Speaker 1: Baby, I'm a gangsta too. It takes a lot of tangle.
Speaker 1: Mess with me, baby, I'm a gangsta. Touch baby, you
Speaker 1: a game.
Speaker 2: Statoo for good warning. This podcast is designed to take
Speaker 2: you outside of your comfort zone and make you question reality.
Speaker 2: Listener Discretion is a vibe talk with the fellas. This
Speaker 2: ain't my first time.
Speaker 3: At the rodeos.
Speaker 4: All right, everyone, you know what it is. We have
Speaker 4: Sean mckeann back. He is one of your favorites in
Speaker 4: mine too, And I'm really excited because last time we
Speaker 4: got together, we were talking about the Fidelio experiment, but
Speaker 4: we didn't get to dive into any of the details.
Speaker 4: And that's what we're doing today and I am beyond excited. Sean,
Speaker 4: how are you.
Speaker 3: I'm very good, thank you, and I'm delighted to be
Speaker 3: here again. This is a home away from home here
Speaker 3: in your show.
Speaker 4: For sure, for sure. And so we're both big Qubrick fans.
Speaker 4: And if you could for the listeners kind of tell
Speaker 4: us how this project came into being, because I'm so curious.
Speaker 3: Well, I guess I have always been the fan Kubrick
Speaker 3: a long time, and I'm a photographer, and so I
Speaker 3: would instead of just like I'm gonna sit down and
Speaker 3: watch a movie like I would put it on while
Speaker 3: I'm doing something else, like music, you know, and I
Speaker 3: would take in from from a sidereal perspective, and that
Speaker 3: way it goes into my brain in a different way.
Speaker 3: I'm not like absorbed in the story. I'll notice more.
Speaker 3: And I got like this lightning bolt kind of whoa
Speaker 3: when I saw the paintings in Eyes Wide Shut and
Speaker 3: I started down this rabbit hole of how the paintings
Speaker 3: were in Eyes White Shut relate to the painting in Lolita,
Speaker 3: and I just fell into it, you know, and digging
Speaker 3: up all this information. And a friend of mine was
Speaker 3: putting on a event where he and he asked me
Speaker 3: to do a presentation and it was kind of up
Speaker 3: in the air whatever I wanted to talk about, and
Speaker 3: I was like, well, I got all this information. So
Speaker 3: I kind of coalesced it into a thing and made
Speaker 3: a video, and you know, then it was finally all
Speaker 3: this that I've been talking of people at the fire
Speaker 3: like hanging out. You know, It's finally a thing, and
Speaker 3: I was so proud and like I could share it.
Speaker 3: And ever since then, I still keep learning more, you know,
Speaker 3: and like it keeps unfolding. And that's the beauty of
Speaker 3: a Kubrick film. It's not like subjective, it's like actual
Speaker 3: elements from the real world that we can see on
Speaker 3: the screen to give us more information on the whole thing,
Speaker 3: the whole picture, you know. And so it's just everybody
Speaker 3: that is a fan of Kubrick should know. It's these
Speaker 3: deep rabbit holes of information. And while I was there,
Speaker 3: I discovered, like I was learning at the same time
Speaker 3: about trauma based mind control and satanic ritual abuse and
Speaker 3: Kathy O'Brien and reading I was reading a Sue Ford's
Speaker 3: book there Thanks for the Memories, and Kurth Barker and
Speaker 3: like these stimonias of people that had grown up in
Speaker 3: generational ritual abuse, and so like my my brain was
Speaker 3: like it had all that in there already. And then
Speaker 3: I then I saw that Room two thirty seven and
Speaker 3: that it's a documentary everybody's probably familiar with. It was
Speaker 3: on Netflix for a lot of years and John fell
Speaker 3: Ryan is one of the one of the people who
Speaker 3: was interviewed for that film, and he says that Helena
Speaker 3: is stolen at the end, and I was like, oh
Speaker 3: my god, yeah, and everything clicked and I was like,
Speaker 3: holy crap. That is they are stealing the next generation
Speaker 3: of maiden and that's the intergenerational monarch programming. And that's
Speaker 3: what they did to Kathy O'Brien. That's what they did
Speaker 3: to you know. They they breed them and take the
Speaker 3: children because they're more apt to dissociate. Dissociation is a
Speaker 3: genetic trait. It's learned genetically, so like when they torture
Speaker 3: the parent, it affects the genetics of the baby, which
Speaker 3: makes them more readily able to endure that type of abuse.
Speaker 3: Like dissociation is like a it's like a safety valve
Speaker 3: or it's like a safety switch for your brain, Like
Speaker 3: when you're getting eaten by a tiger, all of a sudden,
Speaker 3: you get adrenaline to like run away and not feel pain.
Speaker 3: Kind of the same thing with dissociation. If a child
Speaker 3: is held down like or like circumcision we talked about
Speaker 3: before on your show, like the baby's held down and
Speaker 3: then abused so that it can't fight or run, its
Speaker 3: only choice is to dissociate. And so anyway, that's a
Speaker 3: genetic trait. And these dark occultists who do these ritual
Speaker 3: abuse to these for generations, which I also is what
Speaker 3: I discovered in the paintings is that it's generational for
Speaker 3: the people wearing the masks too, like they've been doing
Speaker 3: that for generations, and of course, and that all fits
Speaker 3: in with the whole thesis. So that was like another
Speaker 3: lightning bolt. And so like I've been going on to
Speaker 3: Williams show, William Ramsey, you mentioned him earlier. William Ramsey investigates.
Speaker 3: He's a friend of both of ours, and he was
Speaker 3: interested in the eyes Watch shut thesis that I had
Speaker 3: about how the movie's not really really my thesis. Right
Speaker 3: here we go, the movie's not really about Bill Bill Harford,
Speaker 3: the main character, Tom Cruise. Tom Cruise is the vehicle
Speaker 3: that we get to learn about the story. He's just
Speaker 3: a bumbling fool who is stumbling across all of these
Speaker 3: facts are in his general vicinity. But really the story
Speaker 3: is about Alice, the wife of Bill Harford. Alice Harford,
Speaker 3: and she's named Alice because of the reference to Alice
Speaker 3: in Wonderland, which is right, you know yourself as a
Speaker 3: trauma based my control programming set like that, So that
Speaker 3: right there is a clue. Kuprick is giving us many
Speaker 3: clues and the very first shot, the very first image
Speaker 3: that we see of this film is Alice naked. Well,
Speaker 3: she's disrobing. She's wearing a black dress like a black robe,
Speaker 3: and she drops it off her body the same way
Speaker 3: that the women do at the ritual, and then she
Speaker 3: steps out of it with her high heels. Whe's she
Speaker 3: wearing heels forget, but anyway, she steps out of the
Speaker 3: dress and it's the same way they do it the ritual.
Speaker 3: So right there, like coobrig is showing us she used
Speaker 3: to be at the ritual. She was trained to do that, see,
Speaker 3: and we also see that she's in front of her
Speaker 3: her closet doors are mirrors and one of the doors
Speaker 3: is open and it's Alice, and that's a looking glass
Speaker 3: like to go be you know, behind the looking glass.
Speaker 3: All of that's right there, and she's between two pillars,
Speaker 3: which is in Anna. That is like if you look
Speaker 3: at the tarot High Priestess. I think it's like the
Speaker 3: number three, like the number zero is the fool, number
Speaker 3: one is the magician, and then I forget how it goes.
Speaker 3: I think the next one after that is the High Priestess.
Speaker 3: And it shows even in the right weight deck it
Speaker 3: shows the maiden in a throne between two pillars, and
Speaker 3: I think she has two cat beasts like at her
Speaker 3: flanking her. And that's in Anna has always been depicted
Speaker 3: with cats, large cats, and we see that in Eyes
Speaker 3: Wide Shut, with the stuffed tiger or the stuffed lion
Speaker 3: or whatever. We see that multiple times with Domino's bed,
Speaker 3: and in the toy store at the end. So and
Speaker 3: we also have so those are the pillars of Jaquim
Speaker 3: and bo Az of Freemasonry. And behind her is pomegranates,
Speaker 3: and these pomegranates are in the shape of the cepha
Speaker 3: Roth of the Tree of Life. So this is a
Speaker 3: huge lots of information. And on her lap she has
Speaker 3: a book and I think it's the Tarot, but it's
Speaker 3: like a it's like information, but any where the taro
Speaker 3: is a book that's considered a book of images. And
Speaker 3: so anyway, this is like the first image. This is
Speaker 3: what the movie is really about. And so she is Inana,
Speaker 3: like the pomegranates relate to Anana because of Demeter and Persephone.
Speaker 3: Persephone was stolen by Hades, brought down in the underworld.
Speaker 3: You know that whole story. Yeah, yeah, But like she
Speaker 3: eats six pomegranate seeds, and that is the the Greek
Speaker 3: or Roman I think it's the Greek one with Persephone.
Speaker 3: That's the Greek version of the Inana story of the
Speaker 3: Sumerians and the Babylonians had the same story and her
Speaker 3: name was Ishtar, so it's the same goddess like you know,
Speaker 3: and it's the same story even like Inana goes into
Speaker 3: the underworld and she's made to be trapped there, but
Speaker 3: she finagles her way out of being able to get
Speaker 3: out every six months and then she makes Tamus, her
Speaker 3: male counterpart, goes in her place, so like while she's
Speaker 3: you know, in the summer months, so while while she's
Speaker 3: on the earth, it's fertile, the land is fertile, you know,
Speaker 3: just like Persephone. So it's like a death rebirth fertility
Speaker 3: ritual and long before the Jesus myths and all of
Speaker 3: the male death and rebirth it so it's like the
Speaker 3: old religion, you know. So, uh, that's what. And then
Speaker 3: we see like later she goes into the party and
Speaker 3: she there's all these Ishtar stars eight pointed stars and
Speaker 3: surrounding her head like framed around her, and we see
Speaker 3: at the party she slips into the altar of being
Speaker 3: one of the maidens and zandor Zavos like will he
Speaker 3: he accesses her through a certain series of motions and
Speaker 3: words that unlocks the programming within her. That's one of
Speaker 3: the phenomenon of these trauma based mind controlled slaves is
Speaker 3: that their altars are programmed in different ways, and the
Speaker 3: altars can be called up to the foe to the front,
Speaker 3: while the main alt the main persona has to sit
Speaker 3: in the back seat, you know, while the other one
Speaker 3: takes control of the body. So like, uh, this kind
Speaker 3: of like this revelation that I learned from Room two
Speaker 3: thirty seven, Like why didn't I see it before? Oh?
Speaker 3: My god? And so it all unfolded from there. And
Speaker 3: and so I was talking with William Ramsey a bunch,
Speaker 3: and we were I was going to do a show
Speaker 3: about Troum novell which you can find on my Wake
Speaker 3: the Dead Roster of shows and Williams as well, where
Speaker 3: we talked about trom Novelle and how that is different
Speaker 3: from Eyes Wide Shut and comparing contrast the original. The
Speaker 3: film was based on trom novell As, the book by
Speaker 3: Arthur Schnitzler, and some of the elements were not in
Speaker 3: the book but the film, so Ziggler was not in
Speaker 3: the book. Xandor Zavost was not in the book. Ziggler
Speaker 3: means builder in jail, which means mason. So there's a
Speaker 3: lot like hung on these elements. And so the guy
Speaker 3: with the costume shop was in the book, and the Maiden,
Speaker 3: the young girl who was Ley Sobieski's character, she was
Speaker 3: in the book too, so that is a continuation. Nightingale,
Speaker 3: the guy's name being Nightingale is was originally in the book.
Speaker 3: And that goes back to Avid, who was also mentioned
Speaker 3: by Xandor's Avast. He was talking to there was a
Speaker 3: scene where there's a string of lights from his mouth
Speaker 3: to her ear, from Xandor's to Alice's ear, and he's
Speaker 3: telling her about Avid and Avid's poetry. And Avid wrote
Speaker 3: a book Metamorphosis, and Metamorphosis is all about like what
Speaker 3: a butterfly does, like the monarch, right, and so yeah,
Speaker 3: and there's another reference to another book named Metamorphosis, The
Speaker 3: story of Psyche and Psyche and Aros, that whole story
Speaker 3: where Psyche is a human woman who was turned into
Speaker 3: a goddess and was given butterfly wings. That story is
Speaker 3: in another book, ancient book titled Metamorphosis, and the other
Speaker 3: the other title is called the Golden Ass No like
Speaker 3: ironic and humorous, but this is true, yes, and I
Speaker 3: talk about it on my like, So there's all these
Speaker 3: references to metamorphosis and butterflies, and when we first see
Speaker 3: helen Us, she's wearing white butterfly wings. So all of
Speaker 3: these are evidence of this theory, right, Yeah, And so
Speaker 3: on my show, I talked to a lot of people
Speaker 3: and I've been digging into some real good topics and
Speaker 3: some of them are pretty nasty stuff. But I want
Speaker 3: to learn the truth and I want to understand the
Speaker 3: mind control. And we got to know, you know, we
Speaker 3: can't just be like, oh, that's gross, I don't want
Speaker 3: to know, Like, we have to know if you if
Speaker 3: you if it's gross, then that's occulting it, Like you
Speaker 3: are occulting it from yourself on purpose, and like that
Speaker 3: is occultism.
Speaker 4: Right, So that's the best way of ever heard it
Speaker 4: put like you're a goulding it because you don't want
Speaker 4: to hear about it, you don't want to look at
Speaker 4: But that's fine. Well, you you're making it worse by
Speaker 4: not digging in That's how I've always been, like, I
Speaker 4: get it, it grosses people out, but at the same time,
Speaker 4: you need to know this stuff.
Speaker 3: That's right, that's right. So like when when a grown
Speaker 3: person says they're having recovered memories of being forced to
Speaker 3: eat feces or being buried in a coffin alive, or
Speaker 3: you know, like all of these like being raped by
Speaker 3: Jesus or these are the most horrendous things you can
Speaker 3: think of, and other people are like, that's crazy, and
Speaker 3: they just like, no, not real. People still don't believe it.
