WEBVTT

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<v Speaker 1>This episode from the life of Sherlock Holmes will be

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<v Speaker 1>transmitted to our men and women overseas by a short

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<v Speaker 1>wave and through the worldwide facilities of the Armed Forces

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<v Speaker 1>Radio Service. Petrie Wine brings you That's a rough Phone

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<v Speaker 1>and Nigel Bruce and the new Adventures of Sherlock Holmes.

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<v Speaker 1>The Petrie family, the family that took time to bring

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<v Speaker 1>you good wine, invites you to listen to Doc Watson

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<v Speaker 1>tell us another exciting adventure he shared with his old friend,

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<v Speaker 1>that master Detective Sherlock Holmes.

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<v Speaker 2>And while you're settling back.

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<v Speaker 1>Comfortably in your chair, mind if I tell you about

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<v Speaker 1>something I'd like you to share with me. It's a

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<v Speaker 1>glass of Petrie California's sherry. Of course, most people think

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<v Speaker 1>of Petrie California's sherry as the one wine that's really

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<v Speaker 1>swell anytime. But personally, I like a glass of that

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<v Speaker 1>Petrie sherry before dinner. You know, that's the time you're

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<v Speaker 1>a little on edge, you've just finished your day's work

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<v Speaker 1>and waiting for your dinner, and well, that's when you

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<v Speaker 1>want to lean back and take it easy.

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<v Speaker 2>Boy.

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<v Speaker 1>That's the time a glass of Petree sherry tastes like

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<v Speaker 1>something just too good to be true.

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<v Speaker 3>Try it.

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<v Speaker 2>Petree sherry is the perfect before dinner wine.

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<v Speaker 1>And incidentally, if you like your sherry dry, you know,

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<v Speaker 1>not sweet, then you'll find that Petree pale dry sherry

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<v Speaker 1>is just made for you.

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<v Speaker 2>The important thing.

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<v Speaker 1>Is the Petree label, because when it says Petree, it

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<v Speaker 1>always means good wine. And now for our weekly visit

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<v Speaker 1>with our good friend and host, doctor Watson.

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<v Speaker 2>Good evening, doctor, good evening.

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<v Speaker 4>It's about hell late. I've been keeping some dinner hot

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<v Speaker 4>for you here, pull up your turn join me.

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<v Speaker 2>That's very nice. Good thanks doctor. Are you all set

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<v Speaker 2>with the night story?

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<v Speaker 3>Yes, my boy, I'm all set, as you call it.

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<v Speaker 3>As a matter of fact, I was going over my

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<v Speaker 3>notes from the caves just you arrived last week.

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<v Speaker 1>You hitted that a beautiful girl figured prominently in your adventure.

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<v Speaker 3>That's quite right, mister Bartell, an extremely beautiful girl. In fact,

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<v Speaker 3>I often used to.

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<v Speaker 4>Say Sherlock Holmes as if I'd been a little younger

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<v Speaker 4>at the time, I might, oh, well, you haven't come

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<v Speaker 4>here to listen to my personal reminiscences. You wanted to

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<v Speaker 4>hear the story that I called the Problem of toll Bridge.

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<v Speaker 2>That's which apprised us darting how did it begin?

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<v Speaker 5>On a window morning in October in eighteen eighteen nineties,

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<v Speaker 5>was as I was dressing, I observed how the last

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<v Speaker 5>remaining leaves were being whirled away from the solitary plane

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<v Speaker 5>tree which graced the yard behind our Baker Street house.

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<v Speaker 4>I descended to breakfast, prepared to find my companion into

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<v Speaker 4>pressed spirits. For like all great artists, he was easily

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<v Speaker 4>impressed by his surroundings. But to my surprise, he was

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<v Speaker 4>in an unusually gay mood. As I entered the room,

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<v Speaker 4>he looked up at me and with her with a smile. Hope,

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<v Speaker 4>you said, well, splendid, I think so so glad we.

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<v Speaker 3>Are very list this morning. I think you must have

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<v Speaker 3>got a new case, Am I right?

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<v Speaker 1>The faculty of the Kars set in the contagious Yes,

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<v Speaker 1>I have a new case.

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<v Speaker 6>After a month of trivialities and stagnation, the wheels revolved

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<v Speaker 6>once more.

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<v Speaker 1>Tell me all about it? Well, yet there's much to tell.

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<v Speaker 1>Have you ever heard of Neil Gibson?

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<v Speaker 3>You? Who is this has something to do with gold mining?

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<v Speaker 3>Isn't he a great deal to.

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<v Speaker 2>Do with the video follow In fact, he's considered the

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<v Speaker 2>greatest mining magnet in the world.

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<v Speaker 6>Not buy us go he bought largest state in Hampshire

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<v Speaker 6>that you've read of the dicto his wife.

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<v Speaker 3>Of course, I remember the case now. She was murdered

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<v Speaker 3>by jealous governess who was in her employee.

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<v Speaker 6>Wasn't it that pint will be decided and the lady

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<v Speaker 6>in question, Grace Dunbar, I believe her name is, comes

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<v Speaker 6>up for pilot the forthcoming winches to decide this. In

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<v Speaker 6>any case, it's hard for me to see what I

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<v Speaker 6>can do from my tent at this late date.

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<v Speaker 2>Your client, Oh yes, God, I hadn't told you.

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<v Speaker 6>I'm getting into your involved habit of telling a story backwards.

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<v Speaker 2>That'll read this letter ken this morning, So love.

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<v Speaker 3>Here, mister Sherlock Holmes. Missus Dunbar is innocent.

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<v Speaker 4>I don't see the finest woman in the world go

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<v Speaker 4>to her death without doing everything.

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<v Speaker 3>Possible to save her. I shall call on.

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<v Speaker 4>You at ten thirty tomorrow morning to discuss the matter,

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<v Speaker 4>yours faithfully, Neil Gibsons.

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<v Speaker 3>We have it.

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<v Speaker 1>Watson is the gentleman. I wait, do you know anything

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<v Speaker 1>about his dead wife? Only what I've been reading in

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<v Speaker 1>the papers.

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<v Speaker 6>Apparently she was past her prime, which was the more

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<v Speaker 6>unfortunate as this Miss Dunbar, who superintended the education of

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<v Speaker 6>the two young children, is reputed the very attractive young.

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<v Speaker 4>Lady, the eternal trianglar. Where does the murder take place?

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<v Speaker 2>On Gibson's estate in Hampshire?

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<v Speaker 6>His wife was found in the grounds nearly half a

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<v Speaker 6>mile from the manor house, late at night, pad in

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<v Speaker 6>her dinner dress, with the shawl over her shoulders and

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<v Speaker 6>a revolver bullet through her brain.

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<v Speaker 3>And a weapon found near her.

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<v Speaker 2>Oh, though no clues found it the scene of the crime.

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<v Speaker 3>What made them suspect to Governess Well in first place?

