WEBVTT

1
00:00:00.080 --> 00:00:02.040
<v Speaker 1>With the Planet Fitness Black Card. You don't just get

2
00:00:02.040 --> 00:00:04.160
<v Speaker 1>a great workout, you get a great perk out because

3
00:00:04.200 --> 00:00:05.639
<v Speaker 1>your membership is packed with perks.

4
00:00:05.719 --> 00:00:07.679
<v Speaker 2>For one dollar down in twenty four to ninety nine

5
00:00:07.719 --> 00:00:07.919
<v Speaker 2>a month.

6
00:00:07.919 --> 00:00:09.839
<v Speaker 3>If you'll get perks like access to any of our

7
00:00:09.839 --> 00:00:12.560
<v Speaker 3>twenty four hundred clean and spacious locations.

8
00:00:12.039 --> 00:00:12.960
<v Speaker 1>Bring your friend anytime.

9
00:00:13.000 --> 00:00:15.119
<v Speaker 3>They both work out what tons of equipment that'll give

10
00:00:15.119 --> 00:00:17.480
<v Speaker 3>you that big fitness energy. Relax on the Black Cart,

11
00:00:17.519 --> 00:00:20.879
<v Speaker 3>spaw and more workout in perkout with the PF Plant Card.

12
00:00:20.760 --> 00:00:22.679
<v Speaker 4>Joined for just one dollar down in twenty four to

13
00:00:22.719 --> 00:00:23.519
<v Speaker 4>ninety nine a month.

14
00:00:28.600 --> 00:00:30.000
<v Speaker 1>See Hoole Club for details.

15
00:00:30.399 --> 00:00:32.840
<v Speaker 5>This is the story of the one who, as a

16
00:00:32.880 --> 00:00:35.920
<v Speaker 5>maintenance specialist for a historic hygh rise, knows that vintage

17
00:00:35.960 --> 00:00:39.520
<v Speaker 5>charm historically needs constant attention, which is why when it's

18
00:00:39.560 --> 00:00:42.439
<v Speaker 5>time to upgrade, turn at the Century Mechanicals. They turn

19
00:00:42.600 --> 00:00:45.719
<v Speaker 5>to Granger, with easy access to a million plus products

20
00:00:45.719 --> 00:00:48.119
<v Speaker 5>and the scale to deliver when and where you need them.

21
00:00:48.439 --> 00:00:51.479
<v Speaker 5>The right tools and supplies are never far away, so

22
00:00:51.520 --> 00:00:54.320
<v Speaker 5>the one can keep that vintage building running like new.

23
00:00:54.719 --> 00:00:58.359
<v Speaker 5>Call Clickgranger dot com or just dot buy Ranger for

24
00:00:58.439 --> 00:01:00.119
<v Speaker 5>the ones who get it done.

25
00:01:00.399 --> 00:01:18.719
<v Speaker 6>Transcribe Kathy and Elliott Lewis on stage. Kathy Lewis Elliott Lewis,

26
00:01:18.959 --> 00:01:22.400
<v Speaker 6>two of the most distinguished names in radio, opening tonight

27
00:01:22.439 --> 00:01:23.599
<v Speaker 6>in their own theater.

28
00:01:23.840 --> 00:01:26.040
<v Speaker 1>Starring in a repertory of stories of their own.

29
00:01:26.120 --> 00:01:35.079
<v Speaker 6>And you're choosing radio's foremost players and radio's foremost plays. Drama, comedy, adventure, mystery, melodrama.

30
00:01:34.640 --> 00:01:35.560
<v Speaker 1>Ladies and gentlemen.

31
00:01:35.680 --> 00:01:46.879
<v Speaker 4>Mister Elliott Lewis, Good, Evening, may I present my wife,

32
00:01:47.000 --> 00:01:50.239
<v Speaker 4>Kathy Good Evening. Tonight is our opening night, and tonight

33
00:01:50.359 --> 00:01:52.120
<v Speaker 4>is the first day of the new year. So we're

34
00:01:52.159 --> 00:01:53.879
<v Speaker 4>going to do a comedy for you to start our

35
00:01:53.920 --> 00:01:54.879
<v Speaker 4>new series.

36
00:01:54.640 --> 00:01:57.159
<v Speaker 7>Something like a spray of confetti to go with the season.

37
00:01:57.480 --> 00:01:59.319
<v Speaker 7>A story about a young man and his wife in

38
00:01:59.400 --> 00:02:04.079
<v Speaker 7>nineteen fifty nice people, not rich, not poor, happy with

39
00:02:04.120 --> 00:02:04.719
<v Speaker 7>each other, you know.

40
00:02:05.079 --> 00:02:05.560
<v Speaker 8>Nice.

41
00:02:05.599 --> 00:02:09.000
<v Speaker 4>So tonight we present String bow Tie by Morton Fine

42
00:02:09.039 --> 00:02:13.159
<v Speaker 4>and David Freakin. My name in the play is Gerson Hapsmith.

43
00:02:12.960 --> 00:02:15.039
<v Speaker 8>And I'm Laurie Hapsmith, and.

44
00:02:15.000 --> 00:02:16.680
<v Speaker 1>We're married and we live in New York.

45
00:02:17.439 --> 00:02:20.560
<v Speaker 4>The opening scene has to do with Laurie. She's got

46
00:02:20.560 --> 00:02:24.159
<v Speaker 4>a seat on the Seventh Avenue subway. It's New Year's Eve, afternoon,

47
00:02:24.199 --> 00:02:26.840
<v Speaker 4>and she's on our way home from work. At the moment,

48
00:02:26.879 --> 00:02:29.719
<v Speaker 4>she's upset because the seated man next door is working

49
00:02:29.759 --> 00:02:32.960
<v Speaker 4>the crossword puzzle and doesn't know the three letter word

50
00:02:33.039 --> 00:02:35.960
<v Speaker 4>for the web footed diving bird of the Arctic Sea.

51
00:02:36.759 --> 00:02:41.680
<v Speaker 8>Laurie knows awk M sixteen down.

52
00:02:42.039 --> 00:02:45.479
<v Speaker 7>It's uk auk now extinct.

53
00:02:45.840 --> 00:02:48.639
<v Speaker 8>It's very cold in the Arctic. Here's the paper.

54
00:02:48.680 --> 00:02:53.080
<v Speaker 1>You work it out, yes, thank you. By that's Laurie.

55
00:02:53.240 --> 00:02:55.840
<v Speaker 4>Easy to get along with, even on a subway where

56
00:02:55.840 --> 00:02:58.280
<v Speaker 4>people are pretty tough to get along with. To make

57
00:02:58.280 --> 00:03:00.520
<v Speaker 4>a point out of it, Laurie in a way she knows,

58
00:03:00.680 --> 00:03:04.039
<v Speaker 4>makes herself smaller so that very large woman will have

59
00:03:04.159 --> 00:03:05.479
<v Speaker 4>ample room on the seat.

60
00:03:06.199 --> 00:03:10.280
<v Speaker 7>You crowded, dear No, not at all. Do you have

61
00:03:10.319 --> 00:03:12.360
<v Speaker 7>a pencil? Oh sure, sure, Dearie.

62
00:03:12.599 --> 00:03:16.280
<v Speaker 9>Wait, I'll find it somewhere. I got it here some

63
00:03:16.439 --> 00:03:17.240
<v Speaker 9>place at my face.

64
00:03:17.639 --> 00:03:22.000
<v Speaker 7>Oh here, thank you. I like to wear crossford puzzles

65
00:03:22.000 --> 00:03:27.400
<v Speaker 7>on her way home. Oh thanks, they're extinct now, Dearie. Yes,

66
00:03:27.439 --> 00:03:32.159
<v Speaker 7>I know swy which one honey across or down upstair

67
00:03:32.280 --> 00:03:36.000
<v Speaker 7>on the advertisement where see the one between the termite

68
00:03:36.080 --> 00:03:40.439
<v Speaker 7>service and the cheese crack is saw wee? Oh?

69
00:03:40.520 --> 00:03:42.080
<v Speaker 8>You mean the picture of the man in a string

70
00:03:42.120 --> 00:03:43.080
<v Speaker 8>bow tie sitting at.

71
00:03:42.960 --> 00:03:47.400
<v Speaker 9>The piano schezzo a man's cologne to quicken the pulse

72
00:03:47.479 --> 00:03:52.800
<v Speaker 9>of women. Oh you know something, why I understand perfectly

73
00:03:52.800 --> 00:03:55.439
<v Speaker 9>the emotions of those four women seated at his feet.

