how I've lived my life? 686 00:40:44,119 --> 00:40:46,559 Speaker 8: All right, So you're going to inject some romance with 687 00:40:46,679 --> 00:40:48,119 this song? I will all right? 688 00:40:48,280 --> 00:40:50,960 Speaker 9: Very good, very good. This is a first on the 689 00:40:51,039 --> 00:40:53,920 radio on this one. I've done it on my TV 690 00:40:54,000 --> 00:40:56,039 show last week. Oh and I've been doing it for 691 00:40:56,079 --> 00:41:00,159 the last week now in the karaoke so it's I 692 00:41:00,199 --> 00:41:01,000 think I'm ready for it. 693 00:41:01,119 --> 00:41:04,320 Speaker 8: Wait, so this is the first time that that live, 694 00:41:04,679 --> 00:41:08,719 that that this version of the song, that your rendition 695 00:41:09,239 --> 00:41:11,880 of bet of Roses will be played on the radio. Well, 696 00:41:11,920 --> 00:41:13,880 in that case, you're listening. 697 00:41:13,559 --> 00:41:15,400 Speaker 2: To Taluminate. 698 00:41:16,800 --> 00:41:17,760 Speaker 1: World premiere. 699 00:41:20,280 --> 00:41:23,199 Speaker 8: That's right, it's the world premiere of Glennarr J Willette 700 00:41:23,199 --> 00:41:24,599 performing That of Roses. 701 00:41:25,760 --> 00:41:39,280 Speaker 10: Here we go, I will get you, it will play, 702 00:41:40,440 --> 00:41:42,400 I hope, So there we go. 703 00:42:00,320 --> 00:42:17,639 Speaker 9: Do A bed of Roses is enjoy Ooh, stitting here, 704 00:42:18,119 --> 00:42:26,239 wasted and wounded at this old piano, A trying hard 705 00:42:26,320 --> 00:42:34,280 to capture the moment. This morning, I don't know because 706 00:42:34,360 --> 00:42:38,000 a bottle of but cars still logged in my head 707 00:42:38,360 --> 00:42:42,119 and some blonde girl things that I'm that does. She's 708 00:42:42,199 --> 00:42:49,480 still in my bed as I dream about movies. They 709 00:42:49,679 --> 00:42:57,800 won't make me when I'm dead with an icon glade this, 710 00:42:58,519 --> 00:43:05,280 I wake up and fred kiss that morning whilst some 711 00:43:05,599 --> 00:43:09,440 marching band keeps it on beat in my head while 712 00:43:09,519 --> 00:43:17,159 I'm talking about the things that I long to believe 713 00:43:17,679 --> 00:43:21,599 about love, the truth, what you really mean to me, 714 00:43:22,199 --> 00:43:33,079 and the truth is maybe You're all that I need. Oh, 715 00:43:33,239 --> 00:43:37,440 I want to lay you down down in the bead 716 00:43:37,679 --> 00:43:45,119 of roses. What tonight? Tonight I sleep. 717 00:43:45,239 --> 00:43:47,119 Speaker 1: In a bed of names. 718 00:43:49,599 --> 00:43:55,079 Speaker 9: Oh, I want to be just as close as the 719 00:43:55,159 --> 00:44:03,119 Holy ghost is. Oh Lord, and you down in a 720 00:44:03,360 --> 00:44:13,280 bed of roses. Well, I'm so far away. Each stepth 721 00:44:13,480 --> 00:44:19,960 that I take is on my way home, and King's 722 00:44:20,039 --> 00:44:24,000 ransom dimes. And I give each night to see you 723 00:44:24,199 --> 00:44:30,239 on that telephone. Shall I run out of time or 724 00:44:30,360 --> 00:44:33,800 it's hard to get through till the bird of the 725 00:44:34,079 --> 00:44:38,880 wire flies back to you. I'll just close my eyes 726 00:44:40,280 --> 00:44:48,320 and whisper, baby, whine, love is true. I want to 727 00:44:48,639 --> 00:44:52,880 lay you down down on a bed of roses. 