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<v Speaker 1>Baby, I'm a gangsta too. It takes a lot of tangle.

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<v Speaker 1>Mess with me, baby, I'm a gangsta. Touch baby, you

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<v Speaker 1>a game.

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<v Speaker 2>Statoo for good warning. This podcast is designed to take

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<v Speaker 2>you outside of your comfort zone and make you question reality.

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<v Speaker 2>Listener Discretion is a vibe talk with the fellas. This

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<v Speaker 2>ain't my first time.

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<v Speaker 3>At the rodeos.

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<v Speaker 4>All right, everyone, you know what it is. We have

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<v Speaker 4>Sean mckeann back. He is one of your favorites in

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<v Speaker 4>mine too, And I'm really excited because last time we

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<v Speaker 4>got together, we were talking about the Fidelio experiment, but

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<v Speaker 4>we didn't get to dive into any of the details.

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<v Speaker 4>And that's what we're doing today and I am beyond excited. Sean,

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<v Speaker 4>how are you.

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<v Speaker 3>I'm very good, thank you, and I'm delighted to be

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<v Speaker 3>here again. This is a home away from home here

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<v Speaker 3>in your show.

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<v Speaker 4>For sure, for sure. And so we're both big Qubrick fans.

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<v Speaker 4>And if you could for the listeners kind of tell

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<v Speaker 4>us how this project came into being, because I'm so curious.

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<v Speaker 3>Well, I guess I have always been the fan Kubrick

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<v Speaker 3>a long time, and I'm a photographer, and so I

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<v Speaker 3>would instead of just like I'm gonna sit down and

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<v Speaker 3>watch a movie like I would put it on while

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<v Speaker 3>I'm doing something else, like music, you know, and I

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<v Speaker 3>would take in from from a sidereal perspective, and that

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<v Speaker 3>way it goes into my brain in a different way.

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<v Speaker 3>I'm not like absorbed in the story. I'll notice more.

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<v Speaker 3>And I got like this lightning bolt kind of whoa

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<v Speaker 3>when I saw the paintings in Eyes Wide Shut and

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<v Speaker 3>I started down this rabbit hole of how the paintings

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<v Speaker 3>were in Eyes White Shut relate to the painting in Lolita,

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<v Speaker 3>and I just fell into it, you know, and digging

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<v Speaker 3>up all this information. And a friend of mine was

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<v Speaker 3>putting on a event where he and he asked me

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<v Speaker 3>to do a presentation and it was kind of up

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<v Speaker 3>in the air whatever I wanted to talk about, and

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<v Speaker 3>I was like, well, I got all this information. So

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<v Speaker 3>I kind of coalesced it into a thing and made

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<v Speaker 3>a video, and you know, then it was finally all

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<v Speaker 3>this that I've been talking of people at the fire

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<v Speaker 3>like hanging out. You know, It's finally a thing, and

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<v Speaker 3>I was so proud and like I could share it.

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<v Speaker 3>And ever since then, I still keep learning more, you know,

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<v Speaker 3>and like it keeps unfolding. And that's the beauty of

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<v Speaker 3>a Kubrick film. It's not like subjective, it's like actual

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<v Speaker 3>elements from the real world that we can see on

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<v Speaker 3>the screen to give us more information on the whole thing,

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<v Speaker 3>the whole picture, you know. And so it's just everybody

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<v Speaker 3>that is a fan of Kubrick should know. It's these

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<v Speaker 3>deep rabbit holes of information. And while I was there,

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<v Speaker 3>I discovered, like I was learning at the same time

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<v Speaker 3>about trauma based mind control and satanic ritual abuse and

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<v Speaker 3>Kathy O'Brien and reading I was reading a Sue Ford's

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<v Speaker 3>book there Thanks for the Memories, and Kurth Barker and

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<v Speaker 3>like these stimonias of people that had grown up in

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<v Speaker 3>generational ritual abuse, and so like my my brain was

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<v Speaker 3>like it had all that in there already. And then

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<v Speaker 3>I then I saw that Room two thirty seven and

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<v Speaker 3>that it's a documentary everybody's probably familiar with. It was

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<v Speaker 3>on Netflix for a lot of years and John fell

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<v Speaker 3>Ryan is one of the one of the people who

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<v Speaker 3>was interviewed for that film, and he says that Helena

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<v Speaker 3>is stolen at the end, and I was like, oh

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<v Speaker 3>my god, yeah, and everything clicked and I was like,

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<v Speaker 3>holy crap. That is they are stealing the next generation

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<v Speaker 3>of maiden and that's the intergenerational monarch programming. And that's

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<v Speaker 3>what they did to Kathy O'Brien. That's what they did

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<v Speaker 3>to you know. They they breed them and take the

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<v Speaker 3>children because they're more apt to dissociate. Dissociation is a

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<v Speaker 3>genetic trait. It's learned genetically, so like when they torture

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<v Speaker 3>the parent, it affects the genetics of the baby, which

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<v Speaker 3>makes them more readily able to endure that type of abuse.

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<v Speaker 3>Like dissociation is like a it's like a safety valve

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<v Speaker 3>or it's like a safety switch for your brain, Like

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<v Speaker 3>when you're getting eaten by a tiger, all of a sudden,

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<v Speaker 3>you get adrenaline to like run away and not feel pain.

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<v Speaker 3>Kind of the same thing with dissociation. If a child

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<v Speaker 3>is held down like or like circumcision we talked about

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<v Speaker 3>before on your show, like the baby's held down and

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<v Speaker 3>then abused so that it can't fight or run, its

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<v Speaker 3>only choice is to dissociate. And so anyway, that's a

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<v Speaker 3>genetic trait. And these dark occultists who do these ritual

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<v Speaker 3>abuse to these for generations, which I also is what

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<v Speaker 3>I discovered in the paintings is that it's generational for

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<v Speaker 3>the people wearing the masks too, like they've been doing

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<v Speaker 3>that for generations, and of course, and that all fits

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<v Speaker 3>in with the whole thesis. So that was like another

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<v Speaker 3>lightning bolt. And so like I've been going on to

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<v Speaker 3>Williams show, William Ramsey, you mentioned him earlier. William Ramsey investigates.

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<v Speaker 3>He's a friend of both of ours, and he was

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<v Speaker 3>interested in the eyes Watch shut thesis that I had

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<v Speaker 3>about how the movie's not really really my thesis. Right

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<v Speaker 3>here we go, the movie's not really about Bill Bill Harford,

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<v Speaker 3>the main character, Tom Cruise. Tom Cruise is the vehicle

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<v Speaker 3>that we get to learn about the story. He's just

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<v Speaker 3>a bumbling fool who is stumbling across all of these

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<v Speaker 3>facts are in his general vicinity. But really the story

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<v Speaker 3>is about Alice, the wife of Bill Harford. Alice Harford,

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<v Speaker 3>and she's named Alice because of the reference to Alice

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<v Speaker 3>in Wonderland, which is right, you know yourself as a

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<v Speaker 3>trauma based my control programming set like that, So that

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<v Speaker 3>right there is a clue. Kuprick is giving us many

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<v Speaker 3>clues and the very first shot, the very first image

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<v Speaker 3>that we see of this film is Alice naked. Well,

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<v Speaker 3>she's disrobing. She's wearing a black dress like a black robe,

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<v Speaker 3>and she drops it off her body the same way

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<v Speaker 3>that the women do at the ritual, and then she

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<v Speaker 3>steps out of it with her high heels. Whe's she

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<v Speaker 3>wearing heels forget, but anyway, she steps out of the

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<v Speaker 3>dress and it's the same way they do it the ritual.

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<v Speaker 3>So right there, like coobrig is showing us she used

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<v Speaker 3>to be at the ritual. She was trained to do that, see,

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<v Speaker 3>and we also see that she's in front of her

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<v Speaker 3>her closet doors are mirrors and one of the doors

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<v Speaker 3>is open and it's Alice, and that's a looking glass

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<v Speaker 3>like to go be you know, behind the looking glass.

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<v Speaker 3>All of that's right there, and she's between two pillars,

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<v Speaker 3>which is in Anna. That is like if you look

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<v Speaker 3>at the tarot High Priestess. I think it's like the

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<v Speaker 3>number three, like the number zero is the fool, number

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<v Speaker 3>one is the magician, and then I forget how it goes.

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<v Speaker 3>I think the next one after that is the High Priestess.

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<v Speaker 3>And it shows even in the right weight deck it

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<v Speaker 3>shows the maiden in a throne between two pillars, and

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<v Speaker 3>I think she has two cat beasts like at her

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<v Speaker 3>flanking her. And that's in Anna has always been depicted

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<v Speaker 3>with cats, large cats, and we see that in Eyes

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<v Speaker 3>Wide Shut, with the stuffed tiger or the stuffed lion

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<v Speaker 3>or whatever. We see that multiple times with Domino's bed,

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<v Speaker 3>and in the toy store at the end. So and

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<v Speaker 3>we also have so those are the pillars of Jaquim

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<v Speaker 3>and bo Az of Freemasonry. And behind her is pomegranates,

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<v Speaker 3>and these pomegranates are in the shape of the cepha

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<v Speaker 3>Roth of the Tree of Life. So this is a

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<v Speaker 3>huge lots of information. And on her lap she has

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<v Speaker 3>a book and I think it's the Tarot, but it's

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<v Speaker 3>like a it's like information, but any where the taro

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<v Speaker 3>is a book that's considered a book of images. And

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<v Speaker 3>so anyway, this is like the first image. This is

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<v Speaker 3>what the movie is really about. And so she is Inana,

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<v Speaker 3>like the pomegranates relate to Anana because of Demeter and Persephone.

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<v Speaker 3>Persephone was stolen by Hades, brought down in the underworld.

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<v Speaker 3>You know that whole story. Yeah, yeah, But like she

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<v Speaker 3>eats six pomegranate seeds, and that is the the Greek

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<v Speaker 3>or Roman I think it's the Greek one with Persephone.

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<v Speaker 3>That's the Greek version of the Inana story of the

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<v Speaker 3>Sumerians and the Babylonians had the same story and her

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<v Speaker 3>name was Ishtar, so it's the same goddess like you know,

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<v Speaker 3>and it's the same story even like Inana goes into

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<v Speaker 3>the underworld and she's made to be trapped there, but

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<v Speaker 3>she finagles her way out of being able to get

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<v Speaker 3>out every six months and then she makes Tamus, her

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<v Speaker 3>male counterpart, goes in her place, so like while she's

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<v Speaker 3>you know, in the summer months, so while while she's

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<v Speaker 3>on the earth, it's fertile, the land is fertile, you know,

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<v Speaker 3>just like Persephone. So it's like a death rebirth fertility

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<v Speaker 3>ritual and long before the Jesus myths and all of

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<v Speaker 3>the male death and rebirth it so it's like the

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<v Speaker 3>old religion, you know. So, uh, that's what. And then

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<v Speaker 3>we see like later she goes into the party and

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<v Speaker 3>she there's all these Ishtar stars eight pointed stars and

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<v Speaker 3>surrounding her head like framed around her, and we see

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<v Speaker 3>at the party she slips into the altar of being

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<v Speaker 3>one of the maidens and zandor Zavos like will he

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<v Speaker 3>he accesses her through a certain series of motions and

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<v Speaker 3>words that unlocks the programming within her. That's one of

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<v Speaker 3>the phenomenon of these trauma based mind controlled slaves is

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<v Speaker 3>that their altars are programmed in different ways, and the

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<v Speaker 3>altars can be called up to the foe to the front,

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<v Speaker 3>while the main alt the main persona has to sit

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<v Speaker 3>in the back seat, you know, while the other one

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<v Speaker 3>takes control of the body. So like, uh, this kind

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<v Speaker 3>of like this revelation that I learned from Room two

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<v Speaker 3>thirty seven, Like why didn't I see it before? Oh?

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<v Speaker 3>My god? And so it all unfolded from there. And

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<v Speaker 3>and so I was talking with William Ramsey a bunch,

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<v Speaker 3>and we were I was going to do a show

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<v Speaker 3>about Troum novell which you can find on my Wake

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<v Speaker 3>the Dead Roster of shows and Williams as well, where

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<v Speaker 3>we talked about trom Novelle and how that is different

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<v Speaker 3>from Eyes Wide Shut and comparing contrast the original. The

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<v Speaker 3>film was based on trom novell As, the book by

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<v Speaker 3>Arthur Schnitzler, and some of the elements were not in

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<v Speaker 3>the book but the film, so Ziggler was not in

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<v Speaker 3>the book. Xandor Zavost was not in the book. Ziggler

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<v Speaker 3>means builder in jail, which means mason. So there's a

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<v Speaker 3>lot like hung on these elements. And so the guy

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<v Speaker 3>with the costume shop was in the book, and the Maiden,

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<v Speaker 3>the young girl who was Ley Sobieski's character, she was

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<v Speaker 3>in the book too, so that is a continuation. Nightingale,

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<v Speaker 3>the guy's name being Nightingale is was originally in the book.

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<v Speaker 3>And that goes back to Avid, who was also mentioned

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<v Speaker 3>by Xandor's Avast. He was talking to there was a

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<v Speaker 3>scene where there's a string of lights from his mouth

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<v Speaker 3>to her ear, from Xandor's to Alice's ear, and he's

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<v Speaker 3>telling her about Avid and Avid's poetry. And Avid wrote

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<v Speaker 3>a book Metamorphosis, and Metamorphosis is all about like what

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<v Speaker 3>a butterfly does, like the monarch, right, and so yeah,

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<v Speaker 3>and there's another reference to another book named Metamorphosis, The

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<v Speaker 3>story of Psyche and Psyche and Aros, that whole story

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<v Speaker 3>where Psyche is a human woman who was turned into

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<v Speaker 3>a goddess and was given butterfly wings. That story is

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<v Speaker 3>in another book, ancient book titled Metamorphosis, and the other

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<v Speaker 3>the other title is called the Golden Ass No like

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<v Speaker 3>ironic and humorous, but this is true, yes, and I

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<v Speaker 3>talk about it on my like, So there's all these

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<v Speaker 3>references to metamorphosis and butterflies, and when we first see

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<v Speaker 3>helen Us, she's wearing white butterfly wings. So all of

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<v Speaker 3>these are evidence of this theory, right, Yeah, And so

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<v Speaker 3>on my show, I talked to a lot of people

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<v Speaker 3>and I've been digging into some real good topics and

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<v Speaker 3>some of them are pretty nasty stuff. But I want

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<v Speaker 3>to learn the truth and I want to understand the

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<v Speaker 3>mind control. And we got to know, you know, we

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<v Speaker 3>can't just be like, oh, that's gross, I don't want

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<v Speaker 3>to know, Like, we have to know if you if

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<v Speaker 3>you if it's gross, then that's occulting it, Like you

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<v Speaker 3>are occulting it from yourself on purpose, and like that

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<v Speaker 3>is occultism.

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<v Speaker 4>Right, So that's the best way of ever heard it

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<v Speaker 4>put like you're a goulding it because you don't want

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<v Speaker 4>to hear about it, you don't want to look at

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<v Speaker 4>But that's fine. Well, you you're making it worse by

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<v Speaker 4>not digging in That's how I've always been, like, I

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<v Speaker 4>get it, it grosses people out, but at the same time,

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<v Speaker 4>you need to know this stuff.

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<v Speaker 3>That's right, that's right. So like when when a grown

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<v Speaker 3>person says they're having recovered memories of being forced to

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<v Speaker 3>eat feces or being buried in a coffin alive, or

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<v Speaker 3>you know, like all of these like being raped by

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<v Speaker 3>Jesus or these are the most horrendous things you can

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<v Speaker 3>think of, and other people are like, that's crazy, and

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<v Speaker 3>they just like, no, not real. People still don't believe it.

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<v Speaker 3>And like when I tell my theory about eyesweitch shud

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<v Speaker 3>and how it's related to trum based my control, satanic

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<v Speaker 3>racial abuse, other like Kubrick researchers and quotes, they're like, no, no,

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<v Speaker 3>I don't want to think that. They just don't even

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<v Speaker 3>want to.

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<v Speaker 4>Like even there, what is their grand theory about it? Then?

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<v Speaker 4>What it's about?

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<v Speaker 3>It's they it's about a lot of well, different people

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00:17:13.720 --> 00:17:18.880
<v Speaker 3>think different things. So the rob Aeger online he thinks that,

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<v Speaker 3>like he'll talk about the book that Kubrick used that

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<v Speaker 3>describes occultism and the rituals and child sacrifice and all

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<v Speaker 3>that stuff. He'll show the cover of the book. He

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<v Speaker 3>bought the book, but then he won't open it and read,

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<v Speaker 3>like what and relate the information to the movie.

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<v Speaker 4>Wow.

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<v Speaker 3>Yeah, he's like, I don't go for that stuff. Like

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<v Speaker 3>he'll say it in his video. I don't like to.

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<v Speaker 3>I don't go for that stuff. And like another researcher,

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<v Speaker 3>Julie Kerns, who's phenomenal, she's great. She does idolopus press

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<v Speaker 3>dot com is her website, and she was featured in

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<v Speaker 3>Room two thirty seven as well, and she's very smart

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<v Speaker 3>and she has very intelligent theories and goes in very

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<v Speaker 3>depth on her website. Everybody should check it out. I

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<v Speaker 3>asked her too about the paintings and generational abuse, and

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<v Speaker 3>she was like, I don't I don't want to. She's like,

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<v Speaker 3>I don't believe it. I don't want to think about it.

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<v Speaker 3>And that's something I just don't want to look at.

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<v Speaker 3>And so like this leaves the road wide open for

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<v Speaker 3>me to just stroll down and like I'm the only

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<v Speaker 3>one saying it, but I'm not afraid to say it.

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<v Speaker 4>It's the fucking elephant in the room. Yeah, Yeah, somebody's

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<v Speaker 4>got to talk about it.

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<v Speaker 3>Yeah.

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<v Speaker 4>I've said for the longest that that's what it's about.

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<v Speaker 4>But then again, I'm not afraid to talk about those

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<v Speaker 4>kind of things.

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<v Speaker 3>So God bless you. That's why we're friends. That's why

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<v Speaker 3>we do yeh yeah. So, like I mean, this is

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<v Speaker 3>it's it's a wide open and it's and it's like

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<v Speaker 3>everything that I learned, it all fits in the story.

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<v Speaker 3>And it's not because I'm crazy and I'm seeing whatever

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<v Speaker 3>I want to see. Other people corroborated. Like I spoke

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<v Speaker 3>with on my show. Like I said, it was pretty

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<v Speaker 3>deep topics and pretty nasty stuff. But we go deep

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<v Speaker 3>and we talk it out. And one of my friends

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<v Speaker 3>now and she's been on the show many times, is

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<v Speaker 3>Carrie A. La Hey, and she is an experiencer of this.

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<v Speaker 3>She as she was abused ritually by dark cult members

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<v Speaker 3>of the military, and she was forced into her altars

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<v Speaker 3>were used to in the rituals. She would wear the

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<v Speaker 3>robes and be in the performance and when they did

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00:19:50.720 --> 00:19:58.079
<v Speaker 3>the things, she would be used to assist, right, and

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<v Speaker 3>she had no will of her own. She her she

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<v Speaker 3>was trained. Basically, she had an altar up who was

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<v Speaker 3>proud to be that, you know, And she talks all

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<v Speaker 3>about it on my show. But God, oh, my god. Yeah,

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<v Speaker 3>oh my god. She's really a warrior. Amazing. She talked

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<v Speaker 3>about there's another episode that we did about her New

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<v Speaker 3>World Order Programming where they expected her cult expected that

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<v Speaker 3>by this time the world would have been taken over

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<v Speaker 3>by the One World Government and those of and her

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<v Speaker 3>job was to track down the people trying to escape

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<v Speaker 3>and kill them. She was talking all about it on

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<v Speaker 3>the show New World Order Hunter Tracker New World Order Programming,

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<v Speaker 3>that's one of my episodes I talked to her about it.

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<v Speaker 3>So like she she's been able to recover her memories

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00:20:51.759 --> 00:20:55.599
<v Speaker 3>and she's done the study to understand what it means, right,

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<v Speaker 3>she she knows she studies the same stuff I do,

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<v Speaker 3>and like she understands what the symbol means instead of

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00:21:02.160 --> 00:21:05.559
<v Speaker 3>being like, oh this happened to me, and but she

306
00:21:05.680 --> 00:21:09.640
<v Speaker 3>can comprehend why and what it did. And so on

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<v Speaker 3>her show, she has a YouTube channel desert Dakini Da

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<v Speaker 3>k I n I, and she explains the mechanics of

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00:21:22.759 --> 00:21:27.039
<v Speaker 3>the SRA, what the mechanics of how she does this

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<v Speaker 3>for other people like herself, to help find their way

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<v Speaker 3>out of this dissociated identity disorder. Journaling is important and

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<v Speaker 3>she like helps for people to understand the mapping in

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<v Speaker 3>their heads and why why they have these you know,

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00:21:47.480 --> 00:21:49.960
<v Speaker 3>she can tell them what their symptoms are and this

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00:21:50.119 --> 00:21:53.480
<v Speaker 3>is why it's you know, because people can't think. They

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00:21:54.079 --> 00:21:58.759
<v Speaker 3>their brains have been trained to not recognize what is

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<v Speaker 3>actually wrong and they block it. It's like, uh, the

318
00:22:04.079 --> 00:22:08.160
<v Speaker 3>trauma makes them not look same with certain decision, right

319
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<v Speaker 3>we can. I mean the trauma of the circumcision makes

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<v Speaker 3>the father not deny it happened as trauma. Oh it's

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00:22:14.640 --> 00:22:17.000
<v Speaker 3>not just a little cut, no big deal, because he

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00:22:17.039 --> 00:22:21.640
<v Speaker 3>wants to deny. So like his consciousness is like won't

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00:22:22.079 --> 00:22:25.960
<v Speaker 3>accept that it's torture because it doesn't want to accept

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00:22:26.000 --> 00:22:28.960
<v Speaker 3>that it's been tortured. You know, it's there's it's weird

325
00:22:29.119 --> 00:22:31.359
<v Speaker 3>the way the mind works. And she can help to

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00:22:31.680 --> 00:22:37.160
<v Speaker 3>elucidate un She helps people and everybody should check in her,

327
00:22:37.480 --> 00:22:40.319
<v Speaker 3>should check out our show, and she did. She also

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<v Speaker 3>did many episodes on the Imagination podcast with Emma Catherine

329
00:22:46.839 --> 00:22:49.839
<v Speaker 3>and Emma talks to many SRA survivors. It's like her

330
00:22:49.880 --> 00:22:54.200
<v Speaker 3>whole show is just and it's like one after another,

331
00:22:54.240 --> 00:22:57.119
<v Speaker 3>it's all the same, Like it's it is a pattern.

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<v Speaker 3>It's a science that they have been doing for generation,

333
00:23:00.119 --> 00:23:03.759
<v Speaker 3>you know. Anyway, So Carrie's talking to me one day

334
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<v Speaker 3>on the phone and we're like scheduling one of the

335
00:23:05.720 --> 00:23:09.440
<v Speaker 3>shows that we did, and she tells me, Hey, I

336
00:23:09.480 --> 00:23:12.920
<v Speaker 3>saw that Ice White Shut thing you did. That's real.

337
00:23:14.240 --> 00:23:18.640
<v Speaker 3>I was like what. She's like, yeah, I said, oh,

338
00:23:18.680 --> 00:23:21.279
<v Speaker 3>my god, can we talk about it. Let's do a show,

339
00:23:21.359 --> 00:23:24.720
<v Speaker 3>and she's like, yeah, okay, And that's recently the last

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00:23:24.759 --> 00:23:27.839
<v Speaker 3>time she was on my show. We talked about the

341
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<v Speaker 3>name of the episode was Survivor Speaks the Truth of

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<v Speaker 3>Ice White Shut. And she tells the story she like

343
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<v Speaker 3>years after her recovering and like trying to get better,

344
00:23:40.480 --> 00:23:42.720
<v Speaker 3>she thought she was strong enough to watch this film

345
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<v Speaker 3>and when the music started going and the backwards chanting

346
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<v Speaker 3>and the lighting, and she started to feel messed up

347
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<v Speaker 3>and she ran to the bathroom and all of a sudden,

348
00:23:56.759 --> 00:24:02.359
<v Speaker 3>she was on her knees, paralyzed, couldn't move ready for programming.

349
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<v Speaker 3>She calls it slave pose, and that's what the women

350
00:24:06.880 --> 00:24:08.680
<v Speaker 3>were doing in the on the TV screen.

351
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<v Speaker 4>They were on these my god.

352
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<v Speaker 3>Right, So like she said that that ritual, she's seen

353
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<v Speaker 3>that in real life, and she was when she said

354
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<v Speaker 3>she had to recover from She was describing it like

355
00:24:21.599 --> 00:24:24.680
<v Speaker 3>it was like being in the sunken place of get out,

356
00:24:24.839 --> 00:24:27.079
<v Speaker 3>Like she couldn't have no control of her body anymore.