Speaker 3: And like when I tell my theory about eyesweitch shud
Speaker 3: and how it's related to trum based my control, satanic
Speaker 3: racial abuse, other like Kubrick researchers and quotes, they're like, no, no,
Speaker 3: I don't want to think that. They just don't even
Speaker 3: want to.
Speaker 4: Like even there, what is their grand theory about it? Then?
Speaker 4: What it's about?
Speaker 3: It's they it's about a lot of well, different people
Speaker 3: think different things. So the rob Aeger online he thinks that,
Speaker 3: like he'll talk about the book that Kubrick used that
Speaker 3: describes occultism and the rituals and child sacrifice and all
Speaker 3: that stuff. He'll show the cover of the book. He
Speaker 3: bought the book, but then he won't open it and read,
Speaker 3: like what and relate the information to the movie.
Speaker 4: Wow.
Speaker 3: Yeah, he's like, I don't go for that stuff. Like
Speaker 3: he'll say it in his video. I don't like to.
Speaker 3: I don't go for that stuff. And like another researcher,
Speaker 3: Julie Kerns, who's phenomenal, she's great. She does idolopus press
Speaker 3: dot com is her website, and she was featured in
Speaker 3: Room two thirty seven as well, and she's very smart
Speaker 3: and she has very intelligent theories and goes in very
Speaker 3: depth on her website. Everybody should check it out. I
Speaker 3: asked her too about the paintings and generational abuse, and
Speaker 3: she was like, I don't I don't want to. She's like,
Speaker 3: I don't believe it. I don't want to think about it.
Speaker 3: And that's something I just don't want to look at.
Speaker 3: And so like this leaves the road wide open for
Speaker 3: me to just stroll down and like I'm the only
Speaker 3: one saying it, but I'm not afraid to say it.
Speaker 4: It's the fucking elephant in the room. Yeah, Yeah, somebody's
Speaker 4: got to talk about it.
Speaker 3: Yeah.
Speaker 4: I've said for the longest that that's what it's about.
Speaker 4: But then again, I'm not afraid to talk about those
Speaker 4: kind of things.
Speaker 3: So God bless you. That's why we're friends. That's why
Speaker 3: we do yeh yeah. So, like I mean, this is
Speaker 3: it's it's a wide open and it's and it's like
Speaker 3: everything that I learned, it all fits in the story.
Speaker 3: And it's not because I'm crazy and I'm seeing whatever
Speaker 3: I want to see. Other people corroborated. Like I spoke
Speaker 3: with on my show. Like I said, it was pretty
Speaker 3: deep topics and pretty nasty stuff. But we go deep
Speaker 3: and we talk it out. And one of my friends
Speaker 3: now and she's been on the show many times, is
Speaker 3: Carrie A. La Hey, and she is an experiencer of this.
Speaker 3: She as she was abused ritually by dark cult members
Speaker 3: of the military, and she was forced into her altars
Speaker 3: were used to in the rituals. She would wear the
Speaker 3: robes and be in the performance and when they did
Speaker 3: the things, she would be used to assist, right, and
Speaker 3: she had no will of her own. She her she
Speaker 3: was trained. Basically, she had an altar up who was
Speaker 3: proud to be that, you know, And she talks all
Speaker 3: about it on my show. But God, oh, my god. Yeah,
Speaker 3: oh my god. She's really a warrior. Amazing. She talked
Speaker 3: about there's another episode that we did about her New
Speaker 3: World Order Programming where they expected her cult expected that
Speaker 3: by this time the world would have been taken over
Speaker 3: by the One World Government and those of and her
Speaker 3: job was to track down the people trying to escape
Speaker 3: and kill them. She was talking all about it on
Speaker 3: the show New World Order Hunter Tracker New World Order Programming,
Speaker 3: that's one of my episodes I talked to her about it.
Speaker 3: So like she she's been able to recover her memories
Speaker 3: and she's done the study to understand what it means, right,
Speaker 3: she she knows she studies the same stuff I do,
Speaker 3: and like she understands what the symbol means instead of
Speaker 3: being like, oh this happened to me, and but she
Speaker 3: can comprehend why and what it did. And so on
Speaker 3: her show, she has a YouTube channel desert Dakini Da
Speaker 3: k I n I, and she explains the mechanics of
Speaker 3: the SRA, what the mechanics of how she does this
Speaker 3: for other people like herself, to help find their way
Speaker 3: out of this dissociated identity disorder. Journaling is important and
Speaker 3: she like helps for people to understand the mapping in
Speaker 3: their heads and why why they have these you know,
Speaker 3: she can tell them what their symptoms are and this
Speaker 3: is why it's you know, because people can't think. They
Speaker 3: their brains have been trained to not recognize what is
Speaker 3: actually wrong and they block it. It's like, uh, the
Speaker 3: trauma makes them not look same with certain decision, right
Speaker 3: we can. I mean the trauma of the circumcision makes
Speaker 3: the father not deny it happened as trauma. Oh it's
Speaker 3: not just a little cut, no big deal, because he
Speaker 3: wants to deny. So like his consciousness is like won't
Speaker 3: accept that it's torture because it doesn't want to accept
Speaker 3: that it's been tortured. You know, it's there's it's weird
Speaker 3: the way the mind works. And she can help to
Speaker 3: elucidate un She helps people and everybody should check in her,
Speaker 3: should check out our show, and she did. She also
Speaker 3: did many episodes on the Imagination podcast with Emma Catherine
Speaker 3: and Emma talks to many SRA survivors. It's like her
Speaker 3: whole show is just and it's like one after another,
Speaker 3: it's all the same, Like it's it is a pattern.
Speaker 3: It's a science that they have been doing for generation,
Speaker 3: you know. Anyway, So Carrie's talking to me one day
Speaker 3: on the phone and we're like scheduling one of the
Speaker 3: shows that we did, and she tells me, Hey, I
Speaker 3: saw that Ice White Shut thing you did. That's real.
Speaker 3: I was like what. She's like, yeah, I said, oh,
Speaker 3: my god, can we talk about it. Let's do a show,
Speaker 3: and she's like, yeah, okay, And that's recently the last
Speaker 3: time she was on my show. We talked about the
Speaker 3: name of the episode was Survivor Speaks the Truth of
Speaker 3: Ice White Shut. And she tells the story she like
Speaker 3: years after her recovering and like trying to get better,
Speaker 3: she thought she was strong enough to watch this film
Speaker 3: and when the music started going and the backwards chanting
Speaker 3: and the lighting, and she started to feel messed up
Speaker 3: and she ran to the bathroom and all of a sudden,
Speaker 3: she was on her knees, paralyzed, couldn't move ready for programming.
Speaker 3: She calls it slave pose, and that's what the women
Speaker 3: were doing in the on the TV screen.
Speaker 4: They were on these my god.
Speaker 3: Right, So like she said that that ritual, she's seen
Speaker 3: that in real life, and she was when she said
Speaker 3: she had to recover from She was describing it like
Speaker 3: it was like being in the sunken place of get out,
Speaker 3: Like she couldn't have no control of her body anymore.
Speaker 3: And she described like another movie Kill Bill, like when
Speaker 3: Uma Thurman's like move your big toe, like really concentrate
Speaker 3: on trying to move her body again. She had to
Speaker 3: do that to regain control of her body again. She
Speaker 3: had enough consciousness to know what's happening at the time,
Speaker 3: but still it was doing this automatically, like this is
Speaker 3: what so like we did this whole show where she's
Speaker 3: telling me, like she's telling me things that I didn't
Speaker 3: know that I didn't right, Oh my god, like the
Speaker 3: double headed eagle in the chair. That relates to the
Speaker 3: programming itself where they even they try to split the
Speaker 3: minds of the victims. Some victims have total split mind
Speaker 3: programming where they destroy the corpus colosum, and then the
Speaker 3: left brain and the right brain can be thinking two
Speaker 3: things at once, and the two arms can be doing
Speaker 3: two different things at once, and it's like one of
Speaker 3: the different programs. And it's related to Philimila programming, which
Speaker 3: is the which relates to Nightingale, which we were already
Speaker 3: talking about and Philimla was She's in Avid's book a
Speaker 3: metamorphosis the stories and Avid's book. And she was raped
Speaker 3: and the rapist cut her tongue out so she couldn't speak,
Speaker 3: and she was able to weave a loom that told
Speaker 3: her story to her sister. And she prayed to become
Speaker 3: a knight. She prayed to become a bird to get
Speaker 3: away from this man who's trying to kill her. She
Speaker 3: was turned by the gods, turned her into a nightingale.
Speaker 3: And so now as a nightingale, she sings hers. She
Speaker 3: sings all night telling the story, and then you know,
Speaker 3: like and the bird sings its its biggest, most important
Speaker 3: song right before dawn, right right at the end of
Speaker 3: the night. So it's like a and anything that relates
Speaker 3: to nightingale, any story, even Shakespeare, like it relates to
Speaker 3: some of Titus Andronicus, relates to that story of Filamilo.
Speaker 3: Is anything where they mentioned nightingale, it's a it's a
Speaker 3: sorrowful lament. They're hinting that this story is a sorrowful
Speaker 3: lament of violent abuse and sexual torture. So that's why
Speaker 3: it was in the original book of Schnitzler, and that's
Speaker 3: why Kubrick kept it for the film, and he accentuated
Speaker 3: by making Tom Cruise exclaim Nightingale, Nightingale a bunch of times,
Speaker 3: like every time the guy showed up on screen, Tom
Speaker 3: would be like, oh, Nightingale, So like it goes into
Speaker 3: your head, you know you anyway, So she corroborated basically
Speaker 3: like my whole theory, right, And in that show she
Speaker 3: was kind of talking about how, oh yeah, that extra
Speaker 3: twenty three minutes of that was cut, right, and everybody
Speaker 3: there's this rumor that there's this extra twenty five minutes
Speaker 3: cut from the film that had like the really naughty stuff, right,
Speaker 3: And in honesty, there's like maybe maybe like one or
Speaker 3: one minute like something like that during the sex scenes.
Speaker 3: In order to get like a different rating, they wanted
Speaker 3: NC R instead of NC seventeen. I forget, but it
Speaker 3: was not like a whole scene. And the way that
Speaker 3: it was cut, I don't know. I don't even know.
Speaker 3: If they did, they might have added something else to
Speaker 3: something else so that the timing was the same, because
Speaker 3: I don't believe that they cut anything out of Eyes
Speaker 3: Wide Shut, And there's no missing twenty three minutes twenty
Speaker 3: five minutes because I discovered that this film synchronizes with
Speaker 3: itself at one hour intervals. Long ago. I discovered that
Speaker 3: in the bathroom, Ziggler says one hour and he looks
Speaker 3: at his watch, and then I was like, on a lark,
Speaker 3: I was like, I'll skip ahead one hour and see.
Speaker 3: And that's the moment when Mandy is kissing Bill at
Speaker 3: the ritual mask to mask and I'm like, whoa, that's
Speaker 3: the same girl that's there on the couch who's passed out.
Speaker 3: And it's like, this is more information, right because they're
Speaker 3: related Like that, I can learn more about that character Mandy.
Speaker 3: And I was like, that's interesting. And then there were
Speaker 3: a couple other points where I was like, oh, weird,
Speaker 3: I'll skip ahead and back and was trying to show
Speaker 3: to William how it does that. And I wanted to
Speaker 3: ast up one night before the Troum Novelle episode and
Speaker 3: I was thinking, like, how can I show this to everybody?
Speaker 3: And it just dawned on me. I was like, Oh,
Speaker 3: I'll just play it right next to each other. And
Speaker 3: I got into obs here and I took the movie
Speaker 3: and I put it into one screen, two screens, and
Speaker 3: three three screens, and what I did was I and
Speaker 3: here I'm sharing with let's see share sound yes, sure?
Speaker 3: And so this here is what I created. It's got
Speaker 3: the top on the top left, we see the the beginning.
Speaker 3: It's the first screen starting, and so this is uh, okay,
Speaker 3: can you hear it? Oh, it hasn't started, okay, So
Speaker 3: like we got it started here on the upper left,
Speaker 3: and the other ones are waiting in the screen. So
Speaker 3: I let it play all the way through, you know,
Speaker 3: and then I go to about here. Let's see, this
Speaker 3: is twenty three minutes here here at fifty nine minutes
Speaker 3: here can you still see?
Speaker 4: No?
Speaker 2: Okay?
Speaker 4: Here now you can see it?
Speaker 3: Okay? So here one second, So this is the same
Speaker 3: moment where we see Fidelio. So this is at play.
Speaker 3: This is at like fifty nine minutes. This is at
Speaker 3: one hour where Bill is at the debt at the
Speaker 3: table in the Sonata cafe with Nightingale, and he's talking
Speaker 3: about the ritual well and right about the time when
Speaker 3: he gets the phone call. Oh see he gets the
Speaker 3: phone call. I know where that is, right, he's writing
Speaker 3: it down. Fidelio. Fidelio is the password right this moment
Speaker 3: and we just saw, well, I'm on my way right
Speaker 3: now on my way. Right now, when he says, now
Speaker 3: is the exact moment when you push play on the
Speaker 3: next screen, the name of Beethoven opera. The password. Now
Speaker 3: we have entered the true understanding, right the password is
Speaker 3: this one hour moment. So that's why I named it
Speaker 3: Fidelio experiment. So now now we go. So now the
Speaker 3: second screen is starting, and I'm playing the audio altogether, no.
Speaker 5: Way, and so we've seen how these screens relate to
Speaker 5: each other, and we are able to learn more informational
Speaker 5: that way.
Speaker 3: So now you're on a pause it and now I'll
Speaker 3: skip ahead to uh now when we have okay, this
Speaker 3: is the ritual scene. Okay, so we see the ritual
Speaker 3: scene is the same time when xandor z Avost is
Speaker 3: dancing with That.
Speaker 4: Is the freaking chills because it's like literally lining up.