74
00:03:55.879 --> 00:03:59.120
<v Speaker 9>Oh look at that man, dearie.

75
00:03:59.280 --> 00:04:00.360
<v Speaker 7>Uh huh.

76
00:04:00.759 --> 00:04:03.240
<v Speaker 9>Let me know when we get the Times Square. Yesterday

77
00:04:03.280 --> 00:04:05.840
<v Speaker 9>I ended up in Bronx Park just staring at him.

78
00:04:06.360 --> 00:04:09.680
<v Speaker 7>That fella is a real beauty. Do you really think so? Huh?

79
00:04:09.919 --> 00:04:10.240
<v Speaker 7>Just me?

80
00:04:11.080 --> 00:04:16.160
<v Speaker 9>We all over town ladies standing around staring, admiring. Oh, no,

81
00:04:16.199 --> 00:04:19.240
<v Speaker 9>wonder the way he sits there at the piano, hands

82
00:04:19.319 --> 00:04:22.240
<v Speaker 9>poised over. Who knows what strange melody, the grace of

83
00:04:22.279 --> 00:04:25.759
<v Speaker 9>that fellow. The passion is my husband down to his fingertips,

84
00:04:26.079 --> 00:04:28.600
<v Speaker 9>smoldering written all over him.

85
00:04:28.839 --> 00:04:29.680
<v Speaker 8>He's my husband.

86
00:04:30.480 --> 00:04:34.439
<v Speaker 7>Ah honest. What's his name?

87
00:04:34.600 --> 00:04:35.040
<v Speaker 8>Gerson?

88
00:04:36.160 --> 00:04:39.360
<v Speaker 7>Gerson? Gerson?

89
00:04:39.399 --> 00:04:40.839
<v Speaker 8>What Gerson? Halfsmith?

90
00:04:41.519 --> 00:04:44.439
<v Speaker 7>Dearie, what let me ask you something? No?

91
00:04:46.279 --> 00:04:50.399
<v Speaker 8>So we honey, this is Times Square?

92
00:04:50.839 --> 00:04:53.399
<v Speaker 9>Who needs it? I've got a little shoping to do

93
00:04:53.439 --> 00:05:12.160
<v Speaker 9>in Bronx Park. Gerson, I'm home, Gerson.

94
00:05:12.560 --> 00:05:14.040
<v Speaker 8>Oh what are you doing?

95
00:05:14.639 --> 00:05:16.399
<v Speaker 4>I was trying to ride a slogan for the agency

96
00:05:16.720 --> 00:05:20.720
<v Speaker 4>what account lempkey water biscuit account. It's gonna be tough.

97
00:05:20.759 --> 00:05:26.639
<v Speaker 4>What rhymes with lemp key? Mh give me here, Laurie him.

98
00:05:27.879 --> 00:05:30.439
<v Speaker 7>I want to tell you something lover her. It happened

99
00:05:30.480 --> 00:05:32.839
<v Speaker 7>again today on the subway.

100
00:05:34.240 --> 00:05:36.120
<v Speaker 1>Did I have a big house mobbed?

101
00:05:36.680 --> 00:05:38.519
<v Speaker 8>Then there was a woman who sat next.

102
00:05:38.279 --> 00:05:40.319
<v Speaker 1>To me, blonde brunette both.

103
00:05:41.000 --> 00:05:45.199
<v Speaker 7>Oh honey, you're the heartbeat of the subway circuits. You

104
00:05:45.240 --> 00:05:48.720
<v Speaker 7>know what that woman said about your picture? Zoue.

105
00:05:49.439 --> 00:05:50.439
<v Speaker 1>You don't know the half of it.

106
00:05:50.480 --> 00:05:51.279
<v Speaker 8>Tell me the half of it.

107
00:05:51.480 --> 00:05:54.040
<v Speaker 4>Mister Honeywell at the agency called me in and said

108
00:05:54.040 --> 00:05:56.360
<v Speaker 4>they formed a fan club in Bronx Park.

109
00:05:57.079 --> 00:06:04.319
<v Speaker 7>Do me a favor, Gerson, Sure, kiss me anytime. Oh

110
00:06:04.399 --> 00:06:07.000
<v Speaker 7>five million quickening posts in New York.

111
00:06:07.759 --> 00:06:09.199
<v Speaker 8>Gerson, you're my man?

112
00:06:09.319 --> 00:06:14.639
<v Speaker 1>Yeah, baby, Baby? You jealous?

113
00:06:15.000 --> 00:06:18.199
<v Speaker 8>Why should I be jealous? Just to be missus Hapsmith

114
00:06:18.279 --> 00:06:19.279
<v Speaker 8>is all I ever wanted?

115
00:06:19.720 --> 00:06:21.720
<v Speaker 4>Crazy the way it happened four years ago and the

116
00:06:21.720 --> 00:06:24.519
<v Speaker 4>model didn't show up, Mister Honeywell tapped me for the job,

117
00:06:24.600 --> 00:06:25.480
<v Speaker 4>pulled me away.

118
00:06:25.240 --> 00:06:28.240
<v Speaker 1>From my typewriter, thrust a string bow tie.

119
00:06:28.040 --> 00:06:30.040
<v Speaker 7>In my hand and said this is it, Hapsmith.

120
00:06:30.160 --> 00:06:31.079
<v Speaker 1>No, No, he didn't.

121
00:06:31.480 --> 00:06:33.120
<v Speaker 4>He just told me to climb into the bow tie

122
00:06:33.120 --> 00:06:34.839
<v Speaker 4>and run upstairs and sit in front of the piano.

123
00:06:35.560 --> 00:06:37.319
<v Speaker 1>Four years ago, and they just released it.

124
00:06:37.639 --> 00:06:37.839
<v Speaker 7>Now.

125
00:06:37.879 --> 00:06:40.160
<v Speaker 4>My pictures in every bus and subway in New York.

126
00:06:41.040 --> 00:06:42.399
<v Speaker 4>You know what mister Honeywell said.

127
00:06:42.199 --> 00:06:42.639
<v Speaker 1>To me today.

128
00:06:42.720 --> 00:06:43.959
<v Speaker 8>He asked you for the bow tie.

129
00:06:44.040 --> 00:06:47.519
<v Speaker 4>No, he said, this is it, Hapsmith. We've just landed

130
00:06:47.519 --> 00:06:49.879
<v Speaker 4>the nine star meat account. I want you to pose

131
00:06:49.959 --> 00:06:51.920
<v Speaker 4>for it in mutton chop whiskers.

132
00:06:51.920 --> 00:06:57.199
<v Speaker 7>Oh no, you won't, not my Gerson, Not in mutton shop.

133
00:06:57.279 --> 00:06:58.680
<v Speaker 1>That's what I told mister Honeywell.

134
00:06:59.279 --> 00:07:01.560
<v Speaker 4>A place in an advertising agency for me is in

135
00:07:01.600 --> 00:07:04.160
<v Speaker 4>the back of a typewriter making up slogans.

136
00:07:04.279 --> 00:07:06.000
<v Speaker 8>That's telling mister Honeywell.

137
00:07:06.439 --> 00:07:08.800
<v Speaker 4>Come on, let's get dressed baby. New Year's Eves, Manhattan.

138
00:07:09.879 --> 00:07:14.000
<v Speaker 1>You wear the off the show, then you wear something

139
00:07:14.000 --> 00:07:14.480
<v Speaker 1>for me too.

140
00:07:14.600 --> 00:07:16.399
<v Speaker 8>What the string bow tie?

141
00:07:17.079 --> 00:07:17.600
<v Speaker 1>You kidding?

142
00:07:17.680 --> 00:07:20.920
<v Speaker 8>I wanna show you. Ah, you kidding to all of

143
00:07:20.959 --> 00:07:24.000
<v Speaker 8>New York. The man in this string bow tie is mon.

144
00:07:24.160 --> 00:07:26.839
<v Speaker 7>No listen, baby, I get the woman behind the man

145
00:07:26.879 --> 00:07:28.639
<v Speaker 7>who quickens the pulses is me.

146
00:07:29.519 --> 00:07:31.319
<v Speaker 8>You just run along something of that bow tigers.

147
00:07:31.399 --> 00:07:33.480
<v Speaker 4>I don't even know how to tie at Mister Honeywell

148
00:07:33.560 --> 00:07:34.279
<v Speaker 4>tied it for me.