357
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<v Speaker 3>And she described like another movie Kill Bill, like when

358
00:24:31.400 --> 00:24:34.599
<v Speaker 3>Uma Thurman's like move your big toe, like really concentrate

359
00:24:34.640 --> 00:24:36.799
<v Speaker 3>on trying to move her body again. She had to

360
00:24:36.799 --> 00:24:39.839
<v Speaker 3>do that to regain control of her body again. She

361
00:24:39.880 --> 00:24:42.799
<v Speaker 3>had enough consciousness to know what's happening at the time,

362
00:24:43.519 --> 00:24:46.480
<v Speaker 3>but still it was doing this automatically, like this is

363
00:24:46.480 --> 00:24:50.759
<v Speaker 3>what so like we did this whole show where she's

364
00:24:50.799 --> 00:24:53.799
<v Speaker 3>telling me, like she's telling me things that I didn't

365
00:24:53.839 --> 00:24:55.839
<v Speaker 3>know that I didn't right, Oh my god, like the

366
00:24:55.880 --> 00:24:58.960
<v Speaker 3>double headed eagle in the chair. That relates to the

367
00:24:59.000 --> 00:25:02.240
<v Speaker 3>programming itself where they even they try to split the

368
00:25:02.279 --> 00:25:07.559
<v Speaker 3>minds of the victims. Some victims have total split mind

369
00:25:07.799 --> 00:25:11.319
<v Speaker 3>programming where they destroy the corpus colosum, and then the

370
00:25:11.400 --> 00:25:13.240
<v Speaker 3>left brain and the right brain can be thinking two

371
00:25:13.279 --> 00:25:15.640
<v Speaker 3>things at once, and the two arms can be doing

372
00:25:15.640 --> 00:25:18.119
<v Speaker 3>two different things at once, and it's like one of

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<v Speaker 3>the different programs. And it's related to Philimila programming, which

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<v Speaker 3>is the which relates to Nightingale, which we were already

375
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<v Speaker 3>talking about and Philimla was She's in Avid's book a

376
00:25:33.240 --> 00:25:39.279
<v Speaker 3>metamorphosis the stories and Avid's book. And she was raped

377
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<v Speaker 3>and the rapist cut her tongue out so she couldn't speak,

378
00:25:43.880 --> 00:25:46.079
<v Speaker 3>and she was able to weave a loom that told

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<v Speaker 3>her story to her sister. And she prayed to become

380
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<v Speaker 3>a knight. She prayed to become a bird to get

381
00:25:51.759 --> 00:25:55.079
<v Speaker 3>away from this man who's trying to kill her. She

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00:25:55.200 --> 00:25:57.200
<v Speaker 3>was turned by the gods, turned her into a nightingale.

383
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<v Speaker 3>And so now as a nightingale, she sings hers. She

384
00:26:01.000 --> 00:26:03.480
<v Speaker 3>sings all night telling the story, and then you know,

385
00:26:03.599 --> 00:26:08.559
<v Speaker 3>like and the bird sings its its biggest, most important

386
00:26:08.559 --> 00:26:10.759
<v Speaker 3>song right before dawn, right right at the end of

387
00:26:10.799 --> 00:26:13.799
<v Speaker 3>the night. So it's like a and anything that relates

388
00:26:13.839 --> 00:26:20.359
<v Speaker 3>to nightingale, any story, even Shakespeare, like it relates to

389
00:26:20.359 --> 00:26:24.160
<v Speaker 3>some of Titus Andronicus, relates to that story of Filamilo.

390
00:26:24.599 --> 00:26:29.599
<v Speaker 3>Is anything where they mentioned nightingale, it's a it's a

391
00:26:29.720 --> 00:26:33.839
<v Speaker 3>sorrowful lament. They're hinting that this story is a sorrowful

392
00:26:33.960 --> 00:26:40.119
<v Speaker 3>lament of violent abuse and sexual torture. So that's why

393
00:26:40.119 --> 00:26:45.440
<v Speaker 3>it was in the original book of Schnitzler, and that's

394
00:26:45.480 --> 00:26:48.519
<v Speaker 3>why Kubrick kept it for the film, and he accentuated

395
00:26:48.599 --> 00:26:53.319
<v Speaker 3>by making Tom Cruise exclaim Nightingale, Nightingale a bunch of times,

396
00:26:53.799 --> 00:26:56.359
<v Speaker 3>like every time the guy showed up on screen, Tom

397
00:26:56.359 --> 00:26:59.240
<v Speaker 3>would be like, oh, Nightingale, So like it goes into

398
00:26:59.279 --> 00:27:06.200
<v Speaker 3>your head, you know you anyway, So she corroborated basically

399
00:27:06.279 --> 00:27:11.240
<v Speaker 3>like my whole theory, right, And in that show she

400
00:27:11.319 --> 00:27:14.160
<v Speaker 3>was kind of talking about how, oh yeah, that extra

401
00:27:14.599 --> 00:27:21.680
<v Speaker 3>twenty three minutes of that was cut, right, and everybody

402
00:27:21.680 --> 00:27:25.119
<v Speaker 3>there's this rumor that there's this extra twenty five minutes

403
00:27:25.160 --> 00:27:29.240
<v Speaker 3>cut from the film that had like the really naughty stuff, right,

404
00:27:30.200 --> 00:27:34.440
<v Speaker 3>And in honesty, there's like maybe maybe like one or

405
00:27:35.119 --> 00:27:38.000
<v Speaker 3>one minute like something like that during the sex scenes.

406
00:27:38.119 --> 00:27:40.440
<v Speaker 3>In order to get like a different rating, they wanted

407
00:27:40.880 --> 00:27:44.559
<v Speaker 3>NC R instead of NC seventeen. I forget, but it

408
00:27:44.640 --> 00:27:48.519
<v Speaker 3>was not like a whole scene. And the way that

409
00:27:48.559 --> 00:27:52.480
<v Speaker 3>it was cut, I don't know. I don't even know.

410
00:27:52.519 --> 00:27:55.119
<v Speaker 3>If they did, they might have added something else to

411
00:27:55.160 --> 00:27:58.559
<v Speaker 3>something else so that the timing was the same, because

412
00:28:00.119 --> 00:28:04.839
<v Speaker 3>I don't believe that they cut anything out of Eyes

413
00:28:04.880 --> 00:28:08.640
<v Speaker 3>Wide Shut, And there's no missing twenty three minutes twenty

414
00:28:08.640 --> 00:28:15.640
<v Speaker 3>five minutes because I discovered that this film synchronizes with

415
00:28:15.759 --> 00:28:24.559
<v Speaker 3>itself at one hour intervals. Long ago. I discovered that

416
00:28:25.880 --> 00:28:28.720
<v Speaker 3>in the bathroom, Ziggler says one hour and he looks

417
00:28:28.720 --> 00:28:32.119
<v Speaker 3>at his watch, and then I was like, on a lark,

418
00:28:32.200 --> 00:28:34.640
<v Speaker 3>I was like, I'll skip ahead one hour and see.

419
00:28:35.400 --> 00:28:38.079
<v Speaker 3>And that's the moment when Mandy is kissing Bill at

420
00:28:38.079 --> 00:28:40.920
<v Speaker 3>the ritual mask to mask and I'm like, whoa, that's

421
00:28:40.920 --> 00:28:44.880
<v Speaker 3>the same girl that's there on the couch who's passed out.

422
00:28:45.240 --> 00:28:48.960
<v Speaker 3>And it's like, this is more information, right because they're

423
00:28:49.000 --> 00:28:54.039
<v Speaker 3>related Like that, I can learn more about that character Mandy.

424
00:28:54.119 --> 00:28:56.079
<v Speaker 3>And I was like, that's interesting. And then there were

425
00:28:56.079 --> 00:28:57.839
<v Speaker 3>a couple other points where I was like, oh, weird,

426
00:28:58.119 --> 00:29:00.680
<v Speaker 3>I'll skip ahead and back and was trying to show

427
00:29:00.799 --> 00:29:04.440
<v Speaker 3>to William how it does that. And I wanted to

428
00:29:04.640 --> 00:29:08.559
<v Speaker 3>ast up one night before the Troum Novelle episode and

429
00:29:08.599 --> 00:29:12.400
<v Speaker 3>I was thinking, like, how can I show this to everybody?

430
00:29:13.319 --> 00:29:14.799
<v Speaker 3>And it just dawned on me. I was like, Oh,

431
00:29:14.799 --> 00:29:18.640
<v Speaker 3>I'll just play it right next to each other. And

432
00:29:18.680 --> 00:29:22.559
<v Speaker 3>I got into obs here and I took the movie

433
00:29:22.599 --> 00:29:25.440
<v Speaker 3>and I put it into one screen, two screens, and

434
00:29:25.519 --> 00:29:32.079
<v Speaker 3>three three screens, and what I did was I and

435
00:29:32.359 --> 00:29:39.880
<v Speaker 3>here I'm sharing with let's see share sound yes, sure?

436
00:29:40.519 --> 00:29:44.519
<v Speaker 3>And so this here is what I created. It's got

437
00:29:44.599 --> 00:29:48.799
<v Speaker 3>the top on the top left, we see the the beginning.

438
00:29:49.039 --> 00:29:56.720
<v Speaker 3>It's the first screen starting, and so this is uh, okay,

439
00:29:57.119 --> 00:30:02.599
<v Speaker 3>can you hear it? Oh, it hasn't started, okay, So

440
00:30:02.759 --> 00:30:05.599
<v Speaker 3>like we got it started here on the upper left,

441
00:30:05.920 --> 00:30:10.720
<v Speaker 3>and the other ones are waiting in the screen. So

442
00:30:10.799 --> 00:30:13.079
<v Speaker 3>I let it play all the way through, you know,

443
00:30:14.079 --> 00:30:18.200
<v Speaker 3>and then I go to about here. Let's see, this

444
00:30:18.279 --> 00:30:25.680
<v Speaker 3>is twenty three minutes here here at fifty nine minutes

445
00:30:30.359 --> 00:30:31.559
<v Speaker 3>here can you still see?

446
00:30:32.519 --> 00:30:32.599
<v Speaker 4>No?

447
00:30:33.279 --> 00:30:33.640
<v Speaker 2>Okay?

448
00:30:33.640 --> 00:30:35.400
<v Speaker 4>Here now you can see it?

449
00:30:35.599 --> 00:30:40.640
<v Speaker 3>Okay? So here one second, So this is the same

450
00:30:40.680 --> 00:30:45.319
<v Speaker 3>moment where we see Fidelio. So this is at play.

451
00:30:46.000 --> 00:30:49.200
<v Speaker 3>This is at like fifty nine minutes. This is at

452
00:30:49.279 --> 00:30:52.839
<v Speaker 3>one hour where Bill is at the debt at the

453
00:30:52.880 --> 00:30:58.680
<v Speaker 3>table in the Sonata cafe with Nightingale, and he's talking

454
00:30:58.680 --> 00:31:03.599
<v Speaker 3>about the ritual well and right about the time when

455
00:31:04.279 --> 00:31:07.200
<v Speaker 3>he gets the phone call. Oh see he gets the

456
00:31:07.200 --> 00:31:10.880
<v Speaker 3>phone call. I know where that is, right, he's writing

457
00:31:10.880 --> 00:31:17.839
<v Speaker 3>it down. Fidelio. Fidelio is the password right this moment

458
00:31:20.359 --> 00:31:22.680
<v Speaker 3>and we just saw, well, I'm on my way right

459
00:31:22.720 --> 00:31:26.480
<v Speaker 3>now on my way. Right now, when he says, now

460
00:31:27.319 --> 00:31:31.039
<v Speaker 3>is the exact moment when you push play on the

461
00:31:31.079 --> 00:31:45.000
<v Speaker 3>next screen, the name of Beethoven opera. The password. Now

462
00:31:45.039 --> 00:31:49.920
<v Speaker 3>we have entered the true understanding, right the password is

463
00:31:49.920 --> 00:31:53.279
<v Speaker 3>this one hour moment. So that's why I named it

464
00:31:53.319 --> 00:31:56.400
<v Speaker 3>Fidelio experiment. So now now we go. So now the

465
00:31:56.440 --> 00:31:59.599
<v Speaker 3>second screen is starting, and I'm playing the audio altogether, no.

466
00:32:00.119 --> 00:32:05.799
<v Speaker 5>Way, and so we've seen how these screens relate to

467
00:32:05.880 --> 00:32:09.759
<v Speaker 5>each other, and we are able to learn more informational

468
00:32:09.880 --> 00:32:10.640
<v Speaker 5>that way.

469
00:32:11.680 --> 00:32:14.559
<v Speaker 3>So now you're on a pause it and now I'll

470
00:32:14.559 --> 00:32:21.160
<v Speaker 3>skip ahead to uh now when we have okay, this

471
00:32:21.240 --> 00:32:28.559
<v Speaker 3>is the ritual scene. Okay, so we see the ritual

472
00:32:28.599 --> 00:32:31.640
<v Speaker 3>scene is the same time when xandor z Avost is

473
00:32:31.720 --> 00:32:34.559
<v Speaker 3>dancing with That.

474
00:32:34.599 --> 00:32:39.799
<v Speaker 4>Is the freaking chills because it's like literally lining up.

475
00:32:40.359 --> 00:32:45.640
<v Speaker 3>Dude, It's amazing. It's like way more than Wizard of

476
00:32:45.680 --> 00:32:48.160
<v Speaker 3>Oz and the Deck's Dark Side of the Moon. It's like,

477
00:32:49.119 --> 00:32:53.400
<v Speaker 3>it's amazing, and Kubrick created it this way. This is

478
00:32:53.440 --> 00:32:56.759
<v Speaker 3>on purpose. All kubric researchers, even if they don't like

479
00:32:56.839 --> 00:32:59.400
<v Speaker 3>my theory, they should see how it lines up. It's

480
00:32:59.599 --> 00:33:02.440
<v Speaker 3>at least this is true because I didn't make it up.

481
00:33:02.720 --> 00:33:07.559
<v Speaker 3>I just discovered it. And if you when the DVD

482
00:33:07.759 --> 00:33:10.480
<v Speaker 3>was released back in ninety nine or whatever, if you've

483
00:33:10.480 --> 00:33:13.960
<v Speaker 3>got three TVs, three DVD players, and three codies of

484
00:33:13.960 --> 00:33:15.960
<v Speaker 3>the DVD, you could have done this yourself. You could

485
00:33:15.960 --> 00:33:18.920
<v Speaker 3>have sat in a room pressed play when he says now,

486
00:33:19.759 --> 00:33:22.640
<v Speaker 3>and on the second one and the third and it

487
00:33:22.680 --> 00:33:26.799
<v Speaker 3>would all play together like this. Uh so, now we're

488
00:33:26.839 --> 00:33:32.319
<v Speaker 3>skipping ahead and when they when he when okay, listen

489
00:33:32.400 --> 00:33:34.279
<v Speaker 3>to this one. This one's amazing.

490
00:33:35.640 --> 00:33:36.640
<v Speaker 2>Death undressed?

491
00:33:36.680 --> 00:33:40.759
<v Speaker 3>What makes me? What makes you an exceptions? This is

492
00:33:40.799 --> 00:33:48.599
<v Speaker 3>the same moment. Uh this is when she's like, remove

493
00:33:49.079 --> 00:33:55.640
<v Speaker 3>your right, so he's found out like he's describing, right,

494
00:33:55.880 --> 00:33:58.240
<v Speaker 3>remove your clothes. And if you skipping ahead one hour

495
00:33:58.319 --> 00:34:02.160
<v Speaker 3>exactly from this point, we would. So anyway, this is

496
00:34:02.200 --> 00:34:05.599
<v Speaker 3>the danger on the other side of the gave it

497
00:34:05.680 --> 00:34:10.079
<v Speaker 3>up to me right when he's with the hooker. She

498
00:34:10.360 --> 00:34:15.000
<v Speaker 3>supposedly added aids right, so like she is, she's the

499
00:34:15.079 --> 00:34:17.960
<v Speaker 3>danger on the other side of the fence. Like when

500
00:34:17.960 --> 00:34:21.039
<v Speaker 3>they kiss. It's like another moment, right, All of these

501
00:34:21.039 --> 00:34:25.280
<v Speaker 3>moments line up. So yeah, this is when we're arriving

502
00:34:25.320 --> 00:34:29.360
<v Speaker 3>at the Sonata Cafe and this is when he goes

503
00:34:29.400 --> 00:34:33.039
<v Speaker 3>back to Domino's apartment and learns about the aides thing.

504
00:34:34.119 --> 00:34:41.360
<v Speaker 3>So this is all connected and he goes did ding

505
00:34:41.440 --> 00:34:47.519
<v Speaker 3>when they said Domino, Domino is Domino mask is the

506
00:34:47.559 --> 00:34:50.039
<v Speaker 3>mask of Zoro, the one that goes over their eyes.

507
00:34:50.159 --> 00:34:53.440
<v Speaker 3>That that's what a Domino is. Like the word Domino

508
00:34:53.559 --> 00:34:56.079
<v Speaker 3>relates to the masks they wear. And Domino the hooker,

509
00:34:56.119 --> 00:34:59.360
<v Speaker 3>she has masks on her wall. It's and like it's

510
00:35:00.280 --> 00:35:04.159
<v Speaker 3>it goes very deep. So like so here we're arriving.

511
00:35:04.320 --> 00:35:07.760
<v Speaker 3>We're arriving at the second hour and the first hour

512
00:35:07.840 --> 00:35:09.679
<v Speaker 3>on the second screen, so we're about to hit play

513
00:35:09.719 --> 00:35:17.800
<v Speaker 3>on the third one. So we're gonna see Okay Nightingale,

514
00:35:18.199 --> 00:35:23.639
<v Speaker 3>Bill Nightingale and they put their names together. And if

515
00:35:23.679 --> 00:35:31.679
<v Speaker 3>you look right here, when the waiter is bringing the

516
00:35:31.800 --> 00:35:36.639
<v Speaker 3>napkin to the table, the napkin which he writes Fidelio on,

517
00:35:37.639 --> 00:35:40.480
<v Speaker 3>if you look just under behind them, just under the

518
00:35:40.480 --> 00:35:43.760
<v Speaker 3>waiter under the beer, there, that's Stanley Kubrick in the

519
00:35:43.760 --> 00:35:50.480
<v Speaker 3>background and he's listening. He's this is Stanley Kubrick alerting

520
00:35:50.559 --> 00:35:53.519
<v Speaker 3>us to pay attention to this moment. And he's like

521
00:35:53.880 --> 00:35:56.880
<v Speaker 3>listening in on their conversation. He's in the This is

522
00:35:57.000 --> 00:35:59.119
<v Speaker 3>I think the only time when Stanley's been in one

523
00:35:59.159 --> 00:36:01.159
<v Speaker 3>of his films where he's put himself in there.

524
00:36:01.400 --> 00:36:03.400
<v Speaker 4>That means it's important.

525
00:36:03.519 --> 00:36:10.719
<v Speaker 3>Exactly exactly place. So they okay, and then he tells

526
00:36:10.800 --> 00:36:15.039
<v Speaker 3>the story there in the village and watched this.

527
00:36:16.519 --> 00:36:18.000
<v Speaker 2>Believe it or not, I don't know.

528
00:36:18.079 --> 00:36:25.480
<v Speaker 3>So the moment when Bill grabslous Sally's breasts is the

529
00:36:25.519 --> 00:36:31.400
<v Speaker 3>same moment where Nightingale does this with his fingers, because

530
00:36:31.880 --> 00:36:36.840
<v Speaker 3>was like, peey, touchy, watch swear it's amazing.

531
00:36:40.440 --> 00:36:42.920
<v Speaker 4>Oh my gosh.

532
00:36:42.599 --> 00:36:46.400
<v Speaker 3>Look at that. I didn't do that. Kubrick did that.

533
00:36:47.159 --> 00:36:54.199
<v Speaker 3>This is the genius of Kubrick blindfold is huh. Right,

534
00:36:55.000 --> 00:37:02.199
<v Speaker 3>So then something I should tell you? Really m m,

535
00:37:03.599 --> 00:37:08.199
<v Speaker 3>you're putting me on all right. So it's like this moment.

536
00:37:10.000 --> 00:37:13.480
<v Speaker 4>The plane from wasn't on so well, I don't know

537
00:37:13.480 --> 00:37:14.480
<v Speaker 4>when to tell you this.

538
00:37:15.679 --> 00:37:20.639
<v Speaker 3>Yeah, well I have seen one or two things in

539
00:37:20.719 --> 00:37:27.400
<v Speaker 3>my life. Never, why don't you have a seat The

540
00:37:27.440 --> 00:37:29.719
<v Speaker 3>moment he says never, She's like, why don't you have

541
00:37:29.760 --> 00:37:34.079
<v Speaker 3>a seat? Done with the flirting? Never such? W never? Right,

542
00:37:36.320 --> 00:37:41.119
<v Speaker 3>So okay, wow, okay, this is he gets the call.

543
00:37:42.639 --> 00:37:47.559
<v Speaker 3>You know, I don't know how to say this. Hello, Yes, sir,

544
00:37:52.199 --> 00:37:56.159
<v Speaker 3>considering that you were with last night, I know where

545
00:37:56.159 --> 00:38:07.480
<v Speaker 3>that is. Were dominantly fair? Right? The results, the results

546
00:38:08.320 --> 00:38:11.280
<v Speaker 3>the passwords. Well, I'm on my way right now, right now.

547
00:38:11.760 --> 00:38:18.119
<v Speaker 3>HIV positive. That's the same. That's interesting. What is this.

548
00:38:20.320 --> 00:38:22.280
<v Speaker 4>Whoa that lined up?

549
00:38:22.960 --> 00:38:34.920
<v Speaker 3>Yeah, HIV positive, it's the password whoa. I'm really sorry. So, like,

550
00:38:35.199 --> 00:38:37.519
<v Speaker 3>I wonder if Kubrick knew that it was going to

551
00:38:37.559 --> 00:38:42.519
<v Speaker 3>be a virus in the future because en Fauci was involved. Like, God,

552
00:38:42.559 --> 00:38:44.920
<v Speaker 3>you probably put it on YouTube. I said the wrong words.

553
00:38:45.159 --> 00:38:46.119
<v Speaker 4>No, I don't even do.

554
00:38:48.000 --> 00:38:51.519
<v Speaker 3>I'm still like, I think that maybe Kubrick knew that

555
00:38:51.679 --> 00:38:53.519
<v Speaker 3>was the plan for the future. And these are the

556
00:38:53.519 --> 00:38:57.679
<v Speaker 3>people that are, you know, the hivy thing that people

557
00:38:57.719 --> 00:39:01.480
<v Speaker 3>should go down the rabbit hole. There snow HIV virus.

558
00:39:02.800 --> 00:39:06.599
<v Speaker 4>That's the big secret, right, because it isn't that's right.

559
00:39:07.119 --> 00:39:09.519
<v Speaker 3>And guess who is in charge of it way back then,

560
00:39:10.079 --> 00:39:13.679
<v Speaker 3>And guess why people were down and people were dying

561
00:39:13.719 --> 00:39:17.320
<v Speaker 3>because of the medicine. Magic Johnson stopped taking the medicine.

562
00:39:17.360 --> 00:39:20.079
<v Speaker 3>He's aliving. Well, you know what I'm saying, people need

563
00:39:20.559 --> 00:39:21.519
<v Speaker 3>and why they have.

564
00:39:21.480 --> 00:39:25.440
<v Speaker 4>To take out Freddy Mercury though really.

565
00:39:25.280 --> 00:39:28.159
<v Speaker 3>Because just like the killing of the king, the trauma

566
00:39:28.239 --> 00:39:32.679
<v Speaker 3>that it causes us who love him so much, that's

567
00:39:32.679 --> 00:39:34.920
<v Speaker 3>what it does. And then they can make way more

568
00:39:34.960 --> 00:39:37.400
<v Speaker 3>money off his albums that you know they own the right.

569
00:39:40.000 --> 00:39:48.800
<v Speaker 3>So here we'll look here. This moment is so this okay,

570
00:39:48.840 --> 00:39:50.920
<v Speaker 3>this is like the most important sh stuff, dude.

571
00:39:51.000 --> 00:39:54.480
<v Speaker 4>This moment right here. This is crazy because you have

572
00:39:55.800 --> 00:40:02.280
<v Speaker 4>Ziegler in the uh the billiard room, I guess billiard room.

573
00:40:02.760 --> 00:40:07.199
<v Speaker 4>You have the red pope in the ritual, and then

574
00:40:07.239 --> 00:40:14.880
<v Speaker 4>you have bill Um finding Mandy in the bathroom. This

575
00:40:15.079 --> 00:40:19.440
<v Speaker 4>is crazy because Ziegler is present in all three scenes.

576
00:40:19.840 --> 00:40:24.199
<v Speaker 3>Yes, okay, Ziggler's wearing the tricorn hat mask.

577
00:40:24.920 --> 00:40:29.280
<v Speaker 4>Yes, yeah, So we've got a trifecta going on right now.

578
00:40:29.320 --> 00:40:31.360
<v Speaker 4>This is nuts. Okay, go ahead.