Speaker 3: Dude, It's amazing. It's like way more than Wizard of
Speaker 3: Oz and the Deck's Dark Side of the Moon. It's like,
Speaker 3: it's amazing, and Kubrick created it this way. This is
Speaker 3: on purpose. All kubric researchers, even if they don't like
Speaker 3: my theory, they should see how it lines up. It's
Speaker 3: at least this is true because I didn't make it up.
Speaker 3: I just discovered it. And if you when the DVD
Speaker 3: was released back in ninety nine or whatever, if you've
Speaker 3: got three TVs, three DVD players, and three codies of
Speaker 3: the DVD, you could have done this yourself. You could
Speaker 3: have sat in a room pressed play when he says now,
Speaker 3: and on the second one and the third and it
Speaker 3: would all play together like this. Uh so, now we're
Speaker 3: skipping ahead and when they when he when okay, listen
Speaker 3: to this one. This one's amazing.
Speaker 2: Death undressed?
Speaker 3: What makes me? What makes you an exceptions? This is
Speaker 3: the same moment. Uh this is when she's like, remove
Speaker 3: your right, so he's found out like he's describing, right,
Speaker 3: remove your clothes. And if you skipping ahead one hour
Speaker 3: exactly from this point, we would. So anyway, this is
Speaker 3: the danger on the other side of the gave it
Speaker 3: up to me right when he's with the hooker. She
Speaker 3: supposedly added aids right, so like she is, she's the
Speaker 3: danger on the other side of the fence. Like when
Speaker 3: they kiss. It's like another moment, right, All of these
Speaker 3: moments line up. So yeah, this is when we're arriving
Speaker 3: at the Sonata Cafe and this is when he goes
Speaker 3: back to Domino's apartment and learns about the aides thing.
Speaker 3: So this is all connected and he goes did ding
Speaker 3: when they said Domino, Domino is Domino mask is the
Speaker 3: mask of Zoro, the one that goes over their eyes.
Speaker 3: That that's what a Domino is. Like the word Domino
Speaker 3: relates to the masks they wear. And Domino the hooker,
Speaker 3: she has masks on her wall. It's and like it's
Speaker 3: it goes very deep. So like so here we're arriving.
Speaker 3: We're arriving at the second hour and the first hour
Speaker 3: on the second screen, so we're about to hit play
Speaker 3: on the third one. So we're gonna see Okay Nightingale,
Speaker 3: Bill Nightingale and they put their names together. And if
Speaker 3: you look right here, when the waiter is bringing the
Speaker 3: napkin to the table, the napkin which he writes Fidelio on,
Speaker 3: if you look just under behind them, just under the
Speaker 3: waiter under the beer, there, that's Stanley Kubrick in the
Speaker 3: background and he's listening. He's this is Stanley Kubrick alerting
Speaker 3: us to pay attention to this moment. And he's like
Speaker 3: listening in on their conversation. He's in the This is
Speaker 3: I think the only time when Stanley's been in one
Speaker 3: of his films where he's put himself in there.
Speaker 4: That means it's important.
Speaker 3: Exactly exactly place. So they okay, and then he tells
Speaker 3: the story there in the village and watched this.
Speaker 2: Believe it or not, I don't know.
Speaker 3: So the moment when Bill grabslous Sally's breasts is the
Speaker 3: same moment where Nightingale does this with his fingers, because
Speaker 3: was like, peey, touchy, watch swear it's amazing.
Speaker 4: Oh my gosh.
Speaker 3: Look at that. I didn't do that. Kubrick did that.
Speaker 3: This is the genius of Kubrick blindfold is huh. Right,
Speaker 3: So then something I should tell you? Really m m,
Speaker 3: you're putting me on all right. So it's like this moment.
Speaker 4: The plane from wasn't on so well, I don't know
Speaker 4: when to tell you this.
Speaker 3: Yeah, well I have seen one or two things in
Speaker 3: my life. Never, why don't you have a seat The
Speaker 3: moment he says never, She's like, why don't you have
Speaker 3: a seat? Done with the flirting? Never such? W never? Right,
Speaker 3: So okay, wow, okay, this is he gets the call.
Speaker 3: You know, I don't know how to say this. Hello, Yes, sir,
Speaker 3: considering that you were with last night, I know where
Speaker 3: that is. Were dominantly fair? Right? The results, the results
Speaker 3: the passwords. Well, I'm on my way right now, right now.
Speaker 3: HIV positive. That's the same. That's interesting. What is this.
Speaker 4: Whoa that lined up?
Speaker 3: Yeah, HIV positive, it's the password whoa. I'm really sorry. So, like,
Speaker 3: I wonder if Kubrick knew that it was going to
Speaker 3: be a virus in the future because en Fauci was involved. Like, God,
Speaker 3: you probably put it on YouTube. I said the wrong words.
Speaker 4: No, I don't even do.
Speaker 3: I'm still like, I think that maybe Kubrick knew that
Speaker 3: was the plan for the future. And these are the
Speaker 3: people that are, you know, the hivy thing that people
Speaker 3: should go down the rabbit hole. There snow HIV virus.
Speaker 4: That's the big secret, right, because it isn't that's right.
Speaker 3: And guess who is in charge of it way back then,
Speaker 3: And guess why people were down and people were dying
Speaker 3: because of the medicine. Magic Johnson stopped taking the medicine.
Speaker 3: He's aliving. Well, you know what I'm saying, people need
Speaker 3: and why they have.
Speaker 4: To take out Freddy Mercury though really.
Speaker 3: Because just like the killing of the king, the trauma
Speaker 3: that it causes us who love him so much, that's
Speaker 3: what it does. And then they can make way more
Speaker 3: money off his albums that you know they own the right.
Speaker 3: So here we'll look here. This moment is so this okay,
Speaker 3: this is like the most important sh stuff, dude.
Speaker 4: This moment right here. This is crazy because you have
Speaker 4: Ziegler in the uh the billiard room, I guess billiard room.
Speaker 4: You have the red pope in the ritual, and then
Speaker 4: you have bill Um finding Mandy in the bathroom. This
Speaker 4: is crazy because Ziegler is present in all three scenes.
Speaker 3: Yes, okay, Ziggler's wearing the tricorn hat mask.
Speaker 4: Yes, yeah, So we've got a trifecta going on right now.
Speaker 4: This is nuts. Okay, go ahead.
Speaker 3: If you look the red of the felt of the
Speaker 3: pool table, all pool tables standard is cyan. It's like
Speaker 3: the opposite of red on the color wheel. So that
Speaker 3: is like, ohh brings your attention to that, And there's
Speaker 3: a lot involved with that. It goes back to clockwork
Speaker 3: orange like I get into it. But so we got
Speaker 3: the red pool table and then we got the red
Speaker 3: carpet right, the red pope, right, the red Pope. So
Speaker 3: that's the same. And they talked about that in Room
Speaker 3: Too thirty seven, how they related the carpet to the
Speaker 3: pool table. But then if you look here, we have
Speaker 3: the painting on the wall in the bathroom where Mandy
Speaker 3: is passed out. That's painted by Christian Kubrick. It's right
Speaker 3: there behind Bill's head. It's a huge painting, and that
Speaker 3: the painting is titled Paula six Months on Red. It's
Speaker 3: a pregnant woman like laying there on a red red
Speaker 3: like red carpet red right, and Mandy's on the red
Speaker 3: chair in the bathroom. So like that's what those women
Speaker 3: are becoming pregnant. They're getting impregnated. That's what the whole
Speaker 3: story is. They're like making all those women get inmated,
Speaker 3: I swear. And when there's a scene, there's like one
Speaker 3: shot where Bill is looking up at Ziggler and Ziggler's
Speaker 3: face is framed in front of the painting where the
Speaker 3: painting behind him takes up the whole frame, and Ziggler's
Speaker 3: mouth is right where the vagina of the painting, So
Speaker 3: like it's like the pregnant woman is gonna be borne
Speaker 3: through his lips, is like gonna speak out what's program
Speaker 3: and that's what's happening in the billiard room. I'm not
Speaker 3: gonna tell you who those people are, but you wouldn't
Speaker 3: sleep so well at night. So and he says it out.
Speaker 3: He says she's a hooker, like that's what she was,
Speaker 3: and like you know, and he also says that the
Speaker 3: doors were locked from the inside. Cops are happy, case closed,
Speaker 3: But the newspaper didn't say that newspaper didn't have that information.
Speaker 3: He has secret information about that whole situation. So she
Speaker 3: was murdered because she went against her programming. Yes, yeah,
Speaker 3: we talked about that on our show. Yeah, sad, it's
Speaker 3: very sad. So that's Harry calls that someone on the
Speaker 3: freedom train. That's how they get free. They have to
Speaker 3: get murdered out. That's the only way to get free.
Speaker 5: Wow.
Speaker 3: But Alice was lucky enough to be used as a breeder,
Speaker 3: just like these women at the ritual. They're all being
Speaker 3: inseminated by the people behind the masks, you know, And
Speaker 3: that's why they run a train on them so that
Speaker 3: they don't know who the father is, so that there's
Speaker 3: no parental lineage. These can be slaves, and they can
Speaker 3: abuse them and have no care that they're their own kids,
Speaker 3: you know, but it's still from an elite stock of semen.
Speaker 4: So that's why they run train on them. That makes
Speaker 4: so much fucking sense, because it's like it's just a
Speaker 4: random kid to them.
Speaker 3: It's right. It erases the paternal lineage right right, my god.
Speaker 3: And so that too is a trauma to the baby
Speaker 3: to not have a father. But that adds to the
Speaker 3: the abuse that they have to traumatize the children in
Speaker 3: so many ways to create the effect of an Alice
Speaker 3: who will, against her own motherly instinct, let her child
Speaker 3: be abducted by her owners. You know. In the toy store,
Speaker 3: that whole thing was was orchestrated by Alice, and those
Speaker 3: people were there just to receive the kid. And Alice
Speaker 3: went and stood right next to the to the stuffed cats.
Speaker 3: And those people were waiting in that aisle. They knew
Speaker 3: which ile to stand in because the stuffed lions like
Speaker 3: of Inana, like her cat beast, you know, familiar right
Speaker 3: of magic, familiar, so like. And there was a thug
Speaker 3: in the in the toy store. We can see him
Speaker 3: following them. And I talk about it in my My
Speaker 3: first production was called a Cult Kubrick and the Butterfly Net,
Speaker 3: and you can find that on Odyssey and stuff I
Speaker 3: go through.
Speaker 4: I watched it.
Speaker 3: It's great. I'm glad. Yeah so I So there we
Speaker 3: see her on the on the red chair, the red carpet,
Speaker 3: those women genuflecting on the red carpet, and he's like, oh,
Speaker 3: I think you got too many ideas here. Listen to
Speaker 3: him talk.
Speaker 6: Boom boom.
Speaker 3: Look at where his lips are.
Speaker 4: I never noticed that before, Sean, Fuck you, that's fucking wild.
Speaker 3: Yeah, Like Kubrick had to put the camera down low
Speaker 3: to create the shot. He had to like light it
Speaker 3: up specifically so.
Speaker 4: That what lips.
Speaker 3: Are, the lips of the vagina would be in the painting.
Speaker 3: And we can tell that's a pregnant woman. You see her,
Speaker 3: her nipples are big and dark, and we see her
Speaker 3: pregnant belly.
Speaker 4: Her belly. Yeah, do you think it's significant? Also, I
Speaker 4: think I've mentioned this to you before, but Mandy is
Speaker 4: a redhead.
Speaker 3: Oh yeah, They're all redheads, even even Helena mm hmm
Speaker 3: yeah yeah, even Domino too.
Speaker 4: Coveted, fucking coveted.
Speaker 3: I know they are, that's right, if Arizona Wilder, I
Speaker 3: don't know how much stock you put in what she says,
Speaker 3: because some of the stuff she says is pretty wild.
Speaker 3: But she talked to David Ike a long time ago
Speaker 3: and he said that, uh or she said to him
Speaker 3: that blondes and redheads are more they do psychic they have,
Speaker 3: they're more easily psychic abilities come more easily to them.
Speaker 3: So they that's why.
Speaker 4: That's why they say like redheads have like mutant DNA
Speaker 4: and shit, I'm so serious, they say that redheads are mutants.
Speaker 3: That's just because Britain hates Ireland. That's all it is.
Speaker 3: It's just some racism. Shit. God bless Irish people come
Speaker 3: on anyway. So all right, So we see that this
Speaker 3: is him speaking out, like this exact moment, like two
Speaker 3: hours exactly ahead from the bathroom scene. We hear him
Speaker 3: speaking out. And the paintings on the wall in the
Speaker 3: billiard room are significant too. That's where we see the
Speaker 3: guy with the tricorne hat in the in the painting
Speaker 3: above Ziggler, So that's supposedly his ancestor.
Speaker 4: Right.
Speaker 3: These faces on the wall are the unmasked participants from
Speaker 3: the past that were in the ritual and Kubrick gives
Speaker 3: us a heraldic shields on the walls above the red carpet,
Speaker 3: and the guy with the tricorn hat is on the
Speaker 3: balcony above the red carpet, just like the portrait is
Speaker 3: above the pool table looking down on the red pool table. Same.
Speaker 3: It's like it even more strengthens the idea that Room
Speaker 3: two thirty seven posits with the relation between the carpet
Speaker 3: and the red pool table. And if you go even further,
Speaker 3: the ending of Clockwork Orange features a pool table. It's
Speaker 3: like a snooker table. And he's got the guy, the
Speaker 3: crippled guy that is torturing Alex with Beethoven.
Speaker 4: Literally, I was gonna say Beethoven at the end, uh huh.
Speaker 3: The Beethoven Opera is the thing that tortures Alex. And really,
Speaker 3: like Fidelio, like if you think about I'm like just
Speaker 3: like realizing now, like somebody that has cheated, that is
Speaker 3: the torture to remember that, to know that you did
Speaker 3: that and you can't undo it. And it's like that's
Speaker 3: the pain that we have to live with, is you know,
Speaker 3: like you can't undo the thing, you can't go back,
Speaker 3: and like so that in itself is the torture. Like
Speaker 3: I believe that when when we're done with this life,
Speaker 3: we judge ourselves. I think that's I think that's why
Speaker 3: they do many so the darker cultures do all those
Speaker 3: cremations of care so that when they get to that point,
Speaker 3: they don't they don't judge themselves. Like I don't know.