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<v Speaker 2>There was some very incriminating evidence.

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<v Speaker 1>A revolver with one discharged chamber the caliber corresponding with

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<v Speaker 1>a bullet in the dead woman's head, was found on

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<v Speaker 1>the floor in missus Dunbar's wardrobe.

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<v Speaker 3>Oh was it pretty damaging evidence.

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<v Speaker 6>Home till the coroner thought, And to make the case

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<v Speaker 6>even blacker against miss Unbar, the dead woman had a

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<v Speaker 6>note on her making an appointment at that very spot,

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<v Speaker 6>and the note was signed by the Governess.

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<v Speaker 4>He's obvious if the girl's guilty and the motive's clear,

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<v Speaker 4>Gibson be a great catch for a young girl, love, fortune, power,

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<v Speaker 4>all dependent on one.

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<v Speaker 2>Life, possibly Watson.

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<v Speaker 1>But circumstantial evidence can be very misleading at times.

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<v Speaker 2>Nah as a.

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<v Speaker 6>Gentleman in question, as I'm very much mistaken considerably before

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<v Speaker 6>his time.

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<v Speaker 3>I can see him from the window here, formidable looking

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<v Speaker 3>for her. Must be well over six foot four.

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<v Speaker 1>Judging by the way he's wrenching at that door bell.

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<v Speaker 2>Is a man with the violent temper.

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<v Speaker 3>Is Hudson's opening the door to him?

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<v Speaker 6>Now meet him on the stairs where he won't happen.

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<v Speaker 6>He'll say, missus Hudson, the journey Joe.

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<v Speaker 2>Up here her?

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<v Speaker 3>Thank you? All right you, mister she'll like home? No, no, indeed,

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<v Speaker 3>I miss.

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<v Speaker 1>Polly, don't go up and come along in, won't you,

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<v Speaker 1>mister Neil Gibson. I presume that's right. See all the

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<v Speaker 1>great she'll like old. The adjective is your own, Mister

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<v Speaker 1>Gibson said that, won't you? By the way, you miss

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<v Speaker 1>be quite freely in front of Dr Orbson, Well, I

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<v Speaker 1>may as well begin by telling you that money means

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<v Speaker 1>nothing to me in this case. You can burn it

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<v Speaker 1>if it's any use to you. Inviting the truth, Miss

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<v Speaker 1>Dunbar is innocent and it's up to you to prove it.

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<v Speaker 3>Just name your fee, and.

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<v Speaker 6>Mister Gibson, my professional charges are on a fixed scale.

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<v Speaker 6>I don't bury them except when I omit them altogether.

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<v Speaker 1>Very well, I imagine that you were the newspaper reports.

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<v Speaker 2>Are the coroner's in quest? Yes, very thoroughly.

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<v Speaker 1>I don't see that I can add anything that'll help you,

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<v Speaker 1>But if there any questions you'd like to ask, I'll

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<v Speaker 1>answer them.

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<v Speaker 2>Thank you.

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<v Speaker 6>First, what are the exact relations between you and miss Dunbar?

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<v Speaker 1>I suppose you're within your rights in asking such question,

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<v Speaker 1>Mister Hone, we will.

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<v Speaker 2>Agree to suppose, so, shall we?

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<v Speaker 1>Then I can assure you that my relations with Miss

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<v Speaker 1>Dunbar were always those of an employer towards a young

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<v Speaker 1>lady with whom he never conversed or even saw except

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<v Speaker 1>in the company of his children.

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<v Speaker 6>Oh, I'll busy man, Mister Gibson. I have no time

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<v Speaker 6>or taste to aim this conversation. I wish you goold Mont.

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<v Speaker 2>What the devil do you mean by this?

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<v Speaker 6>Mister Home, My dear sir, the case is difficult enough

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<v Speaker 6>without your giving me a false information that I lie.

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<v Speaker 6>I was trying to express it as delicately as pass

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<v Speaker 6>that if.

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<v Speaker 2>You insist on the word, I won't contradict you.

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<v Speaker 6>Why you can't found not been noisy, mister Gibson, Please

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<v Speaker 6>don't denise you. I find that after breakfast, Evehen's smallest

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<v Speaker 6>argument is unsettling.

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<v Speaker 2>I'd suggest that it's.

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<v Speaker 6>Toll in the morning air and a little quiet thought

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<v Speaker 6>will be great to the other Auntie.

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<v Speaker 1>I suppose I can't make you take the case. But

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<v Speaker 1>you've done yourself low good this morning, mister Holmes. I've

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<v Speaker 1>broken stronger men than you.

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<v Speaker 3>No man ever crossed me.

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<v Speaker 2>It was the better word running. That's getting you a

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<v Speaker 2>great deal yet to learn.

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<v Speaker 3>On myrsel home. You were unuseless to there with him.

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<v Speaker 6>I just like liars Watson and I cannot tolerate arrogance,

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<v Speaker 6>particularly when he's coupled with great wealth.

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<v Speaker 3>Now, how did you know about his relations with the government.

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<v Speaker 2>I didn't.

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<v Speaker 3>It was pure bluff bluff. It certainly worked needs to

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<v Speaker 3>come hack.

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<v Speaker 2>Of course he will.

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<v Speaker 6>He needs my help too badly. He will probably change

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<v Speaker 6>his men for his halfway downstairs, come in, ah, mister Gibson,

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<v Speaker 6>just saying to doctor Watson that I.

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<v Speaker 2>Was setting you'll be back.

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<v Speaker 1>I've been thinking it over, mister Holmes, and I feel

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<v Speaker 1>that perhaps I was hasty in taking your remarks, and

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<v Speaker 1>miss us to say, I can assure you that the

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<v Speaker 1>relations between.

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<v Speaker 2>Miss Dunbar and me really don't affect his case. Surely

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<v Speaker 2>that is for me to decide. Mister Gibson, you.

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<v Speaker 3>Sho to give him my friends.

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<v Speaker 4>Like a doctor, he wants every symptom before he can

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<v Speaker 4>give his diagnosis.

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<v Speaker 2>Fire away, mister Holmes. What is it you want to know?

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<v Speaker 2>The truth? I can give it to you in very

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<v Speaker 2>few words. Inn with. I met my wife when I

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<v Speaker 2>was gold mining.

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<v Speaker 3>In brasbol H. Your wife was Brasian by birth, wasn't you?

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<v Speaker 2>A yes, doctor and very beautiful.

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<v Speaker 1>Well, to make a long story short, I fell in

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<v Speaker 1>love and married her and brought her to England. For

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<v Speaker 1>a few years, I realized that we had nothing, absolutely

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<v Speaker 1>nothing in common. And then I suppose this young governess,

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<v Speaker 1>Miss Dunbar, arrived on the scene.

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<v Speaker 2>That's right, mister Holmes.

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<v Speaker 1>Well the story should be obvious to you from mayor

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<v Speaker 1>you will fell in love with his girl, I suppose her.