728 00:44:55,840 --> 00:44:56,360 Speaker 1: For the night. 729 00:44:56,800 --> 00:45:04,440 Speaker 9: To night I sleep in a bed name. Oh, I 730 00:45:04,719 --> 00:45:09,760 want to be as close as the Holy ghost is. 731 00:45:09,960 --> 00:45:17,400 Oh Lord, Oh, and lay you down down. 732 00:45:17,239 --> 00:45:19,360 Speaker 1: In a bed of roads. 733 00:45:24,840 --> 00:45:30,360 Speaker 9: Well, this hotel, bars hangover, whiskeys done dry, and the 734 00:45:30,480 --> 00:45:34,519 barkeepers with cook. She's giving me the eyes. Well I 735 00:45:34,800 --> 00:45:39,679 might have said hi, but I laughed so hard. 736 00:45:39,880 --> 00:45:41,440 Speaker 1: I think I died. 737 00:45:43,159 --> 00:45:54,920 Speaker 9: Oh yeah, in a bed of roses. I lay you 738 00:45:55,199 --> 00:45:59,039 down in a bed in a bed of roses. 739 00:46:00,199 --> 00:46:02,840 Speaker 5: Is do do do? 740 00:46:02,880 --> 00:46:02,920 Speaker 2: Do? 741 00:46:03,199 --> 00:46:03,239 Speaker 5: Do? 742 00:46:03,280 --> 00:46:03,760 Speaker 2: Do do do? 743 00:46:11,199 --> 00:46:15,320 Speaker 1: I want to lay you down down in that bed 744 00:46:15,719 --> 00:46:18,559 of roses, Do do, Do, Do Do. 745 00:46:22,639 --> 00:46:22,760 Speaker 4: Now. 746 00:46:22,800 --> 00:46:26,519 Speaker 9: As you close your eyes, know that I'll be thinking 747 00:46:27,039 --> 00:46:34,320 about you while my mistress she calls me to stand 748 00:46:34,440 --> 00:46:41,800 in her spotlight again tonight. I won't be a long 749 00:46:41,960 --> 00:46:48,880 But you know, I don't mean I'm not lonely. I've 750 00:46:49,000 --> 00:46:52,800 got nothing to prove. For its you that I die 751 00:46:52,920 --> 00:47:00,280 to defend, because I want to lay you down down 752 00:47:00,440 --> 00:47:07,760 in a bed of roses for toune night to night, 753 00:47:08,239 --> 00:47:15,519 I sleep in a bed of names. Oh, I want 754 00:47:15,920 --> 00:47:20,039 to be just as close as the Holy Ghost is 755 00:47:20,239 --> 00:47:33,119 my lord and lay you down down. Oh, I want 756 00:47:33,519 --> 00:47:37,960 to lay you down down in a bed of roses. 757 00:47:40,920 --> 00:47:46,519 Fortune night to night, I'll sleep on a bed of names. 758 00:47:49,599 --> 00:47:53,440 I just want to be just as close as the 759 00:47:53,719 --> 00:48:01,840 Holy Ghost is my lord and lay you down down. 760 00:48:04,760 --> 00:48:06,119 Speaker 1: Oh that bed of. 761 00:48:09,880 --> 00:48:15,119 Speaker 8: Thank you, well, thank you. We'll let Glenn the artist, 762 00:48:16,039 --> 00:48:17,920 how I do? Oh? That was that was great. 763 00:48:18,000 --> 00:48:20,599 Speaker 9: I noticed it at the beginning that there's there's a 764 00:48:20,679 --> 00:48:23,280 couple of sentences that I'm still working on. 765 00:48:23,519 --> 00:48:25,719 Speaker 8: Like there was a line in there about a blonde 766 00:48:25,760 --> 00:48:27,079 in your bed. You kind of stumbled on that a 767 00:48:27,119 --> 00:48:27,440 little bit. 768 00:48:27,599 --> 00:48:30,280 Speaker 9: Yeah, yeah, but uh, just having in my bed? 769 00:48:30,880 --> 00:48:34,440 Speaker 8: Whoa tm I Glenn, whoa, my goodness. All right, you 770 00:48:34,480 --> 00:48:36,480 want to do one more, we'll do one more to 771 00:48:36,519 --> 00:48:39,800 close out the segment. If you are just joining us, Uh, 772 00:48:40,440 --> 00:48:43,320 we'll let Glenn the artist is here with us, alive 773 00:48:43,440 --> 00:48:44,000 in studio. 