149
00:07:34.360 --> 00:07:35.720
<v Speaker 8>Anything, honeywell can do for you?

150
00:07:35.839 --> 00:07:38.480
<v Speaker 1>I can do, mister Honeywell.

151
00:07:38.160 --> 00:07:40.519
<v Speaker 10>They do you really want me to?

152
00:07:40.680 --> 00:07:44.600
<v Speaker 1>Please? Baby? You don't have to say please to me.

153
00:07:45.079 --> 00:07:56.160
<v Speaker 11>Erson, Just go get the bow tie.

154
00:07:57.600 --> 00:08:03.879
<v Speaker 1>Yeah, there's the stat Come on. Oh, I don't know

155
00:08:03.920 --> 00:08:06.319
<v Speaker 1>why you supposed to go out on New Year's Eve.

156
00:08:06.399 --> 00:08:09.240
<v Speaker 7>Everything is so wonderful, even a crowded subway.

157
00:08:09.560 --> 00:08:12.399
<v Speaker 4>I want to tell you something. But here we are,

158
00:08:12.399 --> 00:08:13.360
<v Speaker 4>twelve feet.

159
00:08:13.120 --> 00:08:13.639
<v Speaker 1>On the ground.

160
00:08:13.920 --> 00:08:15.240
<v Speaker 8>Figures, there's two of us.

161
00:08:15.759 --> 00:08:19.000
<v Speaker 4>No, I mean here we are you and I rushing around.

162
00:08:18.680 --> 00:08:20.600
<v Speaker 1>In a subway and a crowd.

163
00:08:20.279 --> 00:08:22.759
<v Speaker 7>Of people not crowded down the other end of the car.

164
00:08:22.839 --> 00:08:24.920
<v Speaker 9>Gerson, Why did you have to pick a seat right

165
00:08:25.079 --> 00:08:25.920
<v Speaker 9>under your pickles?

166
00:08:26.040 --> 00:08:26.759
<v Speaker 1>Let me finish with you.

167
00:08:26.959 --> 00:08:31.199
<v Speaker 4>Sorry, crowd of people and I feel like we're alone, Laurie,

168
00:08:31.759 --> 00:08:34.320
<v Speaker 4>hurtling through space alone?

169
00:08:34.480 --> 00:08:36.480
<v Speaker 7>Please? Could I just squeeze in here? Foot?

170
00:08:36.519 --> 00:08:37.480
<v Speaker 1>Well here, I'll get up.

171
00:08:37.519 --> 00:08:38.159
<v Speaker 7>Oh no, you don't.

172
00:08:38.200 --> 00:08:38.919
<v Speaker 8>You just sit there.

173
00:08:39.120 --> 00:08:40.600
<v Speaker 7>I squeeze in between you.

174
00:08:40.159 --> 00:08:42.879
<v Speaker 9>You mind scooching over a little, madam.

175
00:08:43.320 --> 00:08:46.519
<v Speaker 1>There we are, I'm over here, Laurie.

176
00:08:46.679 --> 00:08:49.720
<v Speaker 7>Mister yeah, you're skirts though, aren't you?

177
00:08:50.200 --> 00:08:52.519
<v Speaker 9>When you got on I told my girlfriend Janis, there's

178
00:08:52.559 --> 00:08:54.960
<v Speaker 9>skirts of the man in the string boat tied and

179
00:08:55.039 --> 00:08:57.360
<v Speaker 9>Janni said to me, she said, every time you get

180
00:08:57.399 --> 00:08:59.000
<v Speaker 9>on the subway, you're touch dreaming.

181
00:08:59.279 --> 00:09:02.559
<v Speaker 7>Really Jennis, Jennis, it's him.

182
00:09:04.120 --> 00:09:07.639
<v Speaker 4>Wave to Jenny's Yes, all right, hi Janice.

183
00:09:08.000 --> 00:09:11.360
<v Speaker 9>Young lady, listen, madam, you've had him since twenty third Street.

184
00:09:11.399 --> 00:09:14.039
<v Speaker 7>Don't be ahog. I'm going to feel silly saying it,

185
00:09:14.159 --> 00:09:15.120
<v Speaker 7>but I'm going to say it.

186
00:09:15.799 --> 00:09:19.120
<v Speaker 8>This man is mine ha haha. Put your money where

187
00:09:19.159 --> 00:09:20.080
<v Speaker 8>your mouth is, madam.

188
00:09:20.320 --> 00:09:23.440
<v Speaker 7>Ask him, hey, skeats him? Are you hurt?

189
00:09:23.919 --> 00:09:24.879
<v Speaker 1>She's my wife?

190
00:09:25.440 --> 00:09:26.480
<v Speaker 7>Well if she is your.

191
00:09:26.399 --> 00:09:28.799
<v Speaker 9>Wife, pray Tell who are those four girls on the

192
00:09:28.840 --> 00:09:31.120
<v Speaker 9>advertisement who are scattered beneath your piano?

193
00:09:31.399 --> 00:09:33.840
<v Speaker 4>Well they're models, that's all, just girls.

194
00:09:33.919 --> 00:09:37.960
<v Speaker 7>So that's all. Are you honest, young lady? Yes, madam,

195
00:09:38.120 --> 00:09:41.080
<v Speaker 7>beat it blow Go tell Janie.

196
00:09:41.159 --> 00:09:42.879
<v Speaker 8>She wants you. Look Madam.

197
00:09:43.360 --> 00:09:45.440
<v Speaker 9>You might be married to him and all, but I'd

198
00:09:45.559 --> 00:09:48.399
<v Speaker 9>like to explain the facts of life to you. The

199
00:09:48.600 --> 00:09:51.399
<v Speaker 9>minute he got up in that advertisement, he belonged to

200
00:09:51.559 --> 00:09:53.639
<v Speaker 9>humanity female type.

201
00:09:54.679 --> 00:09:57.519
<v Speaker 8>Can I fix your bot tye sketshi? Yes, go ahead, yes,

202
00:09:57.600 --> 00:09:58.639
<v Speaker 8>where we get off, GIRs.

203
00:09:58.960 --> 00:10:01.360
<v Speaker 1>The lady just wan belong to humanity?

204
00:10:01.519 --> 00:10:04.200
<v Speaker 8>Gerson and they're waiting for you up there.

205
00:10:05.039 --> 00:10:20.519
<v Speaker 7>Let's hurry before the door slams in your face. Gersy

206
00:10:20.960 --> 00:10:24.480
<v Speaker 7>mm hm, you do a stunning wolf.

207
00:10:24.840 --> 00:10:26.480
<v Speaker 1>Four or four is my favorite temple.

208
00:10:26.799 --> 00:10:31.000
<v Speaker 7>I'm having a lovely time too, Oh, just dancing like

209
00:10:31.120 --> 00:10:34.279
<v Speaker 7>this beautiful cafe champagne. You feel a champagne?

210
00:10:34.679 --> 00:10:35.080
<v Speaker 12>Me too?

211
00:10:35.399 --> 00:10:35.879
<v Speaker 7>Me too.

212
00:10:42.919 --> 00:10:45.159
<v Speaker 1>Let's go back to the table and have some more champagne.

213
00:10:53.360 --> 00:10:54.399
<v Speaker 1>I love that song.

214
00:10:54.879 --> 00:10:56.000
<v Speaker 8>What song song?

215
00:10:56.080 --> 00:11:06.240
<v Speaker 4>The orchestra is just playing Tennessee wolves. Let it be

216
00:11:06.360 --> 00:11:12.480
<v Speaker 4>our song. Here's our table.

217
00:11:15.519 --> 00:11:19.320
<v Speaker 1>What are you singing? I song that's not the Tennessee walls. Baby.

218
00:11:19.360 --> 00:11:20.120
<v Speaker 1>Our song goes like this.

219
00:11:22.320 --> 00:11:25.480
<v Speaker 8>Oh oh, oh, oh, oh Mychael.

220
00:11:25.919 --> 00:11:28.759
<v Speaker 12>Pardon me, friend, yes, what is it? You're the boy

221
00:11:28.840 --> 00:11:30.480
<v Speaker 12>that posed for that pity few man.

222
00:11:30.720 --> 00:11:32.559
<v Speaker 8>Give him a shirt?

223
00:11:32.600 --> 00:11:35.279
<v Speaker 13>No, wait, don't bother with the pencil, friend, Just the question,

224
00:11:35.759 --> 00:11:38.720
<v Speaker 13>are you am? I what the buster who sits at

225
00:11:38.759 --> 00:11:39.320
<v Speaker 13>the piano?