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<v Speaker 1>Who could help it that you suggest marriage to her? Yes,

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<v Speaker 1>though I knew that my wife would never divorce me

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<v Speaker 1>and I see then you made an utterly insincere proposition

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<v Speaker 1>to her. Now look here, mister Holmes, I came to

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<v Speaker 1>one a question of evans, not of morals. I'm not

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<v Speaker 1>asking for your criticism.

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<v Speaker 2>It's only the young lady's sake.

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<v Speaker 6>Fifturn horses me to touch your case at all. Now

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<v Speaker 6>tell me, sir, what is your own opinion as to

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<v Speaker 6>Miss dunbars gilt.

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<v Speaker 2>It's very black against her. I can't deny that.

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<v Speaker 1>When exploration of the tragedy did come into my head,

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<v Speaker 1>mister Holmes, I give to you for what it's worth,

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<v Speaker 1>Ray continued Miss Gibson. My wife was bitterly jealous. She

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<v Speaker 1>was half crazy with him. Should have planned to murder

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<v Speaker 1>Miss Dunbar, or, we'll say, to threaten the girl with

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<v Speaker 1>the revolver and so frighten her into leading us. There

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<v Speaker 1>might have been a struggle in which the gun exploded

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<v Speaker 1>and gone off and shot my wife who was holding

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<v Speaker 1>it on. That possibility already occurred to me. It's the

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<v Speaker 1>only obvious alternative to deliberate murder.

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<v Speaker 3>Harbur Holmes was found on the floor the Governess's wardrobe.

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<v Speaker 1>Mister Gibson, I should like to examine our house.

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<v Speaker 2>On the scene of the murder as soon as possible safely.

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<v Speaker 1>Mister Holmes, certain Coventry, the local police is still down there.

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<v Speaker 2>He'll give you any help you may need, Excellent Watson.

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<v Speaker 1>Alf out of the time, Jable. We're catching the next

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<v Speaker 1>past train to Winchester, so if.

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<v Speaker 2>I have to have someone else on the case, I'd

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<v Speaker 2>rather have you, mister Elmes.

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<v Speaker 1>The yard gets called in then then we local police

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<v Speaker 1>loses all credit for success, generally gets blamed for the failures.

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<v Speaker 2>Though I've heard that you play straight. I know pure,

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<v Speaker 2>no matter. It's all Sergeant Coventry.

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<v Speaker 6>If I can tear it out, I don't ask if

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<v Speaker 6>you even have my name engined, i'd.

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<v Speaker 2>Say some of you, I'm sure not. I know your friend,

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<v Speaker 2>doctor Watson can be trusted to follow.

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<v Speaker 3>We won't steal any of your thunder.

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<v Speaker 7>It's not friendly of you, doctor. But come on, gentlemen,

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<v Speaker 7>I'll packet down to the bridge. That's where we found

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<v Speaker 7>missus Gibson's body stuff far from the house here.

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<v Speaker 4>Well, I must say, mister Gibson has a beautiful state.

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<v Speaker 4>It must be sixty or seventy acres.

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<v Speaker 7>Or nearly twice that doctor the witch back at us.

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<v Speaker 7>There belongs to him too, mister Elmes, Yes, sugeant, there's

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<v Speaker 7>a question I'd like to ask you question I wouldn't

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<v Speaker 7>ask anyone else, simp please ask it. Don't you think

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<v Speaker 7>there might be a case against missus Gibson. I've been

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<v Speaker 7>considering that possibility that there, miss dunbarss a bit of

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<v Speaker 7>all right. He asked me wanted his wife out of

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<v Speaker 7>the way. And the pistol she was shot with was

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<v Speaker 7>his pistol?

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<v Speaker 3>You know? Was that factor proven?

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<v Speaker 2>Yes, doctor, it was one of a pair.

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<v Speaker 3>That he had.

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<v Speaker 2>One of a pair. Where's the other?

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<v Speaker 7>Well, mister Gibson has a lot of fire armsrey never

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<v Speaker 7>quite matched that particular pistol.

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<v Speaker 2>But the box was made for two.

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<v Speaker 3>Well, if it's one of a pair, surely you'd be

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<v Speaker 3>able to mention it.

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<v Speaker 2>Well, we have them more laid out at the house

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<v Speaker 2>if you want to look him over, and we'll do

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<v Speaker 2>that later. Ah, this I presume it is Tall Bridge.

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<v Speaker 2>That's right, sir, Good. Missus Gibson's body line right here

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<v Speaker 2>at the approach to.

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<v Speaker 6>The bridge, I see I gathered from the newspaper the

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<v Speaker 6>parts the shop was part of Vertic CLO's quarters.

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<v Speaker 2>Yes, sir, vertic clost in the right temple, wasn't it

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<v Speaker 2>just behind it?

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<v Speaker 7>So how did the body lie? Sergeant inspect doctor. No

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<v Speaker 7>trace of a struggle, no march, no weapon. The note

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<v Speaker 7>from miss Dunbar was clutched left hand, you said, yes,

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<v Speaker 7>so we could hardly open the things to get at it.

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<v Speaker 2>Ah, that's the greatest importance.

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<v Speaker 6>It excludes the idea that anyone could have placed the

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<v Speaker 6>note there after death in order to furnish a false clue.

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<v Speaker 7>What a little doctor just said, I will be a

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<v Speaker 7>toll bridge at nine o'clock and it was assigned Grace Dunbar.

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<v Speaker 2>It's done by admit writing.

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<v Speaker 3>Oh yes, sir.

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<v Speaker 2>What was her explanation? She will say nothing. Said she

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<v Speaker 2>was setting her defense for the trial.

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<v Speaker 1>Yes, it seems odd that missus Gibson was still touching

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<v Speaker 1>that note. Seems perfectly natural to me, Come now, fellow

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<v Speaker 1>arguing the thing out. Logically, the letter is genuine. It

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<v Speaker 1>was certainly received sometime before the tragedy.

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<v Speaker 2>Cnraco.

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<v Speaker 1>Why then, was the dead woman still clasping it in

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<v Speaker 1>her left hand? Why should she carry it so carefully

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<v Speaker 1>if she certainly didn't need to refer to a note

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<v Speaker 1>at all the interview doesn't.

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<v Speaker 2>Strike you as rather strange?

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<v Speaker 3>Well, are you put it that way? It does seem

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<v Speaker 3>a little peculiar.

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<v Speaker 7>Helloll gard Oh you mean that chip out of that

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<v Speaker 7>stone on the under side of the poaper of the bridge.

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<v Speaker 3>Sir, yes, I noticed it.

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<v Speaker 2>Didn't think nothing of it though.

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<v Speaker 8>Very large tip, yes, but it's been on recently work.

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<v Speaker 8>It's quite just yet it took some to do that,

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<v Speaker 8>and your king, Yes, a hard knock.

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<v Speaker 7>And in a curious place too, but it's fifteen deep

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<v Speaker 7>from where we found the body.