Speaker 3: I think it's like hijacking the the mechanics of spirit, like.
Speaker 4: That would be that would be the ultimate fucking like
Speaker 4: to judge yourself for all the fucked up things you did.
Speaker 4: Holy shit.
Speaker 3: I think that's how it works. I think that's how
Speaker 3: it works because like, yeah, I mean, well anyway, yeah,
Speaker 3: because like even in life now, like I mean, you
Speaker 3: can't like if we think about our mistakes and like
Speaker 3: I mean, that is the torture. I think if you,
Speaker 3: I think we're inherently moral beings, you know. So that's
Speaker 3: why in these satanic rituals, they they do the most
Speaker 3: immoral stuff and then you have to participate, and it's
Speaker 3: your willingly drinking the blood or whatever.
Speaker 4: You know, eating drinking the piss, right right, mm hmm.
Speaker 3: So like that then that is confirmation that you are
Speaker 3: accepting the evil and this is a free will environment
Speaker 3: where we That's why they show us the thing they
Speaker 3: do before they do it to us, because this is
Speaker 3: our consent when we let it happen. So that's the
Speaker 3: spiritual law of this of this world and this existence.
Speaker 3: So they have to present their plan to us. It's so,
Speaker 3: I mean, these kind of movies are both a revelation
Speaker 3: of the method and a part of the magic ritual itself.
Speaker 3: You know, people that don't like Kubrick might think that
Speaker 3: this is that this is an intentional movie, that they're
Speaker 3: revealing this stuff on purpose to show us that we
Speaker 3: nothing we can do, Like, can you know they're they're
Speaker 3: so powerful, makes us learned helplessness, you know. But really
Speaker 3: I think the Kubrick is showing us how totally depraved
Speaker 3: they are and how disgusting of people they are. Like
Speaker 3: when we see Millic, the guy in the costume shop,
Speaker 3: he's got like a the tie he wears looks like
Speaker 3: a golden snake skin, you know, and he's got this
Speaker 3: like evil grin. And I think Kubrick still maintained his
Speaker 3: morality even though he was in this I'm speculating. Of course,
Speaker 3: I can't interview the guy, but I believe he was
Speaker 3: revealing this, and Carrie does too, and we talked about it.
Speaker 3: She thinks that because there's so much context, that this
Speaker 3: is not just a trap for our consciousness to allow
Speaker 3: their rituals in the future. She believes that this is
Speaker 3: Kubrick trying to reveal to us. There it's all there.
Speaker 3: We have to decipher it, I mean. And he started
Speaker 3: in the Shining. In the Shining, he started making these
Speaker 3: mazes of a movie, you know, where it's, uh, it's
Speaker 3: more than a film. It's like a it's like a puzzle.
Speaker 3: You know.
Speaker 4: Well, you and I talked about before a full metal
Speaker 4: jacket and fucking I was gonna say something about about
Speaker 4: The Shining, but now I forget. But it's like, it's
Speaker 4: not just a movie. It is not simply just a movie.
Speaker 4: There is so fucking much more going on with every
Speaker 4: single one of them. And I think to prove that point.
Speaker 4: If you, which I think you do, think that Kubrick
Speaker 4: did the moon landing stuff, like he's a brilliant, fucking genius.
Speaker 4: And we've even talked about how kind of like that
Speaker 4: are today Kubrick a little bit like with get Out,
Speaker 4: and you know, it's like it's kind of telling of.
Speaker 3: Yeah, Jordan Peele has like a morality and he seems
Speaker 3: to be revealing the darker cult and the evil ways
Speaker 3: of mind control they use, and those mind control slaves
Speaker 3: are all over Hollywood, like Marilyn Monroe, like you talk
Speaker 3: about Yeah, yeah, that's interesting. Yeah, that's that's so exactly that,
Speaker 3: like we're and you know, Kubrick did take his family
Speaker 3: of all daughters and to move them to Saint Albans,
Speaker 3: which is like that was like sacred land for for
Speaker 3: England basically like and the King Arthur and like Albion
Speaker 3: of like William Blake and you know, like nobody's gonna
Speaker 3: bomb that, you know what I mean, Like it's a
Speaker 3: safe place, like decreate it or like ye if he's
Speaker 3: like lives where because London is like the control arm
Speaker 3: of the evil, like it seems to be like the
Speaker 3: city of London. And of course they work with the
Speaker 3: Vatican and the whole in Washington, d C. The Three
Speaker 3: City State, like well.
Speaker 4: I mean, I mean shut was filmed at a Rothschild's house.
Speaker 3: Yes, this mansion was built by a Rothschild family member.
Speaker 3: This at the ritual space it's called meant Moore Towers,
Speaker 3: and it's not currently owned by the Rothschild. They sold it,
Speaker 3: I think in the seventies, and then the person who
Speaker 3: bought it then sold it in the late nineties, and
Speaker 3: that's why it was able to be featured in these
Speaker 3: films because then they started renting it out to directors.
Speaker 3: Also in ninety nine, it was used in the Ninth Gate,
Speaker 3: the Roman Polanski.
Speaker 4: Fi shut the fuck up. Yeah, the same, the very same, yeah.
Speaker 3: Yeah, in ninth Gate. Yeah, the front Jesus Christ, the
Speaker 3: front facade was used. That was the same building. And
Speaker 3: you remember like all the lit up little candles, and
Speaker 3: here's like.
Speaker 4: The fucking Roman Polanski ass fucking ninth Gate ass fucking
Speaker 4: Johnny Depp ass. That's same, very same, yeah.
Speaker 3: And that movie was released in ninety nine, same time,
Speaker 3: And that movie, that movie is about a satanic person
Speaker 3: attaining apotheosis without going through Jesus. It was like you
Speaker 3: can just walk right into.
Speaker 4: It through the Satanic rites right right.
Speaker 3: They's God. It's like hacking the mechanics of this reality
Speaker 3: so that they don't have to be christ Like and
Speaker 3: they don't have to live morally and live abide by
Speaker 3: the laws of natural law. The creator's laws of this world.
Speaker 3: If you harm others, you will receive negative harm. Like
Speaker 3: even the witches will say, like you do a bad
Speaker 3: spell to somebody, you receive it back times three, you know,
Speaker 3: Like I mean that that's the love of nature, right,
Speaker 3: So that's why the Buddhists don't harm anything. They don't
Speaker 3: even harm bugs like the you know, because they recognize
Speaker 3: that could be someone somebody's aunt or uncle who's like
Speaker 3: reincarnated into a bug and happens to be trapped in
Speaker 3: that body at the time. Like, so they have such
Speaker 3: reference for life, all life, you know. But these people
Speaker 3: are hijacking the mechanics of life. So that's what the
Speaker 3: ritual is doing. A normal copulation has a normal spirit
Speaker 3: from the realm of God to inhabit the baby. That's
Speaker 3: how all babies are born with the copulation, the combination
Speaker 3: of male and female, combination of sperm and ovum. When
Speaker 3: that spark of life begins, it's a natural soul who
Speaker 3: gets first rights to that body, right, and they just
Speaker 3: step right in. Whether it's incarnation or a new soul
Speaker 3: or whatever you believe, it's that's a natural process. So
Speaker 3: at that ritual they're going Widershin's they're going backwards. They're
Speaker 3: speaking backwards. They're doing necromancy, and necromancy has a lot
Speaker 3: of what they call a left hand path where they
Speaker 3: go against the flow of nature to work against that flow. Right,
Speaker 3: So they're doing this necromancy ritual. I believe to control
Speaker 3: what and who is inhabiting these women at the point
Speaker 3: of conception. Here at this ritual, Like if you read
Speaker 3: Moonschild by Aleister Crowley, it's like his only fiction work,
Speaker 3: but it's based on actual magic, where they create a
Speaker 3: baby and they control what spirit or entity inhabits the boss.
Speaker 3: Like that's what Croley was doing with the homunculus. He
Speaker 3: was like trying to It was really gross the Crowley
Speaker 3: was doing, trying to make a baby without a woman,
Speaker 3: like using blood from violent rape and the semen. Maybe
Speaker 3: that'll make a baby. Like that's what they used to
Speaker 3: think there was they they call it starfire. They believe
Speaker 3: that the the woman's menstrual blood is the fertile ground
Speaker 3: that the seed. They used to think in the cult
Speaker 3: the ritual, like the ancient times, they used to think
Speaker 3: that all life came from the male semen and that
Speaker 3: it's just the red of the starfire. That's why they
Speaker 3: read this. That's why red, red, and white are the
Speaker 3: magic colors because of semen and starfire. So like the
Speaker 3: red of the blood, they used to think, oh, maybe
Speaker 3: we could use this other blood, maybe we can grow
Speaker 3: some babies in that. And so that Crowley was like
Speaker 3: doing violent anal rape and like trying to mix uh
Speaker 3: semen with that blood, trying to make a homunculous like
Speaker 3: that's what the picture of lamb. If you ever, if
Speaker 3: you turn that picture upside down, mm hmm, you see
Speaker 3: that it's a it's being born out of an anus.
Speaker 3: It's really it's not like it's like, uh, it's shaped like.
Speaker 3: It's not shaped like that to look like an alien.
Speaker 3: It's shaped like that because it's like a droplet of
Speaker 3: of google being like excreted out through the It's gross.
Speaker 3: I'm sorry, listeners, No, I mean that.
Speaker 4: It's like we said at the beginning, this stuff is
Speaker 4: very important and everybody needs to fucking know about it.
Speaker 4: But it's just like how deprave does your mind have
Speaker 4: to get in order to think like ass blood and fuck?
Speaker 4: What did they He raped him in the ass and
Speaker 4: then he busted a fat load and thought that that
Speaker 4: was gonna like who's gonna work that?
Speaker 3: If you if you look at a Crowley, like it's
Speaker 3: all ass right, like a lot of it like that, there's.
Speaker 4: Like what do they do after he busts the fat load?
Speaker 4: Like he's like, who who is who carries the baby?
Speaker 3: Oh? I don't know it? Like I don't know it
Speaker 3: excretes out, I don't know, I'm telling you. But apparently
Speaker 3: the evil spirit that they allow to inhabit this thing,
Speaker 3: this demon that's trying that they're trying to be born
Speaker 3: into flesh they are. They think that that magic power
Speaker 3: will keep it alive, you know, and of course never bornculus.
Speaker 3: But people should look into what Homeleuculous really is. It's
Speaker 3: not just like a little thing, like it's not like
Speaker 3: it's not like the dude from the Black Lodge of
Speaker 3: of David Lynch's Twin Peaks. You know, it's not like
Speaker 3: that little dude. It's like it's something.
Speaker 4: Else, something Okay, So I had not walked. I think
Speaker 4: the only David Lynch movie I had ever watched was
Speaker 4: Dune because like it was the lesser of the David Lynches, right,
Speaker 4: Dune and.
Speaker 3: Fucking it was really well done but pretty silly.
Speaker 4: The new ones are great, which I talked to you
Speaker 4: about because I wanted to do a thing with you.
Speaker 3: I might still go along with.
Speaker 4: You and that you because they're incredible films. But so
Speaker 4: I went to go visit Are you familiar with Kolby
Speaker 4: from Conspiracy Playtime podcast? It's a really good podcast. But anyways,
Speaker 4: like I went to go visit him and he was like,
Speaker 4: you're about to get lynched, and I was like, I
Speaker 4: was like, okay, I'm ready for it. We watched Mullholland
Speaker 4: Drive and I was high as dog shit.
Speaker 3: That movie is about women like Alice too, yes.
Speaker 4: And it has a Naomi in it.
Speaker 3: Oh Campbell? Right? Yes, yeah, I don't remember that.
Speaker 4: Wait wait or is that her name? That's her name?
Speaker 2: Right? Oh?
Speaker 3: Right, the other the blonde chick right right? Isn't it
Speaker 3: Mulholland Naomi Watts?
Speaker 5: Right?
Speaker 3: I think that's the actress's name, and that she is
Speaker 3: her split personality.
Speaker 4: She she's a split personality, right right, Naomi?
Speaker 3: Yeah? And she's a Hollywood actress.
Speaker 6: Yes.
Speaker 4: So I had never watched David Lynch, like a good
Speaker 4: David Lynch. I had only watched it.
Speaker 3: They're all good, even eraser Head is good. Jennifer hates it.
Speaker 3: Fucking Did you know eraser Head is Kubrick's favorite movie?
Speaker 4: Is it really?
Speaker 3: Yes?
Speaker 4: So Colby's sitting there and he's already he knows what
Speaker 4: to expect because he's already seen it. I'm high as
Speaker 4: dog shit watching it for the first time. I was like,
Speaker 4: I don't know whether the fucking puke or fucking ship
Speaker 4: or fucking start my period. I was having a whole
Speaker 4: mental fuck. I had never watched a movie that literally
Speaker 4: jarred me out of reality like that fucking movie did.
Speaker 3: And so this is cilensial cilensia. Like at the end, you're.
Speaker 4: Just like wow, Like when the dude is sitting at
Speaker 4: the cafe and he's like, I had this dream or whatever,
Speaker 4: and then he goes around the side of the building
Speaker 4: and there's that fucking scary ass motherfucker like hiding on
Speaker 4: the other side. Sean, I'm telling you, there's this whole
Speaker 4: aspect to film that people do not appreciate, like eyes
Speaker 4: wide shut, like fucking clockwork orange, like the Shiny It's
Speaker 4: more than just a movie. It's like a psychological fucking
Speaker 4: almost like a psychological operation on.
Speaker 3: People, like they are in your fucking.
Speaker 4: Mk ultra right, Yes, it's.