774 00:48:44,239 --> 00:48:46,199 Speaker 9: I'll do a share. So it's called believe, but it's 775 00:48:46,440 --> 00:48:50,280 enraging by Oh, I thought you wanted to do uh. Oh, yes, 776 00:48:50,360 --> 00:48:51,760 the dance. Let's do the dance. 777 00:48:52,280 --> 00:48:54,320 Speaker 8: I don't have that one. For some reason, when you 778 00:48:54,400 --> 00:48:57,360 had it, I thought I did too. Oh last dance. 779 00:48:57,400 --> 00:48:59,000 Oh you know what? Oh, I do have it. I'm sorry. 780 00:48:59,000 --> 00:49:01,280 I close that apparently close that tab out without meaning 781 00:49:01,360 --> 00:49:04,280 to the last dance. That's an appropriate uh song to 782 00:49:04,280 --> 00:49:07,000 finish the segment, is all right, very good? Let me 783 00:49:07,079 --> 00:49:08,239 get that radio. 784 00:49:08,320 --> 00:49:10,880 Speaker 9: Hey, if you can figure out that last paragraph, what 785 00:49:11,039 --> 00:49:11,559 language it is? 786 00:49:11,679 --> 00:49:14,480 Speaker 8: Yes, I'm very very curious to hear this. Okay, So 787 00:49:14,679 --> 00:49:16,599 because Glenn, when you do this song, you're going to 788 00:49:16,679 --> 00:49:19,679 do it, explain again for people just joining us. There's 789 00:49:19,719 --> 00:49:21,639 a there's a twist right with the song. 790 00:49:21,719 --> 00:49:23,199 Speaker 12: The way you do it, there is a twist. I 791 00:49:23,239 --> 00:49:26,039 do it in three languages, in three languages, okay, very good? 792 00:49:26,199 --> 00:49:29,679 All right, here he is performing in three Languages, Glenn R. J. Well, 793 00:49:29,760 --> 00:49:32,119 I'm sorry, We'll let Glenn the artist. 794 00:49:32,800 --> 00:49:33,239 Speaker 10: Here we go. 795 00:49:35,719 --> 00:49:50,280 Speaker 9: The last dance, Lad did you do? Enjoy Last Dance 796 00:49:53,199 --> 00:50:02,559 lad Dance poola Moo, Last Dance for Love. This is 797 00:50:02,719 --> 00:50:11,000 my last dance. Nadonie Chance for Romans Tonight. 798 00:50:11,599 --> 00:50:12,920 Speaker 1: Their sweet. 799 00:50:17,880 --> 00:50:25,960 Speaker 9: I need you too, are that MOI fin me beside 800 00:50:26,119 --> 00:50:32,400 me to guide me, and. 801 00:50:32,760 --> 00:50:37,639 Speaker 1: You hold me to scold me. 802 00:50:39,280 --> 00:50:45,159 Speaker 9: Because when I'm bad, I'm all so so so bad. 803 00:50:47,079 --> 00:50:57,559 Enjoy Oh to last Dance, Nadonne Dance, Last Dance, Nadonna 804 00:50:57,679 --> 00:51:03,800 dances lasting along the last like down here, down to lie, 805 00:51:04,840 --> 00:51:13,840 the swam lassing my pool Lamo Lasting for love. This 806 00:51:14,119 --> 00:51:22,440 is my lasting for romance to night. Why I need 807 00:51:22,559 --> 00:51:28,480 you that thefore then these had me, You got me 808 00:51:29,360 --> 00:51:33,199 and to hold me, you stole me. God. 809 00:51:33,239 --> 00:51:36,719 Speaker 1: When I'm mad, I'm all to nowhead. 