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<v Speaker 4>Mister Dout, Yeah, terms, I don't see how it could

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<v Speaker 4>have any connection with missus Gibson's murder.

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<v Speaker 1>It hasn't, but it's the point worth noting. There were

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<v Speaker 1>no footprints, who says.

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<v Speaker 2>Sergeant and mister the ground was as odd as are

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<v Speaker 2>and it's been a very dry summon. We have no

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<v Speaker 2>range of how much obliged doing.

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<v Speaker 9>Now.

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<v Speaker 2>I think we'll get back to the house.

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<v Speaker 7>So I says, our show with the firearms, I sir, oh, who,

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<v Speaker 7>he says, A funny kind of a bloke, Brazilian. He

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<v Speaker 7>is Brasilia like this is Gibson's mister Elms. It's from

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<v Speaker 7>the same term that she does, as a matter of fact,

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<v Speaker 7>something very fishy about him, if you ask me. Now,

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<v Speaker 7>if you'll excuse me, gentlemen, I'm going to take a

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<v Speaker 7>little stroll around the grounds you started. We are a

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<v Speaker 7>new train of thoughtless case, mister.

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<v Speaker 2>Dan, I'm the lighted sergeant. I get back to the house.

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<v Speaker 1>I see and these are all the firearms in mister

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<v Speaker 1>Gibson's possession.

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<v Speaker 2>He says, I except for the revolver that is missing

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<v Speaker 2>from the kuss. Yes, so, I say, I see him.

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<v Speaker 3>I have never seen such a collection of guns involvers

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<v Speaker 3>in my life.

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<v Speaker 9>Mister Gibson have many enemies, Senor. He always sleep with

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<v Speaker 9>a lauded pistol besides his bed. She's a man of

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<v Speaker 9>great violence. There have been times when all of us

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<v Speaker 9>were afraid of him.

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<v Speaker 6>Did you have this physical violence towards missus Gibson, No, Senor,

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<v Speaker 6>I cannot say that I have.

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<v Speaker 9>But I have heard him say many terrible things to her.

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<v Speaker 9>She would taunt her in front of we servants. I

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<v Speaker 9>have heard them do it many times. Thank you, sir,

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<v Speaker 9>I that will be all will into vain, Senor you Holmes.

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<v Speaker 9>I do think the case against miss Dunbar looks very black.

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<v Speaker 1>I should agree with you if it were not for

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<v Speaker 1>one fact, the finding of the revolver in her wardrobe.

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<v Speaker 3>So Holmes, that seems to me easy the strongest evidence

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<v Speaker 3>of all.

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<v Speaker 1>I think, not old Chef huh. We must look for

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<v Speaker 1>consistency where there is a want of it. We must

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<v Speaker 1>suspect deception. I quite fire suppose from what we've visualized,

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<v Speaker 1>you in the character of a woman who, in cold

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00:15:28.240 --> 00:15:30.720
<v Speaker 1>premeditated fashion, is about to murder a rival.

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<v Speaker 2>You've planned it, and it has been written. The victim

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00:15:33.960 --> 00:15:34.320
<v Speaker 2>has come.

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00:15:34.440 --> 00:15:37.600
<v Speaker 1>You'll have a weapon. The crime is well done. There's

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<v Speaker 1>been workmen I can complete.

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00:15:39.360 --> 00:15:41.039
<v Speaker 6>You need to tell me that after carrying out her craft,

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<v Speaker 6>your crime, you'd be so stupid as to forget the thing,

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00:15:43.000 --> 00:15:44.679
<v Speaker 6>the incriminating revolver, at the bottom.

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00:15:44.360 --> 00:15:47.080
<v Speaker 2>Of the stream, or perhaps in the dense reeds that

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<v Speaker 2>border it.

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<v Speaker 6>Would you carefully carry it home and put it in

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<v Speaker 6>the first place that would be searched.

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<v Speaker 2>Your wardrobe have in the excitement of the moment, One,

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<v Speaker 2>my dear Chap.

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<v Speaker 6>Won't admit that's even possible when the crime is coolly

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<v Speaker 6>premeditated and the means of covering it are coolly permitiated

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<v Speaker 6>and if.

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<v Speaker 3>Miss Dunbar didn't shoot missus Gibson, who the devil did?

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<v Speaker 1>I hope I can give the answer to that question, Watson,

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00:16:08.600 --> 00:16:10.000
<v Speaker 1>when we've made one further visit.

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<v Speaker 3>Oh Lord, we'll be now to prison prison.

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00:16:13.360 --> 00:16:15.799
<v Speaker 1>Yes, we're going to Winchester Prison to call on Dunbar.

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<v Speaker 1>I'm sutain. But the key to this strange mystery lies

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<v Speaker 1>in her hands. You'll hear the rest of doctor Watson's

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00:16:31.240 --> 00:16:34.000
<v Speaker 1>story in just a few seconds, Just time enough for

385
00:16:34.120 --> 00:16:36.720
<v Speaker 1>me to remind you that the easiest way to make

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00:16:36.799 --> 00:16:39.960
<v Speaker 1>good food taste better is to serve that good food

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00:16:40.080 --> 00:16:41.519
<v Speaker 1>with a good Petree wine.

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00:16:42.399 --> 00:16:44.759
<v Speaker 2>If you like a red wine, well you want a.

389
00:16:44.799 --> 00:16:48.240
<v Speaker 1>Petrie California Burgundy. If you'd rather have a white wine,

390
00:16:48.600 --> 00:16:52.240
<v Speaker 1>then you want a Petrie California So Turned. But red

391
00:16:52.480 --> 00:16:56.720
<v Speaker 1>or white. Petrie Burgundy or Petrie so Turned. You're choosing

392
00:16:56.799 --> 00:16:59.240
<v Speaker 1>a dinner wine that's sure to turn a simple meal

393
00:16:59.639 --> 00:17:02.919
<v Speaker 1>into a feast. Your whole family and all your friends

394
00:17:02.919 --> 00:17:05.039
<v Speaker 1>will love Petrie, the wine that.

395
00:17:05.119 --> 00:17:07.079
<v Speaker 2>Makes good food tastes better.

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00:17:18.400 --> 00:17:21.480
<v Speaker 1>And now back to doctor Watson and tonight Sherlock Holmes Adventure,

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<v Speaker 1>The Problem of tour Bridge.

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00:17:24.359 --> 00:17:26.839
<v Speaker 2>Well, doctor, did you go to Winchester Prison and see

399
00:17:26.880 --> 00:17:27.400
<v Speaker 2>miss Dunbar.

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00:17:27.559 --> 00:17:29.680
<v Speaker 3>We did, mister Bartel, And now later I found the

401
00:17:29.759 --> 00:17:30.319
<v Speaker 3>two of us.