Speaker 3: It is a dream. They can they control the whole
Speaker 3: dream for two hours. Yeah, Like that's the normal span
Speaker 3: of our REM sleep, the REM cycle. You get about
Speaker 3: two psych in about one and a half hours something
Speaker 3: like that. So they they time movies to be alongside
Speaker 3: with the rapid eye movement REM sleep cycle, so that
Speaker 3: our brain takes up this information the same way it
Speaker 3: takes up a dream. So when that's right, So like
Speaker 3: when when Kubrick's images are so striking, they burn into
Speaker 3: your head and you remember that stuff, like the scene
Speaker 3: at the end of Clockwork Orange when the guy has
Speaker 3: a pool table with big speakers on it and there's
Speaker 3: a guy in front who's like playing with red pool balls,
Speaker 3: red pool balls on this table. It's a green table,
Speaker 3: but still and like behind them is a big painting
Speaker 3: of a maiden and this what's being played is Beethoven,
Speaker 3: you know, and he's like looking up and you can
Speaker 3: see the guy's face. He's like, aha, like what is
Speaker 3: a speaker? What is what I mean?
Speaker 6: Ziggler is speaking? He's the speaker in the billiard room.
Speaker 6: And you know, like the password right, So anyway, and
Speaker 6: so like it's just loops and loops back into itself
Speaker 6: and it further like strengthens itself, you know, and the
Speaker 6: being able to see it here in three frames like
Speaker 6: even that relates to the Goddess. The Goddess has always
Speaker 6: been depicted as three, like even the fates, right, and
Speaker 6: you got maiden, mother and krone. You got the maiden,
Speaker 6: the young sex kitten, right, and then the mother, which
Speaker 6: is the reproductive of what Alice is doing, and then
Speaker 6: the crone. They never actually get the krone. They kill
Speaker 6: them off like Mandy, right, that's the the other end
Speaker 6: of the spectrum. And so we see the whole. We
Speaker 6: see the beginning of the life span with Helena and
Speaker 6: her butterfly wings and being trained into this nutcracker ballerina,
Speaker 6: you know, set of programming, and then she gets stolen
Speaker 6: and then the next kind of stage in the in
Speaker 6: the lifespan of these women is to be a child prostitute.
Speaker 6: That's what Carrie was used for. That other women are
Speaker 6: and it's and it goes that's.
Speaker 4: That's the most valuable thing you can do, is be
Speaker 4: a child prostitute for them.
Speaker 3: And the room where in this film where uh where
Speaker 3: Ley Sobieski is being filmed. Is a glass room and
Speaker 3: the locks are on the outside. It's made to trap
Speaker 3: victims inside, so it is a blackmail device.
Speaker 4: So that's like you passed on one scene that is
Speaker 4: like real fucking crazy. Oh look at this.
Speaker 3: This is the tricorn hat is right at the same time,
Speaker 3: and she's got the star of Ishtar right there around
Speaker 3: her head.
Speaker 4: Yes, shut the fuck.
Speaker 3: Right, and look at the hat on the woman. Look,
Speaker 3: it's like she's wearing the hat too, Like Alice is
Speaker 3: wearing a hat. She's got the stars and the things.
Speaker 3: And this one's got like dingle.
Speaker 1: Bell he's got the stars too, yea, even with the
Speaker 1: little fucking bells on.
Speaker 4: It, like where the lights are on the star.
Speaker 3: Yeah, So like that. And when you first meet and
Speaker 3: when we meet Ziggler's wife here, let's see if I
Speaker 3: can find her at the beginning when they first arrive
Speaker 3: at the party.
Speaker 4: When when he's like, oh, you look beautiful, yes, and
Speaker 4: she's all like.
Speaker 3: Here, let's see if we can oh this week and
Speaker 3: see this is Ziggler speaking the This is an important
Speaker 3: scene right here. So Ziggler is speaking the magic spell
Speaker 3: to Alice. So this is the moment where.
Speaker 4: And look at her face. She looks all fucking like
Speaker 4: dissociated and shits.
Speaker 3: Right, yep, she's hearing the message. And he's look at
Speaker 3: the string of light going from his mouth to her ear.
Speaker 3: It's this magic spell that he's speaking to her. And
Speaker 3: this is at the same time when these men are
Speaker 3: captured in the blackmail Room. And it's also the same
Speaker 3: time that Mandy's dead body is pulled out of the morgue.
Speaker 3: So I'm gonna drive back a little bit so we
Speaker 3: can see so uh so watch wat's this? So this
Speaker 3: is relating all three of the women together. So uh
Speaker 3: here she's saying, so he drinks her glass. She's standing
Speaker 3: there at the bar and she holds the glass right
Speaker 3: under her face like it's an advertisement, right, And he's
Speaker 3: reading the newspaper. Here at two hours into the movie,
Speaker 3: and at one hour something into the movie, we see
Speaker 3: the introduction of the Rainbow Room. There's a giant rainbow over.
Speaker 4: The door on that ship that the heads crazy.
Speaker 3: You can see the heads of all the different wigs.
Speaker 3: Those are all the personalities, those are all the and
Speaker 3: so like this is what goes on, you know, over
Speaker 3: the rainbow is when the soul dissociates under the rainbow
Speaker 3: is the debaucherous rape, you know, the abuse of the child.
Speaker 3: So this is what is being depicted here in this room.
Speaker 3: Like so okay, she's at the bar and at the
Speaker 3: end of the film, towards the end, Bill is reading
Speaker 3: the paper about Mandy. He's discovering what is this? So
Speaker 3: I mean Harry to get back to bed, so black
Speaker 3: look so he or something? So Xandor sees her, puts
Speaker 3: his glass down. What's his hand in his pocket? She
Speaker 3: sees this. She puts the glass in front of him.
Speaker 2: One of my patients.
Speaker 3: Please give me, He says, what is this? As he's
Speaker 3: looking down at cheese pizza? What is Cooper telling us?
Speaker 4: Ship?
Speaker 3: Yeah? And then he finds the teddy over there on
Speaker 3: the red couch, Crimson red, and she he's picking up
Speaker 3: her glass and he's about to drink her glass, and
Speaker 3: she's watching, I.
Speaker 2: Think that's my glass.
Speaker 3: I think that's my glass. And that's the same moment
Speaker 3: when he's discovering this teddy, like, I think that's my
Speaker 3: Like the teddy is hers right.
Speaker 4: The way that she says it too is like you
Speaker 4: were saying at the beginning of the episode, if you
Speaker 4: were to say that sentence, you wouldn't say glass. You
Speaker 4: would say that's my drink.
Speaker 3: Right, right, right.
Speaker 4: She specifically uses the word glass, right as in Alice
Speaker 4: in the looking Glass. She's always in front of mirrors.
Speaker 4: She's always looking in a mirror. And then it's like, hey,
Speaker 4: I think that's my glass. Like, think about that, Sean.
Speaker 4: That doesn't even like make sense. It's not empty. It's
Speaker 4: not like you're sitting there drinking wine. If you put
Speaker 4: your cup down, you'd be like, hey, that's my drink.
Speaker 4: Why my drink? She's hey, that's my glass.
Speaker 3: So specific with these altars switching, mirrors are used to
Speaker 3: help the switch. We see it happen when Bill is
Speaker 3: touching on Alice and they're about to have sex. She's
Speaker 3: like giggling and liking it, and then she looks in
Speaker 3: the mirror and all of a sudden, no more smile
Speaker 3: and she's just blank, no feeling empty, ready for the sex.
Speaker 3: Now that's what her brain does when she's because she's
Speaker 3: a whore, you know. Yeah, So that glass. By saying glass,
Speaker 3: that's like, that's my trigger to switch alters. That's that's
Speaker 3: how I switch.
Speaker 4: He drinks, he drinks the whole class Yep.
Speaker 3: He consumes the whole thing.
Speaker 4: So now her glass is empty, fucking dissociated. Oh, somebody's
Speaker 4: gonna say I'm a psychopath for looking.
Speaker 3: Into this leg all these things.
Speaker 4: Meaning right, he drinks it to the very bottom. He
Speaker 4: doesn't just take a sip from her cup. He drinks
Speaker 4: it to the bottom. So now she's the empty glass,
Speaker 4: ready for the ready for the program right the.
Speaker 3: And then the other altar pops out where all of
Speaker 3: a sudden, she acts super drunk and she's all flirty
Speaker 3: with him, and she acts like she'd give him sex,
Speaker 3: but but her other programming, of mother programming won't allow that,
Speaker 3: and she walks away from him, and the band is
Speaker 3: playing only Have Eyes for You, like in the background,
Speaker 3: you know, and that's her moment of fidelity, you know.
Speaker 3: And it's like we can all relate, like, oh, I
Speaker 3: used to be uh, I used to fornicate all the time,
Speaker 3: but now I'm a married dude and now I can't
Speaker 3: do that, I guess, So like we can all kind
Speaker 3: of relate, so like we you know, regular people watching.
Speaker 3: But this is he is accessing her programming with this
Speaker 3: motion of using doing her glass and and she is
Speaker 3: she's being accessed.
Speaker 4: In the fucking scene right above it, the dude is
Speaker 4: standing behind a glass window.
Speaker 3: Yes, right there in a glass room.
Speaker 4: And he's in a glass room and he's just discovered
Speaker 4: his daughter with two fucking dudes fucking doing some training
Speaker 4: ship and it's like, okay, now we've got two references
Speaker 4: to the glassroom.
Speaker 3: Now, good point. Yeah, I never I never mentioned that,
Speaker 3: but but that that definitely that fits are So this
Speaker 3: is also she's looking up to see you r R
Speaker 3: A N the one in the other the at the
Speaker 3: end of the film, this is the moment when he's
Speaker 3: learning that Kurran has died, right, and so watch this
Speaker 3: is the moment that that Zandor guzzles the glass. Watch
Speaker 3: this the exact moment, Yes, what on earth is going
Speaker 3: on here? This is what that That's the very moment
Speaker 3: where she's triggered. That's the very moment when he discovers
Speaker 3: that those dudes are in the room there. This is
Speaker 3: the very moment when he learned when later in the film,
Speaker 3: when uh Bill learns that amandica and died and then
Speaker 3: we'll continue watching here, I'll kill you. I promise, I'll
Speaker 3: kill you, he says, and then he says, I'm xandorz avostright,
Speaker 3: So here we go. Have you no sense of decency?
Speaker 3: As he kisses her hands, have you go crazy?
Speaker 4: We were invinded here the lady daughter.
Speaker 3: To you. Hear that, young lady, this is my daughter.
Speaker 3: Same moment where she says, my name is Alice Harford.
Speaker 3: This is my daughter. My name is Alice Harford. This
Speaker 3: is exactly relating. Alice is the same as Leely So yeske,
Speaker 3: it lines up perfectly. Can't you see? This is my
Speaker 3: daughter and she's deranged. She is a child police.
Speaker 4: I will.
Speaker 3: Wind himself clime his eyes out someplace with a very
Speaker 3: bad climate. Where is Mandy right now? She's on a
Speaker 3: cold slab in a drawer.
Speaker 4: Oh ship, that is what she said?
Speaker 3: Yeah? Where is Where are these guys right now? Watch
Speaker 3: the moment that Mandy is pulled out of the door
Speaker 3: the drawer. Is the moment where the door gets locked.
Speaker 3: Watch please take here. He had a very good time first, right,
Speaker 3: like those guys just did. Had a good time first,
Speaker 3: like the cult just did with Mandy before she got
Speaker 3: put on that slab, A very good time, right?
Speaker 6: Wow?
Speaker 3: What are you here with anyone? Watch? Gentlemen, please have
Speaker 3: the goodness to big fine for't you see I sent
Speaker 3: you little wore. He's pointing as we see the dead
Speaker 3: Mandy on the slab, and listen to what he says,
Speaker 3: go to bed at once, like the big sleep Mandy is.
Speaker 3: She's gone to bed? Did you as soon as a
Speaker 3: serf sentiment? She whispers in his ear. Lely whispers in
Speaker 3: his ear. You need an ermine cloak, which means that
Speaker 3: Ley was there at those parties, those rituals before she
Speaker 3: knows about these parties.
Speaker 6: You need it? What else?
Speaker 3: Okay, please go ahead?
Speaker 4: Yes, well, I mean just like it's it's Bill and Mandy,
Speaker 4: Bill and Ley, fucking Red Pope and Alice, and it's just.
Speaker 3: Like I don't think he's the Red Pope, but still
Speaker 3: go ahead. I think he is.
Speaker 4: You don't think so?
Speaker 3: No, No, I think that. I think that the Red
Speaker 3: Pope is the guy in the newspaper who Mandy was
Speaker 3: betrothed to. I think that anyway, But let's please continue
Speaker 3: with your thought.
Speaker 4: No. I was just saying, like it's so interesting because
Speaker 4: it's all like couples, you know, and it represents like
Speaker 4: the mother the maiden.
Speaker 2: And I don't know.
Speaker 3: Her own Lely is the maiden, Alice is the mother,
Speaker 3: and Mandy here is the crone. This is the three
Speaker 3: aspects of the goddess right here on the screen. And
Speaker 3: so we listened to Zandor asks what do you do? Alice?
Speaker 3: So watch watch above what Lely does in response. It's
Speaker 3: like they it's totally lined up. Watch the creature. I
Speaker 3: deal with you as soon as a serf sentiment.
Speaker 5: What you gonna do?
Speaker 3: Alice? Well at the moment, at the moment, look at
Speaker 3: what Lely Sylvieaski's doing. She's like she's selling her wares.
Speaker 3: What do you do, Alice? Well at the moment? And
Speaker 3: then look what does she do? She's she was the
Speaker 3: kid in underwear trying to be a hooker, and she's
Speaker 3: also the woman here on the slab, dead in the morgue, right,
Speaker 3: that's what she does. Well, I managed an art gallery,
Speaker 3: but it went broke. It went broke. When we when
Speaker 3: we zoom in on Mandy, who went broke? Or just
Speaker 3: that slave went broke? He went You notice how the
Speaker 3: car sound cut exactly where she said, but it went broke.