579
00:40:31.679 --> 00:40:35.239
<v Speaker 3>If you look the red of the felt of the

580
00:40:35.280 --> 00:40:39.880
<v Speaker 3>pool table, all pool tables standard is cyan. It's like

581
00:40:40.159 --> 00:40:43.519
<v Speaker 3>the opposite of red on the color wheel. So that

582
00:40:43.760 --> 00:40:46.320
<v Speaker 3>is like, ohh brings your attention to that, And there's

583
00:40:46.320 --> 00:40:48.800
<v Speaker 3>a lot involved with that. It goes back to clockwork

584
00:40:48.840 --> 00:40:53.320
<v Speaker 3>orange like I get into it. But so we got

585
00:40:53.320 --> 00:40:55.480
<v Speaker 3>the red pool table and then we got the red

586
00:40:55.480 --> 00:40:59.400
<v Speaker 3>carpet right, the red pope, right, the red Pope. So

587
00:40:59.440 --> 00:41:02.239
<v Speaker 3>that's the same. And they talked about that in Room

588
00:41:02.239 --> 00:41:04.920
<v Speaker 3>Too thirty seven, how they related the carpet to the

589
00:41:05.800 --> 00:41:08.920
<v Speaker 3>pool table. But then if you look here, we have

590
00:41:09.039 --> 00:41:13.239
<v Speaker 3>the painting on the wall in the bathroom where Mandy

591
00:41:13.400 --> 00:41:18.480
<v Speaker 3>is passed out. That's painted by Christian Kubrick. It's right

592
00:41:18.519 --> 00:41:23.519
<v Speaker 3>there behind Bill's head. It's a huge painting, and that

593
00:41:23.559 --> 00:41:28.800
<v Speaker 3>the painting is titled Paula six Months on Red. It's

594
00:41:28.840 --> 00:41:35.360
<v Speaker 3>a pregnant woman like laying there on a red red

595
00:41:35.679 --> 00:41:40.239
<v Speaker 3>like red carpet red right, and Mandy's on the red

596
00:41:40.320 --> 00:41:44.039
<v Speaker 3>chair in the bathroom. So like that's what those women

597
00:41:44.079 --> 00:41:48.199
<v Speaker 3>are becoming pregnant. They're getting impregnated. That's what the whole

598
00:41:48.239 --> 00:41:52.199
<v Speaker 3>story is. They're like making all those women get inmated,

599
00:41:53.960 --> 00:41:57.679
<v Speaker 3>I swear. And when there's a scene, there's like one

600
00:41:57.719 --> 00:42:02.119
<v Speaker 3>shot where Bill is looking up at Ziggler and Ziggler's

601
00:42:02.119 --> 00:42:04.960
<v Speaker 3>face is framed in front of the painting where the

602
00:42:05.000 --> 00:42:08.880
<v Speaker 3>painting behind him takes up the whole frame, and Ziggler's

603
00:42:09.000 --> 00:42:14.880
<v Speaker 3>mouth is right where the vagina of the painting, So

604
00:42:15.159 --> 00:42:19.360
<v Speaker 3>like it's like the pregnant woman is gonna be borne

605
00:42:19.440 --> 00:42:22.719
<v Speaker 3>through his lips, is like gonna speak out what's program

606
00:42:23.519 --> 00:42:26.159
<v Speaker 3>and that's what's happening in the billiard room. I'm not

607
00:42:26.199 --> 00:42:29.199
<v Speaker 3>gonna tell you who those people are, but you wouldn't

608
00:42:29.199 --> 00:42:33.480
<v Speaker 3>sleep so well at night. So and he says it out.

609
00:42:33.519 --> 00:42:36.079
<v Speaker 3>He says she's a hooker, like that's what she was,

610
00:42:36.599 --> 00:42:40.039
<v Speaker 3>and like you know, and he also says that the

611
00:42:40.079 --> 00:42:43.920
<v Speaker 3>doors were locked from the inside. Cops are happy, case closed,

612
00:42:44.000 --> 00:42:47.559
<v Speaker 3>But the newspaper didn't say that newspaper didn't have that information.

613
00:42:47.639 --> 00:42:52.360
<v Speaker 3>He has secret information about that whole situation. So she

614
00:42:52.599 --> 00:42:59.639
<v Speaker 3>was murdered because she went against her programming. Yes, yeah,

615
00:42:59.719 --> 00:43:03.599
<v Speaker 3>we talked about that on our show. Yeah, sad, it's

616
00:43:03.679 --> 00:43:07.480
<v Speaker 3>very sad. So that's Harry calls that someone on the

617
00:43:07.480 --> 00:43:10.079
<v Speaker 3>freedom train. That's how they get free. They have to

618
00:43:10.079 --> 00:43:12.559
<v Speaker 3>get murdered out. That's the only way to get free.

619
00:43:13.159 --> 00:43:13.440
<v Speaker 5>Wow.

620
00:43:14.920 --> 00:43:17.960
<v Speaker 3>But Alice was lucky enough to be used as a breeder,

621
00:43:19.039 --> 00:43:21.960
<v Speaker 3>just like these women at the ritual. They're all being

622
00:43:21.960 --> 00:43:25.679
<v Speaker 3>inseminated by the people behind the masks, you know, And

623
00:43:25.719 --> 00:43:28.119
<v Speaker 3>that's why they run a train on them so that

624
00:43:28.159 --> 00:43:31.960
<v Speaker 3>they don't know who the father is, so that there's

625
00:43:32.039 --> 00:43:34.679
<v Speaker 3>no parental lineage. These can be slaves, and they can

626
00:43:34.719 --> 00:43:39.400
<v Speaker 3>abuse them and have no care that they're their own kids,

627
00:43:39.440 --> 00:43:44.320
<v Speaker 3>you know, but it's still from an elite stock of semen.

628
00:43:46.239 --> 00:43:50.360
<v Speaker 4>So that's why they run train on them. That makes

629
00:43:50.519 --> 00:43:53.239
<v Speaker 4>so much fucking sense, because it's like it's just a

630
00:43:53.360 --> 00:43:54.679
<v Speaker 4>random kid to them.

631
00:43:54.800 --> 00:43:59.559
<v Speaker 3>It's right. It erases the paternal lineage right right, my god.

632
00:44:00.440 --> 00:44:03.760
<v Speaker 3>And so that too is a trauma to the baby

633
00:44:03.920 --> 00:44:08.000
<v Speaker 3>to not have a father. But that adds to the

634
00:44:08.000 --> 00:44:10.920
<v Speaker 3>the abuse that they have to traumatize the children in

635
00:44:10.960 --> 00:44:15.719
<v Speaker 3>so many ways to create the effect of an Alice

636
00:44:16.280 --> 00:44:21.519
<v Speaker 3>who will, against her own motherly instinct, let her child

637
00:44:21.559 --> 00:44:26.559
<v Speaker 3>be abducted by her owners. You know. In the toy store,

638
00:44:27.079 --> 00:44:32.440
<v Speaker 3>that whole thing was was orchestrated by Alice, and those

639
00:44:32.480 --> 00:44:36.079
<v Speaker 3>people were there just to receive the kid. And Alice

640
00:44:36.119 --> 00:44:39.840
<v Speaker 3>went and stood right next to the to the stuffed cats.

641
00:44:40.559 --> 00:44:42.840
<v Speaker 3>And those people were waiting in that aisle. They knew

642
00:44:43.480 --> 00:44:47.800
<v Speaker 3>which ile to stand in because the stuffed lions like

643
00:44:48.000 --> 00:44:53.480
<v Speaker 3>of Inana, like her cat beast, you know, familiar right

644
00:44:53.599 --> 00:44:58.199
<v Speaker 3>of magic, familiar, so like. And there was a thug

645
00:44:58.280 --> 00:45:01.159
<v Speaker 3>in the in the toy store. We can see him

646
00:45:01.199 --> 00:45:05.920
<v Speaker 3>following them. And I talk about it in my My

647
00:45:06.039 --> 00:45:10.719
<v Speaker 3>first production was called a Cult Kubrick and the Butterfly Net,

648
00:45:11.440 --> 00:45:13.360
<v Speaker 3>and you can find that on Odyssey and stuff I

649
00:45:13.360 --> 00:45:13.679
<v Speaker 3>go through.

650
00:45:13.719 --> 00:45:15.840
<v Speaker 4>I watched it.

651
00:45:15.840 --> 00:45:20.880
<v Speaker 3>It's great. I'm glad. Yeah so I So there we

652
00:45:20.920 --> 00:45:24.760
<v Speaker 3>see her on the on the red chair, the red carpet,

653
00:45:24.760 --> 00:45:28.599
<v Speaker 3>those women genuflecting on the red carpet, and he's like, oh,

654
00:45:28.679 --> 00:45:31.679
<v Speaker 3>I think you got too many ideas here. Listen to

655
00:45:31.760 --> 00:45:32.320
<v Speaker 3>him talk.

656
00:45:38.119 --> 00:45:43.119
<v Speaker 6>Boom boom.

657
00:45:45.920 --> 00:45:47.079
<v Speaker 3>Look at where his lips are.

658
00:45:48.719 --> 00:45:54.320
<v Speaker 4>I never noticed that before, Sean, Fuck you, that's fucking wild.

659
00:45:54.960 --> 00:45:57.880
<v Speaker 3>Yeah, Like Kubrick had to put the camera down low

660
00:45:58.320 --> 00:46:00.800
<v Speaker 3>to create the shot. He had to like light it

661
00:46:00.880 --> 00:46:02.639
<v Speaker 3>up specifically so.

662
00:46:02.480 --> 00:46:06.079
<v Speaker 4>That what lips.

663
00:46:05.800 --> 00:46:08.719
<v Speaker 3>Are, the lips of the vagina would be in the painting.

664
00:46:09.480 --> 00:46:11.280
<v Speaker 3>And we can tell that's a pregnant woman. You see her,

665
00:46:11.400 --> 00:46:13.719
<v Speaker 3>her nipples are big and dark, and we see her

666
00:46:13.719 --> 00:46:14.639
<v Speaker 3>pregnant belly.

667
00:46:14.480 --> 00:46:18.400
<v Speaker 4>Her belly. Yeah, do you think it's significant? Also, I

668
00:46:18.400 --> 00:46:21.280
<v Speaker 4>think I've mentioned this to you before, but Mandy is

669
00:46:21.320 --> 00:46:22.079
<v Speaker 4>a redhead.

670
00:46:22.599 --> 00:46:26.480
<v Speaker 3>Oh yeah, They're all redheads, even even Helena mm hmm

671
00:46:27.000 --> 00:46:31.880
<v Speaker 3>yeah yeah, even Domino too.

672
00:46:32.039 --> 00:46:33.719
<v Speaker 4>Coveted, fucking coveted.

673
00:46:33.840 --> 00:46:38.960
<v Speaker 3>I know they are, that's right, if Arizona Wilder, I

674
00:46:39.000 --> 00:46:41.719
<v Speaker 3>don't know how much stock you put in what she says,

675
00:46:42.400 --> 00:46:44.320
<v Speaker 3>because some of the stuff she says is pretty wild.

676
00:46:44.559 --> 00:46:48.159
<v Speaker 3>But she talked to David Ike a long time ago

677
00:46:48.280 --> 00:46:51.840
<v Speaker 3>and he said that, uh or she said to him

678
00:46:52.199 --> 00:47:00.400
<v Speaker 3>that blondes and redheads are more they do psychic they have,

679
00:47:01.039 --> 00:47:06.119
<v Speaker 3>they're more easily psychic abilities come more easily to them.

680
00:47:06.400 --> 00:47:14.159
<v Speaker 3>So they that's why.

681
00:47:11.320 --> 00:47:15.480
<v Speaker 4>That's why they say like redheads have like mutant DNA

682
00:47:15.559 --> 00:47:20.719
<v Speaker 4>and shit, I'm so serious, they say that redheads are mutants.

683
00:47:21.760 --> 00:47:24.599
<v Speaker 3>That's just because Britain hates Ireland. That's all it is.

684
00:47:24.599 --> 00:47:29.039
<v Speaker 3>It's just some racism. Shit. God bless Irish people come

685
00:47:29.079 --> 00:47:32.119
<v Speaker 3>on anyway. So all right, So we see that this

686
00:47:32.199 --> 00:47:38.280
<v Speaker 3>is him speaking out, like this exact moment, like two

687
00:47:38.360 --> 00:47:43.880
<v Speaker 3>hours exactly ahead from the bathroom scene. We hear him

688
00:47:43.920 --> 00:47:47.400
<v Speaker 3>speaking out. And the paintings on the wall in the

689
00:47:47.440 --> 00:47:50.679
<v Speaker 3>billiard room are significant too. That's where we see the

690
00:47:50.679 --> 00:47:54.360
<v Speaker 3>guy with the tricorne hat in the in the painting

691
00:47:54.440 --> 00:47:58.880
<v Speaker 3>above Ziggler, So that's supposedly his ancestor.

692
00:47:59.199 --> 00:47:59.400
<v Speaker 4>Right.

693
00:48:00.360 --> 00:48:05.639
<v Speaker 3>These faces on the wall are the unmasked participants from

694
00:48:05.719 --> 00:48:10.519
<v Speaker 3>the past that were in the ritual and Kubrick gives

695
00:48:10.599 --> 00:48:17.039
<v Speaker 3>us a heraldic shields on the walls above the red carpet,

696
00:48:17.840 --> 00:48:20.679
<v Speaker 3>and the guy with the tricorn hat is on the

697
00:48:20.679 --> 00:48:26.119
<v Speaker 3>balcony above the red carpet, just like the portrait is

698
00:48:26.239 --> 00:48:30.840
<v Speaker 3>above the pool table looking down on the red pool table. Same.

699
00:48:31.039 --> 00:48:35.239
<v Speaker 3>It's like it even more strengthens the idea that Room

700
00:48:35.280 --> 00:48:39.599
<v Speaker 3>two thirty seven posits with the relation between the carpet

701
00:48:39.639 --> 00:48:43.599
<v Speaker 3>and the red pool table. And if you go even further,

702
00:48:44.360 --> 00:48:50.000
<v Speaker 3>the ending of Clockwork Orange features a pool table. It's

703
00:48:50.039 --> 00:48:53.400
<v Speaker 3>like a snooker table. And he's got the guy, the

704
00:48:53.440 --> 00:48:59.559
<v Speaker 3>crippled guy that is torturing Alex with Beethoven.

705
00:49:00.880 --> 00:49:04.559
<v Speaker 4>Literally, I was gonna say Beethoven at the end, uh huh.

706
00:49:04.559 --> 00:49:10.360
<v Speaker 3>The Beethoven Opera is the thing that tortures Alex. And really,

707
00:49:10.440 --> 00:49:16.000
<v Speaker 3>like Fidelio, like if you think about I'm like just

708
00:49:16.199 --> 00:49:22.840
<v Speaker 3>like realizing now, like somebody that has cheated, that is

709
00:49:22.880 --> 00:49:25.440
<v Speaker 3>the torture to remember that, to know that you did

710
00:49:25.440 --> 00:49:27.679
<v Speaker 3>that and you can't undo it. And it's like that's

711
00:49:27.719 --> 00:49:30.320
<v Speaker 3>the pain that we have to live with, is you know,

712
00:49:30.559 --> 00:49:35.159
<v Speaker 3>like you can't undo the thing, you can't go back,

713
00:49:35.239 --> 00:49:38.039
<v Speaker 3>and like so that in itself is the torture. Like

714
00:49:38.119 --> 00:49:41.400
<v Speaker 3>I believe that when when we're done with this life,

715
00:49:42.280 --> 00:49:45.639
<v Speaker 3>we judge ourselves. I think that's I think that's why

716
00:49:45.679 --> 00:49:48.079
<v Speaker 3>they do many so the darker cultures do all those

717
00:49:48.119 --> 00:49:51.039
<v Speaker 3>cremations of care so that when they get to that point,

718
00:49:51.159 --> 00:49:54.519
<v Speaker 3>they don't they don't judge themselves. Like I don't know.

719
00:49:54.559 --> 00:50:00.320
<v Speaker 3>I think it's like hijacking the the mechanics of spirit, like.

720
00:50:00.320 --> 00:50:03.960
<v Speaker 4>That would be that would be the ultimate fucking like

721
00:50:04.400 --> 00:50:07.400
<v Speaker 4>to judge yourself for all the fucked up things you did.

722
00:50:08.199 --> 00:50:09.159
<v Speaker 4>Holy shit.

723
00:50:09.519 --> 00:50:11.519
<v Speaker 3>I think that's how it works. I think that's how

724
00:50:11.519 --> 00:50:16.760
<v Speaker 3>it works because like, yeah, I mean, well anyway, yeah,

725
00:50:16.840 --> 00:50:19.599
<v Speaker 3>because like even in life now, like I mean, you

726
00:50:19.639 --> 00:50:23.400
<v Speaker 3>can't like if we think about our mistakes and like

727
00:50:24.760 --> 00:50:27.599
<v Speaker 3>I mean, that is the torture. I think if you,

728
00:50:27.960 --> 00:50:33.599
<v Speaker 3>I think we're inherently moral beings, you know. So that's

729
00:50:33.639 --> 00:50:37.199
<v Speaker 3>why in these satanic rituals, they they do the most

730
00:50:37.320 --> 00:50:41.320
<v Speaker 3>immoral stuff and then you have to participate, and it's

731
00:50:41.400 --> 00:50:44.800
<v Speaker 3>your willingly drinking the blood or whatever.

732
00:50:44.679 --> 00:50:50.000
<v Speaker 4>You know, eating drinking the piss, right right, mm hmm.

733
00:50:50.719 --> 00:50:55.960
<v Speaker 3>So like that then that is confirmation that you are

734
00:50:56.159 --> 00:50:59.639
<v Speaker 3>accepting the evil and this is a free will environment

735
00:50:59.800 --> 00:51:02.960
<v Speaker 3>where we That's why they show us the thing they

736
00:51:03.000 --> 00:51:06.320
<v Speaker 3>do before they do it to us, because this is

737
00:51:06.360 --> 00:51:09.920
<v Speaker 3>our consent when we let it happen. So that's the

738
00:51:09.960 --> 00:51:14.159
<v Speaker 3>spiritual law of this of this world and this existence.

739
00:51:14.800 --> 00:51:18.599
<v Speaker 3>So they have to present their plan to us. It's so,

740
00:51:18.800 --> 00:51:22.480
<v Speaker 3>I mean, these kind of movies are both a revelation

741
00:51:22.599 --> 00:51:27.000
<v Speaker 3>of the method and a part of the magic ritual itself.

742
00:51:27.280 --> 00:51:30.239
<v Speaker 3>You know, people that don't like Kubrick might think that

743
00:51:30.320 --> 00:51:36.559
<v Speaker 3>this is that this is an intentional movie, that they're

744
00:51:36.639 --> 00:51:39.239
<v Speaker 3>revealing this stuff on purpose to show us that we

745
00:51:40.440 --> 00:51:44.360
<v Speaker 3>nothing we can do, Like, can you know they're they're

746
00:51:44.400 --> 00:51:47.960
<v Speaker 3>so powerful, makes us learned helplessness, you know. But really

747
00:51:48.000 --> 00:51:52.079
<v Speaker 3>I think the Kubrick is showing us how totally depraved

748
00:51:52.119 --> 00:51:56.400
<v Speaker 3>they are and how disgusting of people they are. Like

749
00:51:56.440 --> 00:52:01.519
<v Speaker 3>when we see Millic, the guy in the costume shop,

750
00:52:02.280 --> 00:52:06.000
<v Speaker 3>he's got like a the tie he wears looks like

751
00:52:06.440 --> 00:52:09.239
<v Speaker 3>a golden snake skin, you know, and he's got this

752
00:52:09.360 --> 00:52:14.000
<v Speaker 3>like evil grin. And I think Kubrick still maintained his

753
00:52:14.079 --> 00:52:18.320
<v Speaker 3>morality even though he was in this I'm speculating. Of course,

754
00:52:18.360 --> 00:52:22.440
<v Speaker 3>I can't interview the guy, but I believe he was

755
00:52:22.480 --> 00:52:25.920
<v Speaker 3>revealing this, and Carrie does too, and we talked about it.

756
00:52:27.360 --> 00:52:31.760
<v Speaker 3>She thinks that because there's so much context, that this

757
00:52:32.000 --> 00:52:37.159
<v Speaker 3>is not just a trap for our consciousness to allow

758
00:52:37.239 --> 00:52:39.960
<v Speaker 3>their rituals in the future. She believes that this is

759
00:52:41.159 --> 00:52:46.639
<v Speaker 3>Kubrick trying to reveal to us. There it's all there.

760
00:52:47.440 --> 00:52:50.599
<v Speaker 3>We have to decipher it, I mean. And he started

761
00:52:50.679 --> 00:52:55.480
<v Speaker 3>in the Shining. In the Shining, he started making these

762
00:52:55.559 --> 00:52:59.559
<v Speaker 3>mazes of a movie, you know, where it's, uh, it's

763
00:52:59.599 --> 00:53:02.440
<v Speaker 3>more than a film. It's like a it's like a puzzle.

764
00:53:02.719 --> 00:53:02.920
<v Speaker 3>You know.

765
00:53:03.039 --> 00:53:05.280
<v Speaker 4>Well, you and I talked about before a full metal

766
00:53:05.400 --> 00:53:13.760
<v Speaker 4>jacket and fucking I was gonna say something about about

767
00:53:13.880 --> 00:53:16.920
<v Speaker 4>The Shining, but now I forget. But it's like, it's

768
00:53:17.000 --> 00:53:21.360
<v Speaker 4>not just a movie. It is not simply just a movie.

769
00:53:21.679 --> 00:53:25.960
<v Speaker 4>There is so fucking much more going on with every

770
00:53:26.000 --> 00:53:29.840
<v Speaker 4>single one of them. And I think to prove that point.

771
00:53:29.920 --> 00:53:34.880
<v Speaker 4>If you, which I think you do, think that Kubrick

772
00:53:35.000 --> 00:53:40.119
<v Speaker 4>did the moon landing stuff, like he's a brilliant, fucking genius.

773
00:53:40.159 --> 00:53:44.199
<v Speaker 4>And we've even talked about how kind of like that

774
00:53:44.440 --> 00:53:47.199
<v Speaker 4>are today Kubrick a little bit like with get Out,

775
00:53:47.320 --> 00:53:53.280
<v Speaker 4>and you know, it's like it's kind of telling of.

776
00:53:53.320 --> 00:53:56.000
<v Speaker 3>Yeah, Jordan Peele has like a morality and he seems

777
00:53:56.039 --> 00:53:59.079
<v Speaker 3>to be revealing the darker cult and the evil ways

778
00:53:59.079 --> 00:54:03.480
<v Speaker 3>of mind control they use, and those mind control slaves

779
00:54:03.480 --> 00:54:05.960
<v Speaker 3>are all over Hollywood, like Marilyn Monroe, like you talk

780
00:54:06.039 --> 00:54:12.320
<v Speaker 3>about Yeah, yeah, that's interesting. Yeah, that's that's so exactly that,

781
00:54:12.480 --> 00:54:16.000
<v Speaker 3>like we're and you know, Kubrick did take his family

782
00:54:16.320 --> 00:54:21.480
<v Speaker 3>of all daughters and to move them to Saint Albans,

783
00:54:21.639 --> 00:54:27.360
<v Speaker 3>which is like that was like sacred land for for

784
00:54:30.119 --> 00:54:35.800
<v Speaker 3>England basically like and the King Arthur and like Albion

785
00:54:36.159 --> 00:54:40.760
<v Speaker 3>of like William Blake and you know, like nobody's gonna

786
00:54:40.760 --> 00:54:44.400
<v Speaker 3>bomb that, you know what I mean, Like it's a

787
00:54:44.440 --> 00:54:48.159
<v Speaker 3>safe place, like decreate it or like ye if he's

788
00:54:48.280 --> 00:54:52.280
<v Speaker 3>like lives where because London is like the control arm

789
00:54:52.440 --> 00:54:55.000
<v Speaker 3>of the evil, like it seems to be like the

790
00:54:55.119 --> 00:54:57.880
<v Speaker 3>city of London. And of course they work with the

791
00:54:57.920 --> 00:55:01.920
<v Speaker 3>Vatican and the whole in Washington, d C. The Three

792
00:55:01.920 --> 00:55:04.840
<v Speaker 3>City State, like well.

793
00:55:04.679 --> 00:55:09.480
<v Speaker 4>I mean, I mean shut was filmed at a Rothschild's house.

794
00:55:10.039 --> 00:55:14.639
<v Speaker 3>Yes, this mansion was built by a Rothschild family member.

795
00:55:15.000 --> 00:55:17.960
<v Speaker 3>This at the ritual space it's called meant Moore Towers,

796
00:55:18.880 --> 00:55:23.159
<v Speaker 3>and it's not currently owned by the Rothschild. They sold it,

797
00:55:23.239 --> 00:55:25.639
<v Speaker 3>I think in the seventies, and then the person who

798
00:55:25.719 --> 00:55:29.239
<v Speaker 3>bought it then sold it in the late nineties, and

799
00:55:29.280 --> 00:55:31.039
<v Speaker 3>that's why it was able to be featured in these

800
00:55:31.079 --> 00:55:35.000
<v Speaker 3>films because then they started renting it out to directors.

801
00:55:35.480 --> 00:55:40.280
<v Speaker 3>Also in ninety nine, it was used in the Ninth Gate,

802
00:55:40.800 --> 00:55:42.440
<v Speaker 3>the Roman Polanski.

803
00:55:41.920 --> 00:55:48.000
<v Speaker 4>Fi shut the fuck up. Yeah, the same, the very same, yeah.

804
00:55:48.119 --> 00:55:53.880
<v Speaker 3>Yeah, in ninth Gate. Yeah, the front Jesus Christ, the

805
00:55:53.880 --> 00:55:57.320
<v Speaker 3>front facade was used. That was the same building. And

806
00:55:57.400 --> 00:55:59.639
<v Speaker 3>you remember like all the lit up little candles, and

807
00:55:59.760 --> 00:56:00.280
<v Speaker 3>here's like.

808
00:56:00.960 --> 00:56:05.320
<v Speaker 4>The fucking Roman Polanski ass fucking ninth Gate ass fucking

809
00:56:05.440 --> 00:56:09.400
<v Speaker 4>Johnny Depp ass. That's same, very same, yeah.

810
00:56:12.119 --> 00:56:14.840
<v Speaker 3>And that movie was released in ninety nine, same time,

811
00:56:15.280 --> 00:56:18.280
<v Speaker 3>And that movie, that movie is about a satanic person

812
00:56:18.880 --> 00:56:24.280
<v Speaker 3>attaining apotheosis without going through Jesus. It was like you

813
00:56:24.320 --> 00:56:25.599
<v Speaker 3>can just walk right into.