226
00:11:40.039 --> 00:11:40.240
<v Speaker 12>See?

227
00:11:40.240 --> 00:11:42.600
<v Speaker 13>I only asked because you weren't a bow tie like him.

228
00:11:42.639 --> 00:11:44.960
<v Speaker 13>You got a face like him. The only difference is

229
00:11:45.000 --> 00:11:46.960
<v Speaker 13>you only got one dame and no piano.

230
00:11:47.879 --> 00:11:52.320
<v Speaker 4>Come here, I'll tell you, yeah, I happened to be

231
00:11:52.480 --> 00:11:53.000
<v Speaker 4>that chap.

232
00:11:54.399 --> 00:11:56.960
<v Speaker 13>Well, I'll tell you what chap I happen to be.

233
00:11:57.720 --> 00:12:00.799
<v Speaker 13>Just put your hand in my pocket and feel. That's

234
00:12:00.919 --> 00:12:03.279
<v Speaker 13>right now, now'll take your hand out.

235
00:12:04.279 --> 00:12:05.080
<v Speaker 12>What did you feel?

236
00:12:05.519 --> 00:12:08.519
<v Speaker 4>A Smith weston thirty eight SnO No Series, nineteen twenty seven.

237
00:12:09.039 --> 00:12:10.600
<v Speaker 1>Hey, Laurie, you know what was in his pocket? A

238
00:12:10.679 --> 00:12:11.200
<v Speaker 1>Smith West?

239
00:12:12.240 --> 00:12:18.799
<v Speaker 12>Let's leave, I said, sit down, you're him? How must do?

240
00:12:19.240 --> 00:12:19.480
<v Speaker 1>Sure?

241
00:12:20.200 --> 00:12:21.039
<v Speaker 12>That's all I want to know.

242
00:12:22.039 --> 00:12:24.399
<v Speaker 7>I'll put you you talk to me like that again,

243
00:12:24.440 --> 00:12:25.000
<v Speaker 7>and I'll scream.

244
00:12:25.120 --> 00:12:27.080
<v Speaker 12>Well before you do, lady, I want to tell you something.

245
00:12:27.120 --> 00:12:29.279
<v Speaker 12>You you know the Hudson Tunnel.

246
00:12:29.399 --> 00:12:31.120
<v Speaker 1>Sure, we take from them all the time, and we

247
00:12:31.200 --> 00:12:32.000
<v Speaker 1>go to Jersey. Yeah.

248
00:12:32.039 --> 00:12:35.399
<v Speaker 2>Well, you know that concrete pedestal that the policeman stands on.

249
00:12:35.559 --> 00:12:37.279
<v Speaker 12>It's just before you hit the jery Zy sign.

250
00:12:37.600 --> 00:12:39.120
<v Speaker 1>Know it very well? You remember, Laura.

251
00:12:39.240 --> 00:12:41.200
<v Speaker 12>It's my favorite mine too.

252
00:12:41.759 --> 00:12:48.360
<v Speaker 13>That particular concrete pedestal is composed of five ingredients, sand cement,

253
00:12:48.879 --> 00:12:50.360
<v Speaker 13>and three of my favorite boys.

254
00:12:51.320 --> 00:12:53.240
<v Speaker 2>Just because they wouldn't pay any attention to me.

255
00:12:53.399 --> 00:12:54.879
<v Speaker 12>So would you please?

256
00:12:55.000 --> 00:12:56.559
<v Speaker 1>Would you pay attention to me?

257
00:12:57.360 --> 00:12:58.799
<v Speaker 7>We're all ears?

258
00:13:00.039 --> 00:13:04.480
<v Speaker 12>Shall watch boat to you? Now? Let's go celebrate New

259
00:13:04.600 --> 00:13:06.840
<v Speaker 12>Year's Eve? Shall we? My way?

260
00:13:19.600 --> 00:13:23.360
<v Speaker 6>You're listening to Kathy and Elliott Lewis on stage tonight's

261
00:13:23.360 --> 00:13:25.440
<v Speaker 6>play The String bow Tie.

262
00:13:42.879 --> 00:13:45.240
<v Speaker 1>Laurie, Yes, dear, is he still laving?

263
00:13:45.360 --> 00:13:45.840
<v Speaker 7>Yes, dear?

264
00:13:46.039 --> 00:13:46.639
<v Speaker 12>Keep walking?

265
00:13:46.720 --> 00:13:51.399
<v Speaker 7>Come on, look look mister, why are you doing this

266
00:13:51.559 --> 00:13:53.000
<v Speaker 7>to us? You want our money?

267
00:13:53.440 --> 00:13:54.480
<v Speaker 12>What sheep walking?

268
00:13:55.639 --> 00:13:56.360
<v Speaker 7>But who are you?

269
00:13:56.519 --> 00:13:57.600
<v Speaker 8>Why are you picking on us?

270
00:13:57.799 --> 00:14:00.639
<v Speaker 2>Nineteen fifty three is going to be a nice yeah,

271
00:14:00.799 --> 00:14:02.200
<v Speaker 2>so do yourselves a favor.

272
00:14:02.840 --> 00:14:07.000
<v Speaker 12>Live through it, all right, I'm back, all of us,

273
00:14:07.039 --> 00:14:15.960
<v Speaker 12>Come on, let's go all right, Thomas take us home, mister.

274
00:14:16.279 --> 00:14:19.440
<v Speaker 1>Yeah, it's on account of this string bow tie.

275
00:14:19.519 --> 00:14:24.000
<v Speaker 12>Huh, it's not a kind of that, hey, buster me. Yeah?

276
00:14:25.120 --> 00:14:27.840
<v Speaker 13>How come that when you stuck your hand in my pocket?

277
00:14:28.000 --> 00:14:30.159
<v Speaker 13>You knew right away without looking at The gun was

278
00:14:30.200 --> 00:14:33.720
<v Speaker 13>a Smitt and Wesson ninety eighth Snubnose series nineteen twenty seven.

279
00:14:33.799 --> 00:14:36.440
<v Speaker 4>By work in an advertising agency. I wrote a slogan

280
00:14:36.519 --> 00:14:40.000
<v Speaker 4>for it for Catalog. Oh yeah, how to go use

281
00:14:40.080 --> 00:14:41.639
<v Speaker 4>a Smith Wesson and be sure?

282
00:14:42.320 --> 00:14:45.200
<v Speaker 2>Oh you know, you just happened to be the fellow

283
00:14:45.240 --> 00:14:47.200
<v Speaker 2>who made me switch from a cold forty five.

284
00:14:48.559 --> 00:14:51.120
<v Speaker 7>I hate to louse up your testimonial, but I'd like

285
00:14:51.200 --> 00:14:52.799
<v Speaker 7>to point a few things out to you.

286
00:14:53.039 --> 00:14:53.679
<v Speaker 12>You're a title.

287
00:14:54.799 --> 00:14:59.080
<v Speaker 7>This is a very serious offense, kidnapping us out of

288
00:14:59.120 --> 00:15:02.200
<v Speaker 7>a nightclub, taking ring us to a place or places unknown,

289
00:15:02.279 --> 00:15:05.080
<v Speaker 7>and for such a flimsy reason because my husband is

290
00:15:05.120 --> 00:15:06.120
<v Speaker 7>on a subway card.

291
00:15:07.320 --> 00:15:09.639
<v Speaker 12>I hate him? Me?

292
00:15:10.840 --> 00:15:11.679
<v Speaker 1>What did I ever do to you?

293
00:15:12.000 --> 00:15:15.799
<v Speaker 4>You'll see, look, sir, I just happen to be a

294
00:15:15.840 --> 00:15:16.720
<v Speaker 4>fellow named Gerson.

295
00:15:16.759 --> 00:15:19.279
<v Speaker 13>Halfs that just happened to be a fellow named William

296
00:15:19.360 --> 00:15:20.840
<v Speaker 13>Bailey who hates you?

297
00:15:22.840 --> 00:15:26.440
<v Speaker 7>Where are you taking us? You'll see, Gerson?

298
00:15:27.000 --> 00:15:29.120
<v Speaker 8>What say something?

299
00:15:30.480 --> 00:15:33.159
<v Speaker 7>Make mister Bailey realize that he's not dealing with a

300
00:15:33.240 --> 00:15:37.440
<v Speaker 7>cardboard personality. Make him know what's in store for him

301
00:15:37.440 --> 00:15:38.879
<v Speaker 7>if he doesn't let us off right away.