Speaker 3: And this is the same moment where Bill is realizing
Speaker 3: this is the same girl that he met at the
Speaker 3: party and so and then you look at both Bill's
Speaker 3: faces the same face. They're just like the stunned. He's
Speaker 3: got friends in the art game, right, thank you. So
Speaker 3: there's a naval officer. There's the two maidens that give
Speaker 3: us when it at the party. So it's like all
Speaker 3: of these maidens are connected. They're all the same. So
Speaker 3: this is what Kubrick is doing. He's showing us that
Speaker 3: they're all the same. Girl. And look at this the
Speaker 3: dollar Bill He's got to cut in two right when
Speaker 3: he's talking to the two girls, like he's like, look
Speaker 3: it's Gemini, Like there's two of them, right, you know.
Speaker 3: And we see these two girls, the nw Ala Windsor
Speaker 3: and the other one from Rockefeller Plaza right Like everything
Speaker 3: you can skip to anywhere and you can see how
Speaker 3: all three lines. This is where he says she's a hooker.
Speaker 3: This is where she said like the star of Ishtar
Speaker 3: behind It's like.
Speaker 2: It just keeps going, goddam.
Speaker 3: We see here they're grooming. And this might be when
Speaker 3: Bill is realizing that his daughter is also part of it.
Speaker 3: If there's other realizations, you could look at it different ways.
Speaker 3: Where Bill is realizing that his family and that his wife.
Speaker 3: It might be that like that he's realizing these things
Speaker 3: and not speaking them out to you. Could you could
Speaker 3: look at it in different ways. And the moment when
Speaker 3: she's look at this, when he's.
Speaker 2: Found out and where did you disappear?
Speaker 3: Now he's found out, Oh where did you disappear? With
Speaker 3: them for so long? And all of a sudden, the
Speaker 3: moment the ritual turns to where he has to confront
Speaker 3: Red Cloak, and you know, and the music even lines up,
Speaker 3: so I didn't disappear the word disappear, like right when
Speaker 3: we see this mask of the Eye of Providence with
Speaker 3: the trying with the eye in it, and this is
Speaker 3: the same moment where uh and in a couple of
Speaker 3: minutes and like another minute, we're going to see the
Speaker 3: double headed eagle on the chair, which also relates to
Speaker 3: freemasons just appear. I didn't go with anybody, come forward.
Speaker 3: I got called upstairs to see did you hear that?
Speaker 4: Ah? That was crazy?
Speaker 3: Red Cloak says, come forward, and Bill says, I got
Speaker 3: called upstairs to see him. Yeah, it's amazing. People. Everybody
Speaker 3: needs to take a big dose of mushrooms and watch
Speaker 3: this thing. Like everything lines up and look at this. Okay,
Speaker 3: the scene where he finds the mask on the bed,
Speaker 3: the threat and there's the mask. They right, just a
Speaker 3: couple of minds. The music fits where did you disappear to?
Speaker 6: So?
Speaker 3: Then like and if you go further ahead, here the
Speaker 3: the moment where he says, remove your clothes, hind remove
Speaker 3: are like your mask? There's the mask right?
Speaker 4: Oh?
Speaker 3: She find and then he takes the mask off and
Speaker 3: look at he's got his hand on his heart. He's like, oh,
Speaker 3: found out where exceptions. At the beginning he says, I'm
Speaker 3: an exception. I would never do that. But in the end,
Speaker 3: this is the moment where he's found out where he
Speaker 3: did that. You see, like it even fits the x
Speaker 3: the exoteric story, the way that it lines.
Speaker 4: Up what makes you?
Speaker 3: What makes you an exception? That what makes me? The
Speaker 3: minute he says get undressed is when he starts crying,
Speaker 3: He's like.
Speaker 2: I notice that.
Speaker 4: It's like he's bawling over.
Speaker 3: On the other Yeah. And the guy's holding the mask
Speaker 3: over his heart like it's a protection, Like it's his shield.
Speaker 3: He's trying to cover protect himself from these people. And
Speaker 3: she has the mask there on the pillow. It's all
Speaker 3: found out like he's discovering because move you, I would
Speaker 3: never hurt you. I never do that to.
Speaker 6: Me.
Speaker 4: You wouldn't those two consideration.
Speaker 2: Because it.
Speaker 3: Relax regressive.
Speaker 4: It's not the pot.
Speaker 3: He just said, I'll tell you everything. She yelled stop
Speaker 3: in the other frame, and he says, I'll tell you everything.
Speaker 3: I'll tell you everything. That's the rule. He wasn't supposed
Speaker 3: to do that.
Speaker 2: Answer the impression.
Speaker 5: That's what I was.
Speaker 2: Who we're arguing about.
Speaker 3: She has to redeem him. And look at on the left,
Speaker 3: her eyes, her face, she has to deal with this guy.
Speaker 3: She's you know, is she ready to redeem him? The wife?
Speaker 3: You know, and she's looking down below in the other end.
Speaker 3: She's like, I'm trying to find out where you're coming from.
Speaker 3: She learns in the other frame where he's coming from.
Speaker 3: And look at what it does. She's crying all that.
Speaker 3: You know, I'm just trying to find out where you're
Speaker 3: coming from. Listen the moment she says, Titt already to
Speaker 3: redeem him.
Speaker 7: Let's say, let's say, for example, you have some gorgeous woman.
Speaker 6: Are you sure you understand what you're taking upon yourself?
Speaker 3: Tits right at the moment, Oh my God, there's her
Speaker 3: efing tits right when she says her efing tits and
Speaker 3: we see Bill's face over there like looking down all like,
Speaker 3: h yeah, when touching tits at work. It isn't just
Speaker 3: professional like you know, it's the truth. It is so
Speaker 3: amazing this movie.
Speaker 7: Now, what I want to know, I want to know,
Speaker 7: what are you really thinking about when you're sing Alice,
Speaker 7: very welcome to be a doctor.
Speaker 2: It's all very impersonal and you know you are free.
Speaker 3: I warn you.
Speaker 4: Further or if you say a single word.
Speaker 3: If you say a single word, and he's saying sex
Speaker 3: is the last thing on my mind. And he said
Speaker 3: all the words to Alice, and Alice is one of
Speaker 3: their slaves. It's like he just told them everything that
Speaker 3: he can't keep a secret. And this is the moment
Speaker 3: where she tells him we have to bring Helena to
Speaker 3: the toy store. After he spills the beans and disobeys
Speaker 3: Red Cloak and tells somebody more than a single word.
Speaker 3: Now his daughter has to get abducted. That's why she's
Speaker 3: really crying because Bill ruined everything, their whole the plan
Speaker 3: of raising a daughter and a nice little family for
Speaker 3: them to use and abuse whenever they want. Now that's
Speaker 3: all out the window, and how they have to abduct Helena.
Speaker 3: And now Helen is probably gonna be like Leely and
Speaker 3: she's probably gonna work at the garment shop. You know
Speaker 3: what I'm saying.
Speaker 2: About watching with fees, there will be the most.
Speaker 3: Do you think.
Speaker 4: About what handsome doctor?
Speaker 3: The moment when the guy says there will be extremely
Speaker 3: dire consequences for you and your family. That's the same
Speaker 3: moment when Alice tells Bill, we told Helena We're going
Speaker 3: to bring her to the toy store. I'm gonna bring
Speaker 3: her toy store today. And the toy store is the
Speaker 3: handoff where she brings Helena to be given away to
Speaker 3: her cult. And I can even skip ahead to you. Yeah,
Speaker 3: so here's a toy store.
Speaker 2: He's the last thing.
Speaker 3: Do you understand the dire consequences?
Speaker 2: Right, hypothetical woman patient's mind leaks, He's.
Speaker 3: What makes him so sure. And there we have she's
Speaker 3: being taken by death and he's leading her away and
Speaker 3: there watching it happen. And this is the same moment
Speaker 3: when the thug starts following them. This guy you can
Speaker 3: barely see him. Bill is stepping aside for the thug
Speaker 3: you see him to the right of that screen. It's
Speaker 3: like Italian guy with like a five o'clock shadow, and
Speaker 3: he's looking down to where Helena was just and Bill
Speaker 3: has to step aside for him to move. Bill kind
Speaker 3: of like nods at him, So we are to look
Speaker 3: at this guy that Bill is moving aside for in
Speaker 3: the toy store. He appears directly at the same moment
Speaker 3: that the cloaked figure is leading Mandy away to her death. Stoping,
Speaker 3: this is the same moment. This is the same character. Yes,
Speaker 3: this is they're taking Helena away, just like they're taking
Speaker 3: Mandy away. They're they're sending their goon to go grab her. Now,
Speaker 3: see now he passes them, and then we'll see that
Speaker 3: he goes beyond them and then turns around and starts
Speaker 3: following them, and we see them again, or we see
Speaker 3: him again right before she turns down the aisle of
Speaker 3: the two of the two old men at the end
Speaker 3: of the Teddy Bear a better reason. She's afraid. She's afraid, okay, so.
Speaker 2: So so after you tell her that everything's fine so fast.
Speaker 4: What then?
Speaker 3: What then?
Speaker 2: Yes, what.
Speaker 3: What is going to happen? What is going to happen
Speaker 3: to that woman?
Speaker 2: What then, and then by the way to yes, yes,
Speaker 2: what is.
Speaker 3: Going to happen to that woman? What is going to
Speaker 3: happen to his daughter? The teddy Bear at that same moment,
Speaker 3: and then we see those two guys holding the teddy
Speaker 3: Bear laughing at the end of the aisle. What is
Speaker 3: going to happen? What is going to happen? No one
Speaker 3: can change you see the promise.
Speaker 4: And years of evolution, she said, years of fucking generational fucking.
Speaker 3: Yeah, trauma based mind control. And then we see directly
Speaker 3: behind her on the wall in the toy store, on
Speaker 3: that red wall that matches the red carpet all that
Speaker 3: we see. It's like on a shelf. There's like an obelisk.
Speaker 3: It's black and white checkered with.
Speaker 4: The big star looking thing around it.
Speaker 3: Yeah, it's like it's kind of like it's a ferris
Speaker 3: wheel or whatever. And it's actually it's a yellow octagon. Suh,
Speaker 3: I know, I know, right, But the octagon represents the
Speaker 3: Testa act, which is the hypercube, which is the mind
Speaker 3: control programming of the slaves they are in the eternal cage.
Speaker 4: You blew my mind with that when we talked about
Speaker 4: it on the Note episode, because you were like, well,
Speaker 4: look at it. It's a testaact and I was.
Speaker 3: Like, oh mind, yeah, yeah, the face of the bad
Speaker 3: the evil monster is a testa actor. It's an extruding cube.
Speaker 3: It's fucking amazing. Yeah, Jordan Peel's really smart and so
Speaker 3: like Kubrick, here he's shown above her head and then
Speaker 3: like it's in the background, but as she as they walk,
Speaker 3: this thing becomes behind her head. It settles within her skull.
Speaker 3: The way that the camera is lined up, it's like
Speaker 3: like the way that stars work, and like you can
Speaker 3: see a thing because it lines up with you know,
Speaker 3: so that that symbol is effectively through the camera lens
Speaker 3: being placed within her head, you know, in the space
Speaker 3: of her head. So that octagon represents the eternal cage
Speaker 3: of mind control. And he's asking her what do you
Speaker 3: think She's thinking, what the what the cult tells her
Speaker 3: to think? She's doing what the what the cult tells
Speaker 3: her to do?
Speaker 7: Women, It is just about security and commitment and whatever.
Speaker 2: Something like that.
Speaker 3: So watch see behind them there's the thug and he's
Speaker 3: touching a teddy bear. See that he's walking around there.
Speaker 3: Here's his face again. See him at the five o'clock shadow,
Speaker 3: and he walks down the aisle behind the aisle where
Speaker 3: they walk. So when the little girl walks around the corner,
Speaker 3: there he is. He's the big bead wolf. So nobody
Speaker 3: notices that thug guy. I think I'm the first guy
Speaker 3: I notice him.
Speaker 2: Why don't I think we should too? She got a
Speaker 2: little stone tonight.
Speaker 3: I'll tell you what I do know. There's the same
Speaker 3: moment where we see Barbie and you know, a Barbie.
Speaker 4: I know all about that, motherfucker.
Speaker 3: Yeah, I know. And we see Marilyn Monroe in the dress.
Speaker 3: Fucking gentlemen prefer blondes. That's what Arizona Wilder was saying before.
Speaker 3: You know, gentlemen preferred blondes, right, So, and then she's
Speaker 3: in the ballerina. She got the ballerina nutcracker Barbie. So
Speaker 3: this is I know what I do know is and
Speaker 3: then boom Kubrick cuts to Barbie dolls, Marilyn Monroe little
Speaker 3: girl coveting the nutcracker Barbie. And then in the box
Speaker 3: below the Marilyn Monroe doll is another Barbie trapped within
Speaker 3: a golden box. And the window she's looking out from
Speaker 3: is an upside down pentagram. It's an upside down five
Speaker 3: pointed star trapped within a golden cage, and she looks
Speaker 3: out through a window of satanism. Fuck, I'll tell you
Speaker 3: what I do know. And then like if you look
Speaker 3: up to the right, there's like some ornate like ancient
Speaker 3: like old English costume of Barbie which shows the generational
Speaker 3: how long it's been happening, you know, like everything is
Speaker 3: there in the frame. And then like, I'll tell you
Speaker 3: what I do know. That's what I think what Kubrick
Speaker 3: really does know for sure, he does know about Maryland.
Speaker 3: He does know that these women are slaves. And this
Speaker 3: is him showing us that, you know. And this is
Speaker 3: also the moment where he locks the door behind him,
Speaker 3: like and then he's yelling. He's yelling at at Alice
Speaker 3: in the other frame. You know, he's I know what
Speaker 3: I do know.
Speaker 2: Find to pick a fight with me, and now you're
Speaker 2: trying to make.
Speaker 4: Me jealous, but you're not.
Speaker 3: And look at all the Teddy Bears, Like over on
Speaker 3: the left, she's there on the side of the Teddy Bear,
Speaker 3: and we see the Pooh Bear way up in the
Speaker 3: corner with the elevators. What does elevators relate to? You know?