810 00:51:37,599 --> 00:51:43,320 Speaker 9: So let's Dna down go let the like dnire downs 811 00:51:43,400 --> 00:51:51,000 come on a lettin l Dnie down to night swam 812 00:51:54,760 --> 00:51:59,320 Yah baby, yeah, yeah, yeah, yeah, yeah yeah, Let Johnne down. 813 00:52:00,360 --> 00:52:06,239 Let's dance that last dance. Let me be your mystery, 814 00:52:06,480 --> 00:52:07,280 right darling. 815 00:52:10,559 --> 00:52:16,559 Speaker 13: Oh yeah, I can satisfy your appetite for dancing, my baby, 816 00:52:19,880 --> 00:52:24,159 I never knew that you're the one for me, one 817 00:52:24,360 --> 00:52:28,159 for me. Well well, well, well, well, all that I 818 00:52:28,360 --> 00:52:33,360 asked is that you dance with me Darcy a vet moir. 819 00:52:34,719 --> 00:52:35,079 Speaker 6: With me. 820 00:52:39,320 --> 00:52:45,639 Speaker 9: Poll lesson Ladonia Dan who lah Mo lasted for love. 821 00:52:46,440 --> 00:52:54,400 This is my lasting for romance to Nahid Firsi. Oh, 822 00:52:54,679 --> 00:53:03,079 I need you mind me, besides you guide and hold me, 823 00:53:04,079 --> 00:53:07,559 to stole me because when I'm bad, I'm so so 824 00:53:07,880 --> 00:53:08,440 so bad. 825 00:53:08,679 --> 00:53:08,920 Speaker 4: Yeah. 826 00:53:09,159 --> 00:53:15,960 Speaker 9: Yeah, to let them Nadanie down, don't truly the last dance. 827 00:53:17,559 --> 00:53:24,920 Let dance Nadiana Dannce, let them Nadania downs to re 828 00:53:25,239 --> 00:53:46,320 Li Swazebru du Ramadi hirapo Jandabadindo ran Dandie to Roasta 829 00:53:46,440 --> 00:53:58,599 kotak oh lad Dan Daddy do Rambo Bandi Dudy Hei 830 00:53:58,719 --> 00:54:06,239 ram By, Dude gd new body. Oh oh that's dad 831 00:54:07,199 --> 00:54:16,000 Dane down by decide me. Oh you hold me, you 832 00:54:16,159 --> 00:54:20,719 stole me and went on bad. I'm so bad. Let's 833 00:54:20,840 --> 00:54:28,559 danced down Kudo got good Dan Ye does the lasting. 834 00:54:30,400 --> 00:54:30,840 Speaker 8: To night. 835 00:54:31,039 --> 00:54:32,039 Speaker 9: That's just why? Thank you? 836 00:54:33,000 --> 00:54:34,400 Speaker 8: Wow, very nice, very nice. 837 00:54:34,639 --> 00:54:35,599 Speaker 9: What was that language? 838 00:54:35,719 --> 00:54:38,760 Speaker 8: Well at glenn uh oh in the last verse there 839 00:54:39,000 --> 00:54:41,280 or the last paragraph, as you would say, I don't 840 00:54:41,320 --> 00:54:41,800 know what was that. 841 00:54:43,239 --> 00:54:47,440 Speaker 9: It was creative pigowatan. Oh, okay, so every time I 842 00:54:47,559 --> 00:54:48,920 do it, it's different. 843 00:54:49,199 --> 00:54:51,239 Speaker 8: See, I wasn't sure. Okay, so I'm glad you clarified 844 00:54:51,280 --> 00:54:53,280 that for our listeners. I was getting a little bit concerned. 845 00:54:53,280 --> 00:54:55,079 I thought maybe I didn't know if that was a 846 00:54:55,239 --> 00:54:57,400 language or if you're having a tia. I didn't know 847 00:54:57,400 --> 00:54:58,920 if we had to call nine one one. I didn't 848 00:54:58,920 --> 00:55:01,800 know what was happening there. No, okay, good, good, No, 849 00:55:02,000 --> 00:55:02,639 it sounded great. 850 00:55:02,760 --> 00:55:04,320 Speaker 9: It's it's the fun of music. 