302
00:15:39.759 --> 00:15:42.159
<v Speaker 5>This is the story of the one who, as a

303
00:15:42.240 --> 00:15:45.279
<v Speaker 5>maintenance specialist for a historic eye Rise, knows that vintage

304
00:15:45.360 --> 00:15:48.879
<v Speaker 5>charm historically needs constant attention, which is why when it's

305
00:15:48.960 --> 00:15:51.799
<v Speaker 5>time to upgrade, turn at the century mechanicals. They turn

306
00:15:52.000 --> 00:15:55.039
<v Speaker 5>to Grater, with easy access to a million plus products

307
00:15:55.080 --> 00:15:57.440
<v Speaker 5>and the scale to deliver when and where you need them.

308
00:15:57.840 --> 00:16:00.720
<v Speaker 5>The right tools and supplies are never far away, so

309
00:16:00.879 --> 00:16:03.639
<v Speaker 5>the one can keep that vintage building running like new.

310
00:16:04.080 --> 00:16:07.720
<v Speaker 5>Call Clickranger dot com or just stop buying Ranger For

311
00:16:07.799 --> 00:16:09.159
<v Speaker 5>the ones who get it done.

312
00:16:09.879 --> 00:16:11.759
<v Speaker 14>Extreme cold weather advisory.

313
00:16:11.360 --> 00:16:12.080
<v Speaker 7>Effect this morning.

314
00:16:12.240 --> 00:16:15.039
<v Speaker 1>You're a contractor, you have a contract. Guys. Come on,

315
00:16:15.240 --> 00:16:15.679
<v Speaker 1>let's do this.

316
00:16:15.840 --> 00:16:18.559
<v Speaker 3>A little snow and ice isn't stopping you, Not today,

317
00:16:18.919 --> 00:16:21.759
<v Speaker 3>not any day. Shouldn't your flashing tape be working through

318
00:16:21.840 --> 00:16:22.039
<v Speaker 3>it all?

319
00:16:22.120 --> 00:16:22.240
<v Speaker 7>Too?

320
00:16:22.600 --> 00:16:22.840
<v Speaker 11>Only?

321
00:16:22.960 --> 00:16:27.240
<v Speaker 3>Frog Tape pro Grade flashing tapes high performance acrylic adhesive sticks,

322
00:16:27.440 --> 00:16:31.960
<v Speaker 3>resticks and stays stuck even on the roughest surfaces and rain, snow, heat,

323
00:16:32.120 --> 00:16:35.320
<v Speaker 3>and more so you stay in control when it matters

324
00:16:35.399 --> 00:16:38.559
<v Speaker 3>most show weather. Who's boss with frog Tape pro grade

325
00:16:38.600 --> 00:16:39.360
<v Speaker 3>flashing tape?

326
00:16:39.720 --> 00:16:40.559
<v Speaker 12>Yeah, make me do that.

327
00:16:40.799 --> 00:16:48.039
<v Speaker 4>Go on, mister Bailey, Yeah, this is madness, that's all

328
00:16:48.080 --> 00:16:48.639
<v Speaker 4>you're going to say.

329
00:16:48.679 --> 00:16:53.519
<v Speaker 8>Gerson, Gerson, you're my man.

330
00:16:54.159 --> 00:16:58.720
<v Speaker 1>Yeah, mister Bailey. Yeah. You don't think you're gonna get

331
00:16:58.720 --> 00:16:59.639
<v Speaker 1>away with this, do you.

332
00:17:01.840 --> 00:17:03.679
<v Speaker 4>What's the big idea of holding a gun on us

333
00:17:03.759 --> 00:17:06.000
<v Speaker 4>and marching us out of a nightclub, making us walk

334
00:17:06.039 --> 00:17:08.519
<v Speaker 4>down the street, making us get into a long black

335
00:17:08.599 --> 00:17:09.880
<v Speaker 4>car and driving us away.

336
00:17:11.039 --> 00:17:12.039
<v Speaker 12>What's the big idea that?

337
00:17:12.240 --> 00:17:12.400
<v Speaker 7>Huh?

338
00:17:14.599 --> 00:17:17.519
<v Speaker 4>This is civilization we got going for us here, fellow,

339
00:17:18.200 --> 00:17:21.400
<v Speaker 4>there's no place in it for the primitive, the predatory emotion.

340
00:17:23.319 --> 00:17:27.400
<v Speaker 1>You say you hate me, I don't hate you. My

341
00:17:27.519 --> 00:17:30.599
<v Speaker 1>wife doesn't hate you. Although the seed is there.

342
00:17:31.960 --> 00:17:35.559
<v Speaker 4>You think the world's against you, don't you. Well, somewhere

343
00:17:35.640 --> 00:17:37.759
<v Speaker 4>down the line, you've been tricked, mister Bailey.

344
00:17:38.039 --> 00:17:43.839
<v Speaker 1>Bill disillusioned. Oh now, lord, just because I paused for

345
00:17:43.920 --> 00:17:44.279
<v Speaker 1>an ad.

346
00:17:45.279 --> 00:17:45.839
<v Speaker 12>Hey, I know what.

347
00:17:46.000 --> 00:17:48.240
<v Speaker 1>I'll take off the string bow tie and hunch that.

348
00:17:48.559 --> 00:17:53.319
<v Speaker 12>Tie and I will break your arm here here and here.

349
00:17:54.319 --> 00:17:55.079
<v Speaker 7>Listen you, you.

350
00:17:57.039 --> 00:17:58.559
<v Speaker 1>Hulum renegade matter factor.

351
00:17:59.559 --> 00:18:03.519
<v Speaker 7>You listen to me. You houdlm you leave my husband alone.

352
00:18:03.559 --> 00:18:05.519
<v Speaker 7>It isn't his fault. He's wearing that string bow tie.

353
00:18:05.599 --> 00:18:08.200
<v Speaker 8>I made him put it on. Anything that's going to

354
00:18:08.279 --> 00:18:09.160
<v Speaker 8>happen should happen.

355
00:18:09.039 --> 00:18:09.839
<v Speaker 7>To me, not him.

356
00:18:10.599 --> 00:18:16.759
<v Speaker 13>Maybe maybe what a dame in a Hudson tunnel? Hmmm, dame,

357
00:18:16.880 --> 00:18:19.599
<v Speaker 13>that'll pose quite a problem for a concrete mixer.

358
00:18:20.119 --> 00:18:35.680
<v Speaker 2>Wonder if he knows the recipe? Just flow people come on.

359
00:18:39.720 --> 00:18:40.160
<v Speaker 12>Inside?

360
00:18:44.039 --> 00:18:47.039
<v Speaker 1>Oh my huh you like it?

361
00:18:47.079 --> 00:18:47.240
<v Speaker 12>Eh?

362
00:18:48.160 --> 00:18:52.119
<v Speaker 7>Oh well, you must be the greatest utelam of them

363
00:18:52.160 --> 00:18:55.960
<v Speaker 7>all to be able to afford this, mister Bailey bernas

364
00:18:56.079 --> 00:18:59.880
<v Speaker 7>in such beautiful tastes, such excusitic you ought to be

365
00:19:00.160 --> 00:19:01.319
<v Speaker 7>proud of this place.

366
00:19:01.759 --> 00:19:03.640
<v Speaker 13>Yes I am, I am, and I can tell you

367
00:19:03.759 --> 00:19:06.480
<v Speaker 13>this lady, there is never going to be another place

368
00:19:06.759 --> 00:19:06.960
<v Speaker 13>like it.

369
00:19:08.039 --> 00:19:15.200
<v Speaker 7>Uh. The decorator, Yeah, Hudson song, the one in the middle.

370
00:19:16.640 --> 00:19:21.359
<v Speaker 12>Uh, Carolyn, it's me, it's me. Come on out here.

371
00:19:21.519 --> 00:19:22.799
<v Speaker 12>I got something for you.

372
00:19:26.160 --> 00:19:34.960
<v Speaker 7>Oh, Billy, you brought him? Hi me, You're cute him.

373
00:19:35.440 --> 00:19:38.039
<v Speaker 2>He's cute, Carolynn.

374
00:19:38.240 --> 00:19:38.880
<v Speaker 7>He's cute.

375
00:19:39.640 --> 00:19:40.160
<v Speaker 12>You like him?

376
00:19:40.160 --> 00:19:43.319
<v Speaker 7>Man, tell him to walk around?