402
00:17:30.559 --> 00:17:33.720
<v Speaker 4>Sitting in a dank and gloomy cell talking to one

403
00:17:33.720 --> 00:17:36.799
<v Speaker 4>of the most beautiful girls that I've ever seen. Her

404
00:17:36.839 --> 00:17:41.960
<v Speaker 4>bright flashing eyes and her air of quiet confidence seems

405
00:17:42.000 --> 00:17:45.039
<v Speaker 4>sadly out of place in such a city. Homes spoke

406
00:17:45.119 --> 00:17:46.599
<v Speaker 4>to a quietly.

407
00:17:50.160 --> 00:17:52.400
<v Speaker 2>Tell us of your true relations with the dead woman.

408
00:17:53.000 --> 00:17:55.880
<v Speaker 10>She hated me, mister Holmes. She hated me with all

409
00:17:55.920 --> 00:17:57.400
<v Speaker 10>the passion of her distorted mind.

410
00:17:57.480 --> 00:17:59.480
<v Speaker 1>Please tell us exactly what happened on the evening of

411
00:17:59.480 --> 00:18:00.480
<v Speaker 1>missus Gids since death.

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00:18:01.319 --> 00:18:03.440
<v Speaker 10>Well, I I received a note from her in the morning,

413
00:18:04.079 --> 00:18:05.880
<v Speaker 10>a note imploring me to meet her at the bridge

414
00:18:05.920 --> 00:18:09.079
<v Speaker 10>after dinner that night. She said she had something important

415
00:18:09.119 --> 00:18:10.920
<v Speaker 10>to say to me. Did you keep that note with

416
00:18:12.000 --> 00:18:12.519
<v Speaker 10>no doctor?

417
00:18:13.240 --> 00:18:14.079
<v Speaker 2>She well?

418
00:18:14.160 --> 00:18:16.119
<v Speaker 10>She asked me to destroy the note, so I burned

419
00:18:16.160 --> 00:18:19.000
<v Speaker 10>it in the schoolroom grade. I saw no reason for

420
00:18:19.119 --> 00:18:19.759
<v Speaker 10>such secrecy.

421
00:18:19.920 --> 00:18:22.599
<v Speaker 1>But when I did as she asked, hmm, and yet

422
00:18:22.640 --> 00:18:24.200
<v Speaker 1>she kept you up applying her a carefully.

423
00:18:24.440 --> 00:18:26.920
<v Speaker 2>It's interesting, I mean, what happened when you met her

424
00:18:27.000 --> 00:18:27.319
<v Speaker 2>that night?

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00:18:28.440 --> 00:18:30.160
<v Speaker 10>When I reached the bridge, she was waiting for me.

426
00:18:31.319 --> 00:18:34.160
<v Speaker 10>I won't tell you what she said, but she poured

427
00:18:34.200 --> 00:18:38.119
<v Speaker 10>out her whole wild fury and burning horrible words. I

428
00:18:38.240 --> 00:18:38.759
<v Speaker 10>didn't answer.

429
00:18:39.440 --> 00:18:39.960
<v Speaker 3>I couldn't.

430
00:18:40.920 --> 00:18:43.440
<v Speaker 10>It was dreadful even to look at her. She was

431
00:18:43.559 --> 00:18:47.039
<v Speaker 10>like an insane woman standing there screaming disgusting insults at me.

432
00:18:48.440 --> 00:18:50.359
<v Speaker 10>I put my hands to my ears and rushed away.

433
00:18:50.799 --> 00:18:53.160
<v Speaker 3>Well if she's staring when you left.

434
00:18:53.000 --> 00:18:55.559
<v Speaker 10>Her within a few yards of a spot where her

435
00:18:55.599 --> 00:18:56.680
<v Speaker 10>body was found later.

436
00:18:56.680 --> 00:18:58.880
<v Speaker 2>And yet presuming she met her death shortly after you

437
00:18:59.000 --> 00:18:59.720
<v Speaker 2>left her, you heard no.

438
00:19:00.680 --> 00:19:03.839
<v Speaker 10>No, no, I heard nothing. But I was so upset,

439
00:19:03.880 --> 00:19:05.519
<v Speaker 10>mister Holmes that I rushed straight.

440
00:19:05.319 --> 00:19:07.440
<v Speaker 2>Back to my room. Did you leave it again that night?

441
00:19:08.240 --> 00:19:08.440
<v Speaker 9>Yes.

442
00:19:09.160 --> 00:19:11.480
<v Speaker 10>When the alarm came that missus Gibson was dead, I

443
00:19:11.599 --> 00:19:12.480
<v Speaker 10>ran up with the others.

444
00:19:12.640 --> 00:19:15.279
<v Speaker 3>Did you see mister Gibson?

445
00:19:16.039 --> 00:19:18.599
<v Speaker 10>Yes, doctor he had just returned from the bridge when

446
00:19:18.599 --> 00:19:20.519
<v Speaker 10>I saw him. He had sent for the doctor and

447
00:19:20.599 --> 00:19:21.039
<v Speaker 10>the police.

448
00:19:21.839 --> 00:19:23.920
<v Speaker 2>This pistol that you found in your room, have you

449
00:19:24.039 --> 00:19:24.759
<v Speaker 2>ever seen it before?

450
00:19:25.000 --> 00:19:27.160
<v Speaker 10>Never, mister Humes, I sweat. When was the fire in

451
00:19:27.200 --> 00:19:30.880
<v Speaker 10>the next morning when the police did their search, it

452
00:19:31.039 --> 00:19:32.720
<v Speaker 10>was on the floor of my wardrobe, where I'd keep

453
00:19:32.759 --> 00:19:33.160
<v Speaker 10>my shoes.

454
00:19:33.319 --> 00:19:34.599
<v Speaker 2>You had no idea how long it had been there?

455
00:19:35.200 --> 00:19:36.759
<v Speaker 10>But it hadn't been there the morning before?

456
00:19:37.599 --> 00:19:38.039
<v Speaker 2>How do you know?

457
00:19:38.759 --> 00:19:40.559
<v Speaker 10>Because I had tidied up the wardrobe that day.

458
00:19:40.720 --> 00:19:43.000
<v Speaker 1>I see, then someone must have come into your room

459
00:19:43.039 --> 00:19:45.119
<v Speaker 1>and placed the piscol there in order to incriminate your

460
00:19:45.319 --> 00:19:47.720
<v Speaker 1>and certain nothing well, and.

461
00:19:47.880 --> 00:19:48.720
<v Speaker 3>Could they have done there?

462
00:19:49.400 --> 00:19:49.559
<v Speaker 1>Well?

463
00:19:49.640 --> 00:19:52.240
<v Speaker 10>It could have been at meal time or when I

464
00:19:52.359 --> 00:19:53.680
<v Speaker 10>was in the school room, mister children.

465
00:19:53.799 --> 00:19:58.079
<v Speaker 1>Yeah, Miss dunbar On Exena was gone missus Gibson's death.