814
00:56:25.400 --> 00:56:29.079
<v Speaker 4>It through the Satanic rites right right.

815
00:56:29.840 --> 00:56:35.800
<v Speaker 3>They's God. It's like hacking the mechanics of this reality

816
00:56:36.000 --> 00:56:39.400
<v Speaker 3>so that they don't have to be christ Like and

817
00:56:39.519 --> 00:56:42.159
<v Speaker 3>they don't have to live morally and live abide by

818
00:56:42.199 --> 00:56:46.079
<v Speaker 3>the laws of natural law. The creator's laws of this world.

819
00:56:46.519 --> 00:56:51.880
<v Speaker 3>If you harm others, you will receive negative harm. Like

820
00:56:52.039 --> 00:56:55.480
<v Speaker 3>even the witches will say, like you do a bad

821
00:56:55.519 --> 00:56:58.440
<v Speaker 3>spell to somebody, you receive it back times three, you know,

822
00:56:58.639 --> 00:57:02.280
<v Speaker 3>Like I mean that that's the love of nature, right,

823
00:57:02.400 --> 00:57:07.119
<v Speaker 3>So that's why the Buddhists don't harm anything. They don't

824
00:57:07.159 --> 00:57:10.960
<v Speaker 3>even harm bugs like the you know, because they recognize

825
00:57:11.079 --> 00:57:15.800
<v Speaker 3>that could be someone somebody's aunt or uncle who's like

826
00:57:16.119 --> 00:57:19.000
<v Speaker 3>reincarnated into a bug and happens to be trapped in

827
00:57:19.000 --> 00:57:21.760
<v Speaker 3>that body at the time. Like, so they have such

828
00:57:21.840 --> 00:57:25.760
<v Speaker 3>reference for life, all life, you know. But these people

829
00:57:25.840 --> 00:57:29.719
<v Speaker 3>are hijacking the mechanics of life. So that's what the

830
00:57:29.800 --> 00:57:34.360
<v Speaker 3>ritual is doing. A normal copulation has a normal spirit

831
00:57:35.039 --> 00:57:40.000
<v Speaker 3>from the realm of God to inhabit the baby. That's

832
00:57:40.039 --> 00:57:43.599
<v Speaker 3>how all babies are born with the copulation, the combination

833
00:57:43.719 --> 00:57:48.280
<v Speaker 3>of male and female, combination of sperm and ovum. When

834
00:57:48.280 --> 00:57:53.800
<v Speaker 3>that spark of life begins, it's a natural soul who

835
00:57:53.840 --> 00:57:58.360
<v Speaker 3>gets first rights to that body, right, and they just

836
00:57:58.360 --> 00:58:01.280
<v Speaker 3>step right in. Whether it's incarnation or a new soul

837
00:58:01.400 --> 00:58:06.199
<v Speaker 3>or whatever you believe, it's that's a natural process. So

838
00:58:06.440 --> 00:58:11.840
<v Speaker 3>at that ritual they're going Widershin's they're going backwards. They're

839
00:58:11.920 --> 00:58:16.599
<v Speaker 3>speaking backwards. They're doing necromancy, and necromancy has a lot

840
00:58:16.599 --> 00:58:19.920
<v Speaker 3>of what they call a left hand path where they

841
00:58:19.960 --> 00:58:26.920
<v Speaker 3>go against the flow of nature to work against that flow. Right,

842
00:58:27.039 --> 00:58:33.239
<v Speaker 3>So they're doing this necromancy ritual. I believe to control

843
00:58:34.079 --> 00:58:38.559
<v Speaker 3>what and who is inhabiting these women at the point

844
00:58:38.599 --> 00:58:42.039
<v Speaker 3>of conception. Here at this ritual, Like if you read

845
00:58:42.079 --> 00:58:47.360
<v Speaker 3>Moonschild by Aleister Crowley, it's like his only fiction work,

846
00:58:47.480 --> 00:58:52.760
<v Speaker 3>but it's based on actual magic, where they create a

847
00:58:52.800 --> 00:58:59.960
<v Speaker 3>baby and they control what spirit or entity inhabits the boss.

848
00:59:00.760 --> 00:59:03.760
<v Speaker 3>Like that's what Croley was doing with the homunculus. He

849
00:59:03.920 --> 00:59:06.079
<v Speaker 3>was like trying to It was really gross the Crowley

850
00:59:06.199 --> 00:59:09.079
<v Speaker 3>was doing, trying to make a baby without a woman,

851
00:59:10.360 --> 00:59:14.960
<v Speaker 3>like using blood from violent rape and the semen. Maybe

852
00:59:15.000 --> 00:59:16.840
<v Speaker 3>that'll make a baby. Like that's what they used to

853
00:59:16.840 --> 00:59:20.440
<v Speaker 3>think there was they they call it starfire. They believe

854
00:59:20.519 --> 00:59:28.239
<v Speaker 3>that the the woman's menstrual blood is the fertile ground

855
00:59:28.239 --> 00:59:31.400
<v Speaker 3>that the seed. They used to think in the cult

856
00:59:31.679 --> 00:59:35.679
<v Speaker 3>the ritual, like the ancient times, they used to think

857
00:59:35.719 --> 00:59:38.920
<v Speaker 3>that all life came from the male semen and that

858
00:59:39.519 --> 00:59:43.079
<v Speaker 3>it's just the red of the starfire. That's why they

859
00:59:43.199 --> 00:59:45.519
<v Speaker 3>read this. That's why red, red, and white are the

860
00:59:45.559 --> 00:59:49.320
<v Speaker 3>magic colors because of semen and starfire. So like the

861
00:59:49.360 --> 00:59:52.800
<v Speaker 3>red of the blood, they used to think, oh, maybe

862
00:59:52.840 --> 00:59:55.320
<v Speaker 3>we could use this other blood, maybe we can grow

863
00:59:55.440 --> 00:59:58.440
<v Speaker 3>some babies in that. And so that Crowley was like

864
00:59:58.559 --> 01:00:01.760
<v Speaker 3>doing violent anal rape and like trying to mix uh

865
01:00:01.920 --> 01:00:06.559
<v Speaker 3>semen with that blood, trying to make a homunculous like

866
01:00:06.639 --> 01:00:09.360
<v Speaker 3>that's what the picture of lamb. If you ever, if

867
01:00:09.360 --> 01:00:13.119
<v Speaker 3>you turn that picture upside down, mm hmm, you see

868
01:00:13.159 --> 01:00:16.840
<v Speaker 3>that it's a it's being born out of an anus.

869
01:00:16.880 --> 01:00:20.800
<v Speaker 3>It's really it's not like it's like, uh, it's shaped like.

870
01:00:22.039 --> 01:00:24.039
<v Speaker 3>It's not shaped like that to look like an alien.

871
01:00:24.119 --> 01:00:27.519
<v Speaker 3>It's shaped like that because it's like a droplet of

872
01:00:27.519 --> 01:00:32.280
<v Speaker 3>of google being like excreted out through the It's gross.

873
01:00:32.320 --> 01:00:34.880
<v Speaker 3>I'm sorry, listeners, No, I mean that.

874
01:00:35.000 --> 01:00:37.039
<v Speaker 4>It's like we said at the beginning, this stuff is

875
01:00:37.159 --> 01:00:39.920
<v Speaker 4>very important and everybody needs to fucking know about it.

876
01:00:39.960 --> 01:00:42.760
<v Speaker 4>But it's just like how deprave does your mind have

877
01:00:42.920 --> 01:00:47.239
<v Speaker 4>to get in order to think like ass blood and fuck?

878
01:00:47.400 --> 01:00:50.000
<v Speaker 4>What did they He raped him in the ass and

879
01:00:50.039 --> 01:00:52.679
<v Speaker 4>then he busted a fat load and thought that that

880
01:00:52.800 --> 01:00:55.239
<v Speaker 4>was gonna like who's gonna work that?

881
01:00:55.440 --> 01:00:57.280
<v Speaker 3>If you if you look at a Crowley, like it's

882
01:00:57.320 --> 01:01:01.800
<v Speaker 3>all ass right, like a lot of it like that, there's.

883
01:01:01.440 --> 01:01:04.039
<v Speaker 4>Like what do they do after he busts the fat load?

884
01:01:04.199 --> 01:01:07.840
<v Speaker 4>Like he's like, who who is who carries the baby?

885
01:01:09.079 --> 01:01:11.840
<v Speaker 3>Oh? I don't know it? Like I don't know it

886
01:01:13.079 --> 01:01:18.159
<v Speaker 3>excretes out, I don't know, I'm telling you. But apparently

887
01:01:18.280 --> 01:01:21.639
<v Speaker 3>the evil spirit that they allow to inhabit this thing,

888
01:01:22.480 --> 01:01:26.159
<v Speaker 3>this demon that's trying that they're trying to be born

889
01:01:26.239 --> 01:01:30.719
<v Speaker 3>into flesh they are. They think that that magic power

890
01:01:30.719 --> 01:01:34.559
<v Speaker 3>will keep it alive, you know, and of course never bornculus.

891
01:01:34.559 --> 01:01:37.280
<v Speaker 3>But people should look into what Homeleuculous really is. It's

892
01:01:37.320 --> 01:01:41.679
<v Speaker 3>not just like a little thing, like it's not like

893
01:01:43.280 --> 01:01:47.760
<v Speaker 3>it's not like the dude from the Black Lodge of

894
01:01:47.760 --> 01:01:50.920
<v Speaker 3>of David Lynch's Twin Peaks. You know, it's not like

895
01:01:50.920 --> 01:01:53.400
<v Speaker 3>that little dude. It's like it's something.

896
01:01:53.159 --> 01:02:01.199
<v Speaker 4>Else, something Okay, So I had not walked. I think

897
01:02:01.199 --> 01:02:04.599
<v Speaker 4>the only David Lynch movie I had ever watched was

898
01:02:04.719 --> 01:02:08.920
<v Speaker 4>Dune because like it was the lesser of the David Lynches, right,

899
01:02:09.159 --> 01:02:10.360
<v Speaker 4>Dune and.

900
01:02:10.480 --> 01:02:15.559
<v Speaker 3>Fucking it was really well done but pretty silly.

901
01:02:15.599 --> 01:02:17.480
<v Speaker 4>The new ones are great, which I talked to you

902
01:02:17.519 --> 01:02:19.679
<v Speaker 4>about because I wanted to do a thing with you.

903
01:02:20.199 --> 01:02:21.519
<v Speaker 3>I might still go along with.

904
01:02:21.480 --> 01:02:27.239
<v Speaker 4>You and that you because they're incredible films. But so

905
01:02:28.320 --> 01:02:32.519
<v Speaker 4>I went to go visit Are you familiar with Kolby

906
01:02:32.599 --> 01:02:37.960
<v Speaker 4>from Conspiracy Playtime podcast? It's a really good podcast. But anyways,

907
01:02:38.639 --> 01:02:41.320
<v Speaker 4>like I went to go visit him and he was like,

908
01:02:41.400 --> 01:02:45.639
<v Speaker 4>you're about to get lynched, and I was like, I

909
01:02:45.760 --> 01:02:49.199
<v Speaker 4>was like, okay, I'm ready for it. We watched Mullholland

910
01:02:49.320 --> 01:02:52.599
<v Speaker 4>Drive and I was high as dog shit.

911
01:02:53.000 --> 01:02:56.320
<v Speaker 3>That movie is about women like Alice too, yes.

912
01:02:56.800 --> 01:03:01.639
<v Speaker 4>And it has a Naomi in it.

913
01:03:00.559 --> 01:03:04.360
<v Speaker 3>Oh Campbell? Right? Yes, yeah, I don't remember that.

914
01:03:04.760 --> 01:03:07.280
<v Speaker 4>Wait wait or is that her name? That's her name?

915
01:03:07.360 --> 01:03:07.920
<v Speaker 2>Right? Oh?

916
01:03:08.000 --> 01:03:11.360
<v Speaker 3>Right, the other the blonde chick right right? Isn't it

917
01:03:11.599 --> 01:03:13.679
<v Speaker 3>Mulholland Naomi Watts?

918
01:03:13.800 --> 01:03:13.960
<v Speaker 5>Right?

919
01:03:15.159 --> 01:03:19.599
<v Speaker 3>I think that's the actress's name, and that she is

920
01:03:20.079 --> 01:03:21.360
<v Speaker 3>her split personality.

921
01:03:21.480 --> 01:03:25.400
<v Speaker 4>She she's a split personality, right right, Naomi?

922
01:03:25.519 --> 01:03:27.280
<v Speaker 3>Yeah? And she's a Hollywood actress.

923
01:03:27.800 --> 01:03:28.039
<v Speaker 6>Yes.

924
01:03:28.840 --> 01:03:32.039
<v Speaker 4>So I had never watched David Lynch, like a good

925
01:03:32.159 --> 01:03:33.960
<v Speaker 4>David Lynch. I had only watched it.

926
01:03:33.960 --> 01:03:37.000
<v Speaker 3>They're all good, even eraser Head is good. Jennifer hates it.

927
01:03:38.440 --> 01:03:41.480
<v Speaker 3>Fucking Did you know eraser Head is Kubrick's favorite movie?

928
01:03:42.039 --> 01:03:42.679
<v Speaker 4>Is it really?

929
01:03:43.119 --> 01:03:43.440
<v Speaker 3>Yes?

930
01:03:44.239 --> 01:03:47.239
<v Speaker 4>So Colby's sitting there and he's already he knows what

931
01:03:47.360 --> 01:03:49.760
<v Speaker 4>to expect because he's already seen it. I'm high as

932
01:03:49.880 --> 01:03:52.800
<v Speaker 4>dog shit watching it for the first time. I was like,

933
01:03:52.800 --> 01:03:55.960
<v Speaker 4>I don't know whether the fucking puke or fucking ship

934
01:03:56.280 --> 01:03:59.599
<v Speaker 4>or fucking start my period. I was having a whole

935
01:03:59.639 --> 01:04:03.679
<v Speaker 4>mental fuck. I had never watched a movie that literally

936
01:04:03.800 --> 01:04:07.360
<v Speaker 4>jarred me out of reality like that fucking movie did.

937
01:04:07.679 --> 01:04:12.159
<v Speaker 3>And so this is cilensial cilensia. Like at the end, you're.

938
01:04:12.000 --> 01:04:15.639
<v Speaker 4>Just like wow, Like when the dude is sitting at

939
01:04:15.639 --> 01:04:18.199
<v Speaker 4>the cafe and he's like, I had this dream or whatever,

940
01:04:18.599 --> 01:04:20.559
<v Speaker 4>and then he goes around the side of the building

941
01:04:20.559 --> 01:04:23.880
<v Speaker 4>and there's that fucking scary ass motherfucker like hiding on

942
01:04:23.920 --> 01:04:26.840
<v Speaker 4>the other side. Sean, I'm telling you, there's this whole

943
01:04:26.880 --> 01:04:30.679
<v Speaker 4>aspect to film that people do not appreciate, like eyes

944
01:04:30.719 --> 01:04:34.960
<v Speaker 4>wide shut, like fucking clockwork orange, like the Shiny It's

945
01:04:35.000 --> 01:04:40.639
<v Speaker 4>more than just a movie. It's like a psychological fucking

946
01:04:41.159 --> 01:04:43.480
<v Speaker 4>almost like a psychological operation on.

947
01:04:43.519 --> 01:04:46.639
<v Speaker 3>People, like they are in your fucking.

948
01:04:46.519 --> 01:04:49.639
<v Speaker 4>Mk ultra right, Yes, it's.

949
01:04:49.760 --> 01:04:52.320
<v Speaker 3>It is a dream. They can they control the whole

950
01:04:52.400 --> 01:04:56.119
<v Speaker 3>dream for two hours. Yeah, Like that's the normal span

951
01:04:56.239 --> 01:04:59.599
<v Speaker 3>of our REM sleep, the REM cycle. You get about

952
01:04:59.599 --> 01:05:02.639
<v Speaker 3>two psych in about one and a half hours something

953
01:05:02.719 --> 01:05:06.559
<v Speaker 3>like that. So they they time movies to be alongside

954
01:05:06.599 --> 01:05:10.760
<v Speaker 3>with the rapid eye movement REM sleep cycle, so that

955
01:05:11.400 --> 01:05:15.440
<v Speaker 3>our brain takes up this information the same way it

956
01:05:15.480 --> 01:05:21.599
<v Speaker 3>takes up a dream. So when that's right, So like

957
01:05:21.679 --> 01:05:28.159
<v Speaker 3>when when Kubrick's images are so striking, they burn into

958
01:05:28.159 --> 01:05:31.840
<v Speaker 3>your head and you remember that stuff, like the scene

959
01:05:31.880 --> 01:05:35.000
<v Speaker 3>at the end of Clockwork Orange when the guy has

960
01:05:35.039 --> 01:05:39.199
<v Speaker 3>a pool table with big speakers on it and there's

961
01:05:39.239 --> 01:05:42.320
<v Speaker 3>a guy in front who's like playing with red pool balls,

962
01:05:42.880 --> 01:05:45.360
<v Speaker 3>red pool balls on this table. It's a green table,

963
01:05:45.360 --> 01:05:48.960
<v Speaker 3>but still and like behind them is a big painting

964
01:05:49.039 --> 01:05:53.280
<v Speaker 3>of a maiden and this what's being played is Beethoven,

965
01:05:54.760 --> 01:05:56.639
<v Speaker 3>you know, and he's like looking up and you can

966
01:05:56.679 --> 01:05:59.760
<v Speaker 3>see the guy's face. He's like, aha, like what is

967
01:05:59.800 --> 01:06:03.280
<v Speaker 3>a speaker? What is what I mean?

968
01:06:03.800 --> 01:06:10.679
<v Speaker 6>Ziggler is speaking? He's the speaker in the billiard room.

969
01:06:11.559 --> 01:06:16.400
<v Speaker 6>And you know, like the password right, So anyway, and

970
01:06:16.639 --> 01:06:22.920
<v Speaker 6>so like it's just loops and loops back into itself

971
01:06:23.079 --> 01:06:27.840
<v Speaker 6>and it further like strengthens itself, you know, and the

972
01:06:28.400 --> 01:06:32.840
<v Speaker 6>being able to see it here in three frames like

973
01:06:33.119 --> 01:06:37.119
<v Speaker 6>even that relates to the Goddess. The Goddess has always

974
01:06:37.119 --> 01:06:41.440
<v Speaker 6>been depicted as three, like even the fates, right, and

975
01:06:41.480 --> 01:06:47.280
<v Speaker 6>you got maiden, mother and krone. You got the maiden,

976
01:06:48.400 --> 01:06:52.760
<v Speaker 6>the young sex kitten, right, and then the mother, which

977
01:06:52.800 --> 01:06:56.920
<v Speaker 6>is the reproductive of what Alice is doing, and then

978
01:06:56.960 --> 01:07:00.360
<v Speaker 6>the crone. They never actually get the krone. They kill

979
01:07:00.440 --> 01:07:03.239
<v Speaker 6>them off like Mandy, right, that's the the other end

980
01:07:03.239 --> 01:07:06.679
<v Speaker 6>of the spectrum. And so we see the whole. We

981
01:07:06.760 --> 01:07:10.320
<v Speaker 6>see the beginning of the life span with Helena and

982
01:07:10.360 --> 01:07:16.519
<v Speaker 6>her butterfly wings and being trained into this nutcracker ballerina,

983
01:07:17.199 --> 01:07:20.360
<v Speaker 6>you know, set of programming, and then she gets stolen

984
01:07:20.440 --> 01:07:23.039
<v Speaker 6>and then the next kind of stage in the in

985
01:07:23.199 --> 01:07:29.039
<v Speaker 6>the lifespan of these women is to be a child prostitute.

986
01:07:29.920 --> 01:07:34.239
<v Speaker 6>That's what Carrie was used for. That other women are

987
01:07:34.400 --> 01:07:36.320
<v Speaker 6>and it's and it goes that's.

988
01:07:36.320 --> 01:07:39.320
<v Speaker 4>That's the most valuable thing you can do, is be

989
01:07:39.360 --> 01:07:41.840
<v Speaker 4>a child prostitute for them.

990
01:07:42.280 --> 01:07:48.199
<v Speaker 3>And the room where in this film where uh where

991
01:07:48.400 --> 01:07:54.400
<v Speaker 3>Ley Sobieski is being filmed. Is a glass room and

992
01:07:54.639 --> 01:07:57.840
<v Speaker 3>the locks are on the outside. It's made to trap

993
01:07:58.000 --> 01:08:03.280
<v Speaker 3>victims inside, so it is a blackmail device.

994
01:08:04.159 --> 01:08:07.519
<v Speaker 4>So that's like you passed on one scene that is

995
01:08:07.639 --> 01:08:11.599
<v Speaker 4>like real fucking crazy. Oh look at this.

996
01:08:11.599 --> 01:08:14.760
<v Speaker 3>This is the tricorn hat is right at the same time,

997
01:08:14.800 --> 01:08:17.159
<v Speaker 3>and she's got the star of Ishtar right there around

998
01:08:17.159 --> 01:08:17.439
<v Speaker 3>her head.

999
01:08:17.520 --> 01:08:19.520
<v Speaker 4>Yes, shut the fuck.

1000
01:08:20.479 --> 01:08:23.079
<v Speaker 3>Right, and look at the hat on the woman. Look,

1001
01:08:23.199 --> 01:08:25.600
<v Speaker 3>it's like she's wearing the hat too, Like Alice is

1002
01:08:25.640 --> 01:08:27.800
<v Speaker 3>wearing a hat. She's got the stars and the things.

1003
01:08:28.239 --> 01:08:29.720
<v Speaker 3>And this one's got like dingle.

1004
01:08:29.600 --> 01:08:33.239
<v Speaker 1>Bell he's got the stars too, yea, even with the

1005
01:08:33.279 --> 01:08:34.600
<v Speaker 1>little fucking bells on.

1006
01:08:34.600 --> 01:08:36.600
<v Speaker 4>It, like where the lights are on the star.

1007
01:08:37.199 --> 01:08:40.760
<v Speaker 3>Yeah, So like that. And when you first meet and

1008
01:08:40.800 --> 01:08:43.880
<v Speaker 3>when we meet Ziggler's wife here, let's see if I

1009
01:08:43.920 --> 01:08:47.199
<v Speaker 3>can find her at the beginning when they first arrive

1010
01:08:47.239 --> 01:08:48.199
<v Speaker 3>at the party.

1011
01:08:49.439 --> 01:08:53.600
<v Speaker 4>When when he's like, oh, you look beautiful, yes, and

1012
01:08:53.680 --> 01:08:54.439
<v Speaker 4>she's all like.

1013
01:08:55.399 --> 01:08:57.199
<v Speaker 3>Here, let's see if we can oh this week and

1014
01:08:57.319 --> 01:09:01.039
<v Speaker 3>see this is Ziggler speaking the This is an important

1015
01:09:01.039 --> 01:09:05.840
<v Speaker 3>scene right here. So Ziggler is speaking the magic spell

1016
01:09:06.359 --> 01:09:09.279
<v Speaker 3>to Alice. So this is the moment where.

1017
01:09:09.399 --> 01:09:12.000
<v Speaker 4>And look at her face. She looks all fucking like

1018
01:09:12.159 --> 01:09:14.119
<v Speaker 4>dissociated and shits.

1019
01:09:13.760 --> 01:09:16.800
<v Speaker 3>Right, yep, she's hearing the message. And he's look at

1020
01:09:16.880 --> 01:09:19.640
<v Speaker 3>the string of light going from his mouth to her ear.

1021
01:09:20.520 --> 01:09:23.039
<v Speaker 3>It's this magic spell that he's speaking to her. And

1022
01:09:23.079 --> 01:09:25.920
<v Speaker 3>this is at the same time when these men are

1023
01:09:26.800 --> 01:09:30.960
<v Speaker 3>captured in the blackmail Room. And it's also the same

1024
01:09:31.039 --> 01:09:34.199
<v Speaker 3>time that Mandy's dead body is pulled out of the morgue.

1025
01:09:34.760 --> 01:09:36.560
<v Speaker 3>So I'm gonna drive back a little bit so we

1026
01:09:36.560 --> 01:09:42.600
<v Speaker 3>can see so uh so watch wat's this? So this

1027
01:09:42.800 --> 01:09:48.239
<v Speaker 3>is relating all three of the women together. So uh

1028
01:09:48.279 --> 01:09:52.560
<v Speaker 3>here she's saying, so he drinks her glass. She's standing

1029
01:09:52.600 --> 01:09:56.119
<v Speaker 3>there at the bar and she holds the glass right

1030
01:09:56.159 --> 01:09:59.880
<v Speaker 3>under her face like it's an advertisement, right, And he's

1031
01:10:00.079 --> 01:10:03.359
<v Speaker 3>reading the newspaper. Here at two hours into the movie,

1032
01:10:04.000 --> 01:10:06.720
<v Speaker 3>and at one hour something into the movie, we see

1033
01:10:06.760 --> 01:10:11.279
<v Speaker 3>the introduction of the Rainbow Room. There's a giant rainbow over.

1034
01:10:11.119 --> 01:10:16.319
<v Speaker 4>The door on that ship that the heads crazy.

1035
01:10:16.760 --> 01:10:18.880
<v Speaker 3>You can see the heads of all the different wigs.

1036
01:10:19.600 --> 01:10:24.079
<v Speaker 3>Those are all the personalities, those are all the and

1037
01:10:24.479 --> 01:10:28.000
<v Speaker 3>so like this is what goes on, you know, over

1038
01:10:28.039 --> 01:10:32.840
<v Speaker 3>the rainbow is when the soul dissociates under the rainbow

1039
01:10:33.800 --> 01:10:38.279
<v Speaker 3>is the debaucherous rape, you know, the abuse of the child.