377
00:19:44.640 --> 00:19:46.160
<v Speaker 12>Walk? Walk?

378
00:19:46.640 --> 00:19:47.119
<v Speaker 1>What do you mean?

379
00:19:47.359 --> 00:19:50.440
<v Speaker 12>Listen you, My wife wants you to walk, So do it.

380
00:19:50.559 --> 00:19:51.359
<v Speaker 1>I don't understand.

381
00:19:51.440 --> 00:19:53.559
<v Speaker 12>Stick his head right in the light socket, so help

382
00:19:53.640 --> 00:19:53.880
<v Speaker 12>me out.

383
00:19:54.000 --> 00:19:58.759
<v Speaker 7>Wait wait, wait, wait a minute, I'll explain it to him. Gerson. Honey,

384
00:19:59.640 --> 00:20:02.400
<v Speaker 7>the man he's got a gun. He's pointing at it. You.

385
00:20:02.799 --> 00:20:04.039
<v Speaker 8>He wants you to walk.

386
00:20:05.359 --> 00:20:08.839
<v Speaker 7>You know how that bit goes first this foot and

387
00:20:09.000 --> 00:20:12.039
<v Speaker 7>then that foot, and then before you know.

388
00:20:12.279 --> 00:20:17.839
<v Speaker 2>Okay, okay, yeah, all right, that's enough, come back.

389
00:20:22.720 --> 00:20:24.160
<v Speaker 7>Well cute.

390
00:20:26.079 --> 00:20:28.279
<v Speaker 12>You know why I brought him here, Carolyn.

391
00:20:28.160 --> 00:20:31.079
<v Speaker 7>Because you love me, Billy, Billy loves me.

392
00:20:32.160 --> 00:20:34.200
<v Speaker 13>I brought him here so that you can see in

393
00:20:34.279 --> 00:20:36.920
<v Speaker 13>a flash this guy that you have been moping over

394
00:20:37.119 --> 00:20:39.400
<v Speaker 13>since you saw that advertisement in the subway.

395
00:20:39.960 --> 00:20:43.200
<v Speaker 7>Billy's good to me. What's your thank you?

396
00:20:44.359 --> 00:20:44.799
<v Speaker 1>Gerson?

397
00:20:45.319 --> 00:20:48.880
<v Speaker 8>You see, Billy, I told you you guessed his name

398
00:20:49.039 --> 00:20:49.599
<v Speaker 8>was Gerson.

399
00:20:50.279 --> 00:20:51.160
<v Speaker 7>He's cute.

400
00:20:52.160 --> 00:20:57.160
<v Speaker 2>Shee, Carolyn, Carolyn, I'm talking to you.

401
00:20:58.480 --> 00:20:58.720
<v Speaker 7>Yeah.

402
00:21:00.079 --> 00:21:02.799
<v Speaker 12>I want proof to you, Carolyn, that this Geyson who

403
00:21:02.880 --> 00:21:03.319
<v Speaker 12>sits in.

404
00:21:03.319 --> 00:21:06.000
<v Speaker 13>Front of a piano on the skite so cologne ed,

405
00:21:06.079 --> 00:21:08.119
<v Speaker 13>he is a Geyson like any other Geyson.

406
00:21:08.400 --> 00:21:11.319
<v Speaker 12>He's just a guy. See, he is not somebody who

407
00:21:11.440 --> 00:21:14.799
<v Speaker 12>every morning, noon and night you say to me, why

408
00:21:14.839 --> 00:21:16.279
<v Speaker 12>you ain't you like him? Billy?

409
00:21:16.839 --> 00:21:18.240
<v Speaker 7>Well look at him, you ain't.

410
00:21:19.319 --> 00:21:19.480
<v Speaker 12>Hm.

411
00:21:20.480 --> 00:21:22.319
<v Speaker 2>I can see that the only way to have piece

412
00:21:22.359 --> 00:21:24.680
<v Speaker 2>and quiet around here is to do what we come

413
00:21:24.759 --> 00:21:34.160
<v Speaker 2>here to do. So get the bottle, Carolin. You ever

414
00:21:34.200 --> 00:21:35.599
<v Speaker 2>seen a bottle of this stuff Gyson?

415
00:21:35.720 --> 00:21:38.480
<v Speaker 4>Well, yeah, sure, that's Scarzo, the men's cologne that me

416
00:21:38.559 --> 00:21:40.279
<v Speaker 4>and my bow tie and the piano is supposed to

417
00:21:40.400 --> 00:21:41.200
<v Speaker 4>quicken pusses with.

418
00:21:41.839 --> 00:21:42.839
<v Speaker 1>It's the large economy.

419
00:21:45.599 --> 00:21:48.680
<v Speaker 7>Have some now, look, mister Bailey, Gerson just dabs that

420
00:21:48.759 --> 00:21:49.799
<v Speaker 7>stuff behind his ears.

421
00:21:49.839 --> 00:21:50.599
<v Speaker 8>He doesn't drink it.

422
00:21:50.640 --> 00:21:53.039
<v Speaker 4>All right, mister, you got us up here and throw

423
00:21:53.119 --> 00:21:54.599
<v Speaker 4>a bottle of cologne in my face?

424
00:21:54.720 --> 00:21:55.680
<v Speaker 1>Now what do you want me to do?

425
00:21:55.960 --> 00:21:57.759
<v Speaker 12>See that piano? Sure?

426
00:21:58.680 --> 00:22:00.599
<v Speaker 1>Play? Sure? Then we can go.

427
00:22:01.319 --> 00:22:05.359
<v Speaker 12>He can't play, she can and can't even play, so goodbye?

428
00:22:06.240 --> 00:22:07.599
<v Speaker 1>Who says I can't play?

429
00:22:07.920 --> 00:22:08.079
<v Speaker 7>Hey?

430
00:22:08.319 --> 00:22:13.839
<v Speaker 13>Play sure, but that's good, that's fine, great, I'm glad

431
00:22:13.920 --> 00:22:17.240
<v Speaker 13>that you can, so we can clear this up. Listen, Guyson,

432
00:22:17.960 --> 00:22:20.599
<v Speaker 13>you got the bow tie. You stink of skite, so

433
00:22:21.039 --> 00:22:23.720
<v Speaker 13>and now you're going to play. There is just one thing.

434
00:22:24.799 --> 00:22:27.559
<v Speaker 13>You'll quicken my wife's pulse.

435
00:22:27.480 --> 00:22:28.839
<v Speaker 12>And you are dead.

436
00:22:30.039 --> 00:22:30.640
<v Speaker 1>So go play.

437
00:22:40.000 --> 00:22:44.279
<v Speaker 7>Oh my, you like this, go go?

438
00:22:46.920 --> 00:22:49.680
<v Speaker 13>Please note the vein of my wife's troke. There is

439
00:22:49.759 --> 00:22:54.480
<v Speaker 13>a tribe there that wasn't there before. It's been seventeen

440
00:22:54.680 --> 00:22:57.039
<v Speaker 13>years since I have seen that tribe.

441
00:22:57.240 --> 00:23:06.240
<v Speaker 8>Why don't just take it easy, mister Carolyn Carolyn? He

442
00:23:06.400 --> 00:23:07.279
<v Speaker 8>is good, isn't he?

443
00:23:07.359 --> 00:23:07.680
<v Speaker 7>Carolyn?

444
00:23:08.240 --> 00:23:10.519
<v Speaker 12>Good? Look at him?

445
00:23:10.559 --> 00:23:13.519
<v Speaker 7>The way he sits there, the way he sits there,

446
00:23:14.039 --> 00:23:15.640
<v Speaker 7>fingers poised over.

447
00:23:17.000 --> 00:23:19.240
<v Speaker 8>Who knows what strange melody?

448
00:23:19.920 --> 00:23:23.880
<v Speaker 7>Strange melody, the talents that Gerson has.

449
00:23:24.240 --> 00:23:27.359
<v Speaker 8>Tell me, tell me all sorts of thing.

450
00:23:27.680 --> 00:23:30.519
<v Speaker 13>Tell your husband to tin around, because I hate to

451
00:23:30.599 --> 00:23:31.720
<v Speaker 13>give it the folks in the back.

452
00:23:31.839 --> 00:23:34.759
<v Speaker 7>Just one second more, mister Billy Carolyn, Honey, yeah, he

453
00:23:34.960 --> 00:23:38.599
<v Speaker 7>does all sorts of things. You think his piano playing

454
00:23:38.759 --> 00:23:40.200
<v Speaker 7>is good? I do? I do?