851 00:55:04,519 --> 00:55:05,400 Speaker 8: You're the fun of you. 852 00:55:05,519 --> 00:55:08,039 Speaker 9: You can't have fun with music? Why are you singing? 853 00:55:08,400 --> 00:55:08,639 Speaker 1: Yes? 854 00:55:09,360 --> 00:55:11,480 Speaker 8: Yes, I agree, Well you clearly have a good time. 855 00:55:11,760 --> 00:55:13,920 Speaker 9: It's good for my Heart's good for my soul, it's 856 00:55:13,920 --> 00:55:17,239 good for my brain. It calms me down, it makes 857 00:55:17,280 --> 00:55:17,800 me happy. 858 00:55:18,039 --> 00:55:18,199 Speaker 8: Yes. 859 00:55:18,400 --> 00:55:19,239 Speaker 9: Why wouldn't I see? 860 00:55:19,400 --> 00:55:21,559 Speaker 8: Where can we see you live? Where's when's your next show? 861 00:55:22,159 --> 00:55:24,079 Speaker 9: I don't know right now. I'm planning on one right 862 00:55:24,119 --> 00:55:26,920 now in Springfield at the end of the month, uh huh. 863 00:55:26,960 --> 00:55:29,119 And then in August I plan to go to Hartford 864 00:55:29,159 --> 00:55:32,239 for the first time and take it from there. I 865 00:55:32,320 --> 00:55:35,639 am planning a concert at the Rex Theater. I'm not 866 00:55:35,760 --> 00:55:38,480 talking with them and it'll probably August or September. 867 00:55:38,639 --> 00:55:42,000 Speaker 8: Oh, so you're in negotiations with the Rex Theater. Yes, wow, 868 00:55:42,320 --> 00:55:42,719 very good. 869 00:55:42,920 --> 00:55:45,280 Speaker 9: It's a very stage. But he definitely wants me to. 870 00:55:45,280 --> 00:55:48,519 Speaker 8: Sing okay, okay, excellent, excellent. 871 00:55:48,239 --> 00:55:51,440 Speaker 9: And then I'll probably be doing one in the in 872 00:55:51,519 --> 00:55:54,039 the park where they have the fireworks. That will be 873 00:55:54,239 --> 00:55:56,119 uh with probably twenty other artists. 874 00:55:56,400 --> 00:55:57,599 Speaker 1: Oh, all local. 875 00:55:58,599 --> 00:56:03,039 Speaker 9: I like the local flare and the culture, and that 876 00:56:03,239 --> 00:56:05,920 will be also a fundraiser from my campaign. As they're 877 00:56:05,960 --> 00:56:08,039 running from mayor. I'm excusing me. I'm not running from here. 878 00:56:08,039 --> 00:56:09,840 I'm running for All Dominion Ward three. 879 00:56:10,199 --> 00:56:11,760 Speaker 8: Very good. Oh you should plug you or you have 880 00:56:11,840 --> 00:56:13,239 a television show too, you should plug that. 881 00:56:13,360 --> 00:56:15,239 Speaker 9: Yes, we'll let it Lodge go on Global. It airs 882 00:56:15,280 --> 00:56:18,760 every Thursday at four to five pm and I have 883 00:56:18,800 --> 00:56:21,840 a lot of guests that come and it airs in 884 00:56:21,840 --> 00:56:25,000 the eighty five countries because I've networked in over twenty years. Wow, 885 00:56:25,320 --> 00:56:27,599 that's why it airs early in the morning and also 886 00:56:27,760 --> 00:56:29,039 during the daytime and nighttime. 887 00:56:29,159 --> 00:56:29,960 Speaker 8: You've gone global. 888 00:56:30,599 --> 00:56:32,800 Speaker 9: Well that's why it's not call We'll let it Lodge 889 00:56:32,920 --> 00:56:33,559 Gone Global. 