466
00:19:58.119 --> 00:20:00.359
<v Speaker 1>I noticed that a piece of stone work on the

467
00:20:00.440 --> 00:20:02.680
<v Speaker 1>underside of the telepate of the bridge had been broken away?

468
00:20:02.799 --> 00:20:04.759
<v Speaker 1>Can you suggest any possible explanation for that?

469
00:20:05.359 --> 00:20:05.480
<v Speaker 2>Oh?

470
00:20:05.759 --> 00:20:07.319
<v Speaker 10>Surely it must have been a mere coincidence.

471
00:20:07.599 --> 00:20:10.640
<v Speaker 1>Possibly, But why should it appear at the very time

472
00:20:10.680 --> 00:20:12.319
<v Speaker 1>of the tragedy and at the very place?

473
00:20:13.200 --> 00:20:17.079
<v Speaker 2>Could it possibly be the why? Yes, of course, idiot?

474
00:20:17.359 --> 00:20:19.079
<v Speaker 2>Why didn't I think it did before? Come wrong? Watson?

475
00:20:19.079 --> 00:20:19.599
<v Speaker 3>Where are we going?

476
00:20:19.680 --> 00:20:21.920
<v Speaker 6>Homes back to Fort Bridge o'feller as fast.

477
00:20:21.680 --> 00:20:22.319
<v Speaker 2>As we can get there.

478
00:20:22.400 --> 00:20:24.359
<v Speaker 1>What have you found out, mister Holmes the answer to

479
00:20:24.400 --> 00:20:24.839
<v Speaker 1>this mystery?

480
00:20:24.839 --> 00:20:26.640
<v Speaker 6>I hope, my dear young lady, he will get news

481
00:20:26.680 --> 00:20:29.359
<v Speaker 6>before the day is out. And meanwhile, take my assurance

482
00:20:29.440 --> 00:20:30.599
<v Speaker 6>the clouds are lifting.

483
00:20:30.480 --> 00:20:47.759
<v Speaker 2>And that the life of truth is breaking through. Well,

484
00:20:47.839 --> 00:20:50.680
<v Speaker 2>mister Rols still back here? What if your found on

485
00:20:50.759 --> 00:20:52.640
<v Speaker 2>a few moments now you've got my message? Yes, sir,

486
00:20:52.759 --> 00:20:55.359
<v Speaker 2>here you are all a twice what you wanted for

487
00:20:55.440 --> 00:20:56.000
<v Speaker 2>a cordilation.

488
00:20:56.480 --> 00:20:59.519
<v Speaker 6>You soon see, Sergeant Watson, I have some recollection that

489
00:20:59.559 --> 00:21:01.559
<v Speaker 6>you usually go armed on these excursions of ours.

490
00:21:01.720 --> 00:21:03.000
<v Speaker 3>Yes, I'm carrying my voval.

491
00:21:03.319 --> 00:21:05.119
<v Speaker 2>Give it to me, old Chap, No thanks.

492
00:21:06.119 --> 00:21:08.480
<v Speaker 1>I believe your revolver may have a very intimate connection

493
00:21:08.559 --> 00:21:10.079
<v Speaker 1>with the mystery we're investigating.

494
00:21:11.119 --> 00:21:12.759
<v Speaker 2>N't I very serious? A test to make?

495
00:21:13.160 --> 00:21:15.960
<v Speaker 6>The test is successful, Miss Dunbar will be free before nightfall,

496
00:21:16.039 --> 00:21:17.880
<v Speaker 6>and the test will depend on the conduct of this

497
00:21:18.039 --> 00:21:18.920
<v Speaker 6>revolver of yours.

498
00:21:21.119 --> 00:21:22.319
<v Speaker 2>Take the precaution of unloading it.

499
00:21:24.079 --> 00:21:24.400
<v Speaker 3>Uh huh.

500
00:21:25.319 --> 00:21:29.440
<v Speaker 2>There we are now, targeant ball twine please shall be

501
00:21:29.559 --> 00:21:30.440
<v Speaker 2>what you was up to, sir.

502
00:21:30.880 --> 00:21:34.279
<v Speaker 6>I tie one into the twine like this to the

503
00:21:34.400 --> 00:21:38.799
<v Speaker 6>handle of the revolver. So starge and see if you

504
00:21:38.799 --> 00:21:39.720
<v Speaker 6>can find me a heavy stone?

505
00:21:39.759 --> 00:21:40.440
<v Speaker 2>Will you want to ruck?

506
00:21:40.519 --> 00:21:40.839
<v Speaker 9>Your sir?

507
00:21:41.319 --> 00:21:43.440
<v Speaker 1>What are you doing trying to reconstruct.

508
00:21:43.039 --> 00:21:46.200
<v Speaker 2>The king of Thissus Gibson that you've seen me?

509
00:21:46.200 --> 00:21:48.440
<v Speaker 1>Miss the mark before, Watson, I have an instinct for

510
00:21:48.559 --> 00:21:51.440
<v Speaker 1>such things, and yet it has sometimes played me false.

511
00:21:52.400 --> 00:21:54.680
<v Speaker 2>It seemed a certainty when it first clashed. Course my

512
00:21:54.720 --> 00:21:55.799
<v Speaker 2>mind it was dunbar cell.

513
00:21:56.480 --> 00:21:58.920
<v Speaker 6>But one drawback of an active mind is that one

514
00:21:58.960 --> 00:22:03.279
<v Speaker 6>can always conceive alternative explanations which would make us sense

515
00:22:03.319 --> 00:22:03.839
<v Speaker 6>a false swam.

516
00:22:03.960 --> 00:22:06.720
<v Speaker 2>And yet, oh well we can but try, is my

517
00:22:06.880 --> 00:22:08.519
<v Speaker 2>stillest rose? Thank you, sergeant.

518
00:22:08.640 --> 00:22:12.279
<v Speaker 1>Now I tie the other end of the twine to

519
00:22:12.400 --> 00:22:17.079
<v Speaker 1>the stone. Wait a minute, like that, splend it, sargeant.

520
00:22:17.079 --> 00:22:19.039
<v Speaker 1>Will you please take the stone and stretch the twine

521
00:22:19.079 --> 00:22:19.960
<v Speaker 1>across the parapet of the.

522
00:22:19.920 --> 00:22:22.480
<v Speaker 6>Bridge there so that the stone will swing just tail

523
00:22:22.519 --> 00:22:24.279
<v Speaker 6>to the water on the other side of the bridge. Right, yes,

524
00:22:24.640 --> 00:22:27.000
<v Speaker 6>I'll stand the pot where Missus Gibson's body was found,

525
00:22:27.799 --> 00:22:29.799
<v Speaker 6>adds a sergeant over the parapet.

526
00:22:30.160 --> 00:22:33.400
<v Speaker 3>Out, said mister Rowse. The stone swing about eight feet.

527
00:22:33.160 --> 00:22:36.079
<v Speaker 2>A bog of water. Splend it now, Watson, watch closely.