455
00:23:40.440 --> 00:23:42.839
<v Speaker 8>You want to hear him whistle.

456
00:23:43.720 --> 00:23:53.319
<v Speaker 1>Oh my, guy said, yes, ma'am, whistle whistle?

457
00:23:53.400 --> 00:23:55.160
<v Speaker 8>What I don't know anything?

458
00:23:55.680 --> 00:23:56.839
<v Speaker 7>Our song? Gerson?

459
00:23:57.039 --> 00:24:03.519
<v Speaker 1>Oh yes, well all right, oh.

460
00:24:03.680 --> 00:24:05.480
<v Speaker 11>My, you like that?

461
00:24:06.119 --> 00:24:09.200
<v Speaker 7>The Tennessee Watts is my favorite? That does it? You

462
00:24:09.279 --> 00:24:09.799
<v Speaker 7>can have him?

463
00:24:09.880 --> 00:24:10.039
<v Speaker 12>Huh?

464
00:24:10.240 --> 00:24:14.119
<v Speaker 7>Don't you see he's not for me anymore? Those two

465
00:24:14.400 --> 00:24:18.440
<v Speaker 7>made for each other. Listen to me, mister Baileyville.

466
00:24:19.359 --> 00:24:21.319
<v Speaker 8>Why should I try to fight it or you?

467
00:24:21.759 --> 00:24:22.839
<v Speaker 12>Why don't I just kill him?

468
00:24:22.839 --> 00:24:25.519
<v Speaker 7>That's a good idea, don't you see? It's the only

469
00:24:25.599 --> 00:24:27.720
<v Speaker 7>way get him out of our lives once and for all.

470
00:24:28.519 --> 00:24:32.160
<v Speaker 7>This this man, this monster, this wrecker of home.

471
00:24:32.319 --> 00:24:34.440
<v Speaker 8>Laurie, be quiet, you wrecker of home?

472
00:24:35.440 --> 00:24:36.359
<v Speaker 7>I said, be quiet?

473
00:24:36.680 --> 00:24:38.680
<v Speaker 2>What kind of a way is that for a lady

474
00:24:38.759 --> 00:24:39.920
<v Speaker 2>to talk to her husband?

475
00:24:40.039 --> 00:24:40.279
<v Speaker 1>Yeah?

476
00:24:40.480 --> 00:24:42.920
<v Speaker 7>This man gets his face displayed in the subway. And

477
00:24:42.960 --> 00:24:45.440
<v Speaker 7>what happens after eight years? He's not mine anymore. He

478
00:24:45.559 --> 00:24:47.759
<v Speaker 7>belongs to the world. Who needs it?

479
00:24:47.839 --> 00:24:49.680
<v Speaker 12>Hey, lady, that is your husband.

480
00:24:49.880 --> 00:24:55.079
<v Speaker 7>Yeah, killed and after eighteen years your life what is it? Shambles?

481
00:24:55.440 --> 00:24:58.039
<v Speaker 12>Get rid of him, lady, do it not? Lady, he's

482
00:24:58.160 --> 00:24:58.880
<v Speaker 12>your husband.

483
00:24:59.000 --> 00:25:01.400
<v Speaker 2>You'll be doing a good There is no way to

484
00:25:01.519 --> 00:25:02.880
<v Speaker 2>talk about your husband.

485
00:25:02.920 --> 00:25:03.039
<v Speaker 7>Now.

486
00:25:03.160 --> 00:25:05.680
<v Speaker 12>Look, I'm older than you. And I know you you

487
00:25:05.920 --> 00:25:07.920
<v Speaker 12>hide a fellow when you talk about him like that.

488
00:25:08.240 --> 00:25:09.559
<v Speaker 1>Yeah, poor boy.

489
00:25:10.039 --> 00:25:13.279
<v Speaker 13>Yeah, you're married to him, So be married to him

490
00:25:13.480 --> 00:25:18.200
<v Speaker 13>through thick and thin. Yeah, that's the only way we know,

491
00:25:18.599 --> 00:25:23.519
<v Speaker 13>Carolyn and I. Yeah, come here and sit by me, Carolyn,

492
00:25:25.559 --> 00:25:26.039
<v Speaker 13>now here.

493
00:25:25.920 --> 00:25:26.640
<v Speaker 12>By my feet?

494
00:25:28.200 --> 00:25:30.519
<v Speaker 8>Now, where was I through thick and thin?

495
00:25:30.920 --> 00:25:32.160
<v Speaker 12>Yeah? Through thick and thin?

496
00:25:32.279 --> 00:25:36.359
<v Speaker 13>Yeah, the years comedy, years ago, but it is always

497
00:25:36.480 --> 00:25:38.880
<v Speaker 13>a pleasant thing to have by your side.

498
00:25:39.400 --> 00:25:42.119
<v Speaker 12>One's helped me, Dear Billy.

499
00:25:42.759 --> 00:25:44.759
<v Speaker 7>Move over, honey, I want to sit by his feet too.

500
00:25:46.079 --> 00:25:49.240
<v Speaker 13>As one sails his ship through the great sea of life,

501
00:25:50.000 --> 00:25:52.160
<v Speaker 13>knocked about by the storm and his strike.

502
00:25:52.240 --> 00:25:58.759
<v Speaker 4>Let me sit down too, pardon me, I buy the

503
00:25:58.880 --> 00:25:59.640
<v Speaker 4>storm and this.

504
00:26:00.440 --> 00:26:03.440
<v Speaker 13>Uh yeah, knocked about by those things. Well, one has

505
00:26:03.519 --> 00:26:09.880
<v Speaker 13>a friend. One reaches calm waters. Billy, Yeah, I.

506
00:26:09.960 --> 00:26:12.319
<v Speaker 8>Feel so sentimental, me too.

507
00:26:13.440 --> 00:26:15.880
<v Speaker 7>Play something for us, Billy on the piano.

508
00:26:16.400 --> 00:26:31.240
<v Speaker 10>Oh well, all right, he's been taking lessons.

509
00:26:30.960 --> 00:26:35.079
<v Speaker 7>For almost a month now, since you're at the adjacent.

510
00:26:39.480 --> 00:26:47.599
<v Speaker 4>Mm h, come on, let's steal away so you, uh,

511
00:26:48.240 --> 00:26:52.440
<v Speaker 4>mister Bailey. Yeah, by now, have a happy New year.

512
00:26:53.640 --> 00:26:56.160
<v Speaker 12>Yeah you too, Remember what I told.

513
00:26:56.000 --> 00:26:57.640
<v Speaker 8>You, lady, I'll remember.

514
00:27:00.079 --> 00:27:02.119
<v Speaker 1>Oh, he's satisfying.

515
00:27:02.759 --> 00:27:05.000
<v Speaker 7>Very I saved your life.

516
00:27:05.039 --> 00:27:07.839
<v Speaker 1>It almost got me killed. You and your ideas. I

517
00:27:07.920 --> 00:27:09.880
<v Speaker 1>didn't want to wear this stringbow tie.

518
00:27:10.279 --> 00:27:13.000
<v Speaker 7>Yes, ring for the elevator.

519
00:27:13.079 --> 00:27:18.200
<v Speaker 4>Dear, Well, come on, Laurie, let's go out into the

520
00:27:18.240 --> 00:27:20.079
<v Speaker 4>world and have us a happy New Year.

521
00:27:34.759 --> 00:27:35.839
<v Speaker 7>Can you make room for me?

522
00:27:36.000 --> 00:27:36.319
<v Speaker 11>Dearie?

523
00:27:36.680 --> 00:27:38.640
<v Speaker 7>Oh sure, say?

524
00:27:39.599 --> 00:27:40.240
<v Speaker 1>Don't I know you?

525
00:27:41.200 --> 00:27:41.359
<v Speaker 7>Oh?

526
00:27:41.440 --> 00:27:43.839
<v Speaker 8>Of course we talked the other day. I borrowed a

527
00:27:43.920 --> 00:27:45.799
<v Speaker 8>pencil from you to do a crossword puzzle.

528
00:27:46.119 --> 00:27:46.680
<v Speaker 12>I know you.

529
00:27:46.680 --> 00:27:49.359
<v Speaker 9>You're the girl who's married to that man in the

530
00:27:49.440 --> 00:27:50.240
<v Speaker 9>string bow tie.

531
00:27:50.400 --> 00:27:52.640
<v Speaker 8>That's right, And whatever happened to him?