Speaker 3: The elevators are just satanic. I don't know, just the
Speaker 3: symbolism just you know, brings you deep into the underworld,
Speaker 3: like pulls you down. I mean, freaking prince died in
Speaker 3: an elevator. They killed him in an elevator, and we
Speaker 3: got Pooh Bear right there, the yellow.
Speaker 4: You've I have.
Speaker 3: So now the moment where we're at the aisle, we
Speaker 3: see the two men at the end of the aisle,
Speaker 3: we see there's the tiger stuffed cats that she goes
Speaker 3: and stands right next to the stuff tiger and down
Speaker 3: below in the other one, she's like, you've never been
Speaker 3: jealous to me. She's mad. It's like she's doing this
Speaker 3: out of revenge. She's like pissed at Bill. She's like, yeah,
Speaker 3: let him have our baby. And this is the same
Speaker 3: moment he looks at Helena while she's sleeping. He like
Speaker 3: goes in her room and he likes sees and there's
Speaker 3: a big teddy bear in that scene too, where he
Speaker 3: looks at her sleeping and he's like, oh, she's safe. Oh,
Speaker 3: thank goodness, she's safe. And he's looking at her. But
Speaker 3: now I'll play it and we'll see in the toy
Speaker 3: store he doesn't even look at her. His eyes are
Speaker 3: wide shut.
Speaker 4: And when jealous.
Speaker 5: About me, Well, I don't know, Alice, maybe because you're mind.
Speaker 3: The same one, because you're my wife, right. And this
Speaker 3: is the moment where they're pushing, they're almost effecting there,
Speaker 3: pushing out yeah, yes, that you can see. They're like
Speaker 3: pushing her shoulders. As those men go, they're like, go ahead,
Speaker 3: follow them. And she's got the cat beast there behind her.
Speaker 3: She's got the anana energy. That's the altar that's up
Speaker 3: and we see Helena asleep. Room two thirty seven told
Speaker 3: us about Look at the painting that she painted. It
Speaker 3: says sex like that's in the subliminals of what they're
Speaker 3: programming her with. And there's like there's two lamps and
Speaker 3: there's a clown on either side, a blue one and
Speaker 3: a red one. And there's a little teddy bear on
Speaker 3: her post, like the bedpost, and the little teddy bear
Speaker 3: has a rainbow on its T shirt and it's straddling
Speaker 3: the post like it's a phallic thing. So this teddy
Speaker 3: bear is going to relate to the rainbow room that
Speaker 3: she's gonna She's being programmed the same way that Ley
Speaker 3: Sobieski was programmed, right, So this is the same moment
Speaker 3: because you're my wife and you would never do that.
Speaker 3: And then she laughs at him.
Speaker 2: Watch maybe because you're the mother of my child.
Speaker 3: And I the little girl looked back for the last time.
Speaker 3: Alice was watching. But Bill was looking at Alice's face.
Speaker 4: Uh, mother of my child, right, and.
Speaker 3: Yes, And that's the last moment that Helena or that
Speaker 3: Alice is going to see Helena look at her face.
Speaker 3: She's like, oh inside, all of her authors are screaming,
Speaker 3: but she has to do it. She just does it.
Speaker 3: And this is and look Bill, Bill was just looked
Speaker 3: at Helena and he closes his eyes. It's as if
Speaker 3: that it's as if he's feeling the pain of the
Speaker 3: of what's happening in the other frame.
Speaker 4: Do you feel like the name Helena was chosen specifically
Speaker 4: or did that come from the book?
Speaker 3: It was not in the book. I forget the girl's
Speaker 3: name in the book, but it was like a German
Speaker 3: family in the book.
Speaker 4: Well, you know, Marilyn Monroe died on Helena drive.
Speaker 3: Huh really wow. Also, she relates to the gods. Helena
Speaker 3: is like one of the biggest gods of the Greek pantheon,
Speaker 3: you know.
Speaker 4: But yeah, I thought that was so crazy because Marilyn
Speaker 4: died on don't get me to line about the number
Speaker 4: of the house. But it was on Helena Drive, and
Speaker 4: if it wasn't in the book Helena, then that's gotta
Speaker 4: be chosen.
Speaker 3: Right, Yes, you're right, anything that he changed we need
Speaker 3: to pay attention to, yes, right, right? So yeah, and
Speaker 3: like hell in like hell in like in a hell right,
Speaker 3: you know, hal sounds like hell like that whole like
Speaker 3: it's I think Kubrick might have been using that too,
Speaker 3: because the way the words work, like in your brain,
Speaker 3: would never be unfaithful.
Speaker 4: To me yourself.
Speaker 2: Yes, grateful, I'm sure of.
Speaker 3: You, and she laughs grateful and then she's explaining we
Speaker 3: should be grateful, and basically she's telling him, like we
Speaker 3: should be glad they didn't kill us with all of
Speaker 3: our adventures. She's like, I'm saving you, buddy, even though
Speaker 3: he doesn't know. His eyes are wide shut. He's the jerk,
Speaker 3: you know, like.
Speaker 2: That we've managed to survive.
Speaker 3: So as the one frame is she's telling him, oh
Speaker 3: about this. The other frame, she's laughing in his face
Speaker 3: after his daughter was stolen, and he's so sure that
Speaker 3: she'd be unfaithful, and she's laughing in his face as
Speaker 3: like his kid gets given away. And we can tell
Speaker 3: in the other frame how much he cares about Helena
Speaker 3: and how like he looks at her when she's sleeping
Speaker 3: and he you know, he loves her. But he's probably
Speaker 3: not her dad. She was probably inseminated at one of
Speaker 3: those rituals. He thinks that he's her dad.
Speaker 4: Well, she's red headed and he's brunette and she's blonde.
Speaker 4: So you always have to say. I mentioned it all
Speaker 4: the time with the royal family about fucking Harry because
Speaker 4: he came out of the woodward with some fucking red hair,
Speaker 4: and Diana probably got inciminated by a higher upper if
Speaker 4: you know what I mean, a redheaded motherfucker. And that's
Speaker 4: who Harry's dad is, because.
Speaker 3: The firstborn had to be Charles. But after that they're
Speaker 3: allowed to be with who they like. Just what Xandor
Speaker 3: Zavos said to Alice and the party, you know, oh,
Speaker 3: the beauty of marriage is once he married, you can,
Speaker 3: you know, be with who you like after that losing
Speaker 3: r Jenny and then it's all so kind of the
Speaker 3: same way, like the first guy gets first DIBs at
Speaker 3: inseminating her. You know, like after the ritual, the woman
Speaker 3: gets up and walks over and chooses one of the men.
Speaker 3: So that's almost like, oh, I got chosen, right, But
Speaker 3: then right after that all the other guys run train,
Speaker 3: and so no one really knows who the dad is,
Speaker 3: so like it's certainly not Bill. They own this daughter.
Speaker 3: They they own Helena, right, Bill is just he's in
Speaker 3: charge of feeding her and keeping her clothed, you know,
Speaker 3: that's why they give him such a good job. He
Speaker 3: doesn't do anything doctor, He just like checks their pulse,
Speaker 3: like puts his hand on their head when they die. Like,
Speaker 3: he doesn't do anything. He's so cush and his apartment
Speaker 3: is so rich. If you like lived in New York,
Speaker 3: it's like impossible to that apartment like that. You know,
Speaker 3: you gotta like.
Speaker 4: But he still only serves the elite, even though he's.
Speaker 3: A doctor, right, he only serves them. And that's why
Speaker 3: when he was going to the Rainbow Shop to begin with,
Speaker 3: he was trying to find one of his old clients.
Speaker 3: So the Rainbow Fashions was always run by the cult.
Speaker 3: Millich is just the new manager who's taken over, who's
Speaker 3: pimping women now, but before Bill used to take care
Speaker 3: of the other guy that used to run that classroom,
Speaker 3: who used to be in charge of that operation. So
Speaker 3: Bill serves all of these all of his get like
Speaker 3: all of his people are probably elite pedophiles doing to
Speaker 3: bauch her sex with bread trauma based mind control hookers.
Speaker 2: Do you think that's funny, yeah, Milleny.
Speaker 3: So the only a dream stuff relates to like the
Speaker 3: dream space, is when the locked away memories become liminal
Speaker 3: again and they can be accessed in a dream. And
Speaker 3: so these dreams that she has about the naval officer
Speaker 3: and all this stuff are memories that she had as
Speaker 3: a different self, and they bubble up in her dreams
Speaker 3: and she doesn't even know why they're important. Carrie explained
Speaker 3: that to me, she might not even know why she's
Speaker 3: having these dreams or why they're so important to her.
Speaker 3: But there's a part of her that believes herself to
Speaker 3: also be elite. She is one of the ones who
Speaker 3: was not thrown away. She is like a diamond, you know,
Speaker 3: like how they give them diamonds, Like they don't set
Speaker 3: these ones on fire, they don't let dogs eat this one.
Speaker 3: These ones they use for breeding. She's one of the
Speaker 3: better ones, and that's what the Filamila programming and other
Speaker 3: like the o cult priestess. There's an altar inside which
Speaker 3: believes herself to be elite bloodline and is happy to
Speaker 3: be and is proud of being part of this cult,
Speaker 3: and that overrides the will of the other ones. So
Speaker 3: that is the crown that holds down the two heads
Speaker 3: of the eagle. Like that, there's an internal altar which
Speaker 3: keeps the separations, which keeps all the other ones in order.
Speaker 3: And the more you learn about traum based my control,
Speaker 3: you'll see that.
Speaker 6: So this.
Speaker 3: She has, Alice has a elite, a cult personality that
Speaker 3: is proud to for them that when that feels that's
Speaker 3: the only time when they're allowed to shine, right, that's
Speaker 3: the only time when they can be their best self
Speaker 3: and they're not like be treated like treated like crap.
Speaker 3: Like I mean, my dad was beat up his whole
Speaker 3: life by his dad. But when he would help swing
Speaker 3: a hammer or carrie shingles or help build the house,
Speaker 3: he would get a pat on the head. Good job, son,
Speaker 3: you know. And then my dad grew up a carpenter.
Speaker 3: Just happened that, right, So that's like how it works though,
Speaker 3: that that person is proud even though they're abused all
Speaker 3: the time, they're proud to be that and it uh
Speaker 3: so that is that is the main will that is
Speaker 3: acting with Alice, and that's why Alice does everything the
Speaker 3: cult tells her, and that's why she has these dreams
Speaker 3: bubble out, because that's when she felt whole and complete
Speaker 3: and happy and true. And she even describes it in
Speaker 3: her dream to Bill. She says, it's funny because you
Speaker 3: were dearer to me than ever and we talked about
Speaker 3: our future and we talked about Helena, but at no
Speaker 3: time was he ever out of my mind like she
Speaker 3: was out of her mind right. So this is she's
Speaker 3: explaining what it is to be the victim. She doesn't
Speaker 3: even know what these memories are, but the true self
Speaker 3: inside is giving in dreams. And Kubrick understands this all
Speaker 3: and he gives it to us in this film. And
Speaker 3: he constructed the film precisely so that it aligns in
Speaker 3: one hour intervals so that we can discover this information.
Speaker 3: And it further cements the message by having all three
Speaker 3: work together. And then when the when the first film
Speaker 3: goes black, when the third film gets to the point
Speaker 3: at one hour you can start it again and it
Speaker 3: can be like a never ending mobile strip of this
Speaker 3: movie where it's all three playing all the time. Yeah. So,
Speaker 3: like Kubrick he filmed it, he didn't. It's the longest
Speaker 3: filming of any any movie. It's again his Book of
Speaker 3: World records. It took him like two years to shoot
Speaker 3: the film. And before he shot any scenes on film,
Speaker 3: he put it on all on VHS tape and he
Speaker 3: sat down with the actors and he went over, I
Speaker 3: like what you did here, I like how you do that.
Speaker 3: I'll do more of this. Don't do that. And this
Speaker 3: way they're in real time, they're able he's able to
Speaker 3: see how long it takes for the lines to be spoken,
Speaker 3: how they and then when he edits it later, he
Speaker 3: can construct the scenes so that they aligned perfectly. At
Speaker 3: the one hour mark, and with all of the messages
Speaker 3: that he's putting, he can be like, this is gonna
Speaker 3: happen at about thirty six minutes, and then it can
Speaker 3: re re reinforce that message at one hour in thirty
Speaker 3: six minutes, and then again at two hours in thirty
Speaker 3: six minutes.
Speaker 5: You know.
Speaker 3: So this this proves that there couldn't have been anything
Speaker 3: taken out because it wouldn't line up this perfectly. It
Speaker 3: would be it was just not fit. So Kubrick gave
Speaker 3: this as not only as it like it's a key
Speaker 3: to decipher the message, it's also like proof that it's complete.
Speaker 3: We it proves that nothing was cut. I don't know
Speaker 3: if he was murdered. I think his health was declining.
Speaker 3: Maybe he knew that he wasn't going to survive much
Speaker 3: longer and this film was gonna be the next one
Speaker 3: after Lolita, But he kept putting it off, putting it off.
Speaker 3: And I think it's because it it takes this much
Speaker 3: time to create such a masterpiece and to have it
Speaker 3: layered in so perfectly.
Speaker 4: It's that's what it is. It's an actual masterpiece.
Speaker 3: Yeah, right, like the best one. Like everybody's like, oh man,
Speaker 3: but really the way that it's constructed, the way that
Speaker 3: some of the lines, he's like, what then, and we're
Speaker 3: like waiting for the next line, and some people are like,
Speaker 3: it's really odd the timing of the dialogue. But then
Speaker 3: when we see it line up completely, it lines up
Speaker 3: with the other frames. So the other frame is answering,
Speaker 3: what then, what is going to happen to that woman. Right.