890 00:56:33,719 --> 00:56:36,760 Speaker 8: Yes, yes, well, very good, Well, Glenn, thank you so much. 891 00:56:36,840 --> 00:56:38,440 This is a pleasure. Thanks for having me a bit 892 00:56:38,440 --> 00:56:39,760 a while since we've been able to do this, so 893 00:56:39,840 --> 00:56:41,119 I very much appreciate you. 894 00:56:41,159 --> 00:56:41,840 Speaker 9: So what do you think? 895 00:56:42,519 --> 00:56:44,840 Speaker 8: Great? Great, it's but you know, I'm just happy to 896 00:56:44,880 --> 00:56:45,119 see you. 897 00:56:45,480 --> 00:56:49,119 Speaker 9: It's something in the works. Yes, it can only get better. Yes, 898 00:56:49,360 --> 00:56:51,159 yes you will let it lodge go on Global or 899 00:56:51,920 --> 00:56:52,800 we'll let Glenn. 900 00:56:53,119 --> 00:56:56,239 Speaker 8: We'll let Glenn. Very good, very good. All right, well, 901 00:56:56,320 --> 00:56:58,400 thank you, thank you Glenn. And if you are listening 902 00:56:58,480 --> 00:57:00,960 live on Saturday stick around. Coming up next we have 903 00:57:01,039 --> 00:57:03,639 Who I Am and Thrax will be here with us 904 00:57:04,079 --> 00:57:07,000 and uh don't go anywhere. We got more to come 905 00:57:07,079 --> 00:57:10,199 here on Matt connorton Unleashed. We are live from the 906 00:57:10,239 --> 00:57:12,599 studios of w m n H ninety five point three FM. 907 00:57:13,079 --> 00:57:14,960 Speaker 1: You are listening to WUM and H. 908 00:57:17,039 --> 00:57:18,440 Speaker 9: World Premiere. 909 00:57:53,239 --> 00:57:56,239 Speaker 2: Live sings a song. 910 00:57:56,440 --> 00:58:00,320 Speaker 3: Sometimes it's loved Caddy, what's staring doll? 911 00:58:00,480 --> 00:58:01,800 Speaker 1: Soon call me skin bad? 912 00:58:02,920 --> 00:58:13,039 Speaker 5: I want p say your son in side. So it's 913 00:58:13,079 --> 00:58:17,239 like can a joke you never get me? Don't beat 914 00:58:17,280 --> 00:58:22,199 a strange eyes, singing my enter and sing me high up. 915 00:58:23,679 --> 00:58:26,039 Speaker 2: High asking men when you sign. 916 00:58:29,760 --> 00:58:37,360 Speaker 5: Sid found b sing your sound where rock all It's 917 00:58:37,599 --> 00:58:41,760 like jaw song as me how row all that high 918 00:58:42,480 --> 00:58:45,480 foul B sing your sound way you rock on. It's 919 00:58:45,719 --> 00:58:49,400 like jaw song as me I on the drownd that 920 00:58:49,639 --> 00:58:51,400 beside you know round. 921 00:58:51,400 --> 00:58:54,760 Speaker 4: To sing love house B saying your side. 922 00:58:58,199 --> 00:59:12,719 Speaker 5: Shi shinde, so do you get it? I'm in love 923 00:59:12,800 --> 00:59:17,599 it you stay. It's like magic out of the high 924 00:59:17,760 --> 00:59:21,519 you bullding rabbit feeling in the sky. 925 00:59:21,920 --> 00:59:26,440 Speaker 3: You're so majestic, decent, beery sound eas. 926 00:59:26,519 --> 00:59:31,639 Speaker 1: Side side. 927 00:59:35,360 --> 00:59:38,039 Speaker 4: Found be seen solving round. 928 00:59:38,199 --> 00:59:42,320 Speaker 5: It's like your song as Mehl crowned. 929 00:59:43,519 --> 00:59:46,039 Speaker 2: Foul be say you sold and you row. 930 00:59:46,320 --> 00:59:50,719 Speaker 5: It's like your song as me Eye to crown every 931 00:59:50,960 --> 00:59:52,880 side and around the same 932 00:59:53,039 --> 00:59:55,400 Speaker 2: Loud B, say your side