532
00:27:53.079 --> 00:27:55.039
<v Speaker 9>What do you mean he's not up there in the

533
00:27:55.119 --> 00:27:58.559
<v Speaker 9>ad anymore? Now there's another gent The man's standing by

534
00:27:58.599 --> 00:28:00.960
<v Speaker 9>a fireplace with those four hounds at his feet.

535
00:28:01.480 --> 00:28:03.920
<v Speaker 7>Is that man in that ad? There in mutton chop whiskers?

536
00:28:04.680 --> 00:28:07.720
<v Speaker 8>Oh zowey, you like him as well as the man

537
00:28:07.799 --> 00:28:08.720
<v Speaker 8>in the string bowt.

538
00:28:08.759 --> 00:28:12.640
<v Speaker 9>Oh better better look at those whiskers, dear How would

539
00:28:12.680 --> 00:28:14.359
<v Speaker 9>you like to run your hands through them?

540
00:28:14.880 --> 00:28:20.559
<v Speaker 8>I have huh he's my husband him you what.

541
00:28:20.599 --> 00:28:21.559
<v Speaker 7>Did you do with the other one?

542
00:28:21.720 --> 00:28:22.400
<v Speaker 4>Get rid of him?

543
00:28:24.079 --> 00:28:24.640
<v Speaker 7>New year?

544
00:28:25.799 --> 00:28:29.519
<v Speaker 9>Oh, dearie, let me ask you something about the new

545
00:28:29.559 --> 00:28:45.480
<v Speaker 9>one in the Mutton Chop, Whiskers, sow Wee, The.

546
00:28:45.519 --> 00:28:49.440
<v Speaker 6>String bow Tie, starring Kathy and Elliott Lewis now once

547
00:28:49.480 --> 00:28:51.279
<v Speaker 6>again Mister and Missus Lewis.

548
00:28:58.680 --> 00:29:00.960
<v Speaker 7>We'd like to thank our good friend and Sheldon Leonard

549
00:29:01.000 --> 00:29:03.400
<v Speaker 7>and Mary Jane Croft who came down tonight to help

550
00:29:03.480 --> 00:29:05.640
<v Speaker 7>us start the new year and our new series by

551
00:29:05.680 --> 00:29:07.400
<v Speaker 7>playing mister and Missus Bill Bailey.

552
00:29:07.400 --> 00:29:10.880
<v Speaker 4>Yes, and Martha Wentworth, the Lady on the Subway, Vivi

553
00:29:11.039 --> 00:29:14.440
<v Speaker 4>Janis who helped fix my tie, and Byron Kane who

554
00:29:14.480 --> 00:29:19.839
<v Speaker 4>couldn't spell awk. Now next week, Kathy, Well, just.

555
00:29:19.880 --> 00:29:22.000
<v Speaker 7>Before we went into rehearsal today we got a copy

556
00:29:22.079 --> 00:29:25.000
<v Speaker 7>of next week's play, The Drunken Sailor. It was written

557
00:29:25.039 --> 00:29:27.319
<v Speaker 7>for us by a very fine new radio writer.

558
00:29:27.319 --> 00:29:30.759
<v Speaker 8>Richard Chandley. It's a spy story, exciting.

559
00:29:30.319 --> 00:29:32.079
<v Speaker 12>And well you'll see yeah.

560
00:29:32.160 --> 00:29:34.599
<v Speaker 4>And a week after that, a comedy about a nice

561
00:29:34.680 --> 00:29:37.759
<v Speaker 4>girl and the bum written for us by Richard Powell.

562
00:29:38.079 --> 00:29:40.839
<v Speaker 8>Thank you all for listening. A very happy new year,

563
00:29:41.440 --> 00:29:42.599
<v Speaker 8>good night, good night.

564
00:29:57.359 --> 00:30:00.839
<v Speaker 6>The String bow Tie was written by Morton Fine David Friedkin.

565
00:30:01.519 --> 00:30:04.279
<v Speaker 6>The theme for Kathy and Elliott Lewis on stage was

566
00:30:04.319 --> 00:30:07.799
<v Speaker 6>written by Ray Noble. Music for the program was composed

567
00:30:07.839 --> 00:30:11.640
<v Speaker 6>by Fred Steiner and conducted by Lud Gluskin, Kathy and

568
00:30:11.680 --> 00:30:15.640
<v Speaker 6>Elliott Lewis on stage is transcribed and directed by mister Lewis.

569
00:30:16.440 --> 00:30:17.920
<v Speaker 1>George Wall speaking.

570
00:30:24.119 --> 00:30:27.599
<v Speaker 6>And remember John lond As Yours Truly. Johnny Dollair brings

571
00:30:27.640 --> 00:30:31.160
<v Speaker 6>you colorful mystery Friday nights on the CBS Radio Network.

572
00:31:20.519 --> 00:31:23.920
<v Speaker 14>Hey there, listeners, are you ready to unlock a world

573
00:31:24.000 --> 00:31:29.839
<v Speaker 14>of captivating stories, soothing sounds, and enlightening lectures At Solgod Media.

574
00:31:30.319 --> 00:31:33.039
<v Speaker 14>We believe in the power of audio to enrich your life,

575
00:31:33.680 --> 00:31:36.240
<v Speaker 14>and now we're offering you a chance to experience it

576
00:31:36.359 --> 00:31:39.599
<v Speaker 14>all for free. For a limited time, you can get

577
00:31:39.599 --> 00:31:43.000
<v Speaker 14>a one month free trial to our premium ad free service.

578
00:31:44.079 --> 00:31:47.920
<v Speaker 14>Imagine having unlimited access to over five hundred audio books,

579
00:31:48.359 --> 00:31:53.359
<v Speaker 14>meditative sounds, and exclusive shows all at your fingertips. Just

580
00:31:53.480 --> 00:31:56.559
<v Speaker 14>head over to Solgodmedia dot com and sign up to

581
00:31:56.640 --> 00:32:01.119
<v Speaker 14>start your free trial today. No ads, no interruptions, just

582
00:32:01.279 --> 00:32:06.960
<v Speaker 14>pure immersive audio content. Don't miss out transform your listening

583
00:32:07.039 --> 00:32:12.240
<v Speaker 14>experience with sol Good Media. Visitsolgodmedia dot com and start

584
00:32:12.279 --> 00:32:15.359
<v Speaker 14>your free trial now. We can't wait for you to

585
00:32:15.519 --> 00:32:23.039
<v Speaker 14>join our audio community. Happy listening. Welcome to sol Good

586
00:32:23.079 --> 00:32:25.640
<v Speaker 14>media where your journey into a world of endless audio

587
00:32:25.720 --> 00:32:29.160
<v Speaker 14>possibilities begins. Imagine a place where you can discover thousands

588
00:32:29.200 --> 00:32:32.920
<v Speaker 14>of captivating audiobooks, immerse yourself in tranquil sounds for sleep

589
00:32:32.960 --> 00:32:36.640
<v Speaker 14>and meditation, and explore timeless stories and lectures that expand

590
00:32:36.680 --> 00:32:39.960
<v Speaker 14>your mind and enrich your soul. At solgodmedia dot com,

591
00:32:40.240 --> 00:32:42.640
<v Speaker 14>we believe in the power of stories to transform lives.

592
00:32:43.440 --> 00:32:46.799
<v Speaker 14>Whether you're a lifelong learner, a parent seeking bedtime stories

593
00:32:46.839 --> 00:32:49.559
<v Speaker 14>for your children, or someone looking to unwind after a

594
00:32:49.640 --> 00:32:52.799
<v Speaker 14>long day, we have something just for you. We invite

595
00:32:52.839 --> 00:32:55.079
<v Speaker 14>you to try sol Good Media free for one month.

596
00:32:55.839 --> 00:32:59.240
<v Speaker 14>Explore our extensive collection and find the perfect audio content

597
00:32:59.359 --> 00:33:02.839
<v Speaker 14>that resonates with you. Join our community of passionate listeners

598
00:33:03.119 --> 00:33:07.119
<v Speaker 14>and unlock a world of knowledge, relaxation, and inspiration. Visit

599
00:33:07.200 --> 00:33:11.319
<v Speaker 14>solwidmedia dot com today and start your free trial. That's

600
00:33:11.519 --> 00:33:13.640
<v Speaker 14>s O L G O O D M E d

601
00:33:13.839 --> 00:33:15.480
<v Speaker 14>i A dot com