528
00:22:36.880 --> 00:22:38.519
<v Speaker 2>I raised the revolver to my head.

529
00:22:38.599 --> 00:22:39.799
<v Speaker 3>Careful, homes, careful, nobody.

530
00:22:39.839 --> 00:22:42.599
<v Speaker 6>Old Jeb's not loaded. Now let us imagine I am

531
00:22:42.720 --> 00:22:44.960
<v Speaker 6>late Missus Gibson. I raised the revolver to my head

532
00:22:45.000 --> 00:22:47.319
<v Speaker 6>and fire it instantly. Think us release that Gribbin.

533
00:22:49.359 --> 00:22:51.160
<v Speaker 1>Thanks you answer, Watson, great comfort of all.

534
00:22:51.200 --> 00:22:53.240
<v Speaker 4>The flash back out of your hand struck the parap's

535
00:22:53.240 --> 00:22:54.759
<v Speaker 4>bridge and then the way till the stone slipped it

536
00:22:54.799 --> 00:22:55.400
<v Speaker 4>over into the water.

537
00:22:55.720 --> 00:22:57.279
<v Speaker 2>However, I'm more exact demonstration.

538
00:22:57.440 --> 00:23:00.599
<v Speaker 6>Come on o'cofditi, misters, that's.

539
00:23:00.440 --> 00:23:00.960
<v Speaker 3>What you wore.

540
00:23:03.200 --> 00:23:06.240
<v Speaker 1>Served the second ship on the stonework, the caliphate here same.

541
00:23:06.079 --> 00:23:08.519
<v Speaker 3>Size as the first. And the murder Missus basont murder

542
00:23:08.640 --> 00:23:08.960
<v Speaker 3>at all.

543
00:23:09.079 --> 00:23:11.839
<v Speaker 2>It was suicide. But we can follow the various steps

544
00:23:11.920 --> 00:23:12.400
<v Speaker 2>quite clearly.

545
00:23:12.440 --> 00:23:14.839
<v Speaker 6>A note was extracted very cleverly from Miss Dunbar, a

546
00:23:14.880 --> 00:23:16.839
<v Speaker 6>note which made it appear that she had chosen the

547
00:23:16.920 --> 00:23:20.039
<v Speaker 6>scene of the crime. Missus Gibson, in her anxiety that

548
00:23:20.160 --> 00:23:23.160
<v Speaker 6>the note should be discovered somewhat overdid it by holding

549
00:23:23.200 --> 00:23:25.920
<v Speaker 6>it in her hand to the last. That alone should

550
00:23:25.920 --> 00:23:27.759
<v Speaker 6>have excited my suspicions earlier than it did.

551
00:23:28.079 --> 00:23:30.240
<v Speaker 3>She stole one of her husband's revolvers, was it the

552
00:23:30.279 --> 00:23:30.599
<v Speaker 3>other one?

553
00:23:30.640 --> 00:23:32.160
<v Speaker 2>Miss Dunbar's water jacta.

554
00:23:32.960 --> 00:23:35.839
<v Speaker 6>After discharging one of the cartridges, which she could easily

555
00:23:35.920 --> 00:23:39.079
<v Speaker 6>do in the woods without attracting suspicion, she then went

556
00:23:39.160 --> 00:23:42.839
<v Speaker 6>down to the bridge, where she contrived the succeedingly ingenious

557
00:23:42.880 --> 00:23:45.720
<v Speaker 6>method of getting rid of her weapon. When miss Dunbar appeared,

558
00:23:45.799 --> 00:23:47.599
<v Speaker 6>she used her last breath in pouring out.

559
00:23:47.519 --> 00:23:50.759
<v Speaker 1>Her hatred, and then, when the girl had left, carried

560
00:23:50.799 --> 00:23:51.759
<v Speaker 1>out her terrible purpose.

561
00:23:51.839 --> 00:23:52.640
<v Speaker 3>In this reform.

562
00:23:52.680 --> 00:23:54.640
<v Speaker 1>You'll find it with the aid of a grappling hook

563
00:23:54.640 --> 00:23:56.319
<v Speaker 1>at the bottom of the stream, and also the stone

564
00:23:56.319 --> 00:23:56.480
<v Speaker 1>in the.

565
00:23:56.480 --> 00:23:59.880
<v Speaker 2>String with which this vindictive woman added it. To the

566
00:24:00.119 --> 00:24:02.319
<v Speaker 2>guys are own crime and fast the charge.

567
00:24:02.039 --> 00:24:05.119
<v Speaker 1>Of murder on an innocent victim, youre, sergeant, And don't

568
00:24:05.119 --> 00:24:07.039
<v Speaker 1>forget while you're at it, that my revolver was down

569
00:24:07.079 --> 00:24:07.400
<v Speaker 1>there too.

570
00:24:07.599 --> 00:24:09.720
<v Speaker 2>Don't worry, doctor, I'll get some grappling.

571
00:24:09.400 --> 00:24:12.599
<v Speaker 3>Hooks right away. I must say, homes, you saw this

572
00:24:12.720 --> 00:24:14.680
<v Speaker 3>case dimply quite brilliant.

573
00:24:14.720 --> 00:24:15.440
<v Speaker 9>Blur ah.

574
00:24:15.920 --> 00:24:18.599
<v Speaker 6>I disagree, old chef, and I fear that you will

575
00:24:18.640 --> 00:24:20.960
<v Speaker 6>not improve my reputation by heading the case of the

576
00:24:21.000 --> 00:24:22.519
<v Speaker 6>toll bridge mystery to your animal.

577
00:24:22.640 --> 00:24:24.559
<v Speaker 3>Oh nonsense, was that ridiculous?

578
00:24:24.559 --> 00:24:25.480
<v Speaker 2>Oh no, it is, no boy.

579
00:24:26.480 --> 00:24:29.319
<v Speaker 6>I've been sluggish in my mind and wanting in that

580
00:24:29.480 --> 00:24:33.119
<v Speaker 6>mixture of imagination and reality which is the very basis

581
00:24:33.200 --> 00:24:35.799
<v Speaker 6>of my art. I confess that the chip in the

582
00:24:35.839 --> 00:24:39.200
<v Speaker 6>stonework was a sufficient clue to suggest the fools, so Lucien.

583
00:24:39.000 --> 00:24:42.000
<v Speaker 2>And I blame myself. I'm not having attained it sooner.

584
00:24:42.119 --> 00:24:44.359
<v Speaker 3>Well I was personally. I agree with the sergeant's opinion

585
00:24:44.400 --> 00:24:44.599
<v Speaker 3>on you.

586
00:24:44.960 --> 00:24:46.039
<v Speaker 2>Oh what was that over?

587
00:24:46.720 --> 00:24:49.400
<v Speaker 3>You're a blooming magician, Mistrobes. That's what you are, a

588
00:24:49.680 --> 00:24:50.799
<v Speaker 3>blooming magician.