1040
01:10:38.359 --> 01:10:42.239
<v Speaker 3>So this is what is being depicted here in this room.

1041
01:10:42.479 --> 01:10:46.439
<v Speaker 3>Like so okay, she's at the bar and at the

1042
01:10:46.560 --> 01:10:49.039
<v Speaker 3>end of the film, towards the end, Bill is reading

1043
01:10:49.079 --> 01:10:53.800
<v Speaker 3>the paper about Mandy. He's discovering what is this? So

1044
01:10:54.319 --> 01:10:59.239
<v Speaker 3>I mean Harry to get back to bed, so black

1045
01:10:59.279 --> 01:11:13.359
<v Speaker 3>look so he or something? So Xandor sees her, puts

1046
01:11:13.359 --> 01:11:18.399
<v Speaker 3>his glass down. What's his hand in his pocket? She

1047
01:11:18.560 --> 01:11:23.000
<v Speaker 3>sees this. She puts the glass in front of him.

1048
01:11:23.520 --> 01:11:24.399
<v Speaker 2>One of my patients.

1049
01:11:28.560 --> 01:11:33.600
<v Speaker 3>Please give me, He says, what is this? As he's

1050
01:11:33.640 --> 01:11:37.199
<v Speaker 3>looking down at cheese pizza? What is Cooper telling us?

1051
01:11:38.039 --> 01:11:38.319
<v Speaker 4>Ship?

1052
01:11:39.119 --> 01:11:41.239
<v Speaker 3>Yeah? And then he finds the teddy over there on

1053
01:11:41.319 --> 01:11:46.399
<v Speaker 3>the red couch, Crimson red, and she he's picking up

1054
01:11:46.439 --> 01:11:49.359
<v Speaker 3>her glass and he's about to drink her glass, and

1055
01:11:49.399 --> 01:11:50.880
<v Speaker 3>she's watching, I.

1056
01:11:52.439 --> 01:11:53.560
<v Speaker 2>Think that's my glass.

1057
01:11:55.119 --> 01:11:58.000
<v Speaker 3>I think that's my glass. And that's the same moment

1058
01:11:58.000 --> 01:12:00.560
<v Speaker 3>when he's discovering this teddy, like, I think that's my

1059
01:12:01.800 --> 01:12:03.279
<v Speaker 3>Like the teddy is hers right.

1060
01:12:03.840 --> 01:12:06.880
<v Speaker 4>The way that she says it too is like you

1061
01:12:06.960 --> 01:12:12.119
<v Speaker 4>were saying at the beginning of the episode, if you

1062
01:12:12.239 --> 01:12:17.039
<v Speaker 4>were to say that sentence, you wouldn't say glass. You

1063
01:12:17.079 --> 01:12:19.920
<v Speaker 4>would say that's my drink.

1064
01:12:19.960 --> 01:12:21.039
<v Speaker 3>Right, right, right.

1065
01:12:21.199 --> 01:12:26.680
<v Speaker 4>She specifically uses the word glass, right as in Alice

1066
01:12:26.720 --> 01:12:29.600
<v Speaker 4>in the looking Glass. She's always in front of mirrors.

1067
01:12:29.680 --> 01:12:32.680
<v Speaker 4>She's always looking in a mirror. And then it's like, hey,

1068
01:12:32.760 --> 01:12:35.560
<v Speaker 4>I think that's my glass. Like, think about that, Sean.

1069
01:12:35.720 --> 01:12:38.840
<v Speaker 4>That doesn't even like make sense. It's not empty. It's

1070
01:12:38.920 --> 01:12:42.720
<v Speaker 4>not like you're sitting there drinking wine. If you put

1071
01:12:42.760 --> 01:12:46.760
<v Speaker 4>your cup down, you'd be like, hey, that's my drink.

1072
01:12:47.319 --> 01:12:51.039
<v Speaker 4>Why my drink? She's hey, that's my glass.

1073
01:12:52.199 --> 01:12:59.439
<v Speaker 3>So specific with these altars switching, mirrors are used to

1074
01:12:59.640 --> 01:13:04.279
<v Speaker 3>help the switch. We see it happen when Bill is

1075
01:13:04.359 --> 01:13:07.119
<v Speaker 3>touching on Alice and they're about to have sex. She's

1076
01:13:07.199 --> 01:13:09.039
<v Speaker 3>like giggling and liking it, and then she looks in

1077
01:13:09.039 --> 01:13:10.880
<v Speaker 3>the mirror and all of a sudden, no more smile

1078
01:13:10.960 --> 01:13:15.800
<v Speaker 3>and she's just blank, no feeling empty, ready for the sex.

1079
01:13:15.880 --> 01:13:18.680
<v Speaker 3>Now that's what her brain does when she's because she's

1080
01:13:18.720 --> 01:13:26.479
<v Speaker 3>a whore, you know. Yeah, So that glass. By saying glass,

1081
01:13:26.560 --> 01:13:32.960
<v Speaker 3>that's like, that's my trigger to switch alters. That's that's

1082
01:13:33.000 --> 01:13:33.560
<v Speaker 3>how I switch.

1083
01:13:33.960 --> 01:13:38.279
<v Speaker 4>He drinks, he drinks the whole class Yep.

1084
01:13:39.159 --> 01:13:40.399
<v Speaker 3>He consumes the whole thing.

1085
01:13:40.840 --> 01:13:47.520
<v Speaker 4>So now her glass is empty, fucking dissociated. Oh, somebody's

1086
01:13:47.560 --> 01:13:49.680
<v Speaker 4>gonna say I'm a psychopath for looking.

1087
01:13:49.399 --> 01:13:52.279
<v Speaker 3>Into this leg all these things.

1088
01:13:52.600 --> 01:13:55.119
<v Speaker 4>Meaning right, he drinks it to the very bottom. He

1089
01:13:55.159 --> 01:13:57.960
<v Speaker 4>doesn't just take a sip from her cup. He drinks

1090
01:13:58.000 --> 01:14:01.640
<v Speaker 4>it to the bottom. So now she's the empty glass,

1091
01:14:02.800 --> 01:14:06.039
<v Speaker 4>ready for the ready for the program right the.

1092
01:14:06.119 --> 01:14:08.640
<v Speaker 3>And then the other altar pops out where all of

1093
01:14:08.680 --> 01:14:11.520
<v Speaker 3>a sudden, she acts super drunk and she's all flirty

1094
01:14:11.520 --> 01:14:13.680
<v Speaker 3>with him, and she acts like she'd give him sex,

1095
01:14:13.760 --> 01:14:18.560
<v Speaker 3>but but her other programming, of mother programming won't allow that,

1096
01:14:19.239 --> 01:14:22.079
<v Speaker 3>and she walks away from him, and the band is

1097
01:14:22.079 --> 01:14:26.359
<v Speaker 3>playing only Have Eyes for You, like in the background,

1098
01:14:26.359 --> 01:14:30.800
<v Speaker 3>you know, and that's her moment of fidelity, you know.

1099
01:14:30.960 --> 01:14:33.399
<v Speaker 3>And it's like we can all relate, like, oh, I

1100
01:14:33.520 --> 01:14:36.520
<v Speaker 3>used to be uh, I used to fornicate all the time,

1101
01:14:36.560 --> 01:14:38.840
<v Speaker 3>but now I'm a married dude and now I can't

1102
01:14:38.880 --> 01:14:41.199
<v Speaker 3>do that, I guess, So like we can all kind

1103
01:14:41.239 --> 01:14:44.800
<v Speaker 3>of relate, so like we you know, regular people watching.

1104
01:14:45.279 --> 01:14:48.680
<v Speaker 3>But this is he is accessing her programming with this

1105
01:14:48.840 --> 01:14:54.960
<v Speaker 3>motion of using doing her glass and and she is

1106
01:14:55.960 --> 01:14:57.279
<v Speaker 3>she's being accessed.

1107
01:14:57.960 --> 01:15:01.479
<v Speaker 4>In the fucking scene right above it, the dude is

1108
01:15:01.520 --> 01:15:03.279
<v Speaker 4>standing behind a glass window.

1109
01:15:03.920 --> 01:15:06.520
<v Speaker 3>Yes, right there in a glass room.

1110
01:15:07.000 --> 01:15:09.560
<v Speaker 4>And he's in a glass room and he's just discovered

1111
01:15:09.600 --> 01:15:14.000
<v Speaker 4>his daughter with two fucking dudes fucking doing some training

1112
01:15:14.199 --> 01:15:17.640
<v Speaker 4>ship and it's like, okay, now we've got two references

1113
01:15:17.680 --> 01:15:18.640
<v Speaker 4>to the glassroom.

1114
01:15:18.760 --> 01:15:21.760
<v Speaker 3>Now, good point. Yeah, I never I never mentioned that,

1115
01:15:21.840 --> 01:15:27.319
<v Speaker 3>but but that that definitely that fits are So this

1116
01:15:27.479 --> 01:15:30.079
<v Speaker 3>is also she's looking up to see you r R

1117
01:15:30.119 --> 01:15:32.640
<v Speaker 3>A N the one in the other the at the

1118
01:15:32.720 --> 01:15:35.159
<v Speaker 3>end of the film, this is the moment when he's

1119
01:15:35.239 --> 01:15:39.520
<v Speaker 3>learning that Kurran has died, right, and so watch this

1120
01:15:39.600 --> 01:15:43.079
<v Speaker 3>is the moment that that Zandor guzzles the glass. Watch

1121
01:15:43.159 --> 01:15:54.239
<v Speaker 3>this the exact moment, Yes, what on earth is going

1122
01:15:54.239 --> 01:15:58.199
<v Speaker 3>on here? This is what that That's the very moment

1123
01:15:58.239 --> 01:16:01.600
<v Speaker 3>where she's triggered. That's the very moment when he discovers

1124
01:16:01.680 --> 01:16:04.319
<v Speaker 3>that those dudes are in the room there. This is

1125
01:16:04.359 --> 01:16:07.840
<v Speaker 3>the very moment when he learned when later in the film,

1126
01:16:08.560 --> 01:16:14.760
<v Speaker 3>when uh Bill learns that amandica and died and then

1127
01:16:14.800 --> 01:16:24.000
<v Speaker 3>we'll continue watching here, I'll kill you. I promise, I'll

1128
01:16:24.079 --> 01:16:27.840
<v Speaker 3>kill you, he says, and then he says, I'm xandorz avostright,

1129
01:16:27.880 --> 01:16:33.800
<v Speaker 3>So here we go. Have you no sense of decency?

1130
01:16:33.960 --> 01:16:38.359
<v Speaker 3>As he kisses her hands, have you go crazy?

1131
01:16:38.560 --> 01:16:42.359
<v Speaker 4>We were invinded here the lady daughter.

1132
01:16:44.159 --> 01:16:47.119
<v Speaker 3>To you. Hear that, young lady, this is my daughter.

1133
01:16:47.319 --> 01:16:50.279
<v Speaker 3>Same moment where she says, my name is Alice Harford.

1134
01:16:51.399 --> 01:16:54.800
<v Speaker 3>This is my daughter. My name is Alice Harford. This

1135
01:16:55.000 --> 01:17:00.439
<v Speaker 3>is exactly relating. Alice is the same as Leely So yeske,

1136
01:17:01.159 --> 01:17:04.119
<v Speaker 3>it lines up perfectly. Can't you see? This is my

1137
01:17:04.239 --> 01:17:10.159
<v Speaker 3>daughter and she's deranged. She is a child police.

1138
01:17:16.479 --> 01:17:17.000
<v Speaker 4>I will.

1139
01:17:24.520 --> 01:17:32.520
<v Speaker 3>Wind himself clime his eyes out someplace with a very

1140
01:17:32.600 --> 01:17:37.520
<v Speaker 3>bad climate. Where is Mandy right now? She's on a

1141
01:17:37.640 --> 01:17:39.600
<v Speaker 3>cold slab in a drawer.

1142
01:17:40.880 --> 01:17:42.840
<v Speaker 4>Oh ship, that is what she said?

1143
01:17:43.640 --> 01:17:47.159
<v Speaker 3>Yeah? Where is Where are these guys right now? Watch

1144
01:17:47.479 --> 01:17:49.880
<v Speaker 3>the moment that Mandy is pulled out of the door

1145
01:17:50.399 --> 01:17:53.199
<v Speaker 3>the drawer. Is the moment where the door gets locked.

1146
01:17:53.279 --> 01:18:01.399
<v Speaker 3>Watch please take here. He had a very good time first, right,

1147
01:18:01.680 --> 01:18:04.199
<v Speaker 3>like those guys just did. Had a good time first,

1148
01:18:04.680 --> 01:18:07.039
<v Speaker 3>like the cult just did with Mandy before she got

1149
01:18:07.119 --> 01:18:10.279
<v Speaker 3>put on that slab, A very good time, right?

1150
01:18:13.159 --> 01:18:13.399
<v Speaker 6>Wow?

1151
01:18:16.800 --> 01:18:22.039
<v Speaker 3>What are you here with anyone? Watch? Gentlemen, please have

1152
01:18:22.199 --> 01:18:26.720
<v Speaker 3>the goodness to big fine for't you see I sent

1153
01:18:30.000 --> 01:18:34.119
<v Speaker 3>you little wore. He's pointing as we see the dead

1154
01:18:34.199 --> 01:18:37.279
<v Speaker 3>Mandy on the slab, and listen to what he says,

1155
01:18:40.319 --> 01:18:45.800
<v Speaker 3>go to bed at once, like the big sleep Mandy is.

1156
01:18:46.560 --> 01:18:49.159
<v Speaker 3>She's gone to bed? Did you as soon as a

1157
01:18:49.199 --> 01:18:54.960
<v Speaker 3>serf sentiment? She whispers in his ear. Lely whispers in

1158
01:18:55.000 --> 01:18:57.560
<v Speaker 3>his ear. You need an ermine cloak, which means that

1159
01:18:57.720 --> 01:19:01.239
<v Speaker 3>Ley was there at those parties, those rituals before she

1160
01:19:01.439 --> 01:19:02.680
<v Speaker 3>knows about these parties.

1161
01:19:03.680 --> 01:19:06.159
<v Speaker 6>You need it? What else?

1162
01:19:06.239 --> 01:19:07.239
<v Speaker 3>Okay, please go ahead?

1163
01:19:07.920 --> 01:19:14.479
<v Speaker 4>Yes, well, I mean just like it's it's Bill and Mandy,

1164
01:19:15.359 --> 01:19:22.600
<v Speaker 4>Bill and Ley, fucking Red Pope and Alice, and it's just.

1165
01:19:22.720 --> 01:19:24.960
<v Speaker 3>Like I don't think he's the Red Pope, but still

1166
01:19:25.000 --> 01:19:26.399
<v Speaker 3>go ahead. I think he is.

1167
01:19:27.720 --> 01:19:28.399
<v Speaker 4>You don't think so?

1168
01:19:28.880 --> 01:19:33.119
<v Speaker 3>No, No, I think that. I think that the Red

1169
01:19:33.199 --> 01:19:38.640
<v Speaker 3>Pope is the guy in the newspaper who Mandy was

1170
01:19:38.800 --> 01:19:45.600
<v Speaker 3>betrothed to. I think that anyway, But let's please continue

1171
01:19:45.600 --> 01:19:46.039
<v Speaker 3>with your thought.

1172
01:19:46.720 --> 01:19:49.159
<v Speaker 4>No. I was just saying, like it's so interesting because

1173
01:19:49.159 --> 01:19:53.319
<v Speaker 4>it's all like couples, you know, and it represents like

1174
01:19:54.359 --> 01:19:57.159
<v Speaker 4>the mother the maiden.

1175
01:19:56.960 --> 01:19:58.359
<v Speaker 2>And I don't know.

1176
01:20:00.000 --> 01:20:03.359
<v Speaker 3>Her own Lely is the maiden, Alice is the mother,

1177
01:20:04.119 --> 01:20:06.319
<v Speaker 3>and Mandy here is the crone. This is the three

1178
01:20:06.399 --> 01:20:10.039
<v Speaker 3>aspects of the goddess right here on the screen. And

1179
01:20:10.520 --> 01:20:14.119
<v Speaker 3>so we listened to Zandor asks what do you do? Alice?

1180
01:20:14.439 --> 01:20:19.359
<v Speaker 3>So watch watch above what Lely does in response. It's

1181
01:20:19.479 --> 01:20:24.159
<v Speaker 3>like they it's totally lined up. Watch the creature. I

1182
01:20:24.239 --> 01:20:25.880
<v Speaker 3>deal with you as soon as a serf sentiment.

1183
01:20:29.840 --> 01:20:30.439
<v Speaker 5>What you gonna do?

1184
01:20:30.600 --> 01:20:37.079
<v Speaker 3>Alice? Well at the moment, at the moment, look at

1185
01:20:37.159 --> 01:20:42.479
<v Speaker 3>what Lely Sylvieaski's doing. She's like she's selling her wares.

1186
01:20:43.319 --> 01:20:47.600
<v Speaker 3>What do you do, Alice? Well at the moment? And

1187
01:20:47.680 --> 01:20:50.560
<v Speaker 3>then look what does she do? She's she was the

1188
01:20:50.680 --> 01:20:55.279
<v Speaker 3>kid in underwear trying to be a hooker, and she's

1189
01:20:55.439 --> 01:21:00.199
<v Speaker 3>also the woman here on the slab, dead in the morgue, right,

1190
01:21:00.239 --> 01:21:03.239
<v Speaker 3>that's what she does. Well, I managed an art gallery,

1191
01:21:03.319 --> 01:21:06.079
<v Speaker 3>but it went broke. It went broke. When we when

1192
01:21:06.119 --> 01:21:10.680
<v Speaker 3>we zoom in on Mandy, who went broke? Or just

1193
01:21:10.880 --> 01:21:23.840
<v Speaker 3>that slave went broke? He went You notice how the

1194
01:21:24.039 --> 01:21:28.119
<v Speaker 3>car sound cut exactly where she said, but it went broke.

1195
01:21:28.760 --> 01:21:31.079
<v Speaker 3>And this is the same moment where Bill is realizing

1196
01:21:31.239 --> 01:21:32.880
<v Speaker 3>this is the same girl that he met at the

1197
01:21:32.960 --> 01:21:38.520
<v Speaker 3>party and so and then you look at both Bill's

1198
01:21:38.520 --> 01:21:47.960
<v Speaker 3>faces the same face. They're just like the stunned. He's

1199
01:21:48.039 --> 01:21:54.960
<v Speaker 3>got friends in the art game, right, thank you. So

1200
01:21:55.079 --> 01:21:58.720
<v Speaker 3>there's a naval officer. There's the two maidens that give

1201
01:21:58.840 --> 01:22:06.520
<v Speaker 3>us when it at the party. So it's like all

1202
01:22:06.640 --> 01:22:10.920
<v Speaker 3>of these maidens are connected. They're all the same. So

1203
01:22:11.119 --> 01:22:14.239
<v Speaker 3>this is what Kubrick is doing. He's showing us that

1204
01:22:14.600 --> 01:22:20.960
<v Speaker 3>they're all the same. Girl. And look at this the

1205
01:22:21.159 --> 01:22:23.439
<v Speaker 3>dollar Bill He's got to cut in two right when

1206
01:22:23.479 --> 01:22:26.920
<v Speaker 3>he's talking to the two girls, like he's like, look

1207
01:22:26.960 --> 01:22:29.720
<v Speaker 3>it's Gemini, Like there's two of them, right, you know.

1208
01:22:29.960 --> 01:22:32.840
<v Speaker 3>And we see these two girls, the nw Ala Windsor

1209
01:22:33.000 --> 01:22:37.760
<v Speaker 3>and the other one from Rockefeller Plaza right Like everything

1210
01:22:38.000 --> 01:22:43.439
<v Speaker 3>you can skip to anywhere and you can see how

1211
01:22:43.760 --> 01:22:46.520
<v Speaker 3>all three lines. This is where he says she's a hooker.

1212
01:22:47.079 --> 01:22:50.560
<v Speaker 3>This is where she said like the star of Ishtar

1213
01:22:50.720 --> 01:22:52.399
<v Speaker 3>behind It's like.

1214
01:22:54.039 --> 01:22:56.319
<v Speaker 2>It just keeps going, goddam.

1215
01:22:57.159 --> 01:23:00.359
<v Speaker 3>We see here they're grooming. And this might be when

1216
01:23:00.399 --> 01:23:02.920
<v Speaker 3>Bill is realizing that his daughter is also part of it.

1217
01:23:03.399 --> 01:23:06.760
<v Speaker 3>If there's other realizations, you could look at it different ways.

1218
01:23:06.800 --> 01:23:11.000
<v Speaker 3>Where Bill is realizing that his family and that his wife.

1219
01:23:11.319 --> 01:23:14.319
<v Speaker 3>It might be that like that he's realizing these things

1220
01:23:14.399 --> 01:23:17.439
<v Speaker 3>and not speaking them out to you. Could you could

1221
01:23:17.479 --> 01:23:20.600
<v Speaker 3>look at it in different ways. And the moment when

1222
01:23:21.359 --> 01:23:23.239
<v Speaker 3>she's look at this, when he's.

1223
01:23:23.159 --> 01:23:26.680
<v Speaker 2>Found out and where did you disappear?

1224
01:23:30.119 --> 01:23:32.840
<v Speaker 3>Now he's found out, Oh where did you disappear? With

1225
01:23:32.960 --> 01:23:34.960
<v Speaker 3>them for so long? And all of a sudden, the

1226
01:23:35.039 --> 01:23:39.279
<v Speaker 3>moment the ritual turns to where he has to confront

1227
01:23:40.600 --> 01:23:45.520
<v Speaker 3>Red Cloak, and you know, and the music even lines up,

1228
01:23:49.039 --> 01:23:55.840
<v Speaker 3>so I didn't disappear the word disappear, like right when

1229
01:23:55.920 --> 01:23:59.399
<v Speaker 3>we see this mask of the Eye of Providence with

1230
01:23:59.520 --> 01:24:02.239
<v Speaker 3>the trying with the eye in it, and this is

1231
01:24:02.319 --> 01:24:05.760
<v Speaker 3>the same moment where uh and in a couple of

1232
01:24:05.840 --> 01:24:07.640
<v Speaker 3>minutes and like another minute, we're going to see the

1233
01:24:07.680 --> 01:24:09.920
<v Speaker 3>double headed eagle on the chair, which also relates to

1234
01:24:09.960 --> 01:24:18.199
<v Speaker 3>freemasons just appear. I didn't go with anybody, come forward.

1235
01:24:18.600 --> 01:24:21.159
<v Speaker 3>I got called upstairs to see did you hear that?

1236
01:24:21.920 --> 01:24:23.640
<v Speaker 4>Ah? That was crazy?

1237
01:24:24.039 --> 01:24:28.119
<v Speaker 3>Red Cloak says, come forward, and Bill says, I got

1238
01:24:28.239 --> 01:24:34.840
<v Speaker 3>called upstairs to see him. Yeah, it's amazing. People. Everybody

1239
01:24:34.880 --> 01:24:36.720
<v Speaker 3>needs to take a big dose of mushrooms and watch

1240
01:24:36.800 --> 01:24:42.960
<v Speaker 3>this thing. Like everything lines up and look at this. Okay,

1241
01:24:43.920 --> 01:24:48.680
<v Speaker 3>the scene where he finds the mask on the bed,

1242
01:24:52.920 --> 01:25:01.520
<v Speaker 3>the threat and there's the mask. They right, just a

1243
01:25:02.760 --> 01:25:11.640
<v Speaker 3>couple of minds. The music fits where did you disappear to?

1244
01:25:12.359 --> 01:25:12.399
<v Speaker 6>So?

1245
01:25:12.600 --> 01:25:18.600
<v Speaker 3>Then like and if you go further ahead, here the

1246
01:25:21.520 --> 01:25:28.960
<v Speaker 3>the moment where he says, remove your clothes, hind remove

1247
01:25:30.520 --> 01:25:33.640
<v Speaker 3>are like your mask? There's the mask right?

1248
01:25:34.760 --> 01:25:34.960
<v Speaker 4>Oh?

1249
01:25:36.199 --> 01:25:38.840
<v Speaker 3>She find and then he takes the mask off and

1250
01:25:38.960 --> 01:25:41.600
<v Speaker 3>look at he's got his hand on his heart. He's like, oh,

1251
01:25:42.800 --> 01:25:46.720
<v Speaker 3>found out where exceptions. At the beginning he says, I'm

1252
01:25:46.720 --> 01:25:50.000
<v Speaker 3>an exception. I would never do that. But in the end,

1253
01:25:50.119 --> 01:25:51.960
<v Speaker 3>this is the moment where he's found out where he

1254
01:25:52.079 --> 01:25:55.279
<v Speaker 3>did that. You see, like it even fits the x

1255
01:25:55.520 --> 01:25:58.600
<v Speaker 3>the exoteric story, the way that it lines.

1256
01:25:58.399 --> 01:26:02.159
<v Speaker 4>Up what makes you?

1257
01:26:02.560 --> 01:26:09.479
<v Speaker 3>What makes you an exception? That what makes me? The

1258
01:26:09.600 --> 01:26:12.520
<v Speaker 3>minute he says get undressed is when he starts crying,

1259
01:26:13.239 --> 01:26:13.560
<v Speaker 3>He's like.

1260
01:26:13.680 --> 01:26:14.359
<v Speaker 2>I notice that.

1261
01:26:14.520 --> 01:26:16.039
<v Speaker 4>It's like he's bawling over.