Speaker 3: It's as if the first frame had to wait for
Speaker 3: the other frame to say that line so that it
Speaker 3: lines up. It's like they're speaking so that it's it's
Speaker 3: meant to be seen this way, just like the the
Speaker 3: just like the Maidens. Here in this film, it's a
Speaker 3: three aspects of the Maiden, the Maiden, mother, and Crone.
Speaker 3: This film is meant to be watched three ways together
Speaker 3: to get the full understanding of what the Maiden really is.
Speaker 3: She's got three different lives, She's used for many different purposes.
Speaker 3: And that's Cooper is showing us.
Speaker 4: This is.
Speaker 3: It's more than just showing us the maidens and the hookers.
Speaker 3: He's showing us the mind control and what it is
Speaker 3: to be one of these women, and how the cult
Speaker 3: treats these women, and how the organized crime of the
Speaker 3: operation and the blackmail of it all, and the hooking,
Speaker 3: and like even man or even Domino, the girl on
Speaker 3: the street, she too had a stuffed lion cat on
Speaker 3: her bed and the beds spread was like red bedspread
Speaker 3: had like roses on it, which is even more Rosicrucian
Speaker 3: stuff even goes even deeper. And she had like a
Speaker 3: mirror on her wall with a candle in front of it, Like, why,
Speaker 3: here's a big mirror with a candle. It's like a
Speaker 3: mirror for looking at your face. But then you put
Speaker 3: like your magic candle right there for when you're doing
Speaker 3: your you know, your wickan magic or whatever. She's got
Speaker 3: all the masks on the walls which represent the split personalities,
Speaker 3: just like the heads in the Rainbow Room, and just
Speaker 3: like the masks of the ritual space.
Speaker 4: And she had all those teddy bears on her bed, yes.
Speaker 3: Yeah, which is a stuffed cat, just like Inana. And
Speaker 3: then if you look at Lolita, when when the Quilty
Speaker 3: is crawling up the stairs and he's getting shot by Humbert,
Speaker 3: he crawls behind the portrait, and then Humbert shoots through
Speaker 3: the portrait like he's shooting the portraits. He's shooting the
Speaker 3: people hiding behind the portrait. And then when we see
Speaker 3: that portrait is a maiden and it's on a tiger
Speaker 3: skin rug like it's it is the Scarlet Horror riding
Speaker 3: the cat beast of Babylon. It's the Scarlet Horror Babylon
Speaker 3: right there, and Quilty, the rich occultist who rapes Little
Speaker 3: Girls is hiding behind those portrait, these portraits which the
Speaker 3: portraits are heavily revealing, like in this film too. And
Speaker 3: I talked about it a lot in the cled Kubrick
Speaker 3: and the Butterfly Nets.
Speaker 4: So and even if it wasn't like if we're just
Speaker 4: talking about surface level shit for someone who is not
Speaker 4: a conspiracy theorist whatsoever, right, and they're gonna sit down
Speaker 4: and watch eyes wide shut, the surface level story is
Speaker 4: even such a fucking study in the human condition because
Speaker 4: it's so true. Right, the woman is always the one
Speaker 4: that's insatiable. She's bored out of her fucking medulla having
Speaker 4: to be with fucking Bill, and she's like she's like
Speaker 4: tired of her life. And I feel it. And then
Speaker 4: you know, and I'm not just saying this because I'm
Speaker 4: recently divorced or anything, but you do get to a
Speaker 4: point where you're like, you bore the fucking dog shit
Speaker 4: out of me. I swear to God, if I had
Speaker 4: a chance with that navy guy or whatever, the sailor,
Speaker 4: like when she all the flashback scenes where she was
Speaker 4: fantasizing about it, that's like some real fucking shit. And
Speaker 4: the argument that they're having oh, when you do a
Speaker 4: breast exam, like you're not in you're touching her titties,
Speaker 4: and like you don't have any thoughts in your head
Speaker 4: about she's projecting onto him her desire to get by
Speaker 4: some other guy, Like she's projecting from herself onto Bill,
Speaker 4: who's not even like he didn't even ask for the conversation.
Speaker 4: He didn't even bring it up. She brought it up
Speaker 4: about the models and where did you go? And it's
Speaker 4: just such a study in the human conditions. She's so
Speaker 4: fucking bored out of her fucking mind, and it's just
Speaker 4: like you're stuck together in this prison of marriage with
Speaker 4: this person that you know it's Bill is like the
Speaker 4: big idiot in this whole movie. Like he's the dumb
Speaker 4: ass in every even conceivable way. He's just the dumb
Speaker 4: fuck that you know, nobody wants him at the party,
Speaker 4: his wife barely wants him. He's a shitty dad, you know,
Speaker 4: letting them take Helen off at the end. And he's
Speaker 4: just this big dumb ass, this big fucking dumb ass.
Speaker 4: The movie is not about him.
Speaker 3: And you know, Kubrick, he was going to do it
Speaker 3: in the seventies or early eighties, and he was going
Speaker 3: to have Steve Martin played Bill's character. And one of
Speaker 3: Kubrick's favorite films is The Jerk Steve Martin, and to
Speaker 3: have Steve Martin be there, he is the jerk, Like
Speaker 3: he's the jerk like I'm on the phone book.
Speaker 4: Well you know, like the character is so.
Speaker 3: Stupid and blind everything. That's Bill. That's right, Bill, right, yeah,
Speaker 3: and we and he thinks he's so great. Oh this
Speaker 3: is what you get when you make house calls, right.
Speaker 3: But really they're inviting them to the party because of her,
Speaker 3: because Alice, you know, like she's their favorite and so
Speaker 3: like that's why they get invited every to the party
Speaker 3: every year. That's what. Like he's just a warm body
Speaker 3: to be a dad for them to raise their little butterfly.
Speaker 4: Yep.
Speaker 3: And you know the elites they don't just you know,
Speaker 3: they might own the hookers on the street, but they
Speaker 3: don't just find some random hooker. You know, they're not
Speaker 3: they don't do like what Epstein was doing, like random girls,
Speaker 3: like they breed them, like they from scratch. It's not
Speaker 3: like Kathy O'Brien was sold to the government, like you know,
Speaker 3: like sometimes like John.
Speaker 4: I swear like that that story is so sad, right right,
Speaker 4: and she was a throwaway cats in it, like the
Speaker 4: generational as we were discussing, So in this situation, Patsy
Speaker 4: is Alice and John Benet is Helena, I mean, was born,
Speaker 4: raised for the slaughter right right, and groomed for it. Yep.
Speaker 3: And all those people were touching her body. Mm hmmm,
Speaker 3: because all those people touched her body during the ritual
Speaker 3: when they killed her, you know, and like they so
Speaker 3: there are throwaway ones and there are not throwaway ones,
Speaker 3: and some of them they think themselves, like Alice does,
Speaker 3: we should be grateful. We're lucky that we weren't like
Speaker 3: John Benet or Mandy. You know, we survived.
Speaker 4: We get to live whether or not. It's a great existence,
Speaker 4: I mean, but at least we're not dead.
Speaker 3: Might as well let the power elite just do what
Speaker 3: they're gonna do, because you can't fight it. They're just
Speaker 3: gonna take control of your whole life. Just you know
Speaker 3: that scene in the billiard room where Bill is like
Speaker 3: Ziggler puts his hands on Bill's shoulders and he's like,
Speaker 3: people die, It happens all the time, you know, Like
Speaker 3: that's a threat to Bill, and Bill has to like
Speaker 3: take that and go with the lie instead of the truth. Yeah,
Speaker 3: because to believe the lie is too much drive you crazy.
Speaker 3: That's why when nine to eleven happens, they say, oh, yeah,
Speaker 3: it was steel beams melted because kerosene. Yeah, Norad stood
Speaker 3: down because some guys that lived in a cave in Afghanistan.
Speaker 3: That's why Norad didn't go and shoot those planes down.
Speaker 3: You know, like they tell us these completely ridiculous lies
Speaker 3: like oh, door was locked from the inside. Cops are happy,
Speaker 3: end of questions.
Speaker 6: You know.
Speaker 3: That's how they control information. They control the newspapers, they
Speaker 3: control the actresses, all the models, Marilyn Monroe, all of.
Speaker 4: It, right, every fucking aspect right.
Speaker 3: And that's what your show talks about all the time,
Speaker 3: and my show too, we talk about the mind control
Speaker 3: and sovereignty, you know, of personal owning your own soul,
Speaker 3: not giving into their control.
Speaker 4: You know, it's just it's so sad. It's so fucking sad.
Speaker 3: And like.
Speaker 4: I do understand that our work is important, Like this
Speaker 4: project is crazy important. Like yes, it's a movie, but
Speaker 4: it's so much more. It's so much more than a movie,
Speaker 4: and it's this game that they're consistently playing on us
Speaker 4: right right in front of our eyes. Literally shut see
Speaker 4: shut exactly. But I mean, thank you so much for
Speaker 4: bringing this on my show. I am flabber fucking yeah.
Speaker 4: And so if someone wants to just watch it without
Speaker 4: our commentary, yes, where can they find your project?
Speaker 3: They can find it at well. All my stuff is
Speaker 3: posted at one Great Worknetwork dot com slash Sean hyphen
Speaker 3: McCann and there I have a page where I post
Speaker 3: I embed the links. I make a new page for
Speaker 3: every project and I em bed all the links and
Speaker 3: where I post it. But you can find the Fidelio experiment.
Speaker 3: I put it on Odyssey on my Odyssey page. You
Speaker 3: can find that on't wakethedead on Odyssey dot com, o
Speaker 3: d y see dot com. I also put it on Rumble,
Speaker 3: but it was too big a file to put it
Speaker 3: on bit shoot. I might have to shrink the file
Speaker 3: down and maybe get on bit shoot. Right now, it's
Speaker 3: on those two places, cause it's like five hours. I
Speaker 3: wanted to show prove that I'm not pulling at editing,
Speaker 3: moving stuff around. I play the whole thing, start to
Speaker 3: finish the number one screen, start to finish number two screen,
Speaker 3: and those go black and the last one plays out
Speaker 3: to the end. I let the whole thing so you
Speaker 3: can skip to the middle and see where all three
Speaker 3: line up. But I just displayed it all for everybody
Speaker 3: to see. I'm not playing around. This is Kubrick's movie.
Speaker 3: I'm not editing or doing anything. It's complete. So you
Speaker 3: can find that. It's called Fidelio Experiment, and you can
Speaker 3: look it on Google. Probably find it Fidelio Experiment. It's
Speaker 3: many hours and if you look up on Odyssey, there's
Speaker 3: a way to download. If you click the little three
Speaker 3: dots button, it'll give you the option option to download,
Speaker 3: So get it on your computer. I'm not making any
Speaker 3: money from it. It's fair use, like I'm not. I'm
Speaker 3: showing the genius of the movie, and it adds to
Speaker 3: the value of the movie itself. I believe that I'm
Speaker 3: adding value to Eyes Wide Shut. I'm not making money
Speaker 3: off of their copyrighted material, so right, I believe this
Speaker 3: all to be fair use, and I'm not charging money.
Speaker 3: Everybody can see it for free, so they can find
Speaker 3: that Fidelio Experiment on my weak the dead pages of
Speaker 3: Odyssey rumble, and I also have a bitch, and I
Speaker 3: also post on Spotify and you can find all on
Speaker 3: Apple Google all the audio places you can find Wake
Speaker 3: the Dead podcast. And I I've been kind of slow.
Speaker 3: I've got some shows like ready to go, but I
Speaker 3: haven't posted them yet. I've been having a you know,
Speaker 3: it's summertime and it's tough to get everything going and
Speaker 3: like to have everything. So I didn't post anything this week.
Speaker 3: You know, I'm sorry, listeners, but I do have more
Speaker 3: shows in the works and we're doing this here today,
Speaker 3: and so I haven't stopped. I'm just I had to
Speaker 3: slow down and I'm working on another side project and
Speaker 3: I'm trying to get I'm trying to get something else
Speaker 3: done and I'm so I'm trying to focus and rearrange
Speaker 3: my life a little bit. So but hopefully it'll it'll
Speaker 3: be done by the end of the year.
Speaker 4: And you son like me, Sean, I'm just like, I
Speaker 4: haven't stopped. I'm just kind of bummed up right now.
Speaker 3: Yeah, yeah, yeah, right. It's tough man to keep the
Speaker 3: keep all the threads together, the ties that bind, you know,
Speaker 3: or sometimes let them go, and like it's tough. It's
Speaker 3: really tough. We are and I know that your life
Speaker 3: has been like really rocky, and you've had a lot.
Speaker 3: I hope that's free.
Speaker 4: I mean it's been. I don't know about you, but
Speaker 4: twenty twenty four has been like one of the most
Speaker 4: revealing years of my entire fucking life. Like it's I'm
Speaker 4: not even I don't even know if I'm the same
Speaker 4: person anymore, Like twenty twenty four happened and like I'm
Speaker 4: fucking Phoenix from the Ashes or some shit like that.
Speaker 4: It's been transformative and years dark occultism.
Speaker 2: I'm just saying, it's.
Speaker 3: Just being alive.
Speaker 4: It's formative year.
Speaker 3: I think the wheel of time is like we're like
Speaker 3: the universe is grinding our face against the wheel and
Speaker 3: it's like grinding off all of the all the like
Speaker 3: it's I go deep with it, but we gotta go.
Speaker 3: I gotta I gotta get ready for work.
Speaker 4: All right.
Speaker 3: Thank you for having me, Thanks for being here.
Speaker 4: I always love working with you. Where the hes in
Speaker 4: a pod. I feel like literally.
Speaker 3: Anytime, like we need to and maybe Dune maybe it's
Speaker 3: a big project.
Speaker 4: Huge, huge project. Keep it on the back burner though,
Speaker 4: you know, because it's it's a great Both of those
Speaker 4: movies are great. But thank you so much. Sean, this
Speaker 4: was amazing. We'll have to do it again sometime soon.
Speaker 4: And I hope all the listeners go and find more
Speaker 4: of your work. And to all of those who stuck
Speaker 4: around to the end, you're amazing and we will catch
Speaker 4: you on the next one.
Speaker 3: Cheers,