589
00:25:01.720 --> 00:25:04.519
<v Speaker 2>Well, doctor Holmes really was a magician. That is if

590
00:25:04.599 --> 00:25:06.920
<v Speaker 2>you did find missus Gibson's revolver and your own.

591
00:25:06.960 --> 00:25:07.519
<v Speaker 9>It wants to be.

592
00:25:07.599 --> 00:25:09.480
<v Speaker 3>Fun of all right, don't think i'll tell you the

593
00:25:09.519 --> 00:25:12.880
<v Speaker 3>story otherwise, don't you what do you take before? Anyway? Well,

594
00:25:13.119 --> 00:25:14.279
<v Speaker 3>now that you ask, I'll tell you.

595
00:25:14.960 --> 00:25:18.039
<v Speaker 1>I thank you for a very charming gentleman, a wonderful storyteller,

596
00:25:18.119 --> 00:25:22.000
<v Speaker 1>and a fine hole. Well you are a gentleman of

597
00:25:22.079 --> 00:25:27.640
<v Speaker 1>the old school, tell a fine story, and you are

598
00:25:27.720 --> 00:25:30.279
<v Speaker 1>a perfect toast. That year we had tonight was wonderful

599
00:25:30.519 --> 00:25:34.400
<v Speaker 1>it was. And that that wine, what kind was it?

600
00:25:34.799 --> 00:25:37.119
<v Speaker 3>It was Petri wine, and you know it. And I

601
00:25:37.200 --> 00:25:39.160
<v Speaker 3>should have known that you were leading up to something.

602
00:25:39.200 --> 00:25:42.119
<v Speaker 3>Mister Boto, you should be ashamed of yourself. You will

603
00:25:42.160 --> 00:25:46.400
<v Speaker 3>do anything to get a chat. Petrie. I can't say

604
00:25:46.440 --> 00:25:47.000
<v Speaker 3>I blame.

605
00:25:46.880 --> 00:25:50.000
<v Speaker 1>You, honestly, doctor, I meant everything I said, but you

606
00:25:50.119 --> 00:25:52.480
<v Speaker 1>don't really want me to stop talking about Petrie wine.

607
00:25:53.319 --> 00:25:56.279
<v Speaker 1>After all, it's worth talking about, isn't it. What other

608
00:25:56.359 --> 00:25:58.599
<v Speaker 1>wine is made with a loving care that goes into

609
00:25:58.640 --> 00:26:02.559
<v Speaker 1>Petrie wine? Forget Petrie wine is made by the Petrie family.

610
00:26:03.240 --> 00:26:06.400
<v Speaker 1>Wine making is their business. Why they've been making wine

611
00:26:06.440 --> 00:26:10.599
<v Speaker 1>for generations, handing down from father to son, from father

612
00:26:10.720 --> 00:26:14.160
<v Speaker 1>to son, all their skill and knowledge and experience.

613
00:26:14.920 --> 00:26:16.680
<v Speaker 2>You can be sure Petrie.

614
00:26:16.400 --> 00:26:19.640
<v Speaker 1>Family really knows plenty about the fine art of turning

615
00:26:19.759 --> 00:26:24.200
<v Speaker 1>luscious grapes into delicious wine. That's why, whether you want

616
00:26:24.240 --> 00:26:27.039
<v Speaker 1>a wine for before dinner, with dinner, or for any time,

617
00:26:27.720 --> 00:26:31.119
<v Speaker 1>you can't go wrong with a Petrie wine because Petrie

618
00:26:31.200 --> 00:26:36.359
<v Speaker 1>took time to bring you good wine. And now, doctor Watson,

619
00:26:36.400 --> 00:26:38.160
<v Speaker 1>what new story are you planning to tell us next week?

620
00:26:38.200 --> 00:26:40.079
<v Speaker 4>Well, next thing it's about tell I'm good telling an

621
00:26:40.119 --> 00:26:42.240
<v Speaker 4>adventure that Holmes and I had him in the audiential

622
00:26:42.319 --> 00:26:44.680
<v Speaker 4>magnificence Ramaharaj just peedas.

623
00:26:44.599 --> 00:26:45.759
<v Speaker 3>In India India.

624
00:26:46.079 --> 00:26:46.839
<v Speaker 2>Sounds intriguing.

625
00:26:47.480 --> 00:26:49.200
<v Speaker 3>What were you and Sherlock Homes doing out there?

626
00:26:49.240 --> 00:26:49.480
<v Speaker 1>Doctor?

627
00:26:49.519 --> 00:26:51.759
<v Speaker 3>We will have to wait until next week we answer

628
00:26:51.839 --> 00:26:52.200
<v Speaker 3>that question.

629
00:26:52.319 --> 00:26:54.480
<v Speaker 4>We were, but I can tell you that it was

630
00:26:54.519 --> 00:26:58.039
<v Speaker 4>one of the weirdest problems that we ever have to solve.

631
00:26:58.559 --> 00:27:13.759
<v Speaker 3>I call the story The Vanishing Elephant Tonight.

632
00:27:13.839 --> 00:27:16.759
<v Speaker 1>Sherlock Holm's Adventure is written by Dennis Green and Anthony

633
00:27:16.799 --> 00:27:19.960
<v Speaker 1>Boucher and is adapted from the Arthur Conan Doyle story

634
00:27:20.359 --> 00:27:23.680
<v Speaker 1>The Problem of tour Bridge. Mister Rathbone appears through the

635
00:27:23.720 --> 00:27:26.519
<v Speaker 1>courtesy of Metro Goldwen Mayor and mister Bruce through the

636
00:27:26.559 --> 00:27:29.359
<v Speaker 1>courtesy of Universal Pictures, where they are now starring in

637
00:27:29.400 --> 00:27:36.519
<v Speaker 1>the Sherlock Holmes series. The Petree Wine Company of San Francisco,

638
00:27:36.680 --> 00:27:40.440
<v Speaker 1>California invites you to tune in again next week, same time,

639
00:27:40.920 --> 00:27:41.519
<v Speaker 1>same station.

640
00:27:43.920 --> 00:27:46.759
<v Speaker 3>The Petree family took the time to bring you such

641
00:27:46.839 --> 00:27:49.720
<v Speaker 3>good wine. Cool when you eat, and when you cook,

642
00:27:50.079 --> 00:27:52.119
<v Speaker 3>remember Petree wine.

643
00:27:52.160 --> 00:27:53.920
<v Speaker 2>To make good food taste better.

644
00:27:54.359 --> 00:28:07.319
<v Speaker 1>Remember Hurt Hurty. This is Harry Martell saying good night

645
00:28:07.400 --> 00:28:09.720
<v Speaker 1>for the Petrick family. Sherlt Holmes comes to you from

646
00:28:09.759 --> 00:28:10.839
<v Speaker 1>our Hollywood Studios.

647
00:28:11.119 --> 00:28:13.079
<v Speaker 3>This is the Mutual Broadcasting Syste