1262
01:26:16.039 --> 01:26:22.520
<v Speaker 3>On the other Yeah. And the guy's holding the mask

1263
01:26:22.600 --> 01:26:25.119
<v Speaker 3>over his heart like it's a protection, Like it's his shield.

1264
01:26:25.159 --> 01:26:28.720
<v Speaker 3>He's trying to cover protect himself from these people. And

1265
01:26:28.960 --> 01:26:31.399
<v Speaker 3>she has the mask there on the pillow. It's all

1266
01:26:31.479 --> 01:26:44.159
<v Speaker 3>found out like he's discovering because move you, I would

1267
01:26:44.199 --> 01:26:46.840
<v Speaker 3>never hurt you. I never do that to.

1268
01:26:54.239 --> 01:26:54.279
<v Speaker 6>Me.

1269
01:26:57.920 --> 01:27:01.720
<v Speaker 4>You wouldn't those two consideration.

1270
01:27:02.720 --> 01:27:05.199
<v Speaker 2>Because it.

1271
01:27:07.720 --> 01:27:11.199
<v Speaker 3>Relax regressive.

1272
01:27:13.000 --> 01:27:13.960
<v Speaker 4>It's not the pot.

1273
01:27:14.359 --> 01:27:17.560
<v Speaker 3>He just said, I'll tell you everything. She yelled stop

1274
01:27:18.079 --> 01:27:21.720
<v Speaker 3>in the other frame, and he says, I'll tell you everything.

1275
01:27:22.199 --> 01:27:25.640
<v Speaker 3>I'll tell you everything. That's the rule. He wasn't supposed

1276
01:27:25.640 --> 01:27:25.960
<v Speaker 3>to do that.

1277
01:27:29.720 --> 01:27:31.600
<v Speaker 2>Answer the impression.

1278
01:27:31.760 --> 01:27:32.479
<v Speaker 5>That's what I was.

1279
01:27:34.479 --> 01:27:35.680
<v Speaker 2>Who we're arguing about.

1280
01:27:39.000 --> 01:27:41.520
<v Speaker 3>She has to redeem him. And look at on the left,

1281
01:27:41.640 --> 01:27:44.319
<v Speaker 3>her eyes, her face, she has to deal with this guy.

1282
01:27:45.199 --> 01:27:48.560
<v Speaker 3>She's you know, is she ready to redeem him? The wife?

1283
01:27:48.640 --> 01:27:51.840
<v Speaker 3>You know, and she's looking down below in the other end.

1284
01:27:51.920 --> 01:27:54.520
<v Speaker 3>She's like, I'm trying to find out where you're coming from.

1285
01:27:55.239 --> 01:27:57.319
<v Speaker 3>She learns in the other frame where he's coming from.

1286
01:27:57.840 --> 01:27:59.720
<v Speaker 3>And look at what it does. She's crying all that.

1287
01:28:00.000 --> 01:28:04.239
<v Speaker 3>You know, I'm just trying to find out where you're

1288
01:28:04.319 --> 01:28:08.800
<v Speaker 3>coming from. Listen the moment she says, Titt already to

1289
01:28:09.000 --> 01:28:09.680
<v Speaker 3>redeem him.

1290
01:28:10.760 --> 01:28:16.199
<v Speaker 7>Let's say, let's say, for example, you have some gorgeous woman.

1291
01:28:17.039 --> 01:28:20.800
<v Speaker 6>Are you sure you understand what you're taking upon yourself?

1292
01:28:23.079 --> 01:28:29.159
<v Speaker 3>Tits right at the moment, Oh my God, there's her

1293
01:28:29.239 --> 01:28:34.159
<v Speaker 3>efing tits right when she says her efing tits and

1294
01:28:34.399 --> 01:28:37.760
<v Speaker 3>we see Bill's face over there like looking down all like,

1295
01:28:38.159 --> 01:28:43.119
<v Speaker 3>h yeah, when touching tits at work. It isn't just

1296
01:28:43.279 --> 01:28:46.920
<v Speaker 3>professional like you know, it's the truth. It is so

1297
01:28:47.039 --> 01:28:48.000
<v Speaker 3>amazing this movie.

1298
01:28:48.279 --> 01:28:50.960
<v Speaker 7>Now, what I want to know, I want to know,

1299
01:28:51.439 --> 01:28:56.000
<v Speaker 7>what are you really thinking about when you're sing Alice,

1300
01:28:56.880 --> 01:28:59.079
<v Speaker 7>very welcome to be a doctor.

1301
01:29:00.359 --> 01:29:05.000
<v Speaker 2>It's all very impersonal and you know you are free.

1302
01:29:08.119 --> 01:29:08.720
<v Speaker 3>I warn you.

1303
01:29:10.319 --> 01:29:14.720
<v Speaker 4>Further or if you say a single word.

1304
01:29:16.039 --> 01:29:19.520
<v Speaker 3>If you say a single word, and he's saying sex

1305
01:29:19.760 --> 01:29:24.000
<v Speaker 3>is the last thing on my mind. And he said

1306
01:29:24.159 --> 01:29:28.479
<v Speaker 3>all the words to Alice, and Alice is one of

1307
01:29:28.560 --> 01:29:33.520
<v Speaker 3>their slaves. It's like he just told them everything that

1308
01:29:33.760 --> 01:29:37.279
<v Speaker 3>he can't keep a secret. And this is the moment

1309
01:29:37.640 --> 01:29:40.880
<v Speaker 3>where she tells him we have to bring Helena to

1310
01:29:40.960 --> 01:29:46.880
<v Speaker 3>the toy store. After he spills the beans and disobeys

1311
01:29:46.960 --> 01:29:51.840
<v Speaker 3>Red Cloak and tells somebody more than a single word.

1312
01:29:52.760 --> 01:29:55.760
<v Speaker 3>Now his daughter has to get abducted. That's why she's

1313
01:29:55.840 --> 01:30:00.439
<v Speaker 3>really crying because Bill ruined everything, their whole the plan

1314
01:30:00.600 --> 01:30:04.560
<v Speaker 3>of raising a daughter and a nice little family for

1315
01:30:04.680 --> 01:30:08.159
<v Speaker 3>them to use and abuse whenever they want. Now that's

1316
01:30:08.199 --> 01:30:10.279
<v Speaker 3>all out the window, and how they have to abduct Helena.

1317
01:30:10.920 --> 01:30:13.800
<v Speaker 3>And now Helen is probably gonna be like Leely and

1318
01:30:13.880 --> 01:30:17.079
<v Speaker 3>she's probably gonna work at the garment shop. You know

1319
01:30:17.079 --> 01:30:17.760
<v Speaker 3>what I'm saying.

1320
01:30:19.199 --> 01:30:23.680
<v Speaker 2>About watching with fees, there will be the most.

1321
01:30:26.199 --> 01:30:26.840
<v Speaker 3>Do you think.

1322
01:30:28.640 --> 01:30:30.279
<v Speaker 4>About what handsome doctor?

1323
01:30:31.000 --> 01:30:34.680
<v Speaker 3>The moment when the guy says there will be extremely

1324
01:30:34.800 --> 01:30:38.479
<v Speaker 3>dire consequences for you and your family. That's the same

1325
01:30:38.640 --> 01:30:42.960
<v Speaker 3>moment when Alice tells Bill, we told Helena We're going

1326
01:30:43.000 --> 01:30:45.199
<v Speaker 3>to bring her to the toy store. I'm gonna bring

1327
01:30:45.239 --> 01:30:48.760
<v Speaker 3>her toy store today. And the toy store is the

1328
01:30:48.880 --> 01:30:53.399
<v Speaker 3>handoff where she brings Helena to be given away to

1329
01:30:53.520 --> 01:31:00.760
<v Speaker 3>her cult. And I can even skip ahead to you. Yeah,

1330
01:31:01.359 --> 01:31:02.399
<v Speaker 3>so here's a toy store.

1331
01:31:05.119 --> 01:31:06.039
<v Speaker 2>He's the last thing.

1332
01:31:07.039 --> 01:31:09.199
<v Speaker 3>Do you understand the dire consequences?

1333
01:31:09.359 --> 01:31:14.760
<v Speaker 2>Right, hypothetical woman patient's mind leaks, He's.

1334
01:31:18.199 --> 01:31:20.840
<v Speaker 3>What makes him so sure. And there we have she's

1335
01:31:20.920 --> 01:31:25.159
<v Speaker 3>being taken by death and he's leading her away and

1336
01:31:25.239 --> 01:31:29.479
<v Speaker 3>there watching it happen. And this is the same moment

1337
01:31:29.960 --> 01:31:34.159
<v Speaker 3>when the thug starts following them. This guy you can

1338
01:31:34.199 --> 01:31:38.159
<v Speaker 3>barely see him. Bill is stepping aside for the thug

1339
01:31:39.520 --> 01:31:42.560
<v Speaker 3>you see him to the right of that screen. It's

1340
01:31:42.680 --> 01:31:45.880
<v Speaker 3>like Italian guy with like a five o'clock shadow, and

1341
01:31:45.960 --> 01:31:49.520
<v Speaker 3>he's looking down to where Helena was just and Bill

1342
01:31:49.600 --> 01:31:51.880
<v Speaker 3>has to step aside for him to move. Bill kind

1343
01:31:51.960 --> 01:31:55.560
<v Speaker 3>of like nods at him, So we are to look

1344
01:31:55.600 --> 01:31:59.039
<v Speaker 3>at this guy that Bill is moving aside for in

1345
01:31:59.119 --> 01:32:02.600
<v Speaker 3>the toy store. He appears directly at the same moment

1346
01:32:03.840 --> 01:32:09.279
<v Speaker 3>that the cloaked figure is leading Mandy away to her death. Stoping,

1347
01:32:09.560 --> 01:32:13.399
<v Speaker 3>this is the same moment. This is the same character. Yes,

1348
01:32:14.079 --> 01:32:17.760
<v Speaker 3>this is they're taking Helena away, just like they're taking

1349
01:32:17.920 --> 01:32:23.279
<v Speaker 3>Mandy away. They're they're sending their goon to go grab her. Now,

1350
01:32:26.000 --> 01:32:28.760
<v Speaker 3>see now he passes them, and then we'll see that

1351
01:32:28.880 --> 01:32:31.520
<v Speaker 3>he goes beyond them and then turns around and starts

1352
01:32:31.560 --> 01:32:34.880
<v Speaker 3>following them, and we see them again, or we see

1353
01:32:34.960 --> 01:32:37.880
<v Speaker 3>him again right before she turns down the aisle of

1354
01:32:38.000 --> 01:32:39.560
<v Speaker 3>the two of the two old men at the end

1355
01:32:39.600 --> 01:32:47.520
<v Speaker 3>of the Teddy Bear a better reason. She's afraid. She's afraid, okay, so.

1356
01:32:47.640 --> 01:32:52.319
<v Speaker 2>So so after you tell her that everything's fine so fast.

1357
01:32:52.159 --> 01:32:52.800
<v Speaker 4>What then?

1358
01:32:53.079 --> 01:32:53.520
<v Speaker 3>What then?

1359
01:32:56.279 --> 01:32:58.920
<v Speaker 2>Yes, what.

1360
01:33:01.560 --> 01:33:04.640
<v Speaker 3>What is going to happen? What is going to happen

1361
01:33:04.760 --> 01:33:05.399
<v Speaker 3>to that woman?

1362
01:33:06.159 --> 01:33:12.840
<v Speaker 2>What then, and then by the way to yes, yes,

1363
01:33:13.439 --> 01:33:13.760
<v Speaker 2>what is.

1364
01:33:13.800 --> 01:33:16.079
<v Speaker 3>Going to happen to that woman? What is going to

1365
01:33:16.119 --> 01:33:19.479
<v Speaker 3>happen to his daughter? The teddy Bear at that same moment,

1366
01:33:20.279 --> 01:33:22.399
<v Speaker 3>and then we see those two guys holding the teddy

1367
01:33:22.399 --> 01:33:24.520
<v Speaker 3>Bear laughing at the end of the aisle. What is

1368
01:33:24.600 --> 01:33:32.560
<v Speaker 3>going to happen? What is going to happen? No one

1369
01:33:32.840 --> 01:33:40.640
<v Speaker 3>can change you see the promise.

1370
01:33:42.960 --> 01:33:49.560
<v Speaker 4>And years of evolution, she said, years of fucking generational fucking.

1371
01:33:49.600 --> 01:33:53.920
<v Speaker 3>Yeah, trauma based mind control. And then we see directly

1372
01:33:54.000 --> 01:33:57.399
<v Speaker 3>behind her on the wall in the toy store, on

1373
01:33:57.600 --> 01:34:00.319
<v Speaker 3>that red wall that matches the red carpet all that

1374
01:34:01.239 --> 01:34:06.439
<v Speaker 3>we see. It's like on a shelf. There's like an obelisk.

1375
01:34:07.279 --> 01:34:10.159
<v Speaker 3>It's black and white checkered with.

1376
01:34:10.279 --> 01:34:12.520
<v Speaker 4>The big star looking thing around it.

1377
01:34:12.840 --> 01:34:16.239
<v Speaker 3>Yeah, it's like it's kind of like it's a ferris

1378
01:34:16.279 --> 01:34:25.319
<v Speaker 3>wheel or whatever. And it's actually it's a yellow octagon. Suh,

1379
01:34:26.319 --> 01:34:29.199
<v Speaker 3>I know, I know, right, But the octagon represents the

1380
01:34:29.319 --> 01:34:33.560
<v Speaker 3>Testa act, which is the hypercube, which is the mind

1381
01:34:33.640 --> 01:34:38.239
<v Speaker 3>control programming of the slaves they are in the eternal cage.

1382
01:34:38.880 --> 01:34:41.399
<v Speaker 4>You blew my mind with that when we talked about

1383
01:34:41.439 --> 01:34:43.840
<v Speaker 4>it on the Note episode, because you were like, well,

1384
01:34:43.920 --> 01:34:45.800
<v Speaker 4>look at it. It's a testaact and I was.

1385
01:34:45.880 --> 01:34:50.319
<v Speaker 3>Like, oh mind, yeah, yeah, the face of the bad

1386
01:34:50.800 --> 01:34:54.199
<v Speaker 3>the evil monster is a testa actor. It's an extruding cube.

1387
01:34:54.319 --> 01:34:58.159
<v Speaker 3>It's fucking amazing. Yeah, Jordan Peel's really smart and so

1388
01:34:58.399 --> 01:35:02.119
<v Speaker 3>like Kubrick, here he's shown above her head and then

1389
01:35:02.439 --> 01:35:06.960
<v Speaker 3>like it's in the background, but as she as they walk,

1390
01:35:07.840 --> 01:35:12.239
<v Speaker 3>this thing becomes behind her head. It settles within her skull.

1391
01:35:13.159 --> 01:35:17.000
<v Speaker 3>The way that the camera is lined up, it's like

1392
01:35:17.960 --> 01:35:20.680
<v Speaker 3>like the way that stars work, and like you can

1393
01:35:20.840 --> 01:35:24.199
<v Speaker 3>see a thing because it lines up with you know,

1394
01:35:24.520 --> 01:35:29.640
<v Speaker 3>so that that symbol is effectively through the camera lens

1395
01:35:30.039 --> 01:35:34.279
<v Speaker 3>being placed within her head, you know, in the space

1396
01:35:34.359 --> 01:35:38.560
<v Speaker 3>of her head. So that octagon represents the eternal cage

1397
01:35:38.600 --> 01:35:41.720
<v Speaker 3>of mind control. And he's asking her what do you

1398
01:35:41.840 --> 01:35:47.039
<v Speaker 3>think She's thinking, what the what the cult tells her

1399
01:35:47.119 --> 01:35:50.720
<v Speaker 3>to think? She's doing what the what the cult tells

1400
01:35:50.800 --> 01:35:51.199
<v Speaker 3>her to do?

1401
01:35:51.960 --> 01:35:56.800
<v Speaker 7>Women, It is just about security and commitment and whatever.

1402
01:36:00.199 --> 01:36:00.880
<v Speaker 2>Something like that.

1403
01:36:01.239 --> 01:36:05.079
<v Speaker 3>So watch see behind them there's the thug and he's

1404
01:36:05.119 --> 01:36:08.600
<v Speaker 3>touching a teddy bear. See that he's walking around there.

1405
01:36:09.600 --> 01:36:12.239
<v Speaker 3>Here's his face again. See him at the five o'clock shadow,

1406
01:36:14.079 --> 01:36:16.520
<v Speaker 3>and he walks down the aisle behind the aisle where

1407
01:36:16.560 --> 01:36:20.000
<v Speaker 3>they walk. So when the little girl walks around the corner,

1408
01:36:20.079 --> 01:36:27.279
<v Speaker 3>there he is. He's the big bead wolf. So nobody

1409
01:36:27.399 --> 01:36:29.319
<v Speaker 3>notices that thug guy. I think I'm the first guy

1410
01:36:29.359 --> 01:36:29.960
<v Speaker 3>I notice him.

1411
01:36:30.119 --> 01:36:33.199
<v Speaker 2>Why don't I think we should too? She got a

1412
01:36:33.239 --> 01:36:34.239
<v Speaker 2>little stone tonight.

1413
01:36:34.840 --> 01:36:37.840
<v Speaker 3>I'll tell you what I do know. There's the same

1414
01:36:37.880 --> 01:36:41.520
<v Speaker 3>moment where we see Barbie and you know, a Barbie.

1415
01:36:41.760 --> 01:36:44.600
<v Speaker 4>I know all about that, motherfucker.

1416
01:36:44.880 --> 01:36:48.319
<v Speaker 3>Yeah, I know. And we see Marilyn Monroe in the dress.

1417
01:36:49.399 --> 01:36:53.640
<v Speaker 3>Fucking gentlemen prefer blondes. That's what Arizona Wilder was saying before.

1418
01:36:53.720 --> 01:36:56.960
<v Speaker 3>You know, gentlemen preferred blondes, right, So, and then she's

1419
01:36:57.039 --> 01:37:01.199
<v Speaker 3>in the ballerina. She got the ballerina nutcracker Barbie. So

1420
01:37:01.760 --> 01:37:05.279
<v Speaker 3>this is I know what I do know is and

1421
01:37:05.359 --> 01:37:11.279
<v Speaker 3>then boom Kubrick cuts to Barbie dolls, Marilyn Monroe little

1422
01:37:11.359 --> 01:37:15.600
<v Speaker 3>girl coveting the nutcracker Barbie. And then in the box

1423
01:37:15.720 --> 01:37:20.560
<v Speaker 3>below the Marilyn Monroe doll is another Barbie trapped within

1424
01:37:20.640 --> 01:37:23.840
<v Speaker 3>a golden box. And the window she's looking out from

1425
01:37:24.119 --> 01:37:27.600
<v Speaker 3>is an upside down pentagram. It's an upside down five

1426
01:37:27.640 --> 01:37:31.800
<v Speaker 3>pointed star trapped within a golden cage, and she looks

1427
01:37:31.840 --> 01:37:35.760
<v Speaker 3>out through a window of satanism. Fuck, I'll tell you

1428
01:37:35.840 --> 01:37:38.039
<v Speaker 3>what I do know. And then like if you look

1429
01:37:38.119 --> 01:37:41.680
<v Speaker 3>up to the right, there's like some ornate like ancient

1430
01:37:42.000 --> 01:37:46.159
<v Speaker 3>like old English costume of Barbie which shows the generational

1431
01:37:46.720 --> 01:37:49.720
<v Speaker 3>how long it's been happening, you know, like everything is

1432
01:37:49.800 --> 01:37:52.439
<v Speaker 3>there in the frame. And then like, I'll tell you

1433
01:37:52.520 --> 01:37:54.840
<v Speaker 3>what I do know. That's what I think what Kubrick

1434
01:37:54.920 --> 01:37:57.880
<v Speaker 3>really does know for sure, he does know about Maryland.

1435
01:37:57.960 --> 01:38:00.359
<v Speaker 3>He does know that these women are slaves. And this

1436
01:38:00.560 --> 01:38:04.960
<v Speaker 3>is him showing us that, you know. And this is

1437
01:38:05.000 --> 01:38:07.319
<v Speaker 3>also the moment where he locks the door behind him,

1438
01:38:08.079 --> 01:38:12.279
<v Speaker 3>like and then he's yelling. He's yelling at at Alice

1439
01:38:12.439 --> 01:38:14.159
<v Speaker 3>in the other frame. You know, he's I know what

1440
01:38:14.319 --> 01:38:14.800
<v Speaker 3>I do know.

1441
01:38:15.520 --> 01:38:17.359
<v Speaker 2>Find to pick a fight with me, and now you're

1442
01:38:17.479 --> 01:38:19.119
<v Speaker 2>trying to make.

1443
01:38:19.079 --> 01:38:20.520
<v Speaker 4>Me jealous, but you're not.

1444
01:38:20.800 --> 01:38:23.079
<v Speaker 3>And look at all the Teddy Bears, Like over on

1445
01:38:23.159 --> 01:38:25.319
<v Speaker 3>the left, she's there on the side of the Teddy Bear,

1446
01:38:25.399 --> 01:38:27.239
<v Speaker 3>and we see the Pooh Bear way up in the

1447
01:38:27.319 --> 01:38:31.880
<v Speaker 3>corner with the elevators. What does elevators relate to? You know?

1448
01:38:33.640 --> 01:38:36.760
<v Speaker 3>The elevators are just satanic. I don't know, just the

1449
01:38:36.840 --> 01:38:40.119
<v Speaker 3>symbolism just you know, brings you deep into the underworld,

1450
01:38:40.319 --> 01:38:43.119
<v Speaker 3>like pulls you down. I mean, freaking prince died in

1451
01:38:43.119 --> 01:38:47.199
<v Speaker 3>an elevator. They killed him in an elevator, and we

1452
01:38:47.319 --> 01:38:49.039
<v Speaker 3>got Pooh Bear right there, the yellow.

1453
01:38:52.159 --> 01:38:55.039
<v Speaker 4>You've I have.

1454
01:38:55.319 --> 01:38:59.640
<v Speaker 3>So now the moment where we're at the aisle, we

1455
01:38:59.760 --> 01:39:01.479
<v Speaker 3>see the two men at the end of the aisle,

1456
01:39:01.720 --> 01:39:05.760
<v Speaker 3>we see there's the tiger stuffed cats that she goes

1457
01:39:05.840 --> 01:39:08.600
<v Speaker 3>and stands right next to the stuff tiger and down

1458
01:39:08.680 --> 01:39:11.359
<v Speaker 3>below in the other one, she's like, you've never been

1459
01:39:11.479 --> 01:39:15.079
<v Speaker 3>jealous to me. She's mad. It's like she's doing this

1460
01:39:15.239 --> 01:39:19.479
<v Speaker 3>out of revenge. She's like pissed at Bill. She's like, yeah,

1461
01:39:19.840 --> 01:39:22.359
<v Speaker 3>let him have our baby. And this is the same

1462
01:39:22.399 --> 01:39:25.640
<v Speaker 3>moment he looks at Helena while she's sleeping. He like

1463
01:39:25.760 --> 01:39:28.119
<v Speaker 3>goes in her room and he likes sees and there's

1464
01:39:28.119 --> 01:39:29.920
<v Speaker 3>a big teddy bear in that scene too, where he

1465
01:39:30.039 --> 01:39:33.600
<v Speaker 3>looks at her sleeping and he's like, oh, she's safe. Oh,

1466
01:39:33.880 --> 01:39:36.840
<v Speaker 3>thank goodness, she's safe. And he's looking at her. But

1467
01:39:37.039 --> 01:39:40.000
<v Speaker 3>now I'll play it and we'll see in the toy

1468
01:39:40.079 --> 01:39:42.680
<v Speaker 3>store he doesn't even look at her. His eyes are

1469
01:39:42.720 --> 01:39:43.560
<v Speaker 3>wide shut.

1470
01:39:43.560 --> 01:39:45.520
<v Speaker 4>And when jealous.

1471
01:39:45.279 --> 01:39:49.359
<v Speaker 5>About me, Well, I don't know, Alice, maybe because you're mind.

1472
01:39:51.000 --> 01:39:54.600
<v Speaker 3>The same one, because you're my wife, right. And this

1473
01:39:54.840 --> 01:39:57.960
<v Speaker 3>is the moment where they're pushing, they're almost effecting there,

1474
01:39:58.000 --> 01:40:01.520
<v Speaker 3>pushing out yeah, yes, that you can see. They're like

1475
01:40:01.600 --> 01:40:04.479
<v Speaker 3>pushing her shoulders. As those men go, they're like, go ahead,

1476
01:40:04.520 --> 01:40:07.560
<v Speaker 3>follow them. And she's got the cat beast there behind her.

1477
01:40:07.720 --> 01:40:10.399
<v Speaker 3>She's got the anana energy. That's the altar that's up

1478
01:40:10.920 --> 01:40:15.560
<v Speaker 3>and we see Helena asleep. Room two thirty seven told

1479
01:40:15.640 --> 01:40:17.560
<v Speaker 3>us about Look at the painting that she painted. It

1480
01:40:17.640 --> 01:40:21.680
<v Speaker 3>says sex like that's in the subliminals of what they're

1481
01:40:21.760 --> 01:40:26.720
<v Speaker 3>programming her with. And there's like there's two lamps and

1482
01:40:26.960 --> 01:40:29.079
<v Speaker 3>there's a clown on either side, a blue one and

1483
01:40:29.159 --> 01:40:31.239
<v Speaker 3>a red one. And there's a little teddy bear on

1484
01:40:31.319 --> 01:40:35.479
<v Speaker 3>her post, like the bedpost, and the little teddy bear

1485
01:40:35.640 --> 01:40:40.039
<v Speaker 3>has a rainbow on its T shirt and it's straddling

1486
01:40:40.119 --> 01:40:44.399
<v Speaker 3>the post like it's a phallic thing. So this teddy

1487
01:40:44.439 --> 01:40:47.960
<v Speaker 3>bear is going to relate to the rainbow room that

1488
01:40:48.119 --> 01:40:52.720
<v Speaker 3>she's gonna She's being programmed the same way that Ley

1489
01:40:52.800 --> 01:40:56.239
<v Speaker 3>Sobieski was programmed, right, So this is the same moment

1490
01:40:56.439 --> 01:40:59.520
<v Speaker 3>because you're my wife and you would never do that.

1491
01:41:00.800 --> 01:41:02.399
<v Speaker 3>And then she laughs at him.

1492
01:41:02.800 --> 01:41:06.960
<v Speaker 2>Watch maybe because you're the mother of my child.

1493
01:41:07.359 --> 01:41:10.880
<v Speaker 3>And I the little girl looked back for the last time.

1494
01:41:11.720 --> 01:41:14.920
<v Speaker 3>Alice was watching. But Bill was looking at Alice's face.

1495
01:41:15.079 --> 01:41:19.039
<v Speaker 4>Uh, mother of my child, right, and.

1496
01:41:21.000 --> 01:41:24.920
<v Speaker 3>Yes, And that's the last moment that Helena or that

1497
01:41:25.000 --> 01:41:27.239
<v Speaker 3>Alice is going to see Helena look at her face.

1498
01:41:27.279 --> 01:41:31.000
<v Speaker 3>She's like, oh inside, all of her authors are screaming,

1499
01:41:31.640 --> 01:41:33.600
<v Speaker 3>but she has to do it. She just does it.

1500
01:41:34.439 --> 01:41:36.760
<v Speaker 3>And this is and look Bill, Bill was just looked

1501
01:41:36.800 --> 01:41:39.479
<v Speaker 3>at Helena and he closes his eyes. It's as if

1502
01:41:39.920 --> 01:41:43.239
<v Speaker 3>that it's as if he's feeling the pain of the

1503
01:41:43.600 --> 01:41:45.199
<v Speaker 3>of what's happening in the other frame.

1504
01:41:45.800 --> 01:41:50.199
<v Speaker 4>Do you feel like the name Helena was chosen specifically

1505
01:41:50.359 --> 01:41:51.680
<v Speaker 4>or did that come from the book?

1506
01:41:53.680 --> 01:41:56.159
<v Speaker 3>It was not in the book. I forget the girl's

1507
01:41:56.239 --> 01:41:57.960
<v Speaker 3>name in the book, but it was like a German

1508
01:41:58.039 --> 01:41:58.840
<v Speaker 3>family in the book.

1509
01:41:59.319 --> 01:42:03.800
<v Speaker 4>Well, you know, Marilyn Monroe died on Helena drive.

1510
01:42:04.560 --> 01:42:15.600
<v Speaker 3>Huh really wow. Also, she relates to the gods. Helena

1511
01:42:15.760 --> 01:42:18.199
<v Speaker 3>is like one of the biggest gods of the Greek pantheon,

1512
01:42:18.439 --> 01:42:18.600
<v Speaker 3>you know.

1513
01:42:18.920 --> 01:42:21.720
<v Speaker 4>But yeah, I thought that was so crazy because Marilyn

1514
01:42:21.840 --> 01:42:26.000
<v Speaker 4>died on don't get me to line about the number

1515
01:42:26.119 --> 01:42:29.000
<v Speaker 4>of the house. But it was on Helena Drive, and

1516
01:42:29.119 --> 01:42:33.000
<v Speaker 4>if it wasn't in the book Helena, then that's gotta

1517
01:42:33.079 --> 01:42:33.680
<v Speaker 4>be chosen.

1518
01:42:33.920 --> 01:42:39.039
<v Speaker 3>Right, Yes, you're right, anything that he changed we need

1519
01:42:39.079 --> 01:42:45.359
<v Speaker 3>to pay attention to, yes, right, right? So yeah, and

1520
01:42:45.560 --> 01:42:53.239
<v Speaker 3>like hell in like hell in like in a hell right,

1521
01:42:53.640 --> 01:42:56.960
<v Speaker 3>you know, hal sounds like hell like that whole like

1522
01:42:57.119 --> 01:43:00.680
<v Speaker 3>it's I think Kubrick might have been using that too,

1523
01:43:01.439 --> 01:43:04.199
<v Speaker 3>because the way the words work, like in your brain,

1524
01:43:06.119 --> 01:43:08.000
<v Speaker 3>would never be unfaithful.

1525
01:43:07.479 --> 01:43:10.039
<v Speaker 4>To me yourself.

1526
01:43:12.119 --> 01:43:14.720
<v Speaker 2>Yes, grateful, I'm sure of.

1527
01:43:14.760 --> 01:43:23.560
<v Speaker 3>You, and she laughs grateful and then she's explaining we

1528
01:43:23.640 --> 01:43:28.560
<v Speaker 3>should be grateful, and basically she's telling him, like we

1529
01:43:28.680 --> 01:43:33.119
<v Speaker 3>should be glad they didn't kill us with all of

1530
01:43:33.199 --> 01:43:40.239
<v Speaker 3>our adventures. She's like, I'm saving you, buddy, even though

1531
01:43:40.279 --> 01:43:42.920
<v Speaker 3>he doesn't know. His eyes are wide shut. He's the jerk,

1532
01:43:43.079 --> 01:43:43.520
<v Speaker 3>you know, like.

1533
01:43:45.600 --> 01:43:47.760
<v Speaker 2>That we've managed to survive.

1534
01:43:48.359 --> 01:43:51.800
<v Speaker 3>So as the one frame is she's telling him, oh

1535
01:43:51.960 --> 01:43:54.880
<v Speaker 3>about this. The other frame, she's laughing in his face

1536
01:43:55.800 --> 01:43:59.439
<v Speaker 3>after his daughter was stolen, and he's so sure that

1537
01:43:59.560 --> 01:44:05.079
<v Speaker 3>she'd be unfaithful, and she's laughing in his face as

1538
01:44:05.239 --> 01:44:08.960
<v Speaker 3>like his kid gets given away. And we can tell

1539
01:44:09.000 --> 01:44:11.159
<v Speaker 3>in the other frame how much he cares about Helena

1540
01:44:12.159 --> 01:44:14.159
<v Speaker 3>and how like he looks at her when she's sleeping

1541
01:44:14.239 --> 01:44:17.319
<v Speaker 3>and he you know, he loves her. But he's probably

1542
01:44:17.399 --> 01:44:20.039
<v Speaker 3>not her dad. She was probably inseminated at one of

1543
01:44:20.039 --> 01:44:22.159
<v Speaker 3>those rituals. He thinks that he's her dad.

1544
01:44:23.319 --> 01:44:27.000
<v Speaker 4>Well, she's red headed and he's brunette and she's blonde.

1545
01:44:27.359 --> 01:44:29.760
<v Speaker 4>So you always have to say. I mentioned it all

1546
01:44:29.840 --> 01:44:33.439
<v Speaker 4>the time with the royal family about fucking Harry because

1547
01:44:33.479 --> 01:44:35.840
<v Speaker 4>he came out of the woodward with some fucking red hair,

1548
01:44:36.279 --> 01:44:40.239
<v Speaker 4>and Diana probably got inciminated by a higher upper if

1549
01:44:40.279 --> 01:44:43.359
<v Speaker 4>you know what I mean, a redheaded motherfucker. And that's

1550
01:44:43.399 --> 01:44:45.439
<v Speaker 4>who Harry's dad is, because.

1551
01:44:45.680 --> 01:44:49.880
<v Speaker 3>The firstborn had to be Charles. But after that they're

1552
01:44:49.880 --> 01:44:52.119
<v Speaker 3>allowed to be with who they like. Just what Xandor

1553
01:44:52.199 --> 01:44:54.600
<v Speaker 3>Zavos said to Alice and the party, you know, oh,

1554
01:44:54.680 --> 01:44:56.880
<v Speaker 3>the beauty of marriage is once he married, you can,

1555
01:44:57.680 --> 01:45:00.359
<v Speaker 3>you know, be with who you like after that losing

1556
01:45:00.439 --> 01:45:02.880
<v Speaker 3>r Jenny and then it's all so kind of the

1557
01:45:02.920 --> 01:45:05.880
<v Speaker 3>same way, like the first guy gets first DIBs at

1558
01:45:05.920 --> 01:45:09.760
<v Speaker 3>inseminating her. You know, like after the ritual, the woman

1559
01:45:09.880 --> 01:45:12.319
<v Speaker 3>gets up and walks over and chooses one of the men.

1560
01:45:13.079 --> 01:45:16.239
<v Speaker 3>So that's almost like, oh, I got chosen, right, But

1561
01:45:16.359 --> 01:45:18.520
<v Speaker 3>then right after that all the other guys run train,

1562
01:45:18.640 --> 01:45:21.760
<v Speaker 3>and so no one really knows who the dad is,

1563
01:45:22.720 --> 01:45:27.359
<v Speaker 3>so like it's certainly not Bill. They own this daughter.

1564
01:45:27.640 --> 01:45:33.000
<v Speaker 3>They they own Helena, right, Bill is just he's in

1565
01:45:33.159 --> 01:45:35.880
<v Speaker 3>charge of feeding her and keeping her clothed, you know,

1566
01:45:36.000 --> 01:45:38.479
<v Speaker 3>that's why they give him such a good job. He

1567
01:45:38.560 --> 01:45:42.439
<v Speaker 3>doesn't do anything doctor, He just like checks their pulse,

1568
01:45:43.039 --> 01:45:45.119
<v Speaker 3>like puts his hand on their head when they die. Like,

1569
01:45:45.199 --> 01:45:48.640
<v Speaker 3>he doesn't do anything. He's so cush and his apartment

1570
01:45:48.720 --> 01:45:51.399
<v Speaker 3>is so rich. If you like lived in New York,

1571
01:45:51.520 --> 01:45:53.560
<v Speaker 3>it's like impossible to that apartment like that. You know,

1572
01:45:54.239 --> 01:45:54.840
<v Speaker 3>you gotta like.

1573
01:45:55.279 --> 01:46:01.800
<v Speaker 4>But he still only serves the elite, even though he's.

1574
01:46:01.600 --> 01:46:05.880
<v Speaker 3>A doctor, right, he only serves them. And that's why

1575
01:46:06.399 --> 01:46:08.800
<v Speaker 3>when he was going to the Rainbow Shop to begin with,

1576
01:46:09.800 --> 01:46:12.039
<v Speaker 3>he was trying to find one of his old clients.

1577
01:46:13.159 --> 01:46:18.119
<v Speaker 3>So the Rainbow Fashions was always run by the cult.

1578
01:46:19.479 --> 01:46:23.039
<v Speaker 3>Millich is just the new manager who's taken over, who's

1579
01:46:23.239 --> 01:46:26.680
<v Speaker 3>pimping women now, but before Bill used to take care

1580
01:46:26.720 --> 01:46:29.560
<v Speaker 3>of the other guy that used to run that classroom,

1581
01:46:30.279 --> 01:46:32.800
<v Speaker 3>who used to be in charge of that operation. So

1582
01:46:33.199 --> 01:46:35.680
<v Speaker 3>Bill serves all of these all of his get like

1583
01:46:35.760 --> 01:46:40.880
<v Speaker 3>all of his people are probably elite pedophiles doing to

1584
01:46:40.960 --> 01:46:46.159
<v Speaker 3>bauch her sex with bread trauma based mind control hookers.

1585
01:46:48.760 --> 01:46:57.479
<v Speaker 2>Do you think that's funny, yeah, Milleny.

1586
01:46:59.600 --> 01:47:03.600
<v Speaker 3>So the only a dream stuff relates to like the

1587
01:47:03.720 --> 01:47:08.880
<v Speaker 3>dream space, is when the locked away memories become liminal

1588
01:47:09.000 --> 01:47:11.960
<v Speaker 3>again and they can be accessed in a dream. And

1589
01:47:12.800 --> 01:47:15.840
<v Speaker 3>so these dreams that she has about the naval officer

1590
01:47:16.079 --> 01:47:21.000
<v Speaker 3>and all this stuff are memories that she had as

1591
01:47:21.119 --> 01:47:24.920
<v Speaker 3>a different self, and they bubble up in her dreams

1592
01:47:24.960 --> 01:47:27.439
<v Speaker 3>and she doesn't even know why they're important. Carrie explained

1593
01:47:27.479 --> 01:47:30.399
<v Speaker 3>that to me, she might not even know why she's

1594
01:47:30.479 --> 01:47:33.159
<v Speaker 3>having these dreams or why they're so important to her.

1595
01:47:33.720 --> 01:47:39.840
<v Speaker 3>But there's a part of her that believes herself to

1596
01:47:40.199 --> 01:47:45.039
<v Speaker 3>also be elite. She is one of the ones who

1597
01:47:45.239 --> 01:47:50.000
<v Speaker 3>was not thrown away. She is like a diamond, you know,

1598
01:47:50.239 --> 01:47:56.319
<v Speaker 3>like how they give them diamonds, Like they don't set

1599
01:47:56.479 --> 01:47:59.920
<v Speaker 3>these ones on fire, they don't let dogs eat this one.

1600
01:48:00.840 --> 01:48:03.520
<v Speaker 3>These ones they use for breeding. She's one of the

1601
01:48:03.640 --> 01:48:08.159
<v Speaker 3>better ones, and that's what the Filamila programming and other

1602
01:48:08.479 --> 01:48:14.479
<v Speaker 3>like the o cult priestess. There's an altar inside which

1603
01:48:14.600 --> 01:48:21.039
<v Speaker 3>believes herself to be elite bloodline and is happy to

1604
01:48:21.199 --> 01:48:24.720
<v Speaker 3>be and is proud of being part of this cult,

1605
01:48:25.119 --> 01:48:30.079
<v Speaker 3>and that overrides the will of the other ones. So

1606
01:48:30.399 --> 01:48:33.279
<v Speaker 3>that is the crown that holds down the two heads

1607
01:48:33.319 --> 01:48:37.000
<v Speaker 3>of the eagle. Like that, there's an internal altar which

1608
01:48:37.079 --> 01:48:40.640
<v Speaker 3>keeps the separations, which keeps all the other ones in order.

1609
01:48:41.840 --> 01:48:44.640
<v Speaker 3>And the more you learn about traum based my control,

1610
01:48:44.720 --> 01:48:45.199
<v Speaker 3>you'll see that.

1611
01:48:46.119 --> 01:48:47.920
<v Speaker 6>So this.

1612
01:48:49.800 --> 01:48:58.239
<v Speaker 3>She has, Alice has a elite, a cult personality that

1613
01:48:58.479 --> 01:49:06.039
<v Speaker 3>is proud to for them that when that feels that's

1614
01:49:06.119 --> 01:49:09.039
<v Speaker 3>the only time when they're allowed to shine, right, that's

1615
01:49:09.079 --> 01:49:11.720
<v Speaker 3>the only time when they can be their best self

1616
01:49:12.359 --> 01:49:17.920
<v Speaker 3>and they're not like be treated like treated like crap.

1617
01:49:18.079 --> 01:49:20.960
<v Speaker 3>Like I mean, my dad was beat up his whole

1618
01:49:21.039 --> 01:49:24.560
<v Speaker 3>life by his dad. But when he would help swing

1619
01:49:24.640 --> 01:49:27.159
<v Speaker 3>a hammer or carrie shingles or help build the house,

1620
01:49:27.600 --> 01:49:30.800
<v Speaker 3>he would get a pat on the head. Good job, son,

1621
01:49:31.199 --> 01:49:33.279
<v Speaker 3>you know. And then my dad grew up a carpenter.

1622
01:49:34.039 --> 01:49:39.800
<v Speaker 3>Just happened that, right, So that's like how it works though,

1623
01:49:40.359 --> 01:49:45.279
<v Speaker 3>that that person is proud even though they're abused all

1624
01:49:45.319 --> 01:49:49.720
<v Speaker 3>the time, they're proud to be that and it uh

1625
01:49:50.199 --> 01:49:53.640
<v Speaker 3>so that is that is the main will that is

1626
01:49:53.760 --> 01:49:57.159
<v Speaker 3>acting with Alice, and that's why Alice does everything the

1627
01:49:57.239 --> 01:50:00.399
<v Speaker 3>cult tells her, and that's why she has these dreams

1628
01:50:00.399 --> 01:50:05.079
<v Speaker 3>bubble out, because that's when she felt whole and complete

1629
01:50:05.319 --> 01:50:09.000
<v Speaker 3>and happy and true. And she even describes it in

1630
01:50:09.079 --> 01:50:12.079
<v Speaker 3>her dream to Bill. She says, it's funny because you

1631
01:50:12.199 --> 01:50:15.439
<v Speaker 3>were dearer to me than ever and we talked about

1632
01:50:15.439 --> 01:50:18.840
<v Speaker 3>our future and we talked about Helena, but at no

1633
01:50:19.159 --> 01:50:24.680
<v Speaker 3>time was he ever out of my mind like she

1634
01:50:24.920 --> 01:50:29.479
<v Speaker 3>was out of her mind right. So this is she's

1635
01:50:29.560 --> 01:50:33.239
<v Speaker 3>explaining what it is to be the victim. She doesn't

1636
01:50:33.279 --> 01:50:35.760
<v Speaker 3>even know what these memories are, but the true self

1637
01:50:35.840 --> 01:50:42.600
<v Speaker 3>inside is giving in dreams. And Kubrick understands this all

1638
01:50:43.439 --> 01:50:46.319
<v Speaker 3>and he gives it to us in this film. And

1639
01:50:46.520 --> 01:50:50.840
<v Speaker 3>he constructed the film precisely so that it aligns in

1640
01:50:51.000 --> 01:50:56.039
<v Speaker 3>one hour intervals so that we can discover this information.

1641
01:50:56.560 --> 01:51:01.199
<v Speaker 3>And it further cements the message by having all three

1642
01:51:02.319 --> 01:51:05.720
<v Speaker 3>work together. And then when the when the first film

1643
01:51:06.239 --> 01:51:10.720
<v Speaker 3>goes black, when the third film gets to the point

1644
01:51:10.760 --> 01:51:12.760
<v Speaker 3>at one hour you can start it again and it

1645
01:51:12.840 --> 01:51:15.800
<v Speaker 3>can be like a never ending mobile strip of this

1646
01:51:16.000 --> 01:51:20.880
<v Speaker 3>movie where it's all three playing all the time. Yeah. So,

1647
01:51:21.640 --> 01:51:25.920
<v Speaker 3>like Kubrick he filmed it, he didn't. It's the longest

1648
01:51:27.039 --> 01:51:29.760
<v Speaker 3>filming of any any movie. It's again his Book of

1649
01:51:29.800 --> 01:51:32.199
<v Speaker 3>World records. It took him like two years to shoot

1650
01:51:32.239 --> 01:51:35.479
<v Speaker 3>the film. And before he shot any scenes on film,

1651
01:51:35.640 --> 01:51:39.079
<v Speaker 3>he put it on all on VHS tape and he

1652
01:51:39.199 --> 01:51:41.159
<v Speaker 3>sat down with the actors and he went over, I

1653
01:51:41.359 --> 01:51:43.600
<v Speaker 3>like what you did here, I like how you do that.

1654
01:51:44.079 --> 01:51:47.359
<v Speaker 3>I'll do more of this. Don't do that. And this

1655
01:51:47.520 --> 01:51:50.600
<v Speaker 3>way they're in real time, they're able he's able to

1656
01:51:50.720 --> 01:51:53.279
<v Speaker 3>see how long it takes for the lines to be spoken,

1657
01:51:54.039 --> 01:51:57.239
<v Speaker 3>how they and then when he edits it later, he

1658
01:51:57.359 --> 01:52:01.760
<v Speaker 3>can construct the scenes so that they aligned perfectly. At

1659
01:52:01.840 --> 01:52:04.720
<v Speaker 3>the one hour mark, and with all of the messages

1660
01:52:04.760 --> 01:52:06.560
<v Speaker 3>that he's putting, he can be like, this is gonna

1661
01:52:06.560 --> 01:52:09.199
<v Speaker 3>happen at about thirty six minutes, and then it can

1662
01:52:09.359 --> 01:52:14.199
<v Speaker 3>re re reinforce that message at one hour in thirty

1663
01:52:14.239 --> 01:52:16.279
<v Speaker 3>six minutes, and then again at two hours in thirty

1664
01:52:16.319 --> 01:52:16.920
<v Speaker 3>six minutes.

1665
01:52:17.000 --> 01:52:17.159
<v Speaker 5>You know.

1666
01:52:19.159 --> 01:52:24.079
<v Speaker 3>So this this proves that there couldn't have been anything

1667
01:52:24.199 --> 01:52:28.399
<v Speaker 3>taken out because it wouldn't line up this perfectly. It

1668
01:52:28.479 --> 01:52:32.720
<v Speaker 3>would be it was just not fit. So Kubrick gave

1669
01:52:32.800 --> 01:52:37.199
<v Speaker 3>this as not only as it like it's a key

1670
01:52:37.680 --> 01:52:42.960
<v Speaker 3>to decipher the message, it's also like proof that it's complete.

1671
01:52:44.479 --> 01:52:49.560
<v Speaker 3>We it proves that nothing was cut. I don't know

1672
01:52:49.600 --> 01:52:52.720
<v Speaker 3>if he was murdered. I think his health was declining.

1673
01:52:53.520 --> 01:52:55.880
<v Speaker 3>Maybe he knew that he wasn't going to survive much

1674
01:52:55.960 --> 01:53:00.840
<v Speaker 3>longer and this film was gonna be the next one

1675
01:53:00.880 --> 01:53:04.239
<v Speaker 3>after Lolita, But he kept putting it off, putting it off.

1676
01:53:04.920 --> 01:53:08.920
<v Speaker 3>And I think it's because it it takes this much

1677
01:53:09.000 --> 01:53:11.720
<v Speaker 3>time to create such a masterpiece and to have it

1678
01:53:12.239 --> 01:53:13.600
<v Speaker 3>layered in so perfectly.

1679
01:53:15.239 --> 01:53:18.319
<v Speaker 4>It's that's what it is. It's an actual masterpiece.

1680
01:53:19.640 --> 01:53:26.199
<v Speaker 3>Yeah, right, like the best one. Like everybody's like, oh man,

1681
01:53:26.840 --> 01:53:29.680
<v Speaker 3>but really the way that it's constructed, the way that

1682
01:53:29.960 --> 01:53:34.359
<v Speaker 3>some of the lines, he's like, what then, and we're

1683
01:53:34.399 --> 01:53:36.680
<v Speaker 3>like waiting for the next line, and some people are like,

1684
01:53:36.720 --> 01:53:40.000
<v Speaker 3>it's really odd the timing of the dialogue. But then

1685
01:53:40.039 --> 01:53:42.199
<v Speaker 3>when we see it line up completely, it lines up

1686
01:53:42.239 --> 01:53:45.199
<v Speaker 3>with the other frames. So the other frame is answering,

1687
01:53:45.279 --> 01:53:47.760
<v Speaker 3>what then, what is going to happen to that woman. Right.

1688
01:53:48.199 --> 01:53:50.800
<v Speaker 3>It's as if the first frame had to wait for

1689
01:53:50.920 --> 01:53:53.359
<v Speaker 3>the other frame to say that line so that it

1690
01:53:53.439 --> 01:53:57.640
<v Speaker 3>lines up. It's like they're speaking so that it's it's

1691
01:53:57.760 --> 01:54:00.159
<v Speaker 3>meant to be seen this way, just like the the

1692
01:54:00.840 --> 01:54:03.880
<v Speaker 3>just like the Maidens. Here in this film, it's a

1693
01:54:04.199 --> 01:54:07.840
<v Speaker 3>three aspects of the Maiden, the Maiden, mother, and Crone.

1694
01:54:08.560 --> 01:54:12.479
<v Speaker 3>This film is meant to be watched three ways together

1695
01:54:13.520 --> 01:54:18.000
<v Speaker 3>to get the full understanding of what the Maiden really is.

1696
01:54:19.319 --> 01:54:23.920
<v Speaker 3>She's got three different lives, She's used for many different purposes.

1697
01:54:24.760 --> 01:54:27.600
<v Speaker 3>And that's Cooper is showing us.

1698
01:54:28.319 --> 01:54:28.680
<v Speaker 4>This is.

1699
01:54:30.439 --> 01:54:33.600
<v Speaker 3>It's more than just showing us the maidens and the hookers.

1700
01:54:33.760 --> 01:54:36.079
<v Speaker 3>He's showing us the mind control and what it is

1701
01:54:36.239 --> 01:54:40.000
<v Speaker 3>to be one of these women, and how the cult

1702
01:54:40.279 --> 01:54:44.079
<v Speaker 3>treats these women, and how the organized crime of the

1703
01:54:44.159 --> 01:54:48.159
<v Speaker 3>operation and the blackmail of it all, and the hooking,

1704
01:54:48.319 --> 01:54:51.319
<v Speaker 3>and like even man or even Domino, the girl on

1705
01:54:51.399 --> 01:54:58.239
<v Speaker 3>the street, she too had a stuffed lion cat on

1706
01:54:58.359 --> 01:55:01.520
<v Speaker 3>her bed and the beds spread was like red bedspread

1707
01:55:01.600 --> 01:55:04.439
<v Speaker 3>had like roses on it, which is even more Rosicrucian

1708
01:55:04.520 --> 01:55:08.079
<v Speaker 3>stuff even goes even deeper. And she had like a

1709
01:55:08.479 --> 01:55:12.800
<v Speaker 3>mirror on her wall with a candle in front of it, Like, why,

1710
01:55:12.880 --> 01:55:15.800
<v Speaker 3>here's a big mirror with a candle. It's like a

1711
01:55:15.840 --> 01:55:17.439
<v Speaker 3>mirror for looking at your face. But then you put

1712
01:55:17.520 --> 01:55:19.640
<v Speaker 3>like your magic candle right there for when you're doing

1713
01:55:19.720 --> 01:55:24.359
<v Speaker 3>your you know, your wickan magic or whatever. She's got

1714
01:55:24.399 --> 01:55:28.279
<v Speaker 3>all the masks on the walls which represent the split personalities,

1715
01:55:28.399 --> 01:55:31.000
<v Speaker 3>just like the heads in the Rainbow Room, and just

1716
01:55:31.199 --> 01:55:33.439
<v Speaker 3>like the masks of the ritual space.

1717
01:55:33.560 --> 01:55:37.039
<v Speaker 4>And she had all those teddy bears on her bed, yes.

1718
01:55:37.239 --> 01:55:40.600
<v Speaker 3>Yeah, which is a stuffed cat, just like Inana. And

1719
01:55:40.680 --> 01:55:44.920
<v Speaker 3>then if you look at Lolita, when when the Quilty

1720
01:55:45.159 --> 01:55:47.920
<v Speaker 3>is crawling up the stairs and he's getting shot by Humbert,

1721
01:55:48.560 --> 01:55:54.359
<v Speaker 3>he crawls behind the portrait, and then Humbert shoots through

1722
01:55:54.439 --> 01:55:58.800
<v Speaker 3>the portrait like he's shooting the portraits. He's shooting the

1723
01:55:58.840 --> 01:56:02.520
<v Speaker 3>people hiding behind the portrait. And then when we see

1724
01:56:03.039 --> 01:56:07.720
<v Speaker 3>that portrait is a maiden and it's on a tiger

1725
01:56:07.960 --> 01:56:13.680
<v Speaker 3>skin rug like it's it is the Scarlet Horror riding

1726
01:56:13.760 --> 01:56:18.199
<v Speaker 3>the cat beast of Babylon. It's the Scarlet Horror Babylon

1727
01:56:18.560 --> 01:56:26.279
<v Speaker 3>right there, and Quilty, the rich occultist who rapes Little

1728
01:56:26.319 --> 01:56:31.119
<v Speaker 3>Girls is hiding behind those portrait, these portraits which the

1729
01:56:31.159 --> 01:56:35.319
<v Speaker 3>portraits are heavily revealing, like in this film too. And

1730
01:56:35.840 --> 01:56:37.600
<v Speaker 3>I talked about it a lot in the cled Kubrick

1731
01:56:38.039 --> 01:56:39.239
<v Speaker 3>and the Butterfly Nets.

1732
01:56:40.439 --> 01:56:45.880
<v Speaker 4>So and even if it wasn't like if we're just

1733
01:56:46.039 --> 01:56:50.239
<v Speaker 4>talking about surface level shit for someone who is not

1734
01:56:50.399 --> 01:56:55.279
<v Speaker 4>a conspiracy theorist whatsoever, right, and they're gonna sit down

1735
01:56:55.359 --> 01:56:59.279
<v Speaker 4>and watch eyes wide shut, the surface level story is

1736
01:56:59.600 --> 01:57:03.920
<v Speaker 4>even such a fucking study in the human condition because

1737
01:57:03.960 --> 01:57:07.119
<v Speaker 4>it's so true. Right, the woman is always the one

1738
01:57:07.199 --> 01:57:13.479
<v Speaker 4>that's insatiable. She's bored out of her fucking medulla having

1739
01:57:13.560 --> 01:57:18.520
<v Speaker 4>to be with fucking Bill, and she's like she's like

1740
01:57:18.680 --> 01:57:21.800
<v Speaker 4>tired of her life. And I feel it. And then

1741
01:57:22.520 --> 01:57:25.319
<v Speaker 4>you know, and I'm not just saying this because I'm

1742
01:57:25.399 --> 01:57:28.760
<v Speaker 4>recently divorced or anything, but you do get to a

1743
01:57:28.840 --> 01:57:33.159
<v Speaker 4>point where you're like, you bore the fucking dog shit

1744
01:57:33.279 --> 01:57:35.560
<v Speaker 4>out of me. I swear to God, if I had

1745
01:57:35.600 --> 01:57:39.439
<v Speaker 4>a chance with that navy guy or whatever, the sailor,

1746
01:57:41.039 --> 01:57:43.560
<v Speaker 4>like when she all the flashback scenes where she was

1747
01:57:43.640 --> 01:57:47.560
<v Speaker 4>fantasizing about it, that's like some real fucking shit. And

1748
01:57:48.119 --> 01:57:50.359
<v Speaker 4>the argument that they're having oh, when you do a

1749
01:57:50.479 --> 01:57:53.119
<v Speaker 4>breast exam, like you're not in you're touching her titties,

1750
01:57:53.199 --> 01:57:55.439
<v Speaker 4>and like you don't have any thoughts in your head

1751
01:57:55.560 --> 01:58:00.720
<v Speaker 4>about she's projecting onto him her desire to get by

1752
01:58:00.840 --> 01:58:05.840
<v Speaker 4>some other guy, Like she's projecting from herself onto Bill,

1753
01:58:06.119 --> 01:58:08.920
<v Speaker 4>who's not even like he didn't even ask for the conversation.

1754
01:58:09.319 --> 01:58:11.399
<v Speaker 4>He didn't even bring it up. She brought it up

1755
01:58:11.479 --> 01:58:14.239
<v Speaker 4>about the models and where did you go? And it's

1756
01:58:14.359 --> 01:58:17.880
<v Speaker 4>just such a study in the human conditions. She's so

1757
01:58:18.359 --> 01:58:22.039
<v Speaker 4>fucking bored out of her fucking mind, and it's just

1758
01:58:23.319 --> 01:58:28.680
<v Speaker 4>like you're stuck together in this prison of marriage with

1759
01:58:28.840 --> 01:58:34.479
<v Speaker 4>this person that you know it's Bill is like the

1760
01:58:34.600 --> 01:58:38.479
<v Speaker 4>big idiot in this whole movie. Like he's the dumb

1761
01:58:38.600 --> 01:58:43.319
<v Speaker 4>ass in every even conceivable way. He's just the dumb

1762
01:58:43.439 --> 01:58:47.000
<v Speaker 4>fuck that you know, nobody wants him at the party,

1763
01:58:47.199 --> 01:58:51.079
<v Speaker 4>his wife barely wants him. He's a shitty dad, you know,

1764
01:58:51.359 --> 01:58:54.840
<v Speaker 4>letting them take Helen off at the end. And he's

1765
01:58:54.960 --> 01:58:58.239
<v Speaker 4>just this big dumb ass, this big fucking dumb ass.

1766
01:58:58.359 --> 01:58:59.720
<v Speaker 4>The movie is not about him.

1767
01:59:02.000 --> 01:59:04.600
<v Speaker 3>And you know, Kubrick, he was going to do it

1768
01:59:04.680 --> 01:59:08.239
<v Speaker 3>in the seventies or early eighties, and he was going

1769
01:59:08.319 --> 01:59:14.520
<v Speaker 3>to have Steve Martin played Bill's character. And one of

1770
01:59:14.760 --> 01:59:20.199
<v Speaker 3>Kubrick's favorite films is The Jerk Steve Martin, and to

1771
01:59:20.359 --> 01:59:23.560
<v Speaker 3>have Steve Martin be there, he is the jerk, Like

1772
01:59:23.760 --> 01:59:26.399
<v Speaker 3>he's the jerk like I'm on the phone book.

1773
01:59:26.760 --> 01:59:29.159
<v Speaker 4>Well you know, like the character is so.

1774
01:59:29.520 --> 01:59:35.159
<v Speaker 3>Stupid and blind everything. That's Bill. That's right, Bill, right, yeah,

1775
01:59:36.600 --> 01:59:39.640
<v Speaker 3>and we and he thinks he's so great. Oh this

1776
01:59:39.920 --> 01:59:42.479
<v Speaker 3>is what you get when you make house calls, right.

1777
01:59:42.600 --> 01:59:45.079
<v Speaker 3>But really they're inviting them to the party because of her,

1778
01:59:46.279 --> 01:59:51.520
<v Speaker 3>because Alice, you know, like she's their favorite and so

1779
01:59:51.760 --> 01:59:54.239
<v Speaker 3>like that's why they get invited every to the party

1780
01:59:54.319 --> 01:59:57.800
<v Speaker 3>every year. That's what. Like he's just a warm body

1781
01:59:58.000 --> 02:00:00.520
<v Speaker 3>to be a dad for them to raise their little butterfly.

1782
02:00:01.279 --> 02:00:01.520
<v Speaker 4>Yep.

1783
02:00:02.239 --> 02:00:07.159
<v Speaker 3>And you know the elites they don't just you know,

1784
02:00:07.680 --> 02:00:09.800
<v Speaker 3>they might own the hookers on the street, but they

1785
02:00:09.840 --> 02:00:13.039
<v Speaker 3>don't just find some random hooker. You know, they're not

1786
02:00:13.239 --> 02:00:18.319
<v Speaker 3>they don't do like what Epstein was doing, like random girls,

1787
02:00:18.479 --> 02:00:21.840
<v Speaker 3>like they breed them, like they from scratch. It's not

1788
02:00:24.720 --> 02:00:29.920
<v Speaker 3>like Kathy O'Brien was sold to the government, like you know,

1789
02:00:30.079 --> 02:00:32.720
<v Speaker 3>like sometimes like John.

1790
02:00:33.560 --> 02:00:38.279
<v Speaker 4>I swear like that that story is so sad, right right,

1791
02:00:38.479 --> 02:00:41.600
<v Speaker 4>and she was a throwaway cats in it, like the

1792
02:00:41.720 --> 02:00:46.600
<v Speaker 4>generational as we were discussing, So in this situation, Patsy

1793
02:00:46.760 --> 02:00:51.199
<v Speaker 4>is Alice and John Benet is Helena, I mean, was born,

1794
02:00:51.880 --> 02:00:57.439
<v Speaker 4>raised for the slaughter right right, and groomed for it. Yep.

1795
02:00:57.600 --> 02:01:01.079
<v Speaker 3>And all those people were touching her body. Mm hmmm,

1796
02:01:01.600 --> 02:01:03.840
<v Speaker 3>because all those people touched her body during the ritual

1797
02:01:03.880 --> 02:01:08.039
<v Speaker 3>when they killed her, you know, and like they so

1798
02:01:08.239 --> 02:01:11.000
<v Speaker 3>there are throwaway ones and there are not throwaway ones,

1799
02:01:11.239 --> 02:01:15.880
<v Speaker 3>and some of them they think themselves, like Alice does,

1800
02:01:16.359 --> 02:01:21.159
<v Speaker 3>we should be grateful. We're lucky that we weren't like

1801
02:01:21.359 --> 02:01:25.079
<v Speaker 3>John Benet or Mandy. You know, we survived.

1802
02:01:25.840 --> 02:01:29.199
<v Speaker 4>We get to live whether or not. It's a great existence,

1803
02:01:29.319 --> 02:01:32.840
<v Speaker 4>I mean, but at least we're not dead.

1804
02:01:34.039 --> 02:01:37.119
<v Speaker 3>Might as well let the power elite just do what

1805
02:01:37.199 --> 02:01:40.159
<v Speaker 3>they're gonna do, because you can't fight it. They're just

1806
02:01:40.279 --> 02:01:43.119
<v Speaker 3>gonna take control of your whole life. Just you know

1807
02:01:44.760 --> 02:01:48.239
<v Speaker 3>that scene in the billiard room where Bill is like

1808
02:01:48.800 --> 02:01:51.920
<v Speaker 3>Ziggler puts his hands on Bill's shoulders and he's like,

1809
02:01:52.199 --> 02:01:55.760
<v Speaker 3>people die, It happens all the time, you know, Like

1810
02:01:55.920 --> 02:01:59.359
<v Speaker 3>that's a threat to Bill, and Bill has to like

1811
02:02:01.039 --> 02:02:05.960
<v Speaker 3>take that and go with the lie instead of the truth. Yeah,

1812
02:02:06.000 --> 02:02:10.640
<v Speaker 3>because to believe the lie is too much drive you crazy.

1813
02:02:11.439 --> 02:02:13.800
<v Speaker 3>That's why when nine to eleven happens, they say, oh, yeah,

1814
02:02:13.840 --> 02:02:18.680
<v Speaker 3>it was steel beams melted because kerosene. Yeah, Norad stood

1815
02:02:18.760 --> 02:02:22.279
<v Speaker 3>down because some guys that lived in a cave in Afghanistan.

1816
02:02:23.119 --> 02:02:25.920
<v Speaker 3>That's why Norad didn't go and shoot those planes down.

1817
02:02:26.399 --> 02:02:30.880
<v Speaker 3>You know, like they tell us these completely ridiculous lies

1818
02:02:31.000 --> 02:02:33.680
<v Speaker 3>like oh, door was locked from the inside. Cops are happy,

1819
02:02:34.399 --> 02:02:35.319
<v Speaker 3>end of questions.

1820
02:02:35.399 --> 02:02:35.520
<v Speaker 6>You know.

1821
02:02:37.159 --> 02:02:41.720
<v Speaker 3>That's how they control information. They control the newspapers, they

1822
02:02:41.800 --> 02:02:47.000
<v Speaker 3>control the actresses, all the models, Marilyn Monroe, all of.

1823
02:02:47.039 --> 02:02:51.119
<v Speaker 4>It, right, every fucking aspect right.

1824
02:02:51.880 --> 02:02:53.920
<v Speaker 3>And that's what your show talks about all the time,

1825
02:02:54.279 --> 02:02:56.359
<v Speaker 3>and my show too, we talk about the mind control

1826
02:02:57.239 --> 02:03:01.520
<v Speaker 3>and sovereignty, you know, of personal owning your own soul,

1827
02:03:01.920 --> 02:03:05.279
<v Speaker 3>not giving into their control.

1828
02:03:05.640 --> 02:03:09.640
<v Speaker 4>You know, it's just it's so sad. It's so fucking sad.

1829
02:03:09.760 --> 02:03:10.039
<v Speaker 3>And like.

1830
02:03:11.880 --> 02:03:14.720
<v Speaker 4>I do understand that our work is important, Like this

1831
02:03:14.920 --> 02:03:20.199
<v Speaker 4>project is crazy important. Like yes, it's a movie, but

1832
02:03:20.359 --> 02:03:23.479
<v Speaker 4>it's so much more. It's so much more than a movie,

1833
02:03:24.199 --> 02:03:27.920
<v Speaker 4>and it's this game that they're consistently playing on us

1834
02:03:28.399 --> 02:03:35.880
<v Speaker 4>right right in front of our eyes. Literally shut see

1835
02:03:36.520 --> 02:03:41.319
<v Speaker 4>shut exactly. But I mean, thank you so much for

1836
02:03:41.479 --> 02:03:45.479
<v Speaker 4>bringing this on my show. I am flabber fucking yeah.

1837
02:03:47.079 --> 02:03:50.279
<v Speaker 4>And so if someone wants to just watch it without

1838
02:03:50.319 --> 02:03:54.239
<v Speaker 4>our commentary, yes, where can they find your project?

1839
02:03:55.039 --> 02:03:58.479
<v Speaker 3>They can find it at well. All my stuff is

1840
02:03:59.359 --> 02:04:05.079
<v Speaker 3>posted at one Great Worknetwork dot com slash Sean hyphen

1841
02:04:05.159 --> 02:04:08.399
<v Speaker 3>McCann and there I have a page where I post

1842
02:04:08.880 --> 02:04:10.960
<v Speaker 3>I embed the links. I make a new page for

1843
02:04:11.039 --> 02:04:12.840
<v Speaker 3>every project and I em bed all the links and

1844
02:04:12.920 --> 02:04:16.680
<v Speaker 3>where I post it. But you can find the Fidelio experiment.

1845
02:04:16.800 --> 02:04:20.000
<v Speaker 3>I put it on Odyssey on my Odyssey page. You

1846
02:04:20.039 --> 02:04:23.159
<v Speaker 3>can find that on't wakethedead on Odyssey dot com, o

1847
02:04:23.359 --> 02:04:27.399
<v Speaker 3>d y see dot com. I also put it on Rumble,

1848
02:04:28.199 --> 02:04:29.800
<v Speaker 3>but it was too big a file to put it

1849
02:04:29.840 --> 02:04:32.239
<v Speaker 3>on bit shoot. I might have to shrink the file

1850
02:04:32.319 --> 02:04:34.680
<v Speaker 3>down and maybe get on bit shoot. Right now, it's

1851
02:04:34.720 --> 02:04:38.560
<v Speaker 3>on those two places, cause it's like five hours. I

1852
02:04:38.680 --> 02:04:43.000
<v Speaker 3>wanted to show prove that I'm not pulling at editing,

1853
02:04:43.199 --> 02:04:46.399
<v Speaker 3>moving stuff around. I play the whole thing, start to

1854
02:04:46.479 --> 02:04:49.600
<v Speaker 3>finish the number one screen, start to finish number two screen,

1855
02:04:49.960 --> 02:04:52.279
<v Speaker 3>and those go black and the last one plays out

1856
02:04:52.359 --> 02:04:54.920
<v Speaker 3>to the end. I let the whole thing so you

1857
02:04:55.039 --> 02:04:57.319
<v Speaker 3>can skip to the middle and see where all three

1858
02:04:57.479 --> 02:05:00.960
<v Speaker 3>line up. But I just displayed it all for everybody

1859
02:05:01.000 --> 02:05:03.439
<v Speaker 3>to see. I'm not playing around. This is Kubrick's movie.

1860
02:05:03.640 --> 02:05:06.800
<v Speaker 3>I'm not editing or doing anything. It's complete. So you

1861
02:05:06.880 --> 02:05:11.119
<v Speaker 3>can find that. It's called Fidelio Experiment, and you can

1862
02:05:11.159 --> 02:05:15.119
<v Speaker 3>look it on Google. Probably find it Fidelio Experiment. It's

1863
02:05:15.279 --> 02:05:18.640
<v Speaker 3>many hours and if you look up on Odyssey, there's

1864
02:05:18.920 --> 02:05:21.119
<v Speaker 3>a way to download. If you click the little three

1865
02:05:21.640 --> 02:05:25.079
<v Speaker 3>dots button, it'll give you the option option to download,

1866
02:05:25.760 --> 02:05:28.199
<v Speaker 3>So get it on your computer. I'm not making any

1867
02:05:28.239 --> 02:05:32.439
<v Speaker 3>money from it. It's fair use, like I'm not. I'm

1868
02:05:32.920 --> 02:05:36.159
<v Speaker 3>showing the genius of the movie, and it adds to

1869
02:05:36.319 --> 02:05:39.760
<v Speaker 3>the value of the movie itself. I believe that I'm

1870
02:05:39.840 --> 02:05:43.680
<v Speaker 3>adding value to Eyes Wide Shut. I'm not making money

1871
02:05:43.720 --> 02:05:48.119
<v Speaker 3>off of their copyrighted material, so right, I believe this

1872
02:05:48.199 --> 02:05:50.199
<v Speaker 3>all to be fair use, and I'm not charging money.

1873
02:05:50.239 --> 02:05:53.399
<v Speaker 3>Everybody can see it for free, so they can find

1874
02:05:53.439 --> 02:05:57.199
<v Speaker 3>that Fidelio Experiment on my weak the dead pages of

1875
02:05:57.960 --> 02:06:00.520
<v Speaker 3>Odyssey rumble, and I also have a bitch, and I

1876
02:06:00.640 --> 02:06:05.199
<v Speaker 3>also post on Spotify and you can find all on

1877
02:06:05.640 --> 02:06:09.920
<v Speaker 3>Apple Google all the audio places you can find Wake

1878
02:06:09.960 --> 02:06:13.239
<v Speaker 3>the Dead podcast. And I I've been kind of slow.

1879
02:06:13.560 --> 02:06:15.680
<v Speaker 3>I've got some shows like ready to go, but I

1880
02:06:15.720 --> 02:06:19.319
<v Speaker 3>haven't posted them yet. I've been having a you know,

1881
02:06:19.560 --> 02:06:21.960
<v Speaker 3>it's summertime and it's tough to get everything going and

1882
02:06:22.159 --> 02:06:26.600
<v Speaker 3>like to have everything. So I didn't post anything this week.

1883
02:06:27.279 --> 02:06:30.159
<v Speaker 3>You know, I'm sorry, listeners, but I do have more

1884
02:06:30.199 --> 02:06:32.600
<v Speaker 3>shows in the works and we're doing this here today,

1885
02:06:32.760 --> 02:06:35.399
<v Speaker 3>and so I haven't stopped. I'm just I had to

1886
02:06:35.439 --> 02:06:37.680
<v Speaker 3>slow down and I'm working on another side project and

1887
02:06:37.720 --> 02:06:40.840
<v Speaker 3>I'm trying to get I'm trying to get something else

1888
02:06:41.079 --> 02:06:45.960
<v Speaker 3>done and I'm so I'm trying to focus and rearrange

1889
02:06:46.000 --> 02:06:48.640
<v Speaker 3>my life a little bit. So but hopefully it'll it'll

1890
02:06:48.640 --> 02:06:49.640
<v Speaker 3>be done by the end of the year.

1891
02:06:49.840 --> 02:06:53.279
<v Speaker 4>And you son like me, Sean, I'm just like, I

1892
02:06:53.399 --> 02:06:56.039
<v Speaker 4>haven't stopped. I'm just kind of bummed up right now.

1893
02:06:56.319 --> 02:07:00.399
<v Speaker 3>Yeah, yeah, yeah, right. It's tough man to keep the

1894
02:07:00.800 --> 02:07:03.399
<v Speaker 3>keep all the threads together, the ties that bind, you know,

1895
02:07:04.279 --> 02:07:06.720
<v Speaker 3>or sometimes let them go, and like it's tough. It's

1896
02:07:06.800 --> 02:07:09.920
<v Speaker 3>really tough. We are and I know that your life

1897
02:07:09.960 --> 02:07:12.079
<v Speaker 3>has been like really rocky, and you've had a lot.

1898
02:07:13.520 --> 02:07:14.279
<v Speaker 3>I hope that's free.

1899
02:07:14.439 --> 02:07:16.680
<v Speaker 4>I mean it's been. I don't know about you, but

1900
02:07:16.960 --> 02:07:19.640
<v Speaker 4>twenty twenty four has been like one of the most

1901
02:07:19.800 --> 02:07:25.319
<v Speaker 4>revealing years of my entire fucking life. Like it's I'm

1902
02:07:25.399 --> 02:07:26.960
<v Speaker 4>not even I don't even know if I'm the same

1903
02:07:27.039 --> 02:07:30.279
<v Speaker 4>person anymore, Like twenty twenty four happened and like I'm

1904
02:07:30.399 --> 02:07:33.560
<v Speaker 4>fucking Phoenix from the Ashes or some shit like that.

1905
02:07:33.680 --> 02:07:37.880
<v Speaker 4>It's been transformative and years dark occultism.

1906
02:07:38.000 --> 02:07:39.319
<v Speaker 2>I'm just saying, it's.

1907
02:07:39.199 --> 02:07:39.800
<v Speaker 3>Just being alive.

1908
02:07:40.079 --> 02:07:41.079
<v Speaker 4>It's formative year.

1909
02:07:42.520 --> 02:07:47.319
<v Speaker 3>I think the wheel of time is like we're like

1910
02:07:48.119 --> 02:07:50.520
<v Speaker 3>the universe is grinding our face against the wheel and

1911
02:07:50.600 --> 02:07:55.319
<v Speaker 3>it's like grinding off all of the all the like

1912
02:07:56.680 --> 02:07:59.840
<v Speaker 3>it's I go deep with it, but we gotta go.

1913
02:08:00.039 --> 02:08:01.560
<v Speaker 3>I gotta I gotta get ready for work.

1914
02:08:01.760 --> 02:08:02.119
<v Speaker 4>All right.

1915
02:08:02.359 --> 02:08:04.960
<v Speaker 3>Thank you for having me, Thanks for being here.

1916
02:08:05.399 --> 02:08:08.239
<v Speaker 4>I always love working with you. Where the hes in

1917
02:08:08.319 --> 02:08:10.640
<v Speaker 4>a pod. I feel like literally.

1918
02:08:10.319 --> 02:08:13.800
<v Speaker 3>Anytime, like we need to and maybe Dune maybe it's

1919
02:08:13.840 --> 02:08:14.960
<v Speaker 3>a big project.

1920
02:08:15.159 --> 02:08:18.720
<v Speaker 4>Huge, huge project. Keep it on the back burner though,

1921
02:08:19.880 --> 02:08:22.560
<v Speaker 4>you know, because it's it's a great Both of those

1922
02:08:22.640 --> 02:08:26.000
<v Speaker 4>movies are great. But thank you so much. Sean, this

1923
02:08:26.239 --> 02:08:28.760
<v Speaker 4>was amazing. We'll have to do it again sometime soon.

1924
02:08:28.920 --> 02:08:31.279
<v Speaker 4>And I hope all the listeners go and find more

1925
02:08:31.359 --> 02:08:34.840
<v Speaker 4>of your work. And to all of those who stuck

1926
02:08:34.920 --> 02:08:39.800
<v Speaker 4>around to the end, you're amazing and we will catch

1927
02:08:39.880 --> 02:08:41.159
<v Speaker 4>you on the next one.

1928
02:08:42.439 --> 02:08:42.760
<v Speaker 3>Cheers,
